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Speaker 1: Now here's a highlight from Coast to Coast, am on

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Speaker 1: iHeart Radio and welcome back to Coast to Coast, George

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Speaker 1: Norri with you. David Serreta's first aspiration in life was

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Speaker 1: to become an astronaut, and back in nineteen sixty eight,

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Speaker 1: David and a friend witness the UFO along with hundreds

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Speaker 1: of other witnesses. After this experience, David grew up as

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Speaker 1: a UFO enthusiast, never living in doubt of the phenomena

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Speaker 1: that has swept the world since the Roswell incident of

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Speaker 1: nineteen forty seven. His interest in space, religion, philosophy, astronomy

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Speaker 1: science led him on his career related paths, and he

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Speaker 1: has worked deeply in high technology, environmental work, humanitarian issues

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Speaker 1: as well as a professional photographer for more than twenty years.

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Speaker 1: Here he is back on Coast to Coast David Serata, Hey, David,

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Speaker 1: how are you doing? George? The only way to travel

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Speaker 1: at the speed of white is to talk on the radio,

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Speaker 1: because the radio waves go out at the speed of Whitey,

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Speaker 1: you're the man. You're flying at the speed of light

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Speaker 1: every night now exactly. You're coming along for the ride.

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Speaker 1: So what's new? With you. Well, I'm gonna I have

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Speaker 1: startling information to share with the audience, and I hope

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Speaker 1: we get through all of it. But I recently, in

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Speaker 1: the last eight months, partners up with a I would

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Speaker 1: call him a radio astronomer, an amateur radio astronomer, Jimmy Blanchett,

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Speaker 1: and we started with this, you know that scene in

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Speaker 1: Close Encounters of the third time when they're on the

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Speaker 1: what they call the Dark Side of the Moon and

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Speaker 1: Devil's Tower and they're playing the language of musical tones

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Speaker 1: back and forth, doo doo doo, doo doo, yeah, and

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Speaker 1: then the et goes bomb and they the windows blow up.

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Speaker 1: That the language of tone is kind of like what

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Speaker 1: we would expect in the form of a communication, or

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Speaker 1: or we would expect a pictogram, which is what a

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Speaker 1: crop circle is. In a way, sure, but we're not

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Speaker 1: going to get a communication and play in English or

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Speaker 1: Spanish or Italian that makes sense to us. And in fact,

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Speaker 1: any extraterrestrial civilization that can conquer the vast distance between stars,

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Speaker 1: he's probably going to speak in a very very sophisticated language.

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Speaker 1: So a new piece of data arrived on the scene

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Speaker 1: to me, and I'm really surprised if the world missed this,

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Speaker 1: because at the end of this Netflix series on the

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Speaker 1: UAP UFO phenomena, the radar operator on the USS Princeton,

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Speaker 1: Kevin Day said, as well as Commander David Fraber, confirmed this.

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Speaker 1: What I'm about to say is so shocking. I'm amazed

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Speaker 1: that nobody noticed that the UFO jumped sixty miles in

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Speaker 1: a second. Now sixty miles in a second is two

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Speaker 1: hundred and sixteen thousand miles per hour, which is mocked

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Speaker 1: two hundred and eighty one point five one. So when

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Speaker 1: you see the New York Times and all these magazine saying, well,

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Speaker 1: the uapis could be Chinese because they're going Mark five,

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Speaker 1: and we were going Mark four or five and six

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Speaker 1: in the X fifteen ages ago when I was a kid,

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Speaker 1: and you know, that was big news. So why are

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Speaker 1: they churning the story to mark five when they're going

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Speaker 1: Mark two hundred and eighty one? So what interests me

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Speaker 1: about two hundred and sixteen thousand miles an hour? When

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Speaker 1: I looked at that number, I said, I know that

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Speaker 1: number because there's this whole music theory about tuning your

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Speaker 1: guitar and your piano to the four thirty two middle

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Speaker 1: a note instead of a four to forty. And it

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Speaker 1: turns out two hundred and sixteen is an octave of

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Speaker 1: four to thirty two, because an octave is when you

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Speaker 1: take a frequency for a musical note times two to

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Speaker 1: go up an octave. So two hundred and sixteen thousand

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Speaker 1: times an octave is four hundred and thirty two thousand,

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Speaker 1: and I went, this is all about frequency. These UFOs

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Speaker 1: understand harmonics like we understand and a music scale, and

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Speaker 1: they're able to jump hyperd eventually. So you have to understand, no,

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Speaker 1: not even not a bullet. Not the fastest missile we have,

