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Speaker 1: The volume.

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Speaker 2: All right, Rory, we are back with another episode. Today.

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Speaker 3: We are joined by some guys that we've been watching.

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Speaker 3: Really proud of the things that they're doing in the space.

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Speaker 3: Very entertaining and very funny. And I'm glad that we

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Speaker 3: finally have them here because it's conversations belong over. Yeah,

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Speaker 3: talking about having them all for a while.

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Speaker 1: Stop being so formal and get the wrong and start.

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Speaker 3: We here with.

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Speaker 1: Bat and we got space here as well.

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Speaker 2: Right, where's my girl at the marriage? The marriage? Baby dB?

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Speaker 3: You know she come in whatever she feels like, you know,

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Speaker 3: living now, I know she took she took off.

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Speaker 2: Well you know they that's probably not you need.

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Speaker 1: To come on a Monday or Thursday. That's really it.

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Speaker 2: Yeah, Wednesday, she don't be in there Wednesdays, she ain't

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Speaker 2: coming all type excuse to take back.

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Speaker 3: She never only way she'll be here on a Wednesday.

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Speaker 3: If we have a guess if with somebody like she

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Speaker 3: like a Chris Brown, like Chris.

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Speaker 1: We even her defense she missed bryceon teller and that

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Speaker 1: was a Wednesday and she wanted to do that.

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Speaker 2: But yeah, she's not personal then, I mean Space could

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Speaker 2: take Space got topics, he got you got topics. What

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Speaker 2: you want to talk about, Let's get to it, because

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Speaker 2: let's let's not Cardi B. And now what y'all put.

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Speaker 2: Let's talk about her not wanting to get a divorce.

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Speaker 2: I wanted to get a divorce. Y'all know more about

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Speaker 2: Cardi B than I do. Know nothing about that. Is

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Speaker 2: she in a relationship, and she's saying that off Set

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Speaker 2: in order to get the divorce for him to sign off.

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Speaker 2: She's saying allegedly that she wants he wants her to

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Speaker 2: pay his taxes. Yep, he wants her to give her

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Speaker 2: if you give him a property and something else he wants.

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Speaker 2: I just want to say, blessed equal rights and she

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Speaker 2: worked out perfectly. Hold On. He definitely talked to Mary J.

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Speaker 1: Blige, the only woman that's had to pay alimony and

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Speaker 1: would have to pay too, as she should. Though I agree,

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Speaker 1: and I'm that's not a Cardi B thing particular, but

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Speaker 1: how she got to wait hold On, I don't agree

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Speaker 1: with the alimony.

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Speaker 2: Nobody's saying nothing about Cardi.

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Speaker 3: Look Cardi, but I'm just trying to figure off off Set.

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Speaker 2: Allegedly is what Cardi B's come out and.

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Speaker 3: Set off Set wants the divorce. Cardi doesn't yes, because.

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Speaker 2: She don't have to pay out because no all Set

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Speaker 2: wants it. But in order for him to sign off,

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Speaker 2: she's saying, he wants his taxes paid. Okay, he wants

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Speaker 2: a property and something else. It's something else, exact what

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Speaker 2: we get quote the only reason. So this is what

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Speaker 2: Cardy is saying. Y'all want to know.

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Speaker 1: They see, the only way I can get out of

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Speaker 1: my marriage is if I pay for somebody else's taxes,

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Speaker 1: even though I pay for my own, and give them

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Speaker 1: one of my properties.

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Speaker 2: I'm a fight for that.

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Speaker 1: That is not no love ship. I'm not going to

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Speaker 1: stop living my life. I mean, that's just a divorce.

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Speaker 2: Though.

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Speaker 1: Don't you go split up assets and old money back

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Speaker 1: like that's just a divorce.

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Speaker 2: No, yeah, so divorce has taked ten years.

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Speaker 3: But I'm on the side of if I'm off set

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Speaker 3: and my ex wife is months pregnant when her new

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Speaker 3: dude already, I'm not, let's just get this shit over it,

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Speaker 3: like I want nothing.

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Speaker 2: No, no, no, no, no no, no, I'm not.

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Speaker 3: I'm not like she's pregnant by someone. It's like, all right, cool,

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Speaker 3: Like I'm not even embarrassed.

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Speaker 2: You got it. You got a great NFL wide receiver

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Speaker 2: in pregnating your wife while you're legally married. Take all

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Speaker 2: the assets. That's what it was designed for. I don't know.

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Speaker 2: I don't want you saying nothing about Cardi B.

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Speaker 3: No, no, no, no, says wild about Cardi B. As a man,

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Speaker 3: I don't think that I would even want to drag

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Speaker 3: down I'm not wrong, just like yo, let's just get

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Speaker 3: this over with, because it's just like I'm this is

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Speaker 3: obviously completely done.

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Speaker 2: I want the mansions, give me the mansions, giving it

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Speaker 2: got some He NodD.

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Speaker 3: He probably is not doing this well, I'm not pocket watching,

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Speaker 3: but he's probably not doing.

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Speaker 2: It as well. Take but take more. This is what

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Speaker 2: it was designed for. Equal rights. It's true. If it

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Speaker 2: was if it was vice versas, we'd be like give

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Speaker 2: her house, yes, pay her little taxes and give us something.

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Speaker 3: But but you know, it just looks away.

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Speaker 2: It's like, as men, it's a lot of ship. We

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Speaker 2: just got to take on the chin. And just like business,

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Speaker 2: marriage is a business. It's a business. It's a business.

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Speaker 2: You don't have to be sperificant. He's trying to split

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Speaker 2: when he needs where he needs his money, and.

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Speaker 1: She's going to get his ship a business breakup.

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Speaker 2: If Offset has started off the marriage saying I want

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Speaker 2: to preen up, everybody would have dragged him and said,

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Speaker 2: it's about love. When you make it business, it's not

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Speaker 2: really about love. That's what they always say. Right now,

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Speaker 2: the tables are reversed tables. She got more money, she's

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Speaker 2: in a better position. Nobody dragged Rianna with your SA.

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Speaker 1: Feeder line, like, you know, be a man, don't take

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Speaker 1: a break.

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Speaker 3: I'm out, Yeah, but pregnant with another child, I think. Man,

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Speaker 3: I'm just like, man, I don't even like whatever we

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Speaker 3: got to do for me to never have to even

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Speaker 3: stand in front of this woman again.

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Speaker 2: But you have to go three kids.

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Speaker 3: Yeah, I don't got to see her see my kids.

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Speaker 3: That's not party again to see his kids, you know that.

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Speaker 2: No, no, no, the kids in the in the truck.

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Speaker 1: The kids got sports and other activities.

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Speaker 2: I don't want to holiday.

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Speaker 3: She's on, she's in, she's in the end zone. I'm

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Speaker 3: standing about a fifty yard line. She got to stand

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Speaker 3: over there about.

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Speaker 2: The end zone. Okay, well I need a car to

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Speaker 2: drive to football practice.

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Speaker 3: Yeah that I can't do that.

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Speaker 2: No, no, no, you can't do it. Can we right,

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Speaker 2: if we split up and she got more money than me,

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Speaker 2: I want to crib. Yeah, I don't know about paying

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Speaker 2: my taxes. I don't know about that. You know what

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Speaker 2: it is married, But I'm keeping it honest. Like like

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Speaker 2: you said, if we're married and we got properties, when

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Speaker 2: not naturally getting me a property anyway? Why would I

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Speaker 2: have to get a property from her? Or is he

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Speaker 2: saying he wants to extra property? Like what are we

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Speaker 2: talking about? He's trying to hit a home run? You

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Speaker 2: know that?

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Speaker 1: Like this is all him not and so point though,

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Speaker 1: like all if they have they had an LA one

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Speaker 1: in Atlanta one. I don't know these people business just

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Speaker 1: what they tell.

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Speaker 2: Us supposedly in New Jersey.

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Speaker 1: If we're splitting all that, yeah, we need to bust

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Speaker 1: down which properties are going which. And on top of that,

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Speaker 1: it could not just be his personal taxes. They could

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Speaker 1: have property tax, they could have business together. His taxes

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Speaker 1: have not been paid, Like.

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Speaker 2: This is that all of us? They don't have a

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Speaker 2: prenup pretty much now, I guess not. If we do,

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Speaker 2: we were to be talking about this, she wouldn't be

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Speaker 2: up there talking about he wants his taxicate that would

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Speaker 2: already be in the paperwork. But like, but like he said, Priya,

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Speaker 2: when they got married, he was the one that was

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Speaker 2: up right, Yeah, it was latest first album yet and

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Speaker 2: yes was up. Yes, they both was doing well for

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Speaker 2: you give them both up. Nobody, nobody on the.

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Speaker 3: Album Cardi is saying that she she's like making more

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Speaker 3: than him. She said, right now, I mean everybody right now.

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Speaker 3: I'm just saying, like, not since time came out. I'm

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Speaker 3: saying she put that in the bars, meaning she that's

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Speaker 3: like she known like I'm making more than them then.

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Speaker 2: But when she I'm not even gonna go into that. Yeah,

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Speaker 2: when I go based upon things, I always go back

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Speaker 2: to the beginning and what was on. And we had

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Speaker 2: all set on the show one time and I asked him,

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Speaker 2: I said, how does it feel to be like, you know,

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Speaker 2: you really help spawn Cardi B to me, it's like

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Speaker 2: because the relationship with you or her was what took

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Speaker 2: it worldwide and the record and all that. He was like,

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Speaker 2: I ain't got nothing to do with that. You know

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Speaker 2: what I'm saying. That's what he said. He's like, she

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Speaker 2: was lit before you got together. You think so absolutely, she.

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Speaker 3: Has the greatest first rap album together.

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Speaker 2: Yellow Yellow was out there were together after she was

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Speaker 2: in Europe when that yellow was fresh. She was in

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Speaker 2: Europe and they asked her about all set in Europe

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Speaker 2: and yes, and that's when it leaked and that yellow

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Speaker 2: blew up right after that. That's what I'm saying. They

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Speaker 2: were together, ready, nigga. But I'm not just keeping it

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Speaker 2: quiet together. He was fire. He was when they got

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Speaker 2: put together. That's what you do. But it was fair.

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Speaker 2: But let's not just say.

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Speaker 1: There was also already putting out good music, Atlantic behind it,

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Speaker 1: her personality, everything she had had before on social media.

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Speaker 2: It was a whole relationship with Amigo at the time.

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Speaker 2: Card he put out a dope album. Before that album,

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Speaker 2: no Street Records. People was not fucking with those records.

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Speaker 2: Can I curse up there? I'll be with it. I'd

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Speaker 2: be with the DJs and back then that's all I did.

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Speaker 2: And I'm gonna say this on camera. I used to

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Speaker 2: come to the DJs and be like, yo, y'all gonna

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Speaker 2: play CARDI B and niggas was laughing at me, and

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Speaker 2: they was like, and he knows that. I was like

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Speaker 2: and they would be like, this is what they were saying, Randy,

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Speaker 2: why you think we're gonna be playing Cardi B. She

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Speaker 2: can't wrap it, whatever I said, because nobody works harder

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Speaker 2: than her, and because she works so hard, all it

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Speaker 2: takes is to get one joint, and when she get

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Speaker 2: that one joint, she gonna kick the door down because

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Speaker 2: evidently she works harder. And people liked her personality from

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Speaker 2: television already, so I kind of saw that, you know

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Speaker 2: what I'm saying. But when the Botak thing, I'm telling y'all,

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Speaker 2: when the Botak thing was out, it was a good record.

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Speaker 2: I knew about it was gonna be popping. But like

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Speaker 2: he said, they got married right after that, and that

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Speaker 2: relationship is what took her worldwide. I'm telling y'all. People

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Speaker 2: wasn't thinking about her like that she was. She was

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Speaker 2: five hundred thousand followers and they was rocking with her.

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Speaker 2: But when that relationship change, because Migos was through the

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Speaker 2: rule at that time, and that and that really helped her.

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Speaker 2: You know what I'm saying.

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Speaker 1: I'm not saying it didn't help her with to what

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Speaker 1: you were also saying, her being a hard worker and

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Speaker 1: her being able to follow up a bout aging. There's

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Speaker 1: a million artists that have a boat Ak yellow and

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Speaker 1: not a motorsport after that, were not a classic first album.

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Speaker 2: That happens all the time if people believe it on

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Speaker 2: Migos record. And then if we're talking right from the beginning, right,

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Speaker 2: some people are gonna burst. Right, So if I'm with y'all, right, say,

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Speaker 2: when Backfield first started, when we had to spend off,

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Speaker 2: if y'all could have said, Yo, we're gonna fuck with y'all, right,

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Speaker 2: you know what I mean, and we could have said

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Speaker 2: boom boom boom, Yo, were gonna bring y'all under the

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Speaker 2: umbrella and all that, y'all might have not thought that

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Speaker 2: we was gonna burst. But say we do go on

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Speaker 2: and burst, and we start doing extra numbers and were

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Speaker 2: making millions and millions dollars more than y'all. Right, I

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Speaker 2: still would, oh, y'all mm before I'm saying that that

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Speaker 2: beginning and that break and putting me on that plate. Now,

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Speaker 2: everybody don't think the way I know that. But that's

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Speaker 2: why I'm saying. If I'm CARDI B I'm yo, bro,

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Speaker 2: if I'm making all this money, yo, get a stupid nigga.

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Speaker 2: The house can pay this nigga is jump into taxes.

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Speaker 2: Give him this stupid ship. Why because I got a

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Speaker 2: baby by another football player that even if he's going

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Speaker 2: out the league, they still make eight million dollars, twelve

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Speaker 2: million dollars, you know the money. If I really want

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Speaker 2: to get this out the fucking way, let's just get

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Speaker 2: it out the way and let's just move more. Why

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Speaker 2: would I drag it out? That's how I'm thinking. If

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Speaker 2: I'm CARDI, because I'm in the drive and see and

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Speaker 2: if I really want this ship behind me, I'm putting

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Speaker 2: this ship behind me. It's a big That's how you think.

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Speaker 2: To me, That's how I think. If you got the

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Speaker 2: money and you want to take that, and you got

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Speaker 2: that too, let's just go and I'm gonna move on

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Speaker 2: and literally, just me, I want to think that way.

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Speaker 2: But I'm seeing too many dudes getting private investigators trying

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Speaker 2: to deal with divorces right now. The women play really

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Speaker 2: nasty because men want to be honorable because what Mare said,

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Speaker 2: that is not a manly thing to take money from

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Speaker 2: a woman from a divorce. But in order to fix

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Speaker 2: this ideology, an example has to be made for them

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Speaker 2: to say we need to chill right now. If af

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Speaker 2: Set got to be the first one to do it,

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Speaker 2: to lay the groundwork, so be it. But I understand

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Speaker 2: where Mall's coming from. I agree with because because there

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Speaker 2: was a time I'm getting a divorce, But there was

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Speaker 2: a time when I was with my wife. I took

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Speaker 2: a step back so she can make more more money.

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Speaker 2: And I was cool with that, and they had nothing

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Speaker 2: to do with me. But I do know that if

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Speaker 2: I divorced her at that time and she was still

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Speaker 2: making that much more, because she's probably making three or

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Speaker 2: four more time, You're right, I wouldn't have asked her

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Speaker 2: for nothing. I would have just spun off, because even

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Speaker 2: that's a difference. But I didn't look at it like

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Speaker 2: that when we first said it, because I because at

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Speaker 2: that time, I would have been like, but someone my

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Speaker 2: own thing. I'm gonna get back to doing what I

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Speaker 2: do and just get my bread. And that's how they

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Speaker 2: be like, yo, listen, whatever she needs, take it, you

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Speaker 2: got it. If they think a man going to be up,

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Speaker 2: they dragged the divorce out still say you married, just

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Speaker 2: like the coach on the heat when pat Rowley did

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Speaker 2: in the service and said we're gonna hold your contract,

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Speaker 2: and then when the divorce is final, you go. I mean,

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Speaker 2: but to the honorable thing.

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Speaker 1: Again, we don't know these people, but I can see

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Speaker 1: Cardi based on what she's told us, just one side

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Speaker 1: of the story. Yeah, Offset wasn't the most honorable person

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Speaker 1: in that relationship, which could lead somebody to be extremely

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Speaker 1: petty when it comes to a divorce. So, yeah, you

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Speaker 1: helped put me on, you helped launch my career, But

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Speaker 1: I didn't come for that. I came because I loved you,

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Speaker 1: and you just honored that.

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Speaker 2: Looking crazy if that's the case about being that right?

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Speaker 2: Well all said first got with her. People had issues

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Speaker 2: of saying like why would he be with Cardi B

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Speaker 2: She had a reputation, People said a lot of things

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Speaker 2: about her, and he overlooked those things as well, and

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00:14:18,600 --> 00:14:21,200
Speaker 2: and and and and he went to a place where

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Speaker 2: not too many niggas would have gone with her, and

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Speaker 2: people was looking at him like, Yo, you're really gonna

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Speaker 2: marry her? Bro And he did it and did have

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Speaker 2: three kids D albums in her and her We got

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Speaker 2: to remember we always forget the beginning for some reason.

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Speaker 2: We always remember when niggas is in the top spot

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Speaker 2: and who got the leverage. This is a leverage game.

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Speaker 2: What were people saying about Cardi though? I'm gonna say,

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Speaker 2: I'm not gonna go into it. I'm I'm you can

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Speaker 2: look online and things and you every back. Bro, it's

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Speaker 2: a lot, Bro, you know what I'm saying. He said

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Speaker 2: things on his show with him and then twenty million hits.

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Speaker 2: That's been just wild for you. I went viral again.

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Speaker 2: I forgot about that. Every year year with that people

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Speaker 2: of a certain statue, especially where he was at that time.

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Speaker 2: People forget he was taking heat. Bro is all right?

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Speaker 2: So right, so let me can I reply to that?

301
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Speaker 2: What's up? All right?

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Speaker 1: If you wife a alleged promiscuous woman, that's your progative.

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Speaker 2: You can do that.

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Speaker 1: Just because you agree to do that doesn't mean now

305
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Speaker 1: when I get in this relationship, I could fuck a

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Speaker 1: bunch of bitches.

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Speaker 2: And embarrass you publicly. You made yeah, yeah, a couple

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Speaker 2: of off.

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Speaker 1: Listen, don't get in a relationship with a woman that

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Speaker 1: has the reputation.

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Speaker 2: Don't getting don't you're really a gentleman. That's that Niggas

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Speaker 2: think if I would. And I'm giving you a chance, bitch,

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Speaker 2: and you catch me a couple of times, you best

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Speaker 2: to turn your head because crazy Nobody was card after

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Speaker 2: this one after she became this CARDI b Yeah, I

316
00:16:23,080 --> 00:16:25,680
Speaker 2: think she became this ye, but I'm not talking about wife,

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Speaker 2: and I'm talking about making her your wife for real.

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Speaker 2: Ring well no ring ring, mother means a whole lot. Nigga.

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Speaker 2: That's a contract now, nigga, Right, but that don't mean

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Speaker 2: that don't mean she got to turn her head. Yes

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Speaker 2: she does, yeh turn your yo, b b ba has

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Speaker 2: a positive you can yeah right about except me.

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Speaker 3: Now, you gott appreciate me more because you think that

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Speaker 3: I'm crazy.

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00:17:00,160 --> 00:17:06,760
Speaker 1: Crazy because you hold up, you decide the woman with

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Speaker 1: the past.

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Speaker 2: You don't get to just sunk around on her bubbleicly

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00:17:09,320 --> 00:17:12,880
Speaker 2: embarrass her, cheating that's not public, get other pictures pregnant?

329
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Speaker 2: You catching me chet You gotta turn your hand real quick.

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Speaker 3: You you thought because she was I guess what they

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Speaker 3: say from.

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Speaker 2: Miss before we got together, which we don't know that

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00:17:29,400 --> 00:17:32,200
Speaker 2: and she's not doing nothing wild way together but nothing

334
00:17:32,440 --> 00:17:38,200
Speaker 2: you tripping ya bugging Kanye West have the right to

335
00:17:38,280 --> 00:17:40,880
Speaker 2: cheat on kim KR Dawn show you with the sex

336
00:17:40,960 --> 00:17:48,600
Speaker 2: talking she was about to turn up. That was that

337
00:17:48,680 --> 00:17:52,800
Speaker 2: was her actually made a su that was her boy

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00:17:54,320 --> 00:17:59,359
Speaker 2: that's today, that was her boyfriend. That was that was

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00:18:00,080 --> 00:18:01,920
Speaker 2: at the bar were talking about this that come on,

340
00:18:02,000 --> 00:18:07,439
Speaker 2: come on, come on, but married, listen you record. Listen.

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00:18:07,520 --> 00:18:09,919
Speaker 2: If you're a marriage, you fuck that.

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Speaker 4: I can't wife. You're gonna laugh better turn the top

343
00:18:22,320 --> 00:18:24,240
Speaker 4: tier mother, but listen.

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Speaker 2: But not now.

345
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Speaker 3: If you're married to her though like, and she's not.

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Speaker 3: She's not doing nothing. She's not stepping out all okay,

347
00:18:33,840 --> 00:18:35,520
Speaker 3: she's not stepping out on your marriage at all, and

348
00:18:35,560 --> 00:18:37,399
Speaker 3: you think that it's okay for the for the husband

349
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Speaker 3: and just she.

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00:18:38,119 --> 00:18:40,480
Speaker 2: Yes, y'all are I'm not gonna say. I'm not going

351
00:18:40,560 --> 00:18:43,240
Speaker 2: to say so you get to cheating because is you

352
00:18:43,359 --> 00:18:50,480
Speaker 2: for wife? And I got it? Get back talking about that?

353
00:18:52,600 --> 00:18:53,240
Speaker 2: To do anything?

354
00:18:53,440 --> 00:18:57,440
Speaker 3: Listen to this man ship that don't like, yeah, you

355
00:18:57,520 --> 00:18:59,480
Speaker 3: always got.

356
00:18:57,960 --> 00:19:01,000
Speaker 2: That with moment and decision you ever made for the

357
00:19:01,040 --> 00:19:10,159
Speaker 2: rest of your life. Would my girl listen would be like,

358
00:19:10,720 --> 00:19:11,919
Speaker 2: how do niggas be around?

359
00:19:12,240 --> 00:19:12,320
Speaker 1: Now?

360
00:19:12,480 --> 00:19:16,520
Speaker 2: Let me not kill you on that. Man. It's awkward.

361
00:19:16,560 --> 00:19:18,080
Speaker 2: It's awkward. It is awkward.

362
00:19:18,240 --> 00:19:21,359
Speaker 3: We cool and you are now dating like a girl

363
00:19:21,400 --> 00:19:23,080
Speaker 3: that I dated and are you walking?

364
00:19:23,600 --> 00:19:25,560
Speaker 2: Of course that's naturally it's awkward. We are not talking

365
00:19:25,600 --> 00:19:30,359
Speaker 2: about the girl girl. Have y'all having y'all having y'all

366
00:19:30,359 --> 00:19:33,160
Speaker 2: water in the conversation down a little bit a girl?

367
00:19:33,280 --> 00:19:36,600
Speaker 2: No where, were we discussing somebody who from the beginning,

368
00:19:36,680 --> 00:19:41,040
Speaker 2: who would have been known or said to be right, Okay,

369
00:19:41,320 --> 00:19:43,879
Speaker 2: somebody that mall might have had just fucked. Yeah, she

370
00:19:44,000 --> 00:19:46,000
Speaker 2: might have just been a girl. He just fucked me

371
00:19:46,400 --> 00:19:51,080
Speaker 2: liking no more, just yeah, she's a slubberdery. Were talking

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Speaker 2: about what somebody would allegedly say. So, even if we

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Speaker 2: don't know, I was not there, I can't confirm nothing

374
00:19:58,240 --> 00:20:01,000
Speaker 2: a woman than anybody that has done. But we know

375
00:20:01,480 --> 00:20:03,879
Speaker 2: that we know here things not about her, but about

376
00:20:03,920 --> 00:20:06,200
Speaker 2: other women and what it makes it, what it makes

377
00:20:06,200 --> 00:20:09,800
Speaker 2: it people think about them just hearing it. If it's

378
00:20:09,840 --> 00:20:12,000
Speaker 2: just multiple times, if that guy said that, damn you

379
00:20:12,040 --> 00:20:13,840
Speaker 2: heard it too. You heard it too where you heard

380
00:20:13,840 --> 00:20:19,640
Speaker 2: it from your man? The scouting report gets crazy? What's

381
00:20:19,680 --> 00:20:20,320
Speaker 2: up ahead?

382
00:20:20,640 --> 00:20:23,760
Speaker 1: So what if offset had just heard rumors that were

383
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Speaker 1: never confirmed?

384
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Speaker 2: She's CARDI B.

