1 00:00:00,080 --> 00:00:13,840 Speaker 1: Yes, Brandon Bang and I wrap Worts Stereo podcast is here. Higgindy, 2 00:00:13,960 --> 00:00:18,840 Speaker 1: have no fear. Let today's I Am Rapports Stereo podcast. 3 00:00:18,960 --> 00:00:22,400 Speaker 1: Deuced Pacino Deuce Colins is with me. We're discussing what's 4 00:00:22,440 --> 00:00:25,200 Speaker 1: going on in his world. We've got some TV and 5 00:00:25,280 --> 00:00:33,320 Speaker 1: film recommendations and the rebrandification Rappaport is being televised world wide. Yes, 6 00:00:33,520 --> 00:00:37,920 Speaker 1: I am rebranding. The rebranding of Rappaport is being televised, 7 00:00:37,920 --> 00:00:40,880 Speaker 1: and Deuced Pacino is skeptical All that morning, brand new, banging, 8 00:00:40,960 --> 00:00:43,239 Speaker 1: museum quality Iron Rapports stereo pockets coming up right now. 9 00:00:43,240 --> 00:00:46,080 Speaker 1: Miles Jordani gave the Bleached Brothers ay k the dust 10 00:00:46,080 --> 00:00:49,640 Speaker 1: Brothers started puppy off up real nice. Yes. Started probably 11 00:00:49,760 --> 00:00:52,200 Speaker 1: with something real, Yes, but most importantly start to puppy 12 00:00:52,280 --> 00:00:55,520 Speaker 1: up with something real funk. I'm Wrappers Stereo podet. Let's 13 00:00:55,680 --> 00:01:14,919 Speaker 1: fucking go. Yes, have no fear. The Iron Rappaport Stereo 14 00:01:15,040 --> 00:01:20,880 Speaker 1: podcast is here. Boom, Yes, Welcome to the Iron Dome 15 00:01:20,959 --> 00:01:24,880 Speaker 1: of Disruption. Welcome to the city zone. The city zone 16 00:01:24,920 --> 00:01:27,839 Speaker 1: what the city Zone of Disruption? The name is Michael 17 00:01:27,880 --> 00:01:32,120 Speaker 1: rapp Report a k a. The Gringo Man Dingo a 18 00:01:32,280 --> 00:01:36,440 Speaker 1: k a The inflamed Oscar Nazi a k. The Sultan 19 00:01:36,440 --> 00:01:42,760 Speaker 1: of Sniff a k. The Raging Bullshitter, and you're not 20 00:01:42,920 --> 00:01:46,760 Speaker 1: rocking with the very best. The Iron Rappaport Stereo podcast 21 00:01:46,880 --> 00:01:50,800 Speaker 1: is here, live and direct from Miami and Los Angeles. 22 00:01:50,800 --> 00:01:56,560 Speaker 1: We're coast to coast with the most to most and 23 00:01:56,600 --> 00:01:59,800 Speaker 1: we don't call him part times sometime co host for 24 00:02:00,000 --> 00:02:02,880 Speaker 1: no reason, because you never know what he's gonna be here. 25 00:02:03,160 --> 00:02:06,520 Speaker 1: You never know when he ain't gonna be here. The 26 00:02:06,640 --> 00:02:13,280 Speaker 1: Young Shooter, the Young Skeeter, Douce Valentine a k A 27 00:02:13,400 --> 00:02:19,919 Speaker 1: Deuced Pacino. It's back boom. How are you, Douce, Yes, sir, no, 28 00:02:20,040 --> 00:02:25,679 Speaker 1: I'm here. I'm feeling good. Um it's fucking rainy. It's 29 00:02:25,760 --> 00:02:28,800 Speaker 1: really rainy in Los Angeles right now. So we're on 30 00:02:28,840 --> 00:02:32,160 Speaker 1: that sweater weather. We're on that hot chocolate and chill weather, 31 00:02:32,440 --> 00:02:35,040 Speaker 1: that Netflix and chill, that Murder Dalk and chill, and 32 00:02:35,080 --> 00:02:37,079 Speaker 1: I'm just like cozy and up in my apartment just 33 00:02:37,160 --> 00:02:39,320 Speaker 1: kind of like taking it easy. It's quiet. It's it's 34 00:02:39,440 --> 00:02:41,600 Speaker 1: very quiet out here. I have to say, l A 35 00:02:41,639 --> 00:02:44,440 Speaker 1: has been very quiet. Not a lot happening out here. 36 00:02:44,480 --> 00:02:47,000 Speaker 1: At least in my world. But it's nice. We're we're 37 00:02:47,000 --> 00:02:48,680 Speaker 1: in the holidays now and it's just a lot of 38 00:02:48,680 --> 00:02:50,880 Speaker 1: the time to like lay down and watch movies and ship. 39 00:02:51,240 --> 00:02:54,160 Speaker 1: You like getting cozy. I love it. You're you're the 40 00:02:54,160 --> 00:02:56,480 Speaker 1: type of guy who likes to get cozy. Huh, I 41 00:02:56,600 --> 00:02:59,200 Speaker 1: love it. I like cuddling. People have told me that 42 00:02:59,200 --> 00:03:01,440 Speaker 1: I'm a world class cuddler. That's that's a title that 43 00:03:01,480 --> 00:03:03,600 Speaker 1: I've heard before. I'm a world class cuddler. I like 44 00:03:03,639 --> 00:03:06,760 Speaker 1: to get under the covers. There's something very comforting about 45 00:03:06,919 --> 00:03:09,000 Speaker 1: hard rain. Let me let me, let me stop you 46 00:03:09,160 --> 00:03:12,680 Speaker 1: right now. Let me stop you. The idea of you cuddling, 47 00:03:14,080 --> 00:03:17,360 Speaker 1: the image of you cuddling your your little a little 48 00:03:17,360 --> 00:03:20,240 Speaker 1: white body and a pair of I don't know, you've 49 00:03:20,240 --> 00:03:23,760 Speaker 1: got those weird underwear you wear me and these and 50 00:03:23,800 --> 00:03:25,640 Speaker 1: it's not little white body. You don't. You don't have 51 00:03:25,639 --> 00:03:27,560 Speaker 1: to put little in front of everything that you that 52 00:03:27,639 --> 00:03:31,800 Speaker 1: you say with me. The the idea of of of you, 53 00:03:31,800 --> 00:03:35,760 Speaker 1: you know, snuggling up. No one wants to hear that. 54 00:03:36,480 --> 00:03:38,760 Speaker 1: I'm gonna I'm gonna tell you that right right off 55 00:03:38,760 --> 00:03:42,040 Speaker 1: the top. I'm gonna tell you that right off the top. 56 00:03:42,880 --> 00:03:45,760 Speaker 1: Like no one asked what kind of cuddler you are. 57 00:03:46,440 --> 00:03:50,400 Speaker 1: You really can't give any verification whether or whether or 58 00:03:50,480 --> 00:03:54,000 Speaker 1: not anyone has ever called you a world class cuddler. Right, 59 00:03:54,200 --> 00:03:56,040 Speaker 1: that could be something that could be a nickname you've 60 00:03:56,040 --> 00:03:59,200 Speaker 1: gave given yourself. He right, Like I gave myself the 61 00:03:59,320 --> 00:04:03,160 Speaker 1: nickname the flamed osh Gnazi. Okay, my wife gave me 62 00:04:03,240 --> 00:04:06,080 Speaker 1: the nickname the gring good Man Dingo. These are nicknames. 63 00:04:06,120 --> 00:04:09,160 Speaker 1: These are titles that are earned, not given. You just 64 00:04:09,400 --> 00:04:13,240 Speaker 1: declared yourself a world class color and you said people 65 00:04:14,040 --> 00:04:17,920 Speaker 1: have said that, and I don't want to It's what man, No, 66 00:04:18,080 --> 00:04:20,520 Speaker 1: I don't know how many people have said that, how 67 00:04:20,520 --> 00:04:23,760 Speaker 1: many people have said, Oh yeah, when I think of 68 00:04:23,800 --> 00:04:28,400 Speaker 1: world class colors, I think of ding Colin. I mean, dude, 69 00:04:28,440 --> 00:04:30,640 Speaker 1: it's not I mean, look, I I know that people 70 00:04:30,640 --> 00:04:33,400 Speaker 1: have given you those or like you've given yourself that nickname, 71 00:04:33,440 --> 00:04:35,640 Speaker 1: but like I didn't give myself that nickname. That was 72 00:04:35,680 --> 00:04:37,479 Speaker 1: something that was handed to me. And you know what 73 00:04:37,560 --> 00:04:40,479 Speaker 1: I don't appreciate, Like what is such a well, like 74 00:04:40,520 --> 00:04:43,120 Speaker 1: what is this terrible image of me cuddling with somebody? 75 00:04:43,160 --> 00:04:45,080 Speaker 1: Like like like that is such a bad image that no 76 00:04:45,120 --> 00:04:47,200 Speaker 1: one wants in their mind, like is that like a 77 00:04:47,279 --> 00:04:50,600 Speaker 1: horrific image. I didn't say it's a horrific image by 78 00:04:50,640 --> 00:04:53,760 Speaker 1: any means. Now you said little white body, and that's 79 00:04:53,800 --> 00:04:56,080 Speaker 1: not like agreed because you're like, oh, you're like starting 80 00:04:56,080 --> 00:04:57,719 Speaker 1: to like talk about like oh, I get in bed 81 00:04:57,760 --> 00:05:00,159 Speaker 1: and there's like you know, I I got my hoodie on, 82 00:05:00,279 --> 00:05:02,480 Speaker 1: and and then no one wants to I'm just saying 83 00:05:02,640 --> 00:05:05,880 Speaker 1: off the top of the podcast, that's not something that 84 00:05:05,920 --> 00:05:09,200 Speaker 1: people I really want to hear. I think maybe they do, 85 00:05:09,279 --> 00:05:11,440 Speaker 1: maybe they maybe they don't. I don't know. I just 86 00:05:11,920 --> 00:05:16,359 Speaker 1: I'm very protective of what the listener of the Iron 87 00:05:16,360 --> 00:05:21,480 Speaker 1: Wrapp Reports stereo podcast experiences. And you know, it's been 88 00:05:21,480 --> 00:05:27,760 Speaker 1: a crazy week and you starting this podcast after the 89 00:05:27,800 --> 00:05:33,760 Speaker 1: week weeks that we've had talking about you're a world 90 00:05:33,839 --> 00:05:36,280 Speaker 1: class color. And then it pops into my mind like, oh, 91 00:05:36,320 --> 00:05:38,280 Speaker 1: look at him and his little tidy whitey underwear with 92 00:05:38,360 --> 00:05:40,279 Speaker 1: like what he got sharks on there? Like balloons? What 93 00:05:40,960 --> 00:05:43,000 Speaker 1: you're you're how do you know that actually you've seen 94 00:05:43,120 --> 00:05:45,279 Speaker 1: you've seen those, right, And it's like disturbing that you've 95 00:05:45,279 --> 00:05:47,119 Speaker 1: seen those because we've been in so many different hotel 96 00:05:47,200 --> 00:05:51,280 Speaker 1: rooms together, like during the comedy place. But yeah, I mean, listen, 97 00:05:51,320 --> 00:05:53,400 Speaker 1: you were like, you know family, so it's not like 98 00:05:53,680 --> 00:05:55,760 Speaker 1: your butt ass. But you know we're walking around the hotel. 