WEBVTT - BONUS EPISODE: Hannah Ellis Interview

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<v Speaker 1>Show.

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<v Speaker 2>I were in the car record studio and we're doing

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<v Speaker 2>a podcast. You know we should do because Eddie's here

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<v Speaker 2>as well. We should do like they do the beginning

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<v Speaker 2>of football games. Okay, I'll go first by bones six

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<v Speaker 2>foot one, maybe six foot and a half, one hundred

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<v Speaker 2>and seventy five pounds, doctor, University of Arkansas.

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<v Speaker 3>Nice already lying great, love it, but there was no lot.

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<v Speaker 3>There's no lot, sorry, doctor, producer Eddie Sam he's the

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<v Speaker 3>state university. Six foot zero, you're not six and eighty

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<v Speaker 3>pounds all muscle.

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<v Speaker 2>Okay, okay, that's good.

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<v Speaker 1>It's good. Hannah ellis about five.

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<v Speaker 2>No, No, that wasn't a trick to get her.

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<v Speaker 1>I was not going to anyone was no way.

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<v Speaker 4>Yeah, one hundred pounds even I graduated from the University

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<v Speaker 4>of Kentucky with a bachelor's to grow there.

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<v Speaker 1>You go.

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<v Speaker 2>She's she's die hard Kentucky.

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<v Speaker 3>You know, Bobby's a diehard Arkansas.

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<v Speaker 1>Ray discussed this.

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<v Speaker 4>Yeah.

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<v Speaker 2>Yeah. We drove around in the hunday for like fifteen

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<v Speaker 2>minutes and they were like talk about just driving around

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<v Speaker 2>the hoad to talk about like journey and we're like

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<v Speaker 2>coach cow. It was very rare basketball. So That's really

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<v Speaker 2>all we talked about. While that's the footage they have.

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<v Speaker 2>Why did you go to Kentucky?

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<v Speaker 4>There was only one option for me. Honestly, no, but

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<v Speaker 4>I really I always loved the University of Kentucky. Grew

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<v Speaker 4>up big Kentucky fan, and I did a program in

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<v Speaker 4>high school called GSP and basically, if you completed the

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<v Speaker 4>program and had certain testing scores ACT scores.

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<v Speaker 1>They would give you a full ride academic scholarship.

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<v Speaker 2>You got a full riding Kentucky I did. Would you

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<v Speaker 2>get on your ACT I'll tell you what I got online?

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<v Speaker 2>Twenty eight? Oh my god, Well I got a thirty.

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<v Speaker 1>I was so mad.

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<v Speaker 4>I wanted a thirty so bad. I took it like

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<v Speaker 4>four times. But then you know how, like eventually it

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<v Speaker 4>just starts going down. I was like, all right, we're

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<v Speaker 4>gonna call this.

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<v Speaker 2>We're good here. So this is called bronze metal syndrome.

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<v Speaker 2>What just happened?

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<v Speaker 1>Okay?

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<v Speaker 2>So they say that at the Olympics, people that win

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<v Speaker 2>the bronze medal are so much happier than people that

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<v Speaker 2>win the silver medal because people that win the silver

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<v Speaker 2>medal are like, I was so close to the gold

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<v Speaker 2>where bronze was like, oh, man, yeah I got so

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<v Speaker 2>I had the bronze medal there because I scored a

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<v Speaker 2>twenty eight, and I was like, oh, I got school

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<v Speaker 2>paid for wherever. I was pretty happy with that, and

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<v Speaker 2>then you went, I scored twenty nine. Ah, I hated it,

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<v Speaker 2>and she hit me with the silver medal. That's right,

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<v Speaker 2>thirty was the goal.

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<v Speaker 1>You're so right. I wanted. I wanted. But then you know,

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<v Speaker 1>like you said, free school was free school?

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<v Speaker 2>So what math was my worst?

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<v Speaker 1>That's it.

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<v Speaker 4>I literally to this day it's like a joke with

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<v Speaker 4>my band or anything I do wrong, I'll just say, yeah,

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<v Speaker 4>I'm just really bad at math, because that's how.

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<v Speaker 1>Bad it math.

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<v Speaker 2>Can't you probably made it like a twenty five.

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<v Speaker 1>I know, I won't even tell you it's actually very low.

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<v Speaker 2>But it can't be that low if it doesn't matter.

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<v Speaker 4>Great job twenty nine, But we're doing the math on

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<v Speaker 4>how you get tasty.

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<v Speaker 2>It looks like a nerd, though, like I wouldn't think

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<v Speaker 2>she was the nerd.

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<v Speaker 1>This was a journey. Okay, this is a journey, and.

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<v Speaker 2>Now I guess I'm still at the beginning of mine,

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<v Speaker 2>this journey. We're just starting on the wagon trail.

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<v Speaker 4>That's your hometown, Campbellsville, Kentucky, about two a little over

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<v Speaker 4>two hours northeast of here. It's two hours if I'm

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<v Speaker 4>driving it. But yeah, real small, but not as small

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<v Speaker 4>as yours quite. Yeah.

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<v Speaker 2>We had seven hundred people in Mountain Pine. What your

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<v Speaker 2>town population? Do you have a sign?

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<v Speaker 4>I would say, I would say now, it's probably actually

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<v Speaker 4>closer to like ten thousand because.

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<v Speaker 2>Street crazy Wall Street, because we have.

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<v Speaker 4>A college there, and I think that's had like a

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<v Speaker 4>super big impact on just like people moving in and

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<v Speaker 4>jobs and all that stuff. But still got that small

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<v Speaker 4>town vibe.

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<v Speaker 1>And it's definitely how I grew up.

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<v Speaker 2>You know, musically, what was happening around your house that

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<v Speaker 2>made you want to get in? Where'd the love of

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<v Speaker 2>music come from?

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<v Speaker 4>Oh gosh, from my parents big time. So they are

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<v Speaker 4>both actually really good singers. They would sing at weddings

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<v Speaker 4>on the weekend and they would I always say that

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<v Speaker 4>I was singing before I was talking because I couldn't

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<v Speaker 4>hardly form sentences. But my dad will be like, all right, now, Harmon,

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<v Speaker 4>I was with your sister I was like three. So

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<v Speaker 4>we came up very musical in my house, singing in church,

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<v Speaker 4>singing in contests.

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<v Speaker 1>And so it was always no, no, no.

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<v Speaker 4>I mean it's just funny because like, you don't you

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<v Speaker 4>only know what you know, right, I didn't know. I

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<v Speaker 4>don't think I knew where songs came from. I guess

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<v Speaker 4>I assumed the song or the artist wrote them.

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<v Speaker 1>But then I didn't.

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<v Speaker 4>Even get into that side of it till I was older,

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<v Speaker 4>because yeah, there was no instruments, it was just singing.

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<v Speaker 3>What were you listening to, like at that young age,

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<v Speaker 3>what were you really into?

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<v Speaker 4>Okay, So when I was like really young, we were

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<v Speaker 4>pretty much like Christian music, only house right, like the

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<v Speaker 4>other music we was called secular music. My first secular

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<v Speaker 4>CD was a Martina McBride CD, which, no, yes, my mom.

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<v Speaker 1>Bought it for me.

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<v Speaker 4>She was like, loved Martina. My dad was always a

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<v Speaker 4>die hard country music fan. But back in the nineties,

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<v Speaker 4>I mean there was a lot of like cheating and

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<v Speaker 4>drinking and my mom was like, no, no, we're not

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<v Speaker 4>listening to that up and here, and then Martina came

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<v Speaker 4>out and she was like, Okay, now this I can

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<v Speaker 4>get down with. But yeah, so, I mean tons of

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<v Speaker 4>like Kathy Tricoli, She's like a kind of a gospel.