385
00:20:25,280 --> 00:20:27,000
Speaker 1: People are gonna talk, people talk about people that we

386
00:20:27,000 --> 00:20:27,720
Speaker 1: don't even know about.

387
00:20:28,080 --> 00:20:33,200
Speaker 2: Fact. I don't even like there's a card situation. It's

388
00:20:33,240 --> 00:20:34,280
Speaker 2: just a regular convo.

389
00:20:34,960 --> 00:20:37,480
Speaker 1: Let's say I've been traveling the world, I fucked a

390
00:20:37,600 --> 00:20:40,400
Speaker 1: million different chicks. I cannot find love anywhere. I run

391
00:20:40,440 --> 00:20:43,960
Speaker 1: into somebody, we meet, we are compatible. I have never

392
00:20:44,000 --> 00:20:46,439
Speaker 1: had this feeling with somebody else. They feel like a

393
00:20:46,440 --> 00:20:49,160
Speaker 1: best friend. This feels like a future. But a bunch

394
00:20:49,200 --> 00:20:51,680
Speaker 1: of dudes I don't give a fuck about. Have heard

395
00:20:51,720 --> 00:20:53,800
Speaker 1: she did some ship. I'm sort of care about y'all?

396
00:20:54,240 --> 00:20:56,480
Speaker 1: Or should I go love the woman that I'm compatible with?

397
00:20:59,400 --> 00:21:01,199
Speaker 2: Through your scout report? You don't love him?

398
00:21:07,200 --> 00:21:15,040
Speaker 5: You got game planning, game plan in order to win

399
00:21:15,160 --> 00:21:17,240
Speaker 5: the super do your joke.

400
00:21:19,119 --> 00:21:22,840
Speaker 2: It's crazy age, but I'm saying at a certain age,

401
00:21:23,119 --> 00:21:24,920
Speaker 2: every chick is going to have a rumor about her.

402
00:21:25,560 --> 00:21:27,119
Speaker 2: You're right, turn five.

403
00:21:27,000 --> 00:21:29,280
Speaker 1: Years old and I don't want to date everybody want

404
00:21:29,280 --> 00:21:30,960
Speaker 1: to date somebody in their thirties, everybody.

405
00:21:31,320 --> 00:21:34,000
Speaker 2: You can't have World Chamberlain numbers and think I'm going

406
00:21:34,080 --> 00:21:36,680
Speaker 2: to give you the same privilege I'm going to give

407
00:21:36,680 --> 00:21:42,000
Speaker 2: to somebody. Get But Rory gave great points. Sometimes the

408
00:21:42,080 --> 00:21:46,120
Speaker 2: personalities don't talk about. But you don't married. Yeah, I'm

409
00:21:46,119 --> 00:21:50,040
Speaker 2: not saying. I'm not conduling something. The most boring thing

410
00:21:50,240 --> 00:21:54,640
Speaker 2: like that ring. I'm saying, if he cheated along the way, boy,

411
00:21:54,640 --> 00:21:57,160
Speaker 2: they got married then she should turn But she did though,

412
00:21:57,720 --> 00:22:01,280
Speaker 2: and I'm cool, and that's why he ran out of

413
00:22:01,320 --> 00:22:04,080
Speaker 2: his chance. But just what I'm saying, I'm cool with that,

414
00:22:04,119 --> 00:22:06,960
Speaker 2: But that doesn't mean then I'm gonna just not get

415
00:22:06,960 --> 00:22:15,040
Speaker 2: the house. I'm not right, I'm not I.

416
00:22:16,800 --> 00:22:19,640
Speaker 3: Understand it, but I just think that, you know, as men,

417
00:22:19,680 --> 00:22:21,520
Speaker 3: we just had a disadvantage because there' certain things that

418
00:22:21,560 --> 00:22:23,400
Speaker 3: we just got to take on the chain and be.

419
00:22:23,400 --> 00:22:25,919
Speaker 2: Like, yeah, but why is it foul if if you

420
00:22:26,000 --> 00:22:28,160
Speaker 2: don't take it on the chair, like if off Sets

421
00:22:28,280 --> 00:22:31,000
Speaker 2: not taking it on the chain, and you know for

422
00:22:31,080 --> 00:22:33,240
Speaker 2: a fact, we be taking a lot of bullshit on

423
00:22:33,280 --> 00:22:36,439
Speaker 2: the chin that we shouldn't. Shouldn't we salute him for saying, yo,

424
00:22:36,480 --> 00:22:39,760
Speaker 2: you're standing up for doing something like like he just said, yo, bro,

425
00:22:40,320 --> 00:22:42,919
Speaker 2: I couldn't do it. But on some real ship he

426
00:22:42,960 --> 00:22:46,080
Speaker 2: said it was if it was a woman in that position,

427
00:22:46,480 --> 00:22:49,320
Speaker 2: we would be saying, girl, get your yo. Pay y'all.

428
00:22:49,640 --> 00:22:51,439
Speaker 3: Yeah, but we gotta I funk with off Set, but

429
00:22:51,480 --> 00:22:54,359
Speaker 3: we gotta just keep it real like said this, he

430
00:22:54,440 --> 00:22:55,119
Speaker 3: fucked with girls.

431
00:22:55,119 --> 00:22:58,200
Speaker 2: She's cool with that friend. I mean, he can't get.

432
00:22:58,040 --> 00:23:02,879
Speaker 1: A house, he can't come on hypothetically, your queen, she

433
00:23:03,200 --> 00:23:04,440
Speaker 1: you in your l a house. Are you paying the

434
00:23:04,440 --> 00:23:08,120
Speaker 1: property tax on the house? Because I'm no, So you're

435
00:23:08,160 --> 00:23:08,920
Speaker 1: on Cardi B side.

436
00:23:10,119 --> 00:23:12,359
Speaker 2: There you go. I don't. I'm on a real nigga side.

437
00:23:12,400 --> 00:23:13,080
Speaker 2: But are you right?

438
00:23:13,160 --> 00:23:15,800
Speaker 1: I'm just saying, we got a recount a motherfucking dollar

439
00:23:15,800 --> 00:23:16,080
Speaker 1: in the house.

440
00:23:16,080 --> 00:23:18,879
Speaker 2: You cheated on me. Come on, what about us? Just

441
00:23:18,960 --> 00:23:20,959
Speaker 2: sell the house and let's bust it down. There you go.

442
00:23:21,280 --> 00:23:25,320
Speaker 2: I'm sure. I'm always I'm saying.

443
00:23:25,480 --> 00:23:27,440
Speaker 3: I think I think that that's I think that's probably

444
00:23:28,119 --> 00:23:29,879
Speaker 3: but I think that's what not to bring but to

445
00:23:29,920 --> 00:23:31,760
Speaker 3: bring it back to Cardis. I think that's probably what

446
00:23:31,800 --> 00:23:33,320
Speaker 3: she's in the process of doing. Like you know what,

447
00:23:33,560 --> 00:23:35,639
Speaker 3: let's just sell the properties.

448
00:23:35,440 --> 00:23:37,920
Speaker 2: Like you know, they're going to split it down. Yeah,

449
00:23:38,000 --> 00:23:39,679
Speaker 2: I think that's why I want Cardi B to go

450
00:23:39,760 --> 00:23:43,800
Speaker 2: through all of this. No, yeah, I don't know. Just

451
00:23:43,800 --> 00:23:47,639
Speaker 2: a fucking factor of life. Nigga, nigga. I've been in

452
00:23:47,680 --> 00:23:50,479
Speaker 2: the house for a fucking year and six months sulking.

453
00:23:50,640 --> 00:23:53,879
Speaker 3: But just listen, I love but we got to remember

454
00:23:54,040 --> 00:23:55,920
Speaker 3: he's the reason they're getting divorced.

455
00:23:56,280 --> 00:24:00,600
Speaker 1: Really, Cardi took some accountability, you know that, Yeah, took ad.

456
00:24:00,640 --> 00:24:04,480
Speaker 2: He said I heard card He say when when Takeoff

457
00:24:04,480 --> 00:24:06,640
Speaker 2: had passed away, she should have been a little more

458
00:24:06,720 --> 00:24:09,560
Speaker 2: sensitive and understanding to what he was going through as

459
00:24:09,600 --> 00:24:12,360
Speaker 2: a person and ship. And she said she was focused

460
00:24:12,400 --> 00:24:15,080
Speaker 2: on her fucking music that could push the nigga away.

461
00:24:15,280 --> 00:24:17,200
Speaker 2: And when niggas get pushed away, what do we do?

462
00:24:17,240 --> 00:24:20,880
Speaker 2: We go looking for confident other women. That's what we do,

463
00:24:21,240 --> 00:24:24,879
Speaker 2: women with the past, whether whether someone in the past

464
00:24:25,240 --> 00:24:27,280
Speaker 2: thatts are good for you. You gotta know how, you

465
00:24:27,520 --> 00:24:28,480
Speaker 2: got to know how to work.

466
00:24:31,000 --> 00:24:36,320
Speaker 3: Because it's being alleged that what's up off set slept

467
00:24:36,359 --> 00:24:38,800
Speaker 3: with alleged sweetie, which.

468
00:24:38,720 --> 00:24:41,040
Speaker 2: Is Kavo, alleged allegedly.

469
00:24:43,040 --> 00:24:45,719
Speaker 3: Yeah, y'are cool with that, like you cool with if heineke,

470
00:24:46,200 --> 00:24:48,080
Speaker 3: if he smashed you, I'm.

471
00:24:47,840 --> 00:24:51,000
Speaker 2: Not cool and I wouldn't do that. But like y'all said,

472
00:24:51,040 --> 00:24:55,120
Speaker 2: that's allegedly we do that. And if that, no nobody

473
00:24:55,160 --> 00:24:58,640
Speaker 2: ever confirmed. Nobody confirmed none of that, did they did anybody?

474
00:25:00,000 --> 00:25:01,679
Speaker 1: I didnt confirm anything on the Cardi side either, And

475
00:25:01,680 --> 00:25:02,840
Speaker 1: we're taking all that for a fact.

476
00:25:03,000 --> 00:25:06,640
Speaker 2: Car talking about the house and the car, We're talking alive,

477
00:25:06,960 --> 00:25:10,520
Speaker 2: just talking one thing.

478
00:25:10,560 --> 00:25:12,040
Speaker 3: One thing I could I could, I could I could

479
00:25:12,160 --> 00:25:13,360
Speaker 3: I take from Cardios out.

480
00:25:14,800 --> 00:25:17,400
Speaker 2: You know she's a liar either. I'm not going.

481
00:25:19,040 --> 00:25:21,359
Speaker 1: I agree ever, I'm just saying that one sentence you

482
00:25:21,440 --> 00:25:23,440
Speaker 1: wear her, whether it look good on her or don't.

483
00:25:23,480 --> 00:25:25,000
Speaker 2: She takes it like it is with.

484
00:25:24,960 --> 00:25:27,440
Speaker 1: That one sentence of hey, it's a property in taxes.

485
00:25:27,480 --> 00:25:29,320
Speaker 1: I think there's more to the story. That's all I'm saying.

486
00:25:30,280 --> 00:25:32,760
Speaker 2: She's not a liar. I'm just saying there's more. I

487
00:25:32,840 --> 00:25:34,960
Speaker 2: don't think there's ever been a point. I'm like, she's

488
00:25:35,000 --> 00:25:39,720
Speaker 2: capping we not. Yeah, she's unbelievably transparent.

489
00:25:39,960 --> 00:25:43,720
Speaker 3: So let's let's talk about Let's get to the music. Though,

490
00:25:44,320 --> 00:25:45,959
Speaker 3: Let's get to the album. The albums out. We had

491
00:25:45,960 --> 00:25:47,080
Speaker 3: to wait seven eight years.

492
00:25:47,560 --> 00:25:49,600
Speaker 2: You love it? It's some truth. I'm not say love it.

493
00:25:51,400 --> 00:25:51,800
Speaker 2: This is what.

494
00:25:52,040 --> 00:25:58,200
Speaker 3: This is what niggas do. He gets you to say

495
00:25:58,240 --> 00:26:02,800
Speaker 3: some ship. You know, I don't wait too for that,

496
00:26:02,840 --> 00:26:04,359
Speaker 3: you bet. I was going to say that date like,

497
00:26:04,400 --> 00:26:07,800
Speaker 3: we're not doing that. No, So I will say this.

498
00:26:08,160 --> 00:26:10,760
Speaker 3: I will say this album no, listen, I will say this.

499
00:26:12,160 --> 00:26:14,919
Speaker 3: I will say that it's a couple junctions on in like, man,

500
00:26:15,000 --> 00:26:17,280
Speaker 3: I don't think we had to wait seven eight years.

501
00:26:17,640 --> 00:26:19,640
Speaker 3: But I'm not mad because she put a lot of

502
00:26:19,680 --> 00:26:21,879
Speaker 3: the content and shit that she's going through in the

503
00:26:21,880 --> 00:26:24,800
Speaker 3: past seven eight years in the music, which I gotta respect,

504
00:26:25,119 --> 00:26:27,160
Speaker 3: Like I respect of putting it in the music versus

505
00:26:27,840 --> 00:26:30,440
Speaker 3: going on live, going to a US. If you're an artist,

506
00:26:30,480 --> 00:26:32,359
Speaker 3: put it in the music, let him get it like that.

507
00:26:32,520 --> 00:26:34,560
Speaker 3: So I respect that party. It's a couple of records

508
00:26:34,560 --> 00:26:36,320
Speaker 3: on it that I really fuck with, though.

509
00:26:36,400 --> 00:26:38,879
Speaker 2: I don't think it took seven eight years because all that.

510
00:26:38,960 --> 00:26:41,160
Speaker 2: I think it is just the part of the Fontaine thing.

511
00:26:42,160 --> 00:26:44,200
Speaker 2: I don't give enough credit to that. Well, well let's

512
00:26:44,240 --> 00:26:46,000
Speaker 2: not do that, be credit on everything we did that.

513
00:26:46,119 --> 00:26:48,080
Speaker 3: And they're trying to say, oh, we're saying Cardi don't

514
00:26:48,080 --> 00:26:49,600
Speaker 3: write her ship and this then the third.

515
00:26:49,560 --> 00:26:53,359
Speaker 2: Year credited on like seventeen.

516
00:26:54,600 --> 00:26:58,040
Speaker 3: Yeah, no, no, no, listen, we aligned. I'm just saying, let's

517
00:26:58,080 --> 00:27:00,119
Speaker 3: not make it, let's not frame it like that.

518
00:27:00,960 --> 00:27:03,800
Speaker 2: No, it's not about writing. We're talking about chemistry. That's

519
00:27:05,320 --> 00:27:09,160
Speaker 2: that's what I was gonna get. Like, whatever happened when

520
00:27:09,920 --> 00:27:12,400
Speaker 2: I guess she married off Set and them and then

521
00:27:12,760 --> 00:27:16,320
Speaker 2: partisan wasn't doing the same amount of creative work with her,

522
00:27:16,359 --> 00:27:18,560
Speaker 2: I don't know what happened, but you could kind of

523
00:27:18,600 --> 00:27:22,600
Speaker 2: tell in the music that people just have that vibe

524
00:27:22,640 --> 00:27:23,320
Speaker 2: with each other.

525
00:27:23,520 --> 00:27:26,639
Speaker 3: So Party might be the messiest nigga the industry.

526
00:27:28,440 --> 00:27:29,000
Speaker 2: That's my nigga.

527
00:27:30,040 --> 00:27:33,600
Speaker 3: But you gotta understand he's been in He's been writing

528
00:27:33,640 --> 00:27:37,920
Speaker 3: for a lot of these female ces, which which means

529
00:27:38,280 --> 00:27:41,880
Speaker 3: he's prairie to certain information. He's in the studio having

530
00:27:41,920 --> 00:27:45,119
Speaker 3: conversation with these women. He knows about all of this

531
00:27:45,160 --> 00:27:46,040
Speaker 3: ship that's going on.

532
00:27:46,960 --> 00:27:49,920
Speaker 2: But while you think he's so messy because he's telling

533
00:27:50,000 --> 00:27:52,280
Speaker 2: her write about the other the other stuff, come on.

534
00:27:52,720 --> 00:27:55,600
Speaker 2: But isn't Cardi B. Right? Maybe Cardi B wrote that part? Yeah,

535
00:27:56,520 --> 00:28:00,119
Speaker 2: the diary. I'm gonna say, I think that, man, do

536
00:28:00,160 --> 00:28:03,720
Speaker 2: you maybe maybe Cardi B wrote that part. You know

537
00:28:03,760 --> 00:28:06,760
Speaker 2: what I'm saying. We're gonna give her subject matter credit

538
00:28:06,920 --> 00:28:11,400
Speaker 2: on the album on the song. I'm just saying.

539
00:28:11,440 --> 00:28:14,440
Speaker 3: If if he's having conversations in the studio and Cardi

540
00:28:14,520 --> 00:28:17,000
Speaker 3: said things about these other rap chicks, you gotta he's

541
00:28:17,040 --> 00:28:18,000
Speaker 3: sitting there like you.

542
00:28:17,960 --> 00:28:24,200
Speaker 2: Gotta understand that Cardi B is from the beginning with Party,

543
00:28:24,720 --> 00:28:25,879
Speaker 2: no for sure, so.

544
00:28:26,240 --> 00:28:28,640
Speaker 3: Before the music, I think that he's I think partisan

545
00:28:28,800 --> 00:28:32,960
Speaker 3: is severely underrated agree his pen even as an artist

546
00:28:33,000 --> 00:28:34,680
Speaker 3: like even it's on his own ship.

547
00:28:34,960 --> 00:28:37,680
Speaker 2: Never some people you know that, you know the inside

548
00:28:37,720 --> 00:28:40,280
Speaker 2: of the music business, if they don't deem you as

549
00:28:40,320 --> 00:28:43,320
Speaker 2: the one that was gonna go shine. And I said

550
00:28:43,320 --> 00:28:45,800
Speaker 2: this a long time ago. This was before we people

551
00:28:45,840 --> 00:28:48,640
Speaker 2: even knew about us. I said it wasn't gonna be

552
00:28:49,080 --> 00:28:53,240
Speaker 2: in the record label's best interest to make partisan Fontaine

553
00:28:53,360 --> 00:28:55,920
Speaker 2: big at that time because they didn't know she was

554
00:28:55,960 --> 00:28:59,360
Speaker 2: gonna marry off set and not use partisan fontanine. They

555
00:28:59,400 --> 00:29:02,600
Speaker 2: needed his pen if I let's slow he shot at

556
00:29:02,680 --> 00:29:05,920
Speaker 2: this nigga partisan Fontaine big, I'm not gonna get another

557
00:29:05,960 --> 00:29:08,680
Speaker 2: Cardi B album And she's the real meal ticket if

558
00:29:08,680 --> 00:29:11,440
Speaker 2: he goes and sells a million records. So what she's doing,

559
00:29:11,800 --> 00:29:14,960
Speaker 2: diamond and she's all over the world. We're making money

560
00:29:14,960 --> 00:29:16,880
Speaker 2: off of her when she don't even put records out.

561
00:29:16,920 --> 00:29:19,640
Speaker 2: So we need to slow this partisan Fonte thing. That's

562
00:29:19,680 --> 00:29:22,000
Speaker 2: what I think honestly hurt him because the record that

563
00:29:22,080 --> 00:29:25,000
Speaker 2: he had and chicks like this nigga, Yeah, you know

564
00:29:25,040 --> 00:29:28,120
Speaker 2: what I'm saying. If he throws nigga thought partisan Fontaine

565
00:29:28,240 --> 00:29:31,080
Speaker 2: party is nothing, but Broad's in there. So I'm like,

566
00:29:31,160 --> 00:29:33,280
Speaker 2: if all these broads like him, that means he has

567
00:29:33,320 --> 00:29:36,200
Speaker 2: an audience, they're not going to push his record, like

568
00:29:36,320 --> 00:29:38,440
Speaker 2: wherever he's really gonna go, Well.

569
00:29:38,280 --> 00:29:40,520
Speaker 3: His strength is obviously his pen and I don't know,

570
00:29:40,560 --> 00:29:42,520
Speaker 3: and I don't know if he's because a lot of

571
00:29:42,560 --> 00:29:45,400
Speaker 3: these guys that you know are talented songwriters, a lot

572
00:29:45,440 --> 00:29:47,160
Speaker 3: of them really don't want to be stars. They don't

573
00:29:47,200 --> 00:29:49,120
Speaker 3: want to be famous. They rather be like, yo, listen,

574
00:29:49,120 --> 00:29:51,120
Speaker 3: I'm eating off for all of this music I'm writing,

575
00:29:51,480 --> 00:29:53,720
Speaker 3: all of these artists I'm working with, I go outside

576
00:29:53,760 --> 00:29:55,400
Speaker 3: and most of the time people have no idea who

577
00:29:55,400 --> 00:29:55,920
Speaker 3: I am.

578
00:29:56,320 --> 00:29:58,640
Speaker 2: Well, that's the Chico. Well I can't find those doccause

579
00:29:58,680 --> 00:30:01,280
Speaker 2: everybody I know one to get on the damn stage

580
00:30:01,360 --> 00:30:03,320
Speaker 2: and all that and want to be in front of

581
00:30:03,360 --> 00:30:04,600
Speaker 2: the camera all the time.

582
00:30:04,720 --> 00:30:07,120
Speaker 3: And then well that's because people rather a lot of

583
00:30:07,200 --> 00:30:10,040
Speaker 3: a lot of people human nature, they want attention. But

584
00:30:10,080 --> 00:30:12,240
Speaker 3: when you're really talented and you really get in the

585
00:30:12,280 --> 00:30:14,880
Speaker 3: industry and you really see how this shit goes, you like,

586
00:30:15,280 --> 00:30:17,720
Speaker 3: I could avoid all this bullshit with being an artist

587
00:30:18,320 --> 00:30:21,320
Speaker 3: and just be a writer. Songwriter still make a ship

588
00:30:21,360 --> 00:30:24,880
Speaker 3: ton of money. I travel the world. I look better

589
00:30:24,920 --> 00:30:25,600
Speaker 3: than all these.

590
00:30:25,400 --> 00:30:29,080
Speaker 2: Other artists, like getting more because that's not all thinking. No, no, no,

591
00:30:29,200 --> 00:30:32,760
Speaker 2: it's that old thinking because that's how I thought, right.

592
00:30:33,120 --> 00:30:37,640
Speaker 2: But now when we have the singing songwriters told us like,

593
00:30:38,400 --> 00:30:41,560
Speaker 2: I'd rather be on the stage Todd dollars sound was like, no, nah,

594
00:30:41,680 --> 00:30:44,560
Speaker 2: I'd rather be on the stage. It's more lucrative for me.

595
00:30:44,600 --> 00:30:51,640
Speaker 2: And we have Bryson on it. He'said opposite that. I

596
00:30:51,720 --> 00:30:53,600
Speaker 2: like to hear that Bryson would say that because I

597
00:30:53,680 --> 00:30:56,160
Speaker 2: was like, I thought the money was in the publishing

598
00:30:56,440 --> 00:30:58,960
Speaker 2: real I didn't think everybody wanted to get on the

599
00:30:59,000 --> 00:31:02,120
Speaker 2: stage and have to track what Eric said. Eric Bellan

600
00:31:02,240 --> 00:31:05,000
Speaker 2: just said, yeah, you can be a rioter and get

601
00:31:05,000 --> 00:31:07,320
Speaker 2: the money coming in, but the perks that you get

602
00:31:07,600 --> 00:31:10,320
Speaker 2: being a visible face will allow you to keep things

603
00:31:10,360 --> 00:31:13,840
Speaker 2: coming in. Ego, I mean, is it we're in a

604
00:31:13,840 --> 00:31:14,800
Speaker 2: different time now.

605
00:31:16,680 --> 00:31:19,160
Speaker 3: Artist you want to be on No, absolutely, That's why

606
00:31:19,200 --> 00:31:20,560
Speaker 3: it's not a bad thing. It's not a bad thing.

607
00:31:20,560 --> 00:31:23,800
Speaker 3: As an artist. You got to take that.

608
00:31:23,800 --> 00:31:26,120
Speaker 2: And fuel that. To be a star, you gotta have

609
00:31:26,160 --> 00:31:28,840
Speaker 2: some type of ego. Think so, because I agree with that,

610
00:31:29,000 --> 00:31:32,160
Speaker 2: I'm gonna take I'm I'm gonna throw myself in the ring. Right,

611
00:31:32,720 --> 00:31:34,800
Speaker 2: Maybe it's my ego. I don't know. But when I

612
00:31:34,840 --> 00:31:38,160
Speaker 2: was a manager, I made good money and it was cool.