99 00:05:55,800 --> 00:05:58,680 Speaker 1: You know what kind of underwear I wear? Yeah, I 100 00:05:58,720 --> 00:06:00,760 Speaker 1: mean you're on that tighty whitey it still you're on that, 101 00:06:00,880 --> 00:06:03,320 Speaker 1: Like no, I'm on that under arm funk with under 102 00:06:03,400 --> 00:06:07,279 Speaker 1: arm or underwear only that I'm not like I forgot 103 00:06:07,320 --> 00:06:09,200 Speaker 1: the brand of it. But but you're right, I didn't 104 00:06:09,200 --> 00:06:11,039 Speaker 1: think about the listeners. And that's probably not the best 105 00:06:11,080 --> 00:06:13,680 Speaker 1: image right off the top. And I can understand, like 106 00:06:13,720 --> 00:06:15,200 Speaker 1: if you want to throw that in like, you know, 107 00:06:15,240 --> 00:06:18,360 Speaker 1: twenty minutes into the show, throw that in there. That's 108 00:06:18,360 --> 00:06:20,960 Speaker 1: what I'm saying. It's been a crazy week. I understand that. 109 00:06:21,000 --> 00:06:23,479 Speaker 1: I appreciate you telling me that and being honest about it. 110 00:06:23,480 --> 00:06:25,760 Speaker 1: But I mean, look, it's very comforting to have the 111 00:06:25,839 --> 00:06:28,440 Speaker 1: rain falling on on your on your roof and and 112 00:06:28,440 --> 00:06:30,839 Speaker 1: it's nice and warm inside and you can just bundle 113 00:06:30,960 --> 00:06:33,039 Speaker 1: up with the covers and I like that, you know, 114 00:06:33,120 --> 00:06:35,920 Speaker 1: I really like that, So I just don't ruin the winter. 115 00:06:36,000 --> 00:06:37,680 Speaker 1: For me, it's it's I'm having a great day out 116 00:06:37,680 --> 00:06:40,960 Speaker 1: here in l A. But how's how's Miami? Because you're 117 00:06:40,960 --> 00:06:44,240 Speaker 1: in Miami. As I've said it once, I've said it 118 00:06:44,240 --> 00:06:48,839 Speaker 1: many times. I always like Florida. These particular days that 119 00:06:48,920 --> 00:06:52,080 Speaker 1: I'm down here, there's this this I don't know what 120 00:06:52,120 --> 00:06:54,960 Speaker 1: it is. It's not a festival. I don't know if 121 00:06:54,960 --> 00:06:56,720 Speaker 1: it's what to refer to it as. There's a thing 122 00:06:56,760 --> 00:07:01,360 Speaker 1: called art Basil, and art Basil is like a I'm 123 00:07:01,400 --> 00:07:03,360 Speaker 1: sure it started off is one thing and now it's 124 00:07:03,360 --> 00:07:06,920 Speaker 1: turned into a whole other thing. But it's just people everywhere, 125 00:07:07,600 --> 00:07:11,320 Speaker 1: and the traffic is really bad in Miami as a 126 00:07:11,320 --> 00:07:13,920 Speaker 1: whole because of this our bassl because everybody's here and 127 00:07:13,920 --> 00:07:19,000 Speaker 1: there's there's art shows, and there's conferences, and there's speaking 128 00:07:19,120 --> 00:07:23,360 Speaker 1: and there's obviously there's parties, and there's a Doja Cat. 129 00:07:23,480 --> 00:07:26,240 Speaker 1: You know, if there's something going on across the country, 130 00:07:26,720 --> 00:07:29,480 Speaker 1: do Ja Cat, she's Doja Cat will be She's there. 131 00:07:30,120 --> 00:07:32,360 Speaker 1: And then you know, they love Bad Bunny down here. 132 00:07:32,400 --> 00:07:35,880 Speaker 1: I had a whole Bad Bunny sort of. I learned 133 00:07:35,880 --> 00:07:37,960 Speaker 1: a lot about Bad Bunny, and I knew Bad Money 134 00:07:38,040 --> 00:07:39,680 Speaker 1: is like a huge artist, but like I had a 135 00:07:39,680 --> 00:07:42,680 Speaker 1: conversation with a couple of people and he was explaining 136 00:07:42,760 --> 00:07:46,680 Speaker 1: just how prolific Bad Bunny is and they love Bad 137 00:07:46,680 --> 00:07:50,320 Speaker 1: Bunny down here because he's Latino, he's Puerto Rican and 138 00:07:50,360 --> 00:07:54,040 Speaker 1: I learned it just about how sort of beloved he is. 139 00:07:54,080 --> 00:07:56,840 Speaker 1: He's the number one streaming artist again. I think it's 140 00:07:56,880 --> 00:08:00,800 Speaker 1: the third year in the row. Bad Bunny is that dude. Um. 141 00:08:00,960 --> 00:08:03,320 Speaker 1: So there's a lot of Bad Bunny fans. There's there's 142 00:08:03,480 --> 00:08:06,800 Speaker 1: art fans, there's artists. There's conferences. I don't I don't 143 00:08:06,880 --> 00:08:08,960 Speaker 1: understand this whole thing with the conferences. They have these 144 00:08:09,000 --> 00:08:12,400 Speaker 1: things where like influencers will speak. That's the thing that like, 145 00:08:12,480 --> 00:08:15,160 Speaker 1: was you talk about Art Basil and and like I 146 00:08:15,240 --> 00:08:17,320 Speaker 1: know so many people who fly out from l A 147 00:08:17,440 --> 00:08:19,520 Speaker 1: and they go there and it's like it's I feel 148 00:08:19,560 --> 00:08:21,880 Speaker 1: like it's become like Coachella. It's like no one I 149 00:08:21,960 --> 00:08:24,320 Speaker 1: know as an artist. They're all fucking going out to 150 00:08:24,400 --> 00:08:26,960 Speaker 1: Art Basil for some reason, and it's like this big 151 00:08:27,000 --> 00:08:29,920 Speaker 1: influencer event. I don't understand it. They go out there 152 00:08:29,960 --> 00:08:31,760 Speaker 1: to party. I don't know how they get the invites. 153 00:08:31,840 --> 00:08:34,079 Speaker 1: But it's a lot of just like Boogie l A 154 00:08:34,440 --> 00:08:39,679 Speaker 1: and Miami just I l A Miami International. I mean, 155 00:08:39,679 --> 00:08:42,400 Speaker 1: this is an inter one of the things that I 156 00:08:42,440 --> 00:08:45,520 Speaker 1: really do like about Miami's how international it is. And 157 00:08:45,600 --> 00:08:48,120 Speaker 1: like I said, I really like Florida. I like it. 158 00:08:48,160 --> 00:08:51,240 Speaker 1: I like I like the vibe, the weather. I like 159 00:08:51,360 --> 00:08:54,640 Speaker 1: that sort of like you know, the sort of warm 160 00:08:54,800 --> 00:08:59,520 Speaker 1: humidity that it's. It's a good place. Man. But you change, 161 00:08:59,760 --> 00:09:02,480 Speaker 1: you change when you're in Florida. I notice you change. 162 00:09:02,520 --> 00:09:04,880 Speaker 1: You become a different person when you're in Florida. Because 163 00:09:04,880 --> 00:09:07,280 Speaker 1: when I speak to New York, you got your your 164 00:09:07,320 --> 00:09:09,000 Speaker 1: New York thing going on, all that stuff. But when 165 00:09:09,040 --> 00:09:12,280 Speaker 1: you go to Florida. I noticed, in particular Miami you, 166 00:09:12,400 --> 00:09:16,040 Speaker 1: I mean the listeners can't see it, but you're wearing 167 00:09:16,679 --> 00:09:20,600 Speaker 1: these gigantic glasses, these gigantic sunglasses. If you can get 168 00:09:20,600 --> 00:09:23,320 Speaker 1: an image in your head, just picture Andrew dice Clay 169 00:09:23,360 --> 00:09:30,120 Speaker 1: and his sunglasses. You shout out to my man Corey 170 00:09:30,200 --> 00:09:34,480 Speaker 1: from Vintage Frames. He's the one who is gifting me 171 00:09:34,559 --> 00:09:37,440 Speaker 1: with these giants. And I got probably the biggest pair 172 00:09:37,480 --> 00:09:41,560 Speaker 1: of glasses my face and my body can hold up 173 00:09:42,480 --> 00:09:47,640 Speaker 1: from my guy who's from Toronto, Jew Corey. He opened 174 00:09:47,720 --> 00:09:52,199 Speaker 1: up his shop down here in Miami. It's a sunglass 175 00:09:52,240 --> 00:09:55,960 Speaker 1: place and it is so Miami. It's I mean, they 176 00:09:56,000 --> 00:10:03,760 Speaker 1: got every kind of sunglass, every color, every tint, gold, bronze, silver, uh. 177 00:10:03,800 --> 00:10:05,599 Speaker 1: And there was a rabbi in there and they and 178 00:10:05,600 --> 00:10:08,400 Speaker 1: they let me put up the mississa. And I met 179 00:10:08,400 --> 00:10:10,360 Speaker 1: this rabbi from Toronto. And you know what the rabbi 180 00:10:10,440 --> 00:10:13,280 Speaker 1: said to me, I swear to God this is I 181 00:10:13,320 --> 00:10:16,760 Speaker 1: took this as a real flattering. The rabbi said to me, 182 00:10:17,280 --> 00:10:21,959 Speaker 1: Michael Rapport, you're my rabbi. I love what you say 183 00:10:22,040 --> 00:10:24,720 Speaker 1: so much. I said, are you seriously, I love what 184 00:10:24,760 --> 00:10:28,439 Speaker 1: you say so much. I love how you represent Jewish people. 