WEBVTT - Julio Santo Domingo

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Search podcast.

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<v Speaker 1>My guest today is Julio Santo Domingo of the Okeechobe Festival. Julio,

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<v Speaker 1>how did you get involved in this festival?

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<v Speaker 2>Well, it's kind of a long winded answer, but the

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<v Speaker 2>short of it was that I was organizing some underground

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<v Speaker 2>electronic music parties in New York from two thousand and

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<v Speaker 2>eight to two thousand and sixteen, roughly when I started

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<v Speaker 2>the festival, but you know, towards the years, around twenty

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<v Speaker 2>eleven twenty twelve, I started talking to someone who was

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<v Speaker 2>working at Bonnaroo and we were discussing about bringing my party,

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<v Speaker 2>he is called Shake and Bake spelled s h e

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<v Speaker 2>I k n b e I k uh to Bonnaroo

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<v Speaker 2>and making it the underground electronic music tent because from

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<v Speaker 2>what I knew back then, Bonnaroo had a lot of

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<v Speaker 2>jam bands and a lot of d M, which what

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<v Speaker 2>what you know, what I call ed M, and it's

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<v Speaker 2>more the commercial side of EDM, which is, you know,

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<v Speaker 2>you're a Vichy's and and and Steve a Jokis of

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<v Speaker 2>this world. But they didn't have any underground electronic music

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<v Speaker 2>that carried the the the the Detroit, New York Chicago

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<v Speaker 2>UH Berlin School of thought. Really, so we were talking

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<v Speaker 2>about doing something with shake and Bake at Bonnaroo, and

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<v Speaker 2>eventually Bonnaroo got sold to Live Nation, and uh, this

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<v Speaker 2>person that I was talking to, they they they they

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<v Speaker 2>left the company and they said, well, you know, you

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<v Speaker 2>know this is not I called them up when they

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<v Speaker 2>said so when are we doing this? Is it still on?

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<v Speaker 2>And he said, well, I left the company. But I'm

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<v Speaker 2>I'm I'm I'm in Florida and somebody wanted to show

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<v Speaker 2>me this incredible property in Oki Chobe, and I think

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<v Speaker 2>you should come down and check it out and maybe

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<v Speaker 2>we can do something there. And I said, well, you know,

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<v Speaker 2>I'm coming to Art Basil to DJ in December of

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<v Speaker 2>twenty fourteen, so why don't I stop by on my

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<v Speaker 2>way to Miami and h and check it out. And

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<v Speaker 2>so I on my way to Miami, I stopped by

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<v Speaker 2>bonnar Oki Chobe and and and fell in love with

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<v Speaker 2>it immediately. And you know, I had been toying with

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<v Speaker 2>the idea, uh of of creating a music festival because

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<v Speaker 2>I wanted to get out of the underground warehouse world

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<v Speaker 2>of New York City. And UH and do something more

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<v Speaker 2>UH in the in the in the sunlight, in the daylight,

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<v Speaker 2>UH for everybody, for for for wider audiences. And so

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<v Speaker 2>I had been toying with this idea already for some years.

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<v Speaker 3>I had already been uh.

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<v Speaker 2>I I did a music festival with a friend of

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<v Speaker 2>mine who bought a lot of land in Jerry Coquara

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<v Speaker 2>in Brazil. His name is pass Pascal Salvati. And uh

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<v Speaker 2>at the time, there was nothing in Jerry Cocuara. Jerry

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<v Speaker 2>Coquara is the UH wind kitesurfing capital of the world.

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<v Speaker 2>So it's a very very windy area in the north

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<v Speaker 2>of Brazil. It takes forever to get there. You need

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<v Speaker 2>to fly all the way down to San Paolo to

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<v Speaker 2>then fly back up north of the country because nothing

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<v Speaker 2>connects there. I think now it's more accessible, but at

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<v Speaker 2>the time it was it was really you know, insane

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<v Speaker 2>to go there.

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<v Speaker 3>And and so.

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<v Speaker 2>We we did this end of the World party in

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<v Speaker 2>twenty twelve, where we obviously was you know, nothing to

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<v Speaker 2>the scale of Oki Chobee. But we just sent out

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<v Speaker 2>a newsletter and you know, had a bunch of speakers

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<v Speaker 2>and some turntables and in staid whoever wants to come

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<v Speaker 2>join us. I think twenty people showed up and we

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<v Speaker 2>had our own little party at the end of the

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<v Speaker 2>world in Jerry Kokuara. And so I had from these days,

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<v Speaker 2>I'd been toying, you know, with the idea of doing

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<v Speaker 2>my own music festival. And eventually, when I came to

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<v Speaker 2>Oki Chobee in December of twenty fourteen, I said, well,

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<v Speaker 2>this is the spot. Let's let's see what it takes

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<v Speaker 2>to put it together. And and and that was the

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<v Speaker 2>beginning of the journey.

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<v Speaker 3>You know.

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<v Speaker 2>The company got formed in May twenty fifteen, Soundslinger, and

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<v Speaker 2>then the festival was in March twenty sixteen. So it

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<v Speaker 2>all happened very quickly.

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<v Speaker 1>Okay, the festival has not happened every year. In addition,

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<v Speaker 1>there have been certain partners that came and went, let's

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<v Speaker 1>talk about the first year twenty sixteen, how many people

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<v Speaker 1>actually showed up and did you make money or lose money?

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<v Speaker 2>So in twenty sixteen we had twenty seven thousand people

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<v Speaker 2>showing up. We lost a ton of money. The problem was,

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<v Speaker 2>you know, we I mean, we were very inexperienced when

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<v Speaker 2>it comes to running music festivals. But the safety and

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<v Speaker 2>organization was spot on because we had some great people involved.

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<v Speaker 2>But at the same time, you know, we priced the

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<v Speaker 2>ticket extremely low, which was very attractive to a lot

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<v Speaker 2>of a lot of a festival go but unfortunately, you know,

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<v Speaker 2>our costs.

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<v Speaker 3>Were way above.

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<v Speaker 2>What the tickets cost and we needed to reinvest a

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<v Speaker 2>bunch of money in December of twenty fifteen to make

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<v Speaker 2>it happen, or the festival was not going to happen.

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<v Speaker 2>So you know, we almost basically called it quits right there,

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<v Speaker 2>and then before the first year started.

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<v Speaker 1>Whose money is it?

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<v Speaker 3>So it's a lot of.

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<v Speaker 2>Different investors you know that we reached out to and

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<v Speaker 2>several people that came through and have been supporting me

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<v Speaker 2>over the years.

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<v Speaker 1>Okay, you're gonna put on the first festival. How much

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<v Speaker 1>money do you think you.

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<v Speaker 2>Need for the first festival? I mean, listen, we raised,

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<v Speaker 2>as you know, single digit seven figure number, you know,

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<v Speaker 2>and we needed a little bit more than that, I think.

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<v Speaker 2>So it's a lot.

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<v Speaker 1>Okay, Well, you book Mumford and sons, who were very hot.

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<v Speaker 1>Then you book Kendrick Lamar who did the booking, and

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<v Speaker 1>usually for festivals, people want more than their usual rate.

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<v Speaker 3>Yeah, so so so Momford and Sons.

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<v Speaker 2>Were are are are are our highest uh uh are

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<v Speaker 2>our most costly, our costliest bookings of the first year.

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<v Speaker 2>And Kendrick Lamar actually was at a very good price.

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<v Speaker 2>You know, I'm not going to go into details, but

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<v Speaker 2>he was booked just before he was nominated for his Grammys,

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<v Speaker 2>so he still wasn't, uh, you know, on the level

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<v Speaker 2>that that he became, but he was already pretty cool

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<v Speaker 2>and pretty famous. And you know, the bookings were were

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<v Speaker 2>made by by Ben who's who's the booker now? But

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<v Speaker 2>I had suggested, you know, I booked basically Aquach and

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<v Speaker 2>Jungle fifty one back then, and I had suggested I

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<v Speaker 2>think one or two artists for the main stage. Was

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<v Speaker 2>one of them was Kendrick Lamar and the other one

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<v Speaker 2>was Robert Plant essentially, and so this.

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<v Speaker 3>Was everything else was Ben And.

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<v Speaker 1>Well, usually when you're an unknown quantity and you go

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<v Speaker 1>to buy talent, they require the money up front and

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<v Speaker 1>usually more money. Right you know, they're anxious about players

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<v Speaker 1>they've never dealt with before. Right.

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<v Speaker 2>Well, the thing is that Ben was already known in

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<v Speaker 2>the industry for booking a lot of jam bands at

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<v Speaker 2>several different locations and managing also some of the bands

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<v Speaker 2>that were playing for us. I had been doing events

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<v Speaker 2>for ten years with all the underground artists, so that

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<v Speaker 2>was not a problem. And then of course everybody else.

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<v Speaker 2>You know. One of my partners was Steve Sebisma, who

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<v Speaker 2>came from Sunshine Productions or was it Sunshine Promotions or Productions.

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<v Speaker 2>He was one of the biggest concert promoter in the Midwest.

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<v Speaker 2>He was also I think one of the first businesses

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<v Speaker 2>that sold to Live Nation, which at the time was

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<v Speaker 2>called SFX. So he came from China where he was

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<v Speaker 2>doing he had retired, you know, sold his business and

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<v Speaker 2>came from from China and was doing a music festival

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<v Speaker 2>there in some parking lot, Okay. So we weren't completely

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<v Speaker 2>novces and unknown in the industry, you know, with all

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<v Speaker 2>the different players involved.

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<v Speaker 1>Thanks for filling that in Okay, you did the first festival.

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<v Speaker 1>You lost money, but forgetting the money, what did you

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<v Speaker 1>learn the first here doing it?

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<v Speaker 3>Well?

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<v Speaker 2>I learned that it's it's not for the faint of heart,

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<v Speaker 2>and a lot of things can go wrong, and you

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<v Speaker 2>need to be extremely organized to succeed in this world.

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<v Speaker 2>And not only be organized, but you need to have

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<v Speaker 2>luck and to have a viable product and make sure

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<v Speaker 2>that people can afford to come to your festival.

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<v Speaker 1>Okay, a little bit more granular. Tell me some of

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<v Speaker 1>the things, some of the emergencies, some of the things

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<v Speaker 1>you did not foresee the first year.

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<v Speaker 2>Well, I think operationally there weren't many emergencies, so to

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<v Speaker 2>say it was it was more purely financial and needing

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<v Speaker 2>you know, band aids to pay for things, to make

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<v Speaker 2>sure that vendors got paid and an artist got paid

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<v Speaker 2>and everybody got paid so we could keep the lights on.

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<v Speaker 2>That was really always the main thing, because I think

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<v Speaker 2>from an operational point of view, we've always been quite

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<v Speaker 2>on top of it.

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<v Speaker 1>Okay, you sold twenty seven thousand tickets. How many did

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<v Speaker 1>you need to sell the break even.

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<v Speaker 3>That first year? Probably around forty thousand.

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<v Speaker 1>The twenty seven thousand people who did come, how did

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<v Speaker 1>they find out about it?

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<v Speaker 3>Well?

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<v Speaker 2>I think that at the time, your options in Florida were,

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<v Speaker 2>you know, for something that is multi genre on a

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<v Speaker 2>massive scale in a beautiful property. I mean the closest

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<v Speaker 2>thing was Suwani, but that's not you know, so big

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<v Speaker 2>like Okichobe, and it's more one type of music. So

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<v Speaker 2>your other option was Ultra, which is in Miami and

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<v Speaker 2>Bonnarou which is in Tennessee. So I think, you know,

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<v Speaker 2>we were at a right time, at the right place

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<v Speaker 2>where there was a need for what we were offering.

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<v Speaker 2>And that's how I think most you know, success stories,

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<v Speaker 2>quote unquote happen is just a matter of having luck

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<v Speaker 2>on your side and doing things at the right moment.

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<v Speaker 1>How did you literally market it, especially in this era

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<v Speaker 1>of the internet. Did you take ads? What'd you do?

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<v Speaker 2>So we essentially the first video that we ever released

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<v Speaker 2>where we didn't have any thing to show for, We

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<v Speaker 2>didn't have any crowds, we didn't have anything beyond our

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<v Speaker 2>lineup poster we actually.

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<v Speaker 3>Created.

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<v Speaker 2>One of my partners is one of my best friends,

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<v Speaker 2>this guy Nicos, who was a filmmaker.

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<v Speaker 3>He's a filmmaker and he was involved in a lot

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<v Speaker 3>of the.

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<v Speaker 2>Artistic creation of the festival, you know, with the be

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<v Speaker 2>here Now stages, the naming of the stages, and and

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<v Speaker 2>and creating all of our of our videos.

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<v Speaker 3>Back then, he had.

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<v Speaker 2>Uh created a point of view video where he was

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<v Speaker 2>waking up in the middle of the jungle with a

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<v Speaker 2>GoPro attached to his forehead and walking through the land

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<v Speaker 2>and discovering the land.

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<v Speaker 3>And I think when everybody.

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<v Speaker 2>Saw the land, they they it turned on the light

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<v Speaker 2>with people and they saw how beautiful this place was.

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<v Speaker 2>Because I think one of our strongest selling points for

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<v Speaker 2>the festival is how beautiful the land is. We keep

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<v Speaker 2>on hearing it from everyone from from the cruise working here,

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<v Speaker 2>to artists to our festival attendees. You know, they they

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<v Speaker 2>all love the land and it's beautiful and magical and

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<v Speaker 2>and always uh you know, reminds them of of of

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<v Speaker 2>somewhere of an enchanted land like this, So you know,

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<v Speaker 2>that was a big part of it. The second part

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<v Speaker 2>of it, I think having artists like Robert Plant and

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<v Speaker 2>Kendrick Lamar and uh and and other you know, artists

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<v Speaker 2>that are very big within their respective genres. Uh, you know,

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<v Speaker 2>created a a a marketing buzz where Also back then,

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<v Speaker 2>you know, the algorithm to share posts on Instagram and

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<v Speaker 2>Facebook was way different, uh than what it is now.

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<v Speaker 2>You know, you didn't have to spend as much with ads.

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<v Speaker 2>Everything was kind of more open and and and less

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<v Speaker 2>people were doing what we're doing, so there was less competition.

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<v Speaker 3>And also.

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<v Speaker 2>Another aspect of of of of how we had a

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<v Speaker 2>lot of people come to our festival was that we

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<v Speaker 2>partnered with UH a friend of Nikos called Kevin Kochan

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<v Speaker 2>who sadly passed away some years ago, but he was

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<v Speaker 2>the head of the Symbiosis festival in California and also

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<v Speaker 2>the organizer of the Eclipse festivals that took place at

0:15:19.520 --> 0:15:23.560
<v Speaker 2>the Gorge and in Patagonia and UH and other places

0:15:23.600 --> 0:15:26.000
<v Speaker 2>around the world. So you know, they had a faithful

0:15:26.040 --> 0:15:30.440
<v Speaker 2>following of of of many many festival goers who went

0:15:30.440 --> 0:15:36.800
<v Speaker 2>to alternative festivals as well as UH UH you know

0:15:36.920 --> 0:15:43.000
<v Speaker 2>Kevin's UH partner Tyler Hanson from a culture house, who

0:15:43.120 --> 0:15:45.640
<v Speaker 2>was doing a lot of of our of our activities,

0:15:45.680 --> 0:15:50.600
<v Speaker 2>you know, our our actors and and other performers, uh

0:15:50.640 --> 0:15:51.880
<v Speaker 2>walking around the festival.

