WEBVTT - Kelsey Grammer Meets World

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<v Speaker 1>Little warning for our Pod Meats World listeners. This episode

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<v Speaker 1>contains details of a horrific crime that involves not only violence,

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<v Speaker 1>but sexual assault and intense grief. Please proceed with caution.

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<v Speaker 1>One of the many lessons we have hosts have learned

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<v Speaker 1>while making Pod Meets World is that you never really

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<v Speaker 1>know what people are going through. We would drive to

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<v Speaker 1>set every day ready to have fun. I would endlessly

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<v Speaker 1>talk about boys, Writer would read a book he had

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<v Speaker 1>stuffed into his oversized.

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<v Speaker 2>Gene pockets, and Will would smoke.

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<v Speaker 1>As kids, we just bopped around, laughing, care free, while

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<v Speaker 1>our adult co workers around us doing their job, each

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<v Speaker 1>hysterical and talented. We're experiencing difficult adult situations, and now,

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<v Speaker 1>as middle aged human beings ourselves, we know that's not easy.

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<v Speaker 1>And some of the most successful and funny actors of

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<v Speaker 1>all time weren't exactly as ready for the spotlight in

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<v Speaker 1>their personal lives as they were on screen. Matthew Perry,

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<v Speaker 1>Chris Farley, and Carrie Fisher come to mind, and the

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<v Speaker 1>new book Karen a Brother Remembers by sitcom legend Kelsey

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<v Speaker 1>Grammer is another example of never really knowing what your

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<v Speaker 1>favorite characters in movies and on TV could really be

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<v Speaker 1>going through at home. This five time Emmy winner, who

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<v Speaker 1>helped define modern comedy as Fraser Crane on Cheers and

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<v Speaker 1>then his own show, Fraser, experienced tragedy at just twenty

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<v Speaker 1>years old when his eighteen year old sister Karen, was

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<v Speaker 1>raped and brutally murdered by men who had intended to

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<v Speaker 1>rob the Red Lobster where she worked. She was kidnapped, assaulted,

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<v Speaker 1>and then later stabbed by a group that ended up

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<v Speaker 1>killing a handful of others before they were caught. Kelsey

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<v Speaker 1>was soulmates with his sister, connected beyond the normal sibling relationship,

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<v Speaker 1>and the way she was taken from him and his

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<v Speaker 1>own conceived inability to save her still plagues him today.

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<v Speaker 1>In his honest and brave writing, he finally faces the

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<v Speaker 1>devastation and pain he feels, offering the reader a glimpse

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<v Speaker 1>into not only his struggles, but his process of coping

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<v Speaker 1>with tragedy. Because, in addition to Karen, Kelsey's father would

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<v Speaker 1>be killed by a man in a racially motivated attack,

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<v Speaker 1>his half brothers would die in a scuba diving accident,

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<v Speaker 1>and his own daughter was slashed by a knife wielding

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<v Speaker 1>man in a New York restaurant while she tried to

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<v Speaker 1>pull the attacker off of another person. And yet Kelsey

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<v Speaker 1>Grammar survived, fighting every day to get up and move forward,

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<v Speaker 1>letting others enjoy his work on screen and on stage.

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<v Speaker 1>So now we welcome to the podcast, a sitcom legend

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<v Speaker 1>and a true survivor. It's Kelsey Grammar.

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<v Speaker 3>Thank hello. That was quite nice, Danielle. Thank you very much.

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<v Speaker 1>Thank you, thank you for being here with us. So

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<v Speaker 1>nice that you're here to share your and Karen's story.

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<v Speaker 1>It means a great deal to us.

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<v Speaker 3>I do appreciate it. Thank you.

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<v Speaker 1>So the story of your sister is so tragic and

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<v Speaker 1>yet beautiful with your ability as a vulnerable narrator. And

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<v Speaker 1>I was wondering at Cheers or Frasier, did a lot

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<v Speaker 1>of people know this story?

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<v Speaker 3>No they didn't. Actually I didn't walk around talking about

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<v Speaker 3>it a lot. You know, it's been with me, of course,

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<v Speaker 3>you know since the day it happened, which is now

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<v Speaker 3>it was fifty years this summer, I was actually thinking

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<v Speaker 3>about a friend of an old friend of mine years

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<v Speaker 3>ago who actually accused me of using it sometimes to

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<v Speaker 3>try to score.

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<v Speaker 4>It's because you weird.

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<v Speaker 3>Yeah, it was just weird. It was like, it's so

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<v Speaker 3>funny that he brought it up. He said, well, Kelsey,

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<v Speaker 3>when somebody asked you have sisters or brothers, you say, yeah,

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<v Speaker 3>I had a sister, And then they asked you, and

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<v Speaker 3>then somebody asked another question, how are they? What are

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<v Speaker 3>they do? I said, well, actually she was killed, you know,

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<v Speaker 3>And so it would come up naturally and I would

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<v Speaker 3>never volunteer it. But I just suddenly thought what a

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<v Speaker 3>strange friendship that was. I didn't wrote about it in my.

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<v Speaker 5>Bo That's probably not a great friend.

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<v Speaker 3>From somebody you call a friend, but it's okay.

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<v Speaker 1>Yeah, I can imagine, Yeah, it's been something you just

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<v Speaker 1>abide with for a long time.

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<v Speaker 3>And I never really actually there's a there's a great

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<v Speaker 3>line ordinary human unhappiness, his life and its natural color,

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<v Speaker 3>nothing to cavilove, and that's an audun line. But I

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<v Speaker 3>always thought that. I thought, well, we don't any reason

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<v Speaker 3>to let, you know, piss and moan about our lives.

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<v Speaker 3>We don't have any real reason to complain about where

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<v Speaker 3>we are. My purpose in writing the book came when

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<v Speaker 3>I was kind of instructed through a medium and said, oh,

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<v Speaker 3>your sister's here with me. She wants you to tell

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<v Speaker 3>her story, and that was really kind of interesting. I thought, well,

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<v Speaker 3>I wonder how that would go. So I sat down

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<v Speaker 3>one day and I started writing, just to kind of,

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<v Speaker 3>you know, do some sort of bullet points in my head.

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<v Speaker 3>I thought, well, maybe I should give us a try.

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<v Speaker 3>And about an hour later it had ten pages of

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<v Speaker 3>stuff kind of jotted down, and I thought, oh, I

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<v Speaker 3>guess I'm going to write a book. And that's that's

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<v Speaker 3>what turned into Karen and I spent three years working

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<v Speaker 3>on it.

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<v Speaker 6>Basically, I'm so curious, having having read the book, what

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<v Speaker 6>were the first ten pages that came out?

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<v Speaker 3>Pretty much what you read the first ten pages.

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<v Speaker 4>It was linear at the time, and it really became a.

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<v Speaker 3>Kind of stream of consciousness exercise. And of course the

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<v Speaker 3>style is stream of consciousness. But when I was twelve,

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<v Speaker 3>you know, I read Portrait of the Artist as a

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<v Speaker 3>young Man by James Joyce and I thought, boy, what

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<v Speaker 3>a little crap. This is kind of harpooned byself. You know,

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<v Speaker 3>we always become what we make fun of when when

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<v Speaker 3>we were younger, you know, employee in that style, because

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<v Speaker 3>it was so immediate, it was like, I mean, I'm

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<v Speaker 3>working on another book now, And I just basically realized

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<v Speaker 3>that I wanted to be like, you're having a conversation

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<v Speaker 3>like you have, like we're sitting down for a coffee

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<v Speaker 3>and maybe you know so it's several hundred pages, but

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<v Speaker 3>still it's it's like, yeah, well we're sitting down, I'm

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<v Speaker 3>going to tell you some.

