1 00:00:00,240 --> 00:00:02,040 Speaker 1: We are so excited about this moment. We've been waiting 2 00:00:02,040 --> 00:00:06,360 Speaker 1: for this moment for several years now. Gentlemen have just 3 00:00:06,400 --> 00:00:10,840 Speaker 1: walked into the room. I see Donnie, I see Jonathan, 4 00:00:10,960 --> 00:00:13,640 Speaker 1: I see Jordan, I see Joey, I see Danny. New 5 00:00:13,720 --> 00:00:19,520 Speaker 1: Kids was like, it's like remember in the magic mirror, 6 00:00:19,640 --> 00:00:21,959 Speaker 1: right right in the magic mirror, I see, I see, 7 00:00:22,200 --> 00:00:26,159 Speaker 1: I see, I see in a very important era in 8 00:00:26,239 --> 00:00:28,800 Speaker 1: so many people's lives that we continue to celebrate today. 9 00:00:28,880 --> 00:00:31,280 Speaker 1: And you continue to continue to get out there and 10 00:00:31,320 --> 00:00:33,880 Speaker 1: hang out with the fans of New KOs Block the blockheads. 11 00:00:34,080 --> 00:00:34,599 Speaker 2: Yeah, they love. 12 00:00:35,040 --> 00:00:37,560 Speaker 1: Let's dig into that. Welcome to Z one hundred, where 13 00:00:38,080 --> 00:00:40,480 Speaker 1: I met you back in the nineteen nineties. But back 14 00:00:40,520 --> 00:00:44,800 Speaker 1: then it was different because you guys were injected with 15 00:00:44,920 --> 00:00:49,920 Speaker 1: this incredible crazy ego blasted we're superstar kids. And I 16 00:00:49,960 --> 00:00:52,920 Speaker 1: had the babies of all five of you still might 17 00:00:53,120 --> 00:00:55,640 Speaker 1: still might. And you guys were having you're having fart 18 00:00:55,680 --> 00:00:59,400 Speaker 1: contest in the corner. That's like an episode of our cartoon. 19 00:01:00,120 --> 00:01:01,319 Speaker 3: Yeah, well you were. 20 00:01:01,360 --> 00:01:03,600 Speaker 1: You were your farting in my studio, were lighting them 21 00:01:03,600 --> 00:01:06,960 Speaker 1: on fire. We used to do that on that. Well 22 00:01:07,000 --> 00:01:09,760 Speaker 1: guess what I think, I think I introduced that. 23 00:01:09,880 --> 00:01:13,800 Speaker 4: By the way, that was you well on fire. 24 00:01:13,840 --> 00:01:15,720 Speaker 1: Guess what the interview is young and we have a 25 00:01:15,760 --> 00:01:22,240 Speaker 1: lighter Welcome guys, it's so great to have you here. 26 00:01:22,319 --> 00:01:24,520 Speaker 1: And what's what's wonderful about new kids on the block. 27 00:01:24,640 --> 00:01:29,399 Speaker 1: It's not only one big ball of energy, it's five 28 00:01:29,680 --> 00:01:34,880 Speaker 1: interesting guys that have five interesting lives. It's ten balls. Well, 29 00:01:34,959 --> 00:01:37,800 Speaker 1: I don't know, it depends on if interview. Well, I 30 00:01:37,880 --> 00:01:41,600 Speaker 1: didn't hear about my surgery, so I guess it's eleven. 31 00:01:41,840 --> 00:01:45,119 Speaker 1: It's now eleven balls, So welcome to the show. We've 32 00:01:45,160 --> 00:01:48,080 Speaker 1: had things to celebrate. Of course, the album Still Kids 33 00:01:48,200 --> 00:01:52,080 Speaker 1: is coming out tomorrow, I do believe, And of course Kids, 34 00:01:52,120 --> 00:01:53,560 Speaker 1: we got to play that in a second. But also 35 00:01:53,640 --> 00:01:56,200 Speaker 1: I have another song that people haven't heard being released tomorrow. 36 00:01:56,480 --> 00:01:58,480 Speaker 1: We're waiting for legal to say we can push the 37 00:01:58,520 --> 00:02:01,720 Speaker 1: play button. You can, ye, of course. All right, let's 38 00:02:01,720 --> 00:02:04,880 Speaker 1: break the lot. Yeah, let's break crazy. You're taking over 39 00:02:04,880 --> 00:02:09,080 Speaker 1: for Good Morning America tomorrow, I believe, Yeah, yeah, yeah, 40 00:02:09,120 --> 00:02:11,680 Speaker 1: it's going to be early early, It's going to be early. 41 00:02:11,760 --> 00:02:14,280 Speaker 1: This is late compared to Good Morning America. I think 42 00:02:14,280 --> 00:02:19,960 Speaker 1: we have to be there tonight tomorrow. You all look 43 00:02:20,160 --> 00:02:23,600 Speaker 1: fresh having New Kids on the Block visit your show 44 00:02:23,800 --> 00:02:25,840 Speaker 1: is not an easy task because there were so many 45 00:02:25,840 --> 00:02:28,440 Speaker 1: moving parts. Because you you have things to do, You've 46 00:02:28,600 --> 00:02:32,160 Speaker 1: you've got scheduled. I'm looking at your schedule, guys. When 47 00:02:32,240 --> 00:02:33,799 Speaker 1: is the next cruise? I'm gonna go on the next 48 00:02:33,919 --> 00:02:36,399 Speaker 1: New Kids cruise? You should go on the next. 49 00:02:36,919 --> 00:02:39,800 Speaker 5: Thirteen of them so far, twelve real ones and one 50 00:02:40,160 --> 00:02:43,359 Speaker 5: virtual one because of some virus a few years ago. 51 00:02:43,840 --> 00:02:45,320 Speaker 1: How do you do a virtual cruise? 52 00:02:46,160 --> 00:02:52,200 Speaker 5: We just oh, we all got back yeah, yeah, and 53 00:02:52,240 --> 00:02:56,040 Speaker 5: then we zoomed each other. Yeah, and then invited a 54 00:02:56,120 --> 00:02:58,880 Speaker 5: thousand or two thousand or ten thousand fans and to 55 00:02:59,000 --> 00:03:00,200 Speaker 5: watch it was really fun. 56 00:03:00,639 --> 00:03:03,359 Speaker 1: It was fun actually, and of course your fans, as 57 00:03:03,400 --> 00:03:05,240 Speaker 1: you know, are I don't want to use the word 58 00:03:05,280 --> 00:03:07,880 Speaker 1: rabbit because that's a little negative. They're just very enthusiastic. 59 00:03:07,960 --> 00:03:10,760 Speaker 1: So if you're on a ship, which you know, not 60 00:03:10,800 --> 00:03:12,280 Speaker 1: a lot of exits, when you're in the middle of 61 00:03:12,280 --> 00:03:16,359 Speaker 1: the ocean, you're there, Yeah, gets no getting big. 62 00:03:17,160 --> 00:03:19,160 Speaker 4: Yeah, Yeah, it's a big I mean, we we go, 63 00:03:19,520 --> 00:03:22,160 Speaker 4: we give them the time of their lives. We just 64 00:03:22,280 --> 00:03:24,600 Speaker 4: try to give back and they're you know, it's a 65 00:03:24,600 --> 00:03:28,079 Speaker 4: big deal, but it's non stop, and we're not, you know, 66 00:03:28,320 --> 00:03:30,799 Speaker 4: hiding in a cabin the whole time. It's like we're 67 00:03:31,040 --> 00:03:33,520 Speaker 4: in a mosh pit the whole time, basically. 68 00:03:33,240 --> 00:03:37,080 Speaker 1: Floating mash pit. Yeh offentastic phenomenal these cruises, though, I 69 00:03:37,080 --> 00:03:39,360 Speaker 1: mean twelve, that's a lot. I mean, are there any 70 00:03:39,400 --> 00:03:41,680 Speaker 1: more scheduled? Or is that a thing that you put 71 00:03:41,720 --> 00:03:42,640 Speaker 1: on hold for a while? 72 00:03:42,840 --> 00:03:47,440 Speaker 5: Not scheduled, But I would predict that one will happen again. 73 00:03:47,480 --> 00:03:49,840 Speaker 5: You know, in your green room, there's a big cruise 74 00:03:50,280 --> 00:03:53,360 Speaker 5: that's our spring cruise line than the one we typically use. 75 00:03:53,440 --> 00:03:56,400 Speaker 5: But some of us were getting excited looking at that 76 00:03:56,480 --> 00:03:58,280 Speaker 5: little scale model of a cruise. 