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Speaker 1: Peace of the planet. Charlamagnea god here.

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Speaker 2: Before we get into today's episode, we've got to celebrate

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Speaker 2: the Black Effect Podcast Network. It's turning five years old, man,

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Speaker 2: five years of powerful voices, unforgettable moments in the community

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Speaker 2: that keeps growing.

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Speaker 1: This is the power of the platform. Now let's get

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Speaker 1: into it.

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Speaker 3: We're back to Drink Champs Radio with Rapper and ore

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Speaker 3: E and dj.

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Speaker 1: E FN.

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Speaker 4: Hey, Hank Segree Hope you're sa via Yo yalla yo, yalla,

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Speaker 4: yalla yo. This is your boy n O R what

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Speaker 4: up as dj e N fan and this Drinks motherfucking

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Speaker 4: podcast makes.

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Speaker 1: Something right Now, we have one of the legends. Like

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Speaker 1: you know, we do show.

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Speaker 4: Sometimes and sometimes you know, we think a person as

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Speaker 4: a legend and the fans are coming.

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Speaker 1: And they'll be like, ah, hear a legend. This is

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Speaker 1: not gonna happen.

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Speaker 4: He's a one hundred solid legend, been in the game

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Speaker 4: for years.

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Speaker 1: Look the same. He found the fountain of youth somewhere,

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Speaker 1: he found the fountain of youth. He's still out of

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Speaker 1: here doing it. I'm talking about one of the only.

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Speaker 4: People that had super success on a certain label and

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Speaker 4: went to like what was on his own doing his thing,

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Speaker 4: a New Orleans leghit. He that was cool before it

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Speaker 4: was cool, he was already New Orleans. He's a staple

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Speaker 4: and not only that, he is the energy God.

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Speaker 1: I seen him perform the other day was a black cat.

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Speaker 4: I was trying to when I figured out he was here,

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Speaker 4: I was trying to say.

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Speaker 1: Should we do it after his performance?

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Speaker 4: And by the grace of God, God sent me yesterday

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Speaker 4: to perform with a track and a track told me

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Speaker 4: he's bringing his brother out and I had to sit

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Speaker 4: there in the crowd and just become a one hundred

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Speaker 4: percent fan again. Like he's one of the first people

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Speaker 4: that we were playing in New York City, like from

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Speaker 4: the South. Like his energy was just so crazy. And

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Speaker 4: to see him perform yesterday and his energy still be

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Speaker 4: the same. We got to salute this man right now.

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Speaker 4: We got mister Coner mother. Not only other New Orleans

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Speaker 4: artists we had on here was currency and.

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Speaker 1: He came late too. He came late too, So that's

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Speaker 1: that's game keeping.

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Speaker 4: New Orleans tradition going right. So laid back. So when

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Speaker 4: we started to get to him about him being signed

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Speaker 4: to no limit, like he he don't got the stories.

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Speaker 4: You got because you was a star on No Limit.

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Speaker 4: I remember at one point, like you know how they

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Speaker 4: would say death jam and they would say method man

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Speaker 4: like at one point when you named the star from

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Speaker 4: No Limit, it was.

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Speaker 1: Hands down you bob, How did how did that? What

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Speaker 1: year was you signing No Limit? First off? Ninety seven?

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Speaker 3: Wait? First of all the intro, bro, come listen and

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Speaker 3: legend dearry, Now that's coming from a legend.

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Speaker 4: That's right.

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Speaker 3: That's right, that's a valid that's.

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Speaker 1: What make it.

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Speaker 3: No fish right there, that's right. That's right, you know

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Speaker 3: because it takes one and no one.

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Speaker 4: That's right.

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Speaker 1: That's that's right. That's appreciate that. It's not love. Open

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Speaker 1: a bottle you you ain't no campaign, open up your pass. Yeah,

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Speaker 1: I want you to make some question.

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Speaker 5: Bright.

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Speaker 1: It felt like I was doing my job, bro, that's

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Speaker 1: my job and show up.

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Speaker 4: And of course at one point, at one point, yo,

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Speaker 4: I'm gonna be honest, y'all was like the stroke like

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Speaker 4: that tank meant something like y'all was saying movement, but

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Speaker 4: seeing y'all like eighty five d like before like.

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Speaker 3: A hundred, I'm gonna be one hundred yeah for real,

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Speaker 3: like and so like like how how was that eraror

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Speaker 3: like man.

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Speaker 1: I was listening, brother was traveling with master.

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Speaker 3: People's got to be similar to how if President Obama

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Speaker 3: squad felt.

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Speaker 4: More than.

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Speaker 3: Police chases and explosions and you know, for real, bro, you.

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Speaker 1: Know spelled that's a real campaign.

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Speaker 4: You know what I'm saying. But before before No Limit,

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Speaker 4: you was already doing stuff before No Lisk?

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Speaker 3: How many years before that were you're doing it?

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Speaker 5: Well?

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Speaker 3: I started professionally in ninety four, ninety four when you had.

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Speaker 5: Three camp that you had right right, did you guys

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Speaker 5: ever talk with Dug down and did that ever get

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Speaker 5: to resolved?

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Speaker 3: I know there was a little like.

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Speaker 1: Because I didn't know. I wasn't you know, I wasn't

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Speaker 1: You were.

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Speaker 4: In the military, and that's where you were coming from.

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Speaker 3: List and when not exactly, but when I joined the

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Speaker 3: boot camp clicked out. That name was already established, having

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Speaker 3: to do with the fucking creative name and all that.

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Speaker 1: But since I was like one of the colds, I

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Speaker 1: got the charge.

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Speaker 4: It's just a coincidence. Used speaking about the military, because

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Speaker 4: you was in the military right with army Army Kapernick

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Speaker 4: Colin Kaepernick right now, like he's taking a stand, Like,

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Speaker 4: what do you staying because you was in the military,

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Speaker 4: So how do you feel about that as far as what, like,

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Speaker 4: you know, I'm was it a pledge allegiance? It's happening.

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Speaker 4: He's taking one of them.

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Speaker 1: He's saying that he.

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Speaker 4: Doesn't want to do that until like black black lives matter,

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Speaker 4: like black justices.

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Speaker 1: How do you feel like that as a person in

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Speaker 1: the military.

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Speaker 3: You know, I'm a veteran, so I'm definitely gonna be patriot.

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Speaker 4: Let's make some no before a ve.

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Speaker 3: You said you had when I put my hand on

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Speaker 3: my heart, you know, I went out there, you know,

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Speaker 3: ride out by the bush.

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Speaker 5: He does that because Pusy the soldiers fight for his

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Speaker 5: right to do that exactly.

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Speaker 3: So you know, I say where you're coming from. I

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Speaker 3: see where you're coming from.

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Speaker 4: Now, when you came out the army, what's there? Like,

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Speaker 4: like what happens when you come out the army?

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Speaker 3: Like say, listen, yeah, when I when I left the army,

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Speaker 3: I was I was ready to be a rapper, you know,

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Speaker 3: I felt like the army was holding me back. Wow,

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Speaker 3: he was rapping in the right where the coldest.

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Speaker 1: What did you them? I was ready the battle?

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Speaker 4: Whoever?

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Speaker 3: Yeah, yeah, ship being a Benner student and the fan

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Speaker 3: of the game Bro game seriously, So.

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Speaker 1: What year you got out the army?

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Speaker 4: That was ninety four, ninety four. So you come home

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Speaker 4: and you already rapping. So you you did this your

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Speaker 4: independent stuff was I.

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Speaker 3: Was rapping prior to the army. What happened was soon

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Speaker 3: as I left to go and list in the army

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Speaker 3: because rap was more like a hobby at that time,

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Speaker 3: spentally coming from New Orleans where y'all was at. If

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Speaker 3: you ain't from New York enough that them get the

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Speaker 3: funk out of you know what I'm saying. So I

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Speaker 3: had to do my thing. You know that we're capable

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Speaker 3: of doing that too. We get down to god damn.

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Speaker 1: Now when you met Master P, was he already big?

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Speaker 1: Like he was on his way.

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Speaker 3: You couldn't miss him. You know, if the city bus

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Speaker 3: passed by, it was gonna be wrapped in the limits here.

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Speaker 3: You know, you get out of here, like really, yes,

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Speaker 3: just do the billboard. Everywhere you look was Master P.

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Speaker 3: I'm like, you know, what, fucking.

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Speaker 1: How's your relationship now? You're still cool? Fucking right? Okay?

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Speaker 4: And so we always heard that there was like no

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Speaker 4: limit cash money drama.

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Speaker 1: It was. It was competition, competition, different projects?

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Speaker 3: Was it?

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Speaker 1: We just come?

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Speaker 3: I know I'm from I'm from uptown around the car

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Speaker 3: in front.

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Speaker 1: Of the projects. So that's baby in the same baby

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Speaker 1: just wanting to come. Yeah, baby uptown. So you knew

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Speaker 1: baby and them too.

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Speaker 4: Fucking man, it's New Orleans, y'all have a lot of it.

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Speaker 4: Had to be in a small scene there.

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Speaker 6: Yeah, you know what I'm saying, right and now, so okay,

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Speaker 6: so basket people was already on his way, right, and

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Speaker 6: then he steps to you.

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Speaker 1: He said what he said?

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Speaker 3: He said, Man, I was watching your career. See, I'm

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Speaker 3: watching you as an artist. Now I'm trying to build

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Speaker 3: my brand as a company, and I see you building

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Speaker 3: your brand as an artist. Need to put this ship together,

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Speaker 3: and you know, let's do our thing. Because he hired

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Speaker 3: me for about about the soundtrack. He wanted me in

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Speaker 3: the movie. But I didn't get a chance to, you know,

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Speaker 3: get in the movie. But I didn't make a soundtrack.

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Speaker 3: Once I got to the studio to record that soundtrack,

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Speaker 3: I never left.

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Speaker 1: Never We'll leave now.

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Speaker 4: Now Was it true that like No Limit had like

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Speaker 4: one office with like one worker in there.

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Speaker 1: It was like one or two. It was like incredible.

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Speaker 3: Million coming to the studio saying, Yo, when were going

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Speaker 3: to the studio, we're recovering, like this is it.

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Speaker 4: All that? That's crazy.

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Speaker 2: Here?

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Speaker 1: Brother man?

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Speaker 4: Yo, listen, you y'all like that that.

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Speaker 1: I we have the death Row era, we have the.

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Speaker 4: Bad Boy era, and now we're kind of like still

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Speaker 4: having the cash Money era.

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Speaker 1: But I can't, I can't. I can't compare what no limit?

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Speaker 4: Did?

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Speaker 3: I remember?

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Speaker 1: I remember I was in Vegas, right and Leo Colmbe said,

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Speaker 1: I just seen the illest thing in the world. And

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Speaker 1: I said, what's that?

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Speaker 4: He said, I just seen one hundred fifty dudes just

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Speaker 4: walk through the hotel. And I said, I got one

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Speaker 4: hundred and fifty dudes when he walked through. He said,

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Speaker 4: but all of them had on the rolex.

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Speaker 3: I said, we we.

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Speaker 4: Don't call so many that in Vegas. Somewhere you see

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Speaker 4: y'all walking through one.

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Speaker 1: Hundred And he understood that.

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Speaker 4: He understands anybody had.

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Speaker 3: He understood the power of having a real team and

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Speaker 3: the squad, which you know, I was dol on my

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Speaker 3: whole life. I'm talking about that by myself who want

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Speaker 3: it right? But he was like, you know at some point,

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Speaker 3: you know you're gonna need that squad with you.

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Speaker 4: Bro. You know it's it.

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Speaker 1: Was and it made a difference. It makes a difference.

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Speaker 4: How do you get your energy? Because I feel like

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Speaker 4: I got energy, but I can't funk with you or

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Speaker 4: Buster or d m X by the way, by the way,

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Speaker 4: I want to do a record with me Mystical Buster

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Speaker 4: and d m X on my call the energy.

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Speaker 1: I'm going I'm going to use steroids for that week.

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Speaker 3: Take take that.

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Speaker 4: I'm gonna take shots many.

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Speaker 1: The music, my music. The music, The music brings it

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Speaker 1: out you because like you.

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Speaker 4: Be on tracks for people and you still like, was

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Speaker 4: that like a method to to like like to stand out.

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Speaker 3: No, that's just where I was. That's where I was, man,

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Speaker 3: you know, and to stand out and all that. It

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Speaker 3: just wasn't like side effect of it, man, right.

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Speaker 4: Yeah, I'm sorry, it just came out of me. Sorry. Sorry? Sorry?

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Speaker 4: Was that flu inspired by like something inspired you to

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Speaker 4: have that flu?

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Speaker 3: When I first started the game, I was I was

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Speaker 3: prototype myself behind l ll cool J. My first I

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Speaker 3: was rhyme, singing and training.

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Speaker 1: I was slinging.

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Speaker 3: You know, man, starts that way you develop into just

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Speaker 3: evolved into that ship yet they had that ain't no fucking.

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Speaker 5: To l.

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Speaker 4: But it's still like that because yesterday so you walk

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Speaker 4: out on stage and he's calm as hell and then

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Speaker 4: that boom.

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Speaker 1: You know, the way you came from music transfer music.

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Speaker 4: The music speaks to everybody.

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Speaker 3: Every single time that come. I could be at home

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Speaker 3: by myself. That's how I'm be acting. Yeah, I got

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Speaker 3: to see this ship. Like sometimes when my show is

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Speaker 3: not super packed as they should be, like y'all, I'm finna, y'all,

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Speaker 3: finna get this show will be sweating and mustard when

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Speaker 3: I leave a bit, because I'll do it at home

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Speaker 3: by myself.

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Speaker 1: In the mirror of the rush. I don't need a mother.

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Speaker 1: So now so now so.

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Speaker 4: Now what would Let's just get into the cash money

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Speaker 4: because I believe you left cash money as.

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Speaker 3: Well, correct, So okay, so what happened with that? Like

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Speaker 3: I think it wasn't you on cash money? Mutual respect, baby,

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Speaker 3: and not have respect even when I was on the limit,

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Speaker 3: hit man, we were gonna sit down.

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Speaker 1: I'm already sitting down, you know. Respect.

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Speaker 3: And you know the funny thing when I came home

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Speaker 3: for them to you know, help me keep this ship

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Speaker 3: moving when.

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Speaker 4: You came home.

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Speaker 1: That was the first. That was one of the first

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Speaker 1: calls I was like.

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Speaker 3: When I left, I was like, man, you gotta hold

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Speaker 3: this keep holding this ship down the same spot.

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Speaker 1: When I come back. And what he did? Wow, seriously,

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Speaker 1: for real, you did that ship.

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Speaker 4: So I'm gonna start naming a couple of names from

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Speaker 4: from New Orleans, and I want you to tell me

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Speaker 4: what you think of them.

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Speaker 1: Okay, okay, juvenile like like myself.

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Speaker 3: Wow, he like my counterpart, like a real like in

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Speaker 3: concerts one two punch from New Orleans.

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Speaker 1: Okay, okay, Manny Fresh, same thing he like, he's like.

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Speaker 3: J K see, he's like the one that gets all

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Speaker 3: those tracks, bitch you know all driving.

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Speaker 1: Man. The Fresh is exactly that. The same thing is

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Speaker 1: the kl C what kls? He was no limit. He

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Speaker 1: was there to cash money.

