WEBVTT - Hell! Hell! Hell!

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<v Speaker 1>Welcome to Stuff you Should Know, a production of I

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<v Speaker 1>Heart Radio. Hey, and welcome to the podcast. I'm Josh Clark.

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<v Speaker 1>There's Charles w St. Chuck Bryant uh, and st. Jerome

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<v Speaker 1>Rowland is out there as well. I'm not a staying

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<v Speaker 1>I'm sinner. Uh. And this is stuff you should know.

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<v Speaker 1>The first real episode of the New Year, it is Chuck.

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<v Speaker 1>It's uh beyond the future now, It's that's so futuristic,

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<v Speaker 1>no one ever even used it in a sci fi book.

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<v Speaker 1>That's right. We we had our are what we like

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<v Speaker 1>to call our elementary school Christmas break, which means it's

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<v Speaker 1>about three and a half weeks long. We worked hard

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<v Speaker 1>for that. We do, so you better treat us, right.

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<v Speaker 1>That's that's right. How was your holiday? Good? It was good.

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<v Speaker 1>I've I finally got to just kind of disconnect and

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<v Speaker 1>decouple and just relax. And it was not Actually I

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<v Speaker 1>went I went the entire time without cracking my computer open.

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<v Speaker 1>I was really proud of that. Yeah, I couldn't believe it.

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<v Speaker 1>Like I did stuff on my phone that I needed to,

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<v Speaker 1>but I just there was a ban on opening my laptops,

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<v Speaker 1>even just for funzies. Yeah, no, poin didn't. I didn't

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<v Speaker 1>want to write. I didn't want to see uh computer

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<v Speaker 1>or a keyboard for a little while, and I was

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<v Speaker 1>able to do it. Yeah, that I just did. The

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<v Speaker 1>porn was all just like I just made drawings myself, right,

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<v Speaker 1>flip books. I uh loved doing things in my laptop.

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<v Speaker 1>But I was proud of myself for not looking at

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<v Speaker 1>any work emails. I did a little bit at first, because,

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<v Speaker 1>as you know, some buttoning up into the year stuff.

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<v Speaker 1>But then I was just like, you know what, and

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<v Speaker 1>you know what I put as my I mean, you've

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<v Speaker 1>seen my occasional auto reply, which is, uh, if it's

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<v Speaker 1>an emergency, please realize that there are no podcast emergency,

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<v Speaker 1>which is sort of true. It's I think true. Actually.

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<v Speaker 1>And you got your slide whistle. I did. I don't

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<v Speaker 1>have it with me right now or else. I dang,

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<v Speaker 1>we got a debut the slide whistle later because I

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<v Speaker 1>got to hear that thing. Yes, we do, thank you

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<v Speaker 1>for that. Did you get your gift from me? I did? Okay, good.

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<v Speaker 1>I thought that that you would find that wildly appropriate

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<v Speaker 1>and it helped out our buddy too. That's right. Um.

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<v Speaker 1>And so we're just gonna wade into some easy, easy

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<v Speaker 1>waters here with hell. Hell. This is tough. Man. I

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<v Speaker 1>was like, who's dumb idea was this? And I realized

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<v Speaker 1>it was mine? Uh so I never forgot. Yeah, the

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<v Speaker 1>c I a here is is that. I mean, people

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<v Speaker 1>like I think the Grabster helped us put this together.

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<v Speaker 1>He said, people make their entire careers out of just

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<v Speaker 1>Dante's Inferno, much less concepts of Hell. And uh it

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<v Speaker 1>is very broad and dense and confusing, and so this

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<v Speaker 1>is sort of a just a stuff you shouldn't know

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<v Speaker 1>stab at it. Yeah, and let me just add to

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<v Speaker 1>that that we are in no way, shape or form

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<v Speaker 1>biblical scholars, theologians. We're gonna get a lot of stuff wrong.

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<v Speaker 1>We're probably gonna walk right past interpretations they're popular and

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<v Speaker 1>widely accepted. We were like, this is this is just

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<v Speaker 1>us talking about hell, So just relax. We already know

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<v Speaker 1>we're going to hell, so there's nothing you can do

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<v Speaker 1>to us that's any worse. Um, So just calm down

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<v Speaker 1>and enjoy the episode. How about that? Enjoy this episode

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<v Speaker 1>about eternal conscious torment. Yeah, and if you are a

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<v Speaker 1>scholar of Dante, just don't even listen. Yeah, you will

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<v Speaker 1>literally puke into your cupped hands while you're listening to

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<v Speaker 1>this on the train because you're that polite. That's right,

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<v Speaker 1>go back and listen to the Science of Cute again. Um. Wow,

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<v Speaker 1>that was that was a reference to something that doesn't

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<v Speaker 1>even exist yet. That's hetty. Yeah, So Chuck, I want

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<v Speaker 1>to talk first. I'm mentioned eternal conscious torment, and that

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<v Speaker 1>is kind of like the the broad spectrum of what

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<v Speaker 1>most people walking around today in the Western world, whether

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<v Speaker 1>they're Christian or just familiar with the Christian concept of hell,

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<v Speaker 1>think of hell. It's where your your soul is tormented,

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<v Speaker 1>beaten up, bullied, um, maybe talked about behind its back, uh,

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<v Speaker 1>set on fire. Um. And in this in this state, um,

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<v Speaker 1>there's no dying, there's no death of the soul. The

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<v Speaker 1>soul is immortal. So this, this pain, this torment, this

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<v Speaker 1>horrible nous just keeps going on forever and ever and ever.

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<v Speaker 1>And that is that's that comes directly from St. Augustine,

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<v Speaker 1>who kind of plays big into this concept of hell.

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<v Speaker 1>But the idea that there's an immortal soul, that it

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<v Speaker 1>goes somewhere after death, and that depending on how it

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<v Speaker 1>behaved here on earth, um, it may or may not

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<v Speaker 1>face eternal conscious torment. That is seriously, it's the theological

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<v Speaker 1>term that they used today that strikes some people, some theologians,

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<v Speaker 1>is wildly disproportionate to the kinds of sins we're talking

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<v Speaker 1>about here, Like like you over indulged in fudge brownie

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<v Speaker 1>mix during your time on Earth means that you're going

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<v Speaker 1>to be to just suffer a literal, not never ending, infinite,

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<v Speaker 1>eternal torment of damnation because you over indulged in brownie mix.

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<v Speaker 1>That just doesn't quite jibe for some people. So there

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<v Speaker 1>there have been other alternatives that were posed many many

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<v Speaker 1>years ago, that were actually around in some cases before

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<v Speaker 1>eternal conscious torment came around. Um that some people are saying, like, hey,

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<v Speaker 1>maybe this is a better interpretation of what's actually going

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<v Speaker 1>on with Hell. Are you familiar with those other interpretations well?

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<v Speaker 1>Which ones, uh, namely universalism and annihilationism. Mm hmm. This

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<v Speaker 1>was that thing that I was saying, we got to

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<v Speaker 1>talk about these such check this out. I'm gonna let

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<v Speaker 1>me wow you for a second, okay, because these are

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<v Speaker 1>to me, the softer, gentler versions of hell. One is

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<v Speaker 1>that the universalism. Another terms universal salvation, and it's this

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<v Speaker 1>idea that there is an end, there's a there's a

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<v Speaker 1>finite date to the to the torment, and that you're

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<v Speaker 1>basically going to hell depending on how badly you sinned.

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<v Speaker 1>But over time you can kind of work that sin

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<v Speaker 1>off and you will eventually come out the other end

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<v Speaker 1>saved and go to heaven. And that that happens to everybody.

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<v Speaker 1>Everyone is is it can possibly go to heaven through

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<v Speaker 1>this idea. The other is annihilationism, which makes a lot

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<v Speaker 1>of sense to if you believe in this kind of stuff. That, um,

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<v Speaker 1>the people who are saved, the righteous, the virtuous, people

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<v Speaker 1>who are going to go to heaven, they go on

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<v Speaker 1>to heaven after they die. Everybody else just ceases to exist.

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<v Speaker 1>They're annihilated upon death. No hell, but there's no heavenly

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<v Speaker 1>reward for those people. I like those a lot more

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<v Speaker 1>than eternal conscious torment. The thing is, eternal conscious torment

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<v Speaker 1>is so gripping. Yeah, that it's it's like this is

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<v Speaker 1>this is this is just what people think of when

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<v Speaker 1>they think of hell. And apparently, if you're an evangelical

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<v Speaker 1>in particular and you believe in anything but eternal conscious torment,

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<v Speaker 1>you're you're you're flirting with being shunned by your peers

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<v Speaker 1>because you're you're going in the face of Orthodoxy. Well, yeah,

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<v Speaker 1>I mean, you know, it's it's a lot to unpack.

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<v Speaker 1>I know, you grew up fairly Catholic, and I've regret

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<v Speaker 1>how many times I've had to say the word Baptist

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<v Speaker 1>on this show. I feel like there's a lot of

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<v Speaker 1>people taking a shot right now if this is the

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<v Speaker 1>stuff you should know, drinking game. But I can't not

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<v Speaker 1>mention that growing up Baptist, it's a very uh, you know,

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<v Speaker 1>it's a very fiery, brimstony um religion and it's um.

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<v Speaker 1>I very much up with the concept, this very sort

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<v Speaker 1>of trophy concept of heaven is this um you know,

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<v Speaker 1>lovely place where God lives. It's in the up there

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<v Speaker 1>in the clouds, and you go up and then if

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<v Speaker 1>you're not good, then you go down to somewhere, I

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<v Speaker 1>guess in the center of the earth where the devil

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<v Speaker 1>lives and where Satan pokes you, and where you are

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<v Speaker 1>you know, there's lakes of fire and it's all very

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<v Speaker 1>scary and and you know, it wasn't until I got

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<v Speaker 1>a little bit older that I realized that these are

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<v Speaker 1>stories told to get children in line. Yeah, and not

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<v Speaker 1>just children, adults who go on to continue to believe

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<v Speaker 1>in how you know and and to subscribe to this stuff.

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<v Speaker 1>For sure, it's definitely a way to keep people in line.

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<v Speaker 1>But the concept of hell generally in the concept of souls. Uh.

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<v Speaker 1>And this is probably no surprise to most um sort

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<v Speaker 1>of critical thinkers. But you know, the the idea of

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<v Speaker 1>being worm dirt and after you die, that's just it

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<v Speaker 1>is a lot to take gone as you approached that day. Yeah,

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<v Speaker 1>so it is really it makes a lot of sense.

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<v Speaker 1>I think that people from very early on started to

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<v Speaker 1>think about the concept of a soul um, a self

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<v Speaker 1>that lived on um. And you know, it just makes

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<v Speaker 1>sense that there's a quote good place in a bad place. Yeah.

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<v Speaker 1>But the thing is is, apparently it doesn't seem to

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<v Speaker 1>have necessarily been just like part and parcels. From from

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<v Speaker 1>what Ed's saying and from what I saw elsewhere in

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<v Speaker 1>the research, is that heaven seemed to have developed first

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<v Speaker 1>very early on, and then there was a real emphasis

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<v Speaker 1>on symmetry in the ancient and in like pre modern world,

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<v Speaker 1>where if you had one you had the opposite and

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<v Speaker 1>equal proportions. So eventually over time that kind of was

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<v Speaker 1>like well, if there's this really lovely place that's like

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<v Speaker 1>paradise after you die, then there has to be the

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<v Speaker 1>opposite of that, the antithesis of that too, And that's

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<v Speaker 1>where this development of hell came from. But the fact

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<v Speaker 1>that hell wasn't hasn't always been around her as long

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<v Speaker 1>as you know, the idea of the afterlife, and then

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<v Speaker 1>the idea that it wasn't ever hasn't always been this

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<v Speaker 1>place where you're you were subject to the most cruel

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<v Speaker 1>kinds of punishments available to to the human imagination. Right. Yeah, Um,

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<v Speaker 1>that that's not that's not as old as as the

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<v Speaker 1>idea of the afterlife either. That that was really surprising

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<v Speaker 1>to me. But it's it's pretty neat because it's weird.

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<v Speaker 1>It's almost like humanity got infected by a germ of

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<v Speaker 1>real meanness and in darkness that we're still living with today,

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<v Speaker 1>and that you could kind of trace it in in

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<v Speaker 1>the evolution of our idea of hell as well or

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<v Speaker 1>to the beginnings of Twitter. That's that's right. So, uh,

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<v Speaker 1>that's evil incarnate. It depends on what religions you're talking about,

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<v Speaker 1>but virtually every religion has some sort of afterlife concept. Um.

