1 00:00:00,240 --> 00:00:05,480 Speaker 1: It's nine Ogen one Olegine with Jenny Garth and Tory Spelling. 2 00:00:09,800 --> 00:00:16,919 Speaker 2: Well, well, welly, well, what a dramatic episode that was. 3 00:00:17,680 --> 00:00:21,200 Speaker 3: But you got us so worked up, Amy Sugarman that amnesia, 4 00:00:21,440 --> 00:00:23,920 Speaker 3: and I was waiting and waiting and I was like, 5 00:00:24,200 --> 00:00:24,800 Speaker 3: didn't happen. 6 00:00:24,960 --> 00:00:28,680 Speaker 2: I was so excited when it did. Insane, But it 7 00:00:28,720 --> 00:00:32,040 Speaker 2: took forever, forever, the whole episode. Yes, oh my god, 8 00:00:32,159 --> 00:00:33,920 Speaker 2: we have so much to talk about. This is episode 9 00:00:35,159 --> 00:00:39,320 Speaker 2: three of season eight Forgive and Forget, aired September seventeenth, 10 00:00:39,479 --> 00:00:40,440 Speaker 2: nineteen ninety seven. 11 00:00:41,320 --> 00:00:44,040 Speaker 3: Synopsis. Everyone thinks Kelly is in the clear until a 12 00:00:44,040 --> 00:00:47,480 Speaker 3: complication sends her back to the OAR while Brandon identifies 13 00:00:47,520 --> 00:00:49,879 Speaker 3: the shooter in the car, police finds out Donna is 14 00:00:49,920 --> 00:00:53,360 Speaker 3: in a virgin and runs away mad, and Steve gets 15 00:00:53,400 --> 00:00:54,720 Speaker 3: Curly a job at the Peapad. 16 00:00:55,640 --> 00:00:59,520 Speaker 2: Directed by David Semmel, written by John Eisendrath. Okay, Kelly 17 00:00:59,520 --> 00:01:02,240 Speaker 2: takes a turn for the worst. Like, first of. 18 00:01:02,240 --> 00:01:05,880 Speaker 3: All, well, she's answer. 19 00:01:06,160 --> 00:01:10,200 Speaker 2: In the stomach. Wait, she's been shot in the stomach, 20 00:01:10,240 --> 00:01:13,640 Speaker 2: and everybody's first of all, I am upset with you 21 00:01:14,280 --> 00:01:19,200 Speaker 2: because you're standing in the you. I just got like 22 00:01:19,680 --> 00:01:23,400 Speaker 2: driven by you on a cart and I'm bleeding everywhere 23 00:01:23,440 --> 00:01:25,240 Speaker 2: and moaning and groaning, and you have to stand there 24 00:01:25,280 --> 00:01:26,120 Speaker 2: with your arms crossed. 25 00:01:26,120 --> 00:01:28,959 Speaker 3: You're like, oh, no, I did my absolutely good in 26 00:01:28,959 --> 00:01:29,360 Speaker 3: that scene. 27 00:01:29,560 --> 00:01:32,000 Speaker 2: Yes, And I knew what was happening. I knew because 28 00:01:32,040 --> 00:01:33,839 Speaker 2: that boy and the new boy was in the scene. 29 00:01:34,520 --> 00:01:38,120 Speaker 2: That's why she's so self conscious. I was like, somebody, 30 00:01:38,120 --> 00:01:41,040 Speaker 2: I show some emotion for Kelly Taylor, please. 31 00:01:41,200 --> 00:01:44,920 Speaker 3: I'm trying to be like sto, Like, no, I. 32 00:01:44,840 --> 00:01:47,520 Speaker 2: Was very upset. You didn't shed a tear. You weren't 33 00:01:47,560 --> 00:01:50,360 Speaker 2: stammering later, okay, and. 34 00:01:50,280 --> 00:01:51,480 Speaker 3: You don't even remember who I am. 35 00:01:52,120 --> 00:01:56,600 Speaker 4: So it's fine, guys, I was at the hospital that. 36 00:01:58,280 --> 00:02:00,520 Speaker 2: Now he has to be in all the sea's moving 37 00:02:00,520 --> 00:02:01,760 Speaker 2: forward for worth. 38 00:02:02,400 --> 00:02:05,920 Speaker 4: We just met this guy. He's now gonna just live 39 00:02:05,960 --> 00:02:10,760 Speaker 4: on your parents' boat, no problem. And he's at the hospital. 40 00:02:11,080 --> 00:02:15,880 Speaker 2: He's her blood donor blood I got no, no whatever. 41 00:02:15,919 --> 00:02:21,040 Speaker 2: His last name's blood in me Hunter, Hunter, that's I 42 00:02:21,280 --> 00:02:23,280 Speaker 2: had to be blood. Yeah. 43 00:02:23,800 --> 00:02:27,239 Speaker 4: And then you were fine. And then it took a turn, 44 00:02:27,520 --> 00:02:29,720 Speaker 4: a dark turn to the amnesian. 45 00:02:29,840 --> 00:02:32,120 Speaker 2: But first of all, she wouldn't be that fine for 46 00:02:32,160 --> 00:02:35,480 Speaker 2: the whole entire episode. She's like cracking jokes and in 47 00:02:35,639 --> 00:02:39,720 Speaker 2: no pain. She had a severed her legs And is 48 00:02:39,760 --> 00:02:40,280 Speaker 2: this true? 49 00:02:40,600 --> 00:02:43,480 Speaker 3: But like when you were going into the hospital they 50 00:02:43,480 --> 00:02:46,240 Speaker 3: would taking you in, there was so much blood. 51 00:02:46,680 --> 00:02:48,200 Speaker 2: You didn't it was a lot of blood. 52 00:02:48,240 --> 00:02:48,960 Speaker 3: It was nothing. 53 00:02:50,520 --> 00:02:52,760 Speaker 2: It felt very real when in the very beginning I 54 00:02:52,800 --> 00:02:54,240 Speaker 2: was like, oh, this kind of feels like a real 55 00:02:54,400 --> 00:02:56,200 Speaker 2: like er show or something. 56 00:02:56,200 --> 00:02:59,200 Speaker 4: For a second, yeah, it made me think. Okay, so 57 00:02:59,240 --> 00:03:03,520 Speaker 4: the dark turn in Grays when Eric Dane was in 58 00:03:03,600 --> 00:03:07,520 Speaker 4: the plane crash mc steamy, I feel like he was 59 00:03:07,600 --> 00:03:10,079 Speaker 4: okay sort of he was hurt, but he was okay, 60 00:03:10,200 --> 00:03:14,160 Speaker 4: and then then he was gone. He died. What mixed 61 00:03:14,240 --> 00:03:15,960 Speaker 4: it was? Yeah, it could have happened. I feel like 62 00:03:15,960 --> 00:03:17,240 Speaker 4: that it can happen. 63 00:03:17,440 --> 00:03:19,360 Speaker 3: McSteamy died on that show. 64 00:03:20,080 --> 00:03:21,320 Speaker 2: Make Steamy or McDreamy. 65 00:03:21,400 --> 00:03:24,120 Speaker 3: Yeah, no, not make dreamy. Eric Dane was Mike Steamy? 66 00:03:24,160 --> 00:03:25,359 Speaker 3: Am my wrong? Am I wrong? Yeah? 67 00:03:25,360 --> 00:03:27,680 Speaker 4: But they both died. Patrick Dempsey and Eric Dane were 68 00:03:27,680 --> 00:03:28,400 Speaker 4: both dead. 69 00:03:28,600 --> 00:03:29,560 Speaker 2: But the show goes on. 70 00:03:30,440 --> 00:03:32,960 Speaker 4: Jen, do you watched it twenty years ago? No need 71 00:03:33,040 --> 00:03:33,320 Speaker 4: to start. 72 00:03:33,840 --> 00:03:34,800 Speaker 3: I don't have to watch it now. 73 00:03:34,840 --> 00:03:37,839 Speaker 2: They're both dead spoiler alert. And that was like ten 74 00:03:37,920 --> 00:03:40,760 Speaker 2: years ago, isn't mcdy doing a whole show. Alert. I 75 00:03:40,800 --> 00:03:42,880 Speaker 2: think he's doing a whole new show. He's he's like 76 00:03:42,920 --> 00:03:46,280 Speaker 2: a time traveler or he's like a dream Is something 77 00:03:46,320 --> 00:03:49,240 Speaker 2: about dream yes Dempsey, Yes, Dream Connection. 78 00:03:50,080 --> 00:03:52,000 Speaker 4: I think Patrick Dempsey has a new show coming to Fox. 79 00:03:52,320 --> 00:03:54,880 Speaker 4: Is it about year old stopping ground? Mm hmm. 80 00:03:56,080 --> 00:03:58,480 Speaker 3: Do you guys ever like audition for stuff from Totally 81 00:03:58,520 --> 00:04:01,800 Speaker 3: Geeked to Totally Shake? That guy really handsome duck. 82 00:04:02,640 --> 00:04:04,520 Speaker 4: Yes, but he was in camp by Me Love. He 83 00:04:04,560 --> 00:04:06,400 Speaker 4: was still super cute. Do you guys have like audition 84 00:04:06,520 --> 00:04:08,400 Speaker 4: for stuff like? How does that work these days? 85 00:04:10,120 --> 00:04:10,280 Speaker 3: Well? 86 00:04:10,360 --> 00:04:14,680 Speaker 2: That's in theory. Yeah, yep, if you ever, if we 87 00:04:14,720 --> 00:04:15,560 Speaker 2: ever get that far? 88 00:04:15,800 --> 00:04:17,160 Speaker 4: And do you just give a tape or do you 89 00:04:17,200 --> 00:04:20,039 Speaker 4: guys even have to audition? Do they just go do 90 00:04:20,080 --> 00:04:21,480 Speaker 4: you love this? Like so easy? 91 00:04:21,560 --> 00:04:21,720 Speaker 2: Yeah? 92 00:04:21,760 --> 00:04:22,719 Speaker 4: I'm just curious. 