613
00:31:38,440 --> 00:31:42,560
Speaker 2: You know what I'm saying. I managed people, made money,

614
00:31:42,680 --> 00:31:46,640
Speaker 2: did things. But but he introduced me to this being

615
00:31:46,680 --> 00:31:49,840
Speaker 2: in front of his cameras different. The money I make

616
00:31:49,960 --> 00:31:51,760
Speaker 2: is different. But do you enjoy it because of the

617
00:31:51,800 --> 00:31:53,560
Speaker 2: money you make? Or do you enjoy it? I enjoyed.

618
00:31:53,680 --> 00:31:57,240
Speaker 2: What happened to me was I stepped in and started

619
00:31:57,280 --> 00:32:00,440
Speaker 2: to enjoy it. And then I was like, yo, yo,

620
00:32:01,040 --> 00:32:03,480
Speaker 2: I enjoyed this shit so much. Yo, we got to

621
00:32:03,480 --> 00:32:05,360
Speaker 2: figure out how I can make some money off of

622
00:32:05,360 --> 00:32:07,960
Speaker 2: this shit. Because I was like, I love this shit.

623
00:32:08,400 --> 00:32:10,040
Speaker 2: I was leaving, I was like, yo, it made me

624
00:32:10,040 --> 00:32:12,360
Speaker 2: feel good. But you're a shit talker. You enjoyed talking shit,

625
00:32:12,480 --> 00:32:15,920
Speaker 2: but I didn't. I didn't know, like bro, I was

626
00:32:15,960 --> 00:32:18,360
Speaker 2: talking to this nigga on the phone. I didn't know

627
00:32:18,480 --> 00:32:22,040
Speaker 2: nothing about pot. I don't watch content. Now that's why really,

628
00:32:22,080 --> 00:32:24,160
Speaker 2: when y'all was I came over here, I said, it's

629
00:32:24,200 --> 00:32:26,840
Speaker 2: just the sad because I don't even I don't know,

630
00:32:27,440 --> 00:32:31,720
Speaker 2: So I just enjoy being able to fucking just pick

631
00:32:31,800 --> 00:32:38,120
Speaker 2: people's brains. It came from being on a relationship show. Okay,

632
00:32:38,240 --> 00:32:40,479
Speaker 2: that helped me see that I was good, and then

633
00:32:40,520 --> 00:32:43,280
Speaker 2: they were kind of marveled at the fact that I

634
00:32:43,320 --> 00:32:45,360
Speaker 2: could come off the top of the dome. Like they

635
00:32:45,440 --> 00:32:47,719
Speaker 2: never showed me que cards, they never took the topics.

636
00:32:47,760 --> 00:32:50,320
Speaker 2: I really just I just want to tell you straight up,

637
00:32:50,360 --> 00:32:52,080
Speaker 2: this is how I feel. And they was calling me

638
00:32:52,200 --> 00:32:54,959
Speaker 2: like a natural. That was the joke. This Nigga's natural.

639
00:32:55,280 --> 00:32:57,960
Speaker 2: And then when we got on Math show, that was

640
00:32:58,000 --> 00:33:01,000
Speaker 2: the whole other type of thing. I know people wanted

641
00:33:01,080 --> 00:33:05,560
Speaker 2: music knowledge. Of course I didn't know that absolutely. So

642
00:33:05,600 --> 00:33:08,360
Speaker 2: when ghost when they was getting me drunk, and to

643
00:33:08,360 --> 00:33:10,160
Speaker 2: be honest, Ghosts would be the one that would be

644
00:33:10,200 --> 00:33:13,320
Speaker 2: messing with me from behind the camera. So that's where

645
00:33:13,360 --> 00:33:15,440
Speaker 2: all my biggest stuff would come from, would be me

646
00:33:15,960 --> 00:33:17,600
Speaker 2: going back and forth with Ghosts.

647
00:33:17,640 --> 00:33:20,080
Speaker 3: Really, but you never you never had a passion to

648
00:33:20,120 --> 00:33:21,120
Speaker 3: be in front of the camera.

649
00:33:21,200 --> 00:33:23,960
Speaker 1: Never, Okay, but I was when we had mech on here.

650
00:33:24,200 --> 00:33:26,000
Speaker 1: It was a couple of months ago. At the end

651
00:33:26,000 --> 00:33:27,800
Speaker 1: of the episode, we were talking about this this very

652
00:33:27,840 --> 00:33:30,120
Speaker 1: topic and why I think all of us who never

653
00:33:30,200 --> 00:33:32,160
Speaker 1: had a goal to be on camera, why we've been

654
00:33:32,200 --> 00:33:34,959
Speaker 1: successful in podcasting is because we were behind the scenes

655
00:33:35,200 --> 00:33:36,880
Speaker 1: and the only thing we ever wanted to have was

656
00:33:36,880 --> 00:33:37,480
Speaker 1: a perspective.

657
00:33:37,960 --> 00:33:39,080
Speaker 2: Yeah, there's a.

658
00:33:39,000 --> 00:33:40,720
Speaker 1: Lot of people that just want to get in front

659
00:33:40,720 --> 00:33:42,440
Speaker 1: of this lens. They don't know why, they don't know

660
00:33:42,440 --> 00:33:43,840
Speaker 1: what they want to say, they just want to be

661
00:33:44,000 --> 00:33:44,800
Speaker 1: in front of the camp.

662
00:33:44,920 --> 00:33:45,520
Speaker 2: What comes to it.

663
00:33:46,120 --> 00:33:48,480
Speaker 1: We have all been behind the scenes before this. Our

664
00:33:48,520 --> 00:33:51,160
Speaker 1: only goal was perspective. We need to have an opinion

665
00:33:51,200 --> 00:33:52,880
Speaker 1: to tell the people that are on camera what to do.

666
00:33:53,480 --> 00:33:56,800
Speaker 1: Now now we're on camera, and this is why we've succeeded.

667
00:33:56,800 --> 00:33:58,920
Speaker 1: This is why we can do long form content. And

668
00:33:58,960 --> 00:34:00,600
Speaker 1: the people that just want to be on camer ken

669
00:34:00,680 --> 00:34:02,360
Speaker 1: like they can't do that ship because they just want

670
00:34:02,360 --> 00:34:04,240
Speaker 1: to be on the lens. They don't know why, they

671
00:34:04,240 --> 00:34:06,080
Speaker 1: just want to be seen. That's all they want to do.

672
00:34:06,600 --> 00:34:09,839
Speaker 1: We have perspective and that's why this actually works now.

673
00:34:09,960 --> 00:34:12,840
Speaker 1: I think with people like Todd Allis on great writer

674
00:34:12,960 --> 00:34:16,000
Speaker 1: has perspective, also wants to be a star. That's the

675
00:34:16,000 --> 00:34:18,600
Speaker 1: perfect package. There's some artists that just want to be

676
00:34:18,640 --> 00:34:21,120
Speaker 1: a star and have no perspective. That's why the writers

677
00:34:21,120 --> 00:34:24,440
Speaker 1: you see Leon Thomas popping off now writer first, but

678
00:34:24,480 --> 00:34:28,680
Speaker 1: wanted to be an artist. Victoria Monet writer, artists element,

679
00:34:28,719 --> 00:34:29,759
Speaker 1: all these people that are now.

680
00:34:29,800 --> 00:34:33,680
Speaker 2: The stars were actually writers first. That's why they popped.

681
00:34:33,400 --> 00:34:35,840
Speaker 1: When they was thirty two years old, because they weren't

682
00:34:35,880 --> 00:34:37,400
Speaker 1: just trying to just be on camera. They want a

683
00:34:37,440 --> 00:34:40,120
Speaker 1: perspective and then also be a star. I'm with you

684
00:34:40,160 --> 00:34:42,319
Speaker 1: on the party ship. I think Party wanted both. I

685
00:34:42,360 --> 00:34:45,120
Speaker 1: think they pulled back when they realized the resource that

686
00:34:45,160 --> 00:34:48,839
Speaker 1: he was because if he pops off, he's not going

687
00:34:49,000 --> 00:34:49,480
Speaker 1: right over here?

688
00:34:50,600 --> 00:34:54,400
Speaker 2: Why not. That's a lot to do with Dream, Like

689
00:34:54,960 --> 00:34:58,960
Speaker 2: popped off but only put out two albums, and that's

690
00:35:00,120 --> 00:35:02,640
Speaker 2: into a dream I'm talking about. I'm saying Beyonce was

691
00:35:02,880 --> 00:35:04,680
Speaker 2: height when Dream put out those albums.

692
00:35:04,760 --> 00:35:06,719
Speaker 3: Listen, when you start writing for Beyonce, you can hang

693
00:35:06,760 --> 00:35:10,439
Speaker 3: everything else, like when be calling you consistently like y'all

694
00:35:10,480 --> 00:35:13,160
Speaker 3: need something, I can hang everything else up, but nothing.

695
00:35:13,160 --> 00:35:16,080
Speaker 3: It's like, bro, this is I'll do this. And I

696
00:35:16,120 --> 00:35:17,719
Speaker 3: saw something with Dream the other day and he was

697
00:35:17,760 --> 00:35:20,040
Speaker 3: saying how he likes doing when he's on on the road.

698
00:35:20,480 --> 00:35:23,560
Speaker 3: He rather do small shows, like he don't like doing

699
00:35:24,000 --> 00:35:26,800
Speaker 3: big shows. He rather do two hundred and two fifty

700
00:35:26,800 --> 00:35:28,560
Speaker 3: cap of people that really.

701
00:35:28,400 --> 00:35:31,719
Speaker 2: Know his shiita am I missing something? So Dream was

702
00:35:31,800 --> 00:35:35,239
Speaker 2: still sell out an arena right now. I don't think so,

703
00:35:35,640 --> 00:35:36,360
Speaker 2: I don't know.

704
00:35:36,440 --> 00:35:38,560
Speaker 1: I don't want to say I don't know about an arena.

705
00:35:38,800 --> 00:35:42,399
Speaker 3: Listen, man, if the Dream dreaming, I think he could

706
00:35:42,400 --> 00:35:44,080
Speaker 3: sell a garden out today. Do you think he could

707
00:35:44,080 --> 00:35:48,560
Speaker 3: do twenty the Garden if he's saying that, If he's

708
00:35:48,560 --> 00:35:49,840
Speaker 3: saying that, he's performing.

709
00:35:49,480 --> 00:35:54,040
Speaker 1: His catalog dreams. Catalog is incredible if you give enough yourself.

710
00:35:55,520 --> 00:35:57,440
Speaker 1: But Dreams bringing people out like.

711
00:35:58,280 --> 00:36:03,800
Speaker 2: Hell yeah, wow the Garden and I love. But I

712
00:36:05,400 --> 00:36:08,480
Speaker 2: think that's a different thing. I think he's current right now,

713
00:36:09,000 --> 00:36:13,240
Speaker 2: he's younger, he's from New York. I just I just listen.

714
00:36:13,320 --> 00:36:16,000
Speaker 2: I love your listen. The drink is that with the Dream.

715
00:36:16,160 --> 00:36:19,320
Speaker 2: I just looked at the Dream as a songwriter producer.

716
00:36:19,400 --> 00:36:21,960
Speaker 2: Now when I say Dream had the two albums, I'm

717
00:36:21,960 --> 00:36:24,560
Speaker 2: thinking about his two key albums, the first one and

718
00:36:24,680 --> 00:36:26,960
Speaker 2: the second one. Now that's how I look at Dream.

719
00:36:27,280 --> 00:36:29,520
Speaker 2: If he put out something else after that, I looked

720
00:36:29,520 --> 00:36:33,799
Speaker 2: at him as a songwriter producer with Rock Nation doing

721
00:36:33,920 --> 00:36:37,200
Speaker 2: Next Level Ship. Like you said, he's dressing different. I

722
00:36:37,280 --> 00:36:42,839
Speaker 2: write for Beyonce. I'm yeah, I'm getting my residual from good.

723
00:36:43,520 --> 00:36:45,600
Speaker 2: That's I would look at him so for me saying that,

724
00:36:45,640 --> 00:36:47,640
Speaker 2: I'm like, then y'all think he could come off the

725
00:36:47,880 --> 00:36:50,040
Speaker 2: off the bench and just say, yo, I'm coming to.

726
00:36:50,040 --> 00:36:53,600
Speaker 3: The I just think that The Dream's first two three

727
00:36:53,680 --> 00:36:56,960
Speaker 3: albums was so successful and so many people still reveal

728
00:36:57,000 --> 00:36:59,319
Speaker 3: those albums that if he said he was doing a

729
00:36:59,360 --> 00:37:02,120
Speaker 3: live show in New York City at the Garden, I'm

730
00:37:02,160 --> 00:37:04,480
Speaker 3: thinking it's enough people in the in the tristy a

731
00:37:04,600 --> 00:37:05,480
Speaker 3: way that will go to that.

732
00:37:05,440 --> 00:37:08,279
Speaker 2: Film going to that I'm going to that conference you are,

733
00:37:08,360 --> 00:37:11,839
Speaker 2: I just don't think that it's twenty thousand people. It's

734
00:37:11,880 --> 00:37:12,600
Speaker 2: about to try state.

735
00:37:12,680 --> 00:37:16,239
Speaker 3: That's from Jersey, people from Connecticut like they coming to

736
00:37:16,280 --> 00:37:17,319
Speaker 3: see Dream.

737
00:37:17,400 --> 00:37:19,919
Speaker 2: I want to put on a Dream show that, yeah,

738
00:37:20,000 --> 00:37:26,680
Speaker 2: I'm saying is crazy, but it's really not. Though it is,

739
00:37:26,719 --> 00:37:31,040
Speaker 2: but it's really not, and it's wild. Bro by himself empty,

740
00:37:31,640 --> 00:37:34,160
Speaker 2: I was I wish just with Freddy, and Freddy said

741
00:37:34,160 --> 00:37:36,319
Speaker 2: the next time he wanted to look the Garden. That's

742
00:37:36,320 --> 00:37:39,439
Speaker 2: still like if Freddy Gibbs, Gibbs, if I still if

743
00:37:39,480 --> 00:37:42,120
Speaker 2: he like, I'm not going to Dream though. You know

744
00:37:42,120 --> 00:37:45,279
Speaker 2: what I'm saying not selling out the Guard, but I'm

745
00:37:45,320 --> 00:37:47,080
Speaker 2: not saying by itself, but with like him and a

746
00:37:47,080 --> 00:37:48,240
Speaker 2: couple of niggas.

747
00:37:48,239 --> 00:37:51,440
Speaker 3: Oh yeah, yeah, if it's some other people, it's what

748
00:37:51,600 --> 00:37:53,360
Speaker 3: we got with it. Absolutely, But I'm just saying the

749
00:37:53,480 --> 00:37:56,719
Speaker 3: dream is just to me. You don't first of all,

750
00:37:56,920 --> 00:37:58,560
Speaker 3: you don't know when he's going to do a show.

751
00:37:59,040 --> 00:38:01,239
Speaker 3: So his fan base, they hear that he's doing the show,

752
00:38:01,600 --> 00:38:03,359
Speaker 3: there might be inclined like, yo, we got to catch

753
00:38:03,400 --> 00:38:05,520
Speaker 3: him now because we don't know if he'll ever come back.

754
00:38:05,560 --> 00:38:08,719
Speaker 2: I need to go see a dream show right now. Yeah,

755
00:38:08,920 --> 00:38:10,399
Speaker 2: you got me curious right now.

756
00:38:10,440 --> 00:38:14,520
Speaker 3: I saw what he did in in uh sobs when

757
00:38:14,520 --> 00:38:14,960
Speaker 3: he was on.

758
00:38:14,880 --> 00:38:17,000
Speaker 2: The That's what I'm looking at now, the last he had.

759
00:38:17,120 --> 00:38:20,200
Speaker 3: I'm talking about his production that he had in sobs,

760
00:38:20,280 --> 00:38:21,800
Speaker 3: like his stage production.

761
00:38:22,360 --> 00:38:25,759
Speaker 2: I was like, that's garden. I've never I've huh, that's

762
00:38:25,760 --> 00:38:29,040
Speaker 2: a pista of the garden. But that's my choice.

763
00:38:29,080 --> 00:38:32,480
Speaker 3: Though he literally said he would rather he would never

764
00:38:32,520 --> 00:38:34,640
Speaker 3: do the Garden, but he literally said he would rather

765
00:38:34,719 --> 00:38:37,680
Speaker 3: do two hundred and fifty cap because he would rather

766
00:38:37,719 --> 00:38:39,840
Speaker 3: have two hundred and fifty people in one room that

767
00:38:40,000 --> 00:38:42,720
Speaker 3: really love and know his ship to make it more intimately,

768
00:38:43,160 --> 00:38:43,560
Speaker 3: to know.

769
00:38:43,520 --> 00:38:46,640
Speaker 2: How much dreams prices. I want to do a dream

770
00:38:46,800 --> 00:38:49,920
Speaker 2: show if he on that type of time. If you

771
00:38:50,040 --> 00:38:52,239
Speaker 2: talking about two hundred people, I want to get a

772
00:38:52,320 --> 00:38:55,600
Speaker 2: spot the whole five hundred people. Dream. Yeah, he got

773
00:38:55,640 --> 00:38:58,200
Speaker 2: that price and let me do the Dream show.

774
00:38:58,360 --> 00:39:00,239
Speaker 3: I think I think that that's I think that that's

775
00:39:00,239 --> 00:39:02,600
Speaker 3: something just based off his catalog and then we don't

776
00:39:02,600 --> 00:39:05,040
Speaker 3: see him live a lot. I think that if he

777
00:39:05,120 --> 00:39:06,960
Speaker 3: was to announce a show in New York City at

778
00:39:07,000 --> 00:39:09,759
Speaker 3: the Garden tri State area, I think shows up and

779
00:39:09,760 --> 00:39:10,319
Speaker 3: sells it out.

780
00:39:10,640 --> 00:39:12,000
Speaker 2: Wow, for sure.

781
00:39:12,520 --> 00:39:14,200
Speaker 1: I think he probably makes more money at like a

782
00:39:14,280 --> 00:39:17,520
Speaker 1: terminal five than he would money.

783
00:39:17,760 --> 00:39:21,640
Speaker 3: Money is definitely another conversation. I'm just talking about you say,

784
00:39:21,680 --> 00:39:24,399
Speaker 3: twenty thousand people at a Dream show.

785
00:39:24,440 --> 00:39:26,560
Speaker 2: I think that the dream Terminal five is where I

786
00:39:26,560 --> 00:39:32,560
Speaker 2: would put. Terminal five still would look retarded.

787
00:39:32,640 --> 00:39:36,239
Speaker 3: Yeah, you can do three nights. He would probably prefer that.

788
00:39:36,640 --> 00:39:39,319
Speaker 3: Like personally, he would prefer that. I don't think he

789
00:39:39,360 --> 00:39:40,920
Speaker 3: wants to. I don't think he wants to do that.

790
00:39:40,960 --> 00:39:42,640
Speaker 3: Areener shity, I don't think he wants that. He would

791
00:39:42,680 --> 00:39:44,360
Speaker 3: prefer terminal five.

792
00:39:44,440 --> 00:39:46,960
Speaker 2: Like that Dream let me fund that. You're me, but

793
00:39:47,040 --> 00:39:48,080
Speaker 2: I mean to get back on track.

794
00:39:48,200 --> 00:39:50,880
Speaker 1: You think Dream would rather pull back and just be

795
00:39:50,920 --> 00:39:54,120
Speaker 1: the writer or the artist, right, I.

796
00:39:54,080 --> 00:39:56,560
Speaker 2: Think I think he wants to be the writer. Yeah. Yeah,

797
00:39:57,320 --> 00:39:59,239
Speaker 2: and then he became full artists and went back to writer.

798
00:39:59,480 --> 00:40:02,279
Speaker 2: It's easy. He probably wanted the dog. Yeah. I mean,

799
00:40:02,320 --> 00:40:04,520
Speaker 2: I guess, but Nel too. Neil was a writer first.

800
00:40:04,600 --> 00:40:06,960
Speaker 2: But Neil always wanted to be artists. I think the

801
00:40:07,040 --> 00:40:09,400
Speaker 2: Dreams too. He was in the group too. Sometimes.

802
00:40:09,440 --> 00:40:10,879
Speaker 1: Frank might have been the only one that I don't

803
00:40:10,920 --> 00:40:12,680
Speaker 1: think I said.

804
00:40:12,960 --> 00:40:14,720
Speaker 2: I'm gonna keep you said it right on the shows.

805
00:40:14,760 --> 00:40:17,560
Speaker 2: I can say. He was like when he saw YG

806
00:40:17,800 --> 00:40:20,200
Speaker 2: get that check, he was like, nah, I want to

807
00:40:20,200 --> 00:40:24,280
Speaker 2: be artists. He said, he wrote the song, Mustard produced

808
00:40:24,280 --> 00:40:27,160
Speaker 2: the song. Y g was gracious enough, he said to

809
00:40:27,239 --> 00:40:29,000
Speaker 2: put them on the show with him so they could

810
00:40:29,080 --> 00:40:32,080
Speaker 2: get paid. He said, why Jesus, out of his own words.

811
00:40:32,239 --> 00:40:37,319
Speaker 2: YG got nine thousand, gave Mustard four hundred, gave him

812
00:40:37,360 --> 00:40:39,399
Speaker 2: a four hundred, and he said, oh no, I'm become

813
00:40:39,440 --> 00:40:46,760
Speaker 2: an artist that right on the show. It was funny.

814
00:40:46,760 --> 00:40:49,760
Speaker 1: I forgot what platform it was Mustard was talking about

815
00:40:49,760 --> 00:40:51,840
Speaker 1: when he went from a DJ to a producer.

816
00:40:52,440 --> 00:40:52,640
Speaker 2: Yeah.

817
00:40:52,800 --> 00:40:55,160
Speaker 1: They was in LA and he saw a check that

818
00:40:55,160 --> 00:40:57,000
Speaker 1: that tie had got and he said, now, fuck this

819
00:40:57,080 --> 00:40:57,840
Speaker 1: I'm being a producer.

820
00:40:58,600 --> 00:41:01,359
Speaker 2: What I'm tying to tell you, that's what happens. And

821
00:41:01,400 --> 00:41:04,759
Speaker 2: I think that we discount money because I know you're

822
00:41:04,760 --> 00:41:07,800
Speaker 2: a purists and creativity and all that, but some people

823
00:41:07,960 --> 00:41:09,719
Speaker 2: just do it for the money. Like when I first

824
00:41:09,800 --> 00:41:12,239
Speaker 2: got into it, when I was managing, I was, I

825
00:41:12,320 --> 00:41:16,359
Speaker 2: was a party promoter. I DJ'ed, but I stopped dj

826
00:41:16,440 --> 00:41:18,600
Speaker 2: and I couldn't afford to buy the records and all that,

827
00:41:18,719 --> 00:41:21,720
Speaker 2: so I just stayed party promoting, hooked up with Clue,

828
00:41:22,160 --> 00:41:24,719
Speaker 2: hooked up with Ass. I was doing concerts and all

829
00:41:24,719 --> 00:41:27,480
Speaker 2: that type of stuff. Then I started managing. I started

830
00:41:27,480 --> 00:41:30,160
Speaker 2: managing the DJ's and I called a break, came home, Murder,

831
00:41:30,239 --> 00:41:33,120
Speaker 2: Inc Blase, Blog, Corey Rooney and all of that. But

832
00:41:33,239 --> 00:41:35,840
Speaker 2: after I got started swerving and made a nice amount

833
00:41:35,880 --> 00:41:37,520
Speaker 2: of money and started doing things, I was like, these

834
00:41:37,600 --> 00:41:41,840
Speaker 2: niggas is assholes. I gotta just make my money exactly.

835
00:41:41,880 --> 00:41:44,560
Speaker 2: I gotta take my emotion out of this shit, because

836
00:41:44,840 --> 00:41:48,279
Speaker 2: what the music was for me, it's not for them.

837
00:41:48,400 --> 00:41:50,440
Speaker 2: I wish I was in the studio with Tupac to

838
00:41:50,480 --> 00:41:53,920
Speaker 2: see if he really was loving the music, because these

839
00:41:54,000 --> 00:41:58,400
Speaker 2: niggas is fake right, chasing the check now it was.

840
00:41:58,480 --> 00:42:01,320
Speaker 2: It was I mean, bro, it was damned that ninety

841
00:42:01,440 --> 00:42:04,560
Speaker 2: percent of people. I had to get in line. I

842
00:42:04,600 --> 00:42:06,720
Speaker 2: had to start saying, yo, this is about the money.

843
00:42:07,000 --> 00:42:11,040
Speaker 2: Because doing great music and great songs are being great beats.

844
00:42:11,040 --> 00:42:14,400
Speaker 2: Everybody was like, yeah, that's cool, but you got to

845
00:42:14,400 --> 00:42:16,680
Speaker 2: be connected. I could get beats from anybody just like this.

