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Speaker 1: Are you leaving?

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Speaker 2: I you wanna way back home?

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Speaker 3: Either way, we want to be there.

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Speaker 1: Doesn't matter how much baggage you claim and give us

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Speaker 1: time and a termino and gage. We want to send

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Speaker 1: you off in style. We wanna welcome you back home.

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Speaker 4: Tell us all about it.

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Speaker 1: We scared her? Was it fine? Malborn? Do you need

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Speaker 1: to ride? Do you need to ride? Do you need

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Speaker 1: to ride? Do you need to ride? Do you need

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Speaker 1: to ride? Do your need to ride?

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Speaker 2: Ride with Karen and Chris. Welcome to Do you need

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Speaker 2: to ride? This is Chris Fairbanks.

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Speaker 1: This is Karen Tilgariff.

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Speaker 2: Karen, I've been so excited to ask you about your vacation.

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Speaker 2: Are you willing and give me details in top three

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Speaker 2: moments and top worst moment of your vacation?

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Speaker 1: Well? Absolutely, I'm an open book. As you know.

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Speaker 4: This vacation quote unquote was actually I was going up

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Speaker 4: to northern California to get a neck lift, so I

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Speaker 4: got plastic surgery, like at the very beginning of it,

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Speaker 4: which is like a it was like a ten hour surgery.

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Speaker 2: Hey, you look pretty good, thanks.

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Speaker 4: I just had a bunch of grandma skin around here

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Speaker 4: and they just kind of went like, but you can't

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Speaker 4: do that.

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Speaker 2: There's been any there's no bruising. There's a little bit

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Speaker 2: scar bruise.

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Speaker 1: I just got some kind of I'm you know, I'm.

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Speaker 2: So glad you didn't drive all the way up there

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Speaker 2: to get a necklace like I.

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Speaker 4: Just a single necklace and it's an Italian horn of plenty. Now,

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Speaker 4: I just kind of like, uh, didn't feel good and

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Speaker 4: then decided I was going to do it because who

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Speaker 4: fucking cares?

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Speaker 2: I exactly. And now I think it's a safe place

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Speaker 2: to say I've been thinking about eyebrow microd what wait,

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Speaker 2: look how I have half an eyebrow? Oh?

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Speaker 1: You want to get some painted in?

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Speaker 2: Do you think? I? I yes, tempera. I think it's

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Speaker 2: almost like a tattoo. There's semi permanent and they do

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Speaker 2: little lines of hair and I think if I do that,

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Speaker 2: the cat food auditions will come rolling back. That's it.

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Speaker 1: That's same here.

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Speaker 4: That's just I think this is the one only thing

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Speaker 4: that I need to work on, and somebody else has

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Speaker 4: to work on it. That's the kind of toxic thinking

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Speaker 4: I've gotten into here in twenty twenty five.

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Speaker 2: Well, I'm proud that you got a necklift. I'm happy

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Speaker 2: that you are willing to openly talk about it.

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Speaker 1: I'll answer any questions anyone has.

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Speaker 2: I do have extra questions, but I feel like that

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Speaker 2: would make for another yet another clinical medical pot episode.

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Speaker 4: Seriously, but I've never gotten any so I could do.

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Speaker 4: This could be mine.

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Speaker 2: Everyone gets it. People just don't talk about it. And

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Speaker 2: not only did you mention it to me, we have

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Speaker 2: a few listeners and I'm proud of you.

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Speaker 4: Uh no, no, I meant it like I've never gotten

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Speaker 4: to have any episodes where I talked clinically.

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Speaker 1: Oh, so this is my big chance.

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Speaker 2: I always want to up been I.

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Speaker 4: Just want to No, no, no, it's just that I

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Speaker 4: usually don't have them. But now I'm like, hey, I

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Speaker 4: can talk about the drains that were hanging in the

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Speaker 4: side of my head wrap.

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Speaker 1: Drains drains, drains.

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Speaker 2: Like surgical tubing that was meant to drain fluids.

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Speaker 1: Yes, it was so wow.

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Speaker 4: It was the grossest and scariest and also once it

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Speaker 4: was done, no big deal. But I did think I

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Speaker 4: was going to die of Like I'm going to deserve

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Speaker 4: to die of vanity was one of my last thoughts.

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Speaker 1: And then I woke up and I was like, this

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Speaker 1: was no big deal.

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Speaker 2: Well, I had uh, and we will bring our guests

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Speaker 2: who's been patiently waiting in the back of.

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Speaker 4: He's actually going a big chessure cat smile on his

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Speaker 4: face right now.

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Speaker 1: He wants to be in this conversation.

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Speaker 2: Let's just bring him in. That explains the Hookah, okay,

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Speaker 2: you know today's gas from clubs in college circuit across

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Speaker 2: the country in Canada. Put your ears together for Paul Dankee.

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Speaker 3: Oh wow, what a great what a great intro. I

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Speaker 3: really appreciate it felt like I was doing stand up.

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Speaker 3: That was a full stand up intro.

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Speaker 2: Well.

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Speaker 4: And also, this is one of the few people that

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Speaker 4: it's actually really true that he really does clubs and

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Speaker 4: maybe colleges, but I see his tiktoks.

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Speaker 1: He's doing clubs all over this country.

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Speaker 2: That's right.

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Speaker 3: Watch out. Yeah, you know yeah, And I can't wait

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Speaker 3: to do the rest of the country. I'm I'm here

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Speaker 3: for that most of them.

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Speaker 2: And have you dipped your toes into Canada or am

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Speaker 2: I telling tales at a school?

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Speaker 3: No, I've performed in Canada before, but I'll tell you,

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Speaker 3: let me tell you I've never done well.

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Speaker 2: Oh really, I've never.

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Speaker 3: I go up there and you know, I just have

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Speaker 3: a weird kind of I guess, kind of a goofy

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Speaker 3: foot style, so to speak.

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Speaker 2: And they go, what, they're all regular footers.

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Speaker 3: They're all regular footers. And that's that's kind of how

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Speaker 3: comedy clubs in general can feel like that. But in

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Speaker 3: Canada in particular, I've only performed up there twice, but

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Speaker 3: I think as you know, word gets out about my tiktoks,

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Speaker 3: people will get, you know, accustomed to the weirdness that

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Speaker 3: I bring to the stage.

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Speaker 1: You basically just truly talk.

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Speaker 4: And sometimes I can tell it's like, oh, I know

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Speaker 4: you've said this bit before, But most of the time,

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Speaker 4: a true just does feel like you just got to

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Speaker 4: your apartment and you're kind of like making you making

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Speaker 4: the audience comfortable by being there real. It's just very

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Speaker 4: nice Potter and you recently did that riff about that.

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Speaker 4: The one thing you like about doing the same shows

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Speaker 4: around LA is that you can follow the plants and

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Speaker 4: the plants growth of the plants.

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Speaker 1: That grow behind the stage.

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Speaker 4: And then it just started talking about like you're actually

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Speaker 4: naming that plant.

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Speaker 2: I was.

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Speaker 1: It was hilarious.

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Speaker 2: Can I get was that? At Best Fish Talko? It

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Speaker 2: was I'm always talking about those plants.

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Speaker 3: I love that.

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Speaker 2: How could you not address those plants?

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Speaker 3: I feel like I live in a time where, like

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Speaker 3: CrowdWork comedy is really popular, but I'm more of a

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Speaker 3: decor comedian. Yeah, you put me in a room, I

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Speaker 3: want to talk about the little idiosyncratic elements of the room.

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Speaker 3: And you know, I hate to say that it is

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Speaker 3: only interesting if you're in the room with me. It

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Speaker 3: rarely transs.

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Speaker 1: It translated to talk to TikTok.

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Speaker 2: Though, that you did, that's good. Yeah, it has to

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Speaker 2: have the visuals. If it's an audio special, a macro

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Speaker 2: ma owl behind you, a lot of it will be lost.

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Speaker 3: Yeah I did. It's on my last album. But I'll

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Speaker 3: sort of share a joke with you that I sort

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Speaker 3: of did at this one club that was very ragtag,

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Speaker 3: and it occurred to me that it's odd to try

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Speaker 3: to make this many people laugh sitting in different types

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Speaker 3: of chairs, like how it transforms your experience the type

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Speaker 3: of chair you're enjoying this in. And because they had

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Speaker 3: like couches and big couches, they had office chairs, they

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Speaker 3: had barstools, they had benches, and so I kept doing

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Speaker 3: this at all these shows and I realized, like some

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Speaker 3: of the seating in the year is really bizarre. And

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Speaker 3: the weirdest of all is bench seating. Oh, because you

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Speaker 3: suddenly realize and it points out you're sitting on the

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Speaker 3: same chair with twelve other people. Right, You're sitting on

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Speaker 3: the same chair with a bunch of strangers.

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Speaker 2: Yeah, is hard. And I love Cap Citty. They started

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Speaker 2: my life in comedy. They've been the best. But the

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Speaker 2: first location had banquet style seating where they're at a

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Speaker 2: long table facing each other with their heads turned towards

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Speaker 2: the stage. So if they just relax and look at

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Speaker 2: the stranger across them, that's going to dictate whether or

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Speaker 2: not they're laughing. Yeah.

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Speaker 4: Also, bench seating is just like church, which is not

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Speaker 4: good for comedy. I don't think unless it's like the

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Speaker 4: tension of you shouldn't be laughing, and there therefore it

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Speaker 4: makes you laugh more.

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Speaker 3: That's true.

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Speaker 2: You're right. They should just put pews in comedy clubs,

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Speaker 2: just to go all the way with that.

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Speaker 4: Yeah, kneelers so that you really feel the pressure of

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Speaker 4: like this is serious, do not make a sound, and

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Speaker 4: then everything is hilarious.

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Speaker 3: I'm surprised there isn't a very popular former church comedy

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Speaker 3: club that is set up that way.

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Speaker 4: There was remember that one that people were doing sets

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Speaker 4: at in just past that McDonald's on Melrose and people

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Speaker 4: got high during the show, which is I think always

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Speaker 4: terrible for comedy.

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Speaker 1: Oh yeah, but it's like the theme is we're all

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Speaker 1: really high. Where's It's like? Okay? And I was there

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Speaker 1: one night.

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Speaker 4: It was back when I was doing songs with Drennin

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Speaker 4: and we had to go like either second to last

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Speaker 4: or third to last. So there was truly like fifteen

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Speaker 4: acts on this show and everywhere was high murder. By

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Speaker 4: the end, I was like, what are you doing? You

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Speaker 4: are forty like at the time, forty nine years old, Like,

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Speaker 4: get the fuck home, stop doing comedy. Like I had

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Speaker 4: a full meltdown of like this is stop spending your

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Speaker 4: time like this.

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Speaker 3: Imagine wow and you listened, God, your genius.

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Speaker 1: I couldn't do it anymore. That's for a certain sect

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Speaker 1: of a certain age range.

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Speaker 3: I think, yeah, yeah, I suppose you're right. I did.

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Speaker 3: I did perform in a weed lounge last last year,

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Speaker 3: and I have performed in many a weed lounge over

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Speaker 3: the years. I think, Chris, thank you, and I did

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Speaker 3: one recently.

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Speaker 2: Yeah, one of your hookah shows. I just keep bringing

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Speaker 2: up hookahs.

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Speaker 3: Okay, well yeah, way back in the day the comedy garage,

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Speaker 3: we did have two hookahs bolted to the coffee tables.

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Speaker 1: You guys.

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Speaker 3: People kept breaking them.

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Speaker 1: And it was like picking them up and doing bits

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Speaker 1: with them.

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Speaker 3: No, just you know, after the show people get cavalier

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Speaker 3: with glassware and you know, it's a big piece of glassware.

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Speaker 3: And it was in the era of octomom. If you

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Speaker 3: guys remember the Motherhood h so we we named it

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Speaker 3: Octo Hookah. It was really it was quite a side, oh,

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Speaker 3: because it had many a hose, had many a hose. Yeah,

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Speaker 3: it was yeah, of course, yeah, that was a big

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Speaker 3: part of the show back then.

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Speaker 2: Yeah, the one I it's interesting you bring up people

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Speaker 2: giggling uncontrollably because of religion. I had one of the

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Speaker 2: funnest shows I had was in upstate New York at

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Speaker 2: a all girls college. And no, it wasn't that one.

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Speaker 2: It was another one in a pub and there was a.

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Speaker 3: Nun a what a swing a pub.

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Speaker 2: On campus oh okay, okay, And they had a past

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Speaker 2: they were drinking and it was a religious school and

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Speaker 2: there was a nun upfront. And because the nun was

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Speaker 2: sitting up front in her nun clothing. I could not

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Speaker 2: stop talking about the nun and saying dirty things to

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Speaker 2: the nun, who, as you would expect, just had a

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Speaker 2: stern face. Sure, and everything about that sounds awful, but

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Speaker 2: it was so much fun because all the kids there

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Speaker 2: were like vicariously. I wish that I could say things

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Speaker 2: like this, yeah to sisters, sister Mercy.

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Speaker 3: Uh.

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Speaker 2: And it's I think that's a good idea. I think

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Speaker 2: that we should have nuns in the audience.

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Speaker 4: A little some sort of way to get in trouble, yeah,

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Speaker 4: yeah something, or just someone disappointed dad. I mean, I

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Speaker 4: can always find those people when I'm on stage. I'm like, oh,

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Speaker 4: look at you can't crack a smile save your life.

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Speaker 2: Oh that's what I focus on. I noticed no one

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Speaker 2: that's enjoying them.

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Speaker 1: So no, no, they're like they just fade away.

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Speaker 3: Yeah, you have to work so hard not to and

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Speaker 3: I've never done it. That's why I like when the

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Speaker 3: lights are really bright and you don't have to see

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Speaker 3: anybody except the stern person in the front, and then

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Speaker 3: you really are just performing for them.

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Speaker 1: Well.

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Speaker 4: Also, I don't buy it from the stern person in front,

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Speaker 4: because that nun A could have worn some of polyas

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Speaker 4: or pants suit and not drawn all that attention. And

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Speaker 4: b it's like, why are you stern and in the front.

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Speaker 4: Get the fuck in the back if you don't like

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Speaker 4: it so much?

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Speaker 2: Right up front, right up front with the big hat.

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Speaker 2: Yeah it's nighttime. Let your hair down. You're none all day.

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Speaker 2: I guess you got to take your work home with you.

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Speaker 1: She's so so identified.

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Speaker 2: But the terrible thing is, I feel like I could

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Speaker 2: tell in the nun's face was excited to see comedy.

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Speaker 2: And also I just wasn't her cup of tea, and

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Speaker 2: I wasn't being dirty. I was just thought so many

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Speaker 2: things were off limits. Right, here's another sex out of

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Speaker 2: wedlock joke, Like, yeah it is. I guess I thought

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Speaker 2: that one. But you know that even a nun is like,

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Speaker 2: oh I had a life before this, right they did? Yeah?

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Speaker 3: Little It is fun just when there's anybody in the

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Speaker 3: room that you're not supposed to like, they just take

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Speaker 3: the whole focus because you're not supposed to talk about

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Speaker 3: them or address it. I just hosted a fundraiser for

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Speaker 3: my kids elementary school.

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Speaker 2: Oh that's fun.