77 00:03:58,280 --> 00:04:00,200 Speaker 1: Shill free. We can move you up to our crew line. 78 00:04:00,360 --> 00:04:07,680 Speaker 5: Whenever you're ready, maybe we can move you over to ours. 79 00:04:07,720 --> 00:04:10,360 Speaker 1: We have agents for these things. Let's talk about it. 80 00:04:10,360 --> 00:04:12,560 Speaker 1: What it's like getting back into the studio with each other. 81 00:04:13,000 --> 00:04:15,720 Speaker 1: I know that Donnie, you you helped, You were part 82 00:04:15,760 --> 00:04:18,240 Speaker 1: of writing the writing process, right with anyone else. 83 00:04:18,960 --> 00:04:22,880 Speaker 5: I probably got the ship to use a pun a 84 00:04:22,920 --> 00:04:25,880 Speaker 5: recent pun started. I got the ball rolling to use 85 00:04:25,920 --> 00:04:29,320 Speaker 5: another pun a few minutes ago. My love, this is 86 00:04:29,320 --> 00:04:30,440 Speaker 5: the second time we've talked about ball. 87 00:04:30,480 --> 00:04:31,919 Speaker 3: That's right, uh, No. 88 00:04:32,040 --> 00:04:35,600 Speaker 5: I started writing the writing process a little while ago, 89 00:04:35,800 --> 00:04:38,520 Speaker 5: and we started recording, and you know, it's always a 90 00:04:38,560 --> 00:04:42,440 Speaker 5: process and you know, discovering what we want to talk about, 91 00:04:42,480 --> 00:04:44,480 Speaker 5: what we want to say, the music that feels right 92 00:04:44,520 --> 00:04:46,440 Speaker 5: for us. And I think we got a few songs 93 00:04:46,440 --> 00:04:49,840 Speaker 5: done and then Joey came and got really inspired and 94 00:04:50,000 --> 00:04:52,279 Speaker 5: really kind of got us across the finish line with 95 00:04:52,320 --> 00:04:54,360 Speaker 5: the album and bringing a bunch of new songs and 96 00:04:54,400 --> 00:04:57,240 Speaker 5: new energy after I sort of got it started. So 97 00:04:57,279 --> 00:05:01,000 Speaker 5: it just and everybody was game on recording, recording at 98 00:05:01,080 --> 00:05:04,120 Speaker 5: all hours of the night. I think joe held John 99 00:05:04,200 --> 00:05:05,560 Speaker 5: hostage in a hotel. 100 00:05:05,279 --> 00:05:07,920 Speaker 3: Room to sing a song. Yeah. 101 00:05:08,120 --> 00:05:09,080 Speaker 1: That was pretty cool. 102 00:05:09,200 --> 00:05:11,400 Speaker 5: Yeah, but it was we were all in. We were 103 00:05:11,440 --> 00:05:15,159 Speaker 5: all in to do this our We haven't really done 104 00:05:15,200 --> 00:05:18,440 Speaker 5: a new album in gosh over eleven years. Yeah, so 105 00:05:18,680 --> 00:05:21,640 Speaker 5: this was something that I think was important for the fans, 106 00:05:21,680 --> 00:05:25,400 Speaker 5: and as it turned out, by the time we finished, 107 00:05:25,440 --> 00:05:27,720 Speaker 5: we realized it was also very important for us. We 108 00:05:27,800 --> 00:05:31,640 Speaker 5: really bonded in a new way. It took a lot 109 00:05:31,680 --> 00:05:33,839 Speaker 5: of effort to pull this off with all our busy 110 00:05:33,839 --> 00:05:36,000 Speaker 5: schedules and stuff, and to have done it and to 111 00:05:36,040 --> 00:05:37,840 Speaker 5: feel so good about it and so proud of it. 112 00:05:38,680 --> 00:05:40,440 Speaker 5: We can't wait for the fans to hear it. We're 113 00:05:40,520 --> 00:05:41,160 Speaker 5: very excited about. 114 00:05:41,200 --> 00:05:44,200 Speaker 1: Let me use Jonathan as an example. So you're we 115 00:05:44,279 --> 00:05:50,520 Speaker 1: see you doing your show, uh farmhouse fixer, fix Fixer, fixer, 116 00:05:50,560 --> 00:05:53,800 Speaker 1: and I need you, by the way, it's falling down. 117 00:05:54,040 --> 00:05:54,960 Speaker 3: I need you to build it. 118 00:05:55,240 --> 00:05:58,799 Speaker 1: But we see you living in this bucolic world where 119 00:05:58,920 --> 00:06:01,240 Speaker 1: you know your busy day, in a great relationship with 120 00:06:01,279 --> 00:06:04,080 Speaker 1: great friends that you work with to redo these amazing 121 00:06:04,920 --> 00:06:09,279 Speaker 1: historical homes and things like that. I can imagine you 122 00:06:09,279 --> 00:06:13,800 Speaker 1: were the last one going, oh god, I don't tell 123 00:06:13,880 --> 00:06:15,400 Speaker 1: of this to go to a city that has over 124 00:06:15,480 --> 00:06:19,600 Speaker 1: ten people in it, Welcome to New York. I mean, 125 00:06:19,839 --> 00:06:22,600 Speaker 1: let's use your example. I mean were you were you 126 00:06:22,680 --> 00:06:25,800 Speaker 1: a holdout coming back into the studio to do this 127 00:06:25,880 --> 00:06:26,760 Speaker 1: or were you ready to go? 128 00:06:27,960 --> 00:06:29,279 Speaker 5: You know, I'm always ready. 129 00:06:29,800 --> 00:06:31,000 Speaker 3: I have a really good. 130 00:06:30,800 --> 00:06:33,800 Speaker 6: Balance, so you know, I get to do my thing 131 00:06:33,960 --> 00:06:36,280 Speaker 6: and then get to jump back in with these guys. 132 00:06:36,360 --> 00:06:38,080 Speaker 5: So that's the both. 133 00:06:37,839 --> 00:06:40,520 Speaker 1: Worlds, right. What about you, Danny? Was it like okay, 134 00:06:40,600 --> 00:06:42,680 Speaker 1: and I've been waiting for your call, but eaiting by 135 00:06:42,720 --> 00:06:43,719 Speaker 1: the phone. I was waiting. 136 00:06:43,800 --> 00:06:46,640 Speaker 7: I was ready to go and it was especially it 137 00:06:46,680 --> 00:06:49,080 Speaker 7: was a lot of fun, especially two guys in the 138 00:06:49,080 --> 00:06:51,719 Speaker 7: group writing for all of us, so it was easy 139 00:06:51,760 --> 00:06:53,839 Speaker 7: to sing the songs. It was easy to relate to 140 00:06:53,880 --> 00:06:56,400 Speaker 7: what they wrote. So to me, this was the most 141 00:06:56,440 --> 00:06:59,440 Speaker 7: fun I've had since we've been back together recording. 142 00:06:59,520 --> 00:06:59,919 Speaker 3: There you go. 143 00:07:00,000 --> 00:07:01,160 Speaker 1: What about you, Jordan, what are you thinking? 144 00:07:03,480 --> 00:07:06,719 Speaker 8: I I you know, I love music like everybody else, 145 00:07:07,000 --> 00:07:09,960 Speaker 8: and it's fun. It's fun to do new music. 146 00:07:10,040 --> 00:07:10,840 Speaker 1: That's the thing. 147 00:07:10,920 --> 00:07:13,120 Speaker 8: Like when we go on tour, we sing all of 148 00:07:13,120 --> 00:07:15,640 Speaker 8: our hits all the time, you know, every every tour. 149 00:07:15,720 --> 00:07:16,720 Speaker 1: That's what the fans want. 150 00:07:17,160 --> 00:07:20,920 Speaker 8: But for us, it's like great and fun for us 151 00:07:20,960 --> 00:07:23,400 Speaker 8: to do new music. And for our hardcore fans, they 152 00:07:23,440 --> 00:07:26,720 Speaker 8: want to see new music, new routines, and it's just 153 00:07:26,880 --> 00:07:29,520 Speaker 8: it's fun. It's fun creating music. That's why we started 154 00:07:29,560 --> 00:07:29,960 Speaker 8: doing this. 155 00:07:30,040 --> 00:07:31,480 Speaker 3: So there you go. 156 00:07:31,800 --> 00:07:32,920 Speaker 1: I think. I think when you. 157 00:07:33,200 --> 00:07:38,000 Speaker 4: Go ahead, no, I I just the dynamic of you know, like. 158 00:07:41,440 --> 00:07:44,080 Speaker 1: Getting a little emotional actually good no. But the. 159 00:07:45,960 --> 00:07:53,720 Speaker 4: You know, saying yes, you know, it's like saying damn sorry. 