1
00:00:03,400 --> 00:00:10,600
Speaker 1: Transmitting this.

2
00:00:11,280 --> 00:00:13,760
Speaker 2: Welcome to Thursday Show morning studio.

3
00:00:16,000 --> 00:00:19,560
Speaker 3: Our friend Brent from Bakersfield, California, runs and is the

4
00:00:19,560 --> 00:00:21,560
Speaker 3: program director of the station that we're on, and Brent

5
00:00:21,680 --> 00:00:24,439
Speaker 3: is the person that recommended Eddie to be on will

6
00:00:24,520 --> 00:00:26,239
Speaker 3: Fortune Wheel of Fortune, and we were kind of talking

7
00:00:26,239 --> 00:00:28,400
Speaker 3: to him about it and he still thinks it's a chance.

8
00:00:28,520 --> 00:00:31,159
Speaker 3: But Lunchbox was upset that Brent didn't recommend him for

9
00:00:31,160 --> 00:00:33,000
Speaker 3: Will of Fortune, so Lunchbox cornered him when he was

10
00:00:33,000 --> 00:00:35,120
Speaker 3: at the studio the other day. Oh gosh, do you

11
00:00:35,159 --> 00:00:37,320
Speaker 3: have audio of you doing this? Or is this just

12
00:00:37,560 --> 00:00:38,239
Speaker 3: you recounting?

13
00:00:38,560 --> 00:00:39,360
Speaker 2: No, No, I have audio.

14
00:00:39,479 --> 00:00:41,680
Speaker 4: I had a sweatshirt on, so I had the phone

15
00:00:41,760 --> 00:00:43,280
Speaker 4: in the hoodie like front pocket.

16
00:00:43,320 --> 00:00:45,120
Speaker 2: Does he know he was recorded? No, he doesn't.

17
00:00:45,200 --> 00:00:46,960
Speaker 4: He didn't know he was being recorded at that time,

18
00:00:47,240 --> 00:00:49,320
Speaker 4: And so I just put him in the side room

19
00:00:49,360 --> 00:00:50,879
Speaker 4: and I was like, look, man, you put him in

20
00:00:50,880 --> 00:00:52,720
Speaker 4: a side room. But he was standing in the glassroom.

21
00:00:52,720 --> 00:00:54,080
Speaker 4: So I closed the door and I was like, look,

22
00:00:54,120 --> 00:00:54,800
Speaker 4: we need to talk.

23
00:00:55,000 --> 00:00:58,000
Speaker 2: Okay, Ray, we hit the audio. Hey, real talk. Did

24
00:00:58,040 --> 00:01:00,440
Speaker 2: you nominate Eddie because he's like special ed for real

25
00:01:00,480 --> 00:01:02,680
Speaker 2: fort No. I thought he would be fun. I will

26
00:01:02,680 --> 00:01:04,720
Speaker 2: put you do you want to put yourn? I want

27
00:01:04,760 --> 00:01:06,960
Speaker 2: you to put my name in for everything, all right.

28
00:01:07,880 --> 00:01:10,280
Speaker 4: I mean look at Eddie like they didn't even call him, right,

29
00:01:10,319 --> 00:01:11,080
Speaker 4: they needn't call him.

30
00:01:11,360 --> 00:01:12,800
Speaker 2: I just asked him. I was like if they called

31
00:01:12,800 --> 00:01:15,200
Speaker 2: you and he said no, Okay, I'm just letting you know,

32
00:01:15,280 --> 00:01:18,280
Speaker 2: like I mean, Eddie, he's not really TV. I'm TV.

33
00:01:18,480 --> 00:01:20,319
Speaker 2: I'm your man. I know you've got the I will

34
00:01:20,319 --> 00:01:23,400
Speaker 2: admit you have the hype. Thank you. Yes, Okay. I

35
00:01:23,480 --> 00:01:25,120
Speaker 2: just want you to know that you don't need to

36
00:01:25,160 --> 00:01:28,280
Speaker 2: like Eddie more than me. Okay, I don't like we're

37
00:01:28,280 --> 00:01:30,080
Speaker 2: the same. I love you guys both to say, okay,

38
00:01:30,800 --> 00:01:31,160
Speaker 2: all right.

39
00:01:32,520 --> 00:01:34,559
Speaker 3: Just generally speaking, you know you don't have to knock

40
00:01:34,560 --> 00:01:38,880
Speaker 3: somebody down for you to be lifted up, Because why

41
00:01:40,040 --> 00:01:42,120
Speaker 3: you start with Eddie and special Ed? No, I asked

42
00:01:42,200 --> 00:01:44,080
Speaker 3: a question. I don't want I don't want to have

43
00:01:44,080 --> 00:01:45,960
Speaker 3: to play it again. But you you knocked Eddie down

44
00:01:46,000 --> 00:01:47,640
Speaker 3: to try to lift you up. You can just go, hey, man,

45
00:01:47,680 --> 00:01:49,200
Speaker 3: would you mind nominated me for a couple of things

46
00:01:49,200 --> 00:01:51,360
Speaker 3: that would be cool instead of going Eddie's special Ed,

47
00:01:51,480 --> 00:01:52,800
Speaker 3: Eddie's ugly, Eddie stupid.

48
00:01:52,800 --> 00:01:54,400
Speaker 4: I wanted to know if there was a reason, like

49
00:01:54,440 --> 00:01:56,960
Speaker 4: if he was doing something because he felt like Eddie

50
00:01:57,000 --> 00:01:57,520
Speaker 4: was something.

51
00:01:57,720 --> 00:02:00,480
Speaker 2: Just ask about you more so than him. And if

52
00:02:00,480 --> 00:02:03,200
Speaker 2: he said, yeah, I think Eddie specialized. Oh no, he's not. Man,

53
00:02:03,240 --> 00:02:05,280
Speaker 2: but that was nice you to nominate him. You would

54
00:02:05,280 --> 00:02:07,440
Speaker 2: have stuck. I was gonna stuck, stick up ruddy.

55
00:02:07,480 --> 00:02:08,960
Speaker 4: I thought I was just trying to make sure I

56
00:02:09,000 --> 00:02:11,519
Speaker 4: had the right answers. But yeah, man, he was like, Oh,

57
00:02:12,120 --> 00:02:13,880
Speaker 4: I mean I felt like he was a little uncomfortable.

58
00:02:13,960 --> 00:02:15,120
Speaker 4: You think with the confrontation.

59
00:02:15,200 --> 00:02:16,919
Speaker 3: Trapped him in a room, shut the door behind you,

60
00:02:17,320 --> 00:02:19,200
Speaker 3: and then said, hey, man, why didn't you do this

61
00:02:19,240 --> 00:02:19,480
Speaker 3: for me?

62
00:02:19,560 --> 00:02:20,600
Speaker 2: Yeah, that's uncomfortable.

63
00:02:20,880 --> 00:02:22,799
Speaker 4: Yeah, I just wanted to know because it was the

64
00:02:22,840 --> 00:02:25,240
Speaker 4: first time we've seen him since he nominated Eddie, So

65
00:02:25,360 --> 00:02:27,440
Speaker 4: I thought, why not, you know, get the answers, like

66
00:02:27,480 --> 00:02:30,000
Speaker 4: he can hide behind him, you know, telephone can't really

67
00:02:30,000 --> 00:02:32,480
Speaker 4: see him, but when he's in person, get him where

68
00:02:32,480 --> 00:02:33,240
Speaker 4: you can't run.

69
00:02:34,000 --> 00:02:35,679
Speaker 2: What did he say to you?

70
00:02:35,800 --> 00:02:36,000
Speaker 3: What?

71
00:02:36,120 --> 00:02:36,640
Speaker 2: Gette more?

72
00:02:36,680 --> 00:02:41,200
Speaker 3: He can't run his kidnapping, get him more and he

73
00:02:41,240 --> 00:02:43,000
Speaker 3: can't run, that's against lot.

74
00:02:43,360 --> 00:02:45,560
Speaker 2: I may just have a conversation. Go ahead, Eddie. What

75
00:02:45,560 --> 00:02:46,120
Speaker 2: did he tell you?

76
00:02:46,240 --> 00:02:48,080
Speaker 5: He well, he asked me, like, are you sure they

77
00:02:48,080 --> 00:02:51,240
Speaker 5: didn't call you because he had a friend that he

78
00:02:51,360 --> 00:02:54,920
Speaker 5: also nominated or whatever, and she got called. Oh, so

79
00:02:55,000 --> 00:02:57,880
Speaker 5: I was like, that's weird that they called his other

80
00:02:57,919 --> 00:02:58,600
Speaker 5: friend but not me.

81
00:02:58,760 --> 00:03:02,200
Speaker 3: Well, the difference is probably we're just looking for women,

82
00:03:02,280 --> 00:03:03,600
Speaker 3: because if they don't talk to you, they don't know

83
00:03:03,639 --> 00:03:04,280
Speaker 3: if you're good or bad.

84
00:03:04,320 --> 00:03:06,520
Speaker 2: Oh that's a good point. Women. Yeah, they probably looked

85
00:03:06,520 --> 00:03:08,560
Speaker 2: at the socials. But if they would have called you

86
00:03:08,800 --> 00:03:10,640
Speaker 2: and then not called you back, when do you look

87
00:03:10,680 --> 00:03:12,520
Speaker 2: at his socials? They probably looked at videos. Go, that's

88
00:03:12,520 --> 00:03:14,799
Speaker 2: the guy's not TV. What about him? It's not TV.

89
00:03:16,680 --> 00:03:20,440
Speaker 4: His personality is just his style. Everything about is not

90
00:03:20,520 --> 00:03:21,160
Speaker 4: his style.

91
00:03:21,280 --> 00:03:22,880
Speaker 2: What's my style? What's your style?

92
00:03:23,639 --> 00:03:29,359
Speaker 4: My style is dad? No, no, no, you're whatever Bobby

93
00:03:29,360 --> 00:03:30,680
Speaker 4: gives you. So you wear Bobby's clothes.

94
00:03:30,680 --> 00:03:30,920
Speaker 2: You're not.

95
00:03:30,960 --> 00:03:32,800
Speaker 4: You don't dress like a dad. You try to dress

96
00:03:33,040 --> 00:03:39,160
Speaker 4: cool him and it doesn't work. Like a chill like

97
00:03:39,200 --> 00:03:41,480
Speaker 4: oh my gosh, like a l a like surfer.

98
00:03:41,200 --> 00:03:46,640
Speaker 3: Dude, nothing about as la gateboarders.

99
00:03:46,760 --> 00:03:49,800
Speaker 1: No, I mean like what they're looking for anyways.

100
00:03:49,880 --> 00:03:52,600
Speaker 2: Okay, how do you know what they're looking for? Man?

101
00:03:52,680 --> 00:03:54,360
Speaker 2: I know TV. I watch a lot of it.

102
00:03:54,480 --> 00:03:57,640
Speaker 3: Okay, okay, consumer, So Eddie has gotten no call from

103
00:03:57,640 --> 00:04:00,640
Speaker 3: all the fortune, although I have missed a you calls,

104
00:04:01,040 --> 00:04:05,120
Speaker 3: but they weren't Hollywood area codes, so I don't know.

105
00:04:05,480 --> 00:04:07,240
Speaker 5: Maybe I missed the call. Dude, I have no idea

106
00:04:07,360 --> 00:04:09,400
Speaker 5: it would be Hollywood. It would be three two three man.

107
00:04:09,880 --> 00:04:13,000
Speaker 2: Was that the area code? Yeah, there's more than one

108
00:04:13,000 --> 00:04:15,120
Speaker 2: of your coach. I'm just telling you that's what the

109
00:04:15,200 --> 00:04:17,200
Speaker 2: number was in real world. Call man three too. You're

110
00:04:17,240 --> 00:04:20,360
Speaker 2: holding on to that from college? How long ago was that?

111
00:04:21,440 --> 00:04:22,000
Speaker 2: What year is that?

112
00:04:22,080 --> 00:04:25,880
Speaker 4: It's been about twenty twenty something years?

113
00:04:25,920 --> 00:04:29,360
Speaker 3: Wow, Eddie, good luck? Like, oh man, I lunch. I

114
00:04:29,360 --> 00:04:31,560
Speaker 3: think you can lift yourself up with having to knock

115
00:04:31,560 --> 00:04:32,080
Speaker 3: other people down.

116
00:04:32,240 --> 00:04:35,320
Speaker 4: Yeah, And I just want to present this to you. You know,

117
00:04:35,400 --> 00:04:36,520
Speaker 4: you say I don't do anything.

118
00:04:36,960 --> 00:04:38,800
Speaker 2: So you say if I take time off, I can

119
00:04:38,839 --> 00:04:39,880
Speaker 2: just go to Hollywood. Right.

