1 00:00:00,600 --> 00:00:04,600 Speaker 1: Hey, rain Drops. Reality with the King podcast is going 2 00:00:04,640 --> 00:00:09,600 Speaker 1: on tour. Yes, I am coming to a city near you, 3 00:00:10,240 --> 00:00:13,400 Speaker 1: but I'm not coming alone. I am bringing a few 4 00:00:13,440 --> 00:00:18,239 Speaker 1: special guests along with me, starting with Real Housewives of 5 00:00:18,400 --> 00:00:23,680 Speaker 1: New Jersey star Teresa Judais on April thirteenth at the 6 00:00:23,720 --> 00:00:29,440 Speaker 1: White Eagle Hall in Jersey City, New Jersey. On Monday 7 00:00:29,560 --> 00:00:34,879 Speaker 1: April twenty second, I have Tamar Braxton coming to Atlanta 8 00:00:35,479 --> 00:00:40,400 Speaker 1: as City Winery on April twenty fifth. I got Tamar 9 00:00:40,560 --> 00:00:44,400 Speaker 1: Judge and Teddy Mellcap from two teas and a pod 10 00:00:44,520 --> 00:00:48,440 Speaker 1: podcast who will be in the OC at the Irvine 11 00:00:48,560 --> 00:00:54,160 Speaker 1: Improv And for My Love and Marriage DC fans, I 12 00:00:54,240 --> 00:00:59,080 Speaker 1: got the ladies Ashley Winter, Iarana and Joy coming to 13 00:00:59,640 --> 00:01:05,880 Speaker 1: Howd Theater in DC on Sunday May twelfth, Yes Mother's Day. 14 00:01:06,480 --> 00:01:10,080 Speaker 1: To get your tickets, make sure to go on my 15 00:01:10,240 --> 00:01:16,200 Speaker 1: Instagram page or Twitter and click the link in my bio. 16 00:01:16,840 --> 00:01:20,520 Speaker 1: Welcome to Reality with the King. It's me Carlos Kings, 17 00:01:20,640 --> 00:01:23,399 Speaker 1: the King of Reality TV and one of the most 18 00:01:23,480 --> 00:01:28,080 Speaker 1: sought after executive producers in reality television with over ten 19 00:01:28,160 --> 00:01:32,200 Speaker 1: years a production experience. Twice a week on Reality with 20 00:01:32,240 --> 00:01:34,679 Speaker 1: the King, we'll sit down with my friends across the 21 00:01:34,880 --> 00:01:40,000 Speaker 1: entertainment industry, recap our favorite reality shows and revisit unforgettable 22 00:01:40,120 --> 00:01:47,360 Speaker 1: moments that we are still talking and tweeting about. Hay, 23 00:01:47,440 --> 00:01:53,280 Speaker 1: rain Drops, Honey, this is a sad day. I am 24 00:01:53,280 --> 00:01:57,919 Speaker 1: wearing black. I have on a veil. What is going 25 00:01:57,960 --> 00:02:01,720 Speaker 1: on on the Royal House Boss of a tomb mcbaby, 26 00:02:03,000 --> 00:02:07,840 Speaker 1: I am gagging, I am appalled, and I'm sad. I 27 00:02:07,880 --> 00:02:12,920 Speaker 1: am sad to announce that Candace Dealer Basset is leaving 28 00:02:13,440 --> 00:02:19,600 Speaker 1: the Real Housewives of Potomac. Breaking news, breaking news, breaking news. 29 00:02:20,680 --> 00:02:25,400 Speaker 1: The journalist to the Housewives, Honey, Dave Quinn, has reported 30 00:02:26,120 --> 00:02:30,560 Speaker 1: that after six seasons, Canda has said, and I quote, 31 00:02:30,720 --> 00:02:33,960 Speaker 1: I am filled with gratitude. Well, shit, that makes one 32 00:02:34,000 --> 00:02:37,600 Speaker 1: of us, Candace. I'm not filled with gratitude. I'm filled up, Honey. 33 00:02:37,960 --> 00:02:43,880 Speaker 1: I need some pepto bismo. Honey. I am full of sadness. 34 00:02:44,440 --> 00:02:47,240 Speaker 1: I did not see this coming and this is not 35 00:02:47,440 --> 00:02:52,840 Speaker 1: what I anticipated or even wanted. Now, as you know, 36 00:02:52,960 --> 00:02:58,600 Speaker 1: rain Drops, the Real Housewives of Potomac, in my opinion, allegedly, 37 00:02:59,080 --> 00:03:01,600 Speaker 1: it hasn't been that right in the past two seasons. 38 00:03:02,280 --> 00:03:05,800 Speaker 1: We needed a cast shake up. I have said multiple 39 00:03:05,840 --> 00:03:10,720 Speaker 1: times that there needs to at least be three women 40 00:03:11,080 --> 00:03:13,680 Speaker 1: that should be removed. Now. I made a promise to 41 00:03:13,720 --> 00:03:16,320 Speaker 1: the rain Drops that I would not suggest the three 42 00:03:16,360 --> 00:03:21,480 Speaker 1: women until after the reunion, but apparently child two of 43 00:03:21,520 --> 00:03:25,280 Speaker 1: them have been revealed. We have learned that Candace Dialer 44 00:03:25,360 --> 00:03:31,960 Speaker 1: Bassett is leaving. She has given People Magazine that exclusive. However, 45 00:03:32,960 --> 00:03:39,360 Speaker 1: breaking news, it has been reported by the Jasmine Brand. Yes, Baby, 46 00:03:40,120 --> 00:03:47,840 Speaker 1: that Robin Dixon is gone. The gag up it all now. 47 00:03:48,760 --> 00:03:53,240 Speaker 1: Robin being gone to me, it's a good thing, and 48 00:03:53,280 --> 00:03:56,160 Speaker 1: I'll address that later, but let's first kick off things 49 00:03:56,160 --> 00:04:00,280 Speaker 1: with candas. It's unfortunate because when I interview can for 50 00:04:00,320 --> 00:04:03,680 Speaker 1: the podcast, Candace said she prayed to be on the 51 00:04:03,720 --> 00:04:07,000 Speaker 1: Royal Housewives of Potomac and that this was something that 52 