WEBVTT - Jaeger Kovich - Part 2

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<v Speaker 1>Welcome back to another edition of the Frida Egg Podcast.

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<v Speaker 1>Today's episode is powered by tdm or Trade. Every stroke

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<v Speaker 1>counts on the scorecard and every penny counts in the market.

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<v Speaker 1>Visit tdomritrade dot com slash Fried Egg member SIPC. We

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<v Speaker 1>are back with another edition of the Frida Egg Podcast.

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<v Speaker 1>Today's episode is part two of our most recent conversation

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<v Speaker 1>with up and coming golf architect Jaeger Kovich.

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<v Speaker 2>So if you missed part one, check it out. It

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<v Speaker 2>was released last week.

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<v Speaker 1>We talked a ton about how Yaeger got into the

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<v Speaker 1>profession of golf architecture, playing golf around New York and

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<v Speaker 1>aw Tilling cast. In this edition, we go over Yaeger's

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<v Speaker 1>Mount Rushmore, We bring back Overrated, Underrated. There's all kinds

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<v Speaker 1>of good stuff in this half of the podcast. Really

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<v Speaker 1>appreciate the time from Yaeger. He also has been writing

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<v Speaker 1>a ton for the website. Him and Clyde Johnson have

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<v Speaker 1>been doing the Eclectic eighteen of the UK. Highly recommend

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<v Speaker 1>checking it out. This week we will be hitting hole sixteen.

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<v Speaker 1>So if you haven't read any of them, you got

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<v Speaker 1>a lot of reading ahead and they do a really

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<v Speaker 1>great job breaking down each hole one through eighteen, all

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<v Speaker 1>different holes from different golf courses around the UK. So

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<v Speaker 1>definitely check that out on the website, Thefrida Egg dot com.

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<v Speaker 2>And here's part two of jaeger Kovid I.

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<v Speaker 1>Miss the green for example, I'm already upset when I

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<v Speaker 1>find my ball in the bunker, I'm really upset.

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<v Speaker 2>And when I find my ball in a.

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<v Speaker 3>Brid egg Friday Egg, the dreaded Frida egg, Frida Egg,

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<v Speaker 3>Frida egg Egg Frida egg, bride egg Lie.

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<v Speaker 1>I'm about ready to run.

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<v Speaker 2>Off of the hump course.

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<v Speaker 1>We've talked Telling hast and we've talked Tom Simpson. Yeah,

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<v Speaker 1>I'm assuming those two would be on.

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<v Speaker 2>Your Mount Rushmore.

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<v Speaker 1>Four guys, if you had to do four, it would

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<v Speaker 1>be the other two. If you I don't want to

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<v Speaker 1>put either of those guys on, if you don't think

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<v Speaker 1>they deserve to be on there.

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<v Speaker 3>Uh, I don't know. I guess this is I love

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<v Speaker 3>sports talk radio, and this is like the classic you know,

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<v Speaker 3>Mount Mount Rushmore question.

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<v Speaker 2>Mount Rushmore. It's it's I asked it to so many people.

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<v Speaker 3>I just I'd probably put Tom on there his influence

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<v Speaker 3>with the writing and and just not just his golf courses,

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<v Speaker 3>which the portfolio turtainly speaks for itself and probably belongs

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<v Speaker 3>on there just because of that. But I think the

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<v Speaker 3>impact and that with the the books, both the Anatomy

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<v Speaker 3>and the Conventional guid and just showing people were trying

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<v Speaker 3>to the modern day. Yeah, sort of. It just shows

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<v Speaker 3>you how how many great golf courses there are around

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<v Speaker 3>the world that people didn't really know about, and you know,

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<v Speaker 3>people are going all over the place to see them

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<v Speaker 3>because you know, he put these places on the sort

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<v Speaker 3>of map. Again, I think that impact that way is

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<v Speaker 3>is pretty enormous. Plus, you know, and.

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<v Speaker 1>Writing about restoration like and like how many clubs did

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<v Speaker 1>he write like this could be great if it was restored,

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<v Speaker 1>like and then it led those clubs to actually do something.

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<v Speaker 3>Mm hmmm, we're just the The Anatomy too, is just

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<v Speaker 3>you know, it's just a perfect book to give to

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<v Speaker 3>like your green chair or something like that. Right, it's

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<v Speaker 3>like one on one. It's you know, not the super

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<v Speaker 3>old English like the old guys, but it's it's in

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<v Speaker 3>very easy to understand, well, at least I think so.

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<v Speaker 3>But I think even the just a guy that's really

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<v Speaker 3>interested in the golf can probably read that architectural book,

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<v Speaker 3>and I mean learn a gazillion things from it too,

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<v Speaker 3>even though if they don't understand everything, there'll be parts

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<v Speaker 3>they take and then they'll play more and more, and

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<v Speaker 3>if you pick it up five years later, you probably

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<v Speaker 3>learn something totally new too.

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<v Speaker 2>So yeah, I.

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<v Speaker 1>Always recommend that or Shackleford's Grounds for Golf. Okay, yeah,

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<v Speaker 1>I actually love the Little Red Book too.

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<v Speaker 2>That was neat. It's really easy for people with like

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<v Speaker 2>ad D like me.

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<v Speaker 3>Or if you grew up on golf cob baalist, I'm like, yeah,

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<v Speaker 3>I remember that thread. I remember yeah too, right, that's

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<v Speaker 3>how I took it out reply those are good too.

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<v Speaker 3>He shockingly likes like emojis on there too, which is

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<v Speaker 3>kind of funny.

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<v Speaker 2>It's kind of fun noil Core likes emojis too.

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<v Speaker 3>Yeah, like who guy doesn't have email, but he loves

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<v Speaker 3>the text is pretty funny.

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<v Speaker 1>It is.

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<v Speaker 2>It is funny. It's it's really funny. It doesn't even

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<v Speaker 2>know how to use the Internet, but.

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<v Speaker 3>It's funny too because he's like, you know the last

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<v Speaker 3>He's like hey, hi here, this is like do you like?

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<v Speaker 3>He's like, are you comfortable texting? I'm like, I'm thirty three, man, like, yeah,

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<v Speaker 3>I can do this. But there there were a while. Uh,

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<v Speaker 3>I mean he's a candidate too for sure, right, I

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<v Speaker 3>don't know. I mean Mackenzie would probably be on there

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<v Speaker 3>with the Continental stuff just all over the globe. That's

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<v Speaker 3>a pretty important one too. How many is that? That's

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<v Speaker 3>is that four? If we have Tilly on there?

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<v Speaker 2>Are you booting Tilly?

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<v Speaker 3>I don't know.

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<v Speaker 2>I don't you can don't feel like you have to

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<v Speaker 2>have him on there.

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<v Speaker 3>Well we'll leave it for now. I mean you could

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<v Speaker 3>put I have a total fascination with Walter Travis courses

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<v Speaker 3>as well. He would probably be a candidate for me.

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<v Speaker 3>I probably wouldn't have Ross over Tilly. I think Tilly's

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<v Speaker 3>best work is sort of a step of like the

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<v Speaker 3>whole chunk of that a level. Tilly stuff I think

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<v Speaker 3>is a little over that that sort of class from Ross.

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<v Speaker 3>I think Ross has some like a top three or five,

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<v Speaker 3>which you are up there, but after that it's kind

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<v Speaker 3>of you know that that sort of perfect. Every every

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<v Speaker 3>community has to have one of those Donald Ross courses,

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<v Speaker 3>which is awesome, right. The volume that's.

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<v Speaker 1>The tricky thing to weigh, is like the prolificness, but.

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<v Speaker 3>It's important, and you know, I guess this is a

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<v Speaker 3>good question for you. I mean, you could questionably have

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<v Speaker 3>you know, Trent Jones on there just because of what

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<v Speaker 3>he did business wise to the thing. I mean, you

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<v Speaker 3>could have it all. M hmm, exactly. That was the

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<v Speaker 3>next one from the UK, or I mean old Tom

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<v Speaker 3>or like those you know, the guys that were just

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<v Speaker 3>finding the like, you know, if you wanted to go

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<v Speaker 3>with that, Old Tom's resume is pretty damn good too, right.

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<v Speaker 2>So would you.

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<v Speaker 1>Let's take like Tom Simpson career mhm? Or I don't

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<v Speaker 1>nobody's ever going to be Donald Ross, but like say,

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<v Speaker 1>say you did instead of what Tom Sims's twenty courses

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<v Speaker 1>something like that. George Thomas would be another one that's

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<v Speaker 1>in that same bucket.

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<v Speaker 3>There's a guy that you know, there's another candidate for you.

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<v Speaker 1>But yeah, would you rather have like that type of

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<v Speaker 1>career where or or a like three times as many

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<v Speaker 1>but not have as good the great ones, like not

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<v Speaker 1>have as many great ones all?

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<v Speaker 3>Really, you know, I'm just trying to have a career.

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<v Speaker 2>I understand that, but you know, I'm just curious. I

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<v Speaker 2>never really thought, I.

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<v Speaker 3>It's such a different business now it is. You know,

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<v Speaker 3>there's there's nobody. I can't see any scenario where anybody's

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<v Speaker 3>going to have anything close to that, right, So in

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<v Speaker 3>scaled reality, you know, if if anyone you know, start

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<v Speaker 3>the clocks now does like forty or fifty courses in

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<v Speaker 3>their career, it's going to be insane, right, depends a lot,

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<v Speaker 3>it is, you know, even if like you know, like

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<v Speaker 3>we get you know, it's changed in the last five years.

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<v Speaker 3>But historically if you look at say it like Gills,

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<v Speaker 3>like Gill, he didn't he doesn't have like the world's

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<v Speaker 3>longest list of new courses. Certainly the last five ten

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<v Speaker 3>years would probably you know, you it's fresher in your

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<v Speaker 3>minds the new things, and they're prevalent and they're all awesome,

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<v Speaker 3>but it's the business has changed, and it took years

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<v Speaker 3>and years and years of great renovation, restoration and the

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<v Speaker 3>odd really cool new courses he built. But to get

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<v Speaker 3>to that point, it's so hard to tell. Now, I'd

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<v Speaker 3>be I'm just hoping to do one, honestly, it would

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<v Speaker 3>be it would be amazing to just do one right now,

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<v Speaker 3>and I'm probably not even gonna you know, who knows

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<v Speaker 3>what that property is going to be. Like, so it's impossible.

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<v Speaker 1>I think it because like this is a conversation that

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<v Speaker 1>you have about tour golfers, like would you rather be

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<v Speaker 1>the guy that has, like, you know, the twenty five

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<v Speaker 1>year career but doesn't win a ton or a guy

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<v Speaker 1>that wins you know, a lot, but a shorter career,

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<v Speaker 1>like you know, it's like that that it's a crazy

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<v Speaker 1>thing because like I don't know, that's that's kind of

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<v Speaker 1>what spurned my thought.

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<v Speaker 3>Could could like Clayton Kershaw, right, you did the best

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<v Speaker 3>renovation restorations of all time, but when you get the

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<v Speaker 3>new stuff, it just doesn't add up and it doesn't translate,

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<v Speaker 3>you know, right, Sorry Shackleford.

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<v Speaker 2>That's a good. That's a good. I like that. Yeah,

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<v Speaker 2>Clayton kershaw it's a yeah. I don't know, it's a

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<v Speaker 2>I agree because.

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<v Speaker 3>Then I just I just don't want to be the

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<v Speaker 3>Mets or the Cup true, right.

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<v Speaker 2>The cups are worse, but we've been good lately.

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<v Speaker 1>Yeah, So it's I yeah, in your position, you get

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<v Speaker 1>getting the first one is the toughest thing.

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<v Speaker 3>Yeah, And then after that it feels like getting the

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<v Speaker 3>second one because so you're not just the you know

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<v Speaker 3>one time, you know, you got lucky one time, you

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<v Speaker 3>know you can you did something, you did something good,

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<v Speaker 3>good enough that someone wants to work, you know, wants

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<v Speaker 3>to use you. We get right, that's okay, It wasn't

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<v Speaker 3>fluke kind of thing. You know at supplants, you know,

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<v Speaker 3>anyone can get lucky ones. I guess it's.

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<v Speaker 1>It's the development world too.

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<v Speaker 2>It's it's so hard at this point.

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<v Speaker 1>I think developers that the you know, they're in this

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<v Speaker 1>position where they almost feel like there's not too much

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<v Speaker 1>work for the top guys, so like they're always available,

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<v Speaker 1>and they think like, oh, why wouldn't we not? Why

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<v Speaker 1>would we Like there's no risk in hiring you know,

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<v Speaker 1>Gil Tom or Bill, you know Bill, like you're.

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<v Speaker 3>Getting the highest quality stuff every time, and.

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<v Speaker 2>There's just no there's no a smart, safe choice.

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<v Speaker 1>But you know, when Mike Kaiser changed and everything when

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<v Speaker 1>he hired David Kidd, David Kidd was an extremely risky hire.

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<v Speaker 1>And it's it's just a fascinating thing because at that

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<v Speaker 1>time there was so much development going on that you

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<v Speaker 1>could well, like Fasio is going to be so busy

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<v Speaker 1>that this wouldn't he wouldn't spend a ton of time here,

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<v Speaker 1>like and that's not the case right now, which is

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<v Speaker 1>a very interesting thing.

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<v Speaker 3>For the uh we were talking about that earlier with

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<v Speaker 3>the restoration stuff and the consulting. Right, you know, imagine

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<v Speaker 3>being twenty seven and being hired at the at piping Rock, right,

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<v Speaker 3>you know, it's uh cool, awesome, all right, Yeah, we

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<v Speaker 3>can do that, and that doesn't happen anymore, uh, you know,

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<v Speaker 3>it not to someone sort of that unproven. Even then

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<v Speaker 3>it takes a lot, you know, a lot more experience,

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<v Speaker 3>and you know, it's cool because it lets you know,

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<v Speaker 3>you know, I know, I can go look for things

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<v Speaker 3>with like a huge amount of potential and try to

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<v Speaker 3>you know that, right. That's the thing is you kind

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<v Speaker 3>of like look to make a little bit of that

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<v Speaker 3>sort of dent by taking something that could be really

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<v Speaker 3>awesome and showing people that because it's the stuff that's

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<v Speaker 3>really close, you know, it's probably someone's already working there

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<v Speaker 3>at this point. Yeah, the stuff that everybody's heard of,

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<v Speaker 3>it's already been restored exactly for the most part, there's

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<v Speaker 3>still some that need it. I'll tell you where you

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<v Speaker 3>you know, the Wisconsin, so many courses up there just

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<v Speaker 3>are desperate need of tree removal. There's pointing around here too.