120
00:04:40,800 --> 00:04:43,080
Speaker 3: No, I've said in the past we have times that

121
00:04:43,120 --> 00:04:45,200
Speaker 3: we could let you off to go to Los Angeles,

122
00:04:45,360 --> 00:04:46,839
Speaker 3: but I don't just go. You can just take whereever

123
00:04:46,880 --> 00:04:48,200
Speaker 3: you want off to go to Hollywood.

124
00:04:48,880 --> 00:04:53,200
Speaker 4: Okay, So I should cancel that flight for what October thirteen?

125
00:04:54,080 --> 00:04:56,760
Speaker 2: Because yeah, I should probably cancel that flight. Did you

126
00:04:56,760 --> 00:04:58,719
Speaker 2: buy a flight? Well, he told me I can go

127
00:04:58,720 --> 00:05:00,919
Speaker 2: whenever I want. I ever just said, hey, go whenever

128
00:05:00,960 --> 00:05:01,360
Speaker 2: you want.

129
00:05:01,560 --> 00:05:04,880
Speaker 1: I just let you said, hey, if you want to go,

130
00:05:05,920 --> 00:05:08,840
Speaker 1: sort of plan it. Let us know. This is him

131
00:05:08,880 --> 00:05:09,279
Speaker 1: letting you.

132
00:05:09,320 --> 00:05:12,320
Speaker 3: Know that he's already planned it. Everything's so backwards with him. No, No,

133
00:05:13,240 --> 00:05:14,440
Speaker 3: what's October thirteenth?

134
00:05:14,520 --> 00:05:16,840
Speaker 4: Well, well, they are filming, like Price is right, has

135
00:05:16,880 --> 00:05:20,040
Speaker 4: their dates and they're filming that week, and so it's

136
00:05:20,040 --> 00:05:22,240
Speaker 4: far enough in advance where I can apply for ticket

137
00:05:22,880 --> 00:05:25,720
Speaker 4: to get into the show, like through September. So far

138
00:05:25,760 --> 00:05:28,120
Speaker 4: they're like sold out, sold out, sold out, sold out.

139
00:05:28,040 --> 00:05:30,480
Speaker 3: Applying for the ticket. As long as you work from

140
00:05:30,480 --> 00:05:33,320
Speaker 3: the studio, there no problem.

141
00:05:33,040 --> 00:05:36,760
Speaker 2: Bay am all right? Is that is that in bird

142
00:05:36,800 --> 00:05:39,039
Speaker 2: Bank or is that in l at the studio you

143
00:05:39,120 --> 00:05:40,799
Speaker 2: tell us, dude, I don't know, Hollywood.

144
00:05:42,760 --> 00:05:45,440
Speaker 4: I've never been to the iHeart Studio there, Oh, the

145
00:05:45,520 --> 00:05:47,840
Speaker 4: iHeart Studio. Yeah, I don't care about anything else. It's

146
00:05:47,839 --> 00:05:50,840
Speaker 4: bird Banking. The price is right because boom, we're right.

147
00:05:51,480 --> 00:05:52,919
Speaker 1: The last time I had to go, they wanted to

148
00:05:52,920 --> 00:05:53,360
Speaker 1: set me.

149
00:05:53,360 --> 00:05:53,839
Speaker 2: Up over it.

150
00:05:54,080 --> 00:05:56,360
Speaker 3: I can handle it. You didn't run through me. If

151
00:05:56,360 --> 00:05:57,680
Speaker 3: you'd run through me, we have got you wherever you

152
00:05:57,680 --> 00:05:58,120
Speaker 3: wanted to go.

153
00:05:58,960 --> 00:06:01,960
Speaker 1: That's I didn't run any of it.

154
00:06:02,240 --> 00:06:03,960
Speaker 3: If you want to work in Burbank, we'll put you

155
00:06:04,000 --> 00:06:05,159
Speaker 3: in Burbank, but you can go.

156
00:06:05,240 --> 00:06:06,960
Speaker 2: How long are you gonna be gone? I was gonna

157
00:06:07,000 --> 00:06:08,960
Speaker 2: go for a whole week. Man, that's a vacation. Now

158
00:06:08,960 --> 00:06:09,840
Speaker 2: you're taking a vacation.

159
00:06:10,000 --> 00:06:11,800
Speaker 4: It's literally gonna go and I try to get on

160
00:06:11,839 --> 00:06:14,320
Speaker 4: the show. Is like, they will give you tickets for

161
00:06:14,360 --> 00:06:16,240
Speaker 4: certain days. If you show us the days you have

162
00:06:16,279 --> 00:06:18,600
Speaker 4: tickets for, you can be gone for those days, right.

163
00:06:18,640 --> 00:06:20,280
Speaker 4: And then because like if I'm in the audience the

164
00:06:20,320 --> 00:06:22,240
Speaker 4: first day and I don't get called up, I want

165
00:06:22,240 --> 00:06:23,440
Speaker 4: to go back the second day, but you have to

166
00:06:23,440 --> 00:06:25,080
Speaker 4: have tickets for that, right, I'm gonna apply for all

167
00:06:25,120 --> 00:06:26,000
Speaker 4: of them all week.

168
00:06:25,960 --> 00:06:27,760
Speaker 3: And then all the tickets that you get, you let

169
00:06:27,839 --> 00:06:30,320
Speaker 3: us see them, and you can have off for whatever

170
00:06:30,320 --> 00:06:31,000
Speaker 3: tickets you get.

171
00:06:31,080 --> 00:06:34,360
Speaker 4: And then every every day that I'm there, I'm going

172
00:06:34,440 --> 00:06:35,760
Speaker 4: to try other shows.

173
00:06:36,320 --> 00:06:38,880
Speaker 2: Okay, but whatever days you have for the tickets. Boom

174
00:06:38,960 --> 00:06:41,240
Speaker 2: you can be gone? Is right?

175
00:06:41,320 --> 00:06:43,120
Speaker 1: Is not filmed in Burbank? If he thinks it is.

176
00:06:44,120 --> 00:06:48,400
Speaker 1: It says a lot of TV and film is in Burbank,

177
00:06:48,440 --> 00:06:49,440
Speaker 1: but not the prize is right?

178
00:06:49,880 --> 00:06:52,159
Speaker 2: Oh maybe the company at the end is is in Burbank,

179
00:06:52,200 --> 00:06:53,800
Speaker 2: the one that puts on the TV show you just

180
00:06:53,880 --> 00:06:56,160
Speaker 2: see the credits says Burbank.

181
00:06:56,640 --> 00:07:00,520
Speaker 3: It's in Glendale, which as close. Yeah, I should see

182
00:07:00,520 --> 00:07:02,160
Speaker 3: there you go. Just what Dancing with the Stars. I

183
00:07:02,240 --> 00:07:05,520
Speaker 3: lived in Glendelle. Oh okay, see because the station was

184
00:07:05,520 --> 00:07:06,000
Speaker 3: in Burbank.

185
00:07:06,040 --> 00:07:07,400
Speaker 2: That was nice. That makes me feel better.

186
00:07:07,480 --> 00:07:12,080
Speaker 4: Yeah, price, let us know question answer? Emailing price is

187
00:07:12,160 --> 00:07:14,240
Speaker 4: right for tickets? Should I send it for my.

188
00:07:14,800 --> 00:07:16,360
Speaker 2: I thought you already had all this figured out. You know,

189
00:07:16,400 --> 00:07:17,040
Speaker 2: I don't know what I'm saying.

190
00:07:17,880 --> 00:07:21,120
Speaker 4: You've already bought the flight. Yeah, okay, I'm saying which email?

191
00:07:21,160 --> 00:07:23,200
Speaker 4: Do I send it from my my hotmail? Or do

192
00:07:23,240 --> 00:07:28,520
Speaker 4: I send it from my like work email. You get

193
00:07:28,520 --> 00:07:31,360
Speaker 4: tickets online for free, Yeah, but you can email them

194
00:07:31,400 --> 00:07:33,640
Speaker 4: if it's not the tickets aren't available yet. Like, if

195
00:07:33,640 --> 00:07:36,720
Speaker 4: you see a date that works for you, you can email them,

196
00:07:37,000 --> 00:07:37,760
Speaker 4: and that's October.

197
00:07:37,760 --> 00:07:39,560
Speaker 2: They haven't put those out. They only do them sixty days.

198
00:07:39,520 --> 00:07:42,960
Speaker 2: The message the from your MySpace. There you go, that'll

199
00:07:42,960 --> 00:07:43,480
Speaker 2: go straight to me.

200
00:07:43,560 --> 00:07:45,080
Speaker 4: You know this this is one I'm being serious and

201
00:07:45,120 --> 00:07:49,360
Speaker 4: you guys are being jokes.

202
00:07:49,880 --> 00:07:52,320
Speaker 3: I would just message them from whatever email you use

203
00:07:52,360 --> 00:07:53,680
Speaker 3: the most, so if they respond, you'll know.

204
00:07:53,960 --> 00:07:54,760
Speaker 2: Okay, I just didn't know.

205
00:07:54,760 --> 00:07:56,520
Speaker 4: If it's more impressive. It came from the you know,

206
00:07:56,760 --> 00:08:00,720
Speaker 4: August September. You have like thirty days to figure out.

207
00:08:00,800 --> 00:08:03,000
Speaker 4: I'm figuring it out right, And let scuba.

208
00:08:02,760 --> 00:08:04,280
Speaker 3: No, and let him see the tickets you got and

209
00:08:04,400 --> 00:08:05,920
Speaker 3: all those days that you have tickets for you can

210
00:08:05,920 --> 00:08:06,280
Speaker 3: be gone.

211
00:08:06,360 --> 00:08:08,960
Speaker 2: Okay, but you have to work from our studios. Don't know.

212
00:08:08,960 --> 00:08:10,600
Speaker 2: I understand that, bro. No, No, I'm not going on

213
00:08:10,800 --> 00:08:12,840
Speaker 2: I'm going to get on TV. Okay. If you guys

214
00:08:12,880 --> 00:08:15,040
Speaker 2: say I'm not about it, I'm about it. Okay, we're in.

215
00:08:15,760 --> 00:08:17,440
Speaker 3: You haven't been about it yet, but we know we

216
00:08:17,480 --> 00:08:19,400
Speaker 3: live part you being about it in year twenty of

217
00:08:19,440 --> 00:08:19,800
Speaker 3: our show.

218
00:08:19,960 --> 00:08:22,960
Speaker 2: That's right, okay. People change, man leaves change every year,

219
00:08:23,000 --> 00:08:24,520
Speaker 2: they change colors.

220
00:08:24,280 --> 00:08:26,160
Speaker 3: Leaves change. Where did you see that? To wait and

221
00:08:26,240 --> 00:08:28,120
Speaker 3: use that? Because that came from something.

222
00:08:28,160 --> 00:08:30,720
Speaker 4: He was sitting on that change he later, Yeah, go ahead,

223
00:08:30,840 --> 00:08:32,040
Speaker 4: that came from my mind right now.

224
00:08:32,080 --> 00:08:33,439
Speaker 2: Okay, that's pretty.

225
00:08:33,160 --> 00:08:34,120
Speaker 1: Good from the dome.

226
00:08:34,720 --> 00:08:36,760
Speaker 2: Okay, there he is. We're rooting for you, lunch box,

227
00:08:36,760 --> 00:08:47,160
Speaker 2: all right, Come on now, it's anonymous sin By. There's

228
00:08:47,200 --> 00:08:52,920
Speaker 2: a question to be well man.

229
00:08:55,720 --> 00:08:57,880
Speaker 3: Hello, Bobby Bones. My girlfriend I have been together for

230
00:08:57,920 --> 00:09:00,240
Speaker 3: three years. We've been talking about getting married. Worried.

231
00:09:00,559 --> 00:09:04,040
Speaker 2: She wants a very public, over the top proposal because

232
00:09:04,160 --> 00:09:06,200
Speaker 2: that's what her friends had. I do not.

233
00:09:06,440 --> 00:09:10,000
Speaker 3: I am very introverted. What do I do sign guys

234
00:09:10,040 --> 00:09:15,520
Speaker 3: soon to be engaged? So, mister engaged, the proposal is

235
00:09:15,559 --> 00:09:17,840
Speaker 3: really not about the guy at all, I would prepare,

236
00:09:18,040 --> 00:09:19,920
Speaker 3: I would compare the proposal to Valentine's Day.

237
00:09:20,559 --> 00:09:21,400
Speaker 2: Not really about the guy.

238
00:09:22,559 --> 00:09:27,320
Speaker 3: The proposal is mostly about her and the event of it.