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<v Speaker 5>Stories, right well, I mean, for me, like what was

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<v Speaker 5>so interesting about the book was how much of the

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<v Speaker 5>book becomes or the journey of the book becomes the

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<v Speaker 5>writing of the book, you know, I mean you're literally

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<v Speaker 5>taking time where you're like, I'm not going to write

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<v Speaker 5>for a little while.

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<v Speaker 4>I need to, I need to take them some days off.

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<v Speaker 5>And then you come back and say, I'm rereading what

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<v Speaker 5>I wrote ten days ago and I'm picking up and

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<v Speaker 5>I thought that was so interesting. Did you ever, I mean,

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<v Speaker 5>how far into it were you like I have to

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<v Speaker 5>finish this or were you ever were you still constantly

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<v Speaker 5>like I might just put this in a drawer, and no.

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<v Speaker 3>Once it began, I thought I have to finish to

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<v Speaker 3>finish it out. Uh, what I found, what I found

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<v Speaker 3>so engaging about it, and what was what I hope

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<v Speaker 3>you know, we'll be shared with other people now that

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<v Speaker 3>book's been out for about six months now, but no,

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<v Speaker 3>maybe four. But I wanted it to be something that

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<v Speaker 3>I discovered with the reader, and I think that I

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<v Speaker 3>think that comes across. But I discovered things about time,

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<v Speaker 3>and I mean, my my favorite metaphor ends up being

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<v Speaker 3>that that carpenter's tool with the folding tape measure, the

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<v Speaker 3>folding measure ring device, you know, the thing that suddenly

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<v Speaker 3>it goes out to eight feet long or whatever, and

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<v Speaker 3>then you fold it all in and say, it's just

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<v Speaker 3>about this big, and that's all those marks and time

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<v Speaker 3>just fold it in on each other and you can

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<v Speaker 3>open any one of them and you're in that time. Yeah. Really,

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<v Speaker 3>the organic kind of exercise of time in my life

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<v Speaker 3>became completely different, completely quantum, I guess, is what you

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<v Speaker 3>could say about it. And it was a wonderful thing

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<v Speaker 3>for me to suddenly go to be transported from a

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<v Speaker 3>memory of Karen when she was just a little girl

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<v Speaker 3>to something I remembered about my own child, you know, yeah,

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<v Speaker 3>three months ago. It was extraordinary.

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<v Speaker 6>I'm so curious because so much of the book is

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<v Speaker 6>about loss, but it's also at the same time about

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<v Speaker 6>the people that were so important in your life and

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<v Speaker 6>So with all the loss of the book covers, has

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<v Speaker 6>writing the book brought any of those people back into

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<v Speaker 6>your life?

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<v Speaker 3>Yeah? Yeah, what's fun is a couple of the people

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<v Speaker 3>who are still alive. Brad Keller, for instance, is one

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<v Speaker 3>of my great great friends I went to the music

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<v Speaker 3>camp together with when we were seventeen. Is still a pal,

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<v Speaker 3>and that's been great. Some of the folks that I

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<v Speaker 3>looked up, you know, that I'd known in the past,

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<v Speaker 3>wanted to talk to me. Some didn't, so I got them.

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<v Speaker 3>But what was most important actually was to realize, as

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<v Speaker 3>I'd never realized before, what a great gift my grandparents

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<v Speaker 3>gave us and to grow up in that, you know.

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<v Speaker 3>I Mean we everybodys talking about privilege and all that

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<v Speaker 3>kind of stuff these days, but I mean we really

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<v Speaker 3>were privileged for those ten years. I mean, we were

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<v Speaker 3>just kids, and they gave us safety and art and

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<v Speaker 3>you know, exposure to a great world. And they fed us,

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<v Speaker 3>you know. I mean, that is a privilege to live

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<v Speaker 3>in a world where you get fed, you know, and

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<v Speaker 3>looked after. And we were told, you know, stories about

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<v Speaker 3>what it meant to be an American, and we were

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<v Speaker 3>told what it meant to be like pioneers. And I

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<v Speaker 3>mean because the family was related to connected to pioneers.

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<v Speaker 3>My great grandfather across the country ten times on a horse.

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<v Speaker 3>I mean, it's just this kind of history is extraordinary,

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<v Speaker 3>and they gave us that, they gave us a sense

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<v Speaker 3>of where we belonged in history. That was a really

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<v Speaker 3>great gift. And so I ended up being extraordinarily grateful

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<v Speaker 3>to them and to my mom because my mom had

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<v Speaker 3>the courage to kind of it didn't work got so

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<v Speaker 3>well with my dad, but she said, well, I need

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<v Speaker 3>to go back to my mom and dad, and I

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<v Speaker 3>ended up with this amazing man who taught me as

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<v Speaker 3>a boy. You know, that was a great, great gift. Yeah,

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<v Speaker 3>it was.

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<v Speaker 6>Well, that was one of the things that really stuck

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<v Speaker 6>with me is the vision of planting the garden you're

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<v Speaker 6>never going to get to see.

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<v Speaker 4>So the fact that he.

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<v Speaker 6>Right before he passed, moved the whole family to Florida

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<v Speaker 6>because he knew you were going to have the better

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<v Speaker 6>life down there and never got to be in the home.

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<v Speaker 4>That was the plan.

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<v Speaker 3>Thank you.

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<v Speaker 4>That really stuck with me.

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<v Speaker 6>Where it is it's somebody it is planting the garden

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<v Speaker 6>that you know that you're not going to get to

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<v Speaker 6>sit under the shade of the tree, but you're still

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<v Speaker 6>you're still doing it was really wonderful.

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<v Speaker 3>Yeah, I don't know if I don't remember now if

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<v Speaker 3>I wrote about it in the book, but Gordon, when

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<v Speaker 3>I was about fifteen, came to me in a dream, right,

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<v Speaker 3>and I was I'd gone down some some weird sort

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<v Speaker 3>of series of staircases into a like a late a

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<v Speaker 3>late night brothel kind of place where I was having

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<v Speaker 3>a beer and he walked in wearing some khaki shorts

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<v Speaker 3>and you know then his socks pulled up to his

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<v Speaker 3>calf like a Safari each shirt. The hell are you

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<v Speaker 3>doing here? He said, Oh, well, I just had to

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<v Speaker 3>get out. I was losing my mind. He left me

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<v Speaker 3>with him, you know, he said, yeah, yeah, I forget

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<v Speaker 3>you coulda hadle it by then. And so I got

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<v Speaker 3>this kind of release of like, well, yeah, he knew

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<v Speaker 3>he was. He was passing the baton to me, basically,

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<v Speaker 3>I was. It was really fun to kind of have that.

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<v Speaker 3>It's almost joyous closure with this vision of a man

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<v Speaker 3>who I mean, he loomed large in my imagination, of course,

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<v Speaker 3>you know, in his his service in World War two,

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<v Speaker 3>and he was god for twenty eight months. You know,

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<v Speaker 3>that's extraording what those people did and that he was

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<v Speaker 3>part of it. I knew, and then I had the

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<v Speaker 3>privilege to know him, you know, really well, it was

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<v Speaker 3>it was a great gift to know Gordon anyway, that's yeah.