0:15:52.560 --> 0:15:57.720
<v Speaker 1>Okay, you have a first run. Is there any thought

0:15:58.200 --> 0:16:00.240
<v Speaker 1>that we're going to pack up the ten or you

0:16:00.240 --> 0:16:02.720
<v Speaker 1>always think you're going to do it again in twenty seventeen.

0:16:04.760 --> 0:16:09.440
<v Speaker 2>Well, that's a really good question. We were even though

0:16:09.560 --> 0:16:15.840
<v Speaker 2>the losses were substantial, we had you know, we're also

0:16:15.920 --> 0:16:18.880
<v Speaker 2>pleasantly surprised that we managed to sell twenty seven tickets

0:16:18.920 --> 0:16:22.520
<v Speaker 2>twenty seven thousand tickets for a first year festival. So

0:16:22.560 --> 0:16:26.200
<v Speaker 2>I think there was a proof of concept which was

0:16:26.360 --> 0:16:32.320
<v Speaker 2>enticing to the investors, you know, to reinvest when they saw,

0:16:32.480 --> 0:16:36.120
<v Speaker 2>you know, that we were able to bring that many

0:16:36.160 --> 0:16:39.480
<v Speaker 2>people to this land, which is not close to anything

0:16:41.360 --> 0:16:43.680
<v Speaker 2>to any urban centers. I mean, Palm Beach is the

0:16:43.680 --> 0:16:48.320
<v Speaker 2>closest thing. We're right in between Palm Beach, Orlando, Miami

0:16:48.360 --> 0:16:55.520
<v Speaker 2>and Tampa, but still not in anyone's suburb essentially.

0:16:56.560 --> 0:16:59.720
<v Speaker 1>Okay, so you do it in twenty sixteen, twenty seventeen,

0:17:00.040 --> 0:17:04.679
<v Speaker 1>twenty eighteen. In those times, were you ever in the black?

0:17:04.760 --> 0:17:07.440
<v Speaker 1>Did you ever make money? Or did you lose money?

0:17:07.480 --> 0:17:07.960
<v Speaker 1>Each year?

0:17:08.680 --> 0:17:12.159
<v Speaker 2>We we lost money every single year, but we kept going.

0:17:12.240 --> 0:17:15.239
<v Speaker 2>We kept getting put down and getting up again, and

0:17:15.359 --> 0:17:19.040
<v Speaker 2>uh and and and doing whatever it takes through a

0:17:19.040 --> 0:17:24.199
<v Speaker 2>lot of a lot of a lot of begging, a

0:17:24.240 --> 0:17:29.800
<v Speaker 2>lot of of of of of of of convincing and

0:17:30.000 --> 0:17:33.760
<v Speaker 2>uh and a lot of of of of benefactors who

0:17:33.840 --> 0:17:39.960
<v Speaker 2>who saw the potential of this of this business, you know,

0:17:40.040 --> 0:17:40.560
<v Speaker 2>to one day.

0:17:40.720 --> 0:17:44.480
<v Speaker 1>Okay, So the first year was twenty seven thousand, How

0:17:44.520 --> 0:17:47.479
<v Speaker 1>many people came the next two years?

0:17:47.640 --> 0:17:53.200
<v Speaker 2>The next year was by far our biggest attendees, and

0:17:53.200 --> 0:17:59.200
<v Speaker 2>and we had thirty two thousand people coming in twenty

0:17:59.240 --> 0:18:04.400
<v Speaker 2>seventeen and then in twenty eighteen, I think it dipped down,

0:18:04.520 --> 0:18:09.160
<v Speaker 2>dip dipped down again to roughly twenty six twenty five thousand.

0:18:09.680 --> 0:18:11.760
<v Speaker 2>I don't have the numbers, and you know in my

0:18:11.800 --> 0:18:13.159
<v Speaker 2>head so clearly, but it's you.

0:18:13.359 --> 0:18:17.360
<v Speaker 1>You're amazing with the numbers. So you don't need to apologize.

0:18:17.600 --> 0:18:21.960
<v Speaker 1>You didn't have the festival in twenty nineteen. What was

0:18:22.000 --> 0:18:22.960
<v Speaker 1>the thinking there?

0:18:23.960 --> 0:18:26.040
<v Speaker 2>The thinking there was that we took a beating the

0:18:26.080 --> 0:18:28.600
<v Speaker 2>first three years, and you know, we we didn't have

0:18:28.640 --> 0:18:32.520
<v Speaker 2>any more money, and we we didn't have any other

0:18:32.600 --> 0:18:37.399
<v Speaker 2>options than the then partnering up with another another another,

0:18:37.720 --> 0:18:41.400
<v Speaker 2>you know, big fish who came and so we basically

0:18:42.600 --> 0:18:46.280
<v Speaker 2>sold you know, fifty one percent of our business and

0:18:46.320 --> 0:18:49.640
<v Speaker 2>created a new a new company where where the new

0:18:49.680 --> 0:18:52.399
<v Speaker 2>partners you know, owned fifty one percent and we owned

0:18:53.200 --> 0:18:55.760
<v Speaker 2>forty nine percent basically.

0:18:56.040 --> 0:19:08.600
<v Speaker 1>Okay, and that partner was Insomniac, right, correct, So you

0:19:08.680 --> 0:19:11.439
<v Speaker 1>make a deal with Insomniac, then you have a vestal

0:19:11.520 --> 0:19:16.000
<v Speaker 1>in twenty twenty, just before you know, shut down. How

0:19:16.040 --> 0:19:17.560
<v Speaker 1>did that work out?

0:19:17.800 --> 0:19:23.119
<v Speaker 2>Well, well, you know that was crazy because the rest

0:19:23.160 --> 0:19:27.280
<v Speaker 2>of the world as we were building the festival. You know,

0:19:27.359 --> 0:19:29.639
<v Speaker 2>I have family in Europe, I grew up in Europe,

0:19:30.200 --> 0:19:32.639
<v Speaker 2>and and and my family was like, get out of

0:19:32.840 --> 0:19:35.360
<v Speaker 2>you know, get out of there. Everything shutting down. And

0:19:35.400 --> 0:19:37.320
<v Speaker 2>you know, in Europe they were going crazy. They were

0:19:37.359 --> 0:19:40.639
<v Speaker 2>like shutting down cities and and and and and I

0:19:40.680 --> 0:19:43.800
<v Speaker 2>was like, guys, relaxed. You know, we're here, not nothing

0:19:43.840 --> 0:19:46.040
<v Speaker 2>shut down. I'm not going to go to Europe and

0:19:46.040 --> 0:19:48.040
<v Speaker 2>get stuck there. And I have this festival to put

0:19:48.080 --> 0:19:52.639
<v Speaker 2>to put on. So eventually what happened was that, you know,

0:19:54.000 --> 0:19:58.480
<v Speaker 2>clearly it had an effect on on on on people

0:19:58.760 --> 0:20:01.359
<v Speaker 2>traveling from out of state. I think one of the

0:20:01.400 --> 0:20:05.560
<v Speaker 2>bands dropped out of the pow Wow, which is our

0:20:06.320 --> 0:20:12.960
<v Speaker 2>collaborative collaborative show between many different artists and groups of

0:20:13.080 --> 0:20:17.520
<v Speaker 2>artists who come together for once in a lifetime performance.

0:20:17.560 --> 0:20:20.639
<v Speaker 2>So I forgot who it was that dropped out. Anyway,

0:20:20.720 --> 0:20:27.000
<v Speaker 2>someone dropped out, and we you know, because of COVID

0:20:27.680 --> 0:20:31.960
<v Speaker 2>and and so you know, still people came, but they

0:20:32.000 --> 0:20:34.240
<v Speaker 2>came locally from Florida.

0:20:34.720 --> 0:20:37.200
<v Speaker 1>Well, how many people came in twenty twenty.

0:20:37.600 --> 0:20:42.679
<v Speaker 2>We had, I want to believe around twenty three or

0:20:42.760 --> 0:20:45.080
<v Speaker 2>twenty four thousand, I'm not quite sure.

0:20:45.720 --> 0:20:47.320
<v Speaker 3>Still still quite a lot, you know.

0:20:47.480 --> 0:20:51.399
<v Speaker 1>Okay, what did Insomniac bring other than money.

0:20:53.080 --> 0:21:00.800
<v Speaker 2>I think they brought a lot of incredible, dedicated people

0:21:00.880 --> 0:21:05.520
<v Speaker 2>who do this across fifty five shows per year.

0:21:06.320 --> 0:21:08.000
<v Speaker 3>So it's it's a much.

0:21:10.760 --> 0:21:14.199
<v Speaker 2>Wider address book than I had of people working in

0:21:14.240 --> 0:21:18.840
<v Speaker 2>the industry. And of course you know, scaling and and

0:21:19.000 --> 0:21:23.159
<v Speaker 2>lower prices for artists that goes without saying, you know,

0:21:23.400 --> 0:21:27.119
<v Speaker 2>it's on their live nations. So a lot of a

0:21:27.160 --> 0:21:30.600
<v Speaker 2>lot of of of of of muscle there to be

0:21:30.720 --> 0:21:35.320
<v Speaker 2>able to to get lower prices from vendors, and uh

0:21:35.480 --> 0:21:40.320
<v Speaker 2>and and and and and also quality people working in

0:21:40.359 --> 0:21:43.040
<v Speaker 2>their in their company that that are incredible that I'm

0:21:43.080 --> 0:21:45.600
<v Speaker 2>still friends with to this day. You know, it's like

0:21:45.640 --> 0:21:46.240
<v Speaker 2>it's a family.

0:21:46.240 --> 0:21:46.879
<v Speaker 3>At the end of the day.

0:21:46.880 --> 0:21:49.240
<v Speaker 2>You're spending a lot of time with these people, you know,

0:21:49.280 --> 0:21:52.399
<v Speaker 2>building this thing. So they brought a lot of a

0:21:52.400 --> 0:21:56.960
<v Speaker 2>lot of experience, uh with them, you know, and and

0:21:57.040 --> 0:21:59.600
<v Speaker 2>of course I always have, you know, a lot of

0:21:59.640 --> 0:22:04.200
<v Speaker 2>respect for you know, anyone working in this industry because

0:22:04.240 --> 0:22:08.440
<v Speaker 2>it's unforgiving and it's not you know, people tend to

0:22:08.440 --> 0:22:13.120
<v Speaker 2>to to to want to you know, uh uh complain

0:22:13.160 --> 0:22:19.280
<v Speaker 2>a lot online about you know, certain companies and certain people,

0:22:19.320 --> 0:22:21.600
<v Speaker 2>but at the end of the day. It's it's not

0:22:21.760 --> 0:22:25.240
<v Speaker 2>easy putting on a music festival, and it's it's it's

0:22:25.600 --> 0:22:29.119
<v Speaker 2>it's like building a city, and it's it's extremely challenging,

0:22:29.800 --> 0:22:34.240
<v Speaker 2>extremely taxing, and and and long hours and making sure

0:22:34.280 --> 0:22:37.280
<v Speaker 2>that every detail is taken care of so that people

0:22:37.320 --> 0:22:39.960
<v Speaker 2>can have a good time. And uh and and and

0:22:40.080 --> 0:22:41.520
<v Speaker 2>and enjoy themselves.

0:22:42.119 --> 0:22:47.199
<v Speaker 1>Okay, you and your team were in control once Insomniac

0:22:47.720 --> 0:22:51.440
<v Speaker 1>got involved. In addition to the relationships in the act,

0:22:51.600 --> 0:22:55.199
<v Speaker 1>in terms of production, did they take care of all that?

0:22:57.000 --> 0:23:00.239
<v Speaker 2>So they took care of of of most of of

0:23:00.280 --> 0:23:02.720
<v Speaker 2>all the production, you know, the the nuts and bolts

0:23:02.760 --> 0:23:06.280
<v Speaker 2>if you want. Of course, you know, I was in

0:23:06.320 --> 0:23:09.560
<v Speaker 2>the room within a lot of the conversations, but I

0:23:09.600 --> 0:23:13.639
<v Speaker 2>didn't have the control for sure, of of of of

0:23:13.640 --> 0:23:17.000
<v Speaker 2>of where wherever they wanted to go with it. For instance, Uh,

0:23:18.000 --> 0:23:21.320
<v Speaker 2>you know, they changed the logo of our first three

0:23:21.400 --> 0:23:24.800
<v Speaker 2>years and uh and I was not involved in that process,

0:23:24.880 --> 0:23:28.320
<v Speaker 2>and and and and and and was quite shocked to

0:23:28.320 --> 0:23:31.119
<v Speaker 2>to to to see it because it was done without

0:23:31.280 --> 0:23:36.159
<v Speaker 2>with without my my opinion or anything. And so you know, uh,

0:23:37.520 --> 0:23:42.880
<v Speaker 2>I had more. Uh. The thing that I controlled during

0:23:42.920 --> 0:23:48.760
<v Speaker 2>our partnership was mostly the County relations and the bookings

0:23:48.880 --> 0:23:53.800
<v Speaker 2>of Jungle fifty one, which was an extension of my

0:23:54.440 --> 0:23:58.560
<v Speaker 2>New York City Parties series of events that I used

0:23:58.600 --> 0:23:59.240
<v Speaker 2>to do in New York.

0:23:59.320 --> 0:24:01.440
<v Speaker 3>So you know that for me was when we made

0:24:01.440 --> 0:24:01.760
<v Speaker 3>a deal.

0:24:02.040 --> 0:24:04.119
<v Speaker 2>I said, you know, you guys, do what you have

0:24:04.160 --> 0:24:07.320
<v Speaker 2>to do, but you know I'm going to control Jungle

0:24:07.320 --> 0:24:07.840
<v Speaker 2>fifty one.

0:24:08.400 --> 0:24:13.639
<v Speaker 1>Okay, COVID happened, you come back relatively early in twenty

0:24:13.760 --> 0:24:18.320
<v Speaker 1>twenty two, what happened in twenty twenty two and twenty

0:24:18.400 --> 0:24:19.280
<v Speaker 1>twenty three.

0:24:20.480 --> 0:24:23.480
<v Speaker 2>So we obviously had to take twenty twenty one off

0:24:23.560 --> 0:24:28.040
<v Speaker 2>because it takes us, you know, let's say a year

0:24:28.080 --> 0:24:29.919
<v Speaker 2>to plan a festival. You know, you're working on it

0:24:29.920 --> 0:24:32.879
<v Speaker 2>all all year round. You have to start the bookings earlier.