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<v Speaker 1>Early judy is Um. Of course certainly does. If you

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<v Speaker 1>read back, um ed described something from the Sumerian underworld,

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<v Speaker 1>where they kind of more talk about hell as uh

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<v Speaker 1>or the afterlife I guess is just sort of boring. Uh.

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<v Speaker 1>And there wasn't you know, you didn't go to a

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<v Speaker 1>fiery place where you're tormented. Um. They talk about, you know,

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<v Speaker 1>being thirsty and eating dust. Certainly unpleasant. Um. But then

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<v Speaker 1>this idea starts where you can be in a better

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<v Speaker 1>place in the afterlife according to what you've achieved on earth,

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<v Speaker 1>but not necessarily good deeds at first. Like if you're

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<v Speaker 1>really rich, then you're gonna go to a good place

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<v Speaker 1>because your family could afford to bury you with food

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<v Speaker 1>and drink and jewels and gold and stuff like that

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<v Speaker 1>to carry with you to the other side, and that

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<v Speaker 1>would put you in a much better standing. But again,

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<v Speaker 1>this is not like I was a good person. This

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<v Speaker 1>is just I died rich. So all these really valuable

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<v Speaker 1>things they could put underground and bury with me. Right,

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<v Speaker 1>But in the same way to the living could care

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<v Speaker 1>for you. They could. You might not be rich, but

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<v Speaker 1>your family might care so much about you that they

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<v Speaker 1>come on every Sunday whatever they called Sunday's back when

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<v Speaker 1>the Sumerians were running around, um and bring you like

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<v Speaker 1>a little food and a little beer or something like that.

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<v Speaker 1>And and they were sustaining you in this place where

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<v Speaker 1>everybody else was eating dust and dirt. But your family

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<v Speaker 1>so loved you because you've been such a good person

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<v Speaker 1>during your time while you were alive, that they were

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<v Speaker 1>coming and bringing you like bread and beer. Um. And

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<v Speaker 1>in that sense, also, Chuck, is really kind of poetic

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<v Speaker 1>because you, that person, are living on in the memories

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<v Speaker 1>of your family after you died, because they're coming and

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<v Speaker 1>keeping your memory alive by bringing you bread and beer

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<v Speaker 1>and all that. And so in that way, you are

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<v Speaker 1>living on in this kind of immortal means as well.

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<v Speaker 1>But the converse of that is really disturbing, and that

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<v Speaker 1>if you don't inspire people to care about you afterwards,

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<v Speaker 1>like you really ceased to exist, like there's there's there's

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<v Speaker 1>no one on earth who's thinking of you, are honoring you.

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<v Speaker 1>And in that sense, if there is no afterlife you you,

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<v Speaker 1>that is annihilation. That is true oblivion. What Disney or

0:13:12.600 --> 0:13:15.640
<v Speaker 1>Pixar movie is it? I saw it recently, that has

0:13:15.679 --> 0:13:19.400
<v Speaker 1>to do it. It's brutal um like you're being erased

0:13:19.440 --> 0:13:23.600
<v Speaker 1>and until you're remembered after death, Eternal Sunshine, the Spotless Mind.

0:13:24.360 --> 0:13:27.720
<v Speaker 1>Now I know it's called inside out. Maybe no, that's

0:13:27.720 --> 0:13:31.200
<v Speaker 1>the one about the emotions, which is equally brutal. Yeah,

0:13:31.760 --> 0:13:33.679
<v Speaker 1>I don't think that. I thought her. I thought the

0:13:33.720 --> 0:13:37.559
<v Speaker 1>kids like imaginary friend was being erased or demolished. And

0:13:37.600 --> 0:13:39.960
<v Speaker 1>then was that in that movie? I think so? Yeah,

0:13:40.000 --> 0:13:45.000
<v Speaker 1>remember the elephant that was like George Clooney's friend Richard

0:13:45.559 --> 0:13:50.280
<v Speaker 1>has it right now? It certainly seems that, Oh, I

0:13:50.320 --> 0:13:54.120
<v Speaker 1>can't remember. And this is officially marks the first podcast

0:13:54.160 --> 0:13:57.520
<v Speaker 1>of the year where people are screaming at us, which

0:13:57.559 --> 0:14:00.400
<v Speaker 1>is coincidentally the first podcast of the year that we record.

0:14:00.679 --> 0:14:04.760
<v Speaker 1>That's right. Um, I think it's Egypt, Ancient Egypt, where

0:14:04.800 --> 0:14:08.760
<v Speaker 1>the first the first idea of like, um, this this

0:14:08.840 --> 0:14:13.600
<v Speaker 1>weird sort of afterlife, uh judgment panel sort of steps

0:14:13.640 --> 0:14:16.880
<v Speaker 1>in where you know, there are people like literally in

0:14:16.960 --> 0:14:20.280
<v Speaker 1>charge of this thing, almost like a bureaucracy, and there's

0:14:20.280 --> 0:14:22.840
<v Speaker 1>an administration and it's it sounds a little bit more

0:14:22.880 --> 0:14:26.880
<v Speaker 1>like Sammy David's JRS sitcom pilot that failed. Oh yeah,

0:14:26.960 --> 0:14:31.840
<v Speaker 1>I forgot about that. She Devil. I don't remember it.

0:14:31.880 --> 0:14:34.680
<v Speaker 1>Definitely wasn't she devil? That was wasn't it was something

0:14:34.720 --> 0:14:36.880
<v Speaker 1>like that though, Yeah, but it was that was pretty good.

0:14:38.560 --> 0:14:42.080
<v Speaker 1>The show was, I mean the the like one minute

0:14:42.080 --> 0:14:46.200
<v Speaker 1>trailer I saw me pretty good. Um. But this, you know,

0:14:46.240 --> 0:14:49.200
<v Speaker 1>the ancient Judaism sort of overlaps with some of this stuff.

0:14:49.800 --> 0:14:52.160
<v Speaker 1>But Judaism is a it's a it's a whole different

0:14:52.160 --> 0:14:56.520
<v Speaker 1>thing because you know, they have references. There's a lot

0:14:56.560 --> 0:14:59.080
<v Speaker 1>of references to things that were later just sort of

0:14:59.120 --> 0:15:02.560
<v Speaker 1>rewritten and reach translated as hell, which makes it really

0:15:02.600 --> 0:15:07.720
<v Speaker 1>confusing if you look at ancient texts. Yeah, Judaism head shield, um,

0:15:07.840 --> 0:15:11.960
<v Speaker 1>which is it kind of follows in that same tradition, uh,

0:15:12.000 --> 0:15:15.040
<v Speaker 1>from the pre Christian era that like when you died,

0:15:15.520 --> 0:15:18.720
<v Speaker 1>there was an afterlife and there wasn't much to it.

0:15:18.720 --> 0:15:22.080
<v Speaker 1>It wasn't but it wasn't it wasn't particularly pleasant. Yeah.

0:15:22.080 --> 0:15:25.760
<v Speaker 1>Apparently to the to the the early Jews, they were

0:15:25.800 --> 0:15:29.600
<v Speaker 1>they were basically saying like this is it's the state

0:15:29.640 --> 0:15:34.880
<v Speaker 1>of mind after death more than like if interdimensional like

0:15:34.920 --> 0:15:38.120
<v Speaker 1>physical place that exists outside of this world, not like

0:15:38.160 --> 0:15:41.680
<v Speaker 1>a realm. But yeah, like you're saying like a, yeah,

0:15:41.720 --> 0:15:44.800
<v Speaker 1>like I guess a state of mind as far as

0:15:44.960 --> 0:15:47.800
<v Speaker 1>as that as that goes. But it also suggests that

0:15:47.960 --> 0:15:50.640
<v Speaker 1>you still have a mind after you die well, and

0:15:50.680 --> 0:15:53.240
<v Speaker 1>it also suggests that um, I mean, there's a little

0:15:53.240 --> 0:15:57.200
<v Speaker 1>bit of the punishment and reward, but it's not necessarily

0:15:57.800 --> 0:15:59.640
<v Speaker 1>you go to the fiery place or you go to

0:15:59.720 --> 0:16:02.480
<v Speaker 1>have and it's a little more of a spiritual connection,

0:16:02.600 --> 0:16:05.280
<v Speaker 1>like if you did good on earth, you're gonna spend

0:16:05.320 --> 0:16:08.120
<v Speaker 1>your afterlife a little closer to God. If you're not

0:16:08.200 --> 0:16:10.680
<v Speaker 1>such a great person, you're gonna be, you know, a

0:16:10.720 --> 0:16:15.320
<v Speaker 1>little further away from God, right, right. But but overall,

0:16:15.480 --> 0:16:19.360
<v Speaker 1>the point of she'all was that no matter what you

0:16:19.400 --> 0:16:22.360
<v Speaker 1>did on earth, no matter who you were, good person,

0:16:22.400 --> 0:16:26.200
<v Speaker 1>bad person, doesn't matter, you were going to go to

0:16:26.280 --> 0:16:29.400
<v Speaker 1>the same place. And even at the time, apparently they

0:16:29.480 --> 0:16:32.520
<v Speaker 1>realized that this was unjust. There's like a part of

0:16:32.560 --> 0:16:36.200
<v Speaker 1>I think Ecclesiastes that says that the fact that there

0:16:36.200 --> 0:16:38.640
<v Speaker 1>are that everybody goes to the same place, no matter

0:16:38.640 --> 0:16:40.840
<v Speaker 1>how good or bad you are in life. This is

0:16:40.880 --> 0:16:44.080
<v Speaker 1>the injustice that is done under the sun. The same

0:16:44.120 --> 0:16:48.160
<v Speaker 1>fate comes to everyone, which I didn't realize that Ecclesiastes rhyme,

0:16:48.240 --> 0:16:51.360
<v Speaker 1>but it's got a nice, nice beat to it, nice tempo.

0:16:52.360 --> 0:16:55.360
<v Speaker 1>Does it doesn't all rhyme? Does it? I don't think so.

0:16:55.400 --> 0:16:57.240
<v Speaker 1>I was kind of surprised at any of it rhyme.

0:16:57.640 --> 0:16:59.880
<v Speaker 1>But there's that That's a really important point, Chuck that

0:17:00.400 --> 0:17:04.600
<v Speaker 1>um to these ancient people, whether they were the early

0:17:04.680 --> 0:17:08.520
<v Speaker 1>Jews or the Canaanites or um or the Egyptians, there

0:17:08.600 --> 0:17:11.800
<v Speaker 1>was there was not punishment in the afterlife. God punished

0:17:11.800 --> 0:17:15.200
<v Speaker 1>you during life like you you were suddenly you know,

0:17:15.400 --> 0:17:18.600
<v Speaker 1>like directing or something like that. That was punishment from God.

0:17:19.600 --> 0:17:22.040
<v Speaker 1>As we kind of evolved away from that, the idea

0:17:22.080 --> 0:17:25.119
<v Speaker 1>that God had a direct daily hand in our lives

0:17:25.200 --> 0:17:29.600
<v Speaker 1>as a as a a species, that punishment moved to

0:17:29.680 --> 0:17:33.520
<v Speaker 1>the afterlife rather than during this life, right, which is

0:17:33.560 --> 0:17:38.280
<v Speaker 1>not recognized. And Judaism of course as New Testament stuff now,

0:17:38.359 --> 0:17:40.040
<v Speaker 1>And there was something else that stuck out to me

0:17:40.160 --> 0:17:42.280
<v Speaker 1>is well, we'll kind of see in a second. Judaism

0:17:42.320 --> 0:17:47.080
<v Speaker 1>seems to have been developed as a religion um as

0:17:47.240 --> 0:17:50.960
<v Speaker 1>as contrary to some of the other religious beliefs that

0:17:51.000 --> 0:17:54.440
<v Speaker 1>were around, Like they seem to have really kind of

0:17:54.720 --> 0:18:00.440
<v Speaker 1>opposed the Canaanites. The Canaanites were into child sacrifice. They um,

0:18:00.480 --> 0:18:05.359
<v Speaker 1>they had multiple gods, um. And the Jews kind of

0:18:05.400 --> 0:18:09.000
<v Speaker 1>played off of that, like some of these these devils

0:18:09.040 --> 0:18:13.280
<v Speaker 1>that we understand today, demons like malok and by all

0:18:14.040 --> 0:18:17.560
<v Speaker 1>you know, be a apostrophe a l um, those were

0:18:17.600 --> 0:18:21.840
<v Speaker 1>actually Canaanite gods, and they kind of perverted the pronunciation

0:18:21.880 --> 0:18:23.720
<v Speaker 1>of them to kind of mock them or make them

0:18:23.720 --> 0:18:27.720
<v Speaker 1>seem other or different. Um. And you think, like, well,

0:18:27.720 --> 0:18:30.720
<v Speaker 1>that's not very nice. That's one religion disparaging another. But

0:18:30.800 --> 0:18:35.119
<v Speaker 1>at the same time, the early Jews were saying like, also,

0:18:35.560 --> 0:18:38.600
<v Speaker 1>we shouldn't be sacrificing children, like that's not that's not

0:18:38.680 --> 0:18:41.960
<v Speaker 1>a good thing to do. Let's practice this other thing instead.

