1 00:00:05,200 --> 00:00:07,520 Speaker 1: Hey, this is Annie and Samantha and welcome to step 2 00:00:07,520 --> 00:00:18,680 Speaker 1: I never told you protection of I Heart Radio and 3 00:00:18,960 --> 00:00:22,919 Speaker 1: this time Boss Smith d Fiction, which is a once 4 00:00:23,079 --> 00:00:26,120 Speaker 1: a month the thing that we do. So it's not 5 00:00:26,160 --> 00:00:29,680 Speaker 1: your thing. I totally get it. It is continuing, so 6 00:00:29,920 --> 00:00:33,959 Speaker 1: we are on. I believe chapter five. I can never 7 00:00:33,960 --> 00:00:37,360 Speaker 1: I always get confused because there's a prologue and then yeah, 8 00:00:37,440 --> 00:00:44,240 Speaker 1: so who knows, but not a chapter. Annie, I would 9 00:00:44,360 --> 00:00:48,519 Speaker 1: love to know if anybody's doing uh Nana raimo. I'm 10 00:00:48,520 --> 00:00:52,239 Speaker 1: getting all the updates and I'm like, no, yeah, if 11 00:00:52,240 --> 00:00:54,560 Speaker 1: you if you don't know which I mentioned it before 12 00:00:54,600 --> 00:00:56,440 Speaker 1: on here, that's National Novel Writing Month, where you try 13 00:00:56,480 --> 00:00:59,240 Speaker 1: to write a sixty thousand word novel in a month. 14 00:00:59,680 --> 00:01:02,560 Speaker 1: And I learned people cheat, Samantha. And maybe I'm being 15 00:01:02,640 --> 00:01:06,400 Speaker 1: naive and innocent, but I was like, people cheat, Oh 16 00:01:06,440 --> 00:01:08,960 Speaker 1: my god, people will pick up their old works. Oh 17 00:01:09,000 --> 00:01:11,800 Speaker 1: my gosh. I didn't know that. Well, I don't really care, 18 00:01:11,920 --> 00:01:16,399 Speaker 1: but I was legitimately shocked. To be fair me, I like, 19 00:01:16,640 --> 00:01:20,000 Speaker 1: I I tried. I told you to get very far 20 00:01:20,080 --> 00:01:24,320 Speaker 1: in mine? What what was it? The staff? Was it? 21 00:01:24,440 --> 00:01:27,479 Speaker 1: Like the inspiration was gone? It was the timing? Yeah, 22 00:01:27,560 --> 00:01:30,840 Speaker 1: all of those things, and I am a procrastinator to 23 00:01:30,880 --> 00:01:33,160 Speaker 1: the max. But like the story, I had a beginning 24 00:01:33,240 --> 00:01:35,400 Speaker 1: and an end and then like so the build up 25 00:01:35,440 --> 00:01:37,040 Speaker 1: was good, and then I got caught up in the middle, 26 00:01:37,040 --> 00:01:40,759 Speaker 1: like what happens here? And then I changed some things 27 00:01:41,080 --> 00:01:44,080 Speaker 1: and then I was like, oh no, so yeah, yeah, 28 00:01:44,200 --> 00:01:46,399 Speaker 1: well I'm always interested. I had a friend who we 29 00:01:46,520 --> 00:01:49,720 Speaker 1: did it together. The first time, which is, by the way, 30 00:01:49,720 --> 00:01:52,000 Speaker 1: where this story comes from, was my first time doing 31 00:01:52,040 --> 00:01:55,880 Speaker 1: a oramo um. And it's gonna become especially obviously in 32 00:01:55,920 --> 00:01:58,080 Speaker 1: the middle because I had the same problem and I 33 00:01:58,120 --> 00:02:00,000 Speaker 1: will when we get to those chapters. I'll talk about it, 34 00:02:00,000 --> 00:02:02,160 Speaker 1: because I think it's pretty clear. I was just trying 35 00:02:02,200 --> 00:02:05,240 Speaker 1: to write something get done. But I would do two 36 00:02:05,240 --> 00:02:07,760 Speaker 1: thousand words a day. That was my strategy. She did 37 00:02:07,800 --> 00:02:11,239 Speaker 1: hers in like the last week. Yeah, I find that fascinating, 38 00:02:11,240 --> 00:02:14,880 Speaker 1: like those kind of different strategies. But yeah, as this 39 00:02:14,919 --> 00:02:17,760 Speaker 1: comes out, it's November, so some of you might be scrambling, 40 00:02:17,760 --> 00:02:22,880 Speaker 1: but I would love to hear you. Yeah, I experience yes, 41 00:02:23,160 --> 00:02:27,280 Speaker 1: please please be please um. And thanks to everybody who 42 00:02:27,480 --> 00:02:30,680 Speaker 1: has written in about enjoying these because it is kind 43 00:02:30,680 --> 00:02:34,280 Speaker 1: of a I enjoyed doing it um, and as I've said, 44 00:02:34,320 --> 00:02:36,440 Speaker 1: I didn't really edit these too much, so I know 45 00:02:36,480 --> 00:02:39,000 Speaker 1: they've got their their issues, but I do enjoy doing it. 46 00:02:39,240 --> 00:02:42,360 Speaker 1: We love fiction here, um, but it is kind of 47 00:02:42,360 --> 00:02:45,080 Speaker 1: like a vulnerable and scary like what if everyone I hate? 48 00:02:45,280 --> 00:02:49,320 Speaker 1: Oh gosh. So I really do appreciate who all those 49 00:02:49,360 --> 00:02:51,160 Speaker 1: who have taken the time to write it and say 50 00:02:51,200 --> 00:02:52,760 Speaker 1: that you like it, even if it's just like, oh yeah, 51 00:02:52,760 --> 00:02:57,160 Speaker 1: I like it, that's that's great. Thank you. So content 52 00:02:57,240 --> 00:03:02,440 Speaker 1: warning this one for this