0:24:32.920 --> 0:24:36.600
<v Speaker 2>So we when we stopped the festival in twenty twenty,

0:24:37.119 --> 0:24:39.760
<v Speaker 2>I remember getting into my car and driving back up

0:24:39.800 --> 0:24:44.399
<v Speaker 2>to New York and stopping by the cheese and meat

0:24:44.400 --> 0:24:47.480
<v Speaker 2>shop to buy I think five hundred dollars worth of

0:24:47.520 --> 0:24:50.800
<v Speaker 2>cheese and meat to have something at home. I had

0:24:50.800 --> 0:24:53.080
<v Speaker 2>no idea how how long we were going to stay

0:24:53.080 --> 0:24:56.080
<v Speaker 2>stuck in this, and you know, nobody knew anything. So

0:24:56.200 --> 0:24:59.879
<v Speaker 2>I got a bunch of you know, disinfecting wipes, that

0:25:00.040 --> 0:25:04.520
<v Speaker 2>Walmart in Florida, which still had stuff compared to New York,

0:25:04.560 --> 0:25:07.760
<v Speaker 2>which everyone had bought everything out of out of everywhere

0:25:08.240 --> 0:25:11.400
<v Speaker 2>and arrived home and almost like a ghost town kind

0:25:11.440 --> 0:25:13.679
<v Speaker 2>of thing. And so from that point on, you know,

0:25:14.240 --> 0:25:17.359
<v Speaker 2>everyone got laid off from every single business on the

0:25:17.400 --> 0:25:26.399
<v Speaker 2>planet or put on furlough, and so we couldn't possibly

0:25:26.440 --> 0:25:29.000
<v Speaker 2>produce twenty twenty one. So it took us a year

0:25:29.119 --> 0:25:32.400
<v Speaker 2>to kind of collect ourselves and say, okay, well things

0:25:32.440 --> 0:25:34.840
<v Speaker 2>are kind of you know, getting back to normal.

0:25:34.920 --> 0:25:35.080
<v Speaker 1>Here.

0:25:35.359 --> 0:25:36.960
<v Speaker 3>People were partying like there.

0:25:36.840 --> 0:25:41.960
<v Speaker 2>Was no tomorrow in Tulu, Mexico, and Florida was you know,

0:25:42.000 --> 0:25:44.360
<v Speaker 2>as if nothing had happened. But you know, we could

0:25:44.400 --> 0:25:48.520
<v Speaker 2>still not responsibly. The whole industry was decimated, on the

0:25:48.560 --> 0:25:56.080
<v Speaker 2>live event industry with everyone being sent home, and you know,

0:25:55.880 --> 0:25:59.280
<v Speaker 2>you often speak about this because I read your newsletter

0:25:59.359 --> 0:26:07.000
<v Speaker 2>where there were you know, generational information from Rhodies and

0:26:07.080 --> 0:26:10.800
<v Speaker 2>all that experience that was passed down throughout these years

0:26:10.800 --> 0:26:13.639
<v Speaker 2>that was just lost. And and the new people who

0:26:13.720 --> 0:26:17.400
<v Speaker 2>came in, you know, had no more mentors, and and

0:26:17.480 --> 0:26:19.159
<v Speaker 2>all the people who kind of took a break who

0:26:19.200 --> 0:26:24.240
<v Speaker 2>were doing this day in day out and never were

0:26:24.240 --> 0:26:27.400
<v Speaker 2>able to step out of the hamster wheel, so to say,

0:26:27.440 --> 0:26:30.480
<v Speaker 2>you know, they they all kind of stopped and took

0:26:30.520 --> 0:26:33.000
<v Speaker 2>a you know, a slower pace of life and realized

0:26:33.040 --> 0:26:36.160
<v Speaker 2>that they didn't want to go back to this, to

0:26:36.160 --> 0:26:43.280
<v Speaker 2>to this crazy lifestyle. And so it's it's it was

0:26:43.320 --> 0:26:45.960
<v Speaker 2>impossible to put on twenty twenty one. But you know,

0:26:46.160 --> 0:26:50.480
<v Speaker 2>came March or April of twenty twenty one. We came

0:26:50.520 --> 0:26:53.840
<v Speaker 2>back to the table with Insomniac and and and and

0:26:54.080 --> 0:26:57.960
<v Speaker 2>decided to strike a long well the first year twenty

0:26:57.960 --> 0:27:01.639
<v Speaker 2>twenty was kind of an experience show year, right, So

0:27:01.760 --> 0:27:06.159
<v Speaker 2>then we you know, the negotiations stopped after this, and

0:27:06.200 --> 0:27:10.800
<v Speaker 2>we came back to the table the whole year to

0:27:10.920 --> 0:27:15.320
<v Speaker 2>figure out how to move forward and continue this for

0:27:15.400 --> 0:27:20.320
<v Speaker 2>twenty twenty two. And we we we decided to essentially

0:27:20.840 --> 0:27:24.600
<v Speaker 2>do a longer term agreement to do you know, a

0:27:24.680 --> 0:27:28.080
<v Speaker 2>series of events from twenty twenty two onwards. And so

0:27:28.119 --> 0:27:30.320
<v Speaker 2>we did twenty twenty two and twenty twenty three together.

0:27:31.240 --> 0:27:34.080
<v Speaker 1>And how is attendance in twenty twenty two and twenty

0:27:34.119 --> 0:27:34.720
<v Speaker 1>twenty three.

0:27:36.040 --> 0:27:39.840
<v Speaker 2>In twenty twenty two we had around twenty five thousand

0:27:39.960 --> 0:27:44.240
<v Speaker 2>and in twenty twenty six. We sorry, twenty twenty three,

0:27:44.680 --> 0:27:47.919
<v Speaker 2>we had around twenty six thousand from what I remember.

0:27:48.040 --> 0:27:54.959
<v Speaker 1>Okay, so until today in twenty four, twenty five, you're dark.

0:27:55.480 --> 0:27:59.760
<v Speaker 1>In addition to being dark, you part ways with Insomniac.

0:28:00.160 --> 0:28:01.199
<v Speaker 1>Tell me about all that?

0:28:02.960 --> 0:28:06.880
<v Speaker 2>Well, I, I, I don't really want to go into details,

0:28:06.960 --> 0:28:10.639
<v Speaker 2>nor can I you know, legally do that, but essentially,

0:28:12.000 --> 0:28:16.159
<v Speaker 2>you know, we just wanted to regain you know, I

0:28:16.200 --> 0:28:20.120
<v Speaker 2>wanted to to to regain my creative control and uh

0:28:20.280 --> 0:28:24.040
<v Speaker 2>and and and it brought me to to to to

0:28:24.040 --> 0:28:26.159
<v Speaker 2>to where I am now where where sound Singer is

0:28:26.200 --> 0:28:31.760
<v Speaker 2>again create controlling the event and uh and and and

0:28:31.760 --> 0:28:34.840
<v Speaker 2>and and looking ahead of us too to produce this

0:28:34.840 --> 0:28:35.760
<v Speaker 2>this music festival.

0:28:36.160 --> 0:28:38.280
<v Speaker 1>So why was there not at an event in twenty

0:28:38.360 --> 0:28:38.920
<v Speaker 1>twenty four?

0:28:40.320 --> 0:28:43.000
<v Speaker 2>There was no event in twenty twenty four because after

0:28:43.840 --> 0:28:49.280
<v Speaker 2>we separated, I needed to raise funds again, uh and

0:28:49.560 --> 0:28:53.440
<v Speaker 2>build up a team of of of people since I

0:28:53.480 --> 0:28:55.800
<v Speaker 2>don't didn't have a team anymore. So all of that

0:28:56.080 --> 0:29:00.880
<v Speaker 2>took a tremendous amount of effort to put everything together

0:29:01.040 --> 0:29:07.520
<v Speaker 2>and you know, get people to reinvest into the festival.

0:29:07.920 --> 0:29:14.160
<v Speaker 1>Okay, did you part ways with Insomniac? Because no, money

0:29:14.280 --> 0:29:17.720
<v Speaker 1>was being made or creative differences.

0:29:19.160 --> 0:29:23.280
<v Speaker 3>I can't actually go into detail of that. I'm sorry.

0:29:23.920 --> 0:29:28.800
<v Speaker 1>Okay, it's done with Insomniac. The last show plays in

0:29:28.880 --> 0:29:34.080
<v Speaker 1>twenty twenty three. At that time, were you always planning

0:29:34.160 --> 0:29:37.400
<v Speaker 1>to come back or were you planning to sit on

0:29:37.440 --> 0:29:40.080
<v Speaker 1>the sidelines and all of a sudden decided let's do

0:29:40.160 --> 0:29:40.600
<v Speaker 1>it again.

0:29:41.000 --> 0:29:46.880
<v Speaker 2>I wake up every day without no matter what happens

0:29:46.880 --> 0:29:49.880
<v Speaker 2>in my life, with the ambition to come back to

0:29:50.520 --> 0:29:52.560
<v Speaker 2>Sunshine Grove and put on the festival.

0:29:53.120 --> 0:29:54.760
<v Speaker 3>So it's always.

0:29:54.560 --> 0:29:58.560
<v Speaker 2>My my my resondet, you know, my.

0:30:00.160 --> 0:30:01.600
<v Speaker 3>Drives me is to put on this show.

0:30:01.920 --> 0:30:07.520
<v Speaker 1>Okay, the festival's never made any money. What is your

0:30:07.680 --> 0:30:13.480
<v Speaker 1>pitch to the new investors.

0:30:12.040 --> 0:30:17.240
<v Speaker 2>Well, it's it's it's that you know, we are a a.

0:30:16.280 --> 0:30:21.520
<v Speaker 3>A pivotal.

0:30:23.360 --> 0:30:27.080
<v Speaker 2>Music festival in the southeast of the US. We we

0:30:27.240 --> 0:30:31.600
<v Speaker 2>mean a lot to so many people here, so there's

0:30:31.640 --> 0:30:36.800
<v Speaker 2>an incredible opportunity to UH to develop something not only

0:30:36.840 --> 0:30:38.480
<v Speaker 2>on the music festival.

0:30:40.040 --> 0:30:40.680
<v Speaker 3>Side, and.

0:30:42.120 --> 0:30:48.640
<v Speaker 2>Also in the development of the of the property, to

0:30:48.800 --> 0:30:52.640
<v Speaker 2>create a a three hundred and and sixty five days

0:30:52.640 --> 0:30:53.120
<v Speaker 2>a year.

0:30:55.000 --> 0:30:57.040
<v Speaker 3>Situation. So I think that.

0:30:57.440 --> 0:31:00.440
<v Speaker 2>For a lot of people, it's it's it's they see

0:31:00.440 --> 0:31:03.560
<v Speaker 2>the bigger picture. And also we all know, you know

0:31:03.600 --> 0:31:06.400
<v Speaker 2>that Coachella took you know, ten years or so to

0:31:06.400 --> 0:31:10.200
<v Speaker 2>to make money, and and and after that they made

0:31:10.200 --> 0:31:12.560
<v Speaker 2>a lot of money. Right, So it's it's it's a

0:31:12.600 --> 0:31:15.680
<v Speaker 2>matter of of of of sticking through with it, and

0:31:15.720 --> 0:31:18.320
<v Speaker 2>it's the people who are able to stick through with

0:31:18.400 --> 0:31:21.600
<v Speaker 2>it the most who succeed at the end.

0:31:21.800 --> 0:31:24.960
<v Speaker 3>So it's not about you know, someone said success.

0:31:24.640 --> 0:31:29.800
<v Speaker 2>Is is falling down seven times and getting up eight times, right,

0:31:29.880 --> 0:31:32.040
<v Speaker 2>So that's what it's it's all about.

0:31:32.160 --> 0:31:36.600
<v Speaker 1>You know. Okay, we're a week out. How many tickets

0:31:36.600 --> 0:31:37.240
<v Speaker 1>have you sold?

0:31:38.600 --> 0:31:40.840
<v Speaker 2>We sold a lot of tickets. I'm not gonna go

0:31:40.920 --> 0:31:44.240
<v Speaker 2>into details, but we've sold out of a lot of

0:31:44.280 --> 0:31:50.920
<v Speaker 2>different areas and we of course always would like to

0:31:50.960 --> 0:31:54.760
<v Speaker 2>sell more tickets because we can always make more space

0:31:55.240 --> 0:32:01.880
<v Speaker 2>if we want. And we we're just excited to be

0:32:01.920 --> 0:32:05.040
<v Speaker 2>coming back and to uh and and to to putting

0:32:05.040 --> 0:32:07.880
<v Speaker 2>on the show. You know, we're where everything is coming together.

0:32:08.400 --> 0:32:12.640
<v Speaker 2>The stages are almost uh all of them up already.

0:32:12.880 --> 0:32:16.720
<v Speaker 2>The fence lines, all the fencing is is already laid

0:32:16.720 --> 0:32:20.640
<v Speaker 2>out across. A lot of containers have been dropped, a

0:32:20.640 --> 0:32:24.360
<v Speaker 2>lot of comfort stations, all the poor the partties. So

0:32:24.400 --> 0:32:30.600
<v Speaker 2>we're we're pretty much you know there, what's what's happening

0:32:30.640 --> 0:32:34.600
<v Speaker 2>now between now and uh and and and the day

0:32:34.640 --> 0:32:38.360
<v Speaker 2>we open doors. It's all the scenic all the the art,

0:32:38.520 --> 0:32:42.720
<v Speaker 2>all the the decoration that goes around the property.

0:32:43.360 --> 0:32:47.720
<v Speaker 1>Okay, you keep talking about this property, and you talked

0:32:47.720 --> 0:32:54.200
<v Speaker 1>about long term things using the property. Who owned the property?

0:32:54.840 --> 0:32:59.800
<v Speaker 2>The property is owned by by myself, you know, through

0:32:59.800 --> 0:33:05.320
<v Speaker 2>a company that basically at the beginning it was kind

0:33:05.360 --> 0:33:09.240
<v Speaker 2>of divided in one hundred and fifty plots or something

0:33:09.360 --> 0:33:14.080
<v Speaker 2>like that, and when we formed the business in twenty fifteen,

0:33:14.640 --> 0:33:17.880
<v Speaker 2>a quarter of it of the property was bought straight up.

0:33:19.240 --> 0:33:25.200
<v Speaker 2>The second part was rented from the original owner, which

0:33:25.280 --> 0:33:27.920
<v Speaker 2>was the house in the center, for seven years, with

0:33:27.960 --> 0:33:32.520
<v Speaker 2>the obligation to buy it after seven years. And the

0:33:32.600 --> 0:33:37.800
<v Speaker 2>third part was you know, bought with mortgages from private

0:33:37.840 --> 0:33:41.200
<v Speaker 2>individuals that was like, you know, let's call it thirty

0:33:41.240 --> 0:33:44.440
<v Speaker 2>to forty plots. And then the remainder of the thirty

0:33:44.440 --> 0:33:47.200
<v Speaker 2>to forty plots that we didn't own, we used to

0:33:47.240 --> 0:33:50.200
<v Speaker 2>rent them year after year when we did the festival,

0:33:50.760 --> 0:33:57.640
<v Speaker 2>and we eventually bought them one by one until recently

0:33:57.760 --> 0:34:00.480
<v Speaker 2>maybe a few years ago when the last plot was

0:34:00.520 --> 0:34:04.280
<v Speaker 2>bought and the whole property was consolidated into one big plot.

