WEBVTT - Head of Instagram Adam Mosseri at Bloomberg Screentime

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<v Speaker 1>Bloomberg Audio Studios, podcasts, radio news. Well, let's head back

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<v Speaker 1>to the screen Time main stage, the theater here at

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<v Speaker 1>screen Time and to Adam Asari, he's the head of Instagram.

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<v Speaker 1>Over at Meta Platforms.

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<v Speaker 2>He's speaking with Blueberg News.

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<v Speaker 1>Is Kurt Wagner mister Beast. Everyone in this audience already

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<v Speaker 1>knows who that is. I don't need to explain who

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<v Speaker 1>mister Beast is. He posted actually on Threads. This was

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<v Speaker 1>his Threads post, which is also your platform, that it's

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<v Speaker 1>scary times for creators because of these gen AI tools

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<v Speaker 1>that are coming out. What do you think should creators

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<v Speaker 1>be scared as the scary times?

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<v Speaker 2>I think things are changing really quickly, and I think

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<v Speaker 2>that means that a lot of us, whether you're using

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<v Speaker 2>a platform like Jimmy is or you're building a platform

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<v Speaker 2>like we do on our team, are having to think

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<v Speaker 2>about how we need to evolve how we do what

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<v Speaker 2>we do. The jobs are changing, and so I don't

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<v Speaker 2>think that technology from the creator's side is going to

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<v Speaker 2>place creativity. I think it's going to change who can

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<v Speaker 2>be creative. I think it's going to change how people

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<v Speaker 2>tell their stories. But at the end of the day,

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<v Speaker 2>I think that people have creators and creatives. They have

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<v Speaker 2>their taste, they have their processes, they have their judgments,

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<v Speaker 2>they have their cultural commentary, and they're going to use

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<v Speaker 2>those in different ways than before. Because to produce a

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<v Speaker 2>video isn't going to require what Jimmy has historically done

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<v Speaker 2>with Mister Beast and these huge sets and these amazing

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<v Speaker 2>elaborate production teams. It's going to be something that anybody

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<v Speaker 2>can do with access to the right model.

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<v Speaker 1>So on the one hand, it will make certain things easier,

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<v Speaker 1>it will lower the bar for what it takes to,

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<v Speaker 1>you know, produce maybe something that feels highly like produced.

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<v Speaker 1>Does this create more creators? Does this create an upper

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<v Speaker 1>crust of creators, you know, because there's now so many

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<v Speaker 1>more people who can do this.

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<v Speaker 2>I think it'll mean that today's creators, if they lean

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<v Speaker 2>into the tools, are the ones who do will be

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<v Speaker 2>able to create more or even better content. But I

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<v Speaker 2>think it also means that they're going to be people

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<v Speaker 2>who couldn't be creators before who can now actually produce

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<v Speaker 2>content of a certain quality or at a certain scale.

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<v Speaker 2>But it also means they're going to be bad actors

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<v Speaker 2>who try to leverage these technologies for nefarious purposes as well.

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<v Speaker 2>So it's going to be well if you think a

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<v Speaker 2>big step back, what the Internet did, among other things,

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<v Speaker 2>was allow almost anyone to become a publisher, right, reducing

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<v Speaker 2>the cost of distributing content to essentially zero. And what

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<v Speaker 2>some of these generative AI models look like they're going

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<v Speaker 2>to do is they're going to reduce the cost of

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<v Speaker 2>producing content to basically zero. So that will be a

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<v Speaker 2>multiplier effect on the things that we're already seeing, which

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<v Speaker 2>is that there's more people producing more content and reaching

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<v Speaker 2>more people, and there's a lot of good and bad

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<v Speaker 2>that comes downstream from that.

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<v Speaker 1>Yeah, So, as someone who creates an algorithm and intended

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<v Speaker 1>to show people things that they want to see, do

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<v Speaker 1>you anticipate I don't know if you can break down

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<v Speaker 1>what the average person has seen right now in terms

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<v Speaker 1>of stuff that's AI generated versus you know, maybe more

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<v Speaker 1>traditional human generated. But what's that going to look like

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<v Speaker 1>in a year or in five years. Are we going

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<v Speaker 1>to be seeing a feed just full of AI stuff

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<v Speaker 1>or is there a human element that's going to be

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<v Speaker 1>important here?

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<v Speaker 2>Well? Today on the big platforms like Instagram and TikTok

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<v Speaker 2>and Facebook and YouTube, I think there's actually a lot

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<v Speaker 2>of hybrid content. And too often we talk about synthetic

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<v Speaker 2>content and organic content and never the chee shop meet.