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<v Speaker 1>Singer back then.

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<v Speaker 4>Now we did the Gatlin Brothers though that was that

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<v Speaker 4>was mom approved as well, but kind of came up

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<v Speaker 4>in that Christian world and then lots of country once

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<v Speaker 4>I figured it out.

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<v Speaker 2>The first time you came to Nashville, how old were you.

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<v Speaker 1>Little?

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<v Speaker 4>We came to auprey Land for like a vacation, so

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<v Speaker 4>like aprey Land had rides and stuff. I don't think

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<v Speaker 4>people even know that about Nashville now. And of course,

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<v Speaker 4>you know, my sister aren't dressed the same because hashtag nineties,

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<v Speaker 4>but uh yeah, we're in here like cowboy hats going

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<v Speaker 4>to aprey Land. And that was that was probably six

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<v Speaker 4>maybe you know, really little.

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<v Speaker 2>When did you think that you could actually sing and

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<v Speaker 2>make a life? Was it before college? Because you know,

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<v Speaker 2>why do you go to college?

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<v Speaker 1>Yeah?

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<v Speaker 4>So I feel like there was a when I was

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<v Speaker 4>in like thirteen fourteen where it was like my dad

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<v Speaker 4>and some of it were kind of like, wait, she's

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<v Speaker 4>really good. And that was when like Leanne Rhyme's was

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<v Speaker 4>kind of happening, and or I guess had happened. And

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<v Speaker 4>I think there was like a moment where that was

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<v Speaker 4>like oh maybe that and then it was like, oh wait, nevermind,

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<v Speaker 4>We're not going to do that. She's too young.

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<v Speaker 1>We're gonna let her make her own life choices. And

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<v Speaker 1>then it's actually.

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<v Speaker 4>Weird but funny story. I took my little sister to

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<v Speaker 4>the Hannah Montana movie when I was about three months

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<v Speaker 4>from graduating, already had my scholarship to college.

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<v Speaker 2>So you wanted to go to the movie. You just

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<v Speaker 2>needed a reason to say you wanted to get No. No.

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<v Speaker 4>She was like a die hard Okay, she was a

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<v Speaker 4>die house and I took her to the movie and

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<v Speaker 4>I swear it was just like my come to Jesus moment.

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<v Speaker 4>I like was like bawling by the time I leave,

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<v Speaker 4>and I'm like, oh, I feel like this is what

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<v Speaker 4>I'm supposed to do.

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<v Speaker 1>I feel like I'm supposed to be.

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<v Speaker 2>This the climb. It's the climb. I knew it.

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<v Speaker 1>And uh I go home. I'm like crying. I tell

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<v Speaker 1>my mom, I'm like, I think I'm supposed to like

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<v Speaker 1>be a singer. I think that's what I'm supposed to do.

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<v Speaker 4>And she's like, let's call your dad, and so we

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<v Speaker 4>called dad and he's like, listen, miss, I start and

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<v Speaker 4>quit a sport every year.

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<v Speaker 1>This is a commitment.

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<v Speaker 4>Of this is like different than that. He said, I'll

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<v Speaker 4>come over in the morning, we'll talk about it. So

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<v Speaker 4>we did, and I was very much like, let's go

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<v Speaker 4>to Nashville, let's move. And they were kind of.

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<v Speaker 1>Like, you have free school, and we just like we

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<v Speaker 1>need to like get you. We need you to like

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<v Speaker 1>suss that out.

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<v Speaker 4>And they were like, but absolutely, we will do everything

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<v Speaker 4>we can to help you chase your music dreams.

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<v Speaker 2>And they did did you sing in school?

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<v Speaker 1>Oh yeah, oh yeah, I was in show choir.

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<v Speaker 4>I always did the contest in the small towns, you know,

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<v Speaker 4>like I won.

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<v Speaker 1>A couple of those where I would go to like

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<v Speaker 1>the regional or even the state. So I was in

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<v Speaker 1>FFA and I got to go to like.

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<v Speaker 2>The national of that Singing of America.

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<v Speaker 1>Yes, it's why I stayed in it for four years. Yeah.

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<v Speaker 4>So they did a singing contest and I got to

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<v Speaker 4>sing at Conseco Field House up in Indie and it

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<v Speaker 4>was like thirty thousand people and I was like, oh,

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<v Speaker 4>I'm way too comfortable doing this.

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<v Speaker 2>I was like eighteen. I was like, yeah, and when

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<v Speaker 2>you're at college, do you go and sing like at

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<v Speaker 2>any bar?

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<v Speaker 1>Yeah? Oh yeah, like the four hour shows.

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<v Speaker 2>How do your parents feel about you singing at a

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<v Speaker 2>bar though at eighteen?

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<v Speaker 1>Because oh they were there, Okay, let's go yeah. Oh yeah.

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<v Speaker 4>It was totally different at that point because it was

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<v Speaker 4>just like, oh, this is helping her in her life

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<v Speaker 4>and in her career. And Eddie Montgomery had a steakhouse

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<v Speaker 4>I was like right outside of Lexington, Kentucky at the time,

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<v Speaker 4>so I would go there and play those like four

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<v Speaker 4>hour covers slash.

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<v Speaker 3>Please listen to this song I wrote shows You know,

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<v Speaker 3>what did your friends think when you were in college

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<v Speaker 3>doing this? Because like when I was in a band too,

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<v Speaker 3>when I met Bobby, and I'd make Bobby go to

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<v Speaker 3>the show. A lot of times, it's just Bobby, yeah

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<v Speaker 3>and a couple other friends, that's it.

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<v Speaker 4>So my friends thought it was cool because I was

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<v Speaker 4>coming back and forth to Nashville, so they were like, oh,

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<v Speaker 4>this is like legit, she's really trying to do this.

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<v Speaker 4>Like sometimes my friends would make me like stand on

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<v Speaker 4>a table at one of the parties and sing to

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<v Speaker 4>prove to some other person that I was a good singer,

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<v Speaker 4>and I was like happily oblige.

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<v Speaker 1>Say less.

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<v Speaker 4>But no, I mean they were really supportive. I mean

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<v Speaker 4>I played the ten roof up there, and they would

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<v Speaker 4>all come out and droves. I mean it was a blast.

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<v Speaker 4>It really was.

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<v Speaker 2>When you finished school, how long until you packed up.

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<v Speaker 1>And moved Not long.

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<v Speaker 4>So I actually graduated early because I knew I wanted

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<v Speaker 4>to come to Nashville. So I like finished all my

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<v Speaker 4>classes in three and a half years and graduated in December,

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<v Speaker 4>and then moved here in February. So I went home

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<v Speaker 4>for like a month like Christmas, do it, and then

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<v Speaker 4>I was here.

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<v Speaker 2>And when you come to a town like Nashville, because

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<v Speaker 2>there are different places that you can play. Had you

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<v Speaker 2>played at all in town? Was there a place that

0:09:38.480 --> 0:09:40.760
<v Speaker 2>you had called to say, I'm coming to town, can

0:09:40.800 --> 0:09:42.480
<v Speaker 2>I get on stage? Did that happen at all? Yeah?

0:09:42.520 --> 0:09:44.120
<v Speaker 1>So, I mean definitely the listening room.

0:09:44.160 --> 0:09:46.200
<v Speaker 4>I was like emailing anybody who was getting a lot

0:09:46.240 --> 0:09:47.280
<v Speaker 4>of bounce backs at the time.