0:34:04.880 --> 0:34:09.880
<v Speaker 1>Okay, before you had the festival, there were there events

0:34:09.920 --> 0:34:12.200
<v Speaker 1>in this same area.

0:34:12.760 --> 0:34:16.879
<v Speaker 2>There were no events in the same area other than

0:34:17.920 --> 0:34:21.959
<v Speaker 2>something called Mudfest, which is basically a bunch of off

0:34:22.080 --> 0:34:29.319
<v Speaker 2>road lifted trucks sliding around in the mud. And it

0:34:29.440 --> 0:34:33.279
<v Speaker 2>was a pretty rustic kind of festival. That was the

0:34:33.320 --> 0:34:36.640
<v Speaker 2>only experience from the county for any type of festival

0:34:37.800 --> 0:34:38.440
<v Speaker 2>in the region.

0:34:38.920 --> 0:34:45.600
<v Speaker 1>Okay, there's a city called Okechobee. How far is your

0:34:45.680 --> 0:34:51.560
<v Speaker 1>site from air? Quote civilization and what does civilization say

0:34:51.600 --> 0:34:55.320
<v Speaker 1>about it? Some communities are open to having a festival,

0:34:55.600 --> 0:34:58.320
<v Speaker 1>other ones are a thorn in your side.

0:34:59.480 --> 0:35:02.719
<v Speaker 2>Well, you know, Oki Chobe center of Okichobe is is,

0:35:03.600 --> 0:35:10.280
<v Speaker 2>you know, twenty five minutes away from where we are located.

0:35:10.400 --> 0:35:12.759
<v Speaker 2>And just to to give you a little bit of

0:35:12.800 --> 0:35:14.480
<v Speaker 2>the of the color, you know, when you when you

0:35:14.520 --> 0:35:17.439
<v Speaker 2>get to the center, there's a there's an army tank

0:35:18.080 --> 0:35:21.800
<v Speaker 2>and an army helicopter and an army machine gun on display.

0:35:22.400 --> 0:35:25.520
<v Speaker 2>So that's a a CVS and a and a Walgreens.

0:35:26.160 --> 0:35:31.560
<v Speaker 2>So that's what the center of town looks like. The beginning,

0:35:32.160 --> 0:35:37.719
<v Speaker 2>I think that well, to take a step back, Okichobe

0:35:37.760 --> 0:35:42.360
<v Speaker 2>has around one hundred and twenty thousand cows and thirty

0:35:42.440 --> 0:35:43.880
<v Speaker 2>thousand people.

0:35:44.480 --> 0:35:47.600
<v Speaker 3>So it's a very rural.

0:35:47.440 --> 0:35:52.920
<v Speaker 2>County where the Cattleman's Association hold a lot of power

0:35:52.960 --> 0:35:59.080
<v Speaker 2>here and and you know, extremely hard working people who

0:35:59.600 --> 0:36:03.040
<v Speaker 2>you know, all give their everything to to to their

0:36:03.120 --> 0:36:06.359
<v Speaker 2>land and their animals and and the whole industry that

0:36:06.360 --> 0:36:10.960
<v Speaker 2>that they operate. So at the beginning, we were welcomed

0:36:11.000 --> 0:36:15.200
<v Speaker 2>with some skepticism. You know, of course, uh some people

0:36:15.239 --> 0:36:19.560
<v Speaker 2>didn't want us around. But I think that after our

0:36:19.600 --> 0:36:23.040
<v Speaker 2>first year and and you know, them realizing that we

0:36:23.040 --> 0:36:28.439
<v Speaker 2>were mostly a peaceful organization, uh with with kids who

0:36:28.600 --> 0:36:30.759
<v Speaker 2>just come here wanting to have a good time and

0:36:31.680 --> 0:36:39.160
<v Speaker 2>not getting into fights or anything like that, basically they

0:36:39.600 --> 0:36:43.960
<v Speaker 2>they we we won the people over little by little.

0:36:45.360 --> 0:36:48.600
<v Speaker 1>Okay, what is so special about this land?

0:36:51.239 --> 0:36:55.440
<v Speaker 2>I think what is mostly special about it is that

0:36:55.560 --> 0:37:02.120
<v Speaker 2>it's it's pretty much untouched other than having a very

0:37:02.200 --> 0:37:05.880
<v Speaker 2>large log cabin in the center and a system of

0:37:06.040 --> 0:37:09.920
<v Speaker 2>roads that connect the whole property.

0:37:11.239 --> 0:37:13.080
<v Speaker 3>From one area to another.

0:37:14.200 --> 0:37:18.760
<v Speaker 2>But more importantly that it has this incredible vegetation which

0:37:18.840 --> 0:37:22.799
<v Speaker 2>makes you feel like you're somewhere in the tropics with

0:37:22.960 --> 0:37:28.680
<v Speaker 2>palm trees and jungle and underbrush that is very atypical

0:37:28.800 --> 0:37:32.440
<v Speaker 2>of the rest of the country. And lots of wild

0:37:32.520 --> 0:37:39.839
<v Speaker 2>animal here, so you know, everything from deer to armadillos, skunks, raccoons.

0:37:41.760 --> 0:37:47.160
<v Speaker 2>We of course have alligators that we remove before the festival,

0:37:48.400 --> 0:37:50.960
<v Speaker 2>but you know, in Florida, if you remove alligators, you know,

0:37:51.120 --> 0:37:54.719
<v Speaker 2>a few weeks later they come back, so you know,

0:37:54.880 --> 0:37:57.200
<v Speaker 2>they're generally harmless if you stay out of their ways.

0:37:57.719 --> 0:38:01.080
<v Speaker 2>But we definitely remove these. But this is what makes

0:38:01.120 --> 0:38:07.920
<v Speaker 2>this land special. It's the the the topography of the

0:38:07.960 --> 0:38:11.399
<v Speaker 2>trees and grass and everything else that we have here.

0:38:12.320 --> 0:38:16.880
<v Speaker 1>So if I'm at this festival forgetting the alligators, I

0:38:16.920 --> 0:38:18.520
<v Speaker 1>will see wild animals.

0:38:19.320 --> 0:38:22.440
<v Speaker 2>It's very, very possible that you will see wild animals

0:38:22.440 --> 0:38:27.040
<v Speaker 2>from sandal cranes who come right very close up to people.

0:38:27.080 --> 0:38:29.920
<v Speaker 2>They're kind of used to us, they're not afraid of

0:38:30.000 --> 0:38:34.080
<v Speaker 2>us to you know, many other types of birds, blue

0:38:34.080 --> 0:38:37.759
<v Speaker 2>hair blue herons, which is the largest I think it's

0:38:37.840 --> 0:38:43.200
<v Speaker 2>the largest bird in North America, as well as lots

0:38:43.200 --> 0:38:49.200
<v Speaker 2>of armadillos, lots of uh, you know, raccoons and skunks. Yeah,

0:38:49.440 --> 0:38:51.520
<v Speaker 2>the high chance you might see some animals.

0:38:51.560 --> 0:38:58.680
<v Speaker 1>Absolutely, okay, sell me, not me. The average person in America,

0:38:58.960 --> 0:39:01.360
<v Speaker 1>they're walking down the street, they don't know something and

0:39:01.400 --> 0:39:03.759
<v Speaker 1>they run into you and you say, oh, I have

0:39:03.840 --> 0:39:07.160
<v Speaker 1>this festival. There's you know, there's a number of festivals

0:39:07.200 --> 0:39:10.319
<v Speaker 1>out there. What is your pitch about what makes your

0:39:10.400 --> 0:39:11.480
<v Speaker 1>festival so great?

0:39:13.040 --> 0:39:18.759
<v Speaker 2>Well, we're one of the few truly camping festivals in

0:39:18.800 --> 0:39:23.440
<v Speaker 2>our region. We are the weather is excellent, it's not

0:39:23.640 --> 0:39:28.040
<v Speaker 2>too hot, not too cold. It's it's not humid and

0:39:28.680 --> 0:39:33.880
<v Speaker 2>muggy like other places. It's it's really blue skies at

0:39:33.920 --> 0:39:37.680
<v Speaker 2>that time of the year. March in Florida. We're close

0:39:37.719 --> 0:39:41.360
<v Speaker 2>to you know, close enough to Miami and Orlando.

0:39:42.480 --> 0:39:42.879
<v Speaker 3>We are.

0:39:45.719 --> 0:39:48.480
<v Speaker 2>We have incredible music. We have one hundred and twenty

0:39:48.560 --> 0:39:56.000
<v Speaker 2>artists for four days, so the the bank for your buck,

0:39:56.200 --> 0:40:01.400
<v Speaker 2>as they say, is highly worth it. We have an

0:40:01.440 --> 0:40:06.960
<v Speaker 2>incredible amount of food offerings from you know, anything from

0:40:07.000 --> 0:40:10.280
<v Speaker 2>hot dogs and French fries to you know, an Argentine

0:40:10.480 --> 0:40:13.480
<v Speaker 2>Argentinian parilia.

0:40:13.800 --> 0:40:16.280
<v Speaker 3>Which is like an Argentine word for barbecue.

0:40:18.280 --> 0:40:23.520
<v Speaker 2>We have so many different activities, you know, from yoga

0:40:23.560 --> 0:40:29.200
<v Speaker 2>and meditations to uh frick frock black jack, which is

0:40:30.120 --> 0:40:32.840
<v Speaker 2>you know, a really fun place where you can go

0:40:32.920 --> 0:40:38.280
<v Speaker 2>in and play casino with with you know, you could

0:40:38.560 --> 0:40:40.840
<v Speaker 2>put your pair of shoes or or something like that,

0:40:40.880 --> 0:40:43.640
<v Speaker 2>because obviously we're not doing it with money. But there's

0:40:43.760 --> 0:40:47.560
<v Speaker 2>there's a lot of of different things to do and

0:40:47.680 --> 0:40:51.399
<v Speaker 2>walk around and being outdoors with your best friends and uh,

0:40:51.480 --> 0:40:56.080
<v Speaker 2>and and and seeing some incredible talent on six different

0:40:56.080 --> 0:41:01.680
<v Speaker 2>stages on an eight hundred acre pro which I always

0:41:01.680 --> 0:41:03.759
<v Speaker 2>tell people that's the size of Central Park in New

0:41:03.840 --> 0:41:05.360
<v Speaker 2>York and it's clean.

0:41:13.760 --> 0:41:19.400
<v Speaker 1>Okay, you have VIP packages. What percentage of your audience

0:41:19.480 --> 0:41:24.680
<v Speaker 1>buys VIP and what are the varying VIP packages look like?

0:41:26.239 --> 0:41:29.359
<v Speaker 2>I would say the percentage is around ten percent of

0:41:29.400 --> 0:41:36.080
<v Speaker 2>the audience we have mainly you know, within VIP you

0:41:36.120 --> 0:41:39.040
<v Speaker 2>can either stay in a glamping tent or in a

0:41:39.080 --> 0:41:45.160
<v Speaker 2>preset RV, or you can even go one step up

0:41:45.480 --> 0:41:51.440
<v Speaker 2>than that you stay in a rockstar type of bus,

0:41:51.480 --> 0:41:53.640
<v Speaker 2>you know, which is that's like the top of the

0:41:53.680 --> 0:41:55.040
<v Speaker 2>top of the VIP.

0:41:57.000 --> 0:42:03.480
<v Speaker 1>Okay, you have rooms in the electronic music world, how

0:42:03.560 --> 0:42:06.080
<v Speaker 1>does Cage the Elephant become the headliner?

0:42:07.640 --> 0:42:08.640
<v Speaker 3>Well, it's very simple.

0:42:08.680 --> 0:42:11.040
<v Speaker 2>You know, it doesn't matter what I like, it's uh,

0:42:11.239 --> 0:42:14.920
<v Speaker 2>it's you know, we we have to cater to a

0:42:15.080 --> 0:42:18.080
<v Speaker 2>very wide audience, and that's what we're trying to do.

0:42:18.120 --> 0:42:20.560
<v Speaker 2>And that's what you know Ben Baruk and Dave nit

0:42:20.640 --> 0:42:25.440
<v Speaker 2>Niedbowski from Grand Rising Curations uh do very well. Is

0:42:25.480 --> 0:42:28.520
<v Speaker 2>that they book all of the other stuff. You know,

0:42:28.600 --> 0:42:31.399
<v Speaker 2>I can focus on the on the techno and house

0:42:31.520 --> 0:42:35.880
<v Speaker 2>music DJs and and and some other odd artists here

0:42:35.920 --> 0:42:39.200
<v Speaker 2>here and there, and they can take care of everything

0:42:39.239 --> 0:42:43.880
<v Speaker 2>that is, you know, the cage, the elephants, the t panes, uh.

0:42:43.360 --> 0:42:45.600
<v Speaker 3>The grizz the Grizzes of this World.

0:42:45.920 --> 0:42:51.440
<v Speaker 2>And uh uh and and more, you know, LCD sound System,

0:42:51.520 --> 0:42:52.560
<v Speaker 2>et cetera, et cetera.

0:42:53.600 --> 0:42:55.840
<v Speaker 1>Well, you've been doing this for a while. To what

0:42:56.040 --> 0:42:59.680
<v Speaker 1>degree is a festival success dependent on the line up?

0:43:03.400 --> 0:43:09.760
<v Speaker 2>The festival success is I think I would say maybe,

0:43:10.520 --> 0:43:12.600
<v Speaker 2>you know, it's something that we haven't been able to

0:43:12.680 --> 0:43:17.600
<v Speaker 2>actually determine. I'd love to be able to know the

0:43:17.640 --> 0:43:21.440
<v Speaker 2>answer to that, but my guess is that it's you know,

0:43:22.840 --> 0:43:30.160
<v Speaker 2>sixty percent lineup forty percent location. I'd like it to

0:43:30.200 --> 0:43:36.280
<v Speaker 2>be more location than lineup. But I think that people

0:43:36.360 --> 0:43:40.160
<v Speaker 2>have a lot of very high expectations from the lineup

0:43:40.200 --> 0:43:44.600
<v Speaker 2>because we started in twenty sixteen, very very big.

0:43:44.640 --> 0:43:46.040
<v Speaker 3>So it's very.

0:43:45.880 --> 0:43:49.200
<v Speaker 2>Difficult for us to backtrack from that and say, Okay,

0:43:49.280 --> 0:43:54.560
<v Speaker 2>you know what, we're not going to be booking any headliners,

0:43:54.640 --> 0:43:56.720
<v Speaker 2>you know, but what's the headliner anyway?

