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Speaker 1: Everyone knows about the risks of driving drunk. You could

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Speaker 1: get in the crash, people could get herd of killed.

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Speaker 1: Thousands of people are killed and drunk driving crashes every year,

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Speaker 1: but that still doesn't stop everyone. You could get arrested,

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Speaker 1: you could incur huge illegal expenses, and you could possibly

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Speaker 1: even lose your job. We all know the consequences of

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Speaker 1: driving drunk. But one thing's for sure, you're wrong if

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Speaker 1: you think it's no big deal playing ahead, don't take chances,

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Speaker 1: and don't drive drunk, Drive sober, or get pulled over.

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Speaker 1: Paid for by the National Highway Traffic Safety Administration. Everybody coming,

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Speaker 1: breakfast club, I'm calling the hot season. You don't control.

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Speaker 1: I'm don't even dealing here? Are you so? Penny? The

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Speaker 1: world's most dangerous morning shows DJE I stay in everybody's business,

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Speaker 1: but in a good rad. Charlomagne, the gust, the ruler

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Speaker 1: rubbing you the wrong way. The breakfast club ain't for everybody.

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Speaker 1: Good morning Usa, yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo, Good morning angela Ye, good money,

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Speaker 1: Charlotte and the guy plea stood up plane in this Thursday,

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Speaker 1: it's theirsday. You know, every time I'm come in here

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Speaker 1: in the morning, I get down on my knees and

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Speaker 1: I pray, no, just pray to have a good show,

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Speaker 1: and you know, pray that you know, Amby has a

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Speaker 1: good show and Angela has a good show, and all

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Speaker 1: the producers do what they're supposed to do. And this morning,

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Speaker 1: when I got up off my knees and turned around,

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Speaker 1: it was a young man behind me. Whoa. And it

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Speaker 1: was a young man who clearly has had sex with

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Speaker 1: a Muslim before, because he was very respectful of my crap,

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Speaker 1: my prayer. But I could tell her he was turned

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Speaker 1: on all at the same time. Wow, and what did

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Speaker 1: you do? Did you get excited to say anything? Guess

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Speaker 1: who that young man was? I know who it was?

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Speaker 1: Traf from Philly. Traff from Philly. Is here Trump want

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Speaker 1: for Traf from Philly? Hat trap exactly? How I know

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Speaker 1: Travis slept with a Muslim before? And I love finally

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Speaker 1: somebody who can relate to me here on the breakfast

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Speaker 1: club in the room. What's coming? Put the mic on

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Speaker 1: his lip? Traff? Put your mic tuck on the mic.

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Speaker 1: Why are you going to use my mic done on

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Speaker 1: the micra put my lips on the mic. All right back,

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Speaker 1: Happy holidays and trap on us. He got us a presents,

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Speaker 1: he got us all a presence for right here. Look

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Speaker 1: at this much of my present present. Thank you for

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Speaker 1: the rain deer traff yay, Oh thank you Trav. How nice?

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Speaker 1: Travis actually gonna be on lip service. So he's here

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Speaker 1: today to get ready for that. All right, somebody puts

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Speaker 1: a star, somebody putting missile toll up. You see who

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Speaker 1: gets caught under the missiles traps. You ought to be interesting.

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Speaker 1: I thought you were actually on your knees fixing your

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Speaker 1: damn cars. I've seen you on TV yesterday. You have

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Speaker 1: a lot of corn problems. I got two corns, I

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Speaker 1: got one on these baby toes. But you know what,

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Speaker 1: I got so many podiegers hitting me out. I'm sure

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Speaker 1: I was on Good Morning America yesterday and I was

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Speaker 1: showing my corns, and I said, good Morning America because

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Speaker 1: it was what o'clock. Yeah, it's good. It's called Good

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Speaker 1: Morning America daytime or something like with Michael's grayhand and

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Speaker 1: Sarah and yeah, that's my Christmas present to myself this year.

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Speaker 1: Getting them on Corndrey moved off my baby toes. I'd

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Speaker 1: have paid for it. Man, your feet, oh my goodness,

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Speaker 1: Oh horrible. They not that, No, they're not. First of all,

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Speaker 1: First of all, I had got me a pedicure the

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Speaker 1: day before, a milk and honeyspot pedicure. That's number one.

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Speaker 1: My feet are immaculated other than the corns on my baby.

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Speaker 1: You want to look at his feet right to play?

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Speaker 1: You free feet up for Trava. Trav Come on now, Yeah,

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Speaker 1: Chap is very honest. He's not nice feet. Look at

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Speaker 1: the feet. Get the feet though. Don't worry about the corn.

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Speaker 1: Get the car on the side. The corn is nasty.

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Speaker 1: You don't act like the feet ain't dead. Now. The feet,

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Speaker 1: except for that second, toes a little longer than other way.

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Speaker 1: Mama feet all the time. I can get that off

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Speaker 1: for you, the old feet. I do my mama's feet.

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Speaker 1: I can get that off. You used to do his

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Speaker 1: mama's expert. I'm all right well with trash as he

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Speaker 1: could get it off for you. You should let him. Wow.

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Speaker 1: So I definitely said he could get it off for you. Wow.

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Speaker 1: Tra All right, Well, I'm just gonna flor with a

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Speaker 1: married man, like Robert Townsend movie joining us this morning. Yes,

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Speaker 1: the legend, a whole legend. Tell people who Robert Towns

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Speaker 1: and this guys. Robert Townson has directed such movies as

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Speaker 1: Five Heartbeats and started it also as Duck Duck. What's Duck?

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Speaker 1: That was his character in The Five Heart Beats. Oh, yes,

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Speaker 1: you're right, Media Man, Hollywood Shuffle. He directed Eddie Murphy's Raw.

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Speaker 1: Think it was baps baps. Yeah, Robert Towns has been around. Yeah,

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Speaker 1: I've been trying to figure out for really black. Maybe

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Speaker 1: I am Latino man, and maybe you should go see

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Speaker 1: like a Tyler Perry movie, and the Five Partiats is

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Speaker 1: one of my favorite movies of all time. And he

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Speaker 1: has his documentary about the making of The Five Heart Beats,

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Speaker 1: which is a big deal. I've never seen the Tyler

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Speaker 1: Perry movie. I've never seen none of the movies you

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Speaker 1: named except Raw of course, ever seen any Robert Townson films.

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Speaker 1: I've seen it like a part of Media Man, and

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Speaker 1: like a part of The Five Heartbeaks. A shame. But

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Speaker 1: you seeing La bambo. I did see La La La

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Speaker 1: La La La Labama. Maybe I ain't I ain't you

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Speaker 1: know what I'm saying, you're all in tune with your

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Speaker 1: Latino root. I want to come to your blackness. You

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Speaker 1: act like you ain't ever seen Nope. But all right,

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Speaker 1: and before we said the show, I want to shout

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Speaker 1: out everybody who came out to Wealth Wednesday. Yesterday was

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Speaker 1: a really great one. We're getting ready for the holidays,

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Speaker 1: people are overspending, people are concerned about debt. So shout

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Speaker 1: out to our guy Sean from Financially Clean. He does

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Speaker 1: a free weekly course on how you can actually get

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Speaker 1: out of debt and get financially cleaning. He used to

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Speaker 1: work on Wall Street, so now he does this for

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Speaker 1: free for the community. And Dione who was there as well, Yeah,

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Speaker 1: I already overspent for the holidays, already passed that one.

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Speaker 1: I don't even look damn it. Man. All right, well

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Speaker 1: let's get the show. Cracking front page is what we're

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Speaker 1: talking about. We are going to be talking about the

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Speaker 1: deadliest drug in America. What do you think that drug is?

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Speaker 1: Social media? We'll get into that when we come back.

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Speaker 1: Keep a lot, just a breakfast club. Good morning, Good

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Speaker 1: morning everybody in dj mvy Angela Yee, Charlomane, the guy

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Speaker 1: we are to breakfast club. Let's getting some front page

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Speaker 1: news now in terms of that football to night, the

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Speaker 1: Chargers take on the Kansas City Chiefs. Now, what else

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Speaker 1: are we talking about? Ye? Well, Donald Trump's former lawyer

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Speaker 1: has been sentenced to three years in prison after he

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Speaker 1: said that he felt it was his duty to cover

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Speaker 1: up Donald Trump's dirty deeds. That's why he did what

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Speaker 1: he did and lie. This is all about a hush

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Speaker 1: money scandal. And he actually admitted that they got some

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Speaker 1: money to pay off two women, a former adult film well,

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Speaker 1: she's a current adult film star and a former playboy

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Speaker 1: model before the election in twenty sixteen. The only thing

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Speaker 1: is the prison they're recommending that he goes to, is

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Speaker 1: what they are saying, is one of the ten cushiest

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Speaker 1: prisons in America. It's a federal prison. Most federal prisons

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Speaker 1: are kind of cushy, especially guys like that. They're not

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Speaker 1: gonna set a guy like that through wherever they got

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Speaker 1: the Kashy six nine at Now everybody was posting this

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Speaker 1: tweet that Michael Cohen directed toward Hillary Clinton back in

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Speaker 1: twenty fifteen. When you go to prison for defrauding America

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Speaker 1: and perjury, your room and board would be free. Ironically enough,

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Speaker 1: now that's him. That's gonna be very interesting to watch.

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Speaker 1: This is gonna be better than any reality show, any

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Speaker 1: show you've ever seen about the White House, whether it's Scandal,

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Speaker 1: House of Cards, this is gonna be better than all

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Speaker 1: of that because it's gonna be so many layers peeled back,

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Speaker 1: and so many people that's gonna be getting sent to

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Speaker 1: jail all until they get to their final destination, which

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Speaker 1: she's our celebrity and he's not going Donald Trump. Okay,

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Speaker 1: you sit there and speaking of jail, the governor of Tennessee,

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Speaker 1: Bill Haslam, is considering actually clemency for Cintailia Brown. We've

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Speaker 1: been talking about her. She was a sex trafficking victim.

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Speaker 1: She was sentenced to life in prison. Back when she

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Speaker 1: was sixteen years old. She killed the forty three year

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Speaker 1: old man, she says, who solicited her for sex. She

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Speaker 1: thought that he was reaching for a gun after she

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Speaker 1: resisted his advances, and that's when she took a gun

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Speaker 1: out of her own purse and shot and killed him.

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Speaker 1: So now they are saying that he may possibly review

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Speaker 1: her case and grant some clemency. We will be the

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Speaker 1: clemency though, they're gonna let her go. They gonna cut

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Speaker 1: her sentage, so we'll pardon. The clemon is two different things, right, yeah,

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Speaker 1: because pardon means that they dropping your charges and letting

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Speaker 1: you free. Clearly they did some leniency, so she might

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Speaker 1: not have to wait until she's fifty one. Well, they're

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Speaker 1: still reviewing the case, so they haven't said exactly what

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Speaker 1: it will be. So once they review it, then they'll

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Speaker 1: let us know if there'll be any clemency at all.

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Speaker 1: All right, all right, and Fantinel by the way, it's

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Speaker 1: the deadliest dragon America. Which is an opioid. Last year

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Speaker 1: it was heroin, so this year it was fentanyl. They're

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Speaker 1: saying those numbers have opioid. So you know, we said

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Speaker 1: we have an opioa crisis here, Yes, and fenconel is

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Speaker 1: now seriously, we do have a crisis. Is it a

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Speaker 1: pill or drink of I think it's a pill, isn't it?

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Speaker 1: Uh Listen, I've never used it, so I don't know

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Speaker 1: how the different ways. But yeah, when are you all

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Speaker 1: fenting all addicts? Call up here and tell me what

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Speaker 1: that high be about. You know what I'm saying. Tell

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Speaker 1: me how you just that Fentonel I just want to know.

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Speaker 1: I don't want to do it. I just want to

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Speaker 1: know what is it. I don't want to overdose over that,

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Speaker 1: all right, a lot of his front page news. Get

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Speaker 1: it off your chests eight hundred five eight five one

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Speaker 1: oh five one. If you're upset, you need to vent

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Speaker 1: hit us up right now. Maybe you had a bad night,

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Speaker 1: a bad morning, or maybe you feel blessed and you

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Speaker 1: want to spread some positivity eight hundred five eight five

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Speaker 1: one oh five one. Or maybe the person that always

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Speaker 1: calls and gets through the back door actually came through

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Speaker 1: the front door and it's actually here. What up, trav Trah?

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Speaker 1: You talk again without putting your lips on the mic.

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Speaker 1: I'm gonna question your sexuality, trash. I definitely gotta get

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Speaker 1: it off my chest. He could use his own, but

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Speaker 1: he's gonna use Shaloman. I'm gonna use salmon, all right.

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Speaker 1: Anything else you ain't to say? No, alright, get it

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Speaker 1: off your chests. Next is the breakfast club. Good morning,

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Speaker 1: the breakfast club. This is your time to get it

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Speaker 1: off your chests, whether you're mad or blast so you

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Speaker 1: better have the same in We want to hear from

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Speaker 1: you on the breakfast club. Allow who's this? We got

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Speaker 1: traving the building? Don't know where? I said, attles this?

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Speaker 1: I know he's over there. Trap? What's up? Trap? What's up? Man?

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Speaker 1: What you wouldn't get off your chests? I got? I

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Speaker 1: got two things to get off my chest? Man. Okay,

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Speaker 1: So I know, I know I agree with Kevin Hart right,

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Speaker 1: and I'm not gonna kill him, but I just want

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Speaker 1: to say I have been searching and searching for them

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Speaker 1: many of times that he has addressed this whole and apologize. Apology.

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Speaker 1: He said he's addressed as many of times, many of times.

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Speaker 1: So me and my cousin was laughing because we was

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Speaker 1: like we kind of searched for it, and um, yeah,

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Speaker 1: we can't find not one. You didn't see the video

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Speaker 1: with you didn't see the interview with Ed Gordon that,

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Speaker 1: so there's one out there, and I think the interview

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Speaker 1: of Rolling Stone or something too. I was trying to

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Speaker 1: find it and I couldn't find it. It's right here, trap,

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Speaker 1: he Ed Gordon posted it himself. I gotta go back

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Speaker 1: and watch the three not to do what we do

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Speaker 1: And this was two thy and fourteen when he addressed it. Okay,

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Speaker 1: I didn't kill him, but you thin. It's not many

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Speaker 1: a time. I was looking forward right and then um,

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Speaker 1: also it's the second thing. My brother. You know he's

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Speaker 1: locked up, you know for thirty years. Well he's doing

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Speaker 1: twenty five now. Really he didn't find what no murder,

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Speaker 1: He can't do nothing. Man charge him with they got

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Speaker 1: he got charged with m D to a bunch of charges. Okay,

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Speaker 1: I don't want to get into that, but this is far.

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Speaker 1: He wants me to come here and be an advocate

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Speaker 1: for him because he really wants some big girls to

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Speaker 1: write him. Like that was his exact words. I want

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Speaker 1: some big girls. He wants some big girls to write him.

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Speaker 1: And he looked it's my twin. So he was on

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Speaker 1: the inside and he wants girls to write him. And

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Speaker 1: you're probably telling him, will send some of them diesel

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Speaker 1: azt dudes and there to write me. I said him

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Speaker 1: all the time, one of your homies, get out man

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Speaker 1: sitting in the Philly. Oh here, guys, he usually calls him,

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Speaker 1: but he's actually here this morning. You follow him at

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Speaker 1: a k A underscore twin coach. You didn't want to

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Speaker 1: follow follow me I underscore. You thought that's what you

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Speaker 1: can underscore twin. Hello, Hey, who's this end from end?

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Speaker 1: Get it off your chest, bro, I'd like to say

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Speaker 1: how much off and blasted? Man? Good morning everybody. You know,

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Speaker 1: a few years ago I got in struggle. I got

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Speaker 1: arrested in New Hampshire and uh, you know it took

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Speaker 1: it took me getting in trouble man, to really get

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Speaker 1: my life. Now. I got a good job, I got

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Speaker 1: a fall one k yeah up, and then I'm able

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Speaker 1: to take care of my baby. That's what it is, bro.

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Speaker 1: And by the way, that's usually how it happens. You

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Speaker 1: You get into some trouble and you make a mistake,

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Speaker 1: you learn from it. That's what life is about. Hello,

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Speaker 1: who's this Shiria? John shot Terria? What's up? I'm gonna

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Speaker 1: get it off your chests? Okay. This was the relatives

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Speaker 1: that have been missing a picture the family cuture for

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Speaker 1: years and it just come out of nowhere and just

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Speaker 1: trying to give you advices all life and how to

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Speaker 1: raise their kids. And reality, you don't have your kids

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Speaker 1: and you've been through hell and high water, through the

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Speaker 1: prison system, through running way from home and everything, so

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Speaker 1: how can you really get some more life advices on

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Speaker 1: how they should live their life and raise their teeth. Okay, personally,

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Speaker 1: that's what happened with you. This is one particular family

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Speaker 1: member day. Always try to give me advice about my kids.

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Speaker 1: I'm twenty five years old, I have three kids. I've

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Speaker 1: been a mother. I was fourteen years old, so I

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Speaker 1: know what I'm doing. Was her tell me her resume?

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Speaker 1: Does she have kids? Yeah, I'm in one, all right,

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Speaker 1: So she got five more, five more years of experience

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Speaker 1: than you. No, she doesn't, does she does? Thirty twenty five?

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Speaker 1: She had the kids fourteen to have her child. See,

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Speaker 1: oh they took her. Oh okay, okay, okay, okay, well

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Speaker 1: tell us shut We'll tell us shut the f up

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Speaker 1: forever then, exactly all right, my mom, happy holiday, same thing, Angela.

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Speaker 1: All right, babe, geez, get it off your chest. Eight

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Speaker 1: hundred five eight five one oh five one. If you

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Speaker 1: need to vit, hit this now. It's the breakfast club.

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Speaker 1: Good morning, the breakfast club. This is your time to

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Speaker 1: get it off your chest. Whether you're man, flask from

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Speaker 1: you on the breakfast club. You got something on your mind? Hello, Hello, Hey,

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Speaker 1: that was your baby in the back. Um my baby

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Speaker 1: through the tablet at my stepboilder. So she's great, take

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Speaker 1: the tablet. Why why did the baby have the tablet

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Speaker 1: this early? Oh, I don't care. You got the tablet

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Speaker 1: in that baby face so she can listen to the

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Speaker 1: Breakfast Club. That's what you tell him, ain't listening on

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Speaker 1: the tablet. You got the tablet in her hand and

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Speaker 1: the radio on V. The baby into the app. Oh well,

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Speaker 1: he listened to the tablet so he could be quiet

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Speaker 1: of all. Okay, when the little kids to be addicted

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Speaker 1: to them things they hold life. You want to why, Well,

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Speaker 1: she don't want her baby saying ass and rock the

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Speaker 1: mic and listen to us made. I don't want him

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Speaker 1: talking about playing and nobody. But we'll find another radio

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Speaker 1: show to listen to. Knows you find right where you at?

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Speaker 1: What's right now? You get it off your hat chest.

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Speaker 1: This is about you. So, first of all, I'm blood,

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Speaker 1: so I gift. I was calling because of the front page. Dude,

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Speaker 1: I wanted to tell you that hero and fed all

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Speaker 1: were actually very similar, and for a long time drug

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Speaker 1: dealers were cutting heroin. I'm there's a lot of activities

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Speaker 1: for drug dealing, boyfriend, that's why so much in heroin.

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Speaker 1: So drug dealers everyone with sencing all. So you use

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Speaker 1: sencing all the same way that you use heroin, You

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Speaker 1: just get hide quicker and you dry quicker. Got you, okay?

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Speaker 1: You basically stay away from both of us, Are you okay? Though? Yes,

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Speaker 1: I'm okay. Yes. For a long time a little I

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Speaker 1: am what you call it harm reductionist. So I believe

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Speaker 1: that people are gonna do what they want when they

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Speaker 1: want to, and like, my job is to just help

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Speaker 1: you do that astafically as possible. So I worked in

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Speaker 1: a needle exchange where I would give out like plaint needles,

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Speaker 1: make sure people got tested for like HIV, had to

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Speaker 1: see make sure they were doing whatever they were doing

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Speaker 1: and they were doing in space. I got questions. I

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Speaker 1: got questions about that, like what what do you what

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Speaker 1: do they think the benefits of that is? Do they

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Speaker 1: think these people are beyond rehab, beyond any help? No,

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Speaker 1: So we try to get them rehab, We try to

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Speaker 1: get them help. But like if you don't want to

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Speaker 1: get help, and you're not going to get help, and

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Speaker 1: you don't want to get help, that's fine. We just

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Speaker 1: don't want you to die, right, Okay, So six people

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Speaker 1: a day die and master you just because of the

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Speaker 1: opioid epidemics and like we just want to reduce those young.