0:09:47.360 --> 0:09:51.800
<v Speaker 1>But I tried to get in there. I played. I

0:09:51.880 --> 0:09:55.480
<v Speaker 1>played at maybe Tequila Cowboy one or two, the.

0:09:55.360 --> 0:09:59.200
<v Speaker 4>Broadway things, but that wasn't really ever my thing, and

0:09:59.240 --> 0:10:00.880
<v Speaker 4>I knew that wasn't and kind of be my in

0:10:01.880 --> 0:10:03.760
<v Speaker 4>I would say when I really got here, I was

0:10:03.800 --> 0:10:06.679
<v Speaker 4>trying to get in the songwriter community, which.

0:10:06.480 --> 0:10:08.319
<v Speaker 2>Is why the listening room is probably.

0:10:08.200 --> 0:10:12.920
<v Speaker 4>Exactly exactly because that was still really early in my like, oh, songwriting,

0:10:13.040 --> 0:10:16.920
<v Speaker 4>co writing, that's how you develop artistry. And also there's

0:10:17.000 --> 0:10:20.800
<v Speaker 4>kind of this idea, which is not wrong in Nashville, that.

0:10:20.840 --> 0:10:23.200
<v Speaker 1>Like the way to a record deal is through a

0:10:23.200 --> 0:10:23.880
<v Speaker 1>publishing deal.

0:10:24.600 --> 0:10:27.000
<v Speaker 4>And that was definitely the thing when I moved here

0:10:27.400 --> 0:10:30.000
<v Speaker 4>back in twenty thirteen, Like everybody kind of that was

0:10:30.080 --> 0:10:31.559
<v Speaker 4>like the trajectory.

0:10:31.760 --> 0:10:34.800
<v Speaker 1>You know, now it's so different, but so that was

0:10:34.880 --> 0:10:36.040
<v Speaker 1>really the big focus.

0:10:36.240 --> 0:10:37.280
<v Speaker 2>So when you move here and you want to be

0:10:37.320 --> 0:10:39.719
<v Speaker 2>a songwriter and yeah, I used to be a town

0:10:39.760 --> 0:10:41.920
<v Speaker 2>of get a publishing deal, right, then maybe you can

0:10:41.920 --> 0:10:45.080
<v Speaker 2>write enough songs that are good songs for yourself. Yeah,

0:10:45.640 --> 0:10:47.760
<v Speaker 2>So where do you go? Who do you talk to?

0:10:47.920 --> 0:10:49.960
<v Speaker 2>Is there a group here that as a new writer

0:10:50.040 --> 0:10:51.440
<v Speaker 2>you can go and kind of be like, hey, I'm

0:10:51.440 --> 0:10:52.400
<v Speaker 2>new here, what do I do?

0:10:52.600 --> 0:10:52.880
<v Speaker 1>Yes?

0:10:52.960 --> 0:10:56.120
<v Speaker 4>Absolutely, I mean my first stop and the first stop

0:10:56.160 --> 0:10:58.880
<v Speaker 4>I tell anybody that's trying to come to town is NSAI.

0:10:59.360 --> 0:11:01.800
<v Speaker 1>It's the Songwriter Association.

0:11:01.800 --> 0:11:06.160
<v Speaker 4>And they're just super helpful in like connecting you with

0:11:06.840 --> 0:11:09.439
<v Speaker 4>people that are where you are, right like other new

0:11:09.440 --> 0:11:12.360
<v Speaker 4>writers in town other publishers that are willing to take

0:11:12.400 --> 0:11:15.360
<v Speaker 4>a meeting with someone that's really really green and.

0:11:15.320 --> 0:11:16.480
<v Speaker 1>Just kind of coach YOUO long.

0:11:16.559 --> 0:11:21.920
<v Speaker 4>And they were hugely influential in my early days here.

0:11:22.160 --> 0:11:25.199
<v Speaker 2>When you moved to town and you see that everybody

0:11:25.200 --> 0:11:29.280
<v Speaker 2>else in this whole town is really good, intimidating.

0:11:28.840 --> 0:11:33.040
<v Speaker 4>Oh absolutely, I mean you immediately get the uh, what

0:11:33.160 --> 0:11:33.600
<v Speaker 4>is the fish?

0:11:33.600 --> 0:11:33.760
<v Speaker 1>Thing?

0:11:33.840 --> 0:11:33.960
<v Speaker 3>Right?

0:11:34.000 --> 0:11:35.560
<v Speaker 4>It's like a big fish in a small pond. You

0:11:35.559 --> 0:11:37.680
<v Speaker 4>are a very very small fish in a big pond.

0:11:37.720 --> 0:11:39.880
<v Speaker 4>I mean when I first moved here and I went

0:11:39.880 --> 0:11:43.160
<v Speaker 4>to some shows, I thought everyone was famous because.

0:11:42.920 --> 0:11:43.880
<v Speaker 1>They were so good.

0:11:43.960 --> 0:11:47.520
<v Speaker 4>I was like, obviously, I just don't know who they

0:11:47.559 --> 0:11:50.120
<v Speaker 4>are because I don't know what's up. But like I'm

0:11:50.160 --> 0:11:53.079
<v Speaker 4>sending videos every night to my friends and family being like.

0:11:53.080 --> 0:11:54.320
<v Speaker 1>Have you ever heard of this person?

0:11:54.480 --> 0:11:54.640
<v Speaker 2>You know?

0:11:54.840 --> 0:11:56.360
<v Speaker 1>And they were just like as green as I was.

0:11:56.400 --> 0:11:58.840
<v Speaker 1>They were just really good, you know, but it was

0:11:58.920 --> 0:11:59.440
<v Speaker 1>it was fun.

0:11:59.480 --> 0:12:02.600
<v Speaker 2>Did that make you? Did it challenge you to get

0:12:02.600 --> 0:12:05.040
<v Speaker 2>better and intimidate you to do both both both.

0:12:05.120 --> 0:12:09.280
<v Speaker 4>I'm super competitive naturally, and so anytime I see the bar,

0:12:09.320 --> 0:12:11.040
<v Speaker 4>I'm like, okay, well that's at least I have to

0:12:11.160 --> 0:12:14.360
<v Speaker 4>hit that or above and Also I was just out

0:12:14.440 --> 0:12:16.680
<v Speaker 4>and when I would realize that was before I knew

0:12:16.679 --> 0:12:19.080
<v Speaker 4>the like way to like, oh, you can't go up

0:12:19.080 --> 0:12:19.640
<v Speaker 4>and ask people.

0:12:19.640 --> 0:12:22.240
<v Speaker 1>I would just like be lying it right after the show. Hi,

0:12:22.320 --> 0:12:24.520
<v Speaker 1>well you're right with you know. That was so me.

0:12:25.040 --> 0:12:26.880
<v Speaker 4>But you know what, it worked a lot in those

0:12:26.920 --> 0:12:29.920
<v Speaker 4>early days because we were all young and trying to

0:12:29.920 --> 0:12:30.560
<v Speaker 4>figure it out.

0:12:30.720 --> 0:12:33.560
<v Speaker 1>I mean, it was so funny. The second show I ever.

0:12:33.400 --> 0:12:35.040
<v Speaker 4>Went to in Nashville, the one where I'm taking all

0:12:35.040 --> 0:12:36.920
<v Speaker 4>the videos of the people I thought was famous, it's

0:12:36.960 --> 0:12:39.000
<v Speaker 4>the night I met Laney Wilson. We both had the

0:12:39.040 --> 0:12:41.040
<v Speaker 4>same boots on, and so we just sat down and

0:12:41.080 --> 0:12:43.960
<v Speaker 4>she was super new to town as well, and so

0:12:44.040 --> 0:12:45.200
<v Speaker 4>it's like then we.