0:43:56.760 --> 0:43:57.440
<v Speaker 3>Nowadays? Right?

0:43:57.560 --> 0:44:00.360
<v Speaker 2>You know, you know very well that we're not living

0:44:00.400 --> 0:44:05.600
<v Speaker 2>in a in a monoculture anymore, and that one headliner

0:44:06.320 --> 0:44:10.440
<v Speaker 2>means something to someone and nothing to a lot of people.

0:44:11.000 --> 0:44:13.920
<v Speaker 2>So how do you how do you even pick the headliner? Right,

0:44:14.040 --> 0:44:16.799
<v Speaker 2>it's a it's it's it's still a mystery to me.

0:44:18.080 --> 0:44:22.480
<v Speaker 1>Okay. Coachella famously has certain restrictions, you know, in terms

0:44:22.520 --> 0:44:26.120
<v Speaker 1>of worry the act can play, how close, how frequently

0:44:26.840 --> 0:44:30.640
<v Speaker 1>you're a festival, unlike you're like very early in the season.

0:44:31.680 --> 0:44:36.160
<v Speaker 1>So when you book talent, do you put any restrictions on?

0:44:36.560 --> 0:44:39.840
<v Speaker 1>Are you worried about the fact that your one act

0:44:39.880 --> 0:44:44.560
<v Speaker 1>may play twenty festivals? Are these considerations?

0:44:44.960 --> 0:44:50.680
<v Speaker 2>Look, we we book first of all, Coachella is a

0:44:50.760 --> 0:44:55.160
<v Speaker 2>month after us. They're in April. I think they're also

0:44:55.440 --> 0:44:59.239
<v Speaker 2>very very far from from where we are, So for me,

0:44:59.320 --> 0:45:02.279
<v Speaker 2>it doesn't make sense their restrictions. You know, we've had

0:45:02.320 --> 0:45:06.239
<v Speaker 2>several artists in the past who had signed contracts with US,

0:45:06.840 --> 0:45:12.000
<v Speaker 2>and they decided last minute because Coachella wanted to book

0:45:12.040 --> 0:45:15.120
<v Speaker 2>them to kind of you know, rip the contract apart

0:45:15.800 --> 0:45:18.880
<v Speaker 2>and uh and and and go with Coachella. And you know,

0:45:19.520 --> 0:45:22.560
<v Speaker 2>of course we can legally attack them, but we're not

0:45:22.560 --> 0:45:24.960
<v Speaker 2>going to do that, because what's the point. You know,

0:45:25.000 --> 0:45:27.520
<v Speaker 2>you're you're you're doing business with all these agencies, and

0:45:28.080 --> 0:45:29.880
<v Speaker 2>you know it's fine. You just find a replacement and

0:45:29.920 --> 0:45:33.920
<v Speaker 2>you move on, you know, you know, with with with

0:45:34.080 --> 0:45:37.879
<v Speaker 2>with what we're doing here in in Florida. We try

0:45:37.880 --> 0:45:42.960
<v Speaker 2>to put a a a a five hundred mile kind

0:45:43.040 --> 0:45:47.360
<v Speaker 2>of radius clause which covers most of the state of Florida.

0:45:47.960 --> 0:45:50.600
<v Speaker 2>And you know, some artists, especially in my world, they

0:45:50.640 --> 0:45:53.160
<v Speaker 2>always ask me, they say, okay, but can we play

0:45:53.239 --> 0:45:56.880
<v Speaker 2>you know, the Winter Music Conference in Miami, which is

0:45:57.120 --> 0:45:59.799
<v Speaker 2>you know, the weekend after US which is now called

0:45:59.840 --> 0:46:03.759
<v Speaker 2>Myami Music Week by the way. And you know, I

0:46:03.800 --> 0:46:07.560
<v Speaker 2>always tell them, you know, sure, but you can't announce

0:46:07.640 --> 0:46:11.080
<v Speaker 2>it until after our festival, you know, so they have

0:46:11.160 --> 0:46:13.880
<v Speaker 2>to keep it as a special guest and then they

0:46:13.880 --> 0:46:17.480
<v Speaker 2>can start promoting it once with.

0:46:17.719 --> 0:46:19.120
<v Speaker 3>I think that's a fair approach.

0:46:20.600 --> 0:46:25.120
<v Speaker 1>Okay, you are in Florida, One of the advantages of

0:46:25.200 --> 0:46:28.399
<v Speaker 1>Coachella is the weather. It could be hot, it can

0:46:28.480 --> 0:46:33.279
<v Speaker 1>be cold, but it ain't gonna rain. These New York festivals,

0:46:33.760 --> 0:46:37.600
<v Speaker 1>you know, they'll have it down poor. What is the

0:46:37.640 --> 0:46:40.399
<v Speaker 1>situation in Florida? Been doing this for a while? Can

0:46:40.520 --> 0:46:42.080
<v Speaker 1>it rain and ruin a whole day?

0:46:42.840 --> 0:46:45.480
<v Speaker 2>So we're we're at the end of the dry season.

0:46:46.760 --> 0:46:50.120
<v Speaker 2>The rainy season is typically from April to November and

0:46:50.239 --> 0:46:54.520
<v Speaker 2>dry from December to March. So we're at the end

0:46:54.520 --> 0:46:58.120
<v Speaker 2>of that, and it has been extremely dry for the

0:46:58.200 --> 0:47:01.920
<v Speaker 2>last two three months. You know, it actually froze. Everything

0:47:01.960 --> 0:47:05.920
<v Speaker 2>froze a few months ago. I think it was in

0:47:06.120 --> 0:47:09.560
<v Speaker 2>January or early February, and I was here and I

0:47:10.400 --> 0:47:13.040
<v Speaker 2>was wearing you know, I didn't plan for this, and

0:47:13.080 --> 0:47:16.120
<v Speaker 2>I just brought a hoodie and a light jacket, so

0:47:16.160 --> 0:47:20.440
<v Speaker 2>I was it was supposedly colder in Florida than it

0:47:20.520 --> 0:47:24.200
<v Speaker 2>was in Alaska on those days. I don't know if

0:47:24.200 --> 0:47:27.560
<v Speaker 2>you remember that, I do, but in any case, that

0:47:27.719 --> 0:47:31.080
<v Speaker 2>was kind of unusual. And and since then it's been

0:47:31.120 --> 0:47:38.480
<v Speaker 2>extremely dry with danger of fires, you know, wildfire's happening,

0:47:39.000 --> 0:47:42.239
<v Speaker 2>and so it's in the past few weeks since I've

0:47:42.239 --> 0:47:47.920
<v Speaker 2>been here on site. It's been raining a little bit

0:47:47.960 --> 0:47:56.319
<v Speaker 2>here and there, which has been most welcomed, and it

0:47:56.480 --> 0:47:59.560
<v Speaker 2>has only in the past six years that we've done.

0:47:59.560 --> 0:48:01.800
<v Speaker 2>The past six events that we've done, it only rained

0:48:01.840 --> 0:48:06.080
<v Speaker 2>once on Thursday, opening day and that was just a

0:48:06.160 --> 0:48:11.440
<v Speaker 2>tiny bit of rain. It didn't affect much, you know,

0:48:11.520 --> 0:48:13.960
<v Speaker 2>so we've been very lucky. But it could you know,

0:48:14.040 --> 0:48:19.000
<v Speaker 2>you could have a thunderstorm, freak weather's climate happening, you know,

0:48:19.160 --> 0:48:22.279
<v Speaker 2>like you can you know what happened at in Tomorrowland

0:48:22.320 --> 0:48:25.840
<v Speaker 2>in Georgia where they had to cancel, and Bonnaroo and

0:48:26.120 --> 0:48:29.440
<v Speaker 2>all these other festivals. So we've been extremely lucky up

0:48:29.440 --> 0:48:29.839
<v Speaker 2>to now.

0:48:30.600 --> 0:48:32.760
<v Speaker 1>How do you establish pricing.

0:48:34.520 --> 0:48:37.800
<v Speaker 2>Well, we we we back out, that's a very good question.

0:48:37.880 --> 0:48:40.879
<v Speaker 2>We we basically back out of our costs and we

0:48:40.920 --> 0:48:45.279
<v Speaker 2>priced it based on how much everything costs us. You know,

0:48:45.320 --> 0:48:48.560
<v Speaker 2>we can't price the tickets lower than what it cost

0:48:48.680 --> 0:48:52.960
<v Speaker 2>us to put on the show. And of course, you know,

0:48:53.000 --> 0:48:55.440
<v Speaker 2>people keep on putting their prices up, so we have

0:48:55.520 --> 0:48:57.879
<v Speaker 2>to put our prices up. It's not that we want

0:48:57.920 --> 0:49:01.279
<v Speaker 2>to have our tickets priced at what they're we we

0:49:01.400 --> 0:49:03.719
<v Speaker 2>actually would like to make it affordable to everyone. But

0:49:04.320 --> 0:49:07.920
<v Speaker 2>the nature of the beast makes it that we can't

0:49:08.120 --> 0:49:10.880
<v Speaker 2>uh price the tickets any lower because if now we

0:49:10.960 --> 0:49:11.720
<v Speaker 2>go out of business.

0:49:12.680 --> 0:49:17.040
<v Speaker 1>Are you concerned about your prices relative to other festivals?

0:49:18.200 --> 0:49:22.600
<v Speaker 2>We're actually uh very well priced. We're compared to to

0:49:22.760 --> 0:49:25.920
<v Speaker 2>all the similar festivals. We're we're right on par with

0:49:26.080 --> 0:49:30.880
<v Speaker 2>what everyone else is pricing. What I'm concerned about is

0:49:31.320 --> 0:49:35.479
<v Speaker 2>more this uh economy that we're having in America, which

0:49:35.520 --> 0:49:38.680
<v Speaker 2>is you know, propped up by the AI bubble.

0:49:39.360 --> 0:49:39.520
<v Speaker 1>Uh.

0:49:40.400 --> 0:49:43.839
<v Speaker 3>You know, people are really uh.

0:49:43.320 --> 0:49:46.960
<v Speaker 2>Suffering out there. There's there's there's a real problem of

0:49:47.120 --> 0:49:51.680
<v Speaker 2>disposable income. And and you know, festivals I think are

0:49:51.680 --> 0:49:55.640
<v Speaker 2>are are are are what goes goes out the window

0:49:55.719 --> 0:49:59.920
<v Speaker 2>the fastest because people are saving up to you know,

0:50:00.120 --> 0:50:02.080
<v Speaker 2>see if they can afford to go to the supermarket

0:50:02.440 --> 0:50:05.960
<v Speaker 2>to buy food. So, you know, we feel it, we

0:50:06.040 --> 0:50:08.839
<v Speaker 2>see it, we hear it in the comments. It's it's

0:50:09.080 --> 0:50:11.799
<v Speaker 2>it's a really a good a good gauge of what's

0:50:11.840 --> 0:50:14.319
<v Speaker 2>going on around the country. It's a it's a it's

0:50:14.320 --> 0:50:16.880
<v Speaker 2>a real shame that we got to this point. But

0:50:16.960 --> 0:50:19.600
<v Speaker 2>without any finger pointing, you know, this is where we are.

0:50:20.719 --> 0:50:26.560
<v Speaker 1>What percentage of people sleep overnight on the site.

0:50:28.080 --> 0:50:28.640
<v Speaker 3>Everybody.

0:50:29.719 --> 0:50:31.800
<v Speaker 1>Everybody, Okay, close.

0:50:31.640 --> 0:50:34.120
<v Speaker 2>To ninety eight percent. I mean other than people who

0:50:34.200 --> 0:50:37.440
<v Speaker 2>come in for the day. We sell day passes, you know,

0:50:37.560 --> 0:50:42.719
<v Speaker 2>so you know I would say I would say ten

0:50:42.800 --> 0:50:45.080
<v Speaker 2>percent maybe come for the day.

0:50:45.400 --> 0:50:48.960
<v Speaker 1>Let's just assume. You know, it's like at Bontaroo. There

0:50:48.960 --> 0:50:52.480
<v Speaker 1>are people who stay at hotels and drive in. Is

0:50:52.520 --> 0:50:55.880
<v Speaker 1>that even an option? Or the hotels are too far away.

0:50:56.760 --> 0:50:59.360
<v Speaker 2>The hotels are kind of too far away. They're the

0:50:59.440 --> 0:51:02.879
<v Speaker 2>closest tell is the Hampton's Inn in Okechobe Town. That's

0:51:02.920 --> 0:51:07.560
<v Speaker 2>twenty five minutes, third thirty minutes. It's it's really you know,

0:51:08.520 --> 0:51:11.040
<v Speaker 2>if you're coming to this camping festival, you you really

0:51:11.080 --> 0:51:20.879
<v Speaker 2>want to experience the event by staying on site, which

0:51:20.960 --> 0:51:26.240
<v Speaker 2>is which is not recommended to stay in a hotel,

0:51:26.280 --> 0:51:28.080
<v Speaker 2>but you can do that and get a day ticket.

0:51:28.200 --> 0:51:31.080
<v Speaker 2>Or some people who live in Port Saint Lucie or

0:51:31.600 --> 0:51:34.880
<v Speaker 2>Orlando or Miami, you know, they can come in for

0:51:34.960 --> 0:51:37.359
<v Speaker 2>the day, but then they have to drive back for

0:51:37.440 --> 0:51:41.280
<v Speaker 2>two hours or whatever. So you know, it's much nicer

0:51:41.320 --> 0:51:44.160
<v Speaker 2>to just slip into your tent or your RV at

0:51:44.200 --> 0:51:47.600
<v Speaker 2>the end of the day and waking up on site.

0:51:48.000 --> 0:51:51.320
<v Speaker 1>What percentage of people are intents, what percentage of people

0:51:51.360 --> 0:51:54.560
<v Speaker 1>are in RVs and what percentage of people are glamping

0:51:54.640 --> 0:51:56.799
<v Speaker 1>in structures that you construct.

0:51:57.800 --> 0:52:03.520
<v Speaker 2>I think I would say eighty ten eighty, and then nine,

0:52:03.760 --> 0:52:07.240
<v Speaker 2>like ten percent in in bell tense, and then maybe

0:52:07.239 --> 0:52:09.560
<v Speaker 2>another ten percent in r vs.

0:52:10.400 --> 0:52:17.759
<v Speaker 1>Roughly, Okay, you're in Florida. Festivals are known for illegal

0:52:17.880 --> 0:52:22.239
<v Speaker 1>drug use, and Florida is not a state that is

0:52:22.320 --> 0:52:25.839
<v Speaker 1>friendly to that. How do you approach that issue?

