WEBVTT - MC Classic: Silence of the Lambs

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, and welcome to Movie Crush Friday Classic Edition.

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<v Speaker 1>You know what that means, everybody is every once in

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<v Speaker 1>a while, I get caught with my proverbial pants down

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<v Speaker 1>and I had a guest cancel or something, and I

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<v Speaker 1>don't have one in the hopper. And I've had to

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<v Speaker 1>do this couple of times, and I appreciate your patients,

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<v Speaker 1>but I always try and pick out a great classic episode.

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<v Speaker 1>I think this is the third time I've done this.

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<v Speaker 1>So this week I am going with one of my

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<v Speaker 1>favorite all time episodes when I got to sit down

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<v Speaker 1>with two of my uh professional peers and professional heroes,

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<v Speaker 1>Karen killed Gareth and Georgia hard Stark of my favorite murder.

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<v Speaker 1>That's right, everybody. If you're a murdering now, you've probably

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<v Speaker 1>heard this one already. But if not, get ready to

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<v Speaker 1>be delighted because I sat down with Karen and Georgia

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<v Speaker 1>at a great time a couple of years ago. It

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<v Speaker 1>out out in Los Angeles in person, and uh, they're

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<v Speaker 1>just so lovely and wonderful, and I think so much

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<v Speaker 1>about um, so much of what they've done, and there

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<v Speaker 1>rise to fame as podcasters and it's it's just a

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<v Speaker 1>great show. So check out My Favorite Murder if you haven't,

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<v Speaker 1>and listen to this episode right now where we not

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<v Speaker 1>only talk about podcasting and and all that other fun stuff,

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<v Speaker 1>but we have a great, great deep dive into the

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<v Speaker 1>classic thriller, one of their favorite films and mine the

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<v Speaker 1>Silence of the Lambs. Check it out right now and

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<v Speaker 1>we will be back next week with brand new episodes. Georgia.

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<v Speaker 1>When you uh texted me to invite me to the

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<v Speaker 1>the Theater in Atlanta to tell a murder story, I

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<v Speaker 1>have never been more upset that I couldn't do something.

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<v Speaker 1>Oh I was my in laws having like a birthday

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<v Speaker 1>party for one of my family members, and you know,

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<v Speaker 1>you gave me like two hours, and I was just

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<v Speaker 1>so whenever you come to Atlanta, and I'll just be

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<v Speaker 1>kind of sitting by the phone, like with no plans.

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<v Speaker 1>Whatsoever are we doing at next time? I don't think

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<v Speaker 1>so yeah, we well we'll be back to Georgia by

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<v Speaker 1>the way, coming to I thought you'd come to the Fox. Yes,

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<v Speaker 1>we're super excited about it. Did you forget? We just

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<v Speaker 1>so kind of it's so huge that we kind of

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<v Speaker 1>ignore it and tell it's like the day before the Foxes,

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<v Speaker 1>Like that's the big theater in Atlanta that grew up,

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<v Speaker 1>the big beautiful that's what we didn't want. Were there

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<v Speaker 1>last time? No, No, I was so impressed by your

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<v Speaker 1>just now. I was like, how do you know that

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<v Speaker 1>we've done a Fox theater? The Fox Theater is what

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<v Speaker 1>we're doing in Oakland. Yeah, no, you're gonna be see

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<v Speaker 1>I know this. This is exactly how I was hoping

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<v Speaker 1>this would go. You're being so Georgia right now. Um No,

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<v Speaker 1>you're gonna beat the Fox this fall in Atlanta and

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<v Speaker 1>last time you're at the Cobb Energy Center outside of Atlanta.

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<v Speaker 1>That was a good show. That was super fun. Was

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<v Speaker 1>that the one where I almost resprained my ankle walking out, Oh,

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<v Speaker 1>because we were sitting. I have tricked ankles too. So

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<v Speaker 1>it is so frustrating because it's a kind of thing

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<v Speaker 1>where when you're trying to travel with people and you

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<v Speaker 1>have a bad ankle, so you're like a little limpy

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<v Speaker 1>and a little slow anyway. But then on top of that,

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<v Speaker 1>like you do something dumb and then you're like, oh,

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<v Speaker 1>I may have just resprained, Like I may have just

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<v Speaker 1>recreated this. You stepped off a curb and there was

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<v Speaker 1>no curb. Yes, but I was really mad because it

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<v Speaker 1>started to go downhill like it was a ramp. So

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<v Speaker 1>I assumed after four steps I would have been able

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<v Speaker 1>to step right and we would giving me on the ground.

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<v Speaker 1>I don't blame you for that. Like, there was also

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<v Speaker 1>like a parking thing that I actually just drove over

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<v Speaker 1>in a parking garage just now. One of the what

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<v Speaker 1>are they called, like the stopper thing and create blocks, Yeah,

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<v Speaker 1>the bumpers or whatever. Yeah, speed bricks. You know what

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<v Speaker 1>every place house? I thought you meant the scary fucking

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<v Speaker 1>clause that like rental car places don't back out. I

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<v Speaker 1>get scared driving over those going forward because I think

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<v Speaker 1>you're going the right way and the right way. You

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<v Speaker 1>don't trust yourself or the mechanism. I actually one time

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<v Speaker 1>was walking out of a parking structure and I was

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<v Speaker 1>so concerned I was going to step on that claw

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<v Speaker 1>and have it go through my foot that I wasn't

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<v Speaker 1>paying attention to the fact that the bar came down

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<v Speaker 1>on my head. Oh my god, because I was like

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<v Speaker 1>looking down like this and then and then all of

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<v Speaker 1>a sudden it was like a thing went gunk and

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<v Speaker 1>then down my face and then I took like one

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<v Speaker 1>more step in the lady that was in the booth.

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<v Speaker 1>There's so many signs, don't walk here, don't know pedestrians,

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<v Speaker 1>and I just lazed right up the center and then

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<v Speaker 1>she was like, I don't walk here, like just like

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<v Speaker 1>insult to injury. You're humiliated and hurt. And and then

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<v Speaker 1>she came in with use this information. Was like, thank

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<v Speaker 1>thank you, I think at the concussion, but thanks for

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<v Speaker 1>the reminder of the thing that I already forgotten. And

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<v Speaker 1>that's so Karen. You guys are already being so yourself.

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<v Speaker 1>We didn't even know we were a certain kind of

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<v Speaker 1>person dip ships. It sounds like, well, and what stuff

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<v Speaker 1>you should know with us too. It's I'm sure, I

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<v Speaker 1>mean I can tell I can hear it on the show.

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<v Speaker 1>There's a lot of this, like what the fund is happened,

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<v Speaker 1>because the whole podcast explosion in and of itself is

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<v Speaker 1>kind of weird because, like we're saying, ten years ago,

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<v Speaker 1>I don't think I had a podcast, but I would

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<v Speaker 1>do them every once. While there were people that were

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<v Speaker 1>trying to start it. There was there were a lot

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<v Speaker 1>of people doing that. Remember that there was that old

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<v Speaker 1>It was called something Radio and it was like out

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<v Speaker 1>in Santa Monica and it was this big warehouse and

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<v Speaker 1>there was just like fifty different casks going at once. Yeah,

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<v Speaker 1>basically the first wave. I remember watching other people doing it,

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<v Speaker 1>like Greg Barren and David Anthony dealing doing projects and

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<v Speaker 1>then just sitting back going like, why are they trying

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<v Speaker 1>to do radio? This is weird and I'm supposed to

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<v Speaker 1>try to be on TV. I thought it was like

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<v Speaker 1>because I listened to them tenis years ago, maybe not

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<v Speaker 1>that many, but like I thought it was like NPR

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<v Speaker 1>style because it was all like a spark in life

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<v Speaker 1>and you like smart people ship. Yeah, So I didn't

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<v Speaker 1>know that it was like, you know, like just blabber.

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<v Speaker 1>It wasn't like that. It was. It was smart people

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<v Speaker 1>a little bit more smartish stuff back then. But I

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<v Speaker 1>think like it's been busted wide open now and now

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<v Speaker 1>there's dingongs like because when they think everyone realized you

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<v Speaker 1>don't need some fancy producers, don't the studio necessarily, Yeah,

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<v Speaker 1>you could just get a zoom and kind of slap

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<v Speaker 1>it up there and who cares, yea, and to the world,

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<v Speaker 1>we're going to everybody box theater, boxes in your dress

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<v Speaker 1>has foxed, Oh my god, gosh, how was um? Now

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<v Speaker 1>you just got back from like didn't go to like

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<v Speaker 1>fucking Norway, to Europe and then went to the and

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<v Speaker 1>all over. Yeah, and people are coming out in those

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<v Speaker 1>weird countries. In Oslo, Norway, we had an audience full

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<v Speaker 1>of a theater full of people that were laughing in

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<v Speaker 1>all the right places. High my thing. I think I

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<v Speaker 1>only told you this once, maybe twice, but I was

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<v Speaker 1>positive because this is happening to stand ups that I

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<v Speaker 1>know when you go over there, your your sets are

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<v Speaker 1>insanely quiet, and even if they like you, they don't

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<v Speaker 1>respond to like Americans responded, not verbal. It's not the

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<v Speaker 1>same kind of yeah. So I know I warned you

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<v Speaker 1>at least once, but in my mind I was like,

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<v Speaker 1>we're going to eat it royally in Scandinavia and we

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<v Speaker 1>just have to bear through it and then we'll get

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<v Speaker 1>into like London. I will be okay. And instead of

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<v Speaker 1>it being it was exactly the opposite. It was like

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<v Speaker 1>just as good, if not better than any show we've

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<v Speaker 1>done any Yes, sweet and I think was the best

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<v Speaker 1>like they were, but it was a lot of expats too,

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<v Speaker 1>so it was a lot of people who were really

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<v Speaker 1>happy to have a show there that they could. It's

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<v Speaker 1>like a unifying element, the murderingos in one room. Yeah, exactly. Well,

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<v Speaker 1>we did the UK and Ireland two years ago and

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<v Speaker 1>no one had prepped me for because our experience in

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<v Speaker 1>London was what you were talking about is they're not

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<v Speaker 1>very outwardly expressive. And I think in Dublin, in fact,

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<v Speaker 1>I think we played the same theater. In Dublin they

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<v Speaker 1>were great, but um in London, I was just like,

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<v Speaker 1>holy shit, they're not enjoying this. And after they would

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<v Speaker 1>come up to it and tell us how great it

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<v Speaker 1>was and what a fun night, and I was like, ki,

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<v Speaker 1>guys need to show that they're dying up there, especially

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<v Speaker 1>when you're talking about child murders. And then no one's

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<v Speaker 1>making no one's laughing, which is like clear good. Yeah,

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<v Speaker 1>but just the quietness of it all is like you

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<v Speaker 1>just start to think you're a terrible person. We're a

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<v Speaker 1>terrible person. But they're there for a reason, right, it's

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<v Speaker 1>the interests. But then normally we go into you know,

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<v Speaker 1>kind of bad things. We try to avoid child murdering

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<v Speaker 1>live shows just because it's hard to come back from us,

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<v Speaker 1>but exactly like, no, but remember when, But normally that

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<v Speaker 1>our conversation and our kind of banter brings it back up.

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<v Speaker 1>And so that was my worry, was like we're going

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<v Speaker 1>to go down and never come back up, and then

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<v Speaker 1>it would just be like being at a funeral, like

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<v Speaker 1>a recorded funeral, where it's just like that's not the

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<v Speaker 1>point of any of this. But they get it. I

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<v Speaker 1>think it's also because these days people hear what other

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<v Speaker 1>shows sound like and they get almost like what their

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<v Speaker 1>part is a little bit yeah, and they're just so

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<v Speaker 1>delighted to be there in person, Like you know how,

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<v Speaker 1>it's it's a very safe stage to walk out on.

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<v Speaker 1>I'm sure the same preolitis for us. Like we can

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<v Speaker 1>funk it up in the middle and I can be like, well,

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<v Speaker 1>that was the worst joke ever and Jerry of the

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<v Speaker 1>Future edit that out and everyone thinks it's hysterical and

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<v Speaker 1>I can't imagine going and doing stand up. But I

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<v Speaker 1>can look out in front of people and it's like

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<v Speaker 1>it's great. I'm not even nervous anymore because they're all

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<v Speaker 1>there to be supportive. That was a hard adjustment for

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<v Speaker 1>me in the beginning having done stand up when we

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<v Speaker 1>were first performing, it made I got super controlling because

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<v Speaker 1>I was expecting that they needed this this like very

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<v Speaker 1>um like accurate delivery jokes time dada and the craft,

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<v Speaker 1>yeah and yeah and and like that we needed to Hey,

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<v Speaker 1>if we do this, then we need to do that.

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<v Speaker 1>And what I realized is not only is that not necessary,

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<v Speaker 1>they want us to be doing it exactly what we

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<v Speaker 1>do in All they're looking for is to recreate the

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<v Speaker 1>experience in their ear holes. So their best buddies Karen

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<v Speaker 1>and Georgia hang. They just want to hang. They just

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<v Speaker 1>want to hang, yeah, which is a very nice, safe feeling.

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<v Speaker 1>Were you like, dude, what are you doing? Stop managing this? Uh?

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<v Speaker 1>I was like, I don't know what I'm doing. Tell

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<v Speaker 1>me what? Like? Of course, I was like if I

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<v Speaker 1>don't listen to what Karen's like, advice sage advice as

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<v Speaker 1>I'm a fucking asshole because you're doing this and I

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<v Speaker 1>you know, I don't know what I'm I've never done.

0:11:05.640 --> 0:11:10.839
<v Speaker 1>I've done like storytelling shows for twenty people, but I've

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<v Speaker 1>also done live TV, so that was helpful, but I was, um,

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<v Speaker 1>Karen would say to me, you do not like after

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<v Speaker 1>a couple of shows, she was like, you don't know

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<v Speaker 1>how lucky you are, and this is what you're starting with.

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<v Speaker 1>You know, you didn't have to be broken. I know that,

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<v Speaker 1>And I'm like the gratitude. I wake up every day

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<v Speaker 1>and I'm like, Okay, this is my life and I'm

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<v Speaker 1>so grateful. It's very, very cool. And also it's just

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<v Speaker 1>so much more fun. I suffered when I did stand

0:11:40.480 --> 0:11:47.080
<v Speaker 1>up comedy. I hated back in the d I hated

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<v Speaker 1>it personally. I was not a fan of it at all.

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<v Speaker 1>But it's also it's just a very it is incredibly difficult,

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<v Speaker 1>and so then I almost felt like we have to

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<v Speaker 1>do this, Like I just got into my head that

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<v Speaker 1>it was we had to do a whole different thing.

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<v Speaker 1>And I finally realized it was one of those Portlands

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<v Speaker 1>shows there was nuts and we were Even though it

0:12:05.480 --> 0:12:07.840
<v Speaker 1>was nuts, there are people. I think they sold really

0:12:07.880 --> 0:12:10.960
<v Speaker 1>big cans of beer, so everyone got a little trashier

0:12:11.000 --> 0:12:14.440
<v Speaker 1>than they probably even thought they would. Yeah, but it

0:12:14.600 --> 0:12:16.160
<v Speaker 1>ended up it was that thing where I went it

0:12:16.240 --> 0:12:18.079
<v Speaker 1>was like Steve Martin at the end of Parenthood, where

0:12:18.120 --> 0:12:21.120
<v Speaker 1>I went like, oh, this is good, this is like,

0:12:21.320 --> 0:12:23.240
<v Speaker 1>this is what we want to be happy when you're

0:12:23.280 --> 0:12:26.000
<v Speaker 1>having so much fun on stage that you just forget

0:12:26.080 --> 0:12:29.599
<v Speaker 1>that you're in front of It's not because they're not strangers,

0:12:29.640 --> 0:12:32.160
<v Speaker 1>are like your friends. They know you for sure, you know,

0:12:32.240 --> 0:12:34.520
<v Speaker 1>and that's it's sort of similar. That's why identify. It's

0:12:34.520 --> 0:12:36.959
<v Speaker 1>like it feels like a big family. And the thing

0:12:37.000 --> 0:12:39.080
<v Speaker 1>that we always get that I know that y'all get,

0:12:39.240 --> 0:12:41.040
<v Speaker 1>is we feel like we know you. We feel like

0:12:41.080 --> 0:12:43.000
<v Speaker 1>we're friends. And I always say, you know, we kind

0:12:43.000 --> 0:12:45.920
<v Speaker 1>of feel the same way because it's totally it's reciprocal

0:12:45.960 --> 0:12:52.199
<v Speaker 1>and we're all, uh, we're all in the same head frame. Yeah, totally.

0:12:52.320 --> 0:12:54.520
<v Speaker 1>Every single person we've met, whether it's like in the

0:12:54.559 --> 0:12:57.160
<v Speaker 1>Meat and Great after or five shows or in on

0:12:57.200 --> 0:12:59.520
<v Speaker 1>the street, a person, it's like, oh, I would be

0:12:59.559 --> 0:13:02.079
<v Speaker 1>friends with the person. It's never anyone weird. It's always

0:13:02.160 --> 0:13:07.240
<v Speaker 1>just like good people. Not yet. No, No, what's weird

0:13:07.400 --> 0:13:10.720
<v Speaker 1>is so it's like a familiar person. So it's either

0:13:10.880 --> 0:13:13.680
<v Speaker 1>somebody it's like, oh, this is my sister or this

0:13:13.760 --> 0:13:16.200
<v Speaker 1>is the girl I always roommates. Within college, it's always

0:13:16.240 --> 0:13:21.480
<v Speaker 1>like of the you know types that the life casting types.

0:13:22.040 --> 0:13:24.880
<v Speaker 1>It's like the same four or five different types and

0:13:24.880 --> 0:13:27.240
<v Speaker 1>even dudes to which is like, you know, they don't

0:13:27.240 --> 0:13:29.760
<v Speaker 1>give them a credit on the show, but like me,

0:13:29.920 --> 0:13:32.240
<v Speaker 1>they're like, oh, you're my friend's big brother. I totally

0:13:32.240 --> 0:13:34.280
<v Speaker 1>know who you are. Yeah, yeah, so you have a

0:13:34.880 --> 0:13:36.720
<v Speaker 1>I mean, I know you. Crime in general has a

0:13:36.920 --> 0:13:40.080
<v Speaker 1>larger female audience, but like, I'm a huge fan and

0:13:40.120 --> 0:13:41.720
<v Speaker 1>I know there's a lot of guys out there. How

0:13:41.720 --> 0:13:45.440
<v Speaker 1>does it break down for the shows? Just is it

0:13:45.480 --> 0:13:48.320
<v Speaker 1>really there? There's times at the those meet and greats,

0:13:48.320 --> 0:13:51.480
<v Speaker 1>which a very small amount of the people that are there.

0:13:51.520 --> 0:13:54.040
<v Speaker 1>But when like guys come around the corner will be

0:13:54.120 --> 0:13:58.600
<v Speaker 1>like boys because it just doesn't happen that often, or

0:13:58.600 --> 0:14:01.959
<v Speaker 1>it'll be someone with their boyfriend and then we'll go, um,

0:14:02.040 --> 0:14:04.080
<v Speaker 1>we try to get it out of them immediately. Were

0:14:04.080 --> 0:14:07.560
<v Speaker 1>you dragged here or did you you already converted before

0:14:07.600 --> 0:14:11.439
<v Speaker 1>you came, because that's the most fascinating person to meet. Yeah,

0:14:11.480 --> 0:14:14.400
<v Speaker 1>and it's also fun when, um, sometimes we'll get like

0:14:14.520 --> 0:14:16.120
<v Speaker 1>I've never heard of you guys, and I just came

0:14:16.160 --> 0:14:18.200
<v Speaker 1>with my friend and like I can't wait to download

0:14:18.200 --> 0:14:21.120
<v Speaker 1>this and listen. Even if it's ten people in a theater,

0:14:21.160 --> 0:14:23.000
<v Speaker 1>you think, all right, well we've converted ten more. I

0:14:23.040 --> 0:14:25.400
<v Speaker 1>mean that's the ultimate victory, right, It's like someone who's like,

0:14:25.440 --> 0:14:27.600
<v Speaker 1>I didn't even know what podcasts are. And then at

0:14:27.600 --> 0:14:30.200
<v Speaker 1>the end, my thing is I always tell this to

0:14:30.200 --> 0:14:32.920
<v Speaker 1>Georgia if I can see security guards in the room,

0:14:34.440 --> 0:14:39.120
<v Speaker 1>like there's because it's such a tenuous like true crime comedy,

0:14:39.560 --> 0:14:41.560
<v Speaker 1>you can tell there's people who are like what is

0:14:41.600 --> 0:14:44.440
<v Speaker 1>this and I don't like this immediately, And there was

0:14:44.560 --> 0:14:48.480
<v Speaker 1>I think that was a Texas show, yeah, where there

0:14:48.480 --> 0:14:50.480
<v Speaker 1>there was a guy standing right in the front of

0:14:50.480 --> 0:14:53.720
<v Speaker 1>the stage and I just I felt like everything I

0:14:53.760 --> 0:14:56.440
<v Speaker 1>was doing was like this is foreign about either and

0:14:56.480 --> 0:15:00.120
<v Speaker 1>he was cracking up the end. On our side, it

0:15:00.200 --> 0:15:03.360
<v Speaker 1>was awesome, But I mean it's you understand that that's

0:15:03.360 --> 0:15:04.880
<v Speaker 1>almost part of the job, is like you have to

0:15:04.920 --> 0:15:09.040
<v Speaker 1>convince people that you aren't that you um for our things,

0:15:09.080 --> 0:15:12.360
<v Speaker 1>specifically that people go like this is an appropriate or

0:15:12.400 --> 0:15:13.960
<v Speaker 1>you shouldn't be doing this or that, and it's like,

0:15:14.000 --> 0:15:15.960
<v Speaker 1>no, no no, no, trust us that we're actually gonna do

0:15:16.000 --> 0:15:19.040
<v Speaker 1>it right and we're not assholes and we're not we

0:15:19.080 --> 0:15:22.240
<v Speaker 1>don't think people be murdered as funny and there's a

0:15:22.240 --> 0:15:24.680
<v Speaker 1>complexity to it that we actually can handle if you

0:15:24.720 --> 0:15:27.080
<v Speaker 1>would just give us the benefit of the doubt, and

0:15:27.160 --> 0:15:30.040
<v Speaker 1>that's a really thrilling, thring thing to actually be able

0:15:30.080 --> 0:15:32.480
<v Speaker 1>to prove you know, that's great and want a cool

0:15:32.520 --> 0:15:35.200
<v Speaker 1>thing for you, Like you've had a long career where

0:15:35.240 --> 0:15:37.960
<v Speaker 1>I feel like you've always been working in some way

0:15:38.040 --> 0:15:41.000
<v Speaker 1>or another, and then like at this stage to hit

0:15:41.080 --> 0:15:46.160
<v Speaker 1>this like point, it's like, great, it's pretty magical. It

0:15:46.720 --> 0:15:49.440
<v Speaker 1>is not anything I thought was gonna happen. I was like,

0:15:49.480 --> 0:15:52.640
<v Speaker 1>maybe I'll just get a one level better staff writing

0:15:52.720 --> 0:15:55.280
<v Speaker 1>job and then then I'll be happy. But like this

0:15:55.360 --> 0:15:57.320
<v Speaker 1>thing came in out of left field, and it's like,

0:15:58.120 --> 0:16:01.520
<v Speaker 1>all right, I don't trust it. I almost don't like it.