93 00:04:22,800 --> 00:04:25,520 Speaker 2: We record ourselves on the VCR tape and we send 94 00:04:25,600 --> 00:04:26,359 Speaker 2: it in the mail. 95 00:04:30,160 --> 00:04:32,760 Speaker 3: I put mine on a mixtape. Oh no, is that wrong? 96 00:04:33,080 --> 00:04:37,520 Speaker 2: No, we do. Amy. There's an occasion or two here 97 00:04:37,600 --> 00:04:40,800 Speaker 2: and there. Yes, when someone called an agent. I don't 98 00:04:40,800 --> 00:04:42,720 Speaker 2: know what they do and who they are, but they 99 00:04:42,760 --> 00:04:47,400 Speaker 2: will call and and then say we have an audition 100 00:04:47,640 --> 00:04:50,320 Speaker 2: in which we have to put ourselves on tape for. 101 00:04:50,520 --> 00:04:52,520 Speaker 4: So nobody goes in person anymore. 102 00:04:52,720 --> 00:04:56,719 Speaker 2: Sometimes it's here and there. Commercials have started seeing people 103 00:04:56,720 --> 00:05:00,960 Speaker 2: in person. Oh I've only had like a in person 104 00:05:01,080 --> 00:05:08,480 Speaker 2: not auditions. Oh yeah, all right, but those were fun. 105 00:05:08,520 --> 00:05:10,800 Speaker 2: I kind of miss auditions. 106 00:05:10,400 --> 00:05:11,080 Speaker 5: Are you too? 107 00:05:11,800 --> 00:05:15,520 Speaker 3: I thought I hated them, but I actually, in hindsight 108 00:05:15,600 --> 00:05:16,000 Speaker 3: missed them. 109 00:05:16,040 --> 00:05:17,680 Speaker 2: Yeah. I don't miss them that much, like I don't 110 00:05:17,680 --> 00:05:18,320 Speaker 2: want to do it again. 111 00:05:19,200 --> 00:05:21,400 Speaker 4: Could you walk into a room there's just thirty five blond, 112 00:05:21,440 --> 00:05:22,480 Speaker 4: blue eyed people there. 113 00:05:22,440 --> 00:05:24,840 Speaker 3: Yes, and you have to talk to people and be like. 114 00:05:24,839 --> 00:05:28,560 Speaker 2: Hi, yeah, and then there's like twenty brown haired people 115 00:05:28,640 --> 00:05:30,520 Speaker 2: and you're like, wait, well they don't even know what 116 00:05:30,520 --> 00:05:31,200 Speaker 2: they're looking for. 117 00:05:31,880 --> 00:05:34,000 Speaker 4: Oh, and then you know you're kind of maybe have 118 00:05:34,040 --> 00:05:35,040 Speaker 4: a lesser shot at it. 119 00:05:35,440 --> 00:05:38,560 Speaker 3: Yeah, And then you start to see the same people like, oh, 120 00:05:38,600 --> 00:05:39,360 Speaker 3: she's going to get it. 121 00:05:39,680 --> 00:05:42,039 Speaker 4: Did anyone do a chemistry read with Noah? 122 00:05:42,680 --> 00:05:42,880 Speaker 6: Who? 123 00:05:42,960 --> 00:05:43,359 Speaker 4: Vincent? 124 00:05:43,520 --> 00:05:44,360 Speaker 2: Did you like it? 125 00:05:44,720 --> 00:05:46,400 Speaker 4: Did any of you have to do a chemistry read 126 00:05:46,440 --> 00:05:47,200 Speaker 4: with him? Maybe? 127 00:05:47,240 --> 00:05:48,839 Speaker 3: Tiffany? No? Do you think so? 128 00:05:49,680 --> 00:05:54,000 Speaker 2: M Maybe she did because they have none. I would 129 00:05:54,040 --> 00:05:56,480 Speaker 2: think they would have seen that in the in an 130 00:05:56,520 --> 00:06:01,560 Speaker 2: audition process, but maybe zero. I'm sorry, you gotta call 131 00:06:01,600 --> 00:06:04,520 Speaker 2: it like it is, Like, does anybody out there listening 132 00:06:04,800 --> 00:06:08,400 Speaker 2: think that Val and Noah would are a good couple, 133 00:06:08,560 --> 00:06:10,000 Speaker 2: should have stayed together. I don't know. 134 00:06:10,360 --> 00:06:12,400 Speaker 3: Oh my god. And I waited to see a reaction. 135 00:06:12,600 --> 00:06:14,960 Speaker 3: I was like, anyone, No they did. 136 00:06:15,160 --> 00:06:17,040 Speaker 2: They have to call a write or something. I don't know. 137 00:06:17,080 --> 00:06:17,680 Speaker 2: They can't respond. 138 00:06:17,720 --> 00:06:21,080 Speaker 3: They're very short lived. Pigeon carrier message in bottle. 139 00:06:22,080 --> 00:06:23,800 Speaker 2: This is a what do you want to talk? We've 140 00:06:23,800 --> 00:06:25,279 Speaker 2: talked about Kelly and that ridiculous. 141 00:06:25,320 --> 00:06:26,599 Speaker 4: I want to talk about Hillary Swank. 142 00:06:26,839 --> 00:06:28,680 Speaker 3: Okay, go ahead, and you always want to talk about 143 00:06:28,720 --> 00:06:29,480 Speaker 3: Hillary Swink. 144 00:06:29,520 --> 00:06:33,440 Speaker 4: Talk about Hillary Swank, all right, fine, because I am 145 00:06:33,880 --> 00:06:38,240 Speaker 4: stunned at when I rewatch it the different way I 146 00:06:38,279 --> 00:06:43,159 Speaker 4: am feeling once again, she's doing a great performance. She 147 00:06:43,480 --> 00:06:50,080 Speaker 4: is cute, she is good, but they make her so unlikable. 148 00:06:50,200 --> 00:06:55,800 Speaker 4: First of all, Stephen, Hillary Swank, I forget her character's name, 149 00:06:56,200 --> 00:06:59,560 Speaker 4: have like this horrible relationship. And then suddenly at the 150 00:06:59,600 --> 00:07:05,360 Speaker 4: soccer game again, now it's totally turned where Carley, She's like, hey, 151 00:07:06,080 --> 00:07:08,040 Speaker 4: I hated you last week, but I have a job 152 00:07:08,080 --> 00:07:10,400 Speaker 4: for you and do you want to go out with me? 153 00:07:11,000 --> 00:07:14,880 Speaker 4: Then here's my problem with Hillary Swank. They've never even 154 00:07:14,880 --> 00:07:18,320 Speaker 4: been on one date. He got her job. He's talking 155 00:07:18,360 --> 00:07:22,040 Speaker 4: to just his like fake potential future client, and she's 156 00:07:22,120 --> 00:07:28,320 Speaker 4: so mad. So again, Carly, what are you doing again? 157 00:07:28,400 --> 00:07:29,200 Speaker 4: I don't like you. 158 00:07:29,400 --> 00:07:32,040 Speaker 2: She's very reactive. You know what she has it. She's 159 00:07:32,120 --> 00:07:35,520 Speaker 2: a single mom. Give her a little break. She needs 160 00:07:35,520 --> 00:07:38,640 Speaker 2: a job. She's got her uniform already, thank goodness to 161 00:07:38,680 --> 00:07:41,880 Speaker 2: the peach pit, probably already has name on it. 162 00:07:42,040 --> 00:07:44,760 Speaker 4: She'd be so grateful to see her to being mad. 163 00:07:44,800 --> 00:07:48,760 Speaker 4: He's talking to a girl like, calm you down, and 164 00:07:48,840 --> 00:07:50,320 Speaker 4: also his one eighty. 165 00:07:50,760 --> 00:07:53,760 Speaker 2: She is reading the lines on the paper. This is 166 00:07:53,800 --> 00:07:54,920 Speaker 2: not Carly's fault. 167 00:07:55,240 --> 00:07:57,560 Speaker 4: That is my whole point. They just did her dirty. 168 00:07:57,880 --> 00:08:00,640 Speaker 4: They didn't do dirt. It's just the character. Also, she 169 00:08:00,680 --> 00:08:03,280 Speaker 4: says Steve cost her her job. You know he didn't. 170 00:08:04,080 --> 00:08:07,800 Speaker 4: She acted crazy and that's why she lost her job. 171 00:08:07,840 --> 00:08:08,880 Speaker 4: Like though, you know, it was just like. 172 00:08:09,080 --> 00:08:11,600 Speaker 2: Honestly, maybe there was some directing that needed to happen. 173 00:08:11,800 --> 00:08:14,840 Speaker 2: You know, we were no one ever really directed anybody 174 00:08:14,880 --> 00:08:15,840 Speaker 2: on the show. 175 00:08:15,960 --> 00:08:17,440 Speaker 3: Oh this is true at this point. 