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Speaker 4: And what was he supposed to do an album together?

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Speaker 5: Yeah?

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Speaker 3: Yeah, especially when I when I when I got over there,

285
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Speaker 3: and then it was too much.

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Speaker 4: It was too much.

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Speaker 1: What did you record some records?

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Speaker 3: We did? We did, we did, Okay, So see listen

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Speaker 3: coming home man six. I was in the fucking six

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Speaker 3: year time laps our culture shock.

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Speaker 1: Yeah, everything up.

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Speaker 3: I told you I was in like that pimp from

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Speaker 3: I'm Gonna Get You, sucker when I came not on. Yes,

294
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Speaker 3: I was on the walkmart you got swagging you like that,

295
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Speaker 3: I'm gonna get it together.

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Speaker 1: And eventually I looked around and I came on shooting

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Speaker 1: live rounds.

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Speaker 3: I just wasn't hitting the target and I ain't who

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Speaker 3: the I was talking.

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Speaker 1: To, what they was talking to.

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Speaker 4: And right now I'm just saying, okay, another name, soldier slam.

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Speaker 1: Say bro, Yeah he missed a game changer, right, yea change.

303
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Speaker 4: Okay, I'm gonna give you one more name.

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Speaker 1: There you go, Murder, come to your asshole, free murderer.

305
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Speaker 1: Pret dude was a fun comedian. Yeah he was playing dude.

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Speaker 1: He really had alarming in the hood like he was

307
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Speaker 1: real life. He was really fun.

308
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Speaker 4: Dude.

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Speaker 3: Matter of fact, I'm trying to go see him and

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Speaker 3: one of my other partners up there. Oh okay, yeah,

311
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Speaker 3: without making too my noise up there, yeah okay.

312
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Speaker 4: And like just to subscribe like New Orleans because y'all

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Speaker 4: got the Yeah, y'all are owned like one.

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Speaker 1: Of the only states that are above seawater, right.

315
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Speaker 4: Seawater, So y'all mausoleums where people die is actually a ball.

316
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Speaker 4: So it's like the most scariest thing in the world.

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Speaker 4: Like for my first time in New Orleans, I've just

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Speaker 4: seen dead people everywhere because the mausoleums is above ground.

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Speaker 1: Correct, It's not like like you know, how yeah that

320
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Speaker 1: bitch up.

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Speaker 4: Yeah, like to describe New Orleans, because we're.

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Speaker 1: A mountain pot of everything that was dope.

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Speaker 3: We just you know, put you know, put it in

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Speaker 3: the posture up and when it came out, you know,

325
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Speaker 3: we put our own lit whip ony.

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Speaker 4: You know.

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Speaker 3: So how about were inspired by you know, all the

328
00:14:01,679 --> 00:14:05,160
Speaker 3: dope ship everything because New York Countiful, you know everything

329
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Speaker 3: everything else.

330
00:14:06,760 --> 00:14:08,800
Speaker 4: It's like in the middle of we were.

331
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Speaker 3: Break dancing rail real rail, real tough, and you know

332
00:14:12,040 --> 00:14:17,240
Speaker 3: break dance right the challenge.

333
00:14:19,560 --> 00:14:19,720
Speaker 4: Man.

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00:14:21,920 --> 00:14:24,280
Speaker 3: I think most rappers man come from all the things,

335
00:14:24,440 --> 00:14:26,320
Speaker 3: all the trends and all that was hip hop.

336
00:14:26,400 --> 00:14:28,120
Speaker 4: Man. You know what was crazy for me because I

337
00:14:28,200 --> 00:14:30,200
Speaker 4: kept going to New Orleans, kept going to New Orleans

338
00:14:30,240 --> 00:14:33,720
Speaker 4: as a black rapper, and then when I did Spanish music,

339
00:14:34,240 --> 00:14:36,240
Speaker 4: I started getting booking New Orleans. I'm like, you know,

340
00:14:36,280 --> 00:14:38,240
Speaker 4: ain't no Spanish. They got the.

341
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Speaker 1: Spanish. It was the beat.

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00:14:41,440 --> 00:14:42,520
Speaker 4: It was Spanish motherfuckers.

343
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Speaker 1: Oh no, that fun with me.

344
00:14:49,520 --> 00:14:52,680
Speaker 3: Listen to that. My very next track, going to work

345
00:14:52,760 --> 00:14:54,160
Speaker 3: for rail from man, that's.

346
00:14:54,040 --> 00:14:55,800
Speaker 1: What's ma.

347
00:15:00,120 --> 00:15:03,080
Speaker 4: First I'm wrecking for let me shake you gass.

348
00:15:03,160 --> 00:15:04,280
Speaker 3: Gass No, no, no.

349
00:15:04,520 --> 00:15:06,680
Speaker 1: The first one was the fucking uh.

350
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Speaker 2: It was.

351
00:15:08,800 --> 00:15:10,840
Speaker 3: It was on the Olive Stone soundtrack and again a

352
00:15:10,880 --> 00:15:14,320
Speaker 3: Sunday jump jump like skateboard skateboard kid.

353
00:15:15,840 --> 00:15:20,120
Speaker 4: Jump with the first hit, Yeah, how much pushing you

354
00:15:20,160 --> 00:15:21,200
Speaker 4: out off that record out.

355
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Speaker 1: There, and I started changing my life. I'm going to

356
00:15:23,000 --> 00:15:23,560
Speaker 1: trade now.

357
00:15:28,000 --> 00:15:28,680
Speaker 3: I'm playing, man.

358
00:15:29,440 --> 00:15:32,960
Speaker 1: I mean that that song laps around the globe with

359
00:15:33,040 --> 00:15:33,240
Speaker 1: that my.

360
00:15:33,360 --> 00:15:35,640
Speaker 4: Soul right, let me actually what women just coming up

361
00:15:35,640 --> 00:15:37,480
Speaker 4: to you trying to take that my game up?

362
00:15:38,440 --> 00:15:40,200
Speaker 3: No, I can't, you know, I can't practice my skills

363
00:15:40,240 --> 00:15:43,280
Speaker 3: and my gap because ma can.

364
00:15:43,360 --> 00:15:45,320
Speaker 1: I work for the pussy man and it works for the.

365
00:15:47,240 --> 00:15:50,680
Speaker 4: Crippling. And that record is it's like when it comes on,

366
00:15:50,840 --> 00:15:51,920
Speaker 4: it's like brand news.

367
00:15:52,000 --> 00:15:55,400
Speaker 3: Still it's just one of them songs. Man good LUs

368
00:15:55,600 --> 00:15:59,720
Speaker 3: is timeless Man oh man, Man your concert?

369
00:15:59,800 --> 00:16:00,280
Speaker 5: Yes that.

370
00:16:03,600 --> 00:16:07,240
Speaker 3: The oh yeah, you got, you got, mccaudy, you got,

371
00:16:10,160 --> 00:16:11,640
Speaker 3: I'm black black?

372
00:16:13,120 --> 00:16:15,040
Speaker 4: Is it tag of bone time or we gotta wait

373
00:16:15,400 --> 00:16:16,800
Speaker 4: whatever don't.

374
00:16:19,040 --> 00:16:19,840
Speaker 3: Not so long ago as that.

375
00:16:22,960 --> 00:16:24,160
Speaker 1: Right there, you ready, right now.

376
00:16:24,600 --> 00:16:26,840
Speaker 4: We're going look at it's in Chinese. It tells you

377
00:16:26,880 --> 00:16:27,920
Speaker 4: it's good for you in Chinese.

378
00:16:28,360 --> 00:16:28,960
Speaker 3: You gotta read it.

379
00:16:30,680 --> 00:16:32,480
Speaker 4: Let me just tell you something, man, I'm honored for

380
00:16:32,600 --> 00:16:35,480
Speaker 4: you to be here because you are so much of

381
00:16:35,560 --> 00:16:39,720
Speaker 4: a legend. You are guy who your sound is so

382
00:16:40,040 --> 00:16:43,120
Speaker 4: unique that I don't think you will ever have a

383
00:16:43,200 --> 00:16:45,760
Speaker 4: problem making a record or putting out a record or

384
00:16:45,800 --> 00:16:48,640
Speaker 4: anything there is. There can never be another mystical, you

385
00:16:48,680 --> 00:16:50,400
Speaker 4: know what I'm saying. Like I'm just I'm just keeping

386
00:16:50,400 --> 00:16:52,600
Speaker 4: it in one hundred, but you there could never be

387
00:16:52,680 --> 00:16:56,040
Speaker 4: another mystical. And our whole purpose of our show is

388
00:16:56,160 --> 00:16:59,120
Speaker 4: to give people the flowers while they can smell them.

389
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Speaker 1: We give them like people give you flowers when you.

390
00:17:01,640 --> 00:17:02,200
Speaker 4: Can't smell it.

391
00:17:02,560 --> 00:17:04,119
Speaker 1: Well, I'm gonna give you trees when you came in

392
00:17:04,119 --> 00:17:04,520
Speaker 1: the hell of the.

393
00:17:04,600 --> 00:17:06,200
Speaker 4: You know what I mean? You know what I mean.

394
00:17:06,400 --> 00:17:08,919
Speaker 4: So that's the whole purpose of our show is because

395
00:17:09,280 --> 00:17:12,520
Speaker 4: our coature, our legends, you know, and rock and roll.

396
00:17:12,600 --> 00:17:14,480
Speaker 4: When you have twenty years in rock and roll, they

397
00:17:14,560 --> 00:17:16,720
Speaker 4: praised you, you know what I'm saying. They do they

398
00:17:16,800 --> 00:17:20,720
Speaker 4: do a Hall of fame. Well, you know in our culture,

399
00:17:20,800 --> 00:17:22,639
Speaker 4: we don't have that. So this is what you know.

400
00:17:22,880 --> 00:17:25,680
Speaker 4: This is a blessing that you came by and you

401
00:17:25,720 --> 00:17:27,720
Speaker 4: knew about the show because this is what we got

402
00:17:27,840 --> 00:17:29,040
Speaker 4: to continue to do. And this is what me and

403
00:17:29,119 --> 00:17:31,520
Speaker 4: my partner been doing, you know what I mean. And

404
00:17:31,600 --> 00:17:35,120
Speaker 4: we're gonna continue to respect our legends and the man. Right,

405
00:17:37,160 --> 00:17:39,840
Speaker 4: we just be coming out of me. I'm sorry, I'm sorry.

406
00:17:39,560 --> 00:17:40,760
Speaker 1: Man, that's how we do bro.

407
00:17:41,840 --> 00:17:42,040
Speaker 3: Man.

408
00:17:42,280 --> 00:17:44,160
Speaker 1: So, but it's gonna take things.

409
00:17:44,440 --> 00:17:46,360
Speaker 3: I'm gonna take all this like you that's doing things

410
00:17:46,440 --> 00:17:47,720
Speaker 3: like this to make those changes.

411
00:17:47,760 --> 00:17:47,879
Speaker 4: Bro.

412
00:17:48,280 --> 00:17:50,840
Speaker 1: Yeah, because our coaches should be celebrated, you know what

413
00:17:50,840 --> 00:17:52,840
Speaker 1: I'm saying. It's gonna take somebody that's respect.

414
00:17:53,040 --> 00:17:55,480
Speaker 4: Yeah, we already doing and we know we're already doing

415
00:17:55,680 --> 00:17:58,000
Speaker 4: our own award shows right now. Drink Champ of War

416
00:17:58,080 --> 00:18:01,360
Speaker 4: throw January second's if we're gonna give met me foul

417
00:18:01,440 --> 00:18:03,120
Speaker 4: over here and we go from the Hall of Fame,

418
00:18:05,040 --> 00:18:06,960
Speaker 4: we give him out Cigarette of the Year. You know

419
00:18:07,040 --> 00:18:12,960
Speaker 4: what I'm saying. Yeah, where's ed you listen? Point Puffed

420
00:18:13,000 --> 00:18:14,959
Speaker 4: Daddy your category. So I don't know if you're gonna win.

421
00:18:15,160 --> 00:18:17,160
Speaker 3: This is Eddie to ask you that I'm being puff

422
00:18:17,200 --> 00:18:17,879
Speaker 3: daddy about it.

423
00:18:26,040 --> 00:18:28,919
Speaker 4: So you're going to get love daddy this on January second,

424
00:18:29,080 --> 00:18:31,040
Speaker 4: How do you feel about that Eddie taking them out,

425
00:18:31,320 --> 00:18:32,359
Speaker 4: taking them out, taking them?

426
00:18:32,440 --> 00:18:34,159
Speaker 1: Are you willing to shaft on stage?

427
00:18:34,520 --> 00:18:36,960
Speaker 4: If if Puffy willing to do the same thing, But

428
00:18:38,119 --> 00:18:41,040
Speaker 4: Puffy girl like you don't know, you don't got to

429
00:18:41,080 --> 00:18:41,320
Speaker 4: do the.

430
00:18:46,359 --> 00:18:49,080
Speaker 1: Bud He might not be eating ass right, Okay.

431
00:18:48,840 --> 00:18:49,159
Speaker 4: All right?

432
00:18:50,040 --> 00:18:50,320
Speaker 5: Which is.

433
00:18:56,600 --> 00:18:58,359
Speaker 1: To please, you're gonna to ask for yourself.

434
00:18:58,440 --> 00:18:58,600
Speaker 4: Yeah.

435
00:18:59,600 --> 00:19:02,200
Speaker 3: Yes, it's gonna be hard to be. It's gonna be

436
00:19:02,200 --> 00:19:03,760
Speaker 3: hard to the bathroom.

437
00:19:04,600 --> 00:19:10,600
Speaker 1: Now they say that New Orleans, I don't heard you sing.

438
00:19:11,600 --> 00:19:13,520
Speaker 3: Like Praierville, like in between Baton Rudge and New.

439
00:19:13,520 --> 00:19:15,040
Speaker 1: Orleans unless the rich place that make.

440
00:19:16,680 --> 00:19:19,640
Speaker 4: Living to the rich place. This sounds rich, It sounds rich.

441
00:19:20,720 --> 00:19:23,760
Speaker 4: So now describe the food culture for New Orleans. Because

442
00:19:25,920 --> 00:19:27,760
Speaker 4: I can't lie to you. I can't lie to you.

443
00:19:27,960 --> 00:19:29,639
Speaker 4: That's some of the best food I ever had in

444
00:19:29,680 --> 00:19:31,639
Speaker 4: New Orleans. Like I've never had a bad mill in

445
00:19:31,720 --> 00:19:32,160
Speaker 4: New Orleans.

446
00:19:32,440 --> 00:19:32,840
Speaker 1: I should.

447
00:19:32,880 --> 00:19:35,200
Speaker 3: I'm sure that ship's healthy as it should be funny,

448
00:19:35,240 --> 00:19:38,680
Speaker 3: but it tastes too good. Just good ass good food,

449
00:19:39,240 --> 00:19:40,919
Speaker 3: good food. That's we're definitely known for that.

450
00:19:41,640 --> 00:19:46,800
Speaker 4: Now, all right, so your city goes to Katrina. How

451
00:19:47,320 --> 00:19:47,480
Speaker 4: was that?

452
00:19:47,640 --> 00:19:49,120
Speaker 1: I had to I had to watch that from in prison.

