1 00:00:00,680 --> 00:00:06,560 Speaker 1: From Hollywood. Thank you for listening to us Ryan with 2 00:00:06,840 --> 00:00:12,000 Speaker 1: Ryan Seacrest. Well, it's kissed and just looking at here 3 00:00:12,000 --> 00:00:14,480 Speaker 1: a pretty perfect all weekend. Some may grade this morning 4 00:00:14,560 --> 00:00:18,799 Speaker 1: attempts mid upper seventies. Today through Sunday England, you're gonna 5 00:00:18,800 --> 00:00:23,960 Speaker 1: get eighties, maybe some nineties. Well did anybody sleep last night? No, 6 00:00:24,079 --> 00:00:27,360 Speaker 1: we're gonna talk to Harry Styles. No. And I was 7 00:00:27,440 --> 00:00:29,600 Speaker 1: up way too late listening to the album and just 8 00:00:29,800 --> 00:00:35,640 Speaker 1: all the things. He is a genius. He is a genius, 9 00:00:35,640 --> 00:00:40,479 Speaker 1: true artist, true artists, because you've got to know that 10 00:00:40,920 --> 00:00:44,400 Speaker 1: he was out of one direction, in one direction, brought 11 00:00:44,440 --> 00:00:47,000 Speaker 1: back to all that then waits a long time to 12 00:00:47,040 --> 00:00:50,159 Speaker 1: come up with his sound and his artistic vibe. And 13 00:00:50,320 --> 00:00:53,080 Speaker 1: each one of those songs has a real has real 14 00:00:53,080 --> 00:00:55,760 Speaker 1: texture and layers, but they're also somewhere deep. Some are 15 00:00:55,760 --> 00:00:58,560 Speaker 1: really intimate too. Yeah. I mean the album kicks off 16 00:00:59,320 --> 00:01:04,360 Speaker 1: with a bang with that was the sushi restaurants song, 17 00:01:04,440 --> 00:01:07,240 Speaker 1: And so you listen to order h oh. I always 18 00:01:07,240 --> 00:01:10,080 Speaker 1: listen in order music for a sushi restaurant. That song 19 00:01:10,200 --> 00:01:12,400 Speaker 1: right there. I feel like every instrument in the world 20 00:01:12,480 --> 00:01:15,039 Speaker 1: isn't that song, and it just funny. My notes, my notes, 21 00:01:15,760 --> 00:01:19,880 Speaker 1: I just I opened my notes section music for a restaurant, 22 00:01:19,959 --> 00:01:23,120 Speaker 1: up beat fun lyrics, but you know, you know what? 23 00:01:23,520 --> 00:01:26,280 Speaker 1: I read the lyrics of every song before I heard 24 00:01:26,319 --> 00:01:28,840 Speaker 1: the lyrics and like, how's that a song? Like? What 25 00:01:29,440 --> 00:01:34,840 Speaker 1: those words? Because it's hard to picture with the words, 26 00:01:35,040 --> 00:01:37,320 Speaker 1: like I read it like I talk and I'm thinking 27 00:01:37,360 --> 00:01:39,679 Speaker 1: this is going to be really then you hear like 28 00:01:39,760 --> 00:01:41,440 Speaker 1: and as it was as I was reading that, I 29 00:01:41,480 --> 00:01:44,680 Speaker 1: know that one. So I was actually reading with I 30 00:01:44,720 --> 00:01:47,360 Speaker 1: was reading it that way to myself, say, I go popcorn, 31 00:01:47,440 --> 00:01:49,640 Speaker 1: I go to my favorite songs first. But how do 32 00:01:49,680 --> 00:01:52,200 Speaker 1: you know that your favorite songs first? I know from Harry, 33 00:01:52,280 --> 00:01:54,040 Speaker 1: like I know his titles. I know which ones I'm 34 00:01:54,080 --> 00:01:58,240 Speaker 1: gonna like, Okay, what are you talking about? I just 35 00:01:58,360 --> 00:02:02,360 Speaker 1: know I know him? Comment down. I think out of 36 00:02:02,440 --> 00:02:05,120 Speaker 1: respect for the artist, I go in the order that 37 00:02:05,200 --> 00:02:08,320 Speaker 1: they presented the album to us. Yeah, I don't have 38 00:02:09,440 --> 00:02:11,680 Speaker 1: I just do what with download or stream in the 39 00:02:11,800 --> 00:02:14,640 Speaker 1: order I could get the password for I mean getting 40 00:02:14,680 --> 00:02:16,960 Speaker 1: this album ahead of time. You talk about like password. 41 00:02:17,280 --> 00:02:19,679 Speaker 1: I was so scared to open it up because it 42 00:02:19,760 --> 00:02:22,919 Speaker 1: kept telling me my emails this password was self destructing 43 00:02:22,960 --> 00:02:25,959 Speaker 1: twenty seconds and I can't type it in that fast, 44 00:02:26,360 --> 00:02:29,000 Speaker 1: so I kept having a send Sorry, Sony music need 45 00:02:29,080 --> 00:02:33,240 Speaker 1: new password. So good. Here's the song saying you're talking 46 00:02:33,240 --> 00:02:38,520 Speaker 1: about music for a sushi restaurant. I mean you if 47 00:02:38,520 --> 00:02:41,520 Speaker 1: you read the lyric music for sushi restaurantight, what is that? 48 00:02:42,320 --> 00:02:44,120 Speaker 1: And then I listened to like, wow, that's cool. I 49 00:02:44,200 --> 00:02:47,359 Speaker 1: know it's so cool. Uh, let me see, I've got 50 00:02:47,400 --> 00:02:51,560 Speaker 1: to share my notes with Harry. I realized that sometimes 51 00:02:51,600 --> 00:02:52,920 Speaker 1: I'll listen to a song I forgot to make a 52 00:02:52,960 --> 00:02:55,120 Speaker 1: note like a little freak, I listen old thing. And 53 00:02:55,120 --> 00:02:56,600 Speaker 1: then I got to Matilda and it's like, oh gosh, 54 00:02:56,600 --> 00:02:58,600 Speaker 1: I didn't make a note for a little freak Matilda. 55 00:02:58,680 --> 00:03:00,959 Speaker 1: I want to give her a hug. I like love 56 00:03:00,960 --> 00:03:02,560 Speaker 1: of my life as well, and I'll read my notes 57 00:03:02,600 --> 00:03:05,680 Speaker 1: about that too. I'm curious your notes on that, because 58 00:03:05,720 --> 00:03:09,480 Speaker 1: I had one in there too. Well, why don't we 59 00:03:09,480 --> 00:03:14,160 Speaker 1: wait to have Harry and we'll read them our notes? Well, 60 00:03:14,360 --> 00:03:18,320 Speaker 1: probably set board by it now just a second, Tany's 61 00:03:18,360 --> 00:03:20,720 Speaker 1: got a trending report, Tania, what should we be thinking about? 62 00:03:21,040 --> 00:03:24,520 Speaker 1: Is it easier to make music when your heart is broken? 63 00:03:24,800 --> 00:03:30,560 Speaker 1: That's we the artists here. Yeah, we'll take the word 64 00:03:30,680 --> 00:03:35,000 Speaker 1: music out and make maybe make create, because we can 65 00:03:35,040 --> 00:03:38,640 Speaker 1: all create. All right. Well, Harry Styles has got a 66 00:03:38,640 --> 00:03:45,640 Speaker 1: wholes and you know some over two and a half minutes, 67 00:03:45,640 --> 00:03:49,120 Speaker 1: Thank you, Harry. Yeah, I noticed into some longer three 68 00:03:49,160 --> 00:03:53,160 Speaker 1: minutes seconds, three minutes, twenty seconds. Yeah, I like that. 69 00:03:54,160 --> 00:03:57,080 Speaker 1: So anyway, we're gonna talk to him around seven o'clock 70 00:03:57,160 --> 00:03:59,440 Speaker 1: this morning and we'll play you some of that new music. 71 00:03:59,440 --> 00:04:02,160 Speaker 1: You mean heard it now? Ty, let's go back to 72 00:04:02,240 --> 00:04:05,600 Speaker 1: the training report. Okay. Is it easier to make music 73 00:04:05,640 --> 00:04:09,880 Speaker 1: when your heart is broken? I think absolutely. Look I've 74 00:04:09,920 --> 00:04:14,000 Speaker 1: talked to artists for what how many years? Twenty years here, 75 00:04:14,920 --> 00:04:18,240 Speaker 1: and I think more of them will tell you that 76 00:04:18,320 --> 00:04:20,520 Speaker 1: when they've got heartache and they've got break up and 77 00:04:20,520 --> 00:04:23,000 Speaker 1: they've got all the things that are tough to deal with, 78 00:04:23,440 --> 00:04:26,680 Speaker 1: that's when they pen the most compelling lyrics, which are 79 00:04:26,680 --> 00:04:28,839 Speaker 1: the most relatable lyrics, because we all go through that, 80 00:04:29,120 --> 00:04:31,400 Speaker 1: and we listen to music differently when we go through that. 81 00:04:33,240 --> 00:04:35,560 Speaker 1: So what do you have? I bring this up because 82 00:04:35,760 --> 00:04:38,880 Speaker 1: Ariana Grande fans have been really on the hunt for 83 00:04:38,920 --> 00:04:42,680 Speaker 1: her next album. This would be her seventh studio album, 84 00:04:42,760 --> 00:04:44,720 Speaker 1: and she did this little Q and A was promoting 85 00:04:44,760 --> 00:04:47,800 Speaker 1: her beauty brand r M Beauty, and she said, this 86 00:04:47,880 --> 00:04:50,360 Speaker 1: is the question I'm nervous to answer. The truth is 87 00:04:50,800 --> 00:04:54,440 Speaker 1: I have not begun an album. And so the reason is, 88 00:04:54,480 --> 00:04:56,480 Speaker 1: she said, she's busy with her other gigs at the moment. 89 00:04:56,560 --> 00:04:58,760 Speaker 1: You know, she's been judging the voice she's launching ari 90 00:04:58,920 --> 00:05:01,760 Speaker 1: M Beauty. She just did that role in um the 91 00:05:01,760 --> 00:05:04,760 Speaker 1: film version of Wicked. So she's got a lot going on. 92 00:05:05,080 --> 00:05:08,279 Speaker 1: But in her personal life, she's newly married. She just 93 00:05:08,320 --> 00:05:12,159 Speaker 1: got married to Dalton Gomez, so she's clearly on cloud nine. 94 00:05:12,200 --> 00:05:14,760 Speaker 1: And so if you remember when she came out with 95 00:05:14,800 --> 00:05:18,320 Speaker 1: Sweetener and Thank You Next, those came out with like 96 00:05:18,520 --> 00:05:20,880 Speaker 1: within a matter of months, and those were some of 97 00:05:21,040 --> 00:05:24,359 Speaker 1: her biggest, biggest, biggest songs. And that was one of 98 00:05:24,360 --> 00:05:27,000 Speaker 1: the hardest times in Ariana Grande's life. That was when 99 00:05:27,040 --> 00:05:29,760 Speaker 1: she was dealing with the death of her ex Mac Miller. 100 00:05:30,279 --> 00:05:34,440 Speaker 1: She was really like tough, tough heartache that the Manchester 101 00:05:34,520 --> 00:05:37,080 Speaker 1: bombing at one of her concerts. So she was going 102 00:05:37,120 --> 00:05:40,680 Speaker 1: through a lot of really really deep heartbreak. And she 103 00:05:40,760 --> 00:05:43,479 Speaker 1: came out with two albums back to back within a 104 00:05:43,520 --> 00:05:46,160 Speaker 1: matter of months. And now she's kind of decided I'm 105 00:05:46,200 --> 00:05:48,080 Speaker 1: going to take a little bit of a stretch right now. 106 00:05:48,520 --> 00:05:50,400 Speaker 1: And so it kind of got me thinking because I 107 00:05:50,440 --> 00:05:55,360 Speaker 1: feel like sometimes, you know, when you're happy, you're focused 108 00:05:55,360 --> 00:05:57,560 Speaker 1: on the things that are making you happy and whatever 109 00:05:57,640 --> 00:06:00,600 Speaker 1: that gig is, and then some other things kind of 110 00:06:00,600 --> 00:06:02,240 Speaker 1: have to take a back seat. And I think a 111 00:06:02,240 --> 00:06:04,280 Speaker 1: lot of people can relate to that, but don't. Like 112 00:06:04,640 --> 00:06:10,640 Speaker 1: human nature is we feel I think human nature we shouldn't. 113 00:06:10,680 --> 00:06:14,240 Speaker 1: But we feel pain more, we feel difficulty more, we 114 00:06:14,400 --> 00:06:18,240 Speaker 1: feel the bad things worse. We feel that, and we 115 00:06:18,279 --> 00:06:20,800 Speaker 1: should feel more because we have more of that than 116 00:06:20,880 --> 00:06:24,560 Speaker 1: we have happiness. It's true, there's more of that then 117 00:06:24,560 --> 00:06:27,920 Speaker 1: there's true happiness. And that's why those those songs resonate. 