176 00:08:17,560 --> 00:08:21,520 Speaker 2: I mean yes, someone could have taken her aside and said, hey, 177 00:08:21,600 --> 00:08:23,800 Speaker 2: this is great what you're doing. You look great. This 178 00:08:23,920 --> 00:08:27,080 Speaker 2: is also good. I feel like maybe just tone it down, 179 00:08:27,160 --> 00:08:29,840 Speaker 2: like make it a little more likable because you can 180 00:08:29,920 --> 00:08:32,520 Speaker 2: say those lines. You can see those lines and still 181 00:08:32,559 --> 00:08:33,079 Speaker 2: be likable. 182 00:08:33,720 --> 00:08:34,600 Speaker 4: Oh that's interesting. 183 00:08:34,760 --> 00:08:38,160 Speaker 3: Like directors were excited to have someone like her and 184 00:08:38,240 --> 00:08:40,760 Speaker 3: no way like someone knew because they couldn't directly. 185 00:08:40,800 --> 00:08:43,120 Speaker 2: Knew me, you know, Like, so what you mean, yeah, 186 00:08:43,400 --> 00:08:49,040 Speaker 2: like people that would listen. No, I don't think they would, said, 187 00:08:49,120 --> 00:08:52,640 Speaker 2: doesn't seem like it. It doesn't seem like anyone really. 188 00:08:52,760 --> 00:08:55,120 Speaker 2: He told her that her character might come off as 189 00:08:55,200 --> 00:08:58,320 Speaker 2: like a little too intense right now. 190 00:08:58,360 --> 00:08:59,600 Speaker 3: So I had this question for you. 191 00:08:59,640 --> 00:09:03,080 Speaker 4: What this was her choice, her acting choices. Just don't 192 00:09:03,160 --> 00:09:05,520 Speaker 4: see how it could be her choice because the lines 193 00:09:05,520 --> 00:09:08,839 Speaker 4: are the lines, like it literally says in the script, 194 00:09:09,080 --> 00:09:12,160 Speaker 4: go up and be irritated that she was talking to 195 00:09:12,240 --> 00:09:13,720 Speaker 4: a girl and storm off. 196 00:09:13,800 --> 00:09:18,640 Speaker 3: Did you read the script. 197 00:09:16,840 --> 00:09:22,440 Speaker 2: And be irritated? But the line was like, oh, okay, okay, 198 00:09:22,520 --> 00:09:25,560 Speaker 2: let's try it. Then here's the line when she sees 199 00:09:25,679 --> 00:09:30,840 Speaker 2: him with the girl. Right, she just wandered in. She 200 00:09:30,920 --> 00:09:33,640 Speaker 2: wanders in from the peach pit. It's been slow, so 201 00:09:33,720 --> 00:09:37,560 Speaker 2: she's looking for him. I don't know why. I okay, 202 00:09:37,600 --> 00:09:40,560 Speaker 2: So she says to him, what what was the line? 203 00:09:40,920 --> 00:09:43,199 Speaker 3: It was the line. Let's get the line, dude, that's 204 00:09:43,200 --> 00:09:43,640 Speaker 3: a problem. 205 00:09:43,760 --> 00:09:46,080 Speaker 4: I don't remember. We need to get the line something. 206 00:09:45,840 --> 00:09:48,720 Speaker 2: Like never mind or yeah. 207 00:09:48,840 --> 00:09:52,000 Speaker 4: It was like it wasn't never mind. 208 00:09:52,200 --> 00:09:54,079 Speaker 2: It was like okay, good, never mind. 209 00:09:54,320 --> 00:09:55,480 Speaker 4: You suck you too. 210 00:09:55,640 --> 00:09:57,640 Speaker 3: It was like, you know the answer about that date, 211 00:09:57,720 --> 00:09:58,120 Speaker 3: it's a no. 212 00:09:58,720 --> 00:10:01,439 Speaker 2: Okay, try this line. You lost me my job? 213 00:10:02,600 --> 00:10:03,520 Speaker 4: You do it? You do it? 214 00:10:03,840 --> 00:10:05,760 Speaker 2: No, you do it. You do it like Hillary, like 215 00:10:06,200 --> 00:10:09,200 Speaker 2: the character Carly did it. No, Amy do it like 216 00:10:09,280 --> 00:10:16,080 Speaker 2: Carly did it. You lost me my job? Okay, y, No, 217 00:10:16,200 --> 00:10:19,040 Speaker 2: it wasn't. No, I don't feel like like feelings. 218 00:10:19,120 --> 00:10:21,079 Speaker 4: No, I did it like she did it. 219 00:10:21,320 --> 00:10:25,880 Speaker 2: I'm angry, do it likable you lost me my job? 220 00:10:26,360 --> 00:10:31,240 Speaker 3: Oh yeah, sympathy likable Jen, I have feels for her. 221 00:10:31,320 --> 00:10:32,560 Speaker 2: No, I don't need to do it. You just did 222 00:10:32,559 --> 00:10:35,360 Speaker 2: it perfect. You prove my point. 223 00:10:35,920 --> 00:10:39,640 Speaker 3: Okay, can we move on? Yes, there's a point there. 224 00:10:39,880 --> 00:10:43,280 Speaker 4: All right, okay, So all right, we'll see how well 225 00:10:43,360 --> 00:10:45,760 Speaker 4: we've got like a seven more episodes with her. We'll 226 00:10:45,760 --> 00:10:46,360 Speaker 4: see how it goes. 227 00:10:46,480 --> 00:10:48,720 Speaker 2: You know what, even if it was her acting choice 228 00:10:48,760 --> 00:10:51,600 Speaker 2: to be you know, so on the nose with the writing. 229 00:10:52,920 --> 00:10:55,520 Speaker 2: That's when this is a group effort. That's when this 230 00:10:55,640 --> 00:10:58,680 Speaker 2: is a team filmmaking is not just about the actor 231 00:10:58,960 --> 00:11:02,320 Speaker 2: or the director's vision, community effort. So that's when maybe 232 00:11:02,320 --> 00:11:05,280 Speaker 2: they should have come together or somebody from the watching 233 00:11:05,360 --> 00:11:07,679 Speaker 2: the dailies should have been like, hey, director, guy. 234 00:11:07,800 --> 00:11:09,119 Speaker 4: Or you're coming across. 235 00:11:10,040 --> 00:11:12,840 Speaker 2: Yeah, like pull her back, rein that in, do something 236 00:11:12,880 --> 00:11:16,480 Speaker 2: a little different. But nobody did anything that. 237 00:11:16,480 --> 00:11:18,640 Speaker 3: We know, we don't know we know. 238 00:11:18,720 --> 00:11:20,880 Speaker 4: I think they almost encouraged it because she's doing it 239 00:11:20,920 --> 00:11:22,120 Speaker 4: every episode. 240 00:11:23,120 --> 00:11:23,400 Speaker 2: Listen. 241 00:11:23,480 --> 00:11:24,080 Speaker 4: I still think. 242 00:11:26,520 --> 00:11:28,160 Speaker 2: Maybe it's only her second episode. 243 00:11:28,160 --> 00:11:31,839 Speaker 4: Maybe she get two or two. I don't think. 244 00:11:40,640 --> 00:11:44,520 Speaker 5: I'm Kristin Davis, host of the podcast Are You a Charlotte? 245 00:11:44,880 --> 00:11:49,000 Speaker 5: The most anticipated guest from season three is here the 246 00:11:49,120 --> 00:11:53,319 Speaker 5: Tray to My Charlotte. Kyle mcglachlin joins me to relive 247 00:11:53,559 --> 00:11:57,520 Speaker 5: all of the magical tray in Charlotte moments. He reveals 248 00:11:57,800 --> 00:12:01,439 Speaker 5: what he thinks of Trey giving Charlotte it's a cardboard baby. 249 00:12:02,120 --> 00:12:03,719 Speaker 2: Why would I bring her a cardboard baby? I was 250 00:12:03,760 --> 00:12:07,160 Speaker 2: literally I was like, this doesn't track for me at all. 251 00:12:07,480 --> 00:12:10,120 Speaker 5: When he found out Trey's shortcomings, I'm kind. 252 00:12:10,000 --> 00:12:11,480 Speaker 2: Of excited to talk about you know. I think he's 253 00:12:11,720 --> 00:12:13,080 Speaker 2: a guy spends time in Central Park. 254 00:12:13,120 --> 00:12:14,760 Speaker 4: You know, he's probably don't need to be some. 255 00:12:14,760 --> 00:12:16,720 Speaker 2: Surgery stuff, you know. And I was like all this 256 00:12:16,800 --> 00:12:19,040 Speaker 2: kind of stuff going on, and they were like yeah, yeah, yeah, fine, 257 00:12:19,240 --> 00:12:22,000 Speaker 2: and they said, but he's impotent, and I was like. 258 00:12:22,280 --> 00:12:25,559 Speaker 5: He's impotent and why he chose not to return to it? 259 00:12:25,800 --> 00:12:28,360 Speaker 5: Just like that, they came and presented an idea and 260 00:12:28,400 --> 00:12:30,040 Speaker 5: I was like, I get I see it. 261 00:12:30,040 --> 00:12:32,560 Speaker 2: It's so kind of a one joke idea. You don't 262 00:12:32,559 --> 00:12:33,200 Speaker 2: want to miss this. 263 00:12:33,920 --> 00:12:37,120 Speaker 5: Listen to Are You a Charlotte on the iHeartRadio app, 264 00:12:37,240 --> 00:12:40,239 Speaker 5: Apple Podcasts or wherever you get your podcasts. 