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<v Speaker 3>It's just like what you were talking about, Earl's a

0:13:39.800 --> 0:13:41.440
<v Speaker 3>lot more expensive to get out here.

0:13:41.640 --> 0:13:43.400
<v Speaker 2>Yeah take the trees out.

0:13:43.960 --> 0:13:46.800
<v Speaker 3>Yeah yeah.

0:13:46.880 --> 0:13:49.920
<v Speaker 1>How much nicer is it working at home as opposed

0:13:49.960 --> 0:13:52.320
<v Speaker 1>to it's pretty sweet?

0:13:53.160 --> 0:13:59.520
<v Speaker 3>It really doesn't happen very often, but it's it's it's

0:13:59.800 --> 0:14:05.040
<v Speaker 3>a most weird a little bit because it's like there's

0:14:05.080 --> 0:14:08.199
<v Speaker 3>there's other things going on at home, and when you're

0:14:08.200 --> 0:14:10.760
<v Speaker 3>on the road, like you can be really laser focused, right,

0:14:10.800 --> 0:14:14.080
<v Speaker 3>there's no there's nothing else to do at some of

0:14:14.120 --> 0:14:17.080
<v Speaker 3>these places, and you're just there with the crew and

0:14:17.120 --> 0:14:21.960
<v Speaker 3>the guys, and all you're doing is talking about golf

0:14:22.000 --> 0:14:24.400
<v Speaker 3>and that project and how to make that better and

0:14:24.440 --> 0:14:26.760
<v Speaker 3>better and all that stuff, and you're taking in that culture.

0:14:26.800 --> 0:14:30.720
<v Speaker 3>But when you're at home, it's it. You know, certainly,

0:14:31.480 --> 0:14:34.680
<v Speaker 3>you know, having a fiance and someone to like come

0:14:34.800 --> 0:14:37.320
<v Speaker 3>like at home, that's not it doesn't know what's going on.

0:14:37.520 --> 0:14:42.680
<v Speaker 3>It's it makes it a little bit different, But there's

0:14:42.680 --> 0:14:44.840
<v Speaker 3>nothing better than sleeping in your own own bed. I

0:14:44.920 --> 0:14:48.440
<v Speaker 3>end up being so many for staying home. Well, it's

0:14:48.440 --> 0:14:50.880
<v Speaker 3>tough because I can get to Long Island in the morning.

0:14:50.920 --> 0:14:52.760
<v Speaker 3>When I leave it like you know, five am, I

0:14:52.800 --> 0:14:55.640
<v Speaker 3>get out there in fifty minutes, but it might take

0:14:55.760 --> 0:14:59.080
<v Speaker 3>two hours plus and traffic to get back all the

0:14:59.120 --> 0:15:01.360
<v Speaker 3>way across to We've just on the other side of

0:15:01.400 --> 0:15:04.040
<v Speaker 3>the city in Jersey, and it's like, you know, that

0:15:04.160 --> 0:15:06.320
<v Speaker 3>makes you think, like occasionally it might be good to

0:15:06.320 --> 0:15:08.680
<v Speaker 3>stay out here and you kind of half and half,

0:15:08.720 --> 0:15:10.720
<v Speaker 3>I guess is kind of what I did at the

0:15:11.080 --> 0:15:13.520
<v Speaker 3>with the Creek, which is again it's like fifty minutes

0:15:13.560 --> 0:15:16.080
<v Speaker 3>in the morning, but it can be if you want

0:15:16.080 --> 0:15:17.960
<v Speaker 3>to leave before seven pm, it's going to take you

0:15:18.320 --> 0:15:22.560
<v Speaker 3>two plus hours. So it's you know, even it's not

0:15:22.600 --> 0:15:24.520
<v Speaker 3>even a home game sometimes when it feels like it

0:15:24.520 --> 0:15:24.960
<v Speaker 3>should be.

0:15:26.560 --> 0:15:27.880
<v Speaker 2>What what project?

0:15:28.280 --> 0:15:30.760
<v Speaker 1>I imagine that you were just you just alluded to

0:15:30.800 --> 0:15:35.200
<v Speaker 1>it with talking golf with the other guys you're working with,

0:15:35.360 --> 0:15:38.360
<v Speaker 1>Like what project sticks out? Like where when did you

0:15:38.440 --> 0:15:43.120
<v Speaker 1>have the most fun time after work or during and

0:15:43.280 --> 0:15:47.000
<v Speaker 1>after work where you go you're done and you just talk,

0:15:47.160 --> 0:15:49.000
<v Speaker 1>talk shop and talk market.

0:15:49.640 --> 0:15:52.240
<v Speaker 3>The ones that stick out the most or gismoal River

0:15:53.720 --> 0:15:56.720
<v Speaker 3>and that was like your second one, that was the

0:15:56.760 --> 0:16:01.240
<v Speaker 3>first one, first construction with you were an in Renaissance. Yeah,

0:16:01.280 --> 0:16:04.840
<v Speaker 3>there was a group of like ten of us right

0:16:04.920 --> 0:16:08.200
<v Speaker 3>out there. That and that we're pretty much trapped, right,

0:16:08.280 --> 0:16:10.720
<v Speaker 3>So you're when you're in a brack, there's no place there.

0:16:10.760 --> 0:16:14.920
<v Speaker 3>We're all eating three meals together every day, we're all

0:16:14.960 --> 0:16:19.280
<v Speaker 3>sleeping in rooms like right next to each other. You're

0:16:19.280 --> 0:16:23.520
<v Speaker 3>working together all day long. That's that's kind of that's

0:16:23.560 --> 0:16:27.200
<v Speaker 3>just what it is. Obviously there's more talk than just golf,

0:16:27.320 --> 0:16:31.360
<v Speaker 3>but knowing me, it probably was only golf, especially if you.

0:16:31.320 --> 0:16:35.080
<v Speaker 2>Had ten are still in architecture.

0:16:37.360 --> 0:16:41.800
<v Speaker 3>I think we did this on the other one, so obviously, right,

0:16:41.920 --> 0:16:48.120
<v Speaker 3>So obviously Tom Blake and Brian and Schneider, right, those

0:16:48.120 --> 0:16:52.000
<v Speaker 3>are obvious. Jonathan Reester, who was out there a bit

0:16:52.040 --> 0:16:56.000
<v Speaker 3>with us, is still he still does uh some work,

0:16:56.160 --> 0:17:00.000
<v Speaker 3>I believe, although I think he just went back to school.

0:17:00.880 --> 0:17:05.080
<v Speaker 3>So who else? Yeah, Blake Clyde for sure, Zach Party

0:17:05.280 --> 0:17:12.159
<v Speaker 3>for sure, Jeff Stein for sure, Brett Hakstein, Uh, Ryan

0:17:12.359 --> 0:17:19.160
<v Speaker 3>Johns was working at bel Air right he who else?

0:17:19.359 --> 0:17:24.480
<v Speaker 3>I haven't kept too much in touch with like Connor Cummings,

0:17:24.480 --> 0:17:27.679
<v Speaker 3>but I've heard at points. I think he's worked with

0:17:28.520 --> 0:17:33.679
<v Speaker 3>Trip at least he's from Oklahoma. I don't know if

0:17:33.720 --> 0:17:37.399
<v Speaker 3>there's anybody else currently, like they were still in for

0:17:37.480 --> 0:17:40.919
<v Speaker 3>a while at least if they weren't James Byrd, I

0:17:40.920 --> 0:17:45.480
<v Speaker 3>guess and uh Matt Hunter some of the other names

0:17:45.520 --> 0:17:49.240
<v Speaker 3>that popped into my mind. If I might be forgetting

0:17:49.240 --> 0:17:52.840
<v Speaker 3>someone obvious, but I just it's a while a go,

0:17:56.040 --> 0:17:59.080
<v Speaker 3>but it's I mean, it was that was a that

0:17:59.200 --> 0:18:05.480
<v Speaker 3>was a awesome time and learning experience. It was a

0:18:05.520 --> 0:18:11.840
<v Speaker 3>crash course in minimalism, but the same time too. Vineyard

0:18:11.880 --> 0:18:16.560
<v Speaker 3>Golf Club, my first project with gil Well was was great.

0:18:17.320 --> 0:18:20.639
<v Speaker 3>I spent a lot of time there with Kyle friends.

0:18:20.720 --> 0:18:27.200
<v Speaker 3>That's where you know, three months with him talking architecture

0:18:27.240 --> 0:18:29.080
<v Speaker 3>all the time. I and that's all we're ever going

0:18:29.160 --> 0:18:30.080
<v Speaker 3>to talk about together.

0:18:31.200 --> 0:18:33.720
<v Speaker 2>You know, when Kyle calls you, it's gonna be like

0:18:33.800 --> 0:18:34.440
<v Speaker 2>an hour.

0:18:34.280 --> 0:18:37.840
<v Speaker 3>And a half and he's driving and you're just worried

0:18:38.000 --> 0:18:41.600
<v Speaker 3>he's gonna total his car on another animal at the

0:18:41.640 --> 0:18:44.960
<v Speaker 3>same time, and I know he's driving with two feet

0:18:45.160 --> 0:18:49.120
<v Speaker 3>as well, which is just so dangerous, but he thinks

0:18:49.119 --> 0:18:50.240
<v Speaker 3>he's the world's greatest driver.

0:18:50.520 --> 0:18:50.680
<v Speaker 2>Man.

0:18:50.720 --> 0:18:53.000
<v Speaker 3>He's gonna kill me for saying all this, but it'll

0:18:53.000 --> 0:18:56.800
<v Speaker 3>be funny, we said, I didn't get him as bad

0:18:56.800 --> 0:18:58.600
<v Speaker 3>as Wagner got him on some of the other ones.

0:19:01.240 --> 0:19:04.280
<v Speaker 3>Even in France. With Neil, I was telling you earlier

0:19:04.280 --> 0:19:08.960
<v Speaker 3>when we're walking around he's he's awesome. He's one of

0:19:08.960 --> 0:19:12.560
<v Speaker 3>the most talented people in the business and loves it

0:19:12.760 --> 0:19:16.840
<v Speaker 3>and we are a really great team on site. We

0:19:16.920 --> 0:19:21.680
<v Speaker 3>have a lot of similar just views on life, and

0:19:22.119 --> 0:19:25.920
<v Speaker 3>it was we had an awesome time building golf and

0:19:26.600 --> 0:19:31.560
<v Speaker 3>taken in the French lifestyle this year. That was a place.

0:19:32.800 --> 0:19:33.800
<v Speaker 2>It was hot though.

0:19:35.280 --> 0:19:38.960
<v Speaker 3>Yes they the French do not do air conditioning very well.

0:19:39.720 --> 0:19:45.400
<v Speaker 3>But if you can get a the fans situation sorted,

0:19:45.640 --> 0:19:49.040
<v Speaker 3>get a sleep on the bottom floor of the house,

0:19:49.359 --> 0:19:53.040
<v Speaker 3>and a lot of rose, I think is the key. Really,

0:19:53.440 --> 0:19:54.960
<v Speaker 3>it's it's a.

0:19:56.840 --> 0:20:02.240
<v Speaker 1>Far worse when you're talking shop with other guys. You know,

0:20:02.560 --> 0:20:06.399
<v Speaker 1>they're you're kind of like teammates when you're doing these projects.

0:20:06.400 --> 0:20:09.480
<v Speaker 1>But then in the future you guys are hopefully you know,

0:20:09.600 --> 0:20:12.440
<v Speaker 1>going to go on and build your own courses and

0:20:12.480 --> 0:20:15.320
<v Speaker 1>not all be working together all the time. Like are

0:20:15.359 --> 0:20:18.240
<v Speaker 1>you do you have ideas that you like, can't tell

0:20:18.320 --> 0:20:20.960
<v Speaker 1>you you can't like in your head?

0:20:21.080 --> 0:20:27.480
<v Speaker 3>I yeah, I think for sure. I absolutely, I'm there's

0:20:27.920 --> 0:20:31.119
<v Speaker 3>everybody's got their own little secret move or something, you know,

0:20:31.280 --> 0:20:39.480
<v Speaker 3>you like, yeah, of course, I I maybe it just

0:20:39.520 --> 0:20:42.320
<v Speaker 3>depends on how much rose is flowing at the time

0:20:42.359 --> 0:20:44.800
<v Speaker 3>as to what comes out at when. But you know,

0:20:44.880 --> 0:20:48.320
<v Speaker 3>they're all just ideas, right, and most of the ideas

0:20:48.359 --> 0:20:51.240
<v Speaker 3>and this stuff have probably been they're probably coming from

0:20:51.240 --> 0:20:54.280
<v Speaker 3>somewhere being recycled or inspired by something else anyway, So

0:20:56.040 --> 0:20:58.040
<v Speaker 3>you know, we'll see. I think there's obviously like a

0:20:58.080 --> 0:21:01.600
<v Speaker 3>big thing about you know, what's next. Right, We've been

0:21:01.600 --> 0:21:03.520
<v Speaker 3>on this minimum, you know, so I.

0:21:03.440 --> 0:21:05.240
<v Speaker 2>Think there's a there's a.

0:21:08.280 --> 0:21:13.600
<v Speaker 3>Oh yeah, so you know, I I certainly have ideas

0:21:13.640 --> 0:21:15.560
<v Speaker 3>about what that could be. I think there's a lot

0:21:15.600 --> 0:21:20.320
<v Speaker 3>of stuff with the way some of the like crazy

0:21:20.480 --> 0:21:26.080
<v Speaker 3>technology stuff and the uh tools we have to do

0:21:26.200 --> 0:21:30.080
<v Speaker 3>these these these you know, super high end jobs. Now.