0:16:01.520 --> 0:16:04.320
<v Speaker 1>It's so awesome and perfect. I wonder it's just going

0:16:04.400 --> 0:16:07.880
<v Speaker 1>to go away right to Lially. I was just taring

0:16:07.880 --> 0:16:11.280
<v Speaker 1>my therapist about that two hours ago. It's hard to

0:16:11.320 --> 0:16:14.960
<v Speaker 1>trust because it's big, and that makes you appreciate it

0:16:15.000 --> 0:16:17.760
<v Speaker 1>more and like try harder, and I think you just

0:16:17.800 --> 0:16:20.960
<v Speaker 1>have to stay grounded in that gratitude. Yeah, because I

0:16:20.960 --> 0:16:24.000
<v Speaker 1>would be doing this anyway if like I would be

0:16:24.040 --> 0:16:25.920
<v Speaker 1>doing this with you guys just down the street with

0:16:25.920 --> 0:16:29.000
<v Speaker 1>no microphone. So the idea that this is somehow bread

0:16:29.040 --> 0:16:31.960
<v Speaker 1>and butter, we would still be recording the podcast if

0:16:31.960 --> 0:16:35.320
<v Speaker 1>it wasn't, Like if it was you know, had way

0:16:35.360 --> 0:16:38.840
<v Speaker 1>smaller listeners and wasn't wasn't our career. Now we should

0:16:38.840 --> 0:16:41.560
<v Speaker 1>be doing it. It's fun and we love it. Like

0:16:41.800 --> 0:16:44.520
<v Speaker 1>I had a podcast for like four years that got

0:16:44.880 --> 0:16:47.680
<v Speaker 1>this you know, not a lot of downloads, but it's fun. Yeah,

0:16:47.760 --> 0:16:52.040
<v Speaker 1>it's cool medium and now well now it makes funny.

0:16:52.040 --> 0:16:55.280
<v Speaker 1>I never made money on it until Yeah, that's the

0:16:55.280 --> 0:16:58.680
<v Speaker 1>new part podcasting is that it's actually becoming a true

0:16:58.680 --> 0:17:02.160
<v Speaker 1>business people in a career, and it's it's that even

0:17:02.160 --> 0:17:04.720
<v Speaker 1>gets a little scary for me though, because I'm head

0:17:04.720 --> 0:17:07.119
<v Speaker 1>of content development at our network now, so I'm in

0:17:07.600 --> 0:17:10.000
<v Speaker 1>a lot of the meetings about the industry and it's

0:17:10.119 --> 0:17:14.360
<v Speaker 1>changing fucking hourly, it seems like, and like I don't

0:17:14.400 --> 0:17:15.760
<v Speaker 1>even know what it's gonna look like in a couple

0:17:15.800 --> 0:17:18.399
<v Speaker 1>of years. So I'm still a little bit like should

0:17:18.400 --> 0:17:22.199
<v Speaker 1>I trust this protective of the like of the podcasting

0:17:22.200 --> 0:17:24.160
<v Speaker 1>a little bit where yeah, I don't want to let

0:17:24.200 --> 0:17:28.119
<v Speaker 1>all these outsiders who were never interested in it before

0:17:28.280 --> 0:17:32.120
<v Speaker 1>into it, oh um, a little bit. But I try

0:17:32.160 --> 0:17:35.280
<v Speaker 1>to like not be that way because I have like

0:17:35.400 --> 0:17:39.040
<v Speaker 1>comedian friends who I know, look at me like selling

0:17:39.040 --> 0:17:42.359
<v Speaker 1>out of seat theater and they're like fuck that, and

0:17:42.440 --> 0:17:51.000
<v Speaker 1>like friends of mine, no trust me, And I know

0:17:51.920 --> 0:17:54.800
<v Speaker 1>I have plenty of friends in the industry like that

0:17:54.800 --> 0:17:57.639
<v Speaker 1>that think like I didn't earn this at all, But like,

0:17:57.720 --> 0:18:01.400
<v Speaker 1>what are you gonna do? People listen consume me? Yeah, exactly.

0:18:01.440 --> 0:18:05.080
<v Speaker 1>That's the beautiful part is it's like the people voted nobody,

0:18:05.119 --> 0:18:08.360
<v Speaker 1>nobody is related to anybody. It's not any of that

0:18:08.440 --> 0:18:10.960
<v Speaker 1>kind of usual ship. It's just like it's not our

0:18:11.000 --> 0:18:14.400
<v Speaker 1>fault for this is the thing people like, So yeah,

0:18:14.400 --> 0:18:17.359
<v Speaker 1>any kind of any of that. I always have that

0:18:17.440 --> 0:18:21.439
<v Speaker 1>fraud issue and that kind of like um guilt or something,

0:18:21.600 --> 0:18:24.440
<v Speaker 1>and that's my I don't know. As I move into

0:18:24.480 --> 0:18:28.000
<v Speaker 1>my middle age, I'm just like, who gives the fun?

0:18:29.520 --> 0:18:32.359
<v Speaker 1>You have to? It just ruins the fun if you

0:18:32.400 --> 0:18:36.399
<v Speaker 1>don't become a big asshole and think like I fucking

0:18:36.400 --> 0:18:42.200
<v Speaker 1>deserve this, right, No one deserves it? Yeah, totally. Yeah.

0:18:42.480 --> 0:18:49.320
<v Speaker 1>Maybe Malala George, I'm old disappointed you're not drinking? Can

0:18:49.480 --> 0:18:55.680
<v Speaker 1>Rose do we have any She's like you do. My

0:18:55.880 --> 0:18:58.720
<v Speaker 1>our babysitter, my wife and his babysitter was telling a

0:18:58.760 --> 0:19:01.119
<v Speaker 1>story the other day about being like super drunk, and

0:19:01.160 --> 0:19:02.800
<v Speaker 1>she was like, I was drinking was this can rose?

0:19:03.280 --> 0:19:06.480
<v Speaker 1>And I just head that episode where you were getting

0:19:06.560 --> 0:19:12.040
<v Speaker 1>like a little thick tongued. Those things are super loaded

0:19:12.119 --> 0:19:16.119
<v Speaker 1>up with it's something like really high. And she was like,

0:19:16.160 --> 0:19:17.639
<v Speaker 1>I looked at the can and I was like, well,

0:19:17.680 --> 0:19:20.840
<v Speaker 1>I'm gonna Georgia this like it wasn't just you, It's

0:19:20.880 --> 0:19:24.480
<v Speaker 1>happening all over Ye. That's why this last episode that

0:19:24.520 --> 0:19:26.840
<v Speaker 1>came out today you can hear. I didn't open my

0:19:26.920 --> 0:19:29.880
<v Speaker 1>can of sparkling wine until after my story was done,

0:19:30.359 --> 0:19:34.520
<v Speaker 1>because I was like, now I'm getta sit. Yeah, you

0:19:34.600 --> 0:19:40.320
<v Speaker 1>did it drink Now that's great. Uh so, well, I

0:19:40.440 --> 0:19:42.960
<v Speaker 1>know where you grew up. But for the benefit of listeners,

0:19:43.520 --> 0:19:45.639
<v Speaker 1>uh to movie crush, where did you both grow up?

0:19:46.440 --> 0:19:48.360
<v Speaker 1>I'm from northern California. I grew up in a town

0:19:48.400 --> 0:19:54.119
<v Speaker 1>called Pataluma, grist Wrestling Capital World and it used to

0:19:54.200 --> 0:19:57.720
<v Speaker 1>be the but the Egg Capital. But I think we

0:19:57.840 --> 0:20:00.320
<v Speaker 1>got we got knocked out, but they still have the

0:20:00.359 --> 0:20:03.320
<v Speaker 1>Butter and Eggs Day parade every year. Very egg based

0:20:04.040 --> 0:20:11.840
<v Speaker 1>um society. It's California. Yeah, I was born in l

0:20:11.920 --> 0:20:14.000
<v Speaker 1>A and then I grew up in Sucking Orange County.

0:20:14.680 --> 0:20:16.960
<v Speaker 1>I thought I was, but I've been here since for

0:20:17.440 --> 0:20:20.520
<v Speaker 1>twenty years back in l A R. Yeah, how did

0:20:20.600 --> 0:20:25.360
<v Speaker 1>movies figure into your respective lives growing up raised on them? Yeah,

0:20:26.160 --> 0:20:30.240
<v Speaker 1>we had in Plama. There's a um A theater downtown

0:20:30.720 --> 0:20:32.840
<v Speaker 1>that was like kind of one of those old They

0:20:32.920 --> 0:20:36.080
<v Speaker 1>played Rocky Horror every Friday night for for the longest

0:20:36.119 --> 0:20:39.600
<v Speaker 1>and the longest running UM showing of that, and it

0:20:39.720 --> 0:20:43.399
<v Speaker 1>was a really cool theater that they every day they

0:20:43.480 --> 0:20:47.520
<v Speaker 1>had a double feature that kind of went together, and

0:20:47.680 --> 0:20:49.800
<v Speaker 1>so it was always like they would always be like

0:20:50.000 --> 0:20:55.600
<v Speaker 1>eating Raoul and you know whatever, fast times of Richmont High,

0:20:55.680 --> 0:20:58.920
<v Speaker 1>but like they would kind of um, they cultivated it

0:20:59.119 --> 0:21:01.520
<v Speaker 1>a lot. So that's the movie where I saw Fame

0:21:01.920 --> 0:21:05.960
<v Speaker 1>for the first time, and the like title word came

0:21:06.000 --> 0:21:10.640
<v Speaker 1>on the screen, intensely packed out house starts. Everybody started screaming,

0:21:11.000 --> 0:21:14.000
<v Speaker 1>and then all these joints started get lit up and

0:21:14.080 --> 0:21:15.639
<v Speaker 1>I was like, oh, this is like, this is what

0:21:15.680 --> 0:21:18.879
<v Speaker 1>adults do. I was probably twelve years old the same same.

0:21:19.119 --> 0:21:21.680
<v Speaker 1>It was just like and that's what they did, that's

0:21:21.720 --> 0:21:26.080
<v Speaker 1>basically what they didn't. Yeah, I mean I think those

0:21:26.280 --> 0:21:29.600
<v Speaker 1>types of like, um, those types of kind of art,

0:21:29.640 --> 0:21:32.920
<v Speaker 1>the art or movies. Yeah, yeah, so it was a

0:21:32.920 --> 0:21:34.480
<v Speaker 1>big deal. It was a very big deal to me.

0:21:34.640 --> 0:21:36.800
<v Speaker 1>But my dad used to make us bring a popcorn

0:21:36.920 --> 0:21:40.720
<v Speaker 1>from home. We did a little bit mom famously, like

0:21:40.880 --> 0:21:43.800
<v Speaker 1>had to purse the size of a car and she

0:21:43.840 --> 0:21:46.400
<v Speaker 1>would just we would sneak in everything. Yeah, but it's

0:21:46.440 --> 0:21:49.000
<v Speaker 1>not as good, No, it's sucks ship. And he used

0:21:49.000 --> 0:21:51.920
<v Speaker 1>to put it in a grocery bag so he would

0:21:51.960 --> 0:21:54.320
<v Speaker 1>make like a huge thing, roll it up for you

0:21:54.760 --> 0:21:57.520
<v Speaker 1>and then like here's sneak That so embarrassing. And we

0:21:57.560 --> 0:21:59.520
<v Speaker 1>did the same thing. Like my parents are teachers. We

0:21:59.560 --> 0:22:02.040
<v Speaker 1>didn't have a ton of money, just sort of solidly

0:22:02.680 --> 0:22:05.119
<v Speaker 1>lowish middle class. Yeah, and it was a lot of

0:22:05.160 --> 0:22:08.280
<v Speaker 1>money to take a family out, and this was just

0:22:08.400 --> 0:22:12.120
<v Speaker 1>like you're not allowed to have anything. Yeah, you don't

0:22:12.160 --> 0:22:14.400
<v Speaker 1>ever get that. I don't eat popcorn and theaters because

0:22:14.440 --> 0:22:16.159
<v Speaker 1>it's like, well why would you do? I never did.

0:22:16.240 --> 0:22:19.480
<v Speaker 1>That's such a waste. Yeah, well it is insanely expensive.

0:22:19.920 --> 0:22:22.400
<v Speaker 1>I mean, yeah, he's right in a way, but it's

0:22:22.440 --> 0:22:25.680
<v Speaker 1>like I don't want popcorn. I want movie, right popcorn,

0:22:25.800 --> 0:22:30.440
<v Speaker 1>That's right, I just want salt popcorn. Yeah, yeah, I'll

0:22:30.480 --> 0:22:32.840
<v Speaker 1>still sneak in, like the bottle of water every now

0:22:32.920 --> 0:22:35.240
<v Speaker 1>and then, and it's just so dumb. Yeah, like what

0:22:35.359 --> 0:22:37.040
<v Speaker 1>am I doing? It's just in my d n a

0:22:37.920 --> 0:22:41.399
<v Speaker 1>to like take a few extra sugar packets, yeah, for

0:22:41.520 --> 0:22:44.679
<v Speaker 1>the road. Or napkins. Oh, napkins for sure, those are

0:22:44.720 --> 0:22:47.040
<v Speaker 1>my car tissues. I do that too. It's time. I

0:22:47.119 --> 0:22:50.920
<v Speaker 1>owe Starbucks about five dollars in napkins. They have good

0:22:50.920 --> 0:22:53.520
<v Speaker 1>straws to to bring home for your smoothies. Oh that's good.

0:22:53.640 --> 0:22:58.040
<v Speaker 1>Oh they don't. You're just grabbing a hand maybe, yes,

0:22:59.200 --> 0:23:02.920
<v Speaker 1>don't worry about it. That's private. Um. What were some

0:23:02.960 --> 0:23:05.200
<v Speaker 1>of your favorite movies growing up, like in the formative

0:23:05.280 --> 0:23:10.280
<v Speaker 1>years or impactful or favorite? I mean I remember the night,

0:23:10.640 --> 0:23:14.800
<v Speaker 1>um that Ciskel and Ebert reviewed sixteen Candles. We used

0:23:14.800 --> 0:23:19.520
<v Speaker 1>to always watch that show weekend show. Yeah, I feel

0:23:19.520 --> 0:23:23.040
<v Speaker 1>like it was on like Saturday. Yeah, like a syndicated thing.

0:23:23.400 --> 0:23:25.919
<v Speaker 1>Loved it that. I just remember they started it. They

0:23:26.080 --> 0:23:28.480
<v Speaker 1>started to run the clip and I jumped off off

0:23:28.520 --> 0:23:30.920
<v Speaker 1>the couch. So it was probably like thirteen or something

0:23:31.320 --> 0:23:33.239
<v Speaker 1>and stood next to TV looking at my mom, going,

0:23:33.320 --> 0:23:35.080
<v Speaker 1>you have to bring into this, you have to take me,

0:23:35.160 --> 0:23:37.119
<v Speaker 1>and she was like okay, And it was just like

0:23:37.280 --> 0:23:40.560
<v Speaker 1>I had the most visceral reaction to that. John was

0:23:41.520 --> 0:23:43.639
<v Speaker 1>there's nights like that. Yeah, it was made for me,

0:23:43.760 --> 0:23:47.720
<v Speaker 1>but there was also nothing like that, an adult kids comedy,

0:23:48.040 --> 0:23:53.200
<v Speaker 1>like a smart teen thing like that, And so she

0:23:53.359 --> 0:23:57.600
<v Speaker 1>brought us to it at that theater and I just

0:23:57.960 --> 0:24:00.320
<v Speaker 1>it was like I was on the John h Trained.

0:24:01.359 --> 0:24:03.760
<v Speaker 1>I mean, forget about it. He's taken, I mean really taken.

0:24:04.000 --> 0:24:07.880
<v Speaker 1>Even as a Uh, he was like I remember seeing

0:24:07.920 --> 0:24:10.040
<v Speaker 1>that movie as a teenager and as a guy being like,

0:24:10.119 --> 0:24:12.080
<v Speaker 1>I want to like I wanted to look like that

0:24:12.200 --> 0:24:15.600
<v Speaker 1>guy kind of started wearing preppy or clothes and stuff

0:24:15.600 --> 0:24:17.240
<v Speaker 1>like that, but I had an old Volkswagen and not

0:24:17.359 --> 0:24:21.160
<v Speaker 1>a Porsche. He was like almost better looking than Matt Dylan,

0:24:21.240 --> 0:24:24.800
<v Speaker 1>which is really like, my sister would kill me if

0:24:24.840 --> 0:24:27.399
<v Speaker 1>you heard me say that. But Betty, he was like

0:24:27.480 --> 0:24:33.240
<v Speaker 1>an updated Matt Dylan for the eighties. Yeah, he was shocking. Yeah,

0:24:33.280 --> 0:24:35.639
<v Speaker 1>Matt Dylan. I saw him recently and something I had

0:24:35.680 --> 0:24:39.520
<v Speaker 1>to watch for this and rumble Fish and uh, he's

0:24:39.560 --> 0:24:41.200
<v Speaker 1>like one of those guys has done solid work his

0:24:41.280 --> 0:24:44.040
<v Speaker 1>whole career, yes, but has always kept such a low

0:24:44.119 --> 0:24:47.440
<v Speaker 1>pro that you don't think about him much because he's

0:24:47.480 --> 0:24:51.600
<v Speaker 1>never in the news. You never he is he like,

0:24:51.640 --> 0:24:54.440
<v Speaker 1>you're super guy. Well, um, he was my sister's super guy,

0:24:54.520 --> 0:24:56.480
<v Speaker 1>so I absorbed a lot of that from her. She

0:24:56.640 --> 0:24:59.680
<v Speaker 1>was my older sister. But like, I just rewatched The

0:24:59.720 --> 0:25:05.200
<v Speaker 1>out Ciders and such a good movie. He's you never

0:25:05.440 --> 0:25:08.000
<v Speaker 1>think about it's not a kid acting, it's that he

0:25:08.200 --> 0:25:12.439
<v Speaker 1>is that character day and he does that thing, remember

0:25:12.480 --> 0:25:14.080
<v Speaker 1>that scene where he does he does the thing where

0:25:14.119 --> 0:25:16.600
<v Speaker 1>they it just shows them being greasers where they're like,

0:25:16.760 --> 0:25:19.240
<v Speaker 1>you know, they come upon some kids playing cards in

0:25:19.280 --> 0:25:22.520
<v Speaker 1>a field, and then he goes, it's the thing about kids.

0:25:23.240 --> 0:25:24.960
<v Speaker 1>I just don't like him, and he does this like

0:25:25.080 --> 0:25:28.159
<v Speaker 1>it's very James Dean. It's very overly dramatic, but it

0:25:28.359 --> 0:25:32.439
<v Speaker 1>is so perfectly done. And then they like like basically

0:25:32.640 --> 0:25:34.600
<v Speaker 1>threatened to kill the kids and chase them all around

0:25:34.720 --> 0:25:37.280
<v Speaker 1>or whatever. But I just want, like, you're such a

0:25:37.320 --> 0:25:40.040
<v Speaker 1>better actor as a like eighteen year old or even

0:25:40.080 --> 0:25:41.800
<v Speaker 1>a sixteen year old than you ever got credit for.

0:25:41.920 --> 0:25:44.240
<v Speaker 1>And he had no training. They picked him out of

0:25:44.440 --> 0:25:47.359
<v Speaker 1>his high school and put him into Over the Edge,

0:25:47.440 --> 0:25:52.840
<v Speaker 1>that crazy movie about kids you knows as the town

0:25:52.920 --> 0:25:56.399
<v Speaker 1>or whatever, and and basically that was then he just

0:25:56.520 --> 0:25:59.320
<v Speaker 1>started acting. But I'm sure he went to private classes

0:25:59.359 --> 0:26:01.640
<v Speaker 1>or whatever, but I mean he was a star as

0:26:01.720 --> 0:26:04.159
<v Speaker 1>he was learning about act Let's talk. I mean, we

0:26:04.200 --> 0:26:07.080
<v Speaker 1>can't not talk about little Darling's should I didn't find

0:26:07.119 --> 0:26:10.400
<v Speaker 1>until I was older because I'm I'm a little younger

0:26:10.560 --> 0:26:12.399
<v Speaker 1>than you. How do I say this without sounding like

0:26:12.400 --> 0:26:18.440
<v Speaker 1>a pick? And I know you're not. We can deal

0:26:18.520 --> 0:26:21.320
<v Speaker 1>with it, ye, little darlings I saw because I just

0:26:21.400 --> 0:26:23.960
<v Speaker 1>had this like tatumonial obsession because of Paper Moons, like

0:26:24.000 --> 0:26:25.679
<v Speaker 1>one of my favorite movies. I was like, I need

0:26:25.760 --> 0:26:27.879
<v Speaker 1>to watch everything with tatumonially and then I was like,

0:26:27.960 --> 0:26:29.680
<v Speaker 1>how did I know? I'm glad I didn't watch this

0:26:29.760 --> 0:26:32.520
<v Speaker 1>as a kid. I thought was my first R movie

0:26:32.600 --> 0:26:35.600
<v Speaker 1>in the theater. My cousin Cheryl snuck us in and

0:26:35.760 --> 0:26:38.680
<v Speaker 1>I was I probably think I was ten. And the

0:26:38.960 --> 0:26:41.320
<v Speaker 1>part where they're all standing around blowing up condoms with

0:26:41.400 --> 0:26:45.040
<v Speaker 1>their mouth, I had the entire audience was going insane laughing,

0:26:45.080 --> 0:26:48.080
<v Speaker 1>and I was like, balloons are not that funny? Why

0:26:48.119 --> 0:26:50.800
<v Speaker 1>would people laugh at the I just thought that everyone

0:26:50.920 --> 0:26:54.800
<v Speaker 1>was so stupid because I grew up a little church

0:26:54.880 --> 0:26:58.440
<v Speaker 1>boy and reformed church church boy now, but I was

0:26:58.520 --> 0:27:01.680
<v Speaker 1>not allowed to see that, so I still have seen that. Well,

0:27:02.040 --> 0:27:04.600
<v Speaker 1>the good girl does have sex and the bad girl does,

0:27:05.440 --> 0:27:08.439
<v Speaker 1>that's the twist, but you do not see coming. Who's

0:27:08.600 --> 0:27:12.960
<v Speaker 1>the bad girl? Um, Christie McNichol. Oh, well she was

0:27:13.080 --> 0:27:16.080
<v Speaker 1>my first crush, which I don't know what that says

0:27:16.080 --> 0:27:19.000
<v Speaker 1>about me now, but I did the thing and you

0:27:19.080 --> 0:27:22.240
<v Speaker 1>probably remember this where you would send off for like

0:27:22.400 --> 0:27:25.840
<v Speaker 1>an address to write a piece of fan mail. I

0:27:25.960 --> 0:27:28.520
<v Speaker 1>did this exact same thing with Kristy McNichol. Wait, usually

0:27:29.320 --> 0:27:32.640
<v Speaker 1>that was it. We probably wrote our letters the same week. Yes,

0:27:32.800 --> 0:27:35.440
<v Speaker 1>and I've said off and got her address somehow and

0:27:35.520 --> 0:27:37.960
<v Speaker 1>wrote her like a sort of a love letter. Well

0:27:38.359 --> 0:27:41.200
<v Speaker 1>I did too. You know. I love that show Family

0:27:41.320 --> 0:27:44.160
<v Speaker 1>that she was on, and she was she played Buddy

0:27:44.200 --> 0:27:47.520
<v Speaker 1>and she's like the tomboy girl, and I just thought

0:27:47.720 --> 0:27:50.760
<v Speaker 1>like she was the realist. Everybody else that acted on

0:27:50.880 --> 0:27:55.080
<v Speaker 1>TV had this veneer of like I'm sweet and it

0:27:55.200 --> 0:27:58.600
<v Speaker 1>was like presentational bad high school acting. And here comes

0:27:58.640 --> 0:28:01.280
<v Speaker 1>Christie McNicol and she's just like the fucking being real

0:28:02.119 --> 0:28:06.240
<v Speaker 1>and and really like, um, she has a Jodie Foster

0:28:06.359 --> 0:28:09.200
<v Speaker 1>feel to her in that it's like every she plays

0:28:09.200 --> 0:28:11.360
<v Speaker 1>it all small, but it's all very real and there's

0:28:11.400 --> 0:28:13.639
<v Speaker 1>like an intensity to it. And I just thought she

0:28:13.720 --> 0:28:15.439
<v Speaker 1>was amazing. And I wrote her letter and never got

0:28:15.520 --> 0:28:18.240
<v Speaker 1>anything back, and I was like, I don't like her anymore.