239
00:09:27,960 --> 00:09:30,760
Speaker 3: So I get it. You're introverted and you're gonna learn

240
00:09:30,800 --> 00:09:32,280
Speaker 3: once you're married you gotta do a lot of things

241
00:09:32,800 --> 00:09:36,240
Speaker 3: that maybe you don't want to do, but because she

242
00:09:36,320 --> 00:09:40,800
Speaker 3: really wants them done. We call that stretching. We call

243
00:09:40,840 --> 00:09:46,080
Speaker 3: that sometimes pop in. Take a ligament, dude, just do

244
00:09:46,160 --> 00:09:48,640
Speaker 3: whatever she wants. This is your first advice for me

245
00:09:48,760 --> 00:09:50,960
Speaker 3: being a married guy. If she really wants it, and

246
00:09:51,000 --> 00:09:53,679
Speaker 3: it's not gonna actually hurt you or cost you a

247
00:09:53,720 --> 00:09:55,280
Speaker 3: whole lot of money that makes it uncomfortable for you

248
00:09:55,360 --> 00:09:56,800
Speaker 3: to live for the next month, just go ahead and

249
00:09:56,840 --> 00:09:59,200
Speaker 3: do it. It's gonna pay off in the end. You

250
00:09:59,240 --> 00:10:02,040
Speaker 3: could always hold it over her head way later, Like

251
00:10:02,120 --> 00:10:04,760
Speaker 3: you know, you get into a fight, you're like, oh, listen,

252
00:10:04,760 --> 00:10:06,199
Speaker 3: I gave you a proposal that you want it, even

253
00:10:06,200 --> 00:10:07,320
Speaker 3: though it's very unomfortable for me.

254
00:10:07,520 --> 00:10:09,120
Speaker 2: You can use that as leverage. I'm not saying you said,

255
00:10:09,120 --> 00:10:09,760
Speaker 2: all right, it's healthier.

256
00:10:10,800 --> 00:10:11,600
Speaker 1: You're planning out.

257
00:10:13,600 --> 00:10:16,760
Speaker 3: No, you're planning out what you would say in case

258
00:10:16,800 --> 00:10:21,000
Speaker 3: you're losing a fight. Credits, that's correct, and credits are

259
00:10:21,000 --> 00:10:22,720
Speaker 3: a real thing, But that's not what this email is.

260
00:10:24,040 --> 00:10:27,000
Speaker 3: Give her the proposal that she wants. You will be

261
00:10:27,080 --> 00:10:29,400
Speaker 3: much happier that you did because she will be much

262
00:10:29,400 --> 00:10:32,080
Speaker 3: happier that you did, and you will learn. And they

263
00:10:32,120 --> 00:10:37,719
Speaker 3: say it, but it is true. Happy why happy life?

264
00:10:37,760 --> 00:10:40,080
Speaker 3: That's correct. Not only does it rhyme, it's actually it

265
00:10:40,120 --> 00:10:42,400
Speaker 3: is actually true. And I didn't believe it for a

266
00:10:42,400 --> 00:10:43,600
Speaker 3: long time. I was like, I'm just gonna do things

267
00:10:43,640 --> 00:10:46,120
Speaker 3: I do and then we'll just figure it out. I

268
00:10:46,240 --> 00:10:48,760
Speaker 3: didn't really I've realized, being married for now four years,

269
00:10:48,760 --> 00:10:52,960
Speaker 3: that if she's happy, I'm generally way happier because you

270
00:10:53,040 --> 00:10:56,880
Speaker 3: come home and home's just awesome when you come home

271
00:10:56,880 --> 00:10:58,840
Speaker 3: and it's not just awesome, and you're like on eggshells

272
00:10:58,840 --> 00:11:00,680
Speaker 3: because you know you did something kind of wrong that

273
00:11:00,960 --> 00:11:04,040
Speaker 3: sucks and that ruins everything. So give her the proposal

274
00:11:04,040 --> 00:11:05,960
Speaker 3: that she wants. That would be my advice to you, Amy,

275
00:11:06,000 --> 00:11:06,520
Speaker 3: any advice.

276
00:11:07,080 --> 00:11:09,480
Speaker 1: Yeah, I'm with you. I think that this is more

277
00:11:09,600 --> 00:11:12,080
Speaker 1: about her and this is a way for you to

278
00:11:12,080 --> 00:11:14,440
Speaker 1: show her how much you love her, getting outside of

279
00:11:14,440 --> 00:11:15,240
Speaker 1: your comfort.

280
00:11:15,000 --> 00:11:17,800
Speaker 2: Zone and keep a record of it for later.

281
00:11:18,040 --> 00:11:20,800
Speaker 1: Yes, keep it in your pocket. Yes, past it out as.

282
00:11:20,840 --> 00:11:21,480
Speaker 2: We need it.

283
00:11:21,520 --> 00:11:25,000
Speaker 3: No, not as a weapon. Whatever you want to call

284
00:11:25,040 --> 00:11:27,679
Speaker 3: it this currency. Yes, all right, close it up.

285
00:11:29,480 --> 00:11:32,120
Speaker 2: Eddie thinks that Amy and Morgan are in a competition

286
00:11:32,280 --> 00:11:32,600
Speaker 2: for what.

287
00:11:32,920 --> 00:11:35,959
Speaker 5: Oh dude, like, how much they could post their boyfriends?

288
00:11:36,679 --> 00:11:39,680
Speaker 5: Who can post more about their boyfriend? Every time I

289
00:11:39,679 --> 00:11:41,800
Speaker 5: get on Instagram is like Amy's like, oh, there's the

290
00:11:41,880 --> 00:11:44,000
Speaker 5: boyfriend again, and then Morgan's like, yeah, you know what,

291
00:11:44,160 --> 00:11:47,199
Speaker 5: double down, there's my boyfriend cooking in the kitchen.

292
00:11:48,720 --> 00:11:50,240
Speaker 2: You guys have like a little beef for each other.

293
00:11:52,200 --> 00:11:54,400
Speaker 1: No, I don't think our posts have anything to do

294
00:11:54,440 --> 00:11:56,360
Speaker 1: with each other. It's just we're sharing our lives and

295
00:11:56,559 --> 00:12:00,920
Speaker 1: I think I've posted about mine twice my feed and

296
00:12:00,920 --> 00:12:03,040
Speaker 1: then that ends up in the stories every once in

297
00:12:03,080 --> 00:12:03,480
Speaker 1: a while.

298
00:12:03,520 --> 00:12:05,200
Speaker 2: But it does feel like a little more than that.

299
00:12:05,240 --> 00:12:08,199
Speaker 5: Though, You're right, Amy, you don't like just open Instagram

300
00:12:08,200 --> 00:12:10,000
Speaker 5: and be like, oh, there's her boyfriend. You know what,

301
00:12:10,040 --> 00:12:11,600
Speaker 5: I have something that I can load up right now

302
00:12:11,600 --> 00:12:12,319
Speaker 5: and it'll double.

303
00:12:12,440 --> 00:12:14,520
Speaker 2: I see your boyfriend and I raise your boyfriend.

304
00:12:14,600 --> 00:12:15,559
Speaker 1: No, it's not like.

305
00:12:15,520 --> 00:12:18,240
Speaker 4: That your boyfriends. I'll show you my boyfriend.

306
00:12:18,360 --> 00:12:22,680
Speaker 1: No. Now, I recently put up like our vacation posts,

307
00:12:22,679 --> 00:12:25,439
Speaker 1: but I put it up three three weeks later because

308
00:12:26,200 --> 00:12:27,960
Speaker 1: I just was trying to feel some stuff out, like

309
00:12:28,000 --> 00:12:30,040
Speaker 1: his kids, my kids. I wanted to make sure his

310
00:12:30,160 --> 00:12:32,280
Speaker 1: kids were good with all of it. It's more of

311
00:12:32,320 --> 00:12:35,480
Speaker 1: a I was just trying to and we had tons

312
00:12:35,480 --> 00:12:37,280
Speaker 1: of pictures and I was like, what do we share?

313
00:12:37,400 --> 00:12:41,120
Speaker 1: And I was also trying to offer hope for anybody

314
00:12:41,160 --> 00:12:43,560
Speaker 1: that is in a situation where I was terrified of

315
00:12:43,600 --> 00:12:46,160
Speaker 1: that trip, Like I was scared of blending our families

316
00:12:46,200 --> 00:12:48,079
Speaker 1: in that way, because like what if it didn't go well?

317
00:12:48,600 --> 00:12:52,200
Speaker 1: And I had to keep my expectations low and my

318
00:12:52,280 --> 00:12:55,280
Speaker 1: vibes high. And it went great, and it was conveniently.

319
00:12:54,880 --> 00:12:57,440
Speaker 2: Just after Morgan Hard launch. Huh wait, But.

320
00:12:57,440 --> 00:12:59,839
Speaker 1: I'd already posted my boyfriend Mine wasn't a hard lunch.

321
00:13:00,200 --> 00:13:03,040
Speaker 4: No, no, I'm saying, but like you three weeks after vacation,

322
00:13:03,160 --> 00:13:04,560
Speaker 4: but it just happened to go up in the same

323
00:13:04,600 --> 00:13:06,600
Speaker 4: time frame that Morgan hard lodged so we could see

324
00:13:06,600 --> 00:13:08,000
Speaker 4: her boyfriend, and he was like, wait a minute, I

325
00:13:08,040 --> 00:13:09,240
Speaker 4: went on makingers from my boyfriend.

326
00:13:09,280 --> 00:13:12,600
Speaker 5: Let's show that, oh, has nothing to do with that.

327
00:13:14,400 --> 00:13:16,480
Speaker 2: You guys, wn b anger?

328
00:13:17,600 --> 00:13:18,160
Speaker 1: What does that mean?

329
00:13:18,280 --> 00:13:18,520
Speaker 3: You guys?

330
00:13:18,520 --> 00:13:21,600
Speaker 2: Hat not Halin Clark for no reason? Women rate each other.

331
00:13:22,720 --> 00:13:24,240
Speaker 1: No, there's no guys.

332
00:13:24,440 --> 00:13:27,560
Speaker 2: I post so much on social media, between the show account,

333
00:13:27,800 --> 00:13:30,760
Speaker 2: my podcast, and my personal I cannot keep track of

334
00:13:30,760 --> 00:13:34,280
Speaker 2: when Amy's your two boyfriend? Good question?

335
00:13:35,160 --> 00:13:39,000
Speaker 1: Why why didn't you do that?

336
00:13:36,360 --> 00:13:43,400
Speaker 2: I don't answer that. You pick yours? Well?

337
00:13:43,559 --> 00:13:48,680
Speaker 1: Yeah, no, yes, yes, mine mine? What's wrong with you?

338
00:13:48,679 --> 00:13:48,880
Speaker 5: Guys?

339
00:13:54,000 --> 00:13:56,160
Speaker 2: Let your boyfriend because you're small? So I am.

340
00:13:56,080 --> 00:14:01,880
Speaker 1: Small, But he I believe is six two? Okay, I'll

341
00:14:01,920 --> 00:14:06,600
Speaker 1: tell us yours six three? How old?

342
00:14:07,000 --> 00:14:07,200
Speaker 4: Hell?

343
00:14:11,160 --> 00:14:17,400
Speaker 2: Yes, God, hello Jerry.

344
00:14:19,680 --> 00:14:20,200
Speaker 1: Fifty two?

345
00:14:21,160 --> 00:14:21,400
Speaker 4: Yeah?

346
00:14:21,640 --> 00:14:23,120
Speaker 1: How old yours? Thirty four?

347
00:14:24,360 --> 00:14:32,320
Speaker 2: How you guys have created a conflict? It's there. I

348
00:14:32,440 --> 00:14:33,760
Speaker 2: just saw it with my own eyes.

349
00:14:36,480 --> 00:14:40,280
Speaker 1: Morgan and I talk often about our boyfriends with each other.

350
00:14:40,320 --> 00:14:41,440
Speaker 1: It was not a competition.

351
00:14:41,720 --> 00:14:47,080
Speaker 4: Wow yeah, you guys, right, fine, right fine, Eddie pulled

352
00:14:47,080 --> 00:14:49,000
Speaker 4: the string and the whole sweater started.

353
00:14:48,720 --> 00:14:53,800
Speaker 2: Iron It's time for the good.

354
00:14:53,600 --> 00:15:00,120
Speaker 1: News produce ready.

355
00:14:58,840 --> 00:15:01,280
Speaker 2: Earlier this week and lovis California.

356
00:15:01,400 --> 00:15:04,280
Speaker 5: Sergio and his little brother, they're driving down the road

357
00:15:04,360 --> 00:15:06,720
Speaker 5: and they see smoke coming from a house. At first

358
00:15:06,800 --> 00:15:09,120
Speaker 5: they think, oh, they're having a barbecue. Pretty cool. The

359
00:15:09,160 --> 00:15:12,080
Speaker 5: closer they get are no barbecue. The house is on fire.

