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Speaker 1: Hello, Hello, Welcome to the podcast. Hello, Donald Faison.

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Speaker 2: Hi, Zachary brav Hello is Joel Monique.

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Speaker 1: We don't have Danel today, so when we say cut

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Speaker 1: that Daniel to each other, Daniel will just hear it

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Speaker 1: on the recording because he's not here today. Where is he, Joel?

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Speaker 3: He's with his family do in a little reunion sexy.

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Speaker 1: Yeah, So listen, you've heard Donald and I talk about

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Speaker 1: Cody Rigsby from Peloton so much. We really like him

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Speaker 1: a lot. I've found him very entertaining and funny and motivational.

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Speaker 1: I want to mention this is not an ad for Peloton.

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Speaker 1: I don't even think there are are sponsors currently. But

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Speaker 1: this is solely because I thought that Cody's a really

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Speaker 1: interesting guy. He found a way to get me motivated

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Speaker 1: to work out in a different way, and I thought

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Speaker 1: that maybe he has some insights. We thought that he

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Speaker 1: surely has some insights for people that want to get

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Speaker 1: in shape and also just you know, achieving your goals,

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Speaker 1: because this guy was where kean of McDonald's one day.

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Speaker 1: Now he's one of the most successful trainers in the world.

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Speaker 1: So right, Donald, we want to have Monk.

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Speaker 2: I'm excited. I'm excited to talk about COVID and you

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Speaker 2: know how he saved a lot of people's lives by

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Speaker 2: putting them on a bike and motivating them. And you know,

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Speaker 2: he was probably the most popular person at that time.

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Speaker 2: So I'm really interested in hearing what he has to

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Speaker 2: say about his rise. And you know, I want to

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Speaker 2: talk about Dancing with the Stars and Amanda Coloots as well.

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Speaker 1: And I bet he's also gonna not mind sexual innuendo

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Speaker 1: since he really enjoys that in Urendo in your endo,

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Speaker 1: all right, Joelle, invite him in Cody rigsby everybody.

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Speaker 2: Five six, seven, eight, stories about sure we made about

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Speaker 2: a bunch of dogs and nurses.

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Speaker 4: Said, he's a story natural. So Ganda here, Gader here.

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Speaker 2: Stuff ladies and gentlemen.

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Speaker 5: Cody rigsban, wow, well an introduction, all that vibrato just

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Speaker 5: for me.

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Speaker 2: Yow, oh for you.

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Speaker 1: You're even more handsome, not on my peloton screen, you

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Speaker 1: are even hotter on the zoom call.

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Speaker 3: Oh my god, thank you so much. That's very hot

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Speaker 3: and hide me up straight man. And earlier we love you.

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Speaker 3: Earlier you said you were busting loads.

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Speaker 1: So you know, like, no, I didn't say that you'd

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Speaker 1: like no I didn't say that, so the audience has context.

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Speaker 1: Cody came on for a sound check and I said, Joelle,

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Speaker 1: take him off because I don't want to start chatting

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Speaker 1: with him and bust all my loads before recordings.

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Speaker 2: That was the first innindo. Yes, and he hadn't even

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Speaker 2: out of recording yet.

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Speaker 1: Welcome to the show. We love you. I don't know, Donald,

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Speaker 1: and I never knew if you were clocking how much

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Speaker 1: we were talking about you, especially during the lockdown, because

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Speaker 1: you were getting us through.

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Speaker 3: Bro. You say, I've the grape fine many times, and

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Speaker 3: then I've I've peeped in a few times, you know

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Speaker 3: a few times before. So I'm uh honored to be.

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Speaker 2: We're honored to have you, man.

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Speaker 1: Okay, you really you really helped us both during lockdown.

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Speaker 1: We both got bikes, but both got Pelton bikes, and

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Speaker 1: we were talking about getting into it, and you know, I,

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Speaker 1: of course, as a straight man, was like, Okay, I'm

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Speaker 1: just gonna find the cutest chick. She'll motivate me, I'll

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Speaker 1: want oh honest, no, I mean that's what my brain

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Speaker 1: was thinking. And then I found this very handsome, very

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Speaker 1: flamboyant came in and I never looked back.

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Speaker 2: Yeah, you know, I found that the I found that

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Speaker 2: the women I just was staring at the butt and

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Speaker 2: now necessarily staring at the numbers.

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Speaker 3: Right, okay, and so much done right? And then.

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Speaker 2: I found you. And I don't know how it was

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Speaker 2: I found you. I just said, I know. My wife

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Speaker 2: was the one that said you should try Cody, and

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Speaker 2: I was like what she was like, try Cody, And

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Speaker 2: I put you on and I laughed for the whole ride.

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Speaker 2: You made me laugh so hard at a time when

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Speaker 2: I had just been crying, when I was, you know,

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Speaker 2: so worried about what my family was going to happen

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Speaker 2: with my family, when you know, when when life just

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Speaker 2: seemed so flipped, when life just seemed like it was

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Speaker 2: it was bysmal, you know what I mean. We were

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Speaker 2: all so scared and didn't know what to do, and

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Speaker 2: then here you come and you made me laugh at

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Speaker 2: a time when I didn't think I could laugh. And uh,

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Speaker 2: you know, one of your rides, I cried my eyes

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Speaker 2: out because of all of the joy you brought me

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Speaker 2: and all of the release that I got from the

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Speaker 2: endorphins from the ride and the motivation and how I

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Speaker 2: could keep going in that time and so you know,

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Speaker 2: I really for real, man, like you really you saved

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Speaker 2: my life. Man, at a time when I didn't think

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Speaker 2: there was a bright spot when COVID, all of the

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Speaker 2: news out there was just so dark, you know, Black

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Speaker 2: Lives Matter, all of these things were going down, and

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Speaker 2: there you were, and I just I just want to say,

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Speaker 2: I want to give you flowers. Man, I appreciate it.

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Speaker 3: Thank you. That's very kind, That's very very sweet. And

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Speaker 3: I love I love when I hear stories like that,

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Speaker 3: because it really, you know, you get lost in this

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Speaker 3: auce of working and trying to build everything up and

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Speaker 3: just staying busy, and then you forget, like the the

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Speaker 3: purpose that's attached to the work that you do and

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Speaker 3: the lives that you affect in like whatever you do,

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Speaker 3: but specifically, you know, fitness, and especially during the during COVID,

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Speaker 3: I forget almost just how that was one of the

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Speaker 3: only like safe spaces or places of distraction that a

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Speaker 3: lot of people had. Was like Okay, I'm doing I'm

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Speaker 3: gonna work out for thirty minutes. I'm gonna forget there's

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Speaker 3: a pandemic happened. I'm just gonna like be stupid and

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Speaker 3: silly and have fun and it's always great to hear

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Speaker 3: the impact, and so thanks for sharing that.

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Speaker 1: I think for Donald and I, you know, you know,

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Speaker 1: for the audience who doesn't know and doesn't use Peloton.

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Speaker 1: Cody does a workout that's hard and challenging and you

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Speaker 1: sweat your your ass off, but he's really funny. And

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Speaker 1: I never worked out with anyone like that, and I

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Speaker 1: wanted to know. I wanted to ask you how you

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Speaker 1: came about finding that. I mean, obviously you're a funny person,

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Speaker 1: but I never worked out with a trainer of any kind,

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Speaker 1: and any either a video class or in real life

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Speaker 1: who was making you crack up the whole time. And

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Speaker 1: I thought like, wow, what a what a what an

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Speaker 1: out of the box way to work out? And I

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Speaker 1: just wondered how you came about finding that and what

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Speaker 1: that when you how did you find your stride like that?

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Speaker 1: Like how did it all come about? Like how did

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Speaker 1: you join Peloton? And then and then how did you

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Speaker 1: discover your your sense of humor in doing the class?

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Speaker 3: Well, like any gay child that's had trauma, you know,

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Speaker 3: I over compensate with humor and wit, So that's part

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Speaker 3: of it, no, you know, I I reflected on this

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Speaker 3: in my book, and I was talking about like how

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Speaker 3: did I kind of get to this place. You know,

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Speaker 3: I've been at Pelton just today. I think they sent

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Speaker 3: me an email with today is my like nine year anniversary.

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Speaker 3: So I've been at Pelton for nine years.

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Speaker 2: Thundrous applause Daniel, Ye thunders.

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Speaker 3: Didn't start sound there will? We will, so thank you.

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Speaker 3: So it's been a long journey and it's been a

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Speaker 3: lot of like ups and downs and trying different things.

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Speaker 3: And I think when I first came in it listened.

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Speaker 3: I had never taught a cycling class and there was

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Speaker 3: a fitness class. Before I started at Pelton, I was

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Speaker 3: a dancer. I was an entertainer. I kind of like

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Speaker 3: knew how to be on camera. And so when I

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Speaker 3: first started, I kind of was trying to copy the

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Speaker 3: people that was around me, like Robin Robin Arson and

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Speaker 3: Jess King and just like trying to like be like them.

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Speaker 3: And that wasn't sticky. That was like not successful for me.

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Speaker 3: And it wasn't until I kind of like researched my

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Speaker 3: class kind of like watched it, saw what was going on,

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Speaker 3: and then gave myself permission to be myself and like

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Speaker 3: I'm always the person in my friend group that's like

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Speaker 3: talking all the time, or making jokes or just like

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Speaker 3: being being a dumb ass. And so I think once

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Speaker 3: I gave myself permission to do that, I think a

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Speaker 3: lot of people responded to that and really found it

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Speaker 3: different than most people in the fitness space. And I

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Speaker 3: think that's really what I've been able to have the

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Speaker 3: privilege to do is kind of make fitness not so

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Speaker 3: scary by being a dumb ass, being a clown, and

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Speaker 3: allowing myself to be like self deprecating humor so that

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Speaker 3: people feel more invited to a somewhat scary space. Does

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Speaker 3: that make sense?

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Speaker 1: Yeah, Yeah, that's a good way to put it. Because

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Speaker 1: people dread working out usually not everyone, Yeah, a lot

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Speaker 1: of people dread working people. But when I think about

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Speaker 1: taking your class, I know that I'm gonna I'm gonna laugh.

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Speaker 1: I know there's going to be humor involved, and it's

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Speaker 1: more likely to to make me want to do it,

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Speaker 1: which I think is genius. I don't think anyone's ever

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Speaker 1: done that before, and that I know.

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Speaker 2: Yeah, you know, I was wondering if, at at any

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Speaker 2: point in the last three years, were people like just

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Speaker 2: wanting to buy you dinner when you walked out into

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Speaker 2: restaurants and stuff like that.

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Speaker 3: Yeah, I mean sometimes. I mean like even I was

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Speaker 3: on I was on Fire Island a few weeks ago,

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Speaker 3: and the line for the bar, for the bar, did.

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Speaker 1: You break Fire Island? Did you Bland?

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Speaker 3: Always?

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Speaker 1: You know they say break the Internet? Did you break

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Speaker 1: Fire Island?

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Speaker 3: Yeah, you know, she's well known on the island. It's

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Speaker 3: all good. But I remember the line for the bar

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Speaker 3: being so long, and this fierce little lesbian who was

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Speaker 3: a fan, was like, do you want to drink? So

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Speaker 3: like it saved me a little bit of time and

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Speaker 3: I got a free drink. But you know, I always

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Speaker 3: it feels weird to accept that sort of stuff, But

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Speaker 3: in that moment, I was like, you know what, Yes,

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Speaker 3: I'll take you it are you no? Me and I

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Speaker 3: have my boyfriend Andreas, who have been with for five years.

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Speaker 3: We took a little hiatus for six months, but now

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Speaker 3: we're back together.

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Speaker 1: So I just imagine it's an adjustment for you since

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Speaker 1: you know, you've become very famous and known pretty quickly,

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Speaker 1: and it must be a bit of a an adjustment

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Speaker 1: for sure.

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Speaker 3: I mean, not like maybe not so in the like

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Speaker 3: romance or hook up department. But because let's be honest,

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Speaker 3: like my my demo is mostly like women of a

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Speaker 3: certain age, and you out.

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Speaker 1: That he's like Duald, I love that is like my

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Speaker 1: demo is mostly women of a certain age and YouTube.

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Speaker 3: No, listen, listen, listen. I'm always surprised. There's like a

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Speaker 3: hashtag on the bike it says straight dudes for Cody,

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Speaker 3: And I'm always very surprised when like the straight guys

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Speaker 3: show up and they like are into what I'm putting down.

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Speaker 3: I'm like, you know, I love to see it like

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Speaker 3: we're not. So we're not. We don't fit into these

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Speaker 3: boxes that we that we think we used to fit in,

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Speaker 3: you know, like.

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Speaker 1: Yeah, absolutely, Now how did you You just said you

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Speaker 1: were a dancer and and I read you you worked

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Speaker 1: at the Box in Manhattan?

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Speaker 3: I did, Yes, Donald, you been there.

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Speaker 2: I've not been to one of Manhattan. I've been to

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Speaker 2: the one in London.

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Speaker 1: Yeah. Well, anyway, for those who don't know, it's a

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Speaker 1: it's like a kind of a burlesque crazy club where

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Speaker 1: there's performances. Cody, what did you do there? You dance there?