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Speaker 3: It was what was fascinating It was just weird because

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Speaker 3: I didn't know most of the parents there, and uh,

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Speaker 3: you know, I I joked about my nemesis at the school.

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Speaker 3: How about how every parent has a nemesis at the school.

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Speaker 2: Did any of the teachers remember your nemesis?

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Speaker 3: Yes? Any of them?

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Speaker 2: All? That's great.

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Speaker 3: Yeah, yeah, we've had we've had public beef, so.

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Speaker 1: Mom or dad, Mom? Yes, yeah, Paul, I knew it.

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Speaker 1: I knew you would be equal opportunity.

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Speaker 3: I'll fight with the lady. She's horrible.

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Speaker 1: She was horrible. There's some bad ones out there.

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Speaker 3: And I've been joking about her. She like crept into

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Speaker 3: a joke and I just love it. And I was like,

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Speaker 3: I'm going to tell that joke. I can't wait. I

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Speaker 3: knew she wouldn't be there because she's a coward.

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Speaker 2: But did it go?

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Speaker 3: It went over well. And also like it went over

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Speaker 3: well and made people stir, you know it kind of

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Speaker 3: it gave I got a good, uncomfortable laugh, which I

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Speaker 3: don't usually go for. So it was really nice.

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Speaker 1: You're now the Ricky Gervaise of that school.

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Speaker 3: They're wondering who So people are asking around were your

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Speaker 3: kids in the audience. No, it's just for adults.

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Speaker 2: Oh that's great. Yeah, that's perfect.

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Speaker 3: So they were all everyone was getting loaded, which was great.

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Speaker 2: Oh wow.

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Speaker 3: The principle was also there, who I have also had

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Speaker 3: large public beef with, so he may have thought I

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Speaker 3: was talking about him. I don't you know?

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Speaker 2: Where are these beefs publicly? Like in according.

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Speaker 3: I'll have them out loud, I will. I will make

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Speaker 3: a minor scene. I'm not above it. And sometimes you

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Speaker 3: just kind of have to. I hate to say, you

305
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Speaker 3: have to rattle some cages.

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Speaker 2: And this is all based in you having your kids backs, right, Yeah?

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Speaker 3: Yeah, yeah, so I make No. I'm such an easy

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Speaker 3: going person that people assume I'll just kind of go along,

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Speaker 3: and then when I don't, they're awfully shocked and I

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Speaker 3: get so mad. Yeah, I have an insane temper. I

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Speaker 3: usually direct it pretty justly.

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Speaker 2: But yeah, I don't think I've ever pulled it from you.

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Speaker 2: Your temper, No, it takes a lot.

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Speaker 1: What sign are you?

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Speaker 3: What do you guess?

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Speaker 1: Are you Taurus? Are you a Scorpio?

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Speaker 2: I know a Leo? When I smell one.

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Speaker 3: I'll tell you what. I'm a Leo, cosp I'm a Virgo. Yeah,

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Speaker 3: oh I got a strong leo cosp Yeah.

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Speaker 2: Yeah, well, you know, I don't put a lot of

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Speaker 2: knowledge of my brain into it, but I'm good at

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Speaker 2: guessing things.

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Speaker 1: You did a good job for not knowing all I care.

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Speaker 2: Yes, because my sister's a LEO and I get along

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Speaker 2: with her, and in this similar way, I get along

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Speaker 2: with you.

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Speaker 1: My sister's a leo too, and I would.

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Speaker 2: Get along with her if I ever had the chance

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Speaker 2: to talk on the phone with her. Multiple times she's

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Speaker 2: called well podcasting.

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Speaker 1: She loves to call it four.

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Speaker 2: Pm exactly mid podcast.

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Speaker 4: But she is and this I'm sure you're feeling this

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00:16:46,240 --> 00:16:49,960
Speaker 4: joy as well. Now on summer vacation, hard earned. This

335
00:16:50,160 --> 00:16:52,640
Speaker 4: was a long year and she's finally on summer vacation.

336
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Speaker 4: So she is like, she's now calling me at one pm, yeah,

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Speaker 4: or whenever.

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Speaker 1: You know.

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Speaker 4: It's all these random times talking about watching TV shows.

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Speaker 1: It's crazy.

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Speaker 2: Yeah, yeah, my sisters too. It's it's summertime for teachers

342
00:17:07,880 --> 00:17:10,639
Speaker 2: and late night. When do you think of this comic?

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00:17:10,720 --> 00:17:14,120
Speaker 2: Have you ever watched this movie? It's two am. I'm

344
00:17:14,160 --> 00:17:18,919
Speaker 2: trying to be responsible in going skateboarding at seven, please please, Lisa.

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Speaker 2: I have a whole day planned out and it's all

346
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Speaker 2: midlife Crisis base. Thanks, please support me, Please support me

347
00:17:27,720 --> 00:17:32,760
Speaker 2: in this please? Did you have to since was a fundraiser? Yeah,

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Speaker 2: I'm just guessing I have to host an auction.

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Speaker 3: Yes, you have to do some of the auction.

350
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Speaker 2: I'm on fire today.

351
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Speaker 3: You got to indicate to the auction. But I made

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Speaker 3: no bones about it, and I told them I'm not

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Speaker 3: gonna excessively talk about it.

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Speaker 2: Did you do your auctioneer's voice? Because it's always no.

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Speaker 3: No, I didn't have No. It's a silent auction. There's

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Speaker 3: too much dignity people for a vocal auction.

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Speaker 1: It's tough, too.

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Speaker 2: A moment of silence for this pinch.

359
00:18:00,640 --> 00:18:03,440
Speaker 3: I tease them about the spikee bidding on each other

360
00:18:03,720 --> 00:18:07,359
Speaker 3: and how how much cruelty has revealed at these things.

361
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Speaker 3: You know, I just love getting in their heads a

362
00:18:10,960 --> 00:18:14,399
Speaker 3: little bit because they're so the young parents, their brains

363
00:18:14,400 --> 00:18:17,359
Speaker 3: are all mushy, so they're very impressionable. You can you

364
00:18:17,359 --> 00:18:18,680
Speaker 3: can push them around a little bit.

365
00:18:19,160 --> 00:18:19,640
Speaker 2: That's great.

366
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Speaker 4: Based on the stories my sisters for me too, like

367
00:18:23,160 --> 00:18:26,800
Speaker 4: my nieces, the parents. My niece is high school. Like,

368
00:18:27,280 --> 00:18:29,040
Speaker 4: it really does seem like some of these people are.

369
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Speaker 1: Absolutely oheat of their minds.

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Speaker 4: They are just they're like my child type living where

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Speaker 4: I just am like I don't relate. And I had

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Speaker 4: to go to a couple graduation parties and I was

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Speaker 4: just like, yeah, this is not my vibe or interest

374
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Speaker 4: or anything at all.

375
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Speaker 3: There's some really you know, I've made some really good

376
00:18:47,840 --> 00:18:51,199
Speaker 3: friends through it, and it's a lot like stand up.

377
00:18:51,240 --> 00:18:53,320
Speaker 3: You know, you meet people you really connect with, and

378
00:18:53,359 --> 00:18:57,560
Speaker 3: then there are a handful of narcissists that really ruin

379
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Speaker 3: almost every party.

380
00:18:58,920 --> 00:19:02,720
Speaker 1: Yes, always, always, that's just in any group. I think.

381
00:19:02,880 --> 00:19:05,320
Speaker 3: Yeah, yeah, yeah, I don't know how you control it.

382
00:19:05,400 --> 00:19:08,720
Speaker 3: So make a make a narcissist free zone.

383
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Speaker 1: I don't know how Daddy's homeeople.

384
00:19:11,119 --> 00:19:12,280
Speaker 2: Yeah, I love it.

385
00:19:12,359 --> 00:19:13,000
Speaker 3: She's a deer.

386
00:19:13,280 --> 00:19:15,520
Speaker 4: Yeah, that is the fucking funniest sir.

387
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Speaker 1: Are you kidding? We both saw the person you fucking

388
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Speaker 1: Zeta Gal.

389
00:19:20,520 --> 00:19:22,399
Speaker 2: She's a Kappa Kappa Zeta.

390
00:19:24,640 --> 00:19:25,520
Speaker 1: How old are you?

391
00:19:27,160 --> 00:19:29,800
Speaker 2: I gotta go sing with my friends and matching a sweat?

392
00:19:31,560 --> 00:19:33,919
Speaker 1: Is it an a cappella like sorority or something?

393
00:19:34,240 --> 00:19:39,760
Speaker 2: Beta Gal, Zda Gal. That's the kind of song.

394
00:19:39,800 --> 00:19:41,280
Speaker 3: May what they're doing.

395
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Speaker 1: Chris, were you big in the Greek system in college?

396
00:19:45,760 --> 00:19:49,919
Speaker 2: Oh? I mean I didn't pledge, but I was in

397
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Speaker 2: an acting group with some of the guys at the

398
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Speaker 2: Fiji House, and boy did they want me.

399
00:19:55,560 --> 00:19:58,200
Speaker 4: She's also a mason's wife. She's doing it all.

400
00:19:58,280 --> 00:20:01,840
Speaker 3: She's a mason's wife. Oh, she's got the sheriff's thing.

401
00:20:02,600 --> 00:20:05,600
Speaker 2: She's married to a shriner and she's just a kid

402
00:20:05,640 --> 00:20:06,440
Speaker 2: in college.

403
00:20:06,760 --> 00:20:08,840
Speaker 4: That's why she felt the need to take a left

404
00:20:08,880 --> 00:20:11,320
Speaker 4: in front of me. So she's like it, excuse me,

405
00:20:11,359 --> 00:20:11,720
Speaker 4: it's me.

406
00:20:12,240 --> 00:20:14,399
Speaker 2: I need to know her age because she might be

407
00:20:14,440 --> 00:20:17,160
Speaker 2: in one of those sorority groups, like my mother.

408
00:20:17,400 --> 00:20:21,840
Speaker 3: Was in, oh, like an alumni sorority. But you stick

409
00:20:21,880 --> 00:20:22,199
Speaker 3: with it.

410
00:20:22,240 --> 00:20:25,280
Speaker 2: But it was controversial, but a lot of people send

411
00:20:25,280 --> 00:20:29,240
Speaker 2: me messages. My parent, who also didn't go to college,

412
00:20:29,400 --> 00:20:32,560
Speaker 2: was also in a sorority. It's just a misuse of

413
00:20:32,600 --> 00:20:36,960
Speaker 2: the word that is already too popular, oh for college affiliation.

414
00:20:37,440 --> 00:20:43,200
Speaker 2: But it is a Greek system based society group. Society

415
00:20:43,200 --> 00:20:45,800
Speaker 2: group sounds like horse racing, you know what I mean.

416
00:20:48,200 --> 00:20:50,240
Speaker 3: Cucumber sandwiches, yes.

417
00:20:50,440 --> 00:20:56,040
Speaker 2: Yeah, yes, and floppy hats yeah. And they do crafts basically,

418
00:20:56,600 --> 00:20:59,160
Speaker 2: and a little bit I tupperware, Mary Kay sales.

419
00:20:59,200 --> 00:21:01,040
Speaker 1: It was like a crap sorority.

420
00:21:01,119 --> 00:21:04,480
Speaker 2: Yeah, and an opportunity to bring in your pyramids game sales.

421
00:21:04,840 --> 00:21:08,200
Speaker 1: Yes, that's the big gotta still your legging somewhere right.

422
00:21:08,240 --> 00:21:13,359
Speaker 2: Right right, So yeah, it's an interesting lady. I wish

423
00:21:13,359 --> 00:21:14,760
Speaker 2: we could have followed her home and.

424
00:21:16,960 --> 00:21:19,840
Speaker 3: Girl, Hey, y hey, we're doing a podcast and we

425
00:21:19,880 --> 00:21:20,560
Speaker 3: want to pick.

426
00:21:21,119 --> 00:21:23,679
Speaker 1: Be scared of us. We did follow you home, but

427
00:21:23,760 --> 00:21:25,520
Speaker 1: please don't give me upset.

428
00:21:26,080 --> 00:21:28,160
Speaker 3: That's the spinoffs.

429
00:21:29,000 --> 00:21:31,159
Speaker 2: Like being married to a brick layer.

430
00:21:31,400 --> 00:21:33,080
Speaker 1: Brick layer, do you need a stock?

431
00:21:33,240 --> 00:21:37,560
Speaker 2: I don't know what amazing is. I finally set it

432
00:21:37,600 --> 00:21:38,159
Speaker 2: out loud.

433
00:21:38,880 --> 00:21:41,800
Speaker 1: Yeah, just get it out there. Today is about really

434
00:21:41,840 --> 00:21:42,960
Speaker 1: talking about our secrets.

435
00:21:43,119 --> 00:21:48,159
Speaker 3: Yes, stone, Wow, I'm glad.

436
00:21:48,359 --> 00:21:51,280
Speaker 2: I'm glad that that beep was to let us nowhere

437
00:21:51,359 --> 00:21:52,639
Speaker 2: in the middle of an intersection.

438
00:21:53,400 --> 00:21:56,040
Speaker 1: Yeah, let us know. I think I'm gonna start taking

439
00:21:56,080 --> 00:21:59,200
Speaker 1: my dogs there. It looks like the Old West.

440
00:21:59,320 --> 00:22:01,520
Speaker 3: Yeah, just for the photo op at least.

441
00:22:01,600 --> 00:22:03,960
Speaker 2: Yeah, after they drained their glands, you get a nice

442
00:22:03,960 --> 00:22:05,920
Speaker 2: black and white of them holding a musket.

443
00:22:06,320 --> 00:22:07,960
Speaker 3: Well, are you putting a leech on my dog?

444
00:22:08,320 --> 00:22:11,320
Speaker 2: I got to get rid of the bad spirits somehow.

445
00:22:12,440 --> 00:22:16,760
Speaker 3: Doc giving cocaine to my dophin. This is crazy. They

446
00:22:16,880 --> 00:22:18,200
Speaker 3: really do an old school.

447
00:22:18,640 --> 00:22:20,520
Speaker 1: The blood letting to cure the dog.

448
00:22:22,880 --> 00:22:28,320
Speaker 2: I had my colonoscopy the other day, which I highly recommend.

449
00:22:28,359 --> 00:22:32,000
Speaker 2: It was it was like being showered from the insides

450
00:22:32,320 --> 00:22:36,720
Speaker 2: and I woke up that I woke up and they

451
00:22:36,720 --> 00:22:41,879
Speaker 2: were laughing, so I obviously said something. They were laughing

452
00:22:41,960 --> 00:22:45,879
Speaker 2: so hard, and I don't know what it was about.

453
00:22:45,960 --> 00:22:48,600
Speaker 2: But much like in many of my dreams, I dream

454
00:22:48,640 --> 00:22:52,440
Speaker 2: about math because matthe used to give me anxiety and

455
00:22:52,480 --> 00:22:56,879
Speaker 2: they told me I said the quadratic formula out loud,

456
00:22:57,680 --> 00:23:01,760
Speaker 2: which I don't know who in real life remember that

457
00:23:02,000 --> 00:23:06,760
Speaker 2: it was that first algebra for a mine. It's like

458
00:23:06,800 --> 00:23:10,159
Speaker 2: a square root over two a B. I don't know

459
00:23:10,200 --> 00:23:13,360
Speaker 2: what it is, but one of the nurses says, you

460
00:23:13,400 --> 00:23:15,600
Speaker 2: did do I went to school for math and you

461
00:23:15,680 --> 00:23:19,240
Speaker 2: said it? What is the What is that? Are we

462
00:23:19,359 --> 00:23:21,439
Speaker 2: really only using ten percent of our brains?