one, gun violence, illness, threat 53 00:03:02,480 --> 00:03:07,800 Speaker 1: of violence and child separation, hunger, crude language, child danger, 54 00:03:08,480 --> 00:03:13,000 Speaker 1: discussions around infertility, stigma around sex and illness, lack of 55 00:03:13,040 --> 00:03:15,960 Speaker 1: agency around your body. So if you haven't heard any 56 00:03:16,000 --> 00:03:17,760 Speaker 1: of that, you're listening to that like, wow, this seems 57 00:03:17,800 --> 00:03:19,840 Speaker 1: poorly time for what's going on right now. I know, 58 00:03:20,440 --> 00:03:25,760 Speaker 1: I know, um, right on time. As I've said, I 59 00:03:25,760 --> 00:03:30,120 Speaker 1: think some people it's like how Contagion was like the 60 00:03:30,160 --> 00:03:33,440 Speaker 1: top streaming movie during the early pandemic. I think for 61 00:03:33,480 --> 00:03:36,760 Speaker 1: some people it helps you process. Other people it really doesn't. 62 00:03:36,800 --> 00:03:40,680 Speaker 1: And I understand that escape sometimes you need to know 63 00:03:40,760 --> 00:03:44,800 Speaker 1: all of it, yes, exactly. Uh So this one is 64 00:03:44,840 --> 00:03:47,720 Speaker 1: a bit of a longer fiction part, so not too 65 00:03:47,800 --> 00:03:49,760 Speaker 1: much to say. I'm going to give a quick recap 66 00:03:50,640 --> 00:03:54,560 Speaker 1: for what's happened. So, the global population has been decimated 67 00:03:54,560 --> 00:03:58,280 Speaker 1: by a virus. Government, along with a religious organization called 68 00:03:58,440 --> 00:04:01,840 Speaker 1: arm A r M, determines where the rare child that 69 00:04:01,960 --> 00:04:05,080 Speaker 1: is born will go. Unwilling to be separated from her child, 70 00:04:05,360 --> 00:04:08,280 Speaker 1: um Tilda escaped with her child, Madison, and they have 71 00:04:08,400 --> 00:04:11,920 Speaker 1: been on the run for six years. Winter approaches and 72 00:04:12,000 --> 00:04:15,800 Speaker 1: Madison has a worrying cough. Their clothes are thin and 73 00:04:15,840 --> 00:04:18,919 Speaker 1: their supplies are dwindling. Her heroes found a supermarket with 74 00:04:18,960 --> 00:04:22,640 Speaker 1: some supplies, but were surprised by enforcers or enforcers of 75 00:04:22,680 --> 00:04:26,839 Speaker 1: the government who have been searching for priority number one 76 00:04:27,440 --> 00:04:32,160 Speaker 1: Tilda and her son, Madison. So let's get into it. 77 00:04:45,279 --> 00:04:50,359 Speaker 1: Enforcers stood arms crossed waiting. Tilda's toes ramped into the 78 00:04:50,360 --> 00:04:52,440 Speaker 1: front of her shoes as she jerked to stop, almost 79 00:04:52,480 --> 00:04:56,000 Speaker 1: crashing to her knees. Madison creened to the asphalt, but 80 00:04:56,040 --> 00:04:58,839 Speaker 1: almost instantaneously searched back to his feet with a tiny 81 00:04:58,839 --> 00:05:01,800 Speaker 1: whimper of fear. Tilda turned on her heels to take 82 00:05:01,839 --> 00:05:03,799 Speaker 1: off back the way they came, but the other enforcer 83 00:05:03,839 --> 00:05:08,560 Speaker 1: had arrived blocking their way. He smiled serenely, and Tilda's 84 00:05:08,600 --> 00:05:11,719 Speaker 1: knees almost gave out from underneath her. Her neck cricked 85 00:05:11,720 --> 00:05:13,680 Speaker 1: as she whipped her head around to the other approaching 86 00:05:13,680 --> 00:05:17,320 Speaker 1: behind them. Madison wrapped his arms tightly around her middle, 87 00:05:17,400 --> 00:05:19,480 Speaker 1: watching the man in front of them with wide eyes. 88 00:05:20,320 --> 00:05:23,200 Speaker 1: Should we call it in? The one from behind her asked, 89 00:05:23,279 --> 00:05:27,720 Speaker 1: a pale man, bald, tall, broad, shiny, pink sores decorating 90 00:05:27,760 --> 00:05:30,880 Speaker 1: his face. Tilda thought she could hear excitement lurking in 91 00:05:30,960 --> 00:05:34,680 Speaker 1: his low voice. The other, an olive skinned man with 92 00:05:34,720 --> 00:05:37,800 Speaker 1: whitish raised bumps on his face, dark hair, more lean 93 00:05:37,920 --> 00:05:41,120 Speaker 1: and build, smirked at her wildly darting eyes. Her only 94 00:05:41,160 --> 00:05:45,680 Speaker 1: thought escape The signal out here is too weak. We'll 95 00:05:45,720 --> 00:05:47,320 Speaker 1: call it in when we get closer to d see. 96 00:05:48,240 --> 00:05:51,840 Speaker 1: He fixed his eyes on Tilda. Tilda, noan, you are 97 00:05:51,920 --> 00:05:56,080 Speaker 1: under arrest for the kidnapping of a child. A half 98 00:05:56,120 --> 00:06:00,000 Speaker 1: hearted protest rose to Madison's lips, the tiniest bane of despair. 