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<v Speaker 4>I also sorry, I just have to say I felt

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<v Speaker 4>very connected to Jill. Oh.

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<v Speaker 6>I'm sitting here right now in Avon, Connecticut, in the

0:12:09.160 --> 0:12:12.160
<v Speaker 6>town right next to West Hartford. Kidding, my mom born

0:12:12.200 --> 0:12:14.440
<v Speaker 6>and raised in West Harford, and her parents worked at

0:12:14.440 --> 0:12:17.400
<v Speaker 6>the ETNA and the Hartford So there's a chance my

0:12:17.520 --> 0:12:21.240
<v Speaker 6>grandparents knew Jill's family. There's a there's very much a

0:12:21.320 --> 0:12:24.200
<v Speaker 6>chance that happened. Yeah, So yeah, it was such a connection.

0:12:24.280 --> 0:12:26.360
<v Speaker 3>Yeah, I was really in love with her. It was interesting,

0:12:26.520 --> 0:12:29.640
<v Speaker 3>was it was. It was need to rediscover that as well,

0:12:30.440 --> 0:12:33.800
<v Speaker 3>and they kind of realized that it was real. You know,

0:12:33.840 --> 0:12:35.360
<v Speaker 3>for a long time, I just sort of died, you know,

0:12:36.400 --> 0:12:39.319
<v Speaker 3>you know, you dismissed certain experiences in your life as

0:12:39.320 --> 0:12:42.880
<v Speaker 3>being all flippant or or you know, maybe maybe too

0:12:42.880 --> 0:12:45.280
<v Speaker 3>superficial or whatever, but it really wasn't. I mean, we

0:12:45.280 --> 0:12:49.000
<v Speaker 3>were we were two kids that actually we're trying our best,

0:12:49.440 --> 0:12:53.120
<v Speaker 3>and I just couldn't quite do what she needed.

0:12:55.160 --> 0:12:56.960
<v Speaker 4>The story of so much young love though, I mean

0:12:57.400 --> 0:12:58.719
<v Speaker 4>really there.

0:12:58.720 --> 0:12:59.840
<v Speaker 3>Was no I was going to be able to make

0:12:59.840 --> 0:13:01.760
<v Speaker 3>it her at that point.

0:13:01.960 --> 0:13:04.880
<v Speaker 1>Those things, well, one thing I noticed in the book

0:13:05.160 --> 0:13:08.240
<v Speaker 1>was a real openness to something you have already touched

0:13:08.280 --> 0:13:11.680
<v Speaker 1>on talking to mediums and those people who work in

0:13:11.720 --> 0:13:15.360
<v Speaker 1>a little more of a supernatural realm, and maybe that

0:13:15.440 --> 0:13:18.640
<v Speaker 1>you even encountered a ghost on this journey. Were you

0:13:18.840 --> 0:13:22.640
<v Speaker 1>always a believer in these things? Or was was the

0:13:23.000 --> 0:13:25.559
<v Speaker 1>where is how you got there? The need to speak

0:13:25.559 --> 0:13:26.040
<v Speaker 1>to Karen?

0:13:26.800 --> 0:13:32.160
<v Speaker 3>Yeah? I I was always kind of interested in this

0:13:32.240 --> 0:13:37.760
<v Speaker 3>world of you know, what level are we on? What? What? What?

0:13:37.760 --> 0:13:41.280
<v Speaker 3>What aspect of existence is like in current form and

0:13:41.320 --> 0:13:46.600
<v Speaker 3>then in other places you know, or dimensions if you will.

0:13:46.679 --> 0:13:51.680
<v Speaker 3>And what is it about the psychometry or any number

0:13:51.720 --> 0:13:56.240
<v Speaker 3>of other what they call oracles or you know, a

0:13:56.320 --> 0:14:07.960
<v Speaker 3>guidance devices or or mechanisms. Yeah, and so I produced

0:14:07.960 --> 0:14:12.760
<v Speaker 3>a show twenty years ago called the Oracles, and it

0:14:12.880 --> 0:14:14.960
<v Speaker 3>never got on the air, But we had readings with

0:14:15.080 --> 0:14:18.719
<v Speaker 3>seven psychics, basically, and some of them were good, someone

0:14:18.800 --> 0:14:20.720
<v Speaker 3>weren't so good. But one of them was this Gal

0:14:20.760 --> 0:14:23.200
<v Speaker 3>Allison who we ended up making a show called Medium

0:14:23.600 --> 0:14:26.840
<v Speaker 3>about her gifts and about her story, and she was

0:14:27.240 --> 0:14:31.520
<v Speaker 3>pretty interesting. But there was another Gal Dolores, who was

0:14:31.520 --> 0:14:36.160
<v Speaker 3>a psychometrist and she had hits. She you know, you

0:14:36.200 --> 0:14:38.560
<v Speaker 3>start to learn the language of it. There's a they

0:14:38.600 --> 0:14:43.280
<v Speaker 3>get hits, they get they have sittings, they have a sitter,

0:14:43.960 --> 0:14:46.920
<v Speaker 3>someone that's there and they're the subject of a reading.

0:14:47.120 --> 0:14:50.440
<v Speaker 3>Sometimes if they're if they're getting stuff that they don't

0:14:50.480 --> 0:14:52.280
<v Speaker 3>know this person at all, and you know that's the case,

0:14:52.320 --> 0:14:56.000
<v Speaker 3>and they're getting hits of more than sixty percent that

0:14:56.040 --> 0:15:00.840
<v Speaker 3>are accurate about them, it's pretty phenomenal. You know, I

0:15:00.880 --> 0:15:03.120
<v Speaker 3>don't know this person and yet I know these things

0:15:03.120 --> 0:15:05.000
<v Speaker 3>about them as a result of some of the information

0:15:05.040 --> 0:15:08.120
<v Speaker 3>I'm getting from wherever they're getting it. I don't have

0:15:08.160 --> 0:15:13.240
<v Speaker 3>the gift. I discovered some gifts of inside. I guess

0:15:13.240 --> 0:15:15.640
<v Speaker 3>because that's the kind of person I'm I'm empathetic. I

0:15:15.640 --> 0:15:21.480
<v Speaker 3>guess as our way of living as an as an

0:15:21.480 --> 0:15:23.760
<v Speaker 3>actress to kind of try to figure out what motivates people,

0:15:24.080 --> 0:15:26.880
<v Speaker 3>why they do what they do, and so that was

0:15:27.560 --> 0:15:29.120
<v Speaker 3>that's always been part of me. I can kind of

0:15:29.120 --> 0:15:31.560
<v Speaker 3>see what motivations are for certain people that might you

0:15:31.640 --> 0:15:35.400
<v Speaker 3>might not seem apparent to most. But so that's my gift,

0:15:35.480 --> 0:15:40.600
<v Speaker 3>but their gift is really extraordinary. And like with Esther,

0:15:40.840 --> 0:15:43.040
<v Speaker 3>when she first told me the thing, I mean, it

0:15:43.080 --> 0:15:45.680
<v Speaker 3>was you know, almost cartoonish in my head because we

0:15:45.720 --> 0:15:49.120
<v Speaker 3>were on the phone and she lives in England, and

0:15:49.440 --> 0:15:51.360
<v Speaker 3>there really was that you know, there's a little rattle

0:15:51.360 --> 0:15:53.240
<v Speaker 3>I heard, and I thought I heard some bones being