360
00:15:12,760 --> 00:15:15,280
Speaker 5: So they pull over. Sergio and his brother go and

361
00:15:15,280 --> 00:15:15,960
Speaker 5: they look in the house.

362
00:15:16,000 --> 00:15:17,360
Speaker 2: Oh my gosh, there's people in there knocking on.

363
00:15:17,320 --> 00:15:19,720
Speaker 5: The door to tututu, get out, get out, get out.

364
00:15:19,960 --> 00:15:22,000
Speaker 5: No one's answering because I guess they're scared. They have

365
00:15:22,040 --> 00:15:24,160
Speaker 5: no idea what's going on. So what do they do.

366
00:15:24,200 --> 00:15:27,920
Speaker 5: They kick the door open. Boom, guys, we're not kidding, get.

367
00:15:27,840 --> 00:15:29,560
Speaker 2: Out of the house. And what do they know? There

368
00:15:29,560 --> 00:15:30,160
Speaker 2: were people in.

369
00:15:30,080 --> 00:15:32,760
Speaker 5: There, They could hear people in there. They can just

370
00:15:32,920 --> 00:15:34,600
Speaker 5: people to know there was a fire. No, because I mean,

371
00:15:34,640 --> 00:15:36,320
Speaker 5: if someone knocking the door, they're probably don't get the door.

372
00:15:36,440 --> 00:15:38,600
Speaker 2: What are you doing? Like, what's going on? Had no

373
00:15:38,640 --> 00:15:40,280
Speaker 2: idea that the back of their house was on fire.

374
00:15:40,920 --> 00:15:43,520
Speaker 5: So then the little brother, he goes around the house,

375
00:15:43,600 --> 00:15:45,760
Speaker 5: gets a hose while Sergio is getting all the people

376
00:15:45,760 --> 00:15:48,000
Speaker 5: out of the house. Then they start fighting the fire

377
00:15:48,000 --> 00:15:49,960
Speaker 5: on their own with a hose as they call nine

378
00:15:50,040 --> 00:15:50,480
Speaker 5: one one.

379
00:15:50,560 --> 00:15:52,720
Speaker 2: By the time the fire department got there, they've done

380
00:15:52,720 --> 00:15:53,280
Speaker 2: a lot of work.

381
00:15:53,360 --> 00:15:53,520
Speaker 3: You know.

382
00:15:53,600 --> 00:15:56,480
Speaker 2: For sure they were doing the thumb thing. What's the

383
00:15:56,520 --> 00:15:57,840
Speaker 2: thumb thing over the hose.

384
00:16:00,880 --> 00:16:02,800
Speaker 3: For sure they were thumbing that thing because they probably

385
00:16:02,840 --> 00:16:05,720
Speaker 3: wouldn't reach all the parts. Yeah, because if you know

386
00:16:05,800 --> 00:16:08,040
Speaker 3: the thumb thing, you're really not what this is gonna

387
00:16:08,040 --> 00:16:11,240
Speaker 3: be limp right, that's just gonna go straight down thumb

388
00:16:11,240 --> 00:16:13,760
Speaker 3: that thing. I'm saying, great story. Good for those guys

389
00:16:13,800 --> 00:16:15,600
Speaker 3: saving lives and thumbing that thing, you know what I mean.

390
00:16:15,600 --> 00:16:17,560
Speaker 3: But you know why they're saying they're not hero heroes. No,

391
00:16:17,600 --> 00:16:19,840
Speaker 3: heroes don't actually say their heroes, correct. That's thing about

392
00:16:19,840 --> 00:16:22,280
Speaker 3: a hero. They never say they're a hero. Good story,

393
00:16:22,400 --> 00:16:25,440
Speaker 3: that's what it's all about. That was tell me something good.

394
00:16:27,080 --> 00:16:30,280
Speaker 3: Let's talk about cheating. If your partner is buying new underwear,

395
00:16:30,360 --> 00:16:33,240
Speaker 3: they may be cheating. According to experts, I just bought

396
00:16:33,280 --> 00:16:33,880
Speaker 3: new underwear.

397
00:16:34,400 --> 00:16:37,440
Speaker 2: Yeah, what it's good job outing yourself.

398
00:16:37,880 --> 00:16:40,960
Speaker 3: Like, dudes don't buy underwear that often.

399
00:16:41,640 --> 00:16:42,600
Speaker 2: I needed underwear.

400
00:16:42,680 --> 00:16:44,400
Speaker 5: It's been it's been a while, but I needed underwear,

401
00:16:44,400 --> 00:16:45,120
Speaker 5: so I want to bought something.

402
00:16:45,160 --> 00:16:46,240
Speaker 1: But why did you need underwear?

403
00:16:46,240 --> 00:16:47,880
Speaker 2: Because they're torn, because they have holes all in them?

404
00:16:47,960 --> 00:16:50,720
Speaker 2: About that? Yeah, yeah, have the timing doesn't work out?

405
00:16:50,720 --> 00:16:51,160
Speaker 3: What right?

406
00:16:51,760 --> 00:16:53,920
Speaker 1: Because people are gonna hear this and be like, oh my.

407
00:16:54,000 --> 00:16:55,480
Speaker 2: It doesn't say it's an absolute.

408
00:16:55,560 --> 00:16:58,040
Speaker 3: It says it could be a clue, like of all

409
00:16:58,040 --> 00:17:00,640
Speaker 3: of a sudden, your person's buying a bunch of new

410
00:17:00,720 --> 00:17:06,639
Speaker 3: underwear and slightly different style. Oh like like like the

411
00:17:06,720 --> 00:17:09,560
Speaker 3: excitement of an affair makes people want to look their best,

412
00:17:09,880 --> 00:17:14,520
Speaker 3: so they will upgrade their underwear. It's especially suspicious if

413
00:17:14,520 --> 00:17:18,080
Speaker 3: you have never seen new underwear on your partner. Mall

414
00:17:18,160 --> 00:17:20,159
Speaker 3: trips are fine as long as you're noticing the new

415
00:17:20,200 --> 00:17:22,679
Speaker 3: clothes and underwear being worn around you from your tango.

416
00:17:23,200 --> 00:17:25,240
Speaker 3: Your thoughts, Amy, this is just a clue. This is

417
00:17:25,280 --> 00:17:27,280
Speaker 3: not if they bought new underwear, they're cheating on you.

418
00:17:28,160 --> 00:17:31,199
Speaker 1: I mean, sure, could it be happening. But does that

419
00:17:31,280 --> 00:17:34,720
Speaker 1: mean that anybody that's done that recently that you should

420
00:17:34,720 --> 00:17:35,760
Speaker 1: be suspicious of them?

421
00:17:36,000 --> 00:17:36,080
Speaker 3: No?

422
00:17:37,400 --> 00:17:40,239
Speaker 1: But they're like, I'm saving this for later. Like if

423
00:17:40,280 --> 00:17:42,199
Speaker 1: they never wear it around you, like you see the

424
00:17:42,200 --> 00:17:44,840
Speaker 1: new underwear, but it's like always in a go bag.

425
00:17:45,480 --> 00:17:50,880
Speaker 3: Yeah, Or if it's been washed but you've never seen them.

426
00:17:51,520 --> 00:17:52,520
Speaker 1: Oh, Like if.

427
00:17:52,400 --> 00:17:54,719
Speaker 3: They're in the laundry you're being sneaky about it, that

428
00:17:54,760 --> 00:17:56,200
Speaker 3: means you've probably worn them somewhere.

429
00:17:56,280 --> 00:17:59,600
Speaker 1: Does this work over both sexes? Right now we're talking

430
00:17:59,640 --> 00:18:03,160
Speaker 1: men like, yeah, yeah, it just as partner. Are women

431
00:18:03,160 --> 00:18:04,480
Speaker 1: buy you all the time?

432
00:18:04,680 --> 00:18:07,080
Speaker 2: Guys don't? Though generally speaking we don't. We like hold

433
00:18:07,080 --> 00:18:07,399
Speaker 2: on to it.

434
00:18:07,480 --> 00:18:09,000
Speaker 3: If we have good ones, they're like our favorites and

435
00:18:09,000 --> 00:18:11,080
Speaker 3: they go into the rotation like every four or five days.

436
00:18:11,160 --> 00:18:13,280
Speaker 1: Okay, And I guess it's not all the time, but

437
00:18:13,320 --> 00:18:16,680
Speaker 1: I think yes, compared to men, we buy it more.

438
00:18:16,840 --> 00:18:19,719
Speaker 3: Other clues would be and again these are just clues.

439
00:18:20,080 --> 00:18:22,879
Speaker 3: If they always have their phone face down, and they

440
00:18:22,920 --> 00:18:25,960
Speaker 3: don't typically always have their phone face down. I keep

441
00:18:26,000 --> 00:18:27,800
Speaker 3: my phone face down all the time. I have the

442
00:18:27,920 --> 00:18:30,560
Speaker 3: entire time I've known my wife because when I do

443
00:18:30,640 --> 00:18:33,760
Speaker 3: this show, I don't want to be distracted by alerts,

444
00:18:33,920 --> 00:18:36,440
Speaker 3: Like now my phone is face down, and so I

445
00:18:36,520 --> 00:18:37,720
Speaker 3: keep it face down all the time.

446
00:18:37,760 --> 00:18:39,960
Speaker 2: And so when I go home, I keep it face down. Also,

447
00:18:40,000 --> 00:18:40,880
Speaker 2: I keep my sound off.

448
00:18:40,920 --> 00:18:43,040
Speaker 3: My sound is never on on my phone for the

449
00:18:43,040 --> 00:18:45,000
Speaker 3: same reason I don't want to go after on the show,

450
00:18:45,000 --> 00:18:46,720
Speaker 3: so I never turn it back on when I'm home.

451
00:18:46,920 --> 00:18:48,399
Speaker 2: But I would say, if your dude.

452
00:18:49,640 --> 00:18:52,480
Speaker 3: Is always phone up and then all of a sudden

453
00:18:52,560 --> 00:18:55,840
Speaker 3: he's phoned down all the time and he's got no

454
00:18:55,880 --> 00:18:58,760
Speaker 3: one to wear, we should be talking about this. So

455
00:18:58,800 --> 00:19:02,320
Speaker 3: it's it's mostly a chain in patterns more than it

456
00:19:02,440 --> 00:19:05,360
Speaker 3: is any of these singular things like.

457
00:19:05,359 --> 00:19:08,720
Speaker 1: He's never played golf and now he golfs up.

458
00:19:09,440 --> 00:19:12,320
Speaker 2: Yeah. Easy. If he's disappearing for four to five hours

459
00:19:12,320 --> 00:19:13,080
Speaker 2: and he turns off.

460
00:19:12,920 --> 00:19:15,760
Speaker 1: His location because he's quote gold and he's going to.

461
00:19:15,680 --> 00:19:17,480
Speaker 2: Golf in his new underwear with his phone down.

462
00:19:17,400 --> 00:19:18,840
Speaker 1: He doesn't even have golf clubs.

463
00:19:19,720 --> 00:19:22,040
Speaker 2: Oh that's different. What are you talking about? Where is

464
00:19:22,080 --> 00:19:24,840
Speaker 2: this coming from? I feel like much.

465
00:19:25,080 --> 00:19:26,880
Speaker 1: No, I feel like over the years, at some point

466
00:19:27,000 --> 00:19:29,960
Speaker 1: y'all have said, like, well, it's another sign, and it's

467
00:19:30,000 --> 00:19:34,400
Speaker 1: like the golf a lot, because that's easy, Like.

468
00:19:34,880 --> 00:19:37,800
Speaker 3: Alibi, my wife knows exactly what hold I'm on if

469
00:19:37,840 --> 00:19:39,160
Speaker 3: she ever wants to look and see where I am

470
00:19:39,200 --> 00:19:41,879
Speaker 3: because the iPhone is so good now saying exactly where.

471
00:19:42,200 --> 00:19:43,600
Speaker 3: At times she texted me like, oh, it looks like

472
00:19:43,640 --> 00:19:46,480
Speaker 3: you're in the woods again, did you lose the ball?

473
00:19:46,680 --> 00:19:48,200
Speaker 3: Looks like you may be in the woods right now.

474
00:19:49,160 --> 00:19:52,320
Speaker 3: Any other hints phone down when not normally down. I

475
00:19:52,359 --> 00:19:56,520
Speaker 3: would say if they've changed their notification too, because if

476
00:19:56,560 --> 00:19:58,960
Speaker 3: I get a text now on my front, it'll say

477
00:19:59,000 --> 00:20:01,639
Speaker 3: what the message is, It'll say, Amy, Hey, here's a

478
00:20:01,640 --> 00:20:04,080
Speaker 3: picture of the urinal from the restaurant you asked about.