453
00:19:49,240 --> 00:19:52,840
Speaker 3: I was talking print and that that ship on television, Like, damn,

454
00:19:52,880 --> 00:19:55,320
Speaker 3: I'm supposed to be in the pissy water, splashing, trying

455
00:19:55,359 --> 00:19:58,480
Speaker 3: to help in order, supposed to be out there. You know,

456
00:19:58,640 --> 00:19:59,199
Speaker 3: fucked up too.

457
00:19:59,280 --> 00:20:01,720
Speaker 4: But this wasn't your for a hurricane. Right, did you

458
00:20:01,760 --> 00:20:02,879
Speaker 4: go through hurricane as a.

459
00:20:02,920 --> 00:20:03,680
Speaker 1: Child, Not like that?

460
00:20:03,880 --> 00:20:06,639
Speaker 3: Not to It wasn't even the hurricane of the levee

461
00:20:06,640 --> 00:20:08,400
Speaker 3: is just breaking just yet.

462
00:20:08,440 --> 00:20:10,880
Speaker 1: No, that was a fucking powerful hurricane that came through.

463
00:20:11,440 --> 00:20:12,400
Speaker 4: It came through Florida first.

464
00:20:12,640 --> 00:20:16,240
Speaker 3: We felt it too, right, so you're enough to break levies?

465
00:20:16,320 --> 00:20:18,680
Speaker 1: Yeah, you know you think that was a conspiracy.

466
00:20:21,680 --> 00:20:23,400
Speaker 3: I look at the after effect. A lot of good

467
00:20:23,440 --> 00:20:25,399
Speaker 3: came from it. There was a you know, really pretty

468
00:20:25,480 --> 00:20:27,240
Speaker 3: silver lining, you know what I'm saying, and that thing.

469
00:20:27,680 --> 00:20:30,600
Speaker 3: A lot of people seeing opportunities that they never would

470
00:20:30,640 --> 00:20:31,080
Speaker 3: have even.

471
00:20:30,920 --> 00:20:33,520
Speaker 1: Thought because they had to get the fun, they had

472
00:20:33,520 --> 00:20:33,840
Speaker 1: to leave.

473
00:20:37,359 --> 00:20:39,360
Speaker 3: I don't gonna know what this is where I'm at? Then,

474
00:20:40,000 --> 00:20:43,680
Speaker 3: like that happened, your ass gotta go. That's that's life

475
00:20:44,320 --> 00:20:44,880
Speaker 3: got better fun.

476
00:20:44,920 --> 00:20:45,600
Speaker 1: It got better fun.

477
00:20:47,280 --> 00:20:50,920
Speaker 4: There's a lot of the projects didn't the projects.

478
00:20:50,520 --> 00:20:52,600
Speaker 1: Well, if it didn't, we did you know what I

479
00:20:52,960 --> 00:20:54,960
Speaker 1: projects out here? We don't how that project? Did you

480
00:20:55,080 --> 00:20:56,920
Speaker 1: think for giving up for the project.

481
00:21:01,480 --> 00:21:04,480
Speaker 3: Clean shup something that we sucking the murder it ubout?

482
00:21:04,520 --> 00:21:10,520
Speaker 4: You man? Now, if you could compare CEOs, because you

483
00:21:10,600 --> 00:21:12,800
Speaker 4: know we love CEO talk for you're one of the

484
00:21:12,880 --> 00:21:16,359
Speaker 4: only people that was like a high level that actually dealt.

485
00:21:16,119 --> 00:21:19,359
Speaker 1: With uh no limit and then dealt with cash money

486
00:21:19,600 --> 00:21:22,080
Speaker 1: Like where would you wait? Baby? First match?

487
00:21:22,720 --> 00:21:24,800
Speaker 3: They have a lot of similarities, but they're different in

488
00:21:24,880 --> 00:21:27,480
Speaker 3: a lot of ways. You know, they both had that

489
00:21:27,520 --> 00:21:30,520
Speaker 3: competitive edge, you know what I'm saying, and they have

490
00:21:30,680 --> 00:21:33,280
Speaker 3: they have the personality and the characters to do what

491
00:21:33,400 --> 00:21:33,880
Speaker 3: they've done.

492
00:21:34,680 --> 00:21:36,199
Speaker 1: I don't know what would you.

493
00:21:36,240 --> 00:21:39,200
Speaker 4: Compare, Like what you mean the frozen cars are being

494
00:21:39,240 --> 00:21:40,920
Speaker 4: with Pe and the frozen.

495
00:21:40,680 --> 00:21:42,320
Speaker 3: Cars the pros were being with both of them. There

496
00:21:42,400 --> 00:21:44,120
Speaker 3: was the hottest Like when I came home, No Limit

497
00:21:44,240 --> 00:21:45,720
Speaker 3: was the hottest, I mean cash Money.

498
00:21:45,520 --> 00:21:46,160
Speaker 1: Was the hottest. Ship.

499
00:21:46,200 --> 00:21:47,920
Speaker 3: I'm like, well, what better way to get to the

500
00:21:47,960 --> 00:21:49,800
Speaker 3: top than from the top right up there?

501
00:21:50,520 --> 00:21:52,200
Speaker 1: Just cut me on, you know what I'm saying. So

502
00:21:52,440 --> 00:21:54,480
Speaker 1: and didn't how about p p P.

503
00:21:54,640 --> 00:21:57,000
Speaker 3: I watched him grind that ship from from round zero

504
00:21:57,560 --> 00:21:59,240
Speaker 3: from the mud. You know I'm talking about to build

505
00:21:59,240 --> 00:22:02,159
Speaker 3: an empire that It was amazing he was under That

506
00:22:02,240 --> 00:22:04,360
Speaker 3: man had about twenty thirty million dollars in the bank

507
00:22:04,400 --> 00:22:05,480
Speaker 3: in the bank, and he still.

508
00:22:05,280 --> 00:22:08,120
Speaker 1: Was not I respected them. I was like, whoa, Okay,

509
00:22:08,160 --> 00:22:09,399
Speaker 1: so right times.

510
00:22:09,640 --> 00:22:12,040
Speaker 4: Right now, you're saying it's a million dollars deal for

511
00:22:12,160 --> 00:22:15,800
Speaker 4: Mexical and you have a choice go cash money.

512
00:22:16,359 --> 00:22:16,960
Speaker 3: Or no limits.

513
00:22:18,080 --> 00:22:18,960
Speaker 1: That's not find us easy.

514
00:22:19,000 --> 00:22:21,000
Speaker 3: I just did Cares money, no limit turn now, no

515
00:22:21,119 --> 00:22:29,120
Speaker 3: limit turn turn limit. It would definitely be no limit terns. Still,

516
00:22:29,400 --> 00:22:31,239
Speaker 3: I still would be very open to talk to them,

517
00:22:31,640 --> 00:22:32,960
Speaker 3: talk to Cares money about what we're going You know

518
00:22:33,000 --> 00:22:35,280
Speaker 3: what I'm saying, Yea. I never never closed minded what

519
00:22:35,760 --> 00:22:38,280
Speaker 3: they would have united too much, too much, Like right,

520
00:22:38,359 --> 00:22:41,679
Speaker 3: it inspired too many motherfuckers. They still had that opportunity to.

521
00:22:41,720 --> 00:22:43,800
Speaker 4: Do that right now because they changed the game. They

522
00:22:43,920 --> 00:22:44,480
Speaker 4: both changed.

523
00:22:44,560 --> 00:22:46,159
Speaker 1: Now the writing on the wall for Master PI right,

524
00:22:46,200 --> 00:22:49,960
Speaker 1: no limit Pabe. Yeah, you're saying what you did was important.

525
00:22:50,000 --> 00:22:50,080
Speaker 4: Pe.

526
00:22:50,280 --> 00:22:52,159
Speaker 3: We need to brother, come on, because that's what I

527
00:22:52,240 --> 00:22:54,920
Speaker 3: hear all day. Come on, Miskal brother, fuck now we

528
00:22:54,960 --> 00:22:57,159
Speaker 3: did right when they had right you know, I got it,

529
00:22:57,680 --> 00:22:59,119
Speaker 3: you know that I got to put it out there

530
00:22:59,200 --> 00:23:00,639
Speaker 3: right there going out clearly.

531
00:23:00,840 --> 00:23:05,720
Speaker 4: How was it doing that? No video? Y'all looked like y'all.

532
00:23:05,560 --> 00:23:07,800
Speaker 3: Had too much Listen, not just the videos, we did

533
00:23:07,880 --> 00:23:08,640
Speaker 3: fucking movies.

534
00:23:08,720 --> 00:23:11,720
Speaker 4: Man, that video in particular, that was the basketball video.

535
00:23:11,640 --> 00:23:15,440
Speaker 3: Right, like Shaquille O'Neal came out to the video.

536
00:23:15,560 --> 00:23:17,920
Speaker 1: So that was in New Orleans and house in California.

537
00:23:18,640 --> 00:23:20,120
Speaker 1: He did everything larger than life.

538
00:23:20,160 --> 00:23:20,280
Speaker 5: You know.

539
00:23:20,400 --> 00:23:22,960
Speaker 3: He definitely you know, had to looked at the big

540
00:23:23,000 --> 00:23:23,920
Speaker 3: picture in a big way.

541
00:23:24,000 --> 00:23:26,680
Speaker 4: You know. Now, one of my favorite female artists is

542
00:23:26,800 --> 00:23:32,320
Speaker 4: me Asks because one of the how was it working

543
00:23:32,359 --> 00:23:32,600
Speaker 4: with her?

544
00:23:33,640 --> 00:23:34,000
Speaker 1: I said?

545
00:23:34,000 --> 00:23:35,959
Speaker 3: I used to tell all this, Listen, I know you're

546
00:23:36,000 --> 00:23:37,520
Speaker 3: doing the feature and it's just a feature, But you

547
00:23:37,640 --> 00:23:39,400
Speaker 3: jump on that song with that girl and don't handle

548
00:23:39,400 --> 00:23:39,760
Speaker 3: your business.

549
00:23:39,800 --> 00:23:43,880
Speaker 1: You gonna cook your britchs for your bits breakfast, bitch. Yeah,

550
00:23:43,960 --> 00:23:44,679
Speaker 1: so handa your b.

551
00:23:45,040 --> 00:23:46,840
Speaker 4: What it seems like you too. It seems like every

552
00:23:46,920 --> 00:23:48,040
Speaker 4: time you got on the track.

553
00:23:49,600 --> 00:23:52,400
Speaker 1: About it like that, like you want to murder everybody.

554
00:23:52,600 --> 00:23:53,280
Speaker 3: I want to compete.

555
00:23:53,440 --> 00:23:56,119
Speaker 1: So you're telling me your style wasn't developed from trying to.

556
00:23:56,520 --> 00:23:56,720
Speaker 4: I was.

557
00:23:56,760 --> 00:24:00,680
Speaker 1: I started having out a wrapper that makes it okay.

558
00:24:00,640 --> 00:24:02,800
Speaker 3: Because your style is so because I was a storytelling

559
00:24:02,800 --> 00:24:04,640
Speaker 3: and then we was in the hallway battle and dude

560
00:24:04,760 --> 00:24:08,640
Speaker 3: just went food belligerent a little bit in the crowd.

561
00:24:09,240 --> 00:24:11,280
Speaker 3: I was trying to stick to lyrics in this store.

562
00:24:11,280 --> 00:24:19,240
Speaker 3: I was on the skateboard riding. Yeah you know, so wow, Like, okay,

563
00:24:19,320 --> 00:24:19,959
Speaker 3: that's where it's at.

564
00:24:20,240 --> 00:24:21,679
Speaker 4: Wow, let's make some.

565
00:24:24,960 --> 00:24:25,920
Speaker 3: I ain't never lost again.

566
00:24:25,960 --> 00:24:28,480
Speaker 1: After that bet of that, I was ready for the level.

567
00:24:29,200 --> 00:24:29,760
Speaker 1: Now what's you?

568
00:24:30,240 --> 00:24:32,399
Speaker 4: Was you disappointed that you didn't get to put out

569
00:24:32,440 --> 00:24:34,760
Speaker 4: a project on cash money a little bit?

570
00:24:35,080 --> 00:24:35,280
Speaker 5: Well?

571
00:24:36,200 --> 00:24:36,359
Speaker 4: I was.

572
00:24:36,760 --> 00:24:39,200
Speaker 1: Let me see what was the best disillusion? You know

573
00:24:39,280 --> 00:24:41,760
Speaker 1: that's liken know what that word mean. But I was

574
00:24:41,800 --> 00:24:51,000
Speaker 1: be willed describing use another. I was fucked out. I

575
00:24:51,080 --> 00:24:51,640
Speaker 1: was discouraged.

576
00:24:51,680 --> 00:24:52,399
Speaker 4: And did you finish that.

577
00:24:52,560 --> 00:24:58,320
Speaker 1: I was discovered A right, yeah, I got it.

578
00:25:01,160 --> 00:25:02,760
Speaker 3: I put it over that I'm right man now with

579
00:25:02,880 --> 00:25:05,719
Speaker 3: vintage because it came on still it still was vintage.

580
00:25:05,760 --> 00:25:07,639
Speaker 1: It might have had a little dated town to it,

581
00:25:08,080 --> 00:25:08,240
Speaker 1: you know.

582
00:25:08,280 --> 00:25:10,040
Speaker 3: And then as the years progressing that you know, to

583
00:25:10,119 --> 00:25:10,760
Speaker 3: morrow was out here.

584
00:25:11,040 --> 00:25:11,240
Speaker 1: Yeah.

585
00:25:11,480 --> 00:25:13,680
Speaker 4: See, so now how do you feel about this?

586
00:25:13,920 --> 00:25:17,040
Speaker 1: Wayne? And baby situation because they're gonna work it out.

587
00:25:17,760 --> 00:25:18,280
Speaker 4: Prince is in it.

588
00:25:19,200 --> 00:25:22,680
Speaker 1: Yeah, because like did you have discript seas with pet me?

589
00:25:23,240 --> 00:25:24,720
Speaker 4: What you mean like you had?

590
00:25:24,800 --> 00:25:27,959
Speaker 3: Like right, well, from all that's just that's the all

591
00:25:28,080 --> 00:25:30,800
Speaker 3: day conflict, you know, that's all day conflict. We had

592
00:25:30,920 --> 00:25:32,680
Speaker 3: the respect, you know, on top of all of that, though,

593
00:25:32,800 --> 00:25:34,840
Speaker 3: So the business always came out because.

594
00:25:34,600 --> 00:25:38,919
Speaker 1: They was managing you too, right they didn't. Yeah, that's

595
00:25:39,080 --> 00:25:39,800
Speaker 1: kind of like interest.

596
00:25:41,000 --> 00:25:43,680
Speaker 3: I remember what the company, and the company manages my

597
00:25:43,800 --> 00:25:44,280
Speaker 3: manager too.

598
00:25:44,359 --> 00:25:47,560
Speaker 4: Yeah, look for me, I can't Yeah, you said, all right,

599
00:25:47,640 --> 00:25:51,640
Speaker 4: so I mean limit, But still I was second.

600
00:25:51,440 --> 00:25:51,920
Speaker 1: In that regard.

601
00:25:51,960 --> 00:25:53,399
Speaker 3: But it's still felt like I was first looking at

602
00:25:53,440 --> 00:25:54,960
Speaker 3: the other rapper that wasn't in the.