0:18:42.200 --> 0:18:44.840
<v Speaker 1>So I'm I'm kind of a fan of the the

0:18:45.040 --> 0:18:47.480
<v Speaker 1>of early Judaism. It turns out I had no idea

0:18:47.720 --> 0:18:51.520
<v Speaker 1>you should convert. I just might. Should we take a break.

0:18:52.440 --> 0:18:54.440
<v Speaker 1>I think we should. All right, let's take a break.

0:18:54.480 --> 0:18:56.320
<v Speaker 1>We'll read up a little bit on whether or not

0:18:56.400 --> 0:19:00.199
<v Speaker 1>you're allowed to convert, because I don't even know, and

0:19:00.240 --> 0:19:24.240
<v Speaker 1>then we'll be back right after this. Have you converted?

0:19:25.520 --> 0:19:27.280
<v Speaker 1>I looked it up. I'm not allowed to. It would

0:19:27.320 --> 0:19:31.360
<v Speaker 1>require me to be religious. Oh well, interesting. Uh So

0:19:31.400 --> 0:19:33.560
<v Speaker 1>we talked a little bit about the sort of the

0:19:33.840 --> 0:19:36.840
<v Speaker 1>confusion of I mean, a lot of the confusion in

0:19:37.280 --> 0:19:41.000
<v Speaker 1>what we think of as hell lies in um. Just

0:19:41.080 --> 0:19:44.840
<v Speaker 1>these these texts, some Hebrew text and translations and miss

0:19:44.840 --> 0:19:48.040
<v Speaker 1>translations and stories that are told, you know, the old

0:19:48.280 --> 0:19:51.680
<v Speaker 1>game of telephone that happened throughout the years while these

0:19:51.720 --> 0:19:54.520
<v Speaker 1>things were passed on. So there's a lot of things

0:19:54.520 --> 0:19:56.479
<v Speaker 1>that you know over the years that you've thought of

0:19:57.440 --> 0:20:01.960
<v Speaker 1>sort of as a generic hell, like Haiti, which was Greek,

0:20:02.080 --> 0:20:06.560
<v Speaker 1>the Greek underworld um also synonymous with the shield, but

0:20:06.680 --> 0:20:10.800
<v Speaker 1>not Hell. Uh. There's Tartarus that's in the Old Testament,

0:20:10.880 --> 0:20:14.159
<v Speaker 1>also from the Greeks, that more closely resembles Hell from

0:20:14.200 --> 0:20:16.080
<v Speaker 1>what I could tell. Yeah, and that's like a part

0:20:16.080 --> 0:20:20.480
<v Speaker 1>of the underworld where God's in prison enemies. Um. There

0:20:20.600 --> 0:20:24.879
<v Speaker 1>is like punishment, it's fiery and maybe that concept and

0:20:25.160 --> 0:20:26.600
<v Speaker 1>like a lot of this what we're doing is sort

0:20:26.600 --> 0:20:29.679
<v Speaker 1>of unpacking what we think of as hell now and

0:20:29.720 --> 0:20:31.840
<v Speaker 1>sort of where this stuff came from. And it seems

0:20:31.880 --> 0:20:35.240
<v Speaker 1>like Tartarus is uh is definitely one of those places. Yeah,

0:20:35.240 --> 0:20:40.080
<v Speaker 1>And like Hades and she all more closely resemble purgatory

0:20:40.320 --> 0:20:45.080
<v Speaker 1>um or Limbo, where Tartarus. Yes, is definitely hell. Hell,

0:20:45.359 --> 0:20:48.440
<v Speaker 1>Like that's where torment and fire is and all all

0:20:48.480 --> 0:20:51.199
<v Speaker 1>this stuff that's really kind of like popped up to me.

0:20:51.280 --> 0:20:55.240
<v Speaker 1>It's like, wow, this is like are what we think

0:20:55.240 --> 0:20:58.280
<v Speaker 1>of as hell today? Even like the cartoon Hell with

0:20:58.359 --> 0:21:00.639
<v Speaker 1>like the pitchfork in the fire and all that stuff.

0:21:01.600 --> 0:21:05.080
<v Speaker 1>This is some ancient stuff that it's built on. Over

0:21:05.359 --> 0:21:09.360
<v Speaker 1>EON's you know, like the earliest people who started burying

0:21:09.440 --> 0:21:11.720
<v Speaker 1>their dead because they thought like maybe there was a

0:21:11.760 --> 0:21:14.760
<v Speaker 1>life afterward. And it just kind of evolved from that, Colonel,

0:21:14.800 --> 0:21:17.439
<v Speaker 1>and more and more civilizations came along and added to

0:21:17.480 --> 0:21:19.359
<v Speaker 1>it and subtracted to it and said no, you're wrong,

0:21:19.560 --> 0:21:21.200
<v Speaker 1>No you're wrong, and let's go to war over this.

0:21:21.640 --> 0:21:27.280
<v Speaker 1>Like Hell is like this hammered steel drum that's been

0:21:27.359 --> 0:21:32.240
<v Speaker 1>hammered out by you know, millennia of of people and cultures,

0:21:32.280 --> 0:21:35.199
<v Speaker 1>and it sounds pretty good. Yeah. I thought you were

0:21:35.200 --> 0:21:38.600
<v Speaker 1>about to say by John Bonham did he play a

0:21:38.640 --> 0:21:41.520
<v Speaker 1>steel drum? No, but it just you sounded it sounded

0:21:41.560 --> 0:21:43.360
<v Speaker 1>like the intro to it led Zeppelin song their first

0:21:43.359 --> 0:21:47.000
<v Speaker 1>second um Gehenna is something else we should mention. This

0:21:47.080 --> 0:21:50.160
<v Speaker 1>is another kind of quote unquote hell um But this

0:21:50.240 --> 0:21:52.000
<v Speaker 1>was a real place. It was a literal place near

0:21:52.119 --> 0:21:55.439
<v Speaker 1>Jerusalem where it sounds like it was kind of a

0:21:57.040 --> 0:22:01.720
<v Speaker 1>uh some sort of ancient uh almost the word I'm

0:22:01.720 --> 0:22:05.600
<v Speaker 1>looking for, not necessarily a where where do you take

0:22:05.640 --> 0:22:10.040
<v Speaker 1>all the trash? Episode about it? Land land? Yeah, sort

0:22:10.040 --> 0:22:13.960
<v Speaker 1>of a landfill on fire. Okay, that's one interpretation, which

0:22:14.000 --> 0:22:17.679
<v Speaker 1>is a great record title. I think landfill, Yeah, why not?

0:22:17.880 --> 0:22:21.720
<v Speaker 1>But this is where they like would take stuff to burn, um,

0:22:21.840 --> 0:22:25.240
<v Speaker 1>trash basically. And uh there might have also been child

0:22:25.240 --> 0:22:28.000
<v Speaker 1>sacrifice happening there because I guess they figured, well, there's

0:22:28.040 --> 0:22:31.359
<v Speaker 1>a fire already happening, so we won't have to start one. Um.

0:22:31.400 --> 0:22:33.919
<v Speaker 1>It depends on what source you're looking at. But it

0:22:34.080 --> 0:22:37.600
<v Speaker 1>became a metaphorical hell where a place that was on fire.

0:22:38.240 --> 0:22:40.520
<v Speaker 1>You could be sent there. It was a place of judgment,

0:22:40.840 --> 0:22:43.840
<v Speaker 1>you could be cast into it. Uh. And that's in

0:22:43.880 --> 0:22:47.520
<v Speaker 1>the New Testament of course. Um. So that's another sort

0:22:47.560 --> 0:22:53.160
<v Speaker 1>of hades like um, I guess usage that just makes

0:22:53.160 --> 0:22:56.239
<v Speaker 1>it all the more confusing. Yeah. But again, like like

0:22:56.320 --> 0:22:59.080
<v Speaker 1>you know, as we're getting further and further along and

0:22:59.119 --> 0:23:01.800
<v Speaker 1>deeper and deeper into Christianity, which we haven't quite hit yet,

0:23:01.880 --> 0:23:05.480
<v Speaker 1>when Gehennah was first introduced because I think that's Jewish, right,

0:23:06.960 --> 0:23:09.480
<v Speaker 1>It's like a Jewish So even though it is in

0:23:09.520 --> 0:23:13.000
<v Speaker 1>the New Testament um, which has even more confusing right,

0:23:13.080 --> 0:23:15.640
<v Speaker 1>but it kind of shows you how like connected, like

0:23:15.800 --> 0:23:19.000
<v Speaker 1>these these civilizations and groups were over the ages, you

0:23:19.040 --> 0:23:21.600
<v Speaker 1>know that this still popped up just borrowing things from

0:23:21.600 --> 0:23:25.280
<v Speaker 1>one another exactly. But then as these translations, you know,

0:23:25.440 --> 0:23:27.639
<v Speaker 1>kind of go on over the centuries and there's newer

0:23:27.680 --> 0:23:30.040
<v Speaker 1>and different versions of the Bible and the New Testament,

0:23:30.040 --> 0:23:33.639
<v Speaker 1>the Old Testament, like you know, all these things just

0:23:33.720 --> 0:23:38.000
<v Speaker 1>become this generic Hell, which kind of opens it up two,

0:23:39.600 --> 0:23:42.960
<v Speaker 1>making how this big, huge, amorphous place where oh, it's

0:23:43.000 --> 0:23:44.800
<v Speaker 1>like this, but it's also like this, and it's like that.

0:23:45.000 --> 0:23:49.280
<v Speaker 1>And by naming everything just Hell and losing that kind

0:23:49.280 --> 0:23:53.560
<v Speaker 1>of the ethnicity involved, the Christians were able to kind

0:23:53.560 --> 0:23:57.840
<v Speaker 1>of wholesale adopt all of these ancient traditions and conceptions

0:23:57.840 --> 0:24:01.560
<v Speaker 1>of Hell into their own version of Hell. And this

0:24:01.600 --> 0:24:04.720
<v Speaker 1>is the Christian Hell, whereas if you kind of start

0:24:04.760 --> 0:24:07.200
<v Speaker 1>poking behind it, you're like, oh, this is this Christian

0:24:07.240 --> 0:24:09.240
<v Speaker 1>Hell is made up of all these other conceptions of

0:24:09.240 --> 0:24:12.719
<v Speaker 1>hell along the way. So as far as like uh,

0:24:12.760 --> 0:24:15.120
<v Speaker 1>and I love that Ed calls a section the topology

0:24:15.119 --> 0:24:17.720
<v Speaker 1>of Hell, but that's sort of you know, a big

0:24:17.760 --> 0:24:20.520
<v Speaker 1>part of it is um. And we mentioned a little

0:24:20.560 --> 0:24:23.199
<v Speaker 1>bit Heaven as this place where God lives that's above you,

0:24:23.280 --> 0:24:26.480
<v Speaker 1>up in the sky because it's pretty no one really

0:24:26.480 --> 0:24:29.000
<v Speaker 1>knows exactly where all that comes from, but it all

0:24:29.160 --> 0:24:32.840
<v Speaker 1>does make sense UM that you know, you look to

0:24:32.880 --> 0:24:35.920
<v Speaker 1>the skies when you pray, you look up when you're

0:24:35.960 --> 0:24:38.919
<v Speaker 1>talking to God. And if that's the case, then it

0:24:39.000 --> 0:24:41.520
<v Speaker 1>makes sense that, like you said, with the symmetry, that

0:24:41.560 --> 0:24:44.560
<v Speaker 1>there is another place we bury the dead underground, it

0:24:44.600 --> 0:24:47.800
<v Speaker 1>makes sense that there would be a place that's deep

0:24:47.840 --> 0:24:51.919
<v Speaker 1>and dark and fiery. I guess you know, cave like

0:24:52.200 --> 0:24:55.240
<v Speaker 1>deep underground. That stuff is scary. So it makes sense

0:24:55.280 --> 0:24:57.960
<v Speaker 1>that Hell just sort of became this place that's uh,

0:24:58.280 --> 0:25:01.240
<v Speaker 1>for lack of a better word, under our eat somewhere. Yeah.