265 00:12:44,360 --> 00:12:46,600 Speaker 2: Steve is back at the soccer field. That's where he 266 00:12:46,640 --> 00:12:49,839 Speaker 2: comes across her, and then he takes it with the 267 00:12:49,880 --> 00:12:55,360 Speaker 2: air a peachpit. Now he's Aaron's nanny, well obviously because 268 00:12:56,120 --> 00:12:58,719 Speaker 2: Kelly's in the hospital and Jackie the only one that's 269 00:12:58,760 --> 00:13:00,959 Speaker 2: worried about Kelly at the hospital with her. 270 00:13:01,160 --> 00:13:01,840 Speaker 4: Where's Mel? 271 00:13:02,920 --> 00:13:05,160 Speaker 2: Who's Mel on the show? 272 00:13:08,440 --> 00:13:10,800 Speaker 4: Just Kidd's dad. 273 00:13:11,440 --> 00:13:12,920 Speaker 3: Yeah, but he would be there, right. 274 00:13:14,440 --> 00:13:17,079 Speaker 4: I think he's what's going on with the money problems 275 00:13:17,120 --> 00:13:17,800 Speaker 4: at the peach pit? 276 00:13:18,440 --> 00:13:20,040 Speaker 3: I don't yeah, but I don't care. 277 00:13:20,559 --> 00:13:23,719 Speaker 2: Yeah, I don't really want to hear about money problems. 278 00:13:24,160 --> 00:13:27,360 Speaker 4: It's leading us up to I think, what, well, Noah's 279 00:13:27,360 --> 00:13:29,120 Speaker 4: got money, so I think Noah becomes like. 280 00:13:29,640 --> 00:13:32,560 Speaker 3: Oh god, now he's going to own the pea pad. 281 00:13:34,200 --> 00:13:36,360 Speaker 4: Does Noah's stay till the end of the series. 282 00:13:36,880 --> 00:13:39,840 Speaker 2: Yes, Donna still can't tell her mom about David. 283 00:13:40,800 --> 00:13:41,040 Speaker 3: No. 284 00:13:41,280 --> 00:13:45,880 Speaker 4: But also I think like somebody made the point like, 285 00:13:46,200 --> 00:13:47,400 Speaker 4: why would you tell your. 286 00:13:47,240 --> 00:13:50,480 Speaker 2: Mom that you slept with him or that he's moving in. 287 00:13:50,840 --> 00:13:56,320 Speaker 3: The sleeping Why does she Why does he insist we're 288 00:13:56,400 --> 00:13:58,320 Speaker 3: telling her mom? I think it's weird. 289 00:13:58,800 --> 00:14:01,800 Speaker 2: Wait wait wait, wait wait he's not. He doesn't insist 290 00:14:01,880 --> 00:14:04,480 Speaker 2: that you tell your mom that you guys know unless 291 00:14:04,480 --> 00:14:06,080 Speaker 2: I tell her that you did it. 292 00:14:06,520 --> 00:14:08,480 Speaker 3: Yes, No, am I wrong? 293 00:14:08,640 --> 00:14:10,679 Speaker 2: No? I think he won't. He won't move in until 294 00:14:10,720 --> 00:14:16,880 Speaker 2: you tell her that he's moving in. No, no, no. 295 00:14:17,800 --> 00:14:18,360 Speaker 4: Why would he? 296 00:14:18,440 --> 00:14:22,920 Speaker 2: Amy does David insist that Donna tell follies that they. 297 00:14:22,880 --> 00:14:25,040 Speaker 3: Did uncomfortable did it? Yes? 298 00:14:25,200 --> 00:14:27,360 Speaker 2: No, no, he did not say that. 299 00:14:27,520 --> 00:14:29,680 Speaker 4: He doesn't. He wants it to be clear that they're 300 00:14:29,720 --> 00:14:34,680 Speaker 4: living together, but not as roommates, they're living together as 301 00:14:34,720 --> 00:14:36,920 Speaker 4: a couple. But he's not like, yeah, you need to 302 00:14:36,960 --> 00:14:38,320 Speaker 4: go tell your mom we. 303 00:14:38,320 --> 00:14:39,720 Speaker 2: Did it Doggie styles right. 304 00:14:39,840 --> 00:14:43,560 Speaker 3: But he's insinuating that's why she should. 305 00:14:44,480 --> 00:14:45,680 Speaker 2: I just love making a laugh. 306 00:14:49,520 --> 00:14:53,560 Speaker 3: Were you ralling me up? That's what he's insinuating. Correct. 307 00:14:54,080 --> 00:14:56,880 Speaker 4: He just wants to make sure she doesn't think that they're. 308 00:14:58,720 --> 00:15:01,800 Speaker 3: They did it means that they have done it. 309 00:15:02,200 --> 00:15:03,840 Speaker 2: Well, she does it. He's not saying you have to 310 00:15:03,880 --> 00:15:07,320 Speaker 2: tell your mom that you did it right exactly. He 311 00:15:07,400 --> 00:15:09,560 Speaker 2: just wants you to be honest that you're living together. 312 00:15:09,840 --> 00:15:12,840 Speaker 4: We're living together, Dave and I are living together. 313 00:15:14,200 --> 00:15:17,680 Speaker 3: Period, but not in your roommates as a couple. 314 00:15:17,920 --> 00:15:20,760 Speaker 2: No, just say why just say that? Say less? How 315 00:15:20,760 --> 00:15:21,160 Speaker 2: about that? 316 00:15:22,440 --> 00:15:24,200 Speaker 4: Yeah, say less. 317 00:15:26,760 --> 00:15:28,640 Speaker 2: But when she told her mom that they had sex, 318 00:15:28,680 --> 00:15:30,440 Speaker 2: I was like, Oh, that's not going to go over. 319 00:15:30,320 --> 00:15:33,880 Speaker 4: Well, well, Lease is such a pain in the ass. Oh, 320 00:15:33,920 --> 00:15:36,240 Speaker 4: by the way, Donna Summers, did you guys get my 321 00:15:38,840 --> 00:15:42,280 Speaker 4: People magazine wrote about Tori and some you know, I 322 00:15:42,320 --> 00:15:45,120 Speaker 4: forget exactly what you were revealing, and they called the 323 00:15:45,200 --> 00:15:47,320 Speaker 4: character Donna Summers. 324 00:15:47,320 --> 00:15:50,160 Speaker 2: Oh, this is the best thing that I saw that 325 00:15:50,200 --> 00:15:52,600 Speaker 2: in your text. I didn't even read it, but I 326 00:15:52,240 --> 00:15:57,200 Speaker 2: if someone mistaken your character for Donna Martin, for Donna Summers, 327 00:15:57,240 --> 00:15:57,960 Speaker 2: that's pretty. 328 00:15:57,680 --> 00:16:00,320 Speaker 3: Good, you guys. I wasn't even shocked because I did 329 00:16:00,560 --> 00:16:06,360 Speaker 3: mass singer Paris and the judge called said, I loved 330 00:16:06,400 --> 00:16:08,240 Speaker 3: you as Donna Summers. 331 00:16:08,560 --> 00:16:09,800 Speaker 2: Oh, because you've heard this before. 332 00:16:09,960 --> 00:16:14,560 Speaker 4: I've heard this before. You see you can see the 333 00:16:14,600 --> 00:16:18,200 Speaker 4: writer type type typing away their People magazine article do 334 00:16:18,000 --> 00:16:22,880 Speaker 4: do Tory Spelling talks about her sex life whatever? It 335 00:16:22,960 --> 00:16:25,800 Speaker 4: was da da da. She played Donna Summers because like 336 00:16:25,840 --> 00:16:28,200 Speaker 4: in your mind, when you think Donna, you're gonna be 337 00:16:28,240 --> 00:16:32,360 Speaker 4: like Donna Mills, Donna Martin, Donna Summer. And also it 338 00:16:32,400 --> 00:16:33,400 Speaker 4: was Donna Summer. 339 00:16:33,720 --> 00:16:36,480 Speaker 3: Her name was not Summers. 340 00:16:36,760 --> 00:16:38,760 Speaker 4: It's Donna Summer, not Donna Summer. 341 00:16:38,800 --> 00:16:39,120 Speaker 2: Summer. 342 00:16:39,960 --> 00:16:42,880 Speaker 4: Like the lady sang on the radio, dim all with 343 00:16:43,320 --> 00:16:51,360 Speaker 4: my master, Hello, that's Susan's summer. Donna Summer was like 344 00:16:51,400 --> 00:16:57,080 Speaker 4: an iconic singer. I loved her. She sang dim all 345 00:16:57,120 --> 00:16:59,239 Speaker 4: the Lights, you know that one. 346 00:16:59,120 --> 00:17:00,520 Speaker 2: No keep going song? 347 00:17:00,640 --> 00:17:03,120 Speaker 3: But what there's others hot stuff? 