603
00:25:54,960 --> 00:25:57,080
Speaker 1: Position I was in. So I just appreciate it. We

604
00:25:57,160 --> 00:25:57,560
Speaker 1: came with it.

605
00:25:57,960 --> 00:25:59,840
Speaker 3: I take that all right there, because.

606
00:25:59,560 --> 00:26:00,200
Speaker 1: I got this.

607
00:26:00,359 --> 00:26:01,480
Speaker 4: I think it's tag of all time.

608
00:26:01,560 --> 00:26:03,760
Speaker 1: Let's open it up. Let's get over that the Chinese ship.

609
00:26:03,760 --> 00:26:05,639
Speaker 4: Open it up. We want you to do do we

610
00:26:05,720 --> 00:26:06,280
Speaker 4: want you to do that?

611
00:26:06,480 --> 00:26:07,239
Speaker 1: Want something? Jump out?

612
00:26:07,840 --> 00:26:10,960
Speaker 4: Yeah? No, no, no, you're good, you're good. This is

613
00:26:11,000 --> 00:26:11,680
Speaker 4: the start of the show.

614
00:26:11,720 --> 00:26:14,160
Speaker 6: By the way, Tag a ball Oh it's a lito

615
00:26:14,240 --> 00:26:15,840
Speaker 6: already it sounds like something to smoke.

616
00:26:18,160 --> 00:26:19,600
Speaker 1: We're gonna get into some misical ship.

617
00:26:19,880 --> 00:26:21,920
Speaker 3: Mann it's cobra venom.

618
00:26:23,880 --> 00:26:27,320
Speaker 4: Okay, you tell me when to stop. She stopped, God

619
00:26:27,400 --> 00:26:31,760
Speaker 4: damn it. All right cool, I'm gonna let you that

620
00:26:31,880 --> 00:26:34,600
Speaker 4: one me too. I'm gonna let.

621
00:26:34,560 --> 00:26:37,000
Speaker 1: Your cherry pick y'all take what shot y'all want to

622
00:26:37,040 --> 00:26:39,679
Speaker 1: little guests first, Yes, whatever I want lilas one.

623
00:26:39,680 --> 00:26:42,800
Speaker 4: I want that little bit of bitch. All right now,

624
00:26:43,840 --> 00:26:46,240
Speaker 4: this is where an interview turns funky. We go all

625
00:26:46,280 --> 00:26:48,400
Speaker 4: right now, we've gotta show you how to do it mystical.

626
00:26:48,119 --> 00:26:48,439
Speaker 3: Out of a.

627
00:26:50,320 --> 00:26:54,720
Speaker 1: Boom. I gottah, yeah, that's.

628
00:27:00,080 --> 00:27:01,920
Speaker 4: Wan went down wrong.

629
00:27:02,680 --> 00:27:06,200
Speaker 3: I taste the like tabasco sauce. That's myself.

630
00:27:06,359 --> 00:27:12,200
Speaker 1: So come on, you Twin. You shot everybody Twin.

631
00:27:14,320 --> 00:27:16,239
Speaker 3: That one shot. Want some more?

632
00:27:20,680 --> 00:27:24,359
Speaker 4: Pleas Twin want no, no, no, you want another one?

633
00:27:24,400 --> 00:27:25,879
Speaker 3: You're a little bit of business.

634
00:27:25,920 --> 00:27:27,800
Speaker 1: Come on, brother, I got show tonight.

635
00:27:27,840 --> 00:27:31,600
Speaker 4: Bro facing the crowded he I can't under sink about

636
00:27:31,600 --> 00:27:38,840
Speaker 4: myself that we all gotta do it. Asked, are you

637
00:27:38,920 --> 00:27:39,360
Speaker 4: ready to Twin?

638
00:27:42,760 --> 00:27:43,240
Speaker 3: I'm ready?

639
00:27:45,400 --> 00:27:49,400
Speaker 4: Where you at? Mm hmm?

640
00:27:50,880 --> 00:27:53,679
Speaker 3: Come back tiger ball like crazy time.

641
00:27:53,720 --> 00:27:57,560
Speaker 4: We went back to back right break tiger ball, tag

642
00:27:57,600 --> 00:28:00,520
Speaker 4: a bone, tiger ball, let's take a ball type of

643
00:28:00,560 --> 00:28:04,439
Speaker 4: boom like boom like this is the tiger like mystical

644
00:28:04,520 --> 00:28:04,920
Speaker 4: right now.

645
00:28:07,400 --> 00:28:08,439
Speaker 1: That my heard that got.

646
00:28:10,200 --> 00:28:14,880
Speaker 4: Tracey listen. So how did move bitch get out the way?

647
00:28:15,359 --> 00:28:18,200
Speaker 4: I heard that was your record? Ludacris heard it and

648
00:28:18,320 --> 00:28:19,320
Speaker 4: then asked.

649
00:28:19,000 --> 00:28:22,080
Speaker 3: To buy I No, I didn't even I guess if

650
00:28:22,119 --> 00:28:24,760
Speaker 3: I went over my head my management and somebody like, no,

651
00:28:24,880 --> 00:28:25,600
Speaker 3: I don't want that track.

652
00:28:25,680 --> 00:28:27,680
Speaker 1: He spoke for me, misspoke for me in other word,

653
00:28:28,280 --> 00:28:29,399
Speaker 1: So that was your try, my.

654
00:28:29,440 --> 00:28:31,600
Speaker 3: Son, You're like, no, missing on all that ships. Guy

655
00:28:31,720 --> 00:28:34,720
Speaker 3: never heard it, you did it. I never heard it

656
00:28:35,480 --> 00:28:39,120
Speaker 3: the track KOC recorded the track Oh Me and Mine,

657
00:28:39,400 --> 00:28:40,120
Speaker 3: but I never heard it.

658
00:28:40,560 --> 00:28:42,440
Speaker 1: It just never got gave it to It got to

659
00:28:42,520 --> 00:28:44,840
Speaker 1: Ludacris first. Lucris just happened came through.

660
00:28:44,960 --> 00:28:48,680
Speaker 4: Yeah, oh that's crazy. Heard the story wrong. I heard

661
00:28:49,120 --> 00:28:51,880
Speaker 4: I heard that that was your record and then sold

662
00:28:51,920 --> 00:28:54,040
Speaker 4: it to Luther Chris. But no, the beat was your

663
00:28:54,240 --> 00:28:54,440
Speaker 4: he was.

664
00:28:54,480 --> 00:28:56,640
Speaker 1: What they were saying was it was intended for me first.

665
00:28:56,720 --> 00:28:57,600
Speaker 3: It was supposed to be mine.

666
00:28:57,920 --> 00:28:59,440
Speaker 1: It never got to me. For whatever it was, you

667
00:28:59,520 --> 00:29:01,200
Speaker 1: bad about it. I'll be mad about I was saying

668
00:29:01,200 --> 00:29:05,000
Speaker 1: that bitch, I still feel like, you know what record

669
00:29:05,040 --> 00:29:11,040
Speaker 1: I had, Jigga jigg that it was going that made

670
00:29:11,040 --> 00:29:12,240
Speaker 1: it from me. I was like that ship, this piece

671
00:29:12,240 --> 00:29:14,440
Speaker 1: of ship. Did you know jay Z got it? I

672
00:29:14,560 --> 00:29:18,120
Speaker 1: was like, oh God, that's the Tiger boat.

673
00:29:17,920 --> 00:29:22,920
Speaker 4: Working is listen?

674
00:29:22,960 --> 00:29:24,440
Speaker 1: What don't touch your hand out for your pimp?

675
00:29:24,720 --> 00:29:24,880
Speaker 3: Yeah?

676
00:29:25,760 --> 00:29:26,400
Speaker 4: What? What was?

677
00:29:26,520 --> 00:29:27,640
Speaker 1: What's your favorite feature?

678
00:29:27,680 --> 00:29:29,360
Speaker 4: You you did? Like one of them?

679
00:29:29,400 --> 00:29:31,120
Speaker 1: That's sucking one of them besides that.

680
00:29:32,840 --> 00:29:33,080
Speaker 2: Ship?

681
00:29:33,160 --> 00:29:40,280
Speaker 1: Man, I got some good with aall m J. Yeah, drama, yeah, dope,

682
00:29:41,080 --> 00:29:41,960
Speaker 1: bust of course. Man.

683
00:29:43,560 --> 00:29:46,040
Speaker 3: When I came home Bust and pulled up like days.

684
00:29:45,760 --> 00:29:48,280
Speaker 1: After I made it back home a six year stint

685
00:29:48,480 --> 00:29:48,680
Speaker 1: on the.

686
00:29:48,680 --> 00:29:51,040
Speaker 3: Tour bus with spinning wheels, I was scratching my head.

687
00:29:53,120 --> 00:29:57,840
Speaker 4: I was whitey busted series with that ship, big up

688
00:29:57,880 --> 00:30:02,160
Speaker 4: the bustad normally incredible.

689
00:30:01,520 --> 00:30:04,800
Speaker 3: Ship like electricity and water are supposed to being stripped

690
00:30:04,800 --> 00:30:05,800
Speaker 3: in the studios the same time.

691
00:30:05,840 --> 00:30:06,440
Speaker 1: You know what I'm saying.

692
00:30:06,640 --> 00:30:11,400
Speaker 4: It was like ugly bro, Now, who's your favorite producer

693
00:30:11,520 --> 00:30:12,000
Speaker 4: to work with?

694
00:30:14,960 --> 00:30:19,440
Speaker 3: If it don't matter, don't but like La K that's KLC.

695
00:30:20,640 --> 00:30:21,560
Speaker 1: It's more than my favorite.

696
00:30:21,600 --> 00:30:23,440
Speaker 3: That nigga is you can hear the favorite too, but

697
00:30:23,560 --> 00:30:25,960
Speaker 3: he like that's the like my that's the meat and

698
00:30:25,960 --> 00:30:28,880
Speaker 3: potatoes of you know, my album. He always be the

699
00:30:28,920 --> 00:30:30,640
Speaker 3: meeting potatoes, the ship that I really want to do

700
00:30:30,720 --> 00:30:32,120
Speaker 3: and get off my chest. He's gonna have something to

701
00:30:32,200 --> 00:30:32,440
Speaker 3: do with it.

702
00:30:32,760 --> 00:30:32,880
Speaker 1: Now.

703
00:30:32,920 --> 00:30:35,240
Speaker 3: Everything else I'm trying to, you know, catch this market

704
00:30:35,320 --> 00:30:36,200
Speaker 3: or capture that market.

705
00:30:36,400 --> 00:30:39,000
Speaker 1: But like the me in the essence of kill.

706
00:30:39,640 --> 00:30:41,280
Speaker 4: And who's the producer you wish you would have worked with?

707
00:30:41,440 --> 00:30:43,320
Speaker 1: Yeah, that was my next quest, doctor Dre.

708
00:30:44,520 --> 00:30:47,680
Speaker 3: We all wish him both motherfucking lon.

709
00:30:51,360 --> 00:30:51,880
Speaker 1: I thought, you.

710
00:30:53,440 --> 00:30:57,640
Speaker 4: Let's yeah, that's like to me, you know, and we

711
00:30:57,760 --> 00:30:58,920
Speaker 4: we uh, you know.

712
00:30:58,920 --> 00:31:01,160
Speaker 3: We missed good in the studio good Yeah, because you

713
00:31:01,200 --> 00:31:02,680
Speaker 3: know I've caught some sessions with him.

714
00:31:02,680 --> 00:31:02,800
Speaker 4: Man.

715
00:31:02,920 --> 00:31:05,680
Speaker 3: Actually he said he sent me a song. We just

716
00:31:05,760 --> 00:31:06,640
Speaker 3: never got a chance to do it.

717
00:31:06,720 --> 00:31:10,360
Speaker 4: The tobacco happened, So dibacco, what word is that tobacco

718
00:31:10,520 --> 00:31:12,400
Speaker 4: that the funk up I called?

719
00:31:13,080 --> 00:31:15,000
Speaker 1: We just need a new word, thebacco.

720
00:31:15,360 --> 00:31:17,000
Speaker 4: But it has to make subacco.

721
00:31:20,560 --> 00:31:25,240
Speaker 3: That's like a football team, Yeah, the tobacco. Yeah, sucking

722
00:31:25,320 --> 00:31:30,239
Speaker 3: up that you be married or okay, sing I got

723
00:31:30,280 --> 00:31:32,000
Speaker 3: a lot of baby mamas though, oh yeah, how many

724
00:31:32,080 --> 00:31:32,520
Speaker 3: baby mamas.

725
00:31:32,560 --> 00:31:36,400
Speaker 1: You gotta just fot onto that. Okay, I got six

726
00:31:36,520 --> 00:31:38,960
Speaker 1: k six in the possible six two. I got a possible,

727
00:31:39,000 --> 00:31:41,080
Speaker 1: though I don't know the nigga behind. Yeah, we gotta

728
00:31:41,080 --> 00:31:44,160
Speaker 1: try to figure it out for blood. Then you gotta

729
00:31:44,160 --> 00:31:45,400
Speaker 1: figure out figure out.

730
00:31:47,000 --> 00:31:49,800
Speaker 4: I'm gonna do it like I just gotta just know

731
00:31:49,920 --> 00:31:52,120
Speaker 4: this one. This one we gotta figure its blonde. We

732
00:31:52,240 --> 00:31:52,960
Speaker 4: gotta figured it out.

733
00:31:53,320 --> 00:31:57,440
Speaker 3: You gotta got somebody your family figure it out, it

734
00:31:57,480 --> 00:32:02,080
Speaker 3: out out, talking Bob.

735
00:32:02,120 --> 00:32:03,680
Speaker 1: That's it now, this is this is a question we

736
00:32:03,760 --> 00:32:09,880
Speaker 1: asked all our guests. Do he asked Beleive.

737
00:32:09,960 --> 00:32:16,480
Speaker 3: No context married up, he said, with you be looking

738
00:32:16,480 --> 00:32:18,160
Speaker 3: at your wife like baby, that's not one part of

739
00:32:18,160 --> 00:32:18,840
Speaker 3: your body in my mouth.

740
00:32:18,840 --> 00:32:20,120
Speaker 1: Wouldn't touch you know what I'm saying.

741
00:32:20,960 --> 00:32:23,320
Speaker 4: My man, Let's make some way.

742
00:32:25,320 --> 00:32:28,600
Speaker 3: God damn, but I wasn't said that's about anybody.

743
00:32:28,680 --> 00:32:29,840
Speaker 1: Book that he told me he got.

744
00:32:31,680 --> 00:32:36,160
Speaker 4: Follow dingle berries and all he'll take it. Yeah, dingle berries,

745
00:32:36,280 --> 00:32:39,360
Speaker 4: dingle berries and he come over here.

746
00:32:39,400 --> 00:32:41,520
Speaker 3: You got into my mic. You gotta respect him.

747
00:32:41,520 --> 00:32:43,800
Speaker 4: Mans like Rice Chrispy.

748
00:32:43,920 --> 00:32:45,480
Speaker 3: Now you got the dingle berries, that's pass.

749
00:32:45,720 --> 00:32:47,640
Speaker 4: But you have done that. You pluck the berries. I

750
00:32:47,760 --> 00:32:51,680
Speaker 4: mean now b He just like that.