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Speaker 1: Letting them do drugs when they want reduces the amounts.

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Speaker 1: She's saying, they're gonna do it anyway. Yeah, I don't

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Speaker 1: let them do drugs. I just give them things that

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Speaker 1: help them do it, like healthier, so you don't kill yourself.

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Speaker 1: It's a healthy way to do heroin, so you don't

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Speaker 1: use dirty needles and things like that. People that people

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Speaker 1: will don't pick up needles out the stream, and like,

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Speaker 1: we don't want to do any of that. And some

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Speaker 1: people say they said they use antendis from cars, They

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Speaker 1: break off antendis from cars to use its. Basically, you're

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Speaker 1: prolonging their death because they're gonna die eventually anyway. Maybe

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Speaker 1: hopefully get help at some point when they're anybody, get

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Speaker 1: rehab ye. But the point that you make Charlomagne because

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Speaker 1: of that reason, so many of my clients for nying,

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Speaker 1: even though like one of my work to guide and

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Speaker 1: I was like javastating. So actually I decided I wanted

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Speaker 1: to work with my clients before and he became my client.

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Speaker 1: And I am now a middle school teacher trying to

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Speaker 1: help hims not go down that path right, that's important.

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Speaker 1: Way we appreciate you. But thank you, mama, Thank you.

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Speaker 1: Have a good morning. All right, to that baby, we said,

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Speaker 1: what's up back there? Major said high. He's too focused

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Speaker 1: on that damn tablet. He's saying high. Okay, oh there

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Speaker 1: you go, all right, there you go. How old is

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Speaker 1: he he is? Okay, all right, almost too? All right,

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Speaker 1: Thank you, mama, Thank you. Get it off your chest.

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Speaker 1: Eight hundred five eight five one oh five one. If

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Speaker 1: you need to vent, you can hear this at any time.

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Speaker 1: We got rooms on the way. Yes, find out what

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Speaker 1: really populary talks to your host is considering maybe bringing

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Speaker 1: things to an end. Okay, all right, we'll get into

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00:17:50,480 --> 00:17:52,440
Speaker 1: that next. Keep a lot this to breakfast club. Good morning,

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Speaker 1: the breakfast club song of the year. Right here, drop

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Speaker 1: one a clue's bomb for a little due voss my

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Speaker 1: big all right, this is the song of the year.

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00:18:01,800 --> 00:18:03,760
Speaker 1: It could be in a conversation at even it's not even,

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Speaker 1: it's not even a debate. Come on, man, wole mo

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00:18:06,880 --> 00:18:09,080
Speaker 1: nah what this single Moo is a great record, But

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00:18:09,200 --> 00:18:11,239
Speaker 1: this is a mantra. You understand what I'm saying. It's

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00:18:11,240 --> 00:18:13,239
Speaker 1: a difference like Jay Rock Redemption I mean Jay Rock

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Speaker 1: Win Win Win. That's a mantra. Lodi wos mole bitch

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00:18:15,680 --> 00:18:17,520
Speaker 1: is a mantra. It's a difference between a good song

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Speaker 1: and a mantra. Something that you can put on your

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Speaker 1: Facebook page. You know what I'm saying. If you don't

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Speaker 1: have a Facebook page, or you put it on yesterday

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Speaker 1: and you put on your Twitter anyway, Well, let's get

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Speaker 1: to the rooms. Let's talk Ellen DeGeneres. Listen, Oh gosh,

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Speaker 1: got angels report the breakfast Club. Well, Ellen DeGeneres is

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Speaker 1: figuring you out what is going to be her next

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Speaker 1: step in twenty twenty, that's when her contract comes to

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Speaker 1: an end. According to sources, she's just not sure what

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00:18:47,880 --> 00:18:50,160
Speaker 1: she wants to do. She's won fifty seven Daytime Emmy

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Speaker 1: since the show debuted back in two thousand and three,

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Speaker 1: and so who knows what's going to happen. And then

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Speaker 1: she is sixty plus years old, so she could be

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Speaker 1: mulling retirement for real, you because she does a lot

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00:19:00,680 --> 00:19:03,920
Speaker 1: of executive producing behind the scenes. But you know, when

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00:19:03,960 --> 00:19:05,560
Speaker 1: you start talking that I don't know if I'm gonna

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00:19:05,560 --> 00:19:07,520
Speaker 1: be here talk of that contract up, that's when they

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00:19:07,640 --> 00:19:10,119
Speaker 1: back up that brinks give you more money, ellerg a

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00:19:10,119 --> 00:19:11,560
Speaker 1: matter of fact, Ellen Jor don't need a truck, she

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00:19:11,640 --> 00:19:14,680
Speaker 1: need a planet. Well, she's getting advice from her brother

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00:19:14,800 --> 00:19:17,760
Speaker 1: and from her wife, and so her brother is saying

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Speaker 1: she can't stop. Her wife is saying she has other

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00:19:20,400 --> 00:19:23,160
Speaker 1: things she could tackle. So she's just kind of torn

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Speaker 1: right now. Writer or a check for a billion that

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00:19:26,760 --> 00:19:29,479
Speaker 1: should be back and I should do it, Billy. All right.

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00:19:29,520 --> 00:19:32,639
Speaker 1: Congratulations to Tory Bricks and Enrich the Kid. Apparently they

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00:19:32,680 --> 00:19:36,600
Speaker 1: are expecting a baby together. They posted on social media.

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Speaker 1: He told her not to hide her baby bump and um, yeah,

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00:19:40,160 --> 00:19:42,520
Speaker 1: that will be his third child as well. Do you

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00:19:42,560 --> 00:19:46,640
Speaker 1: get a divorce or is he still Um, we don't know. Yes,

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Speaker 1: he was married, don't know if he's still married, don't

399
00:19:48,760 --> 00:19:50,760
Speaker 1: know if they're in the process of getting their divorced.

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Speaker 1: But well, congrats to I'll dropping a clues bons for

401
00:19:53,080 --> 00:19:54,600
Speaker 1: Risk the Kid. I can see why you shot Tory

402
00:19:54,640 --> 00:19:57,200
Speaker 1: Bricks club up dropping a clues bon for Tory Bricks.

403
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Speaker 1: That's the homie shop, Caroline. All right now. Steph Curry

404
00:20:01,480 --> 00:20:04,200
Speaker 1: is addressing these comments that he made about whether or

405
00:20:04,280 --> 00:20:06,720
Speaker 1: not somebody really landed on the moon. If you guys

406
00:20:06,800 --> 00:20:09,359
Speaker 1: remember he was on the Ringer podcast winging it and

407
00:20:09,480 --> 00:20:12,160
Speaker 1: said this, we've ever been to the Moon? No, Nope,

408
00:20:12,400 --> 00:20:19,240
Speaker 1: they're good as the moon. You don't think so? All right, Well,

409
00:20:19,240 --> 00:20:22,840
Speaker 1: apparently now he's saying that he was obviously just joking,

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Speaker 1: but NASA has already invited him to come, and I

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00:20:25,760 --> 00:20:27,560
Speaker 1: guess they want to show him some things to prove

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Speaker 1: that really they did land on the Moon. And so

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Speaker 1: he said he is going to take them up on

414
00:20:31,880 --> 00:20:33,920
Speaker 1: their offer to check out their lunar lab and better

415
00:20:34,080 --> 00:20:36,600
Speaker 1: educate himself. So the only reason people don't believe somebody

416
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Speaker 1: landing on the moon because if you look at the

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00:20:38,240 --> 00:20:41,240
Speaker 1: quality of the moon landing video, now it's trash. They

418
00:20:41,400 --> 00:20:43,720
Speaker 1: need a new moon landing in HD. You know what

419
00:20:43,760 --> 00:20:45,640
Speaker 1: I'm saying. Somebody got to put it up on the GRAM,

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00:20:45,760 --> 00:20:47,680
Speaker 1: Like they got to show us landing on the Moon

421
00:20:47,760 --> 00:20:49,560
Speaker 1: in real time. It don't like it's just like looking

422
00:20:49,560 --> 00:20:51,840
Speaker 1: at an old TV show. Old TV shows look trash. Now,

423
00:20:51,880 --> 00:20:53,280
Speaker 1: You like, dam I can't believe I used to watch this.

424
00:20:53,520 --> 00:20:55,000
Speaker 1: When you watch this old landing, you're like, I don't

425
00:20:55,000 --> 00:20:56,800
Speaker 1: believe they really landed on the mooning looks trash. Now

426
00:20:56,840 --> 00:20:59,440
Speaker 1: shout out to our girl, Angie Martina, she is doing

427
00:20:59,520 --> 00:21:04,280
Speaker 1: this find af Challenge as kind af Challenge as the hashtag,

428
00:21:04,400 --> 00:21:07,600
Speaker 1: and this holiday season they'll be doing random acts of

429
00:21:07,720 --> 00:21:12,480
Speaker 1: kindness and basically the rules are be kind af to someone,

430
00:21:13,480 --> 00:21:17,080
Speaker 1: request active kindness recipient to pay it forward, post on

431
00:21:17,160 --> 00:21:19,399
Speaker 1: social and challenge other friends to use it. You got

432
00:21:19,520 --> 00:21:22,760
Speaker 1: to use the kind af Challenge hashtag and then it's

433
00:21:22,760 --> 00:21:25,320
Speaker 1: just congratulations, you just made the world a tiny bit better.

434
00:21:25,359 --> 00:21:27,840
Speaker 1: And after you remember she had a man on her

435
00:21:28,119 --> 00:21:30,760
Speaker 1: on her show who had given his shoes to somebody

436
00:21:30,800 --> 00:21:33,439
Speaker 1: that was on the train and he's actually helping pay

437
00:21:33,480 --> 00:21:37,399
Speaker 1: it for it as well. Pleasure. Yeah, how are you

438
00:21:37,480 --> 00:21:40,200
Speaker 1: doing right? Nice? The rangers So our friends, you have

439
00:21:40,280 --> 00:21:42,000
Speaker 1: to see the video on the subway, the guy he

440
00:21:42,080 --> 00:21:44,200
Speaker 1: gave his sneakers to the homeless man in the subway.

441
00:21:44,440 --> 00:21:47,520
Speaker 1: He's with us. He inspired us, so we do something

442
00:21:47,680 --> 00:21:51,320
Speaker 1: and then hopefully other people. That's the goal. So free

443
00:21:51,359 --> 00:21:55,760
Speaker 1: manicures and pedicures, Yes, they gave everybody free manicures and pedicares.

444
00:21:55,800 --> 00:21:58,439
Speaker 1: It's way easier to be kind to the strangers though, because,

445
00:21:58,480 --> 00:21:59,880
Speaker 1: like you know, it's hard to be kind of people,

446
00:21:59,920 --> 00:22:02,120
Speaker 1: you know, because you might be reciprocating the same energy

447
00:22:02,160 --> 00:22:03,520
Speaker 1: that they're giving you. You know what I mean, they

448
00:22:03,600 --> 00:22:05,160
Speaker 1: might be giving you some file ergies, so you're giving

449
00:22:05,200 --> 00:22:06,480
Speaker 1: it back to them. So it's easy, it's kind of

450
00:22:06,560 --> 00:22:08,399
Speaker 1: kind of it's easy to be kind of the screeners. Oh,

451
00:22:08,440 --> 00:22:10,320
Speaker 1: I'm kind to my friends all the time. I try

452
00:22:10,320 --> 00:22:12,359
Speaker 1: to always go above and beyond for them. Well, she

453
00:22:12,520 --> 00:22:14,880
Speaker 1: challenged me, So I'm gonna be challenging you guys later

454
00:22:14,960 --> 00:22:16,600
Speaker 1: on today. Yeah, and you know what I told you.

455
00:22:16,720 --> 00:22:19,240
Speaker 1: I try to do five nice things for people every

456
00:22:19,280 --> 00:22:21,880
Speaker 1: single day, but I never post them. So that's gonna

457
00:22:21,880 --> 00:22:23,600
Speaker 1: be weird for me. But I'm gonna do it too.

458
00:22:24,080 --> 00:22:26,359
Speaker 1: Challenge me to do something nice for something somebody. So

459
00:22:26,840 --> 00:22:31,080
Speaker 1: I'm going you got to post it so you can

460
00:22:31,119 --> 00:22:33,160
Speaker 1: do it so that people pay it forward. It's a challenge.

461
00:22:33,160 --> 00:22:35,399
Speaker 1: I won't be participating. Well, I'm gonna challenge you today.

462
00:22:36,119 --> 00:22:39,360
Speaker 1: I'd love to challenge you all right now. Eastern Ray

463
00:22:39,680 --> 00:22:43,560
Speaker 1: has signed a multi picture production deal with Columbia Pictures,

464
00:22:44,040 --> 00:22:46,360
Speaker 1: and under that agreement, they're gonna work with and back

465
00:22:46,440 --> 00:22:50,520
Speaker 1: projects from emerging diverse screenwriters. So congratulations to her for

466
00:22:50,960 --> 00:22:53,680
Speaker 1: actually signing that deal, and it's gonna actually that's a

467
00:22:53,800 --> 00:22:56,159
Speaker 1: nice challenge right there. She'll be paying it forward as

468
00:22:56,200 --> 00:23:00,440
Speaker 1: well for all these diverse screenwriters that could potentially blow

469
00:23:00,520 --> 00:23:04,640
Speaker 1: up as well for Easter Rigg. She deserves it all

470
00:23:05,280 --> 00:23:07,600
Speaker 1: all right, I'm anti Leggy and that's your rumor report.

471
00:23:07,720 --> 00:23:09,520
Speaker 1: All right, thank you, miss ye we got front page

472
00:23:09,520 --> 00:23:11,520
Speaker 1: he was coming up. Yes, we are going to be

473
00:23:11,600 --> 00:23:14,760
Speaker 1: talking about the governor of Tennessee who was considering clemency

474
00:23:15,320 --> 00:23:17,920
Speaker 1: for us. And Toya Brown. She was sixteen years old

475
00:23:18,000 --> 00:23:20,200
Speaker 1: when she shot and killed someone who was trying to

476
00:23:20,240 --> 00:23:22,640
Speaker 1: solicit her for sex or forty three year old man

477
00:23:23,040 --> 00:23:25,440
Speaker 1: and she was sentenced to fifty one years in prison.

478
00:23:25,720 --> 00:23:27,960
Speaker 1: All right. And also Robert Towns and will be joining

479
00:23:28,040 --> 00:23:30,640
Speaker 1: us next our whole legend named Robert Towns. And Okay,

480
00:23:30,680 --> 00:23:33,000
Speaker 1: ask your uncle, ask your aunt, ask your grandma, ask

481
00:23:33,040 --> 00:23:35,200
Speaker 1: your granddaddy, your mom and your daddy about Robert Towns.

482
00:23:35,320 --> 00:23:38,480
Speaker 1: Just don't ask DJMB. You've seen the Five Heartbeats. He's

483
00:23:38,480 --> 00:23:40,879
Speaker 1: doing a documentary of the Five Heartbeats. And I just

484
00:23:40,960 --> 00:23:43,040
Speaker 1: found out the Five Heartbeats wasn't a real group. She

485
00:23:43,119 --> 00:23:44,840
Speaker 1: thought it was a real group too. I did too,

486
00:23:44,920 --> 00:23:46,960
Speaker 1: until this year, literally this year when I went to

487
00:23:47,040 --> 00:23:49,200
Speaker 1: go Google and see what was up with Eddie Kane,

488
00:23:50,440 --> 00:23:52,520
Speaker 1: and I was like, what they weren't real in this

489
00:23:52,640 --> 00:23:55,000
Speaker 1: gracious all right, well we'll kick it with him next

490
00:23:55,040 --> 00:23:57,280
Speaker 1: hour and also front page news his next sister breakfast

491
00:23:57,280 --> 00:24:02,360
Speaker 1: club come morning wanting everybody is Steve ej Mvy Angela Charlomagne,

492
00:24:02,400 --> 00:24:05,000
Speaker 1: the guy we all the breakfast club driving here asking

493
00:24:05,040 --> 00:24:08,240
Speaker 1: me for drinks. I'm not going to I'm not Travis here.

494
00:24:08,520 --> 00:24:10,280
Speaker 1: He's snuck in the back door, and he is here

495
00:24:10,359 --> 00:24:12,160
Speaker 1: this morning. He's actually up here this morning. I'm actually

496
00:24:12,280 --> 00:24:14,960
Speaker 1: very excited that Travis here. We're doing lip service later.

497
00:24:15,040 --> 00:24:16,840
Speaker 1: I can't wait. It's going to hasn't met me and

498
00:24:16,880 --> 00:24:19,080
Speaker 1: TRAVI are gonna have a drinks this morning, isn't Well,

499
00:24:19,160 --> 00:24:21,440
Speaker 1: let's take a shot right now, Okay, boom, after I

500
00:24:21,520 --> 00:24:24,440
Speaker 1: do front page news, Trav, where I'm working. Okay, I

501
00:24:24,560 --> 00:24:26,080
Speaker 1: know you're off from work today, but I still have

502
00:24:26,160 --> 00:24:27,680
Speaker 1: to work. All right, Well, let's get in some front

503
00:24:27,720 --> 00:24:31,439
Speaker 1: page news. All right, oh you guys. Scores, no, no scores,

504
00:24:31,480 --> 00:24:34,479
Speaker 1: just starting that football the Chargers take on the Chiefs.

505
00:24:35,000 --> 00:24:37,639
Speaker 1: All right in Delta is gonna be banning puppies and

506
00:24:37,800 --> 00:24:40,840
Speaker 1: kittens from all of their flights. What's going on with Delta? Now?

507
00:24:41,040 --> 00:24:44,159
Speaker 1: All right, Now, here's the situation. They're gonna ban service

508
00:24:44,240 --> 00:24:47,320
Speaker 1: and emotional support animals under four months of age from

509
00:24:47,359 --> 00:24:49,720
Speaker 1: all their flights starting December eighteen. So I'm just telling

510
00:24:49,760 --> 00:24:51,840
Speaker 1: you this because I know a lot of people are traveling. Also,

511
00:24:51,880 --> 00:24:54,360
Speaker 1: if your flight is over eight hours long, they will

512
00:24:54,400 --> 00:24:56,840
Speaker 1: not allow you to bring emotional support animals on those

513
00:24:56,920 --> 00:25:01,440
Speaker 1: longer flights at all, period. And that's partly to address

514
00:25:01,520 --> 00:25:04,480
Speaker 1: animals that relieve themselves on the airplane. So wait a minute,

515
00:25:04,480 --> 00:25:08,160
Speaker 1: they're gonna ban animals support animals emotionally support your kids

516
00:25:08,520 --> 00:25:11,639
Speaker 1: flights eight hours and longer. Okay, how do you check

517
00:25:11,680 --> 00:25:13,440
Speaker 1: a dog's ideo? How do you know if the dogs

518
00:25:13,520 --> 00:25:15,560
Speaker 1: four months older? That like? How like the dogs have?

519
00:25:15,680 --> 00:25:16,879
Speaker 1: I d How do you know? Do you have to

520
00:25:16,920 --> 00:25:19,520
Speaker 1: bring paperwork on the plane? I never bought a pet

521
00:25:19,600 --> 00:25:21,440
Speaker 1: on the plane. No, you just need that vest, the

522
00:25:21,520 --> 00:25:24,879
Speaker 1: vest that says yo in a note from a doctor.