0:15:53.280 --> 0:15:58.040
<v Speaker 3>thrown around where this goes. And then she pops out

0:15:58.080 --> 0:16:01.760
<v Speaker 3>with that tell my story thing, and I thought, wow, okay,

0:16:02.440 --> 0:16:04.880
<v Speaker 3>I believe that. And I've I've met others who who

0:16:05.040 --> 0:16:07.960
<v Speaker 3>brought Karen by and you know, and got some input

0:16:08.000 --> 0:16:10.560
<v Speaker 3>and others that I thought, well, that sounds a little

0:16:10.600 --> 0:16:13.240
<v Speaker 3>derribative of what you'd just be able to read if

0:16:13.280 --> 0:16:16.480
<v Speaker 3>you're interested. So but I do think it's a very

0:16:16.520 --> 0:16:19.320
<v Speaker 3>interesting thing. And I've got some you know, fundamentalist friends

0:16:19.400 --> 0:16:23.240
<v Speaker 3>or evangelical pals that you know say, oh, you know, Kelse,

0:16:23.280 --> 0:16:27.080
<v Speaker 3>we can't really talk about this stuff, and right I

0:16:27.120 --> 0:16:28.880
<v Speaker 3>respect that, because you know what, I do think it

0:16:28.880 --> 0:16:30.560
<v Speaker 3>can muddy the waters. I mean, I do think you

0:16:30.600 --> 0:16:35.200
<v Speaker 3>know your your life of if you're a devotee of Christianity,

0:16:35.240 --> 0:16:38.640
<v Speaker 3>if you if you're following the Christian path, it might

0:16:38.680 --> 0:16:41.920
<v Speaker 3>be wise not to invite in voices from some other place,

0:16:41.960 --> 0:16:45.280
<v Speaker 3>some other plane. But I do think that, you know,

0:16:46.440 --> 0:16:50.960
<v Speaker 3>in Revelation, you know, John Devine was actually channeling.

0:16:50.680 --> 0:16:52.440
<v Speaker 2>So but you do.

0:16:52.640 --> 0:16:54.320
<v Speaker 6>It's what That's the other thing that's so interesting is

0:16:54.360 --> 0:16:58.000
<v Speaker 6>because at times you're talking about Buddha, at times you're

0:16:58.000 --> 0:17:01.400
<v Speaker 6>talking about Valhalla. Yeah, I mean, there's it seems like

0:17:01.440 --> 0:17:04.800
<v Speaker 6>you're kind of open to every spiritual path.

0:17:04.840 --> 0:17:09.040
<v Speaker 3>Frank Yeah, absolutely, I think. Uh. I mean, they're they're

0:17:09.080 --> 0:17:11.639
<v Speaker 3>man made, you know, and but they are they're they're

0:17:11.680 --> 0:17:15.800
<v Speaker 3>taken from moments when man interfaced with the higher power,

0:17:15.920 --> 0:17:19.159
<v Speaker 3>whatever that is. Wherever they're whatever, there are series of

0:17:19.160 --> 0:17:22.760
<v Speaker 3>symbols and and uh and images are that the sort

0:17:22.800 --> 0:17:28.720
<v Speaker 3>of resonate with them. Uh. It's still the same story.

0:17:29.000 --> 0:17:33.719
<v Speaker 3>It's still our interaction with with God, with with the power,

0:17:34.000 --> 0:17:38.080
<v Speaker 3>with our creator, something that is above us within us

0:17:38.160 --> 0:17:40.159
<v Speaker 3>at the same time. And so there's different ways of

0:17:40.200 --> 0:17:43.040
<v Speaker 3>expressing it. But I love the idea of voyeah.

0:17:42.640 --> 0:17:46.280
<v Speaker 4>Me too, Yeah, me too as well. Yeah, same, so Yeah.

0:17:46.320 --> 0:17:48.840
<v Speaker 6>One of the best quotes I heard was was God

0:17:49.000 --> 0:17:51.000
<v Speaker 6>is the name that we give the blanket that we

0:17:51.040 --> 0:17:53.720
<v Speaker 6>throw over the thing to give it shape. And I

0:17:53.760 --> 0:17:56.000
<v Speaker 6>think there's something kind of interesting about that where it's

0:17:56.240 --> 0:17:57.359
<v Speaker 6>you know, you got to you got to call it

0:17:57.400 --> 0:17:58.040
<v Speaker 6>something right.

0:17:58.200 --> 0:18:02.720
<v Speaker 3>Somebody years years ago. I think it was Theodore macaal

0:18:02.800 --> 0:18:06.000
<v Speaker 3>as lecture in in my high school where he just

0:18:06.000 --> 0:18:09.440
<v Speaker 3>said the word of jahweh or whatever basically just means

0:18:09.680 --> 0:18:15.040
<v Speaker 3>that thing again that yeah, yeah, there is Yeah, there's

0:18:15.040 --> 0:18:17.440
<v Speaker 3>that thing. Yeah, it just keeps coming up.

0:18:18.119 --> 0:18:19.480
<v Speaker 2>That thing we can't quite describe.

0:18:19.680 --> 0:18:34.720
<v Speaker 1>Yeah, there are a lot of times in the book

0:18:34.720 --> 0:18:37.919
<v Speaker 1>where you mention that Karen is still with you, helping

0:18:37.960 --> 0:18:41.000
<v Speaker 1>you in life and sharing her thoughts with you even

0:18:41.320 --> 0:18:44.480
<v Speaker 1>while you were writing the book. And my husband also

0:18:44.600 --> 0:18:47.040
<v Speaker 1>talks about this with his mother. He says, I can't

0:18:47.080 --> 0:18:50.840
<v Speaker 1>explain it, but in times where something comes up and

0:18:50.880 --> 0:18:54.440
<v Speaker 1>we're having a conversation, he goes, I know exactly what

0:18:54.480 --> 0:18:57.919
<v Speaker 1>my mom would say, and he's sure it is like

0:18:58.040 --> 0:19:01.840
<v Speaker 1>a direct placement of her her opinion into his brain

0:19:01.960 --> 0:19:03.919
<v Speaker 1>from her. He's like, I just know it. I know

0:19:04.040 --> 0:19:07.879
<v Speaker 1>for certain what she would say. Is that how it

0:19:07.920 --> 0:19:09.960
<v Speaker 1>feels for you. What are some of the examples of

0:19:10.040 --> 0:19:11.879
<v Speaker 1>Karen being with you and helping to guide you.

0:19:12.000 --> 0:19:15.640
<v Speaker 3>Yeah, that's really interesting. Of course it became more present.

0:19:15.800 --> 0:19:17.480
<v Speaker 3>I mean, I was more aware of it as I

0:19:17.520 --> 0:19:19.960
<v Speaker 3>wrote the book. Yeah, and then I realized that throughout

0:19:20.000 --> 0:19:22.800
<v Speaker 3>my life with her, it's probably come up a few times.

0:19:23.080 --> 0:19:24.520
<v Speaker 3>I mean, I remember I was sitting on a plane

0:19:24.520 --> 0:19:27.560
<v Speaker 3>once years ago with a group of friends. It was

0:19:27.600 --> 0:19:30.800
<v Speaker 3>like thirty years ago, and I was going to some advance,

0:19:30.840 --> 0:19:32.720
<v Speaker 3>some upfront or whatever it was. And things were cool

0:19:32.760 --> 0:19:34.680
<v Speaker 3>and we were drinking champagne and there were people all

0:19:34.680 --> 0:19:38.320
<v Speaker 3>around and it was a real celebration. And a girl

0:19:38.359 --> 0:19:41.200
<v Speaker 3>I was dating at the time said, you know, your

0:19:41.240 --> 0:19:47.239
<v Speaker 3>sister's here, lovely ow. You know, maybe she is, so

0:19:47.640 --> 0:19:49.920
<v Speaker 3>it's come up before I thought, he'll grab that phone.