160 00:07:53,760 --> 00:07:55,320 Speaker 4: It's early saying yes. 161 00:07:55,160 --> 00:07:57,240 Speaker 1: To each other. You know what I'm saying, Like Donnie 162 00:07:57,240 --> 00:07:58,000 Speaker 1: says yes. 163 00:07:57,880 --> 00:08:01,320 Speaker 4: First and deals with whatever and I know Jordan's said 164 00:08:01,360 --> 00:08:03,560 Speaker 4: yes from the get go, like when Donnie was working 165 00:08:03,600 --> 00:08:06,080 Speaker 4: out and when you have Jordan Knight showing up in 166 00:08:06,680 --> 00:08:09,520 Speaker 4: laying down vocals like you know, it's just like that 167 00:08:09,760 --> 00:08:11,760 Speaker 4: energy and you get to trade off with each other 168 00:08:11,840 --> 00:08:14,960 Speaker 4: and and people showing up and Danny always being there 169 00:08:15,000 --> 00:08:17,320 Speaker 4: and John like like you say, coming off the farm 170 00:08:17,360 --> 00:08:19,760 Speaker 4: and going yeah, let's let's do it. You know what 171 00:08:19,800 --> 00:08:22,200 Speaker 4: I mean, And it's it can be. It's a real process. 172 00:08:22,240 --> 00:08:28,000 Speaker 1: It's it even though you've known everybody, but there's no greater. Wow, 173 00:08:28,280 --> 00:08:32,480 Speaker 1: the complement. Then your your your boys, you know, showing 174 00:08:32,600 --> 00:08:37,000 Speaker 1: up five said yes, sorry it was it was no, no, no, 175 00:08:37,120 --> 00:08:39,360 Speaker 1: you know no. I think I think that's a very 176 00:08:39,520 --> 00:08:42,120 Speaker 1: that's a very important part of the story. Important part 177 00:08:42,120 --> 00:08:44,200 Speaker 1: of the story because the history you have with each other, 178 00:08:44,360 --> 00:08:46,480 Speaker 1: the good, the bad, and of course it was what 179 00:08:46,520 --> 00:08:49,320 Speaker 1: it was. It was like sitting in an electric chair 180 00:08:49,360 --> 00:08:51,679 Speaker 1: being a new kill on the block performer back in 181 00:08:51,720 --> 00:08:54,640 Speaker 1: the day. And now you're like, am I gonna say 182 00:08:54,720 --> 00:08:58,960 Speaker 1: yes to this? Let me think for a for a second, 183 00:08:59,400 --> 00:09:02,320 Speaker 1: and then when you do say yes, I must assume 184 00:09:02,320 --> 00:09:05,000 Speaker 1: there's a thin line between excitement and all what the 185 00:09:05,200 --> 00:09:08,520 Speaker 1: f am I doing? We go? But you did it? 186 00:09:08,640 --> 00:09:10,120 Speaker 1: You did it? What were we gonna say? I was 187 00:09:10,160 --> 00:09:10,640 Speaker 1: just gonna ask. 188 00:09:10,640 --> 00:09:14,720 Speaker 9: Now I feel bad asking because he's crying around, being 189 00:09:14,760 --> 00:09:16,760 Speaker 9: that you guys have been doing this for so long 190 00:09:17,160 --> 00:09:19,760 Speaker 9: and you have been singing these songs a lot. Is 191 00:09:19,800 --> 00:09:22,640 Speaker 9: there one song that you all go, yeah, we're just 192 00:09:22,640 --> 00:09:24,720 Speaker 9: not gonna do that one anymore, or we would rather 193 00:09:24,800 --> 00:09:25,880 Speaker 9: not do that one anymore. 194 00:09:27,240 --> 00:09:28,960 Speaker 3: Sure, everyone has one. 195 00:09:29,720 --> 00:09:32,240 Speaker 4: There's a certain We always say there's a certain member 196 00:09:32,240 --> 00:09:34,360 Speaker 4: that doesn't like to sing a certain song. 197 00:09:34,480 --> 00:09:38,439 Speaker 1: But but you know, okay, what is it? 198 00:09:40,040 --> 00:09:42,160 Speaker 5: Is it just but to see it's it's it's a 199 00:09:42,160 --> 00:09:47,440 Speaker 5: little bit of a trick question because I personally don't 200 00:09:47,679 --> 00:09:50,200 Speaker 5: really get that excited if I hear the right stuff. 201 00:09:50,240 --> 00:09:53,600 Speaker 5: Come on, you know, if I'm at a basketball game 202 00:09:53,760 --> 00:09:55,719 Speaker 5: or somewhere in public and they know I'm there, they 203 00:09:55,720 --> 00:09:58,080 Speaker 5: of course they're gonna play it, and it's like, all. 204 00:09:58,080 --> 00:09:59,440 Speaker 3: Right, still my favorites. 205 00:10:00,040 --> 00:10:03,400 Speaker 5: Well, Donnie, but in concert, in concert with our fans, 206 00:10:03,640 --> 00:10:06,679 Speaker 5: there's not really a better moment than performing the right stuff. 207 00:10:06,720 --> 00:10:09,520 Speaker 1: Well, let me do let me do an electrify, Donnie, 208 00:10:09,520 --> 00:10:13,599 Speaker 1: which song does Jonathan hat do it? I'm trying to 209 00:10:13,640 --> 00:10:15,840 Speaker 1: I'm trying to figure out which one he likes doing. 210 00:10:21,440 --> 00:10:28,439 Speaker 1: He likes the wom when he's off stage, John. 211 00:10:27,040 --> 00:10:29,200 Speaker 3: Dream all right, I want to take you. 212 00:10:29,360 --> 00:10:31,360 Speaker 1: I want to take you guys back to that first 213 00:10:31,480 --> 00:10:34,600 Speaker 1: moment you were all in the studio together to uh 214 00:10:34,679 --> 00:10:37,480 Speaker 1: to start working on Still Kids, all right, that very 215 00:10:37,520 --> 00:10:40,240 Speaker 1: first moment when you're about to like I guess you're 216 00:10:40,280 --> 00:10:43,360 Speaker 1: warming up or doing whatever vocalists do, but you're about 217 00:10:43,400 --> 00:10:46,440 Speaker 1: to have to get to work on an album. Was 218 00:10:46,480 --> 00:10:50,120 Speaker 1: it a little scary, a little frightening that this is 219 00:10:50,120 --> 00:10:52,719 Speaker 1: a trick question. We were never all in. 220 00:10:52,720 --> 00:10:56,280 Speaker 4: The same studio to making a record in you know, 221 00:10:56,440 --> 00:10:59,839 Speaker 4: twenty twenty three, twenty twenty four. I think so there 222 00:10:59,880 --> 00:11:02,200 Speaker 4: was always a little bit, I mean, frankly to go 223 00:11:02,280 --> 00:11:06,080 Speaker 4: back to, you know, John and I expect the fans 224 00:11:06,120 --> 00:11:08,800 Speaker 4: to make me a statue because I wrote I wrote 225 00:11:09,240 --> 00:11:12,600 Speaker 4: a song for John and they you know, he is beloved. 226 00:11:12,640 --> 00:11:14,960 Speaker 4: So the fact that he has this soulo it's called 227 00:11:14,960 --> 00:11:17,880 Speaker 4: better Days on the on the album, and I felt 228 00:11:17,920 --> 00:11:19,680 Speaker 4: like I was trying to romance the guy. And we 229 00:11:19,760 --> 00:11:26,400 Speaker 4: did it in a hotel room. We recorded a hotel room, 230 00:11:26,840 --> 00:11:29,520 Speaker 4: and like you know, there was lots of those moments. 231 00:11:29,559 --> 00:11:32,079 Speaker 4: I think the moment you're speaking to are those moments 232 00:11:32,080 --> 00:11:34,400 Speaker 4: of like, how are we going to do this? You know, 233 00:11:34,400 --> 00:11:36,040 Speaker 4: how are we going to make this call? How are 234 00:11:36,080 --> 00:11:39,120 Speaker 4: you gonna like say, hey, how about sing this part? 235 00:11:39,200 --> 00:11:39,840 Speaker 4: Sing this part? 236 00:11:39,920 --> 00:11:40,960 Speaker 1: What do you think of this song? 237 00:11:41,040 --> 00:11:44,600 Speaker 4: Because it is all subjective, you know, and and the 238 00:11:44,640 --> 00:11:47,080 Speaker 4: tough part is to say, I don't think, so that's 239 00:11:47,120 --> 00:11:47,440 Speaker 4: not me. 240 00:11:47,600 --> 00:11:49,320 Speaker 1: How about this? You know what I mean, it's that 241 00:11:49,400 --> 00:11:51,280 Speaker 1: kind of thing. I don't know if that answers your question. 