463
00:23:22,200 --> 00:23:24,320
Speaker 3: It's you just don't have access to it all the time.

464
00:23:24,760 --> 00:23:27,680
Speaker 3: I hate that I know what shit is that well?

465
00:23:27,680 --> 00:23:29,800
Speaker 4: And also does that mean that you looked at it

466
00:23:29,840 --> 00:23:32,280
Speaker 4: on a page one day, or like, listened about it

467
00:23:32,560 --> 00:23:34,439
Speaker 4: in school for a week and then now you just

468
00:23:34,480 --> 00:23:35,240
Speaker 4: truly know it.

469
00:23:35,480 --> 00:23:39,480
Speaker 2: I was that the idea tried really hard in algebra,

470
00:23:39,640 --> 00:23:43,159
Speaker 2: and I would panic because back then they didn't know

471
00:23:43,200 --> 00:23:46,159
Speaker 2: about things like adderall. And you know, I just have

472
00:23:46,359 --> 00:23:50,920
Speaker 2: anxiety during tests. Things I knew I couldn't summon during

473
00:23:50,960 --> 00:23:54,159
Speaker 2: the pressure of a test. And I know that I

474
00:23:54,200 --> 00:23:57,600
Speaker 2: could have been medicated and done better in high school.

475
00:23:57,600 --> 00:24:01,440
Speaker 2: But I let's not look back, I know, looking forward

476
00:24:01,520 --> 00:24:02,640
Speaker 2: to my math career.

477
00:24:05,080 --> 00:24:08,040
Speaker 3: Mathematician Chris Bair, surely.

478
00:24:07,880 --> 00:24:10,119
Speaker 4: Your passion and you had to get put under general

479
00:24:10,160 --> 00:24:11,200
Speaker 4: anesthetic to find out.

480
00:24:11,240 --> 00:24:14,119
Speaker 2: Oh, they also, I don't. I thought I was under it,

481
00:24:14,240 --> 00:24:19,480
Speaker 2: but I was lucid. I guess. Uh No, I was

482
00:24:19,520 --> 00:24:21,480
Speaker 2: put under. I just woke up early and they were

483
00:24:21,480 --> 00:24:23,600
Speaker 2: doing it. I'm and I just said, you're doing a

484
00:24:23,640 --> 00:24:25,280
Speaker 2: great job, nice and gentle.

485
00:24:27,600 --> 00:24:29,439
Speaker 3: I think you'd be a fun person to have on

486
00:24:29,440 --> 00:24:32,560
Speaker 3: on on gas Chris, just knowing you personally.

487
00:24:32,640 --> 00:24:38,560
Speaker 2: I it was fun. It was fun, was my whole point.

488
00:24:38,760 --> 00:24:43,840
Speaker 2: I swear it was like enjoyable time. I highly recommend it,

489
00:24:44,480 --> 00:24:48,600
Speaker 2: not for the drugs and the way I felt for

490
00:24:48,640 --> 00:24:49,200
Speaker 2: two days.

491
00:24:49,280 --> 00:24:52,480
Speaker 1: Yeah, so because you're so cleaned out, Yeah.

492
00:24:52,119 --> 00:24:58,640
Speaker 2: And felt so light and healthy, like really, the cleansing

493
00:24:58,680 --> 00:25:01,760
Speaker 2: aspect of it. I didn't not know, No, one advertises that.

494
00:25:01,920 --> 00:25:05,000
Speaker 2: They just say it's uncomfortable because you can't eat for

495
00:25:05,080 --> 00:25:08,640
Speaker 2: two days, which wasn't that hard, And then I've been

496
00:25:08,720 --> 00:25:12,840
Speaker 2: feeling great, So I highly recommend it. Get your call

497
00:25:12,920 --> 00:25:14,520
Speaker 2: and checked. It's that time.

498
00:25:15,400 --> 00:25:18,920
Speaker 1: You know, what are your plans for the summer. I'm

499
00:25:18,960 --> 00:25:23,040
Speaker 1: gonna get myop.

500
00:25:21,480 --> 00:25:24,679
Speaker 3: No, no, I wouldn't no, no, this is this summer.

501
00:25:24,800 --> 00:25:27,840
Speaker 3: I am. I'm chilling. I'm gonna be doing a lot

502
00:25:27,840 --> 00:25:32,960
Speaker 3: of stone cold chilling. I'm putting out some music this summer,

503
00:25:33,560 --> 00:25:37,760
Speaker 3: so I'm looking forward to that and putting out a

504
00:25:37,760 --> 00:25:39,760
Speaker 3: couple of music videos. I'm excited about that.

505
00:25:40,880 --> 00:25:42,000
Speaker 2: Are they new songs?

506
00:25:42,280 --> 00:25:42,879
Speaker 4: Yeah?

507
00:25:43,040 --> 00:25:44,840
Speaker 2: Are you doing a new album already?

508
00:25:45,119 --> 00:25:49,480
Speaker 3: I'm gonna put out an EP an extended play, extended play.

509
00:25:49,600 --> 00:25:55,560
Speaker 3: It's four songs that are already recorded, and I thought,

510
00:25:55,640 --> 00:25:57,600
Speaker 3: I just want to put them out so I'm not

511
00:25:58,400 --> 00:26:00,840
Speaker 3: sitting on them forever and trying to figure out what

512
00:26:00,840 --> 00:26:04,399
Speaker 3: to do with it. So I'm I'm gonna put them

513
00:26:04,400 --> 00:26:06,040
Speaker 3: out with a specialty records.

514
00:26:05,640 --> 00:26:10,080
Speaker 2: And deceivingly extended play. When it comes to vinyl, is

515
00:26:10,119 --> 00:26:12,919
Speaker 2: a smaller record, right, yes?

516
00:26:13,040 --> 00:26:16,400
Speaker 3: Well, because before it was mostly singles. The first iteration

517
00:26:16,480 --> 00:26:20,240
Speaker 3: of records was singles. Oh okay, so the EP is

518
00:26:20,280 --> 00:26:22,680
Speaker 3: an extended play, then it's what long? What is it?

519
00:26:23,880 --> 00:26:27,360
Speaker 3: The LP? The Big Daddy. I don't have that many

520
00:26:27,359 --> 00:26:28,920
Speaker 3: songs recorded, so I can't do that.

521
00:26:29,080 --> 00:26:33,199
Speaker 2: But an extended play could be in a jukebox. You

522
00:26:33,240 --> 00:26:34,760
Speaker 2: could be doing the juke circuit.

523
00:26:35,480 --> 00:26:39,320
Speaker 3: Yeah. Absolutely, And now thank god for digital juke boxes.

524
00:26:39,400 --> 00:26:43,120
Speaker 3: I assume. No, I don't know if anybody's ever put

525
00:26:43,119 --> 00:26:47,440
Speaker 3: on a stand up comedy track on a jukebox. I

526
00:26:47,440 --> 00:26:51,720
Speaker 3: don't think that's allowed. But so I'm working my way

527
00:26:51,760 --> 00:26:54,000
Speaker 3: into digital jukeboxes with music.

528
00:26:53,800 --> 00:26:56,760
Speaker 4: Like if you're at a Johnny Rockets and then it

529
00:26:56,800 --> 00:26:59,000
Speaker 4: goes from Chubby Checker to like Dice.

530
00:26:59,400 --> 00:27:00,760
Speaker 1: Yeah.

531
00:27:00,840 --> 00:27:03,800
Speaker 2: I only say Dice because that was my first comedy album.

532
00:27:03,880 --> 00:27:06,760
Speaker 3: How off putting would that be? You're just you're just

533
00:27:06,840 --> 00:27:10,520
Speaker 3: jamming at Johnny Rockets, having a nice throwback experience, and

534
00:27:10,560 --> 00:27:13,600
Speaker 3: then boom, well I guess Dice Man's pre throwback.

535
00:27:14,200 --> 00:27:16,639
Speaker 2: Oh yeah, I don't. I think the only reason I

536
00:27:16,680 --> 00:27:19,480
Speaker 2: got it because it was on Deaf American and I

537
00:27:19,600 --> 00:27:21,159
Speaker 2: was like, oh, this is going to be like the

538
00:27:21,280 --> 00:27:24,439
Speaker 2: music I like, and it was my first It's funny

539
00:27:24,440 --> 00:27:26,639
Speaker 2: what your first four A? And the stand up is.

540
00:27:26,960 --> 00:27:30,560
Speaker 2: But for me it was Andrew dik.

541
00:27:30,280 --> 00:27:32,200
Speaker 3: What was yours, Karen, what was your first?

542
00:27:32,760 --> 00:27:37,240
Speaker 1: Well, I guess who looked it was there?

543
00:27:37,560 --> 00:27:39,600
Speaker 4: That show Evening at the Improv used to be on

544
00:27:40,040 --> 00:27:43,960
Speaker 4: like after the news and stuff like around eleven and.

545
00:27:43,920 --> 00:27:45,399
Speaker 1: So I think it's just all those.

546
00:27:46,000 --> 00:27:51,880
Speaker 4: It was the Ray Romano, Susie Esmond that like Class

547
00:27:51,920 --> 00:27:55,639
Speaker 4: of Comics eight nineteen eighty, like one or two or

548
00:27:55,640 --> 00:27:59,600
Speaker 4: something like that. Yeah, I don't know, and I yes,

549
00:27:59,680 --> 00:28:01,919
Speaker 4: like the first time I saw Sam Kinnison, I couldn't

550
00:28:01,920 --> 00:28:04,679
Speaker 4: believe what I was looking at, like when he was

551
00:28:04,760 --> 00:28:06,480
Speaker 4: just on Letterman just screaming.

552
00:28:06,760 --> 00:28:09,159
Speaker 3: Yeah, I don't know.

553
00:28:09,520 --> 00:28:12,600
Speaker 4: It of course caught like my aunt tape recorded the

554
00:28:12,640 --> 00:28:14,480
Speaker 4: Bill cosby himself special.

555
00:28:15,080 --> 00:28:16,520
Speaker 1: That was a big one because we all kind of

556
00:28:16,520 --> 00:28:19,359
Speaker 1: like gathered around to watch it. Yeah, which was cool.

557
00:28:19,640 --> 00:28:22,800
Speaker 2: Yeah, because of Sam Kinnison and Duty Tanuda. I used

558
00:28:22,800 --> 00:28:25,480
Speaker 2: to think that the thing would stand up was you

559
00:28:25,680 --> 00:28:29,199
Speaker 2: speak softly and then you start getting raunchy and yelling

560
00:28:29,720 --> 00:28:32,960
Speaker 2: and it's a balance of like soothing and chaos.

561
00:28:33,119 --> 00:28:34,920
Speaker 3: Yeah, that's what Nirvana did. It really worked.

562
00:28:35,760 --> 00:28:39,760
Speaker 2: Yeah, that's what Turnstile's doing. Mm hmm. A little bit

563
00:28:39,760 --> 00:28:44,160
Speaker 2: of hardcore and then some melodic yes, like pop almost.

564
00:28:44,480 --> 00:28:45,600
Speaker 3: Yeah.

565
00:28:45,680 --> 00:28:50,440
Speaker 2: If you guys haven't seen Turnstyle on Fallon a couple

566
00:28:50,440 --> 00:28:52,800
Speaker 2: of weeks ago, what a performance.

567
00:28:53,360 --> 00:28:54,520
Speaker 3: All right, I'm gonna check it out.

568
00:28:54,560 --> 00:28:57,360
Speaker 2: It's crazy. Their clips, it's yeah, they're very good.

569
00:28:57,400 --> 00:28:58,040
Speaker 3: They're very good.

570
00:28:58,080 --> 00:29:03,320
Speaker 2: The old album's even better. But they to see a technically,

571
00:29:03,560 --> 00:29:07,680
Speaker 2: what is a hardcore band get a standing ovation on

572
00:29:07,720 --> 00:29:10,200
Speaker 2: a late night show. It's just I'll take it. That's

573
00:29:10,240 --> 00:29:13,080
Speaker 2: given the times. I'll take Yeah, that's right. I in

574
00:29:13,120 --> 00:29:18,160
Speaker 2: some ways things are better because that happens. Yeah, yeah,

575
00:29:18,200 --> 00:29:19,960
Speaker 2: I used to be in a room full of people

576
00:29:20,040 --> 00:29:22,360
Speaker 2: singing creed well.

577
00:29:22,400 --> 00:29:25,200
Speaker 4: And also, like you're saying, it's important that like the

578
00:29:25,360 --> 00:29:28,360
Speaker 4: art is reflecting the times where it's like, let the

579
00:29:28,360 --> 00:29:31,280
Speaker 4: punkers up front so they actually say shit. Right, So

580
00:29:31,320 --> 00:29:34,280
Speaker 4: there we're talking about real things and people are being

581
00:29:34,360 --> 00:29:38,200
Speaker 4: like pressuring you trend wise to talk about real things.

582
00:29:38,560 --> 00:29:41,760
Speaker 1: Yeah, yeah, it is important, and you're right.

583
00:29:41,840 --> 00:29:45,120
Speaker 4: You know, it's horrifying to live in Los Angeles and

584
00:29:45,200 --> 00:29:47,520
Speaker 4: know that they're like just going up to people who

585
00:29:47,560 --> 00:29:50,440
Speaker 4: are trying to sell fruit in the Median and just

586
00:29:50,520 --> 00:29:52,160
Speaker 4: taking them away is insane.

587
00:29:52,720 --> 00:29:57,360
Speaker 2: It's horrifying, or just they're shopping with their family. They're

588
00:29:57,440 --> 00:29:59,160
Speaker 2: not even it's willy nilly.

589
00:29:59,320 --> 00:30:00,720
Speaker 1: It's willy nilly.

590
00:30:00,360 --> 00:30:07,560
Speaker 2: And all the mornings, me and my someone intimidating skate

591
00:30:07,640 --> 00:30:11,440
Speaker 2: crew to not be at Costco. There's a there's a

592
00:30:11,480 --> 00:30:14,720
Speaker 2: guy there that brings oranges and avocados and asks if

593
00:30:14,720 --> 00:30:17,440
Speaker 2: we want any before he brings a bunch into the store.

594
00:30:18,360 --> 00:30:23,320
Speaker 2: He's our friend, I mean, in passing, he's our acquaintance, right,

595
00:30:24,040 --> 00:30:27,320
Speaker 2: He's sweet, we smile. He got he got chased. I

596
00:30:27,400 --> 00:30:29,760
Speaker 2: saw it on Instagram, Like, I know that guy.

597
00:30:29,840 --> 00:30:30,520
Speaker 1: Did he get away?

598
00:30:30,760 --> 00:30:33,120
Speaker 3: No?

599
00:30:33,120 --> 00:30:33,200
Speaker 4: No?

600
00:30:34,200 --> 00:30:37,680
Speaker 2: So the yesterday I went and there was a guy

601
00:30:37,720 --> 00:30:41,280
Speaker 2: in town that we all used to SKay with these visiting.