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Speaker 3: No? So this wasn't like a very transitional part of

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Speaker 3: my life is like I had been dancing professionally, like

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Speaker 3: a commercial dancer, back up Frednicky Minaj, Katie Perry, such

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Speaker 3: and such videos all that, and I got some point

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Speaker 3: where it was like, Okay, like this isn't paying the bills,

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Speaker 3: but I don't know what's next. So I really kind

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Speaker 3: of went out in to the world in New York.

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Speaker 3: I came back from lah I was in LA for

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Speaker 3: the summer, came back and I was like, I'm just

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Speaker 3: gonna work my ass off and do what I need

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Speaker 3: to do to make money. So I was like cater waitering,

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Speaker 3: going to the gym, working at the box, doing some

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Speaker 3: side gigs. And so I was at the Box and

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Speaker 3: I worked in front of the house and it was

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Speaker 3: kind of a ship job. So as you know, there's

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Speaker 3: a very risk show where there's lots of crazy things

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Speaker 3: going on and topless girls, and so my job was

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Speaker 3: to stop everyone from taking pictures on their phone even

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Speaker 3: at those job.

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Speaker 1: Yeah. So and then people are drunk at that time

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Speaker 1: and night.

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Speaker 3: They're drunk, they're annoying. So that's what I did at

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Speaker 3: the Box. But fortunately the choreographer slash director.

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Speaker 1: Cock blocker, Yeah, a professional talk blocker.

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Speaker 3: Cocker. I can't remember what it was called. Oh god,

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Speaker 3: it was so long ago. But yeah, the director knew

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Speaker 3: I was a dance sir, and so he had a

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Speaker 3: connection to Pelton. I was like, hey, this might be

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Speaker 3: a good fit for you, and I literally was just like, yeah,

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Speaker 3: here's another side gig I can do to make some

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Speaker 3: some coin that's not cater watering. And then here we are,

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Speaker 3: nine years later, right place, right time.

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Speaker 1: Wow, did you how did you? I mean, spinning on

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Speaker 1: the level that you do it is not easy and

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Speaker 1: I and I wonder how you especially talking the whole

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Speaker 1: time like you do. How did that transitioning from dancing on.

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Speaker 2: This is the question that everyone wants to know. What

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Speaker 2: what's that resistance on broy.

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Speaker 3: Mine is like very similar to what I call out, Yeah,

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Speaker 3: because in a honesty, I can't. I can't fake it.

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Speaker 3: I can't fake it if I'm doing it like I

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Speaker 3: need to do it and have a level of resistance that's.

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Speaker 1: You have to talk the whole time. I was wondering,

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Speaker 1: I know, but like.

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Speaker 3: Babe, I can. I can sit here and talk about

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Speaker 3: nothing for hours, So that's not the problem. And I've

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Speaker 3: been doing it for nine years so my condition to

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Speaker 3: it is is easy at this point. It's like, in

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Speaker 3: all honesty, like a thirty minute second class is like

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Speaker 3: nothing to me at this point. I'd just be honest

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Speaker 3: not to flex or sound like.

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Speaker 1: Yeah, if you do it for nine years, you'd expect that.

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Speaker 3: Yeah.

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Speaker 1: No, wait a second. My question was before Donald said

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Speaker 1: that when you first transitioned to doing it, were you

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Speaker 1: was it? Do you find it hard or did all

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Speaker 1: your dancing cardio help you pick it up quickly?

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Speaker 3: I think physically it wasn't like the I don't think

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Speaker 3: physically it was the hardest thing to transition from dance

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Speaker 3: to that. I think I had the endurance and like

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Speaker 3: I worked out pretty regularly, So it wasn't that that

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Speaker 3: that wasn't the hard part. It was more so I

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Speaker 3: always I've always said this before, I always feel like

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Speaker 3: Tom Cruise in the Minority Report when he's got that

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Speaker 3: big ass screen open and like you're doing, he's like

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Speaker 3: doing a million things at once. Like that's how teaching

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Speaker 3: a peloton class is. Because you've got we had the

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Speaker 3: studio audience, you've got the cameras, you've got the programming.

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Speaker 3: You got to cue the music like you're doing all

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Speaker 3: these things all at once to like simultaneously it together.

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Speaker 3: So I definitely like fumbled and stumbled my way through

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Speaker 3: the beginning, and even like the first community class that

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Speaker 3: I did probably like a year ago, I mean nine

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Speaker 3: years ago, I failed at because I was just like

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Speaker 3: a hot mess, and so I had to go back

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Speaker 3: to the drawing board and do it again. And then

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Speaker 3: I was finally like an official instructor. So I think

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Speaker 3: that was the hardest part, was just like balancing all

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Speaker 3: the damn things you got going on. And then once

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Speaker 3: I figured that out, then I was like, Okay, how

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Speaker 3: do I make this funny and stupid and fun You know, I.

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Speaker 1: Have so many questions. My next one is are you

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Speaker 1: fully in charge of the music you play? Or does

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Speaker 1: anyone wagh in on what music you pick?

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Speaker 3: No, I'm full, fully in charge. I feel like I

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Speaker 3: could never relinquish control of that because it's it's such

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Speaker 3: an integral part of like the vibe and the energy

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Speaker 3: and the brand and all that sort of stuff, So

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Speaker 3: it would be really hard. I think there's like unless

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Speaker 3: it's like a theme ride or I don't know if

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Speaker 3: I should say this, but like we just had Barbie

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Speaker 3: rides and I the move for the movie, and I

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Speaker 3: are they like, well, I think that's like those were

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Speaker 3: like official, those were official rides. And I think I'm

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Speaker 3: glad that he didn't accept it when I did, because

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Speaker 3: I am a SAG member and I think if I

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Speaker 3: did the ride that would be technically like promoted, it

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Speaker 3: would have promoting the movie. I'm glad I declined it anyways,

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Speaker 3: But I was like, how am I gonna The soundtrack

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Speaker 3: doesn't hit for thirty minutes or twenty minutes for me,

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Speaker 3: so I don't think I would have fun teaching that class.

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Speaker 3: Like there's like I listened to this. I looked at

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Speaker 3: the soundtrack and I'm like, Okay, there's like three or

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Speaker 3: four like solid tracks here, but like, I don't know

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Speaker 3: if I could do a twenty minute, thirty minute ride

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Speaker 3: to this, because like, I don't know, it's just not

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Speaker 3: hitting for me specifically, right.

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Speaker 2: So flash forward Dancing with the Stars, Nickoll, was it

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Speaker 2: a no brainer or were you like, you know, I'm

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Speaker 2: enjoying where I'm at right now, or were you like,

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Speaker 2: you know, let's let's show the world who Cody is.

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Speaker 3: Neither of you have done that right, no yet, but.

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Speaker 1: Our friend you did it with our friend Amanda.

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Speaker 3: Clutes, lovely Amandiclutes, who's a phenomenal dancer. It was kind

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Speaker 3: of like, uh, I was like, Wow, this is a

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Speaker 3: great opportunity. I'm like honored and like excited that they

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Speaker 3: would even think of me to do it. So that

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Speaker 3: was that I think going into it, I was like

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Speaker 3: a little bit cockier or confident than I was once

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Speaker 3: I like landed in the space. Dancing with the stars

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Speaker 3: for me was like one of the most like one

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Speaker 3: of the hardest things I've ever done mentally, physically and emotionally.

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Speaker 3: I'm so glad that I did it. I would never

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Speaker 3: do it again. Like if you put a million dollars

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Speaker 3: in front of me, I think I would be like sorry, sorry,

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Speaker 3: says I'm good, Like I'm not, I'm not goods.

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Speaker 1: Just wait to go into detail on that. Like because

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Speaker 1: of the amount of how you have to pick up

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Speaker 1: choreography so quickly, Is that was that? Why?

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Speaker 3: Yeah? I think it's just like a lot of it,

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Speaker 3: Like you're learning, Like I was a dancer, Like I danced,

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Speaker 3: but like the ballroom dance is so technical and so

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Speaker 3: different than a five six seven eight in a music video.

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Speaker 3: So I think that's where I got a little bit cocky.

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Speaker 3: And then once I like landed, I was like, oh shit,

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Speaker 3: this is harder than I thought it was gonna be.

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Speaker 3: That's one thing. Reality TV is so produced, and even

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Speaker 3: no matter how good you do or how bad you

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Speaker 3: do or whatever, there's so many different elements that go

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Speaker 3: into like the scoring or the feedback that they give you.

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Speaker 3: And for me, it was hard to separate like my

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Speaker 3: own validation or my own worth from the idea and

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Speaker 3: the fact that there it was a produced television show,

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Speaker 3: like you know, like it's hard to not take what

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Speaker 3: they're saying or the scores, so like personally, yeah, and

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Speaker 3: that was hard for me, like emotionally. And then like

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Speaker 3: from fucking like Labor Day to Thanksgiving, I had zero

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Speaker 3: days off. And that's not just like me like hyping

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Speaker 3: up like work culture or like you know, because you

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Speaker 3: also had to keep doing peloton. Yeah. So but even

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Speaker 3: I feel like even if I wasn't doing peloton, there

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Speaker 3: wouldn't have been days off because you're rehearsing every day

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Speaker 3: physically like non stop. So it just was it just

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Speaker 3: was lot to take on. And yeah, and just like

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Speaker 3: I don't know, people are nasty and rude and oh yeah,

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Speaker 3: you see, like, no matter how hard.

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Speaker 1: I tried, did you go down the rabbit hole of

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Speaker 1: reading your haters and ship?

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Speaker 2: Yeah?

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Speaker 3: I mean, like as much as I try not to,

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Speaker 3: it's like, you know, i'd go on Twitter and look

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Speaker 3: at look at stuff, and you'd see the nasty things

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Speaker 3: that people would say or dog on you, and I

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Speaker 3: don't know I should as much as I try not

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Speaker 3: to do that, Like I'm only human and I'm curious,

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Speaker 3: and unfortunately I got caught in those crossfires before.

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Speaker 2: So that's the fucked up thing. They know you look,

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Speaker 2: you look, That's why they write that ship exactly ship,

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Speaker 2: so fuck you.

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Speaker 3: Yeah. But on the other hand, it was like super challenging.

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Speaker 3: I grew so much. I you know, it forded me

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Speaker 3: a lot of opportunities during and after, and it's like

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Speaker 3: such a such a special part of like my story.

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Speaker 3: So I'm glad that I did it, but it was

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Speaker 3: also like one of the most challenging and difficult things

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Speaker 3: that I ever did.

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Speaker 1: Yeah, it's funny. I was thinking about you and Amanda

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Speaker 1: because you know, sometimes they give people who are quote

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Speaker 1: unquote dancers shit for going on the show because you're

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Speaker 1: like you're how is this how is this a challenge?

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Speaker 1: And Amanda, who was a roquette, which is closer to

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Speaker 1: ballroom dancing than you, who were you know, whatever kind

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Speaker 1: of dancer you call it, music video hip hop, I'm

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Speaker 1: not sure what you'd say it is. But she was like,

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Speaker 1: this is really really fucking hard. She's like, I was

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Speaker 1: a roquette, but this is not I was not a

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Speaker 1: ballroom dancer. And she really found it very very hard.

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Speaker 3: And she and like, listen, she had like I mean,

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Speaker 3: she had great scores, and she was much more technical

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Speaker 3: than I am. And yeah, I mean there was a

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Speaker 3: point where we were bush exhausted and it was just

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Speaker 3: so much.

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Speaker 1: And the whole world is weighing in on you. I

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Speaker 1: mean everyone who watches it. I mean, that'd be so hard,

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Speaker 1: because it's one thing to just get trolled or shot

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Speaker 1: on just for being alive and being a public figure.

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Speaker 1: But you're going on a show that's a competition where

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Speaker 1: you are judged, so you're saying, like, judge me, motherfuckers,

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Speaker 1: and people are very happy, to.

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Speaker 3: Happy, very happy.

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Speaker 2: Let's take a break.

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Speaker 1: We'll be right back after these fine words. Another thing

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Speaker 1: I wanted to ask you was what's it like in

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Speaker 1: the culture of Pelton, because I imagine you're the one

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Speaker 1: of the most I know that you're one of the

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Speaker 1: most famous people that are doing it. Is there is

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Speaker 1: it ever uncomfortable with your peers because you've kind of

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Speaker 1: broken out as as the face or one of the

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Speaker 1: stars of the company.

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Speaker 2: Yeah, I was gonna I was gonna just to piggyback

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Speaker 2: on that you are one of the faces. There are

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Speaker 2: several faces of Peloton, but you are. And then there's

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Speaker 2: people that you know, do y'all ever run into each

435
00:21:42,520 --> 00:21:44,560
Speaker 2: other because it doesn't seem like you're in the same studio.

436
00:21:44,640 --> 00:21:46,600
Speaker 2: Some people are in different areas.

437
00:21:47,040 --> 00:21:48,040
Speaker 1: No, they're all in New York.

