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Speaker 1: So I've been brought in on the Night at franchise,

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Speaker 1: following Night at the Museum, Night of the Museum, Battle

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Speaker 1: of the Smithsonian, Night at the Museum, Secret of the Tombs,

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Speaker 1: and so in development was Night at the Museum, Common

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Speaker 1: raw rises again common ras being a huge problem.

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Speaker 2: So common ra.

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Speaker 3: So catch me up, because I was working on they,

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Speaker 3: I mean, they abandoned the one I was working. I

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Speaker 3: was on Night at the Museum Love to Louvia Baby,

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Speaker 3: and it was like what it was, It was like this.

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Speaker 2: It was more any other other phrases that used love.

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Speaker 2: I know, I know.

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Speaker 3: Oh, and I said that the first I said, we

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Speaker 3: should work on a different you know, but they really

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Speaker 3: wanted to do love.

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Speaker 2: Actually yeah, yeah, it's just one option. I didn't. I

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Speaker 2: did not suggest that one.

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Speaker 3: But I did suggest a lot love potion number nine,

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Speaker 3: I said, okay. And I also came with a pitch

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Speaker 3: where it was a potion that caused the museum to

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Speaker 3: come to and for everyone to start falling. I mean

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Speaker 3: it was it was a romantic comedy sort of idea,

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Speaker 3: which is not really in the spirit of I think

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Speaker 3: what some of the past Night of the Museum movies

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Speaker 3: had done. And it had quite a bit of loove

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Speaker 3: making pretty graphic history.

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Speaker 1: I feel Tower, I know, like came to life and

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Speaker 1: did stuff. Eiffel Tower first of all, not in the

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Speaker 1: louver m M. But I was reading this like it's

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Speaker 1: way too big to fit in there.

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Speaker 2: Yeah, I know, I know.

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Speaker 3: I guess it's close enough like that it could get

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Speaker 3: there if it started walking with its like Tower legs.

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Speaker 2: But I can't remember who. I think, like maybe an

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Speaker 2: artist came.

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Speaker 3: I think Ben Stiller was supposed to look at the

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Speaker 3: Mona Lisa and say, what that smirk?

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Speaker 4: Do?

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Speaker 2: Okay?

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Speaker 3: Like and and I thought this is never gonna get made.

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Speaker 1: The issue Common Raw Jake's area has these genes that

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Speaker 1: he is like he has like a jeans brand, and

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Speaker 1: so he's like, well, com and Raw should probably wear

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Speaker 1: be wearing these these jeans. And the thing with his

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Speaker 1: jeans is the pockets go all the way down.

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Speaker 2: Crisp jeans, are they not? They're very crisp.

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Speaker 1: Yes, they're called crisp jeans, and they do sort of

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Speaker 1: like crinkle when when he walks around, he's like, well,

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Speaker 1: Common raws obviously going to be wearing these crisp jeans.

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Speaker 1: Everyone is. It would look weird if he's not wearing them.

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Speaker 1: So my one regret having been involved in a little

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Speaker 1: of that process is they people will not get to

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Speaker 1: see the mantle of Robin's Teddy Roosevelt picked up by

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Speaker 1: Taylor Watner, who was so special, very very special performance,

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Speaker 1: very very nice tribute to Robin.

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Speaker 3: You sent me his screen test, and yeah, it honored

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Speaker 3: Robin while still making it his own. And once he

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Speaker 3: got past it took him fifteen twenty tries to slate

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Speaker 3: his name for some reason. But when he got there,

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Speaker 3: he was in the zone.

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Speaker 2: It was it was pretty cool.

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Speaker 3: And I was one of the people who had signed

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Speaker 3: a petition saying he shouldn't do it, that no one

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Speaker 3: can replace Robin, and that just that's got a different

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Speaker 3: president here or something. But I you know, I went

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Speaker 3: in and digitally removed my signature after I saw the

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Speaker 3: screen test because I thought he was so cool.

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Speaker 1: So ultimately the direction because of Hank, because of the

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Speaker 1: common raw issue, They're like, let's get away from like,

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Speaker 1: let's start over clean slate.

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Speaker 2: And I know you can like actually participate.

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Speaker 3: I get in whenever because you were you involved in this,

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Speaker 3: were you gonna a little.

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Speaker 5: Bit a little bit?

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Speaker 4: I did some punships on the last film.

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Speaker 5: It must have been loose. But it's over now, so

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Speaker 5: they know.

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Speaker 2: So they are still working on Okay, yeah, they the.

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Speaker 4: Title is not locked yet, and that's people who know. No,

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Speaker 4: that's one of the last things to get locked.

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Speaker 3: They don't like the title till they have to, because

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Speaker 3: you know, there's always a better title that might come up.

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Speaker 4: And the most temperamental person in a project usually the

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Speaker 4: credits person. I'm my own personal experience. But the thing

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Speaker 4: about I feel like the night Cast, people don't realize

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Speaker 4: it really is.

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Speaker 5: It really is a family first. It really is you.

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Speaker 4: You don't get you don't get chemistry like that on

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Speaker 4: screen out of thin air. That that's that's that's chemistry

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Speaker 4: that comes once in.

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Speaker 5: A You can't make a generation.

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Speaker 3: You can't you can't fake it, and you can't buy it.

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Speaker 3: You can't just throw money at it. It's an electricity

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Speaker 3: that happens between your owens, your robin's.

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Speaker 5: Your bends, your malicks, right right, yours areas?

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Speaker 3: Yeah, yes, hankak. How to hank it in America?

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Speaker 2: Right?

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Speaker 1: So we're starting clean slate from scratch. How to wank

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Speaker 1: it in as area?

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Speaker 2: Night?

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Speaker 3: No, No, no, sorry, go ahead, I just I just

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Speaker 3: got there.

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Speaker 2: This one is night at this zouzium.

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Speaker 3: Wow, it said Museum of the Zoo.

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Speaker 1: Where the animals are all inside the museum and Larry.

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Speaker 2: Larry's back.

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Speaker 1: He has a new job at the Zooseum, and he's like,

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Speaker 1: finally some pe'cen't quiet for once. Yes, yes, he gets

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Speaker 1: walked inside and he's in there with all the and

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Speaker 1: he's like, okay, I hope that nothing goes wrong.

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Speaker 4: And you know, the music's doing that thing with like

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Speaker 4: the flu and the saxophone where it's like, dude, you

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Speaker 4: know it's getting it's getting.

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Speaker 1: Yeah, exactly, And all of a sudden, we're actually very slowly.

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Speaker 2: The animals are waking up.

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Speaker 1: And now they're a wake right at they're the sleeping

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Speaker 1: as the silaping animals are waking up and they're looking

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Speaker 1: at you, and they're eating their food and they're wandering

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Speaker 1: in the cage and they're sitting down.

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Speaker 2: And so Larry's going around being like, what the heck

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Speaker 2: all the animals are awake at night. M hmm. The

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Speaker 2: diesel is awake. The diesels waking up.

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Speaker 3: Then, I believe, is chomping on diesel nuts. Yes, he

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Speaker 3: ate the diesel nuts at night. The interesting thing that

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Speaker 3: I was, I guess I don't know if I was happy.

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Speaker 3: I was happy about it, but I was also frustrated

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Speaker 3: by it, which is that when I did see the

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Speaker 3: Zuseum script, and I'm sure it's changed since then, that

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Speaker 3: they had borrowed some of the concepts that I had

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Speaker 3: been working with on Crazy and Louver, which is like

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Speaker 3: at that time, which is and it was meant to

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Speaker 3: appeal to gen z Ers or whatever. But there was

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Speaker 3: a scene where the where mister Stiller is getting gets

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Speaker 3: his ass eaten by a giraffe, which they it's an animal,

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Speaker 3: because I thought I had done so much work to

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Speaker 3: get a giraffe into the Louver.

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Speaker 5: No, sure I understand why.

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Speaker 2: Oh we found a secret painting. Yes they had to

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Speaker 2: find a secret painting.

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Speaker 1: Oh this by ren Brandt, the secret giraffe that he painted.

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Speaker 2: We found this special. I believe in that.

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Speaker 3: It's they said. They at first said this is by

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Speaker 3: the Museum. They at first said this is by mc greet,

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Speaker 3: and then the draft went now I'm gonna.

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Speaker 2: Eat which you know, it wasn't to me the cleanest connection, right.

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Speaker 3: But just anything to get us there because I thought like,

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Speaker 3: this is an animal with that an interesting tongue. Let's

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Speaker 3: put that on screen and let's see Ben do what

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Speaker 3: he's known for, which is this face. Yeah, it looks surprised,

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Speaker 3: surprise face.

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Speaker 1: And also the Eiffel Tower is in there, blasting the

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Speaker 1: halland tunnel at one point.

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Speaker 3: Yes, the yeah, which the hallow tunnel again, that's even

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Speaker 3: that's even further away.

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Speaker 2: Should have been the chunnel. Yep.

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Speaker 3: And I said that and I got shouted down. But whatever,

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Speaker 3: I'm excited for Zuuseum. I think it's really cool that

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Speaker 3: the fact that the animals are and this is still

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Speaker 3: in there, right, you said this.

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Speaker 1: They're awake at night, yes, and walking around looking around

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Speaker 1: mm hmm, standing up the diesel, the Doorbo, the diesel,

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Speaker 1: the Gorbeou, the one gatron.

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Speaker 2: I think wake Bo is awake. Awake. Yeah, they all

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Speaker 2: start to wake up.

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Speaker 3: Yeah, the Papley Puss and uh uh, all the quacketariums.

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Speaker 3: They they all get in there and start waking up.

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Speaker 3: And that you know that scene alone, that sequence, I mean,

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Speaker 3: that's that's most of the movie.

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Speaker 2: Yeah.

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Speaker 3: And Larry's like, go to sleep, go to sleep.

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Speaker 2: Little baby. He's like, say you can have lullabye and stuff.

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Speaker 1: But they're like huh, They're like looking around at all this.

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Speaker 1: It's like it's so crazy.

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Speaker 2: But yeah, I'm stoked. So what are you doing on it?

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Speaker 2: You're directing it.

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Speaker 1: I am basically like, if I could summarize it in

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Speaker 1: like a very short phrase, please, I would say that

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Speaker 1: I am a guy who is an expert on whether

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Speaker 1: the animal is.

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Speaker 2: Like too gross to put on screen.

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Speaker 1: So some of these animals, Yeah, I look at like

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Speaker 1: the beesel for example, and I'm like, oh, oh, it's

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Speaker 1: like a little bit gross, but like not so much

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Speaker 1: that I like, basically if I want that, it gets

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Speaker 1: escorted away.

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Speaker 5: Well, the one at Changa where they.