0:28:18.840 --> 0:28:21.280
<v Speaker 1>I cut her out of my heart. I don't remember

0:28:21.359 --> 0:28:25.800
<v Speaker 1>when my crush ended for her, has it ever? Probably

0:28:26.359 --> 0:28:28.879
<v Speaker 1>she's gay, right she is? Yeah, I think she is.

0:28:29.920 --> 0:28:32.040
<v Speaker 1>Maybe there's something to that, maybe, well you know what

0:28:32.119 --> 0:28:34.520
<v Speaker 1>it is. It's like they can bring more to the

0:28:35.000 --> 0:28:38.680
<v Speaker 1>role than just the standardized like yeah, I'm cute, I'm pretty,

0:28:38.760 --> 0:28:41.240
<v Speaker 1>I'm a cheerleader or whatever, where it's like there's also

0:28:41.320 --> 0:28:44.000
<v Speaker 1>other types of people in the world, and then you're like, oh,

0:28:44.720 --> 0:28:48.760
<v Speaker 1>other types of this is interesting a woman that isn't

0:28:49.280 --> 0:28:53.120
<v Speaker 1>just in address, you know, Yeah, for sure. Uh. And

0:28:53.280 --> 0:28:55.200
<v Speaker 1>of course the John Hughes movies were so big, Like

0:28:55.280 --> 0:29:00.360
<v Speaker 1>I remember seeing Breakfast Club in our theater in our town. Uh.

0:29:00.560 --> 0:29:02.320
<v Speaker 1>And we would just take chances on movies. I didn't

0:29:02.360 --> 0:29:04.040
<v Speaker 1>really know what it was at the time, although I

0:29:04.080 --> 0:29:07.000
<v Speaker 1>had seen Sixteen Candles, but I think that was before

0:29:07.040 --> 0:29:08.760
<v Speaker 1>I was like, oh, this is the next movie from

0:29:08.800 --> 0:29:11.680
<v Speaker 1>this director. I wasn't that savvy yet. No, none of

0:29:11.760 --> 0:29:13.960
<v Speaker 1>us knew what that meant. Yeah, that wasn't That wasn't

0:29:13.960 --> 0:29:16.640
<v Speaker 1>a thing back then, the pre IMDP day. Yeah, before

0:29:16.720 --> 0:29:18.800
<v Speaker 1>that was the thing. But those movies were just huge

0:29:18.840 --> 0:29:22.040
<v Speaker 1>for me growing up. Yeah, that was so funny. They

0:29:22.120 --> 0:29:25.920
<v Speaker 1>were so interesting. It was almost like for sixteen Candles,

0:29:26.040 --> 0:29:29.920
<v Speaker 1>especially the soundtrack and the closest kids were. I was like,

0:29:30.120 --> 0:29:33.160
<v Speaker 1>this is a town in Chicago where everyone's cool, and

0:29:33.280 --> 0:29:35.040
<v Speaker 1>I want to live in that town, and like would

0:29:35.080 --> 0:29:37.640
<v Speaker 1>I even fit in in that town? It stressed me

0:29:37.720 --> 0:29:40.600
<v Speaker 1>out and it was like there was some There was

0:29:40.680 --> 0:29:44.080
<v Speaker 1>some part where Molly Ringwald has a blue binder and

0:29:44.200 --> 0:29:47.320
<v Speaker 1>she she the rave Ups was written is like, you know,

0:29:47.560 --> 0:29:49.520
<v Speaker 1>like doodles on the binders that you can see as

0:29:49.560 --> 0:29:52.120
<v Speaker 1>she's walking. And I completely wrote the Rave Ups on

0:29:52.240 --> 0:29:54.800
<v Speaker 1>my binder. I'd never heard the band. I didn't even

0:29:54.840 --> 0:29:56.680
<v Speaker 1>know it was a band or what it was, but

0:29:56.760 --> 0:29:59.200
<v Speaker 1>I was just like, whatever this whole lifestyle is, I

0:29:59.280 --> 0:30:03.040
<v Speaker 1>want I want it. And the notebook doodling and well

0:30:03.120 --> 0:30:05.160
<v Speaker 1>pre notebook dooling. I guess it was like the trapper

0:30:05.280 --> 0:30:08.760
<v Speaker 1>Keeper stuff. And we were like young youngs that your

0:30:08.800 --> 0:30:13.800
<v Speaker 1>experience or is this all like old people behind? Well,

0:30:14.040 --> 0:30:16.520
<v Speaker 1>but I had older siblings, so I kind of I'm

0:30:16.600 --> 0:30:19.360
<v Speaker 1>sure there with the you know timeline. But then there

0:30:19.480 --> 0:30:21.600
<v Speaker 1>was this time in high school where I I just

0:30:21.680 --> 0:30:24.240
<v Speaker 1>got really big into the eighties and I was like,

0:30:24.400 --> 0:30:26.600
<v Speaker 1>this is my fucking thing. I'm obsessed, And so I

0:30:26.680 --> 0:30:30.960
<v Speaker 1>got the soundtrack to Breakfast Club on vinyl I and

0:30:31.040 --> 0:30:33.840
<v Speaker 1>then I also went to Rocky Horse Live. I was

0:30:33.920 --> 0:30:37.600
<v Speaker 1>just obsessed. But you know, yes, you had Eighties for

0:30:37.640 --> 0:30:40.720
<v Speaker 1>a while. Yeah, but you know, growing up in the eighties,

0:30:40.960 --> 0:30:44.320
<v Speaker 1>I had no supervision, so I watched all the same things.

0:30:44.760 --> 0:30:47.160
<v Speaker 1>There was no like, you know, nothing was off limits.

0:30:48.040 --> 0:30:53.000
<v Speaker 1>So yeah, yeah, I was sort of monitored. I was

0:30:53.120 --> 0:30:55.600
<v Speaker 1>the third kid, though, so I got less monitoring as

0:30:55.640 --> 0:31:00.520
<v Speaker 1>I grew up too. But coming from like a church household,

0:31:01.000 --> 0:31:03.880
<v Speaker 1>like I couldn't see little Darling's and I was embarrassed

0:31:03.920 --> 0:31:07.800
<v Speaker 1>when I remember like asking my mom so embarrassing now,

0:31:08.160 --> 0:31:10.320
<v Speaker 1>but asking my mom to take me out of Greece

0:31:10.880 --> 0:31:14.200
<v Speaker 1>during the sleep overseen because they were in their underwear

0:31:15.840 --> 0:31:20.320
<v Speaker 1>was like, mom, I don't want to well, and I

0:31:20.440 --> 0:31:22.280
<v Speaker 1>just thought it was embarrassing because my mom was there,

0:31:22.360 --> 0:31:25.080
<v Speaker 1>and growing up Southern Baptist, I thought like sex and

0:31:25.200 --> 0:31:29.240
<v Speaker 1>nudity was the dirtiest, most awful thing that you could do. Yeah,

0:31:29.840 --> 0:31:33.400
<v Speaker 1>And I'm still unpacking that. I mean, that's that's what.

0:31:33.600 --> 0:31:36.320
<v Speaker 1>That's the great gift that religion gives you, that just

0:31:36.440 --> 0:31:40.880
<v Speaker 1>keeps on giving right for you, which is a different

0:31:40.920 --> 0:31:44.400
<v Speaker 1>thing to unpack. It is. It's um, but that sex

0:31:44.520 --> 0:31:48.800
<v Speaker 1>guilt is so weird. It's just like, what the like

0:31:48.960 --> 0:31:51.840
<v Speaker 1>feelings that you're having you have no control over and

0:31:52.000 --> 0:31:55.000
<v Speaker 1>that you and that every other person on the planet

0:31:55.080 --> 0:31:57.320
<v Speaker 1>has and you still, like Jesus is mad. But I

0:31:57.400 --> 0:32:00.280
<v Speaker 1>feel about it right now. It's fussed up and so

0:32:00.480 --> 0:32:05.000
<v Speaker 1>damaging because it's biology. Yeah, and you're told that you're

0:32:05.200 --> 0:32:07.840
<v Speaker 1>not feeling like the things you're feeling are wrong. Yeah,

0:32:08.360 --> 0:32:11.880
<v Speaker 1>but that's a different episode. Did you grew up wonderfully

0:32:11.880 --> 0:32:14.880
<v Speaker 1>atheist in your house? That's a different podcast altogether. I

0:32:14.960 --> 0:32:19.360
<v Speaker 1>grew up Jewish, like very very reformed Jewish, and from

0:32:19.520 --> 0:32:22.400
<v Speaker 1>with parents, especially my mom, who was like the where

0:32:22.440 --> 0:32:25.360
<v Speaker 1>did I come from? Thing? Like from a very young age,

0:32:26.800 --> 0:32:28.880
<v Speaker 1>what I love that, that's the best. So I had

0:32:28.920 --> 0:32:31.920
<v Speaker 1>to rein mine back, like instead of being like, oh,

0:32:32.040 --> 0:32:33.800
<v Speaker 1>this is scandalous, I had to be like, no, George,

0:32:34.040 --> 0:32:37.480
<v Speaker 1>some ship scandalous because it always has anything and sex

0:32:37.600 --> 0:32:39.920
<v Speaker 1>was not a big deal. So when I got older,

0:32:39.960 --> 0:32:41.880
<v Speaker 1>I had to realize, like sex is a big deal

0:32:42.040 --> 0:32:43.680
<v Speaker 1>and you and I kind of had to put some

0:32:44.680 --> 0:32:47.960
<v Speaker 1>you know, brains on that. But the foot washing, but

0:32:48.080 --> 0:32:55.760
<v Speaker 1>the washing the mons washing station, because that was your

0:32:55.840 --> 0:33:00.800
<v Speaker 1>principle Spanish. It was a absolute ones that should not

0:33:00.840 --> 0:33:03.160
<v Speaker 1>have been at that school. Definitely, I'll probably pepper and

0:33:03.200 --> 0:33:05.080
<v Speaker 1>little things for the murder hingos, because there are quite

0:33:05.120 --> 0:33:06.920
<v Speaker 1>a few of them that are very excited about this,

0:33:07.280 --> 0:33:10.840
<v Speaker 1>these worlds colliding. Yeah, it's very cool and it's so nice.

0:33:10.920 --> 0:33:12.600
<v Speaker 1>Thank you so much, because that's so nice to have

0:33:13.240 --> 0:33:19.280
<v Speaker 1>your own insane inside jokes referenced on another pot. And

0:33:19.400 --> 0:33:21.160
<v Speaker 1>I mean I haven't even been listening that long, probably

0:33:21.160 --> 0:33:24.400
<v Speaker 1>about eight months, um, but I went to like pretty

0:33:24.440 --> 0:33:28.720
<v Speaker 1>pretty quickly and deep straightly, pretty radily, thank you and

0:33:28.840 --> 0:33:32.400
<v Speaker 1>sorry so many. I was going to try and work

0:33:32.440 --> 0:33:34.160
<v Speaker 1>in my favorite little road things that you guys do,

0:33:34.360 --> 0:33:35.920
<v Speaker 1>but um, I'll probably just go ahead and tell you,

0:33:36.600 --> 0:33:41.200
<v Speaker 1>um instead of doing that inorganically. Obviously, I know that

0:33:41.280 --> 0:33:49.120
<v Speaker 1>you probably know yours right mine, But it's ship that

0:33:49.240 --> 0:33:51.320
<v Speaker 1>we do on a normal basis that was done our

0:33:51.360 --> 0:33:53.240
<v Speaker 1>whole lives, and suddenly people are like that thing you

0:33:53.320 --> 0:33:56.080
<v Speaker 1>do consciously I love it, and then you get really

0:33:56.120 --> 0:34:00.720
<v Speaker 1>self conscious of it. But it's the best think and

0:34:00.960 --> 0:34:03.520
<v Speaker 1>for yours. What I was gonna do is My favorite

0:34:03.560 --> 0:34:09.080
<v Speaker 1>thing that you do is oh shit, no one's ever

0:34:09.200 --> 0:34:12.120
<v Speaker 1>brought that up. Oh do you not realize that's a

0:34:12.200 --> 0:34:16.799
<v Speaker 1>Karen thing. I don't think I do. Oh shure, yeah,

0:34:16.840 --> 0:34:20.719
<v Speaker 1>I hear it. My thing is the this exactly what

0:34:20.760 --> 0:34:22.399
<v Speaker 1>I'm about to do right now, and what I'm doing

0:34:22.520 --> 0:34:27.759
<v Speaker 1>right now where I have to preamble his statement with

0:34:27.960 --> 0:34:30.360
<v Speaker 1>four other statements that are like here's the thing, and

0:34:30.440 --> 0:34:32.120
<v Speaker 1>I need you to know this. It's like I have

0:34:32.239 --> 0:34:34.560
<v Speaker 1>to stop the room when no one's no one's going

0:34:34.600 --> 0:34:38.799
<v Speaker 1>to interrupt me. It's insane and the scene. Yeah, when

0:34:38.840 --> 0:34:40.759
<v Speaker 1>we had Paul holes on, I did it. There was

0:34:40.840 --> 0:34:43.000
<v Speaker 1>one way I tried to ask him and I did

0:34:43.040 --> 0:34:44.680
<v Speaker 1>it about six times in a row where I'm like,

0:34:44.800 --> 0:34:47.560
<v Speaker 1>you sound like a crazy You sound like someone who

0:34:47.600 --> 0:34:49.399
<v Speaker 1>doesn't know what they want to say, but you think

0:34:49.640 --> 0:34:52.520
<v Speaker 1>you'll just work your way up to if you keep talking, right.

0:34:52.640 --> 0:34:54.080
<v Speaker 1>I love it, and I think that's why I like

0:34:54.360 --> 0:34:56.640
<v Speaker 1>our conversations work so well as in my family, Like

0:34:56.800 --> 0:34:58.960
<v Speaker 1>you can start in the middle of a conversation three

0:34:59.000 --> 0:35:01.719
<v Speaker 1>weeks later, and then the person would be like yeah,

0:35:01.920 --> 0:35:04.359
<v Speaker 1>and they're right there with you, like you just don't

0:35:04.400 --> 0:35:07.120
<v Speaker 1>finish thoughts, you don't finish sentences. In the middle of

0:35:07.239 --> 0:35:09.359
<v Speaker 1>my conversation with my therapist today, we were talking about

0:35:09.360 --> 0:35:11.440
<v Speaker 1>something deep. She goes to take a sip of her

0:35:11.480 --> 0:35:14.200
<v Speaker 1>water and it's a water brand that might advertise with us,

0:35:14.239 --> 0:35:16.520
<v Speaker 1>and I was like, you know, and so I did, hey,

0:35:16.520 --> 0:35:20.839
<v Speaker 1>do you like that water? And she didn't miss a beat,

0:35:21.480 --> 0:35:24.520
<v Speaker 1>got right back to it. It was the best she does.

0:35:25.080 --> 0:35:28.480
<v Speaker 1>She does like it. Okay, good water. I'm noto gonnat.

0:35:28.520 --> 0:35:37.920
<v Speaker 1>They don't hanging us to talk about one where it was.

0:35:40.320 --> 0:35:41.640
<v Speaker 1>But when you get a guy like holes in there

0:35:41.680 --> 0:35:44.320
<v Speaker 1>who doesn't like isn't a fan of your show? I

0:35:44.400 --> 0:35:47.279
<v Speaker 1>assume no, he's never listened, So yeah, I imagine that,

0:35:47.400 --> 0:35:50.839
<v Speaker 1>so you probably do think he thinks we're crazy. Yeah,

0:35:50.840 --> 0:35:54.040
<v Speaker 1>And also he's just what I realized with that and

0:35:54.160 --> 0:35:57.520
<v Speaker 1>all the feelings around it that we've had to unpack

0:35:57.600 --> 0:36:02.360
<v Speaker 1>for weeks now. Um, he's it's the person like I

0:36:03.680 --> 0:36:06.640
<v Speaker 1>don't I'm pretty sure you don't care about celebrities per se.

0:36:07.400 --> 0:36:09.960
<v Speaker 1>But these people that actually do this work that we

0:36:10.440 --> 0:36:13.319
<v Speaker 1>read article act article about and they're actually the ones

0:36:13.360 --> 0:36:15.640
<v Speaker 1>that do the hard, awful work that no one wants

0:36:15.680 --> 0:36:19.680
<v Speaker 1>to do. Um, there's a nobility to it, and there's

0:36:19.719 --> 0:36:22.840
<v Speaker 1>like it's what you actually project onto celebrities is what

0:36:23.120 --> 0:36:25.400
<v Speaker 1>most people are like, Oh, Matt daven he's such a

0:36:25.480 --> 0:36:27.760
<v Speaker 1>great guy, and it's like, we don't really know anything

0:36:27.840 --> 0:36:30.520
<v Speaker 1>that Damon's doing, but like when you project them onto

0:36:30.560 --> 0:36:34.279
<v Speaker 1>poll Hole's you're probably gonna be pretty right because he

0:36:35.760 --> 0:36:37.840
<v Speaker 1>even if he's the worst person and on the weekend,

0:36:38.160 --> 0:36:40.919
<v Speaker 1>he spends those other five days fighting the good fight.

0:36:41.600 --> 0:36:43.759
<v Speaker 1>And so yeah, when he was there in front of us,

0:36:43.920 --> 0:36:46.520
<v Speaker 1>there was just that kind of he was so good

0:36:46.560 --> 0:36:49.279
<v Speaker 1>at talking about this thing we're so obsessed with and

0:36:49.520 --> 0:36:52.120
<v Speaker 1>about the specifics of it, about the real the real

0:36:52.280 --> 0:36:54.960
<v Speaker 1>work of it and a real job of it. It

0:36:55.120 --> 0:36:58.759
<v Speaker 1>was so amazing. Yeah, and not getting rich to doing it,

0:36:59.320 --> 0:37:01.200
<v Speaker 1>Let's be honest, No, I don't think. So it is

0:37:01.239 --> 0:37:03.319
<v Speaker 1>weird to go from this, Like you know, I think

0:37:03.400 --> 0:37:06.120
<v Speaker 1>probably being in the entertainment industry, just to meet someone

0:37:06.160 --> 0:37:09.360
<v Speaker 1>who has like a purpose and meaning in their lives

0:37:09.600 --> 0:37:13.560
<v Speaker 1>is really and and you know, integrity and it's just

0:37:13.760 --> 0:37:15.759
<v Speaker 1>nice to meet someone like that. And so you're in

0:37:15.880 --> 0:37:17.960
<v Speaker 1>all of them in a way that I'm not with

0:37:18.120 --> 0:37:21.960
<v Speaker 1>the you know, some celebrity actor or whatever. Right, well,

0:37:22.000 --> 0:37:24.240
<v Speaker 1>and you guys nerd out so much on forensic science

0:37:24.360 --> 0:37:29.600
<v Speaker 1>and people like corners and people who do autopsies, and

0:37:31.880 --> 0:37:34.000
<v Speaker 1>it is I mean, it's the hardest job. It's just

0:37:34.120 --> 0:37:37.520
<v Speaker 1>like some awful thing happens that's so awful. Everyone like

0:37:37.640 --> 0:37:39.880
<v Speaker 1>turns away and there's a team of people to go

0:37:40.120 --> 0:37:44.040
<v Speaker 1>in at that point and clean up the awfulness. And

0:37:44.600 --> 0:37:47.160
<v Speaker 1>that's amazing to Yeah, we did a crime scene clean

0:37:47.239 --> 0:37:50.360
<v Speaker 1>up episode on stuff once and like really researching the

0:37:50.440 --> 0:37:54.000
<v Speaker 1>nitty gritty of that ship is just like amazing. Yes,

0:37:55.000 --> 0:37:57.400
<v Speaker 1>because a lot of times they're just civilians, right that

0:37:57.520 --> 0:38:01.560
<v Speaker 1>start their own company and yeah, that's and they're like, yeah,

0:38:01.560 --> 0:38:04.000
<v Speaker 1>it's never bothered me, and it's pretty good money. And

0:38:04.760 --> 0:38:10.040
<v Speaker 1>why people make the decisions they make helping people because

0:38:10.840 --> 0:38:13.239
<v Speaker 1>like in Michelle's book, I'll Be Done in the Dark,

0:38:13.320 --> 0:38:15.440
<v Speaker 1>she talks about the brother in law coming in to

0:38:15.560 --> 0:38:18.680
<v Speaker 1>like clean up you know, crime scene and it's so

0:38:19.040 --> 0:38:21.560
<v Speaker 1>they didn't have that before, you know, have crime scene

0:38:21.560 --> 0:38:24.480
<v Speaker 1>clean up companies, so the family had to do it.

0:38:25.760 --> 0:38:28.040
<v Speaker 1>It's so awful and that's like every movie ever with

0:38:28.200 --> 0:38:37.479
<v Speaker 1>the the scrub rush and the blood stain on the rug. Yeah, exactly, Yeah,

0:38:45.080 --> 0:38:47.240
<v Speaker 1>all right, well we can get into Silence of the Lambs.

0:38:47.640 --> 0:38:50.879
<v Speaker 1>Um here is my first experience with this movie, which

0:38:50.960 --> 0:38:53.640
<v Speaker 1>is a little crazy. I was a freshman in college

0:38:54.200 --> 0:38:57.160
<v Speaker 1>and the university had a theater like the University Theater,

0:38:57.400 --> 0:38:59.839
<v Speaker 1>where they would show movies and then sometimes they would

0:38:59.840 --> 0:39:02.160
<v Speaker 1>be a sneak preview of another movie and you could stay.

0:39:02.760 --> 0:39:07.120
<v Speaker 1>So I went and saw Dancing with Wolves because I'm

0:39:07.160 --> 0:39:09.399
<v Speaker 1>in college, I still had nothing to do sucking. Four

0:39:09.440 --> 0:39:12.120
<v Speaker 1>hours later and they said, if you want to stay after,

0:39:12.239 --> 0:39:14.480
<v Speaker 1>we're going to be screening a movie with Anthony Hopkins

0:39:14.520 --> 0:39:19.360
<v Speaker 1>and Jodie Foster Silence of the Lambs. And I was like,

0:39:19.640 --> 0:39:23.080
<v Speaker 1>all right, and it sounds it heard Anthony Hopkins Silence

0:39:23.120 --> 0:39:25.759
<v Speaker 1>of the Lambs Jodie Foster, and I thought this is

0:39:25.800 --> 0:39:29.640
<v Speaker 1>probably like a merchant Ivory thing, some period peace And

0:39:29.920 --> 0:39:32.520
<v Speaker 1>cut to like an hour later and I'm just fucking like,

0:39:32.719 --> 0:39:36.360
<v Speaker 1>what am I watching right now? So I can't imagine

0:39:36.440 --> 0:39:39.200
<v Speaker 1>like a weirder way to see that movie than to

0:39:39.280 --> 0:39:41.480
<v Speaker 1>not know anything about it going into it. But it

0:39:41.680 --> 0:39:45.160
<v Speaker 1>was awesome and just like from the very beginning. It's

0:39:45.160 --> 0:39:47.200
<v Speaker 1>been one of my favorite movies of all time. Yeah,

0:39:47.480 --> 0:39:50.480
<v Speaker 1>it has one of the best beginnings. Yeah, It's like

0:39:50.840 --> 0:39:53.640
<v Speaker 1>it sets you to place, and it introduces you to

0:39:53.920 --> 0:39:56.640
<v Speaker 1>a person, and it does all these things really clean

0:39:56.840 --> 0:40:01.319
<v Speaker 1>and really clear without words, with outwards and with her

0:40:01.920 --> 0:40:05.759
<v Speaker 1>just struggling and like I mean like the Quantico. Yeah,

0:40:05.880 --> 0:40:09.520
<v Speaker 1>her running that getting checked out by male a big

0:40:09.560 --> 0:40:11.560
<v Speaker 1>group of guys that she's all by herself and she

0:40:11.640 --> 0:40:13.719
<v Speaker 1>has to climb that thing getting into the elevator or

0:40:13.760 --> 0:40:17.880
<v Speaker 1>the teen tiny little Yeah, and it's it's just like,

0:40:18.320 --> 0:40:20.799
<v Speaker 1>so I lived in I was also in college. We're

0:40:20.920 --> 0:40:23.759
<v Speaker 1>pretty much the same age, I think. Um, And I'd

0:40:23.800 --> 0:40:27.600
<v Speaker 1>read the book and that in that crazy ghost story

0:40:27.640 --> 0:40:29.879
<v Speaker 1>that I've told you already read the book. I'd already

0:40:29.920 --> 0:40:34.279
<v Speaker 1>read the book, um, because my sister and her friend,

0:40:34.400 --> 0:40:38.680
<v Speaker 1>my sister's friend Adrian like was like here, read this

0:40:38.800 --> 0:40:41.400
<v Speaker 1>and it was man Hunter. Um, and then so then

0:40:41.440 --> 0:40:44.919
<v Speaker 1>it was Science of Lambs and right, because that's after

0:40:45.600 --> 0:40:49.200
<v Speaker 1>and that I think it is I think Man Hunter's first.