99 00:06:00,520 --> 00:06:05,040 Speaker 1: The enforcers dark eyes rested on the child, intense, almost hungrily, 100 00:06:05,080 --> 00:06:08,840 Speaker 1: taking him in. Tilda hugged him closer, a disconnected hopelessness 101 00:06:08,839 --> 00:06:12,680 Speaker 1: settling over her like a veil. The enforcers stepped forward 102 00:06:12,720 --> 00:06:15,040 Speaker 1: to take him, but Madison turned his head and screamed 103 00:06:15,040 --> 00:06:19,320 Speaker 1: into her side. The man paused, perplexed, his outstretched hand 104 00:06:19,480 --> 00:06:23,880 Speaker 1: closed into a fist, his jaw ticked. A deep voice 105 00:06:23,880 --> 00:06:27,760 Speaker 1: from behind them growled move. He shoved her shoulder blade, 106 00:06:27,760 --> 00:06:30,000 Speaker 1: propelling them forward so that they were pincered between the 107 00:06:30,000 --> 00:06:33,159 Speaker 1: two men. Their grim procession led them deeper into the 108 00:06:33,200 --> 00:06:37,000 Speaker 1: dead town. They passed empty streets and broken windows, shattered 109 00:06:37,040 --> 00:06:40,880 Speaker 1: street lamps and molding mannekins, body parts twisted hanging out 110 00:06:40,880 --> 00:06:44,640 Speaker 1: of shop displays. The air was still, but Tilda imagine 111 00:06:44,720 --> 00:06:47,360 Speaker 1: she could hear the muted echo of howl and whispering 112 00:06:47,400 --> 00:06:49,680 Speaker 1: up the deserted streets as they headed into the center 113 00:06:49,680 --> 00:06:53,680 Speaker 1: of Cleo Springs, a thousand voices silently screaming as their 114 00:06:53,720 --> 00:06:59,560 Speaker 1: hopes their futures were extinguished. Madison started to weep silently 115 00:07:00,040 --> 00:07:03,400 Speaker 1: years seeping into tilt his jacket, she stroked his hair. 116 00:07:03,800 --> 00:07:05,960 Speaker 1: Half a dozen escape plans spring up in her head, 117 00:07:05,960 --> 00:07:11,520 Speaker 1: and dying just as quickly. She'd failed. For six years, 118 00:07:11,560 --> 00:07:15,400 Speaker 1: she'd put off the inevitable, but she had failed. The 119 00:07:15,520 --> 00:07:18,960 Speaker 1: enforcers would take Madison from her, place him with government 120 00:07:18,960 --> 00:07:21,880 Speaker 1: approved parents and send him to arms sponsored schools to 121 00:07:21,920 --> 00:07:26,880 Speaker 1: teach him fear and shame and self loathing until the 122 00:07:28,280 --> 00:07:31,960 Speaker 1: If they didn't Expete outright, she'd brought in prison or 123 00:07:32,040 --> 00:07:35,360 Speaker 1: be left to starve. But that didn't scare her as 124 00:07:35,440 --> 00:07:38,800 Speaker 1: much as the thought of never seeing Madison again. Resolved 125 00:07:38,840 --> 00:07:41,800 Speaker 1: took cold inside her, bolstered by the quiet crying into 126 00:07:41,840 --> 00:07:46,400 Speaker 1: her side, the talisman against the fear. What about the others? 127 00:07:46,880 --> 00:07:51,160 Speaker 1: Where are they? The enforcer behind them questioned around The 128 00:07:51,200 --> 00:07:53,360 Speaker 1: gruff voice in front of them answered, some of them 129 00:07:53,360 --> 00:07:55,239 Speaker 1: went back to survey the road, and the rest stationed 130 00:07:55,240 --> 00:08:00,200 Speaker 1: outside of town. Shouldn't we tell them? Searches over. The 131 00:08:00,240 --> 00:08:02,920 Speaker 1: other glanced over his shoulder at Tilda. She could see 132 00:08:02,920 --> 00:08:05,320 Speaker 1: the holster and the platinum handle of his government issued 133 00:08:05,320 --> 00:08:09,880 Speaker 1: firearm around his waist. No, Tilda thought she could detect 134 00:08:09,920 --> 00:08:13,280 Speaker 1: a dark humor in his response. Let them sit in 135 00:08:13,360 --> 00:08:16,040 Speaker 1: place for a bit. We don't need any of them 136 00:08:16,040 --> 00:08:19,360 Speaker 1: trying to take credit for capturing these two. The others snorted, 137 00:08:19,360 --> 00:08:22,120 Speaker 1: before addressing Tilda mockingly. I have to say I was 138 00:08:22,160 --> 00:08:26,560 Speaker 1: expecting more theatrics from a priority number one case. Something 139 00:08:26,560 --> 00:08:30,400 Speaker 1: more are dramatic, Please be as entertaining as you like. 140 00:08:31,440 --> 00:08:34,560 Speaker 1: Tilda ignored him, eyes sliding from side to side, searching 141 00:08:34,600 --> 00:08:40,560 Speaker 1: for something, for anything, anyway out. The man continued, of course, 142 00:08:40,559 --> 00:08:43,000 Speaker 1: it's only fair that I warn you. We have been 143 00:08:43,040 --> 00:08:46,760 Speaker 1: authorized to kill you if you cause any trouble. Madison 144 00:08:46,760 --> 00:08:51,000 Speaker 1: stopped loudly At that. Tilda soothed him with murmured reassurances, 145 00:08:51,080 --> 00:08:54,440 Speaker 1: the roots of anger starting to take hold, not the whole, 146 00:08:54,480 --> 00:08:56,600 Speaker 1: of course him. We want alive. We went to harm 147 00:08:56,640 --> 00:08:59,680 Speaker 1: a hair on his pretty little head. Far from being 148 00:08:59,679 --> 00:09:03,600 Speaker 1: comfort did, Madison wailed even louder. The enforcer laughed, while 149 00:09:03,600 --> 00:09:05,679 Speaker 