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Speaker 1: Were cut, they were cut because I yeah, I because

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Speaker 1: everything m hm, I threw up on the camera.

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Speaker 5: Did you have to buy a new camera?

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Speaker 2: No, that's actually so like I can I can talk

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Speaker 2: about this here.

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Speaker 3: That was there that day. He had to tell everyone

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Speaker 3: that he was buying a new camera, but he really

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Speaker 3: just took the camera into the bathroom and wiped it

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Speaker 3: off real good, and.

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Speaker 2: Then because it that he should have a new camera. Yeah,

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Speaker 2: I said that. I bought that.

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Speaker 1: I went to the store and I bought the new camera,

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Speaker 1: but everyone, yeah saw me go to the bathroom, but.

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Speaker 3: He went to the bathroom and then yeah, he just

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Speaker 3: wiped it off, wiped off with toilet paper.

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Speaker 5: I mean you used the phrase real good to describe

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Speaker 5: how he wiped it off, so I don't.

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Speaker 2: Want to Yeah, I mean he used about half a roll.

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Speaker 3: I mean it was like it was no, no lazy

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Speaker 3: job done. Yeah, it was really serious.

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Speaker 4: I just was asked, I don't want it to feel

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Speaker 4: like there's any sort of negative energy coming from me

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Speaker 4: asking I was.

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Speaker 5: I was simply asking.

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Speaker 2: I wasn't there.

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Speaker 5: Then I got onto the project.

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Speaker 2: I feel awesome. I feel awesome.

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Speaker 3: But we didn't know if they could get wet, like,

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Speaker 3: so we said, like we didn't want to use any water.

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Speaker 3: So it's just really and he and the throw had

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Speaker 3: been on there for you know a little bit, and

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Speaker 3: the camera was caked.

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Speaker 5: The camera was hot and it caked.

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Speaker 3: Yeah, so it was really hot. I'm not going to

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Speaker 3: say it was perfect the job that was done. But

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Speaker 3: I was hanging around TP.

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Speaker 1: Yeah, I was running around so much after the camera

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Speaker 1: had to kind of like chase me, and the wind

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Speaker 1: from chasing me around, yeah, made it dry.

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Speaker 2: That much faster.

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Speaker 1: Well, yeah, it's some of it with the wind conditions

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Speaker 1: and the hotness of the camera, some of it did catch.

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Speaker 5: On fire and you're shooting in France in February.

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Speaker 2: Yes, hot.

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Speaker 5: Yeah, because.

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Speaker 2: We shot it in the loop. We had to put

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Speaker 2: all the animals in there.

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Speaker 3: And get all that stupid art out of there, because really,

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Speaker 3: like the Zuseum is not about art, it's about it.

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Speaker 1: And we had to give We had to give beautiful Lisa,

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Speaker 1: like whiskers and the tail and say that she was

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Speaker 1: like some crazy dew animal or something.

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Speaker 3: Yeah, beautiful, beautiful, Yeah.

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Speaker 2: We called her Lisa the Animal. Mm hmm. Welcome to

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Speaker 2: Welcome to the weather Ambition of.

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Speaker 1: Hollywood and the Red Carpet IO show.

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Speaker 3: Yep, and Io's here, and we don't Io. I don't

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Speaker 3: time to do the full intro when Io's here. I

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Speaker 3: just want to talk to my friend please.

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Speaker 2: Iotechnology.

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Speaker 4: You've never done that to my face, never said that

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Speaker 4: one in my face. You've ben taking that one around town,

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Speaker 4: but you've never said that one in my face.

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Speaker 1: I have been saying it around town, and I've been

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Speaker 1: doing my my my Raymond ray La Monte cover of Aotechnology,

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Speaker 1: which I will do here again, which goes.

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Speaker 2: You got me saying I'm tired. Are you using technology?

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Speaker 2: Don't you sit down on top of me?

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Speaker 4: And I wasn't sure if we were going to get

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Speaker 4: the second part of the chorus.

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Speaker 5: Well, thank you. It was my birthday many many months ago.

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Speaker 5: Thank you.

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Speaker 2: Wow.

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Speaker 3: This is not to be confused with my original character

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Speaker 3: ray Lemantaine, who was who was brought up in a

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Speaker 3: recent episode that I am going to use two audition

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Speaker 3: for SNL.

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Speaker 2: Again this year. I'm excited to it announce.

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Speaker 3: I have decided to make a tape and drop it

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Speaker 3: off at the doorstep of thirty Rock. I will be

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Speaker 3: doing ray Lemontaine and he will be doing Billy Joel

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Speaker 3: parody songs.

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Speaker 5: That is a little uncomfortable just because.

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Speaker 4: I I know that I texted you that I was

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Speaker 4: auditioning this year with my character Rae J LaMonte.

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Speaker 2: Ray Jay Labonte.

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Speaker 3: Yeah, nothing, hit it up, hit it up, hit it up,

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Speaker 3: hit it first.

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Speaker 5: And I know that I texted you that.

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Speaker 4: I know that I texted you that, So that just

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Speaker 4: is a little uncomfortable for me.

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Speaker 3: M Well, fucking may the best comedian win is just

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Speaker 3: how I feel about this stuff. Like if if your

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Speaker 3: ship is funnier. I think SNL has proven they've had

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Speaker 3: a long enough timeline. Here's gonna put the best stuff

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Speaker 3: on screen.

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Speaker 5: I know, and you know me.

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Speaker 4: I'm I'm mature, and I'm always I'm always happy for people.

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Speaker 5: I'm constantly happy for people.

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Speaker 3: I sell my friend's success more than my own. I

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Speaker 3: hope I fail so that I make Moor.

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Speaker 5: Pray for my own downfall. My hairs are praying for

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Speaker 5: me to do better, and I'm praying for my own downfall.

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Speaker 3: I wish I would fail, yeah, so that my friends

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Speaker 3: could do even better and have some that could have

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Speaker 3: some off my plate.

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Speaker 4: I'm texting my friends every day. I'm saying, hey, you

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Speaker 4: are when are you gonna stunt on my ass or not?

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Speaker 4: I'm begging you to stunt on me.

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Speaker 3: I've gotten that text. I hit it with a little

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Speaker 3: thumbs down. I go after you by all means stunt

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Speaker 3: on my ass right, by all means after you, and

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Speaker 3: I only.

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Speaker 5: Would so you could stunt even harder.

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Speaker 3: And yes, but we don't have to read our whole

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Speaker 3: text thread here, that's fair.

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Speaker 1: I do want to submit my own character Megan Megan

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Speaker 1: trail about it's Meghan Trainer.

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Speaker 2: And he goes, my name is no, my sign is no,

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Speaker 2: my number is no. You need to let it go.

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Speaker 1: Her famous song Interesting Topics. We're doing interesting topics again.

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Speaker 1: Let's introduce the first topic, the Nighthouse. Rebecca Hall is

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Speaker 1: stuck in the Nighthouse. Did you see this in the news.

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Speaker 5: I did not know she was stuck in the nighthouse.

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Speaker 2: Yes, she's stuck in the nighthouse. She's trying to get out.

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Speaker 3: I saw her go in, and I knew she was

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Speaker 3: taking a long time, and I was and I actually

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Speaker 3: was waiting, and I just figured she was having fun

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Speaker 3: in there, and so I left.

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Speaker 2: No, I soon stuck.

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Speaker 1: Someone said, Rebecca Hall is stuck in the nighthouse. I said, yeah,

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Speaker 1: no kidding, she's a Hall. She's supposed to be at

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Speaker 1: the house.

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Speaker 5: That was me. You said that to me.

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Speaker 2: So why are you acting like you've never heard of

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Speaker 2: this before?

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Speaker 5: Because I'm trying to be aloof it's my new personality.

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Speaker 2: Oh yeah, okay, Oh she's stuck in the nighthouse.

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Speaker 5: Oh I didn't hear that. I did.

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Speaker 2: I never heard about that.

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Speaker 5: We what the nighthouse isn't a day? That's like my

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Speaker 5: type of like, that's my type of personality.

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Speaker 3: Now I'm getting a new personality too. When it's coming,

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Speaker 3: it's supposed to come next in the next week or so.

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Speaker 3: I sent all of my friends a journal and I

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Speaker 3: had them right down a quality they wish I had.

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Speaker 2: Got mailed around the world. And then.

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Speaker 3: When it comes back, I opened the journal and I

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Speaker 3: have to be that person for my friends, because who

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Speaker 3: am I doing anything for if not for them. All

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Speaker 3: we have, I mean is the difference we make in

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Speaker 3: other people's lives. That's the only thing that gives this

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Speaker 3: stuff meaning, I mean, otherwise it's just stuff.

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Speaker 5: I have that good news and bad news. What I

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Speaker 5: just made seventeen million dollars, but it was because I

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Speaker 5: was good news. Sold the life rights of you to

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Speaker 5: the team behind the movie tag based on a true story.

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Speaker 5: We're not kidding.

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Speaker 3: Ah, may your money off me. I love to see that.

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Speaker 3: I love to see you stunt at me like that.

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Speaker 3: Now when you say seven based on seventeen million dollars, Yeah,

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Speaker 3: go ahead, what up?

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Speaker 2: Heyes?

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Speaker 1: Tag from the guys behind based on a true story.

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Speaker 5: Uh huh, we're not kidding.

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Speaker 2: We're and this time we're not kidding.

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Speaker 3: I'm not kidding, and we're having and we're having a

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Speaker 3: lot of fun.

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Speaker 1: On set at one point these guys played actually did

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Speaker 1: play tag.

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Speaker 2: The guys that tag.

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Speaker 3: Probably the realist feeling friend group outside of the museum

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Speaker 3: franchise you're gonna find.

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Speaker 5: Would If there was a ranking, it would be one.

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Speaker 3: If I see Hannibal Urus in a room, I go, well,

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Speaker 3: where's John Hammon at Helps? Because like, how is this

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Speaker 3: guy gonna have fun and cut up with his buddies?

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Speaker 3: If John Hammond at Helms aren't there?

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Speaker 4: Well, you asked that question, and Jake Johnson is right

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Speaker 4: behind you saying I know where they are because we

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Speaker 4: all have to find my friends on.

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Speaker 2: YEP and let me open up. Yeah, they share location with.

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Speaker 5: Me since production.

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Speaker 3: But I thought the bad news was actually that you

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Speaker 3: got all that money because I honestly thought it might

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Speaker 3: change you.

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Speaker 5: It did. That's why I have my new personality.

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Speaker 3: So that's how you got your I got some. Some

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Speaker 3: things I'm concerned about with my personality is that people

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Speaker 3: I know, some people have been writing stuff in the

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Speaker 3: journal that I really don't want to do, like some

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Speaker 3: specific accents and stuff that I'm gonna have to start using. Sure,

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Speaker 3: I mean that I'm just like not really comfortable, Like

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Speaker 3: I didn't think that was part of it.