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<v Speaker 2>But there's a lot of content where AI is part

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<v Speaker 2>of the workflow, right, Like you might not even know it.

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<v Speaker 2>Might be whatever app you're using to do color correction,

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<v Speaker 2>might be using models to do so, you know, stamp

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<v Speaker 2>tool and photoshop in the old days to get rid

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<v Speaker 2>of a pimple, those types of things. But that line

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<v Speaker 2>is going to be more and more blurred, so it's

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<v Speaker 2>going to be little bit less like what is organic

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<v Speaker 2>content and what is AI synthetic content and what the

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<v Speaker 2>percentages are. I think it's going to be actually more

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<v Speaker 2>in the middle than pure synthetic content for a while.

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<v Speaker 2>But you will also see experiences that are purely AI, right.

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<v Speaker 2>You see this in the last two weeks with Vibes

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<v Speaker 2>in the medi app and with Soa too from open Ai.

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<v Speaker 2>So I think you're going to see both.

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<v Speaker 1>You mentioned there's a lot of potential for bad actors

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<v Speaker 1>out there. We talked a few weeks ago, actually Instagram

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<v Speaker 1>announced three billion users and we had a conversation then,

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<v Speaker 1>and one of the things you said was, you know,

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<v Speaker 1>you rely especially with AI on a lot of self reporting,

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<v Speaker 1>people have to sort of let their audience know I

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<v Speaker 1>used AI for this. A lot of people don't do that.

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<v Speaker 1>I'm curious what responsibility you think Instagram and Meta have

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<v Speaker 1>versus how much of it is on the content creator themselves,

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<v Speaker 1>Like do you need to be identifying that something is

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<v Speaker 1>AI and alerting the audience to it or is it

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<v Speaker 1>all on the creator.

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<v Speaker 2>I think that we can do more to identify content

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<v Speaker 2>that was created with AI. We actually when we first

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<v Speaker 2>did it, we were doing we were using the xf

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<v Speaker 2>data and a bunch of people got mad at us

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<v Speaker 2>because Photoshop was exporting content and the AI was part

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<v Speaker 2>of the flow, and then we were saying it was

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<v Speaker 2>AI content. But the creator was like, this is an

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<v Speaker 2>AI content. But if you actually looked at how the flow.

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<v Speaker 1>Was made, they thought Photoshop was AI.

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<v Speaker 2>They had used some tool and Photoshop that triggered that. Okay,

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<v Speaker 2>I think it was Photoshop, or maybe it was Premiere

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<v Speaker 2>I forget which AAP. So it's sort of a delicate matter.

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<v Speaker 2>For what is worth though, I think that trying to

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<v Speaker 2>automatically label everything that was created in some part with AI,

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<v Speaker 2>particularly when there's a lot of hybrid content where it's

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<v Speaker 2>only part of the process is a little bit of

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<v Speaker 2>it's not a fool's erran, but it's it's maybe the

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<v Speaker 2>wrong focus. I think what's gonna happened quickly is that

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<v Speaker 2>you can still kind of tell when content was created

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<v Speaker 2>by AI. Not always but usually pretty good.

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<v Speaker 1>It's hard, it's hard, harder.

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<v Speaker 2>It's getting harder, and I think pretty soon it'll be

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<v Speaker 2>almost impossible. And so I think what we need to

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<v Speaker 2>do is, sure, we can work more on labeling, but

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<v Speaker 2>we also need to provide more context for people to

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<v Speaker 2>make more informed decisions about what to believe in to

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<v Speaker 2>not so like the way you think about, you know, literacy.

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<v Speaker 2>For like my kids, my kids are young, they're nine

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<v Speaker 2>to seven and five. I need them to understand as

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<v Speaker 2>they grow up and they get exposed to the Internet

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<v Speaker 2>that just because they're seeing a video of something doesn't

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<v Speaker 2>mean it actually happened. And they when I grew up

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<v Speaker 2>and I saw a video, I could assume that that

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<v Speaker 2>was a capture of a moment that happened in the

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<v Speaker 2>real world. And what they're going to need to do

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<v Speaker 2>is they're going to need to think about who is

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<v Speaker 2>saying it, who's sharing it in this case, and what

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<v Speaker 2>are their incentives and why might they be saying it?

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<v Speaker 2>And there's going to be way more importance if you're

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<v Speaker 2>going to make good decisions about what to trust and

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<v Speaker 2>what to allow to inform your own opinions, we're gonna

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<v Speaker 2>have to shift emphasis away from the content itself and

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<v Speaker 2>not to ignore it, but just away from it and

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<v Speaker 2>put more on who's saying it and why they might

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<v Speaker 2>be saying it.