0:12:45.200 --> 0:12:47.280
<v Speaker 1>Would just attack people together. It's less weird.

0:12:47.320 --> 0:12:49.360
<v Speaker 3>You know, how do you find your style in a

0:12:49.400 --> 0:12:51.240
<v Speaker 3>town like this when you're look in like, oh my gosh,

0:12:51.280 --> 0:12:53.480
<v Speaker 3>everyone has their own thing going, Like I got to

0:12:53.520 --> 0:12:54.520
<v Speaker 3>be different than everyone else.

0:12:54.600 --> 0:12:56.760
<v Speaker 4>Yeah, I think that that was actually a bit of

0:12:56.760 --> 0:13:00.440
<v Speaker 4>an issue for me on the early days, cause I was,

0:13:00.760 --> 0:13:02.960
<v Speaker 4>like I said, so competitive that I was just trying

0:13:02.960 --> 0:13:05.720
<v Speaker 4>to do what was already working, and so I wasn't

0:13:06.000 --> 0:13:09.120
<v Speaker 4>chasing what is Hannah Ellis I was like, Okay, Taylor

0:13:09.120 --> 0:13:11.560
<v Speaker 4>Swift's doing it this way. Okay, Carrie Underwoods doing it

0:13:11.600 --> 0:13:14.960
<v Speaker 4>this way. And so I was more like emulating them,

0:13:15.320 --> 0:13:17.640
<v Speaker 4>you know, for probably those first couple of years, and

0:13:17.720 --> 0:13:20.200
<v Speaker 4>then it was like, okay, well I'm not doing that's

0:13:20.240 --> 0:13:22.520
<v Speaker 4>not working. And then you do finally get to this

0:13:22.600 --> 0:13:25.080
<v Speaker 4>place where you're like, oh, if I just do what

0:13:25.160 --> 0:13:28.680
<v Speaker 4>I do, naturally, people seem to gravitate towards that a

0:13:28.720 --> 0:13:32.560
<v Speaker 4>lot more so, I think it's just a learned art.

0:13:32.640 --> 0:13:36.360
<v Speaker 2>Unfortunately, to get a publishing deal, what were the steps

0:13:36.360 --> 0:13:38.960
<v Speaker 2>that you went through to take a while, And what

0:13:38.960 --> 0:13:40.679
<v Speaker 2>happens after you get a publishing deal? They get paid

0:13:40.679 --> 0:13:41.440
<v Speaker 2>to write songs.

0:13:41.800 --> 0:13:44.640
<v Speaker 4>Yeah, so I would say, yeah, I mean again, I

0:13:44.679 --> 0:13:46.720
<v Speaker 4>was just like I would write two and three times

0:13:46.760 --> 0:13:49.680
<v Speaker 4>a day, like just as much as possible, and trying

0:13:49.720 --> 0:13:51.560
<v Speaker 4>to kind of keep those connections I'd made in the

0:13:51.600 --> 0:13:53.600
<v Speaker 4>early days. And I would just send them songs no

0:13:53.640 --> 0:13:55.760
<v Speaker 4>matter what position, if they were A and R somewhere

0:13:55.840 --> 0:13:58.240
<v Speaker 4>or if they were because I interned at Big Machine

0:13:58.240 --> 0:14:00.000
<v Speaker 4>in the A and R department when I was in college,

0:14:00.080 --> 0:14:02.560
<v Speaker 4>and so I kept all those relationships and so I

0:14:02.640 --> 0:14:05.080
<v Speaker 4>just kind of send songs periodically and just say you.

0:14:05.360 --> 0:14:07.600
<v Speaker 1>Can tell me if they suck, just help me.

0:14:07.840 --> 0:14:10.760
<v Speaker 4>And so music kind of just got passed from one

0:14:10.800 --> 0:14:12.640
<v Speaker 4>friend to the other, like, hey keep an eye on

0:14:12.679 --> 0:14:15.760
<v Speaker 4>this girl, go see a show of hers. And Janina

0:14:15.800 --> 0:14:20.840
<v Speaker 4>Appleton was at Word Country Word Entertainment started like a

0:14:20.840 --> 0:14:24.920
<v Speaker 4>little country arm and she was who called me and

0:14:25.240 --> 0:14:27.680
<v Speaker 4>was like, hey, I like your writing, but I also

0:14:27.840 --> 0:14:30.960
<v Speaker 4>like that you write for men, because so many women

0:14:31.000 --> 0:14:33.400
<v Speaker 4>were only writing girl songs and like this is like

0:14:33.840 --> 0:14:36.160
<v Speaker 4>mid two thousands, I mean, there wasn't a lot of

0:14:36.240 --> 0:14:39.720
<v Speaker 4>places for those to go. And so we started chatting

0:14:39.720 --> 0:14:42.240
<v Speaker 4>and I got my publishing deal in twenty fifteen. And

0:14:43.520 --> 0:14:45.200
<v Speaker 4>it was funny because at that time I would never

0:14:45.280 --> 0:14:47.360
<v Speaker 4>say there was a moment where I wasn't an artist,

0:14:47.480 --> 0:14:50.760
<v Speaker 4>but I would say I did have like, Okay, I'm

0:14:50.800 --> 0:14:53.200
<v Speaker 4>a songwriter and then an artist in those moments because

0:14:53.240 --> 0:14:55.480
<v Speaker 4>I was being paid to get songs cut, so I

0:14:55.520 --> 0:14:57.880
<v Speaker 4>focused on that a lot. In twenty sixteen, got some

0:14:57.960 --> 0:15:01.160
<v Speaker 4>cuts with like Carly Daniel, Brad Russell Diggerson, and then

0:15:01.200 --> 0:15:03.000
<v Speaker 4>I was like, okay, now back to me.

0:15:03.960 --> 0:15:07.760
<v Speaker 2>Is there an expectation that, Okay, I'm gonna write a

0:15:07.760 --> 0:15:10.320
<v Speaker 2>song somebody's gonna put it on hold, it's gonna be good.

0:15:10.360 --> 0:15:12.240
<v Speaker 2>Then they're gonna cut it. I mean, like, what's the

0:15:12.320 --> 0:15:13.200
<v Speaker 2>success rated that?

0:15:14.160 --> 0:15:16.520
<v Speaker 1>So I'm pointzh one.

0:15:17.240 --> 0:15:20.960
<v Speaker 4>I think at first you definitely think song on hold

0:15:21.080 --> 0:15:23.920
<v Speaker 4>means song cut, and then it's like there's song on hold,

0:15:23.960 --> 0:15:26.720
<v Speaker 4>then there's song on hold by the artists, then there's

0:15:26.760 --> 0:15:29.080
<v Speaker 4>song that's cut by the artists, then there's song that

0:15:29.200 --> 0:15:31.360
<v Speaker 4>makes it on the record, like because I mean we

0:15:31.400 --> 0:15:35.680
<v Speaker 4>had a huge heart breaking yeah right, It's like we

0:15:35.720 --> 0:15:38.840
<v Speaker 4>had a huge heartbreak song where like I actually wrote

0:15:38.840 --> 0:15:41.880
<v Speaker 4>it with my husband Nick and Josh Kerr where Keith

0:15:41.960 --> 0:15:44.960
<v Speaker 4>Urban cut it, and I mean we were young songwriters

0:15:44.960 --> 0:15:47.360
<v Speaker 4>and we were all freaking out then like we didn't

0:15:47.360 --> 0:15:50.160
<v Speaker 4>even know until like we knew we cut it because

0:15:50.160 --> 0:15:52.440
<v Speaker 4>we'd heard the cut of it. Then the record comes

0:15:52.480 --> 0:15:56.040
<v Speaker 4>out and sound on the record heartbreak turn around, Tim

0:15:56.080 --> 0:15:56.880
<v Speaker 4>and Faith cut it.