523
00:25:25,280 --> 00:25:26,879
Speaker 1: I'm talking about their age though. How do you know

524
00:25:26,920 --> 00:25:28,920
Speaker 1: how older dogs? If this ain't they banning dogs? And

525
00:25:29,040 --> 00:25:32,000
Speaker 1: how many? How much you much? Four months? An? I

526
00:25:32,080 --> 00:25:35,000
Speaker 1: do say five months? You can exactly the same thing

527
00:25:35,040 --> 00:25:36,480
Speaker 1: if you want to, you know, fly with a child

528
00:25:36,560 --> 00:25:37,920
Speaker 1: on the plane. As long as the child under two

529
00:25:37,960 --> 00:25:39,600
Speaker 1: years old, it's free. They don't ask, you know, they don't.

530
00:25:39,680 --> 00:25:41,440
Speaker 1: You can't show paperwork and say how old is this child?

531
00:25:41,480 --> 00:25:42,880
Speaker 1: You just say it could be a five year old,

532
00:25:42,920 --> 00:25:44,480
Speaker 1: just say a child a little different the eyes. But

533
00:25:44,560 --> 00:25:46,119
Speaker 1: you can eyeball a kid and be like, all right,

534
00:25:46,160 --> 00:25:48,520
Speaker 1: that kid is. I was doing that for a minute

535
00:25:48,520 --> 00:25:49,959
Speaker 1: and until somebody put me up. Was like, I heard

536
00:25:49,960 --> 00:25:51,199
Speaker 1: you on the radio. He said your son was three.

537
00:25:51,200 --> 00:25:52,280
Speaker 1: I was like, all right, you got me. I'll pay

538
00:25:52,280 --> 00:25:53,600
Speaker 1: for this ticket. No, you shouldn't have been talking so

539
00:25:53,680 --> 00:25:55,760
Speaker 1: much on the damn radio, right, all right, Apple is

540
00:25:55,760 --> 00:25:57,840
Speaker 1: going to be spending one billion dollars for a new

541
00:25:57,920 --> 00:26:00,600
Speaker 1: campus in Austin. They're going to create twenty thousand jobs

542
00:26:00,640 --> 00:26:03,920
Speaker 1: over the next five years building that campus as well.

543
00:26:04,119 --> 00:26:07,480
Speaker 1: So yeah, they definitely have that money. They also plan

544
00:26:07,560 --> 00:26:09,760
Speaker 1: to build new offices in Seattle, San Diego, and Culver

545
00:26:09,880 --> 00:26:12,280
Speaker 1: City over the next three years, and each of those

546
00:26:12,400 --> 00:26:16,080
Speaker 1: offices will have more than one thousand employees. All right.

547
00:26:16,119 --> 00:26:19,000
Speaker 1: In Tennessee, the Governor Bill Haslam said he is considering

548
00:26:19,080 --> 00:26:23,640
Speaker 1: clemency for centoyat Brown. We've been talking a lot about her.

549
00:26:24,000 --> 00:26:26,880
Speaker 1: She's a sex trafficking victim. She was sentenced to life

550
00:26:26,920 --> 00:26:29,560
Speaker 1: in prison. She killed a forty three year old man

551
00:26:29,600 --> 00:26:31,679
Speaker 1: who solicited her for sex, but she was only sixteen

552
00:26:31,720 --> 00:26:33,920
Speaker 1: years old at the time. Now, her side of the

553
00:26:33,960 --> 00:26:36,399
Speaker 1: story is that she thought he was reaching for a

554
00:26:36,480 --> 00:26:38,840
Speaker 1: gun after she turned down his request for sex, and

555
00:26:38,920 --> 00:26:40,919
Speaker 1: that's when she reaching her bag, pulled out a gun

556
00:26:41,000 --> 00:26:43,960
Speaker 1: and killed him first. So it was self defense according

557
00:26:44,040 --> 00:26:46,879
Speaker 1: to her. But she has been sentenced and said that

558
00:26:46,960 --> 00:26:50,000
Speaker 1: she has to serve fifty one years in prison before

559
00:26:50,080 --> 00:26:52,679
Speaker 1: she is eligible for release. So right now they're going

560
00:26:52,760 --> 00:26:55,680
Speaker 1: to review her case and consider whether or not they'll

561
00:26:55,720 --> 00:26:59,000
Speaker 1: grant her clemency. That young lady definitely deserves leniency on

562
00:26:59,080 --> 00:27:01,080
Speaker 1: her senate. She's a real young lady who never stood

563
00:27:01,080 --> 00:27:03,480
Speaker 1: a chance. She was born with feet of alcoholic syndrome,

564
00:27:03,760 --> 00:27:07,600
Speaker 1: didn't have parents. Forced in the sex trafficking. Come on, man,

565
00:27:07,720 --> 00:27:11,160
Speaker 1: very sad and Michael Cohen, who is Donald Trump's former lawyer,

566
00:27:11,280 --> 00:27:14,120
Speaker 1: has to spend thirty six months in prison. He will

567
00:27:14,160 --> 00:27:16,320
Speaker 1: be going to one of the cushiest prisons in America.

568
00:27:16,440 --> 00:27:18,480
Speaker 1: The prison that they felt that he's going to go

569
00:27:18,600 --> 00:27:22,360
Speaker 1: to is was named by Forbes as America's top ten

570
00:27:22,680 --> 00:27:26,679
Speaker 1: cushiest prisons. So he had tweeted back in twenty fifteen

571
00:27:26,720 --> 00:27:29,240
Speaker 1: to Hillary Clinton at Hillary Clinton, when you go to

572
00:27:29,320 --> 00:27:31,880
Speaker 1: prison for Deflorida America and perjury, your room and board

573
00:27:31,920 --> 00:27:35,240
Speaker 1: will be free. Well, now he has free room and board. Congratulations,

574
00:27:35,320 --> 00:27:38,000
Speaker 1: Michael Cohen. I think he's the first in a long

575
00:27:38,080 --> 00:27:42,320
Speaker 1: line of people in the Trump administration that'll be getting incarcerated. Yeah,

576
00:27:42,359 --> 00:27:44,560
Speaker 1: he said he was trying to protect Donald Trump when

577
00:27:44,640 --> 00:27:48,800
Speaker 1: they had gotten that hush money and given that hush

578
00:27:48,880 --> 00:27:53,000
Speaker 1: money to two women who had sexual relationships allegedly with

579
00:27:53,119 --> 00:27:57,280
Speaker 1: Donald Trump. All right, lad's front page news. Now when

580
00:27:57,280 --> 00:28:02,440
Speaker 1: we come back. The Oger Towns. Townsen is a whole legend.

581
00:28:02,480 --> 00:28:04,240
Speaker 1: If you don't know who Robert Townsen is, you probably

582
00:28:04,320 --> 00:28:06,840
Speaker 1: know some of his work. You know, to me, the

583
00:28:06,920 --> 00:28:13,000
Speaker 1: Crown Jewel is five Heartbeats, Man Baps, Hollywood Shuffle. He

584
00:28:13,080 --> 00:28:16,639
Speaker 1: directed Eddie Murphy's Raw. To me, he's just a creative genius.

585
00:28:16,720 --> 00:28:18,360
Speaker 1: And I just find out this year that the Five

586
00:28:18,440 --> 00:28:20,359
Speaker 1: Heartbeats wasn't a real group. All right, And I know

587
00:28:20,440 --> 00:28:22,360
Speaker 1: I'm not alone. We'll talk to him next, So don't

588
00:28:22,400 --> 00:28:25,240
Speaker 1: o if it's the Breakfast Club. Good morning morning. Everybody

589
00:28:25,400 --> 00:28:29,119
Speaker 1: is DJ Envy Angela Yee, Charlemagne the guy. We are

590
00:28:29,200 --> 00:28:34,720
Speaker 1: the Breakfast Club. You got a special guest in the building, legendary. Yes,

591
00:28:35,119 --> 00:28:37,399
Speaker 1: thank you, thank you so much for having me. Thank you,

592
00:28:37,480 --> 00:28:39,960
Speaker 1: thank you, thank you. You're talking about black Hollywood. You

593
00:28:40,040 --> 00:28:44,520
Speaker 1: are one of the architects of black Hollywood. I would say, well, uh, well,

594
00:28:44,640 --> 00:28:46,040
Speaker 1: thank you. You know what I mean. I've been in

595
00:28:46,080 --> 00:28:48,640
Speaker 1: the game a minute, and I think, you know, uh

596
00:28:48,800 --> 00:28:51,080
Speaker 1: kind of started it, jump started it. You know. Hollywood

597
00:28:51,080 --> 00:28:53,680
Speaker 1: Shuffle was one of the first films. She's Got to Have.

598
00:28:53,840 --> 00:28:56,240
Speaker 1: It came out in New York and Keenan and I.

599
00:28:56,320 --> 00:29:00,000
Speaker 1: I did Hollywood Shuffle in LA. Was it easily difficult

600
00:29:00,040 --> 00:29:01,600
Speaker 1: for you to get films made as a black man

601
00:29:01,680 --> 00:29:04,800
Speaker 1: in that era? Very difficult. We only did one black

602
00:29:04,880 --> 00:29:07,600
Speaker 1: movie a year. So when I did Hollywood Shuffle, you know,

603
00:29:07,680 --> 00:29:10,320
Speaker 1: it was kind of groundbreaking because now you got everybody

604
00:29:10,400 --> 00:29:13,880
Speaker 1: that's writing, directing, producing, and picking up a camera. Back then,

605
00:29:13,960 --> 00:29:16,560
Speaker 1: everybody was kind of a little scared. You know. Hollywood

606
00:29:16,560 --> 00:29:19,160
Speaker 1: Shuffle was basically about a guy taking shucking and driving

607
00:29:19,280 --> 00:29:21,600
Speaker 1: roles that showed black people in a negative layer, right

608
00:29:21,680 --> 00:29:24,320
Speaker 1: like reinforcing the negative stereotypes of black people. Yeah. Well,

609
00:29:24,360 --> 00:29:26,600
Speaker 1: I mean back then, the only parts that we were

610
00:29:26,600 --> 00:29:30,240
Speaker 1: auditioning for were like slaves, runaway slaves. You got pimps,

611
00:29:30,280 --> 00:29:33,200
Speaker 1: you got hustlers, the illiterate basketball players. So it was

612
00:29:33,280 --> 00:29:36,000
Speaker 1: always those stereotypical roles, and so Keenan and I were

613
00:29:36,080 --> 00:29:38,160
Speaker 1: thinking about, like, well, how do we flip the script,

614
00:29:38,240 --> 00:29:40,200
Speaker 1: how do we do a story about these images and

615
00:29:40,360 --> 00:29:43,120
Speaker 1: kind of give our real truth? Why did Hollywood allow

616
00:29:43,200 --> 00:29:44,880
Speaker 1: that at that time? Like why did you let y'all

617
00:29:44,880 --> 00:29:46,960
Speaker 1: make that? Because it's kind of like making fun of

618
00:29:47,040 --> 00:29:49,680
Speaker 1: them in a way. Uh, you know, it wasn't Hollywood

619
00:29:49,680 --> 00:29:51,720
Speaker 1: didn't allow us. You know, we just you know, we

620
00:29:51,800 --> 00:29:55,360
Speaker 1: were being renegades. I mean, the whole legend behind Hollywood

621
00:29:55,360 --> 00:29:58,080
Speaker 1: Shuffle was that, you know, I financed the film with

622
00:29:58,280 --> 00:30:01,240
Speaker 1: my own personal money and then credit cards, did you Yes,

623
00:30:01,440 --> 00:30:05,600
Speaker 1: I really did. It was about one hundred thousand dollars

624
00:30:05,640 --> 00:30:07,600
Speaker 1: to do the movie, and then we eventually did close

625
00:30:07,640 --> 00:30:09,959
Speaker 1: to eight million. Wow. So you know, so that's how

626
00:30:10,000 --> 00:30:12,360
Speaker 1: the legend of you know, Townsend started. I like this

627
00:30:12,440 --> 00:30:14,360
Speaker 1: because people don't hear these starts, you know what I'm saying.

628
00:30:14,360 --> 00:30:17,120
Speaker 1: They don't hear that you had to finance the movie yourself,

629
00:30:17,400 --> 00:30:20,120
Speaker 1: you know, instead of beating down these white men people's dogs,

630
00:30:20,160 --> 00:30:22,040
Speaker 1: begging them to do something. Well, you know, I mean,

631
00:30:22,560 --> 00:30:24,400
Speaker 1: you know, when I look at the images, you know,

632
00:30:24,480 --> 00:30:26,760
Speaker 1: back then they were trying to keep us in a box.

633
00:30:27,080 --> 00:30:29,480
Speaker 1: And the more you see, you know, the ignorant brother

634
00:30:29,560 --> 00:30:32,640
Speaker 1: on TV or some stupid stuff, then you know, you

635
00:30:32,800 --> 00:30:35,360
Speaker 1: keep you dumb everybody down, and everybody keeps you know,

636
00:30:35,480 --> 00:30:38,280
Speaker 1: dumbing down. And I think with Hollywood Shuffle, we kind

637
00:30:38,320 --> 00:30:39,920
Speaker 1: of shook the game up a little bit. And I

638
00:30:40,000 --> 00:30:42,400
Speaker 1: think a lot of filmmakers were born because they go,

639
00:30:42,600 --> 00:30:44,560
Speaker 1: if if Townsend could do it and Keenan can do it,

640
00:30:44,840 --> 00:30:46,720
Speaker 1: I can make my own movies. Well, how did people

641
00:30:46,920 --> 00:30:49,600
Speaker 1: watch Hollywood Shuffle? Will still end up chucking and driving

642
00:30:49,640 --> 00:30:53,120
Speaker 1: and dumbing itself down, especial black people. Uh, you know,

643
00:30:53,200 --> 00:30:55,040
Speaker 1: people want to work, so you know, part of the

644
00:30:55,160 --> 00:30:57,720
Speaker 1: thing in Hollywood Shuffle was that, you know, you know,

645
00:30:57,760 --> 00:31:00,160
Speaker 1: I you know, we wrote the line there's always work

646
00:31:00,160 --> 00:31:02,360
Speaker 1: at the post office. And some people feel like, you know,

647
00:31:02,560 --> 00:31:04,440
Speaker 1: if they could be on TV, you know, they don't

648
00:31:04,480 --> 00:31:06,400
Speaker 1: care whatever part they're gonna play. They just want to

649
00:31:06,440 --> 00:31:08,960
Speaker 1: do the part instead of like really thinking about it

650
00:31:09,040 --> 00:31:12,280
Speaker 1: and going like, you know, like my mentor, Sydney Portier,

651
00:31:12,720 --> 00:31:14,280
Speaker 1: that was the first cat I ever met when I

652
00:31:14,320 --> 00:31:16,400
Speaker 1: got to Hollywood. I just wanted to meet him, and

653
00:31:16,480 --> 00:31:19,200
Speaker 1: he had dignity back in the fifties and he's just

654
00:31:19,400 --> 00:31:21,560
Speaker 1: you know, he broke it down from me. He says, Man,

655
00:31:22,200 --> 00:31:24,960
Speaker 1: it's the power to say no. And that's my mantra

656
00:31:25,040 --> 00:31:26,520
Speaker 1: to this day. What do you think about some of

657
00:31:26,560 --> 00:31:28,880
Speaker 1: these comedians and actors that play those type of roles

658
00:31:28,920 --> 00:31:31,320
Speaker 1: and they play them rolls over and over and over again.

659
00:31:31,720 --> 00:31:33,480
Speaker 1: You know. You know, the funny thing is that, you know,

660
00:31:33,920 --> 00:31:36,520
Speaker 1: people gotta work. Every man's got to live with his

661
00:31:36,640 --> 00:31:38,920
Speaker 1: own conscious and every woman's got to live with it

662
00:31:39,080 --> 00:31:41,280
Speaker 1: her own conscious. And so if you cool with it,

663
00:31:41,400 --> 00:31:43,720
Speaker 1: that's that's that's for you. But you know, the thing

664
00:31:43,840 --> 00:31:46,440
Speaker 1: for me is that everything I've ever created, I'm really

665
00:31:46,520 --> 00:31:49,840
Speaker 1: proud of the fact that people watch it to this day,

666
00:31:50,120 --> 00:31:52,880
Speaker 1: you know, different things, and so I think that's a

667
00:31:53,000 --> 00:31:55,920
Speaker 1: testament to the work. Now, let's discuss what we're here for,

668
00:31:56,200 --> 00:31:58,560
Speaker 1: because this is one of my favorite movies of all time.

669
00:31:58,800 --> 00:32:02,200
Speaker 1: Thank you the Five Beats. You have the documentary about

670
00:32:02,240 --> 00:32:04,800
Speaker 1: the making of it, and I saw that you put

671
00:32:04,880 --> 00:32:08,280
Speaker 1: on Twitter that Denzel and Whitney Houston were originally casted.

672
00:32:09,040 --> 00:32:11,719
Speaker 1: You know what I had. I wanted to cast Whitney

673
00:32:11,760 --> 00:32:13,920
Speaker 1: Houston in the part of Baby Dial and so I

674
00:32:14,000 --> 00:32:16,080
Speaker 1: came to New York City to meet with her, her

675
00:32:16,120 --> 00:32:18,600
Speaker 1: and her father, and we were this close to having

676
00:32:18,640 --> 00:32:20,200
Speaker 1: her in the film, and then her agent said the

677
00:32:20,240 --> 00:32:22,480
Speaker 1: part was too small. And so you see in a

678
00:32:22,560 --> 00:32:25,640
Speaker 1: documentary where I talked about how Whitney called me and

679
00:32:25,760 --> 00:32:28,280
Speaker 1: she says, I made a mistake. I should have been

680
00:32:28,320 --> 00:32:30,880
Speaker 1: in the Five Harbats. Baby Doll did a great job though, Yeah,

681
00:32:30,880 --> 00:32:34,040
Speaker 1: Troy Troy was amazing in the film, and but you know,

682
00:32:34,200 --> 00:32:37,040
Speaker 1: she was going to be in it. Denzel was going

683
00:32:37,120 --> 00:32:39,440
Speaker 1: to be my first choice to be Eddie King Junior.

684
00:32:39,600 --> 00:32:42,240
Speaker 1: But then when Michael came in and I met with Michael,

685
00:32:42,360 --> 00:32:45,120
Speaker 1: I was like, this is the dude to play as

686
00:32:45,160 --> 00:32:47,560
Speaker 1: a game. I didn't realize the Five Harveyts wasn't a

687
00:32:47,600 --> 00:32:50,160
Speaker 1: real group until this year. What you know what I

688
00:32:50,240 --> 00:32:54,040
Speaker 1: saw you tweeted that and everybody went crazy. They were like,

689
00:32:54,400 --> 00:32:56,440
Speaker 1: you know, I thought y'all was real. Like sometimes I

690
00:32:56,520 --> 00:32:58,120
Speaker 1: go to the airport and people stopped me going when

691
00:32:58,120 --> 00:33:00,800
Speaker 1: you guys are gonna be torn again. We're not dropping

692
00:33:00,840 --> 00:33:03,880
Speaker 1: an album, Rob, We're not dropping an album duck, you know.

693
00:33:03,960 --> 00:33:06,000
Speaker 1: And I go like, no, no, I'm a filmmaker, you know,

694
00:33:06,160 --> 00:33:08,600
Speaker 1: but people think we are real group. But those songs

695
00:33:08,640 --> 00:33:11,560
Speaker 1: that like real songs that are you know, could play

696
00:33:11,680 --> 00:33:13,800
Speaker 1: like for real on the radio. Well, you know the

697
00:33:14,000 --> 00:33:18,800
Speaker 1: same way. Oh you know, okay, n No, Keenan and

698
00:33:18,880 --> 00:33:20,960
Speaker 1: I are working on the Broadway show right now. No,

699
00:33:21,600 --> 00:33:24,120
Speaker 1: we're working on a Broadway show. We got a top

700
00:33:24,200 --> 00:33:26,840
Speaker 1: Broadway producer I can't mention his name right now, and

701
00:33:27,040 --> 00:33:29,360
Speaker 1: he's going to work with us. And we also have

702
00:33:29,840 --> 00:33:33,360
Speaker 1: a Grammy winning blah blah blah blah blah with all

703
00:33:33,440 --> 00:33:35,640
Speaker 1: these album of the years, that's going to write new music.

704
00:33:35,760 --> 00:33:38,440
Speaker 1: Go ahead, John Lejo, you know, I ain't say John Legend.