348 00:17:03,320 --> 00:17:03,920 Speaker 2: Baby? 349 00:17:04,760 --> 00:17:05,400 Speaker 3: I love that one. 350 00:17:05,480 --> 00:17:10,200 Speaker 2: Yeah, you got we were to all the month. You're 351 00:17:10,280 --> 00:17:11,800 Speaker 2: like a dude jukebox baby. 352 00:17:11,880 --> 00:17:15,919 Speaker 4: Right now, her name is Donna Summer. Like this person 353 00:17:16,040 --> 00:17:17,439 Speaker 4: called Donna Martin Donna. 354 00:17:17,800 --> 00:17:20,480 Speaker 2: Sometimes we've had this conversation. I thought we were talking 355 00:17:20,480 --> 00:17:24,919 Speaker 2: about Donna the summer, Yes, the THI Master lady, and 356 00:17:24,960 --> 00:17:27,520 Speaker 2: I was like, Sue kind of look alike. 357 00:17:28,080 --> 00:17:31,160 Speaker 3: That could work, you guys, And this was on our 358 00:17:31,359 --> 00:17:37,159 Speaker 3: OMG text chain and crying like laughing faces. 359 00:17:37,800 --> 00:17:39,480 Speaker 2: I know, it was way funnier when it was. 360 00:17:39,600 --> 00:17:43,680 Speaker 4: I just love It's like they don't check, like can 361 00:17:43,720 --> 00:17:46,160 Speaker 4: people like I love people magazine. Don't get me wrong, 362 00:17:46,160 --> 00:17:47,760 Speaker 4: but like, let's get an editor in there that just 363 00:17:47,760 --> 00:17:48,800 Speaker 4: goes like, wait a minute. 364 00:17:48,960 --> 00:17:50,719 Speaker 2: It's the same when they spell your and you've been 365 00:17:50,720 --> 00:17:53,199 Speaker 2: in the business for forty years or something and they 366 00:17:53,200 --> 00:17:56,840 Speaker 2: spell your name wrong. Just check it maybe before you 367 00:17:57,200 --> 00:17:57,560 Speaker 2: wreck it. 368 00:17:57,840 --> 00:18:03,840 Speaker 4: That's what I tell everybody people spelling counts. Spelling counts, 369 00:18:04,680 --> 00:18:05,320 Speaker 4: and they don't. 370 00:18:05,440 --> 00:18:11,560 Speaker 3: She doesn't believe me, Okay, okay, so Donna does tell her, 371 00:18:11,600 --> 00:18:12,480 Speaker 3: though she does. 372 00:18:12,800 --> 00:18:15,000 Speaker 2: She does, so we shall see what happens. And then 373 00:18:15,080 --> 00:18:19,800 Speaker 2: you give David the key. It's official. He's moving in. 374 00:18:20,000 --> 00:18:23,399 Speaker 2: So Kelly, well, there might be a problem now because 375 00:18:23,440 --> 00:18:25,800 Speaker 2: Kelly was moving into Brand's house, but now she doesn't 376 00:18:25,800 --> 00:18:29,040 Speaker 2: know who the hell Brandon is, so how she can live. 377 00:18:29,160 --> 00:18:31,280 Speaker 3: Back in with weeks? I assume you don't know me either. 378 00:18:31,800 --> 00:18:34,159 Speaker 2: I don't know she does. I when she woke up 379 00:18:34,200 --> 00:18:37,000 Speaker 2: and said, wait, who are you? 380 00:18:37,720 --> 00:18:40,960 Speaker 3: It was so good, Jen I was like that so much. 381 00:18:41,920 --> 00:18:46,080 Speaker 2: And he was so concerned and sweet and he looked tired. 382 00:18:46,720 --> 00:18:51,680 Speaker 2: And then he saw her. She said, who are you? Wait? 383 00:18:51,680 --> 00:18:53,920 Speaker 2: Why did Noah get Valis snow Globe? 384 00:18:54,640 --> 00:18:55,320 Speaker 3: I don't know? 385 00:18:56,400 --> 00:18:59,119 Speaker 2: Were they going to go skiing? Did I miss that 386 00:18:59,800 --> 00:19:01,480 Speaker 2: he gave her a gift? 387 00:19:02,040 --> 00:19:05,040 Speaker 4: Can we just talk about his like Burger post? It 388 00:19:05,119 --> 00:19:09,000 Speaker 4: basically like sex in the city, like they obviously sleep together, 389 00:19:09,119 --> 00:19:12,199 Speaker 4: have this night, and then like she comes and says, like, 390 00:19:12,800 --> 00:19:14,879 Speaker 4: did you even leave a note? Right? I think he 391 00:19:15,000 --> 00:19:17,000 Speaker 4: left a note or something that just said like thanks. 392 00:19:17,119 --> 00:19:21,000 Speaker 2: Yeah, he's odd. He's odd character, Like he said in 393 00:19:21,040 --> 00:19:22,920 Speaker 2: the very first first time we met him, I don't 394 00:19:22,920 --> 00:19:25,600 Speaker 2: want to just hook up or something to that effect. 395 00:19:26,480 --> 00:19:28,760 Speaker 2: He does, don't know, and then he does it. But 396 00:19:29,080 --> 00:19:31,760 Speaker 2: if I saw her in that underwear set, I'd probably 397 00:19:31,760 --> 00:19:36,760 Speaker 2: do it too, just saying she looked good body, Addie. 398 00:19:36,840 --> 00:19:39,359 Speaker 2: That's what I have to say. And I'm in the pool, though, 399 00:19:40,040 --> 00:19:42,440 Speaker 2: what the of course you didn't like them in the pool? 400 00:19:42,600 --> 00:19:45,160 Speaker 3: No, not because of that, not because of that, because 401 00:19:45,200 --> 00:19:48,679 Speaker 3: that pool in my mind is reserved for Kelly and Dylan, 402 00:19:49,280 --> 00:19:52,040 Speaker 3: so it's a different pool. I don't know, but like 403 00:19:52,119 --> 00:19:54,560 Speaker 3: the image of a couple in the pool makes me think. 404 00:19:54,440 --> 00:19:57,359 Speaker 4: Of that is it a random's house or is that 405 00:19:57,520 --> 00:19:59,160 Speaker 4: his house? And we're just not supposed to know. 406 00:19:59,240 --> 00:20:01,560 Speaker 3: They break into someone's house. I didn't understand that. 407 00:20:01,720 --> 00:20:04,160 Speaker 2: Yeah, it kind of looked like Kelly Taylor's house. Maybe 408 00:20:04,160 --> 00:20:06,840 Speaker 2: they were using it as the same location, because it 409 00:20:06,920 --> 00:20:08,600 Speaker 2: really looked a lot like Kelly weird. 410 00:20:08,960 --> 00:20:09,879 Speaker 4: Thank you so much. 411 00:20:11,000 --> 00:20:13,960 Speaker 3: And then the snow Globe just gave me memories of 412 00:20:14,040 --> 00:20:16,760 Speaker 3: the age nine, two and ten what I can't go 413 00:20:16,840 --> 00:20:18,879 Speaker 3: home again? We gave the snow globes member. 414 00:20:18,760 --> 00:20:23,200 Speaker 2: Oh god, our little gift bags. I don't remember. Actually, 415 00:20:23,240 --> 00:20:28,040 Speaker 2: I think I blocked in. I just feel like this. 416 00:20:28,200 --> 00:20:31,360 Speaker 2: I think season eight is the season when things go cood. 417 00:20:31,400 --> 00:20:35,800 Speaker 2: Cooper nanas because David's got a band aid on his face, 418 00:20:35,960 --> 00:20:41,679 Speaker 2: Kelly's bullet wound and now she hasn't Its crazy? This 419 00:20:41,760 --> 00:20:42,159 Speaker 2: is crazy. 420 00:20:42,160 --> 00:20:44,200 Speaker 4: Can we for one moment talk about everything that has 421 00:20:44,280 --> 00:20:48,800 Speaker 4: happened to Kelly Taylor so far? I couldn't meet shot 422 00:20:49,080 --> 00:20:52,200 Speaker 4: in a cole drug addicts, almost died in a fire. 423 00:20:52,440 --> 00:20:55,760 Speaker 4: It's just like so much has happened to this one. 424 00:20:55,800 --> 00:20:58,080 Speaker 2: He should really be much more of a wreck than 425 00:20:58,080 --> 00:20:58,439 Speaker 2: she is. 426 00:20:59,280 --> 00:21:01,000 Speaker 4: I have a question that I've been thinking about for 427 00:21:01,040 --> 00:21:04,280 Speaker 4: you guys. Do you think nine O two one zero 428 00:21:04,440 --> 00:21:06,720 Speaker 4: could have been as good of a show, as popular 429 00:21:06,800 --> 00:21:09,840 Speaker 4: as of a show if they didn't do all this 430 00:21:10,080 --> 00:21:13,680 Speaker 4: like crazy antics, Like if it was just really about 431 00:21:13,760 --> 00:21:19,000 Speaker 4: this group of friends having real, sort of collegey type experiences, 432 00:21:19,359 --> 00:21:25,639 Speaker 4: like do we need the gun shooting, the amnesia, the drugs, 433 00:21:25,800 --> 00:21:30,240 Speaker 4: the cult, the kidnapping, the hostage crisis, Like I. 434 00:21:30,119 --> 00:21:34,240 Speaker 2: Feel absolutely we need it all. It's like it kept 435 00:21:34,440 --> 00:21:36,680 Speaker 2: what it was because it kept the audience coming, waiting 436 00:21:36,720 --> 00:21:39,720 Speaker 2: a whole week to come back and find out what happened. 