0:25:01.280 --> 0:25:04.120
<v Speaker 1>And what was interesting to me is that like disconnected

0:25:04.520 --> 0:25:09.040
<v Speaker 1>UM groups and cultures, not just geographically but through time

0:25:09.080 --> 0:25:13.400
<v Speaker 1>as well, all had that same conception that like Hell

0:25:13.680 --> 0:25:17.359
<v Speaker 1>was underground and Heaven was somewhere above us or in

0:25:17.400 --> 0:25:21.600
<v Speaker 1>the sky. UM like the Mayan's had a place called Shebalba,

0:25:21.760 --> 0:25:24.639
<v Speaker 1>which is like I guess translates to a place of fear,

0:25:25.200 --> 0:25:27.280
<v Speaker 1>and that is when you die. You start out there

0:25:27.280 --> 0:25:29.639
<v Speaker 1>and it's underground, and it's hellish and scary, and you

0:25:29.680 --> 0:25:32.720
<v Speaker 1>have to work your way up basically into the sky

0:25:32.880 --> 0:25:37.439
<v Speaker 1>to paradise. Um, and she all was underground. It was

0:25:37.560 --> 0:25:40.880
<v Speaker 1>connected to the grave, and that seems to be where

0:25:40.920 --> 0:25:44.360
<v Speaker 1>this idea also not just that heaven was in the sky,

0:25:44.440 --> 0:25:48.320
<v Speaker 1>so hell must be underground, but also that there has

0:25:48.359 --> 0:25:51.639
<v Speaker 1>to be some connection underground because we've been burying people

0:25:52.400 --> 0:25:55.280
<v Speaker 1>or at least putting our dead in you know, deep

0:25:55.359 --> 0:25:59.320
<v Speaker 1>dark caves for at least a hundred and thirty thousand

0:25:59.400 --> 0:26:01.680
<v Speaker 1>years from what I seen, but um, it may even

0:26:01.760 --> 0:26:05.080
<v Speaker 1>go back before that. In Neanderthals, I think buried they're dead.

0:26:05.119 --> 0:26:08.840
<v Speaker 1>Even so, it's a really kind of ancient impulse to

0:26:08.920 --> 0:26:12.119
<v Speaker 1>like put your dead underground or in some some underground,

0:26:12.160 --> 0:26:15.480
<v Speaker 1>subterranean place like a cave chamber. So of course that

0:26:15.520 --> 0:26:18.040
<v Speaker 1>would be connected to the afterlife in some way. But

0:26:18.119 --> 0:26:20.919
<v Speaker 1>it is interesting that it's like, as far as I

0:26:20.960 --> 0:26:23.400
<v Speaker 1>can tell, there's not a single culture that's like, oh, yeah,

0:26:23.400 --> 0:26:26.080
<v Speaker 1>that's where heaven is is underground. Yeah, And it's like

0:26:26.160 --> 0:26:29.480
<v Speaker 1>I find myself saying, well, it makes sense because you

0:26:29.560 --> 0:26:32.040
<v Speaker 1>climb your way out of hell with good works towards heaven.

0:26:32.200 --> 0:26:34.840
<v Speaker 1>Like it's sort of a chicken or the egg thing,

0:26:34.880 --> 0:26:36.800
<v Speaker 1>Like it makes sense to me, But it only makes

0:26:36.800 --> 0:26:40.400
<v Speaker 1>sense because that's the way it's always been framed. Yeah,

0:26:40.480 --> 0:26:44.080
<v Speaker 1>there's a few thousand years of culture behind that, that

0:26:44.119 --> 0:26:47.280
<v Speaker 1>way that you were raised or I was raised, you know. Yeah,

0:26:47.440 --> 0:26:50.879
<v Speaker 1>so you mentioned purgatory. Um, this is the realm of

0:26:50.880 --> 0:26:55.040
<v Speaker 1>the afterlife. Uh, purgatory is um. It's like a waiting

0:26:55.119 --> 0:26:58.919
<v Speaker 1>room where you were waiting to be judged. Um. It

0:26:59.040 --> 0:27:01.479
<v Speaker 1>is not. It's not like a great place. It's not

0:27:01.520 --> 0:27:04.160
<v Speaker 1>like an awesome waiting room with like the best magazines.

0:27:04.600 --> 0:27:09.439
<v Speaker 1>It's more like the waiting room with umoylights and high lights, right,

0:27:09.760 --> 0:27:12.240
<v Speaker 1>nothing but highlights and boys life and all of the

0:27:12.280 --> 0:27:14.720
<v Speaker 1>puzzles are already filled out. Yeah or oh man. The

0:27:14.760 --> 0:27:18.600
<v Speaker 1>worst is any doctor's office where it's nothing but like

0:27:18.720 --> 0:27:21.600
<v Speaker 1>medical and health magazines. Like, no one wants to read

0:27:21.640 --> 0:27:24.159
<v Speaker 1>that stuff in there, No they don't. You want to

0:27:24.200 --> 0:27:27.320
<v Speaker 1>read a three year old sports illustrated right, and everybody

0:27:27.320 --> 0:27:29.280
<v Speaker 1>else in the waiting room is not wearing a mask.

0:27:29.960 --> 0:27:34.320
<v Speaker 1>Oh no, thank you. It's it's the version of hell. Dude.

0:27:34.320 --> 0:27:37.640
<v Speaker 1>That's my new nightmare. I've had having those about three

0:27:37.680 --> 0:27:42.480
<v Speaker 1>times a week where I'm being descended upon. There they

0:27:42.520 --> 0:27:45.359
<v Speaker 1>seem like zombies, but they're just people without mask right,

0:27:45.400 --> 0:27:49.040
<v Speaker 1>it's weird potato potato. But you know what's funny? Has

0:27:49.119 --> 0:27:50.840
<v Speaker 1>this has happened to you where you where you watch

0:27:50.960 --> 0:27:53.439
<v Speaker 1>like movies or TV shows or something pre COVID and

0:27:53.840 --> 0:27:56.200
<v Speaker 1>it's like you're way too close to that person. Get back,

0:27:57.080 --> 0:28:01.720
<v Speaker 1>like we have been changed, man, possibly for ever. Oh

0:28:01.840 --> 0:28:04.479
<v Speaker 1>I think you'd be surprised how quickly we'll forget. I

0:28:04.520 --> 0:28:06.639
<v Speaker 1>hope so, oh man, I hope, so, I hope this

0:28:06.680 --> 0:28:08.919
<v Speaker 1>all just becomes like some bad dream that just fades

0:28:08.960 --> 0:28:11.600
<v Speaker 1>over time. And now my mom's getting vaccinated this Saturday.

0:28:11.880 --> 0:28:14.919
<v Speaker 1>Good for her, Jack, she needs to do live on

0:28:14.960 --> 0:28:18.040
<v Speaker 1>Instagram or something. Yeah. She was like, you know, should

0:28:18.040 --> 0:28:20.560
<v Speaker 1>I have any reservations? It was like nope, nope, nope, nope, nope.

0:28:21.240 --> 0:28:23.199
<v Speaker 1>And she's like, well then I mean I have to

0:28:23.200 --> 0:28:26.119
<v Speaker 1>wait in line. You're like, oh, those reservations, make reservations,

0:28:26.440 --> 0:28:31.240
<v Speaker 1>make reservations, but yes, stuck. Being stuck in purgatory is

0:28:31.240 --> 0:28:34.800
<v Speaker 1>not a good thing. Um, so it's not it's not hell,

0:28:34.880 --> 0:28:36.680
<v Speaker 1>but it's not someplace where you want to be. That's

0:28:36.680 --> 0:28:39.440
<v Speaker 1>why people you know, use that term now like I'm

0:28:39.440 --> 0:28:43.200
<v Speaker 1>in purgatory. Yeah, And there's something about purgatory that hadn't

0:28:43.320 --> 0:28:46.800
<v Speaker 1>really realized it. It's not interchangeable with limbo. When you

0:28:46.840 --> 0:28:50.040
<v Speaker 1>go into limbo, you're there forever, Like that's where you

0:28:50.080 --> 0:28:53.280
<v Speaker 1>spend eternity, sometimes by no fault of your own. Like

0:28:53.320 --> 0:28:57.240
<v Speaker 1>this is where people who lived before Christ ever existed,

0:28:57.920 --> 0:29:01.280
<v Speaker 1>um go after they die, because they can't possibly have

0:29:01.320 --> 0:29:04.920
<v Speaker 1>been Christians, so they're not being punished, but they're not

0:29:05.000 --> 0:29:07.840
<v Speaker 1>being rewarded by you know, in heaven. It's kind of mean.

0:29:08.280 --> 0:29:11.560
<v Speaker 1>Purgatory is a place where you I guess have to

0:29:11.640 --> 0:29:14.280
<v Speaker 1>have been a Christian but maybe elapsed Christian, a Christian

0:29:14.320 --> 0:29:17.520
<v Speaker 1>who sin something like that, to where you can you

0:29:17.560 --> 0:29:20.840
<v Speaker 1>can work it off and and you know, go on

0:29:21.040 --> 0:29:24.840
<v Speaker 1>to heaven. And that's kind of that universalism or universal

0:29:24.840 --> 0:29:27.600
<v Speaker 1>salvation idea. It's like that's all there is. The hell

0:29:27.720 --> 0:29:30.680
<v Speaker 1>is purgatory where you can work it off over time

0:29:30.760 --> 0:29:34.800
<v Speaker 1>and and be saved. And then also really jibes too

0:29:34.840 --> 0:29:40.120
<v Speaker 1>with this idea chuck of Um of the Buddhist hell. Basically,

0:29:40.160 --> 0:29:42.800
<v Speaker 1>the Buddhists have a concept of hell where I think

0:29:42.880 --> 0:29:47.080
<v Speaker 1>called naraka, which is also a Hindu concept. But um,

0:29:47.120 --> 0:29:50.960
<v Speaker 1>there's this this idea that you're you're there for very

0:29:51.040 --> 0:29:52.760
<v Speaker 1>in in each of these hells. You have to go

0:29:52.800 --> 0:29:56.960
<v Speaker 1>through these hells, and your lifetime there's very specific, like

0:29:57.040 --> 0:29:59.840
<v Speaker 1>your your lifetime in this hell is one point six

0:30:00.000 --> 0:30:02.720
<v Speaker 1>two trillion years, and then the next hell is like,

0:30:02.960 --> 0:30:05.880
<v Speaker 1>you know, a quadrillion years or something like that. Um,

0:30:05.960 --> 0:30:09.440
<v Speaker 1>but you eventually work your karma off on Earth. And

0:30:09.480 --> 0:30:13.240
<v Speaker 1>if there's a real striking resemblance this Buddhist hell to

0:30:13.800 --> 0:30:17.360
<v Speaker 1>some you know, Christian and Jewish interpretations of hell, or

0:30:17.360 --> 0:30:19.880
<v Speaker 1>I should say some Christian interpretations of hell where you

0:30:19.920 --> 0:30:22.240
<v Speaker 1>can work off your bad deeds and then go on

0:30:22.400 --> 0:30:25.920
<v Speaker 1>to Nirvana or heaven. That's because they'll borrowed from one another,

0:30:26.360 --> 0:30:29.120
<v Speaker 1>it's really I mean, that's basically the fact of the

0:30:29.160 --> 0:30:34.920
<v Speaker 1>podcast is that there's a lot of um incestuous interchange

0:30:35.160 --> 0:30:39.760
<v Speaker 1>between the religions overlap, that's another way to put it.