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Speaker 5: My apple.

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Speaker 3: Yeah. And to me, it's just like I want my

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Speaker 3: friends to be happy, but I don't want to do

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Speaker 3: it that way where it's some like goofy, like I'm

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Speaker 3: not going to do an apple aatchin accent, And anyone

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Speaker 3: who has an apple aachin accent, I love that for you.

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Speaker 1: The interesting thing about Rebecca Hall being stuck in the

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Speaker 1: nighthouse is she's famous for saying that it'll be just

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Speaker 1: like one of her sunny days.

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Speaker 3: Yeah, she says that to the national organization. The FBI

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Speaker 3: is a national organization, she says it to them.

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Speaker 5: Okay, And one of Hannibal Burr's best friend she says.

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Speaker 2: It is right there, right there.

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Speaker 3: Imagine I was so taken out of that because I

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Speaker 3: was like, well, where is that Helmes and Hannibal Burros.

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Speaker 5: Here before, Here's before tagging and Chemo Hamil versus Kevin Sable.

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Speaker 1: So imagine that Rebecca Hall is reeling from the unexpected

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Speaker 1: death of her husband and she's left alone in the

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Speaker 1: lakeside home he built for her, and she tries as

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Speaker 1: best that she can to keep together, but then the

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Speaker 1: dreams come, disturbing.

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Speaker 5: Visions in the lake house this is the Nighthouse.

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Speaker 1: This is the Nighthouse, but it is a lake. It

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Speaker 1: is a lakeside home built for her by her husband

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Speaker 1: who died on and she's trying as best as she

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Speaker 1: can to keep together. But then the dreams come, disturbing,

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Speaker 1: visions of a presence in the house called to her,

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Speaker 1: beckoning with a ghostly alert, but the harsh light of

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Speaker 1: day washes away any proof of a haunting. Against the

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Speaker 1: advice of her friends, she begins digging into his belongings,

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Speaker 1: yearning for answers. So her friends call and her like, hey,

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Speaker 1: everything o, hey in the Nighthouse, and she's like, yep,

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Speaker 1: everything's great.

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Speaker 2: It's just like another one of my studdy days. Right.

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Speaker 1: They're like, oh my god, that's actually the worst for her.

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Speaker 1: That's actually really bad.

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Speaker 5: Yeah, we all know what this means.

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Speaker 3: Can I tell you something I did realize about When

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Speaker 3: she says, that's like one of my sunny days, and

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Speaker 3: she says it to John Ham. John Ham, his friend

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Speaker 3: Jeremy Redder was there. His Tag friend was actually there.

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Speaker 5: Oh my god.

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Speaker 2: They were playing Tag. They were based Tag.

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Speaker 1: Jeremy Record is basically a continuation of the film Tag

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Speaker 1: And it happened before as I pointed, yet prequel continuation

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Speaker 1: what happened in the movie?

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Speaker 2: Tag continue, Yeah, reconciliation.

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Speaker 5: It's about accountability, to make.

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Speaker 2: Secure the tag That's what the tag line should have been.

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Speaker 5: A tagline, tagline, tag tag line, okay.

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Speaker 3: Tag hashtag tag hash like. So, one thing that I've

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Speaker 3: been thinking about, like that's interesting to me about The

433
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Speaker 3: Nighthouse is when will this unending rivalry between Rebecca Hall

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Speaker 3: and Amy Adams end? Because it's like, the day Amy

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Speaker 3: Adams signs on for Night Bitch, Rebecca Hall traps herself

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Speaker 3: at the Nighthouse.

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Speaker 5: Hm.

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Speaker 3: The day she signs on, She's like, Okay, I'll star

439
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Speaker 3: in Anna Perna's Night Bitch.

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Speaker 2: Mm hmm.

441
00:25:34,080 --> 00:25:37,280
Speaker 3: And then Rebecca Hall goes like, I'm trapped in the Nighthouse.

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Speaker 3: And it's like, because Amy's an unnamed woman and former

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Speaker 3: artist thrust into stay at home domesticity after the birth

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Speaker 3: of her son, and begets so worried that she's turning

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Speaker 3: into a dog that her husband, who travels for work

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Speaker 3: five days a week and easily dismisses her fears from

447
00:25:52,960 --> 00:25:57,359
Speaker 3: hotel rooms, doesn't realize there are very real physical manifestations

448
00:25:57,359 --> 00:25:59,080
Speaker 3: of her solitary anxiety.

449
00:25:59,480 --> 00:26:01,200
Speaker 2: Curious it's an end of the night Bitch and the

450
00:26:01,280 --> 00:26:01,640
Speaker 2: night Time.

451
00:26:03,480 --> 00:26:09,000
Speaker 3: I mean, it feels like they're both hurting themselves to

452
00:26:09,000 --> 00:26:12,480
Speaker 3: get at each other. And that is, you know, I

453
00:26:12,640 --> 00:26:19,160
Speaker 3: like to say, resentment and this toxic kind of jealousy

454
00:26:19,200 --> 00:26:22,080
Speaker 3: and competition we have. It's kind of like drinking poison

455
00:26:22,119 --> 00:26:23,200
Speaker 3: and waiting for your.

456
00:26:23,119 --> 00:26:23,800
Speaker 2: Enemy to doe.

457
00:26:23,840 --> 00:26:26,240
Speaker 5: Sorry, it's the light bitch.

458
00:26:26,760 --> 00:26:31,080
Speaker 3: You're watching the trailer. Turn off the volume on your computer.

459
00:26:31,080 --> 00:26:32,640
Speaker 3: If you're watching the Night Bitch trailer.

460
00:26:33,600 --> 00:26:39,800
Speaker 5: I love the trails to light bitch. Wow, I'm just

461
00:26:39,800 --> 00:26:41,600
Speaker 5: gonna I'm just I'm just gonna go and.

462
00:26:42,840 --> 00:26:54,680
Speaker 3: Pay other than I know, I think the episode's going well. Yeah,

463
00:26:54,720 --> 00:26:58,000
Speaker 3: we've been getting into like some really interesting stuff.

464
00:27:00,080 --> 00:27:00,959
Speaker 5: Was watching the trailer.

465
00:27:01,080 --> 00:27:04,160
Speaker 2: Sorry, so shake up.

466
00:27:04,400 --> 00:27:05,480
Speaker 3: I didn't know there was one.

467
00:27:06,240 --> 00:27:10,960
Speaker 5: Yeah, I got it sent to me. We both are

468
00:27:12,320 --> 00:27:18,520
Speaker 5: junior sponsors for smart Water. Okay, Yes, we were all

469
00:27:18,600 --> 00:27:19,159
Speaker 5: in the running.

470
00:27:19,200 --> 00:27:22,080
Speaker 3: And then when people who's wait, who's we both?

471
00:27:22,520 --> 00:27:31,040
Speaker 4: Sorry me, Amy Adams, Louise Guzmond, we were all.

472
00:27:31,440 --> 00:27:34,360
Speaker 5: We were all and Bezos'.

473
00:27:34,080 --> 00:27:38,119
Speaker 4: Ex wife who has her own name because she's a

474
00:27:38,160 --> 00:27:42,760
Speaker 4: woman in her own right. We were all in the running,

475
00:27:43,160 --> 00:27:48,679
Speaker 4: Mac Bezos, we were all in the running.

476
00:27:48,960 --> 00:27:54,159
Speaker 3: The news it's a McDonald's product, The.

477
00:27:54,200 --> 00:27:57,680
Speaker 5: Speaking World of Alex mac Bezos.

478
00:27:58,600 --> 00:28:02,399
Speaker 2: Okay, you're on running to be junior sponsors, just like

479
00:28:02,800 --> 00:28:03,120
Speaker 2: we were.

480
00:28:03,359 --> 00:28:08,080
Speaker 5: Running to be sponsors for for for smart Water and

481
00:28:08,160 --> 00:28:09,280
Speaker 5: then obviously.

482
00:28:10,840 --> 00:28:15,840
Speaker 2: P Yeah he one. Pete got it, and I'm so

483
00:28:16,119 --> 00:28:16,960
Speaker 2: thrilled for him.

484
00:28:17,359 --> 00:28:21,760
Speaker 3: I know, Uh, the day that he got it, I'll

485
00:28:21,960 --> 00:28:25,280
Speaker 3: admit I was a little upset because you didn't mention

486
00:28:25,400 --> 00:28:26,639
Speaker 3: me as someone who was in the running.

487
00:28:26,720 --> 00:28:27,679
Speaker 2: I was in the running.

488
00:28:29,840 --> 00:28:31,639
Speaker 3: I'm in a little bit of a different circle. It

489
00:28:31,760 --> 00:28:35,399
Speaker 3: was myself. It was me, it was Pete was in

490
00:28:35,520 --> 00:28:38,720
Speaker 3: my bracket as well. It was me Pete, it was

491
00:28:39,080 --> 00:28:41,600
Speaker 3: Alison mac Keith Ranier.

492
00:28:41,680 --> 00:28:43,920
Speaker 2: He was up for it.

493
00:28:44,160 --> 00:28:47,800
Speaker 3: He would he was really close too. I had been

494
00:28:47,840 --> 00:28:49,360
Speaker 3: out of it, but I was kind of pulling for

495
00:28:49,520 --> 00:28:59,920
Speaker 3: Keith and uh Melinda Gates, and I hope you understand

496
00:29:00,160 --> 00:29:03,440
Speaker 3: I did end up voting for Pete. I watched the

497
00:29:03,480 --> 00:29:06,200
Speaker 3: board these, yes.

498
00:29:07,520 --> 00:29:11,640
Speaker 2: These, I watched him talk about this water, and I'm like,

499
00:29:11,720 --> 00:29:19,040
Speaker 2: Pete is putting his back. Yeah, Pete is doing work.

500
00:29:19,080 --> 00:29:22,880
Speaker 2: He's doing work up there. Yeah, Pete's doing work. This

501
00:29:24,160 --> 00:29:25,000
Speaker 2: love this water.

502
00:29:25,680 --> 00:29:28,440
Speaker 5: He quite literally went off.

503
00:29:29,440 --> 00:29:32,160
Speaker 3: No, he he looks skinny, but he's got some ass

504
00:29:32,280 --> 00:29:34,360
Speaker 3: behind him when he wants to get into it. Man,

505
00:29:34,560 --> 00:29:39,040
Speaker 3: he he fucking threw both feet into that thing and

506
00:29:39,200 --> 00:29:42,160
Speaker 3: shook it around like he really puts some ass behind

507
00:29:42,240 --> 00:29:43,040
Speaker 3: him on that water.