0:15:57.360 --> 0:15:59.160
<v Speaker 1>So everybody's like, oh, they're gonna use it on their tour.

0:15:59.280 --> 0:16:02.960
<v Speaker 4>Right. So in the promo video that you remember they

0:16:02.960 --> 0:16:05.880
<v Speaker 4>did this big show with the Ryman. In the promo video,

0:16:06.480 --> 0:16:09.120
<v Speaker 4>it's like the name of that song is on there.

0:16:09.160 --> 0:16:11.560
<v Speaker 4>You can see it, you can see them singing. It

0:16:11.600 --> 0:16:14.000
<v Speaker 4>didn't make the record, and it was just like that

0:16:14.160 --> 0:16:17.680
<v Speaker 4>is the most classic Nashville storied. Of course, my husband

0:16:17.720 --> 0:16:19.760
<v Speaker 4>Nick was like fine and putting it out myself, but

0:16:20.680 --> 0:16:20.960
<v Speaker 4>he did.

0:16:21.080 --> 0:16:22.880
<v Speaker 1>Yeah, yeah, he's like forget it.

0:16:23.160 --> 0:16:25.800
<v Speaker 4>But I mean it was just such a crazy Nashville

0:16:25.840 --> 0:16:28.120
<v Speaker 4>story because that's like really common.

0:16:28.160 --> 0:16:31.400
<v Speaker 3>Actually, what's the money situation at this point, Like in like,

0:16:31.480 --> 0:16:33.920
<v Speaker 3>are you banking on these on these to get cut

0:16:33.960 --> 0:16:35.560
<v Speaker 3>and none these two? Are you kind of like, all right,

0:16:36.080 --> 0:16:38.080
<v Speaker 3>I make enough now to kind of just do this

0:16:38.120 --> 0:16:39.680
<v Speaker 3>and see what happens, or are you just kind of

0:16:39.720 --> 0:16:40.920
<v Speaker 3>like we need we need this. No.

0:16:41.080 --> 0:16:44.040
<v Speaker 4>I would say when I signed my deal, I was

0:16:44.080 --> 0:16:46.680
<v Speaker 4>still working multiple jobs because like you're trying to take

0:16:46.720 --> 0:16:50.040
<v Speaker 4>like the lowest pay possible just to get the deal

0:16:50.160 --> 0:16:52.560
<v Speaker 4>to like get your foot in the door. So it

0:16:52.560 --> 0:16:54.560
<v Speaker 4>wasn't enough to like live on I was. I was

0:16:54.600 --> 0:16:58.080
<v Speaker 4>a nanny and I would work for my dad's window company,

0:16:58.120 --> 0:16:59.400
<v Speaker 4>and that was that was not good.

0:17:00.120 --> 0:17:01.600
<v Speaker 1>She was not a window and door salesman.

0:17:02.200 --> 0:17:02.320
<v Speaker 2>Uh.

0:17:03.960 --> 0:17:06.240
<v Speaker 4>But yeah, I would say the money thing was definitely

0:17:06.280 --> 0:17:10.639
<v Speaker 4>interesting because your draw is whatever you agreed to.

0:17:11.119 --> 0:17:13.320
<v Speaker 1>So it was a lot of odd jobs for a while.

0:17:13.600 --> 0:17:15.320
<v Speaker 2>What was the next step, so you have publishing deal.

0:17:15.359 --> 0:17:17.680
<v Speaker 2>You have songs that What was your first song that

0:17:18.160 --> 0:17:19.280
<v Speaker 2>was cut on a record?

0:17:20.640 --> 0:17:26.040
<v Speaker 4>I think the first one was I don't remember if

0:17:26.080 --> 0:17:30.119
<v Speaker 4>it was the Cassidy Pope song or I think it

0:17:30.160 --> 0:17:33.479
<v Speaker 4>was Daniel Bribery Messy. It was on like her record

0:17:33.520 --> 0:17:36.119
<v Speaker 4>A couple a couple of records ago. And then I

0:17:36.160 --> 0:17:38.680
<v Speaker 4>had one that wrote was Russell Dickerson around the same time,

0:17:38.720 --> 0:17:39.520
<v Speaker 4>called would You Love Me?

0:17:39.600 --> 0:17:40.360
<v Speaker 1>Those two came out.

0:17:40.400 --> 0:17:43.320
<v Speaker 4>I think those were the first of that like group

0:17:43.400 --> 0:17:45.159
<v Speaker 4>of artists that I got cuts with.

0:17:45.320 --> 0:17:47.720
<v Speaker 2>So when they put it on hold, then when they

0:17:47.720 --> 0:17:50.000
<v Speaker 2>cut it, yeah, Then when it makes the record, oh yeah,

0:17:50.080 --> 0:17:52.800
<v Speaker 2>then you're like, are you just waiting for them to go?

0:17:52.880 --> 0:17:54.400
<v Speaker 2>It could be the scene oh yeah.

0:17:54.440 --> 0:17:57.680
<v Speaker 4>And of course everyone says that like someone someone puts

0:17:57.680 --> 0:17:59.800
<v Speaker 4>that bug in your ear, whether they said that ever

0:17:59.920 --> 0:18:02.000
<v Speaker 4>or or not, I don't know if it's publisher or friend.

0:18:02.080 --> 0:18:05.200
<v Speaker 4>Like you're like, but maybe it's like the slowest ballad

0:18:05.200 --> 0:18:06.760
<v Speaker 4>of all time, and they're like, I don't know.

0:18:09.400 --> 0:18:13.160
<v Speaker 2>That's funny. When did you reshift? And I won't say

0:18:13.160 --> 0:18:16.040
<v Speaker 2>you're focused, yeah, but when did you kind of move

0:18:16.440 --> 0:18:19.600
<v Speaker 2>more emphasis over to now you want to be an artist?

0:18:19.680 --> 0:18:21.600
<v Speaker 2>You write instead of a writer who's also an audist.

0:18:21.680 --> 0:18:25.360
<v Speaker 4>Yeah, I feel like that happened. End of twenty sixteen

0:18:25.400 --> 0:18:26.880
<v Speaker 4>is when I went to Janina and was like, Hi,

0:18:27.080 --> 0:18:30.200
<v Speaker 4>so here's these five songs that I would be devastated

0:18:30.200 --> 0:18:33.760
<v Speaker 4>if anybody else cut because they feel so me and

0:18:33.840 --> 0:18:34.920
<v Speaker 4>so like my artistry.

0:18:34.960 --> 0:18:35.960
<v Speaker 1>And you know, to your.

0:18:35.960 --> 0:18:40.760
<v Speaker 4>Point earlier about finding yourself without me knowing it, when

0:18:40.800 --> 0:18:42.080
<v Speaker 4>I was focused on writing.

0:18:41.840 --> 0:18:44.280
<v Speaker 1>For these other artists, that was actually where I.

0:18:44.359 --> 0:18:46.520
<v Speaker 4>Found myself because all of a sudden, I'd write a

0:18:46.520 --> 0:18:48.160
<v Speaker 4>song and I would be like, no, I will die

0:18:48.160 --> 0:18:50.639
<v Speaker 4>if someone sings this and it's not me. Like that

0:18:50.800 --> 0:18:53.640
<v Speaker 4>was kind of how I found It was more, Oh,

0:18:53.680 --> 0:18:55.480
<v Speaker 4>I couldn't share that it has to come from me.