751
00:32:54,520 --> 00:32:56,080
Speaker 1: For years. But I'm missing cool.

752
00:32:56,160 --> 00:33:03,640
Speaker 4: You must have did crazy toys, right, Wilson, you must

753
00:33:03,640 --> 00:33:06,560
Speaker 4: have did crazy tours. What's your most memorable tour moment?

754
00:33:08,000 --> 00:33:09,280
Speaker 1: No Limit, No Limit.

755
00:33:09,480 --> 00:33:11,400
Speaker 3: That was the biggest movement that I was a part

756
00:33:11,440 --> 00:33:14,400
Speaker 3: of in my you know, intact websides, my personal shaking

757
00:33:14,440 --> 00:33:17,080
Speaker 3: ass you know, and that was that seeing them gentle

758
00:33:17,160 --> 00:33:20,480
Speaker 3: it was dope too. I think, uh that no limit ship,

759
00:33:21,000 --> 00:33:23,040
Speaker 3: No limit, you know, the moment before I got to

760
00:33:23,160 --> 00:33:27,240
Speaker 3: the shaker ass. Yeah in Houston, man had like five

761
00:33:27,280 --> 00:33:29,840
Speaker 3: thousand people outside the motherfucking out there.

762
00:33:29,960 --> 00:33:33,800
Speaker 4: Yeah. Now, now what you would you say that by

763
00:33:34,000 --> 00:33:36,960
Speaker 4: when you worked with Pharral, that it took you from like,

764
00:33:37,840 --> 00:33:42,000
Speaker 4: you know, just like a part to yea, Yeah, so

765
00:33:42,200 --> 00:33:42,720
Speaker 4: describe that.

766
00:33:42,800 --> 00:33:45,960
Speaker 3: In other words, I went from I guess you couldn't

767
00:33:46,000 --> 00:33:48,320
Speaker 3: call Master p U anything other than a list. So

768
00:33:48,400 --> 00:33:51,240
Speaker 3: I went from like the a urban A list to

769
00:33:51,320 --> 00:33:52,240
Speaker 3: the like pop a list.

770
00:33:52,760 --> 00:33:54,680
Speaker 1: Yeah you know what I'm saying because I've seen them.

771
00:33:54,720 --> 00:33:57,000
Speaker 4: You see you to the MTV Yeah for real, for

772
00:33:57,200 --> 00:33:59,920
Speaker 4: a bunch of white kids, and they knew every word.

773
00:34:00,240 --> 00:34:04,640
Speaker 1: It's crazy, Mark to the whole.

774
00:34:06,560 --> 00:34:08,800
Speaker 3: You know that that was just like small little like

775
00:34:08,960 --> 00:34:10,960
Speaker 3: mini prizes for you know, for the ship that you're

776
00:34:11,000 --> 00:34:12,759
Speaker 3: saying at first, man, I did it for the right

777
00:34:12,800 --> 00:34:15,000
Speaker 3: reason talking about that music came out there because I

778
00:34:15,080 --> 00:34:18,800
Speaker 3: meant it. You know, I was coming from a disposition of,

779
00:34:18,880 --> 00:34:21,960
Speaker 3: you know what I'm saying being considered, how y'all gonna feel.

780
00:34:22,080 --> 00:34:23,000
Speaker 1: I write that ship as.

781
00:34:22,840 --> 00:34:25,000
Speaker 3: A fan too, like I'm listening to when I'm when

782
00:34:25,040 --> 00:34:27,080
Speaker 3: I'm when I'm recording, and I listen to that ship,

783
00:34:27,320 --> 00:34:27,839
Speaker 3: I'll be a fan.

784
00:34:27,920 --> 00:34:30,000
Speaker 1: I'll be jumping around like that somebody else saying it, you.

785
00:34:30,040 --> 00:34:30,759
Speaker 3: Know, like when that.

786
00:34:32,320 --> 00:34:36,239
Speaker 1: And the fans right, so you know about the new

787
00:34:36,360 --> 00:34:40,239
Speaker 1: generation the same way howse people felt about us.

788
00:34:40,239 --> 00:34:40,760
Speaker 3: That's somebody.

789
00:34:40,760 --> 00:34:40,880
Speaker 5: Guy.

790
00:34:40,920 --> 00:34:42,919
Speaker 1: You got to listen to this. You know, people told

791
00:34:43,000 --> 00:34:43,400
Speaker 1: us that too.

792
00:34:43,480 --> 00:34:45,279
Speaker 3: So we can't fuss no because they told us the

793
00:34:45,360 --> 00:34:48,480
Speaker 3: same ship. You know, you gotta like people from from

794
00:34:48,520 --> 00:34:51,799
Speaker 3: our era. Yeah, I don't just fuss compete what it is, Sean,

795
00:34:52,160 --> 00:34:54,439
Speaker 3: But I tell those artists if you know, if y'all

796
00:34:54,480 --> 00:34:56,120
Speaker 3: making money and that's secure your fas, you know, your

797
00:34:56,440 --> 00:34:59,239
Speaker 3: thing that is boble Still it's a craft and you

798
00:34:59,320 --> 00:35:00,640
Speaker 3: know ar street to this ship.

799
00:35:00,719 --> 00:35:01,880
Speaker 1: You know, we got a lot of we got a

800
00:35:01,920 --> 00:35:04,080
Speaker 1: lot of pains. We need a few more artists. Now

801
00:35:05,280 --> 00:35:07,680
Speaker 1: this there's something called mumble rap out there.

802
00:35:08,840 --> 00:35:10,799
Speaker 4: You heard about that actually legitimate term.

803
00:35:10,920 --> 00:35:16,680
Speaker 1: Yes, that's actually shouldn't even be calling holy ship, Like

804
00:35:17,600 --> 00:35:20,279
Speaker 1: what do you feel about that? If it's working ship,

805
00:35:20,400 --> 00:35:20,680
Speaker 1: get you.

806
00:35:24,239 --> 00:35:26,319
Speaker 3: That's coming from a mother what the Brandon said?

807
00:35:26,320 --> 00:35:29,239
Speaker 1: That's how wrap So that could be almost no listen,

808
00:35:29,400 --> 00:35:33,200
Speaker 1: we can hear we can here still even when you.

809
00:35:33,239 --> 00:35:35,799
Speaker 3: Say listen, when the motherfucker can't hear me, they want

810
00:35:35,840 --> 00:35:36,239
Speaker 3: to hear me.

811
00:35:36,520 --> 00:35:39,000
Speaker 1: That's the difference what you say. But I want to

812
00:35:39,040 --> 00:35:39,399
Speaker 1: know something.

813
00:35:39,520 --> 00:35:41,480
Speaker 3: Rewind that bitch and trying to find out what you said.

814
00:35:41,560 --> 00:35:42,280
Speaker 1: That's the difference.

815
00:35:42,440 --> 00:35:42,640
Speaker 3: That's what.

816
00:35:42,719 --> 00:35:45,439
Speaker 4: That's what, that's that's what they in nineties we made

817
00:35:45,480 --> 00:35:47,080
Speaker 4: rewind rap rewind that.

818
00:35:48,560 --> 00:35:50,080
Speaker 1: There's no rewind rap right now?

819
00:35:50,520 --> 00:35:52,279
Speaker 4: What you can just hear the same mumble.

820
00:35:52,320 --> 00:35:53,160
Speaker 1: Yeah, that's crazy.

821
00:35:54,960 --> 00:35:57,560
Speaker 3: I rewind all the time because like when the beat

822
00:35:57,640 --> 00:36:00,800
Speaker 3: kick cut, you talking about up so I stopped that.

823
00:36:01,120 --> 00:36:04,600
Speaker 3: Hold on, hold on, you know some of that ship

824
00:36:04,680 --> 00:36:07,279
Speaker 3: jamming man the future you saying if it's jam and

825
00:36:07,320 --> 00:36:07,760
Speaker 3: is jamming?

826
00:36:09,640 --> 00:36:13,239
Speaker 1: I never heard I never heard of bad Drake song

827
00:36:13,320 --> 00:36:18,279
Speaker 1: I know on the radio. You know, the concert to

828
00:36:18,640 --> 00:36:20,960
Speaker 1: come on to the concert. Yeah, you know what I'm saying.

829
00:36:21,480 --> 00:36:25,400
Speaker 4: Now, how you feel about like you speaking of Drake? Uh,

830
00:36:25,960 --> 00:36:28,480
Speaker 4: you know how you feel about ghosts writing? Because the

831
00:36:29,160 --> 00:36:31,680
Speaker 4: reason why I don't like nobody can't write from that era.

832
00:36:33,000 --> 00:36:36,239
Speaker 4: You can't write for you're gonna do that? You miss

833
00:36:38,080 --> 00:36:41,840
Speaker 4: somebody say like the camera right lastday, I can't do that,

834
00:36:42,120 --> 00:36:43,400
Speaker 4: but never crooked like.

835
00:36:44,920 --> 00:36:47,239
Speaker 1: You want to put that in the Put that how

836
00:36:47,280 --> 00:36:50,000
Speaker 1: you feel about ghost writing and pay the bills? You

837
00:36:50,040 --> 00:36:50,759
Speaker 1: know I don't.

838
00:36:51,000 --> 00:36:52,800
Speaker 3: I don't gonna have nothing to say about something that

839
00:36:53,120 --> 00:36:55,239
Speaker 3: you know that could be working for somebody else because

840
00:36:55,440 --> 00:36:56,520
Speaker 3: they don't fit what I'm doing.

841
00:36:56,640 --> 00:36:59,400
Speaker 4: You just come, you come across and you sound like

842
00:36:59,719 --> 00:37:01,360
Speaker 4: you just look at everything.

843
00:37:01,120 --> 00:37:06,560
Speaker 1: Positive and like you know as as good My father wasn't.

844
00:37:09,719 --> 00:37:12,239
Speaker 4: My father's always said look at what's good in the

845
00:37:12,320 --> 00:37:15,440
Speaker 4: person first, and that's how you look, bro.

846
00:37:15,560 --> 00:37:18,840
Speaker 3: Because we ain't from me, ain't from me, man, you

847
00:37:18,880 --> 00:37:20,719
Speaker 3: know it was from its minds and you know what

848
00:37:20,760 --> 00:37:21,960
Speaker 3: I'm talking about. So now you do.

849
00:37:22,280 --> 00:37:25,720
Speaker 4: So now you leave cash, buddy, what's the mister Cools playing?

850
00:37:26,280 --> 00:37:26,799
Speaker 4: Mister cool?

851
00:37:26,800 --> 00:37:29,120
Speaker 3: I gotta I gotta get it together, like I said

852
00:37:29,480 --> 00:37:31,200
Speaker 3: at that point I was that was a little disciplined.

853
00:37:31,239 --> 00:37:33,799
Speaker 1: I was a little discouraged, Like, Ship, do they need

854
00:37:33,920 --> 00:37:34,319
Speaker 1: me fun?

855
00:37:34,640 --> 00:37:36,240
Speaker 3: I'm not gonna go hang up my let uniforms.

856
00:37:36,320 --> 00:37:37,160
Speaker 1: Ship, Now I don't know.

857
00:37:37,480 --> 00:37:38,760
Speaker 4: Now you asked to be released.

858
00:37:40,480 --> 00:37:42,880
Speaker 3: Yeah, it got your point where too much time was

859
00:37:42,920 --> 00:37:46,920
Speaker 3: being wasted and I'm just ready to go in. Yeah,

860
00:37:47,360 --> 00:37:50,640
Speaker 3: I'm doing this part of and you when you asked

861
00:37:50,680 --> 00:37:53,640
Speaker 3: them and you said, yeah, be Look boom Ban won't

862
00:37:53,680 --> 00:37:55,920
Speaker 3: deal with the same thing with Buster. We went over

863
00:37:56,000 --> 00:37:57,680
Speaker 3: at the same time we left around the same time.

864
00:37:59,000 --> 00:38:02,440
Speaker 1: It was with the union. Yeah, man, busseles in itself

865
00:38:03,880 --> 00:38:04,200
Speaker 1: for real.

866
00:38:04,640 --> 00:38:06,799
Speaker 4: And now so you you you want to go back

867
00:38:06,840 --> 00:38:09,000
Speaker 4: to a major, you want to keep it independent.

868
00:38:09,200 --> 00:38:10,640
Speaker 1: I just I just need the right I just need

869
00:38:10,680 --> 00:38:13,040
Speaker 1: the right machine behind me, don't matter what it is.

870
00:38:13,160 --> 00:38:16,080
Speaker 1: So you're saying, maybe you said that much. Yeah, yeah,

871
00:38:16,160 --> 00:38:16,680
Speaker 1: pretty much.

872
00:38:16,760 --> 00:38:20,319
Speaker 3: You find a major inded see what I'm saying. It's

873
00:38:20,320 --> 00:38:21,719
Speaker 3: still going to be open to that, but of course

874
00:38:21,760 --> 00:38:24,000
Speaker 3: the main goal will be like the biggest situation that

875
00:38:24,080 --> 00:38:25,000
Speaker 3: you can get out, you.

876
00:38:25,000 --> 00:38:27,719
Speaker 4: Know, massive management company that not.

877
00:38:28,440 --> 00:38:32,200
Speaker 3: At all fucking calls though you're exactly you ain't with that.

878
00:38:32,320 --> 00:38:35,880
Speaker 1: Yeah, Ship, I do that. That was my cat' ship. Well,

879
00:38:36,120 --> 00:38:40,040
Speaker 1: definitely the women's backing, right, that was the going I had.

880
00:38:40,000 --> 00:38:41,719
Speaker 3: To come outn't get the going rate, you know, I

881
00:38:41,760 --> 00:38:43,000
Speaker 3: couldn't come out of acting like this.

882
00:38:44,160 --> 00:38:44,680
Speaker 4: Dig the check.

883
00:38:44,719 --> 00:38:45,359
Speaker 1: Let's make some noise.

884
00:38:45,400 --> 00:38:45,960
Speaker 4: You get the check.

885
00:38:46,000 --> 00:38:46,520
Speaker 1: I got the check.

886
00:38:50,000 --> 00:38:52,480
Speaker 3: That was like, that was all about you know, more

887
00:38:52,560 --> 00:38:54,960
Speaker 3: than just the music helped me to that.

888
00:38:55,080 --> 00:38:58,640
Speaker 6: Yet, man, thank you, bron Goodness, that's what strep right

889
00:38:58,719 --> 00:38:59,160
Speaker 6: there like that.

890
00:38:59,400 --> 00:39:03,320
Speaker 1: So you because I think Empire. You ever heard the

891
00:39:03,360 --> 00:39:04,640
Speaker 1: Empire Empire.

892
00:39:05,520 --> 00:39:11,719
Speaker 4: Distribution there not nothing nothing not the digital distribution distribution

893
00:39:12,000 --> 00:39:13,640
Speaker 4: Like they're great, They're great team.

894
00:39:13,760 --> 00:39:15,360
Speaker 1: So just okay because I know you got hits. I

895
00:39:15,440 --> 00:39:18,360
Speaker 1: know you got hits. You see the platform that we

896
00:39:18,440 --> 00:39:19,160
Speaker 1: stand on right here.