438
00:21:48,119 --> 00:21:52,199
Speaker 3: I think, well, well that's sort of true. Okay, So

439
00:21:52,840 --> 00:21:55,080
Speaker 3: just I'll go the first question. So there's a New

440
00:21:55,160 --> 00:21:59,320
Speaker 3: York studio and that's probably where like, let's say thirty

441
00:21:59,359 --> 00:22:01,159
Speaker 3: five to four of the instructors are I don't know

442
00:22:01,160 --> 00:22:04,120
Speaker 3: their math is. And then there's a UK studio which

443
00:22:04,160 --> 00:22:07,520
Speaker 3: has our English team and the German team, so that's

444
00:22:07,560 --> 00:22:10,080
Speaker 3: probably another ten to fifteen people. So that's a total

445
00:22:10,119 --> 00:22:12,440
Speaker 3: I think of fifty or so instructors at this point.

446
00:22:12,480 --> 00:22:16,359
Speaker 3: So the vast majorities in New York City. In New

447
00:22:16,440 --> 00:22:20,760
Speaker 3: York City, there's four studios, So you've got the yoga studio,

448
00:22:20,840 --> 00:22:23,600
Speaker 3: the Strength Studio, the tread Studio, and the cycling Studio.

449
00:22:24,520 --> 00:22:28,920
Speaker 3: We all we depending on your schedule, Like I see

450
00:22:28,960 --> 00:22:32,199
Speaker 3: about the same on a regular basis, Let's say ten instructors.

451
00:22:32,280 --> 00:22:35,439
Speaker 3: I guess like I see the same ten instructors, and

452
00:22:35,480 --> 00:22:39,359
Speaker 3: then you know, there's like events that we have that

453
00:22:39,359 --> 00:22:41,480
Speaker 3: we all kind of like cross paths and see each other.

454
00:22:41,520 --> 00:22:43,959
Speaker 3: And then we just had probably at the beginning of summer,

455
00:22:44,040 --> 00:22:46,800
Speaker 3: our instructor Summit where like all of the instructors from

456
00:22:46,840 --> 00:22:49,120
Speaker 3: all across the globe came together and we had a

457
00:22:49,240 --> 00:22:52,439
Speaker 3: very lovely, like two or three intense but fun days.

458
00:22:53,200 --> 00:23:00,320
Speaker 3: And as far as my colleagues and like compare each

459
00:23:00,320 --> 00:23:02,720
Speaker 3: other's success or whatever, I think that's kind of what

460
00:23:02,760 --> 00:23:08,320
Speaker 3: we're getting out a little bit. Fortunately, everyone has been

461
00:23:08,400 --> 00:23:10,560
Speaker 3: cast to kind of like be in their own lane

462
00:23:10,600 --> 00:23:16,520
Speaker 3: and also share their story and appeal to different groups

463
00:23:16,560 --> 00:23:18,720
Speaker 3: of people. So you know, I try to think in

464
00:23:18,760 --> 00:23:21,600
Speaker 3: this like abundance mindset that there are enough seats at

465
00:23:21,640 --> 00:23:24,840
Speaker 3: the table and there's enough opportunities within Peloton and outside

466
00:23:24,840 --> 00:23:28,000
Speaker 3: of Peloton for all of us to like thrive and

467
00:23:28,119 --> 00:23:32,000
Speaker 3: have our thing going, because, like I said at the beginning,

468
00:23:32,200 --> 00:23:34,280
Speaker 3: when I was trying to copy Robin ars on and

469
00:23:34,520 --> 00:23:37,480
Speaker 3: like be her, I'm not an ultra marathon on her.

470
00:23:37,480 --> 00:23:40,040
Speaker 3: I'm not a vegan, I'm not a mom. I'm not

471
00:23:40,119 --> 00:23:41,920
Speaker 3: like all these things that she is that she can

472
00:23:41,960 --> 00:23:44,160
Speaker 3: speak to on the peloton platform and off and get

473
00:23:44,160 --> 00:23:46,760
Speaker 3: all these opportunities. So I think that's the beauty of it, is,

474
00:23:46,760 --> 00:23:49,360
Speaker 3: like there are enough seats at the table and there's

475
00:23:49,400 --> 00:23:51,439
Speaker 3: a lot to do, and it's I don't think it's

476
00:23:51,480 --> 00:23:54,040
Speaker 3: ever I don't think it's ever like awkward or there's

477
00:23:54,080 --> 00:23:58,240
Speaker 3: any sort of like weird jealousy. I think that we're

478
00:23:58,280 --> 00:23:59,920
Speaker 3: all kind of rooting for each other the best set

479
00:24:00,119 --> 00:24:03,240
Speaker 3: we can. And I think it would be silly to

480
00:24:03,359 --> 00:24:07,040
Speaker 3: think that some of the opportunities that other people have

481
00:24:07,200 --> 00:24:09,679
Speaker 3: I should have because I'm gonna get what comes what

482
00:24:09,760 --> 00:24:11,280
Speaker 3: comes to me. I guess I.

483
00:24:11,240 --> 00:24:13,280
Speaker 1: Know, but that I even said, Cody, I've been watching

484
00:24:13,320 --> 00:24:17,720
Speaker 1: a lot of Below Deck med and I just want

485
00:24:17,720 --> 00:24:21,760
Speaker 1: to know. I just want to know if there's ever

486
00:24:21,920 --> 00:24:26,439
Speaker 1: any friction or if you all get hammered and like

487
00:24:26,480 --> 00:24:29,800
Speaker 1: people say shit, like I picture the no, I picture

488
00:24:29,800 --> 00:24:32,600
Speaker 1: the Peloton locker room like below deck med and I

489
00:24:32,680 --> 00:24:33,920
Speaker 1: need to know if that's true.

490
00:24:34,000 --> 00:24:36,800
Speaker 3: No, you know what, the only thing like, I A,

491
00:24:37,040 --> 00:24:38,920
Speaker 3: we're not a drink We're not a lot of drinkers.

492
00:24:39,040 --> 00:24:40,920
Speaker 3: I know. It's so annoying, like we don't drink a lot,

493
00:24:40,960 --> 00:24:45,280
Speaker 3: so nobody's getting wasted and doing stupid shit. And in honesty,

494
00:24:45,560 --> 00:24:49,280
Speaker 3: like the heat. The most heated drama I think is

495
00:24:49,400 --> 00:24:53,080
Speaker 3: like the green room. And I will, like I get

496
00:24:53,200 --> 00:24:56,600
Speaker 3: very upset with some of the girls because they go

497
00:24:56,680 --> 00:25:00,239
Speaker 3: into these green rooms and they leave like there make up,

498
00:25:00,240 --> 00:25:04,360
Speaker 3: their hair, they're clothes all in there, and they forget

499
00:25:04,400 --> 00:25:06,280
Speaker 3: that like, hey, I need to go in there too.

500
00:25:06,400 --> 00:25:09,360
Speaker 3: So it's like literally like it's like literal brothers and

501
00:25:09,400 --> 00:25:12,119
Speaker 3: sisters fighting over who gets to use the bathroom that

502
00:25:12,280 --> 00:25:14,240
Speaker 3: is the tea. I'm sorry, I know you want more.

503
00:25:14,280 --> 00:25:15,440
Speaker 2: I know you wanted more.

504
00:25:15,760 --> 00:25:18,119
Speaker 3: I know you want me like spilling drinks, like throwing

505
00:25:18,119 --> 00:25:21,159
Speaker 3: a drink on tune day and me slapping Alex to

506
00:25:21,400 --> 00:25:26,480
Speaker 3: song and me calling, you know, Kendall a bitch to

507
00:25:26,560 --> 00:25:28,840
Speaker 3: her face like it's just not happening.

508
00:25:28,480 --> 00:25:30,880
Speaker 1: And then Captain Sandy comes in and it's.

509
00:25:30,720 --> 00:25:35,320
Speaker 3: Like and then and then they're like, hey, hey, hey, hey,

510
00:25:35,680 --> 00:25:37,879
Speaker 3: we didn't get that on camera. Can we do it

511
00:25:37,920 --> 00:25:40,200
Speaker 3: all again? And do that all again?

512
00:25:40,440 --> 00:25:40,800
Speaker 1: Please?

513
00:25:41,880 --> 00:25:44,240
Speaker 3: So unfortunately I don't have any hot tea for you.

514
00:25:44,640 --> 00:25:47,159
Speaker 2: Hey, is that your real wallpaper behind you? Or are

515
00:25:47,160 --> 00:25:48,200
Speaker 2: you in a hotel right now?

516
00:25:48,600 --> 00:25:51,040
Speaker 3: It is my This is the is the guest room.

517
00:25:51,080 --> 00:25:52,959
Speaker 3: I'm actually I have a friend staying with me from

518
00:25:53,000 --> 00:25:55,360
Speaker 3: Brazil and he's this is an air mattress that I'm

519
00:25:55,359 --> 00:25:58,240
Speaker 3: sitting on and this is the guest room. Yeah.

520
00:25:58,320 --> 00:26:01,360
Speaker 2: I like your wallpaper. It's very It's Gucci.

521
00:26:01,960 --> 00:26:06,840
Speaker 1: Is it occy wallpaper? Treating you well?

522
00:26:07,600 --> 00:26:10,000
Speaker 3: Actually you know what? I got it for free because

523
00:26:10,040 --> 00:26:11,000
Speaker 3: someone had it left over.

524
00:26:11,200 --> 00:26:13,720
Speaker 1: So I was like, you found some Gucci wallpaper.

525
00:26:14,240 --> 00:26:14,440
Speaker 3: Yeah.

526
00:26:15,760 --> 00:26:17,600
Speaker 1: I was listening to you the other day and you

527
00:26:17,640 --> 00:26:21,200
Speaker 1: were and you were doing you were you were spinning

528
00:26:21,240 --> 00:26:24,280
Speaker 1: to that song to the left, to the left, and

529
00:26:24,320 --> 00:26:26,560
Speaker 1: then and you and you said something that made me

530
00:26:26,600 --> 00:26:29,600
Speaker 1: laugh so hard. You go, uh, she goes, I could

531
00:26:29,600 --> 00:26:32,640
Speaker 1: have another you in a minute. But what's the lyric?

532
00:26:32,680 --> 00:26:36,040
Speaker 1: I forgot? Matter of fact, he'll be here, That was

533
00:26:36,080 --> 00:26:36,480
Speaker 1: the lyric.

534
00:26:37,160 --> 00:26:38,919
Speaker 3: He'll be here in a minute.

535
00:26:39,480 --> 00:26:41,040
Speaker 1: You go, I can't have a man here in a minute.

536
00:26:41,080 --> 00:26:44,720
Speaker 1: It's called Grinder, and then you go, I was laughing

537
00:26:44,760 --> 00:26:47,959
Speaker 1: so hard, you go, I might have to lower my standards,

538
00:26:47,960 --> 00:26:55,160
Speaker 1: but he'd be here in a minute, exactly.

539
00:26:55,320 --> 00:27:02,200
Speaker 3: Listen, all of us have have phones, access to quick

540
00:27:02,400 --> 00:27:05,800
Speaker 3: and easy hookups if we want it. But I don't

541
00:27:05,800 --> 00:27:07,960
Speaker 3: know if you've ever been on some of these apps.

542
00:27:08,280 --> 00:27:10,680
Speaker 1: But men more than other dude, I mean sorry, gay

543
00:27:10,720 --> 00:27:13,280
Speaker 1: men more than more than straight men, because.

544
00:27:13,200 --> 00:27:14,879
Speaker 3: We're wrees, we're sluts, we're okay.

545
00:27:15,040 --> 00:27:16,679
Speaker 1: Donald and I are not Donald and I are not

546
00:27:16,720 --> 00:27:19,520
Speaker 1: on Grinder yet. But it seems to me like you're

547
00:27:19,560 --> 00:27:22,120
Speaker 1: not really exaggerating, like a man could be there in

548
00:27:22,160 --> 00:27:23,040
Speaker 1: like three minutes.

549
00:27:23,760 --> 00:27:27,840
Speaker 3: Literally. It might. It might be a certain caliber of

550
00:27:27,880 --> 00:27:31,680
Speaker 3: a certain man. But you know, like if I'm trying

551
00:27:31,680 --> 00:27:33,400
Speaker 3: to get my dick wet and I don't have high

552
00:27:33,440 --> 00:27:35,720
Speaker 3: standards and we can make it happen pretty.

553
00:27:35,520 --> 00:27:37,959
Speaker 1: Quickly a gay man, we might have to cut this,

554
00:27:38,040 --> 00:27:42,119
Speaker 1: Joelle Jewel, Okay, Joell, you'll tell me if we need

555
00:27:42,160 --> 00:27:42,640
Speaker 1: to cut this.

556
00:27:42,920 --> 00:27:45,679
Speaker 3: Because they because you'll get canceled or I will No.

557
00:27:45,560 --> 00:27:47,199
Speaker 1: You're not going to cancel it. Just this might be

558
00:27:47,240 --> 00:27:50,240
Speaker 1: too risque even for our show. But a gay friend

559
00:27:50,240 --> 00:27:53,960
Speaker 1: of mine told me that that certain gay men will

560
00:27:54,000 --> 00:27:59,760
Speaker 1: post on grinder. I will be receiving loads between these hours.