00:04:07,040 --> 00:04:11,000 Speaker 1: she wanted badly, and when she got the call, she 53 00:04:11,120 --> 00:04:14,440 Speaker 1: pretty much prayed for this, manifested this, and I just 54 00:04:14,480 --> 00:04:17,880 Speaker 1: thought that was so dope that, you know, she has 55 00:04:17,920 --> 00:04:22,479 Speaker 1: shown that prayer works, that manifestation works, and it's sad 56 00:04:22,520 --> 00:04:24,880 Speaker 1: that it did not work out for her. I think 57 00:04:24,960 --> 00:04:28,719 Speaker 1: Candace came to this show with the best intentions. She 58 00:04:29,520 --> 00:04:34,440 Speaker 1: came to the show wanting to be herself, and unfortunately 59 00:04:34,720 --> 00:04:39,200 Speaker 1: I think the way some of those women operate, it's 60 00:04:39,200 --> 00:04:43,040 Speaker 1: hard to be yourself. And I remember Candace's first season 61 00:04:43,839 --> 00:04:48,400 Speaker 1: where she was being hazed, right, you know she was, 62 00:04:49,279 --> 00:04:52,359 Speaker 1: and she was told by some of the housewives, like, 63 00:04:52,440 --> 00:04:55,320 Speaker 1: stand up for yourself, don't let these girls come for you. 64 00:04:56,120 --> 00:04:59,040 Speaker 1: And they were giving her pep talk to like read 65 00:04:59,080 --> 00:05:04,400 Speaker 1: the girls. And little did they know, honey, she was baby, 66 00:05:04,560 --> 00:05:10,600 Speaker 1: a master at reading the girls, master class, Baby, she 67 00:05:11,320 --> 00:05:14,720 Speaker 1: was fantastic at it. And then she gave you her 68 00:05:15,240 --> 00:05:19,320 Speaker 1: issues with her now husband, Chris Bassett. We got to 69 00:05:19,360 --> 00:05:25,200 Speaker 1: see Mama Dorothy. She is the quintessential housewife. She comes 70 00:05:25,200 --> 00:05:30,760 Speaker 1: from wealth, she is a passionate girl, her mother is 71 00:05:30,880 --> 00:05:34,720 Speaker 1: all of in her business. Hey, miss Dorothy, and she's 72 00:05:35,040 --> 00:05:40,920 Speaker 1: in a relationship with the man who comes from humble beginnings. 73 00:05:41,200 --> 00:05:45,440 Speaker 1: And that's a dynamic that we enjoy from our housewives. 74 00:05:45,720 --> 00:05:49,480 Speaker 1: Where did things go wrong? Though she had the best setup, 75 00:05:50,200 --> 00:05:52,880 Speaker 1: and then for the past two years, it appears that, 76 00:05:53,080 --> 00:05:57,800 Speaker 1: in my opinion, that Candace was coming to work every 77 00:05:57,880 --> 00:06:04,400 Speaker 1: day not being herself or feeling happy to be there 78 00:06:05,080 --> 00:06:09,719 Speaker 1: because of the environment in which she was at. You know, 79 00:06:10,120 --> 00:06:12,800 Speaker 1: I love Giselle Kobe Bryant. She is number nine of 80 00:06:12,839 --> 00:06:15,920 Speaker 1: My Greatest Housewife's List, and that's not going to change. 81 00:06:16,560 --> 00:06:21,880 Speaker 1: But Gazelle controls the energy in the room. Gizelle is 82 00:06:21,880 --> 00:06:26,080 Speaker 1: the force multiplier. And with Candace and Gazelle being on 83 00:06:26,120 --> 00:06:30,400 Speaker 1: the outs and Gizelle just not giving Candace any time 84 00:06:30,440 --> 00:06:33,479 Speaker 1: of the day, it's a very tough environment to be 85 00:06:33,560 --> 00:06:38,720 Speaker 1: in when the force multiplier isn't giving you anything. Giselle 86 00:06:38,839 --> 00:06:42,800 Speaker 1: controls the energy. The girls know that, Hey, if Jazelle's 87 00:06:42,839 --> 00:06:45,520 Speaker 1: in a good mood, then we're all in a good mood. 88 00:06:46,160 --> 00:06:48,440 Speaker 1: If Jazail's in a bad mood, well, bitch, we're all 89 00:06:48,480 --> 00:06:51,800 Speaker 1: in a bad mood. And that's what Candace had to 90 00:06:51,880 --> 00:06:57,760 Speaker 1: face and what appeared to be this current season of 91 00:06:57,839 --> 00:07:01,640 Speaker 1: Candace checking out out of I think Candace was checking out. 92 00:07:02,440 --> 00:07:05,839 Speaker 1: I think they checked out of Canvas. I think Candace 93 00:07:05,920 --> 00:07:08,880 Speaker 1: knew that it was a voice to Men's song, maybe 94 00:07:09,840 --> 00:07:14,440 Speaker 1: end of the Road. I believe she knew that. I 95 00:07:14,480 --> 00:07:17,960 Speaker 1: believe she knew that her time was up. I believe 96 00:07:18,040 --> 00:07:21,480 Speaker 1: she was aware that. I don't think they want me back, 97 00:07:22,320 --> 00:07:25,400 Speaker 1: and I do believe that perhaps she did not want 98 00:07:25,400 --> 00:07:29,640 Speaker 1: to come back. It just wasn't suitable for her anymore. 