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<v Speaker 1>Yeah, but you're doing that as an involved parent.

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<v Speaker 2>But as a platform, we can provide context too, right,

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<v Speaker 2>and we do today, but we can do more like today.

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<v Speaker 2>If you go to my profile, you can go to

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<v Speaker 2>about this profile. You can see how long I've had

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<v Speaker 2>this profile, what country I'm based in, how many times

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<v Speaker 2>I've changed my user name, a series of signals that

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<v Speaker 2>you can use to decide how much you want to

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<v Speaker 2>trust or not trust. Or maybe it's not even about

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<v Speaker 2>positive miniccative. Maybe it's just about my political bias or

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<v Speaker 2>my financial bias or any other kind of bias of it.

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<v Speaker 1>Yeah, it feels like it's evolving. Obviously the Instagram app

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<v Speaker 1>is evolving as well. That was a big part of

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<v Speaker 1>our last conversation. I think people still think of I

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<v Speaker 1>shouldn't say I certainly still part of me thinks of

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<v Speaker 1>Instagram as the feed of beautiful, curated photos and videos

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<v Speaker 1>like that is maybe it's certainly an older way of

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<v Speaker 1>thinking about it. You're leaning very hard into this sort

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<v Speaker 1>of newer version of Instagram, which is DMS, stories, reels.

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<v Speaker 1>Walk us through a little bit about where your priorities

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<v Speaker 1>are with Instagram right now, Like, is the traditional feed

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<v Speaker 1>a thing in.

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<v Speaker 2>The past at this point, it's certainly changing. All the

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<v Speaker 2>growth in Instagram over the last five years or more

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<v Speaker 2>has really come from dms and reels and recommendations and stories.

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<v Speaker 2>But we started as a feed of hypersaturated photos, you know,

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<v Speaker 2>glossy landscapes. You guys can all picture the aesthetic, and

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<v Speaker 2>that's just not how people use Instagram anymore. Our biggest

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<v Speaker 2>risk is that the world evolves, we don't keep up

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<v Speaker 2>and we just become irrelevant. If we hadn't built dms

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<v Speaker 2>and stories and reels, you wouldn't be interviewing me on

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<v Speaker 2>stage today. We wouldn't be relevant enough to show up

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<v Speaker 2>at screen time. But moving it forward is also tricky.

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<v Speaker 2>People get frustrated when you have an when they have

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<v Speaker 2>an experience that they use for call it half an

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<v Speaker 2>hour a day, and then someone comes and changes it

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<v Speaker 2>without asking them. So it's a balance. But we have

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<v Speaker 2>to because if we didn't, we would be in trouble.

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<v Speaker 2>I mean, like I'll do like probably shouldn't do this

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<v Speaker 2>because nobody can see the audience on camera. But how

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<v Speaker 2>many of you use Instagram? It's okay if you don't

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<v Speaker 2>raise your hand really high so I can see. Cool.

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<v Speaker 2>How many of you keep your hand up? Have messaged

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<v Speaker 2>someone in the last two days? Great? How many? Now?

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<v Speaker 2>How many of you have posted a story in the

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<v Speaker 2>last couple of days? All right, so maybe about half?

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<v Speaker 2>From about it was like eighty percent. How many of

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<v Speaker 2>you posted something to feed in the last two days?

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<v Speaker 1>Those watching, the number of hands is very minimal.

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<v Speaker 2>We have seven.

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<v Speaker 1>We went from like almost everybody to seven.

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<v Speaker 2>Yeah, that's how Instagram is used. We connect with friends,

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<v Speaker 2>we explore our interests. But we so by seeing a

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<v Speaker 2>reel and sending it to someone who we think might

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<v Speaker 2>enjoy it, or responding to a story, or sharing a

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<v Speaker 2>fleeting moment, or posting a note. Actually, if you're you know,

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<v Speaker 2>younger than I am, it's posting to your feed is

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<v Speaker 2>just not the primary way people express themselves.

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<v Speaker 1>Yeah, and that's evidenced by some of the stuff you're doing.

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<v Speaker 1>So I want to get into this sort of test

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<v Speaker 1>you're doing with reels. You launch an iPad app, which

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<v Speaker 1>people have been clamoring for for a long time. If

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<v Speaker 1>you the iPad ad opens directly into reels, so it

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<v Speaker 1>doesn't open into the traditional feed, you're now kicked into

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<v Speaker 1>this short form video experience. You're testing that in India

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<v Speaker 1>as well. Ye is this the future? Like a year

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<v Speaker 1>from now, are we all going to open up Instagram

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<v Speaker 1>and instead of seeing that feed, are we just going

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<v Speaker 1>to be kicked into you know what? Maybe feels like.