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Speaker 1: which is the minute Man, you know, which is eighteen

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Speaker 1: thousand miles an hour. The Russian hypersonic missiles are five

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Speaker 1: to seven thousand miles an hour. Nothing's really faster than

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Speaker 1: minute Man. So once you understand that, and our fighter

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Speaker 1: jets peaked at around twenty one hundred miles an hour,

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Speaker 1: you know, so mock two and a half maybe. So

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Speaker 1: when you're looking at mock two hundred and eighty one

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Speaker 1: in the up and when Kevin Day presented this on

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Speaker 1: the Netflix series, there was no follow up. Nobody noticed,

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Speaker 1: you know, sixty miles a second time, sixty seconds in

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Speaker 1: a minute time sixteen minutes in an hour is two

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Speaker 1: hundred and sixteen thousand miles an hour, folks. So so

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Speaker 1: that is establishing a harmonic And when I met Jimmy Blanchet,

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Speaker 1: Jimmy Blanchett was getting there was two phenomena that he

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Speaker 1: was doing on his own before he met me. He

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Speaker 1: was using a particular harmonic frequency called the one forty

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Speaker 1: four point one mega hurts, which is which is a

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Speaker 1: function of four to thirty two. And he was receiving

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Speaker 1: what appeared sending out signals all on his own and

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Speaker 1: receiving what appeared to be intelligent responses on these handheld radios.

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Speaker 1: And in addition to that, Jimmy has this massive antenna

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Speaker 1: that he was sending out signals that four hundred and

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Speaker 1: thirty two megahirts. What even possessed him to do that? David, Well,

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Speaker 1: we're gonna we're gonna learn about it when you meet Jimmy.

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Speaker 1: But when I saw four than thirty two megaherts. Okay,

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Speaker 1: you go back to Kevin Day's radar data, and the

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Speaker 1: UFO jumped two hundred and sixteen thousand miles an hour,

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Speaker 1: which times two is a two hundred and seventeen thousand

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Speaker 1: miles an hour times two is four to thirty two.

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Speaker 1: I said, wait a minute, there's a connection here. There's

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Speaker 1: something about the way these things move, and we're just

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Speaker 1: barely beginning to understand. So when you when I learned

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Speaker 1: what was happening on Jimmy's radios, and of course I

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Speaker 1: was appointed director of the Los Angeles Tesla Foundation by

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Speaker 1: mit PhD. Bogden Castle Maguich, my nuclear refusion boss for

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Speaker 1: twenty years. And of course I worked for Maguch in

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Speaker 1: Department of Defense, also in landmined bomb detections. I learned

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Speaker 1: a lot about Tesla, and I studied all his patents

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Speaker 1: that when you go back to the early days of radio,

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Speaker 1: when in fact, the US the Brame Court rules June

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Speaker 1: twenty one, nineteen forty three, the Tesla, Lodge and Stone

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Speaker 1: are the true fathers of radio. Marconi borrows Tesla's patents

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Speaker 1: and is the first one to send a signal across

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Speaker 1: the Atlantic. But guess what both Tesla and Marconi were

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Speaker 1: reporting the exact same phenomena. Is Jimmy Blanchett, way back

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Speaker 1: in the beginning of radio in eighteen ninety six, Tesla

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Speaker 1: was reporting this and they thought it was extraterrestrial signaling

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Speaker 1: in the form of Morse code because it kind of

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Speaker 1: sounds like code, and Tesla was actually frightened. Marconi noticed

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Speaker 1: the same thing. There these really fashi little this is

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Speaker 1: what it sounds like. So when today when Jimmy and

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Speaker 1: I send out a signal like a transmission, we've been

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Speaker 1: doing transmissions to Mercury Venus, actually the Earth. We did

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Speaker 1: a moon bounce on August the eighth. We reflected a

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Speaker 1: signal off the moon and hit the Great Pyramid of Egypt,

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Speaker 1: and we had a guy filming the Great Pyramid of Egypt.