0:21:30.960 --> 0:21:33.639
<v Speaker 3>I think there's so, you know, with the bunker liners,

0:21:33.800 --> 0:21:38.159
<v Speaker 3>all these sorts of different drainage stuff to sort of

0:21:38.640 --> 0:21:44.000
<v Speaker 3>take what we have equipment wise and sort of rejigger

0:21:44.119 --> 0:21:47.000
<v Speaker 3>some of the form and function stuff and try to

0:21:47.040 --> 0:21:51.959
<v Speaker 3>make the I mean, you're gonna make We'll give the

0:21:52.119 --> 0:21:55.920
<v Speaker 3>bunkers today, Like it's like perfection, right, But at the

0:21:55.960 --> 0:21:58.520
<v Speaker 3>same time, it's really easy to almost if you're a

0:21:58.560 --> 0:22:01.800
<v Speaker 3>good player, to hit some of that super high spinny

0:22:02.440 --> 0:22:05.679
<v Speaker 3>shots out of those you know, the billy bunker stuff. Right.

0:22:05.680 --> 0:22:09.680
<v Speaker 3>It almost makes it more moist and the sand is firmer,

0:22:09.760 --> 0:22:11.840
<v Speaker 3>So a really good player can get down and like

0:22:12.040 --> 0:22:14.120
<v Speaker 3>create a lot of spin. It almost makes it easier

0:22:14.160 --> 0:22:19.840
<v Speaker 3>for them. So how to take sort of react to that, right,

0:22:19.920 --> 0:22:23.240
<v Speaker 3>because I think is sort of where mine go my

0:22:23.320 --> 0:22:25.879
<v Speaker 3>mind goes. But then I also think too about like

0:22:26.240 --> 0:22:29.040
<v Speaker 3>you know, going more and the more urban stuff. Right,

0:22:29.800 --> 0:22:32.760
<v Speaker 3>certainly I live around here in the big cities transforming

0:22:32.800 --> 0:22:36.199
<v Speaker 3>sort of more urban golf courses that or you know,

0:22:36.320 --> 0:22:38.639
<v Speaker 3>right on the outskirts that doing more sort of small

0:22:38.720 --> 0:22:44.199
<v Speaker 3>format things, and how we can just sort of, you know,

0:22:44.840 --> 0:22:47.439
<v Speaker 3>go about the small format stuff a little different. The

0:22:47.480 --> 0:22:51.720
<v Speaker 3>reversible stuff is really cool. The project we're doing it

0:22:51.760 --> 0:22:55.400
<v Speaker 3>at Edgar Town with the it's a nine hole course,

0:22:55.400 --> 0:22:57.280
<v Speaker 3>but we're building a second green very much in that

0:22:57.359 --> 0:23:00.240
<v Speaker 3>sort of Japanese style, so it can they have the

0:23:00.320 --> 0:23:02.800
<v Speaker 3>room for it, so they get two holes with only

0:23:02.880 --> 0:23:05.800
<v Speaker 3>one fairway, right, it's two greens and two approaches, but

0:23:06.240 --> 0:23:08.879
<v Speaker 3>everything else is shared, so you know, that's sort of

0:23:08.960 --> 0:23:11.280
<v Speaker 3>two courses in one thing. You might get in one

0:23:11.320 --> 0:23:14.600
<v Speaker 3>way at the loop you get a little bit different there.

0:23:15.720 --> 0:23:17.520
<v Speaker 2>You know. So I think nine holes is the right

0:23:17.560 --> 0:23:18.640
<v Speaker 2>amount of golf for.

0:23:18.640 --> 0:23:23.160
<v Speaker 3>A lot of people. For me, thirty six is barely

0:23:23.280 --> 0:23:23.960
<v Speaker 3>enough in a day.

0:23:24.040 --> 0:23:26.520
<v Speaker 1>So but I'm saying like in terms of like a

0:23:26.600 --> 0:23:31.120
<v Speaker 1>working professional, because nine you can like squeeze in right,

0:23:31.320 --> 0:23:34.080
<v Speaker 1>or four you can squeeze in yep. I think that's

0:23:34.119 --> 0:23:37.479
<v Speaker 1>the best benefit of being a member at a country

0:23:37.520 --> 0:23:41.600
<v Speaker 1>club is the ability to go play four holes versus.

0:23:41.400 --> 0:23:44.719
<v Speaker 3>I proposed something recently where there was what was it,

0:23:44.800 --> 0:23:51.280
<v Speaker 3>you and Chackleford, we're talking about it, and I was like, man,

0:23:51.359 --> 0:23:53.960
<v Speaker 3>you guys told my idea because I had this this

0:23:55.119 --> 0:23:59.040
<v Speaker 3>routing for redoing. You know, it was a proposed rerouting

0:23:59.080 --> 0:24:01.159
<v Speaker 3>for something. I was like, well, this place wants to

0:24:01.200 --> 0:24:03.920
<v Speaker 3>be like super family friendly. They have a residential component

0:24:03.960 --> 0:24:06.240
<v Speaker 3>to it. I was like, well, if you could kind

0:24:06.240 --> 0:24:08.000
<v Speaker 3>of reverse some of this, all of a sudden, you

0:24:08.040 --> 0:24:09.679
<v Speaker 3>could have a loop of four holes, a loop of

0:24:09.720 --> 0:24:12.320
<v Speaker 3>five holes, and a loop of nine all at the

0:24:12.359 --> 0:24:14.959
<v Speaker 3>same time. So it's giving the country club that, like

0:24:15.160 --> 0:24:17.560
<v Speaker 3>the starter's a lot more places to send people out.

0:24:17.800 --> 0:24:19.280
<v Speaker 3>You know, if it's the wife and the kids and

0:24:19.320 --> 0:24:21.679
<v Speaker 3>you bought one of their like two hundred and fifty

0:24:21.720 --> 0:24:24.760
<v Speaker 3>homes right next door, you could go out real easy

0:24:24.880 --> 0:24:26.719
<v Speaker 3>in the evenings. When you get home. If the wife

0:24:26.840 --> 0:24:29.960
<v Speaker 3>is you know, just learning and even nines maybe a

0:24:29.960 --> 0:24:32.200
<v Speaker 3>little bit too much at times, it's perfect if you've

0:24:32.240 --> 0:24:35.040
<v Speaker 3>got the kids that are just learning. You know, that's

0:24:35.480 --> 0:24:38.200
<v Speaker 3>and you come right back and so it's easy function.

0:24:38.320 --> 0:24:40.680
<v Speaker 3>You know, it's tough on the routing to always make

0:24:40.720 --> 0:24:43.080
<v Speaker 3>it work and come back to the clubhouse and stuff

0:24:43.119 --> 0:24:47.320
<v Speaker 3>like that. But I think that's like if you want

0:24:47.359 --> 0:24:49.800
<v Speaker 3>to talk about like family, family stuff and things like that,

0:24:50.040 --> 0:24:53.280
<v Speaker 3>you could potentially do things like that and make it more.

0:24:53.480 --> 0:24:55.800
<v Speaker 3>You know, you could sell four hole loops, five hole

0:24:55.880 --> 0:24:58.159
<v Speaker 3>loops and make more more money out of that.

0:24:58.280 --> 0:24:59.640
<v Speaker 2>Right, I was thinking about this.

0:25:00.320 --> 0:25:02.320
<v Speaker 3>So the way that happened was it was a twenty

0:25:02.359 --> 0:25:05.119
<v Speaker 3>seven hole golf course being downsized to eighteen. So I

0:25:05.160 --> 0:25:06.480
<v Speaker 3>was like, well, how do you tell these guys that

0:25:06.520 --> 0:25:09.720
<v Speaker 3>you're not going to lose revenue. So that's how it

0:25:09.760 --> 0:25:12.000
<v Speaker 3>occurred to me like that, and I was screaming at

0:25:12.000 --> 0:25:13.600
<v Speaker 3>the pub when you guys were talking like you stole

0:25:13.640 --> 0:25:17.800
<v Speaker 3>my damn idea. Sorry, yeah, sorry, first time, long time.

0:25:17.920 --> 0:25:19.440
<v Speaker 2>I think about a lot of stuff.

0:25:20.359 --> 0:25:21.440
<v Speaker 3>See the same.

0:25:21.960 --> 0:25:25.280
<v Speaker 1>So I want a public course to do this where

0:25:25.600 --> 0:25:27.880
<v Speaker 1>you have to have the routing right, but you could

0:25:27.880 --> 0:25:31.240
<v Speaker 1>have like a three hole league, a six hole league,

0:25:31.280 --> 0:25:33.879
<v Speaker 1>and a nine hole league and the nine hole the

0:25:33.960 --> 0:25:37.919
<v Speaker 1>nine hole league starts at five, the six hole league

0:25:38.240 --> 0:25:42.480
<v Speaker 1>starts at like you know, five forty, and the three

0:25:42.480 --> 0:25:44.879
<v Speaker 1>hole league starts at six fifteen. And it all depends

0:25:44.880 --> 0:25:46.840
<v Speaker 1>on when you get off work, like when you can

0:25:46.840 --> 0:25:50.240
<v Speaker 1>get off work and you go and you play and

0:25:50.800 --> 0:25:54.840
<v Speaker 1>everybody then finishes at the same time, and you it

0:25:54.880 --> 0:25:57.360
<v Speaker 1>has to you have to have the routing right spots,

0:25:57.400 --> 0:26:00.520
<v Speaker 1>but you could adapt this. But then everybody together and

0:26:00.520 --> 0:26:03.399
<v Speaker 1>you have like drinks afterwards, and it's well, I couldn't

0:26:03.400 --> 0:26:05.119
<v Speaker 1>get out of work, so I couldn't get out of

0:26:05.119 --> 0:26:06.760
<v Speaker 1>work in time for the nine hole er, so I.

0:26:06.720 --> 0:26:08.640
<v Speaker 3>Did the three hole but then you got to build

0:26:08.640 --> 0:26:11.560
<v Speaker 3>the putting course. But you know right outside too, when

0:26:11.600 --> 0:26:13.199
<v Speaker 3>you get the fire pit and you just keep it

0:26:13.240 --> 0:26:15.000
<v Speaker 3>going with the drinks, it's perfect. Man.

0:26:15.280 --> 0:26:18.040
<v Speaker 2>There's there's a place that's getting that I went in.

0:26:18.320 --> 0:26:20.680
<v Speaker 1>I started thinking about this from it, and they have

0:26:20.720 --> 0:26:21.520
<v Speaker 1>a putting course.

0:26:21.600 --> 0:26:22.840
<v Speaker 3>Right, Yes, there you go.

0:26:23.160 --> 0:26:25.800
<v Speaker 1>It's funny you said that, because that's exactly what they're doing.

0:26:25.840 --> 0:26:28.520
<v Speaker 1>It's lock a bell up in Wisconsin.

0:26:28.760 --> 0:26:29.200
<v Speaker 3>Awesome.

0:26:29.280 --> 0:26:30.400
<v Speaker 2>It's a but.

0:26:30.400 --> 0:26:32.600
<v Speaker 1>But yeah, they have a they have a three hole loop,

0:26:32.640 --> 0:26:35.320
<v Speaker 1>a six hole loop potential, and a nine hole loop.

0:26:35.760 --> 0:26:36.680
<v Speaker 3>It's there, you go.

0:26:36.920 --> 0:26:37.440
<v Speaker 2>It's neat.

0:26:37.840 --> 0:26:43.080
<v Speaker 1>I don't know, it's but that's a but. Uh yeah, sorry,

0:26:43.280 --> 0:26:47.800
<v Speaker 1>I was rabbit rabbit Hole City exactly exactly. I mean,

0:26:49.600 --> 0:26:51.720
<v Speaker 1>when you were a kid, you just start sketching golf holes,

0:26:51.760 --> 0:26:53.320
<v Speaker 1>I imagine at some.

0:26:53.280 --> 0:26:57.600
<v Speaker 3>Point, uh, at some point. Yes, I have a sketch

0:26:57.640 --> 0:27:01.080
<v Speaker 3>book at home Whistle with like in them holes. Sometimes

0:27:01.119 --> 0:27:03.439
<v Speaker 3>it's like, you know, I would just go on the

0:27:03.480 --> 0:27:05.879
<v Speaker 3>early stages of Google Earth or whatever and just trace

0:27:05.920 --> 0:27:08.080
<v Speaker 3>something into it and then draw over top of that,

0:27:08.440 --> 0:27:11.560
<v Speaker 3>or old yardage books. I have a massive yardage book collection,

0:27:11.760 --> 0:27:14.959
<v Speaker 3>So some of that sort of stuff. Trying to you know,

0:27:15.119 --> 0:27:18.639
<v Speaker 3>create sort of your own sort of templates or whatever

0:27:18.760 --> 0:27:21.679
<v Speaker 3>as a kid was kind of fun, I guess. I

0:27:21.680 --> 0:27:25.040
<v Speaker 3>mean that was more probably high school. I probably started

0:27:25.080 --> 0:27:27.600
<v Speaker 3>doing that a little bit. But when I was really

0:27:28.040 --> 0:27:31.560
<v Speaker 3>I was drawing, honestly, I was drawing like I was

0:27:31.800 --> 0:27:33.520
<v Speaker 3>the first thing I ever wanted to do when life

0:27:33.560 --> 0:27:35.800
<v Speaker 3>was being NHL goalie. So I have sketch books more

0:27:35.840 --> 0:27:39.040
<v Speaker 3>with like custom goalie pads setups than I do with

0:27:39.080 --> 0:27:41.800
<v Speaker 3>golf courses. But it quickly changed. As you can tell,

0:27:41.880 --> 0:27:43.680
<v Speaker 3>it's one track mind.

0:27:43.720 --> 0:27:48.040
<v Speaker 1>Here now for a quick word from our sponsor. Today's

0:27:48.080 --> 0:27:51.600
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0:28:16.119 --> 0:28:18.960
<v Speaker 1>oh God, these shirts are so comfortable. Well imagine that

0:28:19.800 --> 0:28:22.480
<v Speaker 1>in your underwear. I mean, life's too short to wear

0:28:22.840 --> 0:28:27.199
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0:28:27.520 --> 0:28:31.080
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0:28:31.560 --> 0:28:31.760
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0:28:31.840 --> 0:28:34.560
<v Speaker 1>My biggest problem is is Missus Friday will steal them

0:28:34.600 --> 0:28:37.720
<v Speaker 1>to sleep in them. I mean, maybe this is TMI,

0:28:38.400 --> 0:28:43.480
<v Speaker 1>but highly recommend the Richard Boxer available on bdradty dot com.