508
00:29:44,280 --> 00:29:47,480
Speaker 2: I was I was pretty impressed, and I understood why

509
00:29:47,600 --> 00:29:48,120
Speaker 2: he got it.

510
00:29:49,760 --> 00:29:52,040
Speaker 5: You know, as soon as I saw him in action,

511
00:29:52,320 --> 00:29:54,880
Speaker 5: I was like, this is this is real for you.

512
00:29:55,600 --> 00:29:57,880
Speaker 2: I was never even close. I was never even close,

513
00:29:58,160 --> 00:29:58,920
Speaker 2: is what I realized.

514
00:29:59,360 --> 00:30:01,400
Speaker 5: There was no petition mm hmm.

515
00:30:01,880 --> 00:30:05,560
Speaker 1: There was competitian No, it was all prelude to you

516
00:30:05,680 --> 00:30:10,400
Speaker 1: were there essentially to like get the bidding going.

517
00:30:10,600 --> 00:30:12,840
Speaker 2: It was for contrast. It was so they could see

518
00:30:12,880 --> 00:30:13,480
Speaker 2: how good he was.

519
00:30:14,040 --> 00:30:15,720
Speaker 3: It's like when they talk about how there should be

520
00:30:15,760 --> 00:30:18,120
Speaker 3: a normal person running in the Olympics with these other

521
00:30:18,640 --> 00:30:19,680
Speaker 3: with these other folks.

522
00:30:28,080 --> 00:30:35,320
Speaker 5: Yeah, that's so true. I just thought about it.

523
00:30:36,120 --> 00:30:38,680
Speaker 2: Yeah, so yeah, so it's like that's what.

524
00:30:38,920 --> 00:30:45,680
Speaker 5: There should be. Sorry, but there should be.

525
00:30:48,760 --> 00:30:49,160
Speaker 6: I don't know.

526
00:30:49,280 --> 00:30:50,840
Speaker 2: It feels like they only have so many.

527
00:30:52,560 --> 00:30:55,200
Speaker 3: I think they should all go to professional like, you know,

528
00:30:55,920 --> 00:30:58,720
Speaker 3: like trained athletes, so that they can compete with one another.

529
00:30:59,880 --> 00:31:02,040
Speaker 3: I don't want to take if there is an extra slot,

530
00:31:02,120 --> 00:31:04,240
Speaker 3: for somebody. I don't want to take that away from an.

531
00:31:04,160 --> 00:31:08,280
Speaker 5: Ass but like, that's how you can see how good

532
00:31:08,400 --> 00:31:09,880
Speaker 5: they are, even when.

533
00:31:09,760 --> 00:31:11,440
Speaker 4: I can tell how good they are because they're going

534
00:31:11,520 --> 00:31:14,400
Speaker 4: because there's a normal person running.

535
00:31:16,360 --> 00:31:18,400
Speaker 5: It's like how there should be a normal person running

536
00:31:18,440 --> 00:31:23,560
Speaker 5: in political elections as well. Everyone else can tell that.

537
00:31:23,640 --> 00:31:26,360
Speaker 3: There were Actually you go like, so you sit at

538
00:31:26,400 --> 00:31:29,920
Speaker 3: home and you go like, man, Marco Rubios seems really

539
00:31:30,040 --> 00:31:33,400
Speaker 3: good actually, and then you go like, oh wait, you

540
00:31:33,480 --> 00:31:34,960
Speaker 3: see him next to like me, and you.

541
00:31:35,000 --> 00:31:37,880
Speaker 5: Go like, oh my god, he's operating on such a level.

542
00:31:38,560 --> 00:31:42,720
Speaker 5: On one politically, he's on. He's popping off. Mark rub

543
00:31:42,880 --> 00:31:46,320
Speaker 5: is popping off. He's putting both feet into politics and

544
00:31:46,520 --> 00:31:47,760
Speaker 5: shaking his ass around.

545
00:31:47,840 --> 00:31:51,200
Speaker 2: He stuck his fucking foot in that debate response.

546
00:31:51,320 --> 00:31:54,920
Speaker 5: Oh my god, Marco Rubio just fucking kicked me in the.

547
00:31:55,240 --> 00:31:57,920
Speaker 2: Neck, Mark eating.

548
00:32:01,400 --> 00:32:03,680
Speaker 1: Doesn't Kevin look like he's on the green screen today?

549
00:32:06,320 --> 00:32:10,600
Speaker 1: Doesn't that like his background is fake? He's he's lit

550
00:32:10,760 --> 00:32:11,480
Speaker 1: differently though.

551
00:32:11,560 --> 00:32:13,920
Speaker 5: I've never actually seen anybody have a lamp like that

552
00:32:13,960 --> 00:32:16,440
Speaker 5: in real life. I'll say the.

553
00:32:16,560 --> 00:32:17,880
Speaker 2: Lamp is clearly fake.

554
00:32:19,000 --> 00:32:24,640
Speaker 3: I've never seen a lamp like that. Please do it

555
00:32:24,680 --> 00:32:28,120
Speaker 3: as Montaine if you're gonna do it at all, and yes,

556
00:32:28,560 --> 00:32:30,600
Speaker 3: if you're gonna do it, you do it as rail Montagne.

557
00:32:31,640 --> 00:32:44,120
Speaker 2: The scene a lamp like that. Let's return to interesting topics.

558
00:32:44,800 --> 00:32:48,960
Speaker 5: Else that's interesting about the Yeah.

559
00:32:48,880 --> 00:32:52,400
Speaker 3: Please, that's a great interesting topics. This is such a

560
00:32:52,440 --> 00:32:53,040
Speaker 3: good segue.

561
00:32:53,160 --> 00:32:53,640
Speaker 2: Continue.

562
00:32:55,040 --> 00:33:00,360
Speaker 5: Sorry that the background. The background distracted.

563
00:33:00,760 --> 00:33:01,560
Speaker 2: Jage again.

564
00:33:04,640 --> 00:33:05,080
Speaker 3: The attack.

565
00:33:07,440 --> 00:33:08,760
Speaker 2: What's interesting about the nighthouse?

566
00:33:09,520 --> 00:33:11,160
Speaker 5: Oh, I just think it's like, it's just like a

567
00:33:11,280 --> 00:33:15,360
Speaker 5: bold choice. Just stick a woman in the nighthouse.

568
00:33:15,640 --> 00:33:20,520
Speaker 4: I think in the first woman, first person, the first

569
00:33:20,640 --> 00:33:22,720
Speaker 4: woman to be stuck in the nighthouse.

570
00:33:23,200 --> 00:33:26,400
Speaker 5: That's bad ass. That's bad ass.

571
00:33:26,680 --> 00:33:28,800
Speaker 2: Yeah, that's really powerful.

572
00:33:29,200 --> 00:33:31,240
Speaker 5: She broke the glass ceiling of the nighthouse.

573
00:33:31,600 --> 00:33:32,040
Speaker 2: I like that.

574
00:33:32,120 --> 00:33:34,680
Speaker 3: We've been recording for thirty four minutes and this is

575
00:33:34,720 --> 00:33:36,400
Speaker 3: the first time we've even brought that.

576
00:33:36,680 --> 00:33:40,720
Speaker 2: Up because it seems like normal now, because because it

577
00:33:41,040 --> 00:33:43,480
Speaker 2: wasn't literally was not remarkable.

578
00:33:43,920 --> 00:33:45,040
Speaker 5: Say it. Say it.

579
00:33:45,920 --> 00:33:49,960
Speaker 3: It's just normal now in our society to have a

580
00:33:50,040 --> 00:33:52,080
Speaker 3: woman be in the nighthouse. And it's not like, oh,

581
00:33:52,120 --> 00:33:54,960
Speaker 3: there's a woman in the nighthouse, or this guy's in

582
00:33:55,000 --> 00:33:57,520
Speaker 3: the nighthouse, or she's there instead of a guy. It's like, no,

583
00:33:57,680 --> 00:34:02,560
Speaker 3: that's just there's a night, Susan use, that's Rebecca Hall.

584
00:34:02,760 --> 00:34:04,480
Speaker 3: I mean we said it's Rebecca Hall, but we didn't

585
00:34:04,480 --> 00:34:05,800
Speaker 3: talk about like, oh, she's a woman.

586
00:34:05,920 --> 00:34:06,880
Speaker 2: We just said like she's in.

587
00:34:06,920 --> 00:34:09,440
Speaker 5: The Nighthouse because we didn't have to We don't have

588
00:34:09,560 --> 00:34:10,200
Speaker 5: to do anymore.

589
00:34:10,239 --> 00:34:10,960
Speaker 2: You don't have to know.

590
00:34:11,080 --> 00:34:14,439
Speaker 5: And I think about a future where it's like, oh, wait,

591
00:34:14,600 --> 00:34:16,920
Speaker 5: I can you know what, there's a woman in the

592
00:34:17,000 --> 00:34:17,640
Speaker 5: night condo.

593
00:34:18,640 --> 00:34:22,680
Speaker 4: Mm hmm, there's a woman in the night law mm hmm.

594
00:34:23,600 --> 00:34:25,920
Speaker 4: I want to see a woman in a night of state.

595
00:34:26,040 --> 00:34:28,640
Speaker 4: I don't care, you know, like I do and and

596
00:34:28,800 --> 00:34:33,040
Speaker 4: I can and I know that I will and so

597
00:34:33,200 --> 00:34:34,040
Speaker 4: and my children will.

598
00:34:36,080 --> 00:34:41,279
Speaker 1: Well you know what's interesting, yeah about the Nighthouse is

599
00:34:42,480 --> 00:34:46,160
Speaker 1: it's basically what the White House was called to me

600
00:34:46,280 --> 00:34:48,640
Speaker 1: when George W. Bush was in there, because he's so boring,

601
00:34:48,680 --> 00:34:50,080
Speaker 1: I felt like it was a night time to go

602
00:34:50,120 --> 00:34:56,520
Speaker 1: to sleep. Okay, yeah, this guy's so this guy is

603
00:34:56,880 --> 00:34:58,520
Speaker 1: so boring in the White House, I think it should

604
00:34:58,520 --> 00:35:01,520
Speaker 1: be called the Nighthouse. The and when he's there, it's

605
00:35:01,600 --> 00:35:06,719
Speaker 1: basically time to go to sleep. This guy's so unbelievably boring.

606
00:35:10,280 --> 00:35:11,240
Speaker 2: That when he's.

607
00:35:13,560 --> 00:35:17,239
Speaker 1: Getting ready to be in the White House, it's about

608
00:35:17,320 --> 00:35:20,960
Speaker 1: to become the Nighthouse and everyone in there has to

609
00:35:21,040 --> 00:35:21,600
Speaker 1: go to sleep.