0:30:40.320 --> 0:30:43.040
<v Speaker 1>What I think is also interesting is the concept of

0:30:43.520 --> 0:30:47.520
<v Speaker 1>temperature in hell. Um, it's a very big deal. You

0:30:47.560 --> 0:30:51.080
<v Speaker 1>always think of of fire and heat and sweatiness, but

0:30:51.360 --> 0:30:54.720
<v Speaker 1>that's not always the case. There are frozen hell's um

0:30:54.760 --> 0:30:59.040
<v Speaker 1>aside from you know, the Dakota's, Uh that Naraka you

0:30:59.080 --> 0:31:01.840
<v Speaker 1>were talking about. I think that's a frozen hell, right, Yeah,

0:31:02.320 --> 0:31:06.560
<v Speaker 1>there's eight hot hells and eight cold hells. And the

0:31:06.800 --> 0:31:09.360
<v Speaker 1>eight cold hells are like, in this one, your skin

0:31:09.480 --> 0:31:11.480
<v Speaker 1>starts a blister. In this one, it's so cold that

0:31:11.520 --> 0:31:14.400
<v Speaker 1>the blisters break, and then it just keeps going from there,

0:31:14.440 --> 0:31:16.360
<v Speaker 1>like all these horrible things happen to you from being

0:31:16.360 --> 0:31:19.560
<v Speaker 1>exposed to the cold. Yeah, it's very interesting. I guess

0:31:19.600 --> 0:31:23.560
<v Speaker 1>it's just sort of a variation of the same thing,

0:31:24.400 --> 0:31:27.640
<v Speaker 1>like something really cold can burn you. Yeah, but I

0:31:27.680 --> 0:31:30.000
<v Speaker 1>mean it really kind of gives you this idea, Chuck.

0:31:30.040 --> 0:31:35.040
<v Speaker 1>There's like so much thought has been given to all

0:31:35.080 --> 0:31:38.640
<v Speaker 1>the little horrible details of Hell, and I wonder, like

0:31:38.720 --> 0:31:43.040
<v Speaker 1>what what that satisfies? Like, couldn't you just be like, Okay,

0:31:43.080 --> 0:31:45.160
<v Speaker 1>we all believe that there's a hell and it's a

0:31:45.200 --> 0:31:48.200
<v Speaker 1>horrible place as bad as you can imagine. Just go

0:31:48.320 --> 0:31:51.280
<v Speaker 1>with that. What what was the purpose of going into

0:31:51.320 --> 0:31:54.360
<v Speaker 1>all this detail? I think this I think the specificity

0:31:54.400 --> 0:31:58.440
<v Speaker 1>if if Hell and the and sins on Earth are

0:31:58.480 --> 0:32:01.280
<v Speaker 1>to be punished in the afterlife. To me, it would

0:32:01.280 --> 0:32:04.720
<v Speaker 1>make sense that there would be a great specificity put

0:32:04.760 --> 0:32:10.200
<v Speaker 1>forward so people know exactly how bad it is, uh,

0:32:10.240 --> 0:32:14.000
<v Speaker 1>in order to inform their deeds on earth. Like it's

0:32:14.040 --> 0:32:16.160
<v Speaker 1>not just hey, it's a bad place. You don't want

0:32:16.160 --> 0:32:18.120
<v Speaker 1>to go there. It's like it's a place where your

0:32:18.120 --> 0:32:21.400
<v Speaker 1>skin will melt off and you will be you know,

0:32:21.440 --> 0:32:25.400
<v Speaker 1>you'll have to push this fireball around for eternity or whatever.

0:32:25.600 --> 0:32:27.920
<v Speaker 1>You know. Yeah, and then person, it's like fireball. That

0:32:27.960 --> 0:32:31.400
<v Speaker 1>sounds terrible, Like I was okay with with this thing,

0:32:31.480 --> 0:32:34.240
<v Speaker 1>but maybe I should get a better person. I guess

0:32:34.280 --> 0:32:36.880
<v Speaker 1>I won't steal this car after all. But it's all

0:32:36.920 --> 0:32:40.400
<v Speaker 1>like fear stuff and that you know that existed right

0:32:40.400 --> 0:32:44.760
<v Speaker 1>through my religion, you know, and we still exist today.

0:32:45.120 --> 0:32:48.120
<v Speaker 1>Do you remember roughly how old you were when you're like, oh,

0:32:48.160 --> 0:32:52.280
<v Speaker 1>I don't actually believe this anymore. I'm free. Uh. It's

0:32:52.360 --> 0:32:56.600
<v Speaker 1>started in sort of Middish high school, but I was

0:32:56.640 --> 0:32:59.640
<v Speaker 1>still sort of doing this stuff and hanging with a

0:32:59.640 --> 0:33:04.160
<v Speaker 1>certain crowds. Certain crowds do you mean, like the opposite

0:33:04.160 --> 0:33:07.240
<v Speaker 1>of certain crowds? No, you know, going to like young

0:33:07.280 --> 0:33:10.200
<v Speaker 1>life and uh a f C A and stuff like

0:33:10.240 --> 0:33:13.280
<v Speaker 1>that into early college, and the big transformation I think

0:33:13.280 --> 0:33:15.640
<v Speaker 1>I mentioned this before was when I took a religion

0:33:15.640 --> 0:33:19.160
<v Speaker 1>class in college, and I did learn that so much

0:33:19.160 --> 0:33:21.520
<v Speaker 1>of this stuff is kind of all the same and

0:33:21.560 --> 0:33:24.960
<v Speaker 1>borrowed from one another, and that is antithetical to grow

0:33:25.000 --> 0:33:27.920
<v Speaker 1>up in the Christian Baptist Church, where they're like, no, no, no,

0:33:27.960 --> 0:33:31.040
<v Speaker 1>this is the only truth. Everyone else is wrong. And

0:33:31.080 --> 0:33:33.440
<v Speaker 1>then when I said, well, wait about what about all

0:33:33.480 --> 0:33:38.080
<v Speaker 1>these other religions that are really really similar. Yeah, so

0:33:38.240 --> 0:33:40.240
<v Speaker 1>I had that was a big reckoning and then it

0:33:40.280 --> 0:33:43.320
<v Speaker 1>was just sort of gradual from there. Your comparative religion

0:33:43.360 --> 0:33:50.520
<v Speaker 1>class was taught by Professor Lewis Cipher. Oh man, he

0:33:50.560 --> 0:33:52.440
<v Speaker 1>had a he had a heck of a ponytail. I

0:33:52.560 --> 0:33:57.120
<v Speaker 1>just been out Cipher. I thought that was really clever

0:33:57.480 --> 0:34:00.200
<v Speaker 1>back when I saw that movie. Yeah, and looking back,

0:34:00.280 --> 0:34:03.240
<v Speaker 1>it's pretty dumb, wouldn't it, angel Hart, Yeah, I mean,

0:34:03.280 --> 0:34:05.840
<v Speaker 1>good enough movie, very much of its time. But I

0:34:05.840 --> 0:34:09.960
<v Speaker 1>remember thinking that Louis Cipher thing was like, whoa, right, right,

0:34:10.320 --> 0:34:13.880
<v Speaker 1>there's a restaurant I think in like d C. Maybe

0:34:14.040 --> 0:34:17.960
<v Speaker 1>Louis Cipher's yes, And I'm like, that's that's an unusual

0:34:18.080 --> 0:34:22.319
<v Speaker 1>choice to base your restaurant franchise on Satan. You know,

0:34:22.800 --> 0:34:26.280
<v Speaker 1>we love it. Should we take another break? Yeah, let's

0:34:26.480 --> 0:34:53.759
<v Speaker 1>all right, more judgment and punishment coming up right after this. Okay, Chuck,

0:34:53.760 --> 0:34:57.400
<v Speaker 1>you promised judgment, you promised punishment. Let's let's lay it

0:34:57.480 --> 0:35:02.120
<v Speaker 1>on us. Well, I mean, you know, this is like

0:35:02.160 --> 0:35:04.520
<v Speaker 1>you mentioned earlier in the Old Testament, like God directly

0:35:04.560 --> 0:35:07.880
<v Speaker 1>punished people, you could be smited or blinded or whatever.

0:35:08.680 --> 0:35:10.920
<v Speaker 1>And the New Testament is when things got a little

0:35:10.920 --> 0:35:14.680
<v Speaker 1>more organized, and it was literally like here's the sections

0:35:14.680 --> 0:35:16.680
<v Speaker 1>of hell. If you did this, you go here. If

0:35:16.719 --> 0:35:19.600
<v Speaker 1>you did this on Earth, you go there. Um. And

0:35:19.640 --> 0:35:24.160
<v Speaker 1>a lot of this is informed by writers um and

0:35:24.160 --> 0:35:27.920
<v Speaker 1>and not even like biblical scholars, like people like Plato

0:35:28.800 --> 0:35:30.719
<v Speaker 1>um And a lot of these stories again are really

0:35:30.760 --> 0:35:34.520
<v Speaker 1>really similar. There's a story from Plato's Republic where a

0:35:34.520 --> 0:35:38.960
<v Speaker 1>man named Er e Er goes into a coma, journeys

0:35:39.000 --> 0:35:42.320
<v Speaker 1>through the underworld and then wakes up and then tells

0:35:42.360 --> 0:35:45.480
<v Speaker 1>everyone what happened down there. And this has a lot

0:35:45.520 --> 0:35:49.520
<v Speaker 1>of reward and punishment included in a really organized system.

0:35:49.560 --> 0:35:51.799
<v Speaker 1>And there are a lot of stories really similar to

0:35:51.880 --> 0:35:55.680
<v Speaker 1>that um throughout time that you know, I don't know

0:35:55.680 --> 0:35:58.680
<v Speaker 1>if they were based on Plato or or the Republic

0:35:58.760 --> 0:36:02.640
<v Speaker 1>or just like we've been talking about, sort of overlapping incestuous.

0:36:03.200 --> 0:36:05.120
<v Speaker 1>I think you can make the case that they were

0:36:05.200 --> 0:36:08.680
<v Speaker 1>based on Plato because Plato he wasn't the first to

0:36:08.719 --> 0:36:11.759
<v Speaker 1>come up with the idea of the immortal soul. And UM,

0:36:11.840 --> 0:36:15.440
<v Speaker 1>they're they're being like judgment and torment, you know, potentially

0:36:15.480 --> 0:36:19.200
<v Speaker 1>afterward if not reward UM. But he really kind of

0:36:20.400 --> 0:36:23.800
<v Speaker 1>um boosted it. I guess he signaled boosted the idea

0:36:23.840 --> 0:36:27.480
<v Speaker 1>of an eternal soul impossible damn nation UM. And he

0:36:27.520 --> 0:36:36.120
<v Speaker 1>directly influenced uh St Augustin and Augustine. Uh definitely influenced

0:36:36.160 --> 0:36:39.160
<v Speaker 1>some of these later guys like drip Helm and tundale

0:36:39.719 --> 0:36:43.960
<v Speaker 1>Um and their idea of how but Augustine was influenced

0:36:43.960 --> 0:36:48.240
<v Speaker 1>by by Plato and Augustine had the other distinction along

0:36:48.719 --> 0:36:52.439
<v Speaker 1>with Um. I think Augustine and St. Gregory were really

0:36:52.520 --> 0:36:55.560
<v Speaker 1>kind of big time into that eternal damn nation idea.

0:36:55.960 --> 0:36:59.240
<v Speaker 1>But Augustine also was the one who basically said, this

0:36:59.320 --> 0:37:02.240
<v Speaker 1>is orth that I see, this is the correct interpretation

0:37:02.320 --> 0:37:05.879
<v Speaker 1>of the scripture. If you don't believe it, we we

0:37:06.040 --> 0:37:10.160
<v Speaker 1>are fine with inflicting violence upon you, that same tradition

0:37:10.239 --> 0:37:12.160
<v Speaker 1>of what you were saying, where this is the only

0:37:12.160 --> 0:37:15.080
<v Speaker 1>truth in anybody who believes anything else is wrong. That

0:37:15.120 --> 0:37:18.399
<v Speaker 1>finds its source at the very least, it finds its

0:37:18.400 --> 0:37:24.240
<v Speaker 1>early popularity from St. Augustine. So this idea of uh,

0:37:24.360 --> 0:37:27.840
<v Speaker 1>eternal damnation and if you don't believe in that, you're wrong,

0:37:28.239 --> 0:37:30.560
<v Speaker 1>that kind of finds its its place in the early

0:37:30.640 --> 0:37:34.000
<v Speaker 1>Christian Church, and I think the fifth century. And so

0:37:34.239 --> 0:37:36.600
<v Speaker 1>you do have these guys who came later, like drip

0:37:36.640 --> 0:37:39.360
<v Speaker 1>Helm and Tundale, who had nothing to do with scripture,

0:37:39.600 --> 0:37:42.879
<v Speaker 1>but their their experiences where basically they died and came

0:37:42.880 --> 0:37:44.160
<v Speaker 1>back to the life and said, there's a hell and

0:37:44.200 --> 0:37:48.640
<v Speaker 1>it's awful. Really kind of informed our idea of what

0:37:48.760 --> 0:37:51.239
<v Speaker 1>hell is like. And it seems to be based a

0:37:51.280 --> 0:37:54.719
<v Speaker 1>lot on this ide these ideas by Augustine, who got

0:37:54.760 --> 0:37:57.280
<v Speaker 1>his ideas from Plato, who got his ideas from God

0:37:57.280 --> 0:38:01.640
<v Speaker 1>knows who. God does know who. Uh. If you really

0:38:01.640 --> 0:38:04.200
<v Speaker 1>want to drill down though to um where we get

0:38:04.400 --> 0:38:06.400
<v Speaker 1>many many of our ideas of what we think of

0:38:06.440 --> 0:38:09.440
<v Speaker 1>as hell is Dante, of course, who we mentioned earlier.