602
00:30:41,320 --> 00:30:43,800
Speaker 2: So there's like fifteen people there and I was wanting

603
00:30:43,920 --> 00:30:47,320
Speaker 2: so badly because there's a new avocado guy and he

604
00:30:47,480 --> 00:30:51,320
Speaker 2: was big and intimidating, looking like yeah, he looked like

605
00:30:51,360 --> 00:30:54,400
Speaker 2: a guy that did MMA and so.

606
00:30:54,280 --> 00:30:56,720
Speaker 3: That fruit from Yeah.

607
00:30:56,840 --> 00:31:00,520
Speaker 2: Yeah, he was like he was ready for he knew

608
00:31:01,040 --> 00:31:06,120
Speaker 2: that the potential was there. And I really wished those

609
00:31:06,760 --> 00:31:10,240
Speaker 2: dog the bounty hunters in cargo pants had showed up

610
00:31:10,640 --> 00:31:15,360
Speaker 2: right in that moment because we could have like at

611
00:31:15,440 --> 00:31:21,160
Speaker 2: least intimidate him. That's my favorite new video intimidating these

612
00:31:21,200 --> 00:31:23,200
Speaker 2: guys until they're like okay, fine.

613
00:31:22,920 --> 00:31:24,920
Speaker 3: Yeah, they eventually leave, yeah yeah.

614
00:31:25,040 --> 00:31:27,960
Speaker 4: Or they're doing things like people are pulling up as

615
00:31:28,000 --> 00:31:30,760
Speaker 4: people are like getting surrounded by ice crops, and then

616
00:31:30,800 --> 00:31:33,120
Speaker 4: the people being surrounded are just jumping into their cars

617
00:31:33,120 --> 00:31:36,760
Speaker 4: and they're driving them away like little getaway car, you know,

618
00:31:36,840 --> 00:31:40,520
Speaker 4: like anti kidnapping. I mean, it's amazing. People are doing

619
00:31:40,720 --> 00:31:43,360
Speaker 4: amazing things in the face of what is like an

620
00:31:44,000 --> 00:31:48,560
Speaker 4: insane just fascist meltdown essentially.

621
00:31:48,880 --> 00:31:53,080
Speaker 2: Yeah, well, I know that that Rob dierdic that show

622
00:31:53,240 --> 00:31:56,720
Speaker 2: Robin bigg started because he would bring a security guard

623
00:31:57,280 --> 00:32:00,520
Speaker 2: with him to film his skateboard parts, and then so

624
00:32:00,640 --> 00:32:02,960
Speaker 2: a real security guard would come and they'd have to

625
00:32:02,960 --> 00:32:06,960
Speaker 2: deal with Rob's personal security guard. It was in skate

626
00:32:07,080 --> 00:32:09,840
Speaker 2: videos and it was a hilarious idea that worked. They

627
00:32:09,920 --> 00:32:14,959
Speaker 2: got my security guard's bigger and more personable than yours,

628
00:32:15,640 --> 00:32:18,320
Speaker 2: and he would just row down with them and say, hey,

629
00:32:18,320 --> 00:32:20,640
Speaker 2: he's gonna do like five more tries, and they wouldn't

630
00:32:20,680 --> 00:32:23,720
Speaker 2: say no to him. I know it's illegal to impersonate

631
00:32:23,720 --> 00:32:27,000
Speaker 2: an officer, but what if I just had on hand

632
00:32:27,720 --> 00:32:31,360
Speaker 2: a police Because you can go to an Army Navy

633
00:32:31,400 --> 00:32:32,840
Speaker 2: surplus store and buy everything.

634
00:32:33,040 --> 00:32:33,720
Speaker 1: That's what they did.

635
00:32:33,840 --> 00:32:40,640
Speaker 2: But the badge exactly exactly light. Yeah, cavalierly.

636
00:32:41,720 --> 00:32:47,640
Speaker 1: Left a Yeah, I.

637
00:32:47,680 --> 00:32:50,120
Speaker 2: Want to dress up like a cop and say guys, sorry,

638
00:32:50,240 --> 00:32:53,720
Speaker 2: not not, I got I took care of this already,

639
00:32:54,160 --> 00:32:59,320
Speaker 2: just go on. But I guess I'm what I'm describing

640
00:32:59,360 --> 00:33:01,440
Speaker 2: as a fell in and you guys not seeing me

641
00:33:01,520 --> 00:33:03,120
Speaker 2: for a long time, so never mind.

642
00:33:03,560 --> 00:33:04,840
Speaker 3: Yeah, let's not have that happen.

643
00:33:04,960 --> 00:33:08,920
Speaker 2: No, so we need you. I'm spitballing, but yeah, that's it.

644
00:33:09,200 --> 00:33:12,840
Speaker 2: I think helping people just say get into my car.

645
00:33:13,320 --> 00:33:16,640
Speaker 4: Or there's also people that are going around and going

646
00:33:16,760 --> 00:33:19,640
Speaker 4: up to the people that are selling stuff and going

647
00:33:19,640 --> 00:33:22,840
Speaker 4: how much for everything and giving them like whatever it is,

648
00:33:23,160 --> 00:33:26,040
Speaker 4: five hundred dollars or whatever, and then so they're like

649
00:33:26,080 --> 00:33:29,400
Speaker 4: go home, go home, which is great. Yeah, there's lots

650
00:33:29,400 --> 00:33:32,440
Speaker 4: of that. Just people give a shit about other people,

651
00:33:33,000 --> 00:33:34,800
Speaker 4: and you can't make people not care.

652
00:33:35,040 --> 00:33:39,480
Speaker 2: Yeah. I've been really proud of La. We forget even

653
00:33:39,480 --> 00:33:43,280
Speaker 2: though we live here, that this is a passionate community

654
00:33:43,400 --> 00:33:47,040
Speaker 2: and a lot of people show up to protest and

655
00:33:47,080 --> 00:33:50,200
Speaker 2: it was it made me proud to that sometimes I

656
00:33:50,240 --> 00:33:53,120
Speaker 2: forget this is also a cool city.

657
00:33:53,800 --> 00:33:56,400
Speaker 4: Also, we're kind of supposed to forget because that's what

658
00:33:56,520 --> 00:33:59,200
Speaker 4: social media is. It's just kind of like this drip

659
00:33:59,240 --> 00:34:01,560
Speaker 4: into our brain of like we'll tell you what's going

660
00:34:01,600 --> 00:34:05,080
Speaker 4: on outside, you stay where you are and be freaked out,

661
00:34:05,160 --> 00:34:06,520
Speaker 4: and then we'll just kind of feed it.

662
00:34:07,240 --> 00:34:08,840
Speaker 1: And then it's like, that was the coolest thing to

663
00:34:08,880 --> 00:34:10,719
Speaker 1: me about all this protests. I didn't do it.

664
00:34:10,719 --> 00:34:14,160
Speaker 4: I was sitting at a thirty five degree angle like

665
00:34:14,480 --> 00:34:19,600
Speaker 4: a fucking Alexis Carrington on a bed, watching Sinners over

666
00:34:19,640 --> 00:34:22,040
Speaker 4: and over with Adrian, but watching it and I'm just like,

667
00:34:22,200 --> 00:34:24,360
Speaker 4: oh my god, there's so many more people than I thought.

668
00:34:24,440 --> 00:34:26,880
Speaker 4: And they're old and they're like, there's a lot of

669
00:34:26,920 --> 00:34:29,640
Speaker 4: old white people. I feel like, are like, we have

670
00:34:29,719 --> 00:34:32,800
Speaker 4: to be standing here showing people that this is not

671
00:34:33,840 --> 00:34:35,760
Speaker 4: the majority and it's not normal.

672
00:34:36,040 --> 00:34:38,759
Speaker 2: You're right though, while that's happening, if you're out on

673
00:34:38,960 --> 00:34:41,880
Speaker 2: having brunch or eating an ice cream cone, you feel

674
00:34:41,920 --> 00:34:46,600
Speaker 2: like a real idiot. You're shit just having a day

675
00:34:47,880 --> 00:34:50,960
Speaker 2: doing what I was doing. I was just like, but

676
00:34:51,040 --> 00:34:51,920
Speaker 2: you were on vacation.

677
00:34:52,239 --> 00:34:54,120
Speaker 1: I was on vacation, and I also didn't.

678
00:34:54,360 --> 00:34:56,719
Speaker 4: I just do the other thing the way I like

679
00:34:56,760 --> 00:34:58,279
Speaker 4: to give is with money, and then I don't have

680
00:34:58,360 --> 00:35:01,239
Speaker 4: to go fucking walk around with people I don't want

681
00:35:01,239 --> 00:35:04,920
Speaker 4: to talk to. It's also valid, just like some some

682
00:35:04,960 --> 00:35:09,240
Speaker 4: sort of support somewhere and care. But also I'm scared

683
00:35:09,239 --> 00:35:11,839
Speaker 4: to death because my niece is half Mexican and now

684
00:35:11,840 --> 00:35:13,399
Speaker 4: they're just doing whatever the fuck they want.

685
00:35:13,600 --> 00:35:16,919
Speaker 3: So yeah, I mean it's all just meant to terrorize everybody. Yeah,

686
00:35:16,960 --> 00:35:19,160
Speaker 3: and that's and that is, that's what they're that's what

687
00:35:19,200 --> 00:35:22,920
Speaker 3: they're doing. They're they're definitely winning in.

688
00:35:22,920 --> 00:35:25,640
Speaker 1: That battle, in the terror battle, the terror battle.

689
00:35:25,360 --> 00:35:27,239
Speaker 3: They're doing exactly what they wanted to do.

690
00:35:27,880 --> 00:35:32,400
Speaker 4: Well, we're here to counteract that with our conversational comedy.

691
00:35:32,600 --> 00:35:37,080
Speaker 2: Yes, yes, or at least just I think talking about it.

692
00:35:37,640 --> 00:35:40,560
Speaker 2: I want people to know that it is indeed happening.

693
00:35:40,640 --> 00:35:45,080
Speaker 2: It's not just another thing. Yeah, but it's happening everywhere,

694
00:35:45,120 --> 00:35:47,600
Speaker 2: so everyone's experiencing their own version.

695
00:35:48,160 --> 00:35:51,680
Speaker 3: It's amazing to see that it that it people care

696
00:35:51,760 --> 00:35:54,399
Speaker 3: enough where it's impacting how they are spending their money. Yeah,

697
00:35:54,440 --> 00:35:57,440
Speaker 3: to see what's happening with the Dodgers and how people

698
00:35:57,440 --> 00:36:00,600
Speaker 3: are you know, for the first time in the season,

699
00:36:00,600 --> 00:36:03,800
Speaker 3: they're not selling out, you know, there there's several thousand

700
00:36:03,920 --> 00:36:08,439
Speaker 3: light yeah each each home game, like they I swear

701
00:36:08,440 --> 00:36:12,719
Speaker 3: to you. They had shoe Otani start pitching again so

702
00:36:12,840 --> 00:36:17,360
Speaker 3: that they could bring so much publicity back to the stadium,

703
00:36:17,360 --> 00:36:22,240
Speaker 3: but it's not really working. And then offering a million dollars.

704
00:36:22,360 --> 00:36:25,399
Speaker 3: A million dollars sounds a lot to a six year

705
00:36:25,440 --> 00:36:30,440
Speaker 3: old in the eighties, but now to say we're going

706
00:36:30,520 --> 00:36:32,840
Speaker 3: to give a million dollars to help these people, it's.

707
00:36:32,680 --> 00:36:35,160
Speaker 1: Like it's five dollars to them.

708
00:36:35,280 --> 00:36:39,280
Speaker 2: Yeah, well that's it's curious because they were also providing

709
00:36:39,360 --> 00:36:41,880
Speaker 2: parking for ice, so they were.

710
00:36:41,880 --> 00:36:43,360
Speaker 4: They were doing a lot of fucked up shit, and

711
00:36:43,400 --> 00:36:47,000
Speaker 4: they're clearly it's the owners. It's not you know, it's

712
00:36:47,040 --> 00:36:50,600
Speaker 4: these people who are so above everything that they can't

713
00:36:50,640 --> 00:36:53,920
Speaker 4: make good decisions.

714
00:36:55,480 --> 00:36:56,279
Speaker 3: I'll see you up there.

715
00:36:56,320 --> 00:36:57,520
Speaker 2: What's Han academy?

716
00:36:57,719 --> 00:36:59,680
Speaker 1: I think he and I are fighting. Just let us

717
00:36:59,719 --> 00:37:01,480
Speaker 1: get through this part of our relationship.

718
00:37:01,760 --> 00:37:03,359
Speaker 3: I'm really I'm rooting for you guys.

719
00:37:03,520 --> 00:37:04,319
Speaker 2: Yeah, I don't.

720
00:37:04,480 --> 00:37:06,800
Speaker 4: The first thing he said was not what's your name?

721
00:37:07,040 --> 00:37:09,359
Speaker 4: Whatever the fuck he said was like had a K

722
00:37:09,440 --> 00:37:12,960
Speaker 4: in it and an st and I'm just like, sorry, what.

723
00:37:14,640 --> 00:37:17,799
Speaker 2: I just wanted to know your name? Oh so now

724
00:37:17,840 --> 00:37:18,640
Speaker 2: you're gaslighting.

725
00:37:18,680 --> 00:37:19,200
Speaker 3: I hate that.

726
00:37:20,800 --> 00:37:23,680
Speaker 4: So so now you're emotionally manipulating.

727
00:37:24,080 --> 00:37:27,000
Speaker 3: Yeah, yeah, yeah, I'm not giving you more information.

728
00:37:27,440 --> 00:37:30,360
Speaker 4: I just asked your name. I'm not trying to okay

729
00:37:30,560 --> 00:37:30,960
Speaker 4: me too.

730
00:37:31,760 --> 00:37:34,640
Speaker 2: Yeah. Actually I think you were setting me up for

731
00:37:34,719 --> 00:37:38,279
Speaker 2: the what's up dog joke. I didn't hear the name

732
00:37:38,480 --> 00:37:39,359
Speaker 2: anywhere in there.

733
00:37:39,960 --> 00:37:42,920
Speaker 3: I'm all for trying to bring back the personal experience,

734
00:37:43,000 --> 00:37:44,480
Speaker 3: but at the same time, it doesn't need to be

735
00:37:44,480 --> 00:37:46,360
Speaker 3: in the drive. This is the drive. This is different.

736
00:37:46,880 --> 00:37:49,720
Speaker 1: Yes, yes, this is different. This is much different.

737
00:37:49,760 --> 00:37:50,920
Speaker 3: I'm not in a coffeehouse.

738
00:37:51,239 --> 00:37:55,440
Speaker 2: A lot of people, including me, are kind of uncomfortable

739
00:37:55,480 --> 00:37:58,880
Speaker 2: when they're just firing their voice off to a live group.

740
00:37:59,120 --> 00:38:02,280
Speaker 2: This I enjoy, but when they, like at a club,

741
00:38:02,320 --> 00:38:07,560
Speaker 2: they make you say, hey, how y'all doing tonight? I'm

742
00:38:07,600 --> 00:38:12,120
Speaker 2: so bad at that tonight. But first before the headliner,

743
00:38:12,160 --> 00:38:16,440
Speaker 2: who's me? I shouldn't have said that. I think that

744
00:38:16,560 --> 00:38:22,719
Speaker 2: maybe this guy's personal is actually the service he would

745
00:38:22,760 --> 00:38:25,560
Speaker 2: give in person, face to face would be much better.