118 00:06:27,960 --> 00:06:29,479 Speaker 1: You know, you said something and I wanted I just 119 00:06:29,480 --> 00:06:34,200 Speaker 1: looked it up because I'm curious. Cloud nine. When she 120 00:06:34,240 --> 00:06:36,240 Speaker 1: was on cloud nine, you said, and I use that 121 00:06:36,240 --> 00:06:38,320 Speaker 1: expression all the time, But what does cloud nine mean? 122 00:06:38,720 --> 00:06:43,600 Speaker 1: Like in the clouds? Why? Nine? Uh? Huh? The term 123 00:06:43,640 --> 00:06:45,839 Speaker 1: cloud nine is a metaphor for being on top of 124 00:06:45,880 --> 00:06:48,800 Speaker 1: the world, going to have it, and feeling happy. So 125 00:06:48,839 --> 00:06:52,080 Speaker 1: the reason it's nine, the phrase originated from the sky, 126 00:06:52,120 --> 00:06:54,719 Speaker 1: which was believed to be a solid thing at the time, 127 00:06:54,760 --> 00:06:57,080 Speaker 1: containing nine clouds, so the ninth cloud would be the 128 00:06:57,120 --> 00:06:59,839 Speaker 1: last step to heaven. People thought the sky was solid 129 00:07:00,000 --> 00:07:02,359 Speaker 1: back in the day. Oh, they thought the world was 130 00:07:02,360 --> 00:07:08,480 Speaker 1: flowed forgot about so same people, same group, same team. 131 00:07:08,720 --> 00:07:11,280 Speaker 1: Uh if it cloud, I said, makes sense nine just 132 00:07:11,320 --> 00:07:13,880 Speaker 1: before on cloud nine, right before I step into heaven. Nice. 133 00:07:14,400 --> 00:07:16,600 Speaker 1: But I'm glad to know that because I say all 134 00:07:16,640 --> 00:07:19,280 Speaker 1: the time, and I just take for grant why I 135 00:07:19,400 --> 00:07:21,560 Speaker 1: say it, I think. And by the way, if you're 136 00:07:21,560 --> 00:07:25,160 Speaker 1: on seven or eight, not bad, start saying seven and 137 00:07:25,160 --> 00:07:28,480 Speaker 1: a half. I'm on seven a cloud. Period. Yeah, I'm 138 00:07:28,480 --> 00:07:30,320 Speaker 1: mona cloud today. You know why, because I'm working my 139 00:07:30,360 --> 00:07:33,920 Speaker 1: way to nine. We're about to get into Harry Styles 140 00:07:33,960 --> 00:07:36,600 Speaker 1: on the show after seven o'clock. Right now your morning 141 00:07:36,640 --> 00:07:40,560 Speaker 1: hack and then a motivational quote of the day. Some 142 00:07:40,680 --> 00:07:43,440 Speaker 1: say those are cheesy. I agree, but I like them, 143 00:07:44,880 --> 00:07:51,040 Speaker 1: so we'll do it right. I mean, people misconstrue positive 144 00:07:51,400 --> 00:07:54,720 Speaker 1: and motivation many times. It's cheesy, but I think we're 145 00:07:54,760 --> 00:07:57,160 Speaker 1: comfortable with that. I leave a little note car like 146 00:07:57,160 --> 00:08:00,960 Speaker 1: a little note pad, a little note posted sits with 147 00:08:01,000 --> 00:08:04,720 Speaker 1: a motivational quote for my boyfriend before I leave the 148 00:08:04,760 --> 00:08:07,920 Speaker 1: house in the morning. Every single day, every single day, 149 00:08:08,960 --> 00:08:12,040 Speaker 1: every single day. Don't miss a day. I've missed maybe 150 00:08:12,080 --> 00:08:14,000 Speaker 1: one day in the last like two months. Where do 151 00:08:14,000 --> 00:08:16,240 Speaker 1: you find your quotes? I need more quotes. I find 152 00:08:16,320 --> 00:08:20,600 Speaker 1: a lot of them from you, No wonder she can 153 00:08:20,720 --> 00:08:23,000 Speaker 1: furnish them after this, I repurposed them and I write 154 00:08:23,040 --> 00:08:24,640 Speaker 1: them down on like a little like thing like this, 155 00:08:24,680 --> 00:08:27,120 Speaker 1: and then I put it either like by his toothbrush 156 00:08:27,320 --> 00:08:31,320 Speaker 1: or in the in the refrigerator. Does that one say? 157 00:08:31,560 --> 00:08:33,800 Speaker 1: I will let go of negative people and negative thoughts. 158 00:08:34,920 --> 00:08:36,679 Speaker 1: They're not like love notes. No, no, no, They're like 159 00:08:36,920 --> 00:08:41,520 Speaker 1: affirmations or motivational quote his name practically speaking. How long 160 00:08:41,559 --> 00:08:47,840 Speaker 1: does that last? Uh? With Tanya? Probably for a while, 161 00:08:50,760 --> 00:08:55,040 Speaker 1: because that kind of stuff fades fast for me. Something 162 00:08:55,080 --> 00:08:57,720 Speaker 1: new right for about three days, and I can't here, 163 00:08:57,760 --> 00:08:59,439 Speaker 1: there's no chance I could do that every day. You 164 00:08:59,440 --> 00:09:01,560 Speaker 1: should say, work bag. It's just like full of these 165 00:09:01,600 --> 00:09:04,600 Speaker 1: little things, and he keeps them all Yeah, I mean 166 00:09:04,920 --> 00:09:08,760 Speaker 1: you can imagine me throw them away. I mean, I'm 167 00:09:08,800 --> 00:09:10,800 Speaker 1: sure that goes away when you start having kids and 168 00:09:10,840 --> 00:09:13,840 Speaker 1: you'll start doing it for them. So here we go. 169 00:09:13,920 --> 00:09:17,160 Speaker 1: There's an art to meeting someone this weekend at a 170 00:09:17,160 --> 00:09:20,480 Speaker 1: bar three tips from bartenders and say this is good stuff. 171 00:09:20,520 --> 00:09:22,920 Speaker 1: All right. They say, sit in the middle of the bar. 172 00:09:23,880 --> 00:09:26,400 Speaker 1: You're not noticed at the end. I can't. I have 173 00:09:26,440 --> 00:09:29,640 Speaker 1: the middle of the bar anxiety mine because there's just 174 00:09:29,679 --> 00:09:34,079 Speaker 1: I don't know, you're I like a lot of action there. Yes, 175 00:09:34,480 --> 00:09:36,959 Speaker 1: I like to eat in the last seat corner of 176 00:09:36,960 --> 00:09:39,360 Speaker 1: the bar. No, that always smells like that weird. I 177 00:09:39,360 --> 00:09:46,559 Speaker 1: don't mind. It's like the rubber mat is always like cherries. 178 00:09:46,960 --> 00:09:50,160 Speaker 1: You see everyone's dirty plates and dirty cups. No, all right, 179 00:09:50,240 --> 00:09:51,960 Speaker 1: sit in the middle of right, so put your phone down. 180 00:09:52,080 --> 00:09:53,280 Speaker 1: No one will talk to you if you're on your 181 00:09:53,280 --> 00:09:57,200 Speaker 1: phone's But then it's awkward to be just sitting there staring. No, 182 00:09:57,400 --> 00:09:59,679 Speaker 1: you just look around, talk to the bartenders. Getting to 183 00:09:59,720 --> 00:10:04,800 Speaker 1: a co looking around looks anxious. Yeah, well, just staring 184 00:10:04,840 --> 00:10:07,480 Speaker 1: into the wall looks weird. So I try to make 185 00:10:07,520 --> 00:10:13,640 Speaker 1: conversation with whomever is behind the bar. All right, pick 186 00:10:13,720 --> 00:10:16,280 Speaker 1: the right night. They say, no, don't go on Friday's 187 00:10:16,360 --> 00:10:21,239 Speaker 1: or Saturday's. Now, who can go Tuesday and Wednesday? Tuesday's 188 00:10:21,320 --> 00:10:23,320 Speaker 1: Tuesday's are a bummer, so I guess that's something to 189 00:10:23,360 --> 00:10:27,560 Speaker 1: look forward to on Tuesday's. Yeah like that? All right, Well, 190 00:10:27,559 --> 00:10:29,760 Speaker 1: there you go. Today's quote doing your best does not 191 00:10:29,880 --> 00:10:32,440 Speaker 1: mean pushing yourself to the point of a mental breakthop 192 00:10:34,320 --> 00:10:39,200 Speaker 1: with Ryan Seacres. Are we ready for Harry Style? So 193 00:10:39,280 --> 00:10:41,960 Speaker 1: his new album, Harry's House is out today and you 194 00:10:41,960 --> 00:10:44,200 Speaker 1: can listen to our radio I'm Release party with Harry 195 00:10:44,200 --> 00:10:47,000 Speaker 1: Styles tonight seven o'clock right here and Kiss FM, or 196 00:10:47,040 --> 00:10:49,400 Speaker 1: watch on YouTube dot com slash I Heart Radio and 197 00:10:49,520 --> 00:10:53,000 Speaker 1: all day long here on Kiss it's gonna be Harry's 198 00:10:53,080 --> 00:10:56,559 Speaker 1: House Party. We're gonna be playing the entire album just 199 00:10:56,640 --> 00:11:00,000 Speaker 1: kind of sprinkled in all day long, different tracks if 200 00:11:00,040 --> 00:11:03,120 Speaker 1: and tracks from the album. Yeah, from Harry's House? What 201 00:11:03,200 --> 00:11:07,480 Speaker 1: are what time his party would start? The daytime party? 202 00:11:07,559 --> 00:11:12,199 Speaker 1: Or I don't know, I feel like I see late 203 00:11:12,240 --> 00:11:16,240 Speaker 1: after all. Right, let's get the headlines and we'll bring 204 00:11:16,240 --> 00:11:22,120 Speaker 1: Harry in headlines well right, Rising cases of COVID nineteen 205 00:11:22,160 --> 00:11:25,440 Speaker 1: have moved Los Angeles County into the federal government's medium 206 00:11:25,559 --> 00:11:28,560 Speaker 1: risk category. So what does this mean the move from 207 00:11:28,600 --> 00:11:32,280 Speaker 1: low to medium. Apparently it won't trigger any immediate changes 208 00:11:32,400 --> 00:11:35,920 Speaker 1: in health regulations for the county, but things like indoor 209 00:11:36,040 --> 00:11:40,000 Speaker 1: masking are being strongly recommended for both residents and businesses. 210 00:11:40,480 --> 00:11:44,160 Speaker 1: TikTok is introducing a creator crediting tool that allows users 211 00:11:44,200 --> 00:11:47,040 Speaker 1: to directly tag and credit videos using a new button 212 00:11:47,200 --> 00:11:49,600 Speaker 1: in the app. The feature will rollout over the next 213 00:11:49,679 --> 00:11:51,920 Speaker 1: few weeks or so, and the new tool is part 214 00:11:51,960 --> 00:11:54,840 Speaker 1: of an effort to encourage the TikTok community to credit 215 00:11:55,160 --> 00:11:59,040 Speaker 1: creators and trend originators, not to steal their work right. 216 00:11:59,120 --> 00:12:01,920 Speaker 1: The tool enables you to tag, mention and credit of video. 217 00:12:02,160 --> 00:12:06,040 Speaker 1: In its description, Rihanna and asap Rocky have welcome to 218 00:12:06,040 --> 00:12:09,440 Speaker 1: baby boy and Ed Sharon and his wife Cherry Seawarn 219 00:12:09,480 --> 00:12:12,960 Speaker 1: have welcomed their second child. They're both so in love 220 00:12:13,160 --> 00:12:16,760 Speaker 1: and they said. He made the surprise announcement yesterday, sharing 221 00:12:16,760 --> 00:12:19,120 Speaker 1: a photo of white baby socks on a blanket in 222 00:12:19,200 --> 00:12:23,040 Speaker 1: a post on Instagram and adding that the longtime couple 223 00:12:23,160 --> 00:12:26,760 Speaker 1: had had another daughter. And did you see the drone 224 00:12:26,800 --> 00:12:29,840 Speaker 1: show over l A last night? Well, Disney kicked off 225 00:12:29,880 --> 00:12:34,000 Speaker 1: the celebrations for National Streaming Day with a spectacular drone 226 00:12:34,040 --> 00:12:37,480 Speaker 1: show over downtown Los Angeles has happened last night. More 227 00:12:37,480 --> 00:12:41,160 Speaker 1: than three hundred drones lit up the night sky with 228 00:12:41,280 --> 00:12:44,400 Speaker 1: the Disney logo and designs featuring some of the company's 229 00:12:44,440 --> 00:12:49,239 Speaker 1: most iconic entertainment properties, including ESPN, Hulu, and National Geographic. 230 00:12:49,520 --> 00:12:52,680 Speaker 1: It was all in honor of National Streaming Day, which 231 00:12:52,760 --> 00:12:59,920 Speaker 1: is today with Ryan Seacrest and here he is Harry 232 00:13:00,000 --> 00:13:03,880 Speaker 1: Styles joining us now it is officially out. Harry's House 233 00:13:04,040 --> 00:13:07,360 Speaker 1: is out today. Something you've known is coming for a 234 00:13:07,400 --> 00:13:10,240 Speaker 1: long time. But what are what are the emotions? What 235 00:13:10,280 --> 00:13:13,079 Speaker 1: are the feelings that you have knowing the world can 236 00:13:13,080 --> 00:13:17,560 Speaker 1: now consume these songs? Um, I think like it's always 237 00:13:17,600 --> 00:13:21,120 Speaker 1: a little bit um, you know, it's like your secret 238 00:13:21,280 --> 00:13:23,720 Speaker 1: for so long. Sometimes it's like a little moment of like, 239 00:13:23,840 --> 00:13:28,360 Speaker 1: oh it's not mine anymore. Yeah, but it's it's really 240 00:13:28,440 --> 00:13:32,640 Speaker 1: like freeing. I think, you know, you like, it's kind 241 00:13:32,679 --> 00:13:34,719 Speaker 1: of feels like it's in a vault for so long 242 00:13:34,800 --> 00:13:36,880 Speaker 1: and you feel so like protective of it and then 243 00:13:36,920 --> 00:13:39,319 Speaker 1: just being able to like play it lauds and let 244 00:13:39,360 --> 00:13:42,360 Speaker 1: people hear it is it is really fun and ultimately 245 00:13:42,720 --> 00:13:47,679 Speaker 1: kind of you know what it's for. So um, Yeah, 246 00:13:48,080 --> 00:13:51,400 Speaker 1: I'm really really excited and I'm really happy with the album, 247 00:13:51,480 --> 00:13:54,840 Speaker 1: and I'm really excited that people are gonna gonna be 248 00:13:55,000 --> 00:13:57,959 Speaker 1: hearing it now. We fortunately got a chance to preview 249 00:13:58,000 --> 00:14:01,240 Speaker 1: it and we all took the albumne differently Harry because 250 00:14:01,440 --> 00:14:03,040 Speaker 1: as it was, we know that song that's been on 251 00:14:03,080 --> 00:14:06,199 Speaker 1: the radio and we've run into people in the wild, 252 00:14:06,240 --> 00:14:09,800 Speaker 1: I say, out in places singing it out loud to themselves, right, 253 00:14:09,840 --> 00:14:12,120 Speaker 1: they here, and they're they're just singing out lout themselves. 254 00:14:12,120 --> 00:14:15,160 Speaker 1: It's that kind of record. But when we got all 255 00:14:15,160 --> 00:14:17,920 Speaker 1: of the tracks and their thirteen in total, I first 256 00:14:18,080 --> 00:14:22,240 Speaker 1: read the lyrics, which might have been a strange exercise 257 00:14:22,360 --> 00:14:25,560 Speaker 1: because when I read them, I read them in speaking voice, 258 00:14:25,720 --> 00:14:28,400 Speaker 1: and then when you hear the lyrics, it all makes 259 00:14:28,400 --> 00:14:32,040 Speaker 1: so much more sense with with melody um and you 260 00:14:32,120 --> 00:14:34,840 Speaker 1: did it sisany which way? Well, I feel like we 261 00:14:34,880 --> 00:14:38,000 Speaker 1: all took different approaches when we heard the album. I 262 00:14:38,040 --> 00:14:43,360 Speaker 1: respectfully listened to it from start to finish. That's the 263 00:14:43,440 --> 00:14:47,760 Speaker 1: way that Harry wanted it for us. And where I 264 00:14:47,800 --> 00:14:49,480 Speaker 1: listened to the songs where I think are going to 265 00:14:49,560 --> 00:14:51,760 Speaker 1: be my favorites, because I feel like I know you 266 00:14:51,920 --> 00:14:53,760 Speaker 1: and I know which ones are going to be my favorites, 267 00:14:54,440 --> 00:15:00,120 Speaker 1: favorites first and then It's an interesting approach, I respect 268 00:15:01,240 --> 00:15:04,280 Speaker 1: But when you put the track list together, do you 269 00:15:04,560 --> 00:15:07,440 Speaker 1: have an intention of how people might listen to it 270 00:15:07,520 --> 00:15:10,120 Speaker 1: or how you envision them listening to it. Yeah, I 271 00:15:10,160 --> 00:15:15,640 Speaker 1: think I think um sequencing is probably I find the 272 00:15:15,720 --> 00:15:20,520 Speaker 1: most stressful because it's essentially finished, and then you just 273 00:15:20,600 --> 00:15:23,200 Speaker 1: have to you know, you're just listening to a ton 274 00:15:23,240 --> 00:15:25,520 Speaker 1: of different ways, and I think there's some things that 275 00:15:25,640 --> 00:15:28,920 Speaker 1: feel like instinct, so it feels like, Okay, this is 276 00:15:29,000 --> 00:15:30,840 Speaker 1: the last song and this is the first song, and 277 00:15:30,880 --> 00:15:33,880 Speaker 1: then you can kind of feel like what feels good 278 00:15:33,880 --> 00:15:36,400 Speaker 1: with this one, and then what feels good in the middle. 