0:28:43.920 --> 0:28:46.560
<v Speaker 2>And now we will go back to yaeger Kovich.

0:28:47.160 --> 0:28:49.320
<v Speaker 1>Yeah, you travel, you play a ton of golf and

0:28:49.520 --> 0:28:51.480
<v Speaker 1>see a lot of golf courses. Not you might not

0:28:51.560 --> 0:28:53.160
<v Speaker 1>play as much as sea courses.

0:28:53.160 --> 0:28:58.800
<v Speaker 3>I play a lot. Yeah you're not all the time,

0:28:58.840 --> 0:29:01.640
<v Speaker 3>but yeah, I'm addicted.

0:29:01.880 --> 0:29:04.160
<v Speaker 2>How do you go about figuring out where you're going

0:29:04.200 --> 0:29:09.200
<v Speaker 2>to see stuff? Like? What could? What could? The listener that's.

0:29:09.040 --> 0:29:12.920
<v Speaker 1>Well, well, just say just say you're going somewhere you

0:29:12.960 --> 0:29:16.000
<v Speaker 1>haven't been, Like, what's the first first thing you're doing?

0:29:16.160 --> 0:29:16.560
<v Speaker 2>I don't know.

0:29:16.600 --> 0:29:20.000
<v Speaker 3>But see, I'm always starting off by going someplace for work, right,

0:29:20.120 --> 0:29:24.560
<v Speaker 3>I'm always So if you're working in Pinehurst, you're obviously

0:29:24.800 --> 0:29:26.440
<v Speaker 3>you know I wanted to go. You know, I had

0:29:26.480 --> 0:29:32.600
<v Speaker 3>to go to Roaring Gap finally, you know old Town, Uh, Salisbury,

0:29:33.000 --> 0:29:34.000
<v Speaker 3>you know that sort of.

0:29:34.080 --> 0:29:36.000
<v Speaker 2>There's so many courses in North Carolina.

0:29:36.200 --> 0:29:39.920
<v Speaker 3>Yeah. So, but if you know in Nebraska, you know

0:29:40.160 --> 0:29:44.479
<v Speaker 3>you're you can you can drive to Prairie Dunes, you

0:29:44.520 --> 0:29:49.240
<v Speaker 3>can drive north to Sutton Bay. I guess you can

0:29:49.280 --> 0:29:52.040
<v Speaker 3>go see all of the cool mom and pop stuff

0:29:52.040 --> 0:29:55.760
<v Speaker 3>in Nebraska. The little nine hole sandhole courses are awesome.

0:29:56.600 --> 0:30:00.040
<v Speaker 3>I don't know, but it's it's just like you're I

0:30:00.240 --> 0:30:05.640
<v Speaker 3>was starting from somewhere, and so I know a lot

0:30:05.640 --> 0:30:08.880
<v Speaker 3>of it's you know, we're around here. So one thing

0:30:08.920 --> 0:30:12.320
<v Speaker 3>I've been trying to do at home is slowly, you know,

0:30:12.360 --> 0:30:15.360
<v Speaker 3>I've I've have lists of courses I want to see

0:30:15.400 --> 0:30:18.360
<v Speaker 3>that compile or whatever. So sometimes it's listed by state

0:30:18.400 --> 0:30:23.360
<v Speaker 3>by state. Sometimes it's like list of courses by that

0:30:23.520 --> 0:30:24.880
<v Speaker 3>architect that I want to see. So I want to

0:30:24.920 --> 0:30:27.120
<v Speaker 3>see I'm trying to see as many or all of

0:30:27.160 --> 0:30:30.320
<v Speaker 3>the tilling half stuff really. But same thing with Walter Travis,

0:30:30.840 --> 0:30:33.120
<v Speaker 3>because he certainly did a lot of work near in

0:30:33.240 --> 0:30:38.760
<v Speaker 3>my part of the country, and I'm just he's incredible

0:30:38.880 --> 0:30:43.720
<v Speaker 3>and maybe the most underrated of the American based guys.

0:30:44.640 --> 0:30:46.400
<v Speaker 3>I want call him Americans not but.

0:30:47.960 --> 0:30:49.560
<v Speaker 2>He did all his work in America.

0:30:49.680 --> 0:30:55.440
<v Speaker 3>Yeah, yeah, so and then Emmett as well. I'm trying

0:30:55.440 --> 0:30:58.680
<v Speaker 3>to see kind of all of his stuff as well. Matt,

0:30:58.960 --> 0:31:01.200
<v Speaker 3>I don't know, you have to ask. There's just a

0:31:01.240 --> 0:31:05.120
<v Speaker 3>new book that came out, The Naturalist, right, I'm not sure,

0:31:05.600 --> 0:31:11.760
<v Speaker 3>I think so, Yeah, I want to learn more about him.

0:31:12.120 --> 0:31:16.080
<v Speaker 3>It's uh you just gotta go see him, see what's left,

0:31:16.360 --> 0:31:17.360
<v Speaker 3>try to piece.

0:31:17.720 --> 0:31:18.760
<v Speaker 2>What do you have? What?

0:31:18.760 --> 0:31:21.680
<v Speaker 1>What are like the top of your list of places

0:31:21.720 --> 0:31:23.640
<v Speaker 1>you want to see that you haven't gotten to yet.

0:31:24.640 --> 0:31:29.160
<v Speaker 3>I was we were talking earlier myopia hunt is on there,

0:31:29.360 --> 0:31:32.480
<v Speaker 3>uh and Essex, I guess, right across the street from

0:31:32.480 --> 0:31:41.720
<v Speaker 3>each other. Boston two step, Yeah, Cape Rundle, the Travis

0:31:41.760 --> 0:31:42.720
<v Speaker 3>Course up in Maine.

0:31:43.720 --> 0:31:46.120
<v Speaker 2>I said I was going there with this year and

0:31:46.160 --> 0:31:46.800
<v Speaker 2>it didn't.

0:31:47.720 --> 0:31:56.800
<v Speaker 3>Yeah, I said that last year. Theres I'm lucky right,

0:31:56.840 --> 0:32:01.880
<v Speaker 3>there's I've seen a lot and a lot of what

0:32:01.960 --> 0:32:06.440
<v Speaker 3>I've tried to. Huntercombe in the UK is the Willie

0:32:06.440 --> 0:32:09.240
<v Speaker 3>Park Junior, the place that he I guess owned or

0:32:09.400 --> 0:32:18.560
<v Speaker 3>was developed. That place just woke was absolutely fascinating. We

0:32:18.720 --> 0:32:20.880
<v Speaker 3>Hinch has been at the very top of my list

0:32:21.000 --> 0:32:26.200
<v Speaker 3>for the longest time. I was probably we.

0:32:26.160 --> 0:32:27.800
<v Speaker 2>Had a discussion earlier.

0:32:27.480 --> 0:32:30.200
<v Speaker 3>I want to go back to Japan and everything in

0:32:30.200 --> 0:32:33.680
<v Speaker 3>Australians em I don't know. So there you go. Now

0:32:33.680 --> 0:32:35.160
<v Speaker 3>we're in rabbit Hole City again.

0:32:35.200 --> 0:32:40.840
<v Speaker 2>And we had a discussion earlier about about.

0:32:41.480 --> 0:32:44.320
<v Speaker 1>Architects of the Golden Age that did it as a

0:32:44.360 --> 0:32:48.800
<v Speaker 1>hobby and what they did, and then you know, It

0:32:48.920 --> 0:32:53.480
<v Speaker 1>spawned from talking about Aiken and what a friend of

0:32:53.480 --> 0:32:56.000
<v Speaker 1>ours said about how you know he got to build

0:32:56.000 --> 0:33:00.880
<v Speaker 1>it for himself. Yeah, and you know Willie Park with

0:33:01.000 --> 0:33:04.360
<v Speaker 1>hunter Combe right developed, he built it for himself.

0:33:04.480 --> 0:33:06.040
<v Speaker 2>Yeah, there's like we just you.

0:33:05.960 --> 0:33:07.760
<v Speaker 3>Know, I was just writing about the Addington another day

0:33:07.800 --> 0:33:11.720
<v Speaker 3>for the equactic thing, right, and Abercrombie was the same

0:33:11.720 --> 0:33:16.400
<v Speaker 3>thing there. It's like Pine Valley or yeah, how listen,

0:33:16.480 --> 0:33:19.040
<v Speaker 3>I've thought about it. I've you know, I don't know

0:33:19.080 --> 0:33:23.400
<v Speaker 3>how I can afford that perfect you know, Sandy Coast

0:33:23.480 --> 0:33:25.800
<v Speaker 3>or even you know whatever. Honestly, it would be cool.

0:33:26.000 --> 0:33:29.200
<v Speaker 3>I've dreamt about just like somehow being able to take

0:33:29.200 --> 0:33:32.440
<v Speaker 3>over like a few of these courses here in the

0:33:32.600 --> 0:33:35.360
<v Speaker 3>like just as really close into the city and being

0:33:35.360 --> 0:33:37.880
<v Speaker 3>able to take those over do something really cool and

0:33:37.920 --> 0:33:41.200
<v Speaker 3>just sort of like a awesome nine hole course, a

0:33:41.320 --> 0:33:43.600
<v Speaker 3>nine hole part three course and just to killer driving

0:33:43.680 --> 0:33:46.360
<v Speaker 3>range and just being able to like show people kind

0:33:46.360 --> 0:33:47.600
<v Speaker 3>of what you could do, like, you.

0:33:47.520 --> 0:33:51.240
<v Speaker 2>Know, well in Pine Valley, the greatest course in the country.

0:33:51.280 --> 0:33:54.719
<v Speaker 1>Everybody says that was built by a guy, you know,

0:33:54.840 --> 0:33:58.440
<v Speaker 1>like the guy it was all a vision, right, Yeah,

0:33:58.840 --> 0:34:02.920
<v Speaker 1>obviously he got a lot of help, but he built

0:34:02.920 --> 0:34:04.040
<v Speaker 1>it for like you.

0:34:04.000 --> 0:34:06.520
<v Speaker 3>Know, yeah, but I don't know. But when I'm when

0:34:06.560 --> 0:34:08.359
<v Speaker 3>you're out there on the machine, I'm not thinking em

0:34:08.360 --> 0:34:12.360
<v Speaker 3>out what that. I'm just trying to make everything, you know,

0:34:12.800 --> 0:34:15.879
<v Speaker 3>make love of the dirt, right, just give it. I'm

0:34:15.920 --> 0:34:18.680
<v Speaker 3>just gonna I'm just like that anyways. I'm going to

0:34:18.760 --> 0:34:21.319
<v Speaker 3>pretend like it's mind no matter what, and take to

0:34:21.440 --> 0:34:25.719
<v Speaker 3>do the super high quality, best best work. You got

0:34:25.760 --> 0:34:29.280
<v Speaker 3>to believe that, like or just you're doing it because

0:34:29.320 --> 0:34:32.799
<v Speaker 3>you love to do it, and you know, you take

0:34:32.880 --> 0:34:36.480
<v Speaker 3>so much ownership of it. I think I don't think

0:34:36.480 --> 0:34:38.959
<v Speaker 3>it would really be any different. If people are gonna

0:34:38.960 --> 0:34:42.560
<v Speaker 3>trust me to do that, I'm gonna do it the same. Sure.

0:34:43.040 --> 0:34:45.239
<v Speaker 3>I mean there's no like, what would I do on

0:34:45.280 --> 0:34:47.759
<v Speaker 3>my own? Maybe not as much. It would be maybe

0:34:47.800 --> 0:34:50.719
<v Speaker 3>a little bit more out there, I suppose, you know.

0:34:50.960 --> 0:34:53.480
<v Speaker 3>But I guess it depends on your client too. At

0:34:53.520 --> 0:34:55.400
<v Speaker 3>that rate, you know, what are they what are they

0:34:55.440 --> 0:35:00.800
<v Speaker 3>looking for? Everybody has so something. But yeah, but honestly,

0:35:00.840 --> 0:35:02.960
<v Speaker 3>I just get dropped off on a bulldozer next week

0:35:02.920 --> 0:35:06.920
<v Speaker 3>and it's like okay, you know, very little verbal instructions

0:35:07.000 --> 0:35:11.040
<v Speaker 3>sometimes and it's like here you go, Okay, make something cool.

0:35:11.160 --> 0:35:15.640
<v Speaker 3>So once you're there in the machine, it feels almost

0:35:15.640 --> 0:35:19.239
<v Speaker 3>the same at that rate. Right, what does that make sense?

0:35:19.360 --> 0:35:23.200
<v Speaker 2>Yeah? It does. It does like once you get into it.

0:35:23.200 --> 0:35:26.760
<v Speaker 3>Right, once, once you're there, you've got to make it yours,

0:35:27.320 --> 0:35:28.080
<v Speaker 3>you know that.

0:35:29.280 --> 0:35:31.520
<v Speaker 2>Because it is like you do have an ownership because

0:35:31.560 --> 0:35:32.520
<v Speaker 2>it's your.

0:35:32.880 --> 0:35:35.920
<v Speaker 3>Yeah, and then it's turned over to the you know,

0:35:36.120 --> 0:35:38.880
<v Speaker 3>contractor to the club to seed or you know whatever,

0:35:39.000 --> 0:35:41.480
<v Speaker 3>and then it's then it's somebody else's. But until then,

0:35:42.480 --> 0:35:45.719
<v Speaker 3>that's that's ours to make make it is the most

0:35:45.800 --> 0:35:48.200
<v Speaker 3>fun golf you could possibly create out of it, Right.

0:35:49.080 --> 0:35:55.360
<v Speaker 1>What's your pet peeve architecture? It could be any any type.

0:35:55.680 --> 0:35:56.759
<v Speaker 1>I'm just curious.

0:35:57.000 --> 0:36:01.520
<v Speaker 2>What what what? What? When you see just drives.