99 00:07:30,160 --> 00:07:33,160 Speaker 1: And The reason why it wasn't suitable anymore is because 100 00:07:34,120 --> 00:07:39,680 Speaker 1: we lost the spark that Candace had her eye. She 101 00:07:40,000 --> 00:07:44,160 Speaker 1: loved being a housewife, she loved being a reality star. 102 00:07:44,760 --> 00:07:52,160 Speaker 1: She used this opportunity to start a really successful singing 103 00:07:52,240 --> 00:07:56,320 Speaker 1: career that has legs. She had a sellout tour. She 104 00:07:56,480 --> 00:08:01,640 Speaker 1: opened up for the amazing Tamar Braxton, and her album 105 00:08:01,800 --> 00:08:05,520 Speaker 1: was actually really good. My favorite song of the album 106 00:08:05,640 --> 00:08:10,280 Speaker 1: is called is It Enough? So Canvas has left? And 107 00:08:10,840 --> 00:08:13,440 Speaker 1: this is what she said and I quote, as I 108 00:08:13,520 --> 00:08:18,640 Speaker 1: embark on a new chapter after six remarkable years with 109 00:08:18,760 --> 00:08:22,800 Speaker 1: the Real Housewives of Potomac, I'm filled with gratitude for 110 00:08:22,880 --> 00:08:28,520 Speaker 1: the enriching friendships, personal growth, and moments of introspection that 111 00:08:28,680 --> 00:08:34,480 Speaker 1: have defined this journey. With a whirlwind of new opportunities 112 00:08:34,600 --> 00:08:39,400 Speaker 1: and responsibilities on my plate, I have decided to take 113 00:08:39,440 --> 00:08:43,080 Speaker 1: a break from the Real Housewives of Potomac. This is 114 00:08:43,160 --> 00:08:48,760 Speaker 1: not a farewell, but a see you later. Now. I 115 00:08:48,880 --> 00:08:52,440 Speaker 1: like to read between the lines, Honey, she said, with 116 00:08:52,600 --> 00:09:02,160 Speaker 1: a whirlwind of new opportunities and responsibilities, Candace, what are 117 00:09:02,280 --> 00:09:07,400 Speaker 1: these responsibilities? That sounds very personal with a WorldWind of 118 00:09:07,480 --> 00:09:11,640 Speaker 1: new opportunities, So I take that as she has more 119 00:09:11,760 --> 00:09:15,199 Speaker 1: to do with her singing career. But as I'm reading, 120 00:09:16,480 --> 00:09:21,839 Speaker 1: responsibilities that's personal. So if you quit the Real Housewives 121 00:09:21,880 --> 00:09:29,360 Speaker 1: of Potomac for new responsibilities, that's personal. Could there be 122 00:09:30,559 --> 00:09:35,280 Speaker 1: a new arrival of some sorts. I get this sense 123 00:09:35,360 --> 00:09:41,160 Speaker 1: that Candace may be expecting something not a champagne flute, 124 00:09:41,160 --> 00:09:43,880 Speaker 1: because you're not supposed to drink when you're expecting something. 125 00:09:46,000 --> 00:09:47,800 Speaker 1: I don't know. Am I reading too much into this? 126 00:09:48,760 --> 00:09:53,760 Speaker 1: With a whirlwind of new opportunities that's music career to 127 00:09:53,800 --> 00:09:58,720 Speaker 1: me and responsibilities on my plate? We all know that 128 00:09:59,440 --> 00:10:04,839 Speaker 1: Candace and Chris we're going through their IVF journey, so 129 00:10:05,280 --> 00:10:10,440 Speaker 1: maybe Candace is expecting a bundle of joy. Candace did 130 00:10:10,520 --> 00:10:14,880 Speaker 1: say last week on a podcast that she has been 131 00:10:14,880 --> 00:10:19,680 Speaker 1: thinking heavily about kids and having conversations about their complexion. 132 00:10:19,960 --> 00:10:23,920 Speaker 1: We will not get into that, honey, but there is 133 00:10:23,960 --> 00:10:29,200 Speaker 1: something interesting about saying responsibilities on my plate. And if 134 00:10:29,320 --> 00:10:37,240 Speaker 1: Candace is expecting something blue or pink, honey or neutral colors, okay, 135 00:10:37,520 --> 00:10:43,280 Speaker 1: thank you, that's a good reason to leave, because you 136 00:10:43,320 --> 00:10:48,240 Speaker 1: don't want to have a high risk situation while you're 137 00:10:48,280 --> 00:10:56,160 Speaker 1: dealing with high risk housewives causing you stress. Child. If 138 00:10:56,200 --> 00:11:00,800 Speaker 1: that's the case, then, Candace, congratulations, I'm proud of you. 139 00:11:01,880 --> 00:11:04,520 Speaker 1: But all jokes aside. This is sad because I know 140 00:11:04,640 --> 00:11:07,920 Speaker 1: how much she loved this job, and I know how 141 00:11:08,000 --> 00:11:12,320 Speaker 1: much she wanted it, and I don't feel right about this. 142 00:11:12,920 --> 00:11:16,560 Speaker 1: I think Candace had a couple more years before quitting 143 00:11:17,360 --> 00:11:21,440 Speaker 1: or saying her goodbyes. For now, she says. And that's 144 00:11:21,480 --> 00:11:25,520 Speaker 1: the other thing. Hey, she said, this is not a 145 00:11:25,600 --> 00:11:28,440 Speaker 1: farewell but a see you later. So are we going 146 00:11:28,480 --> 00:11:33,560 Speaker 1: to see you nine months later? Candace? Wink wink? Or 147 00:11:33,600 --> 00:11:39,280 Speaker 1: should I say so? The question remains, did Candace quit? 148 00:11:39,920 --> 00:11:43,640 Speaker 1: Or did Candace get fired? Now, y'all know, I like 149 00:11:43,640 --> 00:11:45,640 Speaker 1: to keep it real. That's what I do here, and 150 00:11:45,679 --> 00:11:49,160 Speaker 1: I love all the girls. The only housewives I've known 151 00:11:49,640 --> 00:11:57,120 Speaker 1: to quit has been Lisa Vanda Pump, Bethany Frankel, Adrian 152 00:11:57,200 --> 00:12:04,000 Speaker 1: maloof Monique Samuel's, and Portie Williams. They were not demoted 153 00:12:04,040 --> 00:12:08,200 Speaker 1: to friend of and then quit. They all quit their 154 00:12:08,240 --> 00:12:12,360 Speaker 1: full time housewives role. That's what I know for sure, Honey. 