610
00:35:25,000 --> 00:35:27,120
Speaker 3: Well, I guess something that's interesting to me about the

611
00:35:27,239 --> 00:35:32,040
Speaker 3: Nighthouse as we bring up going to sleep. As I

612
00:35:32,160 --> 00:35:37,040
Speaker 3: saw that Robert Pattinson movie The Lighthouse, m hm, and

613
00:35:37,120 --> 00:35:38,600
Speaker 3: it was pretty late when I watched it.

614
00:35:40,960 --> 00:35:45,840
Speaker 7: In fact, it was right before I went to bed. Okay,

615
00:35:46,920 --> 00:35:50,120
Speaker 7: And you know what I've called it. For me, it

616
00:35:50,239 --> 00:35:51,000
Speaker 7: was the Nighthouse.

617
00:35:51,320 --> 00:35:55,960
Speaker 2: Use for you, it was the Nighthouse. And that's just

618
00:35:56,040 --> 00:36:00,320
Speaker 2: big facts. Nothing to be done about it.

619
00:36:01,120 --> 00:36:04,600
Speaker 3: This is ain't no spin zone. This is not a

620
00:36:04,840 --> 00:36:08,880
Speaker 3: zone where spin is welcome. There's simply nothing you can

621
00:36:08,960 --> 00:36:10,440
Speaker 3: do about the big facts.

622
00:36:11,480 --> 00:36:13,200
Speaker 5: Check the spin at the door.

623
00:36:14,840 --> 00:36:20,120
Speaker 3: As the spin out there, you pick it up. You

624
00:36:20,120 --> 00:36:21,239
Speaker 3: can pick it up on your way out of the

625
00:36:21,239 --> 00:36:23,920
Speaker 3: house if you even still want it. I think you're

626
00:36:23,960 --> 00:36:32,560
Speaker 3: going to out of the Nighthouse. I think you're going

627
00:36:32,640 --> 00:36:35,759
Speaker 3: to realize this way of life is better. I think

628
00:36:35,760 --> 00:36:38,359
Speaker 3: you're going to say, you know what, there's this spin.

629
00:36:38,440 --> 00:36:40,399
Speaker 3: I don't even need it anymore. I can just bring

630
00:36:40,480 --> 00:36:43,480
Speaker 3: big facts with me, walk softly and carry.

631
00:36:43,239 --> 00:36:49,560
Speaker 2: A big fact. That's what Taylor Taylor Water said, right.

632
00:36:50,080 --> 00:36:52,680
Speaker 2: He did have to say it, Yeah, it was. He

633
00:36:52,800 --> 00:36:57,080
Speaker 2: put his own kind of style on it.

634
00:36:57,400 --> 00:37:00,160
Speaker 5: It was pretty cool man not his own spin, though

635
00:37:00,160 --> 00:37:01,960
Speaker 5: I would know where to go so far to say

636
00:37:01,960 --> 00:37:02,520
Speaker 5: that though.

637
00:37:02,520 --> 00:37:03,520
Speaker 3: We actually.

638
00:37:05,000 --> 00:37:09,640
Speaker 2: No Spinson, but you can still have some style.

639
00:37:14,480 --> 00:37:25,279
Speaker 3: Night watching. Just Nighthouse wise.

640
00:37:25,120 --> 00:37:26,320
Speaker 2: Is there anything.

641
00:37:27,760 --> 00:37:30,759
Speaker 3: We need to cover? I don't want to move on

642
00:37:30,840 --> 00:37:34,040
Speaker 3: to another interesting topic and then we have to double back,

643
00:37:34,200 --> 00:37:37,120
Speaker 3: like I want to make sure get the Nighthouse out

644
00:37:37,239 --> 00:37:38,080
Speaker 3: of our system.

645
00:37:39,920 --> 00:37:42,000
Speaker 5: It's just hard because it's like, what is it interesting

646
00:37:42,040 --> 00:37:44,480
Speaker 5: about the Nighthouse? Inherently? You know what I mean?

647
00:37:45,239 --> 00:37:50,279
Speaker 4: M hmm, something that obviously is wild that you didn't

648
00:37:50,320 --> 00:37:56,160
Speaker 4: even bring up. Hayes is like in the night House,

649
00:37:57,360 --> 00:37:58,600
Speaker 4: what she finds.

650
00:37:58,280 --> 00:38:03,240
Speaker 5: Our secrets both strange and terrible, and there's a mystery

651
00:38:03,719 --> 00:38:05,520
Speaker 5: she's determined to resolve.

652
00:38:07,080 --> 00:38:12,560
Speaker 1: Strange and terrible. I've seen a lot of shit this strange.

653
00:38:12,600 --> 00:38:15,799
Speaker 1: I've seen a lot of shit that sucks. What both

654
00:38:15,840 --> 00:38:20,200
Speaker 1: are is of a nighthouse. It's time to go nudes.

655
00:38:22,440 --> 00:38:25,080
Speaker 3: Uh. I always try to put myself in the shoes

656
00:38:25,160 --> 00:38:27,080
Speaker 3: of whoever's in the Nighthouse.

657
00:38:28,760 --> 00:38:33,440
Speaker 2: Because I don't want to approach the process with too

658
00:38:33,520 --> 00:38:36,440
Speaker 2: much judgment. Like you know, it's pretty.

659
00:38:36,200 --> 00:38:41,160
Speaker 3: Easy to sit back and say, Okay, well, Beth just

660
00:38:41,239 --> 00:38:44,840
Speaker 3: went against the advice of her friends, and began digging

661
00:38:44,960 --> 00:38:49,640
Speaker 3: into the prolongings of the former resident of the Nighthouse,

662
00:38:50,640 --> 00:38:57,239
Speaker 3: and she was unable to resist the beckoning, ghostly allure, Like, sure,

663
00:38:57,560 --> 00:38:59,320
Speaker 3: I could say that from my couch at home, but

664
00:38:59,400 --> 00:39:01,279
Speaker 3: if I was in the Nighthouse, can I say that?

665
00:39:01,320 --> 00:39:02,239
Speaker 3: I wouldn't do the same.

666
00:39:03,520 --> 00:39:05,480
Speaker 2: Everyone go around the room and answer.

667
00:39:06,680 --> 00:39:06,920
Speaker 5: For me.

668
00:39:09,600 --> 00:39:12,680
Speaker 1: I was thinking of something else I was thinking of.

669
00:39:14,920 --> 00:39:19,320
Speaker 1: I was thinking of two creations that I want to

670
00:39:19,440 --> 00:39:25,759
Speaker 1: be made for me. You've seen the Dune poster. Yeah,

671
00:39:28,000 --> 00:39:30,400
Speaker 1: One creation I want someone to make and I want

672
00:39:30,480 --> 00:39:31,840
Speaker 1: to really take their time and put a lot of

673
00:39:31,840 --> 00:39:38,400
Speaker 1: effort into it is the Dune poster, but instead of Dune,

674
00:39:39,360 --> 00:39:44,799
Speaker 1: it says tune and it's Lebron all the Looney Tunes, but.

675
00:39:44,920 --> 00:39:47,280
Speaker 2: Arranged it that same way. But it looks like Dune.

676
00:39:47,719 --> 00:39:49,719
Speaker 1: It looks exactly the poster is exactly the same, and

677
00:39:49,800 --> 00:39:52,640
Speaker 1: everyone is like looking the same way, but it's Lebron

678
00:39:52,680 --> 00:39:53,560
Speaker 1: and all the Looney tunes.

679
00:39:53,680 --> 00:39:56,000
Speaker 5: That would honestly be pretty epic for me.

680
00:39:56,520 --> 00:39:59,800
Speaker 2: And I share it publicly, Yeah, do you what do

681
00:39:59,840 --> 00:40:00,520
Speaker 2: you caption it?

682
00:40:00,640 --> 00:40:01,400
Speaker 5: When you sugar it?

683
00:40:02,600 --> 00:40:06,440
Speaker 2: So I'll be like, wow, this looks awesome, So looking

684
00:40:06,520 --> 00:40:07,120
Speaker 2: forward to this.

685
00:40:08,800 --> 00:40:11,160
Speaker 3: And say it like it's a movie. Yeah, like it's

686
00:40:11,200 --> 00:40:11,520
Speaker 3: a movie.

687
00:40:11,760 --> 00:40:13,000
Speaker 5: It is a it is a movie.

688
00:40:13,360 --> 00:40:13,879
Speaker 2: It's a movie.

689
00:40:14,000 --> 00:40:16,000
Speaker 3: And honestly it's a movie.

690
00:40:17,320 --> 00:40:19,600
Speaker 2: And there's honestly no, Actually it's two.

691
00:40:19,520 --> 00:40:22,239
Speaker 5: Movies, and I didn't think about it.

692
00:40:22,360 --> 00:40:23,360
Speaker 2: That's kind of the whole.

693
00:40:23,239 --> 00:40:26,240
Speaker 3: Basis of the idea is that it's double movies.

694
00:40:26,840 --> 00:40:29,160
Speaker 2: My other creation is the exactly looking forward to seeing these?

695
00:40:29,200 --> 00:40:32,440
Speaker 3: Would you say, looking forward to seeing these because it's

696
00:40:32,440 --> 00:40:36,880
Speaker 3: two movies, you have to, I'd have to.

697
00:40:38,200 --> 00:40:40,520
Speaker 4: I don't think I just actually sorry to okay, devil's

698
00:40:40,520 --> 00:40:44,440
Speaker 4: advocate here, Sorry, sorry, my horns on doubles advocate.

699
00:40:46,000 --> 00:40:47,359
Speaker 2: Oh well you don't.

700
00:40:47,480 --> 00:40:52,600
Speaker 3: That's a poker poker you probably you probably wouldn't. That

701
00:40:52,600 --> 00:40:56,120
Speaker 3: would be I'm going to be the devil. But actually

702
00:40:56,160 --> 00:40:59,040
Speaker 3: you're just advocating on behalf of the devil. You're like

703
00:40:59,120 --> 00:40:59,960
Speaker 3: the devil's a turn.

704
00:41:00,800 --> 00:41:04,960
Speaker 5: Oh oh, I'm okay, fine, Uh oh, I'm okay. I

705
00:41:05,000 --> 00:41:08,160
Speaker 5: have the double's attorney that was pointed to him by

706
00:41:08,239 --> 00:41:10,920
Speaker 5: the state. But because we are all in hell and

707
00:41:11,000 --> 00:41:13,320
Speaker 5: we all look the same, I've got horns and a

708
00:41:13,360 --> 00:41:14,800
Speaker 5: little poker as.