1: the dark haired one leading the way tossed a look 150 00:09:05,720 --> 00:09:09,600 Speaker 1: over his shoulder, expression half wary and half amused. Tilda 151 00:09:09,640 --> 00:09:13,120 Speaker 1: suppose the crying of child was a rare thing these days. 152 00:09:13,160 --> 00:09:14,880 Speaker 1: She wondered if it was a sound these men had 153 00:09:14,920 --> 00:09:18,599 Speaker 1: ever heard before. A battered black car came into the 154 00:09:18,840 --> 00:09:20,560 Speaker 1: parked at the corner of what once had been the 155 00:09:20,600 --> 00:09:24,160 Speaker 1: bustling town square. Now it almost resembled a scale model 156 00:09:24,160 --> 00:09:27,120 Speaker 1: of an extinct civilization, a way of life that felt 157 00:09:27,200 --> 00:09:31,400 Speaker 1: quaint and indulgent as it lumbered towards obscurity. A rough 158 00:09:31,440 --> 00:09:36,440 Speaker 1: beast shuffling unknowingly towards his end. The enforcer glanced around, 159 00:09:36,480 --> 00:09:40,559 Speaker 1: opening the back passenger door. Get in, he issued coldly. 160 00:09:41,200 --> 00:09:43,200 Speaker 1: Tilda paused, the look on her face one of a 161 00:09:43,240 --> 00:09:46,120 Speaker 1: trapped animal about to bolt. The other enforcer moved to 162 00:09:46,160 --> 00:09:50,440 Speaker 1: stand directly behind her, watching to see what she would do. Slowly, 163 00:09:50,480 --> 00:09:53,920 Speaker 1: she approached the car, Madison offering the barest resistance at 164 00:09:53,960 --> 00:09:56,800 Speaker 1: her side. Although he'd never been in a working one before, 165 00:09:56,920 --> 00:10:00,520 Speaker 1: he knew what getting in would mean. With gent little hands, 166 00:10:00,520 --> 00:10:04,560 Speaker 1: the enforcers observing her almost scientifically, she guided him into 167 00:10:04,600 --> 00:10:07,360 Speaker 1: the back seat, his tiny fingers still twisted into the 168 00:10:07,360 --> 00:10:11,560 Speaker 1: fabric of her shirt. Unwilling to let go, she climbed 169 00:10:11,559 --> 00:10:14,400 Speaker 1: inside after him, the enforcers slamming the door behind her. 170 00:10:15,080 --> 00:10:19,559 Speaker 1: A click signaled the lock, engaging automatically. Madison immediately crawled 171 00:10:19,559 --> 00:10:22,840 Speaker 1: into her lap, circling his arms around her neck. Tilta 172 00:10:22,880 --> 00:10:26,000 Speaker 1: took inventory of the back seat, searching for something, but 173 00:10:26,120 --> 00:10:30,400 Speaker 1: there wasn't anything. The enforcer slid into the front seats 174 00:10:30,400 --> 00:10:32,520 Speaker 1: on either side, dark haired on the right, while the 175 00:10:32,520 --> 00:10:35,880 Speaker 1: hairless one got behind the driver's seat. The car eased 176 00:10:35,880 --> 00:10:39,319 Speaker 1: away from the curve, the engine quiet. The last time 177 00:10:39,360 --> 00:10:41,240 Speaker 1: Tilda had been in a working vehicle, she had been 178 00:10:41,280 --> 00:10:45,680 Speaker 1: with her parents. She blinked, her eyes, burning gazed, drawn 179 00:10:45,720 --> 00:10:48,480 Speaker 1: to the child in her lap. They drove in silence, 180 00:10:48,679 --> 00:10:52,240 Speaker 1: Madison shuddering in her grasp. Shining hazel eyes swept over 181 00:10:52,280 --> 00:10:55,400 Speaker 1: the overgrown fields of grain and planes of wild prairie grass. 182 00:10:56,000 --> 00:10:59,000 Speaker 1: Purple clouds collided with gray and a pale blue sky 183 00:10:59,120 --> 00:11:02,200 Speaker 1: as they passed desolate wind farms and the rubble of 184 00:11:02,240 --> 00:11:08,520 Speaker 1: collapsed solitary barns, and still tilta formulated possible escape plans, 185 00:11:08,640 --> 00:11:11,559 Speaker 1: discarding most of them as impractical or flat out impossible. 186 00:11:12,280 --> 00:11:14,880 Speaker 1: But the longer they drove, the more her desperation grew. 187 00:11:16,200 --> 00:11:20,680 Speaker 1: Soon there would be worn enforcers and no chance. Madison 188 00:11:20,720 --> 00:11:24,160 Speaker 1: coughed roughly. The dark haired enforcer glanced over his shoulder. 189 00:11:25,360 --> 00:11:29,280 Speaker 1: He's sick. While his question was not one of concern, 190 00:11:29,440 --> 00:11:33,079 Speaker 1: his tone was quite serious. Tilda stroked Madisone's hair and 191 00:11:33,160 --> 00:11:36,400 Speaker 1: rubbed his back, not responding, only barely managing to suppress 192 00:11:36,400 --> 00:11:39,400 Speaker 1: the panic. Murmuring wildly the lower depths of her subconscious, 193 00:11:40,480 --> 00:11:44,640 Speaker 1: The driver drawled condescendingly. Mother of the year. Here has 194 00:11:44,720 --> 00:11:47,360 Speaker 1: some out in the cold, wearing rags on a diet 195 00:11:47,400 --> 00:11:50,520 Speaker 1: of peanut butter and crackers. I'm surprised he's still alive 196 00:11:50,600 --> 00:11:54,040 Speaker 1: at all, Madison coughed again, flinging up his arm and 197 00:11:54,120 --> 00:11:56,960 Speaker 1: muffling the sound with his elbow. Have you given him 198 00:11:56,960 --> 00:12:00,719 Speaker 1: any medication? The patronizing way in which he asked the 199 00:12:00,800 --> 00:12:04,200 Speaker 1: question rankled, but also succeeded in making Tilda feel small. 