279 00:15:36,480 --> 00:15:39,800 Speaker 1: And I think this was the longest I've spent on 280 00:15:40,040 --> 00:15:42,960 Speaker 1: kind of putting it in order. For sure. There there 281 00:15:43,000 --> 00:15:47,080 Speaker 1: there's upbeat stuff. There's delicate I mean there's there's there's 282 00:15:47,080 --> 00:15:50,840 Speaker 1: a delicate track or two as well. Actually I started 283 00:15:50,880 --> 00:15:54,040 Speaker 1: to I made my notes in my notes section, uh, 284 00:15:54,080 --> 00:15:56,880 Speaker 1: and I was listening to all and I had notes 285 00:15:56,920 --> 00:15:58,520 Speaker 1: for all the songs. Then Little Freak Play and I 286 00:15:58,520 --> 00:15:59,960 Speaker 1: forgot to put notes for that. I was writing into 287 00:16:00,080 --> 00:16:03,520 Speaker 1: Matilda um, which you know I put beautiful and delicate, 288 00:16:03,560 --> 00:16:06,480 Speaker 1: and then I started listening to Boyfriends. Harry I did 289 00:16:06,480 --> 00:16:09,680 Speaker 1: send him, and then Boyfriends, but I listen to that 290 00:16:09,720 --> 00:16:14,600 Speaker 1: one first. I think, well, that's kind of you may 291 00:16:15,640 --> 00:16:19,760 Speaker 1: well actually yeah, but for Boyfriends, I kind of pictured 292 00:16:19,760 --> 00:16:21,320 Speaker 1: what it might be like on stage, and I don't 293 00:16:21,320 --> 00:16:23,600 Speaker 1: know if you've conceived the look of it yet, but 294 00:16:23,680 --> 00:16:25,920 Speaker 1: to me, it's like this intimate spotlight. There you are, 295 00:16:25,960 --> 00:16:28,720 Speaker 1: there's the microphone, no movement, your feet are just in 296 00:16:28,760 --> 00:16:30,600 Speaker 1: the in the cement right there in the center of 297 00:16:30,600 --> 00:16:34,720 Speaker 1: the stage. Uh, there's some white sheer fabric somewhere blowing 298 00:16:34,720 --> 00:16:37,200 Speaker 1: with light fan wind, you know, I mean, and you 299 00:16:37,200 --> 00:16:40,120 Speaker 1: feel like you're just alone with you in the arena. 300 00:16:40,320 --> 00:16:42,400 Speaker 1: Is that how you're gonna perform it? Harry, Oh, you 301 00:16:42,480 --> 00:16:46,920 Speaker 1: really thought about it? Yeah, I think I think that 302 00:16:46,960 --> 00:16:50,120 Speaker 1: would be a that would be a kind of more 303 00:16:50,240 --> 00:16:56,960 Speaker 1: intimate moment for sure. I think, Um, I guess like 304 00:16:57,080 --> 00:17:01,200 Speaker 1: sonically on the album, it's probably the most um, the 305 00:17:01,240 --> 00:17:03,400 Speaker 1: one that kind of stands out the mask because it's 306 00:17:03,440 --> 00:17:08,840 Speaker 1: it's um, the most kind of bear um. But I think, yeah, 307 00:17:08,920 --> 00:17:12,960 Speaker 1: I guess, like I like so many different types of music, 308 00:17:13,040 --> 00:17:16,000 Speaker 1: and I love playing lots of different types of music 309 00:17:16,040 --> 00:17:19,000 Speaker 1: and making them. So I think for me, like it's 310 00:17:19,000 --> 00:17:23,920 Speaker 1: important to like I kind of react to music when 311 00:17:23,960 --> 00:17:26,399 Speaker 1: listening to albums as it's kind of a journey that 312 00:17:26,520 --> 00:17:30,520 Speaker 1: someone has intended for me to go on. So I think, like, 313 00:17:31,640 --> 00:17:33,440 Speaker 1: you know, when it comes to laying them out, it's 314 00:17:33,440 --> 00:17:36,080 Speaker 1: definitely I want to listen to it and make it 315 00:17:36,160 --> 00:17:40,080 Speaker 1: feel like it it takes me on something, and you know, 316 00:17:40,160 --> 00:17:41,959 Speaker 1: you don't want it to be like, Oh, I'm in 317 00:17:42,000 --> 00:17:43,959 Speaker 1: this place and now this is playing and I'm kind 318 00:17:43,960 --> 00:17:46,440 Speaker 1: of like that's not really where I'm at right now, 319 00:17:47,080 --> 00:17:49,080 Speaker 1: you know. So I want it to be like a 320 00:17:50,600 --> 00:17:56,119 Speaker 1: kind of um thing for you to kind of experience. Boyfriends, 321 00:17:56,160 --> 00:17:59,639 Speaker 1: I think, yeah, it's just kind of probably the most 322 00:18:00,040 --> 00:18:02,840 Speaker 1: the most intimate um so, I would imagine it's it's 323 00:18:02,920 --> 00:18:06,400 Speaker 1: something like that. I don't know if it will if 324 00:18:06,560 --> 00:18:08,920 Speaker 1: we'll have the wind with the one I send you 325 00:18:09,000 --> 00:18:15,600 Speaker 1: the storyboards. Okay, What I'm just curious you talk about, 326 00:18:15,840 --> 00:18:18,600 Speaker 1: you know, albums, music artists that influence you and the 327 00:18:18,640 --> 00:18:21,400 Speaker 1: things that you feel and listening to them. What would 328 00:18:21,800 --> 00:18:24,480 Speaker 1: two albums be like if we were at your house 329 00:18:24,520 --> 00:18:26,640 Speaker 1: and you were to say, I'm gonna play two things 330 00:18:26,680 --> 00:18:28,359 Speaker 1: for you. What would be at the top of your list? 331 00:18:28,400 --> 00:18:33,919 Speaker 1: Other other maybe influences. I would say if it was 332 00:18:34,080 --> 00:18:40,720 Speaker 1: two albums, it would probably be um wow, I'd say 333 00:18:40,800 --> 00:18:46,679 Speaker 1: Nielsen Schmilson would be on Harry Nelson. Um. I listened 334 00:18:46,680 --> 00:18:49,040 Speaker 1: to that probably every day that I was making my 335 00:18:49,119 --> 00:18:55,000 Speaker 1: first album. Um, and I think it's a for me, 336 00:18:55,080 --> 00:18:57,159 Speaker 1: it was kind of like a beacon of you know, 337 00:18:57,440 --> 00:19:02,400 Speaker 1: he's like such a special musician. But there is like 338 00:19:02,600 --> 00:19:06,119 Speaker 1: really kind of deep stuff. There's some really fun stuff, 339 00:19:06,160 --> 00:19:09,120 Speaker 1: and then there's you know, a song like Calconut, which 340 00:19:09,200 --> 00:19:12,640 Speaker 1: to me is like, you know, proving that you don't 341 00:19:12,680 --> 00:19:15,800 Speaker 1: have to take yourself too seriously to make good music. 342 00:19:16,600 --> 00:19:19,119 Speaker 1: And uh so I'd say that would be one, and 343 00:19:19,160 --> 00:19:24,560 Speaker 1: then it might it might be the new Kendrick Lamar album. 344 00:19:25,080 --> 00:19:29,400 Speaker 1: Really Yeah, it's good. Yeah, yeah, it's I mean, he's 345 00:19:29,400 --> 00:19:33,879 Speaker 1: so inspiring, um, kind of the musicality of it and 346 00:19:34,320 --> 00:19:38,760 Speaker 1: just him as an artist. I think he's probably definitely 347 00:19:38,800 --> 00:19:42,080 Speaker 1: one of the most inspiring artists for sure. For me. 348 00:19:43,640 --> 00:19:49,320 Speaker 1: Who was the first person that you presented your completed 349 00:19:49,359 --> 00:19:52,080 Speaker 1: album too? When who was the first person to listen 350 00:19:52,119 --> 00:19:57,720 Speaker 1: to it? Wow? Um, I think the first person to 351 00:19:57,880 --> 00:20:04,360 Speaker 1: listen to finished wars my manager. I think, I mean 352 00:20:04,400 --> 00:20:06,840 Speaker 1: he obviously liked it. Wasn't your manager listening to it 353 00:20:07,040 --> 00:20:09,200 Speaker 1: while you were yeah along the way like I'm trying 354 00:20:09,240 --> 00:20:11,320 Speaker 1: like a little bit. Was there anybody from start to 355 00:20:11,320 --> 00:20:13,399 Speaker 1: finish that when I was not finished finished. Yeah, that 356 00:20:13,440 --> 00:20:20,800 Speaker 1: had not heard anything. Um, first person there from start 357 00:20:20,880 --> 00:20:25,480 Speaker 1: to finish. Um, I think I think it was Ben 358 00:20:25,520 --> 00:20:30,000 Speaker 1: Harper actually, really probably he was probably one of the 359 00:20:30,000 --> 00:20:32,760 Speaker 1: first people to hear it from start to finish who 360 00:20:32,880 --> 00:20:38,800 Speaker 1: hadn't heard any Um. Yeah, probably, Yeah, I think it 361 00:20:38,880 --> 00:20:42,800 Speaker 1: was him actually, and he played he played on Boyfriends 362 00:20:43,960 --> 00:20:46,240 Speaker 1: and that was kind of after I don't know if 363 00:20:46,240 --> 00:20:52,000 Speaker 1: that councils, but that's fine, Okay, I'll allow it. So, yeah, 364 00:20:52,000 --> 00:20:53,920 Speaker 1: it might have been It might have been bened That's 365 00:20:53,960 --> 00:20:57,720 Speaker 1: really cool. Yeah. So you have spoken in the past 366 00:20:57,720 --> 00:21:01,080 Speaker 1: about how much work can assumed you. You were just 367 00:21:01,200 --> 00:21:03,040 Speaker 1: you were on the grind, you were working hard, and 368 00:21:03,320 --> 00:21:06,320 Speaker 1: I mean it makes a mental health impact. And you've 369 00:21:06,359 --> 00:21:10,560 Speaker 1: talked about that before. How have you made thoughtful adjustments 370 00:21:10,640 --> 00:21:13,160 Speaker 1: so that you keep the balance now that you're gonna 371 00:21:13,160 --> 00:21:17,239 Speaker 1: be doing this again in full speed? I think I 372 00:21:17,280 --> 00:21:21,240 Speaker 1: think generally just trying. I know, like at times you 373 00:21:21,240 --> 00:21:24,679 Speaker 1: know you can't, you can't. There's no version of kind 374 00:21:24,720 --> 00:21:29,920 Speaker 1: of getting everything perfectly. But I think trying to, um, 375 00:21:29,960 --> 00:21:34,240 Speaker 1: just find like a healthier balance in my life is 376 00:21:34,280 --> 00:21:37,760 Speaker 1: what I'm kind of striving for all of the time. UM. 377 00:21:37,960 --> 00:21:42,000 Speaker 1: So I think whether that's like taking enough time to 378 00:21:42,040 --> 00:21:44,360 Speaker 1: be with friends, or taking enough time to be by 379 00:21:44,359 --> 00:21:47,600 Speaker 1: myself or you know, things like that. And I think 380 00:21:47,640 --> 00:21:51,080 Speaker 1: even little things for me, I guess the you know, 381 00:21:51,240 --> 00:21:56,400 Speaker 1: the some of the stuff that I guess was kind 382 00:21:56,400 --> 00:22:01,080 Speaker 1: of specifically for my kind of mental um well being. 383 00:22:01,119 --> 00:22:03,359 Speaker 1: I guess like I used to, like I always used 384 00:22:03,400 --> 00:22:06,360 Speaker 1: to like miss therapy and stuff because I would just 385 00:22:06,760 --> 00:22:09,080 Speaker 1: I don't know, you know, walk, stuff would happen and 386 00:22:09,080 --> 00:22:11,399 Speaker 1: they kind of get away from me. You didn't prioritize it. 387 00:22:11,960 --> 00:22:13,960 Speaker 1: I didn't prioritize it. And now I think I like 388 00:22:14,040 --> 00:22:17,159 Speaker 1: block it out. It's like that's sometime I'm gonna like 389 00:22:17,240 --> 00:22:20,800 Speaker 1: take for myself and I think like sleeping and uh 390 00:22:21,080 --> 00:22:25,480 Speaker 1: like making strive time to like exercise, and yeah, I think, 391 00:22:25,480 --> 00:22:29,719 Speaker 1: you know, honestly, I think those things are you have 392 00:22:29,800 --> 00:22:32,600 Speaker 1: to treat them like a performance or like a meeting 393 00:22:32,720 --> 00:22:35,080 Speaker 1: or as important as all of that to maintain that 394 00:22:35,160 --> 00:22:37,960 Speaker 1: kind of balance. I remember, for for me, there would 395 00:22:37,960 --> 00:22:40,320 Speaker 1: be guilt if I wasn't work. I just because you're 396 00:22:40,359 --> 00:22:42,639 Speaker 1: doing your dream job, right, I mean, this is everything 397 00:22:42,680 --> 00:22:45,080 Speaker 1: you always wanted, and you almost may feel a little 398 00:22:45,119 --> 00:22:47,320 Speaker 1: guilt if you're not doing it. Sometimes and you're doing 399 00:22:47,320 --> 00:22:50,120 Speaker 1: things for yourself, but that's so important to your art 400 00:22:50,320 --> 00:22:53,159 Speaker 1: to but to maintain that kind of mental health and 401 00:22:53,200 --> 00:22:56,480 Speaker 1: creativity as well. Right, you can't just be grinding so much. 402 00:22:56,520 --> 00:22:59,199 Speaker 1: You can't think, Yeah, I think you want to obviously 403 00:22:59,320 --> 00:23:03,679 Speaker 1: be making making anything from a place of kind of 404 00:23:03,720 --> 00:23:08,720 Speaker 1: feeling somewhat good. Um. So I think like I always 405 00:23:08,800 --> 00:23:10,679 Speaker 1: used to kind of you know, I'd block out to 406 00:23:10,720 --> 00:23:13,119 Speaker 1: make sure that I had time to exercise and stuff 407 00:23:13,160 --> 00:23:16,600 Speaker 1: like that, And I think I kind of just saw 408 00:23:16,600 --> 00:23:18,600 Speaker 1: it as like, why do I do that for my 409 00:23:18,640 --> 00:23:22,760 Speaker 1: body and not my brain? So I kind of just 410 00:23:22,800 --> 00:23:25,880 Speaker 1: tried to adjust a couple of little things. Do you 411 00:23:26,560 --> 00:23:31,919 Speaker 1: find perfectionism which I think you may have some of 412 00:23:32,160 --> 00:23:36,000 Speaker 1: when it comes to putting music together, the songs together, 413 00:23:36,040 --> 00:23:37,760 Speaker 1: the album together. We probably are in a place where 414 00:23:37,760 --> 00:23:39,359 Speaker 1: you never want to really put it down. Is that 415 00:23:39,400 --> 00:23:45,840 Speaker 1: a blessing or a curse? I think it's both probably. 