0:36:02.680 --> 0:36:06.400
<v Speaker 3>One of my favorites. I just love the way golf

0:36:06.400 --> 0:36:10.160
<v Speaker 3>holes look in the dirt, just like tracked in with

0:36:10.280 --> 0:36:12.920
<v Speaker 3>the track marks and the blade marks from how you know,

0:36:13.000 --> 0:36:15.080
<v Speaker 3>the machine, or the bucket.

0:36:14.680 --> 0:36:17.080
<v Speaker 2>Marks from smashing down.

0:36:17.440 --> 0:36:21.120
<v Speaker 3>Yeah, yeah, I'm a I'm not a There's like different

0:36:21.120 --> 0:36:22.320
<v Speaker 3>ways to run the machine.

0:36:22.320 --> 0:36:22.480
<v Speaker 4>You know.

0:36:22.520 --> 0:36:25.719
<v Speaker 3>There's a lot of guys. I'm a tapper, like you

0:36:25.760 --> 0:36:30.000
<v Speaker 3>can normally hear it's really loud. The guys that rent

0:36:30.040 --> 0:36:32.600
<v Speaker 3>you the machine don't like you because you're beating the

0:36:32.640 --> 0:36:36.160
<v Speaker 3>hell out of the thing. So sorry, Matt and Rich

0:36:36.239 --> 0:36:36.840
<v Speaker 3>and everybody.

0:36:37.040 --> 0:36:39.200
<v Speaker 2>They're making their money on those round.

0:36:40.000 --> 0:36:45.000
<v Speaker 3>It's all right, Uh, they'll if you, if you go

0:36:45.120 --> 0:36:49.799
<v Speaker 3>fast enough, they'll forgive you. But when it's got all

0:36:49.840 --> 0:36:53.040
<v Speaker 3>those fresh bucket marks and all those tracks on it,

0:36:53.080 --> 0:36:57.360
<v Speaker 3>and then someone comes ripping up on a cart or

0:36:57.400 --> 0:37:01.279
<v Speaker 3>something and just lays just tire tracks right down the

0:37:01.320 --> 0:37:05.000
<v Speaker 3>line of sight, it's like, uh, don't touch it. It's

0:37:05.040 --> 0:37:09.080
<v Speaker 3>just so perfect right now. But it's obviously an inevitable

0:37:09.200 --> 0:37:13.040
<v Speaker 3>part of the process. It's that is my least favorite.

0:37:13.080 --> 0:37:17.960
<v Speaker 3>I'm sure. Yes, I've gotten probably way too upset a

0:37:18.040 --> 0:37:22.080
<v Speaker 3>few people for just run in something, but it just

0:37:22.200 --> 0:37:23.920
<v Speaker 3>is what it's not, you know, all right, we'll fix it,

0:37:23.960 --> 0:37:25.799
<v Speaker 3>no big deal. Well it's got to be perfect at

0:37:25.800 --> 0:37:28.360
<v Speaker 3>the end, and it's that's all that matters.

0:37:28.960 --> 0:37:31.160
<v Speaker 2>Yeah, yeah, that's true. It's uh.

0:37:31.560 --> 0:37:35.319
<v Speaker 3>I always like say, like a sprig. Course, oh no,

0:37:35.480 --> 0:37:39.000
<v Speaker 3>sprigs are the worst. Sprigs is the worst process to

0:37:39.040 --> 0:37:41.799
<v Speaker 3>watch because you're out there and I get you know,

0:37:42.239 --> 0:37:44.520
<v Speaker 3>I probably said it to make love the dirt, right,

0:37:44.560 --> 0:37:47.080
<v Speaker 3>It's just it's got you put this perfect finish on it.

0:37:47.120 --> 0:37:49.360
<v Speaker 3>You make every so it's like, you know, we're literally

0:37:49.400 --> 0:37:52.680
<v Speaker 3>talking fractions of an inch, you know, with almost all

0:37:52.719 --> 0:37:56.239
<v Speaker 3>of the features right there. It's and then you know,

0:37:56.280 --> 0:37:57.920
<v Speaker 3>certain like the service of a green, right you know,

0:37:57.960 --> 0:38:00.160
<v Speaker 3>we'll hand rake the green. And then you know what,

0:38:00.640 --> 0:38:03.040
<v Speaker 3>how you sprag You get a bunch of guys to

0:38:03.160 --> 0:38:06.799
<v Speaker 3>just come trample everything, you know, walk all over it

0:38:06.840 --> 0:38:09.880
<v Speaker 3>by hand. After you've just raked every footprint off of

0:38:09.920 --> 0:38:12.680
<v Speaker 3>the thing, they're gonna then walk all across it, put

0:38:12.719 --> 0:38:16.120
<v Speaker 3>out all their fur, then take all these sprigs, throw

0:38:16.160 --> 0:38:18.200
<v Speaker 3>them all over the place and just have a dance

0:38:18.239 --> 0:38:21.000
<v Speaker 3>party across it. Then they can come by and slice

0:38:21.040 --> 0:38:23.120
<v Speaker 3>it in and then they're gonna crimp it in and

0:38:23.239 --> 0:38:26.160
<v Speaker 3>roll it in and somehow it always goes back perfectly.

0:38:26.440 --> 0:38:30.719
<v Speaker 3>Or but it is the don't ever watch anything I

0:38:30.719 --> 0:38:31.120
<v Speaker 3>don't like.

0:38:34.680 --> 0:38:36.239
<v Speaker 2>Like when it's just after.

0:38:36.200 --> 0:38:42.040
<v Speaker 3>The I love the color of hydromulch. That's a beautiful sight.

0:38:43.640 --> 0:38:50.920
<v Speaker 3>Maybe that's what I don't Sprigging is the worst. The

0:38:51.000 --> 0:38:56.200
<v Speaker 3>finish like pre seed because northern, like bankrast rescue, the

0:38:56.239 --> 0:38:58.800
<v Speaker 3>finished work you have to do has to be ultra

0:38:58.880 --> 0:39:03.280
<v Speaker 3>precise because that that won't tolerate it right, it'll stay

0:39:03.560 --> 0:39:06.440
<v Speaker 3>in that forever. But the process with the springing, with

0:39:06.600 --> 0:39:11.120
<v Speaker 3>all that herd of elephants and the whole circus that

0:39:11.200 --> 0:39:16.400
<v Speaker 3>goes on after, you know. So if it's a smith,

0:39:16.480 --> 0:39:18.520
<v Speaker 3>you know you want to get it to absolutely perfect.

0:39:18.600 --> 0:39:21.960
<v Speaker 3>But there's different tolerances because of what you do after

0:39:22.080 --> 0:39:25.200
<v Speaker 3>in the next step of the process. So and then

0:39:26.960 --> 0:39:29.480
<v Speaker 3>I try to finish everything like it's bent anyways, Right,

0:39:29.480 --> 0:39:31.080
<v Speaker 3>you got to make you's got to make a perfect

0:39:31.080 --> 0:39:32.880
<v Speaker 3>You get one chance. You get one chance, then the

0:39:32.920 --> 0:39:36.360
<v Speaker 3>grass goes on and it's done. Then it costs a

0:39:36.440 --> 0:39:39.000
<v Speaker 3>whole lot more to take it apart. So one chance,

0:39:39.040 --> 0:39:41.760
<v Speaker 3>you got to make it perfect. That's true.

0:39:41.960 --> 0:39:46.640
<v Speaker 1>Yeah, that is the The finality of design is like

0:39:46.760 --> 0:39:47.879
<v Speaker 1>kind of a scary thing.

0:39:49.400 --> 0:39:51.200
<v Speaker 3>You don't want to dig stuff back up.

0:39:51.880 --> 0:39:55.240
<v Speaker 1>What's like the most nervous you've been on a project

0:39:55.360 --> 0:40:00.319
<v Speaker 1>or like building something, if you ever felt like I

0:40:00.400 --> 0:40:02.920
<v Speaker 1>really don't want to screw this up, like like I

0:40:03.080 --> 0:40:08.360
<v Speaker 1>was typically about like one maybe the most well I

0:40:08.440 --> 0:40:12.080
<v Speaker 1>know for sure I'm going to be I'm already nervous

0:40:12.120 --> 0:40:15.120
<v Speaker 1>about doing that hole at Edgar Town in the spring,

0:40:16.080 --> 0:40:20.120
<v Speaker 1>just because it's so unique and the land form is

0:40:20.320 --> 0:40:27.360
<v Speaker 1>so amazing already, and that'll be the first, probably the first,

0:40:27.760 --> 0:40:30.920
<v Speaker 1>definitely the first green I've ever fully you know, executed

0:40:31.000 --> 0:40:34.040
<v Speaker 1>on my own. Entirely green expansion is one thing, but

0:40:34.160 --> 0:40:37.320
<v Speaker 1>to build an entirely new green on that's that's a

0:40:37.400 --> 0:40:37.880
<v Speaker 1>huge step.

0:40:37.920 --> 0:40:42.200
<v Speaker 3>You're design correct, you know. So that's but in the past.

0:40:42.480 --> 0:40:44.600
<v Speaker 2>Built a lot of greens from nothing, but.

0:40:44.680 --> 0:40:48.200
<v Speaker 3>I wouldn't say a lot, you know, certainly that's you know,

0:40:48.520 --> 0:40:53.560
<v Speaker 3>Gil Gil or Jim or say Eric Iverson when I

0:40:53.600 --> 0:40:55.480
<v Speaker 3>was working for Tom or Bryant, those who were the

0:40:55.480 --> 0:40:59.040
<v Speaker 3>guys building most of the greens. We've definitely built, you know,

0:41:00.600 --> 0:41:02.560
<v Speaker 3>we do a lot of sort of everything else, and

0:41:02.600 --> 0:41:07.240
<v Speaker 3>we certainly tweaked things here there, certainly built a good

0:41:07.520 --> 0:41:10.560
<v Speaker 3>handful of them. Certainly in the last year it's been

0:41:10.640 --> 0:41:13.440
<v Speaker 3>more and more. That's we're talking about earlier. That was

0:41:13.480 --> 0:41:17.560
<v Speaker 3>the amazing thing about frances I've built more greens for

0:41:17.600 --> 0:41:19.440
<v Speaker 3>them in France than I probably did in the four

0:41:19.520 --> 0:41:22.560
<v Speaker 3>years prior working with them, So that that's what made

0:41:22.640 --> 0:41:25.840
<v Speaker 3>that That's why you know, brain right, aside from the

0:41:25.960 --> 0:41:34.480
<v Speaker 3>Rose right and the duck, but aronom Ink was very

0:41:34.520 --> 0:41:37.920
<v Speaker 3>nerve wracking going into that was probably the most nervous

0:41:37.960 --> 0:41:40.759
<v Speaker 3>i'd ever been because the amount we had to recreate

0:41:41.080 --> 0:41:45.120
<v Speaker 3>for that restoration. I mean it was going from seventy

0:41:45.200 --> 0:41:48.520
<v Speaker 3>something bunkers to like one hundred and eighty two. I

0:41:48.520 --> 0:41:53.400
<v Speaker 3>believe that they're out there right now. So entire landforms

0:41:53.440 --> 0:41:58.440
<v Speaker 3>needed to be totally recreated, and some ultra artistic just

0:41:59.000 --> 0:42:03.200
<v Speaker 3>mind blowing week cool stuff, and we had tons of

0:42:03.200 --> 0:42:09.680
<v Speaker 3>photographic evidence of what it exactly was like. But to

0:42:09.760 --> 0:42:14.280
<v Speaker 3>that was I felt pretty nervous being in the everyday

0:42:14.320 --> 0:42:19.120
<v Speaker 3>guy there and being the one that was there that

0:42:19.239 --> 0:42:22.000
<v Speaker 3>was that was tough, but very proud of how it

0:42:22.040 --> 0:42:23.440
<v Speaker 3>turned out.

0:42:24.040 --> 0:42:27.920
<v Speaker 2>Speaking of like in your mind, what's the line?

0:42:29.000 --> 0:42:34.719
<v Speaker 1>I feel like, you know, certain places should always you know,

0:42:34.960 --> 0:42:38.440
<v Speaker 1>like given their space in the game, Like it's a

0:42:38.560 --> 0:42:42.480
<v Speaker 1>no brainer restore, restore, and a lot of stuff has

0:42:42.560 --> 0:42:45.960
<v Speaker 1>gotten restore, But like when is it When is it

0:42:46.080 --> 0:42:50.200
<v Speaker 1>right to not restore and to renovate maybe a hole

0:42:50.400 --> 0:42:55.640
<v Speaker 1>or change a routing or of especially a classic golf

0:42:55.680 --> 0:42:58.520
<v Speaker 1>course like a Golden Age design.

0:43:00.760 --> 0:43:05.680
<v Speaker 3>I think, you know, I don't know, it's something you

0:43:05.760 --> 0:43:10.200
<v Speaker 3>don't want to get in a necessarily pattern of doing,

0:43:10.239 --> 0:43:15.000
<v Speaker 3>but I think it's a circumstantial thing. So only to

0:43:15.200 --> 0:43:18.840
<v Speaker 3>just pull from like an actual experience. Right, So there's

0:43:21.719 --> 0:43:23.680
<v Speaker 3>there's a couple of places like that. I think in

0:43:23.719 --> 0:43:26.080
<v Speaker 3>the future we kind of hope to do it suburban.

0:43:26.200 --> 0:43:26.359
<v Speaker 2>Right.

0:43:26.400 --> 0:43:29.200
<v Speaker 3>It's a nineteen twenty two toing Hasse course. It was

0:43:29.239 --> 0:43:33.400
<v Speaker 3>built ten minutes down the street from Baltos Rawl the

0:43:33.440 --> 0:43:39.160
<v Speaker 3>same year. So there's tons of incredible stuff out there.