155 00:12:12,440 --> 00:12:15,440 Speaker 1: As a fact, when it comes to Candace, people are 156 00:12:15,520 --> 00:12:18,840 Speaker 1: asking did she quit or was she let go? I 157 00:12:18,880 --> 00:12:22,040 Speaker 1: think that remains to be seen. If we get an 158 00:12:22,080 --> 00:12:29,520 Speaker 1: announcement in a few more weeks. After maybe twelve weeks, 159 00:12:30,080 --> 00:12:34,840 Speaker 1: we'll get another announcement perhaps, and I think that'll indicate 160 00:12:35,000 --> 00:12:43,160 Speaker 1: something interesting about this decision. Nevertheless, Candace, you were fantastic 161 00:12:43,240 --> 00:12:47,400 Speaker 1: on this show. We're sad to see you go. You're funny, 162 00:12:47,520 --> 00:12:51,319 Speaker 1: you're beautiful, you're talented, you are as real as they come. 163 00:12:52,040 --> 00:12:53,920 Speaker 1: You wear your hard and your sleeve. You know how 164 00:12:53,920 --> 00:12:57,680 Speaker 1: to read the girls, and you're funny. And I hope 165 00:12:57,720 --> 00:13:00,520 Speaker 1: this is not the last that we will see of you. 166 00:13:01,400 --> 00:13:05,720 Speaker 1: I hope that we're able to continue to see you 167 00:13:05,760 --> 00:13:10,000 Speaker 1: on the road. Buy some music. Honey. You're great television, 168 00:13:10,679 --> 00:13:13,199 Speaker 1: and it makes me sad that this did not work 169 00:13:13,240 --> 00:13:16,560 Speaker 1: out for you the way you thought it would. Being 170 00:13:16,600 --> 00:13:21,959 Speaker 1: on reality television is a very tough gig. And Baby, 171 00:13:22,600 --> 00:13:26,240 Speaker 1: you rose to the occasion every chance you got. And 172 00:13:26,360 --> 00:13:31,760 Speaker 1: I'm so so proud of the amazing, amazing strides you 173 00:13:31,880 --> 00:13:36,319 Speaker 1: made on this show. You may be gone, Kansas, Dilla Bassett, 174 00:13:36,840 --> 00:13:50,520 Speaker 1: but you are never forgotten. Child. We are just getting started. Ooh, 175 00:13:50,640 --> 00:13:54,480 Speaker 1: rain drops. One thing about me, my hydration style means 176 00:13:54,520 --> 00:13:56,680 Speaker 1: a lot to me. As you all know, I'm a 177 00:13:56,720 --> 00:14:03,720 Speaker 1: workou fanatic. I have so many jobs that hydration keeps 178 00:14:03,880 --> 00:14:07,560 Speaker 1: me going. And the way I like to quench my thirst, Baby, 179 00:14:07,640 --> 00:14:11,559 Speaker 1: I like to sip and see No, not phad edres. 180 00:14:11,679 --> 00:14:14,920 Speaker 1: Sip and see child when she gave us Prince Aiden. Honey, 181 00:14:15,360 --> 00:14:19,120 Speaker 1: I'm talking about you. Sip on the liquor, baby, and 182 00:14:19,160 --> 00:14:23,480 Speaker 1: you see how it works, which brings me to Liquid IV. 183 00:14:24,160 --> 00:14:26,920 Speaker 1: Liquor IV is so good, let me tell y'all. It 184 00:14:27,000 --> 00:14:30,440 Speaker 1: quenches my thirst fast and the water alone. It also 185 00:14:30,600 --> 00:14:34,400 Speaker 1: has three times the electrolytes of the leading sports drink, 186 00:14:34,760 --> 00:14:39,200 Speaker 1: plus eight vitamins and nutrients for everyday wellness. And Baby, 187 00:14:39,320 --> 00:14:43,760 Speaker 1: the best part it all comes in a single sugar 188 00:14:43,840 --> 00:14:48,920 Speaker 1: free stick. Yes, baby, no sugar. My favorite flavor of 189 00:14:49,040 --> 00:14:53,280 Speaker 1: Liquor IV would be, of course, honey white peach. So 190 00:14:53,360 --> 00:14:55,200 Speaker 1: what I do is I get my glass of water, 191 00:14:55,520 --> 00:14:58,480 Speaker 1: I pour this single sugar free stick in and I 192 00:14:58,560 --> 00:15:01,320 Speaker 1: stir it up. I'm doing your right now as we speak, 193 00:15:01,960 --> 00:15:03,880 Speaker 1: and let me take a sip for y'all. I know 194 00:15:03,960 --> 00:15:09,760 Speaker 1: y'all can't see me, honey, but you can hear me. Yes, 195 00:15:10,320 --> 00:15:14,520 Speaker 1: there is nothing honey like a peach wink wink. When 196 00:15:14,560 --> 00:15:16,400 Speaker 1: I'm on the go and I need to pick me 197 00:15:16,520 --> 00:15:20,880 Speaker 1: up I love using LIQUORIV because it involves so much 198 00:15:21,040 --> 00:15:24,520 Speaker 1: electrolyzed and vitamins that it really does keep me going 199 00:15:24,600 --> 00:15:27,520 Speaker 1: and it keeps my energy going as well. So when 200 00:15:27,520 --> 00:15:29,080 Speaker 1: I have all these things I have to do for 201 00:15:29,120 --> 00:15:32,840 Speaker 1: the rain Drops child, whether it's going on tour that 202 00:15:32,920 --> 00:15:37,200 Speaker 1: I'm doing this year, creating shows, looking at shows, etc. 203 00:15:38,200 --> 00:15:44,560 Speaker 1: LIQUORIV helps me and my day keep going. However, you hydrate, 204 00:15:44,720 --> 00:15:49,960 Speaker 1: grab your Liquor IV Hydration Multiplier sugar free and bulk 205 00:15:50,480 --> 00:15:55,320 