746
00:38:26,440 --> 00:38:27,799
Speaker 3: It all depends on how hot he is.

747
00:38:28,080 --> 00:38:28,279
Speaker 2: Yeah.

748
00:38:28,560 --> 00:38:30,320
Speaker 3: Yeah, if he's a haughty he can be a little

749
00:38:30,360 --> 00:38:31,760
Speaker 3: aloof and dry, and that's fine.

750
00:38:31,880 --> 00:38:34,520
Speaker 2: Yeah, you're right. I'm gonna need before I make any

751
00:38:34,560 --> 00:38:37,000
Speaker 2: other decisions. We got to check out his bone structure.

752
00:38:37,120 --> 00:38:41,640
Speaker 4: I think that he's going to have John Lennon style glasses,

753
00:38:43,080 --> 00:38:46,360
Speaker 4: but then a but then a very frendy haircut. So

754
00:38:46,400 --> 00:38:49,200
Speaker 4: it's he's going to be doing half hippie half cutting

755
00:38:49,360 --> 00:38:50,440
Speaker 4: edge fashion.

756
00:38:50,520 --> 00:38:53,040
Speaker 1: That's my I'm just making a guess.

757
00:38:53,080 --> 00:38:55,480
Speaker 2: He's going to be the singer of World Party.

758
00:38:56,200 --> 00:39:02,320
Speaker 1: Yes, put a message in a box. We're sued, we're sued,

759
00:39:02,320 --> 00:39:03,120
Speaker 1: and we're done.

760
00:39:04,280 --> 00:39:08,080
Speaker 2: Person a small percentage of the song. There's parody law.

761
00:39:08,440 --> 00:39:09,480
Speaker 3: You can do. You can do that.

762
00:39:09,480 --> 00:39:13,000
Speaker 1: It's not Yeah, it was relevant, Jim, it was relevant.

763
00:39:13,920 --> 00:39:14,680
Speaker 2: His name's Jim.

764
00:39:14,800 --> 00:39:16,440
Speaker 1: Jim's our lawyer. Yeah.

765
00:39:16,520 --> 00:39:18,719
Speaker 4: Yeah, he's had to listen to us sing so much

766
00:39:18,800 --> 00:39:22,600
Speaker 4: dumb ship and then cut it out, poor Jim.

767
00:39:22,760 --> 00:39:27,600
Speaker 2: So funny. I thought you were saying the lead singer

768
00:39:27,600 --> 00:39:29,960
Speaker 2: of World Party is named Jim, and then I thought

769
00:39:30,000 --> 00:39:36,399
Speaker 2: his name was Jim Sarr lawyer. Jim Sar lawyer, Jim

770
00:39:36,480 --> 00:39:41,560
Speaker 2: Sar lawyer. Oh, every band Jim Sar lawyer was in

771
00:39:42,680 --> 00:39:45,040
Speaker 2: World Party is one of them. Of course, of course

772
00:39:45,320 --> 00:39:45,759
Speaker 2: it is.

773
00:39:47,600 --> 00:39:48,640
Speaker 1: Jim Sar lawyer.

774
00:39:48,760 --> 00:39:51,120
Speaker 4: Sounds exactly like so when you went to high school

775
00:39:51,120 --> 00:39:56,040
Speaker 4: with and it's Jim our lawyer simultaneously amazing.

776
00:39:56,640 --> 00:39:59,960
Speaker 1: That was a Breddystonelli's level. It was name mess up.

777
00:40:00,200 --> 00:40:03,839
Speaker 4: Oh, is anybody in this car interested in going to

778
00:40:03,840 --> 00:40:07,399
Speaker 4: see the Matrix in Inglewood at that special movie theater

779
00:40:07,480 --> 00:40:12,120
Speaker 4: that's like the like the Las Vegas Globe or whatever that.

780
00:40:12,120 --> 00:40:14,480
Speaker 2: Thing about what I didn't know this existed.

781
00:40:14,560 --> 00:40:16,759
Speaker 1: It looks amazing, It looks amazing.

782
00:40:17,000 --> 00:40:19,279
Speaker 2: So this is there a new Matrix movie? Is that

783
00:40:19,360 --> 00:40:21,280
Speaker 2: what we' or is it the old one?

784
00:40:21,400 --> 00:40:22,960
Speaker 1: And the old one like re released?

785
00:40:22,960 --> 00:40:26,000
Speaker 4: So it's almost like as if it were at the Imax, right,

786
00:40:26,320 --> 00:40:27,840
Speaker 4: but instead of Imax.

787
00:40:27,440 --> 00:40:30,280
Speaker 1: It like goes up and back and all around.

788
00:40:30,680 --> 00:40:35,320
Speaker 2: Why are there two people simultaneously just fell asleep?

789
00:40:35,440 --> 00:40:35,760
Speaker 1: Wow?

790
00:40:37,560 --> 00:40:41,920
Speaker 4: Mommy, Wow, be careful BMW this Manton.

791
00:40:42,200 --> 00:40:44,680
Speaker 3: You must have seen an accident during this podcast before.

792
00:40:45,120 --> 00:40:46,839
Speaker 1: I've almost caused accidents.

793
00:40:47,440 --> 00:40:49,680
Speaker 4: I did a full on drive through a red light

794
00:40:49,719 --> 00:40:52,239
Speaker 4: because I was talking and thinking about something else.

795
00:40:52,640 --> 00:40:56,160
Speaker 2: And I've never seen you do that. That's a me move.

796
00:40:56,400 --> 00:40:59,360
Speaker 4: Yeah, it was a there's a guy making left in

797
00:40:59,400 --> 00:41:00,440
Speaker 4: front of me? Who it really is?

798
00:41:00,520 --> 00:41:01,800
Speaker 1: Just like what are you?

799
00:41:01,960 --> 00:41:02,160
Speaker 4: Yeah?

800
00:41:02,160 --> 00:41:03,880
Speaker 1: I don't want it?

801
00:41:04,239 --> 00:41:06,080
Speaker 3: When you get the what are you doing when you're wrong?

802
00:41:06,280 --> 00:41:09,360
Speaker 3: That does feel like all right? Yeah, yeah, you know

803
00:41:09,520 --> 00:41:10,359
Speaker 3: what am I doing here?

804
00:41:10,440 --> 00:41:12,120
Speaker 1: Yeah? You're right? What am I doing?

805
00:41:12,560 --> 00:41:12,879
Speaker 2: I got?

806
00:41:12,960 --> 00:41:15,640
Speaker 3: I got? What are you doing? By jogger? And he

807
00:41:15,680 --> 00:41:19,080
Speaker 3: had the tiniest little jogging shorts on and he had

808
00:41:19,120 --> 00:41:23,960
Speaker 3: a very classic eighties macho guy face, and I just

809
00:41:24,960 --> 00:41:26,920
Speaker 3: I loved it. It was one of those moments where

810
00:41:26,920 --> 00:41:28,759
Speaker 3: I'm like, God, I wish I could just paint this.

811
00:41:29,440 --> 00:41:30,520
Speaker 3: I want this forever.

812
00:41:30,760 --> 00:41:31,560
Speaker 2: He was mad at you.

813
00:41:31,719 --> 00:41:33,640
Speaker 3: Oh, he was mad, and he was totally right.

814
00:41:33,960 --> 00:41:36,400
Speaker 2: You should roll down and I'm sorry I got distracted.

815
00:41:36,440 --> 00:41:39,960
Speaker 2: I can see your balls. Get him with the shorts.

816
00:41:40,040 --> 00:41:42,439
Speaker 3: You're doing some serious bad work down there.

817
00:41:42,600 --> 00:41:45,120
Speaker 1: Yeah, you can't be this mad when you're the cause

818
00:41:45,160 --> 00:41:45,680
Speaker 1: of everything.

819
00:41:45,920 --> 00:41:48,759
Speaker 3: Bro, you probably caused six accidents before you got to

820
00:41:48,800 --> 00:41:50,200
Speaker 3: this intersection that I almost ran.

821
00:41:50,160 --> 00:41:52,520
Speaker 2: You over it. Yeah, I don't like him when you

822
00:41:53,200 --> 00:41:57,200
Speaker 2: either say my bad with hand gestures, but they don't

823
00:41:57,200 --> 00:42:00,080
Speaker 2: see your facial expression, so they think you're going what

824
00:42:00,160 --> 00:42:02,799
Speaker 2: are you doing? Like I'm not giving you more, I'm

825
00:42:02,840 --> 00:42:06,120
Speaker 2: saying you're right or an aoka, but it looks like

826
00:42:06,160 --> 00:42:08,839
Speaker 2: you're flipping them off. That's my leadst favorite I.

827
00:42:08,719 --> 00:42:11,160
Speaker 4: Think the key there as you were saying it and

828
00:42:11,280 --> 00:42:13,600
Speaker 4: kind of acting it out. I think the key of

829
00:42:13,719 --> 00:42:17,080
Speaker 4: showing them your palm as opposed to I think you

830
00:42:17,160 --> 00:42:19,440
Speaker 4: have to be sure you're not turning that palm away

831
00:42:19,600 --> 00:42:23,040
Speaker 4: in any way. It's it's this, you're right. I mean,

832
00:42:23,280 --> 00:42:25,520
Speaker 4: I don't mean you any harm.

833
00:42:25,640 --> 00:42:26,480
Speaker 2: Right, you're right.

834
00:42:27,239 --> 00:42:29,200
Speaker 3: It's tough because in the moment you don't really know

835
00:42:29,239 --> 00:42:29,880
Speaker 3: what you're doing.

836
00:42:30,000 --> 00:42:30,239
Speaker 1: Now.

837
00:42:30,480 --> 00:42:33,440
Speaker 2: Yeah, I palmed up like a crisis negotiating.

838
00:42:33,520 --> 00:42:34,839
Speaker 1: Yes, please calm down.

839
00:42:35,000 --> 00:42:37,520
Speaker 2: It's not worth it, sir, get down from the sixth

840
00:42:37,560 --> 00:42:38,280
Speaker 2: story building.

841
00:42:39,840 --> 00:42:41,960
Speaker 3: I did something the other day, in a moment of

842
00:42:42,040 --> 00:42:45,120
Speaker 3: bizarre road rage I've had done in probably twenty five years.

843
00:42:45,280 --> 00:42:49,640
Speaker 3: I gave someone the jerking off hand gesture and I

844
00:42:50,239 --> 00:42:55,480
Speaker 3: never that's retro. It felt, so why did I do that?

845
00:42:55,480 --> 00:42:58,120
Speaker 2: That's funny? Was what he was doing boring?

846
00:43:00,280 --> 00:43:02,560
Speaker 3: I think they were hunging at me, and it was like,

847
00:43:02,640 --> 00:43:04,399
Speaker 3: not my fault at all, and I was just like, yeh,

848
00:43:04,480 --> 00:43:07,640
Speaker 3: fuck this guy, but I don't know what my hand

849
00:43:07,760 --> 00:43:11,400
Speaker 3: it's it's just like you knowing the quadratic equation coming

850
00:43:11,480 --> 00:43:14,680
Speaker 3: out of being induced. I was just like, Wow, I'm

851
00:43:14,760 --> 00:43:17,840
Speaker 3: suddenly I'm on Beavis and butt head, this is crazy,

852
00:43:17,960 --> 00:43:20,359
Speaker 3: this is this is now. I think I'm gonna keep

853
00:43:20,400 --> 00:43:20,759
Speaker 3: doing it.

854
00:43:21,120 --> 00:43:23,880
Speaker 4: Yeah, I gave I gave a cyber truck to double

855
00:43:23,920 --> 00:43:26,920
Speaker 4: Bird one day and I was driving a Tesla, so

856
00:43:26,960 --> 00:43:29,400
Speaker 4: it's like this weird. I was suddenly like, fuck you,

857
00:43:29,600 --> 00:43:32,080
Speaker 4: this is so stupid or whatever. It's like, you can't

858
00:43:32,120 --> 00:43:35,120
Speaker 4: just do that. You can't be on your high horse.

859
00:43:35,440 --> 00:43:38,680
Speaker 3: I mean you can. You can walk around a little contradiction.

860
00:43:38,760 --> 00:43:39,480
Speaker 3: I think that's fine.

861
00:43:39,640 --> 00:43:41,960
Speaker 4: I mean it is what makes me interesting. If I

862
00:43:42,000 --> 00:43:43,680
Speaker 4: don't have that, I have nothing.

863
00:43:44,560 --> 00:43:47,200
Speaker 3: I think it's fair to say that's a bridge too far.

864
00:43:47,920 --> 00:43:50,560
Speaker 3: The cyber truck, that's when you just they that was

865
00:43:50,640 --> 00:43:52,480
Speaker 3: the era where the line was fully crossed.

866
00:43:52,840 --> 00:43:55,839
Speaker 4: I mean it just makes I every time I drive

867
00:43:56,000 --> 00:43:58,520
Speaker 4: near or behind one, because there's a couple on my street.

868
00:43:59,080 --> 00:44:02,839
Speaker 4: There's it's not appealing visually. I hear it doesn't work

869
00:44:02,960 --> 00:44:05,440
Speaker 4: very well, like it's a true mystery. And they cost

870
00:44:06,400 --> 00:44:07,799
Speaker 4: like six figures, don't they.

871
00:44:07,880 --> 00:44:09,799
Speaker 2: That's that's crazy they did.

872
00:44:10,480 --> 00:44:15,120
Speaker 3: But now they're one of my favorite genres of TikTok videos.

873
00:44:15,200 --> 00:44:19,640
Speaker 3: Are are guys that resell luxury cars and because they're

874
00:44:19,800 --> 00:44:22,239
Speaker 3: such cool bros and there you just get to be

875
00:44:22,320 --> 00:44:25,680
Speaker 3: dicks to these wealthy guys that bought a car for

876
00:44:25,719 --> 00:44:28,399
Speaker 3: one hundred and fifty thousand and they're like, no, no, no,

877
00:44:28,480 --> 00:44:32,160
Speaker 3: it's it's worth seventy thousand. Oh and they can't believe it.

878
00:44:32,520 --> 00:44:35,040
Speaker 3: And I was like, I maybe I missed my calling.

879
00:44:35,120 --> 00:44:36,880
Speaker 3: I should be a luxury car resaler.

880
00:44:37,080 --> 00:44:38,360
Speaker 1: My god, you'd be great at it.

881
00:44:38,440 --> 00:44:40,640
Speaker 3: I would love to hurt their feelings.

882
00:44:40,880 --> 00:44:44,480
Speaker 4: Yeah, like the guy that Shaq went into a Bentley

883
00:44:44,520 --> 00:44:47,160
Speaker 4: dealership and asked how much like in the hype, Yeah

884
00:44:47,239 --> 00:44:49,000
Speaker 4: you heard that story at the height of the Lakers

885
00:44:49,120 --> 00:44:52,680
Speaker 4: or the height of his career, and he asked how

886
00:44:52,719 --> 00:44:55,120
Speaker 4: much Bentley's were and he's like, don't worry about it.

887
00:44:55,160 --> 00:44:57,759
Speaker 1: You can't afford it. And Shack got so mad.