0:43:39.200 --> 0:43:43.279
<v Speaker 3>But there's also it's a very tight place. It's a

0:43:43.440 --> 0:43:46.640
<v Speaker 3>small property. It's there's a lot of linear nature it

0:43:47.040 --> 0:43:56.279
<v Speaker 3>required to get sort of through. But there's a you know,

0:43:56.400 --> 0:44:00.560
<v Speaker 3>there's a shortish par five there that's got five hundred

0:44:00.600 --> 0:44:03.799
<v Speaker 3>yards of propery line and fence up the right and

0:44:04.400 --> 0:44:08.520
<v Speaker 3>over time that it's become trees on the left side,

0:44:08.560 --> 0:44:11.600
<v Speaker 3>which is narrowing the thing. And there's really you know,

0:44:12.120 --> 0:44:15.160
<v Speaker 3>was really never any it was just a straight five

0:44:15.239 --> 0:44:17.359
<v Speaker 3>hundred yard hole until it got to the green and

0:44:17.440 --> 0:44:19.840
<v Speaker 3>the green had changed. The greens was changed by a

0:44:19.840 --> 0:44:22.759
<v Speaker 3>golf pro I don't know, thirty fifty years ago. It's

0:44:22.800 --> 0:44:27.720
<v Speaker 3>just a pancake, right, just change. But that's a place

0:44:27.760 --> 0:44:32.440
<v Speaker 3>where you know, they have already a pattern of these

0:44:32.520 --> 0:44:35.279
<v Speaker 3>really cool sort of shared hazards, and we need to

0:44:35.320 --> 0:44:38.440
<v Speaker 3>do something to try to pull the interest left instead

0:44:38.480 --> 0:44:41.279
<v Speaker 3>of right where they have the boundary issue. That's a

0:44:41.280 --> 0:44:42.920
<v Speaker 3>place where you could sort of get in to do

0:44:43.280 --> 0:44:45.640
<v Speaker 3>They already have shared hazards on a number of holes,

0:44:45.920 --> 0:44:48.280
<v Speaker 3>so if we could do something like connect some fairway

0:44:48.320 --> 0:44:50.920
<v Speaker 3>a little bit with the seventeen on the left of it,

0:44:51.560 --> 0:44:54.480
<v Speaker 3>do some cool shared hazards. And I've kind of thought

0:44:54.520 --> 0:44:57.360
<v Speaker 3>too since the green sort of you know, that's a

0:44:57.360 --> 0:44:59.520
<v Speaker 3>place where maybe you could add a little bit more

0:44:59.640 --> 0:45:05.040
<v Speaker 3>of a it's a it's you could maybe start to

0:45:05.080 --> 0:45:07.399
<v Speaker 3>think about doing something, you know pull tilling House did

0:45:07.440 --> 0:45:11.720
<v Speaker 3>a lot of writing and sketching of template holes, especially

0:45:11.760 --> 0:45:15.680
<v Speaker 3>the park fives, you know, double dog leg the right.

0:45:15.840 --> 0:45:19.840
<v Speaker 3>So that's something there where we've sort of just batted

0:45:19.920 --> 0:45:24.040
<v Speaker 3>around that idea. We haven't done anything with it, but

0:45:24.200 --> 0:45:28.359
<v Speaker 3>that's something kind of kicking in the back of our

0:45:28.400 --> 0:45:31.719
<v Speaker 3>heads for down the road. So that's a place I

0:45:31.800 --> 0:45:34.120
<v Speaker 3>kind of look to is you know, there's it's just

0:45:35.040 --> 0:45:39.520
<v Speaker 3>five hundred yards of straight this is a place kind

0:45:39.520 --> 0:45:41.920
<v Speaker 3>of yeah, but not Tilly's so.

0:45:42.360 --> 0:45:46.600
<v Speaker 1>Yeah, yeah, it's uh yeah, that's that's a tricky thing.

0:45:46.680 --> 0:45:49.600
<v Speaker 3>There's also places too where if there's like a functionality

0:45:49.680 --> 0:45:58.120
<v Speaker 3>thing right, So if it's there's correct, circumstances have changed

0:45:58.120 --> 0:46:01.000
<v Speaker 3>and it's flooding and you have to move something right,

0:46:01.080 --> 0:46:05.400
<v Speaker 3>you know, then what do you do? Shade safety things

0:46:05.440 --> 0:46:09.719
<v Speaker 3>like that. Those are always obvious ones. But you know,

0:46:10.000 --> 0:46:14.279
<v Speaker 3>sometimes I don't want to change the crazy stuff. I like,

0:46:14.360 --> 0:46:16.440
<v Speaker 3>you know, the wildest stuff. I'm always going to probably

0:46:16.560 --> 0:46:18.719
<v Speaker 3>lean to low keep that that's the cool stuff. But

0:46:18.920 --> 0:46:25.600
<v Speaker 3>like the stuff that you know, I don't know. I

0:46:25.640 --> 0:46:29.520
<v Speaker 3>think there's sometimes a lot of room for improvement. Things

0:46:29.560 --> 0:46:34.600
<v Speaker 3>are always evolving, so you just got to work at it. Oh,

0:46:34.640 --> 0:46:37.080
<v Speaker 3>I guess a circumstance. But at the same I'm pretty

0:46:37.320 --> 0:46:40.360
<v Speaker 3>strict on myself with the restoration and stuff. I really

0:46:43.360 --> 0:46:46.520
<v Speaker 3>I don't know. I'm I'm pretty I think you kind

0:46:46.520 --> 0:46:48.800
<v Speaker 3>of have to be. There's a lot of gray area

0:46:48.800 --> 0:46:51.560
<v Speaker 3>and what restoration is. So I just try to be

0:46:51.600 --> 0:46:53.920
<v Speaker 3>pretty clear and try to if we're going to be

0:46:53.960 --> 0:46:57.560
<v Speaker 3>really authentic, I want to do that. If there's no

0:46:57.640 --> 0:47:00.600
<v Speaker 3>reason to do that, then what we do. Is it

0:47:00.640 --> 0:47:03.560
<v Speaker 3>just something that's influenced or is it a total I

0:47:03.560 --> 0:47:06.279
<v Speaker 3>don't know. There's a lot of ways that it's to

0:47:06.360 --> 0:47:07.160
<v Speaker 3>sort of spin it.

0:47:07.239 --> 0:47:10.120
<v Speaker 4>At the same time, Yeah, it's kind of got like

0:47:10.160 --> 0:47:11.879
<v Speaker 4>a dividing line and then like.

0:47:11.880 --> 0:47:15.960
<v Speaker 2>As you get some edge of the spectrum and you know,

0:47:16.560 --> 0:47:18.680
<v Speaker 2>it's very delicate situation.

0:47:19.800 --> 0:47:25.880
<v Speaker 3>Yeah, but you know, there's always been a pattern and

0:47:25.960 --> 0:47:28.160
<v Speaker 3>I think you know, when there's real history and there's

0:47:28.160 --> 0:47:31.560
<v Speaker 3>really something to tie into, I think there's something really

0:47:31.560 --> 0:47:36.160
<v Speaker 3>cool about having that same sort of experience and the

0:47:37.960 --> 0:47:39.759
<v Speaker 3>people have been playing golf here for one hundred years

0:47:39.800 --> 0:47:41.120
<v Speaker 3>and that's sort of same thing. I think there's a

0:47:41.120 --> 0:47:44.080
<v Speaker 3>lot to that. I think we have that throughout our culture, right,

0:47:44.200 --> 0:47:47.279
<v Speaker 3>that sort of you know, antiques sort of thing for

0:47:47.320 --> 0:47:49.400
<v Speaker 3>a reason. Right, people love that sort of stuff, the

0:47:49.480 --> 0:47:53.000
<v Speaker 3>sort of vintage clothing that you know, all our kitchen

0:47:53.000 --> 0:47:55.520
<v Speaker 3>appliances look like they're you know, they have a very

0:47:55.560 --> 0:47:59.359
<v Speaker 3>sort of historic sort of thing to them. I think

0:47:59.360 --> 0:48:01.719
<v Speaker 3>it's you know, the way he kind of you know,

0:48:02.080 --> 0:48:05.320
<v Speaker 3>what did mom do right at home? So there's there's

0:48:05.360 --> 0:48:09.240
<v Speaker 3>always a draw I think to that culturally, and it.

0:48:10.680 --> 0:48:13.440
<v Speaker 2>I don't know, Hey, I haven't done overrated underrated in

0:48:13.520 --> 0:48:14.000
<v Speaker 2>like a year.

0:48:14.400 --> 0:48:20.400
<v Speaker 3>Wow, do some overrighted underrated baby, We'll see, I guess

0:48:20.800 --> 0:48:21.480
<v Speaker 3>go for it.

0:48:22.840 --> 0:48:27.120
<v Speaker 2>Rainer currently.

0:48:28.520 --> 0:48:33.239
<v Speaker 3>Currently dreading overrated probably and that he didn't make the

0:48:33.320 --> 0:48:38.520
<v Speaker 3>rushmore he didn't make Mount Rushmore for me, so I didn't. Yeah,

0:48:38.560 --> 0:48:39.160
<v Speaker 3>how about that.

0:48:40.000 --> 0:48:41.200
<v Speaker 2>It's kind of unbelievable.

0:48:41.680 --> 0:48:45.160
<v Speaker 1>I just I always am that amaze, the fact that

0:48:45.280 --> 0:48:47.080
<v Speaker 1>he didn't even know what golf was.

0:48:47.680 --> 0:48:52.480
<v Speaker 3>About that, right McDonald, I think would be closer to

0:48:52.520 --> 0:48:55.800
<v Speaker 3>the Rushmore than Rainer in my mind.

0:48:56.360 --> 0:49:03.560
<v Speaker 2>Yeah. The impact, right, impact is insane, Rayner. The thing

0:49:03.640 --> 0:49:05.000
<v Speaker 2>that I'm amazed.

0:49:04.600 --> 0:49:07.520
<v Speaker 3>About is that Andy's favorite rabbit hole.

0:49:09.160 --> 0:49:11.680
<v Speaker 1>I've said this a lot, but I think his best

0:49:11.719 --> 0:49:13.880
<v Speaker 1>holes are the non template holes.

0:49:14.120 --> 0:49:17.760
<v Speaker 3>Yeah, totally. M that's fine.

0:49:18.000 --> 0:49:23.160
<v Speaker 2>Yeah, yeah, but you know, so it's hard to pick

0:49:23.239 --> 0:49:25.200
<v Speaker 2>for listen, I love it.

0:49:25.480 --> 0:49:29.120
<v Speaker 3>I just I was super pumped about Francis Byrne the

0:49:29.160 --> 0:49:33.359
<v Speaker 3>other day, right, I mean I love it, right, of course. Yeah,

0:49:33.560 --> 0:49:36.080
<v Speaker 3>but the whole you know, I love the temple like

0:49:36.120 --> 0:49:37.959
<v Speaker 3>I love the you know, the world needs more leaving

0:49:38.000 --> 0:49:40.400
<v Speaker 3>holes as far as I'm concerned, or no, like really

0:49:40.400 --> 0:49:44.160
<v Speaker 3>good no holds. But at the same time too, that's

0:49:44.239 --> 0:49:46.400
<v Speaker 3>the only thing the world seems to be talking about

0:49:46.480 --> 0:49:50.640
<v Speaker 3>right now, and I'm just a little uh. I want

0:49:50.680 --> 0:49:53.360
<v Speaker 3>to be different, man, I like, you can do something different.

0:49:53.640 --> 0:49:56.759
<v Speaker 2>I you know, I don't. I don't post pictures for

0:49:57.040 --> 0:49:58.400
<v Speaker 2>likes like and stuff.

0:49:58.800 --> 0:50:02.160
<v Speaker 1>But I know when I posts like some fresh new

0:50:02.520 --> 0:50:05.319
<v Speaker 1>Rainer photos that the internet is going to like.

0:50:07.080 --> 0:50:08.000
<v Speaker 2>Love them.

0:50:08.120 --> 0:50:10.720
<v Speaker 1>It's so weird. It's I don't know what it is about.

0:50:10.760 --> 0:50:14.440
<v Speaker 1>I think it's because people have seen it.

0:50:14.680 --> 0:50:18.520
<v Speaker 3>Yes, it's recognizable and so you you and they're easy

0:50:18.560 --> 0:50:22.120
<v Speaker 3>to understand because you can you can, okay, well, this

0:50:22.239 --> 0:50:25.160
<v Speaker 3>whole the strategy of it is like this, and it's

0:50:25.160 --> 0:50:27.160
<v Speaker 3>sort of told to you and it's explained to you,

0:50:27.280 --> 0:50:29.560
<v Speaker 3>so you can relate it back to that and you

0:50:29.600 --> 0:50:32.240
<v Speaker 3>can break it down and it's like, you know, that's

0:50:32.280 --> 0:50:34.680
<v Speaker 3>the if you were going to teach an architecture one

0:50:34.719 --> 0:50:37.640
<v Speaker 3>oh one thing, almost like tons of that stuff would

0:50:37.680 --> 0:50:42.480
<v Speaker 3>be in there, right, that's you know, the most copied

0:50:42.480 --> 0:50:45.799
<v Speaker 3>hole in golf is the 'redan right, how would that

0:50:45.880 --> 0:50:48.279
<v Speaker 3>not be? You know, you'd have that discussion of what

0:50:48.520 --> 0:50:50.480
<v Speaker 3>is that? And how does it look here?

0:50:50.520 --> 0:50:50.880
<v Speaker 1>How is it?

0:50:50.920 --> 0:50:56.680
<v Speaker 3>There's this one? You know, so it's it's just relatable.

0:50:57.719 --> 0:51:00.000
<v Speaker 3>People can can get it, and that's great.

0:51:00.040 --> 0:51:00.160
<v Speaker 2>You know.

0:51:00.239 --> 0:51:03.399
<v Speaker 3>I started like that too, like of course, but then

0:51:03.480 --> 0:51:08.920
<v Speaker 3>the more and more sometimes it's like all right, you know,

0:51:09.360 --> 0:51:13.280
<v Speaker 3>I absolutely I'm I'd love to go to Camargo that's

0:51:13.320 --> 0:51:16.280
<v Speaker 3>really high on my but like the same time too,

0:51:17.640 --> 0:51:22.160
<v Speaker 3>you know, difference difference good too. Yeah, yeah, I know,

0:51:22.239 --> 0:51:25.839
<v Speaker 3>I I I like to zig and you know.

0:51:26.080 --> 0:51:29.040
<v Speaker 1>I like the most influential golf course in my life

0:51:29.320 --> 0:51:32.799
<v Speaker 1>is a Rainer, you know, And I think that's why,

0:51:33.040 --> 0:51:35.120
<v Speaker 1>Like you know, that's like the place where like a

0:51:35.200 --> 0:51:37.399
<v Speaker 1>light bulb went off for me. So I think that's

0:51:37.440 --> 0:51:41.920
<v Speaker 1>obviously always something that I you know, and it's but

0:51:42.120 --> 0:51:45.320
<v Speaker 1>like as I've seen more and more, everybody gets.