479
00:20:04,440 --> 00:20:07,320
Speaker 3: But if then it says Amy, one new message because

480
00:20:07,320 --> 00:20:09,560
Speaker 3: I've changed that to where you can't see it again.

481
00:20:09,600 --> 00:20:11,639
Speaker 3: It's about a change in pattern more than it is

482
00:20:11,640 --> 00:20:13,800
Speaker 3: what it actually is, that would be one.

483
00:20:14,520 --> 00:20:16,439
Speaker 1: Yeah, But I guess that depends too if you have kids,

484
00:20:16,520 --> 00:20:20,320
Speaker 1: because I don't have. My kids will have my phone

485
00:20:20,520 --> 00:20:23,119
Speaker 1: and sometimes like their dad and I text about stuff

486
00:20:23,119 --> 00:20:25,199
Speaker 1: that is about them and so.

487
00:20:25,640 --> 00:20:27,800
Speaker 2: But it's about a pattern change. Your pattern hasn't changed.

488
00:20:27,720 --> 00:20:29,760
Speaker 1: Right, That's been that way for a long time.

489
00:20:29,840 --> 00:20:32,320
Speaker 3: Another one is if your wife finds women's underwear in

490
00:20:32,320 --> 00:20:32,640
Speaker 3: your car.

491
00:20:33,440 --> 00:20:35,560
Speaker 2: That happened to Eddy. No one's common. I thought it

492
00:20:35,560 --> 00:20:36,880
Speaker 2: was underwear, but it wasn't, and you.

493
00:20:36,840 --> 00:20:38,920
Speaker 3: Were freaking out because you thought somehow there are women's

494
00:20:38,960 --> 00:20:40,280
Speaker 3: underwear in your car that you did not.

495
00:20:40,359 --> 00:20:42,240
Speaker 2: It wasn't It wasn't me due I didn't put it there.

496
00:20:42,280 --> 00:20:43,240
Speaker 2: Do you remember this bit?

497
00:20:43,400 --> 00:20:45,720
Speaker 1: Yes, it was like his son's face mask, and it

498
00:20:45,720 --> 00:20:47,199
Speaker 1: didn't even look feminine at all.

499
00:20:47,240 --> 00:20:50,359
Speaker 2: What underwear? I don't really know. I didn't ever touch it.

500
00:20:50,440 --> 00:20:51,159
Speaker 2: You know what I suck at?

501
00:20:51,160 --> 00:20:53,200
Speaker 3: I want to tell what I suck at. My wife's like, hey,

502
00:20:54,040 --> 00:20:55,679
Speaker 3: pick out something I should wear. I don't know how

503
00:20:55,680 --> 00:20:56,679
Speaker 3: to pick out women's clothes.

504
00:20:57,240 --> 00:20:59,320
Speaker 2: Well, yeah, I know if a T shirt looks cool

505
00:20:59,359 --> 00:21:01,200
Speaker 2: or pair of shorts, but like a dress or something,

506
00:21:01,200 --> 00:21:03,280
Speaker 2: I don't know how If like we're in the mall,

507
00:21:03,400 --> 00:21:05,160
Speaker 2: she's like, which of these do you like? I don't know.

508
00:21:05,920 --> 00:21:08,520
Speaker 2: I know it's a pattern. You have an opinion how

509
00:21:08,560 --> 00:21:11,000
Speaker 2: it fit. I don't. I can't look at an article

510
00:21:11,000 --> 00:21:12,479
Speaker 2: of women's clothing and know how that's going to fit

511
00:21:12,520 --> 00:21:16,080
Speaker 2: on anybody's body. Yeah, so I don't like stylistic I

512
00:21:16,080 --> 00:21:17,760
Speaker 2: can tell you have the pattern's.

513
00:21:17,640 --> 00:21:19,760
Speaker 1: Cute, well, good thing, she's good at it.

514
00:21:19,840 --> 00:21:22,560
Speaker 2: So yeah, more than anything else, we're missing.

515
00:21:22,720 --> 00:21:25,560
Speaker 1: I would say, if they're liking a bunch of other

516
00:21:25,720 --> 00:21:28,760
Speaker 1: genders on Instagram. Like, if a dude is liking a

517
00:21:28,800 --> 00:21:31,600
Speaker 1: bunch of women's pictures on Instagram, that's always a big sign.

518
00:21:31,720 --> 00:21:35,680
Speaker 2: Doesn't Lunchbucks do that? But if pattern hasn't changed, it's

519
00:21:35,760 --> 00:21:40,439
Speaker 2: always I don't like it. I just look Eddy, what's happening.

520
00:21:40,480 --> 00:21:42,320
Speaker 5: There's a little battle at the house between me and

521
00:21:42,359 --> 00:21:45,360
Speaker 5: my wife, cause, like, the kids do the lawn right,

522
00:21:45,400 --> 00:21:47,399
Speaker 5: they cut the grass and everything. And I've had this

523
00:21:47,520 --> 00:21:50,200
Speaker 5: mower for like ten years. It's been a great mower,

524
00:21:50,480 --> 00:21:53,359
Speaker 5: but now that it's older, it shakes and shakes the

525
00:21:53,359 --> 00:21:56,040
Speaker 5: point where like when you mow, your hands just start

526
00:21:56,119 --> 00:21:58,920
Speaker 5: like burning. And so my kids are complaining. They're like, Dad,

527
00:21:58,960 --> 00:22:01,159
Speaker 5: we need a new mower. It hurts my hands and

528
00:22:01,200 --> 00:22:03,720
Speaker 5: they have to take breaks every five minutes. My wife's like,

529
00:22:03,760 --> 00:22:05,240
Speaker 5: let me buy them a new mower. I'm like, no,

530
00:22:05,840 --> 00:22:09,520
Speaker 5: This gives them character, Like they're gonna learn to appreciate

531
00:22:09,520 --> 00:22:10,120
Speaker 5: stuff later.

532
00:22:10,240 --> 00:22:12,680
Speaker 2: If they have the hard stuff now that they're young,

533
00:22:12,800 --> 00:22:16,000
Speaker 2: If they have crappy equipment, they'll appreciate the better equipment later.

534
00:22:16,080 --> 00:22:17,760
Speaker 5: Yeah, what are they gonna learn if I go out

535
00:22:17,840 --> 00:22:19,080
Speaker 5: to home DEEPO and buy.

536
00:22:18,920 --> 00:22:20,240
Speaker 2: Them a new mower and they're just like ah, this

537
00:22:20,320 --> 00:22:21,159
Speaker 2: is great, you know.

538
00:22:21,280 --> 00:22:23,399
Speaker 5: No, they got to learn the hardships now so that

539
00:22:23,600 --> 00:22:26,680
Speaker 5: they can enjoy later. So what's the fight My wife

540
00:22:26,720 --> 00:22:28,760
Speaker 5: wants to buy a lawnmore. I'm like, no, let them

541
00:22:28,800 --> 00:22:30,720
Speaker 5: suffer now so they learn. Amy of your thoughts as

542
00:22:30,720 --> 00:22:32,600
Speaker 5: a parent, I don't know that they need.

543
00:22:32,480 --> 00:22:34,960
Speaker 1: To suffer, like I'm like, I need to see how

544
00:22:35,000 --> 00:22:36,480
Speaker 1: bad is pretty bad?

545
00:22:37,640 --> 00:22:40,000
Speaker 3: Ever? Is the suffering having to mow of the yard

546
00:22:40,320 --> 00:22:42,440
Speaker 3: more so than get having bad equipment to mow the ardy?

547
00:22:42,440 --> 00:22:46,800
Speaker 1: I'm mowing the art is already building work, ethic and character,

548
00:22:46,920 --> 00:22:48,679
Speaker 1: especially in the hot summer days.

549
00:22:49,000 --> 00:22:50,120
Speaker 2: That would be my thought too.

550
00:22:50,720 --> 00:22:52,840
Speaker 3: The character is being built by having to do the work,

551
00:22:53,240 --> 00:22:55,880
Speaker 3: not by having bad equipment to do the work. It's

552
00:22:55,880 --> 00:22:58,720
Speaker 3: building character, like responsibilities being taught because you have to

553
00:22:58,720 --> 00:22:59,680
Speaker 3: go mow the yard and you have to do a

554
00:22:59,720 --> 00:23:00,920
Speaker 3: good of it, or you have to go out and

555
00:23:00,960 --> 00:23:03,280
Speaker 3: do it again, not we're gonna give you bad equipment.

556
00:23:03,600 --> 00:23:06,240
Speaker 2: Like would you send them to school with out you know,

557
00:23:06,240 --> 00:23:09,639
Speaker 2: a computer or the tools they need and be like,

558
00:23:09,680 --> 00:23:12,040
Speaker 2: well you need bad learning equipment so you learn better.

559
00:23:12,880 --> 00:23:15,480
Speaker 5: Yeah, yeah, yeah, Like a calculator, that's a good point.

560
00:23:15,480 --> 00:23:17,280
Speaker 5: Like a calculator that maybe doesn't work as well as

561
00:23:17,800 --> 00:23:18,560
Speaker 5: you wouldn't do that.

562
00:23:19,440 --> 00:23:21,640
Speaker 1: Or like if something if like one of your buttons

563
00:23:21,680 --> 00:23:24,160
Speaker 1: was broken and Bobby was like, hey, I'm gonna teach

564
00:23:24,200 --> 00:23:25,120
Speaker 1: a character.

565
00:23:25,119 --> 00:23:28,000
Speaker 5: Right, I'm gonna hold though, I'm anna adult their children

566
00:23:28,080 --> 00:23:28,760
Speaker 5: like they've got it.

567
00:23:28,960 --> 00:23:30,640
Speaker 2: This is when life's hard, right, So.

568
00:23:30,600 --> 00:23:32,680
Speaker 5: When it's old, when they're older, they're like, oh man,

569
00:23:32,720 --> 00:23:34,920
Speaker 5: I remember dad man has used that lawmore and.

570
00:23:34,880 --> 00:23:35,760
Speaker 2: That was hard to do.

571
00:23:35,880 --> 00:23:37,960
Speaker 5: But you know what, I think that that was stupid. No,

572
00:23:38,359 --> 00:23:39,959
Speaker 5: they're gonna say it made me tougher.

573
00:23:41,880 --> 00:23:43,480
Speaker 3: I think them having to mo the yard on a

574
00:23:43,520 --> 00:23:45,000
Speaker 3: schedule and do a good job or they have to

575
00:23:45,040 --> 00:23:47,640
Speaker 3: do it again, that builds the character you're looking for.

576
00:23:48,160 --> 00:23:49,720
Speaker 3: I think if you want them to have like strong

577
00:23:49,800 --> 00:23:54,120
Speaker 3: hands with callouses, yeah, that's a different you know, benefit

578
00:23:54,160 --> 00:23:55,080
Speaker 3: to having bad equipment.

579
00:23:55,200 --> 00:23:57,520
Speaker 5: Yes, it's like you know they're gonna like build a

580
00:23:57,560 --> 00:23:59,960
Speaker 5: fence or something. Right, and then a money thing, well

581
00:24:00,040 --> 00:24:01,600
Speaker 5: part of it. If you don't want to spend the money,

582
00:24:01,600 --> 00:24:03,160
Speaker 5: that's a whole different thing. You shouldn't make it about

583
00:24:03,200 --> 00:24:05,000
Speaker 5: the kids and they're what they're learning.

584
00:24:05,080 --> 00:24:06,480
Speaker 2: It's like construction.

585
00:24:06,680 --> 00:24:10,040
Speaker 5: You like you can buy a thing that like shoots

586
00:24:10,040 --> 00:24:11,800
Speaker 5: the nails into the into the wall, right, like a

587
00:24:12,119 --> 00:24:15,040
Speaker 5: whatever nail gun, or you can make them use a hammer.

588
00:24:15,080 --> 00:24:16,840
Speaker 5: They're never going to learn how to use a hammer

589
00:24:16,880 --> 00:24:17,440
Speaker 5: if you buy.

590
00:24:17,240 --> 00:24:18,800
Speaker 2: Them the nail gun. Do they learn? Did they learn

591
00:24:18,800 --> 00:24:19,760
Speaker 2: how to mow the yard? Already?

592
00:24:19,920 --> 00:24:21,520
Speaker 1: They know how to mow them And it's not like

593
00:24:21,560 --> 00:24:23,520
Speaker 1: you're buying them a writing lawn or you're gonna buy

594
00:24:23,520 --> 00:24:25,679
Speaker 1: them a push mower. Yeah, like they're not. You're not

595
00:24:25,760 --> 00:24:27,240
Speaker 1: making much of the push more easier.