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Speaker 1: We ran that videography through a processor and we could

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Speaker 1: see the oric response of the Great Pyramid from the

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Speaker 1: moon bounce reflection, which was phenomenal. But what was really

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Speaker 1: amazing is the data in these pulses. I deducted the

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Speaker 1: same thing that Tesla and Marconi did, that these might

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Speaker 1: be Morse code. And guess what. Tesla and Marconi admitted

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Speaker 1: that when they converted the dashes and dots to Morse code,

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Speaker 1: it didn't add up to anything. It was a bunch

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Speaker 1: of gibberish, So it wasn't Morse code. But what was

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Speaker 1: it And what's amazing about the early days of radio

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Speaker 1: is even Tessa filed a patent using alternating current transmission

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Speaker 1: of radio, which is very unusual, by the way, and

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Speaker 1: he was able to send a signal around the Earth

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Speaker 1: in a golden ratio of one times one point six

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Speaker 1: one eight, which is the golden ratio of the speed

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Speaker 1: of light. So therefore he was sending a signal one

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Speaker 1: point six one eight times the speed of light pretty

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Speaker 1: much precisely way back in the beginning of radio. So

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Speaker 1: today we believe that if an extraterrestrial civilization we're visiting

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Speaker 1: us and you have all these UFO uips flying around, sure,

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Speaker 1: why isn't anybody talking about receiving their signals? And turns

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Speaker 1: out nobody talks about that. We have the abduction stories,

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Speaker 1: we have the personal consciousness shifts that people experience, but

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Speaker 1: nobody in the military understands how they communicate. So what

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Speaker 1: Jimmy is invertually discovered is the same thing that Marconi

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Speaker 1: and Tesla discovered, and that is there's a function on

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Speaker 1: a radio at certain harmonics where once you know how

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Speaker 1: to trigger them by sending them the right frequencies, they

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Speaker 1: respond and we've got hundreds of recordings of their response.

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Speaker 1: Would you say, David, then that most UFO sightings have

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Speaker 1: some form of communication attached to it. We just never

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Speaker 1: knew about it. I think it was going on back

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Speaker 1: at the days of Tesla Marconi because you go to

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Speaker 1: the history of like, you know, the Battle of forty

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Speaker 1: two incident is one of the earliest UFO cases where

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Speaker 1: you know, we're in the World War two is just starting,

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Speaker 1: and of course it's the Battle of Los Angeles case.

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Speaker 1: And again you your military has access to radios. Of course,

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Speaker 1: this is the early days of radio. We don't know

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Speaker 1: who they are up there. We think they might be

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Speaker 1: the Japanese because of Pearl Harbor. We don't know what's

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Speaker 1: going on. We think they could be anybody, but we're

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Speaker 1: not able to intercept a signal from them of any

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Speaker 1: type of communication. But but logically, if there's multiple craft,

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Speaker 1: they have to be communicating with each other. Well, here's

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Speaker 1: one of the most phenomenal things about these I call

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Speaker 1: them what's like birds chirping, even faster and bird chirping,

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Speaker 1: And I'll play it for you here in a few minutes.

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Speaker 1: But what it actually sounds like. But when I test

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Speaker 1: my radio because Jimmy actually personally trained me how to

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Speaker 1: do this, right, he trained me how to do this.

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Speaker 1: Set up my radio, buy one of these radios, tune

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Speaker 1: my radio to one hundred and forty four point one megahertz,

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Speaker 1: and then send out a series of actual tones to

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Speaker 1: them whoever they are, and within minutes. In fact, Jimmy

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Speaker 1: just did it with me tonight. He had me, you know,

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Speaker 1: play through my radio and I'm in I'm just north

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Speaker 1: of northern Idaho in the Canadian side. This is actually

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Speaker 1: where Roswell began. Let me just demonstrate. So the first

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Speaker 1: reporting before the Roswell incident was from a United Airlines

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Speaker 1: pilot and the passengers saw UFOs in northern Idaho. So

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Speaker 1: so northern Idaho comes into what's called the Kootney Mountain

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Speaker 1: Range in British Columbia, where there's a huge history of

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Speaker 1: UFO sightings. And in fact, just the other night, I

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Speaker 1: saw the brightest thing go over my house, which is

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Speaker 1: on two acres against infinite crown land and I'm way

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Speaker 1: outside of the town. So that's where it began. And

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Speaker 1: then there was the Kenneth Arnold sighting in June of

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Speaker 1: the same year. In nineteen forty seven. And then in

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Speaker 1: July fourth Independence Day right over Portland, Oregon, the UFOs

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Speaker 1: were having right above the city, right over the coastline,

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Speaker 1: and it made the made the papers. So it's like

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Speaker 1: we were chasing them around the country. The next report

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Speaker 1: comes from FOIA documents that there were eight UFOs over

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Speaker 1: Edward their fire space on July the seventh. And then

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Speaker 1: right about then is when according to my friend Boyd

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Speaker 1: Bushman at Lockeed Martin, we were chasing and shot down

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Speaker 1: the UFOs using the Tesla death ray is according to

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Speaker 1: the Bushman testimony at Locke, and that happened of course

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Speaker 1: in New Mexico and there are three crashes there. So

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Speaker 1: the point is it all began here and did we

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Speaker 1: intercept anything on radio? And the answer is no, And

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Speaker 1: that's because there are so many functions of a radio

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Speaker 1: wave and we were kind of walked into this standard model.

