WEBVTT - Surveillance: Macy's Needs To Amaze Again, Telsey Says

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<v Speaker 1>Welcome to the Bloomberg Surveillance Podcast. I'm Tom Keane Jay Ley.

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<v Speaker 1>We bring you insight from the best in economics, finance, investment,

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<v Speaker 1>and international relations. Find Bloomberg Surveillance on Apple Podcasts, SoundCloud,

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<v Speaker 1>Bloomberg dot Com, and of course on the Bloomberg John

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<v Speaker 1>Every Thanksgiving I try to feature one person out of

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<v Speaker 1>our nanking cousin employees, and this year it was a

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<v Speaker 1>lay up. John Authors has been on fire. You know,

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<v Speaker 1>he's publishing like every three or four days and you

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<v Speaker 1>can cherry pick any given for it's an official award.

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<v Speaker 1>It's a Turkey award, which turkey sandwich. Yeah, but he's

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<v Speaker 1>just been on fire, whether it's on the earnings, idiocy

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<v Speaker 1>or that. John, Why don't you bring him in his

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<v Speaker 1>new essay here on the whole E. S G. Vote.

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<v Speaker 1>We're very E s G this morning. Can we start

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<v Speaker 1>with the Reasons we Should be Thankful? Which is his

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<v Speaker 1>most recent piece, which might be more interesting Jonathan's Bloomberg

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<v Speaker 1>opinion columnist. Investors have plenty of reasons to give thanks.

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<v Speaker 1>Let's go to the edition of Reasons to be Thankful? John.

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<v Speaker 1>Where do we begin? Well, the main reason to be

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<v Speaker 1>thankful this this year. But for my reason to be

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<v Speaker 1>thankful that everybody is being so nice to me to Broomberg,

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<v Speaker 1>the main reason do you thankful, obvious is that the

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<v Speaker 1>market has gone up an awful lot. So if you're

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<v Speaker 1>in stocks, you did very well. And a lot of

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<v Speaker 1>that is through factors that we're not going to see

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<v Speaker 1>repeated very easily. You've seen populist politicians misplay their hands

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<v Speaker 1>quite badly around the world. I think that's an important one.

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<v Speaker 1>Inflation stays within the box that you've seen, American consumer

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<v Speaker 1>confidence stay remarkably are given. However, many other things are happening.

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<v Speaker 1>And yes, well no, but John Jonathan Farall was talking

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<v Speaker 1>up out this earlier, how we've seen people get the

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<v Speaker 1>call for the economy right, they got markets wrong. They

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<v Speaker 1>were not expecting the rally that delivered. If you just

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<v Speaker 1>stuck your money and an index and put your feet up,

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<v Speaker 1>as you put it, is this all due to central

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<v Speaker 1>bank easy? It's mostly used central bank easy. Yes, people

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<v Speaker 1>were not expecting that. The reason we had that, the

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<v Speaker 1>main reason we had the big sell off going into

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<v Speaker 1>Christmas Eve last year was the belief that j Powell

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<v Speaker 1>was going to go through with being you know, um

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<v Speaker 1>reducing the balance seat is the FED balance seats on

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<v Speaker 1>also pilots to use his own term and keep raising rates.

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<v Speaker 1>The fact that he stopped doing that and then actually

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<v Speaker 1>went into a very major U turn is the main

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<v Speaker 1>reason we've seen the recovery that we've we've seen, and

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<v Speaker 1>the fact that there was this sell off obviously mixed

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<v Speaker 1>makes the markets look much better than they would do

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<v Speaker 1>if bass other than the years date basis that we're

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<v Speaker 1>so used to thinking in terms of a calendar that

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<v Speaker 1>you know, the stock monket is not performed, not rallying

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<v Speaker 1>in the way that you would normally think of rise.

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<v Speaker 1>It's because of this rather arbitrary timing ever sell off

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<v Speaker 1>last year. One of the things we have to be

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<v Speaker 1>thankful for is you wrote an essay on the earnings

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<v Speaker 1>what I call the earnings idiot. See how we're complete

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<v Speaker 1>drugs fixated on every ninety days. How did the earnings

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<v Speaker 1>madness do this year? Did we get revenue growth right?

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<v Speaker 1>Did we get earnings growth right? Just as an industry

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<v Speaker 1>broadly speaking? Yes, but it doesn't again, it doesn't. It

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<v Speaker 1>doesn't seem to matter very very greatly. That's what what

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<v Speaker 1>we've had in this year so far. Has been a

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<v Speaker 1>succession of really very unimpressive earnings data, but that hasn't

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<v Speaker 1>stopped the stock monket from doing what it's doing. Uh.

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<v Speaker 1>If you want to play the game of have we

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<v Speaker 1>beaten expectations or not? Um, I've made the argument that

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<v Speaker 1>we should be junking both there. Certain we should certainly

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<v Speaker 1>be junking earnings guidance by companies completely because this becomes

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<v Speaker 1>part of the distraction of we all know about this,

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<v Speaker 1>setting barrious to yourself so you can beat them. Um.

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<v Speaker 1>But the in broad terms, no, we're not seeing anything

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<v Speaker 1>like the kind of the kind of strength in earnings

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<v Speaker 1>that you normally expected to have to have results going

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<v Speaker 1>like this. Earnings earnings momens is very weak globally, and

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<v Speaker 1>it's pretty flat within the States. John, Thank you so much.

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<v Speaker 1>John Arthur's Plumberg opinion. Lisa bramwods some time, King, thank

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<v Speaker 1>you for being with us. Uh. This morning, at least

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<v Speaker 1>the men got to get dressed up, don't they. Yeah?