185 00:10:28,600 --> 00:10:31,160 Speaker 1: I said. The cursing doesn't bother you goes. You know, 186 00:10:31,360 --> 00:10:33,880 Speaker 1: sometimes you have to, you know, get your point across 187 00:10:33,880 --> 00:10:35,520 Speaker 1: the way. You need to get your point across. But 188 00:10:35,559 --> 00:10:38,080 Speaker 1: I was so flattered by that. But he gave me 189 00:10:38,120 --> 00:10:44,000 Speaker 1: this ginormous pair of all black sunglasses. And you know 190 00:10:44,880 --> 00:10:47,520 Speaker 1: a lot of people walk around with sunglasses that are 191 00:10:47,600 --> 00:10:53,040 Speaker 1: sort of uh, statement pieces. These are statement piece sunglasses. 192 00:10:54,559 --> 00:10:57,360 Speaker 1: And I realized while I was walking around for about 193 00:10:57,360 --> 00:11:00,800 Speaker 1: an hour and my statement piece sunglasses in public in Miami, 194 00:11:01,679 --> 00:11:04,120 Speaker 1: people are looking at me, and they're not looking at 195 00:11:04,120 --> 00:11:06,480 Speaker 1: me because they see the gringo man dingo, because you 196 00:11:06,520 --> 00:11:09,880 Speaker 1: could barely tell who it is under the sunglasses or 197 00:11:09,920 --> 00:11:12,120 Speaker 1: maybe you can. Maybe they're like, oh there's Mica Propert, 198 00:11:12,160 --> 00:11:15,679 Speaker 1: he's gonne nuts, or maybe they think I can't see, 199 00:11:16,360 --> 00:11:19,240 Speaker 1: or maybe they think I'm nuts, like literally crazy, because 200 00:11:19,280 --> 00:11:21,200 Speaker 1: when you wear these kinds of glasses, the looks you 201 00:11:21,240 --> 00:11:27,520 Speaker 1: get are like either that's a big star or somebody 202 00:11:27,559 --> 00:11:30,880 Speaker 1: that needs help, right or yeah, or like you do 203 00:11:30,960 --> 00:11:32,640 Speaker 1: kind of look blind, Like I feel like you should 204 00:11:32,640 --> 00:11:34,439 Speaker 1: have a walking like a stick with you. I mean, 205 00:11:34,480 --> 00:11:37,480 Speaker 1: it's got that look to it as well. I don't 206 00:11:37,520 --> 00:11:42,520 Speaker 1: mind it, especially in Miami. But you said, I listen, 207 00:11:42,960 --> 00:11:46,840 Speaker 1: there's something about the salt in the air, the ocean, 208 00:11:47,600 --> 00:11:51,160 Speaker 1: you know, at being a Jewish man Miami, the history 209 00:11:51,200 --> 00:11:54,400 Speaker 1: of Jews in Miami, Jews in Florida, is something about 210 00:11:54,400 --> 00:11:56,600 Speaker 1: it that's very comforting out here. I know, people have 211 00:11:56,640 --> 00:11:58,880 Speaker 1: a lot of different things to say about the politics 212 00:11:58,920 --> 00:12:02,720 Speaker 1: down here. I love Rhonda Santis. I am going to 213 00:12:02,720 --> 00:12:06,320 Speaker 1: tell you right now, they really like their governor. Again, 214 00:12:06,360 --> 00:12:08,240 Speaker 1: I don't know much about him. I'm not going down 215 00:12:08,240 --> 00:12:27,840 Speaker 1: that road. It has been a long week. It has 216 00:12:27,880 --> 00:12:33,040 Speaker 1: been a long, long, long week with with all things. 217 00:12:33,200 --> 00:12:38,440 Speaker 1: I'm not mentioning any names. I am gonna seriously start 218 00:12:38,480 --> 00:12:41,880 Speaker 1: going out of my way to be Mr Sunshine. I 219 00:12:41,880 --> 00:12:43,720 Speaker 1: didn't call myself that. At the top of the show, 220 00:12:43,720 --> 00:12:45,240 Speaker 1: I said GM and then go I said in flame, 221 00:12:45,280 --> 00:12:48,520 Speaker 1: Basha Nazi, I said, reaching, reaching, bullshit and all that stuff. 222 00:12:48,720 --> 00:12:52,880 Speaker 1: But Mr Sunshine three is going to be the name 223 00:12:52,920 --> 00:12:55,840 Speaker 1: that I try to refer to myself and try to exude. 224 00:12:56,800 --> 00:13:01,640 Speaker 1: Being Mr Sunshine, the disruptive warrior will always be who 225 00:13:01,679 --> 00:13:04,280 Speaker 1: I am at my core. But I also have to 226 00:13:04,320 --> 00:13:08,880 Speaker 1: add that Mr Sunshine, that positivity because for someone who 227 00:13:08,920 --> 00:13:13,960 Speaker 1: mixes it up and gets right in the fray, what's 228 00:13:13,960 --> 00:13:16,040 Speaker 1: gone on in the last a few days and the 229 00:13:16,080 --> 00:13:18,200 Speaker 1: things that have been said and the things have been 230 00:13:18,240 --> 00:13:21,679 Speaker 1: discussed is so disgusting and so negative to me. I 231 00:13:21,679 --> 00:13:25,119 Speaker 1: feel like it's a responsibility for someone who self admittedly, 232 00:13:26,320 --> 00:13:29,480 Speaker 1: you know, jumps right into the mud bath. Now it 233 00:13:29,559 --> 00:13:35,640 Speaker 1: is time to pivot into Mr Sunshine and really continued 234 00:13:35,800 --> 00:13:42,199 Speaker 1: diligently with the rebranding of Rapp Report hashtag rebranding Rappaport 235 00:13:42,800 --> 00:13:48,120 Speaker 1: hashtag rebranding rapp Report twenty three. And I know I 236 00:13:48,120 --> 00:13:51,079 Speaker 1: I mentioned this about a year year and a half ago, 237 00:13:51,080 --> 00:13:55,760 Speaker 1: about the rebrandification of Michael Rappaport. I know you've been 238 00:13:55,800 --> 00:13:58,240 Speaker 1: supportive of it, but I also feel like you, Dean 239 00:13:58,400 --> 00:14:03,480 Speaker 1: Dan Collins a K. Deuce Pacino a K. The world 240 00:14:03,520 --> 00:14:06,800 Speaker 1: class cuddler that you are, you've antagonized me. I feel 241 00:14:06,800 --> 00:14:10,280 Speaker 1: like you're a nonbeliever when it comes to my rebranding 242 00:14:10,440 --> 00:14:13,480 Speaker 1: and my Mr Positivity and my Mr Sunshine there well, 243 00:14:13,480 --> 00:14:18,000 Speaker 1: I feel like you you don't buy into it. I 244 00:14:18,000 --> 00:14:19,960 Speaker 1: feel like you know me just a little bit too 245 00:14:19,960 --> 00:14:21,840 Speaker 1: well to think that I could pull it off. And 246 00:14:21,880 --> 00:14:25,680 Speaker 1: I gotta be honest before for you launch. I resent that, 247 00:14:25,800 --> 00:14:29,200 Speaker 1: my friend, I resent that. Well, I'm sorry that you 248 00:14:29,280 --> 00:14:32,200 Speaker 1: resent that. I'm I'm actually I'm like deeply concerned that 249 00:14:32,280 --> 00:14:33,960 Speaker 1: you that you feel that way about me, and that 250 00:14:34,000 --> 00:14:35,400 Speaker 1: you you know, I would never want to make you 251 00:14:35,440 --> 00:14:37,640 Speaker 1: feel that way, but I just feel like, you know, 252 00:14:38,560 --> 00:14:40,800 Speaker 1: you really are a guy who's like you're not all talk, 253 00:14:41,000 --> 00:14:43,360 Speaker 1: You're a man of your word. You're you're all action. 254 00:14:43,480 --> 00:14:47,360 Speaker 1: But with this particular part of your life. Mr Sunshine, 255 00:14:48,200 --> 00:14:50,480 Speaker 1: you know, we've we've been down this road before. I've 256 00:14:50,520 --> 00:14:53,400 Speaker 1: I've heard you talk about the rebratification. It's a lot 257 00:14:53,400 --> 00:14:55,680 Speaker 1: of dejavou going on right now. I remember this talk 258 00:14:55,760 --> 00:14:58,440 Speaker 1: last year, and you know, you did do a rebratification. 259 00:14:58,520 --> 00:15:00,760 Speaker 1: I was a hundred percents of word of that. I 260 00:15:00,800 --> 00:15:03,440 Speaker 1: was very excited that you were rebranding. I was all 261 00:15:03,480 --> 00:15:06,360 Speaker 1: about it. I said, you have a responsibility, you have 262 00:15:06,400 --> 00:15:09,240 Speaker 1: a platform. People want positivity. It doesn't need to be 263 00:15:09,280 --> 00:15:11,080 Speaker 1: cursing all the time. It doesn't need to be all that. 264 00:15:11,440 --> 00:15:13,440 Speaker 1: We need you and in such a dark time, we 265 00:15:13,480 --> 00:15:15,920 Speaker 1: need that light. We need that light, and you're that light. 266 00:15:16,000 --> 00:15:18,920 Speaker 1: And I think that I'm that little ray of sunshine, 267 00:15:20,120 --> 00:15:21,920 Speaker 1: right You're You're the light at the end of the tunnel. 