888
00:44:57,800 --> 00:45:01,479
Speaker 4: He bought thirty Bentley's but he didn't fit into them,

889
00:45:01,560 --> 00:45:03,600
Speaker 4: so you had to have all of them retrofitted, so

890
00:45:03,640 --> 00:45:05,200
Speaker 4: it ended up costing I've told you this.

891
00:45:05,239 --> 00:45:07,800
Speaker 1: Sorry, he's a repeater for this podcast.

892
00:45:08,480 --> 00:45:09,280
Speaker 3: This is classic.

893
00:45:09,520 --> 00:45:12,040
Speaker 2: I love that. And then he had to resell them. Well,

894
00:45:12,080 --> 00:45:14,319
Speaker 2: I made my point. I have about a month's work

895
00:45:14,400 --> 00:45:16,840
Speaker 2: to do and resell these Bentleys.

896
00:45:16,880 --> 00:45:18,879
Speaker 3: Yeah, I've never related to shock more.

897
00:45:20,840 --> 00:45:22,320
Speaker 1: That's such a me move of Shack.

898
00:45:22,880 --> 00:45:25,560
Speaker 3: I look at that and I go, what, just the

899
00:45:25,800 --> 00:45:30,480
Speaker 3: indignation is just so me. Yeah, you don't think Shaq

900
00:45:30,520 --> 00:45:32,759
Speaker 3: would have that in it? Well, also don't.

901
00:45:32,960 --> 00:45:36,839
Speaker 1: It's such a overt sales tactic, you.

902
00:45:36,760 --> 00:45:37,200
Speaker 3: Know what I mean.

903
00:45:37,200 --> 00:45:40,160
Speaker 4: I like, you're not good enough for this shirt. It's like, ah,

904
00:45:40,160 --> 00:45:43,520
Speaker 4: I insist on having twenty shirts. It's like, that's that's

905
00:45:43,560 --> 00:45:45,840
Speaker 4: the tale's oldest time. But he fell for it and

906
00:45:45,880 --> 00:45:48,000
Speaker 4: then bought thirty Bentley.

907
00:45:48,120 --> 00:45:50,560
Speaker 2: And then that guy made a lot of money off it,

908
00:45:50,680 --> 00:45:52,959
Speaker 2: and then he thought, you know what I'm going to say,

909
00:45:52,960 --> 00:45:55,680
Speaker 2: People don't worry. You can't afford it every single day.

910
00:45:55,800 --> 00:45:59,960
Speaker 2: I just made a killing. Yeah, that's what's the unfortunate part.

911
00:46:00,280 --> 00:46:03,200
Speaker 3: I saw a lot yesterday a Lamborghini in an Arco

912
00:46:03,239 --> 00:46:07,439
Speaker 3: gas station parking lot getting gas, and I thought, that's

913
00:46:07,520 --> 00:46:10,120
Speaker 3: really funny. I also want to paint that just having

914
00:46:10,200 --> 00:46:12,960
Speaker 3: this luxury sports car and getting the absolute cheapest gas.

915
00:46:12,760 --> 00:46:16,840
Speaker 1: Available, that just a gas full of like copper, whatever

916
00:46:16,880 --> 00:46:19,200
Speaker 1: the fuck. It's like the worst you can get.

917
00:46:19,040 --> 00:46:22,239
Speaker 3: The worst gas. I was like, Wow, it's just you know,

918
00:46:22,800 --> 00:46:24,680
Speaker 3: you see a lot of that in LA and I

919
00:46:24,719 --> 00:46:27,839
Speaker 3: really do love it. People buy these cars like very ambitiously.

920
00:46:28,360 --> 00:46:32,440
Speaker 3: And then it's like, whoa, you're you're doing food service,

921
00:46:32,760 --> 00:46:35,680
Speaker 3: food delivery and you know a ninety thousand dollars car,

922
00:46:35,840 --> 00:46:38,640
Speaker 3: and that's that's this town in a nutshell.

923
00:46:38,960 --> 00:46:44,000
Speaker 2: Yeah, when you see three luxury or exotic cars in

924
00:46:44,080 --> 00:46:47,160
Speaker 2: front of a one house, that like, clearly it's a

925
00:46:47,239 --> 00:46:48,759
Speaker 2: roommate situation. Yeah.

926
00:46:49,480 --> 00:46:52,319
Speaker 3: There's an aston Martin Parks around the corner from my

927
00:46:52,360 --> 00:46:54,680
Speaker 3: house for a couple of years, parked on off and

928
00:46:54,719 --> 00:46:57,839
Speaker 3: it had obviously kept getting impounded, always had like chalk

929
00:46:57,920 --> 00:47:00,400
Speaker 3: numbers written on the windshield. It was all just preteus

930
00:47:00,480 --> 00:47:03,839
Speaker 3: fuck And I was like, what a story this This

931
00:47:03,880 --> 00:47:07,000
Speaker 3: person has had just had the craziest three years. There's

932
00:47:07,000 --> 00:47:07,839
Speaker 3: no doubt.

933
00:47:07,960 --> 00:47:11,120
Speaker 4: They got a pilot. The pilot got picked up, and

934
00:47:11,160 --> 00:47:12,840
Speaker 4: then the pilot got canceled.

935
00:47:12,840 --> 00:47:15,879
Speaker 3: Canceled, and then they got canceled. Now they're on the run.

936
00:47:16,760 --> 00:47:18,319
Speaker 1: Now nothing's ever gonna happen again.

937
00:47:19,280 --> 00:47:21,719
Speaker 2: I wonder if on a Lamborghini does the gas cap

938
00:47:21,840 --> 00:47:26,760
Speaker 2: swivel up like the doors do. That'd be kind of cool,

939
00:47:26,920 --> 00:47:30,120
Speaker 2: that would be if I've lifted up like that. That's

940
00:47:30,120 --> 00:47:32,719
Speaker 2: what I want to be the case.

941
00:47:32,800 --> 00:47:36,480
Speaker 3: Karen, do you miss gas stations. You're never in amore.

942
00:47:37,920 --> 00:47:38,080
Speaker 1: No.

943
00:47:38,239 --> 00:47:42,400
Speaker 4: I it's so exciting to have because they basically or

944
00:47:42,520 --> 00:47:44,560
Speaker 4: I got a thing set up where it's like I

945
00:47:44,600 --> 00:47:49,520
Speaker 4: have the electrical charter in my crush and so that

946
00:47:50,160 --> 00:47:51,359
Speaker 4: I'll have to do is get home.

947
00:47:51,640 --> 00:47:53,160
Speaker 1: It's the fucking greatest, right.

948
00:47:53,400 --> 00:47:55,000
Speaker 2: I love it. But what do you do when you

949
00:47:55,040 --> 00:47:57,200
Speaker 2: want to huff a little gas accidentally?

950
00:47:57,760 --> 00:48:01,800
Speaker 1: I buy it with my allowance. Separately, I love.

951
00:48:01,880 --> 00:48:06,920
Speaker 2: The smell of gas, and I think that that's just

952
00:48:07,080 --> 00:48:10,840
Speaker 2: my I don't know, the manufactured home side of my family.

953
00:48:11,560 --> 00:48:15,480
Speaker 2: I can enjoy the smell of gas, and I smell

954
00:48:15,480 --> 00:48:18,520
Speaker 2: it deep to where I get a little dizzy and

955
00:48:18,640 --> 00:48:23,520
Speaker 2: I purposefully get a little umni fingers. It does smell

956
00:48:23,560 --> 00:48:28,040
Speaker 2: gun and Mary's sister gallagher it. Yeah, I love gas.

957
00:48:28,160 --> 00:48:30,400
Speaker 2: I don't know why. It's probably the worst thing you

958
00:48:30,440 --> 00:48:30,920
Speaker 2: can breathe.

959
00:48:31,080 --> 00:48:35,200
Speaker 3: Yeah. I worked at a tire shop for probably seven years,

960
00:48:35,239 --> 00:48:38,080
Speaker 3: and I that the smell of a tire shop hits

961
00:48:38,120 --> 00:48:40,560
Speaker 3: me hard in the nostalgia zone.

962
00:48:40,680 --> 00:48:45,520
Speaker 2: I love tire smell. Yeah, it's very distinct, very seven years.

963
00:48:45,600 --> 00:48:47,360
Speaker 2: You did that? Yeah?

964
00:48:47,440 --> 00:48:49,279
Speaker 3: Yeah, I did it through college and then the first

965
00:48:49,320 --> 00:48:51,600
Speaker 3: couple of years when I lived here I did it

966
00:48:51,680 --> 00:48:52,160
Speaker 3: part time.

967
00:48:53,160 --> 00:48:55,279
Speaker 2: Did you have one of those lugnut guns that went,

968
00:48:56,080 --> 00:48:57,040
Speaker 2: oh yeah.

969
00:48:56,719 --> 00:48:58,560
Speaker 3: Oh I'm a whiz with a lugnut gun.

970
00:48:58,719 --> 00:49:01,400
Speaker 2: I just wanted to show off my one sound effect

971
00:49:01,800 --> 00:49:02,279
Speaker 2: year one.

972
00:49:02,520 --> 00:49:03,240
Speaker 3: Give me a break.

973
00:49:03,520 --> 00:49:06,280
Speaker 2: Okay, there's also the helicopter and the flat tire.

974
00:49:07,120 --> 00:49:08,280
Speaker 1: What's the flat tire?

975
00:49:10,320 --> 00:49:15,680
Speaker 2: Oh, I need to have my uh my voice monitor?

976
00:49:16,520 --> 00:49:20,279
Speaker 3: Oh Chris, yeah, Chris edition.

977
00:49:20,440 --> 00:49:23,200
Speaker 2: God damn it, I need my uh yeah. I was

978
00:49:23,320 --> 00:49:24,800
Speaker 2: just trying to think about that.

979
00:49:24,960 --> 00:49:28,960
Speaker 3: This was the big show we're casting. You didn't even

980
00:49:29,000 --> 00:49:29,800
Speaker 3: have the impression.

981
00:49:30,000 --> 00:49:31,640
Speaker 4: I just wanted you to be able to do flat

982
00:49:31,680 --> 00:49:34,359
Speaker 4: tires straight to the lugdut thing.

983
00:49:34,760 --> 00:49:39,399
Speaker 2: Oh yeah, could you guys help me out? But see

984
00:49:39,400 --> 00:49:47,000
Speaker 2: you later. And that's a helicopter, four cylinder helicopters. Later,

985
00:49:47,080 --> 00:49:48,880
Speaker 2: I pull a urge and then a helicopter.

986
00:49:50,040 --> 00:49:53,440
Speaker 3: Res Darby does that kind of stuff. Oh yes, he's incredible.

987
00:49:53,560 --> 00:49:56,960
Speaker 2: He should audition for Esenal. I want to audition for

988
00:49:57,040 --> 00:49:58,600
Speaker 2: USNEL just to eat it.

989
00:50:00,000 --> 00:50:01,640
Speaker 3: Auditioned for us ANDEL and I'm sure I ate it,

990
00:50:01,680 --> 00:50:04,399
Speaker 3: but it was over zoom, so I never knew. Oh,

991
00:50:04,800 --> 00:50:08,080
Speaker 3: never a problem. It was just submitting another tape.

992
00:50:08,440 --> 00:50:08,680
Speaker 1: You know.

993
00:50:08,880 --> 00:50:10,120
Speaker 2: It's yeah, it didn't hurt.

994
00:50:10,719 --> 00:50:11,200
Speaker 3: Didn't hurt.

995
00:50:11,480 --> 00:50:14,400
Speaker 2: Were you in a room of other people auditioning, that

996
00:50:14,440 --> 00:50:15,120
Speaker 2: would have been.

997
00:50:16,239 --> 00:50:18,640
Speaker 3: There was twelve other people in my bedroom in front

998
00:50:18,640 --> 00:50:20,880
Speaker 3: of a gray sheet, also auditioning.

999
00:50:21,560 --> 00:50:25,000
Speaker 2: Have you done those auditions where you do your part

1000
00:50:25,200 --> 00:50:28,360
Speaker 2: and the other people auditioning are in other zoom screens?

1001
00:50:28,480 --> 00:50:28,719
Speaker 4: Yes?

1002
00:50:29,000 --> 00:50:30,200
Speaker 2: Yes, Oh I love it.

1003
00:50:30,239 --> 00:50:31,359
Speaker 3: I'm so fascinated by.

1004
00:50:31,440 --> 00:50:35,920
Speaker 1: Doing other parts the same part. What so they're watching.

1005
00:50:35,880 --> 00:50:39,399
Speaker 2: Yes, and talk about discomfort?

1006
00:50:39,640 --> 00:50:42,719
Speaker 3: Well no they watching? No, No, that's crazy.

1007
00:50:42,840 --> 00:50:44,600
Speaker 2: Yeah, usually there's a way.

1008
00:50:44,680 --> 00:50:45,960
Speaker 1: Times that's terrible.

1009
00:50:46,280 --> 00:50:48,200
Speaker 2: Yeah, they did that to us a couple of times

1010
00:50:49,040 --> 00:50:51,799
Speaker 2: because they were having people Okay, now you play this

1011
00:50:51,920 --> 00:50:54,919
Speaker 2: part and you play this part, so you're watching each

1012
00:50:54,960 --> 00:50:59,359
Speaker 2: other and actually needing a partner. So it was one

1013
00:50:59,400 --> 00:51:02,560
Speaker 2: of those situation. But what a terrible situation to be in.

1014
00:51:03,760 --> 00:51:07,120
Speaker 2: That's why I quit the whole racket. No, you didn't

1015
00:51:08,000 --> 00:51:09,319
Speaker 2: auditioning for commercials?

1016
00:51:09,360 --> 00:51:10,200
Speaker 3: Oh are you out?

1017
00:51:10,360 --> 00:51:14,880
Speaker 2: Oh god, I haven't done that for years? Yeah? Wow yeah,

1018
00:51:15,080 --> 00:51:18,759
Speaker 2: no more. I mean I don't know anyone that makes

1019
00:51:18,800 --> 00:51:24,640
Speaker 2: money from it anymore. Right, it's uh, celebrities only, and

1020
00:51:24,719 --> 00:51:27,879
Speaker 2: if you book one, you get like five grand. I'm

1021
00:51:27,920 --> 00:51:28,359
Speaker 2: over it.

1022
00:51:28,760 --> 00:51:34,839
Speaker 3: Yeah, I did one last year and it was made

1023
00:51:34,840 --> 00:51:36,480
Speaker 3: a little more than that, but not that much.

1024
00:51:36,760 --> 00:51:41,000
Speaker 2: Yeah. Well I remember you putting a lot of every

1025
00:51:41,080 --> 00:51:43,640
Speaker 2: time I went on one, you were there. Yeah, that's

1026
00:51:43,680 --> 00:51:46,480
Speaker 2: how I got to know you. Yeah, our long talks

1027
00:51:46,480 --> 00:51:47,360
Speaker 2: and waiting rooms.

1028
00:51:48,560 --> 00:51:50,560
Speaker 3: Yeah. I think you even watch my baby at one point.

1029
00:51:50,800 --> 00:51:51,000
Speaker 1: Huh.