416 00:23:46,040 --> 00:23:50,960 Speaker 1: I think, Um, I think like want someone told me 417 00:23:51,000 --> 00:23:54,520 Speaker 1: one time, like you should take your craft very seriously 418 00:23:54,720 --> 00:23:57,960 Speaker 1: and don't take yourself seriously at all. So I think 419 00:23:58,000 --> 00:24:02,639 Speaker 1: there's something about like making sure that if you're going 420 00:24:02,680 --> 00:24:04,760 Speaker 1: to make something and put it out that it is 421 00:24:04,880 --> 00:24:07,160 Speaker 1: how you want it to be. I don't. I don't 422 00:24:07,200 --> 00:24:09,560 Speaker 1: think it's like, oh, it's fine enough, so just put 423 00:24:09,600 --> 00:24:11,840 Speaker 1: it out. It's just kind of not how I think 424 00:24:12,200 --> 00:24:15,119 Speaker 1: about it. But at the same time, I think, especially 425 00:24:15,160 --> 00:24:19,320 Speaker 1: when it comes to stuff like an album that is 426 00:24:19,560 --> 00:24:23,359 Speaker 1: you know, obviously um subjective and stuff, it's kind of 427 00:24:23,400 --> 00:24:27,680 Speaker 1: like making it perfect. It doesn't really exist, so you 428 00:24:27,720 --> 00:24:30,600 Speaker 1: can kind of tinkle with it, especially in the end 429 00:24:30,640 --> 00:24:34,480 Speaker 1: stages so much, and it turns out it's kind of 430 00:24:34,520 --> 00:24:36,199 Speaker 1: like trying to get like a bubble out of a 431 00:24:36,200 --> 00:24:38,919 Speaker 1: water mattress or something you just can't like if you 432 00:24:39,040 --> 00:24:41,280 Speaker 1: turn something up over here, then it means this is 433 00:24:41,320 --> 00:24:43,080 Speaker 1: too and then you need to like at just this, 434 00:24:43,200 --> 00:24:46,320 Speaker 1: and so you can do that forever. And I think 435 00:24:46,680 --> 00:24:48,719 Speaker 1: in a lot of ways, like albums are never finished. 436 00:24:48,760 --> 00:24:51,080 Speaker 1: They just kind of take it from you. But this 437 00:24:51,200 --> 00:24:53,320 Speaker 1: was the one where I felt like they just say 438 00:24:53,520 --> 00:25:00,119 Speaker 1: it's like and now you have to get it's I 439 00:25:00,200 --> 00:25:02,479 Speaker 1: was like, Okay, I'm really happy to take it now 440 00:25:02,520 --> 00:25:05,320 Speaker 1: and then I'll just accept that it's it's done. You. 441 00:25:06,480 --> 00:25:08,600 Speaker 1: I just want to say thank you so much because 442 00:25:08,800 --> 00:25:12,480 Speaker 1: the album is so fantastic, Thank you so much. But 443 00:25:12,520 --> 00:25:14,840 Speaker 1: I also do love that you've been opening up about 444 00:25:15,000 --> 00:25:17,280 Speaker 1: the fact that you were kind of intimidated to go 445 00:25:17,320 --> 00:25:18,800 Speaker 1: to therapy. You thought that it made you feel like 446 00:25:18,840 --> 00:25:20,600 Speaker 1: you were broken. So I was wondering if you had 447 00:25:20,640 --> 00:25:24,040 Speaker 1: any advice for people who felt that same way and 448 00:25:24,080 --> 00:25:26,080 Speaker 1: how you kind of got past that to end up 449 00:25:26,119 --> 00:25:27,840 Speaker 1: going to therapy, because I've did the same thing and 450 00:25:28,040 --> 00:25:31,880 Speaker 1: it's changed my life. Yeah, I think I think it's 451 00:25:31,920 --> 00:25:36,600 Speaker 1: probably the thing that had the biggest kind of positive 452 00:25:36,640 --> 00:25:40,880 Speaker 1: impact on me in my life. UM. And I think 453 00:25:40,880 --> 00:25:42,880 Speaker 1: it's kind of one of those things where it's not 454 00:25:43,000 --> 00:25:46,320 Speaker 1: like a sudden fix like over sure, you have to 455 00:25:46,400 --> 00:25:48,720 Speaker 1: kind of do some walk with it, but I think 456 00:25:49,800 --> 00:25:52,000 Speaker 1: I guess like I'm just a big believer in it, 457 00:25:52,080 --> 00:25:55,360 Speaker 1: and I kind of feel like everyone should go. Um. 458 00:25:55,480 --> 00:25:58,600 Speaker 1: And I think like it's a little subtle than I 459 00:25:58,600 --> 00:26:01,800 Speaker 1: think some people expect. I kind of feel like, if 460 00:26:01,840 --> 00:26:05,120 Speaker 1: you can find three things in your life that make 461 00:26:05,200 --> 00:26:08,919 Speaker 1: you feel like five butter, then that adds up to 462 00:26:09,359 --> 00:26:12,679 Speaker 1: a lot and um and that's kind of what it 463 00:26:12,800 --> 00:26:15,840 Speaker 1: is for me. Um. But I think in terms of 464 00:26:15,880 --> 00:26:17,879 Speaker 1: getting out of my own way with it, Yeah, I 465 00:26:17,920 --> 00:26:20,399 Speaker 1: definitely like I felt like it was a thing where, 466 00:26:22,200 --> 00:26:24,280 Speaker 1: you know, it meant like there's something wrong with me, 467 00:26:24,320 --> 00:26:27,000 Speaker 1: and everyone went and it felt like really dramatic, and 468 00:26:27,040 --> 00:26:29,119 Speaker 1: I didn't really want to do that, and I wanted 469 00:26:29,200 --> 00:26:31,199 Speaker 1: to be able to say like, oh, I didn't need it. 470 00:26:31,280 --> 00:26:34,880 Speaker 1: And someone kind of described it to me as like, 471 00:26:35,720 --> 00:26:39,919 Speaker 1: you know, you can go and tell someone everything you 472 00:26:39,960 --> 00:26:41,600 Speaker 1: want and then you pay them and they're not allowed 473 00:26:41,640 --> 00:26:47,760 Speaker 1: to tell anyone and then to tell you. And I 474 00:26:47,800 --> 00:26:49,680 Speaker 1: was kind of I just realized. I think I was 475 00:26:49,800 --> 00:26:51,480 Speaker 1: kind of getting in my own way with it, and 476 00:26:51,520 --> 00:26:55,199 Speaker 1: then I went and you know, left feeling like, oh, 477 00:26:55,240 --> 00:26:56,840 Speaker 1: I wanted to talk about this thing and this thing 478 00:26:56,880 --> 00:27:00,119 Speaker 1: and this thing, and yeah, so I stuck with it, 479 00:27:00,240 --> 00:27:03,080 Speaker 1: but yeah, yeah, it's it's changed my life for sure. 480 00:27:03,920 --> 00:27:05,959 Speaker 1: Love of My Life was one of my favorite songs, 481 00:27:06,160 --> 00:27:11,879 Speaker 1: which is the last track on there. And it's very 482 00:27:11,960 --> 00:27:15,240 Speaker 1: stressful to hear the album once and then talk to 483 00:27:15,320 --> 00:27:17,720 Speaker 1: you immediately because we haven't had a chance to live 484 00:27:17,800 --> 00:27:21,000 Speaker 1: with it, right, because I think you hear it differently 485 00:27:21,040 --> 00:27:25,199 Speaker 1: every time you listen to a song, right, Yeah, so 486 00:27:25,359 --> 00:27:28,439 Speaker 1: don't judge. But after I heard that and then you 487 00:27:28,480 --> 00:27:30,399 Speaker 1: were here, so I didn't. You'll play it many many times, 488 00:27:30,440 --> 00:27:32,720 Speaker 1: but I just put we'll make your heart wake up. 489 00:27:33,359 --> 00:27:35,680 Speaker 1: I don't know if that was the intent, but that's 490 00:27:35,680 --> 00:27:37,719 Speaker 1: what I wrote down after listening to I like that, 491 00:27:38,119 --> 00:27:40,200 Speaker 1: I might I might use that actually if you hear 492 00:27:40,280 --> 00:27:48,119 Speaker 1: me say that somewhere, but it did. It felt that way. 493 00:27:48,200 --> 00:27:51,240 Speaker 1: Tell us a little bit about that song. Um. So, 494 00:27:51,280 --> 00:27:53,639 Speaker 1: the Love of My Life was one of one of 495 00:27:53,680 --> 00:27:57,520 Speaker 1: the last songs that kind of came together for the album. 496 00:27:57,640 --> 00:28:01,680 Speaker 1: And we're in a little half countryside in England. Were 497 00:28:01,720 --> 00:28:06,920 Speaker 1: set up in a room and there um and it 498 00:28:07,080 --> 00:28:10,320 Speaker 1: kind of started on piano and it was just the 499 00:28:10,359 --> 00:28:17,879 Speaker 1: line of the little little and and kind of we 500 00:28:18,000 --> 00:28:20,320 Speaker 1: kind of just really liked that thing, and that was 501 00:28:20,400 --> 00:28:23,040 Speaker 1: kind of going around and around for a long time. 502 00:28:23,080 --> 00:28:25,840 Speaker 1: And then the room we were working in was kind 503 00:28:25,840 --> 00:28:28,439 Speaker 1: of under my bedroom, so I was hearing it just 504 00:28:28,520 --> 00:28:33,480 Speaker 1: like and over again, and then I think to me, like, 505 00:28:33,520 --> 00:28:37,040 Speaker 1: in a lot of ways, it's I mean, it's definitely 506 00:28:37,040 --> 00:28:40,280 Speaker 1: the most sparse song I think we've probably put out. 507 00:28:40,320 --> 00:28:44,760 Speaker 1: It's kind of very few elements happening, and it's probably 508 00:28:45,400 --> 00:28:48,080 Speaker 1: you know, there's more like there's the there's a phone 509 00:28:48,160 --> 00:28:51,400 Speaker 1: ringing in the background, and that's like included, and it's 510 00:28:51,440 --> 00:28:54,480 Speaker 1: a lot more like kind of gritty. I think in 511 00:28:54,520 --> 00:28:56,560 Speaker 1: a lot of ways, it feels a lot more kind 512 00:28:56,560 --> 00:29:01,720 Speaker 1: of like Calme made Um. Yeah. For me, it's it's 513 00:29:01,760 --> 00:29:05,040 Speaker 1: like it's definitely I I listened to it thinking it's 514 00:29:05,120 --> 00:29:11,440 Speaker 1: kind of uplifting, but yeah, I mean I love it. 515 00:29:11,480 --> 00:29:14,200 Speaker 1: I think at first when it was when we were 516 00:29:14,240 --> 00:29:16,800 Speaker 1: making it, I wasn't really sure if I really liked 517 00:29:16,800 --> 00:29:20,560 Speaker 1: it or really didn't like it. Really, I think exciting 518 00:29:20,680 --> 00:29:24,600 Speaker 1: place to make music from. I think that little bit 519 00:29:24,600 --> 00:29:28,880 Speaker 1: where you feel kind of uncertain, it's a really exciting 520 00:29:28,960 --> 00:29:32,920 Speaker 1: place to be to be making stuff. It doesn't feel 521 00:29:32,960 --> 00:29:36,320 Speaker 1: too safe, so I guess I didn't really know what 522 00:29:36,880 --> 00:29:40,440 Speaker 1: kind of song it was, and then finishing it, it 523 00:29:40,560 --> 00:29:43,960 Speaker 1: just felt, I guess the most, like the kind of 524 00:29:44,000 --> 00:29:47,080 Speaker 1: antithesis of how the album was made. You know, it's 525 00:29:47,200 --> 00:29:50,920 Speaker 1: kind of the end part, the kind of piano bit 526 00:29:50,960 --> 00:29:52,840 Speaker 1: at the end of bum bum bum bum bum bum 527 00:29:52,800 --> 00:29:57,000 Speaker 1: bum was supposed to be. It was kind of supposed 528 00:29:57,000 --> 00:29:59,959 Speaker 1: to be like a sketch of like what an orcaust 529 00:30:00,000 --> 00:30:02,960 Speaker 1: trow would do, the same kind of the way that 530 00:30:03,080 --> 00:30:08,480 Speaker 1: fine line ended like that. And I think the kind 531 00:30:08,480 --> 00:30:10,960 Speaker 1: of all the echo and the revo and stuff that 532 00:30:11,040 --> 00:30:14,080 Speaker 1: was happening inside the piano for it made it sound 533 00:30:14,200 --> 00:30:18,400 Speaker 1: like it was kind of accompanied, and that felt like, oh, 534 00:30:18,480 --> 00:30:21,600 Speaker 1: this is like the intimate version of doing that orchestra thing, 535 00:30:21,680 --> 00:30:24,160 Speaker 1: and that is actually how the album was made, kind 536 00:30:24,160 --> 00:30:26,600 Speaker 1: of in a tiny room with a couple of people, 537 00:30:26,680 --> 00:30:28,959 Speaker 1: and it felt like a lot truer to kind of 538 00:30:29,000 --> 00:30:32,400 Speaker 1: what the album was about. So we ended up leaving 539 00:30:32,440 --> 00:30:36,840 Speaker 1: that and not doing that. Yeah, that's the that's the 540 00:30:36,920 --> 00:30:41,320 Speaker 1: last song on the album. Harry. Let's talk about you 541 00:30:41,480 --> 00:30:45,160 Speaker 1: getting back out on the road and touring with this music. 