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<v Speaker 2>TikTok so when you know Yeah, So the test in

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<v Speaker 2>India right now is an opt in and it opens.

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<v Speaker 2>You have stories at the top still, but if you

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<v Speaker 2>scroll down, it scrolls into reels. But if you look

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<v Speaker 2>at the reels tab and the main feed tab, there

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<v Speaker 2>are two primary differences. The one is full screen media.

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<v Speaker 2>At times you see one piece, one photo or video

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<v Speaker 2>at a time, and that is the reels tab, whereas

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<v Speaker 2>Feed is free scrolling and then reels has more videos

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<v Speaker 2>and more recommendations and feed has less, but they both

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<v Speaker 2>have recommendations. They both have photos, they both have carousels,

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<v Speaker 2>and they both have videos. It's just a balance, and

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<v Speaker 2>so it's really a design difference and then a ranking difference.

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<v Speaker 2>I think just swapping them doesn't really make sense. But

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<v Speaker 2>I think that if a more immersive media is really

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<v Speaker 2>driving all our growth, if we can figure out a

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<v Speaker 2>way to transition the app to that being the experience

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<v Speaker 2>that you swipe into, then that would probably be a

0:11:45.120 --> 0:11:46.800
<v Speaker 2>good thing if we can make it happen. The questions

0:11:46.840 --> 0:11:51.079
<v Speaker 2>can we make it happen responsibly without you pissing everybody off,

0:11:51.120 --> 0:11:53.959
<v Speaker 2>without really hurting the business because the monetization efficiency of

0:11:54.040 --> 0:11:57.040
<v Speaker 2>video is lower by finding the right balance. It's probably

0:11:57.040 --> 0:11:59.800
<v Speaker 2>not ranked exactly as one is or the other is today,

0:12:00.440 --> 0:12:02.200
<v Speaker 2>but that is definitely something I want to explore.

0:12:02.400 --> 0:12:04.040
<v Speaker 1>Yeah, I mean, from the outside, it's hard not to

0:12:04.080 --> 0:12:07.240
<v Speaker 1>look at that and think tik TikTok is driving this

0:12:07.440 --> 0:12:10.440
<v Speaker 1>change for you. How much do you think about TikTok

0:12:11.400 --> 0:12:13.560
<v Speaker 1>as a It's obviously a major competitor, But I'm wondering

0:12:13.679 --> 0:12:17.680
<v Speaker 1>how much something like this is driven maybe by what

0:12:17.679 --> 0:12:19.880
<v Speaker 1>you're seeing from competition.

0:12:19.880 --> 0:12:22.080
<v Speaker 2>Curious about this data, what is this data aduls eighteen

0:12:22.120 --> 0:12:25.000
<v Speaker 2>to thirty four average audience by hour. I don't know

0:12:25.040 --> 0:12:30.080
<v Speaker 2>what that means. Cool. Definitely think about TikTok, Definitely think

0:12:30.120 --> 0:12:33.800
<v Speaker 2>about YouTube. Definitely think about Snapchat. I mean, the immersive

0:12:33.880 --> 0:12:39.319
<v Speaker 2>viewer is pre dates TikTok, right. I think Cacao Stories

0:12:39.400 --> 0:12:42.320
<v Speaker 2>pioneered the stories format, which was an immersive viewer. Yeah

0:12:42.559 --> 0:12:46.760
<v Speaker 2>in Korea. It was popularized by Snapchat worldwide, so they

0:12:46.760 --> 0:12:49.439
<v Speaker 2>should get a lot of credit for that. TikTok was

0:12:49.480 --> 0:12:54.160
<v Speaker 2>applying that immersive viewer that native first experience too short

0:12:54.160 --> 0:12:57.520
<v Speaker 2>from video, and they should get a lot of credit

0:12:57.520 --> 0:12:59.720
<v Speaker 2>for that. And now obviously you've got YouTube shorts, Instagram

0:12:59.760 --> 0:13:02.360
<v Speaker 2>real Facebook reels and the rest of it. We think

0:13:02.400 --> 0:13:04.480
<v Speaker 2>a lot about TikTok because they are really good at

0:13:04.520 --> 0:13:08.120
<v Speaker 2>what they do. They are better than I think the

0:13:08.160 --> 0:13:09.800
<v Speaker 2>rest of the industry at this point at a couple

0:13:09.920 --> 0:13:13.720
<v Speaker 2>things at breaking new talent at.