705
00:33:38,440 --> 00:33:40,320
Speaker 1: I didn't say it is that's a good time because

706
00:33:40,320 --> 00:33:42,320
Speaker 1: you see Motown the musical was there, and then the

707
00:33:42,360 --> 00:33:45,600
Speaker 1: Temptations have their musical as well. Who else share has

708
00:33:45,640 --> 00:33:47,520
Speaker 1: a musical out right now that's gonna be awesome to

709
00:33:47,680 --> 00:33:49,360
Speaker 1: thank you, thank you. So we're in the trenches now,

710
00:33:49,520 --> 00:33:51,520
Speaker 1: you know, we've been you know, we wrote a you know,

711
00:33:51,760 --> 00:33:54,080
Speaker 1: there's a song that when Eddie leaves the group, when

712
00:33:54,120 --> 00:33:56,080
Speaker 1: he you know, gets all skinny and he goes gang,

713
00:33:56,720 --> 00:33:59,880
Speaker 1: there is a song that will will break your heart.

714
00:34:00,080 --> 00:34:01,440
Speaker 1: All those groups are real. To see, this is what

715
00:34:01,600 --> 00:34:03,360
Speaker 1: must be about the Five Heartbeats. I'm watching it because

716
00:34:03,360 --> 00:34:05,280
Speaker 1: you know it repeats all the time. Yes, so something

717
00:34:05,320 --> 00:34:07,000
Speaker 1: decided to make me pull out my laptops and let

718
00:34:07,040 --> 00:34:08,640
Speaker 1: me google and see what Eddie came them doing that

719
00:34:09,560 --> 00:34:12,480
Speaker 1: And I'm serious and it was like five Heartbeat fictional

720
00:34:12,600 --> 00:34:17,960
Speaker 1: group and I just can't be real, said, how about that?

721
00:34:21,440 --> 00:34:23,560
Speaker 1: And then I was reading about it. It was based

722
00:34:23,600 --> 00:34:26,560
Speaker 1: on different groups. I saw you tweeted about that, and

723
00:34:26,640 --> 00:34:28,920
Speaker 1: then I saw all of these different people comment like,

724
00:34:28,960 --> 00:34:30,160
Speaker 1: they're not really, They're not real. What do you mean

725
00:34:30,160 --> 00:34:32,040
Speaker 1: they're not real? Oh my god. If I weren't serious,

726
00:34:32,040 --> 00:34:38,320
Speaker 1: I wasn't even I had no idea. It wasn't real. Know.

727
00:34:38,680 --> 00:34:41,279
Speaker 1: When when I went to me and Michael went to

728
00:34:41,400 --> 00:34:43,960
Speaker 1: David Ruffin's funeral, it's in the documentary you'll see I

729
00:34:44,000 --> 00:34:46,160
Speaker 1: went to the funeral. And when we went to the funeral,

730
00:34:46,280 --> 00:34:48,839
Speaker 1: they had sections for the different groups, like the Four

731
00:34:48,960 --> 00:34:52,080
Speaker 1: Tops over here, the Tempts over there, the Miracles over here,

732
00:34:52,320 --> 00:34:54,640
Speaker 1: and the usher said, you know that we saved seats

733
00:34:54,680 --> 00:34:57,239
Speaker 1: for the Heartbeat because we knew y'all was coming. And

734
00:34:57,360 --> 00:34:59,560
Speaker 1: it was like and I was like, dude, we're not real.

735
00:35:00,040 --> 00:35:01,840
Speaker 1: They had to sit next to you know. So it

736
00:35:02,000 --> 00:35:03,520
Speaker 1: was like but like like a real group. So what

737
00:35:03,600 --> 00:35:07,280
Speaker 1: was the inspiration for that film? Just? Okay, So here's

738
00:35:07,440 --> 00:35:11,680
Speaker 1: here's here's the truth. When I was a kid growing

739
00:35:11,760 --> 00:35:14,560
Speaker 1: up in the West Side of Chicago and I hear

740
00:35:14,640 --> 00:35:16,840
Speaker 1: herb kent to cool Gen on w v o N

741
00:35:17,000 --> 00:35:20,040
Speaker 1: in Chicago, he says, the Temptations are breaking up. David

742
00:35:20,120 --> 00:35:22,840
Speaker 1: Ruffin is leaving the group. And when I heard that,

743
00:35:23,000 --> 00:35:25,120
Speaker 1: I was like, that's the greatest group of all time?

744
00:35:25,239 --> 00:35:28,000
Speaker 1: Why y'all breaking up? Hit after hit? And in my

745
00:35:28,200 --> 00:35:30,720
Speaker 1: brain it was like, I want to know what happened?

746
00:35:30,760 --> 00:35:33,680
Speaker 1: They sing all these beautiful love songs. Do they really

747
00:35:33,760 --> 00:35:36,160
Speaker 1: have love in their lives? And then that became the

748
00:35:36,280 --> 00:35:40,080
Speaker 1: catalyst to when I became an adult. After Hollywood Shuffle,

749
00:35:40,280 --> 00:35:41,759
Speaker 1: I said to Kenan, I want to do a story

750
00:35:41,800 --> 00:35:44,160
Speaker 1: about what happened to a group like that? And so

751
00:35:44,920 --> 00:35:47,440
Speaker 1: that's how it all started. So why are you doing

752
00:35:47,480 --> 00:35:51,279
Speaker 1: a doc about it? The journey behind the movie? You

753
00:35:51,360 --> 00:35:54,759
Speaker 1: will not believe. The documentary is like a movie on

754
00:35:54,840 --> 00:35:58,200
Speaker 1: to itself. I saw close to ten thousand actors to

755
00:35:58,280 --> 00:36:00,400
Speaker 1: find the four actors to be in the movie. I

756
00:36:00,480 --> 00:36:03,239
Speaker 1: had open calls in New York, open calls in LA,

757
00:36:03,400 --> 00:36:07,840
Speaker 1: open calls in Chicago. In Chicago, you see online this

758
00:36:08,080 --> 00:36:11,880
Speaker 1: young cat in a group, you know, auditioning, and there

759
00:36:11,960 --> 00:36:14,000
Speaker 1: was something about him. I'd go like, this dude got something.

760
00:36:14,520 --> 00:36:16,239
Speaker 1: Wait a minute, this dude really has something. And then

761
00:36:16,280 --> 00:36:18,360
Speaker 1: I talked to him and I had like thousands of

762
00:36:18,400 --> 00:36:21,960
Speaker 1: people online. The guy online was R Kelly get out

763
00:36:21,960 --> 00:36:25,799
Speaker 1: of audition for the five and we have the video.

764
00:36:25,880 --> 00:36:28,640
Speaker 1: So when you see the documentary, you see all the people.

765
00:36:29,040 --> 00:36:32,040
Speaker 1: You see a young Don Cheetle, you see Niss Nash.

766
00:36:32,880 --> 00:36:35,160
Speaker 1: It's all these people, got all this footage. Wait until

767
00:36:35,160 --> 00:36:37,279
Speaker 1: you see the documentary. God saved you because they'd been

768
00:36:37,320 --> 00:36:44,320
Speaker 1: pulling the five hourt beats off all the repeat. You

769
00:36:44,400 --> 00:36:47,520
Speaker 1: know what, because at that point I had I had

770
00:36:47,760 --> 00:36:50,480
Speaker 1: a choir boy, I had j T and I just

771
00:36:50,560 --> 00:36:53,080
Speaker 1: didn't know what part he was going to play. All Right,

772
00:36:53,080 --> 00:36:55,120
Speaker 1: we got more with Robin Towns and when we come back,

773
00:36:55,160 --> 00:36:57,800
Speaker 1: don't move. It's the Breakfast Club. Good morning, morning, everybody

774
00:36:57,960 --> 00:37:01,600
Speaker 1: is DJ Envy and Yee Charlomagne, the guy. We all

775
00:37:01,680 --> 00:37:05,560
Speaker 1: the breakfast club. We still have Robert Towns in the building. Charlomagne.

776
00:37:05,680 --> 00:37:08,120
Speaker 1: I was gonna ask why you're doing a five Horbies documentary,

777
00:37:08,200 --> 00:37:11,080
Speaker 1: but I get it now. Let me say this, nobody

778
00:37:11,120 --> 00:37:13,840
Speaker 1: wanted to movie. All the studios passed on the sprint. Really,

779
00:37:14,080 --> 00:37:17,479
Speaker 1: so you see today, me and Keenan, we're writing the script.

780
00:37:17,520 --> 00:37:19,359
Speaker 1: We handed into the studio. We think we're gonna get

781
00:37:19,400 --> 00:37:21,680
Speaker 1: a green light, and they say no, So how did

782
00:37:21,719 --> 00:37:25,400
Speaker 1: they Eventually they'll get in Greenland. After three years, I

783
00:37:25,520 --> 00:37:27,799
Speaker 1: got new managers and this is all in the documentary,

784
00:37:28,120 --> 00:37:29,880
Speaker 1: and then I got the green light. It had to

785
00:37:29,920 --> 00:37:34,080
Speaker 1: be very difficult to explain black culture to white executives then,

786
00:37:34,120 --> 00:37:37,600
Speaker 1: because it's difficult now, so I can imagine back then. Well,

787
00:37:37,640 --> 00:37:40,600
Speaker 1: you know, let me say this, that was the first

788
00:37:40,680 --> 00:37:43,480
Speaker 1: time you had seen five black men bonding, you know,

789
00:37:43,600 --> 00:37:45,440
Speaker 1: like a family, you know, like they go through their

790
00:37:45,520 --> 00:37:46,840
Speaker 1: fights and at the end of the day they have

791
00:37:46,880 --> 00:37:49,280
Speaker 1: a picnic together, they come back together and their family.

792
00:37:50,080 --> 00:37:53,520
Speaker 1: To explain that to Hollywood, you know, was a trip

793
00:37:53,600 --> 00:37:55,919
Speaker 1: because they were like, well, aren't they all in jail?

794
00:37:56,040 --> 00:37:57,880
Speaker 1: You know, shouldn't they all be thieves? Should't they all

795
00:37:57,920 --> 00:38:00,799
Speaker 1: be And it was all the stereotypical stuff. And then

796
00:38:00,840 --> 00:38:02,840
Speaker 1: I was like, no, no, we all we come in

797
00:38:02,960 --> 00:38:05,960
Speaker 1: different you know, we're not monolithic. Yeah, we all are

798
00:38:06,040 --> 00:38:09,200
Speaker 1: different types. And and you know, so when the Five

799
00:38:09,280 --> 00:38:12,120
Speaker 1: Harbis came out, you know, the movie bombed at the

800
00:38:12,160 --> 00:38:14,600
Speaker 1: box office. It did, the bombed. I mean you you'll

801
00:38:14,880 --> 00:38:17,399
Speaker 1: that's why I said you when you see the most

802
00:38:17,440 --> 00:38:20,080
Speaker 1: powerful scenes in there are when they're on that tour

803
00:38:20,160 --> 00:38:22,080
Speaker 1: bus and they get pulled over by the cops and

804
00:38:22,200 --> 00:38:24,200
Speaker 1: the cops or in the on them in the car

805
00:38:24,280 --> 00:38:26,439
Speaker 1: and the cops make them sing to prove that they're

806
00:38:26,440 --> 00:38:28,480
Speaker 1: a music group. And also you could cover up the

807
00:38:28,560 --> 00:38:30,759
Speaker 1: album when it was they had white people on the

808
00:38:30,800 --> 00:38:33,200
Speaker 1: cover of the album instead of what they really looked like,

809
00:38:33,400 --> 00:38:35,800
Speaker 1: just to show the time period that came from the DALs,

810
00:38:35,960 --> 00:38:39,000
Speaker 1: you know, when when when uh, you know, in the

811
00:38:39,120 --> 00:38:42,000
Speaker 1: dock you you discover that the Dales are my technical advisors.

812
00:38:42,360 --> 00:38:44,120
Speaker 1: And there's a reason why, and you got to see it.

813
00:38:44,400 --> 00:38:47,120
Speaker 1: But then the Deals, their first album cover was Old

814
00:38:47,200 --> 00:38:49,200
Speaker 1: What a Night, you know, like their big hit, and

815
00:38:49,320 --> 00:38:52,360
Speaker 1: on the cover is a white couple on Michigan Avenue

816
00:38:52,440 --> 00:38:54,400
Speaker 1: looking so much in love. And so when I asked him,

817
00:38:54,400 --> 00:38:55,880
Speaker 1: I said, well, why don't you guys get to be

818
00:38:55,960 --> 00:38:58,480
Speaker 1: on your own cover? And then like they're in the seventies,

819
00:38:58,520 --> 00:39:00,759
Speaker 1: and they their heads went down like this, and then

820
00:39:00,800 --> 00:39:03,440
Speaker 1: they said the record company said, if they saw our faces,

821
00:39:03,880 --> 00:39:06,759
Speaker 1: white people wouldn't buy the album. And so they said, well,

822
00:39:06,800 --> 00:39:09,520
Speaker 1: your face can't be honest. This will help you cross over.

823
00:39:09,640 --> 00:39:11,440
Speaker 1: And then that's when it gets into the whole conversation

824
00:39:11,480 --> 00:39:13,680
Speaker 1: about the crossover. It's a double cross. It's the five

825
00:39:13,719 --> 00:39:16,719
Speaker 1: heart beats, your crown jewel for your films. Uh, you

826
00:39:16,800 --> 00:39:18,800
Speaker 1: know what, I've done a lot of different movies. So

827
00:39:18,920 --> 00:39:22,240
Speaker 1: I don't say that that's the crown jewel because media

828
00:39:22,320 --> 00:39:25,400
Speaker 1: media Man represents another part of we talk about that.

829
00:39:25,680 --> 00:39:28,640
Speaker 1: You know, U vaps is another part of me as

830
00:39:28,640 --> 00:39:31,560
Speaker 1: a director. Holiday Hart is another part. So all the

831
00:39:31,640 --> 00:39:34,279
Speaker 1: different things I've created, you know, my body of work.

832
00:39:34,360 --> 00:39:36,440
Speaker 1: You know, I think, you know, I think a real

833
00:39:36,560 --> 00:39:38,839
Speaker 1: artist shows their versatility. They just show you that they

834
00:39:38,880 --> 00:39:41,359
Speaker 1: can touch any kind of genre. You mentioned media Man.

835
00:39:41,440 --> 00:39:43,759
Speaker 1: Before Black Panther and Luke Cage, there was Media Man.

836
00:39:44,000 --> 00:39:45,839
Speaker 1: What gave you the idea? Idea to do a black

837
00:39:45,880 --> 00:39:48,440
Speaker 1: superhero back then, and how did that do too? How

838
00:39:48,600 --> 00:39:50,000
Speaker 1: did that do in the box of it? It didn't

839
00:39:50,000 --> 00:39:52,040
Speaker 1: do well either. It didn't do Let me let me

840
00:39:52,080 --> 00:39:55,800
Speaker 1: say this, because back they do well for you nothing, no, no,

841
00:39:56,000 --> 00:39:58,439
Speaker 1: you know, let me say let me say this kind

842
00:39:58,440 --> 00:40:01,560
Speaker 1: of you has been good. Here's the thing. At the

843
00:40:01,680 --> 00:40:04,839
Speaker 1: end of the day, those films are considered classics by

844
00:40:04,840 --> 00:40:07,200
Speaker 1: a lot of people. So when I did Meetior Man,

845
00:40:07,480 --> 00:40:11,279
Speaker 1: my nephew at the time, Greg Junior, it was Halloween,

846
00:40:11,640 --> 00:40:13,600
Speaker 1: and you know, I was like, are you gonna be

847
00:40:13,800 --> 00:40:16,840
Speaker 1: what you're gonna be for Halloween? Spider Man, Superman, Batman?

848
00:40:17,160 --> 00:40:19,360
Speaker 1: He goes, I can't be to them because they're white,

849
00:40:19,920 --> 00:40:21,480
Speaker 1: and I was like, you know, it's a little kid,

850
00:40:21,600 --> 00:40:23,680
Speaker 1: you know, but he saw color, and I was like,

851
00:40:23,760 --> 00:40:26,840
Speaker 1: I got to create a superhero for you know, you know,

852
00:40:27,080 --> 00:40:29,239
Speaker 1: people of color and for everybody, and I'll create my

853
00:40:29,360 --> 00:40:31,520
Speaker 1: own rather than like, hey, I gotta get a book

854
00:40:31,600 --> 00:40:33,160
Speaker 1: or I gotta get Marveled to give me one of

855
00:40:33,200 --> 00:40:35,920
Speaker 1: the characters. I'll just create mine. You know, I was

856
00:40:35,960 --> 00:40:37,680
Speaker 1: ahead of the curve. You think Me and Man was

857
00:40:37,719 --> 00:40:40,120
Speaker 1: too jokey, well, you know, you know, let me say this,

858
00:40:41,440 --> 00:40:43,279
Speaker 1: there was a part of it. You know, the thing

859
00:40:43,400 --> 00:40:47,279
Speaker 1: that it's very serious but it's also jokey. But you know,

860
00:40:47,440 --> 00:40:49,520
Speaker 1: there are people that go, like, metior Man' is my movie,

861
00:40:49,719 --> 00:40:52,000
Speaker 1: and I'm just you know, I'm a comedian, so I'm

862
00:40:52,000 --> 00:40:54,480
Speaker 1: gonna give you the funny rather than like be a

863
00:40:54,600 --> 00:40:57,120
Speaker 1: dark superhero. Media Man he comes. You know, I didn't

864
00:40:57,120 --> 00:40:58,440
Speaker 1: want to do that. That's what it seems like. It

865
00:40:58,480 --> 00:41:02,239
Speaker 1: seemed like a spoof of a superhero. Well it was,

866
00:41:02,640 --> 00:41:04,839
Speaker 1: but it wasn't. You know, like I think blank Man

867
00:41:05,000 --> 00:41:07,279
Speaker 1: was more of a spoon, you know what I mean.

868
00:41:07,560 --> 00:41:11,880
Speaker 1: But I think, but I say Media Man because at

869
00:41:11,920 --> 00:41:14,040
Speaker 1: the end of the day, he really did have to fight.

870
00:41:14,520 --> 00:41:17,319
Speaker 1: He was slapsticking away. But at the end of the day,

871
00:41:17,880 --> 00:41:20,000
Speaker 1: you know, the Golden Lords really tried to come after him,

872
00:41:20,040 --> 00:41:22,000
Speaker 1: and you know, it was what it was. What do

873
00:41:22,120 --> 00:41:26,160
Speaker 1: you watch now? I'm still watching Dave Chappelle's show. You know,

874
00:41:26,239 --> 00:41:28,359
Speaker 1: I'm old school, so it's like his stuff is really

875
00:41:28,440 --> 00:41:31,759
Speaker 1: beautiful and funny to me. I haven't seen any new

876
00:41:31,800 --> 00:41:34,759
Speaker 1: movies and I'm like crazy crazy about But right now,

877
00:41:34,920 --> 00:41:38,080
Speaker 1: in terms of television, there's shows that I got to

878
00:41:38,120 --> 00:41:39,920
Speaker 1: catch up on, but I've just been writing, you know,

879
00:41:40,000 --> 00:41:41,920
Speaker 1: working on the show. So I've been you know, writing

880
00:41:42,400 --> 00:41:45,000
Speaker 1: understand why Dave Chappelle walked away from the Chappelle Show.

881
00:41:46,080 --> 00:41:49,080
Speaker 1: H yeah, yeah, I mean he's a genius. I really

882
00:41:49,239 --> 00:41:51,400
Speaker 1: There's a few, you know, like Richard Pryor is a

883
00:41:51,440 --> 00:41:54,960
Speaker 1: comedy guy. Eddie Murphy's up there, and I think Dave Chappelle,

884
00:41:55,160 --> 00:41:58,480
Speaker 1: you know, because I thought rock him too. Yes, yes, yes,

885
00:41:58,600 --> 00:42:00,239
Speaker 1: I thought rocking there too, you know. I mean the

886
00:42:00,360 --> 00:42:04,760
Speaker 1: thing for me is that I think that his brain,

887
00:42:05,640 --> 00:42:09,719
Speaker 1: you know, because every laugh ain't ain't a good laugh,

888
00:42:09,920 --> 00:42:12,520
Speaker 1: and he heard those other laughs where you know, because

889
00:42:12,560 --> 00:42:15,000
Speaker 1: he's out there on the in the zone, you know,

890
00:42:15,080 --> 00:42:16,919
Speaker 1: he heard that other laugh where it's like, wait a minute,

891
00:42:16,920 --> 00:42:19,319
Speaker 1: they kind of laughing from some racism here, not from

892
00:42:20,239 --> 00:42:22,240
Speaker 1: me now with me. And so I think I applaud

893
00:42:22,320 --> 00:42:24,640
Speaker 1: him for, you know, for being that guy. Got you.