0:51:45.160 --> 0:51:45.480
<v Speaker 2>That, right.

0:51:45.560 --> 0:51:48.440
<v Speaker 3>I just said, I just said overrated, and I cannot

0:51:48.480 --> 0:51:50.319
<v Speaker 3>tell you how excited I am to go put Yo

0:51:50.400 --> 0:51:55.200
<v Speaker 3>tomorrow just through the like so I say that, but

0:51:55.400 --> 0:51:59.000
<v Speaker 3>it's essentially, you know, it's just a temperature of the

0:51:59.120 --> 0:52:03.680
<v Speaker 3>room answer. I suppose you know culture, you know. Yeah,

0:52:04.680 --> 0:52:06.640
<v Speaker 3>I'd probably hate him even more if I was on Twitter,

0:52:06.680 --> 0:52:07.560
<v Speaker 3>but I'm not going to do that.

0:52:07.760 --> 0:52:17.239
<v Speaker 5>So the group I'm not I'm not making as I

0:52:17.280 --> 0:52:19.319
<v Speaker 5>got too many opinions to be on Twitter, so we're

0:52:19.320 --> 0:52:19.840
<v Speaker 5>not going to do that.

0:52:20.440 --> 0:52:24.239
<v Speaker 2>It's I used to reply, and I used to be,

0:52:24.719 --> 0:52:26.880
<v Speaker 2>you know, but I'm done.

0:52:27.160 --> 0:52:30.680
<v Speaker 4>No, I'm a I'm more of a I don't like

0:52:30.719 --> 0:52:35.719
<v Speaker 4>getting in the mentions anymore. It's uh, you know, the

0:52:35.719 --> 0:52:40.200
<v Speaker 4>the social media has been overall really good for architecture. Yeah,

0:52:40.560 --> 0:52:43.319
<v Speaker 4>but I think it also creates this like group think

0:52:43.880 --> 0:52:49.360
<v Speaker 4>and in a way can stunt the progression because you know,

0:52:49.520 --> 0:52:52.080
<v Speaker 4>becomes this gospel this is good and like I feel

0:52:52.120 --> 0:52:56.360
<v Speaker 4>like sometimes I'm I do you know it's like this

0:52:56.480 --> 0:52:57.319
<v Speaker 4>is good, this is bad.

0:52:57.360 --> 0:52:59.879
<v Speaker 2>It's like it's if it's you know, what you guys

0:52:59.920 --> 0:53:00.480
<v Speaker 2>do is art.

0:53:00.800 --> 0:53:06.960
<v Speaker 1>You know, there should be a wide range of opinions, right, Yeah,

0:53:07.400 --> 0:53:09.040
<v Speaker 1>this is a big, big topic.

0:53:09.200 --> 0:53:11.680
<v Speaker 3>You know, Yeah, this is this is only going to

0:53:11.760 --> 0:53:14.960
<v Speaker 3>get me in terrible trouble too. Oh man, how do

0:53:15.040 --> 0:53:18.520
<v Speaker 3>I how do I find my way through here?

0:53:24.239 --> 0:53:26.400
<v Speaker 2>A topic for another day.

0:53:26.480 --> 0:53:30.759
<v Speaker 3>It's hard to give like honest critique, especially someone in

0:53:30.880 --> 0:53:34.879
<v Speaker 3>my place, right because you know I do this so

0:53:35.200 --> 0:53:38.760
<v Speaker 3>I have a very critical eye, and so I always

0:53:38.760 --> 0:53:40.799
<v Speaker 3>just get frustrated because as an art you know, I

0:53:40.840 --> 0:53:42.360
<v Speaker 3>went to you know, I was a school, I was

0:53:42.400 --> 0:53:45.080
<v Speaker 3>an architecture major. I was a studio art minor. You know,

0:53:45.360 --> 0:53:49.279
<v Speaker 3>critique was everything, right, So I insist on critique on site.

0:53:49.320 --> 0:53:51.760
<v Speaker 3>I want to know, you know, we were talking about earlier,

0:53:51.840 --> 0:53:54.759
<v Speaker 3>like having Kyle on site. He's gonna you know, ask him.

0:53:54.920 --> 0:53:56.560
<v Speaker 3>You know, I like what this is doing. I like

0:53:56.600 --> 0:53:58.279
<v Speaker 3>what that's doing. Did you ever think about this? What

0:53:58.400 --> 0:54:00.840
<v Speaker 3>about that? That's how we learn. And you know, you

0:54:00.880 --> 0:54:03.480
<v Speaker 3>know when your professor in college stands up and she

0:54:03.640 --> 0:54:06.399
<v Speaker 3>freaking rips your model in half and like you thought

0:54:06.440 --> 0:54:08.000
<v Speaker 3>you were gonna walk in and get an a and

0:54:08.040 --> 0:54:10.040
<v Speaker 3>then you just have to stand up there and present

0:54:10.160 --> 0:54:12.239
<v Speaker 3>something and all of a sudden you're getting slaughtered and

0:54:12.280 --> 0:54:15.360
<v Speaker 3>it's like, here's your c mine is this is trash?

0:54:15.440 --> 0:54:18.439
<v Speaker 3>Like what were you thinking? Like So that's the only

0:54:18.480 --> 0:54:20.520
<v Speaker 3>way I think we can learn. But you need that

0:54:20.760 --> 0:54:24.600
<v Speaker 3>to push everything forward because if everything is simply the

0:54:24.920 --> 0:54:29.520
<v Speaker 3>just like everything the newest is always the best, it's

0:54:29.600 --> 0:54:34.960
<v Speaker 3>not the best, it's just so that's we need that.

0:54:35.239 --> 0:54:38.000
<v Speaker 3>I don't know how you get that. I know it's

0:54:38.120 --> 0:54:41.600
<v Speaker 3>very difficult to critique the other guy in the same

0:54:41.719 --> 0:54:45.040
<v Speaker 3>business as like I get it. It's it's a weird ground.

0:54:45.320 --> 0:54:49.960
<v Speaker 3>It's hard to do right and not offend everybody. And thus,

0:54:50.160 --> 0:54:54.680
<v Speaker 3>you know Twitter, you were critical. I'm yes, very early on,

0:54:54.800 --> 0:54:57.560
<v Speaker 3>like early on, but it made me better.

0:54:58.600 --> 0:55:02.279
<v Speaker 1>And like Tommy Knakarata, it was really critical of me

0:55:02.600 --> 0:55:03.120
<v Speaker 1>on some.

0:55:03.400 --> 0:55:06.359
<v Speaker 3>And I just saw him defend you very very well

0:55:06.400 --> 0:55:08.160
<v Speaker 3>the other day. But and he's and that so many

0:55:08.160 --> 0:55:10.600
<v Speaker 3>people he hit on exactly the same thing that you know,

0:55:10.880 --> 0:55:14.399
<v Speaker 3>you've you took it. But then you like you got

0:55:14.400 --> 0:55:16.080
<v Speaker 3>on a plane, you game here and you're standing in

0:55:16.120 --> 0:55:18.200
<v Speaker 3>the dark waiting for the sun come up to take

0:55:18.200 --> 0:55:21.960
<v Speaker 3>photos of put you know, places that no one's ever

0:55:22.000 --> 0:55:23.879
<v Speaker 3>heard of. You drove two hours out of your way

0:55:23.880 --> 0:55:26.000
<v Speaker 3>to go to Galen Hall because to go like a

0:55:26.080 --> 0:55:29.000
<v Speaker 3>moat hole, Like there's not many people that would do so.

0:55:29.239 --> 0:55:33.040
<v Speaker 2>But but this is the thing Tommy like he like

0:55:33.200 --> 0:55:33.840
<v Speaker 2>shredded me.

0:55:34.400 --> 0:55:37.439
<v Speaker 3>Sure he sent a gazillion messages to Gill and Jim,

0:55:37.600 --> 0:55:38.319
<v Speaker 3>well what does this get?

0:55:38.440 --> 0:55:41.280
<v Speaker 1>But but but you called him. I talked to him

0:55:41.360 --> 0:55:43.719
<v Speaker 1>and I in it. And what he said, he's like,

0:55:44.080 --> 0:55:46.280
<v Speaker 1>you know, like you just need to do your homework

0:55:46.400 --> 0:55:47.760
<v Speaker 1>like you do your.

0:55:47.760 --> 0:55:50.520
<v Speaker 2>And it was he was totally right, and it's like

0:55:50.600 --> 0:55:51.320
<v Speaker 2>it changed.

0:55:51.840 --> 0:55:53.560
<v Speaker 1>But like, and this is the thing that kind of

0:55:53.600 --> 0:55:56.280
<v Speaker 1>can drive me nuts a little bit about the Internet

0:55:56.360 --> 0:56:01.080
<v Speaker 1>because like if you say something critical about something somewhere,

0:56:01.600 --> 0:56:04.880
<v Speaker 1>people like think you hate it, and it's like, well no,

0:56:05.000 --> 0:56:08.480
<v Speaker 1>I'm just pointing out like one thing. Yeah, and if

0:56:08.520 --> 0:56:13.600
<v Speaker 1>somebody doesn't point it out. How do you ever know that?

0:56:13.600 --> 0:56:16.680
<v Speaker 2>That might I and I'm not necessary.

0:56:16.719 --> 0:56:18.920
<v Speaker 3>And then if the thing too is you know, if

0:56:18.960 --> 0:56:21.560
<v Speaker 3>someone if like if I want to talk about the

0:56:21.640 --> 0:56:24.279
<v Speaker 3>functionality stuff or how something was constructed, no one in

0:56:24.280 --> 0:56:26.200
<v Speaker 3>the world is going to understand that, And then they're

0:56:26.239 --> 0:56:28.640
<v Speaker 3>just being like, oh, you're you're saying all this, but

0:56:29.000 --> 0:56:33.320
<v Speaker 3>horizon line, it's bad too, because I can be really

0:56:33.360 --> 0:56:36.520
<v Speaker 3>negative or be really critical of a really small thing,

0:56:36.760 --> 0:56:40.839
<v Speaker 3>but overall the thing was actually excellent. And I find

0:56:40.840 --> 0:56:43.560
<v Speaker 3>that's often I really really like something and you know,

0:56:43.960 --> 0:56:47.640
<v Speaker 3>you know, say it's like a doakes. You know, I

0:56:47.719 --> 0:56:50.520
<v Speaker 3>might give something a doke seven, but I might rant

0:56:50.520 --> 0:56:52.360
<v Speaker 3>and rave about a couple of things that are just

0:56:52.440 --> 0:56:55.319
<v Speaker 3>driving me nuts out there and like everybody, but I

0:56:55.400 --> 0:56:58.680
<v Speaker 3>was like, you know, I might be fascinated about it

0:56:58.680 --> 0:57:00.640
<v Speaker 3>and just go on and on and on. Know it's like,

0:57:00.680 --> 0:57:04.040
<v Speaker 3>what are you talking? It's still an awesome golf court. Like,

0:57:04.080 --> 0:57:06.759
<v Speaker 3>don't get me wrong, but there's something about the way

0:57:06.800 --> 0:57:10.919
<v Speaker 3>that this thing is that just gets at me. And

0:57:11.520 --> 0:57:15.560
<v Speaker 3>I don't have a place to explain that because that's

0:57:15.560 --> 0:57:18.880
<v Speaker 3>how people learn, and you know, we you know, I

0:57:18.920 --> 0:57:21.400
<v Speaker 3>just want to teach people more, and it's hard to

0:57:21.440 --> 0:57:25.440
<v Speaker 3>be you have to be sometimes critical. You don't necessarily

0:57:25.480 --> 0:57:29.680
<v Speaker 3>be overly negative, but frank and it's it's tough to

0:57:29.800 --> 0:57:34.200
<v Speaker 3>find that. And then you know, it's tough some always

0:57:34.240 --> 0:57:36.440
<v Speaker 3>to find you know, well, what good is it going

0:57:36.480 --> 0:57:40.120
<v Speaker 3>to do if you just I don't know? So it's tough.

0:57:41.000 --> 0:57:44.840
<v Speaker 3>I loved well, I'm the golf Cabatles is riddled of

0:57:46.760 --> 0:57:49.120
<v Speaker 3>things like that I've said over the years. And but

0:57:49.200 --> 0:57:51.840
<v Speaker 3>that's more of that discussion thing. For whatever reason that

0:57:51.960 --> 0:57:55.680
<v Speaker 3>you know, where I spend most of time on social media,

0:57:55.680 --> 0:57:59.200
<v Speaker 3>it's like Instagram, right, and there's not nearly that conversation.

0:57:58.800 --> 0:58:02.680
<v Speaker 2>Here on Instagram, saw like it's the photos roses.

0:58:02.320 --> 0:58:08.240
<v Speaker 1>And it drives me insane. Sometimes it's just because like

0:58:09.120 --> 0:58:13.120
<v Speaker 1>to me, like, but everywhere can't be the greatest in

0:58:13.160 --> 0:58:15.600
<v Speaker 1>the world, because if everywhere is the greatest, then.

0:58:15.440 --> 0:58:18.000
<v Speaker 3>What is the greatest? Correct? Yes?

0:58:18.240 --> 0:58:19.960
<v Speaker 1>Then like how do you ever know if it is

0:58:20.000 --> 0:58:22.160
<v Speaker 1>the greatest? If you if you say everything's the.

0:58:22.120 --> 0:58:29.280
<v Speaker 3>Greatest, yep, I'm I I struggle with this all the time.

0:58:30.560 --> 0:58:35.200
<v Speaker 1>Yeah, but then you start talking about like you're talking

0:58:35.200 --> 0:58:38.880
<v Speaker 1>to someone that's worked on a lot of these super

0:58:39.480 --> 0:58:40.520
<v Speaker 1>you know, like.