Speaker 1: nationwide at Costco. Or get twenty percent off your first 206 00:15:55,440 --> 00:16:00,440 Speaker 1: order when you go to liquidiv dot com and use 207 00:16:00,520 --> 00:16:06,400 Speaker 1: the code king ki ng at checkout. That's twenty percent 208 00:16:06,520 --> 00:16:10,040 Speaker 1: off your first order. And when you shot Better Hydration 209 00:16:10,200 --> 00:16:20,800 Speaker 1: today using promo code king ki ng at liquidiv dot com. 210 00:16:20,960 --> 00:16:23,760 Speaker 1: This is reality with the King, and I'm Carlos King. 211 00:16:24,240 --> 00:16:31,880 Speaker 1: Let's get back into the show. Now. Allegedly, Candice Dillard 212 00:16:32,120 --> 00:16:38,000 Speaker 1: Bassett is not the only one Baby who is leaving 213 00:16:38,000 --> 00:16:44,360 Speaker 1: the show, according to the Jasmine Brand. Now, this one 214 00:16:45,800 --> 00:16:50,040 Speaker 1: is not a surprise to meet one hundred percent, and 215 00:16:50,080 --> 00:16:55,040 Speaker 1: I also think is very very necessary. The Jasmine Brand 216 00:16:55,200 --> 00:17:02,680 Speaker 1: has reported that Robin Dixon is not returning to the 217 00:17:02,680 --> 00:17:08,480 Speaker 1: real Housewives of Potomac Child The Jasmine brand is so shady. 218 00:17:08,800 --> 00:17:14,600 Speaker 1: They said network sources. How you call out your source? 219 00:17:15,520 --> 00:17:22,320 Speaker 1: Now everybody at Bravo is going to check the emails 220 00:17:22,320 --> 00:17:26,320 Speaker 1: of every employee there to see which one of y'all 221 00:17:26,680 --> 00:17:30,840 Speaker 1: contacted the Jasmine brand at Yahoo dot com. I mean, 222 00:17:30,880 --> 00:17:34,840 Speaker 1: what are we doing here? Not network sources? You could 223 00:17:34,840 --> 00:17:40,320 Speaker 1: have just said sources. This is the shadiest. Journalism is dead, 224 00:17:40,920 --> 00:17:44,960 Speaker 1: and speaking as a journalist, you can't reveal your sources. 225 00:17:45,200 --> 00:17:48,040 Speaker 1: You have to just say sources. For you to say 226 00:17:48,280 --> 00:17:52,080 Speaker 1: network sources. So now we know it's somebody who actually 227 00:17:52,119 --> 00:17:55,560 Speaker 1: works at the network. Lord jesus, what are we doing 228 00:17:56,160 --> 00:18:01,159 Speaker 1: any who? Network sources tell us that Reduction is shaking 229 00:18:01,240 --> 00:18:08,000 Speaker 1: up the cast, trying to revive the series. Now, spoiler alert. 230 00:18:08,240 --> 00:18:13,119 Speaker 1: When I said to you guys, three Potomac Housewives should 231 00:18:13,760 --> 00:18:18,800 Speaker 1: be removed next season, Robin Dixon was definitely one out 232 00:18:18,800 --> 00:18:22,439 Speaker 1: of the three. I know Robin. I like Robin. I 233 00:18:22,480 --> 00:18:26,800 Speaker 1: think she's a great girl. I said this once, and 234 00:18:26,840 --> 00:18:29,000 Speaker 1: I'll say it twice, and I'll say three times, four 235 00:18:29,040 --> 00:18:32,359 Speaker 1: and five, maybe six, eight, nine and ten if I 236 00:18:32,400 --> 00:18:35,080 Speaker 1: feel like it. It was time for Robin to go 237 00:18:36,000 --> 00:18:40,760 Speaker 1: Robin is not meant to be on reality TV at 238 00:18:40,760 --> 00:18:47,800 Speaker 1: this time to me, because she's not giving us the goods. 239 00:18:48,359 --> 00:18:52,800 Speaker 1: She appears to be very guarded when it comes to 240 00:18:52,840 --> 00:18:56,719 Speaker 1: her personal life. I think Robin has coasted for the 241 00:18:56,760 --> 00:19:02,480 Speaker 1: past six seasons. She is an og and she is 242 00:19:02,560 --> 00:19:07,960 Speaker 1: Giselle's literal Robin. Gizelle is Batman, Robin is her, Robin 243 00:19:08,200 --> 00:19:12,400 Speaker 1: Batman and Robin. It can't get any better than that, baby, Kobe. 244 00:19:13,400 --> 00:19:21,080 Speaker 1: I can't even call you Shaq, Robin. Let me call 245 00:19:21,200 --> 00:19:24,280 Speaker 1: Larcea Pippott and Marcus Jordan to get some more athlete references, 246 00:19:24,320 --> 00:19:29,119 Speaker 1: because it was Kobe as Shaq. Who else was on 247 00:19:29,119 --> 00:19:33,760 Speaker 1: the Lakers? But was it Dennis Rodman? Okay? So is Giselle, 248 00:19:33,880 --> 00:19:39,600 Speaker 1: Kobe Bryant and Robin Rodman. That's your day, Robin Rodman, 249 00:19:40,160 --> 00:19:45,080 Speaker 1: You're Dennis. Okay, there we go. So I believe that 250 00:19:45,240 --> 00:19:50,800 Speaker 1: Robin's lasted this long because of her friendship with Gizelle, 251 00:19:51,240 --> 00:19:55,080 Speaker 1: and they played off of each other well, and at 252 00:19:55,119 --> 00:19:57,960 Speaker 1: the end of the day, the only real friendships that 253 00:19:58,080 --> 00:20:00,600 Speaker 1: will last until the end of time that is not 254 00:20:00,720 --> 00:20:04,520 Speaker 1: made for television, Hey, Gar Solon Sutton, that is not 255 00:20:04,840 --> 00:20:12,879 Speaker 1: an alliance, Okay? Is Robin and Giselle in addition to Mary, 256 00:20:12,960 --> 00:20:16,119 Speaker 