0:18:55.600 --> 0:18:58.359
<v Speaker 4>That's my voice, not only voice, but like how I speak,

0:18:58.440 --> 0:19:01.040
<v Speaker 4>how I say things. And so I came to her

0:19:01.080 --> 0:19:03.000
<v Speaker 4>at the end of twenty sixteen with like a batch

0:19:03.040 --> 0:19:04.240
<v Speaker 4>of songs and I was like, I want to do

0:19:04.280 --> 0:19:07.680
<v Speaker 4>an EP. It can be self recorded, but as my publisher,

0:19:07.720 --> 0:19:09.680
<v Speaker 4>she was like, let me just see how I can

0:19:09.840 --> 0:19:11.000
<v Speaker 4>help you on this journey.

0:19:11.119 --> 0:19:12.520
<v Speaker 2>Do you still have to keep thurban version of the

0:19:12.520 --> 0:19:13.440
<v Speaker 2>song you wrote somewhere?

0:19:13.600 --> 0:19:16.320
<v Speaker 1>Someone has it? I bet, I bet Josh Kerr has it,

0:19:16.480 --> 0:19:17.200
<v Speaker 1>you go ask him.

0:19:18.359 --> 0:19:21.000
<v Speaker 2>So how'd the record deal come about?

0:19:22.119 --> 0:19:25.679
<v Speaker 4>You know, I was signed at Word Country, then it

0:19:25.680 --> 0:19:28.800
<v Speaker 4>got bought by Curb, So my publishing kind of got

0:19:28.920 --> 0:19:32.000
<v Speaker 4>swallowed up in that to where I became a Curb writer, right,

0:19:32.200 --> 0:19:33.720
<v Speaker 4>so I'm in the building, and then they moved the

0:19:33.760 --> 0:19:36.119
<v Speaker 4>record label over to where the publishing is, so I

0:19:36.160 --> 0:19:38.440
<v Speaker 4>still had the same publisher. Jeannine she she kind of

0:19:38.480 --> 0:19:41.040
<v Speaker 4>got swallowed up in that whole thing as well, and

0:19:42.080 --> 0:19:45.320
<v Speaker 4>she was so she was so amazing to where she

0:19:45.440 --> 0:19:47.159
<v Speaker 4>was like, I don't want to send stuff too early,

0:19:47.440 --> 0:19:50.199
<v Speaker 4>but whenever we both feel like you're ready, I'm just

0:19:50.200 --> 0:19:54.800
<v Speaker 4>gonna email it upstairs and see what happens. And so

0:19:55.240 --> 0:19:58.359
<v Speaker 4>somewhere around twenty eighteen she started doing that and R. J.

0:19:58.520 --> 0:20:01.800
<v Speaker 4>Meacham he was the or he's the head of promo

0:20:01.880 --> 0:20:05.320
<v Speaker 4>over there, and he was like, oh wait, this girl's amazing.

0:20:05.359 --> 0:20:07.679
<v Speaker 4>And Kurb was actively looking to sign a female and

0:20:07.720 --> 0:20:10.399
<v Speaker 4>they were taking meetings kind of outside of the building,

0:20:10.480 --> 0:20:11.560
<v Speaker 4>and he was kind of the one that was.

0:20:11.560 --> 0:20:14.920
<v Speaker 1>Like, this girl's already here, she's in the building.

0:20:14.920 --> 0:20:18.240
<v Speaker 4>We could just make all of her money. But no,

0:20:18.400 --> 0:20:20.280
<v Speaker 4>So I kind of started taking meetings and then Laurel

0:20:20.359 --> 0:20:23.800
<v Speaker 4>Kittlesen came over and she was actually my boss when

0:20:23.840 --> 0:20:26.520
<v Speaker 4>I was an intern over at Big Machine.

0:20:26.600 --> 0:20:29.480
<v Speaker 1>So it was kind of this just like perfect storm.

0:20:29.680 --> 0:20:32.760
<v Speaker 4>And you know, I took a couple other label meetings

0:20:32.760 --> 0:20:36.560
<v Speaker 4>at that time, but the Curb family really is a family,

0:20:36.680 --> 0:20:39.240
<v Speaker 4>and I was already signed there, and I just felt

0:20:39.320 --> 0:20:43.159
<v Speaker 4>really invested in as a songwriter and as an artist,

0:20:43.160 --> 0:20:45.080
<v Speaker 4>and I knew that i'd be a priority, which I

0:20:45.119 --> 0:20:48.400
<v Speaker 4>still feel like I am there, and not to speak

0:20:48.440 --> 0:20:50.679
<v Speaker 4>for anybody else's journey, I know that's not how it

0:20:50.720 --> 0:20:51.320
<v Speaker 4>always is.

0:20:51.480 --> 0:20:54.600
<v Speaker 1>And so it was just like the perfect fit for me.

0:20:55.000 --> 0:20:56.920
<v Speaker 3>He keeps saying meetings is this where you go into

0:20:56.960 --> 0:20:58.720
<v Speaker 3>an office with a guitar and like play.

0:20:58.600 --> 0:20:59.760
<v Speaker 2>For the people. Oh yeah, what's that?

0:20:59.840 --> 0:21:02.159
<v Speaker 1>Like? It's awful, It's awful. I would I would not.

0:21:03.800 --> 0:21:07.080
<v Speaker 4>No, It's literally like, well it's like you guys know Nashville.

0:21:07.080 --> 0:21:09.560
<v Speaker 4>They're not smiling at you, they're not cheering after the song,

0:21:09.840 --> 0:21:10.840
<v Speaker 4>They're just looking at you.

0:21:11.440 --> 0:21:12.760
<v Speaker 1>And then you finish it and they're like, would you

0:21:13.000 --> 0:21:15.240
<v Speaker 1>what's that about? Well, you heard it and you kind

0:21:15.240 --> 0:21:19.040
<v Speaker 1>of should know that, you know.

0:21:19.359 --> 0:21:21.200
<v Speaker 4>It's like but it was just those and then you'd

0:21:21.280 --> 0:21:22.960
<v Speaker 4>leave and then like half the time and just be

0:21:23.119 --> 0:21:26.240
<v Speaker 4>radio silence, and you're like just say no.

0:21:27.600 --> 0:21:28.800
<v Speaker 2>Do you ever feel like you crushed it?

0:21:29.040 --> 0:21:29.359
<v Speaker 4>Oh?

0:21:29.480 --> 0:21:29.720
<v Speaker 1>Yeah?

0:21:29.800 --> 0:21:32.719
<v Speaker 4>And the worst thing is like there was a label

0:21:32.840 --> 0:21:35.639
<v Speaker 4>actually that I met with and they were really really

0:21:35.720 --> 0:21:39.000
<v Speaker 4>sweet and they were like, we really really love you,

0:21:39.520 --> 0:21:42.199
<v Speaker 4>but we actually feel like we're too far down the

0:21:42.240 --> 0:21:46.439
<v Speaker 4>line with this other female artist, and you know, we

0:21:46.560 --> 0:21:48.560
<v Speaker 4>just feel like we've got to see this through instead.

0:21:48.600 --> 0:21:53.560
<v Speaker 1>And of course you can only have one girl, facetious.

0:21:55.960 --> 0:21:58.680
<v Speaker 3>Did you ever take it too far like you sing

0:21:58.800 --> 0:21:59.919
<v Speaker 3>or like do a little bit too much?

0:22:00.000 --> 0:22:01.720
<v Speaker 2>Oh, you take this one?

0:22:01.800 --> 0:22:01.879
<v Speaker 4>No?