894
00:42:24,800 --> 00:42:27,120
Speaker 1: I was gonna say, you know, you talked about Dave Chappelle,

895
00:42:27,160 --> 00:42:29,560
Speaker 1: and we talked about Living Color. You think we'll ever

896
00:42:29,680 --> 00:42:32,279
Speaker 1: see comedy like that again on TV, like that sketch

897
00:42:32,320 --> 00:42:35,200
Speaker 1: comedy like that. I think that, Yeah. I think there'll

898
00:42:35,239 --> 00:42:37,560
Speaker 1: there'll be a new group that will emerge that will

899
00:42:37,680 --> 00:42:41,280
Speaker 1: have that kind of sensibility, because that's real funny stuff

900
00:42:41,560 --> 00:42:46,640
Speaker 1: to me be snatched off after the first episode, after

901
00:42:46,760 --> 00:42:51,120
Speaker 1: the first episode. I think for a newer comedians it's

902
00:42:51,160 --> 00:42:53,839
Speaker 1: probably harder too, because it's such a politically correct time.

903
00:42:54,280 --> 00:42:56,239
Speaker 1: Like some of the ones that are already established, I

904
00:42:56,280 --> 00:42:58,560
Speaker 1: feel like you can get away with more because you're

905
00:42:58,560 --> 00:43:01,320
Speaker 1: already established, you've made it. But for people trying to

906
00:43:01,480 --> 00:43:04,080
Speaker 1: make it, they might be a little more cautious just

907
00:43:04,200 --> 00:43:05,920
Speaker 1: because of the time. But you know, I really think

908
00:43:05,960 --> 00:43:08,279
Speaker 1: it's the delivery of the joke. It's the comedy, like

909
00:43:08,680 --> 00:43:10,480
Speaker 1: Richard did it because he was like a kid and

910
00:43:10,640 --> 00:43:12,040
Speaker 1: Eddie made I mean Richard made a lot of fun

911
00:43:12,080 --> 00:43:14,960
Speaker 1: of himself. Yes, no, I mean Richard. You know, I

912
00:43:15,040 --> 00:43:17,560
Speaker 1: mean Richard Pryor. He signed me to my first deal

913
00:43:17,600 --> 00:43:19,880
Speaker 1: when I came to la Oh. Let's talk about that then,

914
00:43:19,880 --> 00:43:22,719
Speaker 1: because he knows all these talks about black gatekeepers in

915
00:43:22,800 --> 00:43:26,400
Speaker 1: Hollywood and black gatekeepers let certain people in. Who let

916
00:43:26,480 --> 00:43:28,839
Speaker 1: you in? Was it Richard? Richard Pryor was the first

917
00:43:28,880 --> 00:43:32,719
Speaker 1: one to put me down. But the first break I

918
00:43:32,800 --> 00:43:35,279
Speaker 1: got was a movie called A Soldiers Story, and that

919
00:43:35,400 --> 00:43:37,400
Speaker 1: was Norman Jewish and directing it, and it was me

920
00:43:37,760 --> 00:43:40,680
Speaker 1: it was Denzel, it was David Allen Greer, it was

921
00:43:40,920 --> 00:43:43,920
Speaker 1: Howard Rollins, it was a guy named Adolf Caesar. That

922
00:43:44,080 --> 00:43:46,160
Speaker 1: was my first like break where I got to be

923
00:43:46,239 --> 00:43:48,880
Speaker 1: in a movie that was nominated for Academy Awards and

924
00:43:50,040 --> 00:43:51,600
Speaker 1: and I got to be a regular person and it

925
00:43:51,719 --> 00:43:54,359
Speaker 1: was a quality movie. Wow, that was the first one.

926
00:43:54,640 --> 00:43:57,520
Speaker 1: So you would credit that guy as your gatekeeperman whatever,

927
00:43:57,800 --> 00:43:59,239
Speaker 1: you know, Like, let me let me say this. Sidney

928
00:43:59,280 --> 00:44:01,600
Speaker 1: Portier said that a lot of times people see like

929
00:44:02,000 --> 00:44:03,840
Speaker 1: U in the heat of the night and he slaps

930
00:44:03,880 --> 00:44:05,719
Speaker 1: the white dude and you know, it's like all this

931
00:44:05,840 --> 00:44:08,520
Speaker 1: dignity and all this stuff. And he says something to me,

932
00:44:08,600 --> 00:44:12,440
Speaker 1: and he said, there are men that don't look like

933
00:44:12,719 --> 00:44:16,880
Speaker 1: us that care about making a difference. And you know,

934
00:44:17,280 --> 00:44:19,840
Speaker 1: you may say gatekeepers, but then there's good people in

935
00:44:19,920 --> 00:44:22,000
Speaker 1: the world too, they say, hey, this this ain't right.

936
00:44:22,120 --> 00:44:24,920
Speaker 1: So you know you need those champions. I call the champions.

937
00:44:25,680 --> 00:44:28,160
Speaker 1: Robert gotta go. I know, man, damn man, I got

938
00:44:28,200 --> 00:44:30,319
Speaker 1: so many questions. But you know, well, let's make sure

939
00:44:30,320 --> 00:44:32,880
Speaker 1: we watched this documentary about so it's it's playing at

940
00:44:32,920 --> 00:44:36,439
Speaker 1: the Mazel up in Harlem. It's gonna be playing there

941
00:44:37,120 --> 00:44:41,239
Speaker 1: until Thursday. It's the Mazel Documentary Center. It's at one

942
00:44:41,360 --> 00:44:44,719
Speaker 1: hundred and twenty ninth and Lenox Avenue, and then it'll

943
00:44:44,760 --> 00:44:49,839
Speaker 1: be available in February on DVD and streaming services. Right

944
00:44:49,960 --> 00:44:51,480
Speaker 1: all right, and man, thank you guys so much for

945
00:44:51,560 --> 00:44:54,600
Speaker 1: having me. I would love to thank you, thank you.

946
00:44:54,640 --> 00:44:56,960
Speaker 1: All right, it's Robert Townsend. It's the Breakfast Club. Good

947
00:44:57,000 --> 00:45:01,239
Speaker 1: morning morning. Everybody is DJ MV and Luis Charlemagne the guy.

948
00:45:01,280 --> 00:45:03,960
Speaker 1: We are the Breakfast Club. Because salute the Robert Townson

949
00:45:04,000 --> 00:45:07,680
Speaker 1: for pulling up on us this morning. Og legend. Now

950
00:45:07,719 --> 00:45:09,480
Speaker 1: we've been to look at traffic pulling up on us

951
00:45:09,520 --> 00:45:13,640
Speaker 1: this morning so much. Bad actor. You don't know who, Travis.

952
00:45:13,680 --> 00:45:16,440
Speaker 1: He's one of our very faithful listeners from Philadelphia. He's

953
00:45:16,440 --> 00:45:19,520
Speaker 1: been calling into this show every morning for how long, Travis?

954
00:45:19,520 --> 00:45:21,799
Speaker 1: How many years? Now? I've been calling for about three years,

955
00:45:21,840 --> 00:45:24,760
Speaker 1: which I'll probably started noticing when I started calling about

956
00:45:25,040 --> 00:45:27,160
Speaker 1: two years ago when I called in the rand Charlemagne

957
00:45:27,160 --> 00:45:30,359
Speaker 1: about Steve Harvey still not getting dunkey today three years later,

958
00:45:30,600 --> 00:45:33,560
Speaker 1: two years later, we're talking about Flint, Michigan dropping a

959
00:45:33,600 --> 00:45:37,440
Speaker 1: clue box with Steve Harven my guy, all right, like

960
00:45:37,600 --> 00:45:40,160
Speaker 1: goodness right, just my man dropping a clue box for Flint,

961
00:45:40,200 --> 00:45:43,279
Speaker 1: Michigan as well. And we have been on this radio

962
00:45:43,360 --> 00:45:48,040
Speaker 1: for eight years, eight years, eight long years, eight years,

963
00:45:48,080 --> 00:45:51,359
Speaker 1: and we have been celebrating every day since our eight

964
00:45:51,440 --> 00:45:55,320
Speaker 1: year anniversary by playing some of the best and the

965
00:45:55,400 --> 00:45:57,799
Speaker 1: worst moments, a little bit of everything to Breakfast Club.

966
00:45:57,800 --> 00:46:00,399
Speaker 1: At this moment, I totally forgot about us. They don't

967
00:46:00,400 --> 00:46:02,279
Speaker 1: even I don't remember. I remember. I'm gonna listen to

968
00:46:02,320 --> 00:46:05,080
Speaker 1: this to refresh my memory. Actually, who well, you used

969
00:46:05,080 --> 00:46:08,200
Speaker 1: to call Joscelyn a man all the time? Listen, listen,

970
00:46:08,400 --> 00:46:12,000
Speaker 1: and she came uppared to confront you. Listen. I hate

971
00:46:12,000 --> 00:46:14,040
Speaker 1: I hate when everybody acts like I'm the only person

972
00:46:14,120 --> 00:46:16,800
Speaker 1: who thinks something. When Jocelyn first came on the scene,

973
00:46:17,080 --> 00:46:19,719
Speaker 1: everybody and named Mama thought she was somebody's dad. No.

974
00:46:19,800 --> 00:46:22,799
Speaker 1: I knew she had I knew she was definitely traf.

975
00:46:23,120 --> 00:46:25,080
Speaker 1: Come on, come on, Trav, since you probably the only

976
00:46:25,160 --> 00:46:26,640
Speaker 1: honest person in the room day, I'm gonna say it

977
00:46:26,640 --> 00:46:31,480
Speaker 1: is um Cardi. B's what Joscelyn wanted to be. Cardi. Okay, yeah,

978
00:46:33,960 --> 00:46:37,240
Speaker 1: we y'all knew she was a girl. She had strong features,

979
00:46:37,239 --> 00:46:38,759
Speaker 1: and I never thought she was a man. But she

980
00:46:38,880 --> 00:46:41,799
Speaker 1: definitely had very strong features. She works out a lot,

981
00:46:41,920 --> 00:46:44,360
Speaker 1: She's very you know, toned. She could have played in

982
00:46:44,480 --> 00:46:48,840
Speaker 1: Joanna Man Part two. Goodness, see what I'm saying. But

983
00:46:49,000 --> 00:46:50,520
Speaker 1: you never thought she was a man. Never thought she

984
00:46:52,239 --> 00:46:54,920
Speaker 1: wa man was about a man particually, what are you

985
00:46:55,000 --> 00:46:58,440
Speaker 1: talking about, trav y'all just be talking to hear y'allselves.

986
00:46:58,840 --> 00:47:02,000
Speaker 1: Nobody thought she was a man, but you you approached her,

987
00:47:02,400 --> 00:47:06,520
Speaker 1: and let's hear it. Mister breakfast club. Good morning. We

988
00:47:06,600 --> 00:47:09,600
Speaker 1: have two special guests in the building from Loving Hip

989
00:47:09,640 --> 00:47:14,239
Speaker 1: Hop Atlanta. We have Stevie J and Jocelyn. Good morning, guys.

990
00:47:14,320 --> 00:47:18,560
Speaker 1: What's up Rihanna Man? Really she called me on the

991
00:47:18,600 --> 00:47:22,480
Speaker 1: Cup of Brothers. You gotta get on the bakeshot. I

992
00:47:22,600 --> 00:47:25,000
Speaker 1: have to call you. I with you because you know

993
00:47:25,080 --> 00:47:28,359
Speaker 1: you absolutely and you know it's all love. I am

994
00:47:28,400 --> 00:47:30,239
Speaker 1: mad at you. I just want to see it's not

995
00:47:30,320 --> 00:47:32,480
Speaker 1: a problem with you. J. We want to make sure

996
00:47:33,840 --> 00:47:37,520
Speaker 1: for fact. Is she a woman? I don't know? Are

997
00:47:37,520 --> 00:47:41,160
Speaker 1: you a man? We need to see you. Are you

998
00:47:41,400 --> 00:47:43,560
Speaker 1: I'm really childing man? Are you a man? Are you

999
00:47:43,600 --> 00:47:45,760
Speaker 1: a woman? You answer? You are answering me that because

1000
00:47:45,800 --> 00:47:47,359
Speaker 1: I do hear that you get beat up a right

1001
00:47:47,400 --> 00:47:50,880
Speaker 1: in town. So did they try? They didn't get him?

1002
00:47:51,480 --> 00:47:53,040
Speaker 1: You get beat up a right now? No, you beat

1003
00:47:53,080 --> 00:47:57,120
Speaker 1: up Stevie j I didn't. Yeah, they did try to

1004
00:47:57,200 --> 00:48:00,960
Speaker 1: jump you when I ran like, well, I'll do an interview.

1005
00:48:01,000 --> 00:48:02,560
Speaker 1: I want to know if she's a man or a woman.

1006
00:48:03,680 --> 00:48:09,839
Speaker 1: That's the interview, Chris, Mother, Sure the one, bitch. There

1007
00:48:09,920 --> 00:48:12,480
Speaker 1: we go in there we go. All them little fake

1008
00:48:12,520 --> 00:48:15,080
Speaker 1: ass Hollywood bitches you had with all your home girls,

1009
00:48:15,160 --> 00:48:17,080
Speaker 1: Lila and them, the little fake ass bitches. I'm not

1010
00:48:17,160 --> 00:48:20,919
Speaker 1: gonna fake ass. And I would check him. Man, I'm

1011
00:48:20,960 --> 00:48:23,719
Speaker 1: not the bit I'm the one. Here we go. I

1012
00:48:23,800 --> 00:48:26,160
Speaker 1: got three fours for you. I was sticking where you

1013
00:48:26,200 --> 00:48:35,239
Speaker 1: want me to s. Here we go. She stick you know,

1014
00:48:35,600 --> 00:48:39,000
Speaker 1: she was sticking you us. I was sticking in his butt.

1015
00:48:39,200 --> 00:48:42,240
Speaker 1: I was sticking in his ear, in his eye anyway,

1016
00:48:42,280 --> 00:48:46,160
Speaker 1: he M. That's how you'll playing. That's how I play

1017
00:48:46,600 --> 00:48:50,120
Speaker 1: like you. I'm gonna run. I play like I'm no

1018
00:48:50,239 --> 00:48:54,720
Speaker 1: shaving my game. I'm not. I'm not fighting. I'm running.

1019
00:48:55,680 --> 00:48:57,920
Speaker 1: And I can honestly say, Joslyn, you know all decide

1020
00:48:57,920 --> 00:49:00,279
Speaker 1: you don't look like a man in person than on

1021
00:49:00,400 --> 00:49:02,400
Speaker 1: TV your face looks stronger than Dwight Howard should who

1022
00:49:02,400 --> 00:49:08,000
Speaker 1: But in person that was awkward. Man. cVj should have

1023
00:49:08,040 --> 00:49:12,479
Speaker 1: snuffed me. TVJ never really liked Joscelyn. He definitely should.

1024
00:49:12,560 --> 00:49:13,920
Speaker 1: Ain't no way you're gonna sit there and let a

1025
00:49:14,040 --> 00:49:16,279
Speaker 1: man talk to the old woman like that. I'm glad

1026
00:49:16,280 --> 00:49:19,279
Speaker 1: we've grown as a show man, because, yeah, but those

1027
00:49:19,360 --> 00:49:21,320
Speaker 1: days were fun dropping a clues bomb for that. That

1028
00:49:21,960 --> 00:49:24,000
Speaker 1: that that that old breakfast club. That was fun. He

1029
00:49:24,120 --> 00:49:26,000
Speaker 1: still she said, you know, she still offered to put

1030
00:49:26,040 --> 00:49:27,920
Speaker 1: it in any whole you want, you want to take

1031
00:49:27,920 --> 00:49:30,120
Speaker 1: her up on that off No, my married man, sir,

1032
00:49:30,520 --> 00:49:34,279
Speaker 1: But if he wasn't you never mind any rate? My

1033
00:49:34,360 --> 00:49:36,680
Speaker 1: woman can put stuff in my house. Well, okay, that

1034
00:49:36,719 --> 00:49:38,960
Speaker 1: had this conversation before. What what does she put in me?

1035
00:49:39,040 --> 00:49:41,040
Speaker 1: I know you ain't gonna talk because we've got a

1036
00:49:41,120 --> 00:49:43,000
Speaker 1: whole other week left of eight years or the best

1037
00:49:43,040 --> 00:49:44,560
Speaker 1: of the Breakfast Club, and we haven't even gotten to

1038
00:49:44,640 --> 00:49:47,080
Speaker 1: twenty seventeen eighteen when you and your little nine had

1039
00:49:47,200 --> 00:49:48,880
Speaker 1: nine and a half inch deal dough fisk. We'll talk

1040
00:49:48,920 --> 00:49:51,319
Speaker 1: about that next week. Let's talk about let's let's talk

1041
00:49:51,320 --> 00:49:54,239
Speaker 1: about your butt. Now, what about it? Never mind. All right,

1042
00:49:54,280 --> 00:49:56,040
Speaker 1: when we come back, we got to know nothing. When

1043
00:49:56,080 --> 00:49:58,040
Speaker 1: we come back, we got rumors when we talk about, Yes,

1044
00:49:58,160 --> 00:50:01,800
Speaker 1: what is the most searched clothing line on the internet

1045
00:50:01,880 --> 00:50:06,160
Speaker 1: for this past year? What could it be? What popular designer?

1046
00:50:06,200 --> 00:50:07,880
Speaker 1: We'll tell you in the rumors. All right, we'll get

1047
00:50:07,880 --> 00:50:10,120
Speaker 1: to that next, keeping life just to breakfast local boy,

1048
00:50:10,239 --> 00:50:13,800
Speaker 1: everybody and cej Envy, Angela Yee, Charlomagne the guy we

1049
00:50:13,880 --> 00:50:16,840
Speaker 1: are the Breakfast Club. What you're laughing about? Man, this

1050
00:50:16,960 --> 00:50:19,799
Speaker 1: is funny you ask me? All right, well, Travis here,

1051
00:50:19,920 --> 00:50:22,840
Speaker 1: what up? Trav You gotta turn this mic on if

1052
00:50:22,840 --> 00:50:25,200
Speaker 1: you want him on. Shout out to all my girls,

1053
00:50:25,280 --> 00:50:31,359
Speaker 1: my ladies, my big girl gang. Hey you had even

1054
00:50:31,400 --> 00:50:34,560
Speaker 1: a big girl. Let's get to the rumors. Let's talk

1055
00:50:34,560 --> 00:50:38,280
Speaker 1: about the most search clothing line. This is the rumor

1056
00:50:38,360 --> 00:50:47,439
Speaker 1: report with Angela ye Breakfast Club. Well, what clothing brand

1057
00:50:47,600 --> 00:50:51,480
Speaker 1: was the most search clothing brand of twenty eighteen? Selling out?

1058
00:50:51,560 --> 00:50:54,280
Speaker 1: When Cardi B dropped her clothing line in just minutes?

1059
00:50:54,600 --> 00:50:57,800
Speaker 1: Of course, it was fashion over According to Google's twenty

1060
00:50:57,840 --> 00:51:01,520
Speaker 1: eighteen year in search Findings, fashion over beat out designers

1061
00:51:01,560 --> 00:51:05,920
Speaker 1: like Louis Vati Versacchi. All of that so congratulations to them.