0:38:10.160 --> 0:38:14.480
<v Speaker 1>Um I did not even know Dante's last name until uh,

0:38:14.560 --> 0:38:17.680
<v Speaker 1>until we researched this. But it's and there's gonna be

0:38:17.680 --> 0:38:23.680
<v Speaker 1>some great Italian coming up. Everyone but Dante Algieri in

0:38:23.840 --> 0:38:29.560
<v Speaker 1>his Divine Comedy and specifically Um Inferno. Dante's Inferno is

0:38:30.200 --> 0:38:33.040
<v Speaker 1>is really um really where we get a lot of

0:38:33.080 --> 0:38:36.680
<v Speaker 1>what we think of as hell today comes from Inferno

0:38:36.760 --> 0:38:39.879
<v Speaker 1>as far as and people even say without even knowing,

0:38:39.960 --> 0:38:42.640
<v Speaker 1>like the eighth circle of Hell and stuff like that.

0:38:43.320 --> 0:38:45.279
<v Speaker 1>Like I've been guilty of saying that my whole life

0:38:45.280 --> 0:38:47.600
<v Speaker 1>and not really understanding what the heck that even meant.

0:38:48.280 --> 0:38:52.040
<v Speaker 1>But what's interesting, too, is so Dante wrote the the Inferno, well,

0:38:52.040 --> 0:38:56.600
<v Speaker 1>he wrote the Divine Comedy UM in the early thirteen hundreds.

0:38:56.680 --> 0:39:01.120
<v Speaker 1>I guess it took him fifteen years um. And so

0:39:01.160 --> 0:39:03.640
<v Speaker 1>this is the undreds, and he writes about these nine

0:39:03.680 --> 0:39:06.719
<v Speaker 1>circles of Hell, the nine concentric circles of Hell, like

0:39:06.800 --> 0:39:10.160
<v Speaker 1>that is a really ancient concept, even though he divided

0:39:10.200 --> 0:39:14.000
<v Speaker 1>it and like really um enunciated all of the different

0:39:14.000 --> 0:39:18.200
<v Speaker 1>distinctions in a really popular way. Um. Like that that's

0:39:18.320 --> 0:39:21.880
<v Speaker 1>really old. Like think of that Naraka, there's eight hot

0:39:22.200 --> 0:39:25.600
<v Speaker 1>hot hells, there's eight cold hells. There's like this idea

0:39:25.640 --> 0:39:28.600
<v Speaker 1>of different stages, Like the minds even had this idea

0:39:28.680 --> 0:39:31.439
<v Speaker 1>where you progress through these different stages up the tree

0:39:31.480 --> 0:39:35.799
<v Speaker 1>of life from that that dark underworld. Um, that's a

0:39:35.840 --> 0:39:38.319
<v Speaker 1>really ancient idea. But yeah, Dante was definitely the one

0:39:38.960 --> 0:39:41.480
<v Speaker 1>who you would credit with this, you know, coming up

0:39:41.480 --> 0:39:43.879
<v Speaker 1>with it, even though it's totally wrong. Yeah, And it's

0:39:43.920 --> 0:39:47.360
<v Speaker 1>also important to remember when Dante wrote this stuff, it

0:39:47.440 --> 0:39:49.680
<v Speaker 1>was in it was the last fifteen years of his life,

0:39:49.760 --> 0:39:52.960
<v Speaker 1>and this was after he battled the pope and the

0:39:53.000 --> 0:39:56.239
<v Speaker 1>Catholic Church and was exiled from Florence. So a lot

0:39:56.280 --> 0:40:00.279
<v Speaker 1>of this stuff is just reeks of sort of having

0:40:00.280 --> 0:40:03.200
<v Speaker 1>a bone to pick and like, hey, the things that

0:40:03.239 --> 0:40:06.120
<v Speaker 1>happened to me, like they're going to be slotted in

0:40:06.960 --> 0:40:11.040
<v Speaker 1>like and it's almost like, uh like using his own

0:40:11.040 --> 0:40:14.719
<v Speaker 1>experience to to create the symbolism of like, this is

0:40:14.760 --> 0:40:17.000
<v Speaker 1>what happened to me, and that makes you the worst

0:40:17.000 --> 0:40:19.759
<v Speaker 1>person if you did these things exactly Like I'm going

0:40:19.840 --> 0:40:23.480
<v Speaker 1>to put you in hell in my book. And I'm

0:40:23.520 --> 0:40:25.399
<v Speaker 1>sure some of those people were alive and like, hey, man,

0:40:25.480 --> 0:40:28.359
<v Speaker 1>don't don't put me in hell, Like this is not

0:40:28.480 --> 0:40:30.319
<v Speaker 1>you can't do that, And he's like, I just did

0:40:32.800 --> 0:40:36.319
<v Speaker 1>you know here's a nice cube. Have fun. So he

0:40:36.560 --> 0:40:39.080
<v Speaker 1>um Dante. One of his big things and that I

0:40:39.120 --> 0:40:43.040
<v Speaker 1>think made his work so famous too, was he um

0:40:43.320 --> 0:40:47.200
<v Speaker 1>really got into contraposso you want to take that? No,

0:40:47.360 --> 0:40:50.640
<v Speaker 1>that was great, Um. I didn't even pinch my fingers

0:40:50.640 --> 0:40:54.160
<v Speaker 1>and thumb together. Uh. And contraposso is basically this this

0:40:54.480 --> 0:40:57.319
<v Speaker 1>poetic eye for an eye where you know if you

0:40:57.719 --> 0:40:59.480
<v Speaker 1>if you do this on earth, if you sin in

0:40:59.520 --> 0:41:02.640
<v Speaker 1>this way, your punishment is going to be some poetic

0:41:02.800 --> 0:41:06.879
<v Speaker 1>justice um in the afterlife. And that was the whole

0:41:06.920 --> 0:41:10.080
<v Speaker 1>point of of Hell as far as Dante was concerned.

0:41:10.080 --> 0:41:13.680
<v Speaker 1>It was where God got justice for things that were

0:41:13.719 --> 0:41:18.120
<v Speaker 1>done wrong here on earth. And apparently it said as much.

0:41:18.160 --> 0:41:22.840
<v Speaker 1>Over the gate of Hell Um it said you to

0:41:23.080 --> 0:41:27.720
<v Speaker 1>ze most say il mio alto fatore, which means justice

0:41:27.800 --> 0:41:32.040
<v Speaker 1>moved my high maker, Um, which is basically saying like,

0:41:32.520 --> 0:41:35.000
<v Speaker 1>this is what this place is for, is to get justice.

0:41:35.320 --> 0:41:37.960
<v Speaker 1>And there's also a very famous um inscription over the

0:41:38.000 --> 0:41:40.600
<v Speaker 1>gates of Hell abandoned all hope he who interheed, and

0:41:40.640 --> 0:41:43.400
<v Speaker 1>that came from Uh Dante's Inferno as well. How is

0:41:43.400 --> 0:41:46.960
<v Speaker 1>that what that's from? Mm hmmm. That's good stuff. It

0:41:47.080 --> 0:41:50.319
<v Speaker 1>really is It was also used to great effect in

0:41:50.360 --> 0:41:57.480
<v Speaker 1>Boondocks Saints So Dante and Virgil are um. Before they

0:41:57.520 --> 0:42:00.200
<v Speaker 1>even go to Hell, they have to cross the over

0:42:00.719 --> 0:42:05.440
<v Speaker 1>at Huron and deal with Sharon the boatman, which is

0:42:06.200 --> 0:42:08.520
<v Speaker 1>you know, I think this has been used a million

0:42:08.560 --> 0:42:12.040
<v Speaker 1>times too in literature and pop culture, like this, this

0:42:12.440 --> 0:42:15.399
<v Speaker 1>boat person that has to transport someone across this river

0:42:15.640 --> 0:42:18.239
<v Speaker 1>to a different place. Sometimes you have to pass a

0:42:18.280 --> 0:42:24.520
<v Speaker 1>test um, you know, like Monty Python style basically. And

0:42:24.520 --> 0:42:26.239
<v Speaker 1>that's so weird. Right as I said that, I just

0:42:26.239 --> 0:42:30.520
<v Speaker 1>looked up to our Aaron Cooper special Monty Python photoshop

0:42:30.560 --> 0:42:34.440
<v Speaker 1>poster where I'm King Arthur and you are one of

0:42:34.440 --> 0:42:37.799
<v Speaker 1>the nights. It's Stricklin is in there too, Yeah, isn't

0:42:37.800 --> 0:42:40.680
<v Speaker 1>he like the page with the coconuts? Yeah? And there

0:42:40.680 --> 0:42:43.560
<v Speaker 1>he else is over there. Now I'm looking at a

0:42:43.560 --> 0:42:48.960
<v Speaker 1>picture of me face punching George Lucas. You haven't been

0:42:49.000 --> 0:42:51.399
<v Speaker 1>in this room in a while, have you? No? No,

0:42:51.440 --> 0:42:53.600
<v Speaker 1>But I remember it pretty well. It's burned in your

0:42:53.640 --> 0:42:58.120
<v Speaker 1>brain after twelve years. Uh So where was I You

0:42:58.160 --> 0:43:01.839
<v Speaker 1>were talking about the river sticks and or Archer Honor,

0:43:02.000 --> 0:43:05.040
<v Speaker 1>and which is might as well be the River sticks? Right, right?

0:43:05.080 --> 0:43:07.720
<v Speaker 1>But it is. It's like straight up taken from the Greeks,

0:43:07.840 --> 0:43:12.200
<v Speaker 1>and yet this devout Christian Dante is is writing about

0:43:12.239 --> 0:43:14.520
<v Speaker 1>it like this the Christian Hell, And it really kind

0:43:14.520 --> 0:43:17.000
<v Speaker 1>of goes to to show you just how much literary

0:43:17.120 --> 0:43:20.240
<v Speaker 1>license he took with this well and how much um

0:43:20.280 --> 0:43:23.680
<v Speaker 1>he borrowed from the Greeks, because like you, you would

0:43:23.680 --> 0:43:26.839
<v Speaker 1>think this is probably the Christian stance on on hell,

0:43:27.120 --> 0:43:31.680
<v Speaker 1>and it's not um. Like, for instance, Dante sees uh

0:43:32.120 --> 0:43:36.000
<v Speaker 1>thinks that it's a virtue if you're have moderation in

0:43:36.040 --> 0:43:39.360
<v Speaker 1>your life, like you don't wanna be too spindy and greedy,

0:43:39.440 --> 0:43:41.920
<v Speaker 1>also don't want to be too miserly, But that's not

0:43:42.000 --> 0:43:43.800
<v Speaker 1>a Christian thing at all, Like that's not in the

0:43:43.920 --> 0:43:46.200
<v Speaker 1>Tin Commandments. It's not one of the seven Deadly sins

0:43:46.280 --> 0:43:49.759
<v Speaker 1>or anything like that. No, there's gluttony, but miserly nous

0:43:49.880 --> 0:43:53.600
<v Speaker 1>is not in there, right, Yeah, So he's definitely just

0:43:53.640 --> 0:43:57.239
<v Speaker 1>saying this is this is what I Dante think. But

0:43:57.960 --> 0:44:00.520
<v Speaker 1>I guess it just hit a nerve because I mean, like,

0:44:00.520 --> 0:44:02.480
<v Speaker 1>like we were saying at the outset like this is

0:44:03.120 --> 0:44:05.400
<v Speaker 1>this is just this is basically what people think of

0:44:05.400 --> 0:44:07.319
<v Speaker 1>when they think of hell. These days if not the

0:44:07.360 --> 0:44:09.480
<v Speaker 1>fire and the red pitchfork and all that. All right,

0:44:09.520 --> 0:44:15.640
<v Speaker 1>So first circle limbo, not purgatory like we mentioned. Uh,

0:44:15.640 --> 0:44:18.960
<v Speaker 1>this is where you can like it's it's not terrible,

0:44:19.480 --> 0:44:22.319
<v Speaker 1>but it is hell and it's sort of unfair like

0:44:22.360 --> 0:44:25.480
<v Speaker 1>you said, Uh, you know, if you're not like, you

0:44:25.480 --> 0:44:27.319
<v Speaker 1>could just be born before Christ and you can be

0:44:27.320 --> 0:44:32.279
<v Speaker 1>in limbo, right like Aristotle's there. Aristotle was great and

0:44:32.360 --> 0:44:35.320
<v Speaker 1>virtuous and one of the greatest thinkers the world's ever produced.