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<v Speaker 1>I love this title trying to get boys to dress

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<v Speaker 1>like men. Uh. That Our next guest helped to author

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<v Speaker 1>Joseph Aboud joining us here, And I gotta say this

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<v Speaker 1>is really an interesting question which is what do people

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<v Speaker 1>wear to work? And Tom Keene, I know you're going

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<v Speaker 1>to mention what I wear to our Uh, well, there's

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<v Speaker 1>you know, Lisa's like a lot of people, there's different

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<v Speaker 1>looks depending on the day as well. But what's a

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<v Speaker 1>trend right now? Are we getting all fancy or we

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<v Speaker 1>still get It's interesting, you know, Lisa, Guys are getting

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<v Speaker 1>dressed again, And it depends on where you work, and

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<v Speaker 1>you know what your occupation is. If you're dressing for radio,

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<v Speaker 1>it's one thing. If you're dressing for tvOS, right, But

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<v Speaker 1>I love to see that Tom is is sporting is

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<v Speaker 1>double breasted sport code and it's nice to see that

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<v Speaker 1>people do that. Joseph Bood, fashion designer and chief creative

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<v Speaker 1>director of Tailored Brands. You make your products in the

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<v Speaker 1>United States tailored suits. Yet, and you do make tailored suits,

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<v Speaker 1>How is that industry changing where you actually have a

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<v Speaker 1>custom made product? Are people gravitating more to that? Yeah,

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<v Speaker 1>it's the whole customization thing is really interesting because it's

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<v Speaker 1>more about your own personality. So it used to be

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<v Speaker 1>that custom suits were only for the elite, and now

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<v Speaker 1>it's much more democratic. So we uh, we produce a

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<v Speaker 1>great number of suits in our Massachusetts factory where we

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<v Speaker 1>have over eight hundred employees, and we've been doing that

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<v Speaker 1>for over thirty years. Say good morning to Boston one

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<v Speaker 1>or six one of them with Boston as well. You've

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<v Speaker 1>got a sport code up here, Lisa says, time you

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<v Speaker 1>gotta squeeze into this one, and it is one Cashmere,

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<v Speaker 1>the fabric woven in Italy. It is four dollars for

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<v Speaker 1>a sport code, which gets you, you know, into it.

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<v Speaker 1>But it looks like it's out of Louise. I mean,

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<v Speaker 1>how do you pull off that price point out of

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<v Speaker 1>the Louise that you and I knew on news right

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<v Speaker 1>and goes such an iconic store, Lisa, It was a great,

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<v Speaker 1>great men's wear store that carried the best of the product.

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<v Speaker 1>But because we're vertical, Tom, the fact that we buy

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<v Speaker 1>our own fabrics and we don't have the traditional wholesale

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<v Speaker 1>retail margin, we're able to bring a much better value

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<v Speaker 1>to the customer. And what's what's simple here is is

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<v Speaker 1>I'm seeing on your website, Joseph, a boot. I'm seeing

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<v Speaker 1>a more upscale look. Is that what the audience wants

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<v Speaker 1>right now? Yeah? I think individuality, I think style, as

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<v Speaker 1>I said to you before, men are the new women. Um,

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<v Speaker 1>they really want to get dressed. They want to I

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<v Speaker 1>will say, I met, are the new women. Does Black

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<v Speaker 1>Friday matter in your line of work? I think it does. Yeah.

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<v Speaker 1>I think not necessarily for custom suits perhaps, but for

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<v Speaker 1>all the accessories. For example, the great gift is a

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<v Speaker 1>cashmere sweater. To me, that's a great piece of uh

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<v Speaker 1>of a man's wardrobe and that's something that you know

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<v Speaker 1>you can get as a gift, or a great cashmere scarf.

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<v Speaker 1>So Black Friday matters probably more with the accessories and sports.

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<v Speaker 1>Where men are the new women, I'm thinking in the

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<v Speaker 1>female area, Instagram, uh influencers really have become the hot thing,

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<v Speaker 1>and I'm wondering for men, if it is the same thing.

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<v Speaker 1>Who what type of individuals are the main influencers here

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<v Speaker 1>driving this. I think they're fashion guys. I think there's

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<v Speaker 1>a lot of them are have been editors in the past,

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<v Speaker 1>and now they're talking style and they're talking to the millennial.

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<v Speaker 1>The millennial really understands where fashion is going. And I

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<v Speaker 1>love the fact that that's a new buying group for us.

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<v Speaker 1>That young consumer is getting dressed and the young guy

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<v Speaker 1>is wearing suits because he wants to, not because he

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<v Speaker 1>has Okay, but what about the younger I'm gonna call

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<v Speaker 1>it broadly conservative guy. They don't want cutting a Gucci,

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<v Speaker 1>they don't want they don't want that somebody that says, look,

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<v Speaker 1>I really don't want to spend money on this, and

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<v Speaker 1>they're going to go into Joseph A Bood for a

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<v Speaker 1>reasonable going to get a lot better. Look. How's out

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<v Speaker 1>with a millennial? Well, I think that's true. If you

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<v Speaker 1>think a lot of the younger guys who have stepped

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<v Speaker 1>into the financial world, they want style, but they don't

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<v Speaker 1>want aggressive fashion. That's a really great point because they

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<v Speaker 1>still will we will wear something conservative. Yet at the

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<v Speaker 1>same time they were like their cuts to be slimmer

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<v Speaker 1>and trimmer and more to their generations. So we have

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<v Speaker 1>to speak to them on their terms. Lisa, do you

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<v Speaker 1>see me in a black turtleneck? Definitely? I think I

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<v Speaker 1>think that off. Yeah. I woke up today and I said,

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<v Speaker 1>oh my god, boots with us, so I got a

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<v Speaker 1>style so well, this is a gift from the dun

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<v Speaker 1>Hill people of London. They do a great job they

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<v Speaker 1>do and I wore this for you today because it's

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<v Speaker 1>the flair thing that well. I love the black watch Tart.

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<v Speaker 1>John has a style, I mean Tom has at doesn't

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<v Speaker 1>have jo are English moment. You know when we say

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<v Speaker 1>men are the new women. With the women, you're seeing

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<v Speaker 1>an increasing move towards the yoga pants and away from

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<v Speaker 1>where I mean, I just want much in the men's where.

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<v Speaker 1>But are we seeing a reversal here? It could be

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<v Speaker 1>It really could be pretty here first bloom, that could be.

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<v Speaker 1>I think we see women changing their style, but we

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<v Speaker 1>also see that happening with men. Can I talk about

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<v Speaker 1>something sensitive? Of course? Why in God's name are people

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<v Speaker 1>like you and others? And you've provided leadership on this.