242 00:11:51,360 --> 00:11:51,640 Speaker 1: It does. 243 00:11:52,000 --> 00:11:55,920 Speaker 5: There's still yeah, there's still vulnerability, and there's still you know, 244 00:11:55,960 --> 00:11:59,280 Speaker 5: it's still art in some ways. When we're writing songs 245 00:11:59,320 --> 00:12:01,880 Speaker 5: and putting concerts together and doing this stuff, we still 246 00:12:01,880 --> 00:12:06,280 Speaker 5: have to we want to get everybody on the same page. 247 00:12:06,280 --> 00:12:08,480 Speaker 5: And it's hard to get five human beings on the 248 00:12:08,520 --> 00:12:10,720 Speaker 5: same page with such different life. So, as Joey was 249 00:12:10,720 --> 00:12:14,720 Speaker 5: saying earlier, I think kind of and I experienced it myself, 250 00:12:14,800 --> 00:12:19,160 Speaker 5: is when you're presenting ideas and stuff to people who've 251 00:12:19,160 --> 00:12:21,280 Speaker 5: been doing it this long and been in the industry 252 00:12:21,320 --> 00:12:24,400 Speaker 5: this long, you know, it's like, damn, I hope they 253 00:12:24,480 --> 00:12:27,000 Speaker 5: like it. And even though it's our bandmates, you want 254 00:12:27,000 --> 00:12:30,160 Speaker 5: their respect. In many ways more than anybody else's. You know, 255 00:12:30,240 --> 00:12:33,560 Speaker 5: if some other artist turns down a song I write, well, 256 00:12:34,160 --> 00:12:36,160 Speaker 5: I didn't really expect them to like it in the 257 00:12:36,160 --> 00:12:39,160 Speaker 5: first place. But with your own bandmates, you really want 258 00:12:39,600 --> 00:12:41,960 Speaker 5: them to be excited and enthused, because if they're not, 259 00:12:42,120 --> 00:12:43,840 Speaker 5: you know, it's like you also got to live with 260 00:12:43,880 --> 00:12:45,880 Speaker 5: them and the song was on the record and every 261 00:12:45,920 --> 00:12:47,760 Speaker 5: time it plays you look at it. Oh, yeah, he 262 00:12:47,840 --> 00:12:50,760 Speaker 5: didn't like that song. I got it on behind his back. 263 00:12:50,800 --> 00:12:52,600 Speaker 5: You know, it's like you don't want that. You really 264 00:12:52,640 --> 00:12:56,080 Speaker 5: hope that everyone's in that same energy space. And I 265 00:12:56,120 --> 00:12:59,040 Speaker 5: think at the end of the day, we usually are 266 00:12:59,120 --> 00:13:01,680 Speaker 5: mindful in respect to a little of each other enough 267 00:13:01,760 --> 00:13:05,240 Speaker 5: after all these years to know when to push, when 268 00:13:05,280 --> 00:13:07,960 Speaker 5: to pull back, and what it will take to get 269 00:13:08,040 --> 00:13:10,040 Speaker 5: everyone to sort of be happy and enthusday. 270 00:13:10,200 --> 00:13:13,640 Speaker 1: Level of importance has been heightened absolutely. What do you think, Gandhi? 271 00:13:13,679 --> 00:13:15,400 Speaker 10: Okay, So I've been looking at the text messages and 272 00:13:15,440 --> 00:13:17,360 Speaker 10: everybody wants to talk to these guys like, oh, I 273 00:13:17,440 --> 00:13:19,080 Speaker 10: want to talk to Donnie. I want to talk to Danny, 274 00:13:19,320 --> 00:13:22,680 Speaker 10: which reminds me when I was little. To this day, 275 00:13:23,080 --> 00:13:25,079 Speaker 10: we now still have a nine hundred block on our 276 00:13:25,200 --> 00:13:28,040 Speaker 10: phone because you guys used to have a phone number 277 00:13:28,760 --> 00:13:31,800 Speaker 10: that you could call and allegedly leave you a message, 278 00:13:31,840 --> 00:13:33,120 Speaker 10: and you guys would call us back. 279 00:13:33,240 --> 00:13:38,880 Speaker 5: We have a new one free, oh free this time. 280 00:13:38,720 --> 00:13:40,640 Speaker 10: Because my parents had like a four hundred dollars bill 281 00:13:40,679 --> 00:13:43,240 Speaker 10: from my sister and no one ever called back. So 282 00:13:43,320 --> 00:13:44,600 Speaker 10: I was just thinking, you know, maybe you. 283 00:13:44,600 --> 00:13:47,439 Speaker 5: Could bring on that our new ones free. So what 284 00:13:47,480 --> 00:13:49,720 Speaker 5: we do is we pull out our phones whenever we're 285 00:13:49,720 --> 00:13:52,320 Speaker 5: doing something fun like I'm doing. Hey, everyone, welcome to 286 00:13:52,360 --> 00:13:56,199 Speaker 5: the new Free New Kids hotline. We're hair at the 287 00:13:56,240 --> 00:14:01,520 Speaker 5: Elvis Durant show and yeah, everyone say hi, it's just 288 00:14:01,559 --> 00:14:04,720 Speaker 5: a phone message, and uh, it's all. 289 00:14:04,720 --> 00:14:05,200 Speaker 3: It's free. 290 00:14:05,240 --> 00:14:07,280 Speaker 5: We're not getting any money, so you won't be getting 291 00:14:07,320 --> 00:14:09,839 Speaker 5: a check, but if you want one, we'll talk after. 292 00:14:09,880 --> 00:14:11,600 Speaker 1: That's number, by the way, what is it? What? 293 00:14:12,120 --> 00:14:19,160 Speaker 5: One eight eight six zero New Kids Complete Team one 294 00:14:19,280 --> 00:14:22,720 Speaker 5: eight six zero New Kids one eight six zero. If 295 00:14:22,720 --> 00:14:25,000 Speaker 5: you called, you know the number, So it's okay six 296 00:14:25,160 --> 00:14:28,480 Speaker 5: zero one eight six zero New Kids. Yeah, but it's free. 297 00:14:28,720 --> 00:14:31,400 Speaker 5: It's free, and you hear messages from us all the 298 00:14:31,440 --> 00:14:33,800 Speaker 5: time and it's very eighties but we love it. 299 00:14:33,880 --> 00:14:34,680 Speaker 3: Good Bye everyone. 300 00:14:36,080 --> 00:14:36,720 Speaker 1: That's so cool. 301 00:14:36,800 --> 00:14:40,840 Speaker 4: I think Pink famously got grounded actually for spending so 302 00:14:40,960 --> 00:14:42,760 Speaker 4: much money on that nine hundred number. 303 00:14:42,880 --> 00:14:46,240 Speaker 10: So did Pria Gandhi, sorry listening, I tried. 304 00:14:47,440 --> 00:14:52,080 Speaker 1: So I know. Uh, you're leaving after this interview, Donnie 305 00:14:52,080 --> 00:14:53,520 Speaker 1: to go do some work with Blue Bloods. I think 306 00:14:53,560 --> 00:14:57,720 Speaker 1: you're doing some some promotional today. But yeah, but Blue 307 00:14:57,720 --> 00:15:00,440 Speaker 1: Bloods is actually shooting at Lee's tavern an in Staten 308 00:15:00,480 --> 00:15:02,440 Speaker 1: Island today. I was supposed to go there for lunch 309 00:15:02,520 --> 00:15:06,880 Speaker 1: today to have my clam pie, and they shut it down. 310 00:15:07,560 --> 00:15:10,880 Speaker 1: I was. I rarely eat clam pie. 311 00:15:13,520 --> 00:15:18,880 Speaker 5: Unless it's at least but not today. Well, you know, 312 00:15:19,080 --> 00:15:23,200 Speaker 5: because when we when we buy out a restaurant or 313 00:15:23,240 --> 00:15:26,200 Speaker 5: a pub or a tavern or whatever to film, we 314 00:15:26,280 --> 00:15:29,000 Speaker 5: actually typically get them to still cook for us. 315 00:15:29,000 --> 00:15:30,360 Speaker 3: So if you wanted to. 316 00:15:30,320 --> 00:15:33,720 Speaker 5: Go have a clampie, I could call Blue Blood's and 317 00:15:33,800 --> 00:15:36,240 Speaker 5: tell them you are coming by to have a pie, 318 00:15:37,360 --> 00:15:39,520 Speaker 5: so you don't cry. 319 00:15:40,640 --> 00:15:41,520 Speaker 3: I can try. 320 00:15:43,320 --> 00:15:47,480 Speaker 1: Oh sigh, what's that? Maybe? 