846
00:42:17,239 --> 00:42:19,640
Speaker 2: I got thirteen niggas to do great beats and great

847
00:42:19,680 --> 00:42:21,719
Speaker 2: songs and all the rest of the stuff. So what's

848
00:42:21,760 --> 00:42:23,399
Speaker 2: gonna make me take your beat? And then you gotta

849
00:42:23,520 --> 00:42:25,640
Speaker 2: learn like you gotta help people make money. You gotta

850
00:42:25,719 --> 00:42:28,200
Speaker 2: be an asset to these people. And I'm like, all right, well,

851
00:42:28,200 --> 00:42:30,480
Speaker 2: once you do that, then they dickhead, they take long

852
00:42:30,560 --> 00:42:33,160
Speaker 2: to pay you and do all the rest of this stuff.

853
00:42:33,160 --> 00:42:34,080
Speaker 2: This shit ain't like it.

854
00:42:34,120 --> 00:42:36,360
Speaker 3: That's industry shit. That's the part that you don't know

855
00:42:36,400 --> 00:42:37,359
Speaker 3: about until you get in there.

856
00:42:37,360 --> 00:42:39,839
Speaker 2: And you got in it, and they just started making

857
00:42:39,880 --> 00:42:43,640
Speaker 2: me say, well, I gotta adjust in order for me

858
00:42:43,719 --> 00:42:47,279
Speaker 2: to make my mark, I gotta get some brand. That's

859
00:42:47,280 --> 00:42:50,319
Speaker 2: what I gotta change my mindset. That was the goal

860
00:42:50,400 --> 00:42:53,279
Speaker 2: to me. But the like, how these people be so

861
00:42:53,400 --> 00:42:55,759
Speaker 2: much on the art. See, I'm so against it now

862
00:42:55,800 --> 00:42:58,560
Speaker 2: because That's how I was, and it blinds you mean,

863
00:42:58,600 --> 00:43:02,480
Speaker 2: you against the art, an't think the artist everything. That's

864
00:43:02,520 --> 00:43:05,279
Speaker 2: what I thought it was. I thought that the car.

865
00:43:05,440 --> 00:43:07,799
Speaker 3: It used to be just all about the money used

866
00:43:07,800 --> 00:43:09,200
Speaker 3: to come with that.

867
00:43:09,200 --> 00:43:11,439
Speaker 2: That's but that's what I'm saying. But even back then,

868
00:43:12,000 --> 00:43:14,560
Speaker 2: I always s I was a manager. The business was

869
00:43:14,600 --> 00:43:18,040
Speaker 2: always a factor for me, and people would downplay the

870
00:43:18,120 --> 00:43:20,200
Speaker 2: business because it was so much. You'd be artists and

871
00:43:20,280 --> 00:43:22,480
Speaker 2: you could fire your manager. You could do whatever you want.

872
00:43:22,480 --> 00:43:24,120
Speaker 2: Back then, you know, it was the wild wild West

873
00:43:24,120 --> 00:43:28,160
Speaker 2: and got talent. Why it was the wild wild West,

874
00:43:28,200 --> 00:43:31,240
Speaker 2: and you could be the dopest manager and they fired

875
00:43:31,320 --> 00:43:33,800
Speaker 2: you for no freaking reason and you never get a

876
00:43:33,840 --> 00:43:36,440
Speaker 2: shot again. Next time you see that nigga, he's driving

877
00:43:36,480 --> 00:43:38,239
Speaker 2: a bus and you'd be like, nigga, you was at

878
00:43:38,239 --> 00:43:41,319
Speaker 2: the Grammys with me two years ago. Hey, you know

879
00:43:41,440 --> 00:43:51,440
Speaker 2: what your post working. You're doing some wild ship, some

880
00:43:51,520 --> 00:43:55,760
Speaker 2: ship and not to knock drive maat money. No, it's not.

881
00:43:55,680 --> 00:43:58,200
Speaker 1: That we had a plan that was going there. We

882
00:43:58,239 --> 00:44:00,920
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883
00:44:00,920 --> 00:44:01,920
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884
00:44:03,960 --> 00:44:07,160
Speaker 2: Get the crib back to South Life. It is completely different. Yeah,

885
00:44:07,239 --> 00:44:09,879
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886
00:44:13,040 --> 00:44:16,640
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921
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Speaker 2: Have you spoken to Maya since that clip went viral? No,

922
00:45:56,480 --> 00:45:59,279
Speaker 2: I saw her, but didn't say nothing to it. Why

923
00:45:59,320 --> 00:46:05,960
Speaker 2: not because it's because when I was working with her, right,

924
00:46:07,719 --> 00:46:11,160
Speaker 2: I was really young, too shit right, And my biggest

925
00:46:11,160 --> 00:46:13,360
Speaker 2: make was I just asked her not to do something

926
00:46:13,480 --> 00:46:16,399
Speaker 2: like I had a lot of female talent at the time.

927
00:46:16,600 --> 00:46:18,320
Speaker 2: I can tell the story right here. I had a

928
00:46:18,360 --> 00:46:19,960
Speaker 2: lot of female at the time, so I had Yummy

929
00:46:20,040 --> 00:46:22,399
Speaker 2: at the time. I had big draws at the time,

930
00:46:23,080 --> 00:46:25,520
Speaker 2: Rock Wild at the time. I had to Soul Diggers,

931
00:46:25,560 --> 00:46:27,480
Speaker 2: which is Kate Mack who met coy Lray and the

932
00:46:27,640 --> 00:46:30,399
Speaker 2: honey Berry. I had him and his brother. I had

933
00:46:31,000 --> 00:46:33,400
Speaker 2: the Smith Brothers. I was managed. I was managing all

934
00:46:33,440 --> 00:46:36,320
Speaker 2: these different people, and I had like a video director

935
00:46:36,480 --> 00:46:39,040
Speaker 2: r Malcolm Jones and all the other type of stuff. Right.

936
00:46:39,320 --> 00:46:43,000
Speaker 2: So with coming with Maya when she when we met,

937
00:46:43,360 --> 00:46:46,279
Speaker 2: she already knew she wanted me to manage her. So

938
00:46:46,320 --> 00:46:48,640
Speaker 2: it was like she was coming off the Bennie Medina thing,

939
00:46:48,680 --> 00:46:50,319
Speaker 2: and I was trying to make sure I was going

940
00:46:50,400 --> 00:46:52,680
Speaker 2: to be able to do this job. So I flew

941
00:46:52,680 --> 00:46:54,880
Speaker 2: out to California with her and was out there for

942
00:46:54,920 --> 00:46:57,879
Speaker 2: ten days with her, you know, figuring it out, going

943
00:46:57,920 --> 00:47:00,879
Speaker 2: to the studios, seeing the music she wants to do,

944
00:47:01,160 --> 00:47:03,760
Speaker 2: her introducing me to people, and I was like, Yo, Maya.

945
00:47:03,800 --> 00:47:07,000
Speaker 2: I would be like, Maya, Marie, Maya, Marie, Yo, don't

946
00:47:07,040 --> 00:47:11,719
Speaker 2: tell nobody what I'm doing with you yet. Okay, you

947
00:47:11,719 --> 00:47:13,640
Speaker 2: know what I'm saying. I'll be like, Yo, just don't

948
00:47:13,680 --> 00:47:15,600
Speaker 2: tell nobody yet. You know what I'm saying. Let me

949
00:47:15,640 --> 00:47:18,160
Speaker 2: break it to these girls because I got yummy. We

950
00:47:18,280 --> 00:47:21,040
Speaker 2: had just signed her deal. They just bounced her check,

951
00:47:21,520 --> 00:47:23,080
Speaker 2: you know what I'm saying. We was at cash Money

952
00:47:23,160 --> 00:47:26,000
Speaker 2: be signed with cash money. They bounced the check. They

953
00:47:26,040 --> 00:47:28,239
Speaker 2: didn't Yes, they wasn't gonna fuck with it no more.

954
00:47:28,520 --> 00:47:31,200
Speaker 2: We was in limbo, and I didn't want to be like, oh, well,

955
00:47:31,239 --> 00:47:34,160
Speaker 2: guess what I'm managing Maya. Now you know what I'm saying,

956
00:47:35,000 --> 00:47:37,840
Speaker 2: just what everybody else is fucked up. But I'm on

957
00:47:37,920 --> 00:47:40,360
Speaker 2: top of the mountain. Nobody you know what I'm saying.

958
00:47:40,400 --> 00:47:42,600
Speaker 2: So I don't want to come with that. So we

959
00:47:42,719 --> 00:47:46,440
Speaker 2: at the party. We at a party, right, everybody stressed

960
00:47:46,480 --> 00:47:51,000
Speaker 2: out about the about the cash money thing. Stress stress stress, right,

961
00:47:51,840 --> 00:47:56,680
Speaker 2: and a dude, a songwriter comes in and says, yo, Randy, Yo.

962
00:47:56,760 --> 00:47:59,080
Speaker 2: I spoke to Maya today and she told me you're

963
00:47:59,080 --> 00:48:01,640
Speaker 2: the man. You're the man I need to go see now.

964
00:48:01,680 --> 00:48:04,000
Speaker 2: You know, I wrote four records on the last project

965
00:48:04,040 --> 00:48:08,919
Speaker 2: coming Like, bro, bro, what are you talking about? Yo?

966
00:48:09,080 --> 00:48:11,400
Speaker 2: I just spoke to Maya and she said, I'm like,

967
00:48:11,560 --> 00:48:15,200
Speaker 2: oh my god. So now everybody's looking at me, right,

968
00:48:15,239 --> 00:48:17,719
Speaker 2: and I'm like, oh, and like, what is she talking about?

969
00:48:17,719 --> 00:48:17,799
Speaker 4: That?

970
00:48:17,880 --> 00:48:21,040
Speaker 2: You're the man to go see in and you're and

971
00:48:21,080 --> 00:48:23,600
Speaker 2: you're and you're doing the records and and all this

972
00:48:23,640 --> 00:48:25,799
Speaker 2: other type of stuff. And when I called the I

973
00:48:25,880 --> 00:48:29,759
Speaker 2: spassed out, like, Yo, what the fuck is your problem?

974
00:48:31,440 --> 00:48:34,840
Speaker 2: And all I remember about the conversation was your randy,

975
00:48:35,320 --> 00:48:38,200
Speaker 2: why what? You don't have to talk to me like that?

976
00:48:39,560 --> 00:48:44,239
Speaker 2: That's all I remember. That's all. She was right, definitely,

977
00:48:44,680 --> 00:48:47,680
Speaker 2: That's why I apologize to the thing. She's like, ready,

978
00:48:47,680 --> 00:48:48,800
Speaker 2: but you don't got to talk to me like that.

979
00:48:48,800 --> 00:48:50,800
Speaker 2: I was like, yeah, you saying that, but you're gonna

980
00:48:50,840 --> 00:48:53,640
Speaker 2: cost me my ship. You know how you young? You

981
00:48:53,960 --> 00:48:58,000
Speaker 2: just getting money here and emotional and your emotional about everything.

982
00:48:58,000 --> 00:48:59,320
Speaker 2: That is why I could tell niggas I'll be like,

983
00:48:59,320 --> 00:49:02,719
Speaker 2: you gotta take them, trust me that I was him

984
00:49:03,280 --> 00:49:08,520
Speaker 2: ranging I was him nigga. So when I had to

985
00:49:08,520 --> 00:49:11,560
Speaker 2: sit down and think about it, I never wanted to mention.

986
00:49:11,640 --> 00:49:14,160
Speaker 2: I don't even mention her like that, like he might

987
00:49:14,200 --> 00:49:16,040
Speaker 2: say something to somebody else will mention that. I don't

988
00:49:16,040 --> 00:49:19,719
Speaker 2: mention her because she was so like delicate and that

989
00:49:19,840 --> 00:49:21,319
Speaker 2: and that was one of the things. Remember I said

990
00:49:21,360 --> 00:49:23,279
Speaker 2: about rumors and ship, like people used to say a

991
00:49:23,320 --> 00:49:25,520
Speaker 2: lot of ship about Maya and none of it was true.

992
00:49:26,640 --> 00:49:29,480
Speaker 2: I found out out later. So when I'm when I'm manager,

993
00:49:29,600 --> 00:49:31,520
Speaker 2: I'm thinking i gotta put a lot of cap in

994
00:49:31,560 --> 00:49:33,400
Speaker 2: Hall of Famers at a lot of the niggas in

995
00:49:33,400 --> 00:49:36,560
Speaker 2: the cap. I'm not gonna lie. Niggas was capping right

996
00:49:36,680 --> 00:49:43,759
Speaker 2: Tommy about her not niggah nigga. None of it was

997
00:49:43,840 --> 00:49:46,480
Speaker 2: true right, and it wasn't. It didn't come from her.

998
00:49:46,680 --> 00:49:49,640
Speaker 2: It wasn't like she never came to defend her on

999
00:49:49,760 --> 00:49:52,200
Speaker 2: her To me, ever, there was other niggas like Yo

1000
00:49:52,280 --> 00:49:55,120
Speaker 2: bro Son Son was mad about boom boom boom boom

1001
00:49:55,120 --> 00:49:57,360
Speaker 2: boom boom boom, and I'd be like, damn, people really

1002
00:49:57,480 --> 00:49:59,400
Speaker 2: like be on that type of time lying on the

1003
00:49:59,440 --> 00:50:01,360
Speaker 2: female about what they did do.

1004
00:50:01,640 --> 00:50:08,280
Speaker 3: It's ninety percent of the industry my mind.

1005
00:50:06,800 --> 00:50:09,520
Speaker 2: At the time. No, so people were saying this and this.

1006
00:50:09,719 --> 00:50:12,120
Speaker 2: Rappers that I know and niggas that around me like

1007
00:50:12,200 --> 00:50:14,800
Speaker 2: Yom saying you want boom boom boom. So I'm thinking,

1008
00:50:14,840 --> 00:50:16,840
Speaker 2: in my mind, this is the dumb shit rory that

1009
00:50:16,880 --> 00:50:19,359
Speaker 2: we just talked about. How dudes would be thinking I'm

1010
00:50:19,400 --> 00:50:23,520
Speaker 2: doing her favor. That's crazy. These niggas, these niggas, these

1011
00:50:23,560 --> 00:50:26,680
Speaker 2: niggas are talking about these niggas are talking about her.

1012
00:50:27,040 --> 00:50:29,600
Speaker 2: I'm doing this, I'm doing that. She should be thankful

1013
00:50:29,680 --> 00:50:32,919
Speaker 2: that I'm not thinking. I'm not agreeing with these niggas, right,

1014
00:50:33,239 --> 00:50:35,440
Speaker 2: And that's why my attitude was like, yeah, so you

1015
00:50:35,480 --> 00:50:38,640
Speaker 2: never had that conversation with her. We tried, I saw again.

1016
00:50:38,800 --> 00:50:40,960
Speaker 2: After we did that, we saw again, and we tried

1017
00:50:41,000 --> 00:50:43,520
Speaker 2: to go to the studio because my relationship was a

1018
00:50:43,600 --> 00:50:48,080
Speaker 2: creative business relationship. Whe like I'm good at picking records

1019
00:50:48,080 --> 00:50:50,799
Speaker 2: and knowing what should be written and who's writing and

1020
00:50:50,800 --> 00:50:53,239
Speaker 2: stuff like that. And we just tried, and she was like,

1021
00:50:53,280 --> 00:50:55,319
Speaker 2: I just don't feel comfortable because you screamed at me.

1022
00:50:56,080 --> 00:50:58,960
Speaker 2: Because I thought that you would. I thought that she

1023
00:50:59,120 --> 00:51:01,759
Speaker 2: thought that that indeed, that was that tiger that was

1024
00:51:01,800 --> 00:51:05,000
Speaker 2: doing that, that was gonna be hers. Got you, that

1025
00:51:05,200 --> 00:51:08,880
Speaker 2: I could unleash that you're here to protect me, and

1026
00:51:08,920 --> 00:51:11,960
Speaker 2: I didn't understand that that makes sense, Yo, you I

1027
00:51:12,080 --> 00:51:14,279
Speaker 2: want you to be that way, but not to me,

1028
00:51:14,560 --> 00:51:17,319
Speaker 2: for me, for me, got you. And that's why when

1029
00:51:17,360 --> 00:51:19,520
Speaker 2: I went on the Carara, I got apologized because she

1030
00:51:19,600 --> 00:51:22,000
Speaker 2: was the nicest person to me. I'm an artist, but

1031
00:51:22,080 --> 00:51:25,120
Speaker 2: sometimes you got to know how to use a grenade. Properly.

1032
00:51:27,640 --> 00:51:31,279
Speaker 2: Listen and listen. She should have told when you hold

1033
00:51:31,320 --> 00:51:33,600
Speaker 2: the grenade for too long, you can't be mad that

1034
00:51:33,719 --> 00:51:36,160
Speaker 2: the weapon you used to blow up the world, take

1035
00:51:36,200 --> 00:51:39,320
Speaker 2: your fingers off a little bit to them. But I'm different,

1036
00:51:39,640 --> 00:51:43,040
Speaker 2: and you know that with my people that I'm close to,

1037
00:51:44,280 --> 00:51:47,640
Speaker 2: she would think I could do whatever because I give

1038
00:51:47,680 --> 00:51:50,560
Speaker 2: everybody that leeway. That's why you fuck with me. You

1039
00:51:50,600 --> 00:51:52,479
Speaker 2: do whatever fuck you want to do, and nobody's gonna

1040
00:51:52,520 --> 00:51:56,880
Speaker 2: stop you. So what's your relationship like now? Just whenever

1041
00:51:56,920 --> 00:51:58,759
Speaker 2: we see each other. But for some reason, I'm gonna

1042
00:51:58,760 --> 00:52:01,319
Speaker 2: be honest. When I saw her at the ship, I

1043
00:52:01,480 --> 00:52:03,719
Speaker 2: was right after that clip where viral and I ain't think.

1044
00:52:03,760 --> 00:52:06,520
Speaker 2: I didn't want her to think I did that. And

1045
00:52:06,560 --> 00:52:10,239
Speaker 2: then saw her, Oh gotcha, that's why she was right there,

1046
00:52:10,320 --> 00:52:12,799
Speaker 2: literally and she didn't see me. She was turned out

1047
00:52:12,840 --> 00:52:15,520
Speaker 2: head and people was calling her and they was looking

1048
00:52:15,560 --> 00:52:16,879
Speaker 2: at me, and I was like, I'm not gonna say

1049
00:52:16,880 --> 00:52:18,960
Speaker 2: nothing to And I was like, because if she saw

1050
00:52:19,000 --> 00:52:22,399
Speaker 2: that clip, which I know she did, Oh, Randy did

1051
00:52:22,440 --> 00:52:24,440
Speaker 2: that ship because he was gonna see me on Sunday,

1052
00:52:26,800 --> 00:52:28,840
Speaker 2: nasty like that.

1053
00:52:29,360 --> 00:52:36,359
Speaker 3: I don't even want this person that my mind.

1054
00:52:35,360 --> 00:52:37,399
Speaker 2: I was like, you know what, if it's meant to be,

1055
00:52:37,560 --> 00:52:40,480
Speaker 2: I see it. We were cool. I saw in l

1056
00:52:40,520 --> 00:52:42,839
Speaker 2: A were cool, but were not going to be like

1057
00:52:42,920 --> 00:52:45,200
Speaker 2: we was, you know what I'm saying. Different, But we

1058
00:52:45,400 --> 00:52:48,439
Speaker 2: love it, still love it. Where y'all at with this?

1059
00:52:48,440 --> 00:52:52,200
Speaker 1: This dame cam in the fifty situation that that every

1060
00:52:52,239 --> 00:52:53,080
Speaker 1: other day is great.

1061
00:52:53,080 --> 00:52:55,960
Speaker 2: I don't want the Internet. I hate it, though, man.

1062
00:52:56,239 --> 00:52:59,359
Speaker 2: I mean, I'm with you for all the reasons. Yes,

1063
00:53:00,160 --> 00:53:04,360
Speaker 2: for business reasons. It's terrible for friendship reasons. It's terrible

1064
00:53:04,760 --> 00:53:07,120
Speaker 2: for the culture hip hop. They're like, what the fuck

1065
00:53:07,200 --> 00:53:10,000
Speaker 2: is wrong with these dudes? These dudes is all late forties,

1066
00:53:10,120 --> 00:53:11,359
Speaker 2: is bickering about.

1067
00:53:11,280 --> 00:53:14,359
Speaker 3: We don't have disagreements. My thing is we can have disagreements, right,

1068
00:53:14,800 --> 00:53:20,280
Speaker 3: But when you're of a certain caliber, caliber, demographic, time,

1069
00:53:21,400 --> 00:53:26,640
Speaker 3: age status. I just think it's certain shit you just

1070
00:53:26,680 --> 00:53:30,000
Speaker 3: can't fall into. Like, I just think that we can't

1071
00:53:30,000 --> 00:53:34,399
Speaker 3: expect the younger dudes to behave and act a certain way,

1072
00:53:35,120 --> 00:53:37,600
Speaker 3: especially on the Internet and social media. When you got

1073
00:53:38,160 --> 00:53:41,320
Speaker 3: the elder Statesman, the guys that's been in it since

1074
00:53:41,520 --> 00:53:44,360
Speaker 3: before all of this shit even existed, they're doing.

1075
00:53:44,160 --> 00:53:46,879
Speaker 2: The same shit. You know what I'm saying, I don't

1076
00:53:46,880 --> 00:53:48,320
Speaker 2: even think the young kids are paying attention to that.

1077
00:53:48,400 --> 00:53:50,920
Speaker 3: I think I'm not saying they're paying attention to it.

1078
00:53:51,120 --> 00:53:52,879
Speaker 3: But we'll all sit here and be like, Yo, these

1079
00:53:52,920 --> 00:53:55,439
Speaker 3: young dudes be wild. They be on the internet, social media,

1080
00:53:55,480 --> 00:53:57,399
Speaker 3: air and shit out doing all. Yo, that's corny, y'all

1081
00:53:57,440 --> 00:53:59,720
Speaker 3: do't need do that. But then it's like, Okay, dudes

1082
00:53:59,719 --> 00:54:01,719
Speaker 3: that's older than us is doing the same ship.

1083
00:54:01,920 --> 00:54:04,959
Speaker 2: But Mal, you've you've been around Damon Cam, I've spent

1084
00:54:05,040 --> 00:54:08,600
Speaker 2: time with Fifth. This is not in their character to

1085
00:54:08,800 --> 00:54:12,200
Speaker 2: back down. They didn't make all these millions of dollars

1086
00:54:12,239 --> 00:54:15,239
Speaker 2: lost in and make millions again by just that backing down.

1087
00:54:15,560 --> 00:54:18,360
Speaker 2: So you got an animal and Dame Dash, Cameron and

1088
00:54:18,520 --> 00:54:21,520
Speaker 2: fifty cent. Remember Cam and fifty were going at it

1089
00:54:21,560 --> 00:54:26,120
Speaker 2: for a little bit. Ain't no, this ship ain't stopping it, ain't.

1090
00:54:26,160 --> 00:54:28,200
Speaker 2: I think this is all part of fifties playing.

1091
00:54:28,840 --> 00:54:33,560
Speaker 3: He's he broke up Dipshet, He's had a hand in that.

1092
00:54:34,360 --> 00:54:37,480
Speaker 3: Now he's having a hand and breaking up Cam and

1093
00:54:37,560 --> 00:54:38,280
Speaker 3: dames relationship.

1094
00:54:39,400 --> 00:54:42,839
Speaker 2: I can't believe I'm not gonna say nothing about them

1095
00:54:42,880 --> 00:54:46,600
Speaker 2: because everybody just spit venom. And I've been able to

1096
00:54:46,600 --> 00:54:49,000
Speaker 2: stay out of harms with as much ship as I talk,

1097
00:54:50,200 --> 00:54:55,160
Speaker 2: I cannot believe that Cam and Dame are arguing. I

1098
00:54:55,200 --> 00:54:57,040
Speaker 2: can't believe it. No, I can believe they're arguing that.

1099
00:54:57,040 --> 00:55:00,520
Speaker 2: I can't believe media. This is what this is what

1100
00:55:00,560 --> 00:55:03,360
Speaker 2: I mean. Anybody can argue they've known each other with

1101
00:55:03,560 --> 00:55:06,440
Speaker 2: men now and all that I'm talking about, Like, I can't.

1102
00:55:06,480 --> 00:55:10,239
Speaker 2: I can't believe the bickering back and forth in the

1103
00:55:10,320 --> 00:55:13,440
Speaker 2: fake lawsuit. And I'm not doing the lawsuit. I'm like,

1104
00:55:13,520 --> 00:55:16,040
Speaker 2: I can't believe that this is going on. Not from

1105
00:55:16,040 --> 00:55:18,319
Speaker 2: the story that I don't like I'm not bringing up

1106
00:55:18,320 --> 00:55:20,520
Speaker 2: nobody's parents, but not from the story about how they

1107
00:55:20,680 --> 00:55:24,920
Speaker 2: said that Cam got with Rockefeller out all of that.