437 00:21:39,600 --> 00:21:44,120 Speaker 3: Right, because it wasn't very as grounded as it once was. Right, 438 00:21:45,280 --> 00:21:46,920 Speaker 3: so you got to be like, wow, that would right? 439 00:21:47,000 --> 00:21:47,680 Speaker 4: See I run. 440 00:21:47,760 --> 00:21:50,600 Speaker 3: It was less, but I know these people there was still. 441 00:21:50,359 --> 00:21:55,159 Speaker 4: Like Brandon on the cliff, Dylan this dramama. 442 00:21:55,600 --> 00:21:59,040 Speaker 3: Here's my problem. I'm watching season eight and I'm not 443 00:21:59,160 --> 00:22:02,280 Speaker 3: happy because I liked watching all the other seasons. It 444 00:22:02,280 --> 00:22:05,159 Speaker 3: took me back to that like special memory place, but 445 00:22:05,240 --> 00:22:08,520 Speaker 3: now I'm like caught up almost Does that make sense? No, 446 00:22:09,359 --> 00:22:13,920 Speaker 3: Like it's feeling like closer to the end to us now. 447 00:22:14,680 --> 00:22:19,240 Speaker 3: It's not now, you mean thirty years ago, honestly, no, no, no, no. 448 00:22:19,080 --> 00:22:22,280 Speaker 3: Watching the first few seasons, it took me back to 449 00:22:22,320 --> 00:22:23,600 Speaker 3: a time where younger time. 450 00:22:23,840 --> 00:22:27,679 Speaker 2: Yeah, this is still, this is still you think about you, 451 00:22:27,840 --> 00:22:31,000 Speaker 2: Tory at that time in your life. You were a 452 00:22:31,080 --> 00:22:32,000 Speaker 2: very different person. 453 00:22:33,000 --> 00:22:35,840 Speaker 4: True, and you are closer to the end than the 454 00:22:35,840 --> 00:22:36,359 Speaker 4: beginning end. 455 00:22:36,440 --> 00:22:38,479 Speaker 3: Yeah, and I guess that's what. It's coming to an 456 00:22:38,560 --> 00:22:39,959 Speaker 3: end and that's. 457 00:22:40,200 --> 00:22:42,240 Speaker 2: Yeah, but it's coming to an end. I totally get. 458 00:22:42,240 --> 00:22:44,600 Speaker 2: But I don't think like I still watch it and 459 00:22:44,640 --> 00:22:47,560 Speaker 2: think like, oh my gosh, we're so young, and yes, 460 00:22:47,680 --> 00:22:49,480 Speaker 2: think about like what we were doing in our personal 461 00:22:49,480 --> 00:22:51,959 Speaker 2: lives and where we were developmentally and did we have 462 00:22:52,000 --> 00:22:55,520 Speaker 2: a relationships to me in and what was happening. I 463 00:22:55,600 --> 00:22:57,680 Speaker 2: find that also still so interesting. 464 00:22:57,720 --> 00:22:59,479 Speaker 4: Well you just had a baby, and now all your 465 00:22:59,480 --> 00:23:01,000 Speaker 4: babies are out of the house. 466 00:23:01,640 --> 00:23:06,440 Speaker 2: Yeah, a little bit of time this lapsed. I fast 467 00:23:06,440 --> 00:23:09,280 Speaker 2: forward it, just like when I was watching the show today. 468 00:23:09,960 --> 00:23:13,399 Speaker 2: Right before this podcast, I had to fast forward certain parts, 469 00:23:13,440 --> 00:23:16,800 Speaker 2: like I fast forwarded little parts that really didn't have 470 00:23:16,880 --> 00:23:20,119 Speaker 2: anything to talk about. And I was watching the band 471 00:23:20,200 --> 00:23:22,120 Speaker 2: play and I was like, oh my gosh, this band 472 00:23:22,200 --> 00:23:25,480 Speaker 2: is like a what's that called? Like a I go rock, 473 00:23:25,640 --> 00:23:30,360 Speaker 2: like a speed rock band, like Faster in the peach Pit. Yeah. 474 00:23:30,359 --> 00:23:32,080 Speaker 2: I thought they looked like Green Day or something. Because 475 00:23:32,080 --> 00:23:34,800 Speaker 2: he was like talking about it, I was like, oh wait, 476 00:23:35,040 --> 00:23:38,280 Speaker 2: I still haven't fast forwarded. I don't know who the band. 477 00:23:38,359 --> 00:23:42,280 Speaker 4: Oh my gosh, wait, wait was that? I did not 478 00:23:42,880 --> 00:23:45,280 Speaker 4: get that? Thank you, Lorraine. That's what I was. Next 479 00:23:45,320 --> 00:23:49,040 Speaker 4: week they were called Kara's Flowers, right is I feel 480 00:23:49,080 --> 00:23:51,600 Speaker 4: like was that this episode? I feel like I would 481 00:23:51,600 --> 00:23:52,680 Speaker 4: have noticed Adam Levine. 482 00:23:53,080 --> 00:23:55,080 Speaker 2: Wait, I did see somebody and I was like, that 483 00:23:55,119 --> 00:23:56,200 Speaker 2: guy looks familiar. 484 00:23:56,400 --> 00:24:02,800 Speaker 3: So wait, there's some crazy article that Adam Lavine gave 485 00:24:02,920 --> 00:24:06,680 Speaker 3: an interview and went through all like who was nice 486 00:24:06,680 --> 00:24:09,080 Speaker 3: to him and who wasn't on our note on the 487 00:24:09,760 --> 00:24:14,280 Speaker 3: it's somewhere who was I can't remember. It was like 488 00:24:14,440 --> 00:24:18,240 Speaker 3: twenty five years ago, but he like went through I 489 00:24:18,240 --> 00:24:20,679 Speaker 3: see the scenes. I want to hear what it was 490 00:24:20,760 --> 00:24:23,120 Speaker 3: like with the cast, like, because he was like news. 491 00:24:23,480 --> 00:24:26,040 Speaker 2: Well, that's interesting because I don't remember meeting him at all. 492 00:24:26,400 --> 00:24:31,080 Speaker 4: Like he looks so different. I can barely recognize him. 493 00:24:31,200 --> 00:24:33,320 Speaker 2: He looks young, like I'm literally. 494 00:24:32,960 --> 00:24:34,840 Speaker 4: Watching and I cannot recognize him. 495 00:24:35,800 --> 00:24:39,200 Speaker 2: Well, that's what money does too, it changes. 496 00:24:39,480 --> 00:24:43,880 Speaker 3: He grew up in La. His dad owns fred Siegel. No, it's. 497 00:24:45,400 --> 00:24:48,680 Speaker 4: Yeah, one of those, that's correct. I think, yes, Frederick. 498 00:24:48,760 --> 00:24:50,640 Speaker 4: I mean he looks so different. 499 00:24:51,320 --> 00:24:52,760 Speaker 3: Yeah, like he went to like Beverly. 500 00:24:52,880 --> 00:24:53,480 Speaker 4: I'm Frederick. 501 00:24:54,000 --> 00:24:57,560 Speaker 2: No, remember, I'm Frederick. I still have that star, but 502 00:24:57,680 --> 00:24:58,800 Speaker 2: not as much as I left. 503 00:25:00,040 --> 00:25:04,479 Speaker 4: He's almost unrecognizable. You guys like you link and missed that. Wow. 504 00:25:04,680 --> 00:25:06,119 Speaker 3: Yeah, he grew up in LA. I think he went 505 00:25:06,160 --> 00:25:11,360 Speaker 3: to Beverly, Hi, the kind of like West Beverly High. 506 00:25:11,400 --> 00:25:14,840 Speaker 2: Well, I didn't notice, but now that you pointed out, definitely. 507 00:25:14,480 --> 00:25:15,800 Speaker 4: Handily until now. 508 00:25:16,400 --> 00:25:19,280 Speaker 2: Wow, And that was an actual band, like he was 509 00:25:19,280 --> 00:25:20,680 Speaker 2: trying that they were you know. 510 00:25:20,720 --> 00:25:23,320 Speaker 4: Yeah, they were called Karas Flowers before they were Marine five, 511 00:25:23,359 --> 00:25:27,240 Speaker 4: but I think some or all of them became Maroon five. 512 00:25:27,880 --> 00:25:31,120 Speaker 2: Well good for them, Yeah, they did well, good for them. 513 00:25:31,359 --> 00:25:36,640 Speaker 4: It all worked out for them. 514 00:25:40,800 --> 00:25:44,440 Speaker 2: Hi, it's Jenny Garth, host of the I Choose Me podcast. 