321 00:15:47,520 --> 00:15:50,360 Speaker 4: I thought maybe we can even name it after you 322 00:15:52,720 --> 00:15:53,920 Speaker 4: Elvis's Clampie. 323 00:15:57,040 --> 00:16:00,000 Speaker 1: That video was done years ago, but thanks for asking. 324 00:16:00,280 --> 00:16:02,680 Speaker 1: I appreciate it. Let's talk about your schedule now. I 325 00:16:02,760 --> 00:16:05,360 Speaker 1: know you guys are flying out to Los Angeles this weekend. 326 00:16:05,680 --> 00:16:09,520 Speaker 1: You'll be at the iHeartRadio Theater in Burbank doing a 327 00:16:09,520 --> 00:16:12,840 Speaker 1: special that's going to play back on Tuesday. Yeah. I 328 00:16:12,880 --> 00:16:14,880 Speaker 1: mean so, I mean, you guys are hitting the road 329 00:16:14,920 --> 00:16:17,920 Speaker 1: running here and but you all have these very well established, 330 00:16:18,040 --> 00:16:22,200 Speaker 1: established lives going on. Are you ready for another round 331 00:16:22,200 --> 00:16:24,800 Speaker 1: of this with a tour that starting this summer? I mean, 332 00:16:24,920 --> 00:16:29,160 Speaker 1: it's it's gonna be a lot of work. Yeah, he 333 00:16:29,400 --> 00:16:30,400 Speaker 1: is a pregnant pause. 334 00:16:30,760 --> 00:16:33,560 Speaker 5: No, new kids is the foundation. You know, none of 335 00:16:33,560 --> 00:16:37,800 Speaker 5: these other things exist without new kids. We could dream 336 00:16:37,880 --> 00:16:42,040 Speaker 5: that one day we could be on television shows and 337 00:16:42,640 --> 00:16:44,640 Speaker 5: I'm sure John could would still have learned how to 338 00:16:44,680 --> 00:16:46,680 Speaker 5: build a house. But to the level that we get 339 00:16:46,720 --> 00:16:50,400 Speaker 5: to do all these things, there's none of this exists 340 00:16:50,400 --> 00:16:53,680 Speaker 5: without new kids. New kids is the gift that keeps 341 00:16:53,720 --> 00:16:57,760 Speaker 5: on giving. And our fans are the greatest fans ever 342 00:16:57,960 --> 00:17:00,600 Speaker 5: and they still have our back after all these years 343 00:17:00,760 --> 00:17:03,920 Speaker 5: and are growing in numbers. I mean, it's just spectacular. 344 00:17:04,000 --> 00:17:07,480 Speaker 5: There's new generations of fans, and now the parents of 345 00:17:07,520 --> 00:17:09,520 Speaker 5: our fans are coming. They're no longer mad about the 346 00:17:09,600 --> 00:17:12,640 Speaker 5: nine hundred line. They're like, we love blue Bloods too, Kid, 347 00:17:12,760 --> 00:17:18,240 Speaker 5: you know, it's expanded so much, but New Kids is 348 00:17:18,920 --> 00:17:22,000 Speaker 5: the source for all all the great things that have 349 00:17:22,080 --> 00:17:22,960 Speaker 5: happened in our lives. 350 00:17:23,040 --> 00:17:25,119 Speaker 1: I must make an assumption here, and I know I 351 00:17:25,119 --> 00:17:28,920 Speaker 1: already know the answer. You know, we've been doing the show. 352 00:17:29,160 --> 00:17:32,199 Speaker 1: It's you one hundred for twenty seven years. So when 353 00:17:32,240 --> 00:17:33,600 Speaker 1: you go out on the road and you meet people 354 00:17:33,720 --> 00:17:35,960 Speaker 1: and they come up to you and they are in tears, right, 355 00:17:36,520 --> 00:17:38,560 Speaker 1: they're in tears, they're shaking because you were such an 356 00:17:38,600 --> 00:17:43,800 Speaker 1: important part of their history. And then they say, you know, 357 00:17:43,920 --> 00:17:45,840 Speaker 1: I was a huge fan of yours, and now my 358 00:17:46,359 --> 00:17:48,560 Speaker 1: daughter lives to listen to you, and now my granddaughter 359 00:17:48,600 --> 00:17:53,840 Speaker 1: listens to You're like, yeah, thank you, Thank goodness. That 360 00:17:53,920 --> 00:17:58,399 Speaker 1: must is there validity in there. But leaving your legacy, guys, 361 00:17:58,440 --> 00:17:59,600 Speaker 1: I mean, I know I'd love to hear what you 362 00:17:59,680 --> 00:18:01,600 Speaker 1: have to think. It's cool like. 363 00:18:03,200 --> 00:18:05,439 Speaker 8: In the past few years we've seen more, you know, 364 00:18:06,200 --> 00:18:09,840 Speaker 8: more of the fans, sons and daughters and cousins and 365 00:18:10,040 --> 00:18:12,520 Speaker 8: nieces and nephews and stuff like that come to the show, 366 00:18:12,560 --> 00:18:15,440 Speaker 8: and it's kind of like, I'm always kind of like 367 00:18:15,760 --> 00:18:19,440 Speaker 8: you're into us, like yeah, us, like that kind of thing. 368 00:18:19,480 --> 00:18:21,840 Speaker 8: But then it's like it's such a compliment, you know. 369 00:18:22,040 --> 00:18:24,920 Speaker 8: And then I think back of like when I used 370 00:18:24,960 --> 00:18:29,000 Speaker 8: to like bands that my older sisters liked, you know, 371 00:18:29,119 --> 00:18:32,040 Speaker 8: like they would like play the music on the record, 372 00:18:32,560 --> 00:18:34,639 Speaker 8: and then I'd get into them, you know, when I 373 00:18:34,720 --> 00:18:37,240 Speaker 8: was really young. So I look at it like that. 374 00:18:37,400 --> 00:18:40,399 Speaker 8: It's like, it's so cool that they're getting into like 375 00:18:40,440 --> 00:18:44,040 Speaker 8: an older group or older generation of music, and it 376 00:18:44,200 --> 00:18:47,720 Speaker 8: just kind of speaks to what we've done over the years, 377 00:18:48,400 --> 00:18:52,000 Speaker 8: put our heart and soul into it and hopefully made 378 00:18:52,160 --> 00:18:58,160 Speaker 8: really good art songs and came up with good performances, 379 00:18:58,200 --> 00:19:00,080 Speaker 8: and they're into it. 380 00:19:00,080 --> 00:19:01,720 Speaker 1: There was an energy New Kids was more than just 381 00:19:01,720 --> 00:19:04,119 Speaker 1: the music and the performances. There was an energy energy 382 00:19:04,160 --> 00:19:07,280 Speaker 1: there and on the radio end of it, we saw it, 383 00:19:07,359 --> 00:19:08,000 Speaker 1: we felt it. 384 00:19:08,040 --> 00:19:10,679 Speaker 8: And yeah that too, and a lot of people say, like, 385 00:19:10,800 --> 00:19:13,720 Speaker 8: you know, you guys, you guys are just fun. You know, 386 00:19:13,960 --> 00:19:16,040 Speaker 8: we like the energy. It feels good to. 387 00:19:16,160 --> 00:19:17,200 Speaker 2: Like watch you guys. 388 00:19:17,480 --> 00:19:21,359 Speaker 8: So that's that's the thing. Also that I feel is 389 00:19:21,440 --> 00:19:22,480 Speaker 8: probably an. 390 00:19:22,359 --> 00:19:25,800 Speaker 5: Appeal absolutely, I think if I can add to it's 391 00:19:26,280 --> 00:19:28,560 Speaker 5: we don't get to