0:19:49.960 --> 0:19:57.560
<v Speaker 3>But in the descriptions of the events while writing the book,

0:19:57.920 --> 0:20:01.520
<v Speaker 3>the sense of Karen around me, with me just became

0:20:02.920 --> 0:20:07.560
<v Speaker 3>more apparent, you know, because I was accessing it. I

0:20:07.600 --> 0:20:09.800
<v Speaker 3>was asking her to be there, and she was and

0:20:09.880 --> 0:20:13.720
<v Speaker 3>it was wonderful, And it also released her in a

0:20:13.760 --> 0:20:18.520
<v Speaker 3>way in some ways, you know, not necessarily feel like

0:20:18.520 --> 0:20:19.919
<v Speaker 3>she had to be in the every day of it

0:20:19.960 --> 0:20:22.359
<v Speaker 3>all all the time. But I still like her around.

0:20:22.440 --> 0:20:24.200
<v Speaker 3>I still expect to see her when I'm done.

0:20:25.960 --> 0:20:27.840
<v Speaker 6>Well, that was that was the thing that was one

0:20:27.840 --> 0:20:29.879
<v Speaker 6>of the things that really struck me about how it

0:20:29.960 --> 0:20:33.560
<v Speaker 6>was written, is it it almost seemed like a mirror

0:20:33.600 --> 0:20:37.280
<v Speaker 6>of grief in that you have times where you're reading

0:20:37.280 --> 0:20:39.119
<v Speaker 6>the book where everything's good and happy, and then all

0:20:39.119 --> 0:20:40.439
<v Speaker 6>of a sudden, there's a letter from.

0:20:40.280 --> 0:20:40.879
<v Speaker 3>The pear Board.

0:20:41.080 --> 0:20:44.320
<v Speaker 6>Yeah, and it's it's like it all comes rushing back

0:20:44.400 --> 0:20:46.600
<v Speaker 6>right away, so you feel like you're able to take

0:20:46.640 --> 0:20:49.160
<v Speaker 6>this breath, and then you're dragged under the water again,

0:20:49.880 --> 0:20:53.120
<v Speaker 6>and there's something very does it Does it get easier

0:20:53.200 --> 0:20:54.040
<v Speaker 6>as time goes on.

0:20:54.359 --> 0:20:56.919
<v Speaker 3>No, it's really weird. It's just there. There's still that pang.

0:20:57.720 --> 0:21:00.439
<v Speaker 3>The pang is just renewed. It just it just it's

0:21:00.640 --> 0:21:03.600
<v Speaker 3>just as vibrant as the first time it happened. But

0:21:03.720 --> 0:21:07.719
<v Speaker 3>what's weird is that it did seem like the first

0:21:07.720 --> 0:21:11.600
<v Speaker 3>time the parole Board actually reached out to me. I

0:21:11.640 --> 0:21:14.960
<v Speaker 3>guess there was a sort of a limit in terms

0:21:15.000 --> 0:21:18.240
<v Speaker 3>of years as to how long that wouldn't happen. And

0:21:18.280 --> 0:21:22.440
<v Speaker 3>then the period passed and the first letter came through,

0:21:22.560 --> 0:21:25.040
<v Speaker 3>and I was with Kate at the time, so we've

0:21:25.040 --> 0:21:29.760
<v Speaker 3>been together for fifteen years, and oh my goodness, I

0:21:29.880 --> 0:21:33.159
<v Speaker 3>just I wept for days because it was like they

0:21:33.320 --> 0:21:36.920
<v Speaker 3>just sent a knife through me. And they just said, oh,

0:21:36.920 --> 0:21:39.080
<v Speaker 3>and this is happening. You need to do this, you

0:21:39.160 --> 0:21:42.359
<v Speaker 3>need to now talk about And suddenly my whole the

0:21:42.400 --> 0:21:46.200
<v Speaker 3>forty years that had passed before were gone, and I

0:21:46.240 --> 0:21:48.560
<v Speaker 3>was still I was back as that twenty year old

0:21:48.600 --> 0:21:51.440
<v Speaker 3>young man looking at his dead sister, and it was

0:21:51.520 --> 0:21:56.240
<v Speaker 3>just a horrible, horrible thing. And I don't know, you know,

0:21:56.320 --> 0:22:00.440
<v Speaker 3>I don't know how to get around it, because yeah,

0:22:00.520 --> 0:22:04.359
<v Speaker 3>people deserve justice, and yes, criminals who've done horrible things

0:22:04.440 --> 0:22:06.800
<v Speaker 3>have a right to try to, you know, make amends

0:22:06.840 --> 0:22:08.639
<v Speaker 3>and move on in life and stuff like that. I

0:22:08.720 --> 0:22:10.560
<v Speaker 3>just there are some instances I think, I think that

0:22:10.960 --> 0:22:14.520
<v Speaker 3>it's just not going to happen, but I believe in

0:22:14.560 --> 0:22:17.400
<v Speaker 3>the process of it. But I mentioned it in the book.

0:22:17.440 --> 0:22:19.679
<v Speaker 3>I think that's one of the parole people said to me.

0:22:19.760 --> 0:22:21.400
<v Speaker 3>At one point. I said, you know, this is really

0:22:21.440 --> 0:22:24.200
<v Speaker 3>cool stuff that you guys have to do to people,

0:22:24.320 --> 0:22:28.160
<v Speaker 3>and all these innocent people who suffered have to suffer again.

0:22:28.200 --> 0:22:32.480
<v Speaker 3>Why is that okay? And they said, well, it's it's

0:22:32.560 --> 0:22:35.440
<v Speaker 3>not called the victim's justice system. It's called the criminal

0:22:35.600 --> 0:22:36.800
<v Speaker 3>justice system.

0:22:37.080 --> 0:22:41.120
<v Speaker 4>Yeah, jeezu, Yeah.

0:22:40.880 --> 0:22:43.320
<v Speaker 3>Yeah, I get it. I mean, you know, and so,

0:22:43.720 --> 0:22:45.200
<v Speaker 3>and we have a lot of that going on now,

0:22:45.240 --> 0:22:47.720
<v Speaker 3>you know, Los Angeles, some of the bigger cities. You know,

0:22:47.760 --> 0:22:52.480
<v Speaker 3>we're lost in this repeat criminal stuff. The stuff is

0:22:52.520 --> 0:22:54.159
<v Speaker 3>going on every day around us. You know, you just

0:22:54.240 --> 0:22:57.680
<v Speaker 3>keep thinking, how is this possible? But I guess that

0:22:58.280 --> 0:23:00.359
<v Speaker 3>our better angels are telling us to try to be

0:23:00.440 --> 0:23:03.760
<v Speaker 3>you know, forgiving and give people second chances. But maybe

0:23:04.160 --> 0:23:07.200
<v Speaker 3>maybe nine or ten or eleven chances is one too many.