561
00:28:00,240 --> 00:28:03,280
Speaker 3: Oh yeah, that's so, that's what we call them the

562
00:28:03,280 --> 00:28:06,159
Speaker 3: community a pump and dump?

563
00:28:06,800 --> 00:28:08,280
Speaker 1: Really, what's a pump and dump?

564
00:28:10,560 --> 00:28:10,639
Speaker 6: So?

565
00:28:11,680 --> 00:28:15,040
Speaker 1: Uh, this show just got good good.

566
00:28:16,119 --> 00:28:17,000
Speaker 2: We just turned.

567
00:28:18,600 --> 00:28:23,840
Speaker 1: My god, what's a pumping? Because Donald and I are unfamiliar.

568
00:28:24,040 --> 00:28:27,480
Speaker 3: I have never partaken in this. No judgment, no judgment,

569
00:28:27,640 --> 00:28:31,159
Speaker 3: no judge. I don't try to judge anybody's sexual desires

570
00:28:31,200 --> 00:28:33,000
Speaker 3: nor what they're We've learned.

571
00:28:33,040 --> 00:28:36,520
Speaker 2: We've learned a lot from Joel. She's told us this

572
00:28:36,560 --> 00:28:39,400
Speaker 2: is all life is life.

573
00:28:39,600 --> 00:28:41,040
Speaker 3: Joel's going to pumping ups.

574
00:28:41,440 --> 00:28:45,160
Speaker 1: Okay, so no, Joel doesn't pumping up. I don't think

575
00:28:45,160 --> 00:28:46,360
Speaker 1: you're pumping dump. No judgment.

576
00:28:46,360 --> 00:28:49,680
Speaker 2: If you do no judgments over here, will you explain.

577
00:28:49,440 --> 00:28:51,680
Speaker 1: To our audience that is not familiar? What is?

578
00:28:52,760 --> 00:28:56,640
Speaker 3: This is so nasty just saying it like it's also

579
00:28:56,680 --> 00:28:59,479
Speaker 3: like when you describe these sort of things, this is

580
00:28:59,640 --> 00:29:02,440
Speaker 3: this is that's why they're trying to take away our rights.

581
00:29:02,760 --> 00:29:04,840
Speaker 3: This is why we couldn't get married for so damn

582
00:29:04,960 --> 00:29:06,200
Speaker 3: long because we're out here.

583
00:29:06,240 --> 00:29:11,000
Speaker 1: Actually, so's say a.

584
00:29:11,000 --> 00:29:14,479
Speaker 3: Particular person wants to be the receipt. I'm try put

585
00:29:14,480 --> 00:29:17,160
Speaker 3: these in straight terms. Wants to be the receiver. So

586
00:29:17,280 --> 00:29:20,840
Speaker 3: the bottom and they will maybe in fact, they will

587
00:29:20,880 --> 00:29:24,440
Speaker 3: rent a hotel room or they will be giving strangers

588
00:29:24,480 --> 00:29:28,480
Speaker 3: on the internet their address. So then said strangers will

589
00:29:28,520 --> 00:29:32,360
Speaker 3: show up to said hotel room or home and just

590
00:29:32,960 --> 00:29:37,040
Speaker 3: the bottom will be there ready to receive any trade

591
00:29:37,080 --> 00:29:41,800
Speaker 3: of sex. And as you said before loads, So therefore

592
00:29:42,040 --> 00:29:44,000
Speaker 3: that is the pump and dump. So from like one

593
00:29:44,040 --> 00:29:46,040
Speaker 3: to three, I'm going to be at this hotel and

594
00:29:46,120 --> 00:29:49,000
Speaker 3: you come in, you drop your drawers, you have sex

595
00:29:49,040 --> 00:29:49,960
Speaker 3: with me, and you leave.

596
00:29:50,840 --> 00:29:55,360
Speaker 1: But wait, the same friend told me that sometimes the

597
00:29:55,480 --> 00:30:00,040
Speaker 1: man the recipient, you know, like the hash deck. I

598
00:30:00,080 --> 00:30:01,920
Speaker 1: have to teach this to all, but that they will

599
00:30:01,960 --> 00:30:04,640
Speaker 1: post market. Let me let me tell you, no, no, no,

600
00:30:04,840 --> 00:30:06,080
Speaker 1: let me tell them, and then you tell me if

601
00:30:06,080 --> 00:30:07,920
Speaker 1: I'm wrong, Donald, I don't know if I told you this ship.

602
00:30:08,280 --> 00:30:10,520
Speaker 1: My friend told me that they on the one guy

603
00:30:10,720 --> 00:30:13,360
Speaker 1: had on his butt cheek the like you know, the

604
00:30:13,720 --> 00:30:16,280
Speaker 1: four and then you do the hash across. He had

605
00:30:16,320 --> 00:30:19,080
Speaker 1: with the loads. He had asked the men to create

606
00:30:19,240 --> 00:30:22,360
Speaker 1: lines and then a hash through for the through the

607
00:30:22,360 --> 00:30:23,000
Speaker 1: fifth load.

608
00:30:23,280 --> 00:30:25,240
Speaker 6: I'm horrified, who are you talking to.

609
00:30:27,400 --> 00:30:31,320
Speaker 3: That you were talking about. Listen, you're not You're not wrong.

610
00:30:31,600 --> 00:30:34,040
Speaker 1: My friend wasn't participating. He was telling me as a

611
00:30:34,080 --> 00:30:35,960
Speaker 1: straight man. You probably don't know this is a thing

612
00:30:36,000 --> 00:30:37,800
Speaker 1: on Grinder, But this is a thing on Grinder.

613
00:30:37,920 --> 00:30:39,160
Speaker 3: It is it is?

614
00:30:39,400 --> 00:30:41,440
Speaker 2: Are there things like this on other dating sites?

615
00:30:41,520 --> 00:30:43,040
Speaker 1: Is this is Donald wants to know if this is

616
00:30:43,080 --> 00:30:44,000
Speaker 1: available on Tinder?

617
00:30:45,280 --> 00:30:48,840
Speaker 2: I'm man, so I don't get to You're just doing research.

618
00:30:49,080 --> 00:30:52,600
Speaker 2: I would like to do some research. Is this like everywhere?

619
00:30:52,840 --> 00:30:55,160
Speaker 2: Is this? How is this? How is this what dating

620
00:30:55,200 --> 00:30:55,880
Speaker 2: sites are? Now?

621
00:30:56,080 --> 00:30:58,240
Speaker 1: I think this is I think this is a particularly

622
00:30:59,480 --> 00:31:02,600
Speaker 1: this is not as much of a hetero thing as far.

623
00:31:03,200 --> 00:31:06,560
Speaker 3: It's just that the gays are like really unhinged and

624
00:31:06,720 --> 00:31:09,120
Speaker 3: just like we are out here in these streets doing

625
00:31:09,120 --> 00:31:12,360
Speaker 3: whatever we want. So you know, there's a little bit more.

626
00:31:12,400 --> 00:31:14,520
Speaker 3: I don't even want to call it promiscuity because that's

627
00:31:14,520 --> 00:31:17,200
Speaker 3: not what it is. It's just you know, sexual liberation

628
00:31:17,360 --> 00:31:20,840
Speaker 3: and freedom. So like, you know, that's what some people

629
00:31:20,920 --> 00:31:24,120
Speaker 3: are into, and more power to them as long as

630
00:31:24,120 --> 00:31:27,520
Speaker 3: it's consensual. Adults, like you know, live your life. That's

631
00:31:27,560 --> 00:31:30,200
Speaker 3: in a mind damn business. But yeah, all of all

632
00:31:30,200 --> 00:31:32,600
Speaker 3: of what you're saying is true. And I would say,

633
00:31:32,640 --> 00:31:36,600
Speaker 3: if you live in a major metropolitan city, I don't

634
00:31:36,600 --> 00:31:38,160
Speaker 3: I don't think it would be hard for you to

635
00:31:38,280 --> 00:31:40,360
Speaker 3: find said activity.

636
00:31:40,560 --> 00:31:43,760
Speaker 1: Donald, Do you ever want to say announce that you're

637
00:31:43,800 --> 00:31:45,080
Speaker 1: open to receive loads.

638
00:31:46,160 --> 00:31:49,040
Speaker 2: I mean, first of all, I don't mind saying I'm

639
00:31:49,080 --> 00:31:53,240
Speaker 2: open to receive loads my wife. My wife will be like, yo, dude,

640
00:31:53,920 --> 00:31:56,840
Speaker 2: all these people at the house right, what the fuck

641
00:31:56,960 --> 00:31:57,640
Speaker 2: is called.

642
00:31:57,840 --> 00:32:00,200
Speaker 1: The doorbell rings? In case, he's like, babe, is it

643
00:32:00,280 --> 00:32:05,720
Speaker 1: the door? Oh that's my first load. I'ney just send

644
00:32:05,800 --> 00:32:10,000
Speaker 1: them upstairs, send them to the closet.

645
00:32:10,320 --> 00:32:12,680
Speaker 2: Oh lord, let's tack a break.

646
00:32:12,800 --> 00:32:22,239
Speaker 1: We'll be right back after these fine words. All right,

647
00:32:22,280 --> 00:32:23,200
Speaker 1: we'll get back on track.

648
00:32:23,240 --> 00:32:23,400
Speaker 3: Here.

649
00:32:24,400 --> 00:32:27,680
Speaker 1: Your favorite artist that you did you talk about the most,

650
00:32:27,760 --> 00:32:31,240
Speaker 1: it seems to me, is Brittany. Is that true? Of course, Yes,

651
00:32:31,280 --> 00:32:32,920
Speaker 1: she's your favorite?

652
00:32:33,280 --> 00:32:36,840
Speaker 3: Yeah, uh yeah, I mean I've I think I'm just like,

653
00:32:36,880 --> 00:32:39,240
Speaker 3: there's such a nostalgic attachment that I have to her.

654
00:32:40,560 --> 00:32:47,040
Speaker 3: She she provided such amazing songs, performances looks throughout the

655
00:32:47,040 --> 00:32:50,080
Speaker 3: height of my like adolescence. And if I would say

656
00:32:50,080 --> 00:32:52,560
Speaker 3: the height of like pop culture, like, you can't you

657
00:32:52,560 --> 00:32:56,320
Speaker 3: can't get better than that? Like the early two thousands

658
00:32:56,360 --> 00:32:59,600
Speaker 3: of pop culture. T R like, yeah, I just have

659
00:32:59,640 --> 00:33:02,440
Speaker 3: so many memories and you know music.

660
00:33:02,680 --> 00:33:05,840
Speaker 2: I remember watching Brittany and being like, damn, she's so young.

661
00:33:06,280 --> 00:33:09,240
Speaker 2: And then when she when Justin and her were dating

662
00:33:09,640 --> 00:33:12,440
Speaker 2: and freaking, she became like and she came out with

663
00:33:12,480 --> 00:33:16,040
Speaker 2: the snake and did I'm a slave for you. I remember,

664
00:33:16,120 --> 00:33:20,040
Speaker 2: and Jamie Fox looked at Justin Timberlake on television and said,

665
00:33:20,360 --> 00:33:25,360
Speaker 2: she bad. I remember. I just remember the you know,

666
00:33:25,440 --> 00:33:28,840
Speaker 2: the little that happens when you know.

667
00:33:28,960 --> 00:33:31,160
Speaker 1: You see somebody got a peep shift.

668
00:33:31,480 --> 00:33:32,400
Speaker 2: I had a peep shift.

669
00:33:32,640 --> 00:33:36,880
Speaker 3: You know. She went from sort of innocent girl to like, okay,

670
00:33:36,960 --> 00:33:38,840
Speaker 3: like hot sex symbol.

671
00:33:38,920 --> 00:33:40,560
Speaker 2: You know, well yeah, because you know you can say

672
00:33:40,560 --> 00:33:42,680
Speaker 2: what you want about Oops, I did it again and

673
00:33:43,040 --> 00:33:45,200
Speaker 2: hit me baby one more time. But that was like

674
00:33:45,320 --> 00:33:48,840
Speaker 2: posing kind of. But when she hit that shit, that

675
00:33:48,960 --> 00:33:52,640
Speaker 2: was when it was like I'm doing oh yeah, right exactly.

676
00:33:53,440 --> 00:33:55,600
Speaker 3: I mean, yeah, I think that we have a lot

677
00:33:55,640 --> 00:33:56,000
Speaker 3: in common.

678
00:33:56,080 --> 00:33:56,360
Speaker 2: Cody.

679
00:33:56,400 --> 00:33:58,840
Speaker 1: I'm just saying, did you see her live ever a? Cody?

680
00:33:59,320 --> 00:34:03,120
Speaker 3: Yeah, I see. I saw the Britney Spears. I saw

681
00:34:03,160 --> 00:34:07,280
Speaker 3: her first tour and then I saw I don't think

682
00:34:07,320 --> 00:34:11,439
Speaker 3: I saw anything after that until the Circus Tour, which

683
00:34:11,480 --> 00:34:16,040
Speaker 3: I saw twice, the Femptale tour, and then the Vegas show.

684
00:34:16,719 --> 00:34:21,359
Speaker 1: M So what about Beyonce? You also are a huge

685
00:34:21,360 --> 00:34:22,120
Speaker 1: Beyonce thing.