0:13:14.160 --> 0:13:16.800
<v Speaker 1>In like identifying up and coming creators. Is that what

0:13:16.800 --> 0:13:17.079
<v Speaker 1>you mean?

0:13:17.240 --> 0:13:21.360
<v Speaker 2>Yeah? So the way it works is when you're ranking

0:13:21.480 --> 0:13:24.439
<v Speaker 2>content and you want to drive engagement, it's easier to

0:13:24.520 --> 0:13:27.160
<v Speaker 2>drive engagement by showing content that you know lots of

0:13:27.200 --> 0:13:31.120
<v Speaker 2>people like than to try and discover content that you

0:13:31.200 --> 0:13:33.040
<v Speaker 2>might love that you didn't even know about yet, that

0:13:33.120 --> 0:13:35.320
<v Speaker 2>might be from a really small name or small creator.

0:13:36.000 --> 0:13:38.600
<v Speaker 2>And that's called exploration based ranking, when you try to

0:13:38.640 --> 0:13:43.200
<v Speaker 2>literally almost test out things to see if they have legs,

0:13:43.520 --> 0:13:47.120
<v Speaker 2>if there's an audience for them. They are really good

0:13:47.120 --> 0:13:51.240
<v Speaker 2>at exploration based ranking. We're closing that gap, but we're

0:13:51.240 --> 0:13:54.320
<v Speaker 2>not all the way there yet. YouTube isn't actually great

0:13:54.400 --> 0:13:56.480
<v Speaker 2>at that. YouTube is the best I think in the

0:13:56.480 --> 0:14:01.520
<v Speaker 2>market at paying out creators through revshare. That's because they're

0:14:01.679 --> 0:14:04.240
<v Speaker 2>still mostly long form and long form. They've done a

0:14:04.240 --> 0:14:07.400
<v Speaker 2>really good job with their in or their pre rules

0:14:07.400 --> 0:14:10.719
<v Speaker 2>and their mid roles. But I think TikTok has been

0:14:10.800 --> 0:14:13.560
<v Speaker 2>like really culturally relevant because they've been able to break

0:14:13.600 --> 0:14:17.400
<v Speaker 2>small names. They've been really timely, so trends happen really quickly,

0:14:17.640 --> 0:14:20.280
<v Speaker 2>and they've just been reliably really fun and entertaining.

0:14:20.400 --> 0:14:25.520
<v Speaker 1>Yeah, there's obviously I'm sure you followed. There's a deal now,

0:14:25.640 --> 0:14:28.880
<v Speaker 1>a proposed deal for TikTok to stay in the United States.

0:14:29.640 --> 0:14:32.120
<v Speaker 1>It's kind of unique because it calls for the US

0:14:32.200 --> 0:14:36.320
<v Speaker 1>government to be somewhat involved and you know, if not managing,

0:14:36.360 --> 0:14:41.560
<v Speaker 1>at least overseeing this new US TikTok does this worry

0:14:41.640 --> 0:14:45.000
<v Speaker 1>you at all? Like that the US government might perhaps

0:14:45.400 --> 0:14:48.800
<v Speaker 1>have an incentive for TikTok to do better than Instagram.

0:14:51.800 --> 0:14:52.960
<v Speaker 2>Be careful of my words.

0:14:53.960 --> 0:14:57.200
<v Speaker 1>We're all friends here. You're welcome to say whatever you want.

0:14:57.520 --> 0:15:03.360
<v Speaker 2>What could go wrong? Yeah, I'll say a few things.

0:15:04.000 --> 0:15:06.280
<v Speaker 2>I do think it's good that TikTok is still going

0:15:06.320 --> 0:15:08.280
<v Speaker 2>to be in the US. It would certainly make our

0:15:08.360 --> 0:15:11.520
<v Speaker 2>lives easier on the professional side to have less competition,

0:15:11.600 --> 0:15:14.000
<v Speaker 2>But I think competition is fundamentally healthy. They've pushed us

0:15:14.000 --> 0:15:15.920
<v Speaker 2>to do better work. I think it's good for the

0:15:15.960 --> 0:15:18.800
<v Speaker 2>consumer and it's good for competition, So I'm glad that

0:15:18.800 --> 0:15:21.320
<v Speaker 2>they're still going to be around. On the specifics of

0:15:21.360 --> 0:15:26.120
<v Speaker 2>the deal, it just seems all very hard to parse.