0:40:49.200 --> 0:40:52.200
<v Speaker 1>But but I read it over the weekend and then

0:40:52.360 --> 0:40:54.440
<v Speaker 1>had a weird ghost experience in the house that I

0:40:54.560 --> 0:40:57.319
<v Speaker 1>was living in because I was there by myself. Um

0:40:57.880 --> 0:41:02.560
<v Speaker 1>it's really long, but basically, UM, I read this book

0:41:02.600 --> 0:41:04.200
<v Speaker 1>so much that I kind of started to believe I

0:41:04.400 --> 0:41:06.719
<v Speaker 1>was clarice startling like in as I was reading, and

0:41:06.760 --> 0:41:08.719
<v Speaker 1>it was like, this is happening to me. And then

0:41:08.800 --> 0:41:11.359
<v Speaker 1>that night I went to bed full house that had

0:41:11.440 --> 0:41:13.600
<v Speaker 1>we'd already been having weird things happened, but we weren't

0:41:13.600 --> 0:41:15.840
<v Speaker 1>acknowledging it to each other. We were just like, I

0:41:15.880 --> 0:41:18.719
<v Speaker 1>don't know, you know. And then that night I woke

0:41:18.800 --> 0:41:20.920
<v Speaker 1>up in the middle of night hearing footsteps out in

0:41:21.000 --> 0:41:23.520
<v Speaker 1>the dining room and I was like, I can't believe

0:41:23.520 --> 0:41:26.400
<v Speaker 1>I'm gonna get murdered like this. Like I just completely

0:41:26.520 --> 0:41:29.319
<v Speaker 1>was like, this is this is everything I've always feared

0:41:29.320 --> 0:41:32.200
<v Speaker 1>and it's actually happening. And I heard the footsteps come

0:41:32.239 --> 0:41:35.359
<v Speaker 1>down the back hallway, walk through, open the one door

0:41:35.440 --> 0:41:38.000
<v Speaker 1>to the bathroom, walk on a linoleum, opened the door

0:41:38.040 --> 0:41:40.759
<v Speaker 1>to my bedroom, and then I heard feet on the

0:41:40.800 --> 0:41:44.040
<v Speaker 1>carpet in my bedroom. I felt weight on the mattress.

0:41:44.160 --> 0:41:47.080
<v Speaker 1>I tipped backwards and I was like just frozen solid,

0:41:47.520 --> 0:41:49.880
<v Speaker 1>and then I felt arms go around my waist and

0:41:50.040 --> 0:41:53.440
<v Speaker 1>squeeze and then it was over and there was there

0:41:53.520 --> 0:41:56.120
<v Speaker 1>was no one there, and it was, you know, three

0:41:56.400 --> 0:41:58.279
<v Speaker 1>thirty in the morning. I called my sister and thank

0:41:58.320 --> 0:42:00.279
<v Speaker 1>god she lived across town and made her come and

0:42:00.360 --> 0:42:02.840
<v Speaker 1>get me and stayed with her for the rest of

0:42:02.880 --> 0:42:05.400
<v Speaker 1>the weekend, and everybody came back. It was crazy. But

0:42:06.200 --> 0:42:09.880
<v Speaker 1>I do know that that book set a tone for

0:42:10.920 --> 0:42:12.439
<v Speaker 1>It was that kind of thing where I couldn't stop

0:42:12.480 --> 0:42:14.360
<v Speaker 1>reading it. So I started reading it in the morning

0:42:14.840 --> 0:42:16.680
<v Speaker 1>and then the sun went down and the house got

0:42:16.760 --> 0:42:20.520
<v Speaker 1>dark around me, and I was reading that book because

0:42:20.560 --> 0:42:24.520
<v Speaker 1>it's just so like her alone trying to, you know,

0:42:24.880 --> 0:42:28.680
<v Speaker 1>solve this thing. Yeah. I read American Psycho in college

0:42:28.719 --> 0:42:31.919
<v Speaker 1>when I was working the midnight to eight am shift

0:42:31.960 --> 0:42:35.480
<v Speaker 1>at a convenience store, and I don't know how you're

0:42:35.480 --> 0:42:38.560
<v Speaker 1>supposed to take that book. And years later with the movie,

0:42:38.840 --> 0:42:40.279
<v Speaker 1>I was like, oh, this is sort of like the

0:42:40.400 --> 0:42:45.000
<v Speaker 1>darkest comedy, or at least the way Mary Herron directed it.

0:42:45.160 --> 0:42:47.719
<v Speaker 1>Tongue and shake a little, I guess, because that's what

0:42:47.800 --> 0:42:49.000
<v Speaker 1>the movie is sort of like. But when I was

0:42:49.040 --> 0:42:52.560
<v Speaker 1>reading the book, it was scary as ship. And when

0:42:52.600 --> 0:42:55.319
<v Speaker 1>you work overnight like that, you just the fluorescent lights

0:42:55.320 --> 0:42:57.560
<v Speaker 1>were buzzing. And for that like week I was in

0:42:57.640 --> 0:43:00.320
<v Speaker 1>a really really weird headspace. So I know, like a

0:43:00.360 --> 0:43:03.080
<v Speaker 1>book can creep in like movies can, but when you're

0:43:03.080 --> 0:43:05.560
<v Speaker 1>immersed in a book over like hours and days, it

0:43:05.600 --> 0:43:07.640
<v Speaker 1>can really kind of funk with your heads, right because

0:43:07.640 --> 0:43:09.399
<v Speaker 1>it's like a movie in your head. You're the one

0:43:09.440 --> 0:43:13.040
<v Speaker 1>that's directing the movie. Yet when we went to see So,

0:43:13.200 --> 0:43:15.880
<v Speaker 1>it was the Tower Theater in Sacramento, which is a

0:43:16.000 --> 0:43:19.239
<v Speaker 1>big old theater, really huge screen, and so we went

0:43:19.320 --> 0:43:22.040
<v Speaker 1>to see the movie. I knew it, so I was like, well,

0:43:22.160 --> 0:43:26.279
<v Speaker 1>you know when and um it was like we were

0:43:26.600 --> 0:43:28.359
<v Speaker 1>we all when it was over turned to each other.

0:43:28.400 --> 0:43:31.319
<v Speaker 1>We're like, we're coming back tomorrow night, like we immediately

0:43:31.520 --> 0:43:34.480
<v Speaker 1>we went so insane and it was the best movie

0:43:34.480 --> 0:43:38.080
<v Speaker 1>I've ever seen, second only I think too or up

0:43:38.120 --> 0:43:41.160
<v Speaker 1>there with The Fugitive, which we also saw in that theater.

0:43:41.600 --> 0:43:44.279
<v Speaker 1>And I'm sure it was the theater experience as just

0:43:44.440 --> 0:43:47.160
<v Speaker 1>as much as anything. But I just couldn't believe how

0:43:47.440 --> 0:43:50.200
<v Speaker 1>I love to look for parts where I go, this

0:43:50.400 --> 0:43:52.440
<v Speaker 1>is where you fall apart, this is where this starts

0:43:52.480 --> 0:43:55.520
<v Speaker 1>to suck. And I feel like in in Sounds the

0:43:55.600 --> 0:43:58.400
<v Speaker 1>Lamb's you cannot do that. It's in your perfect film

0:43:58.800 --> 0:44:00.680
<v Speaker 1>and there aren't many. What do you remember your first

0:44:00.960 --> 0:44:03.600
<v Speaker 1>time seeing it? Well, yeah, recently I rewatched I watched

0:44:03.719 --> 0:44:06.200
<v Speaker 1>last night. But recently I rewatched it after a while,

0:44:06.360 --> 0:44:09.520
<v Speaker 1>and I was and I remember watching it in the theaters,

0:44:09.800 --> 0:44:11.920
<v Speaker 1>and so I went to look what year it came

0:44:11.920 --> 0:44:15.080
<v Speaker 1>out and realized that I was ten years old when

0:44:15.120 --> 0:44:18.880
<v Speaker 1>I saw it, because you see, and I was like,

0:44:19.080 --> 0:44:21.439
<v Speaker 1>what the fuck is wrong with my parents? And I'll

0:44:21.440 --> 0:44:23.960
<v Speaker 1>tell you what. They were divorced when I was really young,

0:44:24.160 --> 0:44:26.640
<v Speaker 1>and so my dad had us every other weekend. What

0:44:26.760 --> 0:44:29.200
<v Speaker 1>you did was go, I'm so like with our three

0:44:29.239 --> 0:44:31.799
<v Speaker 1>of us, and it was took us to the movie theater,

0:44:32.080 --> 0:44:33.520
<v Speaker 1>threw us in there. I was like, go watch a

0:44:33.600 --> 0:44:36.000
<v Speaker 1>fucking movie movie, leave me alone. So my sister and

0:44:36.080 --> 0:44:39.040
<v Speaker 1>I went and watched Silence of the Lands. She was

0:44:39.120 --> 0:44:43.360
<v Speaker 1>like maybe twelve or thirteen, and I just couldn't believe it,

0:44:43.560 --> 0:44:47.560
<v Speaker 1>and like, no wonder I have insomnia and anxiety. It's

0:44:47.600 --> 0:44:49.800
<v Speaker 1>just like the most bucked up movie. And I was

0:44:49.880 --> 0:44:51.680
<v Speaker 1>in love with it. And I didn't, as you were

0:44:51.719 --> 0:44:54.600
<v Speaker 1>saying to you, I didn't understand half of it, MiGs,

0:44:54.880 --> 0:44:56.840
<v Speaker 1>And I was like, what did you proud her face?

0:44:57.080 --> 0:44:59.040
<v Speaker 1>I totally didn't. I don't know. I think I got

0:44:59.120 --> 0:45:02.560
<v Speaker 1>that when I was in because I was I didn't

0:45:02.600 --> 0:45:05.279
<v Speaker 1>understand flinging sperms like I don't think I do. But

0:45:05.600 --> 0:45:07.560
<v Speaker 1>then he did that so perfectly, because that could have

0:45:07.640 --> 0:45:11.839
<v Speaker 1>been a really gross, salacious and almost like they did

0:45:11.920 --> 0:45:14.160
<v Speaker 1>that in exactly the way where you got as upset

0:45:14.200 --> 0:45:16.120
<v Speaker 1>as you needed to be. But you also it was

0:45:16.200 --> 0:45:19.600
<v Speaker 1>not go to Eli Roth had directed that scene. You

0:45:19.680 --> 0:45:24.880
<v Speaker 1>have seen full on hard penis. Yeah, you would have seen. No,

0:45:25.080 --> 0:45:27.920
<v Speaker 1>there have been no mystery in any way, shape or form,

0:45:28.000 --> 0:45:30.920
<v Speaker 1>which is yeah, sorry, even last night when I watched it,

0:45:31.000 --> 0:45:33.360
<v Speaker 1>and this keeps happening. Is I see new things, and

0:45:33.440 --> 0:45:35.719
<v Speaker 1>I understand new things, and I you know, there's a

0:45:35.800 --> 0:45:39.120
<v Speaker 1>lot of mumbling in that movie that I didn't understand

0:45:39.200 --> 0:45:40.879
<v Speaker 1>what they were saying at the time, and I kind

0:45:40.920 --> 0:45:44.200
<v Speaker 1>of got things a lot. I understood it a little more. Yeah,

0:45:44.480 --> 0:45:46.440
<v Speaker 1>it's just but I think that's what happened. When you

0:45:46.560 --> 0:45:48.320
<v Speaker 1>watched that at ten years old, You're not going to

0:45:48.840 --> 0:45:50.680
<v Speaker 1>kick off on a lot of those. Also, your brain

0:45:50.800 --> 0:45:55.000
<v Speaker 1>might have gone like we need to shut this down now, clearly. Yeah,

0:45:55.080 --> 0:45:57.960
<v Speaker 1>I know, I remember watching it many times and after that,

0:45:58.120 --> 0:46:04.279
<v Speaker 1>so he must have let us rent it party. It's

0:46:04.320 --> 0:46:08.440
<v Speaker 1>just really scar super deep. Yeah, but I this is

0:46:08.520 --> 0:46:12.120
<v Speaker 1>actually a sidebar, but I just realized when you were ten,

0:46:12.239 --> 0:46:16.239
<v Speaker 1>I was twenty one cute thing in the world. I know.

0:46:16.680 --> 0:46:18.640
<v Speaker 1>I've never thought you were a different age than me.

0:46:19.120 --> 0:46:23.840
<v Speaker 1>I knew it seems sexually because coming to you at ten.

0:46:23.880 --> 0:46:25.759
<v Speaker 1>I always think about this because my husband's alter than me, Like,

0:46:25.800 --> 0:46:28.160
<v Speaker 1>what if I'd come up to you at ten, like, hey,

0:46:32.320 --> 0:46:35.560
<v Speaker 1>everything would have been like, I can't wait to see

0:46:35.920 --> 0:46:38.600
<v Speaker 1>the movie of y'all's story. That's that's going to be

0:46:38.680 --> 0:46:43.480
<v Speaker 1>the most adorable scene ever friends and be like, what

0:46:45.320 --> 0:46:50.080
<v Speaker 1>do you have any clothes? No, those burnt holes in

0:46:50.120 --> 0:46:52.960
<v Speaker 1>your lungs when that's what they said about clothes that

0:46:53.080 --> 0:46:56.839
<v Speaker 1>my mom told me there was tiny shards of glasses. Yeah,

0:46:57.000 --> 0:46:59.440
<v Speaker 1>I love yeah, because she found them in my pocket

0:46:59.600 --> 0:47:01.480
<v Speaker 1>when I was in high school and she did the

0:47:01.600 --> 0:47:04.200
<v Speaker 1>classic like she came upstairs and she was like, I

0:47:04.320 --> 0:47:06.239
<v Speaker 1>found these in your pocket. I was like, she goes,

0:47:06.680 --> 0:47:08.560
<v Speaker 1>you can smoke them if you want to, but there's

0:47:08.719 --> 0:47:12.280
<v Speaker 1>tiny shards of glass anyway, and like left, I remember

0:47:12.600 --> 0:47:15.440
<v Speaker 1>that too. That's bullshit, of course, right total, Because I

0:47:15.520 --> 0:47:17.960
<v Speaker 1>were to too, I would put tiny shards of glass

0:47:17.960 --> 0:47:20.640
<v Speaker 1>and anything I don't know, just like please sue us

0:47:20.680 --> 0:47:24.880
<v Speaker 1>and would say that, yeah, of course, that's the gateway

0:47:24.920 --> 0:47:27.000
<v Speaker 1>drug clothes. All right, let's smoke a close right now,

0:47:27.600 --> 0:47:32.120
<v Speaker 1>the grossest, gross like most, Like I wish I was goth.

0:47:32.239 --> 0:47:34.000
<v Speaker 1>I can't even get it together to be goth. So

0:47:34.000 --> 0:47:37.719
<v Speaker 1>I'm gonna smoke clothes that. Remember that taste the movie Ladybird.

0:47:37.880 --> 0:47:40.520
<v Speaker 1>They do it so perfectly where she smokes a clover

0:47:40.560 --> 0:47:43.600
<v Speaker 1>and lick your lips, and I remember that taste right

0:47:43.640 --> 0:47:48.040
<v Speaker 1>when that happened. That's sweet candy. Before you can get

0:47:48.080 --> 0:47:50.400
<v Speaker 1>your hands on drugs. When you're just getting your hands right,

0:47:50.480 --> 0:47:52.560
<v Speaker 1>you can get your hands on it like I shouldn't

0:47:52.600 --> 0:47:56.040
<v Speaker 1>be doing or like you get a little bit lightheaded. Yes, yeah,

0:47:56.080 --> 0:47:58.320
<v Speaker 1>it's funny. My daughter is almost three and she was

0:47:58.400 --> 0:48:00.719
<v Speaker 1>spinning the other day. She was smoking a clove the

0:48:00.760 --> 0:48:03.600
<v Speaker 1>other and she was spinning and got dizzy, and I

0:48:03.760 --> 0:48:06.399
<v Speaker 1>made a joke. I was like, spinning, that's the gateway drunk.

0:48:06.440 --> 0:48:08.560
<v Speaker 1>That's the first one. Because you could see it in

0:48:08.560 --> 0:48:10.000
<v Speaker 1>her eyes. She was a little drunk and she was

0:48:10.040 --> 0:48:12.120
<v Speaker 1>like this feels kind of good. Yeah, it's like that's

0:48:12.120 --> 0:48:14.680
<v Speaker 1>where it's sucking. Starts your eye on that one spinning.

0:48:17.000 --> 0:48:20.879
<v Speaker 1>Uh So this movie was the um I think, only

0:48:21.000 --> 0:48:23.520
<v Speaker 1>the third film in history to win the Big Five,

0:48:24.120 --> 0:48:27.239
<v Speaker 1>which is just amazing. And and if you consider this

0:48:27.320 --> 0:48:29.960
<v Speaker 1>a horror movie, which I don't fully, but it's the

0:48:30.040 --> 0:48:32.879
<v Speaker 1>first movie of this type to win Best Picture ever.

0:48:33.280 --> 0:48:38.640
<v Speaker 1>Uh And since so one obviously pictured director, actor, actress,

0:48:38.920 --> 0:48:43.560
<v Speaker 1>and screenplay. Um So it wasn't just like I think,

0:48:43.600 --> 0:48:46.600
<v Speaker 1>in anyone else's hands, it could have been just a

0:48:46.640 --> 0:48:49.880
<v Speaker 1>little tawdry thriller. But like DEMI was such a master

0:48:50.760 --> 0:48:52.919
<v Speaker 1>and I was so sad when when he passed away

0:48:53.360 --> 0:48:55.800
<v Speaker 1>because he was I think one of the more underrated

0:48:55.840 --> 0:48:59.719
<v Speaker 1>filmmakers of his time, and that whole thing of you know,

0:48:59.800 --> 0:49:03.200
<v Speaker 1>he to really fight to do that thing where talking

0:49:03.280 --> 0:49:06.520
<v Speaker 1>straight into camera. Yeah, they fought him on that, I

0:49:06.640 --> 0:49:08.919
<v Speaker 1>think from when I saw some documentary, but I can't

0:49:08.960 --> 0:49:11.360
<v Speaker 1>remember if it was the studio or what the situation,

0:49:11.520 --> 0:49:13.960
<v Speaker 1>or if it was other people on. But that was

0:49:14.160 --> 0:49:17.200
<v Speaker 1>his vision that kind of a lot of people didn't

0:49:17.239 --> 0:49:21.640
<v Speaker 1>believe it, and he basically got Jodie Foster and Anthony

0:49:21.719 --> 0:49:23.920
<v Speaker 1>Hopkins to believe this was going to be the best

0:49:23.960 --> 0:49:26.200
<v Speaker 1>way to do it. And I feel like that's everything

0:49:26.239 --> 0:49:28.640
<v Speaker 1>in that movie. Is it totally is they're talking to

0:49:28.719 --> 0:49:31.320
<v Speaker 1>you when she walks up, You're walking up when he

0:49:31.400 --> 0:49:35.680
<v Speaker 1>says hello, Clari's you know, like that moment, it's happening

0:49:35.760 --> 0:49:40.040
<v Speaker 1>to you. And it's not just the Hannibal character, like

0:49:40.440 --> 0:49:44.080
<v Speaker 1>he does that with Scott Glenn and all the Sheriff's

0:49:44.160 --> 0:49:46.359
<v Speaker 1>deputies in the room, Like he has all those first

0:49:46.400 --> 0:49:49.920
<v Speaker 1>person shots where you're Jody, where you're Clarice for a

0:49:50.000 --> 0:49:53.440
<v Speaker 1>moment you feel what it's like. I love that that

0:49:53.600 --> 0:49:56.880
<v Speaker 1>scene where she has to that's such a They do

0:49:57.040 --> 0:50:00.800
<v Speaker 1>so many things. I love that they show she is

0:50:00.840 --> 0:50:03.719
<v Speaker 1>a beginner and she has to try out these things.

0:50:03.760 --> 0:50:06.799
<v Speaker 1>She's not automatically great at everything. So that whole thing

0:50:06.880 --> 0:50:11.840
<v Speaker 1>where she has to tell what eleven like Sheriff's decay,

0:50:14.239 --> 0:50:17.000
<v Speaker 1>her family would thank you if they could. That whole

0:50:17.040 --> 0:50:20.040
<v Speaker 1>speech she has to get where she never done that before,

0:50:20.280 --> 0:50:22.920
<v Speaker 1>and she has to she has to assert herself and

0:50:22.960 --> 0:50:26.800
<v Speaker 1>then afterwards telling him like it matters. They look to you,

0:50:26.920 --> 0:50:29.279
<v Speaker 1>it matters. It was like sudding like that when I

0:50:29.480 --> 0:50:31.120
<v Speaker 1>noticed for the first time last night when I watched

0:50:31.120 --> 0:50:33.279
<v Speaker 1>it that she turns around to put the stuff under

0:50:33.320 --> 0:50:37.040
<v Speaker 1>her nose for smelling like even that as a private

0:50:37.160 --> 0:50:40.960
<v Speaker 1>moment and it's like it's embarrassing. Well, and in that

0:50:41.040 --> 0:50:44.120
<v Speaker 1>autopsy scene, she just uh, like I agree, making her

0:50:44.160 --> 0:50:46.840
<v Speaker 1>a rookie or a student even it was just a

0:50:46.920 --> 0:50:50.120
<v Speaker 1>stroke of genius because when she's in the autopsy scene,

0:50:50.200 --> 0:50:56.479
<v Speaker 1>she she gets that ship together so fast and sorry,

0:50:56.680 --> 0:50:59.279
<v Speaker 1>is that next door? Is that torturing a dog? Okay,

0:50:59.320 --> 0:51:01.640
<v Speaker 1>it sounds like something bad? All right, baby picking up.