709
00:41:14,719 --> 00:41:19,040
Speaker 2: Well's public defender. Yeah, here's my other creed.

710
00:41:19,080 --> 00:41:21,040
Speaker 3: I would think just to be such a high profile

711
00:41:21,200 --> 00:41:24,600
Speaker 3: case like one of these like Mark Geragos or one

712
00:41:24,640 --> 00:41:27,880
Speaker 3: of these like headline chasing, probably take it on pro

713
00:41:28,040 --> 00:41:29,879
Speaker 3: bono just to see there.

714
00:41:30,120 --> 00:41:33,880
Speaker 2: Just see the ink. Yeah, the name in ink. I

715
00:41:34,160 --> 00:41:38,320
Speaker 2: feel like Gargo said, sign on for that, don't you.

716
00:41:39,040 --> 00:41:43,319
Speaker 1: Garrigos represented Scott Peterson and Michael Jackson at the same time.

717
00:41:43,800 --> 00:41:47,040
Speaker 2: Yeah, I think he does something.

718
00:41:47,400 --> 00:41:51,120
Speaker 5: Yeah, yeah, talk about legends legends only.

719
00:41:51,520 --> 00:41:54,360
Speaker 3: Yeah. Mishandled the Peterson case, admitted it to.

720
00:41:55,800 --> 00:41:58,000
Speaker 5: I think you could keep its singular as this and

721
00:41:58,120 --> 00:42:00,520
Speaker 5: not these. Okay, I think at tracks.

722
00:42:01,600 --> 00:42:04,799
Speaker 2: Okay, uh could hire a lawyer at sue you if

723
00:42:04,840 --> 00:42:07,279
Speaker 2: you do. Okay, I will be Mark.

724
00:42:09,520 --> 00:42:13,000
Speaker 5: We'll see you in the news. I'm gonna hire Amanda.

725
00:42:12,719 --> 00:42:14,040
Speaker 2: Ox Okay, We'll see you in the moon.

726
00:42:14,080 --> 00:42:16,000
Speaker 5: I'm gonna hire an Okay.

727
00:42:17,080 --> 00:42:18,000
Speaker 3: Okay, Okay.

728
00:42:18,520 --> 00:42:21,520
Speaker 1: Now that's a way to do right by her story

729
00:42:22,080 --> 00:42:24,680
Speaker 1: that she requests. Actually pay her to be your lawyer

730
00:42:25,640 --> 00:42:27,000
Speaker 1: in the case she's asked.

731
00:42:27,040 --> 00:42:30,799
Speaker 5: She's just asking for fair treatment. I'm gonna help her. Okay,

732
00:42:30,840 --> 00:42:33,840
Speaker 5: be a lawyer she wants empathy, Be a lawyer. Be

733
00:42:33,960 --> 00:42:34,359
Speaker 5: my lawyer.

734
00:42:36,600 --> 00:42:39,000
Speaker 1: My other creation is the exact same thing, but all

735
00:42:39,160 --> 00:42:42,799
Speaker 1: the different guys are Bill Gates and the the movie Soon.

736
00:42:43,800 --> 00:42:46,320
Speaker 3: Yeah, I was going to go I was going to

737
00:42:46,360 --> 00:42:49,800
Speaker 3: do a Zoom thing after you, but now I realized

738
00:42:49,840 --> 00:42:50,359
Speaker 3: you had both.

739
00:42:50,440 --> 00:42:52,239
Speaker 2: You had tune in Zoom.

740
00:42:53,040 --> 00:42:55,520
Speaker 5: I'll do one that's all of us. I'll do one

741
00:42:55,560 --> 00:42:57,600
Speaker 5: that's all of us, and it's Zoom.

742
00:43:00,360 --> 00:43:05,280
Speaker 2: It won't look what you have to change every single

743
00:43:05,880 --> 00:43:06,480
Speaker 2: well you can do.

744
00:43:06,920 --> 00:43:11,400
Speaker 3: You can do. See you, Emmy, And it looks like

745
00:43:11,560 --> 00:43:13,680
Speaker 3: and if it was in quadrants like a zoom screen,

746
00:43:13,800 --> 00:43:15,840
Speaker 3: I think you could sell it zoom.

747
00:43:16,200 --> 00:43:18,080
Speaker 5: I think so too, Sean, thanks my friend.

748
00:43:18,480 --> 00:43:20,719
Speaker 2: And it's those is it the same? Oh no, it's us.

749
00:43:21,320 --> 00:43:25,200
Speaker 5: Yeah, it's us okay. And that one's just that's not

750
00:43:25,280 --> 00:43:27,279
Speaker 5: a public creation. That one was for my friends or

751
00:43:27,320 --> 00:43:29,120
Speaker 5: the people who I thought were my friends and my friend.

752
00:43:29,800 --> 00:43:32,279
Speaker 3: And then once we have Zoom, now it's far enough

753
00:43:32,360 --> 00:43:34,880
Speaker 3: away from Dune that I could have it be like

754
00:43:35,080 --> 00:43:36,120
Speaker 3: Flume or something.

755
00:43:37,880 --> 00:43:41,800
Speaker 4: I'm gonna do one that's road road Runner and Wiley

756
00:43:41,880 --> 00:43:43,360
Speaker 4: Coyote and it says kaboom.

757
00:43:43,880 --> 00:43:47,360
Speaker 2: Okay, I already did, though he's doing a lot, dudes.

758
00:43:48,080 --> 00:43:49,440
Speaker 3: I feel like you should fold it in.

759
00:43:51,120 --> 00:43:52,879
Speaker 2: I think they should be friends.

760
00:43:54,800 --> 00:43:59,680
Speaker 5: A poster and I don't even think that boom is Like,

761
00:44:00,360 --> 00:44:01,920
Speaker 5: is road runnering the Day of June Squad?

762
00:44:02,960 --> 00:44:11,000
Speaker 2: Are you fucking kidding me? Is road Runner in the

763
00:44:11,080 --> 00:44:11,720
Speaker 2: Tune Squad?

764
00:44:11,880 --> 00:44:12,840
Speaker 5: I thought he got cut.

765
00:44:15,040 --> 00:44:18,840
Speaker 2: The fastest could ever be on the team.

766
00:44:20,160 --> 00:44:21,279
Speaker 5: I thought he got cut?

767
00:44:21,760 --> 00:44:22,279
Speaker 2: Well? Who?

768
00:44:22,360 --> 00:44:24,919
Speaker 3: Because I think they did settle this once? Who wins

769
00:44:25,000 --> 00:44:28,440
Speaker 3: in a race between Roadrunner and speed Aganzales? Hmmm?

770
00:44:28,520 --> 00:44:29,840
Speaker 2: They did? Did they settle that?

771
00:44:30,560 --> 00:44:34,120
Speaker 3: I think they did end up duking it out those

772
00:44:34,239 --> 00:44:37,440
Speaker 3: two and I can't remember who came out on top.

773
00:44:37,520 --> 00:44:41,560
Speaker 3: Probably a tie, because that's it's like boxing right where

774
00:44:41,600 --> 00:44:43,960
Speaker 3: it's like if you you know, if you want to

775
00:44:44,000 --> 00:44:46,080
Speaker 3: have a split decision, then you get even more money

776
00:44:46,160 --> 00:44:46,960
Speaker 3: for the rematch.

777
00:44:49,840 --> 00:44:52,719
Speaker 2: So that's actually you know, not to accuse them of

778
00:44:52,840 --> 00:44:57,799
Speaker 2: being a crooked organization, but you are. Oh you ever

779
00:44:57,880 --> 00:45:00,319
Speaker 2: watched some of the car tooths? People are breaking rules?

780
00:45:00,640 --> 00:45:08,120
Speaker 2: Question any other interesting topics? Oh yeah? Maybe one of

781
00:45:08,160 --> 00:45:10,600
Speaker 2: the posters says noon and it's just a clock?

782
00:45:13,000 --> 00:45:14,880
Speaker 5: Is it one clock or a bunch of clocks?

783
00:45:15,719 --> 00:45:21,640
Speaker 3: For me, I'd rather only do one s then it

784
00:45:21,760 --> 00:45:23,759
Speaker 3: actually doesn't even have to be a poster. What I'm

785
00:45:23,760 --> 00:45:25,560
Speaker 3: picture could really just be a clock.

786
00:45:29,520 --> 00:45:39,879
Speaker 2: Yeah mm hmm, could say broom, broom, could say broom.

787
00:45:41,880 --> 00:45:47,120
Speaker 5: Could say soon, and then it's within it. It's a

788
00:45:47,200 --> 00:45:48,280
Speaker 5: poster for doom.

789
00:45:49,960 --> 00:45:54,600
Speaker 1: Because it's because it's coming soon, coming soon, yeah, or

790
00:45:54,640 --> 00:45:55,960
Speaker 1: all their heads are the poster.

791
00:45:56,120 --> 00:46:00,200
Speaker 2: It's it's all that, but all their different heads they're

792
00:46:00,239 --> 00:46:01,440
Speaker 2: the poster spoon.

793
00:46:03,120 --> 00:46:07,640
Speaker 3: What if it says there is no spoon and it's

794
00:46:07,680 --> 00:46:08,760
Speaker 3: a poster for the matrix.

795
00:46:12,560 --> 00:46:14,600
Speaker 1: You know, we've only done two interesting topics we have

796
00:46:14,680 --> 00:46:17,640
Speaker 1: to do, and it like, arguably the Dune poster creations

797
00:46:17,680 --> 00:46:21,600
Speaker 1: are not even their own interesting topic. Yeah, so we

798
00:46:21,680 --> 00:46:23,160
Speaker 1: definitely have to do at least one more.

799
00:46:23,800 --> 00:46:27,239
Speaker 2: No, let's get it. Let's get them in like, this is.

800
00:46:27,280 --> 00:46:30,600
Speaker 5: Not my house, this is not my nighthouse. So sure

801
00:46:30,719 --> 00:46:31,759
Speaker 5: they'll do what you have to do.

802
00:46:32,880 --> 00:46:42,640
Speaker 2: Yeah. Yeah. The stinky celebs stinky celebs, stinky, stink blind

803
00:46:43,040 --> 00:46:47,280
Speaker 2: like blind item, some of the celebs who like actually stink.

804
00:46:47,640 --> 00:46:49,520
Speaker 5: I feel like I talk about this all the time,

805
00:46:49,960 --> 00:46:51,120
Speaker 5: people who I think smell bad.

806
00:46:51,680 --> 00:46:52,080
Speaker 3: Mm hmm.

807
00:46:53,440 --> 00:46:57,200
Speaker 1: Well now they're they're actually I don't know if you

808
00:46:57,320 --> 00:47:00,799
Speaker 1: saw this, but some of them are talking about how

809
00:47:00,880 --> 00:47:01,200
Speaker 1: they are.