0:23:07.640 --> 0:23:12.000
<v Speaker 5>Yeah, you talked about how you know, time sort of

0:23:12.920 --> 0:23:15.000
<v Speaker 5>is meaningless when you have these pangs and you have

0:23:15.040 --> 0:23:18.760
<v Speaker 5>these emotional and there's a really incredible scene in the

0:23:18.760 --> 0:23:24.560
<v Speaker 5>book where you are you're playing lairties I believe and yeah,

0:23:24.600 --> 0:23:28.320
<v Speaker 5>and he's talking about his sister being dead and you

0:23:28.640 --> 0:23:31.000
<v Speaker 5>have you know, you were playing the scene and then

0:23:31.040 --> 0:23:35.040
<v Speaker 5>you had this incredible dog you're in real life, who

0:23:35.240 --> 0:23:38.680
<v Speaker 5>knew that you weren't acting for a moment and came

0:23:38.800 --> 0:23:42.120
<v Speaker 5>running from backstage or whatever came to you to try

0:23:42.119 --> 0:23:44.359
<v Speaker 5>to make you feel better. And it was such a

0:23:44.359 --> 0:23:45.080
<v Speaker 5>striking scene.

0:23:45.080 --> 0:23:45.840
<v Speaker 3>It was so beautiful.

0:23:45.840 --> 0:23:48.359
<v Speaker 5>And then I was also thinking about how, you know,

0:23:48.760 --> 0:23:52.440
<v Speaker 5>you've done a lot of comedy and that that's primarily

0:23:52.480 --> 0:23:54.520
<v Speaker 5>been you know, the bulk of your career.

0:23:54.720 --> 0:23:55.280
<v Speaker 3>The money Maker.

0:23:55.680 --> 0:23:59.000
<v Speaker 5>Yeah, well, I'm curious about how the grief that you

0:23:59.080 --> 0:24:03.480
<v Speaker 5>do clearly just have access to on a moment's notice, Like,

0:24:03.640 --> 0:24:07.280
<v Speaker 5>how has that has that been something that you've accessed

0:24:07.280 --> 0:24:10.400
<v Speaker 5>as an actor or is it something that you've avoided

0:24:10.400 --> 0:24:12.960
<v Speaker 5>as an actor and and moved away from intentionally?

0:24:13.040 --> 0:24:17.520
<v Speaker 3>Yeah? Interesting, I don't I'm not afraid of it. I

0:24:17.520 --> 0:24:20.240
<v Speaker 3>think it actually kind of fortifies comedy to know that

0:24:20.280 --> 0:24:23.439
<v Speaker 3>there's a tragic side, you know, that's that there's that balance.

0:24:23.520 --> 0:24:26.520
<v Speaker 3>I think Fraser was always capable of being quite emotional

0:24:26.960 --> 0:24:29.280
<v Speaker 3>when it was important, you know. And it was like

0:24:29.320 --> 0:24:31.240
<v Speaker 3>when he had a scene with Niles when he says,

0:24:31.240 --> 0:24:32.680
<v Speaker 3>you know, that woman's never been part of this family

0:24:32.680 --> 0:24:34.640
<v Speaker 3>blah blah blah blah blah. I mean, and that got

0:24:34.720 --> 0:24:38.520
<v Speaker 3>very emotion of what I remember. There was a great

0:24:38.560 --> 0:24:45.160
<v Speaker 3>moment between Martin and Fraser where the boys had always

0:24:45.160 --> 0:24:48.720
<v Speaker 3>suspected that this one summer their dad was having an affair,

0:24:50.359 --> 0:24:59.280
<v Speaker 3>and it turned out that it was their mom. It

0:24:59.480 --> 0:25:02.480
<v Speaker 3>just felt like just like a page rip out of

0:25:02.480 --> 0:25:07.679
<v Speaker 3>my own life, right, And then, uh, John and I

0:25:07.720 --> 0:25:10.199
<v Speaker 3>both sat and thought, isn't it remarkable that we have

0:25:10.320 --> 0:25:14.280
<v Speaker 3>these feelings about these two people that aren't really real,

0:25:14.640 --> 0:25:16.879
<v Speaker 3>but they're made real by us. We give them their flesh,

0:25:16.920 --> 0:25:22.760
<v Speaker 3>their their life, their atmosphere, their their their emotions, and boy,

0:25:22.840 --> 0:25:24.719
<v Speaker 3>I just it's just I mean, I was crying my

0:25:24.720 --> 0:25:28.640
<v Speaker 3>eyes out back then. It's about, you know, suddenly realizing

0:25:28.680 --> 0:25:32.480
<v Speaker 3>that you shared a grief with your parent that you

0:25:32.520 --> 0:25:35.239
<v Speaker 3>didn't ever know about before. It was an extraordinary thing,

0:25:35.280 --> 0:25:36.640
<v Speaker 3>you know, I didn't really know my dad. I talked

0:25:36.640 --> 0:25:41.359
<v Speaker 3>about that in the book. But having the experience I

0:25:41.359 --> 0:25:43.920
<v Speaker 3>had with John, Having the experience I had with David

0:25:44.560 --> 0:25:48.760
<v Speaker 3>uh as as my brother and my father were relationships

0:25:48.800 --> 0:25:51.840
<v Speaker 3>I didn't have in life that I got to experience

0:25:51.880 --> 0:25:55.160
<v Speaker 3>because of the acting. Wow, kind of a great gift,

0:25:55.200 --> 0:25:57.200
<v Speaker 3>you know. I mean, that's and I feel like I

0:25:57.800 --> 0:26:01.400
<v Speaker 3>started to understand what that could be like like certainly,

0:26:01.680 --> 0:26:04.080
<v Speaker 3>I mean, probably more idealized than most. I mean, because

0:26:04.119 --> 0:26:07.120
<v Speaker 3>I mean, you know, human beings. Who is disappointing it's

0:26:07.760 --> 0:26:10.719
<v Speaker 3>our actual parents and then people we've known, I mean,

0:26:10.840 --> 0:26:14.560
<v Speaker 3>might not be quite so perfect in their revelations as

0:26:14.600 --> 0:26:17.920
<v Speaker 3>we are as actors, but or quite so willing to embrace,

0:26:17.960 --> 0:26:21.959
<v Speaker 3>you know, the emotion. But I had a wonderful it

0:26:22.000 --> 0:26:24.080
<v Speaker 3>was a wonderful gift to have a brother and a

0:26:24.119 --> 0:26:26.040
<v Speaker 3>father that I'd never had a relationship with in my

0:26:26.080 --> 0:26:27.520
<v Speaker 3>real life. That's cool.

0:26:27.640 --> 0:26:30.120
<v Speaker 6>Yeah, there's I have to read a quote because as

0:26:30.160 --> 0:26:33.000
<v Speaker 6>an actor, it's just so stuck with me. You wrote,

0:26:33.240 --> 0:26:36.439
<v Speaker 6>I'm quite willing to share this theory. I think it's simple.

0:26:36.520 --> 0:26:39.080
<v Speaker 6>Shy people are afraid to speak the truth. Acting as

0:26:39.080 --> 0:26:41.080
<v Speaker 6>a professional past time in which a person can tell

0:26:41.080 --> 0:26:42.399
<v Speaker 6>the truth and not get in trouble.

0:26:42.560 --> 0:26:46.040
<v Speaker 3>Yeah, and set early on.