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<v Speaker 1>I'm setting you up for tall clothes, big and tall big,

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<v Speaker 1>not so much big and tall, but just there's a

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<v Speaker 1>huge body of men out there. Nothing fits a lot

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<v Speaker 1>of American men, that's correct. That's why custom, you know, Tom,

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<v Speaker 1>Custom is so important for those guys. And now that

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<v Speaker 1>it's more affordable, we can fit all body types. So

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<v Speaker 1>and you did just have a partnership with the NFL. Yes, yes, yes,

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<v Speaker 1>And does this sort of play to that a little bit? Well,

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<v Speaker 1>it does. We've done these great stylized linings and individual

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<v Speaker 1>linings that you could put into your custom clothing. But

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<v Speaker 1>what some of my best customers are not forty regular

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<v Speaker 1>so they're bigger guys. And I've always have I've always

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<v Speaker 1>had the good fortune of understanding how American men are

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<v Speaker 1>built and how to dress them because, as I said,

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<v Speaker 1>not every guy is a runway model. Yeah, what fabrics

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<v Speaker 1>are hot? Uh? Well, for the fall season, Kashmere has

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<v Speaker 1>become more affordable, I think, Tawn to your point, you know,

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<v Speaker 1>a great kashmere jacket kashmere because the natural fibers still

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<v Speaker 1>are important, Kashmir camel here, but we are seeing a

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<v Speaker 1>lot of performance fabrics now, so that within suits there's

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<v Speaker 1>stretch and there's uh yeah, but but it's there's still

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<v Speaker 1>nothing more beautiful than all wool or great cashmere. You're

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<v Speaker 1>moving the burgundy floral modern fit vest for a vest back. Yeah,

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<v Speaker 1>you know, think about men have so few options really

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<v Speaker 1>in the wardrobe. Vests are a great category. They can

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<v Speaker 1>wear them with without their jackets, and it just gives

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<v Speaker 1>again another level of individuality. So yeah, that makes those

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<v Speaker 1>tall and help me here, we could certainly you got

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<v Speaker 1>the size thing going, but the I'm fascinating had to

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<v Speaker 1>Steve Sadov was in the Giant of Sex with the

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<v Speaker 1>Avenue of the Other. Yes, said us, And I said

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<v Speaker 1>to Steve, I said, it's like women in zero and

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<v Speaker 1>double zero in that going the other way with men. Well,

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<v Speaker 1>you know, the vanity sizing thing is always an interesting thing.

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<v Speaker 1>Guys kind of fall into that trap a little bit.

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<v Speaker 1>But when you do get into custom, you don't have

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<v Speaker 1>to worry about that. Who is your biggest competitor at

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<v Speaker 1>this point? You know, I think when we talk about competition,

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<v Speaker 1>we look at everyone. Really, I think everybody is fighting

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<v Speaker 1>for the same guy. Yeah, but increasingly if you talk

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<v Speaker 1>to Macy's, you'll hear that Target and Walmart have actually

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<v Speaker 1>emerged as competitors in a way that they hadn't. It's

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<v Speaker 1>so interesting that you said that. I mean, we really

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<v Speaker 1>look at the sort of the psychographics of the guy

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<v Speaker 1>and the price veto graphics of the guy. The band

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<v Speaker 1>in high school called sex No, so really to understand

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<v Speaker 1>what a guy really wants, not so much about what

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<v Speaker 1>do they really want? What I think that what guys

0:13:06.640 --> 0:13:09.560
<v Speaker 1>really want is their own personal style. And I love

0:13:09.640 --> 0:13:11.679
<v Speaker 1>that about them, and it's all, you know, it's not

0:13:11.800 --> 0:13:15.280
<v Speaker 1>I think the greatest myth is that men shot price.

0:13:15.720 --> 0:13:19.560
<v Speaker 1>They don't. They shot product for the best price, and

0:13:19.600 --> 0:13:22.800
<v Speaker 1>that's the price value proposition. So to me, it isn't

0:13:22.800 --> 0:13:24.839
<v Speaker 1>so much of what a guy can spend, it's what

0:13:24.880 --> 0:13:27.800
<v Speaker 1>he thinks he should pay for something of value. So

0:13:27.960 --> 0:13:30.760
<v Speaker 1>value is really the game, not price, but value. You're

0:13:30.840 --> 0:13:32.680
<v Speaker 1>killing it today with the look. We'll get that out

0:13:32.679 --> 0:13:35.320
<v Speaker 1>on the radio. Black turtle. I got to consider the

0:13:35.320 --> 0:13:39.120
<v Speaker 1>black turtle. You know you could carry it off. Yeah,

0:13:39.160 --> 0:13:43.040
<v Speaker 1>it's slimming. And I did have a good I did

0:13:43.040 --> 0:13:45.680
<v Speaker 1>have the good fortune of visiting the building, uh, the

0:13:45.679 --> 0:13:50.480
<v Speaker 1>Bloomburn building in London Victoria Street. From a design point

0:13:50.480 --> 0:13:53.280
<v Speaker 1>of view, an amazing feat. You know, I just learned

0:13:53.280 --> 0:13:57.679
<v Speaker 1>what a guy wants here. I mean, this is this

0:13:57.720 --> 0:14:00.920
<v Speaker 1>is hard for wisos. You women can help us guys.

0:14:01.040 --> 0:14:07.960
<v Speaker 1>Let's real. Yeah, women play sun, you know. Joseph of Bood,

0:14:08.040 --> 0:14:13.200
<v Speaker 1>thank you so much. Greatly appreciated. Employing in New Bedford, Massachusetts.

0:14:13.240 --> 0:14:15.920
<v Speaker 1>American made Joseph of Bood and you go to their

0:14:15.920 --> 0:14:19.000
<v Speaker 1>website and check it out. It's a it's a really

0:14:19.360 --> 0:14:35.560
<v Speaker 1>different website from so much of retail today. Joining us

0:14:35.600 --> 0:14:38.480
<v Speaker 1>now and we're thrilled that she could find time with us.

0:14:38.520 --> 0:14:40.200
<v Speaker 1>This is one of our busiest days of the year.

0:14:40.280 --> 0:14:43.160
<v Speaker 1>Joe Feldman with us earlier, and now Dana Telsey joins.