200 00:12:05,120 --> 00:12:08,960 Speaker 1: She shook her head, not trusting her voice. He exhaled sharply. 201 00:12:09,559 --> 00:12:11,800 Speaker 1: Stop in the next town, should be Wichita. We can 202 00:12:11,800 --> 00:12:15,040 Speaker 1: get him something there. His partner disparaged, can't it wait 203 00:12:15,080 --> 00:12:17,640 Speaker 1: till we get within radio range? Is probably just a 204 00:12:17,640 --> 00:12:21,800 Speaker 1: cold I am not taking that chance. The other returned formally, 205 00:12:23,360 --> 00:12:27,480 Speaker 1: side and frustration. If that dumb bitch would hay the 206 00:12:27,559 --> 00:12:32,080 Speaker 1: other cut in angrily shut up. A tense silence fell. 207 00:12:32,800 --> 00:12:34,840 Speaker 1: Signs for Wichita started to pop up on the side 208 00:12:34,880 --> 00:12:39,040 Speaker 1: of the road. Tilta's thoughts outpaced her understanding of them. 209 00:12:39,160 --> 00:12:41,520 Speaker 1: Stopping could be an opportunity for them to slip away, 210 00:12:41,520 --> 00:12:44,920 Speaker 1: But how far could they get now? They still needed supplies. 211 00:12:46,000 --> 00:12:48,600 Speaker 1: For what must have been the hundredth time, she cursed 212 00:12:48,600 --> 00:12:52,040 Speaker 1: herself for forgetting their packs, all because of a broadcast 213 00:12:52,679 --> 00:12:56,600 Speaker 1: The Witchita skyline came into view, shrouded by heavy grain clouds. 214 00:12:57,280 --> 00:12:59,520 Speaker 1: The car emerged onto the exit and to the right. 215 00:13:00,080 --> 00:13:02,920 Speaker 1: Cities always appeared more apocalyptic in the scale of their 216 00:13:02,960 --> 00:13:07,439 Speaker 1: destruction than towns, the devastation more visible, the denser population 217 00:13:07,559 --> 00:13:10,840 Speaker 1: feeding off each other's hopelessness, fostering it until it could 218 00:13:10,840 --> 00:13:14,319 Speaker 1: not have been contained, and exploded outward, fragments of life, 219 00:13:14,320 --> 00:13:18,000 Speaker 1: destroying the civilization they built that would stand along after 220 00:13:18,040 --> 00:13:21,160 Speaker 1: its creators had faded to dust. They traveled a few 221 00:13:21,160 --> 00:13:25,240 Speaker 1: miles before spotting a relatively untouched pharmacy. The enforcer guided 222 00:13:25,280 --> 00:13:27,480 Speaker 1: the car into the parking lot of the stained white building. 223 00:13:28,640 --> 00:13:31,280 Speaker 1: Let's hope the place hasn't been looted, the driver and 224 00:13:31,360 --> 00:13:34,319 Speaker 1: toned caustically under his breath. Parking right in front of 225 00:13:34,360 --> 00:13:39,000 Speaker 1: the door, the two men share to look. You want 226 00:13:39,000 --> 00:13:41,720 Speaker 1: to run in? I don't know what to get, The 227 00:13:41,720 --> 00:13:47,000 Speaker 1: olive skinned man admitted lowly. Do you cold medicine? The 228 00:13:47,000 --> 00:13:51,680 Speaker 1: other one snarked yes, but for a child. He hissed 229 00:13:51,760 --> 00:13:56,360 Speaker 1: under his breath. This stumped his partner. Momentarily, he huffed, 230 00:13:56,720 --> 00:13:59,560 Speaker 1: We'll just break a pill in a half. The other 231 00:13:59,679 --> 00:14:04,120 Speaker 1: sky often a flurry of hissed communication passed between them. Fine, 232 00:14:04,280 --> 00:14:06,640 Speaker 1: the bald man ground out, will take the woman in 233 00:14:06,720 --> 00:14:10,240 Speaker 1: with us and leave me with a hysterical child, the 234 00:14:10,240 --> 00:14:13,800 Speaker 1: other questioned, and disbelief while I'm not staying with him. 235 00:14:14,040 --> 00:14:18,320 Speaker 1: Fresh tears rolled down Madison's cheeks. Tilda watched, frozen, horrified 236 00:14:18,360 --> 00:14:21,640 Speaker 1: at the idea of being separated. The pale one stated, simply, 237 00:14:22,440 --> 00:14:24,200 Speaker 1: I think it'd be easier if we killed the girl. 238 00:14:25,400 --> 00:14:28,400 Speaker 1: Madison trembled all over at that declaration. Untilda held him 239 00:14:28,400 --> 00:14:30,840 Speaker 1: to her tightly, the air snagged in the back of 240 00:14:30,880 --> 00:14:35,560 Speaker 1: her throat. No, the other refuted vehemently, you read the 241 00:14:35,560 --> 00:14:40,480 Speaker 1: file only as a last resort. A furious staring contest ensued. 242 00:14:41,160 --> 00:14:43,560 Speaker 1: All right, Cabald and pale One snapped with a sort 243 00:14:43,560 --> 00:14:47,880 Speaker 1: of jeering humor. Let's all go in one big, happy family. 