1108
00:55:25,520 --> 00:55:29,600
Speaker 2: If that story is true, how does this ever come to?

1109
00:55:30,320 --> 00:55:31,760
Speaker 2: How does this ever even happen?

1110
00:55:31,760 --> 00:55:34,080
Speaker 3: But this is but this is a conversation, like you know,

1111
00:55:35,000 --> 00:55:39,799
Speaker 3: you know certain people that you have relationships with, and

1112
00:55:39,840 --> 00:55:44,480
Speaker 3: you have those moments where they say or they do

1113
00:55:44,600 --> 00:55:48,120
Speaker 3: some shit and it always sends a light bulb in

1114
00:55:48,120 --> 00:55:49,960
Speaker 3: your head and you might it don't mean nothing in

1115
00:55:50,000 --> 00:55:53,280
Speaker 3: the moment, But then if something happens between y'all twelve

1116
00:55:53,360 --> 00:55:56,239
Speaker 3: years from now, you like I always saw this.

1117
00:55:56,239 --> 00:56:01,600
Speaker 2: In the and let me say I'm sorry. Fifty will

1118
00:56:01,760 --> 00:56:06,640
Speaker 2: never never forget when Dame went on MTV and said

1119
00:56:06,680 --> 00:56:10,600
Speaker 2: that million dollars ain't nothing you broke when no, no,

1120
00:56:10,600 --> 00:56:11,400
Speaker 2: don't get it twisted.

1121
00:56:12,040 --> 00:56:14,560
Speaker 3: Niggers have been waiting to have a shot to go

1122
00:56:14,640 --> 00:56:15,520
Speaker 3: at Dame and laughing.

1123
00:56:15,560 --> 00:56:19,960
Speaker 2: No, no, no, no, waiting for this moment. Fifth fifth remembers all

1124
00:56:20,000 --> 00:56:22,719
Speaker 2: of it. Yeah, he should dog. He has vin me

1125
00:56:22,800 --> 00:56:24,799
Speaker 2: say something. If somebody stands over you and puts non

1126
00:56:24,840 --> 00:56:27,120
Speaker 2: bullets in you, you're never going to forget anything anybody

1127
00:56:27,120 --> 00:56:29,440
Speaker 2: says about you. So so when Dame did that video.

1128
00:56:29,680 --> 00:56:33,359
Speaker 2: Every time he's waiting and he's relentless. I still tell

1129
00:56:33,400 --> 00:56:36,439
Speaker 2: the story about what he did with Jimmy Henchman when

1130
00:56:36,520 --> 00:56:38,800
Speaker 2: he had the lawyers right there, had a big meeting,

1131
00:56:39,200 --> 00:56:41,680
Speaker 2: and then the news came up that Henchman is in jail.

1132
00:56:41,920 --> 00:56:45,239
Speaker 2: He stopped all the white people, walked over to me,

1133
00:56:45,400 --> 00:56:48,600
Speaker 2: propped the phone up and went on live and laughed

1134
00:56:48,600 --> 00:56:51,879
Speaker 2: at Jimmy Henchman while conducting a twenty million dollar deal.

1135
00:56:52,719 --> 00:56:56,640
Speaker 2: He loves this street show. No enjoying himself. He can't wait.

1136
00:56:56,719 --> 00:57:00,120
Speaker 2: He's waiting for his moment to laugh and do. That

1137
00:57:00,440 --> 00:57:04,200
Speaker 2: is this ship talk. No, Dame, I don't like to talk.

1138
00:57:04,880 --> 00:57:09,719
Speaker 2: I mean, who wouldn't wait, but even but even it's

1139
00:57:09,760 --> 00:57:14,000
Speaker 2: only it's only a couple of people, and y'all know

1140
00:57:14,040 --> 00:57:18,400
Speaker 2: who you're. I don't have a long list, like, but

1141
00:57:18,520 --> 00:57:21,320
Speaker 2: all this ship talking, even if Dan said that about Faith,

1142
00:57:21,760 --> 00:57:24,320
Speaker 2: that's that's laughable stuff to me.

1143
00:57:24,440 --> 00:57:27,520
Speaker 3: Some of it is just it started off felt like

1144
00:57:27,520 --> 00:57:29,920
Speaker 3: it was just jokes at first and ship talking, but

1145
00:57:29,960 --> 00:57:32,000
Speaker 3: then it made a complete left turn.

1146
00:57:31,920 --> 00:57:34,760
Speaker 2: Because anytime black people start talking too much, if you

1147
00:57:34,960 --> 00:57:37,000
Speaker 2: if niggas talk cracking too many jokes.

1148
00:57:37,040 --> 00:57:39,040
Speaker 3: Y'all, But it's like what I said, it's like what

1149
00:57:39,120 --> 00:57:43,680
Speaker 3: I said, you say something. Because even Cam spoke about it.

1150
00:57:44,080 --> 00:57:46,200
Speaker 3: When Dame brought up Cam getting punched in his face,

1151
00:57:47,320 --> 00:57:49,920
Speaker 3: Cam said, but you've been waiting to get that off

1152
00:57:49,960 --> 00:57:52,360
Speaker 3: and and and I know Cam really felt that because

1153
00:57:52,680 --> 00:57:55,160
Speaker 3: he probably been around before, and niggas kind of like.

1154
00:57:55,200 --> 00:57:58,640
Speaker 2: It's like about us as our black like I don't

1155
00:57:58,720 --> 00:58:03,000
Speaker 2: even understand and why that would even be a factor

1156
00:58:03,080 --> 00:58:06,160
Speaker 2: that if if he did want to say it, if

1157
00:58:06,160 --> 00:58:09,240
Speaker 2: it happened to Cam, if you my man, whether it's

1158
00:58:09,320 --> 00:58:11,960
Speaker 2: on some streets, ship and mall, mall was right to

1159
00:58:12,000 --> 00:58:14,520
Speaker 2: punch you in your faith. Even my man, I'm still

1160
00:58:14,560 --> 00:58:18,680
Speaker 2: gonna feel remorse for that situation because you really my man, Yeah,

1161
00:58:18,720 --> 00:58:20,160
Speaker 2: I get it. So that's why I'm like, when all

1162
00:58:20,200 --> 00:58:22,320
Speaker 2: of these things come up, I'm like, damn, nobody was

1163
00:58:22,360 --> 00:58:24,320
Speaker 2: really each other man ever, it was.

1164
00:58:24,320 --> 00:58:27,400
Speaker 1: Just way never see I don't I said fifth never

1165
00:58:27,640 --> 00:58:28,520
Speaker 1: because Fifth was never the.

1166
00:58:30,040 --> 00:58:37,480
Speaker 2: Man. Niggas was connected through money, opportunity or that's not.

1167
00:58:37,840 --> 00:58:41,240
Speaker 3: Cam and Dame's relationship was definitely not just about money.

1168
00:58:41,280 --> 00:58:44,040
Speaker 2: Maybe one side of it. It can't be bo. That's

1169
00:58:44,040 --> 00:58:45,600
Speaker 2: a different conversation. One side of it.

1170
00:58:45,640 --> 00:58:48,520
Speaker 3: That's a different conversation because you could be you could

1171
00:58:48,520 --> 00:58:51,640
Speaker 3: be moving genuine with people and they move strategic with you.

1172
00:58:51,760 --> 00:58:54,880
Speaker 2: Something about because it has to be a chink in

1173
00:58:54,960 --> 00:58:58,160
Speaker 2: that almah. But this will occur. And that's all that

1174
00:58:58,240 --> 00:59:00,200
Speaker 2: I'm saying. It was because if we both moved been

1175
00:59:00,320 --> 00:59:03,000
Speaker 2: like this, moll, you know that's not gonna happen. Of course,

1176
00:59:03,000 --> 00:59:05,560
Speaker 2: somebody moving a certain you.

1177
00:59:05,640 --> 00:59:08,640
Speaker 3: Had, but you've had conversations with friends and family and

1178
00:59:08,760 --> 00:59:11,840
Speaker 3: somebody say something. Even if y'all talking ship and somebody

1179
00:59:11,840 --> 00:59:14,720
Speaker 3: throws them out there, You're like, damn, like that was

1180
00:59:14,760 --> 00:59:16,120
Speaker 3: a little like you.

1181
00:59:17,920 --> 00:59:21,040
Speaker 2: That shot you understand, like you know, you'd be like,

1182
00:59:21,240 --> 00:59:23,360
Speaker 2: I'm one of those. I'll be waiting to bust that show.

1183
00:59:24,560 --> 00:59:28,200
Speaker 2: This happens with family with frauds and business. I got

1184
00:59:28,200 --> 00:59:30,640
Speaker 2: a cousin I'm waiting for You're just gonna catch it.

1185
00:59:30,720 --> 00:59:35,120
Speaker 2: He's catching it. Hold you holding no, But me, I'm

1186
00:59:35,120 --> 00:59:37,760
Speaker 2: a reactionary nigga. So if you do something, I'd be like,

1187
00:59:37,760 --> 00:59:40,120
Speaker 2: all right, let it go. But if you start abusing

1188
00:59:40,120 --> 00:59:42,120
Speaker 2: it now, an example has to be made.

1189
00:59:42,200 --> 00:59:44,880
Speaker 3: Yeah, because you know sometimes that means I was ever

1190
00:59:44,960 --> 00:59:47,920
Speaker 3: really cool because I don't really hold times with.

1191
00:59:49,960 --> 00:59:54,360
Speaker 2: The no. That's how I feel. It's your birthday, what's

1192
00:59:54,360 --> 00:59:59,920
Speaker 2: your birthday? Mall Friday, it's clean, can'still okay. That's a

1193
01:00:00,080 --> 01:00:02,280
Speaker 2: saying I must get him because we think a lot

1194
01:00:02,360 --> 01:00:03,880
Speaker 2: like I'm not holding tabs neither.

1195
01:00:06,360 --> 01:00:06,520
Speaker 1: On you.

1196
01:00:08,120 --> 01:00:08,720
Speaker 2: I'm over it.

1197
01:00:08,920 --> 01:00:10,960
Speaker 3: But at the same time, that's come back to hurt

1198
01:00:11,000 --> 01:00:14,440
Speaker 3: me not holding tabs because they was holding tabs on me.

1199
01:00:14,640 --> 01:00:18,280
Speaker 2: But but I bet it also benefited you too. Oh yeah,

1200
01:00:18,560 --> 01:00:21,880
Speaker 2: there you go. You remove the time. So nothing is

1201
01:00:21,920 --> 01:00:25,640
Speaker 2: perfect because me because me saying I'm a very giving person.

1202
01:00:25,920 --> 01:00:28,600
Speaker 2: I give give gift, gift, gift, I don't really get

1203
01:00:28,640 --> 01:00:31,280
Speaker 2: a lot of much ship. But the times that I get,

1204
01:00:32,240 --> 01:00:35,439
Speaker 2: it'd be on time, and it'd be every time, on time,

1205
01:00:35,520 --> 01:00:38,840
Speaker 2: every time. It's crazy. I feel like I can't say

1206
01:00:38,960 --> 01:00:41,200
Speaker 2: I don't get. It's just that it might not be

1207
01:00:41,360 --> 01:00:44,480
Speaker 2: as much as I give. But because I've been that way,

1208
01:00:44,560 --> 01:00:46,800
Speaker 2: that's how I've met him, That's how I stayed in

1209
01:00:46,920 --> 01:00:49,439
Speaker 2: Clues like clues. One of the few people that he'll

1210
01:00:49,480 --> 01:00:51,640
Speaker 2: be like Yo, Randy always would give me whether he

1211
01:00:51,720 --> 01:00:53,520
Speaker 2: had money and not make sure you had a birthday,

1212
01:00:53,600 --> 01:00:57,480
Speaker 2: give dinner. So my man appreciation, whether I'm getting it

1213
01:00:57,720 --> 01:01:00,200
Speaker 2: or not, away with him, same way with good That's

1214
01:01:00,280 --> 01:01:02,160
Speaker 2: just me, you know what I'm saying. But it does

1215
01:01:02,280 --> 01:01:04,840
Speaker 2: come back to me in different ways. I've been blessed,

1216
01:01:04,920 --> 01:01:07,160
Speaker 2: you know what I'm saying. But it does hurt your

1217
01:01:07,200 --> 01:01:09,960
Speaker 2: heart sometimes, oh absolutely, it gets you stabbed in the

1218
01:01:10,080 --> 01:01:14,640
Speaker 2: back likes sometimes then it makes you feel so so

1219
01:01:14,880 --> 01:01:19,440
Speaker 2: different because when I bring you into my small circle,

1220
01:01:20,000 --> 01:01:23,200
Speaker 2: I'm giving you a lot of attention and love and

1221
01:01:23,320 --> 01:01:27,280
Speaker 2: affection and money and time, you know what I'm saying.

1222
01:01:27,360 --> 01:01:30,880
Speaker 2: So when you damage that you don't value me, you've

1223
01:01:30,880 --> 01:01:34,800
Speaker 2: been disrespecting me the whole fucking time, and that's what

1224
01:01:34,960 --> 01:01:37,240
Speaker 2: the part, that's the part that makes me mad or

1225
01:01:37,240 --> 01:01:38,160
Speaker 2: will hurt my heart.

1226
01:01:38,600 --> 01:01:40,560
Speaker 3: But that's how I feel about this Camon Dame shit.

1227
01:01:40,960 --> 01:01:43,440
Speaker 3: I feel like it's like it hurts to see it

1228
01:01:43,520 --> 01:01:46,440
Speaker 3: because I know that there was real, genuine love there.

1229
01:01:46,960 --> 01:01:49,720
Speaker 3: I know that there was real friendship there, and to

1230
01:01:49,840 --> 01:01:52,120
Speaker 3: see it now play out the way it's playing out,

1231
01:01:52,600 --> 01:01:54,520
Speaker 3: and let's just be honest, I feel like it's playing

1232
01:01:54,520 --> 01:01:55,160
Speaker 3: out because.

1233
01:01:54,960 --> 01:01:57,680
Speaker 2: People feel Dame is vulnerable. They feel like he's in

1234
01:01:57,720 --> 01:02:00,320
Speaker 2: a position that you know, he was the man at

1235
01:02:00,360 --> 01:02:02,800
Speaker 2: one point, now he's not. Now I'm the man. It's

1236
01:02:02,800 --> 01:02:04,960
Speaker 2: a lot of that going on, like I don't need

1237
01:02:05,080 --> 01:02:05,640
Speaker 2: you no more.

1238
01:02:05,720 --> 01:02:07,840
Speaker 3: It's that a lot of that energy that I don't

1239
01:02:08,080 --> 01:02:10,840
Speaker 3: like because it's like, don't do that, because it's always

1240
01:02:10,840 --> 01:02:13,240
Speaker 3: gonna be ups and downs just because you up right

1241
01:02:13,320 --> 01:02:16,160
Speaker 3: now you're man. Or you think he's down that don't

1242
01:02:16,200 --> 01:02:18,720
Speaker 3: me start talking crazy to him, ship on him and

1243
01:02:18,800 --> 01:02:19,600
Speaker 3: all of this other thing.

1244
01:02:19,760 --> 01:02:19,880
Speaker 2: Now.

1245
01:02:19,960 --> 01:02:22,840
Speaker 3: Granted, not saying that Cam is not right for defending

1246
01:02:22,880 --> 01:02:25,440
Speaker 3: himself and speaking up and talking his ship, because I

1247
01:02:25,480 --> 01:02:27,160
Speaker 3: think he was pushed to a position where.

1248
01:02:27,200 --> 01:02:29,000
Speaker 2: He felt like like I got it.

1249
01:02:29,040 --> 01:02:31,320
Speaker 3: I'm a man, I'm a man at the end of

1250
01:02:31,320 --> 01:02:32,840
Speaker 3: the day, like funk all of this liked, you're not

1251
01:02:33,000 --> 01:02:35,640
Speaker 3: like you're talking crazy, Like so I get that, but

1252
01:02:36,280 --> 01:02:40,520
Speaker 3: when it starts getting too personal, when you start talking about, Yo,

1253
01:02:40,640 --> 01:02:43,600
Speaker 3: your son is broke, he was living with this dude.

1254
01:02:45,920 --> 01:02:47,520
Speaker 2: Like, but that's what I'm saying.

1255
01:02:47,680 --> 01:02:51,440
Speaker 3: I don't like that because again, as as black men,

1256
01:02:52,640 --> 01:02:58,160
Speaker 3: my wigger, he understands, we understand. We understand that when

1257
01:02:58,200 --> 01:03:01,640
Speaker 3: you cross a certain line pointing the return, now.

1258
01:03:01,640 --> 01:03:06,400
Speaker 2: Things are in danger of going a whole nother route.

1259
01:03:06,760 --> 01:03:08,240
Speaker 2: We start bringing the kids involved.

1260
01:03:08,760 --> 01:03:12,360
Speaker 3: Now we now flirting with things going my whole different route.

1261
01:03:13,080 --> 01:03:15,160
Speaker 3: And we've seen this before. We've seen that story. That's

1262
01:03:15,240 --> 01:03:18,120
Speaker 3: part of our DNA growing up. Somebody say something went

1263
01:03:18,160 --> 01:03:18,440
Speaker 3: too far.

1264
01:03:18,800 --> 01:03:20,640
Speaker 2: Now it's beef. They shooting over here.

1265
01:03:20,880 --> 01:03:23,000
Speaker 3: He got he got cut this that like we've seen

1266
01:03:23,040 --> 01:03:24,720
Speaker 3: it start from like yo with that's just you know,

1267
01:03:24,800 --> 01:03:26,480
Speaker 3: he just says someone day and they've been beefing for

1268
01:03:26,560 --> 01:03:29,320
Speaker 3: fifteen years behind that, Like what so now you're talk

1269
01:03:29,360 --> 01:03:33,000
Speaker 3: about doing that on social media where now the world

1270
01:03:33,160 --> 01:03:33,959
Speaker 3: is watching this ship.

1271
01:03:34,960 --> 01:03:36,800
Speaker 2: But then game come out and say you're trying to

1272
01:03:36,800 --> 01:03:41,040
Speaker 2: squash the beef. Yeah, but you don't have leverage to

1273
01:03:41,120 --> 01:03:45,280
Speaker 2: squash the beef. It's past that. That's true, because in order.

1274
01:03:45,200 --> 01:03:47,760
Speaker 3: To squash a beef, it had to taste too, Like

1275
01:03:47,840 --> 01:03:49,760
Speaker 3: I gotta be willing to squash it too. Now, you

1276
01:03:49,840 --> 01:03:52,280
Speaker 3: said something about my family or something about something that

1277
01:03:52,360 --> 01:03:54,240
Speaker 3: I didn't want, you know, didn't think you would ever

1278
01:03:54,360 --> 01:03:56,680
Speaker 3: say publicly. Now I'm like, nah, fuck that, I don't

1279
01:03:56,680 --> 01:04:01,360
Speaker 3: want that. But oh no, it's the thing that we

1280
01:04:01,440 --> 01:04:03,560
Speaker 3: all know what it's like. Niggas get bunching. It happens.

1281
01:04:03,760 --> 01:04:05,240
Speaker 3: But now when you use that, when you try to

1282
01:04:05,360 --> 01:04:08,960
Speaker 3: weaponize that when we ship talking now, I'm looking at

1283
01:04:09,000 --> 01:04:11,240
Speaker 3: you like you've been waiting to get that off.

1284
01:04:11,600 --> 01:04:16,160
Speaker 2: Man. Privately, we know this man. These dudes behind the

1285
01:04:16,240 --> 01:04:19,920
Speaker 2: scenes are watching the phone and they're waiting for a mishap.

1286
01:04:20,280 --> 01:04:22,200
Speaker 2: They can play in front of the camera all day.

1287
01:04:22,240 --> 01:04:25,440
Speaker 2: I don't be caring if it's just waiting for Dame's

1288
01:04:25,480 --> 01:04:29,680
Speaker 2: teeth to fall out of Yeah, you know Cam. Dame

1289
01:04:29,800 --> 01:04:33,080
Speaker 2: is waiting for Cam to say, Yo, I'm broke right now.

1290
01:04:33,360 --> 01:04:35,600
Speaker 2: I lost my revolt deal. Not to wish any of that,

1291
01:04:36,080 --> 01:04:36,600
Speaker 2: these dudes.

1292
01:04:36,840 --> 01:04:41,280
Speaker 3: That's nasty though, when you're sitting around waiting for that, that's.

1293
01:04:42,600 --> 01:04:55,920
Speaker 2: Waiting, waiting. He's not waiting. He can't wait. He's the moment,

1294
01:04:56,720 --> 01:04:59,919
Speaker 2: the moment ross his name hits the headline. He said,

1295
01:05:00,040 --> 01:05:06,200
Speaker 2: he's not the only reason Fifth won't upload the videos

1296
01:05:06,240 --> 01:05:08,880
Speaker 2: if he gets distracted. It was a person he was

1297
01:05:08,920 --> 01:05:11,480
Speaker 2: going to upload the video about he was going to

1298
01:05:11,560 --> 01:05:14,360
Speaker 2: wreck their career. And the only reason he didn't upload

1299
01:05:14,400 --> 01:05:17,240
Speaker 2: it because Mano came up there and he forgot the

1300
01:05:17,320 --> 01:05:19,880
Speaker 2: press send. And I said, you know, you think Fifth

1301
01:05:19,920 --> 01:05:22,400
Speaker 2: gonna upload that. They said he got one hundred videos,

1302
01:05:22,440 --> 01:05:25,480
Speaker 2: about a hundred motherfuckers. He never uploaded. He just he

1303
01:05:25,640 --> 01:05:28,080
Speaker 2: just be forgetting. If he come back to it, he'll

1304
01:05:28,120 --> 01:05:32,120
Speaker 2: press upload. That's crazy. He has a hundred videos. I

1305
01:05:32,160 --> 01:05:33,840
Speaker 2: don't even want to say the name Glad. I don't.

1306
01:05:33,920 --> 01:05:38,240
Speaker 2: I'm glad. I don't know what nobody got. I want

1307
01:05:38,240 --> 01:05:41,120
Speaker 2: to be in. I got my own ship. Yeah, remember

1308
01:05:41,160 --> 01:05:45,760
Speaker 2: y'all doing. I'm happy for you. I just I told him,

1309
01:05:45,800 --> 01:05:49,200
Speaker 2: I said, I don't even I grew up with this nigga. Okay,

1310
01:05:49,640 --> 01:05:52,120
Speaker 2: I said, I don't even want to mention fifty cent

1311
01:05:52,320 --> 01:05:56,440
Speaker 2: name on bag Field ever. Feel Okay. I didn't told

1312
01:05:56,560 --> 01:05:59,120
Speaker 2: niggas all types of stories and when I was a

1313
01:05:59,280 --> 01:06:03,400
Speaker 2: kid nigg at fifty? Is this true? Is this true? Yeah,

1314
01:06:03,400 --> 01:06:05,360
Speaker 2: it's true. But I don't even want that ship because

1315
01:06:05,360 --> 01:06:06,960
Speaker 2: he might just wake up one day and say, why

1316
01:06:07,080 --> 01:06:16,720
Speaker 2: is Randy even saying this? Stay out that nigga way?

1317
01:06:17,120 --> 01:06:22,320
Speaker 2: He don't stop Cameron. I don't talk about Cameron. They

1318
01:06:22,440 --> 01:06:25,040
Speaker 2: asked me questions about Jim Joe. I don't know about

1319
01:06:25,160 --> 01:06:28,040
Speaker 2: Jim Jones and Cameron. Leave me out the middle of

1320
01:06:28,120 --> 01:06:31,520
Speaker 2: this ship. Who else they be with? Dame Dash I

1321
01:06:31,640 --> 01:06:33,120
Speaker 2: said a little bit of shit, I said, I think,

1322
01:06:33,600 --> 01:06:36,000
Speaker 2: I said on the on back field, I said, I

1323
01:06:36,040 --> 01:06:38,520
Speaker 2: think he's getting slandered, and people say why he getting slayd?

1324
01:06:38,560 --> 01:06:41,920
Speaker 2: I said, jay Z doesn't have to slander him. Jay

1325
01:06:41,960 --> 01:06:44,440
Speaker 2: Z's just everybody's favorite. You know what I'm saying. He

1326
01:06:44,560 --> 01:06:47,800
Speaker 2: has the lever, So just sit back and just watch

1327
01:06:47,880 --> 01:06:50,680
Speaker 2: everybody just do what he's doing. He he doesn't even

1328
01:06:50,720 --> 01:06:53,840
Speaker 2: have to want y'all to do it, but your fans.