1062
00:51:06,000 --> 00:51:09,120
Speaker 1: And with Fashion Over men's line hitting right now, it's

1063
00:51:09,160 --> 00:51:14,400
Speaker 1: going to be even for Fashion Over that. Nigga's gonna

1064
00:51:15,320 --> 00:51:17,480
Speaker 1: I say it like that, But I wasn't they not

1065
00:51:17,560 --> 00:51:25,000
Speaker 1: own about black people, did not at all? Really negative. Now, man,

1066
00:51:25,200 --> 00:51:27,719
Speaker 1: that takes all the wind out of my sales. I

1067
00:51:27,760 --> 00:51:30,279
Speaker 1: thought I thought they were a black owned company. But

1068
00:51:30,360 --> 00:51:32,440
Speaker 1: they are getting a lot of people paid though, And

1069
00:51:33,000 --> 00:51:34,520
Speaker 1: you know, shout out to Fashion Over. When we did

1070
00:51:34,560 --> 00:51:36,680
Speaker 1: our change for change, they actually donated a nice amount

1071
00:51:36,680 --> 00:51:38,600
Speaker 1: of money to us. It was like twenty five thousand

1072
00:51:38,640 --> 00:51:41,160
Speaker 1: dollars and I was giving away Fashion Over gift cards

1073
00:51:41,200 --> 00:51:43,160
Speaker 1: all day as well. We find out y'all making Milannia

1074
00:51:43,239 --> 00:51:44,840
Speaker 1: Trump rich on the low and don't even know that

1075
00:51:44,960 --> 00:51:47,759
Speaker 1: Milannia Trump owned who as got damn Fashioned Over? Now?

1076
00:51:47,800 --> 00:51:49,520
Speaker 1: I want to know who owns fashioned old? Just look

1077
00:51:49,560 --> 00:51:52,120
Speaker 1: at pictures Cardi B's posting him everything. You can see

1078
00:51:52,520 --> 00:51:54,239
Speaker 1: who it is, But it's not Milannia Trump. I had

1079
00:51:54,280 --> 00:51:56,759
Speaker 1: no idea. I thought they were black own company all right. Now.

1080
00:51:56,880 --> 00:52:00,960
Speaker 1: Lebron he did a post on unto and it's all

1081
00:52:01,000 --> 00:52:04,160
Speaker 1: about remember when Lebron came back when he was playing

1082
00:52:04,200 --> 00:52:06,200
Speaker 1: on the Miami heat and played back in Cleveland for

1083
00:52:06,239 --> 00:52:08,200
Speaker 1: the first time since they found out he was leaving

1084
00:52:08,239 --> 00:52:11,120
Speaker 1: after he made that big announcement, and imagine how awkward

1085
00:52:11,160 --> 00:52:13,480
Speaker 1: it was they were burning his jerseys. Here's what he

1086
00:52:13,520 --> 00:52:15,479
Speaker 1: had to say about what that day was like coming

1087
00:52:15,560 --> 00:52:17,960
Speaker 1: back to Cleveland. Everybody was kind of waiting for that

1088
00:52:18,080 --> 00:52:19,759
Speaker 1: moment when the schedule came out and scene I was

1089
00:52:19,840 --> 00:52:22,880
Speaker 1: making my return. I mean, my mindset going into that

1090
00:52:22,960 --> 00:52:25,279
Speaker 1: game was like, I'm gonna tear the ass up. I

1091
00:52:25,320 --> 00:52:27,919
Speaker 1: would never forget that day. December second to the other team,

1092
00:52:29,080 --> 00:52:31,440
Speaker 1: head down to the bus and on my Florida the

1093
00:52:31,520 --> 00:52:35,000
Speaker 1: elevator opens and it's two guys that have LB J

1094
00:52:35,120 --> 00:52:37,520
Speaker 1: T shirts on, two of them, and the elevator opens,

1095
00:52:37,880 --> 00:52:40,279
Speaker 1: and when they noticed as me, one of the guys say, oh,

1096
00:52:40,920 --> 00:52:43,960
Speaker 1: I'll take a picture with you. And when it's closing,

1097
00:52:44,239 --> 00:52:48,239
Speaker 1: he say, I'm not even from Cleveland, all right. Well,

1098
00:52:48,400 --> 00:52:51,080
Speaker 1: you know the craziest thing, um, when I traveled a lot,

1099
00:52:51,480 --> 00:52:54,680
Speaker 1: when I see players staying in hotels, I'm really shocked

1100
00:52:54,680 --> 00:52:57,040
Speaker 1: that it's not more security. When I was in Charlotte recently,

1101
00:52:57,480 --> 00:52:59,600
Speaker 1: Lebron the whole Lakers were and I was really shocked

1102
00:52:59,640 --> 00:53:01,560
Speaker 1: that they were just walking around the hotel, no problem,

1103
00:53:01,640 --> 00:53:04,120
Speaker 1: no security or nothing like that. It really gonna run

1104
00:53:04,239 --> 00:53:07,160
Speaker 1: up on twelve six foot ten people. Stick up, kid,

1105
00:53:08,080 --> 00:53:09,360
Speaker 1: You know how it's gonna be to run out of

1106
00:53:09,400 --> 00:53:13,400
Speaker 1: the hotel getting the elevator after highly highly with security

1107
00:53:13,480 --> 00:53:15,840
Speaker 1: cameras everywhere you can shake. You think just because the

1108
00:53:15,960 --> 00:53:18,440
Speaker 1: NBA player has a multimillion dollar contract, they're walking around

1109
00:53:18,440 --> 00:53:20,080
Speaker 1: with a million dollars in their pocket like that would

1110
00:53:20,080 --> 00:53:21,560
Speaker 1: be away. And then a lot of times in hotels

1111
00:53:21,560 --> 00:53:23,000
Speaker 1: you have to use your key card to even get

1112
00:53:23,080 --> 00:53:26,160
Speaker 1: in the elevator and go upstairs and the like. You

1113
00:53:26,160 --> 00:53:28,319
Speaker 1: can just run up if you might height right five

1114
00:53:28,400 --> 00:53:30,880
Speaker 1: six foxs that five four. You can't just run up

1115
00:53:30,880 --> 00:53:32,719
Speaker 1: on a six to eleven person and snatch state chain.

1116
00:53:33,239 --> 00:53:35,239
Speaker 1: You know what I'm saying, Like him, you gotta have

1117
00:53:35,320 --> 00:53:37,600
Speaker 1: a forty You gotta have a forty inch vertical to

1118
00:53:37,680 --> 00:53:41,759
Speaker 1: snatch lebronze chains. Right, what are you talking about? Light

1119
00:53:41,840 --> 00:53:43,719
Speaker 1: is wallowed out? And what kind of hotel are they

1120
00:53:43,840 --> 00:53:45,640
Speaker 1: staying in? With that kind of element would just be

1121
00:53:45,719 --> 00:53:48,879
Speaker 1: floating around that hotel? Envy? Everybody know what the state

1122
00:53:48,920 --> 00:53:51,239
Speaker 1: when they in tail and you were there? Were you

1123
00:53:51,320 --> 00:53:56,359
Speaker 1: walking around with security. Yes, liar, all right, I manage

1124
00:53:56,360 --> 00:53:59,440
Speaker 1: it again. That's your room report, all right? Shot by Yes,

1125
00:54:00,000 --> 00:54:02,560
Speaker 1: even that donkey to you. I am giving donkey today

1126
00:54:02,960 --> 00:54:05,480
Speaker 1: to some people who you hire security to protect you from.

1127
00:54:05,800 --> 00:54:09,239
Speaker 1: All Right. These two rappers from Houston name NFL Cartel

1128
00:54:09,840 --> 00:54:14,040
Speaker 1: and Maxwell Cream. They both need to come to the

1129
00:54:14,080 --> 00:54:15,400
Speaker 1: front of the carry gay thing because I don't know

1130
00:54:15,440 --> 00:54:17,080
Speaker 1: when you people are gonna learn, and the things you

1131
00:54:17,200 --> 00:54:20,000
Speaker 1: do online we'll get you jammed up offline. We'll talk

1132
00:54:20,040 --> 00:54:21,760
Speaker 1: about it for after the hour. All right, that happens

1133
00:54:21,800 --> 00:54:24,120
Speaker 1: next keeping lot this to Breakfast Club. Go morning the

1134
00:54:24,320 --> 00:54:28,399
Speaker 1: Breakfast Club. Your mornings will never be the same. Run

1135
00:54:28,440 --> 00:54:31,680
Speaker 1: to you by Aquaman. On December twenty first joined Aquaman

1136
00:54:31,760 --> 00:54:34,399
Speaker 1: on the epic journey to discover who he was born

1137
00:54:34,520 --> 00:54:38,000
Speaker 1: to be, the bridge between two worlds. Aquaman in theaters everywhere.

1138
00:54:38,000 --> 00:54:40,560
Speaker 1: At the Cember twenty first home was calling rated PG

1139
00:54:40,719 --> 00:54:45,600
Speaker 1: thirteen Schuler Maine say the game Dune other shape man?

1140
00:54:46,040 --> 00:54:53,320
Speaker 1: You are, don't you? Donkey today does not discriminate. I

1141
00:54:53,480 --> 00:54:55,000
Speaker 1: might not have the song of today, but I got

1142
00:54:55,080 --> 00:54:56,960
Speaker 1: the donkey that day. So if you ever feel I

1143
00:54:57,040 --> 00:54:58,840
Speaker 1: need to be a donkey man, hit it with the

1144
00:55:00,600 --> 00:55:02,920
Speaker 1: the breakfast club bitches. They just don't keep the day

1145
00:55:03,040 --> 00:55:06,520
Speaker 1: today well at sharing don't get a day for Thursday,

1146
00:55:06,560 --> 00:55:09,600
Speaker 1: December twelve codes to two Houston rappers, Maxwel Cream and

1147
00:55:09,719 --> 00:55:12,560
Speaker 1: NFL Cartel Bowl. Now, I personally never heard of these

1148
00:55:12,600 --> 00:55:15,160
Speaker 1: two brothers before this situation, and I'm disappointed that we

1149
00:55:15,239 --> 00:55:17,640
Speaker 1: have to meet like this, but here it is because

1150
00:55:17,680 --> 00:55:20,480
Speaker 1: of Maxwel Cream and NFL Cartel Bow twenty minute now

1151
00:55:20,600 --> 00:55:23,560
Speaker 1: facing gun charges because for whatever reason, people if not

1152
00:55:23,719 --> 00:55:26,839
Speaker 1: realized that what you do online can directly impact your

1153
00:55:26,920 --> 00:55:30,400
Speaker 1: life offline. Maxwell Cream and NFL Cartel Bow have a

1154
00:55:30,480 --> 00:55:33,400
Speaker 1: record call Hoover. Now. I tried to listen to the record,

1155
00:55:33,440 --> 00:55:35,640
Speaker 1: but I'm old, so I didn't get it. Sounded like

1156
00:55:35,680 --> 00:55:37,600
Speaker 1: a bunch of violent noise to me. I heard a

1157
00:55:37,680 --> 00:55:40,719
Speaker 1: line about an AK messing up your molecular structure. I

1158
00:55:40,840 --> 00:55:43,279
Speaker 1: heard something about someone riding around with a tech and

1159
00:55:43,360 --> 00:55:46,680
Speaker 1: another bar about someone aiming above the neck and missing nothing.

1160
00:55:47,400 --> 00:55:49,200
Speaker 1: Maybe you can make out more than me and this record.

1161
00:55:49,440 --> 00:55:52,879
Speaker 1: Let's hear it in the neck in the struct sense.

1162
00:55:52,920 --> 00:56:15,959
Speaker 1: A customer problems cussing, a bustle, what's that smoment? Get alright?

1163
00:56:16,000 --> 00:56:19,759
Speaker 1: Fart on that record? Please, confession. I don't know what

1164
00:56:19,840 --> 00:56:22,000
Speaker 1: the hell they were saying. My producer Dan printed out

1165
00:56:22,040 --> 00:56:23,839
Speaker 1: the lyrics. That's how I knew what they were saying. Okay,

1166
00:56:24,120 --> 00:56:26,839
Speaker 1: they were saying, Ain't nothing smoother than a Hoover load.

1167
00:56:27,680 --> 00:56:29,799
Speaker 1: I tell you what. That maybe a trash ass record,

1168
00:56:29,840 --> 00:56:32,280
Speaker 1: but that lodle jingle would have been perfect for Hoover vacuums.

1169
00:56:32,280 --> 00:56:33,840
Speaker 1: All right, Somebody at Who would need to make a

1170
00:56:33,880 --> 00:56:37,200
Speaker 1: commercial immediately. That is a great tagline for Hoover vacuums.

1171
00:56:37,239 --> 00:56:40,000
Speaker 1: Ain't nothing smooth than a Hoover all right. Now, if

1172
00:56:40,000 --> 00:56:42,160
Speaker 1: you're rapping about that many guns, that much violence in

1173
00:56:42,200 --> 00:56:46,439
Speaker 1: the song, the video has to reflect that, right well,

1174
00:56:46,680 --> 00:56:48,960
Speaker 1: the video of Who would definitely reflected that. Let's go

1175
00:56:49,040 --> 00:56:52,840
Speaker 1: to Click to Houston for the report. Police themselves, Cream

1176
00:56:52,920 --> 00:56:57,239
Speaker 1: and NFL cartel Bow. The featured rappers chose Lakewood Park

1177
00:56:57,400 --> 00:57:00,359
Speaker 1: next to Hilliard Elementary School to shoot their videos. They

1178
00:57:00,440 --> 00:57:02,680
Speaker 1: did it at about the same time school was letting out.

1179
00:57:03,000 --> 00:57:05,360
Speaker 1: Some of the kids actually got into the video. What

1180
00:57:05,600 --> 00:57:08,520
Speaker 1: also got in were about a dozen loaded guns, some

1181
00:57:08,719 --> 00:57:11,560
Speaker 1: of them stolen, that were being used for props and

1182
00:57:11,680 --> 00:57:15,160
Speaker 1: the extress holding the guns. According to police, the all

1183
00:57:15,360 --> 00:57:18,919
Speaker 1: documented street gang members. Some people driving by saw men

1184
00:57:19,000 --> 00:57:21,800
Speaker 1: with guns here on the basketball court and called police.

1185
00:57:21,840 --> 00:57:24,640
Speaker 1: I think when police showed up some suspects with open

1186
00:57:24,720 --> 00:57:26,960
Speaker 1: warrants who were arrested on the spot, but much of

1187
00:57:27,040 --> 00:57:30,560
Speaker 1: the cast ran, leaving behind the weapons and small amounts

1188
00:57:30,600 --> 00:57:33,360
Speaker 1: of drugs. He did the product. Two months later, the

1189
00:57:33,520 --> 00:57:36,520
Speaker 1: video was released online and it was a hit, but

1190
00:57:36,760 --> 00:57:39,560
Speaker 1: it's also the tool police used to track down and

1191
00:57:39,680 --> 00:57:42,960
Speaker 1: identify everyone in the videos who was holding a weapon.

1192
00:57:43,520 --> 00:57:47,520
Speaker 1: Twenty have been charged with illegal possession of weapons, including

1193
00:57:47,640 --> 00:57:51,760
Speaker 1: rapper NFL Cartel Bow, also known as Warren Brown, a

1194
00:57:51,840 --> 00:57:55,480
Speaker 1: convicted felon, and Brown was charged with illegally possessing two

1195
00:57:55,520 --> 00:57:58,960
Speaker 1: assault rivals and with threatening a police officer on the

1196
00:57:59,000 --> 00:58:01,880
Speaker 1: way to jail. He was released on bonds in order

1197
00:58:01,960 --> 00:58:04,200
Speaker 1: to wear an ankle monitors, but police say he cut

1198
00:58:04,280 --> 00:58:06,800
Speaker 1: it off and disappeared. He's still on the run, along

1199
00:58:06,840 --> 00:58:10,280
Speaker 1: with eight other suspects of the twenty finishing shade charges.

1200
00:58:10,360 --> 00:58:13,760
Speaker 1: Eleven have also been charged in federal court, and police

1201
00:58:13,800 --> 00:58:16,120
Speaker 1: say some of them were already wanted for questioning and

1202
00:58:16,200 --> 00:58:19,960
Speaker 1: connection with other unrelated crimes. There's so much to unpack here.

1203
00:58:20,160 --> 00:58:23,120
Speaker 1: First of all, NFL Cartel convicted felon had an ankle

1204
00:58:23,160 --> 00:58:24,760
Speaker 1: bracelet on, but he cut it off and he's on

1205
00:58:24,920 --> 00:58:27,200
Speaker 1: the run. Now, if I had a bunch of illegal

1206
00:58:27,280 --> 00:58:29,240
Speaker 1: guns and drugs and I shot a music video and

1207
00:58:29,280 --> 00:58:31,360
Speaker 1: the police showed up and I ran and I got away,

1208
00:58:31,600 --> 00:58:33,880
Speaker 1: I would be a static. If I dropped my weapons

1209
00:58:33,920 --> 00:58:35,520
Speaker 1: at the scene and ran and got away, I would

1210
00:58:35,560 --> 00:58:37,960
Speaker 1: definitely lay loaf forever because I don't know what's on

1211
00:58:38,080 --> 00:58:40,120
Speaker 1: those guns. I don't know what can be traced back

1212
00:58:40,160 --> 00:58:41,760
Speaker 1: to me. You ran away from the scene of his

1213
00:58:41,800 --> 00:58:44,440
Speaker 1: crime because that's what it was, a crime. You ran

1214
00:58:44,560 --> 00:58:46,680
Speaker 1: because you know you have warrants, you know you have

1215
00:58:46,760 --> 00:58:49,000
Speaker 1: illegal weapons, you know you had drugs. You ran because

1216
00:58:49,000 --> 00:58:50,919
Speaker 1: you didn't want to get caught and go to jail.

1217
00:58:51,000 --> 00:58:54,480
Speaker 1: So why in the hell two months later would you

1218
00:58:54,560 --> 00:58:57,760
Speaker 1: post a video on World Star showing everyone who ran

1219
00:58:58,240 --> 00:59:02,160
Speaker 1: holding these guns. Seriously serious question. What is considered snitching

1220
00:59:02,200 --> 00:59:04,440
Speaker 1: in this era? I really want to know, because law

1221
00:59:04,560 --> 00:59:07,200
Speaker 1: enforcement always tells people if they see something, say something.

1222
00:59:07,440 --> 00:59:09,920
Speaker 1: Don't nobody say more about what they see than the

1223
00:59:10,040 --> 00:59:13,800
Speaker 1: people who are actually committing the crimes. Nowadays, law enforcement

1224
00:59:13,840 --> 00:59:16,280
Speaker 1: has the easiest job in the world because eventually all

1225
00:59:16,360 --> 00:59:19,560
Speaker 1: crimes will be solved and resolved because unied girls are

1226
00:59:19,600 --> 00:59:22,960
Speaker 1: addicted to social media. All right, Criminals turn rappers, rappers

1227
00:59:23,040 --> 00:59:25,400
Speaker 1: turn federal agents, or all of y'all work for law

1228
00:59:25,480 --> 00:59:27,479
Speaker 1: enforcement and don't even know it. I'm reading the article

1229
00:59:27,600 --> 00:59:30,120
Speaker 1: right here. It says verbet them on Complex dot com

1230
00:59:30,200 --> 00:59:33,000
Speaker 1: and you heard the news report police use this video

1231
00:59:33,080 --> 00:59:37,720
Speaker 1: to track down the men holding weapons and arrest them. Duh. Now,

1232
00:59:37,840 --> 00:59:39,800
Speaker 1: twenty people have been charged with the legal possession of

1233
00:59:39,840 --> 00:59:41,800
Speaker 1: a weapon, eleven have been arrested, and nine others is

1234
00:59:41,880 --> 00:59:44,480
Speaker 1: still on the run for no damn reason. Because it's

1235
00:59:44,520 --> 00:59:46,440
Speaker 1: only a matter of time before they get caught, and

1236
00:59:46,520 --> 00:59:49,720
Speaker 1: they probably will get caught because of social media, especially

1237
00:59:49,800 --> 00:59:51,880
Speaker 1: now that this story is in the news. You think

1238
00:59:51,920 --> 00:59:55,440
Speaker 1: they're gonna miss their chance to shine. If we invited

1239
00:59:55,480 --> 00:59:57,840
Speaker 1: them on the Breakfast club right now, they would show

1240
00:59:57,920 --> 01:00:00,160
Speaker 1: up and do an interview on camera talking about out

1241
01:00:00,160 --> 01:00:01,920
Speaker 1: how they are on the run. All right. I just

1242
01:00:02,040 --> 01:00:04,000
Speaker 1: want people to pick a side. You can't do crime

1243
01:00:04,040 --> 01:00:06,320
Speaker 1: and be a professional rapper. The two don't mix. Either

1244
01:00:06,360 --> 01:00:08,680
Speaker 1: you want to carry guns, push drugs, kill people, or

1245
01:00:08,680 --> 01:00:10,480
Speaker 1: you want to rap. I know a lot of rappers.