0:52:26.719 --> 0:52:29.880
<v Speaker 2>Well, you know, thankfully that's in the hands of the

0:52:29.960 --> 0:52:33.279
<v Speaker 2>law enforcements I have. I'm pretty hands off when it

0:52:33.280 --> 0:52:35.000
<v Speaker 2>comes to the stuff. The law is the law, and

0:52:35.760 --> 0:52:38.360
<v Speaker 2>you know, you get nicked, you can get you get kicked,

0:52:39.000 --> 0:52:40.040
<v Speaker 2>So that's what happens.

0:52:40.200 --> 0:52:43.080
<v Speaker 1>Well, to what degree is our presence from law enforcement

0:52:43.120 --> 0:52:43.800
<v Speaker 1>on the site?

0:52:44.520 --> 0:52:47.680
<v Speaker 2>You know, we we have dogs you know, at the

0:52:47.840 --> 0:52:51.239
<v Speaker 2>at the gate and there present. You know, we have

0:52:51.280 --> 0:52:52.720
<v Speaker 2>some undercover walking around.

0:52:53.320 --> 0:52:54.839
<v Speaker 3>You know. We we just.

0:52:58.080 --> 0:53:02.279
<v Speaker 2>Do whatever we're old you know by the county. We

0:53:02.320 --> 0:53:05.080
<v Speaker 2>stay out of it, and we're we're focused on producing

0:53:06.040 --> 0:53:08.319
<v Speaker 2>the event. And and and really when it comes down

0:53:08.320 --> 0:53:12.680
<v Speaker 2>to to, uh, you know, keeping the law, it's up

0:53:12.719 --> 0:53:19.280
<v Speaker 2>to the Sheriff's department and and and and the sheriff's

0:53:19.280 --> 0:53:20.760
<v Speaker 2>departments organizations.

0:53:21.680 --> 0:53:26.360
<v Speaker 1>So, Julio, who are you? Where do you come from?

0:53:26.640 --> 0:53:27.480
<v Speaker 3>Well, that's always a.

0:53:29.480 --> 0:53:35.719
<v Speaker 2>Complicated answer, but basically I grew up in Geneva, Switzerland.

0:53:36.920 --> 0:53:42.560
<v Speaker 2>My mother is Brazilian. She comes from a Brazilian Jewish

0:53:42.560 --> 0:53:47.560
<v Speaker 2>family from San Paulo, which had originally emigrated from Moldova

0:53:48.719 --> 0:53:53.040
<v Speaker 2>in the early twentieth century, so before World War One

0:53:53.080 --> 0:53:58.360
<v Speaker 2>even we emigrated from Moldova and Ukraine. And then in

0:53:58.400 --> 0:54:04.080
<v Speaker 2>the fifties there was a military dictatorship in Brazil and

0:54:04.880 --> 0:54:10.040
<v Speaker 2>my grandfather and grandmother took my mother and my aunt

0:54:10.480 --> 0:54:15.600
<v Speaker 2>to Geneva and that's where my mom moved to when

0:54:15.640 --> 0:54:19.360
<v Speaker 2>she was ten years old, and that's why when I

0:54:19.480 --> 0:54:23.560
<v Speaker 2>was born, I was basically born in Phoenix, Arizona. My

0:54:23.640 --> 0:54:25.799
<v Speaker 2>parents met in New York City. They my mom used

0:54:25.800 --> 0:54:28.680
<v Speaker 2>to live in New York in the seventies and and

0:54:28.840 --> 0:54:32.240
<v Speaker 2>met my father there and eventually they moved to Phoenix

0:54:32.280 --> 0:54:35.120
<v Speaker 2>for a couple of years when my dad went to

0:54:36.960 --> 0:54:42.920
<v Speaker 2>have an MBA at Thunderbird University in Phoenix, and shortly

0:54:43.040 --> 0:54:46.400
<v Speaker 2>after he graduated. He graduated in May and I was

0:54:46.440 --> 0:54:49.560
<v Speaker 2>born in May of eighty five, and I immediately moved

0:54:49.560 --> 0:54:52.520
<v Speaker 2>out of America and moved to Geneva and then didn't

0:54:52.520 --> 0:54:58.799
<v Speaker 2>come back to the US until university, where I went

0:54:58.840 --> 0:55:03.719
<v Speaker 2>to college in Boston. So essentially, my mother is Brazilian,

0:55:04.680 --> 0:55:07.640
<v Speaker 2>but you know, spent her childhood in Switzerland. And my

0:55:07.760 --> 0:55:12.399
<v Speaker 2>father was born from a Brazilian mother and a Colombian father,

0:55:13.080 --> 0:55:17.480
<v Speaker 2>and he was his parents divorced when he was very

0:55:17.520 --> 0:55:22.080
<v Speaker 2>young and moved to Paris when he was like six

0:55:22.160 --> 0:55:25.240
<v Speaker 2>seven years old. And so I grew up speaking French

0:55:25.239 --> 0:55:26.239
<v Speaker 2>to my parents.

0:55:27.160 --> 0:55:28.760
<v Speaker 1>And are your parents still together?

0:55:29.960 --> 0:55:34.680
<v Speaker 2>My parents separated in maybe nineteen ninety eight, and my

0:55:34.760 --> 0:55:42.360
<v Speaker 2>father passed away in two thousand and nine, and he

0:55:43.160 --> 0:55:47.480
<v Speaker 2>had lung cancer and he was a heavy smoker. And

0:55:48.719 --> 0:55:53.319
<v Speaker 2>it was even though they separated, you know, in ninety eight,

0:55:53.400 --> 0:55:57.640
<v Speaker 2>they always stayed very close and very good friends. And

0:55:57.719 --> 0:56:02.120
<v Speaker 2>so I had the chance to spend and vacations, you know,

0:56:02.160 --> 0:56:05.799
<v Speaker 2>Easter vacation and summer vacations with both my parents.

0:56:06.280 --> 0:56:08.000
<v Speaker 1>And what did your father do for a living?

0:56:09.239 --> 0:56:15.840
<v Speaker 2>My father basically started in the eighties a a something

0:56:15.920 --> 0:56:18.520
<v Speaker 2>called the funds of funds. Was one of the first

0:56:18.520 --> 0:56:23.120
<v Speaker 2>funds of funds. It was called Alpha Asset Management, and

0:56:23.680 --> 0:56:27.680
<v Speaker 2>he did that in Geneva. But he his passion was

0:56:27.680 --> 0:56:31.960
<v Speaker 2>always music, and he always wanted to get into the

0:56:32.040 --> 0:56:36.279
<v Speaker 2>music industry, but you know, he he basically wanted to

0:56:36.320 --> 0:56:39.479
<v Speaker 2>provide also for his family, so he he went into

0:56:39.640 --> 0:56:42.799
<v Speaker 2>he he went into the finance world and and had

0:56:43.239 --> 0:56:47.120
<v Speaker 2>you know, analyzed what was working at the time and

0:56:47.440 --> 0:56:51.920
<v Speaker 2>created this company with his partner who now lives in

0:56:51.960 --> 0:56:57.080
<v Speaker 2>Los Angeles, a guy called Nicholas Bergruen, who who does

0:56:57.120 --> 0:56:59.680
<v Speaker 2>a lot of interesting things. He has a think tank

0:57:00.440 --> 0:57:06.439
<v Speaker 2>called the Burgrun Institute. And you know, eventually my dad

0:57:07.239 --> 0:57:10.960
<v Speaker 2>left his business to Nicholas and and was was sort

0:57:11.000 --> 0:57:15.360
<v Speaker 2>of disinterested by this whole world and started collecting UH

0:57:15.400 --> 0:57:22.600
<v Speaker 2>frantically books about all sorts of UH, high and low

0:57:22.760 --> 0:57:26.480
<v Speaker 2>art and UH and mind travel and and you know,

0:57:27.160 --> 0:57:31.960
<v Speaker 2>all sorts of substances and and when my father passed away,

0:57:33.680 --> 0:57:39.120
<v Speaker 2>we essentially made a donation loan of the collection to

0:57:39.320 --> 0:57:42.000
<v Speaker 2>Harvard University, which was kind of.

0:57:41.960 --> 0:57:44.320
<v Speaker 3>A a A A.

0:57:43.960 --> 0:57:47.400
<v Speaker 2>A a full circle moment from when they kicked out

0:57:48.160 --> 0:57:52.600
<v Speaker 2>Ramdas and Timothy Leary for for for for.

0:57:52.560 --> 0:57:53.200
<v Speaker 3>Giving L s.

0:57:53.240 --> 0:57:59.480
<v Speaker 2>D to their UH students, where they accepted this collection,

0:58:00.080 --> 0:58:05.720
<v Speaker 2>which had the original research papers from Albert Hoffman uh

0:58:05.840 --> 0:58:08.520
<v Speaker 2>as part of the collection back into their libraries. And

0:58:08.560 --> 0:58:11.480
<v Speaker 2>it was kind of a meakupa from Harvard that said,

0:58:11.520 --> 0:58:15.760
<v Speaker 2>you know what, where there's actually something worth studying in

0:58:15.800 --> 0:58:19.360
<v Speaker 2>these books? Uh and and and and that's what this

0:58:19.440 --> 0:58:25.840
<v Speaker 2>beautiful collection uh where it resides nowadays. My father, my

0:58:25.840 --> 0:58:29.120
<v Speaker 2>my my father was was was was a bookworm and

0:58:29.160 --> 0:58:33.720
<v Speaker 2>an intellectual and he he really enjoyed reading more than anything.

0:58:33.760 --> 0:58:34.320
<v Speaker 3>And he he.

0:58:34.320 --> 0:58:37.560
<v Speaker 2>Read thousands and thousands of books and and books was

0:58:37.880 --> 0:58:38.560
<v Speaker 2>his whole life.

0:58:39.360 --> 0:58:42.960
<v Speaker 1>Do you have brothers and sisters? I have one sister,

0:58:44.400 --> 0:58:46.080
<v Speaker 1>so who inherited all the money?

0:58:47.760 --> 0:58:52.280
<v Speaker 2>Well, I mean, uh listen, uh there was all the money.

0:58:52.160 --> 0:58:54.560
<v Speaker 3>Was uh uh uh.

0:58:54.720 --> 0:58:58.360
<v Speaker 2>Uh split amongst amongst the whole family. And uh and

0:58:58.480 --> 0:59:01.320
<v Speaker 2>uh we we we all had our part. And you know,

0:59:01.400 --> 0:59:04.520
<v Speaker 2>I put my what I had into my music festival,

0:59:04.560 --> 0:59:06.560
<v Speaker 2>you know. And and and here we are.

0:59:06.640 --> 0:59:12.840
<v Speaker 1>You know, Okay, if you grew up in Switzerland, what

0:59:13.000 --> 0:59:14.880
<v Speaker 1>is that like compared to America?

0:59:17.280 --> 0:59:22.920
<v Speaker 2>Switzerland is is is a social democracy. It's very similar

0:59:22.960 --> 0:59:27.200
<v Speaker 2>to Norway and some Scandinavian countries where it's it's someone

0:59:27.280 --> 0:59:31.600
<v Speaker 2>once said, it's the only true democracy in the planet

0:59:31.760 --> 0:59:36.000
<v Speaker 2>where any little issue that is raised, you can vote

0:59:36.040 --> 0:59:38.560
<v Speaker 2>on it. So if you're Swiss, you can vote on

0:59:38.600 --> 0:59:42.120
<v Speaker 2>pretty much anything, and you can, you know, propose anything

0:59:42.160 --> 0:59:45.440
<v Speaker 2>to be voted on, and and people can vote online

0:59:45.480 --> 0:59:48.560
<v Speaker 2>and very easily, and so everything is always decided by

0:59:48.560 --> 0:59:51.920
<v Speaker 2>the people as as they go along.

0:59:52.800 --> 0:59:58.560
<v Speaker 1>Okay, So if you snap your fingers, do you want

0:59:58.560 --> 1:00:00.760
<v Speaker 1>to live in Switzerland or the U? So what are

1:00:00.760 --> 1:00:02.919
<v Speaker 1>the advantages and disadvantages of both?

1:00:04.040 --> 1:00:08.680
<v Speaker 2>I think that the US has a lot more of

1:00:08.720 --> 1:00:11.120
<v Speaker 2>an open market. I think that if you have a

1:00:11.160 --> 1:00:14.920
<v Speaker 2>good idea and a good product, you can make it

1:00:15.000 --> 1:00:15.520
<v Speaker 2>much bigger.

1:00:15.520 --> 1:00:16.160
<v Speaker 3>In the US.

1:00:17.200 --> 1:00:21.840
<v Speaker 2>There's a lot more entrepreneurs here, the sheer numbers of people, right,

1:00:21.880 --> 1:00:25.120
<v Speaker 2>It's a much bigger country. In Switzerland and Europe in general,

1:00:25.200 --> 1:00:29.960
<v Speaker 2>I think that there's a lot less opportunity to develop

1:00:30.040 --> 1:00:32.480
<v Speaker 2>new ideas and new businesses. You know, they don't call

1:00:32.520 --> 1:00:35.600
<v Speaker 2>it the old world for nothing, because people are stuck

1:00:35.600 --> 1:00:40.960
<v Speaker 2>in their little clans and their little private clubs, and

1:00:41.520 --> 1:00:44.080
<v Speaker 2>you know, nobody wants to move the needle too much

1:00:44.880 --> 1:00:48.960
<v Speaker 2>in Europe compared to America. America, people come here, you know,

1:00:49.000 --> 1:00:51.520
<v Speaker 2>and they take risks and they either succeed or they crash.

1:00:51.840 --> 1:00:54.200
<v Speaker 2>But at least they have an opportunity to take a

1:00:54.280 --> 1:00:56.800
<v Speaker 2>risk more than in other places.

1:00:57.560 --> 1:00:58.840
<v Speaker 1>So where did you go to college?

1:01:00.160 --> 1:01:02.400
<v Speaker 3>I went to college in Boston University.

1:01:03.120 --> 1:01:04.160
<v Speaker 1>And did you graduate?

1:01:05.560 --> 1:01:09.520
<v Speaker 2>I graduated undergrad and then I went to a school

1:01:09.520 --> 1:01:12.840
<v Speaker 2>of Audio Engineering in New York City, and that's where

1:01:12.840 --> 1:01:15.960
<v Speaker 2>I learned the ropes of you know, how to record

1:01:16.480 --> 1:01:21.080
<v Speaker 2>a band and work myself around the studio.

1:01:21.800 --> 1:01:25.400
<v Speaker 1>Okay, so you're forty one now, or you'll be forty

1:01:25.440 --> 1:01:29.320
<v Speaker 1>one this year. You go to college, you go to

1:01:29.440 --> 1:01:34.480
<v Speaker 1>the audio school. What happened after that? What was you know?

1:01:34.840 --> 1:01:38.000
<v Speaker 1>You got the festival? Now you talked about the underground parties?

1:01:38.680 --> 1:01:40.480
<v Speaker 1>How did that arc happen?