1329
01:06:54,040 --> 01:06:55,840
Speaker 2: It's like when you got a bunch of gang members

1330
01:06:55,880 --> 01:06:58,200
Speaker 2: and somebody wants to go make a you know, they

1331
01:06:58,280 --> 01:07:00,280
Speaker 2: want to get close to you, so they want to

1332
01:07:00,280 --> 01:07:02,200
Speaker 2: go make a point. He got a fucking a billion

1333
01:07:02,320 --> 01:07:05,240
Speaker 2: gang members. It's like, oh, if his Dame Dash is trash.

1334
01:07:05,320 --> 01:07:08,320
Speaker 2: It's this setting on that. So it's like, what are

1335
01:07:08,320 --> 01:07:11,320
Speaker 2: you gonna get from that? Yo? You out here defending

1336
01:07:11,360 --> 01:07:14,840
Speaker 2: yourself all day. It's like Drake, I would have said, Yo, Drake,

1337
01:07:14,960 --> 01:07:19,400
Speaker 2: I don't even engaged in this. No more like Yo,

1338
01:07:19,600 --> 01:07:21,680
Speaker 2: just go do what you decided to do later. You

1339
01:07:21,880 --> 01:07:25,600
Speaker 2: just put songs out. People still like your records. A

1340
01:07:25,720 --> 01:07:27,680
Speaker 2: battle doesn't mean nothing. I said that, So I said,

1341
01:07:27,680 --> 01:07:29,800
Speaker 2: if he just go do the songs, And I said

1342
01:07:29,880 --> 01:07:33,000
Speaker 2: on the show, I said, the industry isn't as entertaining

1343
01:07:33,200 --> 01:07:36,760
Speaker 2: since to take down of Drake. Think about that. It's

1344
01:07:36,840 --> 01:07:40,560
Speaker 2: not boring, it's not entertaining. That's all that I'm saying.

1345
01:07:40,720 --> 01:07:44,080
Speaker 2: When he was rolling around, Chris Brown's concert had all

1346
01:07:44,120 --> 01:07:46,600
Speaker 2: the bitches. I'm not gonna lie, right, But when Drake

1347
01:07:46,720 --> 01:07:48,560
Speaker 2: was in town, it was like a hysteria. It was

1348
01:07:48,640 --> 01:07:51,160
Speaker 2: a thing going on in New York's fine days and

1349
01:07:51,680 --> 01:07:54,480
Speaker 2: parties here and fashion here, and she was a shot

1350
01:07:54,560 --> 01:07:57,120
Speaker 2: over here. That's how that's how it was going. I

1351
01:07:57,160 --> 01:07:59,480
Speaker 2: don't know what it is about him and the people

1352
01:07:59,640 --> 01:08:02,480
Speaker 2: he brings or who rocks with him, but he had

1353
01:08:02,520 --> 01:08:05,959
Speaker 2: a different type of excitement to the game and since

1354
01:08:06,000 --> 01:08:09,480
Speaker 2: he been chilling. Ship been boring. Hip hop has been boring,

1355
01:08:09,880 --> 01:08:12,600
Speaker 2: and now we're gonna kill you. They can't, they said,

1356
01:08:12,600 --> 01:08:14,320
Speaker 2: but it's the truth. We said it too, but it

1357
01:08:15,520 --> 01:08:18,920
Speaker 2: has been It's just the truth. Why do you say

1358
01:08:18,960 --> 01:08:23,280
Speaker 2: it's been born. Nobody's nobody who's bringing excitement. The music

1359
01:08:24,520 --> 01:08:27,880
Speaker 2: just isn't in a great record. What made I was

1360
01:08:28,280 --> 01:08:32,320
Speaker 2: exciting was the personalities, the feeling that you're not when

1361
01:08:32,360 --> 01:08:35,200
Speaker 2: they was in public. When you saw dudes coaching at

1362
01:08:35,240 --> 01:08:38,360
Speaker 2: the rucka Drake was one of the few people he's outside,

1363
01:08:40,080 --> 01:08:44,120
Speaker 2: one of the most successful with a plastic bin. He's

1364
01:08:44,400 --> 01:08:47,400
Speaker 2: inside bundles of money. He'd even break the seal. He

1365
01:08:47,560 --> 01:08:55,040
Speaker 2: just threw the bundles. I don't. He's a talent, rapper artist,

1366
01:08:55,160 --> 01:08:59,040
Speaker 2: he's not outside. Nobody's outside like nobody.

1367
01:08:59,160 --> 01:09:03,200
Speaker 1: You guys are from a outsid era, all right. These

1368
01:09:03,800 --> 01:09:05,000
Speaker 1: kids are inside.

1369
01:09:05,040 --> 01:09:09,160
Speaker 2: Cady Beast Rollout that's been about outside. They're looking at

1370
01:09:09,200 --> 01:09:12,920
Speaker 2: it like it's mighty beings outside. And that standard record

1371
01:09:13,840 --> 01:09:15,240
Speaker 2: she's doing a stand. I mean the same thing with

1372
01:09:15,439 --> 01:09:17,800
Speaker 2: the Clips. I loved their rollout Standard. It was very

1373
01:09:17,960 --> 01:09:20,559
Speaker 2: like they just did what anyone and the kids thought

1374
01:09:20,560 --> 01:09:24,519
Speaker 2: it was magical. Because the little bit they wren out

1375
01:09:26,600 --> 01:09:29,439
Speaker 2: the clips was outside, they were they was accessible. They

1376
01:09:29,560 --> 01:09:33,800
Speaker 2: did ship downtown and man outside concerts and they were

1377
01:09:33,880 --> 01:09:36,560
Speaker 2: popping up over here. It gave you the air of

1378
01:09:36,720 --> 01:09:39,800
Speaker 2: accessibility just because they decided to come outside and make

1379
01:09:39,880 --> 01:09:43,439
Speaker 2: their face scene. Nobody if you can reach out and

1380
01:09:43,600 --> 01:09:47,760
Speaker 2: touch somebody. If Nicki Minaj was outside, and I'm not

1381
01:09:47,800 --> 01:09:49,559
Speaker 2: talking about being in the clubs, I'm just talking about

1382
01:09:49,760 --> 01:09:54,160
Speaker 2: if we saw her somewhere beside an award show or

1383
01:09:54,200 --> 01:09:56,639
Speaker 2: something like that, hysteria would be different.

1384
01:09:56,720 --> 01:09:58,519
Speaker 1: If she stood up on top of a truck and soho.

1385
01:09:59,240 --> 01:10:03,599
Speaker 2: It's but you know what it would do. It would

1386
01:10:03,640 --> 01:10:06,280
Speaker 2: bring excitement to hip hop. I agree, And this is

1387
01:10:06,320 --> 01:10:08,080
Speaker 2: what we don't have people do. Remember when Jay Z

1388
01:10:08,200 --> 01:10:10,759
Speaker 2: spent the whole summer driving around New York and the Wrangler.

1389
01:10:11,640 --> 01:10:15,479
Speaker 2: Everybody talked about that ship, everybody went about Wranglers. It

1390
01:10:15,600 --> 01:10:20,080
Speaker 2: created something is in the city. Nobody's doing that within

1391
01:10:20,280 --> 01:10:23,439
Speaker 2: their city. So you don't feel like hip hop has

1392
01:10:23,479 --> 01:10:27,960
Speaker 2: been exciting since Drake just the battle. Once the battle

1393
01:10:28,040 --> 01:10:30,840
Speaker 2: died down, it's been boring. I think we've had moments,

1394
01:10:30,880 --> 01:10:33,000
Speaker 2: we've had good music, such as I say, good music,

1395
01:10:34,600 --> 01:10:36,519
Speaker 2: I agree there's been some good music, but it's not

1396
01:10:36,720 --> 01:10:42,000
Speaker 2: it's not the clips excited. I can't say nothing like

1397
01:10:42,000 --> 01:10:46,720
Speaker 2: they're gonna drake exactly what you say.

1398
01:10:48,880 --> 01:10:52,040
Speaker 1: Clips rollout was exciting to me. Clips roll out to me,

1399
01:10:53,760 --> 01:10:55,280
Speaker 1: I think, Yeah, that brought a lot. That was probably

1400
01:10:55,320 --> 01:10:57,840
Speaker 1: the most exciting moment this year as far as hip

1401
01:10:57,840 --> 01:10:58,200
Speaker 1: hop went.

1402
01:10:59,080 --> 01:11:03,360
Speaker 2: Saying nothing, that's the most exciting moment, Like we got it.

1403
01:11:03,439 --> 01:11:05,479
Speaker 2: It's back to back to square one of just a

1404
01:11:06,000 --> 01:11:09,640
Speaker 2: standard rollout. It's a standard rollout work. And look what

1405
01:11:11,240 --> 01:11:14,280
Speaker 2: think about it? They had that. I like Cardi B

1406
01:11:14,479 --> 01:11:16,679
Speaker 2: on the train better than that. Yeah, I like Cardi

1407
01:11:16,720 --> 01:11:21,960
Speaker 2: B fake selling the CDs like I'm enjoying that. Yeah,

1408
01:11:22,200 --> 01:11:25,040
Speaker 2: you know what I'm enjoying for hip hop. I'm off

1409
01:11:25,120 --> 01:11:29,080
Speaker 2: off till the coming door skits about the hip hop story. Yeah,

1410
01:11:29,439 --> 01:11:33,120
Speaker 2: I'm enjoying that. Yeah, that's bringing some different flavor to

1411
01:11:33,280 --> 01:11:35,800
Speaker 2: hip hop. I'm looking forward with you. What you said

1412
01:11:36,160 --> 01:11:39,760
Speaker 2: hip hop's lacks creativity. Now, yes, when he puts the

1413
01:11:39,880 --> 01:11:42,800
Speaker 2: picture saying comments, I'm telling you, man, it stop playing

1414
01:11:42,800 --> 01:11:45,320
Speaker 2: with me. Drop that. I needs to see this ship.

1415
01:11:46,040 --> 01:11:49,320
Speaker 2: That's that's excitement. Who else is doing something like that? Yeah?

1416
01:11:49,880 --> 01:11:52,560
Speaker 3: The next who's the next because we and or we

1417
01:11:52,640 --> 01:11:56,120
Speaker 3: talked about it a lot, like who's the next rap superstar?

1418
01:11:57,240 --> 01:11:58,840
Speaker 2: Like do we see one on a on a on

1419
01:11:58,960 --> 01:12:02,160
Speaker 2: a you know, like coming down there, I got one. Okay,

1420
01:12:02,200 --> 01:12:04,679
Speaker 2: I'm let him speaking, And I'm going to say, because

1421
01:12:04,720 --> 01:12:07,160
Speaker 2: of the climate that we're in and how he understands

1422
01:12:07,200 --> 01:12:10,599
Speaker 2: the younger audience and older people gravitate to him, said

1423
01:12:10,640 --> 01:12:14,360
Speaker 2: he will, he could be. It could be, he could be.

1424
01:12:14,600 --> 01:12:18,240
Speaker 2: I'm gonna say, I don't know him yet. Whoever is

1425
01:12:18,280 --> 01:12:20,640
Speaker 2: going to be the next big executive is going to

1426
01:12:20,680 --> 01:12:25,559
Speaker 2: have the biggest round. Whoever that person is, whether he's

1427
01:12:26,000 --> 01:12:29,479
Speaker 2: a street executive that has money, whether it's somebody that

1428
01:12:29,560 --> 01:12:31,320
Speaker 2: they're going to give a job, it's just going to

1429
01:12:31,400 --> 01:12:33,639
Speaker 2: be that person that they believe in, like niggas believe

1430
01:12:33,680 --> 01:12:36,800
Speaker 2: that Nelly and Nelly came out of nowhere. Somebody who

1431
01:12:36,880 --> 01:12:39,519
Speaker 2: knows how to work the system all, who can take

1432
01:12:39,600 --> 01:12:44,120
Speaker 2: it from the studio to the DJ, who understands the marketing,

1433
01:12:44,160 --> 01:12:46,800
Speaker 2: Whoever that person is, because they got it Kendrick and

1434
01:12:47,120 --> 01:12:49,000
Speaker 2: was doing it over there with Sissy and all the

1435
01:12:49,080 --> 01:12:52,120
Speaker 2: time Top Dog was putting out albums. They got it.

1436
01:12:52,840 --> 01:12:56,040
Speaker 2: Whoever that next person is that gets it can make

1437
01:12:56,160 --> 01:12:57,320
Speaker 2: anybody big bro.

1438
01:12:57,840 --> 01:13:00,840
Speaker 1: I was hoping after QC that would catch on again

1439
01:13:01,000 --> 01:13:04,960
Speaker 1: because there was a break between Murder and Rockefeller rough Riders,

1440
01:13:05,000 --> 01:13:07,160
Speaker 1: et cetera. And then when Coach K and P came

1441
01:13:07,320 --> 01:13:09,720
Speaker 1: it was like, oh shit, all this still exists. But

1442
01:13:09,880 --> 01:13:11,680
Speaker 1: because to me they are there, they should be in

1443
01:13:11,720 --> 01:13:14,680
Speaker 1: the mix with he had cash money anything QC is

1444
01:13:14,720 --> 01:13:17,479
Speaker 1: that to me? After that though, it's been quiet on.

1445
01:13:17,560 --> 01:13:19,880
Speaker 2: The execu They don't want to spend money. He had

1446
01:13:19,960 --> 01:13:22,800
Speaker 2: the money. And you got to remember Coach K had

1447
01:13:22,840 --> 01:13:26,640
Speaker 2: to know how from g G GZ so saying he

1448
01:13:26,840 --> 01:13:32,360
Speaker 2: was in the death cham system. But everything. We went

1449
01:13:32,400 --> 01:13:35,040
Speaker 2: out to dinner with a big exact and he said

1450
01:13:35,160 --> 01:13:38,960
Speaker 2: they are afraid to invest in artists. They're holding tight

1451
01:13:39,040 --> 01:13:41,680
Speaker 2: to the money, right. And what I learned is all

1452
01:13:41,720 --> 01:13:45,160
Speaker 2: these execs now are fifty and above and if they

1453
01:13:45,280 --> 01:13:47,519
Speaker 2: take a chance on the wrong artists and get fired

1454
01:13:47,600 --> 01:13:51,160
Speaker 2: out forever, they're driving the bus out forever now to

1455
01:13:51,280 --> 01:13:54,960
Speaker 2: this standard, to this standard. Yeah now, but understand if

1456
01:13:55,000 --> 01:13:57,679
Speaker 2: they were twenty five, they would take the risk. Because

1457
01:13:57,720 --> 01:14:00,280
Speaker 2: all these executives was taking the risk at twenty fot

1458
01:14:00,360 --> 01:14:02,639
Speaker 2: that they're not going to take at fifty because they're

1459
01:14:02,720 --> 01:14:05,519
Speaker 2: making all this money, they get to swipe the card.

1460
01:14:05,600 --> 01:14:09,439
Speaker 2: How many rappers budgets have been spent on y'all just

1461
01:14:09,520 --> 01:14:11,200
Speaker 2: to go out to dinner to convince you to play

1462
01:14:11,240 --> 01:14:14,040
Speaker 2: a music Yes, we know the deal, We know the deal.

1463
01:14:14,280 --> 01:14:17,240
Speaker 2: We saw a rapper he has about five million followers

1464
01:14:17,520 --> 01:14:22,200
Speaker 2: and his total budget was three thousand dollars. Yeah, yeah,

1465
01:14:22,560 --> 01:14:24,519
Speaker 2: and half of that was spent. They were just trying

1466
01:14:24,560 --> 01:14:26,200
Speaker 2: to get rid of it. Yeah. You know how how

1467
01:14:26,240 --> 01:14:28,960
Speaker 2: they do? They not your budget down and say, well, off, yeah,

1468
01:14:29,400 --> 01:14:31,280
Speaker 2: let's see if you could do something with the rest

1469
01:14:31,320 --> 01:14:33,560
Speaker 2: of his love. We're gonna refecast.

1470
01:14:33,640 --> 01:14:36,400
Speaker 1: So so all these older execs they're not taking the risk,

1471
01:14:36,680 --> 01:14:39,080
Speaker 1: or they're putting their son in charge of labels that.

1472
01:14:42,360 --> 01:14:43,479
Speaker 2: Wait, I'm sorry, do we not call.

1473
01:14:46,000 --> 01:14:49,280
Speaker 1: I'm not taking away what Elliot Range did with six

1474
01:14:49,439 --> 01:14:52,320
Speaker 1: Dons that was trippy rad what's the name of their company?

1475
01:14:52,640 --> 01:14:55,040
Speaker 1: I think Ice Spice was under the ship says well, yes,

1476
01:14:55,320 --> 01:14:57,240
Speaker 1: I'm not taking away from somebody that was the son

1477
01:14:57,320 --> 01:14:58,080
Speaker 1: of Lucian Grange.

1478
01:14:58,479 --> 01:15:00,800
Speaker 2: But he still he's still he put his little work in.

1479
01:15:01,280 --> 01:15:02,280
Speaker 2: But that's what's happening.

1480
01:15:02,320 --> 01:15:05,280
Speaker 1: They're giving him the position at Atlantic, which now we

1481
01:15:05,400 --> 01:15:06,560
Speaker 1: have the granges.

1482
01:15:06,160 --> 01:15:09,680
Speaker 2: And would you do that? Wouldn't you do that with

1483
01:15:09,720 --> 01:15:10,040
Speaker 2: your dough?

1484
01:15:10,120 --> 01:15:10,200
Speaker 1: Oh?

1485
01:15:10,280 --> 01:15:12,400
Speaker 2: No, I think nepotism is a good thing too. I

1486
01:15:12,479 --> 01:15:13,080
Speaker 2: thought love it.

1487
01:15:13,880 --> 01:15:17,120
Speaker 3: I support nepotism me too, sure, And I'm not you

1488
01:15:17,120 --> 01:15:18,200
Speaker 3: don't support nepotism.

1489
01:15:18,840 --> 01:15:22,320
Speaker 2: You gotta be good. Yeah, And I'm saying Elliot his day.

1490
01:15:23,160 --> 01:15:25,160
Speaker 1: But I'm saying the power play of instead of of

1491
01:15:25,439 --> 01:15:29,080
Speaker 1: empowering someone like coach K and P. Now, instead I'm

1492
01:15:29,080 --> 01:15:30,960
Speaker 1: gonna take my son that was under the Universal Ship,

1493
01:15:31,000 --> 01:15:31,880
Speaker 1: which I'm I own.

1494
01:15:31,920 --> 01:15:33,200
Speaker 2: I'm sir Lucien Gray.

1495
01:15:34,200 --> 01:15:36,360
Speaker 1: Sirs are there. He was knighted by the Queen.

1496
01:15:36,439 --> 01:15:37,800
Speaker 2: Sean Connery was the last one.

1497
01:15:38,160 --> 01:15:41,320
Speaker 1: And if I'm battling between Sony and Warner at I

1498
01:15:41,360 --> 01:15:43,640
Speaker 1: have Universal. Now my son is at the head of

1499
01:15:43,640 --> 01:15:47,120
Speaker 1: the biggest on sixty six percent of it. That's what's

1500
01:15:47,160 --> 01:15:50,040
Speaker 1: going on. They're not going to give somebody like Coach

1501
01:15:50,120 --> 01:15:52,120
Speaker 1: K and whatever the new the new version of that

1502
01:15:52,280 --> 01:15:53,760
Speaker 1: is going to be. Now, I'm just gonna move my

1503
01:15:53,840 --> 01:15:56,600
Speaker 1: family around the three makes The new version.

1504
01:15:56,479 --> 01:15:58,240
Speaker 2: Is going to be, like I said, it's going to

1505
01:15:58,280 --> 01:15:59,880
Speaker 2: be off the street or it's going to be from

1506
01:16:00,040 --> 01:16:03,080
Speaker 2: one of those labels. That's not affiliated with them, that

1507
01:16:03,280 --> 01:16:06,360
Speaker 2: needs it. They only come get the black ship when

1508
01:16:06,400 --> 01:16:08,479
Speaker 2: they need it, when they need that street. And they

1509
01:16:08,600 --> 01:16:11,760
Speaker 2: know niggas is gonna buy it. They're gonna support it,

1510
01:16:12,080 --> 01:16:14,720
Speaker 2: they're gonna rally behind it, and they know it. They're

1511
01:16:14,800 --> 01:16:17,120
Speaker 2: just gonna wait and wait and wait, like they're trying

1512
01:16:17,160 --> 01:16:19,360
Speaker 2: to bring the singers back right now. That's what they're

1513
01:16:19,400 --> 01:16:21,400
Speaker 2: trying to do. They try to take this ship all

1514
01:16:21,479 --> 01:16:24,880
Speaker 2: the way around. But whoever has that, who understands the

1515
01:16:25,000 --> 01:16:30,280
Speaker 2: discretionary fund, who has the motherfucking had fun dude, and

1516
01:16:30,479 --> 01:16:33,760
Speaker 2: understands the game. And I think record labels are gonna

1517
01:16:33,800 --> 01:16:38,400
Speaker 2: start really signing in publicly podcasters and streets. Then we're

1518
01:16:38,400 --> 01:16:41,639
Speaker 2: supposed to do that, and they're not saying it publicly.

1519
01:16:41,760 --> 01:16:44,800
Speaker 2: They've been supposed to start doing it publicly. But after

1520
01:16:44,880 --> 01:16:48,560
Speaker 2: we've seen the money that spot podcasters are magging on Spotify,

1521
01:16:48,640 --> 01:16:52,360
Speaker 2: which is way more than rappers, it's gonna take about

1522
01:16:52,360 --> 01:16:56,479
Speaker 2: another five years public So Sony publicly has a podcast division.

1523
01:16:56,520 --> 01:17:01,400
Speaker 2: Of people don't really know that I'm gonna signed it

1524
01:17:01,600 --> 01:17:02,840
Speaker 2: to Warner Record.

1525
01:17:04,439 --> 01:17:06,559
Speaker 1: It's a lot of a lot of podcasters turned down

1526
01:17:06,840 --> 01:17:10,640
Speaker 1: those those deals from majors I'm sure we're not the

1527
01:17:10,720 --> 01:17:12,840
Speaker 1: only ones that have been approached by that. I'm not

1528
01:17:12,920 --> 01:17:15,680
Speaker 1: saying a secret or like some reveal. Now everybody's been

1529
01:17:16,000 --> 01:17:18,040
Speaker 1: approached by those. Everyone just turns it down because it's

1530
01:17:18,040 --> 01:17:23,800
Speaker 1: just not really make it worth it. Like no, Maul,

1531
01:17:23,880 --> 01:17:25,960
Speaker 1: I know you're looking for a phone plan right now,

1532
01:17:27,240 --> 01:17:29,240
Speaker 1: and I'm gonna bet you know you have twenty.

1533
01:17:29,040 --> 01:17:31,120
Speaker 2: Five dollars in your pocket. You got a little cash

1534
01:17:31,160 --> 01:17:32,040
Speaker 2: on it, just a little bit.

1535
01:17:32,200 --> 01:17:33,560
Speaker 1: But I mean, if you want a phone plan and

1536
01:17:33,640 --> 01:17:35,320
Speaker 1: only want to pay twenty five dollars a month for

1537
01:17:35,439 --> 01:17:38,600
Speaker 1: unlimited talk, text data, I feel like you should.

1538
01:17:38,320 --> 01:17:39,960
Speaker 2: Go with Boost. I knew you was going to say that.

1539
01:17:40,280 --> 01:17:41,640
Speaker 2: I had a feel. I don't think you thought that.

1540
01:17:41,800 --> 01:17:43,040
Speaker 2: I knew you were going to see because you don't

1541
01:17:43,040 --> 01:17:45,080
Speaker 2: know they have no price. I knew it. You knew.

1542
01:17:45,200 --> 01:17:47,640
Speaker 2: I know to say that you don't know what it is.

1543
01:17:47,760 --> 01:17:50,880
Speaker 3: And let me guess Boost Mobile is now legitimationwide five

1544
01:17:50,960 --> 01:17:54,439
Speaker 3: G network because you've invested billions into five G towers

1545
01:17:54,439 --> 01:17:55,040
Speaker 3: across the country.

1546
01:17:55,080 --> 01:17:56,080
Speaker 2: Visit bootsmobile dot com.

1547
01:17:56,120 --> 01:17:58,040
Speaker 3: I head to your local Boost store today and get

1548
01:17:58,160 --> 01:18:00,200
Speaker 3: unlimited talk, text and data for twenty five was a

1549
01:18:00,280 --> 01:18:03,080
Speaker 3: month forever five G speeds are not available in all areas.

1550
01:18:03,120 --> 01:18:06,960
Speaker 3: After thirty GB, customers may experience lower speeds. Customers will

1551
01:18:06,960 --> 01:18:08,960
Speaker 3: pay twenty fives a month as long as they remain

1552
01:18:09,040 --> 01:18:10,599
Speaker 3: active on the Boost Unlimited Plan.