0:22:02.080 --> 0:22:04.760
<v Speaker 1>Maybe I should have. Honestly, maybe I should have just

0:22:06.000 --> 0:22:08.560
<v Speaker 1>right right. No, I feel like that I've always.

0:22:08.160 --> 0:22:10.560
<v Speaker 4>Been kind of this person like, you know, I'm gonna

0:22:10.560 --> 0:22:13.479
<v Speaker 4>be as much as the room needs, but also like

0:22:13.560 --> 0:22:15.640
<v Speaker 4>if you're not into it, I'm not gonna like beg you.

0:22:15.600 --> 0:22:15.920
<v Speaker 1>To love it.

0:22:16.040 --> 0:22:19.480
<v Speaker 2>Yeah. The last couple of years, or maybe I will

0:22:20.440 --> 0:22:21.680
<v Speaker 2>one of the last couple of years been like because

0:22:21.680 --> 0:22:23.600
<v Speaker 2>we got out of the pandemic, yeah, and so everything

0:22:23.640 --> 0:22:25.480
<v Speaker 2>got kind of got back to the normal. So I

0:22:25.520 --> 0:22:28.760
<v Speaker 2>feel like now everything's back in whatever groove it's in, right,

0:22:29.720 --> 0:22:31.679
<v Speaker 2>But it kind of set everything back. How did that

0:22:31.760 --> 0:22:34.040
<v Speaker 2>timing work with your career with the pandemic and then

0:22:34.160 --> 0:22:36.600
<v Speaker 2>now so insane.

0:22:36.680 --> 0:22:40.440
<v Speaker 4>So I actually signed my record deal March third, which

0:22:40.480 --> 0:22:43.000
<v Speaker 4>was the day after the tornado hit Nashville March third

0:22:43.040 --> 0:22:45.439
<v Speaker 4>of twenty twenty. So we were supposed to have this

0:22:45.440 --> 0:22:48.360
<v Speaker 4>big party that night, which we canceled obviously because like.

0:22:48.680 --> 0:22:50.280
<v Speaker 1>There was like devastation everywhere.

0:22:51.080 --> 0:22:53.440
<v Speaker 4>But we did go ahead and have that morning signing party,

0:22:53.480 --> 0:22:56.000
<v Speaker 4>and thank god, because the world shut down the next week,

0:22:56.200 --> 0:22:58.080
<v Speaker 4>so there was never a party or anything. I had

0:22:58.080 --> 0:22:59.960
<v Speaker 4>a record deal and then it was like, all right,

0:23:00.640 --> 0:23:02.399
<v Speaker 4>we'll see when we see you.

0:23:02.640 --> 0:23:04.720
<v Speaker 1>So, I mean I didn't even get in the studio

0:23:04.760 --> 0:23:07.320
<v Speaker 1>until like way later that year, cut.

0:23:07.119 --> 0:23:10.359
<v Speaker 4>Some songs, tried to put something out to radio, but

0:23:10.400 --> 0:23:12.320
<v Speaker 4>then the world shut down again, and it was just

0:23:12.960 --> 0:23:14.840
<v Speaker 4>this a lot of back and forth that kind of

0:23:14.920 --> 0:23:17.320
<v Speaker 4>was just weird and terrible timing.

0:23:17.840 --> 0:23:19.480
<v Speaker 1>But then in the end, I mean.

0:23:19.560 --> 0:23:23.119
<v Speaker 4>Like you said, we're back to whatever this new version

0:23:23.160 --> 0:23:25.879
<v Speaker 4>of everything is, and the music industry changed a lot

0:23:26.080 --> 0:23:29.280
<v Speaker 4>in that timeframe, and so I definitely think there was

0:23:29.720 --> 0:23:32.440
<v Speaker 4>a level of catch up that I was playing at

0:23:32.440 --> 0:23:35.000
<v Speaker 4>the end of twenty twenty because I'm like, Okay, there's

0:23:35.040 --> 0:23:36.960
<v Speaker 4>like a new normal that we're trying to figure out.

0:23:37.640 --> 0:23:41.879
<v Speaker 4>But then I feel like around twenty one, end of

0:23:41.880 --> 0:23:44.080
<v Speaker 4>twenty one and twenty two, it's like that was when it.

0:23:44.040 --> 0:23:45.399
<v Speaker 1>Really felt like we were off to the races.

0:23:45.440 --> 0:23:48.640
<v Speaker 4>We started to have some success at radio, we started

0:23:48.880 --> 0:23:52.679
<v Speaker 4>getting back to playing tons of shows, and you know,

0:23:53.119 --> 0:23:55.679
<v Speaker 4>I mean this year I got nominated for an ACM Award,

0:23:55.760 --> 0:23:57.080
<v Speaker 4>So I mean, it's been fine.

0:23:57.160 --> 0:24:00.119
<v Speaker 2>It all worked out, you know, three final questions. And

0:24:00.320 --> 0:24:03.119
<v Speaker 2>I think the first time that we met it was

0:24:03.520 --> 0:24:04.240
<v Speaker 2>during the pandemic.

0:24:04.520 --> 0:24:07.480
<v Speaker 1>It wasn't it was January of twenty twenty.

0:24:07.359 --> 0:24:08.800
<v Speaker 2>Is it right before the pandemic? Yeah?

0:24:08.920 --> 0:24:09.520
<v Speaker 1>Right before?

0:24:09.560 --> 0:24:11.520
<v Speaker 4>I mean you that was like one of the last

0:24:11.560 --> 0:24:14.800
<v Speaker 4>things that we did was come not me and you?

0:24:14.960 --> 0:24:22.480
<v Speaker 2>Yeah, you and me? Nick, Yeah, clarify, she's being facetious. Yes,

0:24:22.680 --> 0:24:25.600
<v Speaker 2>So I'll give the story. So there was a song

0:24:26.160 --> 0:24:30.080
<v Speaker 2>that JP Sacks and Julia Michaels did if the word

0:24:30.080 --> 0:24:31.720
<v Speaker 2>was in, then you'll get over it. And so we

0:24:31.720 --> 0:24:33.439
<v Speaker 2>listened to it. But then I found you guys a

0:24:33.440 --> 0:24:35.640
<v Speaker 2>song and everybody covers of everything, but I was like, man,

0:24:35.640 --> 0:24:39.159
<v Speaker 2>this version is so good. So I already said that

0:24:39.359 --> 0:24:42.040
<v Speaker 2>I said that like four years ago. No, we're all good,

0:24:42.440 --> 0:24:43.879
<v Speaker 2>and I was like, hey, come up and play, and

0:24:43.920 --> 0:24:45.520
<v Speaker 2>so you guys came up. Yeah, and that's how we met.

0:24:45.560 --> 0:24:46.800
<v Speaker 2>That was right before the pandemic.

0:24:46.920 --> 0:24:47.240
<v Speaker 1>Yeah.

0:24:47.280 --> 0:24:49.320
<v Speaker 4>Literally, it was the last thing that we did that

0:24:49.440 --> 0:24:51.440
<v Speaker 4>was like musically artistic.

0:24:51.520 --> 0:24:53.200
<v Speaker 1>And then they were like, oh, stay home.

0:24:54.000 --> 0:24:54.240
<v Speaker 2>Yeah.

0:24:54.280 --> 0:24:55.600
<v Speaker 3>When you hear a song on the radio for the

0:24:55.600 --> 0:24:56.560
<v Speaker 3>first time, oh.

0:24:56.920 --> 0:24:58.640
<v Speaker 1>It's insane, It's really insane.