596
00:24:27,400 --> 00:24:28,040
Speaker 2: Point.

597
00:24:28,320 --> 00:24:30,639
Speaker 5: I mean, what, well, we have a better version, probably

598
00:24:30,680 --> 00:24:31,720
Speaker 5: like two hundred bucks.

599
00:24:32,520 --> 00:24:34,720
Speaker 1: Bobby, don't, don't, don't.

600
00:24:34,520 --> 00:24:37,639
Speaker 2: Don't buy them? Do you want to buy them? The

601
00:24:37,640 --> 00:24:39,600
Speaker 2: Bobby claus instincts was coming in.

602
00:24:39,840 --> 00:24:42,639
Speaker 5: Okay, even if you do. I still think they're not

603
00:24:42,720 --> 00:24:44,600
Speaker 5: learning the hardships of like working.

604
00:24:44,840 --> 00:24:47,360
Speaker 3: They are learning the hardships of working. But I don't

605
00:24:47,359 --> 00:24:49,360
Speaker 3: think you should penalize them by having bad equipment.

606
00:24:50,160 --> 00:24:52,240
Speaker 2: I mean, it works, That's what I keep telling my wife.

607
00:24:52,280 --> 00:24:54,119
Speaker 2: It's still give them some scissors and just say go

608
00:24:54,160 --> 00:24:56,159
Speaker 2: to town, go mow the yard. I did you know

609
00:24:56,200 --> 00:24:57,200
Speaker 2: what I saw? A kid?

610
00:24:57,240 --> 00:24:59,040
Speaker 5: I drove by a house and a kid had one

611
00:24:59,040 --> 00:25:00,440
Speaker 5: of those the ones you just push.

612
00:25:00,480 --> 00:25:05,440
Speaker 2: It's not no gas. Nothing that will played. Oh that awesome. Tomorrow.

613
00:25:05,520 --> 00:25:07,560
Speaker 3: By the way, Eddie will be eating seventy hot dogs

614
00:25:07,600 --> 00:25:10,000
Speaker 3: in twenty four hours. We'll be live streaming it on

615
00:25:10,000 --> 00:25:13,160
Speaker 3: our Bobby Bone Show YouTube page. But tomorrow after the show,

616
00:25:13,160 --> 00:25:15,239
Speaker 3: so we'll start around nine thirty. Go subscribe to that.

617
00:25:15,440 --> 00:25:16,760
Speaker 3: What do your kids think about that? Do you think

618
00:25:16,760 --> 00:25:18,080
Speaker 3: you're cool when you do challenges like that?

619
00:25:18,160 --> 00:25:20,840
Speaker 2: They think it's awesome. They do, like, not all the challenges,

620
00:25:20,880 --> 00:25:23,440
Speaker 2: but this one they think is awesome. Do they think

621
00:25:23,440 --> 00:25:25,600
Speaker 2: you can do it? Yeah? Yeah, Do you think you

622
00:25:25,600 --> 00:25:27,480
Speaker 2: can do it? Yes? You do. Now you're starting to

623
00:25:27,480 --> 00:25:27,800
Speaker 2: build that.

624
00:25:28,280 --> 00:25:30,480
Speaker 5: Let me tell you something, dude, I'm having dreams about it,

625
00:25:31,040 --> 00:25:32,680
Speaker 5: and in my dreams, I'm doing it.

626
00:25:34,720 --> 00:25:38,200
Speaker 2: No, No, what do you mean that. I meant that's weird.

627
00:25:38,280 --> 00:25:38,440
Speaker 3: Bro.

628
00:25:39,720 --> 00:25:45,600
Speaker 2: No, I'm eating the hot dogs and say all that

629
00:25:45,640 --> 00:25:48,080
Speaker 2: you just said. You're doing it with the hot dogs tomorrow.

630
00:25:48,119 --> 00:25:50,840
Speaker 3: Subscribe on the Bobby Bone Show YouTube channel now that

631
00:25:50,920 --> 00:25:56,920
Speaker 3: happens tomorrow. Amy has aligned with Lunchbox. I have Eddie

632
00:25:56,960 --> 00:25:58,320
Speaker 3: because you were left over no offense.

633
00:25:58,400 --> 00:25:59,680
Speaker 2: Yeah, yeah, last one picked.

634
00:25:59,680 --> 00:26:02,960
Speaker 3: We're gonna do Famous Females trivia and so, by the way,

635
00:26:03,000 --> 00:26:04,720
Speaker 3: today is a Millia Earhart's birthday.

636
00:26:04,880 --> 00:26:06,359
Speaker 2: If she were alive today, she'd be one hundred and

637
00:26:06,400 --> 00:26:06,760
Speaker 2: twenty eight.

638
00:26:07,160 --> 00:26:09,600
Speaker 3: Wow, we would be like, dang year old, have birthday,

639
00:26:09,640 --> 00:26:10,240
Speaker 3: Happy birthday.

640
00:26:10,240 --> 00:26:11,520
Speaker 1: So we're going like old school.

641
00:26:11,680 --> 00:26:13,640
Speaker 2: It's famous women throughout history.

642
00:26:13,960 --> 00:26:19,000
Speaker 3: Lunchbox and Eddie both need to leave the room.

643
00:26:19,800 --> 00:26:23,360
Speaker 2: I'm older, you can stay in, Eddie, Lunchbox will go out.

644
00:26:23,359 --> 00:26:23,919
Speaker 2: Get out of here.

645
00:26:23,960 --> 00:26:27,440
Speaker 3: Line. Make sure he goes in the isolation boods. By

646
00:26:27,440 --> 00:26:32,720
Speaker 3: the way, Amelia Airharts, she was a pioneering aviator. She

647
00:26:32,920 --> 00:26:35,440
Speaker 3: and her navigator, Fred Noonan vanished during a round the

648
00:26:35,440 --> 00:26:35,960
Speaker 3: world flight.

649
00:26:36,200 --> 00:26:41,000
Speaker 2: Oh she had a navigator. Yeah, I realize that by herself. Like,

650
00:26:41,040 --> 00:26:42,520
Speaker 2: that's impressible around the world.

651
00:26:42,920 --> 00:26:45,600
Speaker 5: Ye that way, you know, I guess they didn't have

652
00:26:45,640 --> 00:26:50,480
Speaker 5: autopilot then, huh, I've been tough nineteen thirty seven, no autopilot.

653
00:26:51,320 --> 00:26:51,639
Speaker 2: Okay.

654
00:26:51,680 --> 00:26:55,240
Speaker 3: So an example question is who was the first one

655
00:26:55,280 --> 00:26:56,840
Speaker 3: to fly solo across the Atlantic Ocean?

656
00:26:56,840 --> 00:27:00,680
Speaker 2: Amelia Earhart? Correct. So I have ten questions. We'll see

657
00:27:00,680 --> 00:27:01,320
Speaker 2: how many you get.

658
00:27:01,440 --> 00:27:03,919
Speaker 3: These are all famous females, and then we'll bring Lunchbox

659
00:27:03,960 --> 00:27:04,880
Speaker 3: in and see how many he gets.

660
00:27:05,119 --> 00:27:07,480
Speaker 2: Two dollars on the line. This is big money for me.

661
00:27:07,560 --> 00:27:09,679
Speaker 2: Big our currency here we have, I have a bucket

662
00:27:09,680 --> 00:27:11,280
Speaker 2: full of cash. Number one.

663
00:27:12,320 --> 00:27:15,840
Speaker 3: What African American woman was a conductor on the underground

664
00:27:15,920 --> 00:27:19,320
Speaker 3: railroad and help hundreds of enslaved people escape to freedom.

665
00:27:19,320 --> 00:27:20,400
Speaker 2: That is Harriet Tubman.

666
00:27:20,520 --> 00:27:24,879
Speaker 3: One point Eddie Number two, who is known as the

667
00:27:24,920 --> 00:27:29,120
Speaker 3: Queen of country music. Amy, why are you whispering into

668
00:27:29,119 --> 00:27:29,840
Speaker 3: the microphone?

669
00:27:30,480 --> 00:27:32,000
Speaker 1: I started playing along myself.

670
00:27:33,080 --> 00:27:35,439
Speaker 2: I'll stop, you can play along. I didn't know if

671
00:27:35,440 --> 00:27:36,840
Speaker 2: you were like giving hints or something. Aren't you go?

672
00:27:37,000 --> 00:27:41,000
Speaker 2: Queen Eddie who is known as the Queen of country music,

673
00:27:41,040 --> 00:27:43,120
Speaker 2: the Queen of country music. Five seconds.

674
00:27:43,240 --> 00:27:46,439
Speaker 5: George is the king, so I guess Rebo would be

675
00:27:46,440 --> 00:27:47,800
Speaker 5: the queen incorrect.

676
00:27:48,400 --> 00:27:50,600
Speaker 2: Amy would give Dolly Parton.

677
00:27:50,800 --> 00:27:54,520
Speaker 3: Oh dang, what I've never heard that never who starred

678
00:27:54,520 --> 00:27:57,520
Speaker 3: as Olivia Pope and the hit TV drama Scandal and

679
00:27:57,680 --> 00:27:59,800
Speaker 3: was the first black woman to lead a network drama

680
00:27:59,800 --> 00:28:00,919
Speaker 3: and over forty years.

681
00:28:01,480 --> 00:28:02,679
Speaker 2: What is her name?

682
00:28:03,720 --> 00:28:03,879
Speaker 3: You have?

683
00:28:03,960 --> 00:28:04,600
Speaker 2: Ten seconds?

684
00:28:05,880 --> 00:28:06,520
Speaker 4: Bo?

685
00:28:08,119 --> 00:28:13,119
Speaker 5: Dang Chandra Rhimes no created the show, though I know

686
00:28:13,240 --> 00:28:14,440
Speaker 5: that was all that was in my head.

687
00:28:14,840 --> 00:28:16,199
Speaker 2: The answer is Carrie Washington.

688
00:28:16,359 --> 00:28:19,520
Speaker 3: Dang it, Yes, that's her, who played Dorothy in the

689
00:28:19,520 --> 00:28:22,040
Speaker 3: classic nineteen thirty nine film The Wizard of Oz.

690
00:28:22,240 --> 00:28:30,159
Speaker 2: That's Judy Garland Correct. Older Women which singer made history.

691
00:28:30,119 --> 00:28:33,000
Speaker 3: In twenty twenty three by becoming the most awarded artist

692
00:28:33,040 --> 00:28:34,200
Speaker 3: in Grammy history.

693
00:28:34,320 --> 00:28:43,920
Speaker 2: Adele Beyonce five left, who was the first woman inducted

694
00:28:43,960 --> 00:28:45,200
Speaker 2: into the Rock and Roll Hall of Fame.

695
00:28:46,440 --> 00:28:50,800
Speaker 5: I mean she loves rock and roll. Pat bennettar, she

696
00:28:51,320 --> 00:28:54,160
Speaker 5: loves rock and roll? No, I read the frame.

697
00:28:54,400 --> 00:28:58,000
Speaker 2: Oh my goodness. Four left? Maybe I don't know? Women

698
00:28:58,280 --> 00:29:01,360
Speaker 2: who led French troops during the One Hundred Years War

699
00:29:01,800 --> 00:29:06,200
Speaker 2: and was later canonized as a Saint Joan of Arc Correct.

700
00:29:07,320 --> 00:29:08,600
Speaker 2: Older woman Wow?

701
00:29:11,080 --> 00:29:15,600
Speaker 3: Which Supreme Court justice known as the Notorious RBG is

702
00:29:15,640 --> 00:29:20,960
Speaker 3: known for her fierce advocacy for gender equality. Supreme Court

703
00:29:21,000 --> 00:29:26,080
Speaker 3: Justice He's known as one of the RGV the Notorious RBG, RBG.

704
00:29:28,720 --> 00:29:38,440
Speaker 5: Oh Ginsburg Correct, Wow, Ruth bader Ginsburg Wow.

705
00:29:38,440 --> 00:29:40,600
Speaker 2: I cannot believe I got the older woman. Let's s eight.

706
00:29:40,600 --> 00:29:41,040
Speaker 2: Here we go.

707
00:29:42,400 --> 00:29:46,000
Speaker 3: Who became NCAA Division IE women's all time leading scorer,

708
00:29:46,280 --> 00:29:50,680
Speaker 3: finishing with three thoy five hundred and sixty nine career points.

709
00:29:50,720 --> 00:29:54,560
Speaker 2: Taitlin Clark correct. Final question?