244 00:14:48,720 --> 00:14:51,200 Speaker 1: He searched out of the car, slamming the door behind him. 245 00:14:51,520 --> 00:14:54,280 Speaker 1: He jerked the handle of the passenger door opposite his prisoners, 246 00:14:54,400 --> 00:14:56,800 Speaker 1: gesturing with his gun for them to get out. Madison 247 00:14:56,840 --> 00:14:59,640 Speaker 1: refused to relinquish his hold, so Tilda awkwardly maneuvered them 248 00:14:59,640 --> 00:15:01,880 Speaker 1: from the are, leaning away from the enforcer to put 249 00:15:01,920 --> 00:15:05,760 Speaker 1: as much distance as possible between them. She couldn't help 250 00:15:05,760 --> 00:15:08,720 Speaker 1: but notice he'd left the keys in the ignition, averting 251 00:15:08,720 --> 00:15:11,520 Speaker 1: her eyes before he caught her. Observing this and realizing 252 00:15:11,600 --> 00:15:14,400 Speaker 1: his mistake, she took wary steps toward the entrance, the 253 00:15:14,440 --> 00:15:17,280 Speaker 1: other enforcers striving to stand in front of her. The 254 00:15:17,360 --> 00:15:20,800 Speaker 1: glass pane doors had long been shattered, powdery crushed glass 255 00:15:20,840 --> 00:15:26,200 Speaker 1: crunched beneath their feet. Inside was dark. Some shelves have toppled, 256 00:15:26,240 --> 00:15:29,040 Speaker 1: contents spilled to the floor, the only thing holding them 257 00:15:29,120 --> 00:15:32,120 Speaker 1: up the wall or shelf opposite. A gun jabbed in 258 00:15:32,160 --> 00:15:34,520 Speaker 1: her back, pushing her towards the rose of cough medicine. 259 00:15:36,040 --> 00:15:39,160 Speaker 1: Are we expecting her to know what to get? He sneered, 260 00:15:39,920 --> 00:15:42,200 Speaker 1: I'm assuming this isn't the first time he's gotten sick, 261 00:15:42,320 --> 00:15:45,440 Speaker 1: the other pointed out, exasperated, and she's young. She probably 262 00:15:45,480 --> 00:15:48,880 Speaker 1: remembers what her mother got for her muteness. Muttering was 263 00:15:48,920 --> 00:15:50,960 Speaker 1: the only response. As they turned down the row of 264 00:15:50,960 --> 00:15:54,800 Speaker 1: cough medicines. The shelving on the right was tilted precariously, 265 00:15:55,160 --> 00:15:57,640 Speaker 1: leaning onto its counterpart on the left until they met 266 00:15:57,640 --> 00:16:01,120 Speaker 1: at the far end, an inverted b much had been plundered, 267 00:16:01,280 --> 00:16:04,760 Speaker 1: multi cardboard boxes littering the floor and shells. All that 268 00:16:04,840 --> 00:16:06,880 Speaker 1: was left was shoved to the back. What if he 269 00:16:06,920 --> 00:16:10,240 Speaker 1: doesn't how cold? If it's something more serious, the dark 270 00:16:10,320 --> 00:16:12,840 Speaker 1: haired man spoke up, voicing concern that had been lingering 271 00:16:12,840 --> 00:16:15,160 Speaker 1: in the back of Tilda's mind. This is just a 272 00:16:15,240 --> 00:16:18,640 Speaker 1: quick fix, this partner said, tossing a box aside. To 273 00:16:18,720 --> 00:16:22,480 Speaker 1: make sure things don't escally, we can get improper health 274 00:16:22,480 --> 00:16:26,920 Speaker 1: guarantee see. Tilda knelt down tentatively examining the bottom shelf. 275 00:16:27,280 --> 00:16:30,080 Speaker 1: The enforcers allowed at, studying her intently for a moment. 276 00:16:30,640 --> 00:16:32,520 Speaker 1: I'm going to put you down for a minute. Okay, 277 00:16:32,800 --> 00:16:35,920 Speaker 1: she whispered shakily in Madison's ear, a watery plan forming 278 00:16:35,920 --> 00:16:39,760 Speaker 1: in her mind. Madison protest of the low mule, drawing 279 00:16:39,760 --> 00:16:43,680 Speaker 1: the attention of the enforcers. It's gonna be okay, she whispered, 280 00:16:43,720 --> 00:16:47,960 Speaker 1: with the most confident she could simmon. Remember elephant, elephant 281 00:16:47,960 --> 00:16:51,680 Speaker 1: will be all right. Madison released her reluctantly, twisting his 282 00:16:51,720 --> 00:16:56,600 Speaker 1: fingers together, sniffling, red rimmed eyes brimming with tears, Tilda 283 00:16:56,640 --> 00:16:59,920 Speaker 1: glanced furtively over her shoulder. The enforcers had moved closer 284 00:17:00,000 --> 00:17:02,240 Speaker 1: to where the two rows met, not paying much attention 285 00:17:02,320 --> 00:17:04,480 Speaker 1: to their prisoners. Although Tilda was sure she made a 286 00:17:04,520 --> 00:17:06,320 Speaker 1: move to stand or to make a run for it, 287 00:17:06,640 --> 00:17:08,600 Speaker 1: they'd have their guns trained on her in an instant, 288 00:17:09,160 --> 00:17:11,480 Speaker 1: and what she hoped was a nonchalant manner. She reached 289 00:17:11,520 --> 00:17:13,919 Speaker 1: the back of the shelf, where she noticed a rusty 290 00:17:14,000 --> 00:17:17,000 Speaker 1: metal bar held in by loose screws supporting the structure 291 00:17:17,000 --> 00:17:19,760 Speaker 1: and keeping it from crashing into the other shelves. Tilda 292 00:17:19,800 --> 00:17:23,960 