decide our legacy, you know, we 392 00:19:28,720 --> 00:19:33,400 Speaker 5: just we're living out our dreams. Really, I mean, this 393 00:19:33,440 --> 00:19:36,040 Speaker 5: is stuff we dreamed of as kids, to be in 394 00:19:36,080 --> 00:19:37,879 Speaker 5: a band and to have success and be on the 395 00:19:38,000 --> 00:19:41,000 Speaker 5: radio and do an interview, you know, and all the 396 00:19:41,080 --> 00:19:44,040 Speaker 5: other countless things that have happened in our careers. But 397 00:19:45,040 --> 00:19:48,720 Speaker 5: you know, other people will decide what our legacy is 398 00:19:48,720 --> 00:19:50,920 Speaker 5: when it's when it's all said and done. But for us, 399 00:19:50,960 --> 00:19:54,320 Speaker 5: if we can just know that we we had a 400 00:19:54,359 --> 00:19:59,800 Speaker 5: magical ride together, We stuck together, we respected the bond 401 00:19:59,840 --> 00:20:01,720 Speaker 5: that we have, and most important, we gave back to 402 00:20:01,760 --> 00:20:04,200 Speaker 5: our fans and brought happiness to as many people as 403 00:20:04,200 --> 00:20:07,320 Speaker 5: we could. That's that's I think. What I know I 404 00:20:07,359 --> 00:20:10,680 Speaker 5: personally take away from it every day. It's if every 405 00:20:10,720 --> 00:20:12,800 Speaker 5: time a tour ends, if I know, like we put 406 00:20:12,800 --> 00:20:15,399 Speaker 5: it all out there and gave everything we had to 407 00:20:15,480 --> 00:20:17,560 Speaker 5: give back to the fans who've given us so much, 408 00:20:17,600 --> 00:20:20,080 Speaker 5: then that's that's all that really matters. You know. The 409 00:20:20,119 --> 00:20:22,800 Speaker 5: rest is for other people to to figure out later 410 00:20:22,840 --> 00:20:24,080 Speaker 5: in a in a book. 411 00:20:26,160 --> 00:20:28,680 Speaker 1: Kind of wonder, like what artists new artists are we 412 00:20:28,760 --> 00:20:33,760 Speaker 1: playing today that we'll be doing this that many years later. Yeah, Like, 413 00:20:34,480 --> 00:20:37,639 Speaker 1: and who's to say what the magic dust was that 414 00:20:37,920 --> 00:20:41,800 Speaker 1: made it made it happen that your journey today brought 415 00:20:41,840 --> 00:20:44,199 Speaker 1: you here today after all these years. You know so 416 00:20:44,320 --> 00:20:47,560 Speaker 1: many things. Yes, how can you explain it? 417 00:20:47,560 --> 00:20:52,280 Speaker 4: Can five teenagers cramming into a car driving down from 418 00:20:52,359 --> 00:20:55,520 Speaker 4: Boston going to New York and literally pounding the pavement 419 00:20:55,720 --> 00:21:00,600 Speaker 4: literally like we we got into the Apollo by bumping 420 00:21:00,640 --> 00:21:03,760 Speaker 4: into the guy who booked the place on the street. 421 00:21:04,080 --> 00:21:10,159 Speaker 4: Because Maurice, Maurice Starr just had that energy, you know 422 00:21:10,200 --> 00:21:13,000 Speaker 4: what I mean, you have You know, there's so many lights, 423 00:21:14,040 --> 00:21:16,120 Speaker 4: bolts of lightning, you know what I mean, starting with 424 00:21:16,720 --> 00:21:18,240 Speaker 4: Maurice Starr and Donnie Wahlberg. 425 00:21:18,320 --> 00:21:22,199 Speaker 1: I mean that right there was enough to you know, 426 00:21:23,000 --> 00:21:26,879 Speaker 1: change the world, you know what I mean. So you 427 00:21:26,960 --> 00:21:28,400 Speaker 1: gotta hustle. Our parents. 428 00:21:28,480 --> 00:21:31,439 Speaker 4: I think about our parents, you know, our generation of parents, 429 00:21:31,480 --> 00:21:32,360 Speaker 4: you know that generation. 430 00:21:32,480 --> 00:21:32,960 Speaker 1: You know what I mean. 431 00:21:33,000 --> 00:21:37,080 Speaker 4: They worked hard, They scrapped things together, they you know, 432 00:21:37,240 --> 00:21:39,560 Speaker 4: up by your bootstraps, you know what I mean, Get up, 433 00:21:40,200 --> 00:21:42,840 Speaker 4: go be somebody. All those things. You know, it's like 434 00:21:43,359 --> 00:21:47,240 Speaker 4: it's a million things that come together, and I think, 435 00:21:47,440 --> 00:21:50,159 Speaker 4: you know, we just we keep feeling like we have 436 00:21:50,240 --> 00:21:52,440 Speaker 4: to show up, you know, to pay back and see 437 00:21:52,600 --> 00:21:55,240 Speaker 4: see what else is you know around the corner as well. 438 00:21:55,240 --> 00:21:56,920 Speaker 1: Hitting that payment, would you ever want to go back 439 00:21:56,920 --> 00:21:57,760 Speaker 1: to that day ever again? 440 00:21:57,920 --> 00:21:58,120 Speaker 5: Yes? 441 00:21:58,520 --> 00:22:06,280 Speaker 4: Yeah, really, yes, yeah, yeah, Jonathan, Yeah, no, no, definitely, definitely, yes, yeah. 442 00:22:06,680 --> 00:22:08,600 Speaker 1: Those are those are wild days. Man. 443 00:22:08,600 --> 00:22:11,080 Speaker 4: We're talking to Times Square for the first time and 444 00:22:11,240 --> 00:22:14,440 Speaker 4: in nineteen eighty five, right, Yeah. 445 00:22:14,000 --> 00:22:16,760 Speaker 5: It's a lot more fun walking into a New York 446 00:22:16,880 --> 00:22:20,240 Speaker 5: radio station and having a few people welcome you in 447 00:22:20,240 --> 00:22:22,560 Speaker 5: instead of a few people saying, who the hell are you? 448 00:22:22,600 --> 00:22:23,600 Speaker 1: Get the hell out of here. 449 00:22:24,000 --> 00:22:25,240 Speaker 3: It's definitely more fun. 450 00:22:25,320 --> 00:22:29,480 Speaker 5: But what makes it special now is when Joey just 451 00:22:29,480 --> 00:22:31,919 Speaker 5: telling those stories, when we remember, you know, if we 452 00:22:31,960 --> 00:22:35,159 Speaker 5: don't forget that struggle and those tough times and what 453 00:22:35,280 --> 00:22:37,800 Speaker 5: it took to get here. You know, I I rarely 454 00:22:37,840 --> 00:22:39,760 Speaker 5: walk into a place that I used to not be 455 00:22:39,800 --> 00:22:43,240 Speaker 5: able to get into without going, wow, I'm blessed, you know, 456 00:22:43,280 --> 00:22:46,080 Speaker 5: how lucky am I? I mean, that's that's what it's 457 00:22:46,119 --> 00:22:48,680 Speaker 5: it's about. Is you got to remember the journey. 458 00:22:49,200 --> 00:22:50,040 Speaker 3: And you know, you. 459 00:22:49,960 --> 00:22:52,719 Speaker 5: Said we were like and I know you didn't mean 460 00:22:52,760 --> 00:22:56,120 Speaker 5: in a bad way, but like five superstar kids when 461 00:22:56,119 --> 00:22:59,080 Speaker 5: you first met icine, like yeah, and fortunately, after all 462 00:22:59,080 --> 00:23:02,879 Speaker 5: these years, we remember the journey, and we respect the journey, 463 00:23:02,920 --> 00:23:04,840 Speaker 5: and it makes us grateful to be here. You're still 464 00:23:04,880 --> 00:23:07,560 Speaker 5: on the journey. That's absolute, still on the journey. All right, 465 00:23:08,480 --> 00:23:11,119 Speaker 5: let's talk about the album. All right, So Still Kids 466 00:23:11,200 --> 00:23:15,320 Speaker 5: is out tomorrow. It's an album of songs that do 467 00:23:15,520 --> 00:23:16,080 Speaker 5: what what. 468 00:23:16,040 --> 00:23:16,880 Speaker 1: Are these songs? 