1553
01:18:16,760 --> 01:18:19,400
Speaker 2: Nothing that, it's just like we're not going, what's your

1554
01:18:19,439 --> 01:18:22,559
Speaker 2: relationship with Math? Like we don't have a relationship? Yeah,

1555
01:18:22,720 --> 01:18:24,400
Speaker 2: because I saw y'all ran into him. I think it

1556
01:18:24,479 --> 01:18:27,400
Speaker 2: was yee we ran into him.

1557
01:18:29,479 --> 01:18:31,000
Speaker 3: But it seemed like it seemed like it seemed like

1558
01:18:31,040 --> 01:18:33,400
Speaker 3: it wasn't no negative. It seemed like it was like,

1559
01:18:33,479 --> 01:18:39,320
Speaker 3: you know, there was the frame go back like eight,

1560
01:18:39,439 --> 01:18:41,640
Speaker 3: But why you did that? See see I know what

1561
01:18:41,720 --> 01:18:43,560
Speaker 3: that I know what that move is. Why you just

1562
01:18:43,600 --> 01:18:45,000
Speaker 3: cut it off? It was like, nah, that's his man,

1563
01:18:45,080 --> 01:18:46,240
Speaker 3: because that's basically what you said.

1564
01:18:46,680 --> 01:18:48,519
Speaker 2: That's the truth. So you so you don't have a

1565
01:18:48,560 --> 01:18:51,479
Speaker 2: relationship with him? Noah, Before I got on the show,

1566
01:18:51,640 --> 01:18:53,360
Speaker 2: I'll tell you about it. I only knew Math for

1567
01:18:53,479 --> 01:18:56,120
Speaker 2: nine months okay, okay, alright, gosh and then and then

1568
01:18:56,200 --> 01:18:58,240
Speaker 2: we was off the show. Space what's your relationship like

1569
01:18:58,280 --> 01:18:59,920
Speaker 2: with him? You just spoke to him the other thing

1570
01:19:00,160 --> 01:19:02,080
Speaker 2: and the other day it was been a month or so,

1571
01:19:02,520 --> 01:19:05,080
Speaker 2: it's not supposed to. But I thought it was all right.

1572
01:19:05,200 --> 01:19:07,680
Speaker 2: But then people tell me otherwise. When I speak to him,

1573
01:19:07,680 --> 01:19:10,000
Speaker 2: they be like, well, how did you like, I ain't

1574
01:19:10,000 --> 01:19:12,200
Speaker 2: got no problem with math? I don't. Oh, well I

1575
01:19:12,320 --> 01:19:14,040
Speaker 2: heard he still got a problem with I'll be like,

1576
01:19:14,120 --> 01:19:15,080
Speaker 2: I don't know what y'all am.

1577
01:19:15,320 --> 01:19:15,400
Speaker 1: Bro.

1578
01:19:15,760 --> 01:19:18,479
Speaker 2: We haven't been on the show for three years. Yeah,

1579
01:19:20,800 --> 01:19:23,960
Speaker 2: I'm pod Bro. I'm just cool and it don't benefit

1580
01:19:24,320 --> 01:19:27,519
Speaker 2: the conflict is good for YouTube, but business wise, it

1581
01:19:27,600 --> 01:19:30,080
Speaker 2: don't make sense. Worked on our page. Yeah, that's it.

1582
01:19:31,000 --> 01:19:34,160
Speaker 2: It's great for YouTube. Oh good money. I'm not doing

1583
01:19:34,240 --> 01:19:36,760
Speaker 2: no work. I'm not doing no work with I'm not

1584
01:19:36,920 --> 01:19:39,600
Speaker 2: looking backwards. I feel I'm not doing no work with

1585
01:19:39,720 --> 01:19:42,840
Speaker 2: anybody that I was once doing work with that didn't

1586
01:19:42,960 --> 01:19:45,840
Speaker 2: value my work. He's not the only one. There's other

1587
01:19:45,920 --> 01:19:47,880
Speaker 2: people that I work with that didn't value me and

1588
01:19:48,000 --> 01:19:50,240
Speaker 2: value my work. I'm just looking forward to seeing him

1589
01:19:50,240 --> 01:19:53,200
Speaker 2: in the shop with him Mecca and goat murdered again. Yeah,

1590
01:19:53,760 --> 01:19:55,519
Speaker 2: is that going to happen again? That ain't up to me.

1591
01:19:56,080 --> 01:19:58,000
Speaker 2: I know that, but he taking me, he looked. I

1592
01:19:58,000 --> 01:20:01,280
Speaker 2: don't know what he is looking forwar? What badfield? Do enough?

1593
01:20:03,000 --> 01:20:11,920
Speaker 2: I like seeing everybody win and everybody consolidate. Don't see boom.

1594
01:20:12,200 --> 01:20:13,880
Speaker 2: I really don't be knowing with no like Rory.

1595
01:20:13,960 --> 01:20:16,000
Speaker 3: Y'all don't understand how much Rory has to put me

1596
01:20:16,120 --> 01:20:23,200
Speaker 3: on what's happening. I don't these people's doing out here.

1597
01:20:23,280 --> 01:20:24,599
Speaker 3: Rory be texting me in the middle night.

1598
01:20:24,920 --> 01:20:26,840
Speaker 2: You saw this? Nah, but thanks, Like, I don't be

1599
01:20:26,920 --> 01:20:30,280
Speaker 2: knowing what these do. Yeah, I don't know it.

1600
01:20:30,360 --> 01:20:34,760
Speaker 1: Don't like all that back and forth, man, get back,

1601
01:20:34,800 --> 01:20:37,880
Speaker 1: And it's just more so understanding what's going on now.

1602
01:20:37,960 --> 01:20:41,320
Speaker 2: What I'm saying is from a business standpoint, it hurts

1603
01:20:41,400 --> 01:20:44,200
Speaker 2: us in totality in the spaces creators. Just like you

1604
01:20:44,280 --> 01:20:47,439
Speaker 2: said the Dane Can and fifty things, that's the same

1605
01:20:47,479 --> 01:20:51,519
Speaker 2: thing with this. It's entertaining, but business wise people look

1606
01:20:51,560 --> 01:20:55,120
Speaker 2: at that optically it can wreck your negotiating power. People

1607
01:20:55,120 --> 01:20:57,240
Speaker 2: want to be like, I don't like the way these

1608
01:20:57,240 --> 01:21:00,840
Speaker 2: guys are moving. So it only works for us who

1609
01:21:00,920 --> 01:21:04,920
Speaker 2: are doing this form of content to really thrive. So

1610
01:21:04,960 --> 01:21:07,200
Speaker 2: if somebody's like, yo, this show ain't doing good right now,

1611
01:21:07,280 --> 01:21:10,160
Speaker 2: that don't help us because they're gonna be like, oh,

1612
01:21:10,160 --> 01:21:12,040
Speaker 2: they're the same type of show. Let's give them all

1613
01:21:12,080 --> 01:21:14,880
Speaker 2: the same game. Flying money That's how I look at them, like.

1614
01:21:15,080 --> 01:21:17,080
Speaker 1: FU, look how easy shows could just dropping in?

1615
01:21:17,760 --> 01:21:20,760
Speaker 2: You make a great point, Yeah, why you think so

1616
01:21:20,880 --> 01:21:23,840
Speaker 2: many shows are tailing off like they ain't? If there

1617
01:21:23,880 --> 01:21:27,400
Speaker 2: was a podcast Boom once a time and now it's

1618
01:21:27,720 --> 01:21:28,880
Speaker 2: it's not the same, no more.

1619
01:21:28,920 --> 01:21:32,880
Speaker 1: It's no different than the mixtape Boom. We're all starting

1620
01:21:34,320 --> 01:21:35,559
Speaker 1: bo bo is done?

1621
01:21:36,080 --> 01:21:39,360
Speaker 2: Is it? It's done? Everyday turn around. The nigga got

1622
01:21:39,400 --> 01:21:43,120
Speaker 2: a part. They didn't come in and going. You know,

1623
01:21:44,760 --> 01:21:46,760
Speaker 2: I would DJ throw something out. He's going to try

1624
01:21:46,800 --> 01:21:49,640
Speaker 2: to do it. There's nobody pinting, I think because the

1625
01:21:50,160 --> 01:21:53,000
Speaker 2: camp it costs money. Now you know what I'm saying.

1626
01:21:54,760 --> 01:21:56,840
Speaker 2: It was just it was just fun and games. But

1627
01:21:57,000 --> 01:22:00,840
Speaker 2: now they realize, you gotta have real camera. You gotta

1628
01:22:00,920 --> 01:22:02,800
Speaker 2: have if you don't have a space ghast, you gotta

1629
01:22:02,880 --> 01:22:04,720
Speaker 2: have the people that you got, you got your own

1630
01:22:04,800 --> 01:22:09,840
Speaker 2: space coast. It's hard to find these niggas difficult, motherfucker.

1631
01:22:10,120 --> 01:22:12,160
Speaker 2: I put up so much ship with space goes this

1632
01:22:12,280 --> 01:22:15,160
Speaker 2: nigga goes on the road for thirty eight days. Yo,

1633
01:22:15,560 --> 01:22:17,760
Speaker 2: let me be left them there for three days and

1634
01:22:17,880 --> 01:22:20,680
Speaker 2: I'll be fucking pissed. But I'll be like, what am

1635
01:22:20,720 --> 01:22:22,760
Speaker 2: I gonna do nobody can do the job.

1636
01:22:23,680 --> 01:22:24,000
Speaker 1: What it is.

1637
01:22:24,120 --> 01:22:26,640
Speaker 2: Let's go to the studio. Heindneyken, we're going pay for

1638
01:22:26,720 --> 01:22:28,760
Speaker 2: this ship and we're gonna get them to send the

1639
01:22:28,840 --> 01:22:31,080
Speaker 2: ship to space goes because I can't even have I can't.

1640
01:22:31,280 --> 01:22:36,280
Speaker 2: I don't want nobody touching my ship. That is the

1641
01:22:36,320 --> 01:22:43,640
Speaker 2: only person that allowed came touch my when when we

1642
01:22:43,800 --> 01:22:46,360
Speaker 2: go places, I'm like, Heineken, what because I don't know ship?

1643
01:22:46,760 --> 01:22:48,680
Speaker 2: What is this? Why are they doing that? You know?

1644
01:22:48,880 --> 01:22:51,599
Speaker 2: That's so let me be careful with my words. Please

1645
01:22:51,640 --> 01:22:55,439
Speaker 2: do say he's been spoiled so everything he's been since

1646
01:22:55,479 --> 01:22:57,840
Speaker 2: he's been in a podcast Space Space, He's you know,

1647
01:22:57,960 --> 01:23:00,680
Speaker 2: he jumped the broom. So when he's back to what

1648
01:23:00,840 --> 01:23:02,920
Speaker 2: it really is, he's like, why are they doing? I'm like, Yo, chill, Bro.

1649
01:23:03,000 --> 01:23:07,240
Speaker 2: I'll be like, what the fuck? And I'll be saying, yo, lot,

1650
01:23:07,320 --> 01:23:09,759
Speaker 2: I'm like, your fuck? Is it taking so long?

1651
01:23:09,960 --> 01:23:10,080
Speaker 1: Bro?

1652
01:23:10,880 --> 01:23:11,000
Speaker 2: Yo?

1653
01:23:11,120 --> 01:23:11,200
Speaker 1: Bro?

1654
01:23:11,400 --> 01:23:13,120
Speaker 2: You know I ain't got this much time to fucking

1655
01:23:13,200 --> 01:23:15,719
Speaker 2: be here. Bro, Like, what the fuck did they problem?

1656
01:23:16,120 --> 01:23:18,439
Speaker 2: I'm like yo, But he'd be like space Yo, that

1657
01:23:18,760 --> 01:23:21,639
Speaker 2: you not don't you have when you have your team

1658
01:23:21,680 --> 01:23:23,800
Speaker 2: and y'all know how to work out your man right here. Yeah,

1659
01:23:24,120 --> 01:23:27,840
Speaker 2: I know he's He's not a normal motherfucker. So that's

1660
01:23:27,880 --> 01:23:30,639
Speaker 2: so it's used to that. That's his base. Like Space

1661
01:23:30,720 --> 01:23:34,400
Speaker 2: can go home right now and cut my ship up

1662
01:23:34,439 --> 01:23:38,120
Speaker 2: and post my ship up tonight. So when niggas be

1663
01:23:38,240 --> 01:23:41,680
Speaker 2: telling me you need how long to send me a clip? No,

1664
01:23:41,760 --> 01:23:45,080
Speaker 2: you're fired. Yeah, you're never coming back ever again, Ghost

1665
01:23:45,200 --> 01:23:47,800
Speaker 2: be trying to help me. Have you give him another chip?

1666
01:23:47,920 --> 01:23:51,479
Speaker 2: So you see how my shit looks fuzzy.

1667
01:23:55,240 --> 01:23:59,160
Speaker 1: But people like Space and Impeached, they understand the podcast

1668
01:23:59,600 --> 01:24:02,000
Speaker 1: genre and the fans, so they're going to cut it

1669
01:24:02,120 --> 01:24:05,240
Speaker 1: up that it's going to be effective. Where as somebody

1670
01:24:05,280 --> 01:24:07,720
Speaker 1: that could just control this camera and knows how to edit,

1671
01:24:08,439 --> 01:24:12,519
Speaker 1: that doesn't that doesn't matter. They know our fans and

1672
01:24:12,600 --> 01:24:14,240
Speaker 1: they know what's going to work and how it should

1673
01:24:14,280 --> 01:24:15,400
Speaker 1: be cut up, what it should look like.

1674
01:24:15,479 --> 01:24:17,160
Speaker 2: The first thing I said to you at the pool party,

1675
01:24:17,840 --> 01:24:20,320
Speaker 2: I said, your thumb nail games is out of here.

1676
01:24:20,520 --> 01:24:23,640
Speaker 2: God right there, and I'll be mad in a good way.

1677
01:24:23,680 --> 01:24:32,639
Speaker 2: I'm like, I can't bite. Yeah, the message game, I said,

1678
01:24:32,680 --> 01:24:35,320
Speaker 2: your thumbnail game is crazy, bro, this is top tier

1679
01:24:35,400 --> 01:24:38,280
Speaker 2: ship and that's part of you know, be like that too.

1680
01:24:38,400 --> 01:24:41,400
Speaker 2: I like I like the attention to Yeah, I have

1681
01:24:42,680 --> 01:24:45,800
Speaker 2: y'all got a different type. I wish we was like that,

1682
01:24:46,520 --> 01:24:49,479
Speaker 2: we don't have that attention to details. Yeah, when we

1683
01:24:49,680 --> 01:24:53,000
Speaker 2: get that extra attention to detail, we're gonna go up. Yeah.

1684
01:24:53,320 --> 01:24:55,599
Speaker 2: But I mean we we we supported John here.

1685
01:24:55,640 --> 01:24:58,120
Speaker 3: We said that when the Complex List came out, we

1686
01:24:58,439 --> 01:25:01,440
Speaker 3: definitely thought that y'all should have been on the Complex.

1687
01:25:01,600 --> 01:25:07,000
Speaker 2: Weaponized that clip. I got thoughts off of that label.

1688
01:25:07,520 --> 01:25:09,320
Speaker 2: Said He's like, why are you doing that? They're gonna

1689
01:25:09,320 --> 01:25:10,120
Speaker 2: give us more money?

1690
01:25:12,840 --> 01:25:14,920
Speaker 3: But but but me and Rory talked about it a lot,

1691
01:25:15,000 --> 01:25:16,400
Speaker 3: like you know what I'm saying, Like, even though we don't,

1692
01:25:17,280 --> 01:25:19,760
Speaker 3: we respect the Complex list because you know, they their

1693
01:25:19,840 --> 01:25:22,240
Speaker 3: reputable platform and they took time to put that together.

1694
01:25:22,760 --> 01:25:25,519
Speaker 3: But you know, we definitely felt like they got it wrong.

1695
01:25:25,800 --> 01:25:27,360
Speaker 3: While y'all not being on the list, there was some

1696
01:25:27,400 --> 01:25:31,720
Speaker 3: guys on that. Yeah, but backfield, y'all definitely deserve to

1697
01:25:31,800 --> 01:25:32,240
Speaker 3: be on that.

1698
01:25:33,240 --> 01:25:39,240
Speaker 2: But tell me is when you know, when we're just

1699
01:25:39,320 --> 01:25:41,920
Speaker 2: watching all the worst thing we saw, we saw a

1700
01:25:42,120 --> 01:25:46,200
Speaker 2: show that we helped build, go to BT and everybody

1701
01:25:46,240 --> 01:25:49,400
Speaker 2: act like it wasn't off our work. It don't get

1702
01:25:49,520 --> 01:25:52,200
Speaker 2: no worse than that yeah, they little funky list. I

1703
01:25:52,320 --> 01:25:54,360
Speaker 2: nobody left me off. They funky list. I say, all

1704
01:25:54,400 --> 01:25:57,200
Speaker 2: they list is trash. So if a dude is saying

1705
01:25:57,240 --> 01:26:01,320
Speaker 2: all your listens trash, yeah, I mean I'm telling everybody like,

1706
01:26:01,400 --> 01:26:04,320
Speaker 2: I'm not really upset as long as my peers and say, yo,

1707
01:26:04,400 --> 01:26:06,960
Speaker 2: the niggas supposed to be on this, and that's that's

1708
01:26:07,080 --> 01:26:09,519
Speaker 2: good enough for me because they're not paying us. They're

1709
01:26:09,560 --> 01:26:12,760
Speaker 2: not the ones that that set us right there got

1710
01:26:12,880 --> 01:26:15,320
Speaker 2: us coming up here and all this that it's really

1711
01:26:15,400 --> 01:26:18,960
Speaker 2: the people that watch and support us. And let's write

1712
01:26:19,200 --> 01:26:22,120
Speaker 2: homeless nigga ran down on us. A homeless nigga nigga

1713
01:26:22,240 --> 01:26:25,280
Speaker 2: dressed in like the KKK outfit, right, you know it

1714
01:26:25,400 --> 01:26:34,920
Speaker 2: was New York. That's totally different. That's a way with

1715
01:26:35,040 --> 01:26:38,120
Speaker 2: a little bit of blue. He put a little crypt

1716
01:26:38,160 --> 01:26:41,080
Speaker 2: colors to it. And he was like, yeah, can I

1717
01:26:41,160 --> 01:26:44,280
Speaker 2: get a dollar? And you know nobody carry cash, and

1718
01:26:44,360 --> 01:26:46,840
Speaker 2: he like all them lights I give you and all

1719
01:26:46,880 --> 01:26:49,760
Speaker 2: them comments on the comments, I give you one back.

1720
01:26:50,200 --> 01:26:52,880
Speaker 2: I know y'all rich, Like they don't give me three

1721
01:26:53,000 --> 01:27:01,240
Speaker 2: dollars give me to supposed to be the biggs got

1722
01:27:01,320 --> 01:27:06,919
Speaker 2: sixth Avenue Trump Towers. Oh, my gosh, were on sixth Avenue.

1723
01:27:07,000 --> 01:27:09,560
Speaker 2: The dude stopped us, and then another dude stopped us. Like,

1724
01:27:09,640 --> 01:27:12,200
Speaker 2: y'all just got home today from twenty six years and

1725
01:27:12,320 --> 01:27:15,759
Speaker 2: everybody's watching you in the jail, nigga, Oh my Texas.

1726
01:27:16,640 --> 01:27:18,360
Speaker 2: He was like where. He's like, every jail I go to,

1727
01:27:18,439 --> 01:27:20,880
Speaker 2: I've been to every jail, and niggas is watching y'all.

1728
01:27:20,920 --> 01:27:30,559
Speaker 2: Niggas in every fucking jail. I'm like, word, so shit,

1729
01:27:30,600 --> 01:27:34,000
Speaker 2: we got more motherfuckers watching us too, because that means

1730
01:27:34,080 --> 01:27:38,240
Speaker 2: if you watch it in jail, I get to the

1731
01:27:38,360 --> 01:27:40,960
Speaker 2: cop got your car. Oh the cop, nigga, I don't

1732
01:27:40,960 --> 01:27:44,080
Speaker 2: even want to say listen. I don't know if I listen,

1733
01:27:44,160 --> 01:27:46,800
Speaker 2: I can tell the story. Right. So they yanked this

1734
01:27:46,920 --> 01:27:50,920
Speaker 2: niggas car, right, he broke in my car and everything.

1735
01:27:51,320 --> 01:27:54,240
Speaker 2: The police didn't The police took his in my car.

1736
01:27:54,760 --> 01:27:57,439
Speaker 2: So it's set up for him to go to jail

1737
01:27:57,479 --> 01:27:59,400
Speaker 2: and get arrested. Yeah, I'm supposed to go to jail.

1738
01:27:59,560 --> 01:28:01,320
Speaker 2: So we go down there to go get the car.

1739
01:28:01,520 --> 01:28:03,559
Speaker 2: He's like, yo, hi, this is the key to the safe.

1740
01:28:04,320 --> 01:28:07,439
Speaker 2: Tax I said, all right, cool, I'm gonna bail you out.

1741
01:28:08,600 --> 01:28:12,200
Speaker 2: The chick looks and says, my boy no, you know

1742
01:28:12,280 --> 01:28:14,519
Speaker 2: you skipped it. She said, I'm trying to verify your

1743
01:28:14,600 --> 01:28:19,439
Speaker 2: identity because put the yo. Because the nigga said when

1744
01:28:19,520 --> 01:28:21,760
Speaker 2: she does that, they're gonna the cops is gonna come

1745
01:28:21,800 --> 01:28:25,040
Speaker 2: out back and they're gonna rat. I said, I'm getting

1746
01:28:25,080 --> 01:28:27,439
Speaker 2: chills them. Look at this, I said, for my dinity.

1747
01:28:27,479 --> 01:28:28,640
Speaker 2: The whole time, I'm like, I don't want to go

1748
01:28:28,720 --> 01:28:32,519
Speaker 2: back to jail again. Oh my god, have the tightest

1749
01:28:32,560 --> 01:28:38,960
Speaker 2: seas on the wall. Fucking smells like ship. This ship.

1750
01:28:39,720 --> 01:28:42,320
Speaker 2: So she says, I'm trying to verify your identity. So

1751
01:28:42,439 --> 01:28:46,840
Speaker 2: I'm like, I'm I'm I'm ran through Parker And she says,

1752
01:28:47,439 --> 01:28:50,599
Speaker 2: are you from backfield because my boyfriend watches you all

1753
01:28:50,640 --> 01:28:54,439
Speaker 2: the time. Is that your Yeah, that's me. She's hold on,

1754
01:28:54,560 --> 01:28:57,599
Speaker 2: let me get my boyfriend on FaceTime. Do that, get

1755
01:28:57,680 --> 01:29:01,240
Speaker 2: him on Facen't do that. He said, guess what I

1756
01:29:01,320 --> 01:29:07,720
Speaker 2: got here? And so I said, my right back. Hey,

1757
01:29:08,000 --> 01:29:11,760
Speaker 2: I'll follow him back and let us get this car,

1758
01:29:11,920 --> 01:29:14,680
Speaker 2: she said. She said, do you have three hundred and

1759
01:29:14,800 --> 01:29:17,559
Speaker 2: seventy and seventy seven dollars right now? I say, yes,

1760
01:29:17,640 --> 01:29:20,519
Speaker 2: I do. She said, okay, I'll be right back and

1761
01:29:20,680 --> 01:29:22,599
Speaker 2: got you the car, and she said, we the only

1762
01:29:22,720 --> 01:29:25,439
Speaker 2: people that had our paperwork, our registration there. I just

1763
01:29:25,520 --> 01:29:28,720
Speaker 2: so happened to get the ship offline. Jery Wondering then

1764
01:29:28,880 --> 01:29:31,080
Speaker 2: printed it out because we had Jerry Wonder they printed

1765
01:29:31,160 --> 01:29:34,880
Speaker 2: out Jerry won the studio. I took my shit down

1766
01:29:34,960 --> 01:29:37,160
Speaker 2: there because the reason why is the cops took his

1767
01:29:37,400 --> 01:29:40,479
Speaker 2: registration and his license, everything off the car. I can

1768
01:29:40,520 --> 01:29:45,439
Speaker 2: tell you why. After that it was a criminals the cops.

1769
01:29:45,800 --> 01:29:46,760
Speaker 2: It was feeling me.

1770
01:29:46,920 --> 01:29:47,160
Speaker 1: Boy.

1771
01:29:48,200 --> 01:29:50,479
Speaker 2: I call my detective homeboy. He says, nothing I can

1772
01:29:50,560 --> 01:29:52,639
Speaker 2: do for you because I'm not in that department. He said,

1773
01:29:52,640 --> 01:29:55,800
Speaker 2: but they're gonna arrest you. We got a crackdown going on.

1774
01:29:56,000 --> 01:29:58,200
Speaker 2: You're going to jail. And I was like this crazy.