0:24:58.680 --> 0:25:00.879
<v Speaker 4>I mean so the first time that I heard it,

0:25:00.960 --> 0:25:02.960
<v Speaker 4>just like not like going to visit a radio station

0:25:03.040 --> 0:25:04.480
<v Speaker 4>or something like, I was truly.

0:25:04.160 --> 0:25:05.280
<v Speaker 1>Just out living my life.

0:25:05.520 --> 0:25:06.280
<v Speaker 2>Was where are you going?

0:25:06.800 --> 0:25:09.040
<v Speaker 4>Nick and I went to get We were picking up

0:25:09.080 --> 0:25:11.639
<v Speaker 4>lunch because we were hung over and so obviously it

0:25:11.680 --> 0:25:13.320
<v Speaker 4>looked wonderful and I.

0:25:13.320 --> 0:25:15.080
<v Speaker 1>Get out of the car, I go grab the food.

0:25:15.119 --> 0:25:17.960
<v Speaker 4>We get back in and I thought, I like left

0:25:18.000 --> 0:25:20.359
<v Speaker 4>my phone plugged in or something, and I was like,

0:25:20.400 --> 0:25:22.040
<v Speaker 4>but why would I be playing my own song?

0:25:22.520 --> 0:25:23.919
<v Speaker 1>And then I was like, oh, my gosh, that is

0:25:23.960 --> 0:25:27.240
<v Speaker 1>actually playing on the radio, like and so we like

0:25:27.280 --> 0:25:28.600
<v Speaker 1>turn it up and we're trying to film it.

0:25:28.640 --> 0:25:30.040
<v Speaker 4>And it was a song that Nick and I had

0:25:30.040 --> 0:25:32.760
<v Speaker 4>written together, so it was like, oh, it was insane.

0:25:32.760 --> 0:25:33.560
<v Speaker 1>It was so incredible.

0:25:33.560 --> 0:25:35.760
<v Speaker 2>That's the funniest first time on the radio song I.

0:25:36.000 --> 0:25:38.280
<v Speaker 3>Heard, and I thought too, like all my phones on there,

0:25:38.920 --> 0:25:40.160
<v Speaker 3>literally and then I was.

0:25:40.119 --> 0:25:47.560
<v Speaker 4>Like, wait, why would I that's weird exactly.

0:25:48.280 --> 0:25:51.480
<v Speaker 2>So we've kind of walked through your journey until today.

0:25:51.760 --> 0:25:55.480
<v Speaker 2>But let's say there's uh someone that a young girl

0:25:55.560 --> 0:25:59.760
<v Speaker 2>or young boy now teenager that's thinking about making the

0:25:59.800 --> 0:26:01.200
<v Speaker 2>move if they want to be an artist, they want

0:26:01.200 --> 0:26:03.920
<v Speaker 2>to be a songwriter, what advice would you give them

0:26:04.119 --> 0:26:08.399
<v Speaker 2>before they decide to travel to Nashville, either temporarily or

0:26:08.400 --> 0:26:10.120
<v Speaker 2>full time to be well what you are?

0:26:10.480 --> 0:26:13.840
<v Speaker 4>Yeah, I would just say authenticity over everything. I think

0:26:13.840 --> 0:26:16.359
<v Speaker 4>I did lose some time in those early years trying

0:26:16.359 --> 0:26:18.399
<v Speaker 4>to chase down whatever was working, and I mean you

0:26:18.440 --> 0:26:21.240
<v Speaker 4>still see it in today's market. Someone will pop off

0:26:21.240 --> 0:26:23.639
<v Speaker 4>and then there's four of those that come along, and

0:26:23.640 --> 0:26:26.040
<v Speaker 4>I think I did that for a minute. And I

0:26:26.080 --> 0:26:28.880
<v Speaker 4>think that if I could give anyone any advice, it's

0:26:28.960 --> 0:26:31.320
<v Speaker 4>it's truly just lean into what comes naturally to you,

0:26:31.480 --> 0:26:34.560
<v Speaker 4>how you talk, how you sing, how you create, like

0:26:34.600 --> 0:26:37.480
<v Speaker 4>the community that you create, and then also just like

0:26:37.520 --> 0:26:39.679
<v Speaker 4>get involved in the town. I think it's such a

0:26:39.720 --> 0:26:44.000
<v Speaker 4>relational and such a community driven town. Someone once said

0:26:44.040 --> 0:26:46.679
<v Speaker 4>to me, you must be present to win, and I

0:26:46.720 --> 0:26:49.320
<v Speaker 4>thought that was such a great word for Nashville because.

0:26:49.119 --> 0:26:50.280
<v Speaker 2>It's Oh they didn't say that was in the back

0:26:50.320 --> 0:26:54.480
<v Speaker 2>of every every serial body yeah, or lottery ticket or

0:26:54.680 --> 0:26:56.639
<v Speaker 2>or yeah. No, that wasn't a person that said that.

0:26:56.680 --> 0:26:59.360
<v Speaker 2>It was fine. It's called fine yeah no, yeah.

0:26:59.200 --> 0:27:01.840
<v Speaker 4>Yeah, but no, Oh, it's so applicable to Nashville because

0:27:01.840 --> 0:27:03.520
<v Speaker 4>I think being in the community is one of the

0:27:03.560 --> 0:27:05.600
<v Speaker 4>best things that you can do for your career.

0:27:06.040 --> 0:27:08.800
<v Speaker 2>Yeah, someone wants it to be shake before serving really Yeah,

0:27:08.840 --> 0:27:10.320
<v Speaker 2>But then I realized it was orange juice. It's the

0:27:10.320 --> 0:27:12.720
<v Speaker 2>back of an orange juice boss, and yeah, it's the

0:27:12.760 --> 0:27:16.400
<v Speaker 2>whole thing. Uh, thank you for hanging out.

0:27:16.440 --> 0:27:17.640
<v Speaker 1>Heck, yeah, that's so fun.

0:27:17.920 --> 0:27:19.399
<v Speaker 2>I know we're gonna go and check out some some

0:27:19.440 --> 0:27:22.280
<v Speaker 2>cool places that we talked about inside of of this podcast.

0:27:22.760 --> 0:27:26.919
<v Speaker 2>But yeah, good to see you and congratulations on everything

0:27:27.040 --> 0:27:31.920
<v Speaker 2>and the Keith Urban Tim McGraw. Uh, that story, it's

0:27:32.400 --> 0:27:35.159
<v Speaker 2>super funny. That's that's probably number two or three on

0:27:35.200 --> 0:27:38.000
<v Speaker 2>the list. The story about the own song. That was

0:27:38.040 --> 0:27:39.959
<v Speaker 2>a good one. There are a lot of nuggets from

0:27:40.000 --> 0:27:43.199
<v Speaker 2>this that I'm said. That's that's a plus, and then

0:27:43.240 --> 0:27:45.639
<v Speaker 2>the fact that she credited a friend of hers with

0:27:45.720 --> 0:27:49.880
<v Speaker 2>coming up with something like no, it was.

0:27:51.720 --> 0:27:54.680
<v Speaker 1>No hear yeah, oh Kentucky, what are you gonna do?

0:27:54.800 --> 0:27:56.720
<v Speaker 2>She's like, and he had this great vice turn around,

0:27:56.720 --> 0:27:59.760
<v Speaker 2>don't drown. That's like nobot what they say when it rains.

0:28:00.320 --> 0:28:05.399
<v Speaker 2>Everybody says that. Okay for podcast wise, great to see you,

0:28:05.640 --> 0:28:08.479
<v Speaker 2>but we're gonna head off now. Good hit you. Bobby

0:28:08.560 --> 0:28:12.280
<v Speaker 2>Bulls buy phones, m