686
00:34:23,320 --> 00:34:28,279
Speaker 3: Guys, if you have not, if you're not purchased tickets

687
00:34:28,719 --> 00:34:32,839
Speaker 3: to go see the Renaissance Sance World Tour, you are

688
00:34:32,960 --> 00:34:36,399
Speaker 3: missing out on a once in a lifetime thing to see.

689
00:34:36,560 --> 00:34:37,759
Speaker 1: Look at Joelle's face right now.

690
00:34:38,880 --> 00:34:42,879
Speaker 3: I saw and I was so blown away that I

691
00:34:42,960 --> 00:34:45,680
Speaker 3: had to see it again. And I saw this Saturday

692
00:34:45,680 --> 00:34:50,200
Speaker 3: at MetLife and it's just like it is just like

693
00:34:50,280 --> 00:34:54,600
Speaker 3: a singular thing to be alive in this time where

694
00:34:54,600 --> 00:34:57,239
Speaker 3: like you get to see a woman that has made

695
00:34:57,239 --> 00:35:01,280
Speaker 3: a twenty five year career an entire like an immense

696
00:35:01,360 --> 00:35:04,440
Speaker 3: catalog of songs, and also just like the impact that

697
00:35:04,520 --> 00:35:07,760
Speaker 3: she's had on like pop culture, and turn that into

698
00:35:07,800 --> 00:35:13,600
Speaker 3: a two hour show that is immaculately designed, immaculately designed.

699
00:35:13,640 --> 00:35:15,440
Speaker 3: It is like, I don't even want to compare it

700
00:35:15,480 --> 00:35:17,400
Speaker 3: to seeing Michael Jackson, but it's the only thing that

701
00:35:17,440 --> 00:35:20,200
Speaker 3: I could compare it to. Like you, just if you

702
00:35:20,200 --> 00:35:22,719
Speaker 3: don't go see this, you're missing out on like a

703
00:35:22,800 --> 00:35:23,879
Speaker 3: once in a lifetime.

704
00:35:23,560 --> 00:35:25,600
Speaker 1: Opportunity, Joelle, what are your thoughts? They see you having

705
00:35:25,640 --> 00:35:26,399
Speaker 1: a spiritual moment.

706
00:35:26,480 --> 00:35:26,920
Speaker 4: Oh my god.

707
00:35:26,960 --> 00:35:29,160
Speaker 6: Okay, So seeing her on her birthday in LA and

708
00:35:29,200 --> 00:35:34,320
Speaker 6: I'm dying Like Cody, I think twice is going at least.

709
00:35:34,400 --> 00:35:36,399
Speaker 6: So I'm looking at New Orleans, which is where she's

710
00:35:36,440 --> 00:35:39,879
Speaker 6: doing her last stop. Every time I see video, it's

711
00:35:39,920 --> 00:35:41,400
Speaker 6: just a little bit better than the last show. The

712
00:35:41,440 --> 00:35:43,120
Speaker 6: way she just continues to improve through.

713
00:35:43,239 --> 00:35:44,839
Speaker 2: Oh my god.

714
00:35:45,120 --> 00:35:48,480
Speaker 6: So I've never like had Beyonce money before. So this

715
00:35:48,520 --> 00:35:53,040
Speaker 6: is my first Beyonce show. So I'm a little bit.

716
00:35:53,239 --> 00:35:55,920
Speaker 1: I'm happy for you that you've got Beyonce ticket money. Now,

717
00:35:56,000 --> 00:35:57,480
Speaker 1: I love that for you me too.

718
00:35:58,760 --> 00:36:00,640
Speaker 6: I took a week off from where second mentally and

719
00:36:00,640 --> 00:36:03,640
Speaker 6: spiritually prepair my little person coming.

720
00:36:04,160 --> 00:36:05,080
Speaker 2: It's gonna be amazing.

721
00:36:05,160 --> 00:36:07,120
Speaker 1: We did our live show. We made you miss somebody

722
00:36:07,120 --> 00:36:08,760
Speaker 1: else who did we make you miss by accident?

723
00:36:08,880 --> 00:36:11,280
Speaker 6: Megan the Stallion and Mariah Carey. They were doing Pride

724
00:36:11,320 --> 00:36:12,040
Speaker 6: in l A.

725
00:36:12,280 --> 00:36:14,879
Speaker 3: Oh they pulled you away from that.

726
00:36:15,280 --> 00:36:18,879
Speaker 6: Yes, it was a sacrifice. It it's gonna He'll come

727
00:36:18,920 --> 00:36:19,279
Speaker 6: back to me.

728
00:36:19,320 --> 00:36:21,799
Speaker 3: I think, did you see it?

729
00:36:21,840 --> 00:36:24,839
Speaker 1: Did y'all see Cardi? Did you see Cardi? B through

730
00:36:24,840 --> 00:36:26,000
Speaker 1: the mic at someone's head.

731
00:36:26,080 --> 00:36:31,840
Speaker 3: That was amazing, rightfully, so would throw at your face?

732
00:36:32,080 --> 00:36:32,680
Speaker 2: You know, she don't know.

733
00:36:32,800 --> 00:36:33,160
Speaker 3: You don't know.

734
00:36:33,200 --> 00:36:34,880
Speaker 2: She don't even know if that was water or not

735
00:36:35,000 --> 00:36:37,600
Speaker 2: too though. Man, she just got some ship thrown on her. Man,

736
00:36:37,640 --> 00:36:39,960
Speaker 2: that could have been seen, That could have been anything.

737
00:36:40,040 --> 00:36:42,560
Speaker 3: Man, did you see Carti's hair? You don't throw water

738
00:36:42,880 --> 00:36:44,680
Speaker 3: hair the music going up?

739
00:36:45,600 --> 00:36:49,160
Speaker 6: Like, I don't know, I would throw anything at Cardi.

740
00:36:49,239 --> 00:36:50,200
Speaker 6: Her aim is perfect.

741
00:36:50,360 --> 00:36:52,520
Speaker 2: Who knows? She doesn't miss? Okay, she hit?

742
00:36:52,680 --> 00:36:53,319
Speaker 1: Did she hit her?

743
00:36:53,680 --> 00:36:59,120
Speaker 6: She hit the person, pulled back, made eye contact and

744
00:36:59,200 --> 00:37:01,440
Speaker 6: launched like Cardi b is a fighter.

745
00:37:01,560 --> 00:37:03,600
Speaker 3: It's a dumb move. I can't understand why you would

746
00:37:03,680 --> 00:37:04,680
Speaker 3: do it all.

747
00:37:04,719 --> 00:37:07,800
Speaker 1: Right now, explain to me. I know the track didn't

748
00:37:08,120 --> 00:37:11,719
Speaker 1: it wasn't affected at all, and I understand that she

749
00:37:11,840 --> 00:37:14,160
Speaker 1: may have been speaking over it or wrapping over it.

750
00:37:14,239 --> 00:37:16,280
Speaker 1: But do people care? Nobody cares.

751
00:37:16,440 --> 00:37:17,160
Speaker 2: Nobody cares.

752
00:37:17,239 --> 00:37:19,960
Speaker 3: That's not what she was not singing live.

753
00:37:20,239 --> 00:37:25,040
Speaker 1: Yeah, you're gonna tell me. Nobody cares. Nobody cares. Donald

754
00:37:25,040 --> 00:37:28,560
Speaker 1: and I have a date to see Taylor Swift this week.

755
00:37:28,600 --> 00:37:30,120
Speaker 1: We're very excited you got the tickets.

756
00:37:30,480 --> 00:37:31,600
Speaker 3: We did not talk about you guys.

757
00:37:31,640 --> 00:37:38,040
Speaker 2: Taylor Swift. Yet somebody's not somebody's clowning. Somebody's clowning.

758
00:37:38,400 --> 00:37:40,560
Speaker 3: I don't know if you want to open this campt.

759
00:37:40,600 --> 00:37:43,440
Speaker 2: No, No, I want to do it. I want to

760
00:37:43,480 --> 00:37:43,839
Speaker 2: do it.

761
00:37:43,840 --> 00:37:46,120
Speaker 3: It's not a good thing. I get in trouble.

762
00:37:46,440 --> 00:37:48,560
Speaker 1: No, Cody, I don't want you to talk negatively about Swift.

763
00:37:48,560 --> 00:37:49,200
Speaker 1: I really like her.

764
00:37:49,840 --> 00:37:54,040
Speaker 3: Okay, and Donald, I'm so happy that she brings you joy.

765
00:37:54,600 --> 00:38:00,399
Speaker 3: I'm so happy, dying to talk shit. No, see this show,

766
00:38:01,160 --> 00:38:03,719
Speaker 3: and I am just I can't wait for you to

767
00:38:03,920 --> 00:38:05,560
Speaker 3: feel the joy that you want to feel.

768
00:38:05,680 --> 00:38:09,400
Speaker 1: Oh my god, you such got it. Donald, you are

769
00:38:09,520 --> 00:38:12,080
Speaker 1: my dates, so you better be open to receiving.

770
00:38:12,360 --> 00:38:13,279
Speaker 3: It's just you two.

771
00:38:13,840 --> 00:38:19,960
Speaker 2: Yeah gay, Yeah, it's a little gay, maybe a little gay.

772
00:38:20,000 --> 00:38:24,920
Speaker 6: But Disneyland where they're like holding hands and skipping through Disneyland, that's.

773
00:38:27,080 --> 00:38:27,160
Speaker 7: No.

774
00:38:27,280 --> 00:38:29,279
Speaker 1: We must I must give a shout out. We got

775
00:38:29,320 --> 00:38:32,680
Speaker 1: and we could not get tickets, and we have a

776
00:38:32,719 --> 00:38:37,360
Speaker 1: friend at who invited us to the cost Egos box.

777
00:38:38,480 --> 00:38:41,760
Speaker 1: That's how we managed to get in because we couldn't

778
00:38:41,760 --> 00:38:43,400
Speaker 1: get tickets, like everybody can't get tickets.

779
00:38:44,840 --> 00:38:48,319
Speaker 3: So I mean, I mean even for the second show.

780
00:38:48,360 --> 00:38:49,640
Speaker 3: I don't even want to tell you how much I

781
00:38:49,640 --> 00:38:52,880
Speaker 3: paid for the Beyonce tickets and the second show I

782
00:38:52,960 --> 00:38:56,400
Speaker 3: paid I paid. I paid stub Hub money for floor.

783
00:38:56,200 --> 00:38:59,839
Speaker 1: Seats, and that's like, you know, what did you pay?

784
00:39:00,200 --> 00:39:03,560
Speaker 3: I stand by this statement. I still didn't even pay enough.

785
00:39:04,120 --> 00:39:05,359
Speaker 3: I still didn't pay enough.

786
00:39:06,040 --> 00:39:08,839
Speaker 2: You know, essent, we like this when we were kids.

787
00:39:09,200 --> 00:39:11,440
Speaker 2: I saw Michael Jackson when I was a kid, I

788
00:39:11,480 --> 00:39:15,400
Speaker 2: saw new Addition Bell, Bib Devaux, I saw all of

789
00:39:15,440 --> 00:39:17,680
Speaker 2: these freaking I went to a lot of big concerts

790
00:39:17,719 --> 00:39:20,160
Speaker 2: when I was a kid, and I sat really close

791
00:39:20,200 --> 00:39:22,960
Speaker 2: in these stadiums and was able to see everything. I

792
00:39:23,000 --> 00:39:26,880
Speaker 2: was never on the floor. But you know, I can't

793
00:39:26,920 --> 00:39:33,640
Speaker 2: imagine spending ten grand, fifteen grand on tickets. Okay, thank god?

794
00:39:33,680 --> 00:39:34,279
Speaker 2: All right? Cool.

795
00:39:35,719 --> 00:39:37,600
Speaker 1: Oh when you said floor seed stub Hub money, I

796
00:39:37,600 --> 00:39:39,120
Speaker 1: thought you were talking about ten thousand dollars.

797
00:39:39,400 --> 00:39:42,160
Speaker 3: I mean, listen, they were they were floor seats. They

798
00:39:42,200 --> 00:39:46,000
Speaker 3: weren't the closest floor seats. I was probably at at

799
00:39:46,040 --> 00:39:49,880
Speaker 3: my closest proximity to Beyonce, maybe twenty feet. So that's good,

800
00:39:50,200 --> 00:39:54,560
Speaker 3: that's amazing twenty feet. But yeah, I'm not spending There's

801
00:39:54,719 --> 00:39:57,919
Speaker 3: no there's there's there's there is a limit there's a limit.

802
00:39:57,960 --> 00:39:59,880
Speaker 3: And that's actually in all honestly why I went in

803
00:40:00,040 --> 00:40:02,960
Speaker 3: Europe for the first time because the seats in Paris

804
00:40:03,000 --> 00:40:04,920
Speaker 3: were like a few hundred bucks and they were on

805
00:40:04,960 --> 00:40:07,520
Speaker 3: the floor at General Like by the time you pay

806
00:40:07,560 --> 00:40:10,160
Speaker 3: for the flight and the ticket, you could get that

807
00:40:10,239 --> 00:40:12,080
Speaker 3: in the US. So you get a trip to Paris

808
00:40:12,840 --> 00:40:14,520
Speaker 3: and a Beyonce concert.