0:15:26.960 --> 0:15:31.240
<v Speaker 2>It looks like more or less there's a bit of

0:15:31.280 --> 0:15:34.440
<v Speaker 2>an ownership and a rev share change, but not an

0:15:34.480 --> 0:15:39.400
<v Speaker 2>actual real change in how it's built and in you know,

0:15:39.440 --> 0:15:43.920
<v Speaker 2>because you know by dancing TikTok share code. Historically, most

0:15:43.960 --> 0:15:46.240
<v Speaker 2>of the most the strongest ranking work has come out

0:15:46.240 --> 0:15:51.360
<v Speaker 2>of China. Like, I don't see anything that suggests that

0:15:51.440 --> 0:15:54.680
<v Speaker 2>any of how it's actually built it's going to meaningfully change.

0:15:55.080 --> 0:15:58.680
<v Speaker 2>It just seems like an ownership stake and a rev

0:15:58.720 --> 0:16:04.240
<v Speaker 2>share going that's split between obviously by dancing the new

0:16:04.280 --> 0:16:07.360
<v Speaker 2>owners here. But it's the same map, the same ranking system,

0:16:07.920 --> 0:16:10.680
<v Speaker 2>you know, the same creators that you're following, the same people.

0:16:10.720 --> 0:16:13.520
<v Speaker 2>It all sort of seamless. So it seems a little

0:16:13.520 --> 0:16:15.840
<v Speaker 2>bit hard to I'm not sure what to make of that.

0:16:15.880 --> 0:16:18.040
<v Speaker 2>It doesn't seem like it's a major change in terms

0:16:18.120 --> 0:16:20.960
<v Speaker 2>of incentives. Yeah, I mean we always want to be considered.

0:16:21.640 --> 0:16:23.720
<v Speaker 2>We always want to consider all the incentives of the

0:16:23.720 --> 0:16:26.840
<v Speaker 2>most relevant parties involved. But I just want to stay

0:16:26.840 --> 0:16:28.720
<v Speaker 2>focused on how do we make sure Instagram does a

0:16:28.720 --> 0:16:31.160
<v Speaker 2>great job where they're better than us, how do we

0:16:31.240 --> 0:16:33.880
<v Speaker 2>catch up where we think we've got a competitive advantage,

0:16:33.880 --> 0:16:36.840
<v Speaker 2>how do we double down? And how do we keep

0:16:37.000 --> 0:16:39.280
<v Speaker 2>moving forward and trying to make Instagram as valuable as

0:16:39.320 --> 0:16:42.920
<v Speaker 2>possible for people, and then trying not to get too

0:16:43.000 --> 0:16:46.720
<v Speaker 2>sucked into the noise of the of the drama of.

0:16:46.720 --> 0:16:50.200
<v Speaker 1>The week, maybe supporting your direct competitors, all that stuff.

0:16:50.240 --> 0:16:52.040
<v Speaker 2>We think about it, but we try to focus on

0:16:52.080 --> 0:16:54.800
<v Speaker 2>what we can control and spend less time on what

0:16:54.840 --> 0:16:55.320
<v Speaker 2>we cannot.

0:16:55.720 --> 0:16:57.440
<v Speaker 1>We'll only have a few more minutes. It's always flies

0:16:57.480 --> 0:17:01.040
<v Speaker 1>by there was a report that you guys are building

0:17:01.080 --> 0:17:05.160
<v Speaker 1>a TV app? Are you building a TV app? Let's

0:17:05.240 --> 0:17:05.840
<v Speaker 1>make some news.

0:17:06.160 --> 0:17:09.879
<v Speaker 2>This is it. We're exploring TV. TV is an increasingly

0:17:09.920 --> 0:17:14.560
<v Speaker 2>important surface. It's been very important for YouTube. Neil's talked

0:17:14.560 --> 0:17:17.439
<v Speaker 2>about that publicly, the CEO there. It's been very important

0:17:17.440 --> 0:17:20.240
<v Speaker 2>for TikTok. So we'd like to figure out how to

0:17:20.240 --> 0:17:23.320
<v Speaker 2>make sure that we have we show up in a

0:17:23.320 --> 0:17:27.320
<v Speaker 2>compelling way on all the relevant devices. So we're definitely

0:17:27.320 --> 0:17:28.920
<v Speaker 2>exploring it, but nothing to announce today.

0:17:29.600 --> 0:17:33.280
<v Speaker 1>Why now, though, Why explore it now versus a few

0:17:33.359 --> 0:17:35.680
<v Speaker 1>years ago, because, as you point out.

0:17:35.560 --> 0:17:37.840
<v Speaker 2>I wish we had explored a few Okay, why didn't you?

0:17:38.760 --> 0:17:44.440
<v Speaker 2>We've been busy. It seems like every year is a

0:17:44.440 --> 0:17:46.480
<v Speaker 2>little bit more intense and a little bit more wild.