542 00:30:45,320 --> 00:30:47,720 Speaker 1: What's the look? What should we be thinking about? What's 543 00:30:47,760 --> 00:30:51,480 Speaker 1: the feeling? Because you definitely have a keen sense of style. 544 00:30:52,640 --> 00:30:57,560 Speaker 1: Thank you. Um. I think I think for me getting 545 00:30:57,560 --> 00:30:59,760 Speaker 1: back out on the road, I think the tour will 546 00:30:59,840 --> 00:31:03,640 Speaker 1: be you know, obviously the album is about this kind 547 00:31:03,640 --> 00:31:07,440 Speaker 1: of like homie kind of calm in a comfort and stuff, 548 00:31:07,480 --> 00:31:10,360 Speaker 1: and I think maybe some of the tour will be 549 00:31:10,440 --> 00:31:13,160 Speaker 1: a little bit of that kind of I wanted to 550 00:31:13,200 --> 00:31:18,479 Speaker 1: feel like this nice, comfortable space and and just you know, 551 00:31:18,920 --> 00:31:23,080 Speaker 1: I think the try and create the kind of ultimate 552 00:31:23,960 --> 00:31:27,000 Speaker 1: environment to just listen to some music and have some fun. 553 00:31:27,760 --> 00:31:30,280 Speaker 1: I think the date that thing will be, if it 554 00:31:30,320 --> 00:31:32,480 Speaker 1: could change of course, we won't hold you to just 555 00:31:32,520 --> 00:31:34,800 Speaker 1: to get an idea. You're gonna beat the Forum October 556 00:31:34,960 --> 00:31:37,960 Speaker 1: thirty one in Los Angeles. So are we getting a 557 00:31:38,040 --> 00:31:44,600 Speaker 1: hairy ween show in l A on that night? Maybe? 558 00:31:46,960 --> 00:31:51,840 Speaker 1: I mean it would be it would be rude or 559 00:31:51,840 --> 00:31:55,520 Speaker 1: not to write, may be rude not to Uh. And 560 00:31:55,560 --> 00:31:57,880 Speaker 1: what about you? And we're talking about the tour. You've 561 00:31:57,880 --> 00:32:00,160 Speaker 1: obviously got the album out and acting in something thing 562 00:32:00,160 --> 00:32:02,280 Speaker 1: that we've enjoyed seeing you take on different roles. How 563 00:32:02,280 --> 00:32:07,720 Speaker 1: are you looking at that component of your career? Um? 564 00:32:07,760 --> 00:32:09,840 Speaker 1: I mean I think for me, like I've always you know, 565 00:32:09,920 --> 00:32:12,840 Speaker 1: music is something that I love doing so much and 566 00:32:12,880 --> 00:32:15,160 Speaker 1: I feel so lucky to get to do it as 567 00:32:15,360 --> 00:32:19,520 Speaker 1: my job. Um. And then acting, I guess with something 568 00:32:19,600 --> 00:32:22,640 Speaker 1: kind of I did when I was younger, and I've 569 00:32:22,680 --> 00:32:26,720 Speaker 1: always loved it, and it feels like kind of the 570 00:32:26,760 --> 00:32:28,880 Speaker 1: opposite of music in a lot of ways. I think 571 00:32:29,720 --> 00:32:32,719 Speaker 1: obviously you're trying to put so much of yourself into music. 572 00:32:32,760 --> 00:32:35,320 Speaker 1: It's so personal, and then in a lot of ways 573 00:32:35,320 --> 00:32:38,040 Speaker 1: you're trying to remove a lot of that in acting. 574 00:32:38,760 --> 00:32:41,080 Speaker 1: I kind of like being out of my comfort zone. 575 00:32:41,400 --> 00:32:43,719 Speaker 1: I like that kind of acting. I feel like I 576 00:32:43,720 --> 00:32:46,360 Speaker 1: have no idea what I'm doing and kind of just 577 00:32:46,440 --> 00:32:49,320 Speaker 1: showing up as like the new guy in a lot 578 00:32:49,320 --> 00:32:52,840 Speaker 1: of ways, and um, it's really fun. So I guess 579 00:32:52,840 --> 00:32:55,040 Speaker 1: I just feel really grateful that I get to kind 580 00:32:55,080 --> 00:32:58,680 Speaker 1: of try something else. Not terrifying. It's not terrifying. It's 581 00:32:58,680 --> 00:33:03,600 Speaker 1: pretty terrifying. Like I would say, it's pretty terrifying. I think, like, 582 00:33:04,440 --> 00:33:05,960 Speaker 1: you know, I don't I don't know that I would 583 00:33:06,000 --> 00:33:08,280 Speaker 1: say that. I feel like I know what I'm doing 584 00:33:08,280 --> 00:33:13,440 Speaker 1: in music either, but there's some version of comfort there 585 00:33:13,480 --> 00:33:16,520 Speaker 1: because I've done that for longer. So I think like 586 00:33:17,520 --> 00:33:20,160 Speaker 1: acting is just it feels like a different, like a 587 00:33:20,200 --> 00:33:25,160 Speaker 1: totally different thing, and I really like just being kind 588 00:33:25,160 --> 00:33:29,440 Speaker 1: of uncomfortable with kind of within that, and you know, 589 00:33:29,520 --> 00:33:31,360 Speaker 1: it's really fun. It's like, at the end of the day, 590 00:33:31,360 --> 00:33:37,640 Speaker 1: it's like pretending it's playing a little man exactly. In 591 00:33:37,760 --> 00:33:41,880 Speaker 1: terms of your comfort or not comfort in your music, 592 00:33:42,000 --> 00:33:44,440 Speaker 1: you have said that you found you know who this is, 593 00:33:44,480 --> 00:33:46,719 Speaker 1: this is the most of who you are that you 594 00:33:46,760 --> 00:33:49,440 Speaker 1: are on an album. But it took you did it? 595 00:33:49,880 --> 00:33:51,840 Speaker 1: How do you look at it right? Because we know 596 00:33:51,880 --> 00:33:54,800 Speaker 1: when we met you and you were introduced to us commercially, 597 00:33:55,240 --> 00:33:57,280 Speaker 1: But how do you look at where you were and 598 00:33:57,320 --> 00:34:00,240 Speaker 1: where you are in terms of finding your signa sure 599 00:34:00,320 --> 00:34:05,320 Speaker 1: your style. I think, um, it's not well. I think 600 00:34:05,360 --> 00:34:07,400 Speaker 1: the interesting part is that it's not like I look 601 00:34:07,480 --> 00:34:09,640 Speaker 1: back at that time and be like, that's not who 602 00:34:09,719 --> 00:34:12,080 Speaker 1: I was. It's you know, it's not like I'm like 603 00:34:13,000 --> 00:34:16,080 Speaker 1: I hate that person. I think just like I was, 604 00:34:16,280 --> 00:34:21,520 Speaker 1: you know, I was like sixteen and um had zero 605 00:34:21,719 --> 00:34:24,680 Speaker 1: experience of kind of the industry and stuff. So a 606 00:34:24,719 --> 00:34:27,120 Speaker 1: lot of it is you're you know, you're just relying 607 00:34:27,160 --> 00:34:31,360 Speaker 1: on kind of finding out as you go along with stuff. 608 00:34:31,400 --> 00:34:36,040 Speaker 1: And I think like, it's not like I had in 609 00:34:36,120 --> 00:34:38,440 Speaker 1: the kind of early early stage. It's not like I 610 00:34:38,480 --> 00:34:40,680 Speaker 1: had some like grand plan of what I wanted to 611 00:34:40,680 --> 00:34:42,640 Speaker 1: do with my career. I was kind of like, this 612 00:34:42,719 --> 00:34:48,080 Speaker 1: is so fun, let's do this. Um. So you know, 613 00:34:48,400 --> 00:34:53,319 Speaker 1: I think, like, I guess, just just a comfort in 614 00:34:53,440 --> 00:34:58,440 Speaker 1: kind of maybe some like now I probably make more 615 00:34:58,480 --> 00:35:01,520 Speaker 1: of an effort to find a better balance in my life. 616 00:35:02,000 --> 00:35:04,120 Speaker 1: I think earlier on it was just kind of harder 617 00:35:04,160 --> 00:35:07,480 Speaker 1: to do that. Um, But now I think like, yeah, 618 00:35:07,600 --> 00:35:10,879 Speaker 1: just a comfort of I think like I liked just 619 00:35:10,960 --> 00:35:13,759 Speaker 1: being around like people all the time as well, and 620 00:35:13,880 --> 00:35:16,160 Speaker 1: kind of I felt like I was trying to learn 621 00:35:16,200 --> 00:35:18,960 Speaker 1: as much as I could, And now I kind of 622 00:35:19,000 --> 00:35:21,920 Speaker 1: feel like, you know, if I'm not spending time with 623 00:35:22,800 --> 00:35:24,960 Speaker 1: people that I love and people who love me, I'm 624 00:35:25,080 --> 00:35:28,120 Speaker 1: kind of more I'm like fine being on my own. 625 00:35:28,840 --> 00:35:32,000 Speaker 1: Um I find it like quite relaxing and calming to 626 00:35:32,040 --> 00:35:34,800 Speaker 1: be on my own. Now I feel like maybe earlier 627 00:35:34,800 --> 00:35:39,440 Speaker 1: on it was terrifying to be by myself. Ever, um 628 00:35:39,600 --> 00:35:42,920 Speaker 1: so yeah, I'd say that's probably the biggest difference. It's 629 00:35:43,000 --> 00:35:46,960 Speaker 1: just some version of I'm a little more like comfortable 630 00:35:46,960 --> 00:35:50,040 Speaker 1: in the silence. I think it's a good place to be. 631 00:35:50,840 --> 00:35:53,640 Speaker 1: Harry Styles the album Harry's House, It is out now. 632 00:35:53,800 --> 00:35:56,239 Speaker 1: It is great to see you. Can't wait to see 633 00:35:56,239 --> 00:35:57,960 Speaker 1: you in person, can wait to see you do these 634 00:35:57,960 --> 00:36:00,839 Speaker 1: songs in person and any times. If you haven't checked 635 00:36:00,840 --> 00:36:02,840 Speaker 1: them all out, take a good listen to them and 636 00:36:02,920 --> 00:36:05,239 Speaker 1: we will continue to listen to them. Harry, great to 637 00:36:05,239 --> 00:36:07,400 Speaker 1: see a pal. Thank you so much. An Tanie, I 638 00:36:07,440 --> 00:36:11,960 Speaker 1: love you, Jumper. Is that your march? That's your march? Right? 639 00:36:13,120 --> 00:36:16,200 Speaker 1: What's the retail price? Nah? Well, you know what's so? 640 00:36:17,280 --> 00:36:21,080 Speaker 1: It was a kid. It was a kid, and I 641 00:36:21,200 --> 00:36:22,880 Speaker 1: was so happy to get it. You made me so 642 00:36:23,000 --> 00:36:25,800 Speaker 1: I just love you so much. It's like so crazy. 643 00:36:25,840 --> 00:36:27,560 Speaker 1: I just think you're the best artist, and I think 644 00:36:27,560 --> 00:36:30,160 Speaker 1: you have the best part and I just love you. Yeah, 645 00:36:30,160 --> 00:36:33,879 Speaker 1: you're so talented. I appreciate that very much. I would 646 00:36:33,960 --> 00:36:36,120 Speaker 1: hug you right now if we could, because it is 647 00:36:36,160 --> 00:36:39,240 Speaker 1: a very very soul and it's nice to see you, buddy. 648 00:36:39,760 --> 00:36:43,160 Speaker 1: Thank you so much. Nice to see you. Gratulations. Thank 649 00:36:43,200 --> 00:36:47,600 Speaker 1: you so much. By So, that's when you interviewed him, 650 00:36:47,600 --> 00:36:49,839 Speaker 1: and then he called you afterwards, right, Tanya, to get 651 00:36:49,880 --> 00:36:52,680 Speaker 1: off the floor. Oh my gosh, she melted. He said 652 00:36:52,719 --> 00:36:56,640 Speaker 1: it like my jumper now, is that what you're wearing? 653 00:36:56,680 --> 00:37:00,360 Speaker 1: The jumper? Yeah? I think sweatcher? And yeah, didn't he 654 00:37:00,400 --> 00:37:04,960 Speaker 1: send it to you? I know? I mean, but you 655 00:37:04,960 --> 00:37:06,960 Speaker 1: interviewed him and then he called you after. Let's see 656 00:37:06,960 --> 00:37:10,239 Speaker 1: if he calls me. My phone is charged. D A, 657 00:37:10,360 --> 00:37:15,600 Speaker 1: I Harry, I'm just waiting take a break. It was 658 00:37:15,640 --> 00:37:20,600 Speaker 1: like it could be tonight when I'm doing my get 659 00:37:20,600 --> 00:37:32,839 Speaker 1: ready for bed ceremonies. Alright, let's meet Jerry Robanovich of Lomita. 660 00:37:33,560 --> 00:37:35,840 Speaker 1: He's on the line. His sister nominated him to be 661 00:37:35,880 --> 00:37:38,960 Speaker 1: our hometown hust er. And if you are into comic 662 00:37:39,000 --> 00:37:41,879 Speaker 1: books or your kids are You're gonna want to hear this. 663 00:37:41,960 --> 00:37:44,839 Speaker 1: Jerry's the founder of Scary's Comics, a unique comic book 664 00:37:44,880 --> 00:37:48,840 Speaker 1: store in Low Meda offering a large collection of vintage 665 00:37:48,840 --> 00:37:53,200 Speaker 1: comic books, collectible figurines, Pokemon, and more. Jerry's a former 666 00:37:53,440 --> 00:37:56,319 Speaker 1: mm A fighter. Jerry, you're our hometown hust or. How 667 00:37:56,360 --> 00:37:59,360 Speaker 1: are you man? Good? How are you doing? Oh? He 668 00:37:59,520 --> 00:38:06,440 Speaker 1: sounds like m m A. Uh so you worked as 669 00:38:06,440 --> 00:38:10,800 Speaker 1: a commercial fisherman prior to doing all of this commercial 670 00:38:10,840 --> 00:38:14,759 Speaker 1: fisherman and sport boats here in San Pedro, California. Well, 671 00:38:14,760 --> 00:38:17,120 Speaker 1: your sister nominated to to be our hometown house or 672 00:38:17,160 --> 00:38:21,440 Speaker 1: tell us about Scary's Comics. Um, I've been I've been 673 00:38:21,880 --> 00:38:25,000 Speaker 1: collecting comics, uh, pretty much my whole life since I 674 00:38:25,000 --> 00:38:27,759 Speaker 1: was probably about seven years old. And uh in two 675 00:38:28,120 --> 00:38:32,120 Speaker 1: two thousand and fourteen, I actually started becoming a dealer 676 00:38:32,320 --> 00:38:34,840 Speaker 1: and I opened up my own shop and I have 677 00:38:34,880 --> 00:38:38,279 Speaker 1: a huge Instagram page as well, and uh, I'm really 678 00:38:38,280 --> 00:38:42,600 Speaker 1: passionate with comics and what what everything has been you know, 679 00:38:42,680 --> 00:38:45,319 Speaker 1: Stanley and all this stuff that's going on, It's just 680 00:38:45,560 --> 00:38:49,160 Speaker 1: been exploding, you know. And you started collecting comic books, 681 00:38:49,400 --> 00:38:54,800 Speaker 1: what age, uh five six years old? How cool to 682 00:38:54,840 --> 00:38:56,360 Speaker 1: have a dad that's weigh into this. I mean, you 683 00:38:56,400 --> 00:38:59,480 Speaker 1: have kids and they think it's cool. They love it. 684 00:38:59,520 --> 00:39:01,120 Speaker 1: I have you. I have my little guys coming in 685 00:39:01,160 --> 00:39:03,040 Speaker 1: and helping me out in my shop and stuff. And 686 00:39:03,120 --> 00:39:06,000 Speaker 1: you know, I have three little guys, and Rocco and 687 00:39:06,080 --> 00:39:09,239 Speaker 1: Nico and Jelco. So I kept a Croatian name and 688 00:39:09,280 --> 00:39:12,799 Speaker 1: it was all of them. Well, you know, we're all 689 00:39:12,840 --> 00:39:15,319 Speaker 1: looking to discover a passion and pursue it, right, That's 690 00:39:15,320 --> 00:39:17,799 Speaker 1: what everybody wants. But you you knew that this was 691 00:39:17,840 --> 00:39:21,640 Speaker 1: something that you loved. Talk about the turn to doing 692 00:39:21,680 --> 00:39:24,759 Speaker 1: it as your business. How was that for you? Jerry? 