0:26:47.040 --> 0:26:50.160
<v Speaker 6>It's just it's really did. It just really resonated as

0:26:50.200 --> 0:26:53.040
<v Speaker 6>I read that. It's very interesting because I've always thought

0:26:53.080 --> 0:26:56.200
<v Speaker 6>that unless somebody really deals with the tragedy early in life,

0:26:56.240 --> 0:26:58.719
<v Speaker 6>your childhood really kind of ends the day you realize

0:26:58.760 --> 0:26:59.719
<v Speaker 6>your parents are people.

0:27:00.400 --> 0:27:02.520
<v Speaker 3>Oh that's that's pretty interesting. Yeah, that's a pretty sad

0:27:02.600 --> 0:27:04.600
<v Speaker 3>day that first that they're like, oh.

0:27:04.600 --> 0:27:12.320
<v Speaker 4>No, you're not superheroes. There's something about that. It's very real.

0:27:12.440 --> 0:27:14.000
<v Speaker 4>But at the same time, it's like, oh, it's kind

0:27:14.040 --> 0:27:14.679
<v Speaker 4>of deposing.

0:27:14.960 --> 0:27:22.080
<v Speaker 3>It's very deflating. Yeah, shocks. Yeah, we're all perfect and

0:27:22.160 --> 0:27:25.199
<v Speaker 3>now that's just small people, just people.

0:27:25.359 --> 0:27:29.000
<v Speaker 4>Yeah, you flawed human beings. It can't be possible. Yeah.

0:27:29.040 --> 0:27:31.120
<v Speaker 3>And then hopefully you have enough time to forgive them.

0:27:31.560 --> 0:27:33.760
<v Speaker 4>Yeah, exactly, exactly.

0:27:34.080 --> 0:27:38.520
<v Speaker 1>Of course, you have eight kids, which, by the way,

0:27:38.640 --> 0:27:41.359
<v Speaker 1>feels like a totally different book you could write. You

0:27:41.480 --> 0:27:45.520
<v Speaker 1>write just a book about having eight children. What did

0:27:45.520 --> 0:27:49.600
<v Speaker 1>they know about their aunt Karen before you wrote the book?

0:27:49.800 --> 0:27:53.320
<v Speaker 3>Interesting? Yeah, most, I've never really told them a lot

0:27:53.320 --> 0:27:54.680
<v Speaker 3>about it when I started to write the book. The

0:27:55.000 --> 0:27:57.040
<v Speaker 3>younger set, you know, this is this group that's now

0:27:57.400 --> 0:28:00.000
<v Speaker 3>we just had our fourth one, so it just became

0:28:00.160 --> 0:28:02.160
<v Speaker 3>maate kids. It was like three days ago.

0:28:02.440 --> 0:28:05.160
<v Speaker 4>Oh my god, congratulation.

0:28:08.760 --> 0:28:10.959
<v Speaker 3>Christopher, that's just joined the family.

0:28:11.800 --> 0:28:12.959
<v Speaker 4>Welcome Christopher.

0:28:13.080 --> 0:28:17.280
<v Speaker 3>Yeah, lovely, Yes, But so this younger group, you know,

0:28:18.400 --> 0:28:20.000
<v Speaker 3>I've told him they can't read the book yet because

0:28:20.040 --> 0:28:22.199
<v Speaker 3>some of the stuffs too brutal. Sure, they don't really

0:28:22.280 --> 0:28:26.120
<v Speaker 3>need to be exposed to that yet. My eldest daughter

0:28:26.200 --> 0:28:27.720
<v Speaker 3>of this cluster.

0:28:29.920 --> 0:28:34.879
<v Speaker 2>Coming clusters, when you have you can section them off.

0:28:34.880 --> 0:28:38.880
<v Speaker 6>However, you've got several gangs that.

0:28:39.240 --> 0:28:43.320
<v Speaker 3>Faith my my, you know, my thirteen year old. You know,

0:28:43.400 --> 0:28:45.600
<v Speaker 3>I've told her some of what happened, you know, and

0:28:45.440 --> 0:28:47.320
<v Speaker 3>then said, you know, maybe in another year or two

0:28:47.360 --> 0:28:49.320
<v Speaker 3>you can probably probably read the book and be able

0:28:49.360 --> 0:28:53.520
<v Speaker 3>to handle it. It's it's pretty brutal. But she's a

0:28:53.600 --> 0:28:55.040
<v Speaker 3>very sensitive kid too, so I do you know, I

0:28:55.080 --> 0:29:00.160
<v Speaker 3>want to be careful about it some. But Gabriel a

0:29:00.200 --> 0:29:03.320
<v Speaker 3>year old. I mentioned him in the book too, He's

0:29:03.360 --> 0:29:05.240
<v Speaker 3>the one that's more inquisitive. He says, how do you

0:29:05.240 --> 0:29:06.800
<v Speaker 3>feel about that? How does it make you feel? Does

0:29:06.840 --> 0:29:08.640
<v Speaker 3>your do you want to kill the guy that killed

0:29:08.680 --> 0:29:11.920
<v Speaker 3>your sister? Stuff like that. I said, well, that wouldn't

0:29:11.960 --> 0:29:14.360
<v Speaker 3>be right, babe. I'm going to take you know more.

0:29:14.400 --> 0:29:17.640
<v Speaker 3>Death doesn't necessarily make things right, you know. But he

0:29:17.680 --> 0:29:22.240
<v Speaker 3>asks really really probing questions. It's it's his thing, it's

0:29:22.280 --> 0:29:24.560
<v Speaker 3>what he does. He likes to find out what's going on.

0:29:24.640 --> 0:29:27.640
<v Speaker 3>I think he's going to be, I know, some sort

0:29:27.640 --> 0:29:31.240
<v Speaker 3>of weird genius side of what he'll choose in his life.

0:29:31.280 --> 0:29:34.600
<v Speaker 3>But but he's definitely in it with his whole heart

0:29:34.600 --> 0:29:36.560
<v Speaker 3>and with his whole head. And it's it's it's it's

0:29:36.560 --> 0:29:39.120
<v Speaker 3>fun to answer questions from someone who is so thoroughly

0:29:39.160 --> 0:29:44.040
<v Speaker 3>interested in the answer. Yeah, And I admire him as

0:29:44.080 --> 0:29:47.560
<v Speaker 3>a person. I admire his so you know, his stick

0:29:47.640 --> 0:29:50.160
<v Speaker 3>to his tenacity and turn in searching for the truth.

0:29:50.240 --> 0:29:51.480
<v Speaker 3>He's a really interesting kid.

0:29:51.800 --> 0:29:56.240
<v Speaker 6>They're all interesting, just curious because you touched on it

0:29:57.440 --> 0:30:00.239
<v Speaker 6>how I mean, complex is the wrong obviously word to use,

0:30:00.280 --> 0:30:02.880
<v Speaker 6>but because it was so much closer to the time.

0:30:02.680 --> 0:30:04.080
<v Speaker 4>Of your sister's actual death.

0:30:04.680 --> 0:30:08.760
<v Speaker 6>What what did you feel when her killer's sentence was

0:30:08.800 --> 0:30:11.000
<v Speaker 6>commuted from death to life in prison?