0:14:43.520 --> 0:14:46.400
<v Speaker 1>I'm a Telsee Advisory Group. She built a franchise at

0:14:46.400 --> 0:14:49.800
<v Speaker 1>bear Stearns a few years ago and his uh moved

0:14:49.800 --> 0:14:52.600
<v Speaker 1>it over to her own Telsee Advisory Group, which is

0:14:52.600 --> 0:14:55.960
<v Speaker 1>a required read on Wall Street. Dana, I got about

0:14:56.000 --> 0:14:58.240
<v Speaker 1>eight topics to go through and no time, so let

0:14:58.240 --> 0:15:00.600
<v Speaker 1>me go through this quickly. I love what you're saying

0:15:00.680 --> 0:15:03.880
<v Speaker 1>your note Nordstrom, O, MG, Target, Wow. And then you

0:15:03.960 --> 0:15:09.600
<v Speaker 1>go and under Macy's you have, Huh. What does Macy's

0:15:09.640 --> 0:15:14.400
<v Speaker 1>need to do to begin to staunch the damage? I

0:15:14.400 --> 0:15:16.720
<v Speaker 1>think overall, one of the things that all of these

0:15:16.720 --> 0:15:19.720
<v Speaker 1>department stores need to do is they're focused on reinventing

0:15:19.760 --> 0:15:24.000
<v Speaker 1>to maintain relevancy. I think whether it is address the

0:15:24.040 --> 0:15:28.440
<v Speaker 1>fact that when you think about managing experiences into the

0:15:28.480 --> 0:15:32.000
<v Speaker 1>purchases of buying, what used to be amazing is now

0:15:32.040 --> 0:15:34.960
<v Speaker 1>the new expected. So they have to figure out ways

0:15:35.040 --> 0:15:38.320
<v Speaker 1>to amaze the consumer again. And I think service becomes

0:15:38.320 --> 0:15:40.480
<v Speaker 1>a much more important part of it. And look what

0:15:40.520 --> 0:15:43.240
<v Speaker 1>you're saying, I mean, Macy's is all of a sudden

0:15:43.280 --> 0:15:47.400
<v Speaker 1>now having options within the store where that's the destination

0:15:47.520 --> 0:15:50.720
<v Speaker 1>businesses that they're focused on story, You've got a surprise,

0:15:51.040 --> 0:15:54.040
<v Speaker 1>and I think Macy's needs to surprise the customer again,

0:15:54.280 --> 0:15:57.359
<v Speaker 1>and I think it's a work in progress. Your heritage

0:15:57.680 --> 0:16:02.040
<v Speaker 1>is the heritage of fifty seven and fifth Avenue, literally, folks,

0:16:02.040 --> 0:16:04.800
<v Speaker 1>and I say this was a great respect to Robert

0:16:04.800 --> 0:16:08.520
<v Speaker 1>Burke and berg door. If you lived at Dana Telsey

0:16:08.520 --> 0:16:13.520
<v Speaker 1>with your family at that storied corners, what should LVMH

0:16:13.720 --> 0:16:16.920
<v Speaker 1>do with Tiffany's. They've got Bulgary, they've got Louis Vuton,

0:16:17.320 --> 0:16:20.120
<v Speaker 1>than Clief is over there with somebody else. What's the

0:16:20.240 --> 0:16:26.000
<v Speaker 1>Dana Telsey prescription for Tiffany's at fifty seven and fifth.

0:16:26.680 --> 0:16:29.040
<v Speaker 1>When you think about jewelry and you think about Tiffany's,

0:16:29.080 --> 0:16:31.760
<v Speaker 1>you think about engagement jewelry. When you think about people

0:16:31.800 --> 0:16:35.560
<v Speaker 1>who get engaged and get married, typically they're in their twenties, thirties,

0:16:35.640 --> 0:16:38.560
<v Speaker 1>couldn't even be forties. You think about the experience in

0:16:38.600 --> 0:16:41.520
<v Speaker 1>Tiffany's and it's older than that. You need to match

0:16:41.600 --> 0:16:44.280
<v Speaker 1>the experience of what the store is to the age

0:16:44.280 --> 0:16:47.160
<v Speaker 1>of the customers who are coming in for that special occasion.

0:16:47.680 --> 0:16:49.560
<v Speaker 1>And I think when you think about l V m

0:16:49.720 --> 0:16:52.920
<v Speaker 1>H five years ago, ten years ago, the word pop

0:16:53.000 --> 0:16:55.800
<v Speaker 1>up would never even be a part of their vocabulary

0:16:55.880 --> 0:16:59.800
<v Speaker 1>because they thought longevity, heritage, and authenticity meant being there

0:16:59.800 --> 0:17:03.160
<v Speaker 1>for ever. And it does mean in that location, certainly forever.

0:17:03.520 --> 0:17:06.160
<v Speaker 1>But what has to be the experience inside the store

0:17:06.600 --> 0:17:08.840
<v Speaker 1>has to be a magic wow, and I think they're

0:17:08.840 --> 0:17:10.840
<v Speaker 1>going to create that. Look at the what you have

0:17:10.960 --> 0:17:14.080
<v Speaker 1>on the LV store now, whether it's the symbolic LV

0:17:14.200 --> 0:17:16.160
<v Speaker 1>and the different colors that are going down the side

0:17:16.160 --> 0:17:19.000
<v Speaker 1>of the building, or every time you walk by their windows,

0:17:19.000 --> 0:17:21.960
<v Speaker 1>that's wait, what's different now? And I think that what's

0:17:22.000 --> 0:17:25.440
<v Speaker 1>different equation is what needs to be recreated at Tiffany's.

0:17:25.480 --> 0:17:28.800
<v Speaker 1>And they talk about good better best. Steve Sayto was

0:17:28.800 --> 0:17:33.040
<v Speaker 1>talking about that at LVMH and at Louis Vuton. How

0:17:33.040 --> 0:17:36.440
<v Speaker 1>do they do good better best at your Bergdorf? I mean,

0:17:36.520 --> 0:17:40.240
<v Speaker 1>what what does Bergdorf do to defend the franchise? Well,

0:17:40.280 --> 0:17:43.840
<v Speaker 1>think about the opportunities that Bergdorf's has with Barney's now

0:17:43.880 --> 0:17:46.679
<v Speaker 1>basically closing its stores just two or three doors away.

0:17:47.160 --> 0:17:50.040
<v Speaker 1>A lot of the people who want designer brand clothing.