1030
00:51:51,360 --> 00:51:56,200
Speaker 2: Yeah, Yeah, that that is a testament. I'm like, Okay,

1031
00:51:56,239 --> 00:51:59,680
Speaker 2: I'm not going to complain about driving across town to

1032
00:51:59,760 --> 00:52:02,560
Speaker 2: read a line or two. Yeah, when Paul came with

1033
00:52:02,800 --> 00:52:06,120
Speaker 2: both his children, I did when my.

1034
00:52:06,120 --> 00:52:09,360
Speaker 3: First was a baby. I oh, just driving out to

1035
00:52:09,360 --> 00:52:12,759
Speaker 3: Santa Monica all the time and just like having a

1036
00:52:12,800 --> 00:52:16,240
Speaker 3: whole front seat filled with little things to keep handing

1037
00:52:16,280 --> 00:52:19,680
Speaker 3: back to them. Oh, just like you're driving home from

1038
00:52:19,719 --> 00:52:23,040
Speaker 3: Santa Monica four point thirty on a Friday, Like I'm

1039
00:52:23,040 --> 00:52:26,840
Speaker 3: gonna I'm gonna crash this. I'm gonna end this for

1040
00:52:26,880 --> 00:52:27,680
Speaker 3: all of us right here.

1041
00:52:29,080 --> 00:52:32,920
Speaker 1: So intense. I mean, it's thankless.

1042
00:52:32,920 --> 00:52:39,000
Speaker 4: It's like I didn't realize until four years into auditioning

1043
00:52:39,000 --> 00:52:41,240
Speaker 4: for things. So I'm just like, I can't. I hate

1044
00:52:41,280 --> 00:52:44,000
Speaker 4: this more than anything in the world. Yeah, I'm doing

1045
00:52:44,040 --> 00:52:46,120
Speaker 4: it because everyone else is doing it, and I think

1046
00:52:46,120 --> 00:52:50,400
Speaker 4: I'm supposed to, But I'm too fragile, I'm too egotistical.

1047
00:52:51,040 --> 00:52:54,360
Speaker 4: I refuse to see myself as other people see me.

1048
00:52:54,440 --> 00:52:57,600
Speaker 4: I need to do it my way, like everything about

1049
00:52:57,640 --> 00:52:59,239
Speaker 4: it infuriates me.

1050
00:53:00,120 --> 00:53:01,840
Speaker 3: Yeah, I think, And I really think that's like a

1051
00:53:01,920 --> 00:53:06,240
Speaker 3: comedian's mindset. Like actor like people are like actor actors.

1052
00:53:06,280 --> 00:53:12,239
Speaker 3: They're so there's such a different species than comedians are,

1053
00:53:13,160 --> 00:53:16,440
Speaker 3: and it's weird. They do it so joyfully, and I

1054
00:53:16,480 --> 00:53:18,360
Speaker 3: was like, how can you? How can you just accept

1055
00:53:18,400 --> 00:53:22,360
Speaker 3: someone else's version of you. I was talking to this

1056
00:53:22,400 --> 00:53:25,000
Speaker 3: woman who I'm kind of pals with, and she she

1057
00:53:25,080 --> 00:53:28,600
Speaker 3: even teaches classes for auditioning, and she goes, Paul, cut

1058
00:53:28,640 --> 00:53:31,759
Speaker 3: your hair, and I was like, why fuck you told

1059
00:53:31,800 --> 00:53:34,120
Speaker 3: me to cut my hair? You know, I don't work

1060
00:53:34,160 --> 00:53:36,719
Speaker 3: for you. And she's like, you'll make a lot more

1061
00:53:36,719 --> 00:53:38,799
Speaker 3: money if you cut your hair. And I was like, well,

1062
00:53:38,840 --> 00:53:43,480
Speaker 3: I'm not worried about that. She goes, look in acting.

1063
00:53:43,840 --> 00:53:46,239
Speaker 3: She's like, you can either you want to try to

1064
00:53:46,239 --> 00:53:48,799
Speaker 3: get late or do you want to try to make money?

1065
00:53:48,960 --> 00:53:51,480
Speaker 3: She goes, When I was young, I had long hair

1066
00:53:51,520 --> 00:53:53,239
Speaker 3: and someone told me that same thing, and I cut

1067
00:53:53,280 --> 00:53:55,520
Speaker 3: my hair and I started booking work immediately. She was

1068
00:53:55,600 --> 00:53:58,719
Speaker 3: that's not People don't want someone that looks good. They

1069
00:53:58,719 --> 00:54:02,480
Speaker 3: want them to look like regular regular Yeah yeah, And

1070
00:54:02,520 --> 00:54:06,200
Speaker 3: I was like, I reject that. I resent that so thoroughly.

1071
00:54:06,680 --> 00:54:09,920
Speaker 3: I'm gonna spend my whole fucking life trying to maintain like,

1072
00:54:10,400 --> 00:54:11,640
Speaker 3: you know, it's what I hated when I worked at

1073
00:54:11,719 --> 00:54:14,080
Speaker 3: McDonald's and like, you can't have facial hair, you can't

1074
00:54:14,120 --> 00:54:16,239
Speaker 3: have any piercings, you have to tuck your shirt, and

1075
00:54:16,280 --> 00:54:20,359
Speaker 3: it was like, I don't live for this. I'm here

1076
00:54:20,840 --> 00:54:23,560
Speaker 3: working part time. I don't need to. I don't need

1077
00:54:23,600 --> 00:54:25,920
Speaker 3: to shape my whole identity around this.

1078
00:54:26,280 --> 00:54:28,120
Speaker 1: Oh you acting like I do.

1079
00:54:28,200 --> 00:54:31,520
Speaker 4: Think it's interesting because it's like a person telling you,

1080
00:54:32,000 --> 00:54:34,239
Speaker 4: here's the way for people to see you more as

1081
00:54:34,239 --> 00:54:37,279
Speaker 4: a blank slate that they can project on, which I

1082
00:54:37,400 --> 00:54:39,880
Speaker 4: kind of think is smart in that way where it's like,

1083
00:54:40,200 --> 00:54:42,840
Speaker 4: but you already have that. I think you're a really

1084
00:54:42,840 --> 00:54:45,680
Speaker 4: good actor and already have that ability, but like that

1085
00:54:45,800 --> 00:54:47,879
Speaker 4: kind of thing of like, don't think of me as

1086
00:54:47,920 --> 00:54:50,279
Speaker 4: the cool guy, think of me as the guy from

1087
00:54:50,280 --> 00:54:51,360
Speaker 4: the office or whatever.

1088
00:54:51,560 --> 00:54:54,080
Speaker 1: Yeah, they need all of those different versions of you.

1089
00:54:54,600 --> 00:54:57,040
Speaker 3: Yeah, you hope that you would hope that people that

1090
00:54:57,120 --> 00:54:59,840
Speaker 3: are you know, I said cast, I'm gonna say casting,

1091
00:54:59,840 --> 00:55:04,200
Speaker 3: but mean the casting directors. I mean like the brands,

1092
00:55:04,719 --> 00:55:08,520
Speaker 3: the people, the corporations. They are so it's such a

1093
00:55:08,560 --> 00:55:12,120
Speaker 3: hard time seeing anything than is what has exactly shown

1094
00:55:12,160 --> 00:55:14,640
Speaker 3: to them. Yeah, they have no, like very little imagination

1095
00:55:14,760 --> 00:55:17,560
Speaker 3: to go, oh, yeah, that person could be a brunette

1096
00:55:17,600 --> 00:55:19,680
Speaker 3: even though they're blonde. Right now They're like, no, no,

1097
00:55:19,800 --> 00:55:23,279
Speaker 3: she's she's blonde. We can't use her. There's no way

1098
00:55:23,320 --> 00:55:25,360
Speaker 3: to get around this. I can't see her as anything

1099
00:55:25,400 --> 00:55:29,239
Speaker 3: but blonde. And it's like, come on, oh stupid, can

1100
00:55:29,280 --> 00:55:29,560
Speaker 3: you be.

1101
00:55:29,880 --> 00:55:34,439
Speaker 4: Also, it's interesting like that the way show business has

1102
00:55:34,520 --> 00:55:37,960
Speaker 4: been up until this point is it's like not that

1103
00:55:38,000 --> 00:55:41,200
Speaker 4: way anymore. That it's such a profound difference of like

1104
00:55:41,800 --> 00:55:45,799
Speaker 4: they aren't paying people and you it's much harder to

1105
00:55:45,840 --> 00:55:48,759
Speaker 4: make a true living. There's just all the kind of

1106
00:55:48,840 --> 00:55:52,680
Speaker 4: cheapening weirdness where it's just like, I don't know, I

1107
00:55:52,760 --> 00:55:56,279
Speaker 4: just think it's it can't really last that way. It's

1108
00:55:56,280 --> 00:55:58,040
Speaker 4: like you don't get to you don't get to cheap

1109
00:55:58,080 --> 00:56:00,359
Speaker 4: out on kind of the best part of like why

1110
00:56:00,400 --> 00:56:04,120
Speaker 4: you're you know, people ate burger King because of Elizabeth Shoe.

1111
00:56:04,320 --> 00:56:07,759
Speaker 2: That's just a fact right right when did she It

1112
00:56:07,800 --> 00:56:08,120
Speaker 2: was like.

1113
00:56:08,320 --> 00:56:10,360
Speaker 4: It was like her first thing in show business. But

1114
00:56:10,400 --> 00:56:12,799
Speaker 4: it was also like right when Burger King kind of

1115
00:56:12,840 --> 00:56:16,360
Speaker 4: like was coming, and so she's like worked there and

1116
00:56:16,520 --> 00:56:18,960
Speaker 4: was the cute girl talking straight into camera and like

1117
00:56:19,000 --> 00:56:23,600
Speaker 4: it was very this very definitive advertising moment of Burger Wars.

1118
00:56:23,640 --> 00:56:24,680
Speaker 1: Remember the Burger Wars?

1119
00:56:25,200 --> 00:56:26,640
Speaker 3: Who could forget flame?

1120
00:56:27,560 --> 00:56:32,719
Speaker 4: Finally I lost two brothers in the Burger Wars. But

1121
00:56:32,800 --> 00:56:34,239
Speaker 4: it was that kind of thing. And then it was

1122
00:56:34,280 --> 00:56:36,560
Speaker 4: like it made her because she was so like all

1123
00:56:36,640 --> 00:56:37,680
Speaker 4: American whatever.

1124
00:56:39,560 --> 00:56:45,400
Speaker 2: Yeah, I still have dreams of Elizabeth Shoe because you

1125
00:56:45,440 --> 00:56:47,800
Speaker 2: loved her so yes as a young person.

1126
00:56:48,600 --> 00:56:50,000
Speaker 1: She's such a great babysitter.

1127
00:56:50,400 --> 00:56:53,040
Speaker 2: She was, she was adventure.

1128
00:56:53,560 --> 00:56:54,200
Speaker 3: I love God.

1129
00:56:54,239 --> 00:56:55,040
Speaker 2: I love that movie.

1130
00:56:55,800 --> 00:56:56,560
Speaker 1: Such a good movie.

1131
00:56:56,600 --> 00:56:57,400
Speaker 2: It's incredible.

1132
00:56:58,440 --> 00:57:00,840
Speaker 1: I loved the redheaded kid in that movie. He was

1133
00:57:00,880 --> 00:57:01,560
Speaker 1: so funny.

1134
00:57:01,719 --> 00:57:05,080
Speaker 2: He was always funny, and everything was that Scott Grimes.

1135
00:57:05,600 --> 00:57:07,799
Speaker 2: I don't know. I think you're right. That sounds like

1136
00:57:08,080 --> 00:57:08,759
Speaker 2: the right name.

1137
00:57:08,960 --> 00:57:13,160
Speaker 4: He was on every sitcom in the early nineties, late seventies, yeah,

1138
00:57:13,320 --> 00:57:14,000
Speaker 4: early eighties.

1139
00:57:14,040 --> 00:57:17,240
Speaker 2: Sorry, I hate watched uh And it's worse than you

1140
00:57:17,280 --> 00:57:19,800
Speaker 2: think it's going to be. Soul Man, Oh do you

1141
00:57:19,840 --> 00:57:23,120
Speaker 2: guys remember his roommate though that act? He was in

1142
00:57:23,200 --> 00:57:27,200
Speaker 2: Allen and some other shows. But he was so good.

1143
00:57:27,400 --> 00:57:31,960
Speaker 2: Who was it his name that would have or what

1144
00:57:31,960 --> 00:57:36,640
Speaker 2: did he look like he had? I the best way

1145
00:57:36,680 --> 00:57:39,800
Speaker 2: to do it would be show his picture. When I

1146
00:57:39,880 --> 00:57:42,680
Speaker 2: bring this photo up, you'll all go, oh, that guy

1147
00:57:42,760 --> 00:57:46,040
Speaker 2: was the best. Oh yeah, and he just disappeared.

1148
00:57:46,280 --> 00:57:47,120
Speaker 1: His first name Mark.

1149
00:57:49,000 --> 00:57:53,120
Speaker 3: It's another great eighties actor. Question his name Mark Mark?

1150
00:57:53,680 --> 00:57:58,520
Speaker 2: Yeah, he's a Mark here, Mark Ari Gross?

1151
00:57:58,760 --> 00:58:02,720
Speaker 1: Oh yeah, Alary Gross had his own sitcom for a

1152
00:58:02,720 --> 00:58:03,200
Speaker 1: long time.

1153
00:58:03,560 --> 00:58:05,920
Speaker 2: I mean that guy when he was young. Do you

1154
00:58:05,960 --> 00:58:07,320
Speaker 2: remember this guy Paul.

1155
00:58:07,920 --> 00:58:10,720
Speaker 3: No the pictures bad?

1156
00:58:11,040 --> 00:58:11,479
Speaker 2: That guy?

1157
00:58:11,640 --> 00:58:13,640
Speaker 3: Yeah, that guy, I know, yeah.

1158
00:58:13,320 --> 00:58:16,240
Speaker 2: Yeah he didn't. He'd look at him with his ear

1159
00:58:16,320 --> 00:58:19,080
Speaker 2: ring and his hair exactly like yours. I know he

1160
00:58:19,160 --> 00:58:22,840
Speaker 2: did just yeah, no one ever told him. I know. Yeah.

1161
00:58:22,880 --> 00:58:27,040
Speaker 2: That guy is so funny in that horrible, horrible movie

1162
00:58:27,720 --> 00:58:30,000
Speaker 2: that it's almost like, oh, we have to stop watching this.

1163
00:58:30,120 --> 00:58:34,120
Speaker 2: But that guy's pretty good. Yeah. He was really the

1164
00:58:34,200 --> 00:58:37,440
Speaker 2: Elizabeth Shoe of boys?

1165
00:58:37,840 --> 00:58:40,080
Speaker 4: Was he the whole time going you can't do this,

1166
00:58:40,080 --> 00:58:40,920
Speaker 4: this is insane.

1167
00:58:40,960 --> 00:58:42,800
Speaker 3: You could do Yes, he was.

1168
00:58:42,920 --> 00:58:45,680
Speaker 2: That's the other thing that it's like the only reason

1169
00:58:45,800 --> 00:58:48,480
Speaker 2: he should have agreed to that movie. He was the

1170
00:58:48,520 --> 00:58:53,240
Speaker 2: only voice of reason. Yes, everyone was crazy, including James

1171
00:58:53,240 --> 00:58:55,840
Speaker 2: Earl Jones, Like it was like, how are you all

1172
00:58:55,880 --> 00:58:57,560
Speaker 2: not seeing that this is wrong?