515 00:25:44,840 --> 00:25:48,320 Speaker 2: This week, I'm so excited to welcome my friend Gabrielle 516 00:25:48,359 --> 00:25:52,080 Speaker 2: carteris the Andrea Zuckerman from Beverly Hills nine O two 517 00:25:52,160 --> 00:25:55,000 Speaker 2: on Oho to the pod, We're choosing to get real. 518 00:25:55,240 --> 00:25:58,680 Speaker 3: Ipplied to the networks about my ageing contracts. They never 519 00:25:58,720 --> 00:26:00,680 Speaker 3: would have hired me if they had on my age. 520 00:26:00,760 --> 00:26:02,280 Speaker 2: We're choosing to be honest. 521 00:26:02,480 --> 00:26:04,159 Speaker 5: She looked at me and she said, this business is 522 00:26:04,160 --> 00:26:06,240 Speaker 5: about than ask, which you have neither of, and. 523 00:26:06,280 --> 00:26:09,359 Speaker 2: We're choosing to get nostalgic. Listen to I Choose Me 524 00:26:09,560 --> 00:26:13,120 Speaker 2: on the iHeartRadio app, Apple podcasts, or wherever you get 525 00:26:13,160 --> 00:26:16,280 Speaker 2: your podcasts. Hey, it's Wilfred Ell and Sabrina Bryan. 526 00:26:16,160 --> 00:26:19,200 Speaker 6: From the podcast Magical Rewind and we have a very 527 00:26:19,240 --> 00:26:22,200 Speaker 6: special guest on this week's episode. He's the mastermind behind 528 00:26:22,240 --> 00:26:25,959 Speaker 6: some of your favorite movies like Hocus Pocus, Newsy's, The Descendants, 529 00:26:26,000 --> 00:26:28,959 Speaker 6: and of course High School Musical. Yes, it is the 530 00:26:28,960 --> 00:26:32,639 Speaker 6: one and only a living legend director Kenny or Tega. 531 00:26:32,800 --> 00:26:35,240 Speaker 1: We sit down with Kenny to talk about his incredible 532 00:26:35,280 --> 00:26:38,520 Speaker 1: career and the legacy he's created with his choreography and films. 533 00:26:38,720 --> 00:26:40,720 Speaker 6: You seriously will not want to miss this one. 534 00:26:40,800 --> 00:26:44,200 Speaker 1: Listen to Magical Rewind on the iHeartRadio app, Apple podcasts, 535 00:26:44,280 --> 00:26:45,800 Speaker 1: or wherever you get your podcasts. 536 00:26:50,400 --> 00:26:55,000 Speaker 2: Also just flagged that the doctor was played by Daniel 537 00:26:55,040 --> 00:26:55,480 Speaker 2: day Kim. 538 00:26:55,800 --> 00:26:58,159 Speaker 4: Oh that was amazing. I did notice a great Lost 539 00:26:58,200 --> 00:27:01,719 Speaker 4: and a million other shows. Yeah, yeah, I did notice that. 540 00:27:02,720 --> 00:27:06,000 Speaker 2: You know, he brings somebody onto the show, like in 541 00:27:06,040 --> 00:27:09,240 Speaker 2: a small little role like that, and they actually take 542 00:27:09,359 --> 00:27:12,399 Speaker 2: the scene and elevate it like he did. Yeah, you know, 543 00:27:12,720 --> 00:27:13,600 Speaker 2: that's a good actor. 544 00:27:14,160 --> 00:27:17,719 Speaker 4: I think the detective was also sort of recognizable in 545 00:27:17,760 --> 00:27:18,240 Speaker 4: my opinion. 546 00:27:18,600 --> 00:27:20,680 Speaker 3: Yeah, but who is he he was to wait? He 547 00:27:20,760 --> 00:27:22,119 Speaker 3: called the guy we caught the chump. 548 00:27:22,760 --> 00:27:25,160 Speaker 2: Oh my gosh, I said my favorite word. He said, 549 00:27:25,359 --> 00:27:27,240 Speaker 2: we caught the trump, and I was like, oh, I'm 550 00:27:27,280 --> 00:27:30,320 Speaker 2: definitely gonna start using that word again. You are a chump. 551 00:27:30,680 --> 00:27:32,880 Speaker 2: That's such a good word. Try it out, you guys. 552 00:27:33,000 --> 00:27:35,120 Speaker 4: What is the title of this episode? One more time? 553 00:27:36,320 --> 00:27:37,680 Speaker 2: Forgiven? Forgiven? 554 00:27:38,080 --> 00:27:41,080 Speaker 4: I forgot even forget Okay, I'm trying to figure out 555 00:27:41,080 --> 00:27:45,520 Speaker 4: who that who? That cop was Robert Gossip? Oh, I 556 00:27:45,520 --> 00:27:49,399 Speaker 4: feel like he's kind of famous. Yes, is he related 557 00:27:49,400 --> 00:27:52,320 Speaker 4: to lou Gossip? I'm just curious anybody know the answer 558 00:27:52,359 --> 00:27:55,119 Speaker 4: to that. That'd be a fun bit of trivia. You 559 00:27:55,160 --> 00:27:56,960 Speaker 4: should know him, toy, because he's done one hundred and 560 00:27:56,960 --> 00:27:58,520 Speaker 4: forty episodes of General Hospital. 561 00:27:59,080 --> 00:28:01,800 Speaker 3: Oh yes, he's their first cousins. 562 00:28:02,080 --> 00:28:03,120 Speaker 4: Oh my god, there you. 563 00:28:03,040 --> 00:28:03,639 Speaker 3: Go about me? 564 00:28:03,840 --> 00:28:08,000 Speaker 2: Get that excuse me from a name, just the last name, right, 565 00:28:08,240 --> 00:28:09,239 Speaker 2: I just got felt it. 566 00:28:09,680 --> 00:28:11,159 Speaker 4: Yeah, I just felt it in me. 567 00:28:11,280 --> 00:28:14,600 Speaker 2: Good job, I just felt it's you. 568 00:28:14,800 --> 00:28:18,880 Speaker 4: What else do we not talk about this episode? Noah 569 00:28:19,040 --> 00:28:21,200 Speaker 4: is not I'm not I'm not feeling Noah. 570 00:28:21,480 --> 00:28:23,080 Speaker 2: I just feel like he's always posing. 571 00:28:23,800 --> 00:28:24,119 Speaker 4: Weird. 572 00:28:24,520 --> 00:28:28,359 Speaker 2: Yeah, you're weird, always posing. His character's just lurking around 573 00:28:28,400 --> 00:28:33,080 Speaker 2: posing and some like I'm the new it guy pose like. 574 00:28:33,240 --> 00:28:36,399 Speaker 2: I feel like they really think they have hit the 575 00:28:36,560 --> 00:28:41,360 Speaker 2: Loatto the Jannaire there, yeah, that one, and they've got 576 00:28:41,640 --> 00:28:44,920 Speaker 2: you know what they probably assumed would be another Dylan 577 00:28:45,080 --> 00:28:50,600 Speaker 2: esque character mm hmm because of his burning good looks. 578 00:28:50,640 --> 00:28:54,040 Speaker 3: And who is Carly Hilary Swank supposed to be the 579 00:28:54,120 --> 00:28:54,760 Speaker 3: new Andrea? 580 00:28:55,280 --> 00:29:01,320 Speaker 4: I think we're supposed to yet oh Tori. Wow, they're like, 581 00:29:01,360 --> 00:29:02,040 Speaker 4: you just nail that. 582 00:29:02,960 --> 00:29:03,160 Speaker 3: Neither. 583 00:29:03,160 --> 00:29:05,080 Speaker 4: I feel like you nail that sort of the girl 584 00:29:05,120 --> 00:29:10,360 Speaker 4: who takes no leep and like tough but cool m hmm, 585 00:29:10,680 --> 00:29:13,959 Speaker 4: with the soft center, has the baby, et cetera. Mm 586 00:29:14,040 --> 00:29:15,280 Speaker 4: hmmm mm hmmm. 587 00:29:16,160 --> 00:29:17,520 Speaker 3: All right, what's next week? 588 00:29:17,760 --> 00:29:19,680 Speaker 2: Oh wait, Donna got a job too, You got another 589 00:29:19,760 --> 00:29:21,880 Speaker 2: job you're personal shop. 590 00:29:21,960 --> 00:29:23,280 Speaker 4: Oh yeah, Like it's almost like they make you. 591 00:29:23,360 --> 00:29:28,120 Speaker 2: It's like you're working at che. 592 00:29:28,200 --> 00:29:34,600 Speaker 4: Chicos Cheeko's. Yeah, they're like really like it's like clothes 593 00:29:34,640 --> 00:29:37,240 Speaker 4: for the every man. By the way, Cheico's is like 594 00:29:37,320 --> 00:29:39,080 Speaker 4: very profitable, or at least it was at one point. 595 00:29:39,520 --> 00:29:44,000 Speaker 4: Like it's like the lady is so dismissive of her 596 00:29:44,000 --> 00:29:47,520 Speaker 4: own brand. Whatever. I guess you're just doing her clothes. 597 00:29:47,600 --> 00:29:50,320 Speaker 4: I don't know, you're not even more were Your job's weird? 