897
00:39:19,520 --> 00:39:22,399
Speaker 4: You know what I'm exactly got like a million people

898
00:39:22,440 --> 00:39:24,400
Speaker 4: who listen to us make for the Manion. People got

899
00:39:27,760 --> 00:39:28,680
Speaker 4: drink Champs arm.

900
00:39:28,800 --> 00:39:31,759
Speaker 1: Yo, listen, mystical. You're still making a difference in my career.

901
00:39:31,880 --> 00:39:33,400
Speaker 3: Brother, No, no, don't worry about it.

902
00:39:34,040 --> 00:39:38,520
Speaker 4: Different Yeah you fold, you're off second New Orleans guests

903
00:39:38,960 --> 00:39:40,080
Speaker 4: And I love New Orleans.

904
00:39:40,600 --> 00:39:41,080
Speaker 1: You know what I'm saying.

905
00:39:41,080 --> 00:39:42,640
Speaker 4: Every time I went there was a dead body, though.

906
00:39:42,640 --> 00:39:44,880
Speaker 4: I keep it real, like every time I went to

907
00:39:45,000 --> 00:39:47,520
Speaker 4: the party, party in the party, and I was like,

908
00:39:47,600 --> 00:39:54,680
Speaker 4: goddamn it, time and Mighty Gras. Can you can you

909
00:39:54,840 --> 00:39:56,080
Speaker 4: describe Mighty.

910
00:39:55,840 --> 00:39:58,360
Speaker 3: Gras for like listen, Marty gra was one of the

911
00:39:58,520 --> 00:40:00,520
Speaker 3: one of the things that made growing up New Orleans

912
00:40:00,640 --> 00:40:05,600
Speaker 3: Spectaclar now Mary grow once a year, yeah, once a yeah, yeah,

913
00:40:06,320 --> 00:40:09,279
Speaker 3: I thinking, what week two week long event? I have

914
00:40:09,400 --> 00:40:11,680
Speaker 3: parades and all kind of games. It's gonna be, you know,

915
00:40:12,239 --> 00:40:18,120
Speaker 3: symbled around this motherfuckers just so don't go way back, y'all.

916
00:40:18,000 --> 00:40:20,640
Speaker 4: Know, like French araback, Yeah, yeah, I know.

917
00:40:20,680 --> 00:40:22,520
Speaker 3: I got spiritual connotations.

918
00:40:22,520 --> 00:40:26,400
Speaker 4: You know, I'm talking yes, and Caribbean French colonizations.

919
00:40:26,480 --> 00:40:29,880
Speaker 3: Going that celebration a talking about like sink the Mayo.

920
00:40:30,000 --> 00:40:32,680
Speaker 1: Yeah, celebrating made made it through some ship.

921
00:40:34,280 --> 00:40:34,960
Speaker 4: Let's make some money.

922
00:40:39,880 --> 00:40:41,840
Speaker 1: I love that's my.

923
00:40:45,760 --> 00:40:46,000
Speaker 4: Puss.

924
00:40:47,160 --> 00:40:51,000
Speaker 1: We want tell that make a home out the battle listen.

925
00:40:51,239 --> 00:40:58,160
Speaker 4: So wow, that was real. So y'all even like be

926
00:40:58,360 --> 00:41:01,080
Speaker 4: marching at funerals, like what is that called that's the

927
00:41:01,160 --> 00:41:01,719
Speaker 4: second line?

928
00:41:02,760 --> 00:41:04,640
Speaker 3: Yeah, that's the it's called the second I think the

929
00:41:04,680 --> 00:41:07,279
Speaker 3: first one video like that. Yeah, but if we did

930
00:41:07,360 --> 00:41:09,440
Speaker 3: in Atlanta, yeah, I know, I was, man, what the

931
00:41:09,520 --> 00:41:11,760
Speaker 3: fun I had no second line's a fucking circus.

932
00:41:11,840 --> 00:41:13,520
Speaker 1: You know, I wasn't.

933
00:41:13,680 --> 00:41:17,120
Speaker 3: I didn't stay true exactly. You know the script I

934
00:41:17,239 --> 00:41:22,359
Speaker 3: was just doing the video had time, yeah that point.

935
00:41:22,680 --> 00:41:25,600
Speaker 1: Yeah, anyway, it was good. What that means the second line,

936
00:41:25,680 --> 00:41:26,880
Speaker 1: That means the first.

937
00:41:26,719 --> 00:41:28,799
Speaker 3: Line is yeah, we're gonna put in the grounds over

938
00:41:28,920 --> 00:41:33,239
Speaker 3: for you. So it's coming back regular funeral. You know,

939
00:41:33,320 --> 00:41:39,960
Speaker 3: the crime for not a second life exactly what you did?

940
00:41:40,000 --> 00:41:40,960
Speaker 1: You know the World War gonna be?

941
00:41:41,160 --> 00:41:43,120
Speaker 3: What video was that was in it? Because you left it?

942
00:41:43,239 --> 00:41:45,879
Speaker 1: You know what video was that? That was a bouncer back.

943
00:41:45,920 --> 00:41:47,920
Speaker 1: You ain't seen that was?

944
00:41:48,080 --> 00:41:49,760
Speaker 3: That was after nine one one. That was my tribute

945
00:41:49,760 --> 00:41:51,880
Speaker 3: to now on one We're gonna be all right, We're

946
00:41:51,880 --> 00:41:52,480
Speaker 3: gonna shake back.

947
00:41:52,640 --> 00:41:55,640
Speaker 4: Why people know that. That was a tribute to that one.

948
00:41:56,520 --> 00:41:58,040
Speaker 3: But the video was kind of like doing it was

949
00:41:58,080 --> 00:42:00,760
Speaker 3: you know it was it was collected in New Orleans.

950
00:42:00,880 --> 00:42:02,840
Speaker 4: People was bad because you ain't keeping just because I

951
00:42:02,840 --> 00:42:03,920
Speaker 4: didn't do this, because.

952
00:42:03,680 --> 00:42:05,040
Speaker 1: I didn't do the video in the wall and s

953
00:42:05,040 --> 00:42:05,800
Speaker 1: Immer too, Atlanta.

954
00:42:07,520 --> 00:42:12,160
Speaker 4: I thought you was in New Orleans exactly, Nigga like

955
00:42:12,640 --> 00:42:15,719
Speaker 4: up yea, they know the movies in Canada.

956
00:42:17,440 --> 00:42:18,759
Speaker 1: James, I could say my own songs.

957
00:42:18,920 --> 00:42:21,879
Speaker 3: You know, you know you the song and James felt

958
00:42:21,880 --> 00:42:23,560
Speaker 3: like she could have sung I gotta sang my song.

959
00:42:23,719 --> 00:42:26,080
Speaker 4: You know. Yeah, they know you was on P Street.

960
00:42:26,200 --> 00:42:27,360
Speaker 4: We thought you was in New Orleans.

961
00:42:27,680 --> 00:42:29,880
Speaker 3: You had opportunity because you from New Orleans to do this.

962
00:42:30,120 --> 00:42:32,040
Speaker 1: I went, you went to Atlanta for I ain't know.

963
00:42:32,280 --> 00:42:34,160
Speaker 1: I ain't know. I just showed up.

964
00:42:34,160 --> 00:42:35,719
Speaker 3: I read that tenorary and I went down what they

965
00:42:35,719 --> 00:42:36,680
Speaker 3: had to do and kept it moving.

966
00:42:36,680 --> 00:42:37,399
Speaker 1: I'm busy, baby.

967
00:42:38,200 --> 00:42:41,319
Speaker 4: So that's the heart, the heart of because then every

968
00:42:41,360 --> 00:42:43,200
Speaker 4: day I just keep looking up with Twin taking song

969
00:42:43,680 --> 00:42:47,000
Speaker 4: like man, people keep taking something. This is crazy.

970
00:42:47,360 --> 00:42:50,640
Speaker 1: Now you you sponsored by Hennessy and bebble there you okay,

971
00:42:51,120 --> 00:42:53,520
Speaker 1: you're a cold flow all right. I got.

972
00:42:55,280 --> 00:43:00,320
Speaker 4: The most professional, most unprofessional professional yet you saying on

973
00:43:00,360 --> 00:43:00,760
Speaker 4: the mics.

974
00:43:00,760 --> 00:43:04,280
Speaker 3: Okay, yeah, don't y'all say it, bro it is yeah.

975
00:43:04,200 --> 00:43:06,919
Speaker 4: Yeah, yeah, you go you on camera stand.

976
00:43:10,160 --> 00:43:11,600
Speaker 3: I know you gotta have a what is that?

977
00:43:11,680 --> 00:43:13,919
Speaker 4: What is that? What you said?

978
00:43:13,960 --> 00:43:14,279
Speaker 1: All right?

979
00:43:15,280 --> 00:43:19,440
Speaker 4: This is what can and Hennessy like Belvedere red, I

980
00:43:19,560 --> 00:43:23,520
Speaker 4: got a John Legend bottle. Let's get some burning with me,

981
00:43:25,120 --> 00:43:25,440
Speaker 4: all right.

982
00:43:27,719 --> 00:43:28,600
Speaker 1: You want me to read that.

983
00:43:29,200 --> 00:43:31,120
Speaker 4: I want me to read that here, we don't.

984
00:43:31,120 --> 00:43:36,239
Speaker 1: How about let's from fans? Okay, all right, all right?

985
00:43:36,320 --> 00:43:39,120
Speaker 4: So that all right there? That was We're parted, we're sparted.

986
00:43:39,200 --> 00:43:42,280
Speaker 4: We're partnered with with John Legend, John Legend, John Legend,

987
00:43:42,320 --> 00:43:42,880
Speaker 4: somebody who knows what.

988
00:43:43,480 --> 00:43:45,399
Speaker 3: Yeah, I mean, I guess the Foundation for Age.

989
00:43:45,560 --> 00:43:46,960
Speaker 4: Fifty percent of all proceeds of that.

990
00:43:47,239 --> 00:43:49,399
Speaker 5: Fifty percent of all proceeds from the John Legend bottle

991
00:43:49,480 --> 00:43:50,520
Speaker 5: go to the Age Foundation.

992
00:43:50,760 --> 00:43:56,080
Speaker 4: Look a look at you, give me, give me drink.

993
00:43:56,400 --> 00:43:56,880
Speaker 4: You're gonna do it.

994
00:43:57,080 --> 00:43:58,040
Speaker 1: You're gonna do it better.

995
00:43:58,200 --> 00:43:59,799
Speaker 4: Let me see you have right better be right.

996
00:44:02,160 --> 00:44:05,359
Speaker 5: Right just about them part We are streaming the show

997
00:44:05,440 --> 00:44:07,840
Speaker 5: on tilted title title.

998
00:44:10,040 --> 00:44:13,600
Speaker 4: Tilted Global dot com. Tilted is that right over the

999
00:44:14,600 --> 00:44:17,399
Speaker 4: tilted Globe dot com silter globe dot com. But there's

1000
00:44:17,480 --> 00:44:22,319
Speaker 4: kind of like an elder rocket mortgage. I'm sorry, I'm

1001
00:44:22,360 --> 00:44:26,520
Speaker 4: sorry that I can't hear your voice. Anyways, shout out

1002
00:44:26,520 --> 00:44:28,720
Speaker 4: to tilted globe dot com. They stream they're not streaming.

1003
00:44:29,239 --> 00:44:31,359
Speaker 4: You're not streaming this one. You're streaming the next one.

1004
00:44:33,600 --> 00:44:35,319
Speaker 1: Yeah, show the show on the side.

1005
00:44:38,160 --> 00:44:40,839
Speaker 4: So much, so so much. Man, man, this is how

1006
00:44:40,840 --> 00:44:42,920
Speaker 4: we do it. Mystical we we we don't let me too.

1007
00:44:43,840 --> 00:44:45,000
Speaker 4: We were talking about.

1008
00:44:47,080 --> 00:44:47,960
Speaker 1: So litten mystic cool.

1009
00:44:48,000 --> 00:44:51,200
Speaker 4: We have a war show that we're planning on January second.

1010
00:44:51,560 --> 00:44:53,520
Speaker 4: I'm gonna tell you some of the categories, and I

1011
00:44:53,640 --> 00:44:55,359
Speaker 4: want you to name a category for us.

1012
00:44:55,440 --> 00:44:57,960
Speaker 1: Okay, all right. One of the categories is.

1013
00:44:58,080 --> 00:45:00,640
Speaker 4: Asked either of the year here or stepped under get

1014
00:45:00,680 --> 00:45:10,160
Speaker 4: his award. Listens qualified and ask you. I'm taking im

1015
00:45:10,239 --> 00:45:10,640
Speaker 4: number one?

1016
00:45:10,760 --> 00:45:15,359
Speaker 1: All right, yeah one listen.

1017
00:45:15,480 --> 00:45:18,080
Speaker 4: I didn't clear this with pop Daddy, but I'm just

1018
00:45:18,200 --> 00:45:24,160
Speaker 4: looking for I just look at either, so you know

1019
00:45:24,320 --> 00:45:30,680
Speaker 4: it's okay. We got, we got, we got. We got

1020
00:45:30,719 --> 00:45:33,440
Speaker 4: a great relationship with pop Daddy. Okay, so we're going

1021
00:45:33,520 --> 00:45:36,480
Speaker 4: to do as the year. So far we have need

1022
00:45:36,560 --> 00:45:41,000
Speaker 4: to ask either follow him on Instagram. We got pop Daddy,

1023
00:45:41,800 --> 00:45:46,200
Speaker 4: we got trick Daddy. We got Jack Thriller because Jack

1024
00:45:46,280 --> 00:45:50,840
Speaker 4: Thriller not only what is it? Not only but he

1025
00:45:51,040 --> 00:45:57,560
Speaker 4: likes his asse. That's one category life Yet name the

1026
00:45:57,640 --> 00:45:58,520
Speaker 4: cigarette category.

1027
00:45:58,520 --> 00:45:59,839
Speaker 1: We got a cigarette man of the Year.

1028
00:46:00,560 --> 00:46:03,840
Speaker 4: Cigarette Man in the Year is going between Joe Biden's

1029
00:46:04,760 --> 00:46:09,120
Speaker 4: mac Miller, Post Malone nor Diega.

1030
00:46:09,640 --> 00:46:11,319
Speaker 3: You just adding people just get in.

1031
00:46:11,360 --> 00:46:14,920
Speaker 1: There, cigarette getting them. It was a cigarette I jumped.

1032
00:46:14,760 --> 00:46:19,440
Speaker 4: On a cigarette. Cigarette, just checking and Jada kiss homeboy

1033
00:46:19,600 --> 00:46:23,440
Speaker 4: roes with my nigga Casu and that's one category. I

1034
00:46:23,520 --> 00:46:26,239
Speaker 4: added my homeboy down with my homeboy. That's on.

1035
00:46:26,600 --> 00:46:29,160
Speaker 1: You smoke too, You smoke's right.

1036
00:46:30,360 --> 00:46:32,880
Speaker 4: Cigarette you smoke. There's myself there. I'm gonna smoke a

1037
00:46:32,880 --> 00:46:35,760
Speaker 4: cigarette with motherfucker, mister club. You're pulling that money, mister.

1038
00:46:37,400 --> 00:46:37,680
Speaker 3: Whatever.

1039
00:46:39,320 --> 00:46:40,759
Speaker 1: Those dress got those dress pads?