0:17:50.480 --> 0:17:53.600
<v Speaker 1>While they used to shop both Bergdorf's and Barney's before

0:17:53.880 --> 0:17:57.200
<v Speaker 1>Now you're can have Burgdorf's and so some of those brands,

0:17:57.200 --> 0:18:00.280
<v Speaker 1>and whether it's the exclusive collaborations where it's design, miner,

0:18:00.359 --> 0:18:03.119
<v Speaker 1>meat and grads, whether it's continuing to invest in the

0:18:03.200 --> 0:18:05.520
<v Speaker 1>store and make it a difference in a while along

0:18:05.520 --> 0:18:09.440
<v Speaker 1>with the service aspects. There's a personal connection there. Internet

0:18:09.480 --> 0:18:12.000
<v Speaker 1>is certainly important, but you've got to marry it with

0:18:12.040 --> 0:18:14.159
<v Speaker 1>the pictures and going in the store and saying I

0:18:14.200 --> 0:18:16.199
<v Speaker 1>want to be in there. You got to create the

0:18:16.240 --> 0:18:20.400
<v Speaker 1>want again. How how do you fill the empty retail

0:18:20.760 --> 0:18:24.600
<v Speaker 1>of upskill shopping? And whether it's Barney's or Bond or whatever,

0:18:25.119 --> 0:18:27.440
<v Speaker 1>do you just lower the You just have to lower

0:18:27.480 --> 0:18:30.320
<v Speaker 1>the rent. Is it just that simple? What's the new

0:18:30.359 --> 0:18:32.480
<v Speaker 1>concepts that are gonna go in there? What's the new

0:18:32.520 --> 0:18:35.720
<v Speaker 1>exciting wows? Look at what they're doing on Fifth Avenue now,

0:18:36.000 --> 0:18:38.879
<v Speaker 1>where they have a designer who put in basically different

0:18:38.880 --> 0:18:41.960
<v Speaker 1>pictures based on some of the empty storefronts in order

0:18:42.040 --> 0:18:44.720
<v Speaker 1>not to have a fifth Avenue that you walk down

0:18:45.000 --> 0:18:47.800
<v Speaker 1>where you count they can see vacancy, vacancy, and it

0:18:47.840 --> 0:18:50.679
<v Speaker 1>just feels like there's more and more. So my sense

0:18:50.880 --> 0:18:55.840
<v Speaker 1>is that we need not only just new stores selling goods,

0:18:55.880 --> 0:18:59.080
<v Speaker 1>but who else is going to sell experiences? And those

0:18:59.160 --> 0:19:03.440
<v Speaker 1>experiences can be activities, It could be services like spot

0:19:03.600 --> 0:19:06.960
<v Speaker 1>services or beauty. Over the next ten years, we're gonna

0:19:07.000 --> 0:19:10.000
<v Speaker 1>have a reiteration of what fifth Avenue is. What's the

0:19:10.080 --> 0:19:12.520
<v Speaker 1>middle market look like? Did we go up and low

0:19:12.600 --> 0:19:14.880
<v Speaker 1>and nothing in between? Or is there an in between

0:19:14.960 --> 0:19:18.879
<v Speaker 1>up there? For American retail I think overall, value and

0:19:18.960 --> 0:19:21.800
<v Speaker 1>convenience matters, and that's why you're seeing the off prices

0:19:21.840 --> 0:19:24.439
<v Speaker 1>do so well, and that's why you're seeing the discounts

0:19:24.480 --> 0:19:27.320
<v Speaker 1>do so well too. But you bet mid market matters,

0:19:27.359 --> 0:19:28.879
<v Speaker 1>and what are we going to see? I think we're

0:19:28.880 --> 0:19:32.000
<v Speaker 1>gonna see some of these online only retailers get into

0:19:32.040 --> 0:19:35.120
<v Speaker 1>physical also, so is it a new generation of brands.

0:19:35.200 --> 0:19:38.040
<v Speaker 1>And also when you think about those services, look at rental,

0:19:38.200 --> 0:19:41.840
<v Speaker 1>rent the runway head story, look at subscription like stitch Fix,

0:19:42.000 --> 0:19:45.040
<v Speaker 1>or look at consignment like Real Real opening on seventy

0:19:45.080 --> 0:19:49.240
<v Speaker 1>one in Madison. Rental, consignment and subscription over the next

0:19:49.720 --> 0:19:51.800
<v Speaker 1>years are going to become more important. H and M

0:19:52.000 --> 0:19:54.600
<v Speaker 1>is looking at rent the runway equivalency as well. Does

0:19:54.720 --> 0:19:57.159
<v Speaker 1>luxury have to go to or rent the runway mode

0:19:58.119 --> 0:20:01.159
<v Speaker 1>isn't I think some of the luxury good of companies themselves,

0:20:01.200 --> 0:20:02.920
<v Speaker 1>whether they do it or not, but they're going to

0:20:03.000 --> 0:20:05.920
<v Speaker 1>have offshoots do it like the real reels out there.

0:20:06.200 --> 0:20:08.960
<v Speaker 1>When you think of thread up and and Posh Mark

0:20:09.160 --> 0:20:12.879
<v Speaker 1>or Vesti are collective. There's a lot of opportunities because

0:20:13.560 --> 0:20:17.920
<v Speaker 1>millennials or even Gen zs, the permanency of ownership may

0:20:17.960 --> 0:20:20.840
<v Speaker 1>not be as realistic for them as it was for

0:20:20.880 --> 0:20:22.800
<v Speaker 1>their parents. For you, and this is a critical question.

0:20:22.800 --> 0:20:25.000
<v Speaker 1>It's really come up not only at the things giving table,

0:20:25.080 --> 0:20:29.520
<v Speaker 1>but with team surveillance. Do you find the value point

0:20:29.640 --> 0:20:32.720
<v Speaker 1>of rent the runway attractive for women and that you

0:20:32.760 --> 0:20:34.560
<v Speaker 1>know they look at whatever it is per three months

0:20:34.600 --> 0:20:37.800
<v Speaker 1>or whatever is an attractive point versus by and own.