809
00:40:15,440 --> 00:40:16,200
Speaker 2: Let's take a break.

810
00:40:16,239 --> 00:40:26,120
Speaker 1: We'll be right back after these fine words. Listen, before

811
00:40:26,360 --> 00:40:28,759
Speaker 1: we wrap up, I wanted to ask, we want to

812
00:40:28,760 --> 00:40:30,600
Speaker 1: promote your book, by the way, let's give a shout out.

813
00:40:30,680 --> 00:40:32,360
Speaker 3: Yes, let's plug.

814
00:40:32,680 --> 00:40:37,440
Speaker 1: Your book is XO XO Cody, An opinionated homosexuals Guide

815
00:40:37,520 --> 00:40:41,000
Speaker 1: to self, love, relationships, and tactful pettiness.

816
00:40:41,480 --> 00:40:43,040
Speaker 3: Oh thank god, you got it right. I know you're

817
00:40:43,600 --> 00:40:46,560
Speaker 3: but fans, no, I remember it. I'm actually I'm always

818
00:40:46,560 --> 00:40:48,880
Speaker 3: like nervous when I'm gonna that's a long ass that

819
00:40:48,960 --> 00:40:50,839
Speaker 3: I don't fuck up the title. I'm just like, don't

820
00:40:50,880 --> 00:40:51,839
Speaker 3: FuG it up, don't FuG it out.

821
00:40:51,920 --> 00:40:54,719
Speaker 1: Tell us a little bit about it. Shamelessly plug yourself,

822
00:40:54,760 --> 00:40:56,960
Speaker 1: but tell us a little bit about what the gist

823
00:40:57,080 --> 00:40:59,040
Speaker 1: of the vibe is.

824
00:40:59,680 --> 00:41:02,200
Speaker 3: Yeah, I think, well, I'm excited that it comes out

825
00:41:02,239 --> 00:41:06,040
Speaker 3: comes out September twelfth, so pre order if you can.

826
00:41:06,920 --> 00:41:10,640
Speaker 3: It is a memoir slash kind of like life and

827
00:41:10,760 --> 00:41:14,040
Speaker 3: dating advice. If you are familiar with my class at Pelton,

828
00:41:14,120 --> 00:41:17,319
Speaker 3: we do x X Cody, which is like a fun

829
00:41:17,360 --> 00:41:21,279
Speaker 3: class where writers send in questions to me about self love,

830
00:41:21,320 --> 00:41:24,719
Speaker 3: relationships and we talk about pop culture and that. So

831
00:41:24,760 --> 00:41:26,799
Speaker 3: I kind of took that idea from the ride and

832
00:41:26,840 --> 00:41:30,279
Speaker 3: made it into a book. And it's like mostly just

833
00:41:30,320 --> 00:41:32,600
Speaker 3: about like, you know, self love, even in the in

834
00:41:32,640 --> 00:41:34,839
Speaker 3: the realm of dating, like loving yourself before you put

835
00:41:34,880 --> 00:41:39,160
Speaker 3: yourself out there, you know, like asking for more money,

836
00:41:39,280 --> 00:41:42,680
Speaker 3: loving yourself, dating yourself. You know, just like what it

837
00:41:42,760 --> 00:41:45,640
Speaker 3: means to just really like take all the things that

838
00:41:45,680 --> 00:41:48,799
Speaker 3: I've learned in life and apply it to being the

839
00:41:48,800 --> 00:41:49,840
Speaker 3: best version of yourself.

840
00:41:51,160 --> 00:41:53,520
Speaker 1: And you really did You've come such a long way.

841
00:41:53,520 --> 00:41:55,799
Speaker 1: I mean, you did work at McDonald's, didn't you not?

842
00:41:57,280 --> 00:41:59,480
Speaker 3: Yeah, I mean, and that's that's part of the storytelling

843
00:41:59,480 --> 00:42:00,920
Speaker 3: there is like I feel like I've told these like

844
00:42:01,000 --> 00:42:04,160
Speaker 3: really condensed versions of some of the really impactful things

845
00:42:04,200 --> 00:42:06,600
Speaker 3: in my life. So it's been a privilege to kind

846
00:42:06,640 --> 00:42:10,560
Speaker 3: of like give it in more detail. Yeah, it's it's

847
00:42:10,640 --> 00:42:13,720
Speaker 3: crazy like I grew up. Listen, I grew up single parent,

848
00:42:13,840 --> 00:42:18,600
Speaker 3: only child, broke as fuck in in North Carolina, like

849
00:42:18,719 --> 00:42:21,440
Speaker 3: food stamp poor, getting evicted, poor, like all this sort

850
00:42:21,440 --> 00:42:24,279
Speaker 3: of stuff. So I sometimes look back in my life

851
00:42:24,280 --> 00:42:26,400
Speaker 3: and I'm just like, how how the fuck did I?

852
00:42:26,440 --> 00:42:27,960
Speaker 3: How did I get here? How did I get here?

853
00:42:28,040 --> 00:42:29,080
Speaker 3: In front of the Gucci.

854
00:42:28,840 --> 00:42:34,440
Speaker 1: Wallpaper, the book title could have been from McDonald's to

855
00:42:34,440 --> 00:42:39,239
Speaker 1: Gucci Wallpaper, no doubt, we go, Why is the shake

856
00:42:39,360 --> 00:42:40,440
Speaker 1: machine always broken?

857
00:42:41,040 --> 00:42:41,680
Speaker 2: What's going on?

858
00:42:42,520 --> 00:42:43,200
Speaker 1: What's going on?

859
00:42:43,560 --> 00:42:47,440
Speaker 3: Let's get to the real honesty. I think it's because,

860
00:42:48,160 --> 00:42:50,840
Speaker 3: you know, if you're a McDonald's employee and it's the

861
00:42:50,920 --> 00:42:53,080
Speaker 3: end of the night, like I'm trying to clean that

862
00:42:53,120 --> 00:42:56,759
Speaker 3: fucking machine before I get off my ship, and if

863
00:42:56,800 --> 00:43:00,480
Speaker 3: I'm trying to get out early, you know, if broken's

864
00:43:00,520 --> 00:43:03,839
Speaker 3: it at ten and we don't shut down the ice

865
00:43:03,880 --> 00:43:06,120
Speaker 3: cream machine until nine forty five, I'm not trying to

866
00:43:06,160 --> 00:43:09,600
Speaker 3: stick around from fifteen to twenty extra minutes because this

867
00:43:09,680 --> 00:43:15,480
Speaker 3: bitch wants an oreo mcflir say that the fucking machine

868
00:43:15,600 --> 00:43:19,120
Speaker 3: is broken, and guess what, I'm good, I'm gonna pull

869
00:43:19,200 --> 00:43:21,520
Speaker 3: up to the drive through them, say one Orio mcflurry

870
00:43:21,840 --> 00:43:23,960
Speaker 3: and the person that went knows to be like, I'm sorry, sir,

871
00:43:24,280 --> 00:43:26,319
Speaker 3: the machine is broken, and I'm gonna get pissed off

872
00:43:26,320 --> 00:43:28,839
Speaker 3: and I'm gonna drive off. I'm good. So the employee

873
00:43:28,880 --> 00:43:31,080
Speaker 3: is winning, you know, right right?

874
00:43:31,880 --> 00:43:35,480
Speaker 2: I heard that there's quite a few McDonald's workers right

875
00:43:35,520 --> 00:43:38,880
Speaker 2: now that are like, thank you, Cody.

876
00:43:39,160 --> 00:43:41,080
Speaker 1: So what Cody's just told us everyone is that the

877
00:43:41,120 --> 00:43:42,800
Speaker 1: machine is never actually broken.

878
00:43:43,160 --> 00:43:43,680
Speaker 2: It's just that.

879
00:43:43,880 --> 00:43:45,319
Speaker 1: Look, they don't want to deal with that shit.

880
00:43:45,719 --> 00:43:47,480
Speaker 2: Motherfucker's got lives, yo.

881
00:43:47,760 --> 00:43:48,640
Speaker 1: They want to get home.

882
00:43:49,120 --> 00:43:51,240
Speaker 3: I don't know if you've ever worked a shift job

883
00:43:51,520 --> 00:43:54,239
Speaker 3: such as McDonald's. You want to get out as soon

884
00:43:54,280 --> 00:43:56,120
Speaker 3: as you fucking can. You want to cuck out.

885
00:43:56,400 --> 00:43:57,120
Speaker 1: You don't want your you.

886
00:43:57,120 --> 00:44:00,480
Speaker 3: Don't want your manager asking, hey, you know Tom's a

887
00:44:00,520 --> 00:44:02,719
Speaker 3: little bit late, can you stay thirty bits? No, bitch,

888
00:44:02,760 --> 00:44:05,960
Speaker 3: that's not my problem, that's not my probe. You're you're

889
00:44:06,000 --> 00:44:09,280
Speaker 3: paying me eight fifty an hour. I don't care about Tom.

890
00:44:09,920 --> 00:44:12,960
Speaker 3: I want to go home and play Xbox. Okay, thank you?

891
00:44:13,840 --> 00:44:14,080
Speaker 1: Right?

892
00:44:14,600 --> 00:44:15,320
Speaker 2: What that knows?

893
00:44:17,280 --> 00:44:19,960
Speaker 1: Well, you're very very funny man, and we're very last

894
00:44:20,000 --> 00:44:22,799
Speaker 1: thing I want to ask you for our audience. So

895
00:44:22,800 --> 00:44:26,560
Speaker 1: many of our audience don't have a Peloton, Can you

896
00:44:26,719 --> 00:44:29,640
Speaker 1: just maybe give some a little bit of wisdom as

897
00:44:29,680 --> 00:44:33,719
Speaker 1: to motivating yourself to to actually exercise. Exercise for me

898
00:44:33,760 --> 00:44:36,759
Speaker 1: has been life changing for more than even more my

899
00:44:36,800 --> 00:44:39,160
Speaker 1: physical health and for my mental health. It really has

900
00:44:39,200 --> 00:44:42,880
Speaker 1: become a part of keeping myself feeling better about myself.

901
00:44:43,080 --> 00:44:45,320
Speaker 1: And I wondered if, as a as a famous trainer,

902
00:44:45,320 --> 00:44:47,840
Speaker 1: if you have any words of wisdom for motivating people

903
00:44:47,880 --> 00:44:50,080
Speaker 1: to take action and do a little something.

904
00:44:51,760 --> 00:44:53,640
Speaker 3: Yeah. I think that's well. First of all, I'm going

905
00:44:53,719 --> 00:44:56,319
Speaker 3: to debunk that the Peloton app is free for like

906
00:44:56,360 --> 00:44:59,120
Speaker 3: the first month, and there's a free version of the app,

907
00:44:59,160 --> 00:45:02,239
Speaker 3: so you can jump into that. That being said, as

908
00:45:02,239 --> 00:45:08,480
Speaker 3: far as motivation, and yeah, I think that a relationship

909
00:45:08,480 --> 00:45:13,000
Speaker 3: with your body and movement is really good for your

910
00:45:13,080 --> 00:45:15,640
Speaker 3: overall being, not just looking a certain way, but like

911
00:45:16,680 --> 00:45:19,680
Speaker 3: your mental health and believing that you can do hard things.

912
00:45:19,800 --> 00:45:21,719
Speaker 3: I know it sounds really silly, but when you like

913
00:45:22,280 --> 00:45:24,960
Speaker 3: conquer a twenty minute bike ride and you're like, Wow,

914
00:45:25,120 --> 00:45:26,520
Speaker 3: I didn't want to do that, but I did it

915
00:45:26,560 --> 00:45:28,960
Speaker 3: and I feel great, it is a reminder that, like

916
00:45:29,520 --> 00:45:32,239
Speaker 3: when you get set a challenge at work or or

917
00:45:32,520 --> 00:45:36,759
Speaker 3: pushback in life that you're like, Hey, I things might

918
00:45:36,760 --> 00:45:38,880
Speaker 3: be scary or they might be hard, but if I

919
00:45:38,880 --> 00:45:41,120
Speaker 3: put my mind to it, I absolutely can accomplish it.

920
00:45:41,680 --> 00:45:45,239
Speaker 3: And I think it's a constant reminder of that. And

921
00:45:45,280 --> 00:45:50,560
Speaker 3: also I think being uncomfortable and being put in uncomfortable

922
00:45:50,560 --> 00:45:53,680
Speaker 3: situations is good for us, you know, I think when

923
00:45:53,680 --> 00:45:58,719
Speaker 3: we run away from feeling. I think when we feel uncomfortable,

924
00:45:58,800 --> 00:46:01,080
Speaker 3: or we feel sad, or we feel angry, or we

925
00:46:01,200 --> 00:46:05,359
Speaker 3: feel you know, unmotivated, we can really sit in that.