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Speaker 1: You have to know what to listen for, right, You

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Speaker 1: have to know how to use and actually create a

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Speaker 1: kind of trigger because if you turn on your handheld

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Speaker 1: radio to four and thirty two megadrants, you're not going

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Speaker 1: to hear anything. If you turn it to the harmonic

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Speaker 1: one forty four point one. You won't hear anything, but

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Speaker 1: if you know how to signal them, they respond within

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Speaker 1: a minute. And this happened to me tonight again stating

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Speaker 1: that I'm in the middle of nowhere. Have you been

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Speaker 1: able to even to interpret the tones? Oh yeah, George.

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Speaker 1: And this is where it gets mind boint, because I

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Speaker 1: have equipment here to take the tones, put them in

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Speaker 1: my editing bay and look at the waveforms. And I'm

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Speaker 1: telling you, when you're looking at the waveforms, there's only

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Speaker 1: one thing that has that kind of waveform, and that

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Speaker 1: is language. Because single point frequencies have consistent waveform structure.

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Speaker 1: And when you're looking at these little pulses and you

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Speaker 1: look at their waveform structure, it looks just like a

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Speaker 1: human voice sped up tremendously, like like sped up about

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Speaker 1: one hundred times. Can you play the tone force now

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Speaker 1: before the break, David? I can. I can probably play

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Speaker 1: the tone. And this is something this is something you received.

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Speaker 1: I'll show you what I'll show you what happens when

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Speaker 1: your radio starts chirping. Okay, this is what it sounds

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Speaker 1: like right here. Hang on all right a second, that's

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Speaker 1: my um Hang on a second that's not what it

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Speaker 1: sounds like. No, they're not sending those tones. Here we go,

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Speaker 1: All right, here we go. Did you hear those They

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Speaker 1: heard those chirps and those you captured from outer space,

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Speaker 1: those are the same chirps that sounds kind of like

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Speaker 1: Morse code that Tessa and Marconi describe perfectly. Now what

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Speaker 1: is actually happening? And it's took me a long time

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Speaker 1: to figure this out, and it was actually with the

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Speaker 1: help of Richard Hogan as as our researcher, actually that

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Speaker 1: he told me to You've got there's time dilation going

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Speaker 1: on here. And that's in fact, when I was a

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Speaker 1: physics student, I wrote a whole paper are on time

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Speaker 1: dilation that my physics professor said was way ahead of

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Speaker 1: where we were at, and it was very similar to

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Speaker 1: Einstein's time dilation thirty and time dilation is is in

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Speaker 1: a hyperdimensional space, time can be going by way faster

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Speaker 1: than it is in another strata or dimension of space.

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Speaker 1: And therefore what we see and what we hear on

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Speaker 1: the radio is actually when you slow it down. And

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Speaker 1: I'm trying to find my slow downtrack because it's it

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Speaker 1: reminds me of the ets in the movie Arrival here

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Speaker 1: it is. This is quite powerful, all right here we go.

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Speaker 1: Sounds like a wild board, doesn't it. Listen to this?

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Speaker 1: So what that is when you look at the waveform

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Speaker 1: that there are, there's over a hundred frequencies in each pulse.

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Speaker 1: And that means like if I record my voice saying

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Speaker 1: George Nori and I look at the waveform, there's dozens

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Speaker 1: of frequencies in those two words, Whereas if they were

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Speaker 1: sending me back four hundred and thirty two herds, the

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Speaker 1: waveform would be uniform and perfectly consistent. But that's not

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Speaker 1: what these waveforms look like. So they're not Morse code

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Speaker 1: because Morse code is steady dots and dashes dot dash

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Speaker 1: dash dash dot dot, which are steady pulses. These these

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Speaker 1: pulses have structure, and if you've seen the movie Arrival

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Speaker 1: is thet actually sounds a little bit like what I

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Speaker 1: I just played for you. So when you what we

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Speaker 1: do is we look at the frequency in the wave

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Speaker 1: pattern in this language, which has been time dilated on

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Speaker 1: the radio. But when we slow it down, we actually

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Speaker 1: start to see what's going on. In fact, we need

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Speaker 1: to slow it down even more. Listen to more coast

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Speaker 1: to Coast AM every weeknight at one am Eastern and

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Speaker 1: go to coast to coast am dot com for more