Speaker 1: closed her hand around it, tugging at it experimentally. It 293 00:17:24,119 --> 00:17:27,960 Speaker 1: gave a bit squeaking, breath catching. She shot a look 294 00:17:27,960 --> 00:17:30,639 Speaker 1: at the two men tossing aside empty containers and sorting 295 00:17:30,640 --> 00:17:34,479 Speaker 1: through what little roomained, complaining about her and coffinescence and 296 00:17:34,680 --> 00:17:39,160 Speaker 1: confusing tiny print. Wrapping both hands around the cold metal, 297 00:17:39,440 --> 00:17:44,360 Speaker 1: bracing herself, Tilta took a deep breath and yanked the bar, 298 00:17:44,480 --> 00:17:47,840 Speaker 1: pulled free with a metallic, groaning shriek. She grabbed Madison 299 00:17:47,840 --> 00:17:50,200 Speaker 1: around the middle and slid them from underneath the collapsing 300 00:17:50,240 --> 00:17:53,120 Speaker 1: shelf as it smashing to the enforcers, knocking them into 301 00:17:53,119 --> 00:17:56,040 Speaker 1: the other unit. Jerking Madison to his feet, she broke 302 00:17:56,040 --> 00:17:59,919 Speaker 1: into a run, pulling him behind her. Bang something fiery 303 00:18:00,040 --> 00:18:02,480 Speaker 1: rip through her midcalf in the reflection of one of 304 00:18:02,520 --> 00:18:04,760 Speaker 1: the still standing windows, she could see a gun leveled 305 00:18:04,760 --> 00:18:07,359 Speaker 1: close to the floor, the enforcer holding it, struggling to 306 00:18:07,440 --> 00:18:09,399 Speaker 1: keep it steady while he tried to wriggle free from 307 00:18:09,400 --> 00:18:12,760 Speaker 1: the metal on top of him. Tilda's knee turned in, 308 00:18:12,800 --> 00:18:16,959 Speaker 1: almost collapsing entirely, fire eating up her leg, but adrenaline 309 00:18:17,000 --> 00:18:18,760 Speaker 1: kept her on her feet, and she almost ripped the 310 00:18:18,760 --> 00:18:22,359 Speaker 1: car door off its hinges, opening it, lifting Madison unceremoniously 311 00:18:22,400 --> 00:18:25,159 Speaker 1: and depositing him in the passenger seat. She hit her 312 00:18:25,240 --> 00:18:27,240 Speaker 1: hip on the steering wheel with bruising force, but it 313 00:18:27,280 --> 00:18:30,240 Speaker 1: did nothing to slow her tilta could see movement inside 314 00:18:30,240 --> 00:18:33,119 Speaker 1: the pharmacy. She twisted the key so hard it bit 315 00:18:33,200 --> 00:18:34,800 Speaker 1: into her hand, and for a second she thought it 316 00:18:34,880 --> 00:18:37,960 Speaker 1: might break off. In the ignition, the car cranked, revving 317 00:18:38,000 --> 00:18:40,920 Speaker 1: as she flooded the engine. Her feet fumbled at the petals, 318 00:18:41,200 --> 00:18:43,479 Speaker 1: and she hadn't driven in years. Her parents had been 319 00:18:43,520 --> 00:18:45,480 Speaker 1: in the early stages of teaching her when she discovered 320 00:18:45,520 --> 00:18:48,000 Speaker 1: she was pregnant, but her body was on autopilot, to 321 00:18:48,040 --> 00:18:50,359 Speaker 1: the point where she almost felt like a spectator trapped 322 00:18:50,400 --> 00:18:53,000 Speaker 1: in her own skin. Her foot jammed down the brake 323 00:18:53,040 --> 00:18:55,520 Speaker 1: as she threw the car and drive her toes and 324 00:18:55,600 --> 00:18:58,240 Speaker 1: near detached slivers, shoe catching for a mill of second. 325 00:18:58,280 --> 00:19:01,200 Speaker 1: As she switched to the accelerator, a bullet tore into 326 00:19:01,240 --> 00:19:03,040 Speaker 1: the side of the cars that peeled away until they 327 00:19:03,080 --> 00:19:05,520 Speaker 1: screamed at Madison to get down. Metals shrieking as she 328 00:19:05,640 --> 00:19:07,680 Speaker 1: careened over the curb, and her wides were about of 329 00:19:07,760 --> 00:19:11,320 Speaker 1: the parking lot back end, fish tailing as she clumsily corrected. 330 00:19:11,880 --> 00:19:13,680 Speaker 1: For a brief moment, she worried that she was in 331 00:19:13,720 --> 00:19:16,600 Speaker 1: the wrong lane. She almost laughed aloud and what might 332 00:19:16,640 --> 00:19:19,320 Speaker 1: have been hysteria. It's not like there were other cars 333 00:19:19,320 --> 00:19:21,680 Speaker 1: on the road toory about, she thought, though debris was 334 00:19:21,720 --> 00:19:24,840 Speaker 1: a real problem. She tore down the exit, almost veering 335 00:19:24,840 --> 00:19:27,359 Speaker 1: off the road in her haste. Tilda forced her foot 336 00:19:27,400 --> 00:19:30,080 Speaker 1: to relax in the car to slow, scolding herself fiercely. 337 00:19:30,480 --> 00:19:33,480 Speaker 1: Her reckless driving could have hurt Madison, killed him. Even 338 00:19:34,400 --> 00:19:37,200 Speaker 1: they were away from the enforcers for now. At least, 339 00:19:37,720 --> 00:19:39,280 Speaker 1: if she got them killed, it would have all been 340 00:19:39,320 --> 00:19:43,560 Speaker 1: for nothing. They were going north. Tilda decided inwardly to 341 00:19:43,640 --> 00:19:45,280 Speaker 1: keep heading this way until she saw a sign for 342 00:19:45,280 --> 00:19:47,920 Speaker 1: a highway heading west. She wanted to put as much 343 00:19:47,960 --> 00:19:51,040 Speaker 1: distance as she could between her and Madison and the enforcers. 