926
00:46:05,760 --> 00:46:07,600
Speaker 3: We can either sit in that and figure it out,

927
00:46:08,000 --> 00:46:10,759
Speaker 3: or we can go distract ourselves and get away from

928
00:46:10,800 --> 00:46:13,759
Speaker 3: it quickly. And I think sitting in those uncomfortable situations

929
00:46:13,840 --> 00:46:17,760
Speaker 3: is really good for us physically, mentally, emotionally, and moving

930
00:46:17,760 --> 00:46:21,879
Speaker 3: our bodies and working out is a practice of that

931
00:46:22,120 --> 00:46:22,680
Speaker 3: in itself.

932
00:46:23,239 --> 00:46:24,080
Speaker 2: Yeah.

933
00:46:24,160 --> 00:46:26,319
Speaker 1: I feel that. Man. Sometimes I'm just down, I'm not

934
00:46:26,360 --> 00:46:30,560
Speaker 1: in a good headspace, and I spend for thirty minutes

935
00:46:30,600 --> 00:46:32,480
Speaker 1: and I get off the bike and I feel great.

936
00:46:33,520 --> 00:46:35,160
Speaker 3: Yeah, and then you like and then you're like, you've

937
00:46:35,160 --> 00:46:37,319
Speaker 3: been motivated to do other shit that you didn't want

938
00:46:37,320 --> 00:46:37,520
Speaker 3: to do.

939
00:46:37,920 --> 00:46:42,279
Speaker 1: Yeah. Absolutely, Well, thank you so much for your time, dude.

940
00:46:41,480 --> 00:46:44,600
Speaker 1: We really are big fans of yours and you make

941
00:46:44,680 --> 00:46:47,560
Speaker 1: us laugh and keep doing what you do because you're

942
00:46:47,560 --> 00:46:49,600
Speaker 1: making a big difference in a lot of people's lives.

943
00:46:50,040 --> 00:46:52,120
Speaker 3: Thank you. I appreciate it. And thank you for having

944
00:46:52,120 --> 00:46:52,400
Speaker 3: me on.

945
00:46:53,160 --> 00:46:54,120
Speaker 2: Thank you for being on.

946
00:46:54,680 --> 00:46:56,400
Speaker 1: Yeah, that was so awesome.

947
00:46:56,640 --> 00:47:01,040
Speaker 2: Wait can we just before we wrap up? Do one

948
00:47:01,080 --> 00:47:03,640
Speaker 2: of my fucking heroes passed away? And I just wanted

949
00:47:03,640 --> 00:47:09,960
Speaker 2: to give a shout out to like, yo man and

950
00:47:10,000 --> 00:47:12,080
Speaker 2: I and and and it's gonna make and I don't

951
00:47:12,080 --> 00:47:14,719
Speaker 2: want to get emotional about it, and because that's the

952
00:47:14,800 --> 00:47:16,640
Speaker 2: last thing I want to do in front of you guys,

953
00:47:16,640 --> 00:47:19,719
Speaker 2: but if you could just I mean, I just remember

954
00:47:20,800 --> 00:47:25,440
Speaker 2: junior high school, my buddy Adam Smart, shout out Adam

955
00:47:25,480 --> 00:47:30,759
Speaker 2: Smart and uh Libra whose dad was on Pee Wee's playhouse,

956
00:47:31,680 --> 00:47:34,319
Speaker 2: telling me, Yo, you gotta watch this guy and me

957
00:47:34,480 --> 00:47:38,160
Speaker 2: being like yeah, whatever, and Adam Smart for for one

958
00:47:38,160 --> 00:47:40,839
Speaker 2: of the talent shows him and this guy did the

959
00:47:41,000 --> 00:47:44,120
Speaker 2: entire scene of Pee Wee coming out of his house

960
00:47:44,800 --> 00:47:48,880
Speaker 2: with the bike and the guy wanting to ride on

961
00:47:48,920 --> 00:47:52,560
Speaker 2: the bike and him saying him saying uh no, and

962
00:47:52,600 --> 00:47:54,160
Speaker 2: then I know you are but what am I? And

963
00:47:54,200 --> 00:47:58,120
Speaker 2: everything from Big Adventure from Pee Wee's Big Adventure, and

964
00:47:58,640 --> 00:48:03,840
Speaker 2: I you know, that stuck with me and my freshman

965
00:48:03,960 --> 00:48:06,160
Speaker 2: year in high school, I finally watched the movie and

966
00:48:06,200 --> 00:48:09,400
Speaker 2: I couldn't believe it took me so long to find

967
00:48:09,440 --> 00:48:12,440
Speaker 2: this guy because it was me in a lot of ways.

968
00:48:12,440 --> 00:48:15,279
Speaker 2: It was like this guy who was just a little

969
00:48:15,320 --> 00:48:21,759
Speaker 2: bit immature but was witty and smart, had and had

970
00:48:21,800 --> 00:48:25,839
Speaker 2: a great sense of humor. And you know when they

971
00:48:25,880 --> 00:48:27,920
Speaker 2: say be careful when you meet your idols, when I

972
00:48:28,000 --> 00:48:31,360
Speaker 2: met him, he was. He was very mean to me,

973
00:48:33,239 --> 00:48:37,479
Speaker 2: and he went out of his way the next time

974
00:48:37,480 --> 00:48:41,560
Speaker 2: I met him and every time after to apologize and

975
00:48:41,640 --> 00:48:43,520
Speaker 2: tell me that he was in a He was a

976
00:48:43,600 --> 00:48:47,520
Speaker 2: he was in a bad space that day. And I

977
00:48:47,560 --> 00:48:49,560
Speaker 2: got to work with him like two or three times

978
00:48:49,600 --> 00:48:52,560
Speaker 2: after that. Just meeting him and that we met you

979
00:48:52,600 --> 00:48:55,239
Speaker 2: were with me. It was me you and Sarah and

980
00:48:55,280 --> 00:48:56,839
Speaker 2: I think we were on our way to New York.

981
00:48:57,080 --> 00:48:59,680
Speaker 1: And emotional, man.

982
00:48:59,840 --> 00:49:02,280
Speaker 2: Was Paul Rubers. Man, you made a really big impact

983
00:49:02,280 --> 00:49:02,960
Speaker 2: on my life.

984
00:49:03,120 --> 00:49:04,360
Speaker 1: You really getting emotional.

985
00:49:04,840 --> 00:49:10,480
Speaker 2: Yeah, and you are a legend and you will be missed.

986
00:49:11,440 --> 00:49:14,080
Speaker 1: Oh Donald, that's very sweet. I loved him too.

987
00:49:14,120 --> 00:49:14,239
Speaker 3: Man.

988
00:49:14,280 --> 00:49:17,120
Speaker 1: I grew up watching Pee Wee's Playhouse, and then when

989
00:49:17,160 --> 00:49:19,480
Speaker 1: I saw the movie, I just thought he was so

990
00:49:20,040 --> 00:49:24,240
Speaker 1: uniquely funny and original and there was nobody like him,

991
00:49:24,280 --> 00:49:26,920
Speaker 1: like nobody was doing what he was doing. And then

992
00:49:26,960 --> 00:49:30,319
Speaker 1: that combined with Tim Burton's direction, you know, pee Wee's

993
00:49:30,320 --> 00:49:33,000
Speaker 1: Big Adventure was just like we had never seen anything

994
00:49:33,040 --> 00:49:35,680
Speaker 1: like it. It was just so different. It was so different,

995
00:49:35,680 --> 00:49:38,760
Speaker 1: the combo of Tim Burton's style with pee Wee's humor.

996
00:49:39,719 --> 00:49:41,880
Speaker 1: And Paul was a wonderful person by the way. I

997
00:49:41,960 --> 00:49:45,040
Speaker 1: met him a few times, like Donald, and every day

998
00:49:45,120 --> 00:49:49,320
Speaker 1: on my birthday he would send me like funny gifts,

999
00:49:49,719 --> 00:49:53,960
Speaker 1: birthday gifts, little memes and stuff, and they were all

1000
00:49:54,000 --> 00:49:56,400
Speaker 1: just sweet sort of they weren't. They were just like

1001
00:49:56,440 --> 00:50:00,600
Speaker 1: sweet little birthday messages. And that's the kind of he was.

1002
00:50:00,840 --> 00:50:04,160
Speaker 1: He was. Everybody loved him. Everybody in town that knew

1003
00:50:04,200 --> 00:50:04,839
Speaker 1: him loved him.

1004
00:50:06,080 --> 00:50:09,160
Speaker 2: Yeah, you know, I just couldn't put You know, usually

1005
00:50:09,160 --> 00:50:13,239
Speaker 2: when somebody, when somebody brushes you off, that's usually it

1006
00:50:13,320 --> 00:50:15,719
Speaker 2: and you never really hear from them, you never really hear.

1007
00:50:17,120 --> 00:50:20,600
Speaker 2: But he went, I mean just to I don't know, man,

1008
00:50:20,719 --> 00:50:24,879
Speaker 2: Like he remembered me, he remembered where we were when

1009
00:50:24,920 --> 00:50:28,239
Speaker 2: it happened. He remembered what he was going through and

1010
00:50:28,239 --> 00:50:31,719
Speaker 2: he apologized. It just made me feel so good, you

1011
00:50:31,760 --> 00:50:32,279
Speaker 2: know what I mean.

1012
00:50:32,680 --> 00:50:35,560
Speaker 1: I remember saving up for cherry. Remember they I had

1013
00:50:35,600 --> 00:50:37,520
Speaker 1: a peep First of all, I had the pewee doll

1014
00:50:37,600 --> 00:50:40,879
Speaker 1: that you pulled the string and it would says yeah.

1015
00:50:41,040 --> 00:50:43,640
Speaker 1: And then after a while I used it someone the

1016
00:50:43,760 --> 00:50:45,960
Speaker 1: soundbox broke so it would be really sped up and

1017
00:50:45,960 --> 00:50:48,800
Speaker 1: you couldn't understand shit. But then I had the cherry

1018
00:50:48,920 --> 00:50:51,520
Speaker 1: for those you know the show was his talking green chair,

1019
00:50:52,080 --> 00:50:54,839
Speaker 1: and I remember saving up as a kid to go

1020
00:50:54,880 --> 00:50:58,839
Speaker 1: to the Livingstone Mall to buy cherry so I could

1021
00:50:58,880 --> 00:51:04,040
Speaker 1: put my peewee doll in the cherry chair. Anyway, So

1022
00:51:04,200 --> 00:51:07,920
Speaker 1: rest in peace to Paul who who was a wonderful

1023
00:51:07,920 --> 00:51:10,799
Speaker 1: performer and a very nice person. And thank you to

1024
00:51:10,840 --> 00:51:16,719
Speaker 1: Cody for providing lots of laughter. And that's it. This

1025
00:51:16,760 --> 00:51:19,040
Speaker 1: segment on Fake Doctor's Real Friends is brought to you

1026
00:51:19,120 --> 00:51:22,080
Speaker 1: by T Mobile. If you need great coverage, especially when

1027
00:51:22,160 --> 00:51:25,960
Speaker 1: enjoying your favorite podcast, check out T Mobile. Okay, and

1028
00:51:26,000 --> 00:51:29,440
Speaker 1: now we Joelle has a pitch from one of our

1029
00:51:29,480 --> 00:51:32,600
Speaker 1: listeners for a film that we should make. Okay, let's

1030
00:51:32,640 --> 00:51:33,480
Speaker 1: go Joel.

1031
00:51:33,920 --> 00:51:36,200
Speaker 7: Hello, Donald and Zach, Joel and Danel.

1032
00:51:36,480 --> 00:51:37,200
Speaker 3: My name is Will.

1033
00:51:37,320 --> 00:51:39,480
Speaker 7: I live in London in the UK, though I'm originally

1034
00:51:39,480 --> 00:51:41,960
Speaker 7: from Edinburgh in Scotland, and today I am pitching a

1035
00:51:42,080 --> 00:51:46,120
Speaker 7: comedy series with you, Donald and Zack playing fictionalized versions

1036
00:51:46,160 --> 00:51:49,520
Speaker 7: of yourselves as you finally take fake doctors, real friends

1037
00:51:49,520 --> 00:51:52,280
Speaker 7: on the road and tour the podcast series around Europe.

1038
00:51:52,840 --> 00:51:55,680
Speaker 7: It would be totally similar to Curby Your Enthusiasm or

1039
00:51:55,719 --> 00:51:58,480
Speaker 7: The Trip if you're familiar with that British comedy starring

1040
00:51:58,520 --> 00:52:01,960
Speaker 7: Steve Coogan and Rob Brydon. Of course, you find success

1041
00:52:02,000 --> 00:52:04,759
Speaker 7: with the podcast tour. It's everything you guys dreamed it

1042
00:52:04,760 --> 00:52:08,839
Speaker 7: would be, but touring and selling out spectacular venues such

1043
00:52:08,880 --> 00:52:11,400
Speaker 7: as the O two Arena in London, the Coliseum in

1044
00:52:11,480 --> 00:52:14,720
Speaker 7: Rome and a Wee Boffy in the Highlands. Well, it

1045
00:52:14,760 --> 00:52:18,920
Speaker 7: takes its toll on your multi layered, loving, sometimes flowed

1046
00:52:18,960 --> 00:52:23,000
Speaker 7: relationship in the series and of your bromance Never Questioned

1047
00:52:23,800 --> 00:52:29,040
Speaker 7: develops as well as during the podcast. You both have

1048
00:52:29,080 --> 00:52:32,520
Speaker 7: your own side hustles going on. Donald played by Donald Faison,

1049
00:52:32,920 --> 00:52:34,800
Speaker 7: is desperate to get onto one of the Star Wars

1050
00:52:34,920 --> 00:52:37,440
Speaker 7: or Marvel series that's filmed here in the UK. In

1051
00:52:37,480 --> 00:52:40,160
Speaker 7: one scene, Donald literally begs on his knees for a

1052
00:52:40,239 --> 00:52:43,560
Speaker 7: role outside the gates of Pinewood Studios, while Zach, played

1053
00:52:43,560 --> 00:52:46,879
Speaker 7: by Zach Brath, lands himself his dream role and does

1054
00:52:46,880 --> 00:52:49,760
Speaker 7: a one of performance playing Jean Valjean in the West

1055
00:52:49,840 --> 00:52:51,200
Speaker 7: End production of Lay Miss.