0:44:35.440 --> 0:44:38.920
<v Speaker 1>Yet he's stuck in limbo because he existed before Christ

0:44:38.920 --> 0:44:43.160
<v Speaker 1>so couldn't possibly be saved. So what's next? Lust is next?

0:44:43.719 --> 0:44:46.640
<v Speaker 1>And this is pretty interesting too in that, um, you know,

0:44:46.760 --> 0:44:50.480
<v Speaker 1>some other people who had seen visions of hell, like

0:44:50.520 --> 0:44:53.800
<v Speaker 1>the the you know, medieval nights we talked about earlier,

0:44:54.120 --> 0:44:58.160
<v Speaker 1>they're talking about like you know, oh yeah, they they

0:44:58.239 --> 0:45:00.960
<v Speaker 1>nail your sack to a board with rusty nails, are

0:45:01.000 --> 0:45:04.120
<v Speaker 1>just really juvenile stuff. Dante goes a lot more poetic,

0:45:04.200 --> 0:45:08.360
<v Speaker 1>and that his idea of lust is is their punishment

0:45:08.400 --> 0:45:11.200
<v Speaker 1>for lust is you know, lovers are blown about by

0:45:11.200 --> 0:45:13.920
<v Speaker 1>the wind so that they can never quite get together

0:45:14.360 --> 0:45:17.120
<v Speaker 1>and there's always you know, kept just just out of

0:45:17.120 --> 0:45:19.480
<v Speaker 1>each other's reach, which is you know, it's it's a

0:45:19.600 --> 0:45:22.239
<v Speaker 1>lot more poetic than than the other one. Did you say,

0:45:22.360 --> 0:45:29.840
<v Speaker 1>nail your sack to a board, Yeah, like your backpack? Yes, okay, okay,

0:45:29.840 --> 0:45:33.960
<v Speaker 1>all right. The third circle is gluttony. Uh. Here you're

0:45:34.000 --> 0:45:37.839
<v Speaker 1>stuck in the mud and it's you're being pummeled by

0:45:37.880 --> 0:45:42.080
<v Speaker 1>hail and freezing rain. And um, this is where he

0:45:42.120 --> 0:45:43.919
<v Speaker 1>got a little bit of his bone to pick out

0:45:44.040 --> 0:45:48.279
<v Speaker 1>on Florence and what a terrible place that was. Um.

0:45:48.320 --> 0:45:51.560
<v Speaker 1>The fourth circle is where we get into the greed

0:45:51.600 --> 0:45:56.560
<v Speaker 1>and the miserly. Um. Basically, um, it's the circle of moderation, like,

0:45:56.680 --> 0:45:59.359
<v Speaker 1>don't go too far in either direction. Yeah, And he

0:45:59.400 --> 0:46:01.799
<v Speaker 1>really kind of plays into that symmetry as well, where

0:46:01.840 --> 0:46:04.440
<v Speaker 1>on the one side are the people who are super

0:46:04.440 --> 0:46:07.840
<v Speaker 1>gluttonous and like they spend just tons of money, and

0:46:07.880 --> 0:46:09.440
<v Speaker 1>then on the other side there are the people who

0:46:09.440 --> 0:46:12.040
<v Speaker 1>are super stingy and hoard their money. They're really two

0:46:12.040 --> 0:46:15.080
<v Speaker 1>sides of the same coin. I think Dante is correct

0:46:15.080 --> 0:46:18.160
<v Speaker 1>in that sense, and so they're both in that same

0:46:18.200 --> 0:46:22.319
<v Speaker 1>circle of hell, but on opposite sides of the circle.

0:46:21.400 --> 0:46:28.800
<v Speaker 1>The number five is that, Yeah, that's that's where those

0:46:28.840 --> 0:46:33.080
<v Speaker 1>of us who are um who get road rage will

0:46:33.120 --> 0:46:35.799
<v Speaker 1>be potentually that's where I'm gonna be Unford, all right,

0:46:35.800 --> 0:46:38.000
<v Speaker 1>and you're in the river sticks in that case. Yeah,

0:46:38.000 --> 0:46:40.279
<v Speaker 1>I just losh it around, being like I'm so married

0:46:40.320 --> 0:46:44.799
<v Speaker 1>about everything. Uh, circle number six everyone. It feels like

0:46:44.840 --> 0:46:47.400
<v Speaker 1>a Dave Letterman Top ten does all of a sudden.

0:46:47.560 --> 0:46:51.919
<v Speaker 1>These are heretics, These are pagans, these are atheists. These

0:46:51.920 --> 0:46:54.000
<v Speaker 1>are people who, while they were on Earth, were like, Hey,

0:46:54.200 --> 0:46:55.799
<v Speaker 1>I'm just gonna have a good time while i'm here.

0:46:56.120 --> 0:46:59.960
<v Speaker 1>I'm not worried about salvation. Yeah, and Epicurious in particular,

0:47:00.040 --> 0:47:03.040
<v Speaker 1>Ler's there and I was like, why Epicurious? And apparently

0:47:03.600 --> 0:47:06.920
<v Speaker 1>he very much and his followers did not believe in

0:47:06.920 --> 0:47:09.480
<v Speaker 1>any kind of afterlife, which is why they're like, make

0:47:09.520 --> 0:47:11.680
<v Speaker 1>the most of your time here on earth. I guess

0:47:11.680 --> 0:47:16.120
<v Speaker 1>that's where I am. Yeah. Um. It's basically another way

0:47:16.120 --> 0:47:18.640
<v Speaker 1>to interpret that is that these were people who's so

0:47:18.960 --> 0:47:25.560
<v Speaker 1>discord by injecting alternative ideas into the believers minds. All right,

0:47:25.600 --> 0:47:29.560
<v Speaker 1>well maybe I'm not there then, um no. Like also,

0:47:29.640 --> 0:47:31.600
<v Speaker 1>if you if you don't believe in an afterlife and

0:47:31.600 --> 0:47:33.680
<v Speaker 1>you're enjoying your time here on earth, you go there

0:47:33.680 --> 0:47:36.680
<v Speaker 1>either way you're scrowgy. Either way, well, at least we'll

0:47:36.719 --> 0:47:39.560
<v Speaker 1>be there together. Um. We also, I don't think we

0:47:39.600 --> 0:47:42.839
<v Speaker 1>mentioned that Virgil, the poet virgil Um is the one

0:47:42.880 --> 0:47:47.239
<v Speaker 1>who's guiding Dante around through these these things, and I

0:47:47.280 --> 0:47:51.640
<v Speaker 1>guess it's kind of acting is like his um uh

0:47:51.760 --> 0:47:54.120
<v Speaker 1>oh what is the name of from New York Dolls

0:47:54.160 --> 0:47:59.680
<v Speaker 1>and scrooged buster point X. He's acting as Dante's buster

0:47:59.760 --> 0:48:03.759
<v Speaker 1>point decks um, and so virtual's escorting him around. They

0:48:03.800 --> 0:48:08.320
<v Speaker 1>get to the seventh circle of hell Um, which contains

0:48:08.440 --> 0:48:12.759
<v Speaker 1>the city of dis which dis or is this in

0:48:12.800 --> 0:48:20.480
<v Speaker 1>the sixth I think it's in the sixth Yeah comes

0:48:20.520 --> 0:48:23.520
<v Speaker 1>after Yeah, So the and so a lot of a

0:48:23.520 --> 0:48:26.880
<v Speaker 1>lot of people, um kind of chop up these circles

0:48:26.880 --> 0:48:29.600
<v Speaker 1>of hell into the first through third, the second through

0:48:29.600 --> 0:48:32.280
<v Speaker 1>the sixth, and the seventh through the ninth. And apparently

0:48:32.400 --> 0:48:36.560
<v Speaker 1>Dante considered basically the first through the six is all

0:48:36.760 --> 0:48:40.400
<v Speaker 1>kind of generally in the same category, which was they

0:48:40.400 --> 0:48:45.000
<v Speaker 1>were sins of incontinence where people just couldn't resist the

0:48:45.120 --> 0:48:49.680
<v Speaker 1>earthly temptations. They had a weakness of will. They're you know,

0:48:49.719 --> 0:48:52.440
<v Speaker 1>they're being tormented because they made these choices. But Also

0:48:52.760 --> 0:48:56.920
<v Speaker 1>this is really it's it's forgivable stuff. Seventh through nine

0:48:57.040 --> 0:49:00.920
<v Speaker 1>is where who he considers the the gen new in centers,

0:49:01.320 --> 0:49:06.120
<v Speaker 1>the evil people reside. Yeah, this is where arsonists and murderers.

0:49:06.840 --> 0:49:10.120
<v Speaker 1>Um that he actually framed, you know, suicide as one

0:49:10.160 --> 0:49:14.840
<v Speaker 1>of these Uh in that seventh circle, Um, the eighth circle,

0:49:15.080 --> 0:49:17.760
<v Speaker 1>and you know this is it gets a little confusing

0:49:17.800 --> 0:49:22.399
<v Speaker 1>because in their smaller pockets within these circles. Uh. And again,

0:49:22.440 --> 0:49:25.440
<v Speaker 1>if you're a scholar of Dante, just I'm so so sorry,

0:49:25.640 --> 0:49:30.120
<v Speaker 1>so sorry. Yeah, hopefully they turned this. But the eighth

0:49:30.120 --> 0:49:35.480
<v Speaker 1>circle is for ten kinds of fraud. And then the

0:49:35.600 --> 0:49:39.239
<v Speaker 1>ninth circle is finally where Satan is and this is

0:49:39.320 --> 0:49:43.600
<v Speaker 1>for for Satan and as the lead trader basically um,

0:49:43.680 --> 0:49:48.200
<v Speaker 1>not trader but trade or which is you know, this

0:49:48.280 --> 0:49:50.560
<v Speaker 1>is a big one for me. I mean as a

0:49:50.640 --> 0:49:56.520
<v Speaker 1>Pisces Uh Sabbath fan of Black Sabbath like loyalty and

0:49:56.800 --> 0:49:59.759
<v Speaker 1>um is very important. Broken trust is to me like

0:50:00.040 --> 0:50:02.800
<v Speaker 1>of the worst things someone can do. And so I

0:50:02.880 --> 0:50:05.840
<v Speaker 1>didn't realize that was picy in in nature. Yeah, pretty

0:50:05.880 --> 0:50:11.160
<v Speaker 1>pice in very loyal very friendships and relationships are sort

0:50:11.200 --> 0:50:14.880
<v Speaker 1>of the utmost importance to be betrayed is like just

0:50:14.960 --> 0:50:17.719
<v Speaker 1>kind of the worst thing you can do. So this

0:50:17.800 --> 0:50:21.000
<v Speaker 1>is this would be your your you'd really enjoy this. Yeah,

0:50:21.040 --> 0:50:23.759
<v Speaker 1>I mean, I guess that's my eighth circle. Um. But

0:50:23.840 --> 0:50:27.200
<v Speaker 1>it's interesting in that Satan, the ultimate trader to God,

0:50:28.040 --> 0:50:31.680
<v Speaker 1>is stuck there but could get out. Um. In theory,

0:50:32.320 --> 0:50:36.479
<v Speaker 1>if Satan just realized that, like, hey, I'm beneath God

0:50:36.600 --> 0:50:39.920
<v Speaker 1>and I can recognize God as being above me and

0:50:39.960 --> 0:50:44.600
<v Speaker 1>I am not God's equal. Um. And it's a frozen

0:50:45.080 --> 0:50:47.080
<v Speaker 1>it gets a little confusing, but it's a frozen lake.