0:20:38.720 --> 0:20:41.040
<v Speaker 1>I think for some it all depends. Now all of

0:20:41.080 --> 0:20:43.840
<v Speaker 1>a sudden, renting is not just for special occasion, it's

0:20:43.840 --> 0:20:47.280
<v Speaker 1>for every day and the ability to have new items

0:20:47.280 --> 0:20:50.000
<v Speaker 1>all the time makes it appealing to them. But there's

0:20:50.040 --> 0:20:53.040
<v Speaker 1>another thing that we're going to be talking about, sustainability

0:20:53.320 --> 0:20:56.040
<v Speaker 1>and what does it mean to understand what your garments

0:20:56.040 --> 0:20:58.560
<v Speaker 1>are made of and where they're made of the story

0:20:58.640 --> 0:21:01.520
<v Speaker 1>behind the garment is going to be come front and center.

0:21:02.560 --> 0:21:05.960
<v Speaker 1>Give us the item this holiday season. Dana Telsey, what's

0:21:05.960 --> 0:21:10.080
<v Speaker 1>the thing that every woman needs? I think boots are back.

0:21:10.560 --> 0:21:14.520
<v Speaker 1>I think, come on, this is just you're killing me, Dana.

0:21:15.680 --> 0:21:19.160
<v Speaker 1>You like boots every year? Oh no, last year boots

0:21:19.160 --> 0:21:21.880
<v Speaker 1>weren't back. I think fashion sneakers are swelling. I think

0:21:21.880 --> 0:21:24.239
<v Speaker 1>boots are back. And you know what, we're still going

0:21:24.240 --> 0:21:28.600
<v Speaker 1>to see the strength in outerwear. This is this is

0:21:28.680 --> 0:21:31.480
<v Speaker 1>always callin make a note, this is always too short

0:21:31.520 --> 0:21:34.359
<v Speaker 1>with Dana Telsey. And of course we know that what

0:21:34.440 --> 0:21:37.000
<v Speaker 1>she's zeroing in on is a Jimmy Choo one d

0:21:37.160 --> 0:21:41.720
<v Speaker 1>millimeter mirror and booty, no doubt named after the acclaimed actress,

0:21:41.720 --> 0:21:45.800
<v Speaker 1>the mirror booty that's priced in a one thousand dollars.

0:21:46.520 --> 0:21:49.200
<v Speaker 1>Dana Telsey, thank you so much. Telse the advisory group

0:21:49.440 --> 0:22:07.439
<v Speaker 1>there is well from London to Paris, and maybe we

0:22:07.480 --> 0:22:09.800
<v Speaker 1>can start there with the recovery of the violence in

0:22:09.840 --> 0:22:12.520
<v Speaker 1>Paris that we saw a few years ago. There are

0:22:12.560 --> 0:22:15.119
<v Speaker 1>we getting hundreds of books, as you can imagine, every

0:22:15.200 --> 0:22:18.520
<v Speaker 1>day and a couple of times a year a book

0:22:18.640 --> 0:22:21.879
<v Speaker 1>just simply stops you in its tracks. That was the

0:22:21.960 --> 0:22:25.439
<v Speaker 1>case with the Sin se I any the river that

0:22:25.560 --> 0:22:29.360
<v Speaker 1>made Paris because Elaine Sheiolino went to the art director

0:22:29.400 --> 0:22:34.800
<v Speaker 1>and they went through fifteen cover ideas before they absolutely

0:22:35.320 --> 0:22:40.200
<v Speaker 1>nailed the image of how we see this river through Paris.

0:22:40.320 --> 0:22:44.280
<v Speaker 1>She is of course beyond uh claimed with their decades

0:22:44.400 --> 0:22:47.200
<v Speaker 1>of work at the New York Times and any number

0:22:47.240 --> 0:22:50.320
<v Speaker 1>of books before the Sin. How did the book cover

0:22:50.440 --> 0:22:53.119
<v Speaker 1>come out? I mean the book cover captures everything we believe,

0:22:53.240 --> 0:22:56.520
<v Speaker 1>doesn't it. Well, it's a it's always a work in progress,

0:22:56.560 --> 0:22:58.679
<v Speaker 1>and you don't know. And then as you said, you know,

0:22:58.800 --> 0:23:02.840
<v Speaker 1>somehow it all comes together like a big minestrone soup

0:23:03.440 --> 0:23:06.320
<v Speaker 1>and it rises to the occasion. And it's a great

0:23:06.320 --> 0:23:09.880
<v Speaker 1>cover because it's a great photograph from photographer Peter Turnley

0:23:10.200 --> 0:23:15.680
<v Speaker 1>that captures the mood, the romance, the ethos and culture

0:23:15.760 --> 0:23:19.200
<v Speaker 1>of this great river in my childhood and the immense

0:23:19.240 --> 0:23:21.520
<v Speaker 1>privilege of going to France. And I remember they took

0:23:21.600 --> 0:23:23.400
<v Speaker 1>us out the Fontain Blow and you know we did

0:23:23.400 --> 0:23:26.440
<v Speaker 1>the money man anything the money I should say out

0:23:26.480 --> 0:23:29.720
<v Speaker 1>there when we think of the sin, for most Americans,

0:23:29.760 --> 0:23:32.320
<v Speaker 1>it's going to be three our own disment. And maybe

0:23:32.320 --> 0:23:34.919
<v Speaker 1>they get over to the Eiffel Tower. How north and

0:23:35.000 --> 0:23:37.520
<v Speaker 1>southy of the sun. Did you go, oh, I went

0:23:37.560 --> 0:23:40.479
<v Speaker 1>from one end to the other. It begins in the

0:23:40.480 --> 0:23:43.720
<v Speaker 1>middle of nowhere, in deep Burgundy, and not the famous

0:23:43.760 --> 0:23:47.840
<v Speaker 1>wine part of Burgundy, but this poor agricultural area kind

0:23:47.840 --> 0:23:50.920
<v Speaker 1>of north of Dijon, and then it moves through Paris

0:23:50.960 --> 0:23:53.919
<v Speaker 1>all the way to the sea at Lave, the famous

0:23:53.960 --> 0:23:57.520
<v Speaker 1>port at Lave. It's almost five miles long. And what

0:23:57.840 --> 0:23:59.240
<v Speaker 1>did you learn that you didn't know? I mean a

0:23:59.320 --> 0:24:01.840
<v Speaker 1>lane Shielan knows everything there was about France. We know

0:24:01.920 --> 0:24:04.560
<v Speaker 1>that already. And and what did you what was the

0:24:04.600 --> 0:24:08.040
<v Speaker 1>biggest surprise for you in putting three pages together? That

0:24:08.320 --> 0:24:11.639
<v Speaker 1>there was an Gallo Roman goddess of the sin, a

0:24:11.760 --> 0:24:16.000
<v Speaker 1>healing goddess named Sequana, and it was she who guided

0:24:16.040 --> 0:24:19.919
<v Speaker 1>the sin. And in the end it was the sin water.