268 00:15:21,920 --> 00:15:23,840 Speaker 1: You're You're that ray of sunshine. That's what we want. 269 00:15:23,920 --> 00:15:25,920 Speaker 1: You know, You're a beacon of hope. I would that's 270 00:15:25,920 --> 00:15:28,480 Speaker 1: how I view you, and thank you. You know you 271 00:15:28,640 --> 00:15:30,080 Speaker 1: we went down that road, and I think that you 272 00:15:30,120 --> 00:15:33,800 Speaker 1: started posting, you know, I think you were good for 273 00:15:33,840 --> 00:15:36,760 Speaker 1: about two days maybe on Instagram. I think for two days. 274 00:15:37,200 --> 00:15:39,160 Speaker 1: There was a puppy video that came out. There was 275 00:15:39,800 --> 00:15:42,320 Speaker 1: a little girl who was reuniting with her father that 276 00:15:42,360 --> 00:15:44,480 Speaker 1: she hadn't seen. And you know, in a couple of 277 00:15:44,600 --> 00:15:46,640 Speaker 1: years he was he went to war, he came back. 278 00:15:46,640 --> 00:15:48,800 Speaker 1: Like there were a lot of like really positive, heartfelt 279 00:15:48,880 --> 00:15:52,560 Speaker 1: videos coming out and no cussing, no, no pig dick 280 00:15:52,640 --> 00:15:55,520 Speaker 1: this dick staying that hog, tie him up and fuck 281 00:15:55,600 --> 00:15:59,520 Speaker 1: them this um. And it was really it was really great. 282 00:15:59,520 --> 00:16:02,200 Speaker 1: And it's just like, I don't know what happened, but 283 00:16:02,240 --> 00:16:05,040 Speaker 1: after that two days, well, I also want to do it. 284 00:16:05,120 --> 00:16:09,480 Speaker 1: I want to say that not only did you antagonize me, Yeah, 285 00:16:09,760 --> 00:16:16,680 Speaker 1: my friend and co worker from life and Beth Amy Schumer, 286 00:16:17,320 --> 00:16:22,120 Speaker 1: she wasn't really a believer in the rebrandification. There's a 287 00:16:22,200 --> 00:16:26,560 Speaker 1: video that I put up of her saying, fuck you, Rappaport, 288 00:16:26,960 --> 00:16:31,160 Speaker 1: uh go funk yourself. I heard your rebranding and and 289 00:16:31,240 --> 00:16:33,920 Speaker 1: I told her, fuck you, you're you're you're trying to 290 00:16:33,960 --> 00:16:38,080 Speaker 1: bring me down and and that didn't help. Also because 291 00:16:38,560 --> 00:16:41,360 Speaker 1: she posted that that didn't help. But this is not 292 00:16:41,400 --> 00:16:43,680 Speaker 1: about her, This about you, and really it's about me. 293 00:16:43,840 --> 00:16:46,480 Speaker 1: What I'm gonna do is you know they say, um, 294 00:16:46,680 --> 00:16:49,200 Speaker 1: turn out the noise, turned down the noise the outside. 295 00:16:50,040 --> 00:16:52,560 Speaker 1: You're that outside noise, that that I don't think that 296 00:16:52,640 --> 00:16:56,360 Speaker 1: you you only want only good things for me, and 297 00:16:56,400 --> 00:16:58,800 Speaker 1: I only want good things for you. But I feel 298 00:16:58,800 --> 00:17:02,920 Speaker 1: like you're sort of skeptical and not that you're not supportive, 299 00:17:03,000 --> 00:17:04,840 Speaker 1: not that you wouldn't be supportive. But I feel like 300 00:17:04,880 --> 00:17:07,720 Speaker 1: you're like almost in a show improved kind of thing, 301 00:17:08,400 --> 00:17:11,200 Speaker 1: and you want me to rebrand if that's what I 302 00:17:11,280 --> 00:17:14,080 Speaker 1: want to do, but you're also gonna test me. I 303 00:17:14,119 --> 00:17:17,880 Speaker 1: feel like you're you're testing me and and I'm here 304 00:17:17,920 --> 00:17:21,760 Speaker 1: to say this. I mean, why are you raising your voice? 305 00:17:23,800 --> 00:17:25,879 Speaker 1: That was? That was? That was a technical issue? Did 306 00:17:25,880 --> 00:17:28,679 Speaker 1: it sound like I raised my voice? It just sounded 307 00:17:28,720 --> 00:17:30,720 Speaker 1: like it was like like an active higher I don't know. 308 00:17:30,760 --> 00:17:33,240 Speaker 1: It sounded like you said I didn't No, I didn't 309 00:17:33,280 --> 00:17:35,199 Speaker 1: raise my voice. I didn't raise my voice. That's a 310 00:17:35,200 --> 00:17:39,040 Speaker 1: technical Maybe there's some technical issues on Zoom or the podcast. 311 00:17:39,200 --> 00:17:41,000 Speaker 1: It sounds like you're like getting agitated to me for 312 00:17:41,040 --> 00:17:44,320 Speaker 1: some sounds. It sounds like I am now just very defensive, 313 00:17:44,359 --> 00:17:46,119 Speaker 1: and it's like you you talk about blocking out that 314 00:17:46,160 --> 00:17:47,760 Speaker 1: white noise, This is a part of it. You have 315 00:17:47,800 --> 00:17:50,840 Speaker 1: to block that white noise't okay, I'm blocking it out. 316 00:17:51,720 --> 00:17:56,520 Speaker 1: But it doesn't mean that I can't be passionate. Doesn't 317 00:17:56,520 --> 00:17:59,200 Speaker 1: mean I can't be excitable. This is who I am. 318 00:17:59,320 --> 00:18:02,280 Speaker 1: I'm a passion in it, excitable person. It doesn't mean 319 00:18:02,359 --> 00:18:05,120 Speaker 1: I can't be disruptive because somebody in the d MS 320 00:18:05,160 --> 00:18:09,560 Speaker 1: other days said Mr disruption, disruptive warrior, how you better 321 00:18:09,640 --> 00:18:12,720 Speaker 1: not ever sway away from being disruptive? And I said, 322 00:18:12,720 --> 00:18:15,840 Speaker 1: oh no, don't worry, don't worry. I'm not gonna do that. 323 00:18:16,280 --> 00:18:20,840 Speaker 1: I'm just saying, there's a way to disrupt positively. I 324 00:18:20,880 --> 00:18:24,760 Speaker 1: haven't I haven't quite figured out how you do that, 325 00:18:25,520 --> 00:18:28,360 Speaker 1: to be honest with you, but there is a way 326 00:18:28,520 --> 00:18:30,440 Speaker 1: to do it. And that's what I'm That's what I'm 327 00:18:30,480 --> 00:18:33,680 Speaker 1: talking about. And in all seriousness with the person who 328 00:18:33,720 --> 00:18:35,639 Speaker 1: who who, we're not we're not we're not saying his 329 00:18:35,720 --> 00:18:40,680 Speaker 1: name today. Um, when you start talking about um aid 330 00:18:40,720 --> 00:18:45,439 Speaker 1: Off and the kind of cesspool of discussion that that 331 00:18:45,560 --> 00:18:48,400 Speaker 1: brought out in the world, and what it brought out 332 00:18:48,400 --> 00:18:50,960 Speaker 1: of me and and brought out in everybody else and 333 00:18:50,960 --> 00:18:52,560 Speaker 1: and brought out in my wife and I and the 334 00:18:53,560 --> 00:18:57,240 Speaker 1: how to hear that just I don't know it was. 335 00:18:57,320 --> 00:18:59,720 Speaker 1: Maybe it's because I was traveling, maybe because I was sleeping. 336 00:18:59,760 --> 00:19:02,679 Speaker 1: Probably it really hit me in my heart and along 337 00:19:02,720 --> 00:19:05,880 Speaker 1: with all the other things, the pig dick, I didn't 338 00:19:05,920 --> 00:19:09,160 Speaker 1: say that, with all the other things. Um Um, it's 339 00:19:09,160 --> 00:19:11,199 Speaker 1: just the time to like to rebrand that doesn't mean 340 00:19:11,240 --> 00:19:13,800 Speaker 1: I have to like fake Jack's. I'm not gonna fake Jack's. 341 00:19:14,160 --> 00:19:16,439 Speaker 1: I'm just saying the let's just put it like this. 342 00:19:16,760 --> 00:19:22,479 Speaker 1: The rebratification will be televised and you you your little foxy. 343 00:19:22,520 --> 00:19:24,760 Speaker 1: I'm so desensitized to it. I didn't notice it. You're 344 00:19:24,800 --> 00:19:26,879 Speaker 1: just saying you little fucking I'm like, that's like a 345 00:19:27,000 --> 00:19:29,679 Speaker 1: term of endearment, Like I didn't even that didn't that 346 00:19:29,760 --> 00:19:32,560 Speaker 1: just went over. That's a slip off. But you can't, 347 00:19:32,720 --> 00:19:34,840 Speaker 1: That's what I mean. You can't even do it within 348 00:19:34,880 --> 00:19:37,520 Speaker 1: the two minutes that you're talking about rebrands. I can't. Yes, 349 00:19:37,560 --> 00:19:40,359 Speaker 1: I can't know. You can't. You can't because you just didn't. 350 00:19:40,400 --> 00:19:44,720 Speaker 1: You just talk. I'm talking. Talking softly doesn't mean that 351 00:19:44,800 --> 00:19:47,399 Speaker 1: you're not insulting somebody. Because you can talk softly and 352 00:19:47,440 --> 00:19:49,399 Speaker 1: call me a little fucking that's that goes against the 353 00:19:49,400 --> 00:19:52,720 Speaker 1: whole rebranding. So I'm just but I'm speaking softly. Why 354 00:19:52,720 --> 00:19:59,320 Speaker 1: are you raising your voice? Okay? Okay, Michael, is there 355 00:19:59,359 --> 00:20:03,199 Speaker 1: are you getting? No? I'm not upset. I'm used to this. 356 00:20:03,240 --> 00:20:04,959 Speaker 1: I just I don't know what. I just don't know 357 00:20:05,000 --> 00:20:07,160 Speaker 1: what you're gonna talk about. I don't know what you're 358 00:20:07,200 --> 00:20:09,520 Speaker 1: going like, what's the big rebranding? What are you going 359 00:20:09,560 --> 00:20:12,240 Speaker 1: to talk about? What? What? What? What? What? I'm gonna 360 00:20:12,280 --> 00:20:15,720 Speaker 1: talk about what? Excuse me, Let's just let's just let's 361 00:20:15,720 --> 00:20:18,080 Speaker 1: just talk about this. Let's talk about this. Have you 362 00:20:18,119 --> 00:20:20,639 Speaker 1: watched anything lately, because I've been watching some things and 363 00:20:20,680 --> 00:20:23,600 Speaker 1: you're always watching all sorts of stuff. Let's just pivot 364 00:20:24,160 --> 00:20:26,160 