1056
00:52:51,280 --> 00:52:52,200
Speaker 1: I don't think I'd get it.

1057
00:52:52,280 --> 00:52:55,359
Speaker 7: However, on the night, Zach gets so excited and he's

1058
00:52:55,400 --> 00:52:58,760
Speaker 7: so overcome with emotion that he starts singing everyone else's

1059
00:52:58,760 --> 00:53:01,759
Speaker 7: parts over them. So as the tour comes to an end,

1060
00:53:01,960 --> 00:53:05,360
Speaker 7: our heroes ask themselves whether it was really at success.

1061
00:53:05,920 --> 00:53:08,839
Speaker 7: They both lost out on their dream roles and more importantly,

1062
00:53:09,239 --> 00:53:12,479
Speaker 7: their most valued relationship with each other along the way

1063
00:53:13,400 --> 00:53:17,000
Speaker 7: to be continued. I actually sent this pitch to you

1064
00:53:17,040 --> 00:53:19,680
Speaker 7: guys way back in summer twenty twenty when I first

1065
00:53:19,680 --> 00:53:22,560
Speaker 7: emailed over some questions, so it's been flowing around my

1066
00:53:22,600 --> 00:53:25,080
Speaker 7: head for a few years now. I just want to

1067
00:53:25,080 --> 00:53:27,200
Speaker 7: add that I work as a script editor in TV

1068
00:53:27,360 --> 00:53:30,040
Speaker 7: drama Developments, So if you want, I could come on

1069
00:53:30,120 --> 00:53:35,239
Speaker 7: board to storyboard and script episodes for free. I might

1070
00:53:35,320 --> 00:53:36,040
Speaker 7: be available.

1071
00:53:36,480 --> 00:53:37,200
Speaker 1: Let's slow down.

1072
00:53:37,280 --> 00:53:40,279
Speaker 7: I hope you enjoy the pitch. Lastly, I just want

1073
00:53:40,320 --> 00:53:42,200
Speaker 7: to add that I love this podcast. And I love

1074
00:53:42,239 --> 00:53:44,120
Speaker 7: getting to hang out with the four of you every week.

1075
00:53:44,760 --> 00:53:46,560
Speaker 7: Take care and speak saying Wye.

1076
00:53:47,120 --> 00:53:50,000
Speaker 2: First of all, that would never happen, William our bond

1077
00:53:50,120 --> 00:53:50,719
Speaker 2: is too tight.

1078
00:53:51,680 --> 00:53:54,200
Speaker 1: Yeah, Cody thought we were gay.

1079
00:53:54,239 --> 00:53:56,280
Speaker 2: It's not gonna happen, William.

1080
00:53:56,440 --> 00:53:58,680
Speaker 1: Well, I believe that Donald would be on his knees

1081
00:53:58,760 --> 00:54:00,920
Speaker 1: outside Pinewood Studient begging to get in.

1082
00:54:01,000 --> 00:54:03,080
Speaker 2: I've worked at Pinewood Studios. I would not be on

1083
00:54:03,120 --> 00:54:05,320
Speaker 2: my knees outside of Pinewood Studio.

1084
00:54:05,400 --> 00:54:08,239
Speaker 1: What if George Lucas, much like the Emperor, was like,

1085
00:54:08,440 --> 00:54:12,160
Speaker 1: get on your knees, Donald, face on, that was Vader.

1086
00:54:12,239 --> 00:54:15,080
Speaker 3: Sorry, definitely get on your.

1087
00:54:15,040 --> 00:54:19,000
Speaker 2: Knees, Donald, that's definitely Vader, and show.

1088
00:54:18,840 --> 00:54:22,080
Speaker 1: Me that you're worthy of a part in my creation.

1089
00:54:22,600 --> 00:54:24,880
Speaker 2: Are you saying I have to perform for Latio George

1090
00:54:24,920 --> 00:54:27,560
Speaker 2: Lucas to get into Star Wars.

1091
00:54:27,640 --> 00:54:29,600
Speaker 1: I didn't mean that you made that ship up. I

1092
00:54:29,680 --> 00:54:31,239
Speaker 1: just meant he was making it on your knees to

1093
00:54:31,280 --> 00:54:33,200
Speaker 1: be like to bow down.

1094
00:54:33,040 --> 00:54:35,320
Speaker 2: To him, bow down to George. I have no problem

1095
00:54:35,360 --> 00:54:36,800
Speaker 2: bowing down to George Lucas.

1096
00:54:36,800 --> 00:54:39,040
Speaker 1: Okay, So if George was like, you can have a pastry,

1097
00:54:39,400 --> 00:54:42,080
Speaker 1: you can be one of Lando's friends in the new series.

1098
00:54:42,320 --> 00:54:44,880
Speaker 2: Then we'd have to contact Donald Glover and I'd have

1099
00:54:44,920 --> 00:54:46,680
Speaker 2: to convince Donald Glover that too.

1100
00:54:46,960 --> 00:54:49,759
Speaker 1: So I heard they're making that and that they just

1101
00:54:49,960 --> 00:54:53,279
Speaker 1: they fired the writer or something, and their there that

1102
00:54:53,320 --> 00:54:55,640
Speaker 1: he and his brother are writing the new Lando series.

1103
00:54:56,080 --> 00:54:58,000
Speaker 2: All I know is I didn't get a telephone call,

1104
00:54:58,160 --> 00:55:01,720
Speaker 2: so yes, yes, yet And everybody knows who my favorite

1105
00:55:02,320 --> 00:55:03,279
Speaker 2: star wars.

1106
00:55:02,960 --> 00:55:06,440
Speaker 1: Camp But you could be Lando's older brother, bando.

1107
00:55:07,080 --> 00:55:08,399
Speaker 3: What do you play Lando's dad?

1108
00:55:09,200 --> 00:55:13,680
Speaker 1: WHOA, he's not older than He's not Donald Glover's dad.

1109
00:55:14,000 --> 00:55:16,120
Speaker 3: Prosthetics instead old man.

1110
00:55:16,160 --> 00:55:18,560
Speaker 2: I'm still holding out for Ahska. How about that?

1111
00:55:19,719 --> 00:55:20,960
Speaker 3: Bro? I can't even talk about it.

1112
00:55:20,960 --> 00:55:24,840
Speaker 1: Stuff about that? Thanks? T Mobile? Did you know that

1113
00:55:24,880 --> 00:55:27,400
Speaker 1: at T Mobile new and existing customers always get the

1114
00:55:27,400 --> 00:55:30,120
Speaker 1: same great device deals with go five G plus plans.

1115
00:55:30,440 --> 00:55:33,759
Speaker 1: It's true? So why wait? Check out t mobile dot

1116
00:55:33,840 --> 00:55:37,080
Speaker 1: com slash go see why. Now back to the show.

1117
00:55:37,520 --> 00:55:41,360
Speaker 1: Now listen, Thank you for your pitch, William, very clever.

1118
00:55:41,520 --> 00:55:45,160
Speaker 1: You know, Donald and I are talking about maybe documenting

1119
00:55:45,480 --> 00:55:50,040
Speaker 1: our tour as some sort of docuseries perhaps, but I

1120
00:55:50,040 --> 00:55:52,759
Speaker 1: don't think that we'll go the full curb your enthusiasm

1121
00:55:52,960 --> 00:55:56,399
Speaker 1: fake version of our of our real lives. I don't

1122
00:55:56,400 --> 00:55:57,640
Speaker 1: think that's our our style.

1123
00:55:58,200 --> 00:56:01,200
Speaker 2: I love the fact that we're selling out like the Colosseum.

1124
00:56:01,280 --> 00:56:05,759
Speaker 1: And yeah, imagine that we sell out the Colosseum. That'd

1125
00:56:05,800 --> 00:56:07,880
Speaker 1: be an O two arena.

1126
00:56:07,960 --> 00:56:10,600
Speaker 2: I mean, we sell the Colosseum, We're like legendary. That's

1127
00:56:11,080 --> 00:56:15,000
Speaker 2: straight up. I mean, we might as well call ourselves gladiators.

1128
00:56:15,040 --> 00:56:17,040
Speaker 1: I didn't like when Cody was I didn't like when

1129
00:56:17,040 --> 00:56:19,759
Speaker 1: Cody was being about to be negative about our date

1130
00:56:19,800 --> 00:56:20,600
Speaker 1: for Thursday night.

1131
00:56:22,719 --> 00:56:23,279
Speaker 2: Listen, Bud.

1132
00:56:24,480 --> 00:56:26,840
Speaker 1: He doesn't understand that. He doesn't understand our love of

1133
00:56:26,840 --> 00:56:27,400
Speaker 1: Tea Swift.

1134
00:56:28,000 --> 00:56:32,439
Speaker 2: He doesn't know the love that we have for Tea

1135
00:56:32,520 --> 00:56:36,600
Speaker 2: Swift because it's a hard thing to understand, you know

1136
00:56:36,600 --> 00:56:38,840
Speaker 2: what I mean, it's hard to understand.

1137
00:56:39,480 --> 00:56:42,520
Speaker 1: Do you think we're going to be the only straight

1138
00:56:42,600 --> 00:56:43,880
Speaker 1: men there that came.

1139
00:56:43,840 --> 00:56:46,160
Speaker 2: I think we're going to be the only men over

1140
00:56:47,840 --> 00:56:49,640
Speaker 2: twenty five at this concert.

1141
00:56:49,719 --> 00:56:51,640
Speaker 1: To be that's not true. My question is this, Are

1142
00:56:51,640 --> 00:56:54,160
Speaker 1: we going to be the only men who are straight

1143
00:56:54,960 --> 00:56:58,040
Speaker 1: who came together alone?

1144
00:57:00,920 --> 00:57:01,000
Speaker 6: No?

1145
00:57:02,520 --> 00:57:05,080
Speaker 1: Probably, Well your thoughts.

1146
00:57:06,560 --> 00:57:08,440
Speaker 2: Definitely, I'm having the right picture.

1147
00:57:08,480 --> 00:57:10,759
Speaker 6: Who up to the other street guy friends were like,

1148
00:57:11,040 --> 00:57:14,040
Speaker 6: fuck yeah Teeth Swift, But that's what makes you guys special,

1149
00:57:14,880 --> 00:57:15,720
Speaker 6: what makes a special.

1150
00:57:15,760 --> 00:57:19,400
Speaker 2: Though, we're running into this motherfucker leg so it's gonna

1151
00:57:19,440 --> 00:57:20,000
Speaker 2: be forever.

1152
00:57:20,520 --> 00:57:22,400
Speaker 1: I'm gonna cry, just I's gonna.

1153
00:57:22,200 --> 00:57:25,479
Speaker 2: Go down in face. You can tell me when it's over.

1154
00:57:25,560 --> 00:57:27,960
Speaker 2: I'm gonna look at you and we're gonna smile at

1155
00:57:27,960 --> 00:57:32,560
Speaker 2: this part. Got along with Stuve ex lovers. We're gonna smile.

1156
00:57:32,880 --> 00:57:35,000
Speaker 2: They'll tell you I'm insane.

1157
00:57:35,600 --> 00:57:38,360
Speaker 1: I might not. I won't like suddenly grab your hand,

1158
00:57:38,440 --> 00:57:39,960
Speaker 1: but if I do, just show it.

1159
00:57:39,920 --> 00:57:42,760
Speaker 2: Away and now write your name.

1160
00:57:44,680 --> 00:57:46,680
Speaker 1: All right, that's our show, Everyboddy, we love you. Count

1161
00:57:46,720 --> 00:57:47,120
Speaker 1: us out on.

1162
00:57:47,440 --> 00:57:48,400
Speaker 2: Top six seven.

1163
00:57:48,440 --> 00:57:54,280
Speaker 4: Eight stories about shore we made about a bunch of talks,

1164
00:57:54,280 --> 00:57:55,440
Speaker 4: and nurses.

1165
00:57:57,240 --> 00:58:00,760
Speaker 2: Said, he's a story natural should know.

1166
00:58:02,360 --> 00:58:06,360
Speaker 4: So gander around you here, our gander around you here,

1167
00:58:06,520 --> 00:58:08,479
Speaker 4: our scouts we watch your viz

1168
00:58:08,600 --> 00:58:11,640
Speaker 2: And and no mm hmmm