344 00:19:52,200 --> 00:19:54,880 Speaker 1: It's okay, now, mouse, climb back up into the seat. 345 00:19:55,680 --> 00:19:59,960 Speaker 1: Was that wobbly, breathy sound her voice? Madison obeyed, moved. 346 00:20:00,000 --> 00:20:03,440 Speaker 1: It's uncoordinated. A wet cough reminded her of what they 347 00:20:03,480 --> 00:20:07,720 Speaker 1: still faced. Put your seatbelt on, she rasped. Took several 348 00:20:07,720 --> 00:20:10,720 Speaker 1: tries before Madison could get it to click. There was 349 00:20:10,800 --> 00:20:14,600 Speaker 1: something surreal, bordering on apocalyptic, about driving away from danger 350 00:20:14,600 --> 00:20:17,400 Speaker 1: on a disused road, one that once must have been 351 00:20:17,400 --> 00:20:20,280 Speaker 1: cogged with cars. She felt that they were the last 352 00:20:20,320 --> 00:20:22,720 Speaker 1: two people on Earth, and they were fleeing a cresting 353 00:20:22,760 --> 00:20:26,359 Speaker 1: wave of destruction explosion, wiping out everything behind them and 354 00:20:26,440 --> 00:20:30,600 Speaker 1: leaving nothingness in its wake. If she looked behind her now, 355 00:20:31,320 --> 00:20:35,480 Speaker 1: would there be anything there or just a swallowing darkness. 356 00:20:35,480 --> 00:21:00,639 Speaker 1: The end finally come for them, and that brings us 357 00:21:00,680 --> 00:21:03,680 Speaker 1: to the end of this chapter. Be at four R 358 00:21:03,800 --> 00:21:11,399 Speaker 1: five or six of Terminus of Terminus. I hope that 359 00:21:11,480 --> 00:21:15,400 Speaker 1: you enjoyed it, and yes, it is continuing, so there 360 00:21:15,440 --> 00:21:17,960 Speaker 1: will be more. I love to hear theories people have 361 00:21:18,000 --> 00:21:22,000 Speaker 1: sit in. That's great. This also included more action scenes 362 00:21:22,119 --> 00:21:24,560 Speaker 1: and I am not great at writing action scenes. Do 363 00:21:24,680 --> 00:21:27,000 Speaker 1: you have where they seeing Samantham where you're just like, 364 00:21:27,040 --> 00:21:30,160 Speaker 1: this is not my skill set. I can't write. So 365 00:21:30,240 --> 00:21:34,600 Speaker 1: I'm better at character build up than actions, so I'm 366 00:21:34,600 --> 00:21:40,920 Speaker 1: more My books are more characterized around that conversations. Yeah, 367 00:21:41,400 --> 00:21:44,240 Speaker 1: I'm not good at action, and I'm definitely not good, 368 00:21:44,960 --> 00:21:49,119 Speaker 1: as we've discussed before, at any love like sex seed. 369 00:21:49,520 --> 00:21:53,320 Speaker 1: I can do the like flirting, but I cannot do sex. 370 00:21:55,640 --> 00:21:59,240 Speaker 1: I'm plushing just thinking about it. I wish you could 371 00:21:59,240 --> 00:22:01,520 Speaker 1: go back any good pace some of our euphemisms in 372 00:22:01,840 --> 00:22:05,359 Speaker 1: oh no, oh no, I have written sex scenes. I 373 00:22:05,359 --> 00:22:07,280 Speaker 1: don't know. I don't know if I'll ever published any 374 00:22:07,320 --> 00:22:10,960 Speaker 1: of those, but you know, maybe one day on spent 375 00:22:11,000 --> 00:22:16,719 Speaker 1: tea one day. But yeah, I'm enjoying doing this. I'm 376 00:22:16,760 --> 00:22:19,680 Speaker 1: enjoining hearing from all of you, and it's going to continue. 377 00:22:19,760 --> 00:22:22,280 Speaker 1: This is, like I said, it's part one of a trilogy. 378 00:22:22,359 --> 00:22:23,719 Speaker 1: I don't know if we'll do the whole thing, but 379 00:22:24,359 --> 00:22:28,879 Speaker 1: we'll see in the meantime. Yes, please right in. If 380 00:22:28,920 --> 00:22:30,879 Speaker 1: you did Nano Ramo, or if you just do your 381 00:22:30,920 --> 00:22:33,440 Speaker 1: thoughts about writing in general, you would love to hear it. 382 00:22:34,240 --> 00:22:36,159 Speaker 1: You can emails at Steffania mom stuff at I Hurt 383 00:22:36,200 --> 00:22:37,800 Speaker 1: mea dot com. You can find us on Twitter at 384 00:22:37,840 --> 00:22:40,119 Speaker 1: moms the Podcast or Instagram at stuff I Never Told You. 385 00:22:40,280 --> 00:22:43,880 Speaker 1: Thanks as always to our super producer, Christina Queen of Audio. 386 00:22:44,040 --> 00:22:48,040 Speaker 1: Thank you, she makes these happen all of you, um 387 00:22:48,080 --> 00:22:50,359 Speaker 1: and thanks to you for listening. Stefinitely never told You. 388 00:22:50,400 --> 00:22:52,440 Speaker 1: Protection I Hiart Radio. For more podcast in my Heart Radio, 389 00:22:52,440 --> 00:22:54,280 Speaker 1: you can check out the Heart Radio ap Apple podcast 390 00:22:54,280 --> 00:22:55,600 Speaker 1: already listen to your favorite shows