693 00:39:25,480 --> 00:39:27,680 Speaker 1: It's just you know, I loved it so much that 694 00:39:27,719 --> 00:39:29,960 Speaker 1: I wanted to do something that I loved in life. 695 00:39:30,000 --> 00:39:32,880 Speaker 1: And um, you know, my sister always called me a 696 00:39:32,920 --> 00:39:36,520 Speaker 1: little hustler, and I guess that's she build out some 697 00:39:36,600 --> 00:39:39,120 Speaker 1: letter to put me on here. I think her so much, 698 00:39:39,120 --> 00:39:44,319 Speaker 1: Sharon Narvaez. But I just wanted to get into it 699 00:39:44,719 --> 00:39:47,719 Speaker 1: deeper and and and I wanted to spread it out 700 00:39:47,719 --> 00:39:51,279 Speaker 1: through the community. And you know, uh have everybody having 701 00:39:51,560 --> 00:39:55,200 Speaker 1: opportunity to buy beautiful books, and I'm the person that 702 00:39:55,239 --> 00:39:57,239 Speaker 1: goes out there and gets all of it and then 703 00:39:57,280 --> 00:39:59,600 Speaker 1: I spread it out to the community as what my 704 00:39:59,800 --> 00:40:02,759 Speaker 1: whole focuses in goal. Well, that's why we wanted to 705 00:40:02,800 --> 00:40:07,680 Speaker 1: spotlight you doing your hometown hustling there at Scary's Underscore 706 00:40:08,160 --> 00:40:11,719 Speaker 1: Comics on Instagram. I really wish Tubbs you weren't here 707 00:40:11,719 --> 00:40:13,799 Speaker 1: today in Easton was because he would have just been 708 00:40:13,840 --> 00:40:16,520 Speaker 1: like salivating over all this stuff. He's such a comic, 709 00:40:17,000 --> 00:40:21,720 Speaker 1: unique comic junkie, right, yeah he is. How would he react, 710 00:40:21,760 --> 00:40:23,600 Speaker 1: just play the role of Easton if he were here, 711 00:40:23,600 --> 00:40:26,920 Speaker 1: how would he react? Oh, first, he would be he 712 00:40:26,960 --> 00:40:31,239 Speaker 1: would be hyperventilating and asking about the latest uh, the 713 00:40:31,360 --> 00:40:35,520 Speaker 1: latest Marvel release. Yeah, he's our other engineer who's like upset. 714 00:40:35,600 --> 00:40:37,440 Speaker 1: He would like he made faint if he came in 715 00:40:37,440 --> 00:40:41,399 Speaker 1: your store. I would like him to come in and I'll, 716 00:40:41,880 --> 00:40:45,879 Speaker 1: you know, hook him up. He'll be there every day 717 00:40:46,480 --> 00:40:50,319 Speaker 1: you wished for, Jerry, thanks for coming on check it 718 00:40:50,360 --> 00:40:54,560 Speaker 1: out Western and the pch in Lomda Scariest Comics Hometown 719 00:40:56,040 --> 00:41:00,560 Speaker 1: for nominating you. Yeah right, yeah, And and I just 720 00:41:00,600 --> 00:41:03,040 Speaker 1: wanted to let you guys know that wherever it comes 721 00:41:03,040 --> 00:41:06,279 Speaker 1: to my shop and mentions uh uh kiss at fam 722 00:41:06,360 --> 00:41:09,879 Speaker 1: and Ryan Seacrest. I'm giving them off and I'm giving 723 00:41:09,880 --> 00:41:13,399 Speaker 1: the kids a free hot Whill hot wheel. Oh now 724 00:41:13,480 --> 00:41:16,720 Speaker 1: that's my lane hot wheel. I love hot wheels and matchbox. 725 00:41:16,920 --> 00:41:20,200 Speaker 1: I know. That's so nice of you. That's awesome, Jerry, 726 00:41:20,280 --> 00:41:23,160 Speaker 1: thank you for your generosity. Thank you you guys, have 727 00:41:23,200 --> 00:41:29,280 Speaker 1: a blessed day you brother. M a Fisherman's Carry's comments, 728 00:41:29,320 --> 00:41:32,719 Speaker 1: Mary's comics like nice for some of that. That's a 729 00:41:32,800 --> 00:41:37,759 Speaker 1: nice discount. Did mention kids are Ryan? Alright, so what 730 00:41:37,800 --> 00:41:41,120 Speaker 1: do you have sistening? So? Last month, a TikTok creator 731 00:41:41,160 --> 00:41:43,480 Speaker 1: went viral for posting a video ranking all of the 732 00:41:43,480 --> 00:41:47,080 Speaker 1: products of a guy that she just hooked up with. Um, 733 00:41:47,120 --> 00:41:51,320 Speaker 1: so she's seen in his bathroom? Is that rude? Okay? 734 00:41:51,400 --> 00:41:53,520 Speaker 1: I know, I know. So actually it's a bit of 735 00:41:53,520 --> 00:41:57,560 Speaker 1: a violation. This has gone crazy. She actually went back 736 00:41:57,600 --> 00:41:59,600 Speaker 1: and did like follow up videos and whatnot. But now 737 00:41:59,680 --> 00:42:03,640 Speaker 1: this friend comes into your layer hook up with them, 738 00:42:03,680 --> 00:42:05,800 Speaker 1: and they're not taking photos of what's in your bathroom. 739 00:42:05,960 --> 00:42:09,920 Speaker 1: Yeah exactly. So after you, after you do whatever that, 740 00:42:10,040 --> 00:42:11,680 Speaker 1: you go let me go in the bathroom, and then 741 00:42:11,800 --> 00:42:13,920 Speaker 1: you stay in there and you actually videotape all of 742 00:42:13,920 --> 00:42:18,680 Speaker 1: their products and everything in their cabinets. Take a listen. 743 00:42:19,080 --> 00:42:22,840 Speaker 1: This is me breaking off the products. And the boy 744 00:42:23,600 --> 00:42:27,719 Speaker 1: I just looked up with this compartment was an ambastament 745 00:42:27,800 --> 00:42:32,520 Speaker 1: baker from Marial. I use this product, so good job 746 00:42:32,640 --> 00:42:35,720 Speaker 1: for him. This is not a good sign because sleeps 747 00:42:35,719 --> 00:42:39,840 Speaker 1: with a lot of girls like not the Moroccan oil milk. 748 00:42:40,520 --> 00:42:45,279 Speaker 1: I'm about to get an STD. I would not pull 749 00:42:45,400 --> 00:42:48,480 Speaker 1: that girl back, So that was my question for you. 750 00:42:48,560 --> 00:42:52,080 Speaker 1: This is like a deal breaker, right, like this video, 751 00:42:52,239 --> 00:42:54,960 Speaker 1: like she doesn't want to hook up with him again, 752 00:42:55,000 --> 00:42:57,239 Speaker 1: Like I would never do this to something. Well, right, 753 00:42:57,280 --> 00:42:59,360 Speaker 1: I think she was probably trying to find her escape 754 00:42:59,440 --> 00:43:02,560 Speaker 1: route and she out yet Moroccan oil, how's that different 755 00:43:02,560 --> 00:43:06,760 Speaker 1: from coconut oll They're different heats on the skin. Well, 756 00:43:06,760 --> 00:43:12,200 Speaker 1: they're different products, they're different types of ingredients. Yeah, but 757 00:43:12,239 --> 00:43:13,880 Speaker 1: you know, I don't I want to look at a 758 00:43:13,880 --> 00:43:16,960 Speaker 1: guy's bathroom and think that because he has Moroccan oil 759 00:43:17,520 --> 00:43:20,319 Speaker 1: that he's hooks up with a lot of What is 760 00:43:20,360 --> 00:43:23,000 Speaker 1: why you cracking this woman? We're in my bathroom going 761 00:43:23,000 --> 00:43:27,480 Speaker 1: through my drawers and my stuff. She'd still be in there. 762 00:43:27,520 --> 00:43:31,080 Speaker 1: We got retainers, we got new retainers, old retainers, we 763 00:43:31,160 --> 00:43:34,359 Speaker 1: got lotions. I got those now, I got the male 764 00:43:34,480 --> 00:43:39,279 Speaker 1: version of those body shaving razors fragrances from way back. 765 00:43:39,400 --> 00:43:41,960 Speaker 1: They don't make male versions. Do you ever think about 766 00:43:43,320 --> 00:43:46,200 Speaker 1: do you ever think about if someone's going through your 767 00:43:46,200 --> 00:43:49,520 Speaker 1: stuff in your bathroom? And I've thought about it before, 768 00:43:49,680 --> 00:43:51,160 Speaker 1: but I mean I think I would know if they 769 00:43:51,160 --> 00:43:54,719 Speaker 1: don't come back with a minute, that they're probably like 770 00:43:55,120 --> 00:43:59,160 Speaker 1: going through my different flavored floss filming the whole TikTok 771 00:43:59,200 --> 00:44:01,560 Speaker 1: in there. I don't know about filming it, but um, 772 00:44:01,640 --> 00:44:04,480 Speaker 1: Tanya show they do make the male version of that 773 00:44:04,560 --> 00:44:08,000 Speaker 1: racer I have them. What color is it? Green? I 774 00:44:08,040 --> 00:44:12,520 Speaker 1: don't believe you. I don't believe from venus. Text me 775 00:44:12,560 --> 00:44:16,440 Speaker 1: tonight on going through my ceremony before happily and I 776 00:44:16,480 --> 00:44:19,759 Speaker 1: will remember to bring it in. No problem, you got it. 777 00:44:19,840 --> 00:44:24,160 Speaker 1: Text tonight what time you know my ceremony time? Eight 778 00:44:24,200 --> 00:44:31,640 Speaker 1: p m. I like I usually start my ceremony nice. Yeah, sure, 779 00:44:31,640 --> 00:44:34,920 Speaker 1: I'm joy for me today. You will find you. I 780 00:44:34,960 --> 00:44:40,480 Speaker 1: will find you a reminder, so sorry, yeah, then it 781 00:44:40,480 --> 00:44:46,799 Speaker 1: will be quick on air with Ryan Secrets. All right, 782 00:44:46,840 --> 00:44:49,400 Speaker 1: So Tanya, what do you have here? Celebrity Restaurant Sightings 783 00:44:49,520 --> 00:44:53,120 Speaker 1: Round two? Yes, so remember how I was telling you 784 00:44:53,239 --> 00:44:57,680 Speaker 1: I found some hot spots where we see celebs. I 785 00:44:57,719 --> 00:45:00,720 Speaker 1: don't see any celebrities in the wild. Your high aren't open, 786 00:45:00,920 --> 00:45:04,239 Speaker 1: you know they are open. I'm like you, Ryan, I 787 00:45:04,239 --> 00:45:06,520 Speaker 1: can never see him, Like Michael spot them from a 788 00:45:06,560 --> 00:45:08,520 Speaker 1: mile away. He's like, oh, that's so and so from 789 00:45:08,560 --> 00:45:10,719 Speaker 1: that one Netflix show. And I'm like, what, Like, I 790 00:45:10,760 --> 00:45:14,600 Speaker 1: don't see them yet. I don't either. You run across 791 00:45:14,640 --> 00:45:16,880 Speaker 1: them often. I run across them often. Yeah, but my 792 00:45:16,920 --> 00:45:19,440 Speaker 1: eyes are open, man, That's like I've always got some eyes. 793 00:45:19,760 --> 00:45:22,200 Speaker 1: What are you staring at? Like? Are you staring looking 794 00:45:22,239 --> 00:45:25,960 Speaker 1: for them? No? No, it's a radar thing, Like I 795 00:45:26,000 --> 00:45:28,000 Speaker 1: think some people just have this radar. We were at 796 00:45:28,040 --> 00:45:31,040 Speaker 1: a sushi note in Sherman Oaks the other night and 797 00:45:31,120 --> 00:45:34,800 Speaker 1: Michael spotted who's the guy that's playing Elvis Austin Austin Butler. 798 00:45:34,880 --> 00:45:39,319 Speaker 1: Austin Butler. He was sitting at the bar. Big, I'm 799 00:45:39,320 --> 00:45:41,319 Speaker 1: telling you, Michael spotted him. He was like, was this 800 00:45:41,360 --> 00:45:47,560 Speaker 1: song on from Harry Styles? It should have been Boyfriends. 801 00:45:48,040 --> 00:45:51,680 Speaker 1: It wasn't out yet, so we didn't hear this. No, 802 00:45:55,560 --> 00:46:01,840 Speaker 1: So okay, so Olivia j and Jacob Elerdy. He's the 803 00:46:01,960 --> 00:46:05,640 Speaker 1: hunk from Euphoria. They were at the Rose Bowl flea market, 804 00:46:05,680 --> 00:46:11,000 Speaker 1: which is super cute. Julia Fox Big One at pot 805 00:46:11,080 --> 00:46:13,839 Speaker 1: j on Laurel Candy. Did you see these people? No? No, 806 00:46:13,840 --> 00:46:16,120 Speaker 1: no, no no no. Why did you run into all those 807 00:46:16,160 --> 00:46:18,399 Speaker 1: people in the last five days? No, but I did see. 808 00:46:18,840 --> 00:46:21,040 Speaker 1: I'm not a sure, but I think I saw Jacob 809 00:46:21,200 --> 00:46:23,680 Speaker 1: Lerdy at my grocery store and I had Sunny with 810 00:46:23,719 --> 00:46:25,200 Speaker 1: me and he was like petting her and he was 811 00:46:25,239 --> 00:46:27,560 Speaker 1: being really sweet with her. Jacob Elerdy you know who 812 00:46:27,600 --> 00:46:29,000 Speaker 1: he is. Look him up Google and he's a super 813 00:46:29,000 --> 00:46:34,080 Speaker 1: tall guy from Euphoria. He's super hot. Oh he's so hot. 814 00:46:34,320 --> 00:46:36,560 Speaker 1: Look the other way then, for sure, But I think 815 00:46:36,640 --> 00:46:39,080 Speaker 1: you would have stared. Yeah. I think he was playing 816 00:46:39,120 --> 00:46:41,200 Speaker 1: with Sunny and he was like super super nice and friendly. 