0:58:42.680 --> 0:58:45.240
<v Speaker 3>Incredible places that they are. You know a lot of

0:58:45.240 --> 0:58:47.520
<v Speaker 3>them are these courses you're talking about. I don't know

0:58:47.560 --> 0:58:51.200
<v Speaker 3>how to like, you know, I will. You know, it's

0:58:51.240 --> 0:58:54.240
<v Speaker 3>great to have the positive, it's amazing, but how does

0:58:54.240 --> 0:58:56.680
<v Speaker 3>it really you know, sometimes it's too soon. You just

0:58:56.680 --> 0:58:59.000
<v Speaker 3>got to see how things level off well.

0:58:59.040 --> 0:59:02.760
<v Speaker 1>And that's the thing is, like so many courses, you

0:59:02.840 --> 0:59:05.280
<v Speaker 1>got to see how they mature.

0:59:05.000 --> 0:59:08.960
<v Speaker 2>Too, right, and you can't judge. It's so hard.

0:59:08.760 --> 0:59:11.520
<v Speaker 3>To judge of courses or living, breathing, evolving things.

0:59:11.600 --> 0:59:13.160
<v Speaker 2>And like one loop around.

0:59:13.360 --> 0:59:17.960
<v Speaker 1>I found this with especially National Golf Links, Like I

0:59:18.160 --> 0:59:19.520
<v Speaker 1>the first time I played it?

0:59:19.680 --> 0:59:21.000
<v Speaker 3>Did had you ever walked it before?

0:59:21.160 --> 0:59:21.240
<v Speaker 2>No?

0:59:21.680 --> 0:59:24.760
<v Speaker 3>So see when I went, So I walked the golf

0:59:24.760 --> 0:59:27.600
<v Speaker 3>course probably three times before I ever played it. So

0:59:27.880 --> 0:59:30.000
<v Speaker 3>I'd call Bill, I'd send Bill an email, and I'd

0:59:30.000 --> 0:59:32.480
<v Speaker 3>go out there in February. I'd I'd be out there

0:59:32.480 --> 0:59:35.320
<v Speaker 3>at like seven am because I got to beat the

0:59:35.320 --> 0:59:37.720
<v Speaker 3>traffic all the way out to the Hamptons right and

0:59:37.760 --> 0:59:40.400
<v Speaker 3>then i'd come back. I'd walk the whole thing, probably

0:59:40.440 --> 0:59:43.800
<v Speaker 3>take me six hours. I'd have six hundred photographs for

0:59:43.880 --> 0:59:46.360
<v Speaker 3>the day. You know, the bunkers have palettes in them,

0:59:46.440 --> 0:59:48.160
<v Speaker 3>or white things like that. For the way there's no flags,

0:59:48.200 --> 0:59:51.360
<v Speaker 3>it didn't matter, and you know, so like I was

0:59:51.400 --> 0:59:53.240
<v Speaker 3>able to take every and I probably did that two

0:59:53.360 --> 0:59:56.280
<v Speaker 3>or three times over the course of and then finally

0:59:56.480 --> 0:59:59.200
<v Speaker 3>one time, you know, somehow, I you know, it was

0:59:59.280 --> 1:00:02.720
<v Speaker 3>nice enough to have me out there. It was man.

1:00:02.800 --> 1:00:05.480
<v Speaker 3>I played with Ben Hiward. It was the windiest it

1:00:05.520 --> 1:00:07.560
<v Speaker 3>was literally there was a tropical storm off the coast

1:00:07.560 --> 1:00:09.480
<v Speaker 3>of Long Island. We were the only people to play

1:00:09.480 --> 1:00:12.440
<v Speaker 3>the golf course that day. But you know, you wouldn't

1:00:12.440 --> 1:00:15.280
<v Speaker 3>have had that, you know experience. I was pretty funny.

1:00:15.280 --> 1:00:17.360
<v Speaker 3>They were like literally two tailor made reps in the

1:00:17.400 --> 1:00:18.840
<v Speaker 3>shop with us. It was the four of us in

1:00:18.840 --> 1:00:20.240
<v Speaker 3>the morning, and they were trying to wait it out,

1:00:20.280 --> 1:00:21.720
<v Speaker 3>and we were like, all right, let's go for it.

1:00:21.880 --> 1:00:24.680
<v Speaker 3>They never went out with only people on the golf

1:00:24.680 --> 1:00:28.520
<v Speaker 3>course that whole day. But I smashed a best drive

1:00:28.680 --> 1:00:31.200
<v Speaker 3>and best three wood of my wife and barely got

1:00:31.240 --> 1:00:34.680
<v Speaker 3>pinhigh on seventeen. So that tells you how much wind

1:00:34.680 --> 1:00:36.919
<v Speaker 3>there was. That's a lot of wind.

1:00:37.280 --> 1:00:38.000
<v Speaker 2>The uh.

1:00:38.360 --> 1:00:41.400
<v Speaker 1>Yeah, So the first time I played, Yeah, my buddy

1:00:41.520 --> 1:00:44.360
<v Speaker 1>was like, what did you think. I'm like, you know, honestly,

1:00:44.440 --> 1:00:47.120
<v Speaker 1>I can't even tell you because I'm like kind of

1:00:47.200 --> 1:00:51.160
<v Speaker 1>like my I'm a total sensory overload.

1:00:51.160 --> 1:00:51.920
<v Speaker 3>You couldn't take it in.

1:00:52.200 --> 1:00:54.800
<v Speaker 2>Like the second time I played, I like saw i'd

1:00:54.840 --> 1:00:55.600
<v Speaker 2>noticed a lot.

1:00:55.440 --> 1:00:56.560
<v Speaker 3>More stuff like yeah.

1:00:56.600 --> 1:00:59.440
<v Speaker 1>And then the third time I was there, I played

1:00:59.480 --> 1:01:02.120
<v Speaker 1>with like a hit and a per Simon or a

1:01:02.160 --> 1:01:06.920
<v Speaker 1>Hickory driver and a Ballota ball and it was like insane,

1:01:07.040 --> 1:01:08.400
<v Speaker 1>you know, like, all of a sudden, I saw so

1:01:08.480 --> 1:01:09.200
<v Speaker 1>much more than.

1:01:09.080 --> 1:01:11.640
<v Speaker 3>I ever about that restoration movement.

1:01:12.240 --> 1:01:17.040
<v Speaker 1>The seventeenth tea was the most and like this, everybody

1:01:17.040 --> 1:01:21.720
<v Speaker 1>talks about how great seventeen is, right and playing modern,

1:01:23.680 --> 1:01:26.360
<v Speaker 1>it's not a great hole for me because I just

1:01:26.560 --> 1:01:30.800
<v Speaker 1>blasted up the left and there's no thought like but

1:01:30.920 --> 1:01:31.800
<v Speaker 1>then all of a sudden.

1:01:31.600 --> 1:01:34.160
<v Speaker 2>I have a hickory and a Lota in my hand, right,

1:01:34.240 --> 1:01:37.480
<v Speaker 2>and all of a sudden, I saw so many more about.

1:01:37.640 --> 1:01:40.440
<v Speaker 3>That's what the Principal's nose really was, wasn't it. It

1:01:40.480 --> 1:01:42.520
<v Speaker 3>was like a three dimensional hazard when you had to

1:01:42.560 --> 1:01:45.960
<v Speaker 3>try to get the old hickory stuff airborne, because that

1:01:46.240 --> 1:01:47.040
<v Speaker 3>so it was like a.

1:01:47.040 --> 1:01:51.640
<v Speaker 2>Vertical hazard, correct, right, And in all of a sudden.

1:01:51.400 --> 1:01:54.600
<v Speaker 1>The seventeenth I had this like I was like, oh,

1:01:55.360 --> 1:01:58.680
<v Speaker 1>like I got why it was cool, but I at

1:01:58.720 --> 1:02:01.040
<v Speaker 1>the same time, I'm like, nobody can call this is

1:02:01.080 --> 1:02:03.560
<v Speaker 1>the greatest part four in the world right now, because

1:02:03.680 --> 1:02:06.360
<v Speaker 1>like with modern equipment, you just hit it over it,

1:02:06.800 --> 1:02:10.760
<v Speaker 1>you know, and it's not the design's fault. You know,

1:02:10.880 --> 1:02:15.560
<v Speaker 1>it's the governing body's fault. But like it's not like

1:02:15.640 --> 1:02:19.480
<v Speaker 1>you know it by today's standard, is you know, sadly

1:02:19.600 --> 1:02:22.040
<v Speaker 1>not the But then all of a sudden with the

1:02:22.080 --> 1:02:25.400
<v Speaker 1>old equipment, I'm like, but I appreciate that more. And

1:02:25.400 --> 1:02:27.040
<v Speaker 1>then people are like, what are you gonna write about

1:02:27.040 --> 1:02:29.280
<v Speaker 1>this place? And I'm like, frankly, I'm not even right

1:02:29.440 --> 1:02:31.120
<v Speaker 1>right about it. What am I gonna write? What am

1:02:31.160 --> 1:02:32.000
<v Speaker 1>I going to add to.

1:02:32.000 --> 1:02:33.120
<v Speaker 2>The subject right now?

1:02:33.280 --> 1:02:36.000
<v Speaker 1>Yeah, because I haven't even seen and I don't know

1:02:36.120 --> 1:02:39.520
<v Speaker 1>enough about it. You know, certain places you can you know,

1:02:39.800 --> 1:02:44.200
<v Speaker 1>shed light on early on that people haven't provided the places.

1:02:43.960 --> 1:02:46.640
<v Speaker 3>Museum, you could write about so many different things. There's

1:02:46.760 --> 1:02:51.600
<v Speaker 3>like every kind of bunker on the ever you know

1:02:51.840 --> 1:02:54.400
<v Speaker 3>imagined is somewhere out there already.

1:02:54.440 --> 1:02:57.880
<v Speaker 2>Right seventeen, the bunker with the top, I mean.

1:02:57.760 --> 1:03:01.800
<v Speaker 3>That's why, you know, then the next McKell or to

1:03:01.840 --> 1:03:02.600
<v Speaker 3>the trench bunker.

1:03:04.200 --> 1:03:08.200
<v Speaker 2>The inverted bunkers at Garden City are well they're out

1:03:08.240 --> 1:03:12.600
<v Speaker 2>there at National Yeah, it's inverted bunkers need to come back.

1:03:13.080 --> 1:03:13.640
<v Speaker 2>I saw.

1:03:15.640 --> 1:03:19.040
<v Speaker 3>We were talking earlier, right, the the sort of you know,

1:03:19.120 --> 1:03:22.840
<v Speaker 3>the future, right, the change, the reaction to the other stuff. Well,

1:03:23.280 --> 1:03:25.560
<v Speaker 3>there you go, invert bunk.

1:03:25.640 --> 1:03:29.360
<v Speaker 6>You don't need Billy bunker for that, right, So cool

1:03:30.640 --> 1:03:33.560
<v Speaker 6>anyway that doesn't know what invert bunker is like literally

1:03:33.840 --> 1:03:37.320
<v Speaker 6>just think about flipping a bunker over and then just

1:03:37.400 --> 1:03:39.880
<v Speaker 6>put it mound with sand on top of it.

1:03:40.720 --> 1:03:43.800
<v Speaker 3>Yeah, I like the cool ones that certainly a Garden

1:03:43.840 --> 1:03:48.040
<v Speaker 3>City where it's like deep bunker and then it's got

1:03:48.080 --> 1:03:50.400
<v Speaker 3>something in the middle, and then it goes to the

1:03:50.440 --> 1:03:53.600
<v Speaker 3>it's got the trifecta, right, the inverted and then the

1:03:53.600 --> 1:03:57.200
<v Speaker 3>middle stage and then the like deep cavern all in

1:03:57.240 --> 1:04:03.720
<v Speaker 3>like a triplet right there. Those are so Walter Travis.

1:04:03.720 --> 1:04:09.160
<v Speaker 3>It was just brilliant with his creation of features. But

1:04:09.760 --> 1:04:12.360
<v Speaker 3>I think we only got one overrated underrated.

1:04:11.960 --> 1:04:15.680
<v Speaker 2>And then way man time, Well, you know, discussion.

1:04:15.720 --> 1:04:18.080
<v Speaker 3>I'm glad you got brought that back there. I feel

1:04:18.080 --> 1:04:20.200
<v Speaker 3>honored to participate it in that.

1:04:21.360 --> 1:04:24.480
<v Speaker 1>You know, it's a good because it just jumps you

1:04:24.520 --> 1:04:25.720
<v Speaker 1>into these topics.

1:04:25.840 --> 1:04:29.200
<v Speaker 2>Yeah, look at the rabbit hole. It led us into

1:04:29.520 --> 1:04:32.680
<v Speaker 2>mm hmmm. All right, this is enough. You know, the

1:04:32.720 --> 1:04:33.480
<v Speaker 2>second end.

1:04:33.400 --> 1:04:38.120
<v Speaker 3>It's gonna be just sheer, delusional golf nerd stuff after this.

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<v Speaker 2>Thanks for coming on for the second time. All right.

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<v Speaker 1>People can find you on Instagram, proper Golf at proper Golf,

1:04:44.960 --> 1:04:45.880
<v Speaker 1>and they can read all.

1:04:45.800 --> 1:04:47.880
<v Speaker 2>Your stuff on the Friday. You've written a lot of stuff.

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<v Speaker 3>A lot of stuff were fourteen weeks up right, I

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<v Speaker 3>think today or yesterday fourteen went up right from the

1:04:56.400 --> 1:05:00.760
<v Speaker 3>old course Cide wrote about. Yeah, so come down the stretch.

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<v Speaker 1>Yeah, you gotta be like the fifth most contributing author

1:05:06.320 --> 1:05:07.080
<v Speaker 1>on the Friday.

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<v Speaker 3>So I'm gonna remember that then one of these days

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<v Speaker 3>when it' you better be careful. Now we got photographs too,

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<v Speaker 3>I know this is just giving me amo. Yeah.

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<v Speaker 1>Perfect, All right, Well, we'll talk to you soon and

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<v Speaker 1>look forward to seeing edgartown.

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<v Speaker 3>Yeah, I get out there, awesome. Definitely nothing wrong with

1:05:35.120 --> 1:05:36.600
<v Speaker 3>day playing golf in Martha's vineyard.

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<v Speaker 2>There's always time for nine or eighteen or eighteen.

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<v Speaker 3>You gotta play both seven and sixteen