0:24:20.160 --> 0:24:22.760
<v Speaker 1>And I think the spirit of Sequana that saved the

0:24:22.760 --> 0:24:25.960
<v Speaker 1>Notre Dame Cathedral because half the water and then put

0:24:25.960 --> 0:24:28.480
<v Speaker 1>out that fire came from the seat there for this

0:24:28.560 --> 0:24:31.679
<v Speaker 1>horrific tragedy that afternoon, I was not I was in

0:24:31.720 --> 0:24:37.200
<v Speaker 1>New York and and saw it actually on television images here.

0:24:37.520 --> 0:24:40.320
<v Speaker 1>I mean, you see it. What was the emotion as

0:24:40.359 --> 0:24:43.040
<v Speaker 1>you saw? I mean, we we knew someday it would happen,

0:24:43.200 --> 0:24:47.480
<v Speaker 1>and it was. No one was surprised, and yet it

0:24:47.520 --> 0:24:51.240
<v Speaker 1>was just shocking. Where does that stand right now? No

0:24:51.280 --> 0:24:54.240
<v Speaker 1>one was surprised that it happened, but everyone was surprised

0:24:54.280 --> 0:24:56.639
<v Speaker 1>at the gravity of it, and the fact that that

0:24:56.720 --> 0:25:01.399
<v Speaker 1>the that the that the cathedral almost uh, it's in

0:25:02.200 --> 0:25:05.480
<v Speaker 1>what we call plane transfer marcillon full transformation. Right now,

0:25:05.520 --> 0:25:08.440
<v Speaker 1>they're still doing studies on it. They're still cleaning out

0:25:08.760 --> 0:25:12.600
<v Speaker 1>tons and tons of lead that had fallen from the roof,

0:25:13.119 --> 0:25:15.920
<v Speaker 1>and it's going to be a good year before they

0:25:16.000 --> 0:25:19.040
<v Speaker 1>before they start the actual renovation. When they started, and

0:25:19.119 --> 0:25:22.680
<v Speaker 1>I assume that you know, with do Joy they say

0:25:22.720 --> 0:25:24.399
<v Speaker 1>one year, five year or whatever, and it's going to

0:25:24.480 --> 0:25:27.080
<v Speaker 1>be forever to replace it. As I think of ken

0:25:27.119 --> 0:25:30.560
<v Speaker 1>follow and all of his historical fiction, how these cathedrals

0:25:30.560 --> 0:25:34.040
<v Speaker 1>take forever to redo? To you, is it a forever

0:25:34.119 --> 0:25:38.280
<v Speaker 1>to get Notre Dame back? Notre damn is there? Notre

0:25:38.320 --> 0:25:42.200
<v Speaker 1>Dame is an organic kind of entity because it's changed

0:25:42.280 --> 0:25:46.320
<v Speaker 1>and transformed over the centuries. It. You know, the President

0:25:46.320 --> 0:25:48.199
<v Speaker 1>of France says it's going to take five years for

0:25:48.280 --> 0:25:51.280
<v Speaker 1>it to be rebuilt. I think within five years it

0:25:51.320 --> 0:25:54.320
<v Speaker 1>will be open, but it will probably take much longer

0:25:54.359 --> 0:25:57.000
<v Speaker 1>than that for it to be completely restored to its

0:25:57.040 --> 0:26:00.439
<v Speaker 1>former glory. This book, Folks, is so important. Sun the

0:26:00.520 --> 0:26:03.840
<v Speaker 1>River that made Paris is an economics finance investment. No.

0:26:04.080 --> 0:26:06.320
<v Speaker 1>Is it something about the politics at the moment. No,

0:26:07.000 --> 0:26:09.159
<v Speaker 1>But it's a single book that we saw for the

0:26:09.200 --> 0:26:12.200
<v Speaker 1>holiday season and said, you know, forget about I'm going

0:26:12.240 --> 0:26:15.480
<v Speaker 1>to Paris. I got to read it. It's just readable

0:26:16.240 --> 0:26:19.600
<v Speaker 1>about the culture in the fabric that transcends a five

0:26:20.000 --> 0:26:22.959
<v Speaker 1>miles of the sin, and with it you nail it

0:26:23.640 --> 0:26:28.600
<v Speaker 1>because to us, it's always that woman outside Tiffany's um,

0:26:28.640 --> 0:26:31.720
<v Speaker 1>you know, she's breakfast at Tiffany's. But there is Audrey

0:26:31.720 --> 0:26:35.280
<v Speaker 1>in your book with the quintessential photo. How important is

0:26:35.359 --> 0:26:38.600
<v Speaker 1>that to our state of mind of the sin right now? Well,

0:26:38.640 --> 0:26:40.600
<v Speaker 1>it's very important to our state of mind in the

0:26:40.640 --> 0:26:43.200
<v Speaker 1>world right now, because what I find back here in

0:26:43.240 --> 0:26:46.040
<v Speaker 1>the United States, where I'm doing a two month book tour,

0:26:46.720 --> 0:26:50.600
<v Speaker 1>is that everybody is so angry, you know, and fighting

0:26:50.640 --> 0:26:53.879
<v Speaker 1>with each other. And when you think about communing with

0:26:53.960 --> 0:26:57.760
<v Speaker 1>the river and just being one with nature, there's just

0:26:57.920 --> 0:27:01.840
<v Speaker 1>something we call it the partage sharing, and this notion

0:27:02.000 --> 0:27:06.040
<v Speaker 1>of making contact with the other in a calm, peaceful way.