1: Saul and Alexia. They're real friends in real life and 257 00:20:16,119 --> 00:20:18,679 Speaker 1: will always be friends with or without the TV show. 258 00:20:19,040 --> 00:20:21,520 Speaker 1: So we know that. But I do believe that Robin 259 00:20:22,400 --> 00:20:25,680 Speaker 1: was on the show this long because of that. I 260 00:20:25,720 --> 00:20:32,040 Speaker 1: think once wants cheating became a main storyline, Robin's staying 261 00:20:32,119 --> 00:20:36,600 Speaker 1: power was tested. Can you handle this? Not? Everybody can't 262 00:20:36,640 --> 00:20:41,560 Speaker 1: handle being the star of the show, the force multiplier, 263 00:20:42,160 --> 00:20:45,440 Speaker 1: the main girl. A lot of y'all can't handle that. 264 00:20:45,840 --> 00:20:50,399 Speaker 1: So Robin had an opportunity to really be, at least 265 00:20:50,400 --> 00:20:55,760 Speaker 1: for one season, the face of the season. You had 266 00:20:55,800 --> 00:21:01,320 Speaker 1: this incredible storyline between you and one and you did 267 00:21:01,440 --> 00:21:06,200 Speaker 1: nothing with it. You literally played in our faces. You 268 00:21:06,440 --> 00:21:10,119 Speaker 1: gave a scripted conversations between you and Wan and you 269 00:21:10,200 --> 00:21:13,640 Speaker 1: and the girls, and you never once wore your heart 270 00:21:13,680 --> 00:21:16,760 Speaker 1: on your sleeve. That's when we knew, like, you can't 271 00:21:16,760 --> 00:21:20,480 Speaker 1: handle being the main girl. You are a background singer. 272 00:21:21,440 --> 00:21:26,680 Speaker 1: You are supreme. You set up there and had Mia Thornton, which, 273 00:21:26,760 --> 00:21:31,040 Speaker 1: by the way, guys, Sunday Nights finale of the Real 274 00:21:31,040 --> 00:21:34,160 Speaker 1: House Spots of Potomac, those last ten minutes of Mia 275 00:21:34,240 --> 00:21:38,719 Speaker 1: and Gordon was the best I've seen in the history 276 00:21:38,720 --> 00:21:43,679 Speaker 1: of the franchise. Robin, you should be ashamed of yourself. Robin, 277 00:21:43,800 --> 00:21:46,040 Speaker 1: You've been on the show for eight seasons and gave 278 00:21:46,119 --> 00:21:54,520 Speaker 1: us nothing. Nothing. Mia came in and gave us paternity scandal, cheating, 279 00:21:55,280 --> 00:22:01,200 Speaker 1: hauled passes, big feet, Mia blyon. He's secured in the bag. 280 00:22:01,880 --> 00:22:04,840 Speaker 1: Mia has two men in her life. Mia gave us 281 00:22:04,880 --> 00:22:09,640 Speaker 1: three sums strip Club and Robin. You gave us silk hats, 282 00:22:10,600 --> 00:22:13,440 Speaker 1: which by the way, was lucrative, and you've done nothing 283 00:22:13,440 --> 00:22:16,160 Speaker 1: with that. And I like you, Robin. You know that. 284 00:22:16,280 --> 00:22:18,840 Speaker 1: I think you're a great girl. I do believe Robin 285 00:22:18,960 --> 00:22:23,600 Speaker 1: was fired. I don't think Robin quit. And I hate 286 00:22:23,600 --> 00:22:26,879 Speaker 1: to say this, but she should have been. Mia came 287 00:22:26,920 --> 00:22:33,960 Speaker 1: in like a wrecking ball, Miley Cyrus style, and Mia 288 00:22:34,200 --> 00:22:39,040 Speaker 1: is going to single handily revitalize the Real Housewives of 289 00:22:39,080 --> 00:22:44,000 Speaker 1: Atomac and Baby I'm here for it. Mia is a 290 00:22:44,080 --> 00:22:48,719 Speaker 1: star and Mia is going to captivate this audience in 291 00:22:48,760 --> 00:22:53,080 Speaker 1: a way that we needed. We were rooting for you, Robin. 292 00:22:53,760 --> 00:22:56,760 Speaker 1: I have never seen a girl have so much set 293 00:22:56,840 --> 00:23:01,880 Speaker 1: up to be the a story, the main story, and 294 00:23:02,040 --> 00:23:07,919 Speaker 1: you allowed your insecurities to not give us what we 295 00:23:08,000 --> 00:23:11,760 Speaker 1: wanted the fact that Wan did not even show up 296 00:23:11,760 --> 00:23:16,720 Speaker 1: to the reunion, and you're the breadwinner. Gordon shows up 297 00:23:16,760 --> 00:23:20,360 Speaker 1: to the reunion and not Wan. You couldn't tell your 298 00:23:20,480 --> 00:23:25,040 Speaker 1: husband the money that we're making off of Potomac. And 299 00:23:25,080 --> 00:23:28,520 Speaker 1: I believe at this juncture, Robin's making at least a 300 00:23:28,560 --> 00:23:32,240 Speaker 1: million dollars maybe nine hundred thousand. That's a lot of money. 