Speaker 1: and and it's just gonna be a show improved sort 365 00:20:26,200 --> 00:20:29,240 Speaker 1: of thing. I'm looking forward to. I'm looking forward to it, 366 00:20:29,400 --> 00:20:31,400 Speaker 1: I really am. Because you're telling me you don't want 367 00:20:31,400 --> 00:20:35,240 Speaker 1: to do anything up. We're doing it. Good. Good. I 368 00:20:35,359 --> 00:20:39,760 Speaker 1: like happening right now. It's happening right now. What I 369 00:20:39,840 --> 00:20:43,800 Speaker 1: was saying, new New Year, knew you, New Year knew me. 370 00:20:44,880 --> 00:20:48,440 Speaker 1: It's happening. It's I want the best for you, man. 371 00:20:48,320 --> 00:20:52,080 Speaker 1: And oh my god, oh my god, stop he can stop. 372 00:20:52,480 --> 00:20:58,119 Speaker 1: He can't stop himself. God help him, God help him. 373 00:20:58,119 --> 00:21:00,400 Speaker 1: So are you watching anything good? Mr? Sunshine? And what 374 00:21:00,400 --> 00:21:05,600 Speaker 1: what's Here's what I'm watching. I watched a movie, a 375 00:21:05,640 --> 00:21:10,960 Speaker 1: little independent movie called Emily the Criminal starring Aubrey Plaza 376 00:21:11,760 --> 00:21:15,240 Speaker 1: that I really really liked. Aubrey Plaza. What is she 377 00:21:15,320 --> 00:21:18,439 Speaker 1: best known for him? I would say Parks and Rex. 378 00:21:18,560 --> 00:21:20,119 Speaker 1: She was in Parks and Rex. She's been in a 379 00:21:20,119 --> 00:21:23,040 Speaker 1: bunch of ship But people really like her. She's she's 380 00:21:23,040 --> 00:21:27,800 Speaker 1: really good. She's really good, very funny, very quirky, um, 381 00:21:27,920 --> 00:21:30,960 Speaker 1: very relatable as an actress because you know, I think 382 00:21:31,000 --> 00:21:32,879 Speaker 1: she she just has a quality, like you know, like 383 00:21:33,200 --> 00:21:35,240 Speaker 1: you feel like she's like your best friend or your 384 00:21:35,640 --> 00:21:38,399 Speaker 1: your ex girlfriend or your girlfriend or someone that you 385 00:21:38,720 --> 00:21:40,399 Speaker 1: just you know. I think guys like her because she 386 00:21:40,400 --> 00:21:44,160 Speaker 1: seems cool, but women really like her. I've noticed women 387 00:21:44,520 --> 00:21:47,800 Speaker 1: really like Aubrey Plaza in a sexual way. They're very 388 00:21:47,840 --> 00:21:51,760 Speaker 1: attracted to Aubrey Plausa. I just everyone, So many girls 389 00:21:51,840 --> 00:21:54,280 Speaker 1: I know are like they have a real big thing 390 00:21:54,320 --> 00:21:57,120 Speaker 1: for Aubrey Plausa. I don't know what she's I don't 391 00:21:57,119 --> 00:22:00,200 Speaker 1: know she's she's great, she's very cool, she's very fun any, 392 00:22:00,280 --> 00:22:04,159 Speaker 1: very attractive. UM. And this movie, Emily the Criminal is 393 00:22:04,160 --> 00:22:09,639 Speaker 1: a small little film. It's a crime film that takes 394 00:22:09,640 --> 00:22:13,960 Speaker 1: place in Los Angeles. It's very believable. It's shot very wrong. 395 00:22:14,400 --> 00:22:17,000 Speaker 1: You know a lot of handheld camera. It's about this 396 00:22:17,080 --> 00:22:20,080 Speaker 1: girl who's in l A trying to make her way 397 00:22:20,200 --> 00:22:23,320 Speaker 1: pay her college debt. Just find her you know, her 398 00:22:23,359 --> 00:22:27,320 Speaker 1: place in the world, and she gets caught up in 399 00:22:28,200 --> 00:22:32,560 Speaker 1: one little scam scheme and that leads into another bigger 400 00:22:32,640 --> 00:22:36,480 Speaker 1: scam scheme that leads into bigger scams and schemes, and 401 00:22:36,640 --> 00:22:40,040 Speaker 1: you know, it just unfolds in a very dangerous, very relatable, 402 00:22:40,440 --> 00:22:44,719 Speaker 1: very believable for the most part way. And you know, 403 00:22:44,880 --> 00:22:46,879 Speaker 1: it's a kind of film. It kind of reminded me 404 00:22:46,960 --> 00:22:51,120 Speaker 1: of the James Con, the late great James Con film Thief, 405 00:22:51,760 --> 00:22:54,439 Speaker 1: although Emily the Criminals. She's in the Thief, but she 406 00:22:54,480 --> 00:22:57,080 Speaker 1: starts doing crime ship. But it has a Michael man 407 00:22:58,040 --> 00:23:02,600 Speaker 1: Um quality to it. And it's certainly um the kind 408 00:23:02,600 --> 00:23:06,080 Speaker 1: of film where I'm sure it was written for a girl, 409 00:23:06,119 --> 00:23:10,159 Speaker 1: but it could have easily been played by a guy character. Um. 410 00:23:10,359 --> 00:23:13,440 Speaker 1: You normally see men playing these kinds of parts. It's 411 00:23:13,480 --> 00:23:17,480 Speaker 1: just it's just a good fun um you know, little 412 00:23:17,560 --> 00:23:21,119 Speaker 1: indie gritty film um that I really liked and and 413 00:23:21,160 --> 00:23:24,399 Speaker 1: I enjoyed. And you know when they say about the 414 00:23:24,440 --> 00:23:26,879 Speaker 1: part being it could have been a woman or it 415 00:23:26,880 --> 00:23:28,199 Speaker 1: could have been a guy in the lead. It was 416 00:23:28,240 --> 00:23:32,000 Speaker 1: like that film that Nicole Kidman started um from a 417 00:23:32,000 --> 00:23:34,680 Speaker 1: few years ago called Destroyer, which she plays a corrupt cop, 418 00:23:35,560 --> 00:23:38,960 Speaker 1: not as I mean pretty much corrupt as like Denzel 419 00:23:39,160 --> 00:23:44,760 Speaker 1: in Training Day. It could have easily been played by 420 00:23:44,800 --> 00:23:47,000 Speaker 1: a guy, but you know, casting it with a woman 421 00:23:47,040 --> 00:23:49,359 Speaker 1: who could pull it off, a great actress like Ni 422 00:23:49,680 --> 00:23:53,280 Speaker 1: Nicole Kimman and this young, really really really talented actress 423 00:23:53,280 --> 00:23:57,439 Speaker 1: Aubrey Plaza Um in this Emily the Criminal. It's just 424 00:23:57,480 --> 00:23:59,360 Speaker 1: a good film. It's a it's a really good film. 425 00:23:59,400 --> 00:24:01,520 Speaker 1: And by the way, if you've never seen Destroyer, when 426 00:24:01,600 --> 00:24:03,800 Speaker 1: Nicole kim in and you want to see a good, 427 00:24:04,640 --> 00:24:10,000 Speaker 1: you know, gritty, you know, corrupt, low down, dirty cop film, Uh, 428 00:24:10,119 --> 00:24:14,520 Speaker 1: Destroyers really good. But Emily the Criminals dope. And then coincidentally, 429 00:24:15,080 --> 00:24:19,480 Speaker 1: I started watching season two of White Lotus on HBO, 430 00:24:19,840 --> 00:24:23,800 Speaker 1: which she's also in, which I really like. I really 431 00:24:23,840 --> 00:24:26,880 Speaker 1: really like the first season of White Lotus, and uh, 432 00:24:26,920 --> 00:24:29,400 Speaker 1: the second season of White Lotus is is great. It's 433 00:24:29,440 --> 00:24:32,480 Speaker 1: just weird. The writing is good, the acting is good. 434 00:24:32,560 --> 00:24:35,879 Speaker 1: Jennifer Coolidge is in it, Michael Imperioli's in it, f 435 00:24:36,080 --> 00:24:38,919 Speaker 1: Murray Abraham is in it. Like I said, Aubrey plaza 436 00:24:39,000 --> 00:24:42,720 Speaker 1: is in it. Um And it's just twisted, it's dark, 437 00:24:43,240 --> 00:24:49,280 Speaker 1: it's unpredictable, it's about dysfunction, dysfunctional relationship, sexual fucking weirdness, 438 00:24:50,520 --> 00:24:54,280 Speaker 1: and um, if you want a show to watch, White 439 00:24:54,320 --> 00:24:56,840 Speaker 1: Loadus season one and White Lodus season two, which I 440 00:24:56,880 --> 00:24:58,800 Speaker 1: don't know if it just premiere, but I'm like three 441 00:24:58,800 --> 00:25:02,119 Speaker 1: episodes in the season two of White Lotus. It's really 442 00:25:02,160 --> 00:25:05,240 Speaker 1: really really good and just really really well done, and 443 00:25:05,280 --> 00:25:07,320 Speaker 1: they're all like about fifty minutes long, and they just 444 00:25:08,040 --> 00:25:11,080 Speaker 1: they feel like little movies into themselves. And I'm glad 445 00:25:11,080 --> 00:25:14,399 Speaker 1: that I found something that I'm slow burning because you know, 446 00:25:14,440 --> 00:25:16,359 Speaker 1: like I said before, when it comes to watch things, 447 00:25:16,400 --> 00:25:19,040 Speaker 1: I do not like, you know, unless it's reality shows. 448 00:25:19,080 --> 00:25:23,320 Speaker 1: I don't like watching uh shows and just binging them 449 00:25:23,359 --> 00:25:25,080 Speaker 1: and then they go away. I told him, if I said, 450 00:25:25,119 --> 00:25:26,800 Speaker 1: I'm down with a White Lotus, I said, but I'm 451 00:25:26,840 --> 00:25:30,080 Speaker 1: not watching the entire season in a weekend. I haven't 452 00:25:30,080 --> 00:25:31,840 Speaker 1: seen either of the seasons, but I hear really good 453 00:25:31,840 --> 00:25:34,040 Speaker 1: things about White Lotus. I haven't seen Emily in Paris. 