0:27:06.119 --> 0:27:08.320
<v Speaker 1>And what I tried to do in this book was

0:27:08.400 --> 0:27:12.439
<v Speaker 1>to say, let me share my Paris, my France with you,

0:27:13.080 --> 0:27:16.639
<v Speaker 1>and dear reader, may you forget a little bit about

0:27:16.680 --> 0:27:20.320
<v Speaker 1>all of your daily woes, whether it's impeachment or fires

0:27:20.320 --> 0:27:25.040
<v Speaker 1>in California or climate change. Just let's think about what

0:27:25.119 --> 0:27:28.920
<v Speaker 1>we share together about this incredible country and this incredible river.

0:27:29.119 --> 0:27:33.200
<v Speaker 1>Jillian Jackson, we did his deal spectacular, one volume on Deal.

0:27:33.600 --> 0:27:35.359
<v Speaker 1>We have a new to call. His name is McCraw.

0:27:35.440 --> 0:27:38.320
<v Speaker 1>We've got the transformation with Germany right now, give us

0:27:38.560 --> 0:27:43.120
<v Speaker 1>the Alania update on how young mcrow is doing well.

0:27:43.160 --> 0:27:45.760
<v Speaker 1>It's interesting you you evoked de Gal because he has

0:27:45.800 --> 0:27:48.399
<v Speaker 1>Degal's memoirs on his desk and he kind of sees

0:27:48.480 --> 0:27:52.520
<v Speaker 1>himself as a modern day de Gal. Rather while it

0:27:52.560 --> 0:27:55.720
<v Speaker 1>doesn't because he's too young and too green, and you know,

0:27:55.760 --> 0:27:58.600
<v Speaker 1>he's not a politician. He's more of a revolutionary and

0:27:58.640 --> 0:28:02.040
<v Speaker 1>he wants change and he wants Jane immediately, and Degal

0:28:02.240 --> 0:28:07.159
<v Speaker 1>was patient, and that's the crucial difference between the two leaders.

0:28:07.400 --> 0:28:10.119
<v Speaker 1>We got an email, someone's listening. Mrs Keene emails in

0:28:10.200 --> 0:28:12.880
<v Speaker 1>and says, why is it so expensive to fly to Paris.

0:28:13.359 --> 0:28:16.359
<v Speaker 1>You're the expert on this. Compared to London, there's a

0:28:16.440 --> 0:28:21.679
<v Speaker 1>price differentially. Well, what I would say is travel on

0:28:21.760 --> 0:28:23.760
<v Speaker 1>the in the in the dead of winter, you know,

0:28:23.960 --> 0:28:27.720
<v Speaker 1>forget about going in May or September, and just set

0:28:27.800 --> 0:28:30.520
<v Speaker 1>up one of those sky scanner alerts. And and because

0:28:30.560 --> 0:28:32.680
<v Speaker 1>you can get a fair. You can get a five

0:28:33.359 --> 0:28:35.560
<v Speaker 1>round trip New York Paris air fair if you try

0:28:35.560 --> 0:28:38.240
<v Speaker 1>hard enough. And when you come to Paris, come and

0:28:38.240 --> 0:28:40.880
<v Speaker 1>I'll show you my my Paris. It'll it'll what is

0:28:41.000 --> 0:28:43.719
<v Speaker 1>your Paris versus what we see, you know in the

0:28:43.760 --> 0:28:48.600
<v Speaker 1>three streets we run wander around? Well both I'm now

0:28:48.680 --> 0:28:51.560
<v Speaker 1>starting to travel along the Sin as a as a

0:28:51.680 --> 0:28:54.720
<v Speaker 1>as a first time tourist, and I'm looking at the

0:28:54.720 --> 0:28:57.520
<v Speaker 1>bridges of the Sin for example, and looking at them

0:28:57.560 --> 0:29:00.240
<v Speaker 1>as a cultural entity. And my last book was on

0:29:00.240 --> 0:29:02.760
<v Speaker 1>one Street in Paris. And what I what I have

0:29:02.880 --> 0:29:05.520
<v Speaker 1>done is I have taken people on my own kind

0:29:05.560 --> 0:29:10.600
<v Speaker 1>of intimate amateur tour of a secret Paris. That's the

0:29:10.680 --> 0:29:13.080
<v Speaker 1>Singapore new for what's the single bridge in Paris? It

0:29:13.120 --> 0:29:16.440
<v Speaker 1>really captures all this. Oh my my, I love the

0:29:16.480 --> 0:29:19.520
<v Speaker 1>Pont de la Trounelle because before dawn you can stand

0:29:19.560 --> 0:29:21.800
<v Speaker 1>on it and you can look at the sun rising

0:29:22.240 --> 0:29:25.240
<v Speaker 1>and it lights up the back of Notre Dame Cathedral

0:29:25.360 --> 0:29:28.160
<v Speaker 1>in bright orange with the sun rising on it, and

0:29:28.160 --> 0:29:30.840
<v Speaker 1>you own Paris. If you do that, that's not something

0:29:30.840 --> 0:29:34.360
<v Speaker 1>that everybody knows. Congratulations on a book where you go, damn,

0:29:34.440 --> 0:29:36.000
<v Speaker 1>I've got to read this, and you don't have time

0:29:36.040 --> 0:29:38.440
<v Speaker 1>to read it, but you will. The sen the river

0:29:38.520 --> 0:29:41.840
<v Speaker 1>that made Paris, Cellancilena with the authority over decades of

0:29:41.920 --> 0:29:45.960
<v Speaker 1>work for The New York Times on h on France,

0:29:46.000 --> 0:29:48.680
<v Speaker 1>because it much more than just on Paris. In Paris

0:29:48.760 --> 0:29:51.800
<v Speaker 1>is the image, but um there it is the sun,

0:29:51.920 --> 0:29:56.520
<v Speaker 1>the river that made Paris. Thanks for listening to the

0:29:56.520 --> 0:30:03.000
<v Speaker 1>Bloomberg Saveilla's podcast. Subscribe and listen to interviews on Apple Podcasts, SoundCloud,

0:30:03.360 --> 0:30:07.600
<v Speaker 1>or whichever podcast platform you prefer. I'm on Twitter at

0:30:07.640 --> 0:30:11.840
<v Speaker 1>Tom Keene Before the podcast, you can always catch us worldwide.

0:30:12.320 --> 0:30:13.440
<v Speaker 1>I'm Bloomberg Radio