810
00:47:02,040 --> 00:47:05,920
Speaker 3: They're openly sticking they're trying to smell back and caked

811
00:47:06,000 --> 00:47:10,880
Speaker 3: in filth. They're taking back the stink and they're owning

812
00:47:11,000 --> 00:47:18,200
Speaker 3: it because you know, it's actually a really effective technique

813
00:47:18,239 --> 00:47:21,560
Speaker 3: to defend against the bullying ioh that you've participated in

814
00:47:22,200 --> 00:47:25,319
Speaker 3: where you try to shame the sticky celebs where it's

815
00:47:25,480 --> 00:47:27,400
Speaker 3: it's and I bring this up a lot, but it's

816
00:47:27,640 --> 00:47:30,480
Speaker 3: very similar to what B Rabbit does at the end

817
00:47:30,520 --> 00:47:35,439
Speaker 3: of eight Mile, where every disc Papa doct was going

818
00:47:35,520 --> 00:47:39,160
Speaker 3: to throw at him he actually puts on himself. And now,

819
00:47:39,239 --> 00:47:40,520
Speaker 3: what are you going to rap about?

820
00:47:43,560 --> 00:47:44,719
Speaker 5: You do? Bring us up a lot?

821
00:47:45,680 --> 00:47:48,640
Speaker 4: Is quite similar to what B Rabbit does at the

822
00:47:48,719 --> 00:47:51,160
Speaker 4: end of eight Mile. I'll give you all these.

823
00:47:51,160 --> 00:47:57,120
Speaker 3: Things, and the entire Free World crew is speechless. So

824
00:47:57,280 --> 00:48:02,480
Speaker 3: then it's a lotto lickety split popa talk.

825
00:48:04,160 --> 00:48:10,080
Speaker 2: Wink. None of them can say jack squat after he

826
00:48:10,239 --> 00:48:10,520
Speaker 2: does it.

827
00:48:10,640 --> 00:48:14,480
Speaker 3: And I believe this is what Jake Jillen Hall has

828
00:48:14,560 --> 00:48:15,160
Speaker 3: done to you.

829
00:48:16,800 --> 00:48:18,400
Speaker 2: Do you know what B Rabbit stands for in that

830
00:48:18,520 --> 00:48:21,920
Speaker 2: movie bugs Rabbit?

831
00:48:22,840 --> 00:48:31,680
Speaker 4: Yes, bugs Rabbit, okay too, but it's eminem is b rabbit?

832
00:48:32,719 --> 00:48:33,120
Speaker 2: Mm hmm.

833
00:48:34,000 --> 00:48:38,200
Speaker 3: In the squad Marshall, Marshall, this is plague off of.

834
00:48:39,800 --> 00:48:42,600
Speaker 1: My tune poster. This is basically a parody of my

835
00:48:42,800 --> 00:48:48,800
Speaker 1: tube poster. Yeah, where instead of bugs bugs Bunny, Marshall

836
00:48:48,840 --> 00:48:51,400
Speaker 1: Mathers is there as bugs rabbit.

837
00:48:51,680 --> 00:48:57,080
Speaker 2: That's that's I owe, that's that's so wrong. But I

838
00:48:57,200 --> 00:49:02,080
Speaker 2: would watch that. I would see like it's it's I

839
00:49:03,160 --> 00:49:07,799
Speaker 2: would see that movie like sorry, sorry, you're joke, Sorry,

840
00:49:08,560 --> 00:49:11,520
Speaker 2: you're joking, But I would actually sit down and watch it.

841
00:49:13,480 --> 00:49:15,919
Speaker 5: That actually means a lot to me. I won't lie.

842
00:49:16,200 --> 00:49:19,680
Speaker 4: I think there's a little phrase that I have tattooed

843
00:49:20,560 --> 00:49:24,520
Speaker 4: on my spine, and it's a it's three words and

844
00:49:24,640 --> 00:49:27,520
Speaker 4: it's truth and it's in and it's comedy and they're

845
00:49:27,600 --> 00:49:31,839
Speaker 4: arranged in a different order and they're Latin as well.

846
00:49:32,880 --> 00:49:36,440
Speaker 4: But those are the three words that I have. And

847
00:49:36,560 --> 00:49:39,160
Speaker 4: it's because in every joke that there's a little negative truth.

848
00:49:43,480 --> 00:49:47,040
Speaker 5: Across across. The letters go back and forth, so it's

849
00:49:47,080 --> 00:49:49,719
Speaker 5: like two letters per Vertebra.

850
00:49:51,440 --> 00:49:56,160
Speaker 2: When they're being recruited for the Tune Squad, they're in

851
00:49:56,719 --> 00:49:57,360
Speaker 2: Mad Max.

852
00:49:58,239 --> 00:50:01,920
Speaker 4: You in all the cartoons or no, not all the cartoons,

853
00:50:02,080 --> 00:50:10,040
Speaker 4: Marshall Mathers, No, the road Runner and you're never gonna

854
00:50:10,120 --> 00:50:13,920
Speaker 4: let me live that one, and he does You're gonna flame?

855
00:50:14,200 --> 00:50:16,080
Speaker 4: I ask forever about that one, and here's a.

856
00:50:16,080 --> 00:50:20,400
Speaker 2: Picture for real, show you for real. He does.

857
00:50:22,239 --> 00:50:25,279
Speaker 1: The spray pan his mouth for silver and he holds

858
00:50:25,360 --> 00:50:26,880
Speaker 1: up a sign that says, witness me.

859
00:50:29,160 --> 00:50:32,920
Speaker 2: It's actually pretty funny. That's it's actually pretty funny when

860
00:50:32,960 --> 00:50:33,400
Speaker 2: that happened.

861
00:50:35,239 --> 00:50:37,319
Speaker 5: Oh, that's actually pretty funny. You gotta give it up

862
00:50:37,440 --> 00:50:38,080
Speaker 5: for witness me.

863
00:50:39,280 --> 00:50:42,880
Speaker 3: Well, do we want to talk a little bit about

864
00:50:44,440 --> 00:50:46,560
Speaker 3: since we have time for more interesting topics? And that

865
00:50:46,719 --> 00:50:49,160
Speaker 3: is pretty funny picture you sent Hayes do we want

866
00:50:49,200 --> 00:50:54,000
Speaker 3: to talk about? And this connects to hay Stinky celebs.

867
00:50:54,440 --> 00:50:57,120
Speaker 3: That is a funny picture. This connects to stinky celebs

868
00:50:57,120 --> 00:51:00,120
Speaker 3: a little bit because then Blake Blake and Rye and

869
00:51:00,280 --> 00:51:02,720
Speaker 3: talked about maybe not Babe, oh no, it was Ashton

870
00:51:02,760 --> 00:51:06,680
Speaker 3: and Mela had said they don't bathe their kids unless

871
00:51:06,800 --> 00:51:10,520
Speaker 3: they can actually see the physical scum on them. Thank

872
00:51:10,560 --> 00:51:12,560
Speaker 3: you for drawing it. That's actually a really funny picture.

873
00:51:12,840 --> 00:51:15,880
Speaker 3: So Ashton Mela said that. But you know, speaking of

874
00:51:15,920 --> 00:51:21,680
Speaker 3: celebrity power couples, Blake Lively and Ryan Reynolds. Ryan's got

875
00:51:21,719 --> 00:51:22,560
Speaker 3: a new movie out.

876
00:51:22,520 --> 00:51:28,200
Speaker 2: This so you know what Sagary the picture. I came

877
00:51:28,280 --> 00:51:31,759
Speaker 2: up with the idea. So okay, so it is a

878
00:51:31,800 --> 00:51:36,120
Speaker 2: really funny picture. So free guy. I haven't seen the

879
00:51:36,160 --> 00:51:38,000
Speaker 2: trailer myself. What I've what.

880
00:51:39,880 --> 00:51:47,040
Speaker 3: I've seen is this reel this like, I think they're

881
00:51:47,080 --> 00:51:49,000
Speaker 3: mostly outtakes, but I'm hoping they're not.

882
00:51:49,120 --> 00:51:52,319
Speaker 2: I hope they're in the movie. And it says that.

883
00:51:52,800 --> 00:51:58,560
Speaker 3: Taio White, I hope it's the levels of riffing in

884
00:51:58,760 --> 00:52:05,000
Speaker 3: this film that are and I quote, freaking sublime. And

885
00:52:05,120 --> 00:52:10,360
Speaker 3: that's the director calling them freaking sublime. And the riffing

886
00:52:11,239 --> 00:52:17,960
Speaker 3: that I saw. I gotta see this movie. I spoiled

887
00:52:18,080 --> 00:52:20,399
Speaker 3: for one part because he finishes doing this one riff

888
00:52:20,440 --> 00:52:20,840
Speaker 3: where he's like.

889
00:52:20,880 --> 00:52:24,960
Speaker 2: PANTOMI I mean, moving on the glass or something, and then.

890
00:52:25,040 --> 00:52:28,000
Speaker 3: He finishes and they call cut. There goes that's in

891
00:52:28,080 --> 00:52:32,719
Speaker 3: the movie. That happened, and it's clear from the way

892
00:52:32,760 --> 00:52:34,359
Speaker 3: he's saying it, Yeah, it wasn't.

893
00:52:35,640 --> 00:52:37,600
Speaker 5: No, that was a riff.

894
00:52:38,560 --> 00:52:43,960
Speaker 1: I'm the guy who doesn't understand the smelly slob story. Guys, Hey, guys,

895
00:52:44,000 --> 00:52:47,000
Speaker 1: did you hear that all these celebrities are taking the

896
00:52:47,440 --> 00:52:48,680
Speaker 1: taking the shower and instead of.

897
00:52:48,680 --> 00:52:51,719
Speaker 2: Water coming out of the shower, it's stinky slop. Coming out.

898
00:52:54,960 --> 00:52:59,120
Speaker 5: Can I say something about that riff? Freaking sublime, god

899
00:52:59,239 --> 00:52:59,719
Speaker 5: level riff.

900
00:53:00,560 --> 00:53:03,799
Speaker 1: Oh that instead of the water, stinky slop came out

901
00:53:05,360 --> 00:53:10,279
Speaker 1: and it made them smell and stink. You just got

902
00:53:10,320 --> 00:53:10,720
Speaker 1: a text.

903
00:53:11,920 --> 00:53:14,360
Speaker 5: No, it looks like you got a text.

904
00:53:15,840 --> 00:53:17,040
Speaker 3: I'm looking at a text.

905
00:53:18,360 --> 00:53:20,000
Speaker 2: He didn't just get it. This is an old one.