454 00:25:34,080 --> 00:25:36,400 Speaker 1: I really I'm definitely gonna watch the Emily the Criminal. 455 00:25:36,480 --> 00:25:38,560 Speaker 1: Not I think there is there a movie called Emily 456 00:25:38,560 --> 00:25:41,200 Speaker 1: in Paris is a fucking I think I keep getting confused. 457 00:25:41,200 --> 00:25:44,320 Speaker 1: I think there's like some Lily Collins like Romantic Show. 458 00:25:44,400 --> 00:25:46,600 Speaker 1: I don't fucking know our movie Emily in Paris whatever, 459 00:25:46,640 --> 00:25:49,720 Speaker 1: Emily the Criminal. I'm gonna check out Emily the Criminal. Um. 460 00:25:49,760 --> 00:25:51,800 Speaker 1: I mean you have great taste of movies, obviously, so 461 00:25:51,960 --> 00:25:54,440 Speaker 1: I'm checking Thank you, thank you very much of court. 462 00:25:54,520 --> 00:25:56,560 Speaker 1: I mean yeah, I mean you're the fucking king of 463 00:25:56,800 --> 00:25:59,760 Speaker 1: good tastes and all that stuff. So I mean, if 464 00:25:59,760 --> 00:26:02,200 Speaker 1: you say to go see it, I'm going to see it, obviously. 465 00:26:02,720 --> 00:26:05,520 Speaker 1: What does that mean? It means if you say that 466 00:26:05,560 --> 00:26:08,320 Speaker 1: movie is really good, I'm gonna I'm going to see that. 467 00:26:08,320 --> 00:26:09,920 Speaker 1: That That's a movie I want to see. That's a 468 00:26:09,960 --> 00:26:13,400 Speaker 1: movie that's gonna be on my list to see. So okay, 469 00:26:13,600 --> 00:26:17,080 Speaker 1: have have you been watching anything? Honestly? I like, I 470 00:26:17,080 --> 00:26:19,200 Speaker 1: feel like we like switched roles here. You're watching all 471 00:26:19,200 --> 00:26:21,520 Speaker 1: this like narrative ship. I'm I'm like, went into reality 472 00:26:21,560 --> 00:26:24,840 Speaker 1: television and I've been watching crazy. Yeah. I love that 473 00:26:24,880 --> 00:26:27,440 Speaker 1: you're in the reality TV because I was telling my wife, 474 00:26:27,560 --> 00:26:31,080 Speaker 1: I said, the shooter is like into the into the 475 00:26:31,119 --> 00:26:33,879 Speaker 1: reality TV and I've tried to twist your arm for years. 476 00:26:34,880 --> 00:26:38,240 Speaker 1: Well it's just it was just like it was like, 477 00:26:38,480 --> 00:26:40,959 Speaker 1: you know, I started with ninety Day Fiance and then 478 00:26:41,000 --> 00:26:42,800 Speaker 1: six D Pound Life, So I was like getting my 479 00:26:42,840 --> 00:26:45,160 Speaker 1: feet wet with with that kind of stuff. But now 480 00:26:45,480 --> 00:26:48,359 Speaker 1: you know, I was into Temptation Island. I've seen all 481 00:26:48,400 --> 00:26:50,840 Speaker 1: the seasons of Temptation Island. I love that ship. I 482 00:26:50,880 --> 00:26:53,640 Speaker 1: really like when like couples go into something and they're 483 00:26:53,680 --> 00:26:56,080 Speaker 1: cheating on each other and like it's like wild ship. 484 00:26:56,200 --> 00:26:57,880 Speaker 1: That's like my kind of that's like my favorite type 485 00:26:57,880 --> 00:27:01,200 Speaker 1: of ship. But I finished Temptation Island, and I then 486 00:27:01,240 --> 00:27:04,680 Speaker 1: I moved over because you recommended it. And it's impossible 487 00:27:04,720 --> 00:27:07,080 Speaker 1: to fucking find I'm on like the Roku app or 488 00:27:07,119 --> 00:27:09,800 Speaker 1: the All Black Channel. I don't know, it's so difficult. 489 00:27:09,840 --> 00:27:11,760 Speaker 1: This is the way that it's set up. But Love 490 00:27:11,840 --> 00:27:15,040 Speaker 1: after lock Up you told me to watch this Love 491 00:27:15,080 --> 00:27:18,320 Speaker 1: after lock Up. It's where these like people meet, they 492 00:27:18,320 --> 00:27:20,719 Speaker 1: sign up for like a dating app like Meet an 493 00:27:20,720 --> 00:27:23,560 Speaker 1: Inmate dot com, and they like form a relationship with 494 00:27:23,600 --> 00:27:26,159 Speaker 1: a prisoner behind bars. And then is that something you 495 00:27:26,160 --> 00:27:30,359 Speaker 1: could ever see yourself doing being in jail or me 496 00:27:30,520 --> 00:27:34,280 Speaker 1: forming a relationship with a woman in jail. Well, we 497 00:27:34,280 --> 00:27:36,080 Speaker 1: don't want you in jail. We've talked. I don't want 498 00:27:36,080 --> 00:27:38,280 Speaker 1: to be there. Yeah, we don't want you anywhere near 499 00:27:38,280 --> 00:27:40,320 Speaker 1: to jail, nor do we want any of the listeners 500 00:27:40,480 --> 00:27:45,240 Speaker 1: or myself or the Dust Brothers or anybody associated unless 501 00:27:45,240 --> 00:27:47,199 Speaker 1: you need to go to jail, because if you do, 502 00:27:47,400 --> 00:27:50,840 Speaker 1: if you do Spaco, you do something that we need 503 00:27:50,880 --> 00:27:53,159 Speaker 1: to lock you up for them, we'll we'll lock you up. O. 504 00:27:53,440 --> 00:27:55,920 Speaker 1: People don't don't put that out there because I will 505 00:27:55,920 --> 00:27:57,840 Speaker 1: never go to jail. I've got to We don't watch 506 00:27:57,840 --> 00:28:00,080 Speaker 1: you go to jail. We don't want to go into it. 507 00:28:00,680 --> 00:28:05,280 Speaker 1: Would I form a relationship with with a woman, yes, 508 00:28:05,440 --> 00:28:09,920 Speaker 1: you know, I feel like, no, I know, I wouldn't. 509 00:28:09,960 --> 00:28:13,080 Speaker 1: You know. That's my standards aren't that low. I think 510 00:28:13,119 --> 00:28:15,800 Speaker 1: that you you would say I don't think I would. 511 00:28:15,880 --> 00:28:17,960 Speaker 1: But I also feel like you're about to say you 512 00:28:18,080 --> 00:28:21,119 Speaker 1: never know. It's not you never know. I wouldn't do it. 513 00:28:21,280 --> 00:28:22,920 Speaker 1: You know. I'm in a relationship right now, so I 514 00:28:22,960 --> 00:28:25,000 Speaker 1: can't even think about it like that. But a hypothetical, 515 00:28:25,800 --> 00:28:30,240 Speaker 1: would I go on meeting inmate dot com? And I mean, listen, 516 00:28:30,720 --> 00:28:33,879 Speaker 1: the show is bleak, it is dark, it's it is 517 00:28:33,920 --> 00:28:38,400 Speaker 1: not like one of these fun reality shows that Bachelor 518 00:28:38,480 --> 00:28:42,040 Speaker 1: in Paradise. Listen, it makes those people look like Saints. 519 00:28:42,080 --> 00:28:44,000 Speaker 1: I mean it makes the people Love is Blind look 520 00:28:44,040 --> 00:28:46,760 Speaker 1: like like amazing people and really stand up people. This 521 00:28:46,840 --> 00:28:49,000 Speaker 1: ship on Love After lock Up because then they go 522 00:28:49,120 --> 00:28:51,560 Speaker 1: they leave prison and they have to form their relationship 523 00:28:51,600 --> 00:28:54,760 Speaker 1: outside of prison, and people are using the other you know, 524 00:28:54,800 --> 00:28:57,560 Speaker 1: the prisoners are using their spouse for money, and and 525 00:28:57,640 --> 00:29:00,280 Speaker 1: like it looks like an episode of Intervention. All these 526 00:29:00,280 --> 00:29:02,680 Speaker 1: people are on drugs, all these people are fucked up. 527 00:29:02,680 --> 00:29:05,200 Speaker 1: It's it's very dark. I have to tell you, it's 528 00:29:05,280 --> 00:29:07,440 Speaker 1: very dark. But I love it. I'm eating it all up. 529 00:29:07,480 --> 00:29:10,120 Speaker 1: I finished. If you're gonna watch it, go with season 530 00:29:10,160 --> 00:29:15,160 Speaker 1: two Love After lock Up strong recom strong recommendation really 531 00:29:15,160 --> 00:29:35,000 Speaker 1: fucking good and uh, really fucking crazy podcast. So anyway, 532 00:29:35,040 --> 00:29:38,840 Speaker 1: Love after Lockdown really good. I highly recommend that. And 533 00:29:38,840 --> 00:29:41,840 Speaker 1: then I actually started rewatching. I know it's been on 534 00:29:41,840 --> 00:29:44,840 Speaker 1: our sick fuck List. And by the way, we're coming 535 00:29:44,880 --> 00:29:47,000 Speaker 1: to the end of the year, you and I are 536 00:29:47,480 --> 00:29:50,520 Speaker 1: actively working on our part two of our sick fuck 537 00:29:50,640 --> 00:29:53,880 Speaker 1: Documentaries list. We we definitely do our part two, but 538 00:29:54,080 --> 00:29:57,240 Speaker 1: on my list. On my list for the sick funck list, 539 00:29:57,320 --> 00:30:01,640 Speaker 1: I did mention the documentary called Ice Sniper about the 540 00:30:01,680 --> 00:30:05,080 Speaker 1: two snipers in two thousand two, the two snipers that 541 00:30:05,080 --> 00:30:08,680 Speaker 1: went around or in d C, that went around terrorizing 542 00:30:08,760 --> 00:30:11,920 Speaker 1: d C and they couldn't find them for like a month. Anyway, 543 00:30:12,320 --> 00:30:14,680 Speaker 1: I put that on the list. I've been rewatching it. 544 00:30:14,680 --> 00:30:19,280 Speaker 1: It's so underrated. It's so well done. The execution of 545 00:30:19,320 --> 00:30:21,880 Speaker 1: this