469 00:23:16,920 --> 00:23:18,200 Speaker 3: I mean, make you feel good? 470 00:23:18,280 --> 00:23:21,040 Speaker 1: Okay, make you feel a lot. Is there a filter 471 00:23:21,119 --> 00:23:22,800 Speaker 1: that each song needed to go through in order to 472 00:23:22,800 --> 00:23:25,720 Speaker 1: make it on this album? I think it's kind of 473 00:23:25,800 --> 00:23:27,440 Speaker 1: I mean a little, I mean a little. 474 00:23:27,160 --> 00:23:30,359 Speaker 5: Bit, but well, I would say there wasn't a filter, 475 00:23:30,520 --> 00:23:33,280 Speaker 5: Like we sat down and said that doesn't feel right. 476 00:23:33,400 --> 00:23:34,119 Speaker 3: I think we were. 477 00:23:34,240 --> 00:23:37,760 Speaker 5: We were writing and singing and recording from a space 478 00:23:37,880 --> 00:23:39,480 Speaker 5: of feeling. 479 00:23:39,800 --> 00:23:40,040 Speaker 3: You know. 480 00:23:40,280 --> 00:23:43,639 Speaker 5: It's a lot of love and heart and you know, 481 00:23:43,720 --> 00:23:46,320 Speaker 5: in some ways it's a nostalgic album. In other ways, 482 00:23:46,320 --> 00:23:48,760 Speaker 5: it's a reflective album. In other ways it's a it's 483 00:23:48,760 --> 00:23:52,879 Speaker 5: a very contemporary album. It's it has a lot of layers, 484 00:23:52,920 --> 00:23:56,480 Speaker 5: but it's very cohesive and I my experience to the 485 00:23:56,720 --> 00:23:59,919 Speaker 5: couple of fans I sneak previeated too. It's in a 486 00:24:00,080 --> 00:24:05,640 Speaker 5: emotional rollercoaster, but all very it has a symmetry, if 487 00:24:05,720 --> 00:24:07,679 Speaker 5: that's the right word. I don't know. 488 00:24:07,880 --> 00:24:10,200 Speaker 1: I think I think you know, lyrically too. 489 00:24:10,320 --> 00:24:12,359 Speaker 4: You know, we get to have all the fields on 490 00:24:12,400 --> 00:24:15,280 Speaker 4: the music, but lyrically we get to you know, speak 491 00:24:15,320 --> 00:24:18,320 Speaker 4: to you know, our generation and the life we've lived 492 00:24:18,800 --> 00:24:22,400 Speaker 4: and also have fun at the same time and then 493 00:24:22,520 --> 00:24:25,800 Speaker 4: have one of the you know, our first single was Kids, 494 00:24:25,840 --> 00:24:29,320 Speaker 4: but we we gave like a free download on New 495 00:24:29,400 --> 00:24:32,119 Speaker 4: Kids on the block day of a song Jordan sing's 496 00:24:32,400 --> 00:24:35,720 Speaker 4: love like this, which is it's it's absolutely classic, you 497 00:24:35,720 --> 00:24:38,160 Speaker 4: know what I mean. It's it's Jordan and I doing 498 00:24:38,160 --> 00:24:41,719 Speaker 4: his thing and the fields are just instant. It's just 499 00:24:41,800 --> 00:24:45,040 Speaker 4: like bam, you know, and we have those moments along 500 00:24:45,080 --> 00:24:47,439 Speaker 4: the way in the album, but we also stretch and 501 00:24:47,480 --> 00:24:50,600 Speaker 4: grow because that's the stuff that gets you excited, you 502 00:24:50,600 --> 00:24:53,800 Speaker 4: know what I mean, to try and stretch and yeah, 503 00:24:53,840 --> 00:24:56,199 Speaker 4: it was it was fun. I mean again, Donnie, you know, 504 00:24:56,720 --> 00:24:59,479 Speaker 4: kicked it off and you know when I had stepped 505 00:24:59,480 --> 00:25:02,520 Speaker 4: in with my buddy Sean who who wrote a bunch 506 00:25:02,520 --> 00:25:04,399 Speaker 4: of songs with me for the album. You know, it 507 00:25:04,440 --> 00:25:06,520 Speaker 4: was just fitting into that vibe, you know what I mean, 508 00:25:06,560 --> 00:25:08,400 Speaker 4: and making something cohesive. 509 00:25:08,440 --> 00:25:13,400 Speaker 1: But that spoke to our very long history. What about you, John, 510 00:25:13,640 --> 00:25:17,040 Speaker 1: this album, anything in particular that sticks out for you 511 00:25:17,119 --> 00:25:19,000 Speaker 1: while listening to this album. Have you heard the album? 512 00:25:22,280 --> 00:25:22,520 Speaker 4: Are you? 513 00:25:22,680 --> 00:25:25,560 Speaker 3: Are you a secret block? Are you a secret? 514 00:25:27,640 --> 00:25:27,880 Speaker 6: Yeah? 515 00:25:28,920 --> 00:25:31,199 Speaker 1: Maybe I'll get to it. John's like, I'll get to 516 00:25:31,240 --> 00:25:33,680 Speaker 1: it one day. 517 00:25:34,359 --> 00:25:38,840 Speaker 6: No, I have heard it. I did it when it 518 00:25:38,880 --> 00:25:39,240 Speaker 6: was done. 519 00:25:39,440 --> 00:25:40,040 Speaker 1: I'll show you. 520 00:25:40,240 --> 00:25:43,960 Speaker 4: I'll show you a picture from from a text from John, 521 00:25:45,119 --> 00:25:48,199 Speaker 4: just just to prove it. But he of of you 522 00:25:48,320 --> 00:25:51,159 Speaker 4: texted me the other day of him listening to a 523 00:25:51,160 --> 00:25:52,320 Speaker 4: song called come Back, and. 524 00:25:52,280 --> 00:25:54,159 Speaker 1: He was like, I love love love you know what 525 00:25:54,240 --> 00:25:54,560 Speaker 1: I mean. 526 00:25:55,119 --> 00:25:55,600 Speaker 3: That is a. 527 00:25:55,880 --> 00:25:58,560 Speaker 1: Big high praise from John. Okay from his. 528 00:25:58,560 --> 00:26:02,640 Speaker 4: Pickup truck on his phone. You know he's stealing it 529 00:26:03,240 --> 00:26:05,840 Speaker 4: if he's gonna stop and take a picture. So yeah, 530 00:26:05,880 --> 00:26:07,440 Speaker 4: he's We all have our favorites. 531 00:26:08,040 --> 00:26:11,800 Speaker 1: What about you? Dan? Danny and he thought about this album. 532 00:26:12,040 --> 00:26:14,160 Speaker 7: I just thought it was great that, you know, two 533 00:26:14,160 --> 00:26:17,919 Speaker 7: guys in the group were writing in two separate places, 534 00:26:17,960 --> 00:26:21,119 Speaker 7: but then the songs coexist on the album and sound 535 00:26:21,200 --> 00:26:24,120 Speaker 7: like either one of them could have wrote each other songs. 536 00:26:24,680 --> 00:26:27,840 Speaker 7: So they weren't interesting. Yeah, they were writing and everything 537 00:26:27,960 --> 00:26:31,360 Speaker 7: just works together. And it was great when Joe came 538 00:26:31,480 --> 00:26:34,200 Speaker 7: with his songs because it kind of was like more energy. 539 00:26:34,240 --> 00:26:36,840 Speaker 7: And then Donnie wrote a few more that brought more energy. 540 00:26:37,400 --> 00:26:39,639 Speaker 7: So for me, it was watching that and being a 541 00:26:39,640 --> 00:26:41,480 Speaker 7: part of it was great. And finally, Jordan, what do 542 00:26:41,520 --> 00:26:44,600 Speaker 7: you think this album? 543 00:26:44,600 --> 00:26:45,160 Speaker 1: Not a fan? 544 00:26:45,680 --> 00:26:48,960 Speaker 2: No, no, you know it's funny, like you know, like 545 00:26:49,480 --> 00:26:53,520 Speaker 2: we're older now, I guess, you know. But like you 546 00:26:53,640 --> 00:26:57,600 Speaker 2: see a lot of times you see, like I've seen it, 547 00:26:58,560 --> 00:27:01,879 Speaker 2: older bands or bands have been for thirty years, they'll 548 00:27:01,880 --> 00:27:05,280 Speaker 2: come up with an album and it's like, I don't know, 549 00:27:05,359 --> 00:27:08,359 Speaker 2: they hired the latest producer, and it's kind of like, 550 00:27:08,800 --> 00:27:11,880 Speaker 2: it's not it doesn't feel right, you know. And this 551 00:27:11,920 --> 00:27:14,720 Speaker 2: album is not like that. It's not like us trying. 