0:51:02.760 --> 0:51:04.879
<v Speaker 1>So during the autopsy scene, she gets her ship together

0:51:05.040 --> 0:51:08.560
<v Speaker 1>so fast that uh, And I've seen it so many times,

0:51:08.640 --> 0:51:10.680
<v Speaker 1>but different things like stand out, and that one really

0:51:10.680 --> 0:51:13.479
<v Speaker 1>stood out is this is a scene that was making

0:51:13.680 --> 0:51:16.280
<v Speaker 1>the men in the room sick. And she turns around

0:51:16.440 --> 0:51:18.719
<v Speaker 1>and it's right there and she's like, all right now,

0:51:19.040 --> 0:51:21.000
<v Speaker 1>now it's time for me to do my job. Yeah,

0:51:21.200 --> 0:51:23.600
<v Speaker 1>I have to have the job I don't even have yet. Yeah,

0:51:23.600 --> 0:51:26.360
<v Speaker 1>I have to level up and be in charge. And

0:51:26.440 --> 0:51:28.440
<v Speaker 1>also it's the thing that is what good mentors do

0:51:28.760 --> 0:51:31.880
<v Speaker 1>is they make their their um ment. He's kind of like,

0:51:32.040 --> 0:51:34.920
<v Speaker 1>do the hardest possible thing so that they learn. And

0:51:35.000 --> 0:51:39.439
<v Speaker 1>the way she is talking into that tape recorder, it's

0:51:39.920 --> 0:51:44.120
<v Speaker 1>she's not being the way uh, Scott, the Scott Glung

0:51:44.239 --> 0:51:48.280
<v Speaker 1>character would be Um, she's you can hear her voice

0:51:48.760 --> 0:51:52.120
<v Speaker 1>great hang, and she's emotional and she's describing these horrible things,

0:51:52.160 --> 0:51:56.040
<v Speaker 1>but she's also like trying to keep it under wraps.

0:51:56.120 --> 0:51:58.600
<v Speaker 1>It's just and she does. I just Jodie Foster is

0:51:58.719 --> 0:52:01.640
<v Speaker 1>such an unsung I mean, she's pretty song, but I

0:52:01.719 --> 0:52:04.400
<v Speaker 1>feel like she's levels and levels above what people appreciate

0:52:04.440 --> 0:52:06.520
<v Speaker 1>her for. It's almost like it's so natural for her

0:52:06.560 --> 0:52:10.680
<v Speaker 1>that people don't notice how fucking great she is. She's like,

0:52:10.800 --> 0:52:14.560
<v Speaker 1>I put a, Yeah, she does, and she makes it

0:52:14.719 --> 0:52:18.040
<v Speaker 1>look real, so it's like there isn't a bunch of

0:52:18.200 --> 0:52:21.400
<v Speaker 1>extra eyebrows or whatever. And emotional moments I put a.

0:52:21.560 --> 0:52:23.719
<v Speaker 1>I tweeted a joke the other day and it was like,

0:52:23.840 --> 0:52:26.000
<v Speaker 1>am I really going to eat popcorn again for dinner?

0:52:26.280 --> 0:52:29.120
<v Speaker 1>And then I put up the gift of her going yes,

0:52:29.400 --> 0:52:33.920
<v Speaker 1>And it's that. But the reason that gift is so

0:52:34.000 --> 0:52:37.880
<v Speaker 1>perfect is because she has a single tear sitting on

0:52:38.040 --> 0:52:41.960
<v Speaker 1>her eyelid, her bottom eyelid right here that hasn't dropped

0:52:42.040 --> 0:52:45.160
<v Speaker 1>and probably never dropped. So it's the end of the

0:52:45.480 --> 0:52:51.840
<v Speaker 1>actual are the lamb still screaming scene? And she doesn't

0:52:51.920 --> 0:52:55.239
<v Speaker 1>do anything except for her eyebrows come together a little

0:52:55.239 --> 0:52:59.480
<v Speaker 1>bit sadly and she just goes, yeah. But she doesn't

0:52:59.640 --> 0:53:02.680
<v Speaker 1>like micro micro it's such good. You know why. It's

0:53:02.680 --> 0:53:06.040
<v Speaker 1>because she's fucking holding that tear. She's sucking that tear

0:53:06.120 --> 0:53:09.759
<v Speaker 1>in and concentrating only on not showing that tear fall.

0:53:10.440 --> 0:53:12.560
<v Speaker 1>That's like the feeling you get watching it right, because

0:53:12.600 --> 0:53:15.440
<v Speaker 1>she can't. She shows that to Hamble Letter like she

0:53:15.600 --> 0:53:17.759
<v Speaker 1>has to tell him the worst story that he wants.

0:53:17.960 --> 0:53:20.440
<v Speaker 1>He wants the tears, and she has to give him

0:53:20.480 --> 0:53:23.120
<v Speaker 1>just enough to get out to get to the next step.

0:53:23.680 --> 0:53:26.440
<v Speaker 1>But she can't like fall victim or prey to him.

0:53:27.360 --> 0:53:30.839
<v Speaker 1>Got that dance like I didn't realize until the other day.

0:53:30.920 --> 0:53:34.279
<v Speaker 1>The way this is first described when Scott Glenn says

0:53:34.320 --> 0:53:35.839
<v Speaker 1>what he wants her to do. He calls it an

0:53:35.880 --> 0:53:38.840
<v Speaker 1>interesting errand she's like, is it an you know, a

0:53:38.920 --> 0:53:41.680
<v Speaker 1>job or something. He's like, it's an interesting errand like,

0:53:41.960 --> 0:53:45.439
<v Speaker 1>fucking are you kidding me? Talk about under selling something? Yeah,

0:53:46.120 --> 0:53:48.120
<v Speaker 1>And that first shot of him when the camera's going

0:53:48.160 --> 0:53:52.040
<v Speaker 1>down that fucking dungeon hallway and he's just standing there

0:53:52.120 --> 0:53:55.640
<v Speaker 1>so like erect and still just like chilling, like like

0:53:56.040 --> 0:53:59.080
<v Speaker 1>chicken skin right now. And you know that was his choice,

0:53:59.160 --> 0:54:01.920
<v Speaker 1>and those are like acting choices and just play it

0:54:02.000 --> 0:54:04.440
<v Speaker 1>all like that. He was going to be very formal,

0:54:04.719 --> 0:54:06.600
<v Speaker 1>and he was going to be very professional with her,

0:54:06.719 --> 0:54:09.279
<v Speaker 1>and he was going to be very kindly. And then

0:54:09.800 --> 0:54:12.799
<v Speaker 1>then that contrast when he's like and all that ship

0:54:13.120 --> 0:54:16.480
<v Speaker 1>is like then, because he really is he's a super genius,

0:54:16.920 --> 0:54:19.879
<v Speaker 1>is this doctor and he's a manipulator. Yeah, so he's

0:54:19.920 --> 0:54:22.960
<v Speaker 1>like a genius. Wouldn't sit there and be like acting

0:54:23.000 --> 0:54:25.040
<v Speaker 1>like a vampire, or they wouldn't make no sense, like

0:54:25.200 --> 0:54:27.759
<v Speaker 1>you have to hide and plain sight, dr Lecter. So

0:54:27.920 --> 0:54:30.120
<v Speaker 1>like the whole I think his hands behind are behind

0:54:30.200 --> 0:54:32.240
<v Speaker 1>his back, aren't they. Yeah, he's just sort of standing.

0:54:32.239 --> 0:54:34.560
<v Speaker 1>It looks like a statue and the only thing moving

0:54:34.680 --> 0:54:37.960
<v Speaker 1>is his eyes following her. But that dance that it

0:54:38.040 --> 0:54:41.160
<v Speaker 1>sets up with those two, it's just it's like cinema

0:54:41.280 --> 0:54:43.239
<v Speaker 1>history like unfolding right there in front of your eyes.

0:54:43.520 --> 0:54:45.879
<v Speaker 1>So good, so great, people will think we're in love.

0:54:46.920 --> 0:54:53.640
<v Speaker 1>One of the great lines of that movie. Elusive so great. Uh.

0:54:54.000 --> 0:54:55.680
<v Speaker 1>And and before that, you know they set up with

0:54:55.760 --> 0:54:59.120
<v Speaker 1>the Creek doctor Chilton, who was really the villain of

0:54:59.160 --> 0:55:01.080
<v Speaker 1>the movie. Yeah, you know, like one of the great

0:55:01.160 --> 0:55:04.400
<v Speaker 1>movie villains. Is that guy again another like an unsung

0:55:04.480 --> 0:55:06.640
<v Speaker 1>character actor killed that you don't think for one second

0:55:06.719 --> 0:55:09.840
<v Speaker 1>that guy isn't real totally totally, and he's one of

0:55:09.880 --> 0:55:12.440
<v Speaker 1>those dudes that he's cast in that movie and he

0:55:12.480 --> 0:55:14.879
<v Speaker 1>can only be that forever for me. Yeah, yeah, all.

0:55:14.960 --> 0:55:17.279
<v Speaker 1>I think everyone in that movie, unfortunately, some of like

0:55:17.360 --> 0:55:21.600
<v Speaker 1>the bitter poor guy. That's who you are. And he's

0:55:21.640 --> 0:55:24.440
<v Speaker 1>had a good career, but like it's he managed to

0:55:24.480 --> 0:55:26.480
<v Speaker 1>overcome that. I think he did one of the cop shows, right,

0:55:26.719 --> 0:55:30.239
<v Speaker 1>he's on Monk. Okay, I never watched Monk. He's actually done.

0:55:30.480 --> 0:55:32.520
<v Speaker 1>He's probably done more than months. He was also on

0:55:33.120 --> 0:55:35.840
<v Speaker 1>he was just on The Alienist. He was one of

0:55:36.480 --> 0:55:39.080
<v Speaker 1>the guys on The Alienist. I haven't seen that yet,

0:55:39.160 --> 0:55:42.040
<v Speaker 1>but I know your recommendation is what makes me want

0:55:42.040 --> 0:55:44.200
<v Speaker 1>to watch it. Who was he read the book? He

0:55:44.440 --> 0:55:47.200
<v Speaker 1>was the he was like the I think he had

0:55:47.280 --> 0:55:50.200
<v Speaker 1>been at the retired police Captain or something. He was

0:55:50.280 --> 0:55:52.360
<v Speaker 1>like he'd always be driving around in a carriage and

0:55:52.480 --> 0:55:54.880
<v Speaker 1>pulling up and telling people what to do and not

0:55:55.040 --> 0:55:57.040
<v Speaker 1>to do. I gotta go back. He's got the kind

0:55:57.080 --> 0:56:00.719
<v Speaker 1>of a big blonde mustache, but that voice, like when

0:56:00.760 --> 0:56:03.160
<v Speaker 1>I first saw him in Monks. My mom used to

0:56:03.200 --> 0:56:05.480
<v Speaker 1>love monks, so it was always always be on my horse.

0:56:06.200 --> 0:56:08.799
<v Speaker 1>But the first time he's like, it's like always times

0:56:08.800 --> 0:56:11.040
<v Speaker 1>about You're like, I can't, you can't be in Monks.

0:56:11.600 --> 0:56:15.400
<v Speaker 1>You have people in your basement. Yeah, you know what

0:56:15.440 --> 0:56:18.239
<v Speaker 1>I didn't pick up on. This is another thing that

0:56:18.400 --> 0:56:22.080
<v Speaker 1>he was the son, right that the son of whoever

0:56:22.200 --> 0:56:25.160
<v Speaker 1>was living in the house. Oh, yes, or no, Oh,

0:56:25.239 --> 0:56:27.440
<v Speaker 1>I don't think he was, because he goes she had

0:56:27.440 --> 0:56:30.960
<v Speaker 1>a son. The son I think was the person in

0:56:31.000 --> 0:56:34.400
<v Speaker 1>the bathtub. No, that was her. She had like long hair.

0:56:34.600 --> 0:56:36.480
<v Speaker 1>She was an old lady in the bathroom. Did she Oh,

0:56:36.520 --> 0:56:39.840
<v Speaker 1>I don't know what her name MSUs. I don't know.

0:56:40.000 --> 0:56:42.000
<v Speaker 1>I thought he was another guy that could also, so

0:56:42.680 --> 0:56:46.239
<v Speaker 1>he was. I think he was her son she had.

0:56:47.640 --> 0:56:49.000
<v Speaker 1>I don't know. I thought you guys were to answer

0:56:49.000 --> 0:56:52.239
<v Speaker 1>all these questions for me that I never thought that,

0:56:52.320 --> 0:56:54.360
<v Speaker 1>But it was only because I had already. And I

0:56:54.400 --> 0:56:55.640
<v Speaker 1>don't know if I got that from the book, if

0:56:55.680 --> 0:56:57.840
<v Speaker 1>I made it up that he worked with her, he

0:56:57.920 --> 0:57:00.400
<v Speaker 1>worked for her as a tailor. Well, I think it

0:57:00.480 --> 0:57:02.160
<v Speaker 1>was her in the bathtub. Because she had long otld

0:57:02.239 --> 0:57:05.120
<v Speaker 1>Lady gray hair got that bathtub. I'm sorry that was

0:57:05.160 --> 0:57:07.320
<v Speaker 1>so out of left field. No, I don't know the

0:57:07.360 --> 0:57:11.440
<v Speaker 1>answer to that, and I should because the host Benjamin.

0:57:12.800 --> 0:57:14.879
<v Speaker 1>I'm just gonna say that every time I don't know something.

0:57:15.400 --> 0:57:18.160
<v Speaker 1>My favorite is any time I need to use a phone,

0:57:18.240 --> 0:57:21.320
<v Speaker 1>which is rare because we all have phones. But I

0:57:21.440 --> 0:57:25.880
<v Speaker 1>love to say, you see a murdering made to fucking

0:57:25.920 --> 0:57:28.360
<v Speaker 1>cross stitch with that on it and posted it today,

0:57:29.360 --> 0:57:32.040
<v Speaker 1>May I use your phone? And please? And there's another

0:57:32.200 --> 0:57:34.040
<v Speaker 1>quote from that that she made a cross like a

0:57:34.320 --> 0:57:37.640
<v Speaker 1>you know, embroidery. Oh, I have to see I haven't

0:57:37.680 --> 0:57:42.440
<v Speaker 1>seen it yet. I know. Ridiculous, isn't it? Because it's

0:57:42.480 --> 0:57:44.479
<v Speaker 1>people who like they like true crime, but they also

0:57:44.600 --> 0:57:48.920
<v Speaker 1>like arts and crafts, very high level. Well we heard recently.

0:57:49.520 --> 0:57:52.320
<v Speaker 1>This is a random aside. But our listeners the thing

0:57:52.400 --> 0:57:54.200
<v Speaker 1>they like, they like the podcast, and the thing they

0:57:54.280 --> 0:57:57.280
<v Speaker 1>like next is books and reading. So it's just this

0:57:57.400 --> 0:58:00.480
<v Speaker 1>perfect thing of smart people like doing after you cool

0:58:00.480 --> 0:58:04.200
<v Speaker 1>shit and reading and having good ideas and being legitimately funny. Yeah,

0:58:04.680 --> 0:58:14.120
<v Speaker 1>it's exciting. Hey, everyone, we took a little potty break

0:58:14.600 --> 0:58:17.280
<v Speaker 1>and I think we were talking about what's in the tub,

0:58:18.200 --> 0:58:22.200
<v Speaker 1>Mrs because Karen is currently looking it up. We need

0:58:22.240 --> 0:58:25.800
<v Speaker 1>to get to the bottom of this. UM. I just

0:58:25.880 --> 0:58:30.640
<v Speaker 1>clicked on whatever the first um website is, so it's

0:58:30.880 --> 0:58:32.880
<v Speaker 1>it's definitely I'm gonna get mad when I hear her

0:58:32.960 --> 0:58:44.480
<v Speaker 1>name because I'm gonna um it's presumably Mrs Lipman's body

0:58:46.760 --> 0:58:49.040
<v Speaker 1>has been festering in that old tub for the better

0:58:49.160 --> 0:58:53.000
<v Speaker 1>part of two years. That's right, he's Mrs Lipman's son

0:58:53.040 --> 0:58:58.360
<v Speaker 1>because he names Jamie Gum Jane Gum Jamee Gum creep

0:58:58.400 --> 0:59:03.120
<v Speaker 1>here does Oh yeah, you're right, y j a m E. Okay,

0:59:03.160 --> 0:59:05.200
<v Speaker 1>so who is he to her? I think he was

0:59:05.440 --> 0:59:08.680
<v Speaker 1>her employee? Okay, okay, so he worked as a But

0:59:08.800 --> 0:59:11.640
<v Speaker 1>then where's her sons? What it was? Is it? Yeah?

0:59:13.040 --> 0:59:18.280
<v Speaker 1>All right, Doug coming in with I'm finally not alone. Uh.

0:59:19.160 --> 0:59:21.440
<v Speaker 1>But also that's kind of the fascinating thing is that

0:59:21.560 --> 0:59:24.640
<v Speaker 1>like he is he's basically this weird parasite that took

0:59:24.720 --> 0:59:28.720
<v Speaker 1>over that house, Yeah, killed her, and then did he

0:59:28.840 --> 0:59:32.280
<v Speaker 1>dig that basement to come with a dungeon? And he's

0:59:32.320 --> 0:59:38.920
<v Speaker 1>like this is this is perfect? Now? So one of

0:59:39.000 --> 0:59:42.120
<v Speaker 1>the more more iconic parts, well, first of all, real quick.

0:59:42.160 --> 0:59:43.680
<v Speaker 1>I do have a note here when they first meet,

0:59:44.400 --> 0:59:48.600
<v Speaker 1>when lecturing and Claric's first meet, it's even creepier when

0:59:48.680 --> 0:59:52.440
<v Speaker 1>he's smelling you know, eddy and skin cream, and he

0:59:52.560 --> 0:59:55.800
<v Speaker 1>doesn't smell the perfume she's wearing. He smells the perfume

0:59:56.040 --> 1:00:00.800
<v Speaker 1>she usually wears, which adds a whole extra layer of like, yeah,

1:00:01.080 --> 1:00:04.560
<v Speaker 1>which is pretty great. Yes, he's a super taster for sure.

1:00:06.040 --> 1:00:12.360
<v Speaker 1>Doctor literally literally such a perfect like sequence there when

1:00:12.400 --> 1:00:15.440
<v Speaker 1>they first meet, and then we get the well, she

1:00:15.480 --> 1:00:16.880
<v Speaker 1>goes to the garage with a head in the jar.

1:00:17.400 --> 1:00:21.320
<v Speaker 1>That's Benjamin Raspan. That whole My dream is just go

1:00:21.480 --> 1:00:24.720
<v Speaker 1>through that the real life, that garage minus the head.

1:00:24.760 --> 1:00:27.880
<v Speaker 1>There's so many good so many good items, like things

1:00:28.000 --> 1:00:30.480
<v Speaker 1>with fringes on in the back, and you're like, whose

1:00:30.560 --> 1:00:33.040
<v Speaker 1>house was this? Like where's the stuff from? Have you

1:00:33.080 --> 1:00:35.880
<v Speaker 1>ever done that? Like an explored an abandoned place like that?

1:00:36.200 --> 1:00:38.360
<v Speaker 1>That's my dream. I go to a state sales a lot,

1:00:38.440 --> 1:00:42.720
<v Speaker 1>but they're not breaking houses a lot, but I don't

1:00:42.760 --> 1:00:44.600
<v Speaker 1>take anything. My brother and I used to do that.

1:00:44.720 --> 1:00:47.520
<v Speaker 1>My dad took pictures of like countrysides when we were kids,

1:00:47.880 --> 1:00:49.880
<v Speaker 1>so he would drag us out to these old abandoned

1:00:50.000 --> 1:00:52.280
<v Speaker 1>barns and things, and my brother and I would like

1:00:52.600 --> 1:00:56.760
<v Speaker 1>scavenge and run around from Orange County where everything is

1:00:56.880 --> 1:01:00.320
<v Speaker 1>fucking just built up and and mapped out. Didn't have

1:01:00.360 --> 1:01:03.120
<v Speaker 1>old farms. We didn't have that utu. We had that

1:01:03.280 --> 1:01:06.400
<v Speaker 1>in peddlement every because we also lived five miles out

1:01:06.400 --> 1:01:09.240
<v Speaker 1>of town, so it was like basically every field as

1:01:09.280 --> 1:01:12.120
<v Speaker 1>you walked down had a like a chicken coop that

1:01:12.280 --> 1:01:15.120
<v Speaker 1>was listening to one side because it was so old.

1:01:15.560 --> 1:01:17.560
<v Speaker 1>And I, yeah, we used to walk through there and

1:01:17.600 --> 1:01:21.360
<v Speaker 1>there would just be old leftover farm equipment, blades and

1:01:21.560 --> 1:01:23.840
<v Speaker 1>hooks and ships, and we just like walked through and

1:01:23.920 --> 1:01:26.120
<v Speaker 1>pick stuff up and down and walk away where it's

1:01:26.160 --> 1:01:30.160
<v Speaker 1>like now because somebody should have been taken care of totally.

1:01:30.760 --> 1:01:35.640
<v Speaker 1>There's like dust and bird shit and just definitely, Yes, Yeah,

1:01:36.720 --> 1:01:41.080
<v Speaker 1>Hannibal kills megs Um in a way talk talks Aim

1:01:41.120 --> 1:01:43.840
<v Speaker 1>into it. Yeah, talks him into swallowing his tongue, which

1:01:44.120 --> 1:01:47.440
<v Speaker 1>is the first sort of little bit of magic in

1:01:47.480 --> 1:01:50.120
<v Speaker 1>their relationship in a weird way because you get the

1:01:50.200 --> 1:01:53.880
<v Speaker 1>senses of you were like he's like protecting her, Yeah, yeah,

1:01:53.920 --> 1:01:58.800
<v Speaker 1>punishing megs from being ungentlemanly. He has he has a

1:01:58.960 --> 1:02:03.280
<v Speaker 1>moral code just not standard, right, but it is there.

1:02:03.440 --> 1:02:05.560
<v Speaker 1>There are things he will not accept in things that

1:02:05.760 --> 1:02:08.360
<v Speaker 1>he you know, lines that heat crosses. He like he

1:02:08.440 --> 1:02:10.880
<v Speaker 1>respects her from the beginning. I think, yes, but how

1:02:11.000 --> 1:02:13.360
<v Speaker 1>hard would it be to go he understands how hard

1:02:13.440 --> 1:02:18.600
<v Speaker 1>that was for her? But also how how manipulative must

1:02:18.640 --> 1:02:20.160
<v Speaker 1>he be if all he has to do is whisper

1:02:20.240 --> 1:02:22.720
<v Speaker 1>to the cell next door and get someone to kill themselves.

1:02:22.760 --> 1:02:25.400
<v Speaker 1>I mean, yes, it's a psychopath, but is that in

1:02:25.440 --> 1:02:28.040
<v Speaker 1>the book, Like what he says, what he says to

1:02:28.120 --> 1:02:31.360
<v Speaker 1>Meg's Yeah, not that I remember. I would say no,

1:02:31.760 --> 1:02:34.160
<v Speaker 1>But I'm not positive, all right, because I always wanted

1:02:34.200 --> 1:02:38.720
<v Speaker 1>to know, Like what is selector fucking saying? He says

1:02:38.800 --> 1:02:42.720
<v Speaker 1>while you're talking in all these different accents. It tastes great,

1:02:43.440 --> 1:02:45.280
<v Speaker 1>just try and uh and so at the end of

1:02:45.320 --> 1:02:47.240
<v Speaker 1>fact one, of course, it's funny too as a writer,

1:02:47.440 --> 1:02:49.640
<v Speaker 1>like you can like set your clock by it, like

1:02:49.800 --> 1:02:52.480
<v Speaker 1>right at that thirty minute mark is when we like

1:02:52.760 --> 1:02:54.960
<v Speaker 1>our story is all set up and he is on

1:02:55.120 --> 1:02:59.000
<v Speaker 1>board to help her collect and catch buffalo bill, yeah,

1:02:59.200 --> 1:03:02.320
<v Speaker 1>like from his dungeon cell. And that just sort of

1:03:02.360 --> 1:03:05.160
<v Speaker 1>sets the whole story in motion. And then immediately smash

1:03:05.200 --> 1:03:09.080
<v Speaker 1>cut to American Girl by Tom Petty. Yeah, and the

1:03:09.160 --> 1:03:12.080
<v Speaker 1>best casting when she when in any movie, have you

1:03:12.160 --> 1:03:15.240
<v Speaker 1>seen a girl that looks like Katherine Martin in that

1:03:15.360 --> 1:03:18.760
<v Speaker 1>way where it's just she is. It's not some starlet,

1:03:19.120 --> 1:03:21.200
<v Speaker 1>it's a real girl that you want to high school

1:03:21.240 --> 1:03:25.000
<v Speaker 1>that you know, that's real. That's everything in that movie

1:03:25.120 --> 1:03:27.000
<v Speaker 1>is just so perfect. She pops up a lot, and

1:03:27.200 --> 1:03:30.400
<v Speaker 1>every time I see her, I just think, American Girl,

1:03:30.640 --> 1:03:33.880
<v Speaker 1>don't get in the van, don't do it, get me

1:03:33.960 --> 1:03:36.680
<v Speaker 1>out of here, you bid, don't help you here. Well,

1:03:36.720 --> 1:03:39.080
<v Speaker 1>I mean that's what you guys preach like over and

1:03:39.200 --> 1:03:42.600
<v Speaker 1>over and over is don't do that. Don't help the guy,

1:03:44.200 --> 1:03:46.920
<v Speaker 1>not at night, not with a van. And that's like

1:03:47.040 --> 1:03:50.280
<v Speaker 1>prime example, when your cat's hungry upstairs, I know, and

1:03:50.360 --> 1:03:53.760
<v Speaker 1>it's so creepy, like you know, get in and like

1:03:54.280 --> 1:03:56.600
<v Speaker 1>just a little further back, you're not gonna be like, oh,

1:03:56.880 --> 1:03:58.440
<v Speaker 1>this is the point where I'm not gonna help you anymore.