1040
00:46:43,360 --> 00:46:44,640
Speaker 4: Not about this time. Close there.

1041
00:46:47,239 --> 00:46:48,120
Speaker 1: I just took my socks.

1042
00:46:48,400 --> 00:46:50,440
Speaker 3: See what I'm gonna trying to do, Like Miami.

1043
00:46:51,400 --> 00:46:53,719
Speaker 4: This is a real fly ship. He can't you You

1044
00:46:54,280 --> 00:46:58,600
Speaker 4: didn't even look back on that soft packed Oh my god,

1045
00:46:58,680 --> 00:46:59,720
Speaker 4: this is the worst cigarette.

1046
00:46:59,719 --> 00:47:00,520
Speaker 1: I have a saying my life.

1047
00:47:00,520 --> 00:47:02,640
Speaker 3: I'm smoking with you. Listen, you gotta smoke.

1048
00:47:02,680 --> 00:47:05,560
Speaker 4: This is the cigarettes. Get you off this.

1049
00:47:06,840 --> 00:47:11,520
Speaker 1: Oh my god, yo, this this is the real camels

1050
00:47:12,040 --> 00:47:12,520
Speaker 1: right the side.

1051
00:47:12,560 --> 00:47:16,279
Speaker 4: But you don't even gotta but on your ship. God,

1052
00:47:16,320 --> 00:47:19,800
Speaker 4: we gotta speak to your management. We gotta change this.

1053
00:47:20,160 --> 00:47:22,000
Speaker 4: And by the way, Camel, we don't have a sponsor,

1054
00:47:22,600 --> 00:47:25,719
Speaker 4: So me and Mystical both smoke Cameoso camel crushed and

1055
00:47:26,160 --> 00:47:27,959
Speaker 4: Mystical smokes camel and young people.

1056
00:47:30,480 --> 00:47:34,640
Speaker 1: Yeah, listen, by the way, for our award show. All

1057
00:47:34,640 --> 00:47:35,080
Speaker 1: we want is.

1058
00:47:35,080 --> 00:47:43,479
Speaker 4: Foul sponsors to rock here fan, excuse me, rock fing cam.

1059
00:47:43,680 --> 00:47:44,839
Speaker 3: You never gotta change.

1060
00:47:47,840 --> 00:47:50,480
Speaker 1: Yeah, that ship is delicious, bro, for real, that's just strong.

1061
00:47:51,600 --> 00:47:54,279
Speaker 4: I can't believe I'm smoking. This is the Cowboys ship.

1062
00:47:54,440 --> 00:47:58,000
Speaker 4: This is the brother the Cowboys. This is the Cowboys ship.

1063
00:47:58,800 --> 00:48:03,239
Speaker 3: Like the gangster you're sposing for the light.

1064
00:48:03,760 --> 00:48:04,520
Speaker 1: Were just start.

1065
00:48:04,320 --> 00:48:06,040
Speaker 4: Smoking camel because this is the real camera.

1066
00:48:06,120 --> 00:48:09,759
Speaker 3: Upon upon going to jail, Yeah, smoked back jail.

1067
00:48:10,320 --> 00:48:16,200
Speaker 4: I was like, I'm sorry, let's do it and missed

1068
00:48:16,200 --> 00:48:19,840
Speaker 4: the good smoking. I think I kind of cigarette. Can

1069
00:48:20,200 --> 00:48:21,160
Speaker 4: you light it the wrong way?

1070
00:48:21,680 --> 00:48:26,040
Speaker 3: In the wrong way, man, and the rooms actually the

1071
00:48:26,160 --> 00:48:26,440
Speaker 3: right way.

1072
00:48:26,560 --> 00:48:30,000
Speaker 4: Listen, kids, just gave you a cigarette. You can't light

1073
00:48:30,080 --> 00:48:31,920
Speaker 4: it the wrong way. Let's make your noise through that

1074
00:48:35,120 --> 00:48:36,560
Speaker 4: that this is terrible.

1075
00:48:36,880 --> 00:48:42,560
Speaker 3: It's terribly good, exactly, I said, mister smells with the

1076
00:48:42,640 --> 00:48:46,040
Speaker 3: words the word camel. But sometimes I smokeing like that too.

1077
00:48:46,080 --> 00:48:48,000
Speaker 3: I flipped that out smoking a bit like that.

1078
00:48:48,440 --> 00:48:50,319
Speaker 4: So you smoke in a different way. Break that down again.

1079
00:48:50,360 --> 00:48:50,759
Speaker 4: I'm sorry.

1080
00:48:51,520 --> 00:48:53,600
Speaker 1: Normally your light to sigde with where the camera is

1081
00:48:53,600 --> 00:48:56,880
Speaker 1: written at. Camel.

1082
00:48:56,920 --> 00:48:58,920
Speaker 4: Gotta cut us a check, go damn it. Hold up,

1083
00:48:58,920 --> 00:49:03,600
Speaker 4: I'll get a camel crush. Yeah, though a minute. How

1084
00:49:03,640 --> 00:49:07,279
Speaker 4: long you've been smoking, Missical two thousand and folk, Damn,

1085
00:49:07,280 --> 00:49:09,399
Speaker 4: I've been smoking just like so you start smoking late

1086
00:49:09,400 --> 00:49:09,799
Speaker 4: in life.

1087
00:49:09,960 --> 00:49:10,640
Speaker 1: I went to jail.

1088
00:49:11,600 --> 00:49:17,200
Speaker 3: If that don't kickstart your smoking certain capacities, not if

1089
00:49:17,239 --> 00:49:20,040
Speaker 3: you're in the disciplinary part, like you know the live

1090
00:49:20,120 --> 00:49:20,880
Speaker 3: population that you.

1091
00:49:20,920 --> 00:49:23,480
Speaker 4: Get there and you ain't get in trouble in jail. No,

1092
00:49:23,760 --> 00:49:29,479
Speaker 4: not Missical, that can.

1093
00:49:29,440 --> 00:49:30,040
Speaker 1: Stop it all.

1094
00:49:30,200 --> 00:49:33,680
Speaker 3: No, that probably did help, but because I was just

1095
00:49:33,840 --> 00:49:36,960
Speaker 3: you know, cool, I ain't you if you down there,

1096
00:49:38,400 --> 00:49:39,920
Speaker 3: I have to, I have to.

1097
00:49:40,600 --> 00:49:42,520
Speaker 1: They could smoke in a camp. This is a real camel.

1098
00:49:43,440 --> 00:49:46,680
Speaker 4: This is it smells like camel. It smells like it's

1099
00:49:46,719 --> 00:49:48,280
Speaker 4: not originally smoking.

1100
00:49:48,440 --> 00:49:51,919
Speaker 1: But you came this week.

1101
00:49:52,000 --> 00:49:55,799
Speaker 4: We always no yesterday, I see you rolling with your crew,

1102
00:49:56,960 --> 00:49:59,279
Speaker 4: and you reminded me of a mystical from back then,

1103
00:49:59,480 --> 00:50:01,000
Speaker 4: Like ain't like, isn't really changed with you?

1104
00:50:01,120 --> 00:50:03,359
Speaker 3: Because I'm still me bro. That's I think that's the thing.

1105
00:50:03,480 --> 00:50:05,360
Speaker 3: I think that's the thing I'm most proud of that

1106
00:50:05,440 --> 00:50:08,120
Speaker 3: I stayed myself through it, sucking out talking about Yeah,

1107
00:50:08,160 --> 00:50:09,080
Speaker 3: that's that's one.

1108
00:50:09,000 --> 00:50:09,800
Speaker 1: Way to know if that's you.

1109
00:50:10,080 --> 00:50:11,640
Speaker 3: You know what I'm saying, you know, to trade the

1110
00:50:11,680 --> 00:50:12,520
Speaker 3: kind of ship out of trade.

1111
00:50:13,000 --> 00:50:14,800
Speaker 1: Like when I seen you yesterday, I said, there, I

1112
00:50:14,920 --> 00:50:16,200
Speaker 1: was trying to be sneaky and ship.

1113
00:50:16,360 --> 00:50:18,080
Speaker 4: Just watch you and ship because I'm trying to get

1114
00:50:18,120 --> 00:50:21,160
Speaker 4: things for the interview. And I'm like, damn, it's the same, Nigga,

1115
00:50:21,160 --> 00:50:22,719
Speaker 4: I seek back then you the same.

1116
00:50:22,800 --> 00:50:24,480
Speaker 3: And that's the first thing I did when I saw

1117
00:50:25,600 --> 00:50:28,440
Speaker 3: I remember, yes you.

1118
00:50:28,440 --> 00:50:32,800
Speaker 4: Did, yes you did. Right now I see you.

1119
00:50:33,320 --> 00:50:37,560
Speaker 3: Yes, yes, yes, I'm a fan too. Yet I'm my moment, Nigga,

1120
00:50:37,560 --> 00:50:49,359
Speaker 3: Im start tom. I said, you can't in the Orleans

1121
00:50:49,480 --> 00:50:50,799
Speaker 3: after after you did your things like that.

1122
00:50:50,840 --> 00:50:52,640
Speaker 1: You know, listen, put the flip on.

1123
00:50:52,640 --> 00:50:53,359
Speaker 3: That you can't lie.

1124
00:50:53,600 --> 00:50:56,160
Speaker 4: I cauldn't believe it's man, I see those in the Wars.

1125
00:50:56,239 --> 00:50:58,360
Speaker 4: I didn't know because you know, I go to the

1126
00:50:58,480 --> 00:51:01,000
Speaker 4: Wards and the projects. Wh you don't see him there.

1127
00:51:01,080 --> 00:51:04,239
Speaker 3: But downtown the French Court, you know that cross the

1128
00:51:04,320 --> 00:51:08,239
Speaker 3: world man French call world French Quarter.

1129
00:51:08,440 --> 00:51:09,880
Speaker 4: That is rid of a martyr.

1130
00:51:10,320 --> 00:51:12,799
Speaker 3: Well that's that's like, that's like our little tourists area

1131
00:51:13,040 --> 00:51:13,719
Speaker 3: y French.

1132
00:51:13,960 --> 00:51:17,239
Speaker 4: So it was the last body, you know, it's right around.

1133
00:51:17,719 --> 00:51:19,359
Speaker 3: I try to go to him, if you know, most

1134
00:51:19,400 --> 00:51:21,600
Speaker 3: of the times I'm working doing some kind of capacity

1135
00:51:21,680 --> 00:51:22,000
Speaker 3: around it.

1136
00:51:22,040 --> 00:51:24,439
Speaker 1: You know, it's real festive, you know what I'm saying.

1137
00:51:25,360 --> 00:51:27,960
Speaker 3: So now, like when I first came home the first Marty,

1138
00:51:28,000 --> 00:51:29,640
Speaker 3: I was at the parade, rapping at the concert.

1139
00:51:29,680 --> 00:51:30,880
Speaker 1: You know, I'm talking about under the bridge.

1140
00:51:31,320 --> 00:51:33,239
Speaker 4: Like, now, let's bring it down for our stupid fans.

1141
00:51:33,320 --> 00:51:35,319
Speaker 4: We've got a lot of stupid fans. They hate when

1142
00:51:35,360 --> 00:51:37,239
Speaker 4: I say that. They hate when I say that. But

1143
00:51:37,440 --> 00:51:39,839
Speaker 4: let's just be if I'm stupid.

1144
00:51:40,800 --> 00:51:41,839
Speaker 1: Him saying unexperienced.

1145
00:51:42,719 --> 00:51:44,600
Speaker 4: If I'm stupid, they stupid because they're listening to me,

1146
00:51:44,920 --> 00:51:49,759
Speaker 4: all right, you know, so the bed let's break down

1147
00:51:49,800 --> 00:51:52,040
Speaker 4: the beds thing like what age was you when you

1148
00:51:52,160 --> 00:51:54,040
Speaker 4: realize you could throw bees to a person?

1149
00:51:54,680 --> 00:51:59,439
Speaker 3: And that yeah early and getting the balloons they're throwing

1150
00:51:59,440 --> 00:51:59,840
Speaker 3: the balloons.

1151
00:51:59,840 --> 00:52:00,719
Speaker 1: That's like a little coin.

1152
00:52:00,880 --> 00:52:02,600
Speaker 3: It's kind of it's bigger than a quarter kind of

1153
00:52:02,600 --> 00:52:05,680
Speaker 3: ship lett like looming the midship you picked. You can

1154
00:52:05,800 --> 00:52:08,080
Speaker 3: have a fucking Popeye. You went Popeye's Chicken.

1155
00:52:08,120 --> 00:52:09,000
Speaker 1: You win some food with this.

1156
00:52:09,200 --> 00:52:11,759
Speaker 3: You know, I'm gonna little kids, so ship like that, man,

1157
00:52:11,840 --> 00:52:14,040
Speaker 3: you know the original Pooky. I can real I can

1158
00:52:14,120 --> 00:52:16,640
Speaker 3: really win some food from this balloon, you know, catching

1159
00:52:16,680 --> 00:52:18,400
Speaker 3: bees and ship. It was like festival ship.

1160
00:52:18,320 --> 00:52:18,960
Speaker 1: Meant something to us.

1161
00:52:19,000 --> 00:52:20,480
Speaker 4: Man, you know we were just still to this day,

1162
00:52:21,320 --> 00:52:24,640
Speaker 4: bees to a white girl and black girls.

1163
00:52:24,440 --> 00:52:26,200
Speaker 1: Don't do that though, right, I'm sure they do. They

1164
00:52:26,280 --> 00:52:30,279
Speaker 1: do on you gotta know a memory, white girl.

1165
00:52:30,400 --> 00:52:31,000
Speaker 4: Let's keep it real.

1166
00:52:31,160 --> 00:52:33,880
Speaker 3: Yeah, that's that's what that's that's probably the bravest at

1167
00:52:33,920 --> 00:52:35,319
Speaker 3: first you come on out with them.

1168
00:52:35,239 --> 00:52:36,560
Speaker 1: Motherfuckers white people.

1169
00:52:37,000 --> 00:52:39,960
Speaker 4: It's the majority of white people come. They want to

1170
00:52:39,960 --> 00:52:46,600
Speaker 4: show they tips right right, because whip out wednesdaysout Wednesdays.

1171
00:52:46,600 --> 00:52:48,880
Speaker 1: That's the white ship. You gotta love the white vishes.

1172
00:52:48,640 --> 00:52:49,120
Speaker 4: That show.

1173
00:52:51,000 --> 00:52:52,480
Speaker 3: We got too much pop but.

1174
00:52:56,160 --> 00:52:57,160
Speaker 1: Getting the spirit and say.

1175
00:53:00,280 --> 00:53:02,640
Speaker 4: Get bigger them white nubi and queens as well. You

1176
00:53:02,680 --> 00:53:07,160
Speaker 4: know what I'm saying, picked him up because it as

1177
00:53:07,160 --> 00:53:09,960
Speaker 4: an excuse differ fans ain't doing that. Let's say on

1178
00:53:10,040 --> 00:53:12,400
Speaker 4: South Beach and then it's different and then and then.

1179
00:53:12,360 --> 00:53:15,080
Speaker 1: We can allow them to do that as well. But

1180
00:53:15,239 --> 00:53:19,840
Speaker 1: now mystical right, I'm coming back. Yeah, some beause monument

1181
00:53:19,880 --> 00:53:20,840
Speaker 1: out there, bro in Miami.