598 00:29:51,760 --> 00:29:54,520 Speaker 3: A fun job. That's a good prelude to a fashion 599 00:29:54,560 --> 00:29:55,400 Speaker 3: career for sure. 600 00:29:55,560 --> 00:29:58,440 Speaker 2: Personal shopper. Did you wait, did you ever have a 601 00:29:58,440 --> 00:30:01,000 Speaker 2: personal shopper, like back the nineties? 602 00:30:01,960 --> 00:30:05,640 Speaker 4: No, do you have a stylist? Isn't that like a stylist? 603 00:30:06,080 --> 00:30:09,560 Speaker 2: Oh yeah, it's kind of the same thing, right, Oh yeah, 604 00:30:09,560 --> 00:30:12,280 Speaker 2: I got so they buy they go every Yeah. 605 00:30:12,280 --> 00:30:13,080 Speaker 3: I just like people. 606 00:30:13,280 --> 00:30:15,480 Speaker 4: Yeah, I wonder if I had a stylist, if i'd 607 00:30:15,480 --> 00:30:16,000 Speaker 4: look better. 608 00:30:16,400 --> 00:30:19,880 Speaker 2: Oh my gosh, Maimie, you could not possibly look better 609 00:30:20,760 --> 00:30:21,720 Speaker 2: than you do right now. 610 00:30:22,800 --> 00:30:26,800 Speaker 4: Oh my god. So nice. Second of all, shout out 611 00:30:26,800 --> 00:30:28,440 Speaker 4: to the person that said I looked eighty. I tried 612 00:30:28,480 --> 00:30:29,280 Speaker 4: to get better lighting. 613 00:30:29,760 --> 00:30:31,000 Speaker 2: I don't know eighty. 614 00:30:31,320 --> 00:30:32,920 Speaker 4: And I never have time to blow drumming hair. 615 00:30:32,920 --> 00:30:36,640 Speaker 2: Where are you seeing these? Where she'd be so mad. 616 00:30:36,480 --> 00:30:38,280 Speaker 3: If they didn't talk about her. 617 00:30:38,520 --> 00:30:41,320 Speaker 4: Yeah, that's fair you have, but eighty, I get it 618 00:30:41,400 --> 00:30:43,160 Speaker 4: bad lighting. It's really I've. 619 00:30:43,320 --> 00:30:44,760 Speaker 3: You're younger than both of us. 620 00:30:45,000 --> 00:30:45,360 Speaker 6: What are you? 621 00:30:45,600 --> 00:30:47,440 Speaker 4: This is what I'm gonna tell people by like a month. 622 00:30:47,600 --> 00:30:50,920 Speaker 4: But here's when I tell people, it's I barely make 623 00:30:50,960 --> 00:30:51,640 Speaker 4: it on time with this. 624 00:30:51,720 --> 00:30:53,720 Speaker 2: Then she's just put her pants on. 625 00:30:53,760 --> 00:30:56,640 Speaker 4: You guys, Jenny did not think I was wearing pants earlier. Like, 626 00:30:57,120 --> 00:30:59,480 Speaker 4: my hair is dripping, it's a miracle. I get a shower. 627 00:31:00,240 --> 00:31:02,120 Speaker 4: There's basically no makeup. 628 00:31:01,880 --> 00:31:03,520 Speaker 2: And you have a few things on your plate. 629 00:31:03,720 --> 00:31:08,760 Speaker 3: You're dealing with us like this is not like, yeah, 630 00:31:08,760 --> 00:31:11,600 Speaker 3: when Danielle gets back from maternity leave, things are gonna 631 00:31:11,600 --> 00:31:12,120 Speaker 3: be a lot better. 632 00:31:12,400 --> 00:31:15,600 Speaker 4: But doing your two jobs, it's gnar. Really, Yeah, thank 633 00:31:15,640 --> 00:31:16,880 Speaker 4: you toy running a company? 634 00:31:17,240 --> 00:31:18,800 Speaker 3: Yeah? 635 00:31:18,840 --> 00:31:22,680 Speaker 2: Well do you make it look glad your wet hair 636 00:31:22,720 --> 00:31:23,360 Speaker 2: in your flannel? 637 00:31:24,080 --> 00:31:27,000 Speaker 3: Yeah? I like it because I feel like it looks effortless. 638 00:31:27,040 --> 00:31:28,920 Speaker 3: But we know it's not for you, so it's like. 639 00:31:29,880 --> 00:31:31,800 Speaker 4: Thank you. I just do my best. But can I 640 00:31:31,800 --> 00:31:33,840 Speaker 4: say I'm so mad that I missed Jenny on KVC 641 00:31:34,120 --> 00:31:36,720 Speaker 4: because literally my mom and I wanted to watch. It 642 00:31:37,720 --> 00:31:39,520 Speaker 4: was five o'clock and I didn't get home until I 643 00:31:39,560 --> 00:31:40,880 Speaker 4: didn't get home till six o'clock. 644 00:31:42,400 --> 00:31:44,240 Speaker 2: When it's okay, it'll happen. 645 00:31:44,560 --> 00:31:46,479 Speaker 4: Record it. Here's what I have to tell you. The 646 00:31:46,520 --> 00:31:48,040 Speaker 4: best thing is the time when you were on at 647 00:31:48,040 --> 00:31:50,280 Speaker 4: eleven o'clock at night, because it was like two in 648 00:31:50,320 --> 00:31:54,360 Speaker 4: the morning on the East coast are and you're glad 649 00:31:54,360 --> 00:31:56,880 Speaker 4: it was chatting. I feel like they let you get 650 00:31:56,920 --> 00:31:59,920 Speaker 4: loose at eleven and maybe it was ten and I 651 00:32:00,240 --> 00:32:01,920 Speaker 4: was just fold and laundry like you were in the 652 00:32:02,000 --> 00:32:04,520 Speaker 4: room with me. I gotta do it again. And people 653 00:32:04,520 --> 00:32:07,960 Speaker 4: are just buying all those clothes and buying that stuff. 654 00:32:08,240 --> 00:32:09,840 Speaker 2: They love it, they love it. I love it. 655 00:32:10,280 --> 00:32:12,160 Speaker 4: Coat I think was probably the best, though. 656 00:32:12,520 --> 00:32:13,080 Speaker 3: Did you buy it? 657 00:32:14,080 --> 00:32:15,800 Speaker 2: I might wear that to jingle Balls? 658 00:32:16,280 --> 00:32:16,840 Speaker 4: You should? 659 00:32:17,400 --> 00:32:17,720 Speaker 3: You should? 660 00:32:17,760 --> 00:32:19,120 Speaker 4: Oh yeah, we're all going to see each other. Oh 661 00:32:19,200 --> 00:32:21,800 Speaker 4: my god, we're seeing each other later today. 662 00:32:21,880 --> 00:32:22,680 Speaker 2: That doesn't happen. 663 00:32:22,840 --> 00:32:26,959 Speaker 4: What because we're taping this but this airs Friday and 664 00:32:27,000 --> 00:32:28,120 Speaker 4: tonight is jingle. 665 00:32:27,840 --> 00:32:30,680 Speaker 2: Ball right, Oh my gosh, I want. 666 00:32:30,520 --> 00:32:31,080 Speaker 4: To be together. 667 00:32:31,840 --> 00:32:34,600 Speaker 3: I kid Hear's hair is dropping wet right now, it'll 668 00:32:34,640 --> 00:32:36,680 Speaker 3: be just going to be hosting an entire event and like. 669 00:32:36,840 --> 00:32:39,400 Speaker 4: May be dry and I'll be wearing pants. 670 00:32:41,400 --> 00:32:44,240 Speaker 2: I don't want to miss. Oh my gosh, I think 671 00:32:44,280 --> 00:32:46,840 Speaker 2: we wrapped up this episode. I can't wait to see you. 672 00:32:47,000 --> 00:32:49,040 Speaker 4: Are we giving it? I'm giving it like a seven. 673 00:32:49,120 --> 00:32:52,880 Speaker 4: I'm sorry, maybe an eight for the amnesia. 674 00:32:53,440 --> 00:32:56,400 Speaker 2: I mean it was I mean, other than the like 675 00:32:57,360 --> 00:32:59,800 Speaker 2: surgery and the amnesia, it was kind of boring. 676 00:33:00,280 --> 00:33:01,880 Speaker 3: Yeah, nothing's happening right. 677 00:33:02,200 --> 00:33:04,280 Speaker 2: Except all in our underwear, and I like that part. 678 00:33:04,800 --> 00:33:06,480 Speaker 4: I can that stands out right? 679 00:33:06,560 --> 00:33:07,720 Speaker 3: Yeah, I'll give it a seven to two. 680 00:33:08,280 --> 00:33:10,000 Speaker 2: I'll give it an eight just for the for the 681 00:33:10,120 --> 00:33:11,040 Speaker 2: underwear scene. 682 00:33:11,280 --> 00:33:13,800 Speaker 4: Okay, Well, and the use of amnesia. It's like you 683 00:33:13,880 --> 00:33:15,040 Speaker 4: got to give props. 684 00:33:15,480 --> 00:33:19,000 Speaker 2: When somebody when a show goes there to the amnesia. 685 00:33:19,600 --> 00:33:23,200 Speaker 3: I'm in next episode, Season eight, episode four, the way 686 00:33:23,240 --> 00:33:26,440 Speaker 3: we weren't oh amnesia. 687 00:33:28,080 --> 00:33:31,200 Speaker 2: Mm hmmm, Oh that'll be funny. You guys watch it. 688 00:33:31,320 --> 00:33:34,240 Speaker 2: We'll see soon. Watch what the show