1:01:41.160 --> 1:01:44.720
<v Speaker 2>So I left college in two thousand and seven and

1:01:45.080 --> 1:01:48.920
<v Speaker 2>I moved to New York and I took some classes

1:01:48.960 --> 1:01:53.880
<v Speaker 2>at the Secondary school School of Secondary Education. I took

1:01:53.920 --> 1:01:58.400
<v Speaker 2>some like, you know, economics and kind of I think

1:01:58.440 --> 1:02:01.040
<v Speaker 2>it was a microeconomic class. I forgot what it was.

1:02:01.840 --> 1:02:05.040
<v Speaker 2>I took a few classes at the NYU Secondary School

1:02:05.040 --> 1:02:11.160
<v Speaker 2>of Continuing Education for that year, and then I realized

1:02:11.200 --> 1:02:14.640
<v Speaker 2>that while I was taking these classes that I really

1:02:14.640 --> 1:02:20.440
<v Speaker 2>had a burning calling to dj because I had been

1:02:20.480 --> 1:02:23.720
<v Speaker 2>DJing before that. I had a radio show back in

1:02:23.720 --> 1:02:28.640
<v Speaker 2>Switzerland where we had a reggae a weekly reggae show,

1:02:29.320 --> 1:02:32.200
<v Speaker 2>and that was how I started djaing. So, you know,

1:02:32.280 --> 1:02:34.120
<v Speaker 2>I had been going to parties in New York and

1:02:34.160 --> 1:02:38.760
<v Speaker 2>I was so dissatisfied with the level of music that

1:02:38.920 --> 1:02:43.840
<v Speaker 2>was being showcased by other DJs that I always told myself, listen,

1:02:43.840 --> 1:02:45.600
<v Speaker 2>I can do a better job than what I'm listening.

1:02:46.040 --> 1:02:48.040
<v Speaker 2>I know I can do a better job. And I started,

1:02:48.440 --> 1:02:51.480
<v Speaker 2>you know, putting these little events in two thousand and

1:02:51.520 --> 1:02:56.280
<v Speaker 2>eight where I would create a Facebook event. Back in

1:02:56.320 --> 1:02:59.080
<v Speaker 2>the days, it wasn't so popular to do a Facebook event,

1:02:59.160 --> 1:03:02.680
<v Speaker 2>but now you know, it quickly became overcrowded in the

1:03:02.480 --> 1:03:05.400
<v Speaker 2>in the on Facebook, but at the time, people would

1:03:05.440 --> 1:03:09.120
<v Speaker 2>still receive the invites, and so people started coming to

1:03:09.120 --> 1:03:12.960
<v Speaker 2>my events and it's I started. I continued doing them

1:03:13.360 --> 1:03:16.760
<v Speaker 2>week after week and growing them very organically, and people

1:03:16.840 --> 1:03:20.720
<v Speaker 2>were having a great time, and eventually I started booking

1:03:20.760 --> 1:03:23.800
<v Speaker 2>other DJs. So I went from being the promoter and

1:03:23.840 --> 1:03:27.000
<v Speaker 2>the resident DJ and playing six hours from ten pm

1:03:27.040 --> 1:03:30.400
<v Speaker 2>to four am, you know, every single Thursday, to then

1:03:30.480 --> 1:03:33.960
<v Speaker 2>started booking other DJs, creating a collective of artists and

1:03:34.480 --> 1:03:41.000
<v Speaker 2>eventually booking DJs from overseas and growing my brand like

1:03:41.040 --> 1:03:46.240
<v Speaker 2>that until I decided to bring Circo Loco from Ibiza,

1:03:46.320 --> 1:03:52.880
<v Speaker 2>which is probably the most famous dance music brand that

1:03:53.080 --> 1:03:55.680
<v Speaker 2>comes from Ibiza, and they do now, I think a

1:03:55.680 --> 1:03:58.520
<v Speaker 2>Halloween party in New York with ten thousand people. But

1:03:59.760 --> 1:04:01.760
<v Speaker 2>at the beginning I was the first one to bring

1:04:01.840 --> 1:04:08.240
<v Speaker 2>him to the US and that was really special in

1:04:08.240 --> 1:04:10.280
<v Speaker 2>two thousand and eight because it was still pretty raw

1:04:10.320 --> 1:04:13.240
<v Speaker 2>and authentic and it wasn't the level of production that

1:04:13.280 --> 1:04:13.959
<v Speaker 2>things are now.

1:04:15.040 --> 1:04:15.840
<v Speaker 3>So it was it was.

1:04:15.880 --> 1:04:18.600
<v Speaker 2>It was as the owner of Circoloco had told me,

1:04:18.600 --> 1:04:21.520
<v Speaker 2>He said, it reminds it reminds me of our early days.

1:04:21.960 --> 1:04:25.200
<v Speaker 2>And for me that was a badge of honor, because

1:04:25.440 --> 1:04:28.880
<v Speaker 2>you know, everything is so overproduced these days that you know,

1:04:29.000 --> 1:04:31.000
<v Speaker 2>you like it when things are authentic and a little

1:04:31.040 --> 1:04:33.320
<v Speaker 2>bit more grimy and a little bit raw.

1:04:41.360 --> 1:04:46.600
<v Speaker 1>Well, you're plugged in. What's the status of both electronic

1:04:46.800 --> 1:04:52.440
<v Speaker 1>music and the parties which you labeled is underground? What

1:04:52.520 --> 1:04:54.440
<v Speaker 1>the great does that still exist? You know, in the

1:04:54.560 --> 1:04:58.000
<v Speaker 1>nineties that was all that was everything, then everything came

1:04:58.040 --> 1:05:00.800
<v Speaker 1>above ground. What's the status the world today?

1:05:01.640 --> 1:05:04.840
<v Speaker 2>Well, I think that today there's nothing underground anymore, right,

1:05:04.840 --> 1:05:09.440
<v Speaker 2>because everyone has so much access to everywhere, to everything

1:05:09.480 --> 1:05:13.640
<v Speaker 2>at the same time, so you really can uh find

1:05:13.640 --> 1:05:17.120
<v Speaker 2>out about a secret party happening somewhere. The only way

1:05:17.160 --> 1:05:20.480
<v Speaker 2>to really create a secret party would be to not

1:05:20.680 --> 1:05:24.120
<v Speaker 2>use the internet and uh and and and leave a

1:05:24.160 --> 1:05:27.040
<v Speaker 2>business card somewhere, you know, in a in a store

1:05:27.560 --> 1:05:29.880
<v Speaker 2>and tell you to call a number. And no one

1:05:29.920 --> 1:05:31.880
<v Speaker 2>really wants to do that because no one wants to risk,

1:05:32.400 --> 1:05:34.440
<v Speaker 2>you know, producing a party.

1:05:34.200 --> 1:05:36.800
<v Speaker 3>And and and and and and losing money.

1:05:36.840 --> 1:05:38.760
<v Speaker 2>You know, it costs so much money to rent a space,

1:05:39.160 --> 1:05:42.200
<v Speaker 2>It costs so much money to rent gear. Uh, it's

1:05:42.280 --> 1:05:45.040
<v Speaker 2>just not what it used to be and anymore. But

1:05:45.240 --> 1:05:48.840
<v Speaker 2>you know, people are always complaining about everything becoming uh

1:05:49.240 --> 1:05:52.120
<v Speaker 2>so generic and everything you know, it's it's it's kind

1:05:52.160 --> 1:05:54.960
<v Speaker 2>of like when people in the fifties complain about rock

1:05:55.000 --> 1:05:57.919
<v Speaker 2>and roll, right and uh and and and then there's

1:05:57.960 --> 1:06:01.080
<v Speaker 2>always if you want the older people are always complaining

1:06:01.120 --> 1:06:04.720
<v Speaker 2>about how things used to be, and there's always budding

1:06:04.760 --> 1:06:07.520
<v Speaker 2>new movements that are happening that you're either in the

1:06:07.560 --> 1:06:08.760
<v Speaker 2>know or you're not right.

1:06:08.800 --> 1:06:09.880
<v Speaker 3>You're either hip or you're not.

1:06:10.400 --> 1:06:14.600
<v Speaker 2>So I think that if you want to look for

1:06:14.800 --> 1:06:18.280
<v Speaker 2>cool music, out there. And when it comes to electronic music,

1:06:18.880 --> 1:06:21.560
<v Speaker 2>there's so much music out there that you just have

1:06:21.640 --> 1:06:24.360
<v Speaker 2>to stay there for hours and hours and hours and

1:06:24.520 --> 1:06:28.600
<v Speaker 2>digitally create dig into the files of these you know,

1:06:28.720 --> 1:06:35.040
<v Speaker 2>companies like a beatport or band camp or Kobo's, any

1:06:35.080 --> 1:06:39.680
<v Speaker 2>of these these these amazing downloadable websites. If you if

1:06:39.720 --> 1:06:42.440
<v Speaker 2>you want to find great music, you just have to

1:06:42.480 --> 1:06:43.960
<v Speaker 2>put in the hours and the effort.

1:06:44.240 --> 1:06:44.960
<v Speaker 3>And that's what it's.

1:06:45.040 --> 1:06:47.640
<v Speaker 2>That's the way it's always been, you know, it's it's

1:06:47.680 --> 1:06:49.960
<v Speaker 2>you have to be your own curator, and you have

1:06:50.000 --> 1:06:53.440
<v Speaker 2>to have flair and know how and and have taste

1:06:53.480 --> 1:06:55.960
<v Speaker 2>also because you know, there's a lot of DJs out

1:06:56.000 --> 1:06:58.520
<v Speaker 2>there and people think it's easy, but you know, the

1:06:58.560 --> 1:07:01.880
<v Speaker 2>actual mechanics of DJ is the easy part. But the

1:07:02.000 --> 1:07:05.400
<v Speaker 2>hard part is actually having taste in music and finding

1:07:05.440 --> 1:07:08.520
<v Speaker 2>good music. Right, that's not a given talent to everyone.

1:07:09.040 --> 1:07:12.680
<v Speaker 2>So to people who say there's no good music out

1:07:12.720 --> 1:07:16.240
<v Speaker 2>there and I can't find everything sounds bland and repetitive.

1:07:16.320 --> 1:07:18.800
<v Speaker 2>I mean, you put in the hours, you'll find out

1:07:18.800 --> 1:07:21.160
<v Speaker 2>some pearls out there and you'll be so happy when

1:07:21.200 --> 1:07:21.720
<v Speaker 2>you find one.

1:07:21.760 --> 1:07:23.120
<v Speaker 3>It's like the Holy Girl, right.

1:07:24.720 --> 1:07:31.080
<v Speaker 1>Okay, Other than the investors. What's the organizational structure of

1:07:31.800 --> 1:07:33.120
<v Speaker 1>Oki Chobe Festival.

1:07:34.160 --> 1:07:36.560
<v Speaker 2>So I've been working for more than ten years with

1:07:37.040 --> 1:07:43.320
<v Speaker 2>a wonderful person called Alissa, Alissa Richardson. So she's kind of,

1:07:43.560 --> 1:07:46.920
<v Speaker 2>you know, the executive producer of the event. She sits

1:07:46.920 --> 1:07:51.720
<v Speaker 2>at the top. I'm on the brand creative side. And

1:07:51.760 --> 1:07:57.920
<v Speaker 2>then you have our marketing team, which is you know,

1:07:58.120 --> 1:08:02.960
<v Speaker 2>Grace and Alex who run that and uh and then

1:08:03.000 --> 1:08:04.560
<v Speaker 2>Grace also takes care of media.

1:08:05.440 --> 1:08:06.400
<v Speaker 3>We have a PR.

1:08:07.400 --> 1:08:11.720
<v Speaker 2>We have then some junior people who work for us,

1:08:12.160 --> 1:08:16.120
<v Speaker 2>and then that's that's pretty much our our internal team,

1:08:16.160 --> 1:08:19.120
<v Speaker 2>you know, other than our social media manager and our

1:08:19.560 --> 1:08:23.120
<v Speaker 2>email SEO person, you know, these are all of our

1:08:23.160 --> 1:08:26.519
<v Speaker 2>internal people. And then we have on the ground we

1:08:26.640 --> 1:08:30.240
<v Speaker 2>have a team of three incredible gardeners who take care

1:08:30.280 --> 1:08:35.400
<v Speaker 2>of the property. We have JD who's our local Okchobian

1:08:35.800 --> 1:08:38.360
<v Speaker 2>who's the head of our of our of our of

1:08:38.400 --> 1:08:41.519
<v Speaker 2>our land here and uh and and and also helps

1:08:41.560 --> 1:08:46.720
<v Speaker 2>out with the county relations. And then we have a

1:08:46.720 --> 1:08:52.720
<v Speaker 2>lot of you know, uh contract contracted people who who

1:08:52.760 --> 1:08:55.720
<v Speaker 2>are with us for just the event, you know, and

1:08:55.760 --> 1:08:59.360
<v Speaker 2>they they basically work I think up up to ten

1:08:59.400 --> 1:09:02.680
<v Speaker 2>months ahead of the event, and they're available whenever we

1:09:02.720 --> 1:09:07.200
<v Speaker 2>need them, and they they're also working other events. And

1:09:07.400 --> 1:09:11.560
<v Speaker 2>that's pretty much a lot of the side ups UH

1:09:11.640 --> 1:09:19.719
<v Speaker 2>and UH and and our health and safety department and

1:09:19.720 --> 1:09:21.600
<v Speaker 2>and then there's all the vendors, you know, all the

1:09:21.680 --> 1:09:24.280
<v Speaker 2>all the different vendors that we employ from from the.

1:09:24.240 --> 1:09:32.280
<v Speaker 3>Porter parties, the the catering, the power, so many different things. Right.

1:09:32.320 --> 1:09:35.519
<v Speaker 2>I don't know if you've ever played SimCity on your computer,

1:09:35.640 --> 1:09:38.360
<v Speaker 2>but when people ask me, how is it building a festival,

1:09:38.360 --> 1:09:41.120
<v Speaker 2>I say, well, it's it's kind of like playing SimCity.

1:09:41.160 --> 1:09:42.720
<v Speaker 3>You're just going to make sure the city.

1:09:42.439 --> 1:09:44.960
<v Speaker 2>Works and uh and that all the all the all

1:09:44.960 --> 1:09:49.679
<v Speaker 2>the areas are covered and powered and and you know, plugged,

1:09:49.720 --> 1:09:53.040
<v Speaker 2>and and that every system supports each other.

1:09:54.120 --> 1:09:56.759
<v Speaker 1>Okay, how many people around the year round payroll?

1:09:58.720 --> 1:10:03.280
<v Speaker 3>I think it's a round maybe less than ten.

1:10:03.960 --> 1:10:08.440
<v Speaker 1>Okay, does the buck stop with you? Are you ultimately

1:10:08.479 --> 1:10:09.120
<v Speaker 1>in control?

1:10:10.920 --> 1:10:16.479
<v Speaker 2>I am ultimately in control with when it comes to

1:10:17.880 --> 1:10:23.200
<v Speaker 2>the first three festivals and this coming festival.