710
00:29:56,040 --> 00:29:58,800
Speaker 3: What country artists became the youngest individual to ever win

711
00:29:58,800 --> 00:30:01,960
Speaker 3: a Grammy at fourteen years old when she won Best

712
00:30:01,960 --> 00:30:05,240
Speaker 3: New Artist and Best Female Country Vocal Performance in nineteen

713
00:30:05,280 --> 00:30:05,880
Speaker 3: ninety seven.

714
00:30:06,600 --> 00:30:08,240
Speaker 2: Oh ninety seven.

715
00:30:07,960 --> 00:30:10,440
Speaker 3: What Country artist became the youngest individual to ever win

716
00:30:10,480 --> 00:30:11,880
Speaker 3: a Grammy at fourteen years old.

717
00:30:11,960 --> 00:30:15,840
Speaker 5: That's huge, that's Leanne Riime's correct, because how almost went

718
00:30:15,880 --> 00:30:17,760
Speaker 5: Taylor Swift Eddie went six.

719
00:30:17,600 --> 00:30:21,960
Speaker 2: Out of ten. That's pretty good. Guys. Jonah Bark was here, good,

720
00:30:22,000 --> 00:30:22,760
Speaker 2: not bad. Thank you.

721
00:30:23,240 --> 00:30:25,360
Speaker 3: Let's bring in the guy who screamed I know women

722
00:30:26,040 --> 00:30:26,880
Speaker 3: and Amy picks.

723
00:30:27,200 --> 00:30:28,360
Speaker 2: Yeah, Amy did pick him first.

724
00:30:28,400 --> 00:30:29,840
Speaker 1: No, no, I'm starting to what.

725
00:30:29,800 --> 00:30:30,560
Speaker 2: Do you think he'll get?

726
00:30:31,000 --> 00:30:33,360
Speaker 1: Regret that. I think he'll get Harriet Tubban.

727
00:30:34,120 --> 00:30:34,720
Speaker 2: That's about it.

728
00:30:35,040 --> 00:30:36,800
Speaker 3: I think he may get Dolly because I think he'll

729
00:30:37,040 --> 00:30:39,400
Speaker 3: like two peopeople and get here he is lunchbox.

730
00:30:39,800 --> 00:30:42,640
Speaker 2: Yeah, man, you must have struggled. Dude. Why do you

731
00:30:42,640 --> 00:30:44,320
Speaker 2: think that it took so long? I was in there

732
00:30:44,360 --> 00:30:46,680
Speaker 2: for like an hour, but like it wasn't an hour.

733
00:30:46,800 --> 00:30:49,960
Speaker 2: Ten questions? Yeah, question number one?

734
00:30:50,760 --> 00:30:53,120
Speaker 3: What an African American woman was a conductor on the

735
00:30:53,240 --> 00:30:56,719
Speaker 3: underground railroad and helped hundreds of enslaved people escape to freedom.

736
00:30:56,960 --> 00:30:59,520
Speaker 2: I'm glad you asked you that Bobby, that's Harriet Tubman. Correct.

737
00:31:00,840 --> 00:31:03,400
Speaker 3: Question number two. Who is known as the queen of

738
00:31:03,440 --> 00:31:09,040
Speaker 3: country music? Huh the queen of country music?

739
00:31:10,360 --> 00:31:14,240
Speaker 2: Never heard that in my life. So we'll go with

740
00:31:17,960 --> 00:31:24,640
Speaker 2: King is? Who King is? George? Give me Dolly Parton?

741
00:31:26,600 --> 00:31:28,240
Speaker 2: I told you you to get that one to day down.

742
00:31:28,920 --> 00:31:29,200
Speaker 1: Okay.

743
00:31:29,240 --> 00:31:32,479
Speaker 2: Who else are you thinking? June Carter Cash?

744
00:31:32,560 --> 00:31:34,960
Speaker 1: Okay, So the whole time I was in my head

745
00:31:35,040 --> 00:31:35,760
Speaker 1: going say.

746
00:31:35,600 --> 00:31:40,640
Speaker 4: Doll no, no, give me that by osmosis.

747
00:31:41,600 --> 00:31:43,320
Speaker 2: That's not no no reverse osmosis.

748
00:31:43,400 --> 00:31:47,080
Speaker 3: No no, no, no, no, no no no no. Next up, Well,

749
00:31:47,160 --> 00:31:50,400
Speaker 3: who starred as Olivia Pope and the hit TV drama

750
00:31:50,440 --> 00:31:52,840
Speaker 3: Scandal and was the first black woman to lead the

751
00:31:52,880 --> 00:31:54,760
Speaker 3: network drama in over forty years.

752
00:31:58,760 --> 00:32:05,520
Speaker 4: Uh, I've never seen that, but I know who wrote it.

753
00:32:06,600 --> 00:32:09,160
Speaker 2: Hopefully she acted in it too. Give me Shonda Rhymes.

754
00:32:09,200 --> 00:32:14,200
Speaker 2: That's what Eddie guests man incorrect? Next up? Who is it?

755
00:32:14,640 --> 00:32:15,440
Speaker 2: Kerry Washington?

756
00:32:15,480 --> 00:32:17,760
Speaker 1: Okay, Well, now we know my method doesn't work because

757
00:32:17,760 --> 00:32:18,680
Speaker 1: I've tried to send that.

758
00:32:19,080 --> 00:32:19,920
Speaker 2: I've never seen that show.

759
00:32:20,240 --> 00:32:21,440
Speaker 1: What is the word telepathically?

760
00:32:21,600 --> 00:32:21,840
Speaker 2: Yeah?

761
00:32:22,000 --> 00:32:23,520
Speaker 1: Okay, I tried to do that again, and.

762
00:32:24,480 --> 00:32:26,600
Speaker 3: Telepathic I mean, quit trying to take credit for my

763
00:32:26,840 --> 00:32:27,960
Speaker 3: brain did try to take a look.

764
00:32:29,520 --> 00:32:30,360
Speaker 1: On taking the credit.

765
00:32:30,880 --> 00:32:34,360
Speaker 3: Next step, who played Dorothy in the classic nineteen thirty

766
00:32:34,440 --> 00:32:36,280
Speaker 3: nine film The Wizard of Oz.

767
00:32:36,480 --> 00:32:40,840
Speaker 2: Yeah, Judy Garland, Dang, he got it shocked.

768
00:32:41,680 --> 00:32:44,520
Speaker 3: Next up, which singer made history in twenty twenty three

769
00:32:44,560 --> 00:32:47,080
Speaker 3: by becoming the most awarded artist in Grammy history?

770
00:32:47,880 --> 00:32:48,560
Speaker 2: What artist?

771
00:32:50,240 --> 00:32:53,080
Speaker 3: Which singer made history in twenty twenty three by becoming

772
00:32:53,080 --> 00:32:54,760
Speaker 3: the most awarded artist in Grammy history.

773
00:32:54,840 --> 00:32:59,480
Speaker 2: Yeah? Give me b e y o n Ce Beyonce. Correct,

774
00:33:00,160 --> 00:33:04,200
Speaker 2: and he's good. Some of them. He's not there yet.

775
00:33:04,240 --> 00:33:10,240
Speaker 2: We'll see Lunchbox, who was the first woman inducted into

776
00:33:10,280 --> 00:33:11,320
Speaker 2: the Rock and Roll Hall of Fame.

777
00:33:12,280 --> 00:33:17,040
Speaker 4: The first woman inducted into the Rock and Roll Hall

778
00:33:17,080 --> 00:33:24,640
Speaker 4: of Fame. Hmm, bless you man, uh, bless this woman too.

779
00:33:25,080 --> 00:33:28,440
Speaker 2: What are you talking about in an answer?

780
00:33:29,280 --> 00:33:29,480
Speaker 3: Yeah?

781
00:33:29,560 --> 00:33:34,160
Speaker 2: Give me Stevie Nicks, Arita Franklin. Good guess though, dude.

782
00:33:34,760 --> 00:33:38,239
Speaker 4: Next up, Stevie Nicks is in a band, right all right?

783
00:33:39,040 --> 00:33:41,320
Speaker 4: Fleetwood Mac I knew I heard the name somewhere so

784
00:33:41,640 --> 00:33:42,360
Speaker 4: who led.

785
00:33:42,160 --> 00:33:45,160
Speaker 2: French troops during the One Hundred Years War and was

786
00:33:45,240 --> 00:33:46,800
Speaker 2: later canonized as a saint.

787
00:33:49,320 --> 00:33:56,400
Speaker 4: Huh oh, that's saint Teresa incorrect, Joan of Arc, which

788
00:33:56,560 --> 00:34:00,840
Speaker 4: Supreme Court justice was known as the Notorious RBG for

789
00:34:00,920 --> 00:34:03,840
Speaker 4: her fierce advocacy for gender equality.

790
00:34:05,120 --> 00:34:18,080
Speaker 6: Ruth, Ruth, I need an answer, RBG. Hold on, let

791
00:34:18,120 --> 00:34:19,760
Speaker 6: me write that, RBG.

792
00:34:19,960 --> 00:34:20,080
Speaker 4: Right?

793
00:34:20,160 --> 00:34:23,279
Speaker 2: Is that what she said? That's what I said? Or

794
00:34:23,320 --> 00:34:26,360
Speaker 2: did you say? RGB? You need to read the question again, please,

795
00:34:26,400 --> 00:34:29,880
Speaker 2: which Supreme Court justice was known as the notorious RBG.

796
00:34:32,680 --> 00:34:35,840
Speaker 5: There's times Yeah, Ruth Bader Ginsburg correct?

797
00:34:37,960 --> 00:34:39,000
Speaker 1: And he got full name?

798
00:34:39,560 --> 00:34:40,400
Speaker 2: No, he did well?

799
00:34:40,440 --> 00:34:43,160
Speaker 3: I thought I had to this last name works, but yes,

800
00:34:43,320 --> 00:34:47,319
Speaker 3: oh who became the NCAA Division one women's all time

801
00:34:47,440 --> 00:34:50,080
Speaker 3: leading scorer, finishing with three thousand, five hundred and sixty

802
00:34:50,160 --> 00:34:54,640
Speaker 3: nine career points. Caitlin Clark correct, Now you are tied

803
00:34:54,640 --> 00:34:57,480
Speaker 3: with Eddie with one question to go. Okay, get this

804
00:34:57,560 --> 00:35:02,640
Speaker 3: for the win. What country artist became the youngest individual

805
00:35:02,960 --> 00:35:06,239
Speaker 3: to ever win a Grammy at fourteen years old when

806
00:35:06,280 --> 00:35:09,760
Speaker 3: she won Best New Artist and Best Female Country Vocal

807
00:35:09,840 --> 00:35:11,840
Speaker 3: Performance nineteen ninety seven.

808
00:35:12,520 --> 00:35:20,520
Speaker 2: That would be Leanne Rimes. That's correct, you know the women? Wow?

809
00:35:22,080 --> 00:35:25,840
Speaker 2: Your two dollars? Would you please? You want me to

810
00:35:25,880 --> 00:35:29,800
Speaker 2: pay them? Wow? Yeah, dude, you suck.

811
00:35:30,360 --> 00:35:32,239
Speaker 1: Now it's me me what.

812
00:35:32,680 --> 00:35:35,960
Speaker 5: Oh, oh, sorry, I'm gonna give it to Lunchbox.

813
00:35:36,000 --> 00:35:38,160
Speaker 2: My bad. Sorry, Amy, put the money up.

814
00:35:38,880 --> 00:35:39,560
Speaker 4: Play a song.

815
00:35:42,719 --> 00:35:49,759
Speaker 3: It's time for the good news, Bobby. This story is

816
00:35:49,760 --> 00:35:52,360
Speaker 3: pretty crazy. A family in San Francisco. They had to

817
00:35:52,360 --> 00:35:54,879
Speaker 3: say goodbye to their dog, a mix named Rufus, who

818
00:35:54,880 --> 00:35:56,400
Speaker 3: passed away in April, so they went and got a

819
00:35:56,480 --> 00:35:58,800
Speaker 3: rescue dog in order to have another dog at the

820
00:35:58,800 --> 00:36:01,319
Speaker 3: house because they love the dog and the dog they

821
00:36:01,320 --> 00:36:03,160
Speaker 3: got looked a lot like their old dogs, which is

822
00:36:03,160 --> 00:36:04,839
Speaker 3: one of the reasons they picked him. And they did

823
00:36:04,840 --> 00:36:06,960
Speaker 3: a DNA test they discovered it was an old dog's son.

824
00:36:07,280 --> 00:36:09,080
Speaker 1: What huh.

825
00:36:09,200 --> 00:36:10,080
Speaker 2: That is crazy.