1775
01:29:59,000 --> 01:30:01,240
Speaker 6: And she said do you have three hundred and seventy

1776
01:30:01,240 --> 01:30:03,560
Speaker 6: seven dollars right? And I said yeah, yeah, yeah, of

1777
01:30:03,640 --> 01:30:05,680
Speaker 6: course I did. She said, okay, well if you pay

1778
01:30:05,680 --> 01:30:08,160
Speaker 6: three hundred now, I can get you your car. Looked

1779
01:30:08,160 --> 01:30:10,400
Speaker 6: at this, I said, when they coming, I'm like, they

1780
01:30:10,560 --> 01:30:12,680
Speaker 6: coming out, so it's too good to me. I'm like

1781
01:30:12,760 --> 01:30:15,000
Speaker 6: they coming up from them where. She said, do you

1782
01:30:15,120 --> 01:30:15,880
Speaker 6: mind following me?

1783
01:30:16,000 --> 01:30:27,640
Speaker 2: I said, follow following? Yeah, yeah, we're not shout out

1784
01:30:27,720 --> 01:30:33,320
Speaker 2: to you shut off your living room couch. Oh yeah,

1785
01:30:34,640 --> 01:30:36,479
Speaker 2: I can't even say to y'all, but yo, she like

1786
01:30:38,120 --> 01:30:40,240
Speaker 2: the old time I got home, I was like, yo,

1787
01:30:40,320 --> 01:30:42,639
Speaker 2: I would be in fucking jail. And I was supposed

1788
01:30:42,640 --> 01:30:45,600
Speaker 2: to fly out to Rochester with Clue and all and

1789
01:30:45,720 --> 01:30:48,720
Speaker 2: go to Houston East Town and everything. I was like, oh,

1790
01:30:48,760 --> 01:30:51,240
Speaker 2: I'm all of that was going. I did a live

1791
01:30:51,320 --> 01:30:55,360
Speaker 2: show in Houston. Couple okay, fire right, because we ended

1792
01:30:55,439 --> 01:30:57,760
Speaker 2: up going to the y N Club in Houston.

1793
01:30:58,160 --> 01:31:02,040
Speaker 1: Which one put doom Doom. Don't they shoot the jump

1794
01:31:02,080 --> 01:31:06,080
Speaker 1: shot to get the dom Okay? Damerisa just came back

1795
01:31:06,120 --> 01:31:09,800
Speaker 1: from the dome. Fote play do with me?

1796
01:31:10,360 --> 01:31:14,240
Speaker 2: Yeah, and they let the fucking confetti flying, and they

1797
01:31:14,320 --> 01:31:17,960
Speaker 2: have your name on a jumbo trying clues name they

1798
01:31:18,000 --> 01:31:21,400
Speaker 2: brought off the back. It's mythical. Yo, yo, bro bro,

1799
01:31:21,800 --> 01:31:24,519
Speaker 2: I can't kill. And they shoot the basketball for the

1800
01:31:24,600 --> 01:31:27,519
Speaker 2: free section. They shoot, yeah, and if you who confetti

1801
01:31:27,600 --> 01:31:29,360
Speaker 2: comes down like you want to in the middle of

1802
01:31:29,360 --> 01:31:33,599
Speaker 2: the day, bottles and everything. Okay, let's talk. I practice

1803
01:31:33,720 --> 01:31:38,000
Speaker 2: that you make the shot, you get a free section.

1804
01:31:39,040 --> 01:31:41,240
Speaker 1: I would shoot a hundred free throws the week before

1805
01:31:41,680 --> 01:31:43,360
Speaker 1: and the Solar wars too.

1806
01:31:43,520 --> 01:31:46,120
Speaker 2: Yes that if you buy a table and I come

1807
01:31:46,200 --> 01:31:48,200
Speaker 2: in and pay more for the table, your table gone,

1808
01:31:48,439 --> 01:31:51,559
Speaker 2: the kick you off the top table. Yeah, that's why

1809
01:31:51,560 --> 01:31:55,880
Speaker 2: I don't go out. Yeah I'm not. I'm not doing that.

1810
01:31:56,000 --> 01:31:56,960
Speaker 2: Am my dispensary.

1811
01:31:57,040 --> 01:31:59,840
Speaker 1: Now. I punch it to get like fifty percent of

1812
01:32:01,160 --> 01:32:04,080
Speaker 1: you walk in if you hit the put putts in

1813
01:32:04,160 --> 01:32:04,639
Speaker 1: Jersey City.

1814
01:32:07,160 --> 01:32:09,479
Speaker 2: Listen, Jersey City, there's too much ship going on, right

1815
01:32:09,880 --> 01:32:11,400
Speaker 2: you want you walk in? You to do a put putt?

1816
01:32:11,560 --> 01:32:13,679
Speaker 1: You fifty percent off. I've missed it all three times

1817
01:32:13,680 --> 01:32:16,000
Speaker 1: i've been there, but yo, I'm gonna get it one day.

1818
01:32:16,360 --> 01:32:18,719
Speaker 2: I remember there was an episode and they was talking

1819
01:32:18,760 --> 01:32:20,960
Speaker 2: about like how you was cheap and you don't like

1820
01:32:21,080 --> 01:32:24,439
Speaker 2: taking girls out. And I'm like, that's a fucking false

1821
01:32:24,560 --> 01:32:27,320
Speaker 2: narrative because I see more like all the lit restaurants.

1822
01:32:29,360 --> 01:32:33,120
Speaker 2: I feel like I just let I just let them talk, like, Yo,

1823
01:32:33,200 --> 01:32:35,400
Speaker 2: this is a fory dollar bill right here, and mom

1824
01:32:35,520 --> 01:32:39,360
Speaker 2: just being the cut was eating it and was in

1825
01:32:39,439 --> 01:32:43,240
Speaker 2: the cut. I'm always in the cut every little restaurant.

1826
01:32:43,600 --> 01:32:47,599
Speaker 2: I was like, that's stand up real quick. Yeah yeah, yeah,

1827
01:32:47,640 --> 01:32:52,479
Speaker 2: just like yo, I love love, keep me, I do.

1828
01:32:55,120 --> 01:32:55,160
Speaker 1: Me.

1829
01:32:56,680 --> 01:32:58,360
Speaker 2: You didn't see me. I didn't see you. Like are

1830
01:32:58,400 --> 01:33:00,599
Speaker 2: your crew saying he don't spend the money. I don't

1831
01:33:00,680 --> 01:33:03,360
Speaker 2: think I'm I just I just let people talk.

1832
01:33:03,560 --> 01:33:04,960
Speaker 3: You know what's funny. A girl brought that up to

1833
01:33:05,040 --> 01:33:07,160
Speaker 3: me last weekend. She was like, y'all heard you was cheap.

1834
01:33:07,200 --> 01:33:09,040
Speaker 3: I was like, where are y'all getting this from?

1835
01:33:09,880 --> 01:33:13,040
Speaker 2: But this is affecting my real life now, Like where

1836
01:33:13,160 --> 01:33:16,400
Speaker 2: are y'all getting it? Rory and curse about Like.

1837
01:33:16,439 --> 01:33:19,840
Speaker 7: Mother fucking stops saying that, because this has trickled down

1838
01:33:19,960 --> 01:33:23,240
Speaker 7: to the first of all, she's not here to DEFENDERSLF

1839
01:33:23,320 --> 01:33:25,320
Speaker 7: Demerits is the one that say that you are the

1840
01:33:25,439 --> 01:33:27,559
Speaker 7: person that says it yourself that you don't trick.

1841
01:33:27,920 --> 01:33:29,200
Speaker 2: I don't I don't.

1842
01:33:31,040 --> 01:33:33,560
Speaker 3: Pussy is I don't do that, but I'll definitely gone.

1843
01:33:35,160 --> 01:33:40,519
Speaker 2: I've paid for pussy though. Checking this out, chicking the

1844
01:33:40,600 --> 01:33:42,439
Speaker 2: means you're buying a bitch of bag, you know that

1845
01:33:42,520 --> 01:33:45,120
Speaker 2: get some pussy, but a nice little working girl to

1846
01:33:45,320 --> 01:33:47,880
Speaker 2: three hundred dollars and take her down. That's different, though.

1847
01:33:47,960 --> 01:33:50,400
Speaker 2: That is crazy. Your handed a girl two hundred and

1848
01:33:50,439 --> 01:33:51,439
Speaker 2: she started getting naked.

1849
01:33:56,160 --> 01:34:00,920
Speaker 3: I've tried, I've tried, I've tried to pay and I

1850
01:34:01,080 --> 01:34:02,120
Speaker 3: literally could not do it.

1851
01:34:02,439 --> 01:34:07,760
Speaker 2: Columbia. Come no, I'm not doing that. I'm not doing that.

1852
01:34:08,000 --> 01:34:12,360
Speaker 2: I'm not going Combia for me, Columbia. I would I

1853
01:34:12,360 --> 01:34:15,160
Speaker 2: would pay for pussy. That was my first time. Now

1854
01:34:15,360 --> 01:34:23,519
Speaker 2: costs now to go neither. No, but now understand, Wow,

1855
01:34:24,160 --> 01:34:28,719
Speaker 2: I tried to do it. I physically got sick about

1856
01:34:28,720 --> 01:34:29,400
Speaker 2: the fellow nigga.

1857
01:34:30,800 --> 01:34:31,360
Speaker 1: I was.

1858
01:34:33,520 --> 01:34:36,600
Speaker 3: Not get a lot of money. And I'm like, so

1859
01:34:36,840 --> 01:34:40,240
Speaker 3: now we just He's like, yeah, I just I just

1860
01:34:40,320 --> 01:34:42,880
Speaker 3: can't like something. I just can't like I get my

1861
01:34:43,040 --> 01:34:44,519
Speaker 3: nervous system doesn't like it.

1862
01:34:44,680 --> 01:34:48,280
Speaker 2: Just dis before you. I'm not trying to funk up.

1863
01:34:48,280 --> 01:34:49,880
Speaker 2: But I've done that before. If I go to dinner,

1864
01:34:50,400 --> 01:35:00,519
Speaker 2: you're going I don't know what time I go.

1865
01:35:00,760 --> 01:35:03,200
Speaker 3: I go, I go on down, I go on DINNI dates.

1866
01:35:03,360 --> 01:35:05,639
Speaker 3: I go on dinner dates all the time. Bro, I'm

1867
01:35:05,720 --> 01:35:08,000
Speaker 3: not looking for to get to know people, hold on

1868
01:35:09,800 --> 01:35:12,120
Speaker 3: just to kick with with a cute girl like like,

1869
01:35:12,160 --> 01:35:13,280
Speaker 3: I don't know that she's funny.

1870
01:35:14,960 --> 01:35:19,479
Speaker 2: Let me ask directly. I'm you normally fun after your

1871
01:35:19,600 --> 01:35:21,760
Speaker 2: regular dinner dates with the nice women?

1872
01:35:23,479 --> 01:35:27,960
Speaker 3: Yeah no, no, no, listen listen, no, listen, listen listen,

1873
01:35:28,160 --> 01:35:29,840
Speaker 3: Because I've been on. No, no, because I've been on

1874
01:35:29,920 --> 01:35:32,040
Speaker 3: I've been on dinni dates with women that I've had

1875
01:35:32,160 --> 01:35:34,360
Speaker 3: sex with before, but after that dinner date, we didn't

1876
01:35:34,400 --> 01:35:34,720
Speaker 3: have sex.

1877
01:35:35,080 --> 01:35:39,920
Speaker 8: But you no, no, no, I've been on Master. I've

1878
01:35:39,920 --> 01:35:43,479
Speaker 8: been on dinnidation women. I've been smash. Hold on, listen,

1879
01:35:43,560 --> 01:35:45,799
Speaker 8: I've been on You don't get the dinner till I smashed,

1880
01:35:45,880 --> 01:35:46,880
Speaker 8: just smashed first day.

1881
01:35:47,080 --> 01:35:52,439
Speaker 2: No, that is cray. We're just going to eat. God damn.

1882
01:35:52,680 --> 01:35:54,960
Speaker 2: Like I'm just going to eat like you gotta smashed

1883
01:35:55,000 --> 01:35:56,960
Speaker 2: in order. Like, Nah, I'm not. I don't live like that. Bro.

1884
01:35:57,200 --> 01:35:59,439
Speaker 2: I like you to go eat with you. Yeah, that's why.

1885
01:35:59,600 --> 01:36:01,080
Speaker 2: That is why you go to dinner. You kick it

1886
01:36:01,120 --> 01:36:05,920
Speaker 2: with You don't know if you like you know, if

1887
01:36:05,960 --> 01:36:07,640
Speaker 2: I meet you at dinner and I like you in

1888
01:36:07,680 --> 01:36:09,640
Speaker 2: the sexist trash, I don't like you, so we might

1889
01:36:09,640 --> 01:36:12,200
Speaker 2: as we get to the sex first. That is just

1890
01:36:12,320 --> 01:36:16,360
Speaker 2: cut off, cut off. Yo. I thought I was crazy.

1891
01:36:16,479 --> 01:36:17,479
Speaker 2: That is crazy.

1892
01:36:17,880 --> 01:36:17,920
Speaker 4: No.

1893
01:36:18,200 --> 01:36:20,400
Speaker 3: Literally, I go to dinner with with with a woman

1894
01:36:20,479 --> 01:36:23,360
Speaker 3: and it's like, obviously she's attractive. I'm a track n

1895
01:36:23,360 --> 01:36:25,160
Speaker 3: till we know that. But if she just says, yo,

1896
01:36:25,439 --> 01:36:27,360
Speaker 3: I'm going home, got to get her I'm not gonna, yo,

1897
01:36:27,439 --> 01:36:28,080
Speaker 3: get the funk.

1898
01:36:27,920 --> 01:36:29,760
Speaker 2: Out, Like, I'm not gonna be mad that I'm not

1899
01:36:29,880 --> 01:36:33,960
Speaker 2: having sex, probably even the day you were mad. No,

1900
01:36:34,280 --> 01:36:36,920
Speaker 2: my question to you, am I going to dinner try

1901
01:36:37,040 --> 01:36:43,160
Speaker 2: like get on and hope. No, I just say I'm asking,

1902
01:36:43,800 --> 01:36:49,160
Speaker 2: I ask you. I'm very or the supposed dinner days

1903
01:36:49,200 --> 01:36:52,439
Speaker 2: that you're going now with the cute girls. Do you

1904
01:36:52,720 --> 01:36:56,280
Speaker 2: normally smash after the cute date with the girl?

1905
01:36:57,160 --> 01:37:00,679
Speaker 3: I'm probably I'm probably a strong forty six from the field.

1906
01:37:01,760 --> 01:37:05,920
Speaker 2: That's good. That's a great forty six percent from great numbers.

1907
01:37:06,400 --> 01:37:09,400
Speaker 2: You know, I think you at least sixty eight. Like

1908
01:37:10,040 --> 01:37:15,439
Speaker 2: niggas usually fucking like like the niggas that's killing who

1909
01:37:15,640 --> 01:37:18,200
Speaker 2: likes them. No, they would usually niggas wait to see

1910
01:37:18,560 --> 01:37:20,360
Speaker 2: do you want to type of shit. I'm gonna see

1911
01:37:20,400 --> 01:37:22,599
Speaker 2: who liked me, and if she's attractive or nothing, I'm

1912
01:37:22,600 --> 01:37:24,640
Speaker 2: gonna go out with her. So you already know you're going.

1913
01:37:24,880 --> 01:37:27,679
Speaker 2: That's so the playing fields already kind of rigged normally.

1914
01:37:28,040 --> 01:37:29,800
Speaker 3: Yeah, But I just I just I don't I don't

1915
01:37:29,840 --> 01:37:32,439
Speaker 3: have that let them off the hook. No, it's just like, Yo,

1916
01:37:32,560 --> 01:37:35,040
Speaker 3: we had a good time and crazy if let him

1917
01:37:35,080 --> 01:37:35,280
Speaker 3: off the.

1918
01:37:38,080 --> 01:37:40,479
Speaker 2: Like it's not that much that it's literally we had

1919
01:37:40,520 --> 01:37:41,080
Speaker 2: a good time.

1920
01:37:41,360 --> 01:37:43,120
Speaker 3: And sometimes she might say, yo, I don't want the

1921
01:37:43,200 --> 01:37:45,040
Speaker 3: night to end right now, like we let's go home,

1922
01:37:45,120 --> 01:37:46,439
Speaker 3: let's go like okay, cool.

1923
01:37:46,479 --> 01:37:48,680
Speaker 2: But if she don't say that, cool too, I'm not

1924
01:37:48,760 --> 01:37:52,360
Speaker 2: you know, they ain't know like you, You're gonna give

1925
01:37:52,360 --> 01:37:55,280
Speaker 2: it to me, And I'm just me. I've been in

1926
01:37:55,360 --> 01:37:58,320
Speaker 2: a music business for thirty years. I'm an old man.

1927
01:37:58,360 --> 01:38:01,439
Speaker 2: I'm about to be forty nine years old in November.

1928
01:38:01,880 --> 01:38:05,519
Speaker 2: And in my experience as being in the business for

1929
01:38:05,640 --> 01:38:08,840
Speaker 2: thirty years, it's not very hard to get pussy. They

1930
01:38:08,920 --> 01:38:11,720
Speaker 2: are giving you the pussy on a platter. You you

1931
01:38:11,880 --> 01:38:14,639
Speaker 2: usually fumble more pussy than you. That is a fact,

1932
01:38:15,320 --> 01:38:17,840
Speaker 2: believe you. Percent No, no, no, no, no no no.

1933
01:38:22,360 --> 01:38:26,439
Speaker 2: I think what's if you're if you were leaving pussy

1934
01:38:28,800 --> 01:38:32,040
Speaker 2: you love, I'm not gonna give the whoa whoa whoa.

1935
01:38:34,000 --> 01:38:36,320
Speaker 1: All of us have taken pussy on a platter that

1936
01:38:36,439 --> 01:38:39,400
Speaker 1: was right there. But sometimes in this crazy world, not me,

1937
01:38:39,800 --> 01:38:42,040
Speaker 1: we see women that we may like and be like, hey,

1938
01:38:42,040 --> 01:38:43,840
Speaker 1: we should go out on a date without thinking that

1939
01:38:43,920 --> 01:38:45,920
Speaker 1: out the gate. That doesn't mean that we wouldn't just

1940
01:38:46,000 --> 01:38:48,680
Speaker 1: fucked the girl. That was just throwing it out there.

1941
01:38:49,320 --> 01:38:53,720
Speaker 1: We're going out for a reason because the company, Listen,

1942
01:38:53,920 --> 01:38:55,519
Speaker 1: it's not because I think this only puts the gate.

1943
01:38:55,560 --> 01:38:56,759
Speaker 1: I could go get some regular pussing.

1944
01:38:57,000 --> 01:39:01,920
Speaker 2: Question a date is the sex after the date? Yeah? Yeah,

1945
01:39:02,040 --> 01:39:05,800
Speaker 2: that's that's the whole I'm going on the day because

1946
01:39:05,800 --> 01:39:08,280
Speaker 2: once I get a little twisty, we don't go back

1947
01:39:08,360 --> 01:39:10,880
Speaker 2: and smoke a little bit. That's the best part of

1948
01:39:10,880 --> 01:39:21,920
Speaker 2: the day. Well, yore yo, happened. She was fire like,

1949
01:39:23,640 --> 01:39:27,479
Speaker 2: didn't happen? More happened? She was cool. Yeah, we had

1950
01:39:27,479 --> 01:39:29,599
Speaker 2: a good time. We want we're going for the fire.

1951
01:39:29,880 --> 01:39:32,640
Speaker 2: She was sure. But I just I just I hate that.

1952
01:39:32,920 --> 01:39:34,920
Speaker 2: That's like a narrative that I'm cheap. I'm not cheap.

1953
01:39:38,360 --> 01:39:41,200
Speaker 2: This is all top tier restaurant. Yeah for you to

1954
01:39:41,280 --> 01:39:44,680
Speaker 2: beat like people think niggas is cheap because you don't

1955
01:39:44,720 --> 01:39:49,679
Speaker 2: boyd the burken Yeah, which is crazy. I'm cheap because

1956
01:39:49,720 --> 01:39:51,639
Speaker 2: because I don't even know where you get one, Because

1957
01:39:53,320 --> 01:40:00,280
Speaker 2: I'm gonna you gotta think I'm joking. Where could you

1958
01:40:00,360 --> 01:40:02,280
Speaker 2: go get one? Right? Yeah? I could not.

1959
01:40:02,560 --> 01:40:04,120
Speaker 1: If somebody said go get a burke, and I'll be like,

1960
01:40:04,120 --> 01:40:06,559
Speaker 1: how'd you get one. What is it that.

1961
01:40:09,880 --> 01:40:13,800
Speaker 2: You can definitely get online? Right?

1962
01:40:13,880 --> 01:40:17,080
Speaker 1: Is one of that McDonald's canal streets twenty one thousand dollars?

1963
01:40:17,320 --> 01:40:19,879
Speaker 2: Some of them bind the bag.

1964
01:40:19,760 --> 01:40:21,800
Speaker 1: For twenty five grand online? To me is the now

1965
01:40:21,800 --> 01:40:22,479
Speaker 1: I got a whole.

1966
01:40:22,479 --> 01:40:27,120
Speaker 2: Shout to Bonnie Bonnie Nelson. This is back in two

1967
01:40:27,160 --> 01:40:29,400
Speaker 2: thousand and nine. Bonnie had the burking bag with the

1968
01:40:29,439 --> 01:40:32,200
Speaker 2: little burke and to go in it. She was on

1969
01:40:32,320 --> 01:40:37,439
Speaker 2: some other levels that that bad culture. It is a culture. Yeah,

1970
01:40:37,600 --> 01:40:41,439
Speaker 2: I agree, I got a side chick asking for a

1971
01:40:41,439 --> 01:40:46,519
Speaker 2: two thousand dollars bagn saying got loudest. He ain't got nobody, Okay,

1972
01:40:49,360 --> 01:40:52,760
Speaker 2: he can't. His new nickname is Denzil because he got

1973
01:40:52,840 --> 01:40:57,200
Speaker 2: all the pictures coming to him because because everybody think

1974
01:40:57,320 --> 01:40:59,799
Speaker 2: I'm mean, I you know what I'm saying, So everybody

1975
01:40:59,880 --> 01:41:01,960
Speaker 2: be thinking that this is the running joke, and he

1976
01:41:02,080 --> 01:41:04,160
Speaker 2: knows it. He's like the real mean one, and I'm

1977
01:41:04,240 --> 01:41:07,080
Speaker 2: actually the nice one that he catch jokes. Everybody thinks

1978
01:41:07,120 --> 01:41:10,120
Speaker 2: he's mean, and if it's just just walk right around

1979
01:41:10,280 --> 01:41:12,760
Speaker 2: me and be like, hey, so so I'll be looking

1980
01:41:12,760 --> 01:41:16,920
Speaker 2: at this niggas itself over. He's he's just raking them

1981
01:41:16,960 --> 01:41:26,560
Speaker 2: on there like, yeah, he's mean, he's right here. This

1982
01:41:26,760 --> 01:41:28,479
Speaker 2: is about to go to another level, you know, tell

1983
01:41:28,560 --> 01:41:34,800
Speaker 2: him when they could catch all YouTube doc your backfield

1984
01:41:34,880 --> 01:41:40,680
Speaker 2: type of the bag fe on YouTube, b on Instagram,

1985
01:41:40,920 --> 01:41:43,599
Speaker 2: go to E S S O W R l DS

1986
01:41:43,680 --> 01:41:45,880
Speaker 2: no oh in there that's me and you can go

1987
01:41:45,920 --> 01:41:48,200
Speaker 2: to he cant h y N A K E N.

1988
01:41:48,560 --> 01:41:50,160
Speaker 2: You could just go to our pages and you can

1989
01:41:50,240 --> 01:41:52,880
Speaker 2: find everything. Just hit the follow buttons you are. It's

1990
01:41:52,920 --> 01:41:54,200
Speaker 2: the cheapest thing you can never do.

1991
01:41:54,400 --> 01:41:54,519
Speaker 1: Yo.

1992
01:41:54,600 --> 01:41:57,000
Speaker 2: This was great. We gotta we gotta do the man.

1993
01:41:57,439 --> 01:42:00,840
Speaker 2: This could be a good man, y'all.

1994
01:42:00,920 --> 01:42:03,719
Speaker 3: Niggas is crazy. Thank y'all for coming through. We finally happened.

1995
01:42:03,760 --> 01:42:06,879
Speaker 3: We finally got to have a conversation on camera. Appreciate

1996
01:42:07,000 --> 01:42:09,000
Speaker 3: that's bag feel I'm that nigga.

1997
01:42:09,040 --> 01:42:12,360
Speaker 2: He's just Jinger Peace Wi