1182
00:53:21,000 --> 00:53:23,880
Speaker 4: Yes, I love my city. Looking look at you.

1183
00:53:25,080 --> 00:53:26,719
Speaker 3: One day they can't walking up so fine, said man,

1184
00:53:26,960 --> 00:53:28,799
Speaker 3: Like superheroes, you give me a.

1185
00:53:28,800 --> 00:53:30,640
Speaker 4: Dirty, right, This ain't a dirty, right? I got mad.

1186
00:53:33,200 --> 00:53:37,680
Speaker 4: Don't don't dirty? Yes on dirty boat and I've been

1187
00:53:37,680 --> 00:53:41,440
Speaker 4: flipping on you lately, but you, my nigga, don't don't

1188
00:53:41,480 --> 00:53:43,320
Speaker 4: give me a dirty Yeah, the dirty.

1189
00:53:43,680 --> 00:53:44,800
Speaker 3: I ain't gonna know. I ain't gonna know what.

1190
00:53:44,920 --> 00:53:45,520
Speaker 1: I ain't gonna even know.

1191
00:53:45,600 --> 00:53:47,120
Speaker 4: You know what dirty is coming from?

1192
00:53:48,040 --> 00:53:48,880
Speaker 1: What are you smoking?

1193
00:53:48,920 --> 00:53:50,840
Speaker 4: Y'all? Right?

1194
00:53:51,200 --> 00:53:54,719
Speaker 1: I think that was Houston. He was kind of like

1195
00:53:54,840 --> 00:53:57,600
Speaker 1: what you smoking? Did crazy as a motherfucker.

1196
00:53:57,680 --> 00:54:01,479
Speaker 3: They did click them, they did click up yet bomb

1197
00:54:02,360 --> 00:54:02,920
Speaker 3: that's me.

1198
00:54:03,719 --> 00:54:04,120
Speaker 1: What do you do?

1199
00:54:04,239 --> 00:54:05,200
Speaker 4: You dip the weed in it?

1200
00:54:05,280 --> 00:54:07,560
Speaker 3: They put that put that bit by Yeah that on

1201
00:54:07,800 --> 00:54:08,239
Speaker 3: sound right?

1202
00:54:08,320 --> 00:54:11,520
Speaker 4: That don't sound that? People to start with's take one

1203
00:54:11,560 --> 00:54:12,680
Speaker 4: more shot till your balls.

1204
00:54:14,800 --> 00:54:15,799
Speaker 1: Three jes look you know.

1205
00:54:17,600 --> 00:54:18,040
Speaker 3: Drinking to that?

1206
00:54:18,680 --> 00:54:22,879
Speaker 1: Yeah, drinking? What the what's the wildest grug you did?

1207
00:54:22,960 --> 00:54:25,560
Speaker 1: Mystical not that I did Molly.

1208
00:54:25,640 --> 00:54:26,160
Speaker 4: I did Molly.

1209
00:54:26,360 --> 00:54:29,600
Speaker 1: I think that you still like Molly when I did

1210
00:54:30,000 --> 00:54:30,400
Speaker 1: the mojo.

1211
00:54:31,280 --> 00:54:32,960
Speaker 4: This is the worst mode, Like you got a bad

1212
00:54:33,080 --> 00:54:33,640
Speaker 4: Molly story.

1213
00:54:34,560 --> 00:54:36,120
Speaker 3: Yeah, I will go back.

1214
00:54:36,239 --> 00:54:38,160
Speaker 1: Yeah, like that mojo was the worst.

1215
00:54:38,280 --> 00:54:40,480
Speaker 3: You tried, you bore it.

1216
00:54:43,680 --> 00:54:43,839
Speaker 4: Well.

1217
00:54:45,160 --> 00:54:49,319
Speaker 3: I think that that's not the way you pull a shot.

1218
00:54:49,600 --> 00:54:53,000
Speaker 4: No, no, give me, You're gonna kill yourself. This is

1219
00:54:53,080 --> 00:54:56,600
Speaker 4: what happened to you last episode. We got something good

1220
00:54:56,640 --> 00:55:00,359
Speaker 4: that yeah, okay, I thought you was gonna pull more. Yeah,

1221
00:55:00,400 --> 00:55:03,839
Speaker 4: you for too much. That's why you fucked up last.

1222
00:55:04,440 --> 00:55:06,839
Speaker 3: Let me tell you something that people said that was great,

1223
00:55:06,920 --> 00:55:07,480
Speaker 3: the lessons.

1224
00:55:07,880 --> 00:55:10,680
Speaker 1: You know you're already great, You're always great.

1225
00:55:10,760 --> 00:55:21,840
Speaker 4: Brother. But you asked last episode, I can you know

1226
00:55:21,920 --> 00:55:24,239
Speaker 4: we are up? I confessed, you know we were up

1227
00:55:24,239 --> 00:55:30,080
Speaker 4: Showingniga the engineer taking a shot with Chance Man. Oh

1228
00:55:30,239 --> 00:55:32,520
Speaker 4: my god, like I just.

1229
00:55:34,239 --> 00:55:41,399
Speaker 1: How the camel work. That's because it's for harsh time.

1230
00:55:41,840 --> 00:55:42,759
Speaker 3: How much time we got it?

1231
00:55:43,840 --> 00:55:46,359
Speaker 4: They gotta they gotta do this all right, So listen,

1232
00:55:46,480 --> 00:55:50,520
Speaker 4: Mexical man. What you what you because they're trying to

1233
00:55:50,560 --> 00:55:54,279
Speaker 4: rust us out of here, brocause how you want to

1234
00:55:54,920 --> 00:55:56,480
Speaker 4: what you got to say to the people. We've got

1235
00:55:56,560 --> 00:55:58,640
Speaker 4: a million people listening to you. What you want to

1236
00:55:58,680 --> 00:55:59,719
Speaker 4: say to these people right now?

1237
00:55:59,840 --> 00:56:01,839
Speaker 1: For them? For mostly we're always the first thing out

1238
00:56:01,840 --> 00:56:03,399
Speaker 1: of my mouth. Thank you, man. You know you're still

1239
00:56:03,440 --> 00:56:04,040
Speaker 1: supportment man.

1240
00:56:04,040 --> 00:56:06,319
Speaker 3: I left the people a long time, bro, I can't

1241
00:56:06,360 --> 00:56:09,640
Speaker 3: back the stills as in through they still get what what's.

1242
00:56:09,520 --> 00:56:11,160
Speaker 4: The future, Like, what are you working on now? Like?

1243
00:56:11,280 --> 00:56:13,279
Speaker 3: Because listen what I tell my fans, because they you know,

1244
00:56:13,360 --> 00:56:14,880
Speaker 3: every day they seem like, man, when you're gonna drip

1245
00:56:14,920 --> 00:56:16,759
Speaker 3: and when you're gonna drive and when you're gonna drop soon?

1246
00:56:16,840 --> 00:56:17,440
Speaker 1: Did they act right?

1247
00:56:17,560 --> 00:56:19,959
Speaker 3: As soon as the right situation, you know, I'm working

1248
00:56:20,000 --> 00:56:21,680
Speaker 3: on trust me, missing you?

1249
00:56:21,760 --> 00:56:24,040
Speaker 1: They need got them, they need a miss I got

1250
00:56:24,280 --> 00:56:24,680
Speaker 1: it right now.

1251
00:56:24,760 --> 00:56:27,399
Speaker 4: We need we need to give them something about them Now,

1252
00:56:27,680 --> 00:56:29,759
Speaker 4: me and you both come from the old school. Is

1253
00:56:29,800 --> 00:56:31,600
Speaker 4: that you think about doing the mixtape just to give

1254
00:56:31,640 --> 00:56:32,360
Speaker 4: the fast.

1255
00:56:32,480 --> 00:56:33,920
Speaker 3: I got even though you know we don't come from

1256
00:56:33,920 --> 00:56:35,160
Speaker 3: the mixtape every I don't like.

1257
00:56:35,200 --> 00:56:37,160
Speaker 4: That mixtape ship, but I mean, you know you want to.

1258
00:56:38,000 --> 00:56:43,560
Speaker 4: I want to sell right, just keep you got.

1259
00:56:43,560 --> 00:56:48,200
Speaker 3: To build my minded know you know you're gonna be

1260
00:56:48,280 --> 00:56:49,719
Speaker 3: too critical. Yeah it can't be.

1261
00:56:49,719 --> 00:56:52,120
Speaker 4: Too but I would I would love to get a

1262
00:56:52,200 --> 00:56:53,920
Speaker 4: mystical mix mixtape.

1263
00:56:53,520 --> 00:56:56,879
Speaker 1: Right now, right because when I missed you, man, I'm

1264
00:56:56,880 --> 00:56:57,479
Speaker 1: gonna do something.

1265
00:56:57,760 --> 00:56:59,400
Speaker 3: You know, I got I got some things working, man,

1266
00:56:59,480 --> 00:57:01,040
Speaker 3: I got it know mapped out how I want to

1267
00:57:01,080 --> 00:57:03,080
Speaker 3: do it. I'm gonna do one mixtape and it's gonna

1268
00:57:03,160 --> 00:57:05,480
Speaker 3: just be like features, but it will be some some

1269
00:57:05,600 --> 00:57:06,600
Speaker 3: new mystical fresh.

1270
00:57:06,440 --> 00:57:09,399
Speaker 4: Ship off some fresh ship, because you know, we never

1271
00:57:09,600 --> 00:57:12,000
Speaker 4: really blow up our guests, but you're so special. So

1272
00:57:12,120 --> 00:57:14,840
Speaker 4: I sent out that fans and I sent you a

1273
00:57:14,880 --> 00:57:16,840
Speaker 4: tweet and I said, mystical questions.

1274
00:57:17,200 --> 00:57:20,320
Speaker 1: And the fans is like, where the funk right working?

1275
00:57:21,000 --> 00:57:24,200
Speaker 1: See me? And you work. Understand the business part of it.

1276
00:57:24,480 --> 00:57:25,920
Speaker 1: You gotta go out there and do your shows.

1277
00:57:25,960 --> 00:57:27,720
Speaker 4: But the fans don't understand why they don't have a

1278
00:57:27,760 --> 00:57:28,800
Speaker 4: mystical album right.

1279
00:57:32,320 --> 00:57:40,320
Speaker 3: Man, being dad and you know, holding down the Ford Bro,

1280
00:57:40,760 --> 00:57:44,720
Speaker 3: we've been doing some calamity Bro trouble time sorry several

1281
00:57:44,840 --> 00:57:50,320
Speaker 3: times trouble time records. Huh Mark, Yeah, I hope so yeah,

1282
00:57:51,120 --> 00:57:55,000
Speaker 3: I claim that. Yes, yes, how about y'all right, I.

1283
00:57:55,040 --> 00:57:57,240
Speaker 1: Think he early in the schedule here.

1284
00:57:58,320 --> 00:58:01,240
Speaker 3: We need just got gotta mess you gotta be you

1285
00:58:01,600 --> 00:58:03,600
Speaker 3: of us getting there and go knock it out, because that.

1286
00:58:03,720 --> 00:58:05,280
Speaker 4: Is we're putting on the ether right now.

1287
00:58:06,040 --> 00:58:07,720
Speaker 1: N Well, we need we need you.

1288
00:58:08,200 --> 00:58:10,680
Speaker 4: We gonna mix Kate, we need you. I'm gonna make

1289
00:58:10,680 --> 00:58:14,440
Speaker 4: sure we get numbers as well. We need you, missicol

1290
00:58:14,480 --> 00:58:16,840
Speaker 4: and mixtake because you know why, the fans, sincerely from

1291
00:58:16,880 --> 00:58:19,400
Speaker 4: the bottom of their heart, they miss you. They want you,

1292
00:58:19,800 --> 00:58:23,280
Speaker 4: and you know, most importantly, they need you.

1293
00:58:23,640 --> 00:58:25,560
Speaker 1: I got them, I got they need you, bro, and.

1294
00:58:25,560 --> 00:58:27,320
Speaker 4: I ain't gonna ask you no funny questions like these

1295
00:58:27,360 --> 00:58:30,680
Speaker 4: other people have no funny question Now listen, man, thank

1296
00:58:30,720 --> 00:58:32,440
Speaker 4: you so much for coming and being a part of this.

1297
00:58:32,760 --> 00:58:36,160
Speaker 4: Let me big up to sidebar Raoul. We sorry that

1298
00:58:36,240 --> 00:58:39,160
Speaker 4: we came over time, but mystical came late because you

1299
00:58:39,160 --> 00:58:42,439
Speaker 4: gotta keep it introd in the New Orleans. You gotta

1300
00:58:42,440 --> 00:58:45,160
Speaker 4: take us because listen, come back anytime you want. When

1301
00:58:45,160 --> 00:58:47,640
Speaker 4: you got your single ready, why would you go to

1302
00:58:47,760 --> 00:58:48,720
Speaker 4: these radio stations?

1303
00:58:48,840 --> 00:58:50,800
Speaker 1: And when you got your own you got the rapper

1304
00:58:50,840 --> 00:58:51,440
Speaker 1: and the DJ.

1305
00:58:51,440 --> 00:58:53,400
Speaker 4: Right here with the Mad Day era being rock Kim,

1306
00:58:53,560 --> 00:58:55,640
Speaker 4: you got a million people listening to us. If we

1307
00:58:55,760 --> 00:58:57,600
Speaker 4: want to support the artists and put the artists in

1308
00:58:57,600 --> 00:59:01,800
Speaker 4: before them. And if you own the record one totally,

1309
00:59:01,840 --> 00:59:03,439
Speaker 4: you could play it on the podcast. If you don't,

1310
00:59:03,480 --> 00:59:04,960
Speaker 4: if you go to a major, we can't play it

1311
00:59:05,000 --> 00:59:07,080
Speaker 4: because we're with CBS. Let's make a noise for us

1312
00:59:07,080 --> 00:59:11,880
Speaker 4: to be in. Mister cool, You're welcome here. Thank you

1313
00:59:12,040 --> 00:59:14,560
Speaker 4: any motherfucking time. We thank you for your time. We

1314
00:59:14,680 --> 00:59:16,360
Speaker 4: thank you for being a real dude, We thank you

1315
00:59:16,440 --> 00:59:17,960
Speaker 4: for being a legend, thank you for thank you for

1316
00:59:18,080 --> 00:59:19,480
Speaker 4: holding down New Orleans.

1317
00:59:19,520 --> 00:59:20,640
Speaker 1: We thank you for holding down.

1318
00:59:20,600 --> 00:59:22,640
Speaker 4: Hip hop, and we thank you for maintaining who the

1319
00:59:22,680 --> 00:59:25,080
Speaker 4: hell you are and drink Champs. We love you over here.

1320
00:59:25,200 --> 00:59:25,680
Speaker 4: Let's make.

1321
00:59:30,440 --> 00:59:35,400
Speaker 1: One love baby. Thanks drop fuck being Cool.

1322
00:59:46,400 --> 00:59:48,720
Speaker 2: Thanks for listening and celebrating five years of the Black

1323
00:59:48,760 --> 00:59:52,000
Speaker 2: Effect podcast Network with us. Keep following because the next

1324
00:59:52,040 --> 00:59:53,720
Speaker 2: five years are about to be even bigger.