1246
01:00:10,520 --> 01:00:13,040
Speaker 1: If confused you over the years but trust me, a

1247
01:00:13,120 --> 01:00:15,600
Speaker 1: lot of these guys are just talking about what you

1248
01:00:15,760 --> 01:00:18,600
Speaker 1: brothers are actually doing. And I have said for years,

1249
01:00:18,640 --> 01:00:20,840
Speaker 1: if rappers were really doing what they said they were

1250
01:00:20,920 --> 01:00:23,840
Speaker 1: doing in their raps, majority of rappers would be dead

1251
01:00:24,040 --> 01:00:27,120
Speaker 1: are in jail. And NFL Cartell and Maxel Cream are

1252
01:00:27,160 --> 01:00:30,160
Speaker 1: proof for that. Please let hmm give NFL, Cartell and

1253
01:00:30,240 --> 01:00:33,400
Speaker 1: Maxel Cream the biggest he haw he haw he haa

1254
01:00:33,960 --> 01:00:36,920
Speaker 1: you stupid mother? Are you dumb? And you know I'm

1255
01:00:36,960 --> 01:00:39,080
Speaker 1: on record some years ago saying that I love when

1256
01:00:39,120 --> 01:00:42,080
Speaker 1: gangster rappers do actual gangster things. In my younger years,

1257
01:00:42,120 --> 01:00:44,600
Speaker 1: I used to love the ignorance of people who actually

1258
01:00:44,640 --> 01:00:47,200
Speaker 1: were live in their raps. But his first Cariiffians thirteen

1259
01:00:47,280 --> 01:00:49,080
Speaker 1: eleven says, when I was a child, I talked like

1260
01:00:49,160 --> 01:00:50,920
Speaker 1: a child, I thought like a child, I reasoned like

1261
01:00:51,000 --> 01:00:52,800
Speaker 1: a child. When I became a man, I put the

1262
01:00:52,840 --> 01:00:55,200
Speaker 1: ways of childhood behind me. And being a real screet

1263
01:00:55,240 --> 01:00:58,680
Speaker 1: niggains quite childish, only because for so long in the

1264
01:00:58,760 --> 01:01:03,360
Speaker 1: hood were real to being something criminal. And I'm secrecy

1265
01:01:03,400 --> 01:01:07,080
Speaker 1: and my brother's glorified crime in their music and ps

1266
01:01:07,800 --> 01:01:12,080
Speaker 1: guns in your video don't make your song sound better? Okay, okay,

1267
01:01:12,840 --> 01:01:15,400
Speaker 1: all right, well, thank you for that. Donkey to day up.

1268
01:01:15,520 --> 01:01:18,360
Speaker 1: Next is ask Ye eight hundred five eight five one

1269
01:01:18,400 --> 01:01:20,480
Speaker 1: oh five one. If you need relationship advice to any

1270
01:01:20,520 --> 01:01:22,920
Speaker 1: type of advice, call Ye. Now it's the Breakfast Club.

1271
01:01:22,960 --> 01:01:28,920
Speaker 1: Good morning, the Breakfast Club wanting everybody is DJ Envy,

1272
01:01:29,160 --> 01:01:32,160
Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club.

1273
01:01:32,200 --> 01:01:35,600
Speaker 1: It's time for ask Ye. Hello. Who's this? Hi? This

1274
01:01:35,800 --> 01:01:38,800
Speaker 1: is Sharon. Hey, Sharon, what's your question for you? Hi? You?

1275
01:01:39,040 --> 01:01:42,440
Speaker 1: Good morning. I'm happy to finally get through. I never

1276
01:01:42,520 --> 01:01:45,920
Speaker 1: to get through, but I have a question. Um, me

1277
01:01:46,000 --> 01:01:48,280
Speaker 1: and my son father, we've been together for four years

1278
01:01:48,720 --> 01:01:52,080
Speaker 1: and U two years into our relationship. We had got

1279
01:01:52,080 --> 01:01:55,800
Speaker 1: it in my fifth partnership, so um, actually the anniversary

1280
01:01:55,880 --> 01:01:57,840
Speaker 1: for that is coming up on the similar to fifth team.

1281
01:01:58,200 --> 01:02:03,280
Speaker 1: So I recently on Facebook back and like October that

1282
01:02:03,480 --> 01:02:06,240
Speaker 1: we was gonna get married that day. So when he's

1283
01:02:06,240 --> 01:02:08,320
Speaker 1: seen it, he kind of reacted in a way like oh,

1284
01:02:08,360 --> 01:02:10,760
Speaker 1: it's kind of rushed, and you know all this other stuff.

1285
01:02:10,880 --> 01:02:14,160
Speaker 1: And a month later, I found though that I was pregnant,

1286
01:02:14,760 --> 01:02:17,080
Speaker 1: So I was like, okay, maybe we could push it back.

1287
01:02:17,200 --> 01:02:20,040
Speaker 1: Maybe I could just have the gender reveal and you know,

1288
01:02:20,280 --> 01:02:22,880
Speaker 1: we just you know, think about another day for the wedding.

1289
01:02:23,000 --> 01:02:26,160
Speaker 1: He was fine with that or whatever. But recently, just yesterday,

1290
01:02:26,480 --> 01:02:29,160
Speaker 1: we was talking and I was telling him how I'm

1291
01:02:29,200 --> 01:02:33,600
Speaker 1: never satisfied. Nothing really makes me happy completely, like and

1292
01:02:33,920 --> 01:02:35,920
Speaker 1: I admit that, like I do have like an issue

1293
01:02:35,960 --> 01:02:38,520
Speaker 1: with that. Well, I said to him, I said, maybe,

1294
01:02:38,600 --> 01:02:40,760
Speaker 1: you know, if we get married and you know, be

1295
01:02:40,800 --> 01:02:42,920
Speaker 1: my husband, maybe I feel like my life is complete

1296
01:02:42,960 --> 01:02:44,560
Speaker 1: and you know, maybe I will be sat in the

1297
01:02:44,640 --> 01:02:48,240
Speaker 1: line and then I'll be happy. He proceeded to say, oh,

1298
01:02:48,400 --> 01:02:51,960
Speaker 1: even then, you still won't be happy. Like what is that? Like?

1299
01:02:52,480 --> 01:02:54,640
Speaker 1: How could you say something like that. I was not

1300
01:02:54,800 --> 01:02:56,760
Speaker 1: looking for that. I was looking for him to be

1301
01:02:56,920 --> 01:03:00,240
Speaker 1: supportive and say, you know what, baby, you know one

1302
01:03:00,280 --> 01:03:03,360
Speaker 1: day we're gonna have this day. But Sharon, I would say,

1303
01:03:03,600 --> 01:03:05,760
Speaker 1: in a way, I'm gonna have to say he's right

1304
01:03:05,840 --> 01:03:08,320
Speaker 1: about a certain thing. You don't wait until after you

1305
01:03:08,400 --> 01:03:10,960
Speaker 1: get married to say well, maybe when this happens, this

1306
01:03:11,120 --> 01:03:13,400
Speaker 1: is gonna complete me, because it really might not. You

1307
01:03:13,480 --> 01:03:15,840
Speaker 1: gotta be complete as a person before you get married.

1308
01:03:16,280 --> 01:03:19,200
Speaker 1: I'm not saying that. And you have to be and

1309
01:03:19,400 --> 01:03:21,080
Speaker 1: you have to be in a good space in your

1310
01:03:21,320 --> 01:03:23,600
Speaker 1: you admit, which is great that you can admit that

1311
01:03:23,720 --> 01:03:25,960
Speaker 1: you have some issues as far as not being satisfied.

1312
01:03:26,400 --> 01:03:28,080
Speaker 1: You need to work on those things before you guys

1313
01:03:28,120 --> 01:03:29,760
Speaker 1: decided to spend the rest of your life together and

1314
01:03:29,840 --> 01:03:32,200
Speaker 1: make that commitment. I think a lot of times people

1315
01:03:32,320 --> 01:03:34,600
Speaker 1: think that once we sign these papers and get married

1316
01:03:34,640 --> 01:03:36,720
Speaker 1: and have the ceremony, that's gonna fix everything, And that's

1317
01:03:36,760 --> 01:03:40,040
Speaker 1: not true. You gotta fix those things first, and obviously

1318
01:03:40,120 --> 01:03:43,280
Speaker 1: nothing is perfect, but work on that right, right, But

1319
01:03:43,480 --> 01:03:46,600
Speaker 1: still like four years and before him, I was in

1320
01:03:46,640 --> 01:03:50,480
Speaker 1: a relationship, but almost ten years no commitment, Like as

1321
01:03:50,520 --> 01:03:53,240
Speaker 1: just I don't want to repeat the thing, you know thing.

1322
01:03:53,360 --> 01:03:55,600
Speaker 1: I'm not trying to push it more than he's you know,

1323
01:03:55,720 --> 01:03:57,439
Speaker 1: pushing it, but I feel like I want it more,

1324
01:03:57,880 --> 01:04:01,160
Speaker 1: you know, than he wanted. Right every time we talk

1325
01:04:01,200 --> 01:04:03,640
Speaker 1: about it or I'll bring it up or whatever, it's

1326
01:04:03,640 --> 01:04:05,960
Speaker 1: not that he ignoring it. It's just like I guess

1327
01:04:06,040 --> 01:04:09,000
Speaker 1: he's tired of hearing it. But like what it's going

1328
01:04:09,040 --> 01:04:10,520
Speaker 1: to happen out of the four years, I feel like

1329
01:04:10,560 --> 01:04:12,600
Speaker 1: I'm stuck in between a rock and the hall place.

1330
01:04:12,800 --> 01:04:14,880
Speaker 1: So what you guys should do is set a deadline

1331
01:04:14,880 --> 01:04:16,760
Speaker 1: for when you're gonna have a discussion about it and

1332
01:04:16,840 --> 01:04:18,360
Speaker 1: you need to work on whatever it is that you

1333
01:04:18,440 --> 01:04:20,800
Speaker 1: both need to work on as individuals and what you're

1334
01:04:20,840 --> 01:04:23,400
Speaker 1: bringing into the relationship and then say, okay, in a

1335
01:04:23,480 --> 01:04:25,640
Speaker 1: few months, and if it's six months from that, I

1336
01:04:25,720 --> 01:04:27,520
Speaker 1: let to revisit this and see where we're at. But

1337
01:04:27,600 --> 01:04:29,640
Speaker 1: come up with that agreement and work on yourself first.

1338
01:04:31,600 --> 01:04:33,680
Speaker 1: So give yourself was a date that y'all gonna sit

1339
01:04:33,760 --> 01:04:35,920
Speaker 1: down and talk and see where you got to by

1340
01:04:36,000 --> 01:04:38,640
Speaker 1: that point. But don't think that we're gonna get married

1341
01:04:38,680 --> 01:04:40,840
Speaker 1: and it's gonna fix everything. But you don't think that

1342
01:04:41,000 --> 01:04:44,240
Speaker 1: was wrong for him saying that, like for moral support.

1343
01:04:44,440 --> 01:04:47,000
Speaker 1: I was not expecting that you wanted a certain answer

1344
01:04:47,040 --> 01:04:48,840
Speaker 1: from him, and that's why you said that, And he

1345
01:04:48,880 --> 01:04:50,640
Speaker 1: didn't give you the answer that you wanted. But he

1346
01:04:50,760 --> 01:04:54,280
Speaker 1: was honest but how he felt. And that just means

1347
01:04:54,280 --> 01:04:56,640
Speaker 1: that y'all got some things to work on. I guess.

1348
01:04:56,680 --> 01:04:59,840
Speaker 1: So maybe I'll do be overdoing it. Maybe the preg

1349
01:05:00,000 --> 01:05:02,320
Speaker 1: if you got me going like crazy, I don't know.

1350
01:05:02,640 --> 01:05:04,360
Speaker 1: Great it could be And it's not a bad thing

1351
01:05:04,560 --> 01:05:06,360
Speaker 1: you said. He's not saying it's off the table. He

1352
01:05:06,520 --> 01:05:08,960
Speaker 1: does want to do it, but you can acknowledge that

1353
01:05:09,040 --> 01:05:11,600
Speaker 1: there's certain things first before we get to that point.

1354
01:05:11,680 --> 01:05:14,040
Speaker 1: Let's fix these things as best as we can and

1355
01:05:14,160 --> 01:05:15,720
Speaker 1: learn how to deal with it. We always have problems,

1356
01:05:15,760 --> 01:05:18,840
Speaker 1: it's how we deal with those problems. Yeah, you think,

1357
01:05:18,960 --> 01:05:22,560
Speaker 1: like maybe because people ask to me, like go to counseling,

1358
01:05:22,680 --> 01:05:25,720
Speaker 1: But I'm like, that's for like married people like sharing

1359
01:05:26,560 --> 01:05:29,160
Speaker 1: go to counseling. That's great that he wants to do that.

1360
01:05:29,320 --> 01:05:31,040
Speaker 1: You'll be surprised what can come out of it. You

1361
01:05:31,080 --> 01:05:33,520
Speaker 1: should go. I think it's fantastic. That means that he's

1362
01:05:33,520 --> 01:05:35,800
Speaker 1: looking at this as a long term thing. You got

1363
01:05:35,920 --> 01:05:38,280
Speaker 1: to be receptive too, I guess. So I'm just so

1364
01:05:38,480 --> 01:05:41,200
Speaker 1: against like therapists and all that. I feel like when

1365
01:05:41,240 --> 01:05:43,920
Speaker 1: you go see those type of people, you can't resolve

1366
01:05:44,000 --> 01:05:45,560
Speaker 1: issues on your own. How do you know, have you

1367
01:05:45,680 --> 01:05:48,480
Speaker 1: ever gone? I've never know. I've never gone. Okay, so

1368
01:05:48,640 --> 01:05:51,200
Speaker 1: you don't know. It's helped a lot of people, So

1369
01:05:51,400 --> 01:05:54,040
Speaker 1: you should try it. It might be something phenomenal that

1370
01:05:54,160 --> 01:05:56,080
Speaker 1: comes out of it for you. But the fact that

1371
01:05:56,200 --> 01:05:59,160
Speaker 1: he's making these suggestions and you're shutting them down, that's

1372
01:05:59,200 --> 01:06:01,200
Speaker 1: not a good sign that that's very stubborn of you,

1373
01:06:01,600 --> 01:06:03,600
Speaker 1: I guess, so he says that a lot too, like

1374
01:06:03,680 --> 01:06:06,320
Speaker 1: I'm so stubborn. I like, you won't even agree, You'll

1375
01:06:06,360 --> 01:06:12,200
Speaker 1: just say I guess so maybe I don't know seeing

1376
01:06:12,240 --> 01:06:15,760
Speaker 1: you were about to say it again. I'm really trying

1377
01:06:15,760 --> 01:06:18,920
Speaker 1: to work with it. Open open up, sharing, open up. Okay,

1378
01:06:19,320 --> 01:06:22,840
Speaker 1: thanks Angela, You're welcome. All right? Ask Ye eight hundred

1379
01:06:22,920 --> 01:06:24,720
Speaker 1: five eight five one on five one if you got

1380
01:06:24,800 --> 01:06:26,640
Speaker 1: a question for Ye? Calling now? Was the Breakfast Club

1381
01:06:26,680 --> 01:06:30,360
Speaker 1: one morning? Good morning? Everybody is DJ Envy Angela? Yee,

1382
01:06:30,520 --> 01:06:32,560
Speaker 1: Charlo Mine the guy we are the Breakfast Club with

1383
01:06:32,640 --> 01:06:35,640
Speaker 1: in the middle of ask Ye, Hello, who's this? Hey?

1384
01:06:35,680 --> 01:06:38,240
Speaker 1: It's Manny from Milano. Hey, Manny, what's your question for Ye?

1385
01:06:38,560 --> 01:06:41,360
Speaker 1: I was just trying to seem like I've been hitting

1386
01:06:41,400 --> 01:06:44,960
Speaker 1: people up on Instagram, like DJ Grant Street, and I

1387
01:06:45,000 --> 01:06:47,200
Speaker 1: would hate to be like annoying them per system, but

1388
01:06:47,240 --> 01:06:49,880
Speaker 1: I'm trying to like get into a new field. What

1389
01:06:50,040 --> 01:06:51,680
Speaker 1: do you think is the limit when you're like trying

1390
01:06:51,720 --> 01:06:55,080
Speaker 1: to contact someone, Well, first of all, I don't know. Yes,

1391
01:06:55,280 --> 01:06:57,240
Speaker 1: things can happen for you on Instagram, but you have

1392
01:06:57,360 --> 01:06:59,920
Speaker 1: to do a great follow up because people are cansting

1393
01:07:00,200 --> 01:07:02,480
Speaker 1: getting messages and bombarded by people, so we have to

1394
01:07:02,520 --> 01:07:05,160
Speaker 1: see how professional you are. So what that means is

1395
01:07:05,320 --> 01:07:07,920
Speaker 1: I think Instagram is fine for an initial contact and

1396
01:07:07,960 --> 01:07:10,840
Speaker 1: then take it off of social media. So ask for

1397
01:07:10,960 --> 01:07:13,200
Speaker 1: an email address or an assistant or somebody that you

1398
01:07:13,280 --> 01:07:15,160
Speaker 1: can send information to, or if they can refer you

1399
01:07:15,240 --> 01:07:17,240
Speaker 1: to someone else, because you don't want to put it

1400
01:07:17,320 --> 01:07:19,440
Speaker 1: all on that person. So if you're trying to get

1401
01:07:19,440 --> 01:07:22,240
Speaker 1: a job at a radio station or working with somebody,

1402
01:07:22,800 --> 01:07:25,600
Speaker 1: I think it's important to go through the proper channels

1403
01:07:25,640 --> 01:07:28,080
Speaker 1: and not just hit someone on Instagram. For some people,

1404
01:07:28,080 --> 01:07:30,040
Speaker 1: Instagram is more of a fun thing to do, and

1405
01:07:30,160 --> 01:07:33,080
Speaker 1: also you know they don't want to just hire somebody

1406
01:07:33,160 --> 01:07:34,520
Speaker 1: off of there, so you need to take it to

1407
01:07:34,560 --> 01:07:37,240
Speaker 1: the next level for people to see how professional you are. Okay,

1408
01:07:37,240 --> 01:07:39,240
Speaker 1: if you think it'd be weird to go to the

1409
01:07:39,400 --> 01:07:41,720
Speaker 1: radio station, like I don't want to be that creepy guy,

1410
01:07:41,840 --> 01:07:44,560
Speaker 1: but I would rather that you go to an event

1411
01:07:44,760 --> 01:07:47,720
Speaker 1: where people are invited to and approach someone there, then

1412
01:07:47,840 --> 01:07:50,440
Speaker 1: pop up at the radio station. You know, it depends

1413
01:07:50,480 --> 01:07:53,120
Speaker 1: on it. You never know what could happen, but you know,

1414
01:07:53,160 --> 01:07:55,080
Speaker 1: if there's a way you can establish a connection with

1415
01:07:55,160 --> 01:07:58,080
Speaker 1: somebody who works in human resources or another person there

1416
01:07:58,160 --> 01:08:00,880
Speaker 1: that you can actually sit down and interview with before

1417
01:08:00,920 --> 01:08:03,080
Speaker 1: you get to that, but just go through certain channels

1418
01:08:03,280 --> 01:08:05,040
Speaker 1: so that people also don't feel like, why is this

1419
01:08:05,160 --> 01:08:10,600
Speaker 1: person harassing me or stalking me? I understand one more question? Hey, Aby,

1420
01:08:10,680 --> 01:08:13,440
Speaker 1: when are you coming to Atlanta for real estate classes?