documentary docuseries is so good, and I don't think 546 00:30:21,880 --> 00:30:24,920 Speaker 1: it got the attention because it was on Vice dot com. 547 00:30:25,000 --> 00:30:27,600 Speaker 1: You can watch it on Vice dot com, um, but 548 00:30:27,680 --> 00:30:29,680 Speaker 1: it should be on like a Netflix or Hulu. And 549 00:30:29,960 --> 00:30:33,320 Speaker 1: it is so well done and so captivating, and I 550 00:30:33,360 --> 00:30:37,320 Speaker 1: strongly recommend for anyone who's like on a weekend wants 551 00:30:37,320 --> 00:30:39,880 Speaker 1: to watch some true crime ship and watch something really good, 552 00:30:39,920 --> 00:30:41,880 Speaker 1: look up Ice Sniper and watch that ship on Vice 553 00:30:41,920 --> 00:30:45,000 Speaker 1: because it's it's really fucking good. How many how many 554 00:30:45,080 --> 00:30:47,920 Speaker 1: parts is it? It's like it's like seven episodes, seven 555 00:30:48,000 --> 00:30:51,520 Speaker 1: or eight episodes, but I mean it is really fucking 556 00:30:51,560 --> 00:30:54,880 Speaker 1: crazy and really well done. So it's on Vice. It's 557 00:30:54,920 --> 00:30:56,840 Speaker 1: like the one really good thing Vice did. To be 558 00:30:56,880 --> 00:31:00,239 Speaker 1: honest with you, but strongly recommend watching that. And then 559 00:31:00,280 --> 00:31:03,760 Speaker 1: I rewatched that movie Sideways. It's I mean super random, 560 00:31:03,800 --> 00:31:06,120 Speaker 1: but you know that was like nominated. I mean that 561 00:31:06,160 --> 00:31:08,160 Speaker 1: was like two thousand four that was up for Best Picture, 562 00:31:08,280 --> 00:31:12,440 Speaker 1: Best Director, Best Writers. In that No Shooters, not in that. 563 00:31:12,480 --> 00:31:16,160 Speaker 1: You might be you might be confusing. Chris McDonald Thomas 564 00:31:16,240 --> 00:31:21,960 Speaker 1: Hayden Church got nominated for it. Thomas Hayden, Yeah, opposite 565 00:31:22,080 --> 00:31:25,680 Speaker 1: uh Paul Giamatti. But it is that movie. If you 566 00:31:25,680 --> 00:31:29,200 Speaker 1: haven't seen that movie, it's about wine. It's like a heartbreak, 567 00:31:29,280 --> 00:31:31,400 Speaker 1: like they take a road trip up to Mendocino or 568 00:31:31,440 --> 00:31:34,240 Speaker 1: whatever wherever it is. It's a really fucking great movie. 569 00:31:34,280 --> 00:31:36,520 Speaker 1: I it's one of my favorite movies. I love that movie. 570 00:31:36,560 --> 00:31:39,360 Speaker 1: So I've been watching Old Ship, but I need to 571 00:31:39,360 --> 00:31:42,160 Speaker 1: rewatch that film. I know it was fun well made, 572 00:31:42,920 --> 00:31:48,480 Speaker 1: you know, um funny, funny movie. Sideways. Yeah, really good. 573 00:31:48,640 --> 00:31:50,360 Speaker 1: But we're coming to the end of the year of 574 00:31:50,440 --> 00:31:55,520 Speaker 1: movies fun Man and like post Pandemic. It's like you know, 575 00:31:55,600 --> 00:31:57,600 Speaker 1: you and I were talking, It's like we're in December. 576 00:31:57,720 --> 00:32:02,280 Speaker 1: You know, five years ago, we would have like fucking screeners, DVDs, 577 00:32:02,400 --> 00:32:05,080 Speaker 1: just stacked of movies to watch that would be up 578 00:32:05,120 --> 00:32:08,080 Speaker 1: for Oscars and Oscar consideration. I can't think of one 579 00:32:08,160 --> 00:32:11,440 Speaker 1: movie coming out that I'm looking forward to seeing that's 580 00:32:11,480 --> 00:32:13,800 Speaker 1: like gonna be up for Best Picture or like an 581 00:32:13,840 --> 00:32:16,760 Speaker 1: Oscar contender. Not that the Oscars or award shows matter 582 00:32:16,880 --> 00:32:20,040 Speaker 1: in general, but like, honestly, the only fucking movie I 583 00:32:20,040 --> 00:32:23,520 Speaker 1: can really think about like this year that I was like, fuck, yeah, 584 00:32:23,560 --> 00:32:26,440 Speaker 1: that was so much fun was Top Gun. I really 585 00:32:26,440 --> 00:32:30,240 Speaker 1: loved going to see It's I mean, that movie was 586 00:32:30,320 --> 00:32:33,400 Speaker 1: so entertaining, such a theater movie that you know, and 587 00:32:33,800 --> 00:32:37,680 Speaker 1: I don't know, I mean, it's disappointing. It's like post pandemic. 588 00:32:37,800 --> 00:32:40,800 Speaker 1: There's just just they're not making those movies anymore. I 589 00:32:41,000 --> 00:32:43,480 Speaker 1: don't know. It was dropping, it's been dropping for a 590 00:32:43,520 --> 00:32:46,800 Speaker 1: few years, and this is just you know, really really 591 00:32:46,840 --> 00:32:49,800 Speaker 1: really particularly bad. I haven't seen everything. I'm sure there's 592 00:32:49,800 --> 00:32:53,080 Speaker 1: some good things. Um. There was a film that a 593 00:32:53,120 --> 00:32:55,000 Speaker 1: couple of recommendations. I think I asked you about it, 594 00:32:55,040 --> 00:32:58,760 Speaker 1: the Triangle of Sadness. Triangle of Sadness is It's one 595 00:32:58,800 --> 00:33:01,160 Speaker 1: that I've been really wanting to see in theaters. I 596 00:33:01,200 --> 00:33:04,360 Speaker 1: haven't seen it yet, but everyone's been recommending that movie 597 00:33:04,360 --> 00:33:06,959 Speaker 1: to me. To this director did these two other movies 598 00:33:07,000 --> 00:33:11,920 Speaker 1: called Forced Massire and The Square, and uh, his first movie. 599 00:33:12,080 --> 00:33:14,520 Speaker 1: If you're gonna watch any of his movies, watch Force 600 00:33:14,640 --> 00:33:16,520 Speaker 1: Massur because it's like, I don't know if he's like 601 00:33:16,520 --> 00:33:19,040 Speaker 1: a Danish director. I forget where he's from. But it's 602 00:33:19,080 --> 00:33:22,040 Speaker 1: it's a foreign film. But it's like forced Massour is 603 00:33:22,080 --> 00:33:24,720 Speaker 1: like a family who goes on it's Danish. If it's Danish, 604 00:33:24,800 --> 00:33:27,600 Speaker 1: that means it's it's going to be foreign, right, No, 605 00:33:27,880 --> 00:33:31,080 Speaker 1: of course I just wanted to Now, I okay, you 606 00:33:31,080 --> 00:33:32,520 Speaker 1: didn't have to. You didn't have to slide in and 607 00:33:32,600 --> 00:33:35,400 Speaker 1: say that. Well, because you're saying, you're saying this is 608 00:33:35,400 --> 00:33:38,120 Speaker 1: a Danish A lot of right, it's it's a foreign right. 609 00:33:38,240 --> 00:33:40,080 Speaker 1: I understand you could say it's a Danish film. You 610 00:33:40,120 --> 00:33:42,560 Speaker 1: never say it's a Danish film. It's a foreign film, 611 00:33:42,640 --> 00:33:45,400 Speaker 1: Like we what do you say it's a Danish film. 612 00:33:45,400 --> 00:33:47,600 Speaker 1: I'm just saying, go see it. That's all I'm saying 613 00:33:47,640 --> 00:33:50,400 Speaker 1: is just go see it. How about that? Where do 614 00:33:50,400 --> 00:33:53,920 Speaker 1: you go see it? What do I look like Roger 615 00:33:53,960 --> 00:33:56,760 Speaker 1: fucking eat over here? I don't know where you go see? 616 00:33:56,920 --> 00:33:59,400 Speaker 1: Google that ship and go find it. It's a funny movie. 617 00:33:59,480 --> 00:34:02,000 Speaker 1: It's really good. You should see it. And I want 618 00:34:02,000 --> 00:34:03,880 Speaker 1: to go see Triangle of Sadness. I hear it's on 619 00:34:03,920 --> 00:34:05,440 Speaker 1: a lot of people's list of one of the best 620 00:34:05,480 --> 00:34:08,520 Speaker 1: movies is here. But um, hey, what are you gonna 621 00:34:08,560 --> 00:34:10,480 Speaker 1: go see? Uh? Speaking of movies, are you gonna go 622 00:34:10,560 --> 00:34:15,399 Speaker 1: see Will Smith's big, big movie Emancipation that came out 623 00:34:15,440 --> 00:34:18,920 Speaker 1: on Apple? Are you gonna watch that? You know? I 624 00:34:19,040 --> 00:34:20,799 Speaker 1: might watch it. I heard it's good. You know, I 625 00:34:20,840 --> 00:34:25,719 Speaker 1: love that director Antoine Fuka directed. Um, didn't he do 626 00:34:25,719 --> 00:34:27,560 Speaker 1: training Day? He did Training Day? I mean he he 627 00:34:27,760 --> 00:34:34,400 Speaker 1: really you know, certain times Antoine Fuka really really captures Yeah, 628 00:34:34,440 --> 00:34:39,680 Speaker 1: you know, like he's very, very, very good. I guess 629 00:34:39,760 --> 00:34:42,239 Speaker 1: I'll probably watch it. I'll probably watch it. All right, Well, 630 00:34:42,280 --> 00:34:44,480 Speaker 1: I'm gonna skip it. And Will Smith says he he 631 00:34:44,560 --> 00:34:47,920 Speaker 1: understands why everyone would skip it after you know, an 632 00:34:47,920 --> 00:34:50,360 Speaker 1: Oscar moment. Oh yeah, he said, you know, I I 633 00:34:50,400 --> 00:34:53,799 Speaker 1: completely understand if you don't want to see it. Jesus. 