552 00:27:15,119 --> 00:27:18,639 Speaker 2: It's not us trying to be something. It's like it 553 00:27:18,800 --> 00:27:24,280 Speaker 2: found the beautiful medium of like sounding very contemporary but 554 00:27:24,440 --> 00:27:28,399 Speaker 2: sounding very us Like. The lyrics are grown lyrics, like 555 00:27:28,520 --> 00:27:33,080 Speaker 2: stuff that we go through. It's not like trying to 556 00:27:33,880 --> 00:27:35,359 Speaker 2: cater to young kids. 557 00:27:35,400 --> 00:27:37,360 Speaker 8: But young kids will still like it because it has 558 00:27:37,400 --> 00:27:38,639 Speaker 8: a contemporary sound. 559 00:27:39,160 --> 00:27:40,960 Speaker 1: All right, well we have I have Okay, we could 560 00:27:41,000 --> 00:27:44,000 Speaker 1: play Kids right now, which is everyone's heard Kids. But 561 00:27:44,119 --> 00:27:46,760 Speaker 1: Magic is the song that has not been released yet. 562 00:27:47,240 --> 00:27:48,680 Speaker 1: I'd rather get through. 563 00:27:48,600 --> 00:27:50,679 Speaker 5: You get all the inside scoops, so you might as 564 00:27:50,680 --> 00:27:51,960 Speaker 5: well do whatever you want at this. 565 00:27:51,880 --> 00:27:54,960 Speaker 1: Point, he's gonna do it anyway, Donnie, are we breaking 566 00:27:54,960 --> 00:27:57,720 Speaker 1: any laws here? If you say yes, it makes it 567 00:27:57,760 --> 00:27:58,160 Speaker 1: more fun. 568 00:27:59,359 --> 00:28:03,879 Speaker 5: You're sort of find your status in blockhood lore forever 569 00:28:04,000 --> 00:28:04,280 Speaker 5: right now? 570 00:28:04,359 --> 00:28:05,040 Speaker 3: Is that what I'm doing? 571 00:28:05,160 --> 00:28:08,000 Speaker 5: Oh your questions? You're playing of a song? Yeah, you're 572 00:28:08,040 --> 00:28:10,119 Speaker 5: You're locked in forever, you know. 573 00:28:10,800 --> 00:28:13,359 Speaker 4: Obviously it's a tie into our tour this summer, the 574 00:28:13,359 --> 00:28:16,439 Speaker 4: Magic Summer Tour. And so the first two tracks on 575 00:28:16,480 --> 00:28:19,280 Speaker 4: the album are Magic one and the next one is 576 00:28:19,320 --> 00:28:19,880 Speaker 4: Summer Love. 577 00:28:19,960 --> 00:28:22,160 Speaker 1: So you got the Magic Summer Love. 578 00:28:22,160 --> 00:28:24,960 Speaker 4: Just a little inside, okay, sort of like a you know, 579 00:28:25,280 --> 00:28:27,320 Speaker 4: like a swifty thing, you know what I mean. 580 00:28:27,400 --> 00:28:33,359 Speaker 1: There's we have Easter eggs too. Yeah, absolutely, you do. Okay, 581 00:28:33,359 --> 00:28:35,440 Speaker 1: here's what we're gonna do. We're gonna We're gonna play 582 00:28:35,520 --> 00:28:37,199 Speaker 1: Kids and Magice. I'm gonna play them both at the 583 00:28:37,240 --> 00:28:41,720 Speaker 1: same time. What do you think I'm gonna play Magic first? Guys, 584 00:28:41,800 --> 00:28:44,680 Speaker 1: I cannot thank you enough for spending time with us today. 585 00:28:44,920 --> 00:28:46,360 Speaker 1: What an honor to have you in our house, to 586 00:28:46,440 --> 00:28:49,320 Speaker 1: be here, and thanks for not lighting your farts on fire, 587 00:28:50,360 --> 00:28:54,440 Speaker 1: even the part of me screetly wished you would one 588 00:28:54,520 --> 00:28:56,720 Speaker 1: text and then we'll let you go. I'm a retired 589 00:28:56,880 --> 00:28:59,520 Speaker 1: NYPD detective. One of my favorite memories is working in 590 00:28:59,600 --> 00:29:04,040 Speaker 1: uniform Thanksgiving Day parade. Joey was on a float you 591 00:29:04,080 --> 00:29:06,280 Speaker 1: look down and waved. Of course, he was my favorite. 592 00:29:06,760 --> 00:29:09,880 Speaker 1: I was screaming and jumping up and down, completely forgetting 593 00:29:09,920 --> 00:29:12,080 Speaker 1: I was working in uniform. The audience was laughing at 594 00:29:12,080 --> 00:29:15,280 Speaker 1: one of my best memories of being on the New 595 00:29:15,360 --> 00:29:18,560 Speaker 1: York City Police Department. That was two thousand and one. 596 00:29:18,720 --> 00:29:18,880 Speaker 8: Ish. 597 00:29:18,960 --> 00:29:22,600 Speaker 1: I think, yeah, I know you guys are busy before 598 00:29:22,600 --> 00:29:26,640 Speaker 1: we play your music. I have a question. We have 599 00:29:26,720 --> 00:29:30,640 Speaker 1: this thing every year called the iHeartRadio Music Festival to 600 00:29:30,760 --> 00:29:35,920 Speaker 1: Las Vegas. I don't answer now because I know you 601 00:29:35,960 --> 00:29:37,959 Speaker 1: gotta look at your count. We've never been invited to that. 602 00:29:38,440 --> 00:29:42,880 Speaker 1: You're now invited. What I'm officially on a hope and 603 00:29:42,920 --> 00:29:47,120 Speaker 1: they can fire me. Fine, I'm worth more fire than 604 00:29:47,200 --> 00:29:51,960 Speaker 1: higher and let me go. iHeart Gods. I would like 605 00:29:52,000 --> 00:29:54,160 Speaker 1: to officially invite you. I want you to look at 606 00:29:54,200 --> 00:29:57,240 Speaker 1: your calendars, have the managers talk to the managers, you know, 607 00:29:57,280 --> 00:29:58,960 Speaker 1: all that be as it, and let's see if we 608 00:29:59,000 --> 00:30:01,760 Speaker 1: can get you out in Vegas for the incredible, most 609 00:30:01,760 --> 00:30:03,720 Speaker 1: incredible two days of music in Las Vegas with the 610 00:30:03,840 --> 00:30:04,840 Speaker 1: art we do music questo. 611 00:30:04,680 --> 00:30:05,120 Speaker 3: We don't answer. 612 00:30:05,160 --> 00:30:07,160 Speaker 1: That's incredible, but if you could entry. 613 00:30:07,040 --> 00:30:10,200 Speaker 8: Yes, we're not answering this weekend. 614 00:30:10,680 --> 00:30:15,600 Speaker 3: No, no, September in September. 615 00:30:16,320 --> 00:30:18,240 Speaker 1: September is it? Is it? 616 00:30:18,280 --> 00:30:21,120 Speaker 4: Is it a steak or chicken thing or a fish 617 00:30:21,240 --> 00:30:25,840 Speaker 4: or beating. 618 00:30:23,800 --> 00:30:24,720 Speaker 1: The chicken box? 619 00:30:24,760 --> 00:30:28,480 Speaker 5: No, no, Robert chickens, you're septem None of us are answering, 620 00:30:28,480 --> 00:30:29,640 Speaker 5: but we're all smiling. 621 00:30:29,760 --> 00:30:31,800 Speaker 3: If you and you have a camera to prove it. 622 00:30:32,240 --> 00:30:34,120 Speaker 1: All go And if we could get John off the 623 00:30:34,120 --> 00:30:39,280 Speaker 1: farm for the crops are down by September, you're down. 624 00:30:40,160 --> 00:30:44,160 Speaker 1: This should be available. I'm just out there. Let me 625 00:30:44,200 --> 00:30:46,040 Speaker 1: give it to you. Good still kids. The album is 626 00:30:46,040 --> 00:30:48,440 Speaker 1: out tomorrow. You've heard kids. We're gonna play it up 627 00:30:48,440 --> 00:30:49,880 Speaker 1: for you in a second. But Magic is the song 628 00:30:49,880 --> 00:30:51,920 Speaker 1: that's released tomorrow. We're gonna play it for you now 629 00:30:52,560 --> 00:30:56,520 Speaker 1: because what the hell, because New Kids on the 630 00:31:00,680 --> 00:31:01,360 Speaker 6: Don that