906
00:53:20,080 --> 00:53:21,880
Speaker 5: It's an old text that you remember.

907
00:53:23,000 --> 00:53:31,280
Speaker 3: Free guys in theaters on August thirteen. And the riffing

908
00:53:31,400 --> 00:53:37,640
Speaker 3: isn't just freaking sublime, it's also genius and insane. Let

909
00:53:37,719 --> 00:53:38,560
Speaker 3: me send you guys this.

910
00:53:38,920 --> 00:53:41,319
Speaker 5: Well. Did you know that Jody Comer would actually come

911
00:53:41,360 --> 00:53:44,640
Speaker 5: to set on days that she wasn't even working, just to.

912
00:53:44,680 --> 00:53:47,600
Speaker 3: See literally, just to watch, literally, just to watch.

913
00:53:47,480 --> 00:53:50,000
Speaker 2: Him riff, just to watch him riff.

914
00:53:50,840 --> 00:53:55,160
Speaker 5: That is something that that happened for real, happen actually

915
00:53:56,280 --> 00:54:00,600
Speaker 5: to all the people involved. And I've only heard stories like.

916
00:54:00,640 --> 00:54:05,560
Speaker 3: That on two sets, Jody's and Jody's funny in her

917
00:54:05,600 --> 00:54:06,759
Speaker 3: own right. Mm hmm.

918
00:54:08,320 --> 00:54:09,080
Speaker 5: She hold her up.

919
00:54:09,440 --> 00:54:12,000
Speaker 3: Jody's funny in her own right for her to be,

920
00:54:14,360 --> 00:54:18,319
Speaker 3: you think, for her to be enjoying someone else's work.

921
00:54:19,080 --> 00:54:22,040
Speaker 3: And we know that the egos that performers have normally

922
00:54:23,080 --> 00:54:25,120
Speaker 3: to the extent that she's going to come in on days.

923
00:54:25,160 --> 00:54:28,040
Speaker 3: She's not even called the set just to watch the riffs.

924
00:54:29,120 --> 00:54:32,560
Speaker 3: I know she's got appointments, that's a testament. I know

925
00:54:32,640 --> 00:54:35,520
Speaker 3: she's got rehearsals to the Genius insane freaking.

926
00:54:36,000 --> 00:54:41,400
Speaker 5: I know she's got interviews, press workouts to do.

927
00:54:43,440 --> 00:54:47,120
Speaker 2: She's got to eat something at some point. Mm hmm.

928
00:54:47,880 --> 00:54:50,600
Speaker 2: You's got to eat joy comer and she does.

929
00:54:51,719 --> 00:54:53,520
Speaker 3: Yes, she is eating.

930
00:54:54,880 --> 00:54:55,760
Speaker 5: That's so cool.

931
00:54:56,280 --> 00:54:57,040
Speaker 3: She's eating good.

932
00:54:59,040 --> 00:55:05,960
Speaker 1: So August thirteenth, so that's soon dirty comb over. So yeah,

933
00:55:06,000 --> 00:55:13,719
Speaker 1: she should be friends with Donald Trump, right she is? Yeah,

934
00:55:13,760 --> 00:55:17,760
Speaker 1: he says, oh, oh word, that's that person is supposed

935
00:55:17,760 --> 00:55:18,520
Speaker 1: to be on my head.

936
00:55:20,000 --> 00:55:25,520
Speaker 2: Mm hmm. It's unbelievable. Instead of.

937
00:55:27,400 --> 00:55:32,560
Speaker 1: Boring, when he was in the White House, I honestly

938
00:55:32,640 --> 00:55:34,000
Speaker 1: considered it to be the Nighthouse.

939
00:55:35,600 --> 00:55:36,480
Speaker 2: I had to go to bed.

940
00:55:38,160 --> 00:55:43,600
Speaker 3: I was asleep so much of the nights when he

941
00:55:43,760 --> 00:55:47,360
Speaker 3: was in the White House, I couldn't tell you what happened.

942
00:55:48,640 --> 00:55:55,719
Speaker 3: That's how bored I was. Interesting topics. I hate to

943
00:55:55,840 --> 00:56:00,960
Speaker 3: go back to the Nighthouse again. Do you feel like

944
00:56:03,000 --> 00:56:09,160
Speaker 3: we finally had some distance from it? Yeah, but you

945
00:56:09,239 --> 00:56:14,400
Speaker 3: know it did premiere at Sundance what are you going

946
00:56:14,480 --> 00:56:15,560
Speaker 3: to be at sundances here?

947
00:56:17,640 --> 00:56:22,040
Speaker 5: Well, I just said you're telling me The Night House.

948
00:56:22,680 --> 00:56:32,279
Speaker 4: Yes, premiere at sun Dance, right, and it was distributed

949
00:56:32,360 --> 00:56:33,719
Speaker 4: by search Light.

950
00:56:35,000 --> 00:56:35,600
Speaker 5: Hisstures.

951
00:56:37,480 --> 00:56:44,080
Speaker 3: Anybody else feels something weird about this? Get it together Sundance.

952
00:56:45,719 --> 00:56:47,040
Speaker 2: Search Light?

953
00:56:48,480 --> 00:56:56,239
Speaker 6: Okay, thinking Subdan spookas going on and it's not just

954
00:56:56,400 --> 00:56:58,480
Speaker 6: the ghostly Alord that's calling to her.

955
00:56:59,120 --> 00:56:59,680
Speaker 2: I'll tell you what.

956
00:57:00,000 --> 00:57:02,560
Speaker 3: It's not just Phantom four Pictures, one of the two

957
00:57:02,640 --> 00:57:04,440
Speaker 3: production companies on the project.

958
00:57:07,239 --> 00:57:12,960
Speaker 2: I ow, do you have anything anything going anything?

959
00:57:14,239 --> 00:57:16,600
Speaker 5: Just like me personally or like interesting.

960
00:57:17,920 --> 00:57:18,480
Speaker 2: Anything?

961
00:57:20,640 --> 00:57:21,600
Speaker 5: Do you have anything?

962
00:57:23,520 --> 00:57:28,880
Speaker 2: I look, my ship is out there for the world

963
00:57:29,000 --> 00:57:29,360
Speaker 2: to see.

964
00:57:29,760 --> 00:57:33,520
Speaker 1: Like every like everyone tuning in here knows exactly what

965
00:57:33,640 --> 00:57:37,720
Speaker 1: I have going on, and they are as prepared for

966
00:57:37,920 --> 00:57:41,960
Speaker 1: it as Sean is for when Free Guide comes out.

967
00:57:43,680 --> 00:57:47,680
Speaker 1: There's no more. Everyone here is like we're good. Everyone

968
00:57:47,720 --> 00:57:51,640
Speaker 1: listening is like we're good. We're actually we're ready for

969
00:57:52,080 --> 00:57:54,800
Speaker 1: all this stuff that Hayes has coming out. They're like,

970
00:57:54,960 --> 00:57:59,000
Speaker 1: I I think I'm okay. I owe, this is your

971
00:57:59,080 --> 00:58:01,280
Speaker 1: opportunity if you of anything.

972
00:58:03,160 --> 00:58:04,880
Speaker 5: It's hard because I'm so closed off.

973
00:58:05,000 --> 00:58:07,560
Speaker 2: You know, she's an introvert.

974
00:58:08,120 --> 00:58:11,880
Speaker 3: Yes, I oh, that you're so safe here.

975
00:58:12,320 --> 00:58:13,880
Speaker 2: We're all introverts.

976
00:58:14,040 --> 00:58:15,320
Speaker 5: Oh, I'm like an if P.

977
00:58:15,600 --> 00:58:17,400
Speaker 4: So I just feel like, for me, if that means

978
00:58:17,440 --> 00:58:21,480
Speaker 4: I'm like introverted, intuitive, like fun and I'm so fucking

979
00:58:22,320 --> 00:58:26,120
Speaker 4: and the police, and so when you think about all

980
00:58:26,160 --> 00:58:29,240
Speaker 4: those things, it just makes me. It makes me sensitive

981
00:58:29,240 --> 00:58:31,600
Speaker 4: because sometimes I just know somebody and they go, oh,

982
00:58:31,640 --> 00:58:34,680
Speaker 4: it's great that you're introverted. Oh it's great that you're intuitive.

983
00:58:34,720 --> 00:58:38,080
Speaker 4: Way Oh you're fun police. Oh you're the fun police.

984
00:58:39,200 --> 00:58:41,760
Speaker 5: I don't know. I'm not the fun police. I'm fun

985
00:58:42,560 --> 00:58:44,760
Speaker 5: and the police they're different things, and.

986
00:58:44,960 --> 00:58:48,480
Speaker 3: The police, I'm the I am fun police. Have seen

987
00:58:48,520 --> 00:58:51,680
Speaker 3: the Police Academy movies based.

988
00:58:51,400 --> 00:58:53,040
Speaker 5: On that's literally based on me.

989
00:58:57,280 --> 00:58:58,640
Speaker 6: Ding ding ding ding ding.

990
00:59:09,440 --> 00:59:10,240
Speaker 2: It's really good.

991
00:59:15,320 --> 00:59:23,000
Speaker 5: Why why Baby Baby remember the night Bitch earlier? It

992
00:59:23,200 --> 00:59:24,920
Speaker 5: wasn't actually the trailer that was me.

993
00:59:25,720 --> 00:59:28,040
Speaker 3: Yes, I could kind of tell you were doing it

994
00:59:28,280 --> 00:59:32,200
Speaker 3: wa fun for people to rewind because I get shy.

995
00:59:32,600 --> 00:59:34,360
Speaker 5: I don't want to come in and see that stuff

996
00:59:34,360 --> 00:59:36,080
Speaker 5: and then people judge my personality.

997
00:59:36,880 --> 00:59:41,640
Speaker 3: No, I'm so fucking shy, it's insane. I can hardly

998
00:59:41,760 --> 00:59:46,919
Speaker 3: function at all in like any environment. So true, Yeah,

999
00:59:47,160 --> 00:59:59,160
Speaker 3: that's so true, I'm permanently damaged by this week on

1000
00:59:59,240 --> 01:00:02,439
Speaker 3: the Patreon carl and asan discuss recovering when you're sick.

1001
01:00:02,800 --> 01:00:05,960
Speaker 3: The Boys answer some listener questions, and The Flagrant Ones

1002
01:00:06,040 --> 01:00:09,920
Speaker 3: are mostly talking all things basketball. Check out these bonus

1003
01:00:09,960 --> 01:00:13,680
Speaker 3: podcasts and videos of the full episodes, including today's with

1004
01:00:13,800 --> 01:00:19,360
Speaker 3: Io at patreon dot com, Slash The Flagrant Ones, Hollywood, Hamburg,