1:10:24.280 --> 1:10:29.200
<v Speaker 1>Okay, so this is a corporation, you have a title.

1:10:29.760 --> 1:10:31.080
<v Speaker 1>I mean, how do you do it?

1:10:31.160 --> 1:10:35.439
<v Speaker 2>I'm just a founder of Soundslinger. I can't I think

1:10:35.479 --> 1:10:37.760
<v Speaker 2>it's boring to give yourself a title, right, It's just

1:10:38.000 --> 1:10:39.519
<v Speaker 2>everyone can find me if they want.

1:10:39.920 --> 1:10:41.240
<v Speaker 1>I agree with you totally.

1:10:41.600 --> 1:10:43.280
<v Speaker 3>I started the festival. I mean.

1:10:44.720 --> 1:10:47.320
<v Speaker 2>It's just as founder for lack of a better title.

1:10:47.439 --> 1:10:52.759
<v Speaker 2>You know, I'm the officially, I'm a chairman of the board,

1:10:52.840 --> 1:10:54.720
<v Speaker 2>but I mean we don't have board meetings, you know.

1:10:55.479 --> 1:10:59.639
<v Speaker 1>Right, Okay, are you open to having another partner?

1:11:01.160 --> 1:11:04.599
<v Speaker 2>I'm completely open to having another partner. I think that

1:11:05.840 --> 1:11:11.280
<v Speaker 2>it needs like any marriage, it needs to be uh

1:11:10.320 --> 1:11:12.280
<v Speaker 2>uh the correct marriage.

1:11:13.040 --> 1:11:13.160
<v Speaker 4>Uh.

1:11:13.400 --> 1:11:16.400
<v Speaker 2>It needs to be somewhere where the partners respect each

1:11:16.439 --> 1:11:20.320
<v Speaker 2>other and and and and and and and know you

1:11:20.400 --> 1:11:24.519
<v Speaker 2>know which lane they're supposed to swim in and uh

1:11:24.640 --> 1:11:26.920
<v Speaker 2>and and and give each other space and more important

1:11:26.960 --> 1:11:31.600
<v Speaker 2>to give it give each other support for to achieve success,

1:11:32.120 --> 1:11:36.200
<v Speaker 2>you know. So I I think that, uh, I'm completely

1:11:36.240 --> 1:11:40.920
<v Speaker 2>open to having uh a new partner who who sees

1:11:40.920 --> 1:11:43.200
<v Speaker 2>the who sees and wants to share the vision, because

1:11:43.560 --> 1:11:46.240
<v Speaker 2>I can't do this you know alone, for sure.

1:11:46.320 --> 1:11:48.920
<v Speaker 3>It's it's it's it's a lot of weight.

1:11:48.840 --> 1:11:53.560
<v Speaker 2>And responsibility and and and the more the more people involved,

1:11:53.640 --> 1:11:56.640
<v Speaker 2>the merrier, as long as we're all pulling in the

1:11:56.680 --> 1:11:58.040
<v Speaker 2>right direction, the same direction.

1:11:59.320 --> 1:11:59.759
<v Speaker 3>For sure.

1:12:00.400 --> 1:12:04.120
<v Speaker 1>Let's say hypothetically, at the end of the day the

1:12:04.280 --> 1:12:08.360
<v Speaker 1>numbers are the same as it's been in previous festivals,

1:12:09.720 --> 1:12:13.400
<v Speaker 1>so you get let's just call twenty odd thousand people come,

1:12:13.520 --> 1:12:16.920
<v Speaker 1>they pay, they have a good time, but you lose money.

1:12:17.640 --> 1:12:20.080
<v Speaker 1>Will there be a festival in twenty twenty seven.

1:12:21.720 --> 1:12:26.880
<v Speaker 2>I think if we lose money, it's it's an unanswered

1:12:28.400 --> 1:12:34.120
<v Speaker 2>question mark. My goal, my ambition is for it to

1:12:34.240 --> 1:12:38.519
<v Speaker 2>keep going always. But of course when we lose money,

1:12:38.960 --> 1:12:40.800
<v Speaker 2>we have to go back to the drawing board and

1:12:41.640 --> 1:12:46.000
<v Speaker 2>get people involved again. You know, we would like nothing

1:12:46.040 --> 1:12:50.160
<v Speaker 2>more than being able to put this year after year

1:12:50.840 --> 1:12:54.920
<v Speaker 2>and for it to be a long and never ending story.

1:12:55.640 --> 1:13:00.840
<v Speaker 2>But for it all comes down to to being able

1:13:00.880 --> 1:13:05.240
<v Speaker 2>to at least break even and to continue to finding

1:13:05.720 --> 1:13:07.559
<v Speaker 2>the support out there to make this happen.

1:13:08.640 --> 1:13:12.160
<v Speaker 4>Okay, and you know the festival has not played yet,

1:13:13.120 --> 1:13:17.559
<v Speaker 4>what number of the ten ds would work for you,

1:13:17.880 --> 1:13:22.480
<v Speaker 4>satisfy you that you know you're not losing money and

1:13:22.560 --> 1:13:23.479
<v Speaker 4>you can go forward.

1:13:24.920 --> 1:13:27.040
<v Speaker 2>I think if we have thirty thousand, people will be

1:13:27.160 --> 1:13:31.160
<v Speaker 2>very very happy. We got to a point where where

1:13:31.200 --> 1:13:37.160
<v Speaker 2>we're able to, you know, keep our costs under control.

1:13:37.520 --> 1:13:41.640
<v Speaker 2>You know, we've turned over every single stone on the

1:13:41.680 --> 1:13:45.200
<v Speaker 2>property where we know where all the levers are. You know,

1:13:45.280 --> 1:13:48.040
<v Speaker 2>we have a very very well oiled machine. Our accounting

1:13:48.760 --> 1:13:51.960
<v Speaker 2>is in I would I would like to say that organizationally,

1:13:52.760 --> 1:13:55.439
<v Speaker 2>we're the best that we've ever been. We have a

1:13:55.520 --> 1:14:01.559
<v Speaker 2>stellar team working together, and we have extremely tight control

1:14:02.280 --> 1:14:08.080
<v Speaker 2>over our finances and our costs are very manageable. So

1:14:08.320 --> 1:14:11.760
<v Speaker 2>if we can get to thirty thousand, people will have

1:14:11.880 --> 1:14:13.679
<v Speaker 2>done our mission.

1:14:14.280 --> 1:14:14.479
<v Speaker 3>You know.

1:14:15.960 --> 1:14:22.680
<v Speaker 1>Okay, once again, assuming everybody's on site, assuming I'm not

1:14:22.960 --> 1:14:27.200
<v Speaker 1>watching the music, what are the other activities, what am

1:14:27.240 --> 1:14:28.080
<v Speaker 1>I going to be doing?

1:14:29.520 --> 1:14:29.880
<v Speaker 3>Well?

1:14:30.000 --> 1:14:32.280
<v Speaker 2>You can go and eat at a number of places.

1:14:32.800 --> 1:14:36.680
<v Speaker 2>You can go and play some games from volleyball to.

1:14:38.240 --> 1:14:38.759
<v Speaker 3>Other things.

1:14:38.760 --> 1:14:40.760
<v Speaker 2>You can walk around and look at all of the

1:14:40.760 --> 1:14:43.559
<v Speaker 2>incredible art that we have on the property. This year,

1:14:43.600 --> 1:14:47.280
<v Speaker 2>we have a new sculpture from a young Colombian artist

1:14:47.320 --> 1:14:50.559
<v Speaker 2>who's a half Columbian half American. I think he's actually

1:14:50.560 --> 1:14:56.840
<v Speaker 2>from based in Brooklyn. His name is Asikas Monzon Aguire

1:14:57.560 --> 1:15:03.160
<v Speaker 2>and he created a massive of uh sculpture made in

1:15:03.200 --> 1:15:08.920
<v Speaker 2>a very shimmery mother of pearl type uh uh tint

1:15:09.640 --> 1:15:13.479
<v Speaker 2>that is purple and that will be uh you know,

1:15:14.000 --> 1:15:20.280
<v Speaker 2>permanently installed installed at the Jungle fifty one stage. The

1:15:20.360 --> 1:15:23.240
<v Speaker 2>longer goal for the property is to have it as

1:15:23.240 --> 1:15:26.559
<v Speaker 2>a as an art park, something close to what you

1:15:26.600 --> 1:15:28.920
<v Speaker 2>know Storm King is in New York or in yo

1:15:29.040 --> 1:15:33.600
<v Speaker 2>Ching in Brazil, as well as as as having a

1:15:33.600 --> 1:15:36.840
<v Speaker 2>a resort where people can come and and stay.

1:15:38.120 --> 1:15:38.799
<v Speaker 3>On the property.

1:15:38.800 --> 1:15:41.639
<v Speaker 2>You know, I'm not talking about a club med type thing,

1:15:41.880 --> 1:15:45.200
<v Speaker 2>but something tasteful that blends into the scene, to to

1:15:45.280 --> 1:15:48.280
<v Speaker 2>the scenic, to the nature, and and keeps the natures

1:15:48.840 --> 1:15:54.040
<v Speaker 2>undisturbed as possible. So you know, I've since I've acquired

1:15:54.520 --> 1:15:56.320
<v Speaker 2>all of the land a few years ago, I've been

1:15:56.360 --> 1:16:01.120
<v Speaker 2>able to work finally with a team of architects and

1:16:01.120 --> 1:16:05.040
<v Speaker 2>and we're we're just about finished designing the phase one

1:16:05.080 --> 1:16:08.240
<v Speaker 2>of the master plan and we're ready to go shop around.

1:16:08.600 --> 1:16:10.320
<v Speaker 1>Do you personally own the land?

1:16:11.520 --> 1:16:13.240
<v Speaker 3>I personally own the land. Yes.

1:16:13.439 --> 1:16:17.120
<v Speaker 1>Okay, Well, you're a very sharp and passionate guy, Hulio.

1:16:17.320 --> 1:16:21.080
<v Speaker 1>You're very impressive. You know, festivals, there's a lot of

1:16:21.080 --> 1:16:23.639
<v Speaker 1>moving parts. As you mentioned earlier, you don't really know

1:16:23.720 --> 1:16:25.400
<v Speaker 1>whether it's all going to work to the place, but

1:16:25.439 --> 1:16:29.479
<v Speaker 1>I you know, you've definitely got something unique, and I

1:16:29.560 --> 1:16:30.559
<v Speaker 1>wish you all the luck.

1:16:31.400 --> 1:16:31.960
<v Speaker 3>Well, thank you.

1:16:32.040 --> 1:16:34.400
<v Speaker 2>I know you know I once heard a quote from

1:16:34.439 --> 1:16:38.240
<v Speaker 2>David Bowie where where he said, you know when you're

1:16:38.280 --> 1:16:41.519
<v Speaker 2>when you're when your feet are are not quite touching

1:16:41.560 --> 1:16:45.679
<v Speaker 2>the ground and you're and you're unsure of where to step,

1:16:46.160 --> 1:16:48.360
<v Speaker 2>that's when the magic happens. So I feel like that's

1:16:48.400 --> 1:16:51.719
<v Speaker 2>where we're we're at when we're producing this this festival,

1:16:51.720 --> 1:16:54.479
<v Speaker 2>where we're looking for that magic and and and trying

1:16:54.479 --> 1:16:56.639
<v Speaker 2>to figure it out, figure it out as it comes.

1:16:56.680 --> 1:16:59.160
<v Speaker 2>But you know, again we were we have ten years

1:16:59.160 --> 1:17:02.800
<v Speaker 2>of experience, so we know where everywhere where where, where

1:17:02.840 --> 1:17:05.320
<v Speaker 2>all the levers are and uh and uh and and

1:17:05.360 --> 1:17:08.880
<v Speaker 2>we work with an incredible team and you know the

1:17:08.960 --> 1:17:10.720
<v Speaker 2>rest is uh is.

1:17:12.280 --> 1:17:13.240
<v Speaker 3>Is yet to be told.

1:17:15.000 --> 1:17:18.759
<v Speaker 1>Well, it sounds great, And thanks for taking this time

1:17:18.800 --> 1:17:21.760
<v Speaker 1>to explain the festival in yourself to my audience.

1:17:23.080 --> 1:17:25.680
<v Speaker 2>Thank you so much, Bob and I I hope that

1:17:25.720 --> 1:17:27.519
<v Speaker 2>you're able to come. You know, let me know if

1:17:27.520 --> 1:17:30.200
<v Speaker 2>you if you're if you decide to come along, and

1:17:30.439 --> 1:17:32.120
<v Speaker 2>we'll make sure that you're very comfortable.

1:17:32.560 --> 1:17:35.000
<v Speaker 1>Well, as I say, I can't come in a week,

1:17:35.720 --> 1:17:37.800
<v Speaker 1>but next year look for me.

1:17:38.560 --> 1:17:41.080
<v Speaker 2>Well I'm going to tell you one one little extra,

1:17:41.400 --> 1:17:46.439
<v Speaker 2>uh wonderful piece of experience that we've created for fans

1:17:46.920 --> 1:17:51.280
<v Speaker 2>this year. And we there's an old horse tables on

1:17:51.320 --> 1:17:56.759
<v Speaker 2>the property which had a disgusting, little crummy apartment. Uh

1:17:56.800 --> 1:18:00.640
<v Speaker 2>that reminded me of the Texas Chainsaw Massacre house, you know,

1:18:00.720 --> 1:18:05.000
<v Speaker 2>with like cockroaches and whatever. So you know, we cleaned

1:18:05.040 --> 1:18:08.280
<v Speaker 2>that whole place up completely and turned it into this

1:18:09.680 --> 1:18:17.679
<v Speaker 2>you know, cowboy luxurious Cowboy ranch experience, which we are

1:18:19.400 --> 1:18:24.840
<v Speaker 2>giving away to the lucky winner of our contest that

1:18:25.120 --> 1:18:26.120
<v Speaker 2>is on social media.

1:18:26.640 --> 1:18:30.360
<v Speaker 1>So wait, wait, wait a second. If you win, you

1:18:30.560 --> 1:18:32.200
<v Speaker 1>get the horse structure.

1:18:32.920 --> 1:18:36.640
<v Speaker 2>If you win the competition, you get to stay in

1:18:36.680 --> 1:18:40.360
<v Speaker 2>the apartment which has two bedrooms, and then there's space

1:18:40.400 --> 1:18:43.840
<v Speaker 2>for six RVs in the garden area which is surrounded

1:18:43.840 --> 1:18:46.680
<v Speaker 2>by bambo and closed by bamboo, and you get a

1:18:46.800 --> 1:18:53.240
<v Speaker 2>golf cart driver who will basically drive you to each stage.

1:18:54.000 --> 1:18:58.599
<v Speaker 1>Sounds great, Julio, until next time. This is Bob Left

1:18:58.600 --> 1:18:58.880
<v Speaker 1>six

1:19:20.640 --> 1:19:20.720
<v Speaker 2>Sh