0:17:47.640 --> 0:17:49.640
<v Speaker 2>I see that as a mistake though on my part,

0:17:49.720 --> 0:17:53.240
<v Speaker 2>so I'll take ownership for that. I know we've been

0:17:53.240 --> 0:17:55.800
<v Speaker 2>focusing a lot on ranking. We've been focusing a lot

0:17:55.800 --> 0:17:58.360
<v Speaker 2>on evolving the experience forward. We've been focusing a lot

0:17:58.400 --> 0:18:01.240
<v Speaker 2>on safety and parents. We've been focusing a lot of

0:18:01.400 --> 0:18:05.280
<v Speaker 2>just compliance. Like I said, the biggest risk that we

0:18:05.400 --> 0:18:08.320
<v Speaker 2>face is that the world changes too quickly. Not too

0:18:08.359 --> 0:18:10.800
<v Speaker 2>quickly it's going to change quickly, and we don't change

0:18:10.880 --> 0:18:15.040
<v Speaker 2>quickly enough to adapt. And if behavior in the consumption

0:18:15.119 --> 0:18:17.680
<v Speaker 2>of these platforms is moving to TV, then we need

0:18:17.680 --> 0:18:20.399
<v Speaker 2>to move to TV too as a form factor. And

0:18:20.440 --> 0:18:21.720
<v Speaker 2>if we're late, that's on us.

0:18:22.720 --> 0:18:26.919
<v Speaker 1>Right now, on you, right now, these videos.

0:18:26.920 --> 0:18:28.840
<v Speaker 2>Your deep voice that sounded it did.

0:18:28.720 --> 0:18:31.920
<v Speaker 1>Say it came off a little more dramatical. When I'm

0:18:31.920 --> 0:18:34.520
<v Speaker 1>on Instagram looking at video, it's almost all vertical video.

0:18:34.680 --> 0:18:37.919
<v Speaker 1>When I look at a TV, it's not. Have you

0:18:38.280 --> 0:18:42.159
<v Speaker 1>through this exploration, have you thought about whether the stuff

0:18:42.160 --> 0:18:45.040
<v Speaker 1>that's on Instagram today works on TV? Or do you

0:18:45.080 --> 0:18:48.080
<v Speaker 1>need to go out and you know, basically source new

0:18:48.160 --> 0:18:50.520
<v Speaker 1>video that fits a TV screen.

0:18:50.960 --> 0:18:53.160
<v Speaker 2>I think the vertical content can work on TV because

0:18:53.160 --> 0:18:55.800
<v Speaker 2>I think we can also show there's a couple, we

0:18:55.800 --> 0:18:58.040
<v Speaker 2>can show social context, we can show you the comments,

0:18:58.119 --> 0:18:59.760
<v Speaker 2>we can show us as watching. There's a bunch of

0:18:59.800 --> 0:19:02.040
<v Speaker 2>things you can do with that space. We might we

0:19:02.080 --> 0:19:04.280
<v Speaker 2>do still have horizontal content. We might need to lean

0:19:04.320 --> 0:19:07.280
<v Speaker 2>into that too, but I'd rather first figure out how

0:19:07.280 --> 0:19:12.879
<v Speaker 2>we can embrace the content ecosystem that already exists and

0:19:12.920 --> 0:19:15.399
<v Speaker 2>the creatives that already exist on the platform. And if

0:19:15.400 --> 0:19:17.760
<v Speaker 2>we have to expand. If it turns out we have

0:19:17.800 --> 0:19:19.280
<v Speaker 2>to expand, then we'll certainly consider that.

0:19:19.320 --> 0:19:20.879
<v Speaker 1>Then it was going to say, it's our world in

0:19:20.920 --> 0:19:25.560
<v Speaker 1>which you go and you know, license more kickback content.

0:19:26.000 --> 0:19:29.480
<v Speaker 2>I don't like licensing content if I can avoid it.

0:19:29.640 --> 0:19:32.560
<v Speaker 2>The look, we pay for lots of licensing in general,

0:19:32.640 --> 0:19:34.359
<v Speaker 2>for people are going to share stuff on our platform,

0:19:34.359 --> 0:19:36.480
<v Speaker 2>whether or not we want them to, music licenses, et cetera.

0:19:36.560 --> 0:19:38.040
<v Speaker 2>We're always going to try to make sure we pay

0:19:38.080 --> 0:19:40.800
<v Speaker 2>people for the rights, you know, when we need to.