1:03:58.440 --> 1:04:01.320
<v Speaker 1>You're not going to do that in like probably had

1:04:01.360 --> 1:04:06.880
<v Speaker 1>an inkling. She's getting shock like she does go yeah, okay, okay,

1:04:07.120 --> 1:04:09.360
<v Speaker 1>yeah that's right and kind of laughs a little like

1:04:09.520 --> 1:04:16.360
<v Speaker 1>chilling and heartbreaking and it is also anyone that follows

1:04:16.400 --> 1:04:18.840
<v Speaker 1>true crime that saw that move for the first time,

1:04:18.840 --> 1:04:21.440
<v Speaker 1>it's just like, right now, we're in a combination. But

1:04:21.520 --> 1:04:25.280
<v Speaker 1>this is Ted Bundy, like textbook Ted Bundy. Yeah, this

1:04:25.400 --> 1:04:27.320
<v Speaker 1>is how he got all of those women to get

1:04:27.360 --> 1:04:31.640
<v Speaker 1>into his sailboat thing, which is broken arm and was

1:04:31.720 --> 1:04:33.880
<v Speaker 1>always helping him do something. Yes, and then you go,

1:04:34.040 --> 1:04:35.520
<v Speaker 1>she'd go with him to the car and well, oh,

1:04:35.600 --> 1:04:38.040
<v Speaker 1>my sailboats. Actually I thought, you knew, just come with

1:04:38.120 --> 1:04:39.480
<v Speaker 1>me to my house. That's where I need help. And

1:04:40.200 --> 1:04:42.960
<v Speaker 1>he was handsome, so he was able to charm their

1:04:43.000 --> 1:04:45.760
<v Speaker 1>way in handsome and like I think, low key, you know,

1:04:45.880 --> 1:04:48.560
<v Speaker 1>like he was. He was. It's that thing where people

1:04:48.640 --> 1:04:53.880
<v Speaker 1>think if you're around, uh, like a psychopath, that you're

1:04:53.880 --> 1:04:56.920
<v Speaker 1>going to get a vibe of psychopath, when in fact,

1:04:57.680 --> 1:05:00.600
<v Speaker 1>because there's brilliant psychopaths, they're ever going to give you

1:05:00.720 --> 1:05:03.479
<v Speaker 1>that vibe. You will never see it coming from mile away.

1:05:03.600 --> 1:05:06.520
<v Speaker 1>That's how they do it. We were raised not to

1:05:06.920 --> 1:05:09.800
<v Speaker 1>be rude and say, oh, funk, this guy's giving a

1:05:09.840 --> 1:05:11.320
<v Speaker 1>weird vibes. I'm gonna get the funk out of here.

1:05:12.040 --> 1:05:14.640
<v Speaker 1>Be like, you know what, never mind, that's why you're

1:05:14.680 --> 1:05:19.120
<v Speaker 1>doing a service like key rude if you have to

1:05:19.200 --> 1:05:21.760
<v Speaker 1>be Yah, we did the Stuff you should Know episode

1:05:21.760 --> 1:05:26.760
<v Speaker 1>on sociopaths and had people right in, like sociopaths right

1:05:26.800 --> 1:05:31.160
<v Speaker 1>in and say, please don't share this. I'm a sociopath,

1:05:31.520 --> 1:05:37.040
<v Speaker 1>and um, I basically spend my days pretending that I'm not,

1:05:37.960 --> 1:05:39.720
<v Speaker 1>and I have to fake laugh and I have to

1:05:39.760 --> 1:05:42.040
<v Speaker 1>fake myself in meetings at work. And I have a

1:05:42.160 --> 1:05:44.680
<v Speaker 1>family and I've talked to my son about it and

1:05:44.800 --> 1:05:49.400
<v Speaker 1>like we're open about it. And it's this fucking chilling

1:05:49.480 --> 1:05:51.640
<v Speaker 1>to read, but also like it's good that they know

1:05:51.800 --> 1:05:54.360
<v Speaker 1>this and that they are dealing with it. But it's

1:05:54.440 --> 1:05:59.880
<v Speaker 1>just the majority aren't murderers too, and with different sociopathy

1:05:59.880 --> 1:06:03.760
<v Speaker 1>and psychopathy or two different things, but not It's there's

1:06:03.760 --> 1:06:06.960
<v Speaker 1>a fine line, it's very close. It's very close. Well.

1:06:06.960 --> 1:06:09.400
<v Speaker 1>And also I think it's such if you're a sociopath

1:06:09.440 --> 1:06:12.160
<v Speaker 1>and you don't have essentially it's like you don't have empathy,

1:06:12.200 --> 1:06:16.680
<v Speaker 1>you don't have that connection, right, So it you are

1:06:16.800 --> 1:06:19.680
<v Speaker 1>making a choice to care enough to fake lass, right.

1:06:20.040 --> 1:06:23.440
<v Speaker 1>That's what's interesting to me is that's you know, that's

1:06:23.480 --> 1:06:26.840
<v Speaker 1>the divergence there is like who raised you that you

1:06:27.000 --> 1:06:29.440
<v Speaker 1>know to do that, or you want to do that

1:06:29.640 --> 1:06:31.880
<v Speaker 1>as opposed to wanting to go I want to do

1:06:31.960 --> 1:06:34.640
<v Speaker 1>whatever I want. Yeah. Yeah, we had a woman with

1:06:34.760 --> 1:06:37.560
<v Speaker 1>a daughter that wrote in who was a sociopath and

1:06:37.680 --> 1:06:42.919
<v Speaker 1>it was just really interesting and fascinating and sad. Yeah

1:06:43.000 --> 1:06:47.000
<v Speaker 1>they're born that way, right, you know? Yeah? All right

1:06:47.400 --> 1:06:53.400
<v Speaker 1>that the uh so Jodie Foster Clares is getting tested

1:06:53.480 --> 1:06:55.640
<v Speaker 1>through the entire movie. I feel like it's it's just

1:06:55.720 --> 1:06:59.880
<v Speaker 1>one giant test after test after test from either Scott

1:07:00.080 --> 1:07:03.440
<v Speaker 1>Glenn Um and I feel like when I first used

1:07:03.440 --> 1:07:06.080
<v Speaker 1>to watch that movie, I didn't think he was taking

1:07:06.280 --> 1:07:08.960
<v Speaker 1>care of her enough, But now as an adult, I'm

1:07:09.000 --> 1:07:10.960
<v Speaker 1>like he was probably kind of doing the right thing,

1:07:12.000 --> 1:07:14.959
<v Speaker 1>trying to bring her along to be a good FED.

1:07:15.400 --> 1:07:18.880
<v Speaker 1>I didn't understand until they watched it recently that he

1:07:19.160 --> 1:07:21.680
<v Speaker 1>wasn't hitting on her Like I didn't guess that there

1:07:21.840 --> 1:07:26.960
<v Speaker 1>wasn't actually sexual h undertones. There weren't, right, No, I

1:07:27.040 --> 1:07:34.360
<v Speaker 1>don't think so I do. But um, well, for me,

1:07:35.120 --> 1:07:37.640
<v Speaker 1>I always felt it was of course he couldn't do that.

1:07:37.760 --> 1:07:40.320
<v Speaker 1>So he's a FED. He's like the person that can

1:07:40.480 --> 1:07:42.440
<v Speaker 1>turn off his feelings and he has to for the

1:07:42.560 --> 1:07:44.480
<v Speaker 1>job and all that but I do feel like he

1:07:44.600 --> 1:07:48.000
<v Speaker 1>picked her because he admired her. He knew her story,

1:07:48.320 --> 1:07:50.640
<v Speaker 1>and he knows she's this fucking orphan that that is

1:07:50.680 --> 1:07:53.160
<v Speaker 1>a self made man, and he knows how picked her.

1:07:53.280 --> 1:07:56.760
<v Speaker 1>She's trying and she challenged him in his class too, yes,

1:07:57.120 --> 1:07:59.800
<v Speaker 1>and that's right at the beginning, you learned that. Yeah,

1:07:59.840 --> 1:08:03.320
<v Speaker 1>he remembers her, and so he's like, this is he

1:08:03.640 --> 1:08:05.600
<v Speaker 1>passed to to have a woman. There probably aren't that

1:08:05.640 --> 1:08:08.600
<v Speaker 1>many to choose from, but he knows the work she's

1:08:08.640 --> 1:08:11.720
<v Speaker 1>been doing. Yeah, I think it's that. Yeah, right, And

1:08:11.800 --> 1:08:14.440
<v Speaker 1>he sets her up by not telling her at the

1:08:14.560 --> 1:08:16.439
<v Speaker 1>very beginning and he was like, you know, I couldn't

1:08:16.479 --> 1:08:19.320
<v Speaker 1>tell you that, right, which was right, exactly right, but

1:08:19.439 --> 1:08:21.360
<v Speaker 1>I didn't. I think it took me being an adult

1:08:21.400 --> 1:08:23.519
<v Speaker 1>watching this movie, even though I've seen it like kind

1:08:23.560 --> 1:08:27.040
<v Speaker 1>of probably every year since i've seen it, but it

1:08:27.120 --> 1:08:28.960
<v Speaker 1>kind of finally hit home, like he's probably doing the

1:08:29.040 --> 1:08:31.519
<v Speaker 1>right thing as a boss, Yes, for sure, to train

1:08:31.600 --> 1:08:33.800
<v Speaker 1>her in the right way. You don't get trained by

1:08:34.000 --> 1:08:37.160
<v Speaker 1>like what's what you want it to be. It's like

1:08:37.240 --> 1:08:38.840
<v Speaker 1>you have to go in there and do the job

1:08:38.920 --> 1:08:41.160
<v Speaker 1>that needs to get done and then learn something. And

1:08:41.920 --> 1:08:44.080
<v Speaker 1>I mean the way I love the way when she

1:08:44.200 --> 1:08:46.479
<v Speaker 1>first goes to see him, like that whole conversation she

1:08:46.560 --> 1:08:49.880
<v Speaker 1>has with Barney where he's like calming her down, and

1:08:49.960 --> 1:08:52.280
<v Speaker 1>the more he tries to calm her down, the crazier

1:08:52.360 --> 1:08:54.680
<v Speaker 1>it makes me feel. It's like, how bad is this

1:08:54.800 --> 1:08:57.320
<v Speaker 1>going to be? That you are being this like? And

1:08:57.360 --> 1:08:59.960
<v Speaker 1>I'm gonna watch you and everything's fine and we're fine.

1:09:00.160 --> 1:09:03.560
<v Speaker 1>But it's like, clearly nothing's fine if you're this like,

1:09:04.360 --> 1:09:07.000
<v Speaker 1>you have to be this calming. I just think that

1:09:07.080 --> 1:09:09.400
<v Speaker 1>there's that It's that like watching a person, which is

1:09:09.520 --> 1:09:13.240
<v Speaker 1>also a lot like life where we're students, but then

1:09:13.320 --> 1:09:16.640
<v Speaker 1>we actually have to go and like really live it

1:09:16.840 --> 1:09:20.160
<v Speaker 1>and do something real and it's not gonna who knows

1:09:20.240 --> 1:09:21.800
<v Speaker 1>what it's really going to be like, but you have

1:09:21.960 --> 1:09:25.240
<v Speaker 1>to go try. Yeah. Like the most lame, innocuous version

1:09:25.280 --> 1:09:27.439
<v Speaker 1>of that is you can take Princh classes till the

1:09:27.479 --> 1:09:29.759
<v Speaker 1>cows come home, but until you go live in Paris

1:09:29.840 --> 1:09:32.840
<v Speaker 1>for a year. Uh and um, this is a coastal

1:09:32.880 --> 1:09:37.439
<v Speaker 1>elite talking. That was my reference. You really just got

1:09:37.560 --> 1:09:39.680
<v Speaker 1>to live in Paris. Oh my god, you love the

1:09:39.920 --> 1:09:44.200
<v Speaker 1>Es so much. It's true, you have you can't run

1:09:44.280 --> 1:09:46.120
<v Speaker 1>around on Quantico with the rest of your life. There's

1:09:46.439 --> 1:09:48.600
<v Speaker 1>like extra scenes in that movie. And there is the

1:09:48.720 --> 1:09:52.519
<v Speaker 1>scene where they run the drill and go and you know,

1:09:53.200 --> 1:09:56.320
<v Speaker 1>swat into the room and she's dead. Yeah she doesn't.

1:09:56.360 --> 1:09:57.960
<v Speaker 1>I don't know that. It doesn't look in a corner.

1:09:58.080 --> 1:10:00.320
<v Speaker 1>Yeah there, And that's not an extra scene. It's there

1:10:00.360 --> 1:10:03.479
<v Speaker 1>to be like she's not ready for you know that

1:10:03.880 --> 1:10:06.280
<v Speaker 1>she still needs training, but for some reason she's being

1:10:06.320 --> 1:10:10.800
<v Speaker 1>thrown into this other world. And that foreshadowing. Then when

1:10:11.000 --> 1:10:14.759
<v Speaker 1>you when she when he dips around that corner weird

1:10:14.840 --> 1:10:19.080
<v Speaker 1>like and she's like just stop right there or whatever.

1:10:19.479 --> 1:10:22.439
<v Speaker 1>You know that this is a person who already you're

1:10:22.520 --> 1:10:25.679
<v Speaker 1>dead starling like, yeah, this is she's going to die.

1:10:26.160 --> 1:10:28.640
<v Speaker 1>That's what you know for a fact. Because if she

1:10:28.680 --> 1:10:31.719
<v Speaker 1>didn't pass it when it was fake, how in God's

1:10:31.800 --> 1:10:35.880
<v Speaker 1>name no, I mean, how brilliant. It's a perfect movie.

1:10:36.479 --> 1:10:39.080
<v Speaker 1>It's perfect, it really is. There's not a wasted shot.

1:10:39.360 --> 1:10:43.360
<v Speaker 1>Everything has relevant. God, that score looks so good. And

1:10:43.520 --> 1:10:48.160
<v Speaker 1>every time I hear American Girl, it's the only thing

1:10:48.200 --> 1:10:51.639
<v Speaker 1>I think that's a Tom Petty. So that's hard to do. Yeah,

1:10:52.000 --> 1:10:55.400
<v Speaker 1>it is to to overcome Tom Petty's Tom pettiness, and

1:10:55.479 --> 1:10:58.040
<v Speaker 1>I feel like there are directors who could have made

1:10:58.160 --> 1:11:02.640
<v Speaker 1>that night vision goggle scene um really cheesy, Like it

1:11:02.720 --> 1:11:04.800
<v Speaker 1>could have kind of gone off the rails and turn

1:11:04.880 --> 1:11:09.000
<v Speaker 1>into it like an action movie. Her breathing, like I

1:11:09.160 --> 1:11:10.800
<v Speaker 1>almost had a panic attack when I saw it in

1:11:10.880 --> 1:11:13.360
<v Speaker 1>the theater for the first time because it's so realistic.

1:11:13.400 --> 1:11:20.240
<v Speaker 1>When she's like, yeah, have you ever won those night

1:11:20.320 --> 1:11:22.760
<v Speaker 1>vision goggles? No, but I think there's a I think

1:11:22.800 --> 1:11:26.120
<v Speaker 1>there's an help. You can simulate it. Yeah, you have

1:11:26.280 --> 1:11:30.160
<v Speaker 1>night vision camera on your phone. Really, that's frightening. I

1:11:30.240 --> 1:11:33.440
<v Speaker 1>know it's probably some kind of simulation because the technology

1:11:33.560 --> 1:11:37.639
<v Speaker 1>is not there hopefullly known nefarious, nothing nefarious is happening there. Yeah.

1:11:37.760 --> 1:11:39.640
<v Speaker 1>My brother in law's in the Marines, and so he

1:11:39.800 --> 1:11:41.000
<v Speaker 1>let me play with them one night when I was

1:11:41.080 --> 1:11:44.080
<v Speaker 1>like seventeen, like walk around this neighborhood. It was pretty cool.

1:11:44.160 --> 1:11:46.320
<v Speaker 1>Was it crazy? Yeah, it's amazing. Could you see tons

1:11:46.320 --> 1:11:48.679
<v Speaker 1>of ship? It mean, it looks just like the movie,

1:11:49.120 --> 1:11:51.439
<v Speaker 1>like it operates on available light. Though he can't be

1:11:51.520 --> 1:11:54.920
<v Speaker 1>in pitch darkness. It'll it just amplifies like a candle

1:11:55.040 --> 1:11:59.080
<v Speaker 1>light times or whatever. Thousand. So um, I guess I

1:11:59.120 --> 1:12:00.960
<v Speaker 1>don't know if that's a mistake in a movie or not,

1:12:00.960 --> 1:12:03.080
<v Speaker 1>because I don't think there's maybe there's some light down there.

1:12:03.600 --> 1:12:05.240
<v Speaker 1>There's got to be something. There's a little bit of

1:12:05.400 --> 1:12:08.519
<v Speaker 1>it from his weird sewing room. Oh, right under the door,

1:12:08.600 --> 1:12:12.559
<v Speaker 1>maybe with a Nazi blanket, fast blanket. Again. I never

1:12:12.640 --> 1:12:16.679
<v Speaker 1>noticed that. It's it's so unnerving where you're just like, Okay,

1:12:16.760 --> 1:12:18.600
<v Speaker 1>this is weird. I don't like that he's putting on

1:12:18.720 --> 1:12:20.920
<v Speaker 1>lipstick and talking in this weird voice. I don't like that.

1:12:21.200 --> 1:12:23.240
<v Speaker 1>And then you just like passes by a thing where

1:12:23.240 --> 1:12:27.320
<v Speaker 1>you're like, oh, this is not okay, Yeah, this isn't

1:12:27.680 --> 1:12:29.720
<v Speaker 1>I didn't notice. Another thing I didn't notice is that

1:12:29.840 --> 1:12:33.240
<v Speaker 1>he's wearing someone else's scalp when he's in front of

1:12:33.280 --> 1:12:36.880
<v Speaker 1>the camera. Oh is that right? Yeah, the penis tux

1:12:36.920 --> 1:12:39.800
<v Speaker 1>when he's number one. Yeah, when he's putting the eyes

1:12:39.800 --> 1:12:43.080
<v Speaker 1>shadow on, there's piece of scalp. And his hair is

1:12:44.720 --> 1:12:48.000
<v Speaker 1>he's got full blonde. That's right. I think I noticed that.

1:12:48.160 --> 1:12:50.559
<v Speaker 1>I was just assumed it was a wig. Nope, it's

1:12:50.840 --> 1:12:54.360
<v Speaker 1>there's a piece of fucking scalped. I have not noticed that.

1:12:55.000 --> 1:12:59.840
<v Speaker 1>I believe, like you need to see this. Wow, that's good.

1:13:00.000 --> 1:13:02.479
<v Speaker 1>I've watched this movie. My wife and are obsessed with

1:13:02.520 --> 1:13:04.800
<v Speaker 1>this movie too. And it was on like whatever five

1:13:04.880 --> 1:13:07.519
<v Speaker 1>or six months ago, and I was in the bedroom

1:13:07.520 --> 1:13:08.680
<v Speaker 1>and she didn't know was on, and she was in

1:13:08.720 --> 1:13:10.439
<v Speaker 1>the kitchen doing something and that scene was on and

1:13:10.479 --> 1:13:12.519
<v Speaker 1>I paused it right at that moment and just sort

1:13:12.560 --> 1:13:15.120
<v Speaker 1>of left it on the TV. And then she she

1:13:15.280 --> 1:13:17.320
<v Speaker 1>walked in and looked and it was just like, oh Jesus,

1:13:17.880 --> 1:13:20.920
<v Speaker 1>how cool it would be, Like, like, listen if someone

1:13:21.040 --> 1:13:23.080
<v Speaker 1>is at a dive bar with me and puts on

1:13:23.240 --> 1:13:27.360
<v Speaker 1>that song on the fucking jukebox, creepy song and win awards.

1:13:27.400 --> 1:13:33.760
<v Speaker 1>I can hear it. What song is that loves Jezebel? Yeah,

1:13:33.960 --> 1:13:36.920
<v Speaker 1>I think it is. It's a bit obscure, but you

1:13:37.000 --> 1:13:40.200
<v Speaker 1>can't hear that song and immediately Like sometimes I can

1:13:40.240 --> 1:13:42.320
<v Speaker 1>hear American Girl and not think of that. Yeah, but

1:13:42.439 --> 1:13:44.920
<v Speaker 1>there's no way you can hear that song without thinking

1:13:45.000 --> 1:13:47.719
<v Speaker 1>of the penis duck, like one of the creepier scenes

1:13:47.760 --> 1:13:50.880
<v Speaker 1>I've heard. Well, now you know that he's also wearing scout. Yeah,

1:13:50.960 --> 1:13:52.880
<v Speaker 1>well I gotta I gotta watch it yet again. And

1:13:53.040 --> 1:13:57.479
<v Speaker 1>he has he has the worst voice, Like I'm my

1:13:57.520 --> 1:13:59.760
<v Speaker 1>apologies to that actor, but it's like his voice is

1:13:59.800 --> 1:14:05.560
<v Speaker 1>so deep it feels like something's wrong, there's something in

1:14:05.640 --> 1:14:09.240
<v Speaker 1>your road. Well she breaks the case. That's right. She's

1:14:09.280 --> 1:14:11.560
<v Speaker 1>the one that discovers that in the picture. Yeah, you know,

1:14:11.640 --> 1:14:14.080
<v Speaker 1>which is how we meet up with the nerds. Yeah,

1:14:14.120 --> 1:14:18.880
<v Speaker 1>I didn't. They're more. They were at through graduation there dating. Well,

1:14:18.920 --> 1:14:21.320
<v Speaker 1>they're friends. I don't know if there and I think

1:14:21.360 --> 1:14:24.760
<v Speaker 1>they're friends, good friends. She probably is dating Ardelia Map,

1:14:24.960 --> 1:14:28.599
<v Speaker 1>her roommate. Then she's doing them. But still I love

1:14:28.680 --> 1:14:31.000
<v Speaker 1>that they're friends. Like she she's going to build a

1:14:31.040 --> 1:14:33.639
<v Speaker 1>little life there. And she was the only person who like, yes,

1:14:33.760 --> 1:14:36.160
<v Speaker 1>came on to her, but not in a creepy way.