1421
01:08:13,520 --> 01:08:15,040
Speaker 1: You know it's funny. I'm gonna try to come the

1422
01:08:15,360 --> 01:08:17,760
Speaker 1: weekend of super Bowl. The Thursday of super Bowl. We're

1423
01:08:17,800 --> 01:08:20,240
Speaker 1: trying to lock in a place there, so I'm trying

1424
01:08:20,240 --> 01:08:22,439
Speaker 1: to shortly soon, very soon. You're trying to do a

1425
01:08:22,560 --> 01:08:24,400
Speaker 1: group one, dude, because I got a couple of friends.

1426
01:08:24,439 --> 01:08:26,240
Speaker 1: But we aren't trying to take that hundred for a person.

1427
01:08:26,640 --> 01:08:29,479
Speaker 1: We're working out. I'm trying to. You know, we spont

1428
01:08:29,520 --> 01:08:31,840
Speaker 1: to some people ago as well, but yeah, we're trying

1429
01:08:31,840 --> 01:08:34,000
Speaker 1: to work it out. All right, you're gonna check it.

1430
01:08:34,280 --> 01:08:36,800
Speaker 1: I'll check it. When it comes to real estate, I

1431
01:08:36,880 --> 01:08:39,400
Speaker 1: always check it. Bro appreciate it. Alright, let's go to

1432
01:08:39,479 --> 01:08:42,559
Speaker 1: another line. Hello, who's this nanny? Hey? What's your question

1433
01:08:42,680 --> 01:08:45,160
Speaker 1: for you? Basically, my question is if a man has

1434
01:08:45,240 --> 01:08:48,240
Speaker 1: a micropener, has a lot for himself, what should I do?

1435
01:08:48,600 --> 01:08:50,400
Speaker 1: All right? So it's penis is really small, but everything

1436
01:08:50,439 --> 01:08:53,960
Speaker 1: else is great? Can you still get an orgasms? Not really?

1437
01:08:54,560 --> 01:08:59,519
Speaker 1: Why are you laughing? Traff girl? Leave him? Yeah I

1438
01:08:59,640 --> 01:09:01,840
Speaker 1: used to, but to orgasm? Do you enjoy having sex

1439
01:09:01,960 --> 01:09:06,240
Speaker 1: or is it terrible? It's terrible basically like if takes

1440
01:09:06,360 --> 01:09:09,439
Speaker 1: enough where I can, like, you know, feel something, but

1441
01:09:09,600 --> 01:09:11,519
Speaker 1: it's just the length of it. It's like a Michael

1442
01:09:11,560 --> 01:09:14,200
Speaker 1: Peter Oh man, he does he go down on you?

1443
01:09:14,400 --> 01:09:16,280
Speaker 1: Are the other things that he does that kind of

1444
01:09:16,600 --> 01:09:18,920
Speaker 1: supplement that he's one of those guys It doesn't like

1445
01:09:19,000 --> 01:09:22,280
Speaker 1: to give oral either. Oh he's got some nerves no

1446
01:09:22,760 --> 01:09:27,280
Speaker 1: Dominican m Well, then you guys need to have a conversation.

1447
01:09:27,320 --> 01:09:29,240
Speaker 1: I'm sure he's quite aware that he has a small penis,

1448
01:09:29,280 --> 01:09:32,559
Speaker 1: and maybe he's even feels a way about it. But here, Yeah,

1449
01:09:32,680 --> 01:09:34,960
Speaker 1: how you going to have that conversation? I'm just curious this. Yeah,

1450
01:09:36,360 --> 01:09:38,160
Speaker 1: I wouldn't say that you have, but I would be, like,

1451
01:09:38,240 --> 01:09:40,160
Speaker 1: you know, sexually. I think there's more things we need

1452
01:09:40,200 --> 01:09:42,040
Speaker 1: to experiment with, and I really need you to do

1453
01:09:42,280 --> 01:09:44,200
Speaker 1: oral as well for me to be satisfied. That's gonna

1454
01:09:44,200 --> 01:09:45,840
Speaker 1: break this hard. I know it's not. I can tell

1455
01:09:45,840 --> 01:09:47,680
Speaker 1: you what to say, girl, let him know it's too

1456
01:09:47,720 --> 01:09:50,240
Speaker 1: many men. I have a bigger meat. Yeah, he's not

1457
01:09:50,320 --> 01:09:52,760
Speaker 1: dealing with that. In twenty nineteen. He has a lot

1458
01:09:52,800 --> 01:09:55,360
Speaker 1: of going from sol though he has three masters. Um,

1459
01:09:55,760 --> 01:09:58,160
Speaker 1: he has a great job, like sixty an hour. Yeah,

1460
01:09:58,200 --> 01:10:00,280
Speaker 1: you gotta do something to make up for the that

1461
01:10:00,320 --> 01:10:03,920
Speaker 1: your penis is smoking. Are you in love with him? Um?

1462
01:10:04,080 --> 01:10:07,320
Speaker 1: It's been about a year now and I don't know.

1463
01:10:07,760 --> 01:10:10,439
Speaker 1: Are you in love with him? Yes? Or no? Don't

1464
01:10:10,479 --> 01:10:12,439
Speaker 1: think about everything he has going for him. You just

1465
01:10:12,520 --> 01:10:16,000
Speaker 1: think it's a good idea. Are you in love? No? Okay, Well,

1466
01:10:16,320 --> 01:10:17,640
Speaker 1: a lot of times we try to be with and

1467
01:10:17,720 --> 01:10:19,600
Speaker 1: I've done. This is somebody who's good on paper. This

1468
01:10:19,640 --> 01:10:22,080
Speaker 1: would be a great idea, But if you don't feel it,

1469
01:10:22,160 --> 01:10:25,720
Speaker 1: you don't feel it literally exactly, and they should do oral,

1470
01:10:25,800 --> 01:10:27,760
Speaker 1: you know what I mean? Right, it doesn't feel like

1471
01:10:27,800 --> 01:10:29,400
Speaker 1: you love him anyway. You're trying to force it. You

1472
01:10:29,439 --> 01:10:33,800
Speaker 1: can't force it. Yeah, okay, you watch meet out here girl.

1473
01:10:36,479 --> 01:10:39,360
Speaker 1: All right? Good luck, baby, thank you too? All right?

1474
01:10:39,439 --> 01:10:43,599
Speaker 1: I P five one oh five one. If you need advice,

1475
01:10:44,160 --> 01:10:46,360
Speaker 1: relationship advice to any type of advice, you we got

1476
01:10:46,400 --> 01:10:48,599
Speaker 1: rooms on the way. Yes, let's talk about some good

1477
01:10:48,640 --> 01:10:50,840
Speaker 1: news we'll talk about to Kimba Matimba, find out what

1478
01:10:50,920 --> 01:10:53,839
Speaker 1: he did for a young boy who is from Africa

1479
01:10:54,160 --> 01:10:57,479
Speaker 1: that had a tumor on his face. All right, we'll

1480
01:10:57,520 --> 01:10:59,400
Speaker 1: get into that next keeping lock. Just to Breakfast Club,

1481
01:10:59,439 --> 01:11:03,640
Speaker 1: good morning, I look love nobody else alive her? All right.

1482
01:11:04,080 --> 01:11:06,040
Speaker 1: I wanted to listener to you, sir. I didn't have

1483
01:11:06,120 --> 01:11:09,040
Speaker 1: my headphones on yet one morning. Everybody is DJ Envy,

1484
01:11:09,160 --> 01:11:13,479
Speaker 1: Angela Yee, Charlomagne, the God Traf, and you're just having

1485
01:11:13,520 --> 01:11:15,320
Speaker 1: a fit of bage rage, you know what I'm saying.

1486
01:11:15,400 --> 01:11:19,360
Speaker 1: So it's whatever, man, I haven't had bage rage in

1487
01:11:19,439 --> 01:11:23,880
Speaker 1: a while. You were his light skin vy. He putting

1488
01:11:23,880 --> 01:11:28,360
Speaker 1: filters on his Instagram stupid like he putting filters on

1489
01:11:28,400 --> 01:11:31,519
Speaker 1: his stuff to make himself doctor Bran No, I do report.

1490
01:11:31,560 --> 01:11:33,040
Speaker 1: We'll be talking about the Rock and Roll Hall of

1491
01:11:33,080 --> 01:11:42,599
Speaker 1: Fame inductees. It's about this is the rumor report, Angela

1492
01:11:42,720 --> 01:11:47,360
Speaker 1: Yee on the Breakfast Club. But congratulations to Janet Jackson.

1493
01:11:47,439 --> 01:11:48,960
Speaker 1: She made it into the Rock and Roll Hall of

1494
01:11:49,040 --> 01:11:52,200
Speaker 1: Fame for twenty nineteen. So that's dope. And this is

1495
01:11:52,240 --> 01:11:55,000
Speaker 1: also historic year because Stevie Nicks made it and she

1496
01:11:55,160 --> 01:11:57,840
Speaker 1: will she's made it in as a solo artist. She's

1497
01:11:57,880 --> 01:12:00,479
Speaker 1: the first one to be inducted, the first few artists

1498
01:12:00,479 --> 01:12:01,640
Speaker 1: to join the Rock and Roll Hall of Fame as

1499
01:12:01,680 --> 01:12:04,000
Speaker 1: second time. She was inducted with Fleetwood Mac as a

1500
01:12:04,040 --> 01:12:06,120
Speaker 1: group and now as a solo artist as well. I

1501
01:12:06,320 --> 01:12:08,880
Speaker 1: understand how people complain about everything and they want things

1502
01:12:08,920 --> 01:12:10,840
Speaker 1: to evolve. The Rock and Roll Hall of Fame needs

1503
01:12:10,840 --> 01:12:12,880
Speaker 1: to evolve and should just be the Music Hall of Fame.

1504
01:12:13,320 --> 01:12:16,120
Speaker 1: But LLL COOLJ unfortunately did not make it. He was

1505
01:12:16,160 --> 01:12:19,439
Speaker 1: a nominee as well, and neither did Ucas featuring Shaka

1506
01:12:19,479 --> 01:12:22,720
Speaker 1: Khan dropping the clue's bombs for LLL COOLJ. And its

1507
01:12:22,760 --> 01:12:25,040
Speaker 1: the fans that have to vote. So fans vote on

1508
01:12:25,080 --> 01:12:26,920
Speaker 1: the nominees they want to see, and the top five

1509
01:12:27,040 --> 01:12:29,599
Speaker 1: artists are made up of a fans ballot and all

1510
01:12:29,640 --> 01:12:31,760
Speaker 1: of that, so that's counted as a single vote for

1511
01:12:31,840 --> 01:12:36,160
Speaker 1: anybody can go vote. Um, I'm not sure what was fansy.

1512
01:12:36,240 --> 01:12:40,200
Speaker 1: I think anybody refusa we didn't vote for ll COOLJ. Yeah,

1513
01:12:40,200 --> 01:12:41,840
Speaker 1: people can actually get you to go and vote and

1514
01:12:41,880 --> 01:12:43,559
Speaker 1: be like, hey, vote for me, So that's how it happened.

1515
01:12:43,600 --> 01:12:44,960
Speaker 1: I just think it should be the Music Hall of Fame.

1516
01:12:44,960 --> 01:12:46,479
Speaker 1: You're not gonna sit here tell me that ll COOLJ

1517
01:12:46,680 --> 01:12:50,120
Speaker 1: is not a whole legend any genre of music, you know.

1518
01:12:50,240 --> 01:12:52,920
Speaker 1: Any way, he's transcended through Hollywood, like, come on, man,

1519
01:12:54,960 --> 01:12:57,720
Speaker 1: he's definitely a Hall of Famer, regardless of what the

1520
01:12:57,800 --> 01:12:59,360
Speaker 1: hell the rock and Roll Hall of Fame is talking about.

1521
01:12:59,360 --> 01:13:02,040
Speaker 1: All right, into Bay. Matumbo has done something really great.

1522
01:13:02,120 --> 01:13:03,880
Speaker 1: He flew an eight year old boy from Africa with

1523
01:13:03,920 --> 01:13:06,560
Speaker 1: a large tumor on his face to La so he

1524
01:13:06,600 --> 01:13:09,519
Speaker 1: could get operated on by a team of American doctors.

1525
01:13:09,640 --> 01:13:14,120
Speaker 1: Check it out. Sponsoring this young board from Congo who

1526
01:13:14,280 --> 01:13:19,440
Speaker 1: ever used to move first. He's going to be operating

1527
01:13:19,560 --> 01:13:24,519
Speaker 1: by dogfor or one osborn from bourbon Ville. So we

1528
01:13:24,680 --> 01:13:29,320
Speaker 1: brought him Europe from Oh wow, we are a bit excited.

1529
01:13:29,720 --> 01:13:33,840
Speaker 1: That's amazing, that's beautiful. Dropping include Bob Kimbye Matumbo, he wins, yeah.

1530
01:13:34,160 --> 01:13:37,800
Speaker 1: Andrew Martinez kind kind af challenge, Yes, all right, okay?

1531
01:13:38,120 --> 01:13:39,320
Speaker 1: And why does it sound like it hurts from the

1532
01:13:39,360 --> 01:13:42,719
Speaker 1: kimby Mutumbo to talk? His voice always sounded like Jesus Christ.

1533
01:13:42,800 --> 01:13:45,760
Speaker 1: He talks all right. Oprah Renfree has talked about her

1534
01:13:45,880 --> 01:13:48,800
Speaker 1: mother's recent passing. She talked to people magazine, and she

1535
01:13:48,960 --> 01:13:51,760
Speaker 1: talks about her final days with her mom. Here is

1536
01:13:52,240 --> 01:13:54,360
Speaker 1: what she had to say about saying her final goodbyes.

1537
01:13:54,640 --> 01:13:56,960
Speaker 1: I knew my mother was dying, and I sat with

1538
01:13:57,080 --> 01:13:59,400
Speaker 1: my mother and I said, UM, I don't know if

1539
01:13:59,439 --> 01:14:00,840
Speaker 1: you're gonna make it. Do you think you're going to

1540
01:14:00,920 --> 01:14:03,680
Speaker 1: make it? And she said I don't think I am.

1541
01:14:04,080 --> 01:14:07,280
Speaker 1: And I had a conversation with her about what that

1542
01:14:07,439 --> 01:14:09,960
Speaker 1: felt like, and then I said to her, what a

1543
01:14:10,000 --> 01:14:12,040
Speaker 1: wonderful thing to be able to say goodbye because she's

1544
01:14:12,040 --> 01:14:14,599
Speaker 1: completely coherent. I stood in the doorway and I said goodbye,

1545
01:14:14,800 --> 01:14:16,160
Speaker 1: and I knew it was going to be the last

1546
01:14:16,160 --> 01:14:18,599
Speaker 1: time I said goodbye, although I didn't say to her,

1547
01:14:18,920 --> 01:14:20,599
Speaker 1: this is the last time I'm going to say goodbye.

1548
01:14:20,640 --> 01:14:22,240
Speaker 1: So I went and I spoke in Boston, and I

1549
01:14:22,360 --> 01:14:25,160
Speaker 1: knew that. The next day, I had a bunch of

1550
01:14:25,240 --> 01:14:28,400
Speaker 1: meetings in California, and I canceled all of those meetings

1551
01:14:28,680 --> 01:14:31,439
Speaker 1: and I went back to Milwaukee because I felt like

1552
01:14:31,680 --> 01:14:34,439
Speaker 1: I had not closed it. I knew it was the end,

1553
01:14:34,880 --> 01:14:36,479
Speaker 1: but I wanted to make sure she knew it was

1554
01:14:36,560 --> 01:14:40,760
Speaker 1: the end, and that I said everything I wanted to say. Ooh,

1555
01:14:40,920 --> 01:14:43,880
Speaker 1: that's tough. All right. In addition, she told us what

1556
01:14:44,040 --> 01:14:46,200
Speaker 1: some of her final words were to her mom. And

1557
01:14:46,360 --> 01:14:48,880
Speaker 1: what I said was thank you. As a young girl

1558
01:14:49,360 --> 01:14:56,200
Speaker 1: having a baby in Mississippi, no education, no training, no skills, seventeen,

1559
01:14:56,640 --> 01:15:00,280
Speaker 1: you get pregnant with this baby. Lots of people would

1560
01:15:00,280 --> 01:15:02,760
Speaker 1: have told you to give that baby away, lots of

1561
01:15:02,800 --> 01:15:05,320
Speaker 1: people would have told you to abort that baby. And

1562
01:15:05,479 --> 01:15:07,960
Speaker 1: you didn't do that. And I know that was hard,

1563
01:15:08,240 --> 01:15:10,680
Speaker 1: and I want you to know that no matter what,

1564
01:15:11,479 --> 01:15:15,559
Speaker 1: I know that you always did the best you knew

1565
01:15:15,760 --> 01:15:18,599
Speaker 1: how to do. Wow. I wouldn't even want to think

1566
01:15:18,600 --> 01:15:21,800
Speaker 1: about final words like that, absolutely all right. Killer Mike

1567
01:15:21,840 --> 01:15:24,320
Speaker 1: has a Netflix show coming. It's called Trigger Warning. It's

1568
01:15:24,320 --> 01:15:27,519
Speaker 1: about examining cultural taboos and giving viewers the space to

1569
01:15:27,720 --> 01:15:30,080
Speaker 1: examine the what ifs and why not that limit how

1570
01:15:30,160 --> 01:15:32,360
Speaker 1: some people move and operate in the world. I can't

1571
01:15:32,400 --> 01:15:37,240
Speaker 1: wait Killing Abby six episodes. Yeah, so pretty exciting, and

1572
01:15:37,400 --> 01:15:40,599
Speaker 1: congratulations to him. It's going to be on Netflix January eighteen.

1573
01:15:40,680 --> 01:15:42,400
Speaker 1: I can't wait Killing Mike's been talking to me about

1574
01:15:42,439 --> 01:15:44,000
Speaker 1: that show for a long time. Killing Mike is one

1575
01:15:44,000 --> 01:15:46,600
Speaker 1: of the most brilliant minds that this generation has. The

1576
01:15:46,680 --> 01:15:49,080
Speaker 1: awful man and I cannot wait to watch this show

1577
01:15:49,160 --> 01:15:51,240
Speaker 1: trigger warnings and to end a rumor report. On a

1578
01:15:51,320 --> 01:15:53,960
Speaker 1: fun note, let's talk about Jimmy Fallon. He went to

1579
01:15:54,120 --> 01:15:56,639
Speaker 1: Rockefeller Center in New York City and got some people

1580
01:15:56,760 --> 01:15:59,280
Speaker 1: that were there to perform the lyrics and songs they've

1581
01:15:59,400 --> 01:16:01,559
Speaker 1: never heard before. I check it out. Have you heard

1582
01:16:01,560 --> 01:16:03,320
Speaker 1: of the artist Drake? I've heard of me, but I

1583
01:16:03,400 --> 01:16:05,200
Speaker 1: have no idea what he does. Can you sing in

1584
01:16:05,320 --> 01:16:12,840
Speaker 1: My Feelings by Drake? Do you love me? Are you riding?

1585
01:16:14,320 --> 01:16:18,960
Speaker 1: You love me? Are you writing so you'll never ever leave?

1586
01:16:20,000 --> 01:16:33,040
Speaker 1: Sudden like that? No game, game, game game? All right?

1587
01:16:33,080 --> 01:16:35,880
Speaker 1: I'm angela, yeah, and that's your room of report, all right.

1588
01:16:36,040 --> 01:16:38,639
Speaker 1: Up next is to People's Choice Mixed. Get your requested now,

1589
01:16:38,720 --> 01:16:41,960
Speaker 1: shout to revote. We'll see you guys tomorrow. Everybody else,

1590
01:16:42,080 --> 01:16:45,400
Speaker 1: get your request. It's to Breakfast Club. Good morning, Breakfast Club.

1591
01:16:45,520 --> 01:16:49,200
Speaker 1: Your morning's will never be the same. Frilo was the

1592
01:16:49,280 --> 01:16:52,120
Speaker 1: best way to watch TV live or on demand. More

1593
01:16:52,160 --> 01:16:54,920
Speaker 1: than fifty channels you love like VH one, b ET

1594
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Speaker 1: and of course Revolt. Best part Flow was just twenty

1595
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Speaker 1: dollars a month. Find out for yourself with the free trial,

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Speaker 1: no credit card needed. Text Breakfast to seven four four

1597
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Speaker 1: five six