1173
00:58:58,480 --> 00:59:01,240
Speaker 4: Because it was the eighties, remember seeing that movie in

1174
00:59:01,240 --> 00:59:03,280
Speaker 4: the theater because we loved see Thomas Hall.

1175
00:59:03,280 --> 00:59:06,040
Speaker 3: So much amazing and he was because.

1176
00:59:06,040 --> 00:59:08,520
Speaker 1: It was like a couple of years after The Outsiders.

1177
00:59:08,880 --> 00:59:12,440
Speaker 2: Yeah, and uh someone told him to do comedy.

1178
00:59:12,920 --> 00:59:13,480
Speaker 1: Yeah.

1179
00:59:13,680 --> 00:59:17,400
Speaker 2: Yeah, it was the worst part of the movie is

1180
00:59:17,400 --> 00:59:27,280
Speaker 2: he's stealing uh scholarships, sure as you do from black students.

1181
00:59:27,440 --> 00:59:30,720
Speaker 2: That's the worst part. It's the worst. It's like, how

1182
00:59:30,840 --> 00:59:34,120
Speaker 2: is anyone gonna care a root for this guy? It

1183
00:59:34,160 --> 00:59:38,040
Speaker 2: was just ave I want to say simpler time. But boy,

1184
00:59:38,760 --> 00:59:39,880
Speaker 2: we're right back where.

1185
00:59:39,720 --> 00:59:44,360
Speaker 3: We started, which is great because they're bringing back the

1186
00:59:44,440 --> 00:59:47,720
Speaker 3: Naked Gun for that series and it looks awesome.

1187
00:59:47,760 --> 00:59:48,800
Speaker 1: Who's starring in it.

1188
00:59:49,600 --> 01:00:01,200
Speaker 3: Leslie Nilsen? Of course, it's oh le is it? Yeah,

1189
01:00:01,240 --> 01:00:04,440
Speaker 3: that's funny. There's a trailer for it. It's so I

1190
01:00:04,520 --> 01:00:07,400
Speaker 3: laughed at a movie trailer, which i'ven't done in a

1191
01:00:07,680 --> 01:00:08,400
Speaker 3: dog's age.

1192
01:00:08,560 --> 01:00:11,000
Speaker 2: Yeah, that's ry gross is taking OJ's part.

1193
01:00:12,560 --> 01:00:14,840
Speaker 3: There's a very funny oj joke in the trailer, and.

1194
01:00:14,800 --> 01:00:17,120
Speaker 1: I was like, yeah, here we go.

1195
01:00:17,720 --> 01:00:18,040
Speaker 3: We go.

1196
01:00:18,520 --> 01:00:21,480
Speaker 2: Oh where they're all looking at pictures of their relatives

1197
01:00:21,680 --> 01:00:24,720
Speaker 2: and they're like, it's just for you, Lieutenant Dreban like

1198
01:00:24,840 --> 01:00:30,400
Speaker 2: he's He's like Frank Dreven's son. Yeah, and then there's

1199
01:00:30,440 --> 01:00:33,920
Speaker 2: one guy looking at it. O Jay's like, uh no

1200
01:00:34,480 --> 01:00:38,800
Speaker 2: he does not. Yeah, Okay, you're right. That was a

1201
01:00:38,840 --> 01:00:40,800
Speaker 2: good trailer. Oh.

1202
01:00:40,840 --> 01:00:41,439
Speaker 3: I can't wait.

1203
01:00:42,920 --> 01:00:44,040
Speaker 1: This has gone so quickly.

1204
01:00:44,400 --> 01:00:46,080
Speaker 3: I can't even believe it. I feel like we just

1205
01:00:46,120 --> 01:00:47,200
Speaker 3: started talking, I know.

1206
01:00:47,360 --> 01:00:50,680
Speaker 2: And I want to apologize for not taking you home.

1207
01:00:51,280 --> 01:00:52,360
Speaker 3: Yeah you didn't take me anywhere.

1208
01:00:52,480 --> 01:00:52,680
Speaker 2: Yeah.

1209
01:00:53,160 --> 01:00:54,600
Speaker 3: I drove to you and you drove me back to

1210
01:00:54,600 --> 01:00:55,320
Speaker 3: where I drove you.

1211
01:00:55,440 --> 01:00:57,800
Speaker 4: I just wanted you to see the valley in it

1212
01:00:57,880 --> 01:00:59,280
Speaker 4: the way it kind of is naturally.

1213
01:00:59,440 --> 01:00:59,640
Speaker 2: You know.

1214
01:00:59,720 --> 01:01:01,920
Speaker 3: I do love the valley at this time. They do

1215
01:01:02,000 --> 01:01:04,880
Speaker 3: get the Purple Mountains majesty over there in Burbank.

1216
01:01:05,000 --> 01:01:06,080
Speaker 1: Yeah, they really do.

1217
01:01:06,400 --> 01:01:10,080
Speaker 3: I love the dapple light of your road, so thank you.

1218
01:01:11,160 --> 01:01:13,960
Speaker 4: And he plugs anything you want people to pay attention to.

1219
01:01:14,720 --> 01:01:17,200
Speaker 2: My God CP come out.

1220
01:01:17,400 --> 01:01:22,000
Speaker 3: Yeah, it should come out probably in the next month. Yeah,

1221
01:01:22,040 --> 01:01:24,680
Speaker 3: I've got some the music videos coming out soon. I

1222
01:01:24,760 --> 01:01:27,360
Speaker 3: really want people to check it out. You can check

1223
01:01:27,360 --> 01:01:30,760
Speaker 3: out cod I post stuff on TikTok and YouTube and

1224
01:01:30,920 --> 01:01:34,240
Speaker 3: Instagram and my god, if you want to come see

1225
01:01:34,280 --> 01:01:37,120
Speaker 3: me do stand in person, you just should. Yeah, I'm

1226
01:01:37,160 --> 01:01:40,120
Speaker 3: better in person, I'll be honest. If you're probably underwhelmed

1227
01:01:40,120 --> 01:01:42,760
Speaker 3: by now, but when you see the whole thing happening,

1228
01:01:42,880 --> 01:01:44,600
Speaker 3: it's really it really clicks.

1229
01:01:44,680 --> 01:01:45,360
Speaker 1: It clicks.

1230
01:01:45,600 --> 01:01:48,439
Speaker 4: You can watch him on TikTok, for sure, but it's

1231
01:01:48,440 --> 01:01:50,720
Speaker 4: the real life experience that you want.

1232
01:01:51,360 --> 01:01:55,080
Speaker 3: With the experience, I'm exactly as tall as you think,

1233
01:01:56,880 --> 01:01:58,840
Speaker 3: you know, I'm very very good manners.

1234
01:01:59,080 --> 01:01:59,280
Speaker 2: Yeah.

1235
01:01:59,440 --> 01:02:00,680
Speaker 1: Yeah, you can host.

1236
01:02:00,840 --> 01:02:03,600
Speaker 4: Like when you're the host, you do stand up for

1237
01:02:03,680 --> 01:02:06,280
Speaker 4: like literally two and a half hours the whole time.

1238
01:02:06,400 --> 01:02:08,200
Speaker 3: I love it. And you know, I will be hosting

1239
01:02:08,800 --> 01:02:12,240
Speaker 3: this great show in town called Better Half All for

1240
01:02:12,320 --> 01:02:13,000
Speaker 3: the month of July.

1241
01:02:13,080 --> 01:02:15,439
Speaker 2: Oh that's great. I live down the street. I'll come

1242
01:02:15,640 --> 01:02:17,120
Speaker 2: just to watch and hang out with you.

1243
01:02:17,440 --> 01:02:20,600
Speaker 3: It's at this wine bar called Bar Bendini an Echo Park.

1244
01:02:20,640 --> 01:02:22,160
Speaker 3: It's really a really fun show.

1245
01:02:22,240 --> 01:02:25,760
Speaker 4: It's Wednesday nights at eight o'clock, yep at Barbiandini on

1246
01:02:25,840 --> 01:02:29,520
Speaker 4: Sunset Boulevard, and it's a comedy it's a casual comedy show.

1247
01:02:29,680 --> 01:02:32,160
Speaker 3: It's really casual. And they have all the organic wine

1248
01:02:32,240 --> 01:02:34,440
Speaker 3: you could ever want to fucking drink. It's that they

1249
01:02:34,440 --> 01:02:37,680
Speaker 3: got it on tap. You're gonna feel so sexy. It's

1250
01:02:37,880 --> 01:02:38,360
Speaker 3: really good.

1251
01:02:38,520 --> 01:02:40,120
Speaker 2: Yeah, wine with pulp in it.

1252
01:02:40,360 --> 01:02:43,600
Speaker 3: I have most, you know wine. When we were growing up.

1253
01:02:43,480 --> 01:02:44,240
Speaker 2: It was so thin.

1254
01:02:44,800 --> 01:02:46,640
Speaker 1: Yeah, right, we got to thicken.

1255
01:02:46,400 --> 01:02:47,640
Speaker 3: It up, chunked it up.

1256
01:02:47,840 --> 01:02:50,840
Speaker 2: Yeah, like your mom used to make in the bathtub

1257
01:02:50,880 --> 01:02:56,240
Speaker 2: with surgical tubes and some fermentation. You have to shower downstairs.

1258
01:02:56,240 --> 01:02:57,720
Speaker 2: It might explode.

1259
01:02:57,880 --> 01:03:03,080
Speaker 3: Everybody really great. Yeah, she's in these various clubs, these

1260
01:03:03,080 --> 01:03:05,160
Speaker 3: social clubs. She's like a bathto wine.

1261
01:03:05,360 --> 01:03:06,120
Speaker 1: Yeah, she does it all.

1262
01:03:06,200 --> 01:03:06,800
Speaker 2: She made you.

1263
01:03:06,920 --> 01:03:08,280
Speaker 3: I mean, I just love her output.

1264
01:03:08,720 --> 01:03:11,960
Speaker 2: All of these things happened well drunk. You know, Karen,

1265
01:03:12,720 --> 01:03:15,760
Speaker 2: there is a wrapped paper towel thing in your bushes.

1266
01:03:15,920 --> 01:03:16,080
Speaker 1: I know.

1267
01:03:16,120 --> 01:03:18,960
Speaker 4: I tried to throw it up over that railing, and

1268
01:03:19,040 --> 01:03:22,520
Speaker 4: I like, I just can't throw with any accuracy, So

1269
01:03:22,600 --> 01:03:24,640
Speaker 4: I just threw it up, hit the railing, and then

1270
01:03:24,680 --> 01:03:27,440
Speaker 4: went as close to the railing as possible so I

1271
01:03:27,480 --> 01:03:28,400
Speaker 4: couldn't get it.

1272
01:03:28,800 --> 01:03:30,120
Speaker 2: I'm just reminding you.

1273
01:03:30,400 --> 01:03:32,560
Speaker 3: Yeah, I just feel like there's no way you don't

1274
01:03:32,600 --> 01:03:36,320
Speaker 3: have a videotape of that now somehow, So yeah, you'd

1275
01:03:36,360 --> 01:03:37,640
Speaker 3: love to see that on the Instagram.

1276
01:03:37,840 --> 01:03:40,200
Speaker 1: Okay, great, there'll be some content for this episode.

1277
01:03:40,280 --> 01:03:42,160
Speaker 3: Yes, yeah, people are gonna want to see it.

1278
01:03:42,520 --> 01:03:43,640
Speaker 2: Fire up the dash cam.

1279
01:03:43,920 --> 01:03:46,080
Speaker 4: In the ring cam, you can see exactly where my

1280
01:03:46,120 --> 01:03:49,800
Speaker 4: seizure brain damage is because I can't release anything at

1281
01:03:49,800 --> 01:03:51,800
Speaker 4: the correct moment to get it to go in a

1282
01:03:51,840 --> 01:03:52,440
Speaker 4: straight line.

1283
01:03:54,760 --> 01:03:57,760
Speaker 2: It's you please, of course, what is it about? What

1284
01:03:58,080 --> 01:04:00,800
Speaker 2: syndrome is that that I want to go rabbit so bad?

1285
01:04:00,920 --> 01:04:01,360
Speaker 2: Right now?

1286
01:04:01,680 --> 01:04:03,320
Speaker 1: It's just free paper towel syndrome.

1287
01:04:03,720 --> 01:04:06,520
Speaker 2: Yes, yes, I almost said out CD, but a lot

1288
01:04:06,520 --> 01:04:08,480
Speaker 2: of people claim that, and I'm not gonna mine as

1289
01:04:08,640 --> 01:04:09,560
Speaker 2: just paper towel.

1290
01:04:09,440 --> 01:04:13,400
Speaker 3: Specific everything in its place.

1291
01:04:13,640 --> 01:04:17,120
Speaker 2: I'm so glad and I was so happy to see

1292
01:04:17,120 --> 01:04:20,000
Speaker 2: that you are our guest today an email not knowing

1293
01:04:20,120 --> 01:04:21,880
Speaker 2: sometimes and what a relief.

1294
01:04:22,040 --> 01:04:23,400
Speaker 1: Yeah, yeah, I.

1295
01:04:23,320 --> 01:04:24,960
Speaker 3: Love you guys, so it was really fun to come

1296
01:04:25,000 --> 01:04:26,200
Speaker 3: hang out. I got to say.

1297
01:04:26,200 --> 01:04:30,840
Speaker 2: We love you, we love you, I love you, I mean, oh.

1298
01:04:30,440 --> 01:04:33,880
Speaker 3: Yeah, don't speak for Karen Crusaders, right, Karen, I love you. Paul,

1299
01:04:34,520 --> 01:04:35,520
Speaker 3: thank you? All right?

1300
01:04:36,360 --> 01:04:37,200
Speaker 1: Well, all right.

1301
01:04:38,560 --> 01:04:42,160
Speaker 2: You all have been listening to do you need a

1302
01:04:42,240 --> 01:04:49,440
Speaker 2: Ride d y n A.

1303
01:04:52,760 --> 01:04:55,240
Speaker 5: This has been an exactly right production.

1304
01:04:55,680 --> 01:04:57,920
Speaker 1: Our senior producer is Annalise Nelson.

1305
01:04:58,320 --> 01:04:59,760
Speaker 5: Mixed by Edson Troy.

1306
01:05:00,200 --> 01:05:02,040
Speaker 1: Our talent booker is Patrick Cootner.

1307
01:05:02,360 --> 01:05:04,920
Speaker 5: Themed song by Karen Kilgarreth.

1308
01:05:04,720 --> 01:05:06,160
Speaker 1: Artwork by Chris Fairbanks.

1309
01:05:06,400 --> 01:05:09,440
Speaker 4: Follow the show on Instagram, Twitter, and Facebook at dinar

1310
01:05:09,560 --> 01:05:12,640
Speaker 4: podcast That's d y nar Podcast.

1311
01:05:13,080 --> 01:05:16,640
Speaker 2: For more information, go to exactly rightmedia dot com.

1312
01:05:16,680 --> 01:05:18,920
Speaker 1: Thank you, Oh You're welcome