1:14:36.400 --> 1:14:40.840
<v Speaker 1>He was cute flirting. It was sweet fling. Are you

1:14:40.920 --> 1:14:45.160
<v Speaker 1>flirting with my doctor? My friend Demie. I just should

1:14:45.200 --> 1:14:48.519
<v Speaker 1>say this. My friend Damie O'Neill truly is watched this

1:14:48.600 --> 1:14:52.200
<v Speaker 1>movie hundreds of times and knows every single word. And

1:14:52.360 --> 1:14:55.519
<v Speaker 1>one time she and I were in Wisconsin or something,

1:14:56.160 --> 1:14:58.720
<v Speaker 1>and I went to see her band and then we

1:14:58.800 --> 1:15:01.680
<v Speaker 1>went back to my ruined it came on and she

1:15:02.120 --> 1:15:04.599
<v Speaker 1>had to say every line, like especially in the pauses,

1:15:04.680 --> 1:15:06.519
<v Speaker 1>and she turned to me and she was I'm so sorry,

1:15:06.560 --> 1:15:10.360
<v Speaker 1>and I'm like, I love this. It was hilarious. It's

1:15:10.439 --> 1:15:13.519
<v Speaker 1>so good. Yeah, And well he talks um speaking of

1:15:13.600 --> 1:15:16.320
<v Speaker 1>his voice earlier with the couchine and everything, but the

1:15:16.600 --> 1:15:19.600
<v Speaker 1>first time we really get that voice is you know,

1:15:19.800 --> 1:15:22.479
<v Speaker 1>it puts solution in the basket, and the way he's

1:15:22.479 --> 1:15:25.120
<v Speaker 1>saying it is and the way he's sitting on the

1:15:25.280 --> 1:15:30.240
<v Speaker 1>edge of the whatever, it's just the fucking creepiest thing

1:15:30.360 --> 1:15:33.640
<v Speaker 1>ever talking about it, Yeah, just referring to her as

1:15:33.720 --> 1:15:36.120
<v Speaker 1>it was just chilling, and then the screaming at the

1:15:36.240 --> 1:15:41.840
<v Speaker 1>end when he's mocking her screaming, Yeah, look at this

1:15:42.000 --> 1:15:48.760
<v Speaker 1>woman screaming. It's so chilling. Sy and the is that

1:15:48.920 --> 1:15:50.920
<v Speaker 1>the part, oh yeah, because that's the part where the

1:15:51.000 --> 1:15:54.840
<v Speaker 1>basket goes back up and she sees the fingernail blood right,

1:15:55.120 --> 1:15:58.200
<v Speaker 1>which is like it's those things he understood so much.

1:15:58.640 --> 1:16:01.360
<v Speaker 1>That horror isn't like a an than the eye. It's

1:16:01.439 --> 1:16:04.760
<v Speaker 1>like a bloody fingernails sitting on this thing, which we

1:16:04.800 --> 1:16:07.719
<v Speaker 1>had just heard about when they were doing the her nails.

1:16:07.800 --> 1:16:11.080
<v Speaker 1>Something is under her nails. This is city, this is city.

1:16:12.080 --> 1:16:16.960
<v Speaker 1>That fingernail well, but also like she's I get it,

1:16:17.120 --> 1:16:19.400
<v Speaker 1>that's chilling to see the fingernails because she knows other

1:16:19.439 --> 1:16:21.000
<v Speaker 1>women have been there, but like she knew what was

1:16:21.040 --> 1:16:22.920
<v Speaker 1>going to end well anyway, right, I guess that was

1:16:23.040 --> 1:16:27.880
<v Speaker 1>the straw escape. There's no escape. That was when she

1:16:27.920 --> 1:16:30.160
<v Speaker 1>truly realized that other people have not escaped from the

1:16:30.320 --> 1:16:32.479
<v Speaker 1>same well. And she was very sweet to take that

1:16:32.560 --> 1:16:36.040
<v Speaker 1>dog at the end too. I know, I loved unless

1:16:36.040 --> 1:16:39.760
<v Speaker 1>she went home and like strangles the ultimate, but I

1:16:39.880 --> 1:16:42.920
<v Speaker 1>do love that that. Uh. I love that she was

1:16:42.960 --> 1:16:45.360
<v Speaker 1>down in that well. There was no escape, there's a

1:16:45.360 --> 1:16:47.720
<v Speaker 1>bloody fan, and she still made a plan and she

1:16:47.840 --> 1:16:51.320
<v Speaker 1>didn't funk around. It was like Katherine Martin was nailed

1:16:51.400 --> 1:16:53.400
<v Speaker 1>it in that way. We're just like, I'm still going

1:16:53.439 --> 1:16:55.160
<v Speaker 1>to do something if I have to be down here

1:16:55.240 --> 1:16:57.880
<v Speaker 1>and it's this bad. And then it kind of worked

1:16:57.960 --> 1:17:01.320
<v Speaker 1>like that was a big you know, it's so good.

1:17:01.439 --> 1:17:07.920
<v Speaker 1>Every nobody scrapped asshole. So they wind up in the

1:17:08.000 --> 1:17:12.200
<v Speaker 1>third act lectures in that that amazing set that they built,

1:17:12.240 --> 1:17:16.759
<v Speaker 1>that temporary cage, which makes no sense, makes no start question,

1:17:17.760 --> 1:17:21.559
<v Speaker 1>with so many, so many weapons, possible weapons. Yeah, it's

1:17:21.640 --> 1:17:23.600
<v Speaker 1>like I saw that. Have you ever been to the

1:17:23.680 --> 1:17:28.479
<v Speaker 1>Museum of Moving Image in Queens New York. It's great. Well,

1:17:28.600 --> 1:17:30.320
<v Speaker 1>they I went to see a Madman exhibit a few

1:17:30.400 --> 1:17:32.680
<v Speaker 1>years ago there, but they had a they had all

1:17:32.680 --> 1:17:36.640
<v Speaker 1>the original artistic drawings of that set um for the

1:17:36.720 --> 1:17:39.960
<v Speaker 1>set designer, and they had the shot there, the drawing,

1:17:40.080 --> 1:17:44.160
<v Speaker 1>the like the penciling of him like you know, like

1:17:44.560 --> 1:17:47.880
<v Speaker 1>like with angel wings way up, which also makes no

1:17:48.040 --> 1:17:50.080
<v Speaker 1>sense whatsoever that he could have gotten him up there.

1:17:50.160 --> 1:17:52.240
<v Speaker 1>But you just don't even question that kind of ship

1:17:52.240 --> 1:17:54.240
<v Speaker 1>because it looks amazing. And I do think it was

1:17:54.360 --> 1:17:57.800
<v Speaker 1>from the book from what I remember. I could be wrong,

1:17:57.840 --> 1:18:00.240
<v Speaker 1>but I feel like that whole thing of we had

1:18:00.320 --> 1:18:02.439
<v Speaker 1>to we were moving him from here to there, we

1:18:02.560 --> 1:18:05.640
<v Speaker 1>have to stop here. We have to do a makeshift,

1:18:06.080 --> 1:18:10.680
<v Speaker 1>you know, swap team style cage or whatever. Um, I'm

1:18:10.720 --> 1:18:13.440
<v Speaker 1>pretty sure which they fared from the local zoo presumably

1:18:14.720 --> 1:18:18.479
<v Speaker 1>you know, the human cage we could rent it from from.

1:18:18.920 --> 1:18:21.040
<v Speaker 1>Let's give him some privacy when he's on the toilet. Yeah,

1:18:21.720 --> 1:18:24.960
<v Speaker 1>it's it's only deep humanity. That whole sequence is great, though,

1:18:25.600 --> 1:18:26.800
<v Speaker 1>the only thing that kind of took me out of

1:18:26.800 --> 1:18:30.679
<v Speaker 1>the movie is when Chris Isaac weirdly shows up. Oh ship,

1:18:31.800 --> 1:18:34.679
<v Speaker 1>Oh my god, that's Chris Isaac. Yes, it's Chris Isaac.

1:18:35.200 --> 1:18:39.160
<v Speaker 1>Inexplicably it's Chris. It's Chris Isaac, who's like, I'm a

1:18:39.720 --> 1:18:43.680
<v Speaker 1>huge musician star at the time, but I feel like

1:18:43.680 --> 1:18:46.400
<v Speaker 1>I want to dip my talent into acting. Oh here

1:18:46.439 --> 1:18:48.840
<v Speaker 1>I get three lines in this movie I don't even wrong,

1:18:49.360 --> 1:18:51.960
<v Speaker 1>which could make sense for Chris Isaac. Yeah, he must

1:18:51.960 --> 1:18:54.920
<v Speaker 1>spend with Jonathan Demis because Demi puts a lot of

1:18:54.960 --> 1:18:56.960
<v Speaker 1>his little pals like in his movie. He also looks

1:18:56.960 --> 1:19:00.800
<v Speaker 1>a lot like what's our villain? Who's the leader of

1:19:00.920 --> 1:19:04.800
<v Speaker 1>the psychiatric hospital? Oh? Dr Chiltern? Yeah, I think they

1:19:04.840 --> 1:19:07.680
<v Speaker 1>look too similar to be together, and like personally I

1:19:07.840 --> 1:19:09.960
<v Speaker 1>was I saw his face and it's really similar. Oh

1:19:10.040 --> 1:19:13.679
<v Speaker 1>that's true, similar to who Dr Dr Chilton? Oh yeah,

1:19:13.920 --> 1:19:17.880
<v Speaker 1>there's like fleshy angles and stuff fling. Sorry, Crecise, I

1:19:17.920 --> 1:19:22.479
<v Speaker 1>love you. Actually, my friend Brent, I'm friend, is very generous,

1:19:22.560 --> 1:19:24.120
<v Speaker 1>a guy that used to drink at the same bar.

1:19:24.240 --> 1:19:27.240
<v Speaker 1>We used to drink out friend who was a really

1:19:27.280 --> 1:19:29.960
<v Speaker 1>close friend of mine. He was like there was stand

1:19:30.040 --> 1:19:32.799
<v Speaker 1>up comics, there was Groundlings people, and there was actors,

1:19:32.840 --> 1:19:35.000
<v Speaker 1>gang people who would all go to this bar Felini's

1:19:35.040 --> 1:19:38.400
<v Speaker 1>in the nineties it's very fun. Brent is one of

1:19:38.520 --> 1:19:41.920
<v Speaker 1>those um Swat team guys. He's the kind of like

1:19:42.280 --> 1:19:44.919
<v Speaker 1>he's almost like it's going back down, Like he's the elevator,

1:19:45.360 --> 1:19:47.280
<v Speaker 1>younger looking guy that looks a little bit like you

1:19:47.360 --> 1:19:50.479
<v Speaker 1>shouldn't be involved in Yes, the one who walks her up.

1:19:50.520 --> 1:19:53.280
<v Speaker 1>He takes her up initially holy ship. And so that

1:19:53.479 --> 1:19:55.840
<v Speaker 1>took me out of it because I was so excited

1:19:55.920 --> 1:19:57.360
<v Speaker 1>by the time we got to that point in the movie.

1:19:57.360 --> 1:19:58.880
<v Speaker 1>I was like, this is the best movie ever made.

1:19:59.200 --> 1:20:08.599
<v Speaker 1>And then Brent show friends you get sign Yeah, yeah,

1:20:08.680 --> 1:20:11.519
<v Speaker 1>that is weird. Uh So I didn't notice until and

1:20:11.600 --> 1:20:14.479
<v Speaker 1>I've seen this movie so many times, but Lecture kills

1:20:15.320 --> 1:20:20.000
<v Speaker 1>fucking seven people in the first hour that he gets

1:20:20.040 --> 1:20:25.360
<v Speaker 1>out of that thing kills two cops, four and the

1:20:25.479 --> 1:20:28.400
<v Speaker 1>ambulance because they say they found the ambulance and and

1:20:28.520 --> 1:20:31.720
<v Speaker 1>so whoever's recapping and they said end of Tourists, they

1:20:31.800 --> 1:20:35.320
<v Speaker 1>just throw that in on the phone. Seven people in

1:20:35.400 --> 1:20:38.559
<v Speaker 1>an hour. As soon as he's out with that brilliant

1:20:38.600 --> 1:20:42.639
<v Speaker 1>plan with the with the pin clip or whatever, she's

1:20:42.680 --> 1:20:45.599
<v Speaker 1>just so creepy slipping that thing in his mouth. Yeah. God,

1:20:45.880 --> 1:20:47.200
<v Speaker 1>it just has that shot at the pen and you

1:20:47.240 --> 1:20:49.320
<v Speaker 1>see him looking at This is not gonna end well

1:20:49.400 --> 1:20:53.360
<v Speaker 1>for anyone. Uh. And then the end that that cross

1:20:53.400 --> 1:20:56.080
<v Speaker 1>cutting sequence at the end of the movie, um is

1:20:56.200 --> 1:20:58.679
<v Speaker 1>so brilliantly played out. I don't know why this didn't

1:20:58.680 --> 1:21:01.840
<v Speaker 1>win Best Editing because it was just such a clever

1:21:01.960 --> 1:21:05.040
<v Speaker 1>bit of misdirection. You don't see I don't know what's

1:21:05.040 --> 1:21:08.280
<v Speaker 1>going on which part because you they're the swat team

1:21:08.360 --> 1:21:13.560
<v Speaker 1>is going yeah, and she's like dang dong, gorgeous and

1:21:13.840 --> 1:21:16.920
<v Speaker 1>fresh off Proderica Bemmel's house. Right, she was like basically

1:21:17.000 --> 1:21:20.720
<v Speaker 1>met the friend, creepy as polaroids, and she thinks that

1:21:20.960 --> 1:21:24.360
<v Speaker 1>they're a couple states over catching the guys. Seems where

1:21:24.360 --> 1:21:26.519
<v Speaker 1>he's still out here, right, He's not out here anymore.

1:21:27.080 --> 1:21:29.559
<v Speaker 1>They're take care of it. Yeah, But she, because she's

1:21:29.600 --> 1:21:34.960
<v Speaker 1>clearly starling, starts to sniff it out and he well,

1:21:35.360 --> 1:21:40.759
<v Speaker 1>of course the classic line she did great person fourteen

1:21:40.840 --> 1:21:44.800
<v Speaker 1>roomy yeah. Uh. And then the other creepy part of

1:21:44.840 --> 1:21:47.599
<v Speaker 1>that scene has went. The way he drops those business cards,

1:21:48.000 --> 1:21:50.400
<v Speaker 1>just lets them fall away in his hands, and then

1:21:50.479 --> 1:21:55.960
<v Speaker 1>he like he giggles and but he goes sideways like

1:21:56.200 --> 1:22:00.640
<v Speaker 1>hip first the door specific move not right like what

1:22:00.720 --> 1:22:02.280
<v Speaker 1>I mean, you just did it looks like you made

1:22:02.320 --> 1:22:06.120
<v Speaker 1>yourself look like a snake being on the planet. And

1:22:06.200 --> 1:22:08.439
<v Speaker 1>then we passed up. Well, first we pass over the

1:22:09.160 --> 1:22:12.839
<v Speaker 1>sewing stuff and there's a sucking death head moth creeping

1:22:12.880 --> 1:22:15.600
<v Speaker 1>on over them, and that's her moment of because this

1:22:15.680 --> 1:22:17.720
<v Speaker 1>guy is not right. Clearly there's something wrong. Yeah, But

1:22:17.840 --> 1:22:22.160
<v Speaker 1>when comes full circle, she's being she's already being just normal,

1:22:23.360 --> 1:22:27.560
<v Speaker 1>asking questions. Then she said, use your phone please. She

1:22:27.760 --> 1:22:30.960
<v Speaker 1>just perfectly does it the way you would do it

1:22:31.040 --> 1:22:33.000
<v Speaker 1>if you were face to face with a fucking serious

1:22:33.680 --> 1:22:36.840
<v Speaker 1>trying to keep a lid on it your phone, and

1:22:36.920 --> 1:22:40.240
<v Speaker 1>you get the feeling because she's so good. She's probably

1:22:40.479 --> 1:22:42.280
<v Speaker 1>right as she walks in, like, this feels like a

1:22:42.439 --> 1:22:45.280
<v Speaker 1>kill house. Yeah, but they're getting him in another state,

1:22:45.640 --> 1:22:47.880
<v Speaker 1>but this feels like a kill house. That design is

1:22:48.560 --> 1:22:50.800
<v Speaker 1>fucking amid Like I feel like in another life I'm

1:22:50.800 --> 1:22:52.439
<v Speaker 1>supposed to be a set designer because I'm always like

1:22:52.840 --> 1:22:56.320
<v Speaker 1>the pan of eggs that's like on the stove and

1:22:56.320 --> 1:22:59.000
<v Speaker 1>it just says weird little touches of clearly this is

1:22:59.080 --> 1:23:02.560
<v Speaker 1>someone else's how Yeah, that hasn't been lived in or

1:23:02.680 --> 1:23:06.760
<v Speaker 1>walked in, or clean or cleaning, and it's like, yeah,

1:23:06.760 --> 1:23:09.760
<v Speaker 1>it's it's quiet and still compared to what's going on downstairs,

1:23:09.920 --> 1:23:13.960
<v Speaker 1>it's just so great. And he's just he's almost unpeeling

1:23:14.080 --> 1:23:17.080
<v Speaker 1>his own wrapper because she's just asking regular questions. But

1:23:17.160 --> 1:23:21.519
<v Speaker 1>then he's like, oh, wait, we're sorry. Where she he's

1:23:21.520 --> 1:23:25.679
<v Speaker 1>doing things where she's like wait, why did you Yeah,

1:23:25.920 --> 1:23:29.599
<v Speaker 1>and he keeps you know, like asking this the way

1:23:29.680 --> 1:23:33.280
<v Speaker 1>to catch that? Yeah, I think, yeah. Well, and because

1:23:33.320 --> 1:23:35.759
<v Speaker 1>of the misdirection and they're breaking into the wrong house,

1:23:35.880 --> 1:23:38.600
<v Speaker 1>like you know, as a viewer, she's all alone, and

1:23:38.720 --> 1:23:41.400
<v Speaker 1>that's just such a like a vulnerable feeling as a

1:23:41.520 --> 1:23:45.160
<v Speaker 1>as an audience member to know that this rookie student

1:23:46.040 --> 1:23:48.840
<v Speaker 1>is in front of like the worst serial killer ever

1:23:49.400 --> 1:23:53.400
<v Speaker 1>and she's got no backup, like nobody's coming, nobody's coming. Also,

1:23:53.479 --> 1:23:57.679
<v Speaker 1>I think that the going into Frederica Demo's room scene

1:23:57.840 --> 1:24:00.080
<v Speaker 1>is one of my favorite scenes of ANUE move Be

1:24:00.760 --> 1:24:04.400
<v Speaker 1>because she is just trying to collect information. She doesn't know,

1:24:05.320 --> 1:24:07.360
<v Speaker 1>she doesn't have a plan, and she kind of goes

1:24:07.439 --> 1:24:09.800
<v Speaker 1>up and is looking around and it's this thing of

1:24:09.920 --> 1:24:12.160
<v Speaker 1>like it's it's that thing of like why women should

1:24:12.200 --> 1:24:14.799
<v Speaker 1>be cops. It's like when you go into another woman's

1:24:14.880 --> 1:24:17.960
<v Speaker 1>room where you know where her fucking underpants, polaroids are hid,

1:24:18.000 --> 1:24:20.160
<v Speaker 1>anyone you know where you hit your ship, you know

1:24:20.280 --> 1:24:22.640
<v Speaker 1>what's often what stage because you would never leave your

1:24:22.640 --> 1:24:27.640
<v Speaker 1>ship exactly, and the like all of those things that

1:24:28.200 --> 1:24:31.240
<v Speaker 1>they they she I think she even follows the cat up.

1:24:31.600 --> 1:24:34.200
<v Speaker 1>It's like she's the cat me out is from her room.

1:24:34.360 --> 1:24:37.720
<v Speaker 1>The cats like coming too, this fucking so they like

1:24:37.880 --> 1:24:40.160
<v Speaker 1>there are things in there that they did that It's

1:24:40.200 --> 1:24:43.280
<v Speaker 1>like it's not all just horror, it's not all just action.

1:24:43.360 --> 1:24:46.880
<v Speaker 1>It's like there's just this. There's that kind of how

1:24:47.160 --> 1:24:49.320
<v Speaker 1>how it is. I think when people work on things

1:24:49.760 --> 1:24:51.280
<v Speaker 1>and it's like you don't really know why you turn

1:24:51.360 --> 1:24:53.000
<v Speaker 1>to left and went into that room, the cat me

1:24:53.080 --> 1:24:56.080
<v Speaker 1>out or whatever, but suddenly you're here and and oh,

1:24:56.280 --> 1:24:58.639
<v Speaker 1>she has the same jewelry box I had. Why has

1:24:58.720 --> 1:25:01.759
<v Speaker 1>this edge pull? And like that moment where she pulls

1:25:01.840 --> 1:25:04.920
<v Speaker 1>the top out of that jewelry box was like as

1:25:05.000 --> 1:25:08.800
<v Speaker 1>a girl is like thrilling. It's like, yes, this is

1:25:09.000 --> 1:25:11.720
<v Speaker 1>exactly how it would be. This is the realness of it,

1:25:11.840 --> 1:25:15.600
<v Speaker 1>and it's very like a twin peaks the moment I

1:25:15.720 --> 1:25:17.960
<v Speaker 1>think too or I don't know which came first probably

1:25:17.960 --> 1:25:21.559
<v Speaker 1>twin Peaks, right, I don't know. Um, they are actually

1:25:21.720 --> 1:25:23.600
<v Speaker 1>kind of a right around the same time because it

1:25:23.680 --> 1:25:26.200
<v Speaker 1>was like early college for me. Yeah, like the secrets

1:25:26.240 --> 1:25:30.120
<v Speaker 1>that women keep, the secret that girls keep, that's right. Yeah,

1:25:30.680 --> 1:25:32.880
<v Speaker 1>dude would not have he would have walked in that

1:25:33.000 --> 1:25:35.960
<v Speaker 1>room and like nothing to see here, right, just like

1:25:36.040 --> 1:25:38.080
<v Speaker 1>cleared a shelf of his arm and then walked up

1:25:38.200 --> 1:25:41.880
<v Speaker 1>and also parted and then left looking around making sure

1:25:41.920 --> 1:25:45.160
<v Speaker 1>the dad's still outside, pushing back to the dresses in

1:25:45.240 --> 1:25:54.439
<v Speaker 1>the closet, and the diamond pattern was like chilling, Yeah, amazing. Uh.

1:25:54.520 --> 1:25:56.960
<v Speaker 1>And then we get the great night vision scene where

1:25:57.120 --> 1:25:59.160
<v Speaker 1>you know that the creepy shu ever is when he's

1:25:59.200 --> 1:26:01.280
<v Speaker 1>reaching out to her and just kind of like sucking

1:26:01.360 --> 1:26:04.800
<v Speaker 1>with her and she can feel him like you can

1:26:04.880 --> 1:26:07.880
<v Speaker 1>sense after she's told Katherine like it's all good, yeah,

1:26:07.960 --> 1:26:13.680
<v Speaker 1>and yelling it loud enough other way like that's so real,

1:26:14.120 --> 1:26:18.639
<v Speaker 1>Like I'm so glad you're here. It's like real, Yeah,

1:26:19.000 --> 1:26:21.320
<v Speaker 1>I don't want to sit tight. Yeah. Yeah, while this

1:26:21.520 --> 1:26:24.200
<v Speaker 1>you know, twenty one year old who have never made

1:26:24.320 --> 1:26:26.519
<v Speaker 1>with a little gun, and you don't know how crazy

1:26:26.800 --> 1:26:30.439
<v Speaker 1>she's like he's a psycho don't all go after him. Also,

1:26:30.520 --> 1:26:33.960
<v Speaker 1>the way she was trying to do like form perfect,

1:26:34.720 --> 1:26:36.680
<v Speaker 1>dipping her head into the well to talk to her,

1:26:37.200 --> 1:26:40.160
<v Speaker 1>shutting all those doors, like yeah, she's she's her training

1:26:40.280 --> 1:26:42.720
<v Speaker 1>is like kicking at this point. But it's the creepiest

1:26:43.040 --> 1:26:48.479
<v Speaker 1>training room she's ever been, Like, it's beyond horrifying. Yeah.