301 00:23:32,680 --> 00:23:36,159 Speaker 1: And you mean to tell me Wine couldn't sit on 302 00:23:36,280 --> 00:23:41,560 Speaker 1: a stool behind you for two hours to make sure 303 00:23:41,640 --> 00:23:47,440 Speaker 1: that you had your job secured. That's fucked up. And 304 00:23:47,480 --> 00:23:52,640 Speaker 1: now you don't have a job when you had the 305 00:23:52,680 --> 00:23:58,920 Speaker 1: best potential storyline. This shakeup is what was needed. I'm 306 00:23:59,000 --> 00:24:01,320 Speaker 1: shocked to see Candad leave. I thought it should have 307 00:24:01,320 --> 00:24:05,280 Speaker 1: been Ashley, No shade. Well, damn. I gave y'all two 308 00:24:05,359 --> 00:24:11,560 Speaker 1: out of three. Damn, and I'm not gonna take it back. 309 00:24:12,080 --> 00:24:15,480 Speaker 1: All jokes aside. Listen, it's not fun for anyone to 310 00:24:15,520 --> 00:24:18,679 Speaker 1: lose their job. But it's one of those things where 311 00:24:19,320 --> 00:24:22,320 Speaker 1: let's have a real conversation. It's one of those things 312 00:24:22,359 --> 00:24:26,320 Speaker 1: where when you have a show like the Real Housewives 313 00:24:26,359 --> 00:24:30,920 Speaker 1: of Potomac that was constantly compared to Atlanta Housewives because 314 00:24:30,920 --> 00:24:33,280 Speaker 1: they're all black women. Let's let's let's keep it real. 315 00:24:33,640 --> 00:24:40,320 Speaker 1: But Potomac was on the verge of succeeding Atlanta, at 316 00:24:40,400 --> 00:24:44,120 Speaker 1: least when it came to conversation. Even ratings perhaps right, 317 00:24:44,960 --> 00:24:48,719 Speaker 1: But these past two seasons were dreadful, and I'm happy 318 00:24:48,800 --> 00:24:52,200 Speaker 1: to see at least some changes being made. One thing 319 00:24:52,240 --> 00:24:55,440 Speaker 1: about Potomac that I would give them they always get 320 00:24:55,480 --> 00:24:59,480 Speaker 1: the casting, right, I would give them that they always 321 00:24:59,520 --> 00:25:02,760 Speaker 1: get the cast. So I am looking forward to seeing 322 00:25:02,760 --> 00:25:06,560 Speaker 1: some new faces. But like I said, Baby, build this 323 00:25:06,720 --> 00:25:11,960 Speaker 1: show around Mia. As you all watched the finale, what 324 00:25:12,200 --> 00:25:20,440 Speaker 1: Mia gave was some Monica Garcia type of reality, just real, nonscripted. 325 00:25:20,880 --> 00:25:24,600 Speaker 1: Gordon kept walking off the scene. The producers had to 326 00:25:24,720 --> 00:25:28,439 Speaker 1: talk him off the ledge. He told her, if you 327 00:25:28,520 --> 00:25:32,400 Speaker 1: want fair, go to a carnival. Yes. Peter Thomas teas 328 00:25:33,040 --> 00:25:36,840 Speaker 1: the fact that Gordon said, I was going through cancer 329 00:25:37,880 --> 00:25:41,880 Speaker 1: treatments and I said to you, I will allow you 330 00:25:42,040 --> 00:25:45,480 Speaker 1: to pretty much have a hall pass. And Mia took 331 00:25:45,520 --> 00:25:48,480 Speaker 1: that hall pass and went to the second floor of 332 00:25:48,480 --> 00:25:55,520 Speaker 1: the gymnasium and got rekindled with her foot locker boyfriend 333 00:25:55,560 --> 00:25:59,760 Speaker 1: that she met at seventeen. Baby called Ink Honey, Incognito, 334 00:26:00,280 --> 00:26:03,440 Speaker 1: who I interviewed for the podcast because I already knew 335 00:26:03,720 --> 00:26:07,280 Speaker 1: that Mia was gonna give us some great story. So 336 00:26:07,359 --> 00:26:09,399 Speaker 1: if you missed that interview, go check it out. His 337 00:26:09,520 --> 00:26:13,560 Speaker 1: name is Incognito, but for short, we call him Ink, 338 00:26:14,600 --> 00:26:17,640 Speaker 1: or if you like me, we call him Baby Forrest Whittaker. 339 00:26:18,880 --> 00:26:22,960 Speaker 1: He's very handsome. I love Ink, very handsome, very nice. 340 00:26:23,080 --> 00:26:27,080 Speaker 1: He's my guy. The best part about that finale was 341 00:26:27,160 --> 00:26:30,000 Speaker 1: Mia scene. And the best part about this scene was 342 00:26:30,200 --> 00:26:34,240 Speaker 1: Gordon was throwing out so many accusations, and bitch Mia 343 00:26:34,680 --> 00:26:39,240 Speaker 1: did not deny any of them. She did not say 344 00:26:39,280 --> 00:26:44,359 Speaker 1: you fucking lying. Mia did not deny any of the lies, y'all, 345 00:26:45,880 --> 00:26:48,760 Speaker 1: and I love her even more for it. When he 346 00:26:48,920 --> 00:26:53,120 Speaker 1: said to her, our son said, why is mister Ink 347 00:26:53,240 --> 00:26:57,080 Speaker 1: always with mommy? Mommy's trying to replace you, daddy with 348 00:26:57,160 --> 00:27:04,960 Speaker 1: mister Ink. We saw mister Ink and Mommy kissing, like Mia, yo, 349 00:27:06,119 --> 00:27:10,080 Speaker 1: you making up for the kids? What in the Monica 350 00:27:10,119 --> 00:27:12,560 Speaker 1: Garcia mama in the in the front seat of the 351 00:27:12,560 --> 00:27:16,120 Speaker 1: car by Monica's in the back seat? Is going on here? Mia, 352 00:27:16,200 --> 00:27:20,720 Speaker 1: You tough girl, not kissing in front of the kids. 353 00:27:21,400 --> 00:27:24,920 Speaker 1: But this the gag at the end of the day. 354 00:27:26,320 --> 00:27:32,040 Speaker 1: Is it, Karma Gordon, Because when you met Mia, Mia 355 00:27:32,320 --> 00:27:35,840 Speaker 1: was with Ink and they lived together, and you still 356 00:27:35,880 --> 00:27:39,000 Speaker 1: decided to buy her a car while she was in 357 00:27:39,040 --> 00:27:43,120 Speaker 1: a whole ass relationship with Ink. See how those tables turn. 358 00:27:43,720 --> 00:27:48,480 Speaker 1: You took Mia away from Ink, and ten plus years later, 359 00:27:49,359 --> 00:27:53,879 Speaker 1: maybe twenty