0:50:47.239 --> 0:50:49.160
<v Speaker 1>It's a little antithetical to what we think about is

0:50:49.200 --> 0:50:53.319
<v Speaker 1>Satan is being fiery, because what happens is the lake

0:50:53.360 --> 0:50:56.560
<v Speaker 1>with thaw and free Satan. If he wasn't flapping his

0:50:56.760 --> 0:50:59.439
<v Speaker 1>big bat wings to try and fly up to God

0:50:59.800 --> 0:51:02.960
<v Speaker 1>to proof he's as equal, but instead of Satan's wings,

0:51:03.320 --> 0:51:05.359
<v Speaker 1>I guess throwing forth like fire what you would think

0:51:05.760 --> 0:51:09.120
<v Speaker 1>and actually I guess is icy and it just keeps

0:51:09.120 --> 0:51:12.120
<v Speaker 1>that like frozen. Right. But if he would just yeah,

0:51:12.160 --> 0:51:14.560
<v Speaker 1>if he'd just give up, then he'd stopped beating his

0:51:14.640 --> 0:51:17.080
<v Speaker 1>wings and then it wouldn't all right, yeah, and then

0:51:17.080 --> 0:51:19.200
<v Speaker 1>he would be free. But then he just wouldn't be

0:51:19.239 --> 0:51:21.160
<v Speaker 1>Satan anymore. You know what I mean, to be a

0:51:21.160 --> 0:51:23.759
<v Speaker 1>broken version of Satan, and who wants that? Right then

0:51:23.800 --> 0:51:29.120
<v Speaker 1>we wouldn't have Tommy Davis Junior TV pilot. Yeah, right, exactly. So,

0:51:30.040 --> 0:51:33.279
<v Speaker 1>I mean, it's not like our idea of Hell just

0:51:33.520 --> 0:51:35.440
<v Speaker 1>ended at Dante. But I was like, yep, that's it.

0:51:35.520 --> 0:51:37.520
<v Speaker 1>Don't need to add to it, Like plenty of people

0:51:37.600 --> 0:51:40.759
<v Speaker 1>have over time. One of the coolest I've seen I

0:51:40.800 --> 0:51:45.319
<v Speaker 1>cannot remember what it was, but I suspect that was

0:51:45.360 --> 0:51:52.000
<v Speaker 1>an aon flux Um cartoon on Remember Liquids on MTV.

0:51:53.160 --> 0:51:56.040
<v Speaker 1>I think somehow aon flux ended up in Hell and

0:51:56.120 --> 0:51:59.839
<v Speaker 1>like this, the the weird conception of it was just

0:52:00.080 --> 0:52:04.280
<v Speaker 1>so unsettling. Everything was just so off. It was really

0:52:04.320 --> 0:52:06.200
<v Speaker 1>well done, and I'll have to go, like see if

0:52:06.200 --> 0:52:08.440
<v Speaker 1>I can find it. All I could find was that

0:52:08.560 --> 0:52:11.080
<v Speaker 1>aon Flex the movie sucked. That's all you can find

0:52:11.080 --> 0:52:13.520
<v Speaker 1>when you search a on Flex in Hell right now.

0:52:14.480 --> 0:52:16.480
<v Speaker 1>But um, I really want to find that again. If

0:52:16.480 --> 0:52:18.399
<v Speaker 1>I do, I'll have to tweet it out. Yeah. I mean,

0:52:18.640 --> 0:52:21.759
<v Speaker 1>you could do a whole second podcast episode on popular

0:52:21.880 --> 0:52:25.319
<v Speaker 1>versions of Hell and pop culture and movies and TV

0:52:25.480 --> 0:52:30.560
<v Speaker 1>and literature. Paintings. Serronamous Bosh is a great example. Um.

0:52:30.600 --> 0:52:33.320
<v Speaker 1>I love those paintings. This was a couple of centuries

0:52:33.360 --> 0:52:36.000
<v Speaker 1>after Inferno. But these are the ones that look like

0:52:36.040 --> 0:52:39.920
<v Speaker 1>sort of in default album covers. Um. They're great, very

0:52:39.920 --> 0:52:44.360
<v Speaker 1>cool stuff. Uh. And you know, like I said, there's

0:52:44.400 --> 0:52:48.640
<v Speaker 1>scores of versions of Hell, from Clive Barker to Marvel

0:52:48.719 --> 0:52:53.000
<v Speaker 1>Comics Too, to Sammy Davis Jr. And The Good Place.

0:52:53.560 --> 0:52:55.880
<v Speaker 1>They're all over the place. So it's definitely something that's like,

0:52:56.440 --> 0:53:01.279
<v Speaker 1>I don't know, it's just weirdly captured pop cultures imagination,

0:53:01.400 --> 0:53:03.680
<v Speaker 1>just as much as it did thousands of years ago

0:53:03.680 --> 0:53:07.080
<v Speaker 1>with religion. You know, one of the greatest, one of

0:53:07.120 --> 0:53:10.399
<v Speaker 1>the other great um conceptions of the afterlife, not necessarily hell,

0:53:10.480 --> 0:53:13.680
<v Speaker 1>but hell ish um is found in this. I think

0:53:13.680 --> 0:53:15.919
<v Speaker 1>I've mentioned it before a Joyce Carol Oates short story

0:53:15.960 --> 0:53:19.839
<v Speaker 1>called night Side, where there's this um seance and like

0:53:20.160 --> 0:53:23.279
<v Speaker 1>the spirits that are contacted are like all freaked out

0:53:23.800 --> 0:53:26.879
<v Speaker 1>because there's no it's all just chaos. Nobody. I think

0:53:26.880 --> 0:53:29.440
<v Speaker 1>they keep saying, like no one's in charge and like

0:53:29.600 --> 0:53:32.440
<v Speaker 1>everything is just out of order. Um. And it's a

0:53:32.560 --> 0:53:36.440
<v Speaker 1>really like unsettling read like Joyce Killer Oates is so

0:53:36.480 --> 0:53:39.640
<v Speaker 1>good with horror, but that that particular one is super disturbing.

0:53:40.200 --> 0:53:42.719
<v Speaker 1>I highly recommend everybody reading it. Yeah, and if you

0:53:42.719 --> 0:53:44.720
<v Speaker 1>want to see a fun take on the afterlife, watch

0:53:45.600 --> 0:53:48.720
<v Speaker 1>the great Albert Brooks movie Defending Your Life. Oh my god,

0:53:48.840 --> 0:53:50.680
<v Speaker 1>that is such a great movie. One of the all

0:53:50.719 --> 0:53:54.799
<v Speaker 1>time great sleeper films ever, wonderful, so good. Yeah, that's

0:53:54.800 --> 0:53:57.120
<v Speaker 1>a good that's a treat right there. Good for you,

0:53:57.440 --> 0:54:00.759
<v Speaker 1>the great Albert Brooks. Yeah. Well, since Chuck can't stop

0:54:00.760 --> 0:54:03.560
<v Speaker 1>talking about Albert Brooks, I think that means it's time

0:54:03.600 --> 0:54:08.960
<v Speaker 1>for listener. Ma'm fun. Fact a lot of people know this.

0:54:09.080 --> 0:54:14.640
<v Speaker 1>Albert Brooks born Albert Einstein. No, yes, no, yes, brother

0:54:14.719 --> 0:54:18.520
<v Speaker 1>of super Dave Osborne. I guess I had known that,

0:54:18.600 --> 0:54:21.359
<v Speaker 1>but only when Super Dave died recently, right, uh, yeah,

0:54:21.440 --> 0:54:26.040
<v Speaker 1>he did die. Their birth name was Einstein. I think

0:54:25.600 --> 0:54:30.080
<v Speaker 1>I think Super Dave Osborne was super Dave Einstein. No,

0:54:30.360 --> 0:54:35.359
<v Speaker 1>I think it was Bob Einstein. And I don't know.

0:54:35.640 --> 0:54:38.840
<v Speaker 1>I think so, I don't know, but that he's like

0:54:38.880 --> 0:54:42.319
<v Speaker 1>from the Larry Bud Melman era of Letterman and yeah,

0:54:43.360 --> 0:54:46.040
<v Speaker 1>good stuff. Oh yeah, So if you want to know

0:54:46.080 --> 0:54:49.440
<v Speaker 1>more about Hell, just start sending your a off and

0:54:49.520 --> 0:54:52.239
<v Speaker 1>you'll find out about it soon enough. And like I said,

0:54:52.239 --> 0:54:54.279
<v Speaker 1>since Chuck keeps talking about Albert Brooks, it is time

0:54:54.280 --> 0:54:56.480
<v Speaker 1>for a listener. Man. Yeah, I'm gonna call this one

0:54:56.520 --> 0:55:00.680
<v Speaker 1>of our great senior listeners. Uh. And this this lady

0:55:00.760 --> 0:55:04.120
<v Speaker 1>is from Australia. Hello, guys. I'm an eighty year old

0:55:04.120 --> 0:55:08.239
<v Speaker 1>woman in aged care. My life was very mundane and

0:55:08.360 --> 0:55:12.120
<v Speaker 1>quite boring. I finally bought a mobility scooter now uh

0:55:12.120 --> 0:55:14.280
<v Speaker 1>and I could get out and ride the wonderful pathways

0:55:14.280 --> 0:55:16.839
<v Speaker 1>and visit the shops. My son Robert, thought I needed

0:55:16.880 --> 0:55:19.760
<v Speaker 1>more interest, so he hooked my phone up to Josh

0:55:19.760 --> 0:55:24.600
<v Speaker 1>and Chuck podcasts. Wow, all capitals. How I love riding

0:55:24.640 --> 0:55:27.240
<v Speaker 1>around on my scooter and listening to your wonderful humor

0:55:27.719 --> 0:55:32.239
<v Speaker 1>and mostly interesting things in quotes. I love it. So

0:55:32.560 --> 0:55:35.799
<v Speaker 1>perhaps she even has the book. I have learned so

0:55:35.880 --> 0:55:41.640
<v Speaker 1>much about everything, love Elvis, visiting Nixon for a NARC, Badge,

0:55:41.760 --> 0:55:47.080
<v Speaker 1>Building Boulder, Damn, Francis Perkins, etcetera. Just everything. Guys, keep

0:55:47.160 --> 0:55:52.799
<v Speaker 1>up the good work. Cheers from Glenda on the Sunshine Coast, Queensland, Australia.

0:55:53.480 --> 0:55:56.879
<v Speaker 1>Very nice. That was Glenda write. Yeah, I just love

0:55:56.920 --> 0:55:59.719
<v Speaker 1>hearing from Glinda. She's great. Thank you, Glenda. Yeah, I

0:55:59.760 --> 0:56:01.600
<v Speaker 1>think Glenda should write in every once in a while.

0:56:01.640 --> 0:56:03.960
<v Speaker 1>I was just say hi and talk about her favorite

0:56:04.239 --> 0:56:07.040
<v Speaker 1>recent episode. I would love What do you think, Glenda,

0:56:07.120 --> 0:56:10.040
<v Speaker 1>if you're listening, please do that and what was her son?

0:56:10.200 --> 0:56:15.480
<v Speaker 1>Richard Robert Robert Robert. Thank you for turning your mom

0:56:15.480 --> 0:56:19.600
<v Speaker 1>onto stuff you should Know. Um, well, if you wanna

0:56:20.160 --> 0:56:22.960
<v Speaker 1>talk about how you turn somebody onto stuff you should know,

0:56:23.200 --> 0:56:25.480
<v Speaker 1>we would love to hear about that. That's great. You

0:56:25.520 --> 0:56:28.000
<v Speaker 1>can write us in an email, wrap it up, spank

0:56:28.040 --> 0:56:30.440
<v Speaker 1>it on the bottom, and send it off to Stuff

0:56:30.520 --> 0:56:37.160
<v Speaker 1>Podcasts at iHeart radio dot com. Stuff you Should Know

0:56:37.239 --> 0:56:39.920
<v Speaker 1>is a production of I Heart Radio. For more podcasts

0:56:39.920 --> 0:56:42.840
<v Speaker 1>for my heart Radio, visit the iHeart Radio app, Apple Podcasts,

0:56:42.880 --> 0:56:44.560
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