1:26:48.920 --> 1:26:51.400
<v Speaker 1>And then every room she goes into, because every room

1:26:51.439 --> 1:26:54.040
<v Speaker 1>she goes into his answers and it's got to be

1:26:54.160 --> 1:26:56.880
<v Speaker 1>so exciting to be like, and this is where he's

1:26:56.880 --> 1:26:58.920
<v Speaker 1>been keeping them, this is you know what he's doing

1:26:58.960 --> 1:27:01.320
<v Speaker 1>with them, this is how he got to this. You know,

1:27:01.400 --> 1:27:05.320
<v Speaker 1>it's like every room it's it's like a escape room.

1:27:05.800 --> 1:27:11.000
<v Speaker 1>It's sot and so filled with fucking molds. And don't

1:27:11.040 --> 1:27:13.720
<v Speaker 1>die because no, you have the answers. Yeah, if you

1:27:13.880 --> 1:27:16.400
<v Speaker 1>just don't die, you can actually get this guy right

1:27:16.640 --> 1:27:20.880
<v Speaker 1>or I'm going to be in that fucking well with Catherine. Yeah. Um,

1:27:21.760 --> 1:27:24.320
<v Speaker 1>And I think now that we talked about the cat part,

1:27:24.439 --> 1:27:26.360
<v Speaker 1>now I have that same word. It's like that is

1:27:26.400 --> 1:27:30.040
<v Speaker 1>a little bit of the laced through intuition magic thing

1:27:30.120 --> 1:27:33.320
<v Speaker 1>that got laid in a little bit where it's in

1:27:33.560 --> 1:27:36.720
<v Speaker 1>the instinct so that when she hears his the gun

1:27:36.840 --> 1:27:39.599
<v Speaker 1>cock she has that, you know what I mean, She's

1:27:39.680 --> 1:27:44.080
<v Speaker 1>she trusts herself because she's already been right, she's already

1:27:44.120 --> 1:27:46.280
<v Speaker 1>proven it right where it's like, however you get to

1:27:46.360 --> 1:27:48.920
<v Speaker 1>the answer, you got to the answer, so trust yourself

1:27:49.000 --> 1:27:52.800
<v Speaker 1>that you're right. And she blows his ass away, destroys

1:27:52.960 --> 1:27:56.839
<v Speaker 1>his whole situation the way he dies. What a beautiful

1:27:56.880 --> 1:28:01.880
<v Speaker 1>to ask. Yeah, and he doesn't, you know, it's not

1:28:02.000 --> 1:28:04.720
<v Speaker 1>the trope thing where he comes back to life, which

1:28:04.800 --> 1:28:07.599
<v Speaker 1>was great. That would have been away, which is so cool. Yeah,

1:28:08.280 --> 1:28:10.160
<v Speaker 1>that training kicking in. Yeah, now she's like, oh, I

1:28:10.200 --> 1:28:12.200
<v Speaker 1>get why you do this. I can't wait to shut

1:28:12.240 --> 1:28:14.559
<v Speaker 1>all the doors. I get it. And we didn't even

1:28:14.560 --> 1:28:17.600
<v Speaker 1>talk about the senator scene, which is one of the

1:28:17.640 --> 1:28:21.880
<v Speaker 1>great scenes that talk about art directions building That fucking

1:28:23.360 --> 1:28:27.680
<v Speaker 1>furniture dolly that he was gets so iconic. Have you

1:28:27.760 --> 1:28:29.560
<v Speaker 1>seen there's a thing where they test out all the

1:28:29.680 --> 1:28:32.800
<v Speaker 1>masks there there's lots of choices of what what kind

1:28:32.880 --> 1:28:35.160
<v Speaker 1>of hockey mask? Like what kind of masks they were

1:28:35.200 --> 1:28:37.719
<v Speaker 1>fine to use? And it's just funny. It's like Anthony

1:28:37.800 --> 1:28:42.360
<v Speaker 1>Hopkins with the What I do believe about that scene

1:28:42.400 --> 1:28:45.600
<v Speaker 1>is that he is in this humiliating powerless position and

1:28:45.920 --> 1:28:48.400
<v Speaker 1>the scene ends with him having all the power despite that,

1:28:48.560 --> 1:28:51.280
<v Speaker 1>and it's just such a testament to him and his

1:28:51.360 --> 1:28:53.680
<v Speaker 1>acting in the script and it's really cool and like

1:28:53.880 --> 1:28:57.080
<v Speaker 1>his as doctor Lector, it's all about his words, the

1:28:57.200 --> 1:29:01.880
<v Speaker 1>way he uses words. But like he destroy her. Yeah,

1:29:02.080 --> 1:29:10.080
<v Speaker 1>and trax Island you will be free to well. Uh

1:29:10.200 --> 1:29:12.880
<v Speaker 1>and then the great Danie Mall at the end with

1:29:13.160 --> 1:29:16.360
<v Speaker 1>um with him. You know you're rooting for Hannibal to

1:29:16.560 --> 1:29:21.160
<v Speaker 1>fucking eat Chilton. It's some bit of magic that Demi

1:29:21.240 --> 1:29:24.200
<v Speaker 1>pulls where you're like, yeah, go kill and eat that guy.

1:29:24.640 --> 1:29:26.960
<v Speaker 1>You know why we couldn't figure out why he was there,

1:29:27.520 --> 1:29:30.719
<v Speaker 1>like get there. I think he was just vacation, getting

1:29:30.760 --> 1:29:36.400
<v Speaker 1>away a weird trip, Okay, he and maybe he I

1:29:36.439 --> 1:29:37.960
<v Speaker 1>think he said something to the guy when he gets

1:29:38.000 --> 1:29:40.000
<v Speaker 1>off the plane that maybe said like he was there

1:29:40.040 --> 1:29:43.000
<v Speaker 1>for a conference or something like that, but like a

1:29:43.080 --> 1:29:47.559
<v Speaker 1>psycho psychiatrist conference, yeah, or which was in Brazil, I guess,

1:29:47.680 --> 1:29:49.800
<v Speaker 1>or something in Cuba. You didn't know where that was

1:29:50.479 --> 1:29:53.599
<v Speaker 1>it may say, I'm not even sure. Ends up calling

1:29:53.680 --> 1:29:59.560
<v Speaker 1>this random phone at graduation Yeah, sure, yeah, that p

1:30:00.160 --> 1:30:04.320
<v Speaker 1>that's brick by the graduation every year. But that's a

1:30:04.360 --> 1:30:06.679
<v Speaker 1>great moment though when he says, you know, the world's

1:30:06.680 --> 1:30:09.240
<v Speaker 1>more interesting with you in it. And that's the nature

1:30:09.240 --> 1:30:11.240
<v Speaker 1>of their relationship, Like he doesn't want to kill her

1:30:11.479 --> 1:30:15.160
<v Speaker 1>full father daughtery. Well, it's like he's he makes choices

1:30:15.160 --> 1:30:18.160
<v Speaker 1>about who he kills, so there's almost you almost respect.

1:30:18.760 --> 1:30:23.160
<v Speaker 1>He's just not some berserking animal. He's like gentlemen. And

1:30:23.280 --> 1:30:27.760
<v Speaker 1>he won't take he won't take credit for killing hester Momfett, right,

1:30:27.920 --> 1:30:35.040
<v Speaker 1>like he doesn't want these number about me. Yeah, it's

1:30:35.040 --> 1:30:37.960
<v Speaker 1>a really it's not about that. My favorite of all

1:30:38.040 --> 1:30:40.880
<v Speaker 1>the when I was looking through the gifts, um, and

1:30:40.960 --> 1:30:43.920
<v Speaker 1>there's some great ones. There's one that somebody made where

1:30:44.040 --> 1:30:46.519
<v Speaker 1>when it's the reveal of when that that wall ends

1:30:46.560 --> 1:30:49.760
<v Speaker 1>and you can see his cell, they put all these

1:30:49.840 --> 1:30:53.120
<v Speaker 1>like hot topics posters behind him, so like right behind

1:30:53.240 --> 1:30:57.679
<v Speaker 1>him there's a Hello Kiddie poster, so hilarious, Like every

1:30:57.760 --> 1:31:00.320
<v Speaker 1>inch of his walls or government placed that was not

1:31:00.400 --> 1:31:05.360
<v Speaker 1>post are the best. Sometimes that's great, um. And that's

1:31:05.560 --> 1:31:07.760
<v Speaker 1>the end of the movie. Uh, you know that he's

1:31:07.800 --> 1:31:10.400
<v Speaker 1>gonna and she says, you know, you know, I can't

1:31:10.439 --> 1:31:12.960
<v Speaker 1>promise you that, Like he knows that She's gonna come

1:31:13.000 --> 1:31:16.000
<v Speaker 1>after him. She knows that. But that's like part of that,

1:31:16.320 --> 1:31:18.679
<v Speaker 1>Like the beautiful dance that to me creates from the beginning,

1:31:19.320 --> 1:31:22.120
<v Speaker 1>just so great. All right, we finished with a couple

1:31:22.120 --> 1:31:26.800
<v Speaker 1>of quick things. What Ebert said this movie is a

1:31:26.920 --> 1:31:31.439
<v Speaker 1>complete disappointment. I would like to go back and see

1:31:31.479 --> 1:31:34.920
<v Speaker 1>what Roger Ebert thought. Four stars of course for this year.

1:31:35.760 --> 1:31:37.600
<v Speaker 1>The secret of Silence is that it doesn't start with

1:31:37.640 --> 1:31:40.519
<v Speaker 1>a cannibal. It arrives at him through the eyes and

1:31:40.680 --> 1:31:43.719
<v Speaker 1>minds of a young woman. The popularity of Jonathan Demi's

1:31:43.760 --> 1:31:46.080
<v Speaker 1>movie is likely to last as long as there is

1:31:46.120 --> 1:31:49.840
<v Speaker 1>a market for being scared Amen. But Silence of the

1:31:49.920 --> 1:31:51.960
<v Speaker 1>Lambs is not merely a thrill show. It is also

1:31:52.040 --> 1:31:55.000
<v Speaker 1>about two of the most memorable characters in movie history,

1:31:55.400 --> 1:32:00.320
<v Speaker 1>Clarice Starling and Hannibal Lecture and their strange, strained relationship. Yeah,

1:32:00.760 --> 1:32:03.880
<v Speaker 1>and then five questions. First movie you remember seeing in

1:32:03.960 --> 1:32:13.840
<v Speaker 1>the theater Back to the Future Pete's Dragon, that was like,

1:32:14.520 --> 1:32:18.360
<v Speaker 1>it's probably five, right, really young Disney, I think I was.

1:32:18.560 --> 1:32:20.080
<v Speaker 1>I think it was I was five. Went Back to

1:32:20.120 --> 1:32:22.280
<v Speaker 1>the Future came out and it was just like, well, fuck,

1:32:22.600 --> 1:32:26.400
<v Speaker 1>my life is this is it? Yeah, that's crazy. That's

1:32:26.439 --> 1:32:29.160
<v Speaker 1>a good first one. First are raided movie. I think

1:32:29.160 --> 1:32:34.120
<v Speaker 1>you already said, yeah, um, oh god, I don't know

1:32:34.160 --> 1:32:36.439
<v Speaker 1>what year came out. I want to. We just watched

1:32:36.479 --> 1:32:40.800
<v Speaker 1>so much ship um that I can remember. What's the

1:32:40.880 --> 1:32:48.639
<v Speaker 1>one with the killer toy. Child's Play? Oh yeah, that's

1:32:48.680 --> 1:32:51.599
<v Speaker 1>a terrible movie to see as a child was my favorite.

1:32:53.320 --> 1:32:57.559
<v Speaker 1>This is literally no supervision. I just want to Little

1:32:57.640 --> 1:33:00.840
<v Speaker 1>Darlings and Child's Play. Will you walk out of a

1:33:00.920 --> 1:33:04.920
<v Speaker 1>bad movie? Hell? Yes. I stormed out of Van Helsing

1:33:07.040 --> 1:33:08.640
<v Speaker 1>because also I saw at the Vista, and you know,

1:33:08.760 --> 1:33:12.559
<v Speaker 1>sometimes the Vista, when they get it right, it's perfect.

1:33:12.680 --> 1:33:16.519
<v Speaker 1>But in this, because there was so much glingling sword

1:33:16.680 --> 1:33:21.400
<v Speaker 1>fucking playing, it was like it was it was like

1:33:21.840 --> 1:33:24.320
<v Speaker 1>my ear drums were like, please get us out of here.

1:33:24.400 --> 1:33:26.840
<v Speaker 1>And I had told I was with my boyfriend at

1:33:26.880 --> 1:33:28.920
<v Speaker 1>the time and my other friend and I kept going,

1:33:29.040 --> 1:33:31.240
<v Speaker 1>it's too loud, I can't and I kept saying they

1:33:31.280 --> 1:33:34.120
<v Speaker 1>were like, and I just fucking got up and left

1:33:34.200 --> 1:33:36.479
<v Speaker 1>and drove home. I was like, get home on your own.

1:33:36.560 --> 1:33:41.080
<v Speaker 1>I'm so livid. It was a boring movie. Anyway, it

1:33:41.200 --> 1:33:44.240
<v Speaker 1>was like it was physically painful to watch. Yeah, I

1:33:44.280 --> 1:33:46.760
<v Speaker 1>never saw that, but my friend Scottie, who's a DP

1:33:47.040 --> 1:33:51.200
<v Speaker 1>said he had a forward review Van Helsing Van Horrible,

1:33:51.880 --> 1:33:56.280
<v Speaker 1>which we still laugh at today. For some reason, you

1:33:56.360 --> 1:33:58.920
<v Speaker 1>walk out, I will, But I also it's really hard

1:33:58.960 --> 1:34:00.400
<v Speaker 1>to get me to go see a movie in the theater.

1:34:00.640 --> 1:34:03.040
<v Speaker 1>I really don't enjoy it, partly because of the sound.

1:34:03.160 --> 1:34:05.840
<v Speaker 1>I have, like a really sensitive hearing. I think the

1:34:06.040 --> 1:34:07.920
<v Speaker 1>only movie I've seen with you is the Mad Max

1:34:08.000 --> 1:34:12.280
<v Speaker 1>movie recently. Yeah, just want the only movie. Yeah, I

1:34:12.360 --> 1:34:15.160
<v Speaker 1>had stand in my seat with ship in my ears,

1:34:15.720 --> 1:34:17.639
<v Speaker 1>but I was enjoying it, So I say you should

1:34:17.680 --> 1:34:21.040
<v Speaker 1>get you know, they make ear plugs for bands that

1:34:21.360 --> 1:34:23.960
<v Speaker 1>oh they fit you specifically right, well, they fit you,

1:34:24.080 --> 1:34:27.160
<v Speaker 1>but they also allow in the right sounds, so it's

1:34:27.200 --> 1:34:30.759
<v Speaker 1>not just like sticking your fingers in your ears. They're okay,

1:34:31.040 --> 1:34:36.360
<v Speaker 1>they work alright, highly sensitive. We'll get you something not

1:34:36.479 --> 1:34:41.960
<v Speaker 1>about murder that I'm fine with that. Uh alright. Number

1:34:42.000 --> 1:34:43.960
<v Speaker 1>four I tailored to the guests. So right here I

1:34:44.040 --> 1:34:46.799
<v Speaker 1>have who plays Karen and Georgia and the my favorite

1:34:46.880 --> 1:34:55.240
<v Speaker 1>murder bio. I think it's a Gilmer girls. Right, it's

1:34:55.280 --> 1:35:00.519
<v Speaker 1>about to go. Well, Jodie Foster could come back. F oh,

1:35:00.600 --> 1:35:03.960
<v Speaker 1>my god, that she just switches wigs and it's straight

1:35:04.040 --> 1:35:07.200
<v Speaker 1>into camera. Also here stand here and she moves her body.

1:35:07.520 --> 1:35:09.600
<v Speaker 1>It's not even I guess if they can do that

1:35:09.680 --> 1:35:12.920
<v Speaker 1>with the fucking Winkle Boss Twins, double up Army Hammer

1:35:12.920 --> 1:35:20.599
<v Speaker 1>and they can double u Jodie Foster's. And then finally

1:35:20.600 --> 1:35:22.519
<v Speaker 1>a movie going one on one? What's your what's your

1:35:22.560 --> 1:35:24.040
<v Speaker 1>jam at the movies? Where do you sit? What do

1:35:24.080 --> 1:35:28.840
<v Speaker 1>you get? Mine? Is I love the arc Light' I

1:35:29.000 --> 1:35:32.840
<v Speaker 1>hope it's not really scientologist based, because that a theory.

1:35:32.920 --> 1:35:36.080
<v Speaker 1>Now that's a theory that it's basically a company that

1:35:36.760 --> 1:35:40.840
<v Speaker 1>funded by or scientology makes money. But I don't care

1:35:40.920 --> 1:35:45.000
<v Speaker 1>because normal movie theaters is just the worst people. It's

1:35:45.040 --> 1:35:47.280
<v Speaker 1>like people go to check their phones these days. It's

1:35:47.320 --> 1:35:50.360
<v Speaker 1>like everyone's got so ill mannered the movie theater. So

1:35:50.920 --> 1:35:53.559
<v Speaker 1>I love the arc Light because they take it seriously.

1:35:53.680 --> 1:35:56.720
<v Speaker 1>They take it's cushy. Everybody's there to actually do the

1:35:56.800 --> 1:35:58.920
<v Speaker 1>thing that you're supposed to be doing. People don't like

1:35:59.040 --> 1:36:03.080
<v Speaker 1>talk or funk around. Um always on the aisle usually

1:36:04.200 --> 1:36:07.599
<v Speaker 1>if you're facing if I'm the screen looking up right

1:36:07.680 --> 1:36:11.880
<v Speaker 1>hand side, like halfway up, um, but all the way

1:36:11.960 --> 1:36:14.439
<v Speaker 1>up to the edge. Huh yeah, because you need to peepee,

1:36:14.560 --> 1:36:17.200
<v Speaker 1>or because I don't want to get out of there.

1:36:18.960 --> 1:36:21.240
<v Speaker 1>The ideas when you stand and have to walk down

1:36:21.280 --> 1:36:23.040
<v Speaker 1>that row at the end and you kind of bounce

1:36:23.120 --> 1:36:26.240
<v Speaker 1>against everything. I just always like, what is something happened?

1:36:26.479 --> 1:36:29.960
<v Speaker 1>Just kick over, just like I just want to get out. Well,

1:36:30.040 --> 1:36:32.559
<v Speaker 1>it is funny as like as I get older. Uh,

1:36:33.080 --> 1:36:36.080
<v Speaker 1>group of Swinton saw Beck in Atlanta recently at this

1:36:36.240 --> 1:36:39.040
<v Speaker 1>place called the Tabernacle, which has this old church that

1:36:39.120 --> 1:36:42.800
<v Speaker 1>has three really steep balconies were on the very last row,

1:36:43.560 --> 1:36:45.880
<v Speaker 1>and young Chuck would have just been like, yeah, whatever,

1:36:46.120 --> 1:36:49.559
<v Speaker 1>like these seats are shitty. Old Chuck was like, we're

1:36:49.600 --> 1:36:53.000
<v Speaker 1>gonna die if anything happens in here. Yeah, if there's

1:36:53.000 --> 1:36:56.080
<v Speaker 1>a fire, if there's if things start happening. For many reasons,

1:36:56.120 --> 1:36:57.800
<v Speaker 1>I can't go to the movies. I'm like, we're dead.

1:36:57.840 --> 1:37:01.120
<v Speaker 1>Well what happened right now? Yeah? So many bad things? Yeah, Um,

1:37:01.160 --> 1:37:04.080
<v Speaker 1>what do you eat? Oh? I like, well, if I'm

1:37:04.120 --> 1:37:06.200
<v Speaker 1>really going to go for it, I'll get popcorn and

1:37:06.200 --> 1:37:08.840
<v Speaker 1>then put Eminem's into it. I was going to that

1:37:09.000 --> 1:37:12.400
<v Speaker 1>with the usually plain okay, yeah Jenior mints and that

1:37:12.600 --> 1:37:14.840
<v Speaker 1>the popcorn is a nice mix to mixed gen mints

1:37:14.880 --> 1:37:17.200
<v Speaker 1>in I'll put them in my hand together because it'll

1:37:17.240 --> 1:37:20.800
<v Speaker 1>melt to otherwise, right, poor good together. Yeah that's what

1:37:20.920 --> 1:37:25.120
<v Speaker 1>Lauren Cook does. Oh oh my god, that's what. And

1:37:25.240 --> 1:37:28.760
<v Speaker 1>a can of wine that I bring my person. Yeah,

1:37:29.080 --> 1:37:32.080
<v Speaker 1>they have and movies. I don't have to smoke pots,

1:37:32.120 --> 1:37:33.840
<v Speaker 1>so I can't like get high. I mean, that's the

1:37:33.920 --> 1:37:35.680
<v Speaker 1>other reason to go to the Arc Light, as you

1:37:35.800 --> 1:37:37.880
<v Speaker 1>just drive up to the roof and get your get

1:37:38.000 --> 1:37:42.439
<v Speaker 1>done whatever you choose to get done in your smoke.

1:37:46.000 --> 1:37:48.720
<v Speaker 1>Is there a secret bar, wasn't it. I don't love

1:37:48.760 --> 1:37:50.240
<v Speaker 1>her anymore, so I don't know what's going on. They

1:37:50.280 --> 1:37:53.080
<v Speaker 1>built like like right before I left. Oh yeah, but

1:37:53.200 --> 1:37:56.200
<v Speaker 1>they have they have places in Atlanta that have just

1:37:56.320 --> 1:37:58.800
<v Speaker 1>regular theaters where you can buy beer and wine. Screenings

1:37:58.840 --> 1:38:01.719
<v Speaker 1>at the arc Light where you can do that yeah screens,

1:38:01.880 --> 1:38:05.599
<v Speaker 1>yeah yeah. Yeah. They think for old people. For certain

1:38:05.640 --> 1:38:07.680
<v Speaker 1>it's like for certain shows they're like if this one

1:38:07.920 --> 1:38:10.120
<v Speaker 1>they'll be drinking. Yeah yeah, but I have to piece

1:38:10.160 --> 1:38:11.720
<v Speaker 1>so much when I drink, so I just couldn't do

1:38:11.760 --> 1:38:13.840
<v Speaker 1>it because I don't want to miss much. Barry Diver

1:38:14.880 --> 1:38:18.240
<v Speaker 1>and that's the perfect way to end this one. Thank you. Ladies,

1:38:20.240 --> 1:38:24.280
<v Speaker 1>So Much Fun. Movie Crash is produced and written by

1:38:24.360 --> 1:38:27.519
<v Speaker 1>Charles Bryant and Meel Brown, edited and engineered by Seth

1:38:27.640 --> 1:38:30.640
<v Speaker 1>Nicholas Johnson, is scored by Noel Brown here in our

1:38:30.680 --> 1:38:34.320
<v Speaker 1>home studio at Pontsty Market, Atlanta, Georgia. For I Heart Radio.

1:38:34.880 --> 1:38:37.160
<v Speaker 1>For more podcasts for my Heart Radio, visit the iHeart

1:38:37.240 --> 1:38:39.960
<v Speaker 1>Radio app, Apple podcast, or wherever you listen to your

1:38:40.000 --> 1:38:40.599
<v Speaker 1>favorite shows.