0:19:41.280 --> 0:19:43.720
<v Speaker 2>But I wouldn't. I'm not interested in trying to go

0:19:43.800 --> 0:19:48.960
<v Speaker 2>get sports rights or exclusive entertainment rights because I'd much

0:19:49.040 --> 0:19:50.920
<v Speaker 2>rather be the second screen. I'd much rather be where

0:19:50.960 --> 0:19:55.880
<v Speaker 2>you talk about the game or the movie we're in.

0:19:56.640 --> 0:19:59.000
<v Speaker 2>I feel like connecting with your friends and short from

0:19:59.080 --> 0:20:02.000
<v Speaker 2>video can be really simp iiotic, and short form video

0:20:02.040 --> 0:20:04.800
<v Speaker 2>and long form video can be really symbiotic. But long

0:20:04.840 --> 0:20:06.840
<v Speaker 2>form video and connecting with your friends it's really difficult

0:20:06.880 --> 0:20:09.439
<v Speaker 2>to do in one place. If you're just watching a

0:20:09.480 --> 0:20:12.560
<v Speaker 2>basketball game or a movie or an hour long show,

0:20:12.800 --> 0:20:14.800
<v Speaker 2>it's a lot of time that you're not actually talking

0:20:14.840 --> 0:20:17.119
<v Speaker 2>to a friend. A lot of things you're not sending

0:20:17.119 --> 0:20:18.640
<v Speaker 2>to friends or seeing that you might send to friends,

0:20:18.640 --> 0:20:23.639
<v Speaker 2>et cetera. So I'd rather focus on user generated content

0:20:23.760 --> 0:20:29.919
<v Speaker 2>creators AI unless on premium long form licensed content.

0:20:30.040 --> 0:20:32.879
<v Speaker 1>We've hit all the zeros very last, so that I

0:20:32.880 --> 0:20:35.639
<v Speaker 1>don't get in trouble. What's your one tip if you're

0:20:35.680 --> 0:20:38.879
<v Speaker 1>a creator trying to hit a big on Instagram today,

0:20:38.960 --> 0:20:42.399
<v Speaker 1>what's the one piece of advice you would give? And

0:20:42.440 --> 0:20:44.000
<v Speaker 1>again short, so that I don't get you.

0:20:44.040 --> 0:20:45.720
<v Speaker 2>Know, yeah, you don't get too much trouble out and

0:20:45.840 --> 0:20:47.160
<v Speaker 2>I can just fill a buster and go.

0:20:47.240 --> 0:20:49.040
<v Speaker 1>Yeah, exactly, get me back.

0:20:49.520 --> 0:20:53.600
<v Speaker 2>I think it's really important to be intentional, specifically to

0:20:53.960 --> 0:20:57.600
<v Speaker 2>articulate what you're trying to accomplish by using a platform

0:20:57.600 --> 0:21:00.760
<v Speaker 2>like Instagram. So you might be trying to sell a

0:21:00.800 --> 0:21:04.240
<v Speaker 2>product or brand, or raise awareness for a cause or

0:21:04.800 --> 0:21:08.440
<v Speaker 2>build up demand for a brand. What just write down

0:21:08.600 --> 0:21:11.040
<v Speaker 2>what you're trying to accomplish, and then also to be

0:21:11.119 --> 0:21:14.399
<v Speaker 2>very clear about what is going to actually resonate with

0:21:14.440 --> 0:21:17.239
<v Speaker 2>an audience, what's going to work on the platform. And

0:21:17.280 --> 0:21:20.320
<v Speaker 2>you need to find a content strategy that is at

0:21:20.359 --> 0:21:23.400
<v Speaker 2>the overlap of those two things, because reach is great,

0:21:23.440 --> 0:21:25.199
<v Speaker 2>but reaches a means to an end. So if you

0:21:25.280 --> 0:21:27.800
<v Speaker 2>find content that is engaging, but it's not actually helping

0:21:27.840 --> 0:21:31.320
<v Speaker 2>you move towards your goals, it's useless. And if you

0:21:31.760 --> 0:21:33.280
<v Speaker 2>find content that is going to help you with your

0:21:33.320 --> 0:21:35.080
<v Speaker 2>goals but no one sees it, it's not going to

0:21:35.080 --> 0:21:37.960
<v Speaker 2>be effective. It is much harder to find a content

0:21:38.000 --> 0:21:41.440
<v Speaker 2>strategy that does both. But that's the job. That's the work,

0:21:41.920 --> 0:21:45.760
<v Speaker 2>and that's going to require persistence, intentionality, and experimentation. But

0:21:45.840 --> 0:21:48.400
<v Speaker 2>I really, I really preach the overlap