634 00:34:54,040 --> 00:34:56,319 Speaker 1: I mean, the dude ruined his career. I mean, you 635 00:34:56,360 --> 00:35:00,040 Speaker 1: know that sucks. He to say. Oh, you know, I 636 00:35:00,360 --> 00:35:02,880 Speaker 1: get why you guys don't want to said, Oh my god, 637 00:35:03,000 --> 00:35:04,520 Speaker 1: And did you see them all on the red carpet 638 00:35:04,560 --> 00:35:07,080 Speaker 1: for that movie? They look like fucking like Batman villains, 639 00:35:07,120 --> 00:35:09,719 Speaker 1: the whole family. It's it's so weird, all of them 640 00:35:09,719 --> 00:35:12,520 Speaker 1: look so weird. Their cheap bones are so sunken in 641 00:35:12,600 --> 00:35:14,359 Speaker 1: I don't know what the funk that family is on, 642 00:35:14,520 --> 00:35:18,440 Speaker 1: but they're so weird in there, right, they are so weird. 643 00:35:18,480 --> 00:35:20,719 Speaker 1: The only one that looks normal is his son that 644 00:35:20,880 --> 00:35:23,080 Speaker 1: isn't with Jada Pinkett. He's like on the red carpet, 645 00:35:23,120 --> 00:35:26,200 Speaker 1: like looking normal, like a regular person. Right. Just it's 646 00:35:26,239 --> 00:35:29,040 Speaker 1: will Smith's first son from another marriage, right, And maybe 647 00:35:29,040 --> 00:35:31,799 Speaker 1: it's Jada Pinkett who's like, I don't know, I don't know, 648 00:35:31,840 --> 00:35:35,000 Speaker 1: but it is a fucking whacked out family. She's on 649 00:35:35,040 --> 00:35:38,560 Speaker 1: the red carpet. It's bizarre. She's on the she's on 650 00:35:38,600 --> 00:35:40,360 Speaker 1: the red carpet. He's kissing her bald head on the 651 00:35:40,360 --> 00:35:44,879 Speaker 1: red carpet. Oh yeah, they yeah, it just he didn't 652 00:35:44,920 --> 00:35:47,359 Speaker 1: kiss that bald head. Oh yeah, he kissed the bald head. 653 00:35:47,360 --> 00:35:50,200 Speaker 1: He brought Willow and fucking whatever, the little guy Jaden 654 00:35:50,280 --> 00:35:53,120 Speaker 1: over there. They all look nuts. They look like batman villains. 655 00:35:53,120 --> 00:35:56,359 Speaker 1: They look nuts. And he said, respectfully, I understand if 656 00:35:56,400 --> 00:35:58,760 Speaker 1: you don't want to see the movie because of everything 657 00:35:58,760 --> 00:36:01,720 Speaker 1: that's went down. I mean, you know, it's a slap 658 00:36:01,760 --> 00:36:07,879 Speaker 1: in the face of the audience, you know, it's Jesus Christ. Yeah, man, 659 00:36:08,000 --> 00:36:10,400 Speaker 1: I I don't have any interest, but but yeah, we 660 00:36:10,440 --> 00:36:11,600 Speaker 1: are coming to the end of the year and I 661 00:36:11,640 --> 00:36:14,160 Speaker 1: am very excited to see what you do with this rebranding. 662 00:36:14,280 --> 00:36:19,480 Speaker 1: You know, you still have December left. Um man, you 663 00:36:19,600 --> 00:36:25,399 Speaker 1: excuse me, excuse me, you're saying I still I said 664 00:36:25,440 --> 00:36:30,319 Speaker 1: I started the rebrandification. It started, and I'm gonna get 665 00:36:30,320 --> 00:36:34,200 Speaker 1: out of December and roll that rebranding right into January. 666 00:36:34,320 --> 00:36:36,160 Speaker 1: I love that. Man. It's just you know, like a 667 00:36:36,160 --> 00:36:37,800 Speaker 1: lot of people are like, what are you talking to? 668 00:36:37,880 --> 00:36:40,160 Speaker 1: Wake up? You know, like when people, you know, when 669 00:36:40,200 --> 00:36:42,600 Speaker 1: people wake up, like January one, I'm gonna hit the gym. 670 00:36:42,680 --> 00:36:44,600 Speaker 1: I'm changing my whole fucking life around. And then by 671 00:36:44,680 --> 00:36:47,560 Speaker 1: January three, they start eating the pints of Ben and 672 00:36:47,640 --> 00:36:56,040 Speaker 1: Jerry's and it's like their whole resolutions. No, I'm just whispering. 673 00:36:56,080 --> 00:36:58,719 Speaker 1: Now I'm gonna I'm gonna bring my voice down. See 674 00:36:58,760 --> 00:37:01,600 Speaker 1: that's what you're trying to do right right now. I 675 00:37:01,640 --> 00:37:03,680 Speaker 1: wasn't saying about you. I was saying about a lot 676 00:37:03,680 --> 00:37:05,279 Speaker 1: of the people out there that like that's what they 677 00:37:05,280 --> 00:37:07,000 Speaker 1: do is they wake up and they're like, five am, 678 00:37:07,080 --> 00:37:09,200 Speaker 1: I'm gonna hit that gym change my whole life around. 679 00:37:09,280 --> 00:37:10,719 Speaker 1: And then I'm just saying, by the end of the week, 680 00:37:11,000 --> 00:37:13,239 Speaker 1: we're right back to where we started. We don't make 681 00:37:13,239 --> 00:37:15,480 Speaker 1: any progress. I'm not saying that to you. I don't 682 00:37:15,480 --> 00:37:17,600 Speaker 1: believe that's you. I have a lot more faith, thank 683 00:37:17,640 --> 00:37:19,319 Speaker 1: you than I do with those other people. Thank you. 684 00:37:19,600 --> 00:37:22,920 Speaker 1: But I am just saying that is a possibility, you 685 00:37:22,960 --> 00:37:25,759 Speaker 1: know what I'm saying. Now. We have a couple of 686 00:37:25,760 --> 00:37:31,160 Speaker 1: shows coming up right. We have Portland's eighth ninth Intense. 687 00:37:32,400 --> 00:37:36,320 Speaker 1: We have Pleasant in California the fifteenth, sixteenth, and seventeen, 688 00:37:36,520 --> 00:37:40,600 Speaker 1: Portland's eighth, ninth, and tenth of December, Pleasant In at 689 00:37:40,640 --> 00:37:46,360 Speaker 1: Tommy Teas sixteen and seventeen. All tickets, all informations available 690 00:37:46,360 --> 00:37:50,960 Speaker 1: in Michael Rappaport Comedy dot com. We're closing out the 691 00:37:51,080 --> 00:37:54,440 Speaker 1: year with some fantastic shows that for in Miami and 692 00:37:54,440 --> 00:37:58,000 Speaker 1: you're watching this listening to this. The show last night 693 00:37:58,040 --> 00:38:02,440 Speaker 1: was particularly good in Miami, and we're looking forward to 694 00:38:02,520 --> 00:38:04,279 Speaker 1: the rest of the shows the rest of this year 695 00:38:04,280 --> 00:38:07,400 Speaker 1: and then boom next year. We're rolling into more shows. 696 00:38:08,000 --> 00:38:10,879 Speaker 1: Uh and I'll put all those shows out, but we're 697 00:38:10,880 --> 00:38:14,080 Speaker 1: going all over the damn place. Um. And you know, 698 00:38:14,120 --> 00:38:17,920 Speaker 1: the people are always asking, where's the shooter, where's the 699 00:38:17,960 --> 00:38:20,840 Speaker 1: little guy, where's your guy? This little guy, meet the 700 00:38:20,840 --> 00:38:24,920 Speaker 1: little guy. They say that sometimes where's the little guy, 701 00:38:25,640 --> 00:38:28,200 Speaker 1: where's your where's your homie? Where where's that funny guy. 702 00:38:28,760 --> 00:38:30,640 Speaker 1: We don't want to make any promises on whether or 703 00:38:30,640 --> 00:38:32,719 Speaker 1: not you're gonna be there or not, but we're just 704 00:38:32,760 --> 00:38:35,319 Speaker 1: putting the dates out there, and uh, you know, the 705 00:38:35,360 --> 00:38:38,920 Speaker 1: show will go on whether we're not. The young Shooter 706 00:38:39,000 --> 00:38:43,560 Speaker 1: deuced Valentine, deuced lover boy, one of the great cuddlers 707 00:38:44,000 --> 00:38:46,560 Speaker 1: of all time. Thank you, man. I didn't say it, 708 00:38:46,640 --> 00:38:48,200 Speaker 1: that's what you said. You just said one of the 709 00:38:48,239 --> 00:38:50,319 Speaker 1: great cuddlers of all times. I'm just saying, thank you man. 710 00:38:50,360 --> 00:38:53,600 Speaker 1: I appreciate that. But but yes, man, we will talk 711 00:38:53,640 --> 00:38:55,520 Speaker 1: after the podcast. You and I will work out some dates. 712 00:38:55,560 --> 00:38:56,920 Speaker 1: You know. I'm always down to be out there with 713 00:38:57,000 --> 00:39:00,120 Speaker 1: you bro. Al right. Well, other than that, I just 714 00:39:00,120 --> 00:39:06,960 Speaker 1: want everybody to stay safe, stay sane. You gotta stay sane, 715 00:39:07,719 --> 00:39:12,680 Speaker 1: stay disruptive. We came, we saw, we conquered. I'll say 716 00:39:12,680 --> 00:39:14,920 Speaker 1: it again, we came, we saw, we conquered. See I 717 00:39:14,960 --> 00:39:17,560 Speaker 1: am Wrappers Stereo podcast. Tell a friend to tell a 718 00:39:17,719 --> 00:39:21,560 Speaker 1: friend about the world's most disruptive podcast. Museum quality podcasting 719 00:39:21,640 --> 00:39:25,840 Speaker 1: every single time we pick up the Golden Mike. You 720 00:39:25,880 --> 00:39:28,239 Speaker 1: want to walk me out of here? Dean Moles, Jordan A. K. 721 00:39:28,360 --> 00:39:30,799 Speaker 1: The Bleach Brothers take us at in with something real nice. Yes, 722 00:39:31,520 --> 00:39:34,200 Speaker 1: take us out with something real loud guests, but most importantly, 723 00:39:34,320 --> 00:39:38,040 Speaker 1: take us out of here with something real funky. So 724 00:39:38,080 --> 00:39:39,879 Speaker 1: I am Wrappers stereo podcast. I'm out