817 00:46:41,239 --> 00:46:45,759 Speaker 1: I'm like ninety two sure it was him. I think 818 00:46:45,760 --> 00:46:51,120 Speaker 1: he's like mid twenties. If I were run into this guy, yeah, 819 00:46:51,200 --> 00:46:55,359 Speaker 1: he's super tall. I don't have the ability to see 820 00:46:55,400 --> 00:46:58,160 Speaker 1: anybody outside of the character in the scene or set, 821 00:46:58,520 --> 00:47:00,319 Speaker 1: you know what I mean, Like, I I don't can't. 822 00:47:00,400 --> 00:47:03,200 Speaker 1: It just looks okay, well, okay. Joe Jonas at Melrose 823 00:47:03,239 --> 00:47:06,319 Speaker 1: Trading Post one of the Oppenheim Twins, you know, the 824 00:47:06,360 --> 00:47:08,719 Speaker 1: guys from song Sunset. They don't know which one it 825 00:47:08,840 --> 00:47:11,280 Speaker 1: was because they're twins. But he was at the butcher, 826 00:47:11,360 --> 00:47:15,000 Speaker 1: the baker, then the cappuccino maker in one of the twins. Yeah, 827 00:47:16,000 --> 00:47:18,360 Speaker 1: and then Daniel Radcliffe was at Air one on Beverly 828 00:47:18,400 --> 00:47:23,239 Speaker 1: and was Hollywood. Are we sure? Yeah, we verify. This 829 00:47:23,239 --> 00:47:27,200 Speaker 1: is according to the Instagram handle. Yeah. But some people 830 00:47:27,520 --> 00:47:29,640 Speaker 1: when they send their items, they send them in with photos, 831 00:47:29,680 --> 00:47:31,640 Speaker 1: so you'll see a picture of like Daniel Radcliffe in 832 00:47:31,680 --> 00:47:35,160 Speaker 1: Air one. Okay, well, Air one the grocery store, correct, 833 00:47:35,160 --> 00:47:37,520 Speaker 1: the groceries right, all right, thank you for that. I 834 00:47:37,520 --> 00:47:42,960 Speaker 1: can't wait for the next round. On air with Ryan Secrets, 835 00:47:44,440 --> 00:47:51,640 Speaker 1: Michael Boublay is on with us. Nice to see him. 836 00:47:51,680 --> 00:47:55,200 Speaker 1: Good morning, everybody, How are you? Good morning? It's a 837 00:47:55,239 --> 00:47:57,919 Speaker 1: loaded question because these two give me life advice all 838 00:47:57,960 --> 00:48:00,879 Speaker 1: morning long, and they've been on one last couple of days. 839 00:48:01,840 --> 00:48:04,600 Speaker 1: Oh really, do you imagine this? Like, I know, you 840 00:48:04,719 --> 00:48:06,520 Speaker 1: get to leave your dream, but this is kind of 841 00:48:06,520 --> 00:48:08,799 Speaker 1: a dream, by the way. So every day for five 842 00:48:08,880 --> 00:48:12,839 Speaker 1: hours I sit right there between Cecny and Tanya and 843 00:48:12,880 --> 00:48:16,600 Speaker 1: we talk a lot about life, love, the pursuit of happiness, 844 00:48:16,640 --> 00:48:18,800 Speaker 1: all that kind of stuff, and they have very strong 845 00:48:18,800 --> 00:48:20,880 Speaker 1: opinions on what I'm doing wrong with all of it. 846 00:48:22,160 --> 00:48:24,680 Speaker 1: I know, we just give suggestions. We just like to 847 00:48:24,680 --> 00:48:28,279 Speaker 1: point out what where you're doing it wrong? Can I 848 00:48:28,320 --> 00:48:31,520 Speaker 1: ask you, ladies? Yeah, how's your life going? Is it 849 00:48:31,560 --> 00:48:33,919 Speaker 1: good for you? Is it? Are you guys handling it well? 850 00:48:34,000 --> 00:48:39,040 Speaker 1: Or is it? He is exaggerating. We are not that evil. 851 00:48:39,320 --> 00:48:42,280 Speaker 1: We're not here. You know. Look, we all got issues. 852 00:48:43,280 --> 00:48:45,080 Speaker 1: You've always had a You've always had a sense of 853 00:48:45,160 --> 00:48:47,120 Speaker 1: humor about yourself and about life too. I mean you 854 00:48:47,120 --> 00:48:50,400 Speaker 1: get to see that at your shows, which is fun. 855 00:48:50,560 --> 00:48:53,480 Speaker 1: People who go see Michael Boublet in concert, you see 856 00:48:53,560 --> 00:48:56,160 Speaker 1: the performances, but you also get to really I think 857 00:48:56,200 --> 00:48:58,200 Speaker 1: you really get to know you too when you're up 858 00:48:58,200 --> 00:49:00,560 Speaker 1: on that stage. Yeah. Well I'm you know, after what 859 00:49:00,640 --> 00:49:03,919 Speaker 1: happened to my son. I I remember the first show 860 00:49:03,920 --> 00:49:05,759 Speaker 1: I came back. I never thought I'd come back, right like, 861 00:49:05,800 --> 00:49:07,640 Speaker 1: I thought that it was you know this. I thought 862 00:49:07,680 --> 00:49:10,560 Speaker 1: I was done, you know. And my first showback was 863 00:49:10,600 --> 00:49:12,799 Speaker 1: that I think Croke Park and there's about sixty or 864 00:49:12,840 --> 00:49:16,080 Speaker 1: seven or eighty thousand people and for the first time 865 00:49:16,120 --> 00:49:18,839 Speaker 1: I had no disguise. I just walked out and I 866 00:49:18,920 --> 00:49:22,040 Speaker 1: was myself and I was vulnerable and I was me 867 00:49:23,120 --> 00:49:26,000 Speaker 1: and it felt liberating for me. And more than that, 868 00:49:26,080 --> 00:49:28,600 Speaker 1: when I left the stage, I went, wow, that was 869 00:49:28,880 --> 00:49:32,279 Speaker 1: that was fun? And they they liked me more. I 870 00:49:32,360 --> 00:49:35,600 Speaker 1: liked me more. They liked me more, and so it's 871 00:49:36,080 --> 00:49:39,960 Speaker 1: it's uh so those cool things. Where are you so? 872 00:49:40,120 --> 00:49:44,520 Speaker 1: Tickets to Michael's Higher Tour on sale now at Michael 873 00:49:44,520 --> 00:49:47,360 Speaker 1: bouble dot com slash tour Where are you In the 874 00:49:47,400 --> 00:49:51,160 Speaker 1: cycle of touring? Well, because of COVID, a lot of 875 00:49:51,160 --> 00:49:55,560 Speaker 1: stuff got obviously canceled and so um, there's dates I 876 00:49:55,600 --> 00:49:57,799 Speaker 1: have to go make up in England, but I mean, 877 00:49:57,800 --> 00:50:01,240 Speaker 1: I'm gonna go to like fifty countries, but it starts 878 00:50:01,239 --> 00:50:05,120 Speaker 1: with America. And I'm so excited because I just had 879 00:50:05,120 --> 00:50:08,640 Speaker 1: this little six show residency in Vegas and it's been 880 00:50:08,680 --> 00:50:12,960 Speaker 1: a long time since I've really played anywhere and it 881 00:50:13,080 --> 00:50:16,279 Speaker 1: was unreal. Not unreal because it was a shell, but 882 00:50:16,719 --> 00:50:21,799 Speaker 1: unreal because the audience was weird. Those first shows, they 883 00:50:21,800 --> 00:50:23,560 Speaker 1: were weird, and I was weird. Well yeah, and then 884 00:50:23,560 --> 00:50:26,759 Speaker 1: they're wearing masks while they weren't wearing masks because the 885 00:50:26,760 --> 00:50:29,279 Speaker 1: mandates have dropped, so so many people walked in, but 886 00:50:30,280 --> 00:50:33,240 Speaker 1: it was like we had to help each other because 887 00:50:33,239 --> 00:50:36,120 Speaker 1: it's we're you know what, man, We're not supposed to 888 00:50:36,239 --> 00:50:39,560 Speaker 1: say this all the time. We're not supposed to pray alone, 889 00:50:39,600 --> 00:50:42,400 Speaker 1: to sit alone, to eat alone. That we're supposed to 890 00:50:42,400 --> 00:50:44,759 Speaker 1: be in groups of people. That's how human beings were made. 891 00:50:45,400 --> 00:50:48,080 Speaker 1: And it's like, I watched this, you know, five and 892 00:50:48,080 --> 00:50:51,719 Speaker 1: a half thousand people. It started off weird and by 893 00:50:51,760 --> 00:50:56,680 Speaker 1: the end they were so happy to be living normally again. 894 00:50:56,719 --> 00:51:01,040 Speaker 1: It was like this little couple hours normalcy in what 895 00:51:01,239 --> 00:51:04,120 Speaker 1: is this crazy, weird feeling world that you all know 896 00:51:04,160 --> 00:51:07,000 Speaker 1: it we all feel in our guts and it felt 897 00:51:07,160 --> 00:51:09,719 Speaker 1: so therapeutic to me. It was like it was a 898 00:51:09,760 --> 00:51:13,520 Speaker 1: love fest. So this tour coming up for me, starting 899 00:51:13,520 --> 00:51:16,759 Speaker 1: in America, it's like it's deeper than me going to 900 00:51:16,840 --> 00:51:19,879 Speaker 1: work and going back to the stage. It's I think 901 00:51:19,880 --> 00:51:22,799 Speaker 1: it's I need it. And listen, Michael is doing something 902 00:51:22,840 --> 00:51:26,440 Speaker 1: really cool. He um. He sent a video to one 903 00:51:26,480 --> 00:51:30,400 Speaker 1: of the contestants, Christian on American Idol, and Christian is 904 00:51:30,520 --> 00:51:33,560 Speaker 1: one of the most talented singers that we've come across, 905 00:51:34,200 --> 00:51:38,160 Speaker 1: and he got eliminated one night not too long ago. Uh. 906 00:51:38,320 --> 00:51:41,360 Speaker 1: And then the next week I think it was, Michael 907 00:51:41,400 --> 00:51:45,120 Speaker 1: sent a video inviting Christian to sing with him on 908 00:51:45,200 --> 00:51:48,080 Speaker 1: our American Idol finale, and bro I got to deliver 909 00:51:48,160 --> 00:51:52,480 Speaker 1: those videos live to him to get his reaction, and 910 00:51:52,560 --> 00:51:56,600 Speaker 1: I was texting you it was just such a beautiful, generous, 911 00:51:56,680 --> 00:52:02,280 Speaker 1: lovely moment. You know that kid got eliminated. You're telling 912 00:52:02,320 --> 00:52:06,240 Speaker 1: me if there's a more talented person on that show. 913 00:52:06,719 --> 00:52:09,680 Speaker 1: I don't know if it's it's just different. It's just different. 914 00:52:09,719 --> 00:52:11,200 Speaker 1: And it's the way the votes come in because one 915 00:52:11,200 --> 00:52:14,280 Speaker 1: of the voices in the top seven, you know, we're 916 00:52:14,280 --> 00:52:17,759 Speaker 1: and are amazing. What are you gonna do? Tell us 917 00:52:17,760 --> 00:52:20,879 Speaker 1: it's means days away now? Well, I think what I 918 00:52:20,960 --> 00:52:23,400 Speaker 1: what my idea was. I wanted to do a massive, 919 00:52:24,280 --> 00:52:27,080 Speaker 1: sort of big moment, and I wanted to do Smile 920 00:52:27,760 --> 00:52:30,160 Speaker 1: and I thought it was such a beautiful song for 921 00:52:30,280 --> 00:52:33,799 Speaker 1: what we've all been through. For going through, Um, I 922 00:52:33,840 --> 00:52:35,520 Speaker 1: love the fact that I get to sing with this 923 00:52:35,600 --> 00:52:40,840 Speaker 1: kid like for me, I'm a fan. So it's a big, beautiful, 924 00:52:40,880 --> 00:52:44,800 Speaker 1: powerful song and a massive production moment. I can't imagine 925 00:52:44,800 --> 00:52:47,799 Speaker 1: how much money y'all are spending. I'm glad you asked 926 00:52:47,840 --> 00:52:49,480 Speaker 1: for it, because they're going to give you what you wanted. 927 00:52:51,280 --> 00:52:53,640 Speaker 1: You know, It's funny. I didn't want I didn't want pyros, 928 00:52:53,680 --> 00:52:55,640 Speaker 1: but what I wanted. I was like, I want, I 929 00:52:55,680 --> 00:52:57,640 Speaker 1: want singers, and they were like, how many singers? And 930 00:52:57,760 --> 00:53:00,440 Speaker 1: I was like, I want to It's a song. If 931 00:53:00,440 --> 00:53:03,040 Speaker 1: you go to listen to the record, yeah you want. 932 00:53:03,120 --> 00:53:04,719 Speaker 1: I don't want to talk about money, but it is 933 00:53:04,800 --> 00:53:08,000 Speaker 1: literally the most expensive song I ever. I had sixty 934 00:53:08,200 --> 00:53:12,479 Speaker 1: sixty choir, a hundred and ten musicians. There's a couple 935 00:53:12,480 --> 00:53:15,000 Speaker 1: of well, there's no chance idoles getting you sixty people 936 00:53:15,040 --> 00:53:17,400 Speaker 1: to sing. I've been there, They're gone, it's gonna get close. 