even Ink is back in MIA's life. I 360 00:27:53,920 --> 00:27:56,480 Speaker 1: love it. I love the fact that Mia had the 361 00:27:56,520 --> 00:28:02,240 Speaker 1: opportunity to go back an athlete, apology titian, a ups worker, 362 00:28:02,640 --> 00:28:09,080 Speaker 1: the bus driver, baby, an actor, and Mia decided to 363 00:28:09,240 --> 00:28:13,439 Speaker 1: use her goodies with an ex boyfriend. Y'all can call 364 00:28:13,560 --> 00:28:16,600 Speaker 1: Mia a lot of things. Mia ain't honing around sleeping 365 00:28:16,680 --> 00:28:19,720 Speaker 1: with everybody in the DMV like some of her castmates 366 00:28:19,760 --> 00:28:23,440 Speaker 1: are allegedly me ain't trying to find somebody off summer 367 00:28:23,480 --> 00:28:28,000 Speaker 1: House child. Mia ain't going on to Bravo Khan finding 368 00:28:28,080 --> 00:28:31,840 Speaker 1: her man. Mia said, what my hall past is going 369 00:28:31,880 --> 00:28:34,680 Speaker 1: to be with my first love? And I think that's 370 00:28:34,760 --> 00:28:39,960 Speaker 1: as I think that's admirable. But that's the reason why 371 00:28:40,000 --> 00:28:43,320 Speaker 1: we love Mama Mia. Mama Mia is now the face 372 00:28:43,400 --> 00:28:48,480 Speaker 1: of Potomac. Mama and Mia took Gizille's first chair. Mama 373 00:28:48,560 --> 00:28:51,000 Speaker 1: Mia gave us the realest scene the Real Housewives of 374 00:28:51,040 --> 00:28:57,520 Speaker 1: Potomac has e a given. Mia is the star of Potomac, 375 00:28:58,640 --> 00:29:03,360 Speaker 1: and dare I say, Miya is the Porsche of Potomac. 376 00:29:04,240 --> 00:29:08,920 Speaker 1: She's the unsung hero. She was the dark horse. And 377 00:29:09,120 --> 00:29:12,840 Speaker 1: y'all need to build this show around Mia the way 378 00:29:12,960 --> 00:29:15,840 Speaker 1: y'all are building the next season of The Rough Housewives 379 00:29:15,880 --> 00:29:21,000 Speaker 1: of Atlanta around Porsche allegedly. I want to see more, Jacqueline. 380 00:29:21,440 --> 00:29:25,080 Speaker 1: I want to see the paternity test. I want Maury 381 00:29:25,160 --> 00:29:29,240 Speaker 1: Povich to come out of retirement and give a DNA 382 00:29:29,400 --> 00:29:35,920 Speaker 1: test results to Mia and Gordon, because baby, when Gordon 383 00:29:36,040 --> 00:29:39,480 Speaker 1: spilt that tea and said, you told me you don't 384 00:29:39,520 --> 00:29:44,760 Speaker 1: even know if the baby in your belly is mine 385 00:29:45,160 --> 00:29:50,760 Speaker 1: or inks because the overlap, it's a little sketchy baby, 386 00:29:51,000 --> 00:29:54,920 Speaker 1: that's the gag. This is the reality that we want. 387 00:29:56,200 --> 00:29:59,600 Speaker 1: This is it, This is it. I'm here for it. 388 00:30:00,040 --> 00:30:08,680 Speaker 1: I'm here for it all. Mia Thornton, congratulations, you have 389 00:30:08,840 --> 00:30:14,000 Speaker 1: just bought yourself at least four more seasons. And listen 390 00:30:14,080 --> 00:30:17,920 Speaker 1: to me, and listen to me now. Now that you 391 00:30:18,040 --> 00:30:22,440 Speaker 1: are becoming the face of Potomac, be prepared for some 392 00:30:22,520 --> 00:30:25,800 Speaker 1: of these girls to come at you. It's a doggy 393 00:30:25,880 --> 00:30:30,239 Speaker 1: dog world. Bitch, and I promise you this. They're watching you, 394 00:30:31,720 --> 00:30:35,280 Speaker 1: but I believe you can handle it. I never thought 395 00:30:35,320 --> 00:30:39,480 Speaker 1: I see the day where Mia Thornton is the face 396 00:30:40,120 --> 00:30:44,200 Speaker 1: of the Real Housewives of Atomac and Mia, you have 397 00:30:45,040 --> 00:30:48,920 Speaker 1: the opportunity to take this show to a level that 398 00:30:49,000 --> 00:30:54,720 Speaker 1: we have never seen before. Buckle up, bitch, the time 399 00:30:54,800 --> 00:31:01,160 Speaker 1: is now. Thank you for listening to Reality with the King. 400 00:31:01,600 --> 00:31:07,240 Speaker 1: New episodes drop on Tuesdays and Thursdays. Share, comment, follow, 401 00:31:07,440 --> 00:31:11,000 Speaker 1: and subscribe to Reality with the King. Wherever you get 402 00:31:11,120 --> 00:31:15,760 Speaker 1: your podcast, visit Reality Withtheking dot com and be sure 403 00:31:15,840 --> 00:31:20,640 Speaker 1: to follow me at the Carlos King Underscore on Instagram, Twitter, 404 00:31:20,880 --> 00:31:24,400 Speaker 1: TikTok and Yes Baby, my YouTube channel where you could 405 00:31:24,400 --> 00:31:28,440 Speaker 1: get all of my visuals, baby, my expressions, Yes, and 406 00:31:28,560 --> 00:31:31,960 Speaker 1: don't forget Tweet me your thoughts and hot takes about 407 00:31:31,960 --> 00:31:37,800 Speaker 1: this episode using the hashtag Reality with the King. Reality 408 00:31:37,840 --> 00:31:41,280 Speaker 1: with the King is a production of Kingdom Rain Entertainment. 409 00:31:42,080 --> 00:31:46,440 Speaker 1: It is produced by Sierras Fragley Rix An executive produced 410 00:31:46,560 --> 00:32:00,400 Speaker 1: by Me, Carlos King, Kingdom Raging Entertainment. April