826
00:36:10,160 --> 00:36:12,839
Speaker 3: They got Rufus ten years ago, and Ziggie, who they

827
00:36:12,840 --> 00:36:16,200
Speaker 3: just adopted, is almost a senior dog as well, so

828
00:36:16,360 --> 00:36:18,720
Speaker 3: Rufus may have fathered him back when he was astray,

829
00:36:18,760 --> 00:36:20,520
Speaker 3: but the DNA test was able to prove that he

830
00:36:20,640 --> 00:36:21,960
Speaker 3: was the son of the other dogs.

831
00:36:22,160 --> 00:36:24,279
Speaker 2: No, one of the lots of that. I know.

832
00:36:24,719 --> 00:36:27,800
Speaker 3: That's a crazy one, huh. That's from NBC Bay Area.

833
00:36:29,000 --> 00:36:32,200
Speaker 3: That's also like cool for the family. Yeah, Like now

834
00:36:32,200 --> 00:36:34,399
Speaker 3: we're taking care of his son. That's pretty cool. There

835
00:36:34,440 --> 00:36:36,879
Speaker 3: you go, that's what it's all about. That was telling

836
00:36:36,880 --> 00:36:37,600
Speaker 3: me something good.

837
00:36:39,520 --> 00:36:42,440
Speaker 1: Wake up, wake up the man.

838
00:36:44,000 --> 00:36:53,560
Speaker 2: And radio and the archbox more game two. Steve bred

839
00:36:53,680 --> 00:36:55,880
Speaker 2: have trying to put you through the fog.

840
00:36:56,080 --> 00:36:58,319
Speaker 6: He's riding this week's next bite, and.

841
00:36:58,400 --> 00:37:05,960
Speaker 2: Bobby's on the box. So you know this is a

842
00:37:06,040 --> 00:37:09,960
Speaker 2: bottle ball. Now time for the investigative morning corny. We

843
00:37:10,000 --> 00:37:13,080
Speaker 2: have ninety seconds to get as many of Amy's corny

844
00:37:13,160 --> 00:37:19,520
Speaker 2: jokes right as possible. Here we go, the mourning corny.

845
00:37:20,280 --> 00:37:26,280
Speaker 1: What a preteen ducks hate doing quack quack quacks?

846
00:37:26,360 --> 00:37:36,160
Speaker 3: Or preteene preteens duck quack duck wattle hills Hills school?

847
00:37:36,800 --> 00:37:38,920
Speaker 1: Preteen preteen ducks? What do they hate?

848
00:37:39,040 --> 00:37:48,880
Speaker 2: What do preteens hate? Parents? School? Okay, puberty, yeah, okay, chores,

849
00:37:50,680 --> 00:37:51,360
Speaker 2: getting picked on?

850
00:37:52,360 --> 00:37:52,520
Speaker 5: Uh?

851
00:37:53,560 --> 00:37:54,480
Speaker 2: Where is this going?

852
00:37:55,280 --> 00:37:56,640
Speaker 1: What a preteen ducks?

853
00:37:56,920 --> 00:38:01,840
Speaker 3: It has to be quack quack quack quick quick voice quacks?

854
00:38:01,960 --> 00:38:02,200
Speaker 1: Yes?

855
00:38:02,600 --> 00:38:04,920
Speaker 2: Is that right? Oh? Wow, dude?

856
00:38:05,719 --> 00:38:08,000
Speaker 1: What's the ghost? Favorite exercise at the gym?

857
00:38:08,560 --> 00:38:14,040
Speaker 5: Booliftso haunt curls phantom?

858
00:38:14,200 --> 00:38:14,359
Speaker 1: Oh?

859
00:38:17,080 --> 00:38:18,359
Speaker 2: What is a ghost? Guess?

860
00:38:18,440 --> 00:38:20,279
Speaker 3: Not boots? You think of out this stuff? I can

861
00:38:20,280 --> 00:38:22,759
Speaker 3: always read Amy's face when we're not on something, because

862
00:38:22,800 --> 00:38:24,680
Speaker 3: that's what That's why I was like going good. I'm

863
00:38:24,719 --> 00:38:25,239
Speaker 3: reading her like a.

864
00:38:25,239 --> 00:38:28,360
Speaker 5: Poker, like when you said puberty, like, yeah, think of

865
00:38:28,480 --> 00:38:29,879
Speaker 5: some thing of some left what are some left?

866
00:38:29,880 --> 00:38:35,080
Speaker 2: Spirit press squad dead left dead, left dead last? Yeah?

867
00:38:36,080 --> 00:38:41,000
Speaker 1: What do you call a man with no shins, knee less, shinless,

868
00:38:41,280 --> 00:38:44,439
Speaker 1: shindless lists knees defeat Schindler's list?

869
00:38:45,680 --> 00:38:46,319
Speaker 2: What do you call it?

870
00:38:46,800 --> 00:38:51,680
Speaker 5: No sh shins, shinless kneed ank nankele shinless mister nankle.

871
00:38:54,840 --> 00:38:58,359
Speaker 1: Tony tot Oh, that's funny.

872
00:38:58,040 --> 00:39:00,799
Speaker 3: That's fun I was going nkel that didn't again said though,

873
00:39:02,960 --> 00:39:03,959
Speaker 3: all right, those were hard.

874
00:39:05,120 --> 00:39:09,359
Speaker 2: You got to go job, you got to we got Hey, listen,

875
00:39:09,400 --> 00:39:11,000
Speaker 2: I can't take it all myself. It's the team game.

876
00:39:11,120 --> 00:39:15,320
Speaker 2: Wouldn't have been here without you, guys, Bobby Bone show. Sorry.

877
00:39:15,480 --> 00:39:20,040
Speaker 7: Up today is this story comes us from Nantucket. Hey man,

878
00:39:20,080 --> 00:39:22,600
Speaker 7: it's facing felony charges and up to a one point

879
00:39:22,640 --> 00:39:25,680
Speaker 7: four million dollar fine after he wanted to improve his

880
00:39:25,800 --> 00:39:28,680
Speaker 7: view of the ocean, but there were sixteen trees blocking

881
00:39:28,719 --> 00:39:29,160
Speaker 7: his view.

882
00:39:29,280 --> 00:39:31,839
Speaker 2: I felt that buddy cut them trees down. They were

883
00:39:31,880 --> 00:39:32,719
Speaker 2: on his neighbor's yard.

884
00:39:32,719 --> 00:39:35,640
Speaker 3: Though, oh no, can't cut them trees down.

885
00:39:35,840 --> 00:39:39,480
Speaker 7: Sixteen and they were mature trees, as they said, it

886
00:39:39,560 --> 00:39:40,560
Speaker 7: grown full grown.

887
00:39:40,920 --> 00:39:41,880
Speaker 2: Bop.

888
00:39:42,040 --> 00:39:43,600
Speaker 3: I don't think you can cut one tree down as

889
00:39:43,600 --> 00:39:45,840
Speaker 3: a toddler tree if it's not on your property.

890
00:39:46,440 --> 00:39:47,880
Speaker 2: We chopped down all sixteen.

891
00:39:48,760 --> 00:39:50,480
Speaker 3: Was the guy like, out of town because you think

892
00:39:51,160 --> 00:39:52,560
Speaker 3: tree one, you hear it going down.

893
00:39:53,160 --> 00:39:54,959
Speaker 2: Okay, there you go. I'm lunch box.

894
00:39:55,040 --> 00:39:58,000
Speaker 4: That's your Bonehead story of the day.

895
00:39:58,040 --> 00:39:59,880
Speaker 3: This is the final segment of this show. But if

896
00:39:59,880 --> 00:40:02,279
Speaker 3: you go to our podcast, Bobby bone Show, you can

897
00:40:02,320 --> 00:40:04,239
Speaker 3: hear a whole other show, which we do every single day.

898
00:40:04,760 --> 00:40:07,640
Speaker 3: The story here is there's a midlife crisis myth. And

899
00:40:07,680 --> 00:40:10,600
Speaker 3: we've heard about midlife crisis mostly with dudes. It's like dudes,

900
00:40:10,840 --> 00:40:13,960
Speaker 3: get to be fifty two, go and get convertible. Like

901
00:40:14,000 --> 00:40:17,680
Speaker 3: that's like the cliche, right, Yeah. According to experts, it's

902
00:40:17,719 --> 00:40:20,239
Speaker 3: not really true. Studies provide no proof for the idea

903
00:40:20,280 --> 00:40:23,440
Speaker 3: that middle age is particularly stressful and or a difficult

904
00:40:23,440 --> 00:40:26,080
Speaker 3: period when compared to any other period of a person's life.

905
00:40:26,160 --> 00:40:29,160
Speaker 3: In fact, when a person first has kids and they're

906
00:40:29,160 --> 00:40:31,600
Speaker 3: trying to balance everything, that's tended to be one of

907
00:40:31,640 --> 00:40:34,400
Speaker 3: the more crisis type moments. The finding show that midlife

908
00:40:34,400 --> 00:40:36,279
Speaker 3: is typically a companied by a greater sense of well

909
00:40:36,320 --> 00:40:39,040
Speaker 3: being and not really any sort of crisis. And that's

910
00:40:39,040 --> 00:40:42,879
Speaker 3: from fifty Great Myths of Popular Psychology by Scott Lildenfield.

911
00:40:43,440 --> 00:40:46,600
Speaker 3: I would say I have a more of a Peter

912
00:40:46,719 --> 00:40:50,360
Speaker 3: Pan crisis now than a midlife crisis because all the

913
00:40:50,360 --> 00:40:51,799
Speaker 3: things I didn't get to do as a kid, I

914
00:40:51,880 --> 00:40:54,719
Speaker 3: like wanted to do now, And it's not to be young,

915
00:40:54,760 --> 00:40:57,440
Speaker 3: it's to finally get to do them because now I

916
00:40:57,520 --> 00:40:59,920
Speaker 3: finally have the means to do it. So it's like, man,

917
00:41:00,719 --> 00:41:03,879
Speaker 3: grew up super poor, didn't have the resources, also didn't

918
00:41:03,920 --> 00:41:05,880
Speaker 3: have the people, and so now it's like, let's just

919
00:41:05,880 --> 00:41:06,359
Speaker 3: do this crap.

920
00:41:06,440 --> 00:41:08,360
Speaker 2: Let's go and do all the baseball stuff. Let's go

921
00:41:08,400 --> 00:41:10,719
Speaker 2: and buy baseball cards, Let's go. And so I think

922
00:41:10,800 --> 00:41:11,520
Speaker 2: that's mine.

923
00:41:13,080 --> 00:41:16,000
Speaker 1: Yeah, I mean also too, don't you think something plays

924
00:41:16,000 --> 00:41:17,759
Speaker 1: into that. We hear that that's the thing, so then

925
00:41:17,800 --> 00:41:19,360
Speaker 1: you feel like that's what you think you're supposed to

926
00:41:19,440 --> 00:41:21,440
Speaker 1: do when it's not really what you They can be

927
00:41:21,480 --> 00:41:24,520
Speaker 1: part of it, but yeah, for you, I see that

928
00:41:24,640 --> 00:41:26,520
Speaker 1: like it's a Peter but you're like, yeah, it's the

929
00:41:26,560 --> 00:41:28,120
Speaker 1: things you didn't do it as a kid, but like

930
00:41:28,120 --> 00:41:30,560
Speaker 1: now you get to do it, Like totally elevated. Oh yeah,

931
00:41:30,719 --> 00:41:32,800
Speaker 1: it's not like you're just like going to the baseball field.

932
00:41:32,800 --> 00:41:35,479
Speaker 1: You're like going to the major lease the team.

933
00:41:36,120 --> 00:41:39,000
Speaker 2: Yeah, I agree, I agree. The ability to do it,

934
00:41:39,040 --> 00:41:40,720
Speaker 2: I do it. It's crazy.

935
00:41:40,840 --> 00:41:43,080
Speaker 3: We will see you tomorrow, Sam Hunt and tomorrow as

936
00:41:43,080 --> 00:41:44,680
Speaker 3: the Friday Morning Conversation by everybody.

937
00:41:45,080 --> 00:41:45,279
Speaker 4: Yeah.

938
00:41:46,000 --> 00:41:51,200
Speaker 3: Bobby Boon The Bobby Bone Show theme song, written, produced

939
00:41:51,320 --> 00:41:55,680
Speaker 3: and sang by read Yarberry. You can find his instagram

940
00:41:55,719 --> 00:42:01,000
Speaker 3: at read Yarberry, Scuba Steve executive producer, mu No Head

941
00:42:01,000 --> 00:42:01,560
Speaker 3: of Production.

942
00:42:01,840 --> 00:42:05,279
Speaker 2: I'm Bobby Bones. My instagram is mister Bobby Bones. Thank

943
00:42:05,320 --> 00:42:06,680
Speaker 2: you for listening to the podcast.