937 00:53:17,760 --> 00:53:21,680 Speaker 1: Oh my god, you are this guy? Is I like it? 938 00:53:21,760 --> 00:53:25,840 Speaker 1: You're putting me? I mean, I've seen the numbers. You 939 00:53:25,840 --> 00:53:30,279 Speaker 1: guys are getting massive, like massive that you like the 940 00:53:30,360 --> 00:53:33,920 Speaker 1: new order order orchestras for the worm. Let's get a 941 00:53:33,920 --> 00:53:36,879 Speaker 1: bunch of stuff in there. Let's get dud you watch 942 00:53:38,160 --> 00:53:41,640 Speaker 1: singers in a balloon in the chair. You're gonna have 943 00:53:41,680 --> 00:53:44,759 Speaker 1: an incredible set um. All right, boblet is with us. 944 00:53:44,920 --> 00:53:47,000 Speaker 1: You gotta go see him in person, see him live 945 00:53:47,080 --> 00:53:49,719 Speaker 1: on this tour. Michael Buble dot com slash Tour for 946 00:53:49,760 --> 00:53:54,080 Speaker 1: tickets and the Idol Finale Sunday eight pm on a 947 00:53:54,280 --> 00:53:56,399 Speaker 1: b C. I'll see you soon, all right, I can't 948 00:53:56,400 --> 00:53:58,480 Speaker 1: wanny buddy and ladies keep making him a better man. 949 00:54:00,040 --> 00:54:05,799 Speaker 1: Do it for you. Thanks, Thanks for having me. You 950 00:54:05,840 --> 00:54:09,680 Speaker 1: feel good. You feel good around coming up five in 951 00:54:09,760 --> 00:54:11,560 Speaker 1: Backs to the Spring Cash in one minute, Joe Joe 952 00:54:11,680 --> 00:54:13,479 Speaker 1: on the radio. I think we did get you fresh 953 00:54:13,480 --> 00:54:16,719 Speaker 1: out of the shower this morning. I was literally my 954 00:54:16,760 --> 00:54:19,360 Speaker 1: phone was ringing because producer Mark was calling me and 955 00:54:19,360 --> 00:54:21,480 Speaker 1: I'm in the shower like soaps in my hair. You know, 956 00:54:21,760 --> 00:54:24,240 Speaker 1: I see my phone ringing. I'm like, hey, Siri, answer 957 00:54:24,280 --> 00:54:26,360 Speaker 1: the phone, and of course it answers the phone, but 958 00:54:26,400 --> 00:54:29,480 Speaker 1: it's uh. I just gave it a shot and it 959 00:54:29,520 --> 00:54:31,759 Speaker 1: answered it, but it didn't put it on speaker, so 960 00:54:31,800 --> 00:54:34,719 Speaker 1: I have to jump out and then, you know, you 961 00:54:34,800 --> 00:54:39,120 Speaker 1: carefully might soap. It was. It was a scene for sure. 962 00:54:39,400 --> 00:54:41,799 Speaker 1: Hey Joe, to speaking of your shower, do you use 963 00:54:41,880 --> 00:54:46,400 Speaker 1: any of your of any other person's products in the shower, 964 00:54:46,520 --> 00:54:50,040 Speaker 1: not just your own? Um? I will well, Uh, I 965 00:54:50,080 --> 00:54:53,160 Speaker 1: had tattoos on one arm, so I will borrow my 966 00:54:53,200 --> 00:54:57,880 Speaker 1: wife's razor to shave my arm. That yeah. And the 967 00:54:57,920 --> 00:55:00,879 Speaker 1: crazy thing is I don't have tattoos on my left arm, 968 00:55:00,920 --> 00:55:02,799 Speaker 1: but for some reason, my wife started to make fun 969 00:55:02,800 --> 00:55:05,680 Speaker 1: of me for having like a clean shaved you know, 970 00:55:06,600 --> 00:55:09,439 Speaker 1: than any of the Harry other arm. Yeah, so I thought, 971 00:55:09,440 --> 00:55:12,320 Speaker 1: why am I shaving the other arm because there's no 972 00:55:12,360 --> 00:55:14,840 Speaker 1: tattoos on She's like, dude, you can't have one one 973 00:55:14,880 --> 00:55:18,399 Speaker 1: Harry one smooth. That's weird in the dark. That would 974 00:55:18,440 --> 00:55:20,239 Speaker 1: cause me to do a U turn joke. You know, 975 00:55:20,560 --> 00:55:25,799 Speaker 1: I think that's what she's saying. Show. By the way, congratulations, 976 00:55:25,880 --> 00:55:29,680 Speaker 1: so Joe Joe's ratings. Congratulations, looking good people tuning in 977 00:55:29,960 --> 00:55:34,200 Speaker 1: to Jojo on the radio. I listened to Jojo almost 978 00:55:34,239 --> 00:55:36,080 Speaker 1: his entire show because I'm in the car around three 979 00:55:36,120 --> 00:55:38,000 Speaker 1: thirty picking up the kids, and we go home, we change, 980 00:55:38,040 --> 00:55:43,160 Speaker 1: we do therapy. I hear the whole thing. Somebody called 981 00:55:43,160 --> 00:55:44,640 Speaker 1: me the other day. I do this thing called four 982 00:55:44,719 --> 00:55:47,600 Speaker 1: thirty therapy, and this girl calls me and said, Jojohn 983 00:55:47,640 --> 00:55:49,760 Speaker 1: needs some advice from you, because I already got advice 984 00:55:49,920 --> 00:55:52,840 Speaker 1: from Seacrest, and uh, I'm gonna see what kind advice. 985 00:55:54,200 --> 00:55:56,239 Speaker 1: But this no, she gave me. I hope I say 986 00:55:56,280 --> 00:55:59,560 Speaker 1: this right, because it was great. Advice, but clarify what 987 00:55:59,640 --> 00:56:02,080 Speaker 1: you were say. But she said, Ryan told me to 988 00:56:02,719 --> 00:56:06,680 Speaker 1: never make yourself a convenience to someone else. Now there's 989 00:56:06,680 --> 00:56:08,439 Speaker 1: more to it, but basically you're saying, don't let people 990 00:56:08,440 --> 00:56:10,040 Speaker 1: take advantage of the right thing. What was that advice, 991 00:56:10,080 --> 00:56:14,200 Speaker 1: because I think it was I can't remember what she 992 00:56:14,520 --> 00:56:17,600 Speaker 1: was asking, but I think you don't want to make 993 00:56:17,760 --> 00:56:20,040 Speaker 1: someone take you for granted. You know, like they need 994 00:56:20,080 --> 00:56:23,520 Speaker 1: to understand your depth and your value, and you can't 995 00:56:23,520 --> 00:56:26,799 Speaker 1: have someone just assume that you're gonna be this or 996 00:56:26,960 --> 00:56:30,319 Speaker 1: that that's not good for yourself. Agreed, And I thought 997 00:56:30,360 --> 00:56:33,839 Speaker 1: so I gave her some terrible advice. You know, hey, 998 00:56:33,880 --> 00:56:36,000 Speaker 1: are you on this weekend? Not on this weekend? Right? 999 00:56:36,600 --> 00:56:40,399 Speaker 1: Not on this weekend. I'm basically on on weekends with 1000 00:56:40,480 --> 00:56:43,400 Speaker 1: the I Hurt Radio Countdown, so that airs Sunday eight 1001 00:56:43,440 --> 00:56:46,000 Speaker 1: o'clock this weekend. We have, um god, who do we 1002 00:56:46,040 --> 00:56:48,880 Speaker 1: have this? Uh not? I forget who my guest is 1003 00:56:48,920 --> 00:56:52,720 Speaker 1: this weekend. I forget who we talked to you earlier 1004 00:56:52,719 --> 00:57:00,759 Speaker 1: except last remember, but what be your Paranormally podcast? That 1005 00:57:00,840 --> 00:57:05,200 Speaker 1: is something that you're really way into, dude. Okay, I've yeah, 1006 00:57:05,200 --> 00:57:08,000 Speaker 1: I've been obsessed with the paranormal ghost UFOs all this 1007 00:57:08,040 --> 00:57:10,319 Speaker 1: stuff for years. I kind of blame it on my 1008 00:57:10,360 --> 00:57:12,480 Speaker 1: mom when when we were a kid, she brought us, 1009 00:57:12,560 --> 00:57:14,719 Speaker 1: me and my sister. She would get uh, you know, 1010 00:57:14,719 --> 00:57:16,880 Speaker 1: we'd go to Jack in the Box or KFC whatever, 1011 00:57:17,040 --> 00:57:20,000 Speaker 1: and we go sitting this little uh we sat on 1012 00:57:20,040 --> 00:57:21,880 Speaker 1: a graveyard basically, but she was sitting us in this 1013 00:57:21,920 --> 00:57:24,560 Speaker 1: little seating area with nice flowers and whatnot. Just turns 1014 00:57:24,560 --> 00:57:26,920 Speaker 1: out with a g We weren't visiting anyone, but I 1015 00:57:27,240 --> 00:57:29,000 Speaker 1: guess in my head as a kid, I would go 1016 00:57:29,120 --> 00:57:31,200 Speaker 1: run through there and I would find it fascinating and 1017 00:57:31,320 --> 00:57:33,840 Speaker 1: scary and all this stuff. So I think it started 1018 00:57:33,880 --> 00:57:36,960 Speaker 1: from there. But this podcast, uh, Paranormalish. I don't know 1019 00:57:37,000 --> 00:57:39,920 Speaker 1: if you guys are into crazy stories, but these are 1020 00:57:39,960 --> 00:57:44,480 Speaker 1: all true stories or so they say. Um Paranormalish new episode. 1021 00:57:44,760 --> 00:57:47,440 Speaker 1: This episode is probably my favorite one. It's called she 1022 00:57:47,640 --> 00:57:53,120 Speaker 1: Always Comes Back and yeah that people call me from 1023 00:57:53,160 --> 00:57:54,920 Speaker 1: all over Ryan and they tell me that I'm like 1024 00:57:54,960 --> 00:57:57,080 Speaker 1: the Ghostbusters. They just called me up on something happens 1025 00:57:57,440 --> 00:58:00,000 Speaker 1: um this They were She was her and her husband 1026 00:58:00,080 --> 00:58:02,880 Speaker 1: teachers years ago. They're young teachers. They were moving to 1027 00:58:02,920 --> 00:58:06,800 Speaker 1: a city called Muskegon, Michigan, which was West Michigan. I 1028 00:58:06,800 --> 00:58:09,520 Speaker 1: believe they saw this house, We're gonna buy this house, 1029 00:58:09,520 --> 00:58:12,800 Speaker 1: but wait out of their price range. Sure enough, when 1030 00:58:12,800 --> 00:58:15,160 Speaker 1: it goes on the market, it was a great deal. 1031 00:58:15,480 --> 00:58:18,160 Speaker 1: So they, oh, my gosh, let's get this house. And 1032 00:58:18,200 --> 00:58:20,880 Speaker 1: it was beautiful, built in like nineteen uh. And they 1033 00:58:20,880 --> 00:58:23,960 Speaker 1: even they disclosed the fact that in the early days 1034 00:58:24,040 --> 00:58:27,240 Speaker 1: this house was used as a funeral parlor because of 1035 00:58:27,240 --> 00:58:29,680 Speaker 1: the viewing area. But they thought, no, that's fine, we'll 1036 00:58:29,720 --> 00:58:31,400 Speaker 1: we'll get through it. We're smart, we're teachers, we can 1037 00:58:31,400 --> 00:58:33,920 Speaker 1: deal with this. It'll be a nice story. Well, they 1038 00:58:34,320 --> 00:58:36,560 Speaker 1: they walk in one day when the previous owners were 1039 00:58:36,560 --> 00:58:38,560 Speaker 1: moving out, and they heard the mom and daughter, mom 1040 00:58:38,600 --> 00:58:41,480 Speaker 1: and son kind of having a conversation, and uh, the 1041 00:58:41,520 --> 00:58:44,480 Speaker 1: Sun says, are you gonna tell her? And the mom says, no, 1042 00:58:44,520 --> 00:58:46,520 Speaker 1: I'm not gonna tell her, and she's she'll be fine. 1043 00:58:46,600 --> 00:58:48,800 Speaker 1: It's a new house, don't scare him. The Sun looks 1044 00:58:48,840 --> 00:58:51,440 Speaker 1: up and sees the lady kind of walking in and realized, well, 1045 00:58:51,480 --> 00:58:53,840 Speaker 1: she overheard the conversation. I need to tell her. The 1046 00:58:53,880 --> 00:58:56,520 Speaker 1: Sun walks to her and says, just so you know, 1047 00:58:57,280 --> 00:59:01,920 Speaker 1: she always comes back. They started happening you know, keys 1048 00:59:01,960 --> 00:59:06,400 Speaker 1: being moved, uh Ran Gore's opening and all this stuff. 1049 00:59:06,680 --> 00:59:08,520 Speaker 1: When you hear the story sis, when you hear her 1050 00:59:08,560 --> 00:59:12,120 Speaker 1: talk years later and how her it's just it's it's 1051 00:59:12,160 --> 00:59:15,600 Speaker 1: terrifying for her to even tell the story now. Years later. 1052 00:59:16,040 --> 00:59:18,880 Speaker 1: She gets up late one night and she's walking, you know, 1053 00:59:19,120 --> 00:59:21,920 Speaker 1: down the hall to get water or whatever, and she 1054 00:59:22,160 --> 00:59:26,440 Speaker 1: sees she could tell something's different, something's happening. She and 1055 00:59:26,520 --> 00:59:30,600 Speaker 1: she describes it in such detail. This lady, older lady, 1056 00:59:30,680 --> 00:59:33,800 Speaker 1: old lady, gray hair, her hair kind of flowing as 1057 00:59:33,840 --> 00:59:37,160 Speaker 1: she glided up the stairs, glasses kind of down on 1058 00:59:37,200 --> 00:59:39,400 Speaker 1: her nose a bit. She can see the light shining 1059 00:59:39,400 --> 00:59:43,840 Speaker 1: through her glasses. She saw this froze and then ran 1060 00:59:43,880 --> 00:59:47,680 Speaker 1: out in her bathrobe and Doc Martin's and she they 1061 00:59:47,720 --> 00:59:49,960 Speaker 1: sold the house afterwards, took a loss on the house. 1062 00:59:50,880 --> 00:59:52,760 Speaker 1: She should have put water next to her bed. Why 1063 00:59:52,800 --> 00:59:54,160 Speaker 1: have to get up and go down the hallway to 1064 00:59:54,240 --> 00:59:57,959 Speaker 1: encounter all of that? Is andy, I need therapy after 1065 00:59:58,040 --> 01:00:02,840 Speaker 1: hearing that. That's un I'll leave that podcast to you, 1066 01:00:03,000 --> 01:00:05,360 Speaker 1: Jojo on the radio weekdays three seven. Brother, I have 1067 01:00:05,400 --> 01:00:08,720 Speaker 1: a good weekend. Good to see a pal. Thank you. No, 1068 01:00:09,200 --> 01:00:14,600 Speaker 1: I do not need to host that podcasts. I know 1069 01:00:14,680 --> 01:00:16,040 Speaker 1: there's a guy with the knife? Is that who is 1070 01:00:16,040 --> 01:00:19,280 Speaker 1: my minds? Yes, there's a knife pop out behind him. 1071 01:00:20,840 --> 01:00:26,760 Speaker 1: On Air with Ryan Seacrest, We're gonna roll out, stick 1072 01:00:26,800 --> 01:00:29,120 Speaker 1: around though, because all day today we've got to attracts 1073 01:00:29,120 --> 01:00:32,320 Speaker 1: from Harry's House. Is a Harry's House party all day 1074 01:00:32,880 --> 01:00:35,040 Speaker 1: Sisty will take you till eleven and we are back 1075 01:00:35,480 --> 01:00:39,480 Speaker 1: on Monday will the New Ryan's Thanks for listening so 1076 01:00:39,560 --> 01:00:42,360 Speaker 1: on Air with Ryan Seacrest, make sure to subscribe and 1077 01:00:42,440 --> 01:00:43,720 Speaker 1: we'll talk to you again Monday