0:30:11.200 --> 0:30:13.440
<v Speaker 3>Right. I was sort of on the periphery of that decision,

0:30:13.480 --> 0:30:15.880
<v Speaker 3>but I thought to myself, well, that's weird. These guys

0:30:15.920 --> 0:30:19.719
<v Speaker 3>actually they received the death penalty. Yeah, and there were

0:30:19.720 --> 0:30:23.280
<v Speaker 3>three of them at the time. Ah, And I just thought,

0:30:23.320 --> 0:30:26.640
<v Speaker 3>what's going on? And it was it was actually just

0:30:27.240 --> 0:30:30.680
<v Speaker 3>it was toward the end of the Carter administration and

0:30:30.760 --> 0:30:37.640
<v Speaker 3>the Supreme Court of Colorado just did a blanket commutation

0:30:37.720 --> 0:30:41.840
<v Speaker 3>of all death sentences because they were reviewing everything. And

0:30:41.880 --> 0:30:44.280
<v Speaker 3>of course, since then, the death penalty doesn't exist in Colorado,

0:30:44.400 --> 0:30:51.680
<v Speaker 3>but it the life without possibility of parole did not

0:30:51.720 --> 0:30:55.800
<v Speaker 3>exist then as a possible sentence, and so what happened

0:30:55.840 --> 0:30:58.040
<v Speaker 3>was they had to they had to immediately be placed

0:30:58.080 --> 0:31:02.200
<v Speaker 3>into a regular kind of paroling situation, which was probably

0:31:02.240 --> 0:31:05.680
<v Speaker 3>inappropriate for them, but they were the only three for

0:31:05.760 --> 0:31:08.200
<v Speaker 3>those years, and then of course now there's just the

0:31:08.200 --> 0:31:08.760
<v Speaker 3>one left.

0:31:10.080 --> 0:31:10.480
<v Speaker 4>Wow.

0:31:10.960 --> 0:31:13.960
<v Speaker 1>I know you read the police report for the first

0:31:14.000 --> 0:31:17.560
<v Speaker 1>time for the book. How did you take care of

0:31:17.600 --> 0:31:21.920
<v Speaker 1>your mental health while reading writing this book?

0:31:22.160 --> 0:31:26.200
<v Speaker 3>Yeah, that was a really hard day. That's one of

0:31:26.240 --> 0:31:28.920
<v Speaker 3>the places where in the book I say I'm going

0:31:28.960 --> 0:31:32.040
<v Speaker 3>to be gone a while. Yeah, yeah, I'll check that

0:31:32.040 --> 0:31:34.640
<v Speaker 3>again in a bit, and I did. I took a

0:31:34.640 --> 0:31:39.880
<v Speaker 3>few weeks after the first insertion into that report, I mean.

0:31:40.000 --> 0:31:43.040
<v Speaker 3>And then the most devastating thing about it was the

0:31:45.480 --> 0:31:49.720
<v Speaker 3>was the lack of identity for Karen, was that she

0:31:49.880 --> 0:31:51.960
<v Speaker 3>was just a thing, just a girl, a Jane Doe,

0:31:52.000 --> 0:31:57.360
<v Speaker 3>a corpse, and the language reflected that, you know, ongoing investigation,

0:31:57.440 --> 0:32:00.800
<v Speaker 3>ongoing investigation on going first couple of her pages, they

0:32:00.800 --> 0:32:03.440
<v Speaker 3>had no idea what had happened or who she was,

0:32:04.160 --> 0:32:08.720
<v Speaker 3>and to read that just felt so dehumanizing about my sister.

0:32:09.040 --> 0:32:11.880
<v Speaker 3>You know it, just call me, well, that's that's Karen.

0:32:12.720 --> 0:32:16.360
<v Speaker 3>Surely you know that, right. But they didn't.

0:32:16.800 --> 0:32:17.240
<v Speaker 7>It's okay.

0:32:17.320 --> 0:32:20.080
<v Speaker 3>They were doing their job and you know, it got done.

0:32:20.160 --> 0:32:23.240
<v Speaker 3>I mean. And frankly, the police works fascinating to me

0:32:23.320 --> 0:32:26.320
<v Speaker 3>in terms of you know, capital cases, I guess, but

0:32:28.160 --> 0:32:31.080
<v Speaker 3>they didn't really. They had a stroke of luck when

0:32:32.160 --> 0:32:35.000
<v Speaker 3>one of the guys was arrested in New Orleans, and

0:32:35.040 --> 0:32:38.560
<v Speaker 3>he said, I know about the girl in Colorado. That's

0:32:38.560 --> 0:32:41.480
<v Speaker 3>how it came up. And then a couple of days

0:32:41.520 --> 0:32:43.040
<v Speaker 3>later they called me, So.

0:32:57.000 --> 0:32:58.960
<v Speaker 1>Have you ever I'm sure the answer is yes. Have

0:32:59.040 --> 0:33:02.240
<v Speaker 1>you ever thought about out what Karen would have done

0:33:02.280 --> 0:33:03.320
<v Speaker 1>with the rest of her life?

0:33:03.560 --> 0:33:06.560
<v Speaker 3>Oh? Yeah, all the time. Yeah, I'm not sure what

0:33:06.560 --> 0:33:08.200
<v Speaker 3>it would have been, but she was she was kind

0:33:08.240 --> 0:33:10.880
<v Speaker 3>of a wild animal, you know. Really, she was really

0:33:10.960 --> 0:33:14.600
<v Speaker 3>a fun person. But she loved everybody, and she loved animals,

0:33:14.800 --> 0:33:16.719
<v Speaker 3>so I you know, I pictures it might have been

0:33:16.760 --> 0:33:20.040
<v Speaker 3>on a farm somewhere. Her last her last year was

0:33:20.560 --> 0:33:24.160
<v Speaker 3>pretty much spent around at least the last summer, but

0:33:24.160 --> 0:33:26.320
<v Speaker 3>pore she went to Colorado was spent around animals on

0:33:26.360 --> 0:33:30.160
<v Speaker 3>a friend of ours branchi and in upstate Florida in

0:33:30.160 --> 0:33:33.320
<v Speaker 3>a little town called we Laka, which was it was

0:33:33.360 --> 0:33:35.479
<v Speaker 3>pretty fun. It was great. And I visited her there

0:33:35.520 --> 0:33:38.600
<v Speaker 3>once and there was a wonderful swimming pole. It was

0:33:39.280 --> 0:33:40.600
<v Speaker 3>it was so weird. It was like it was like

0:33:40.640 --> 0:33:44.440
<v Speaker 3>one hundred and fifty feet deep and was ice cold water,

0:33:45.080 --> 0:33:48.200
<v Speaker 3>clear blue, and it was only like twelve feet across,

0:33:48.360 --> 0:33:53.200
<v Speaker 3>but you jump in it and go this is amazing experience.

0:33:53.240 --> 0:33:54.840
<v Speaker 3>And she and a couple of her friends were there,

0:33:54.880 --> 0:33:57.760
<v Speaker 3>and we all loved each other. I mean, her pals

0:33:57.880 --> 0:33:59.920
<v Speaker 3>and my pals. We all, we all, you know, spent

0:34:00.080 --> 0:34:02.520
<v Speaker 3>time together, and it was it was a great way

0:34:02.520 --> 0:34:06.600
<v Speaker 3>to grow up. We were a close group of young people.

0:34:08.320 --> 0:34:10.040
<v Speaker 3>And it's funny, Yeah, we didn't really see much of

0:34:10.080 --> 0:34:16.040
<v Speaker 3>our parents, weren't really around anyway. But uh we were

0:34:16.080 --> 0:34:18.920
<v Speaker 3>just a really nice group of kids exploring things, trying

0:34:18.920 --> 0:34:21.200
<v Speaker 3>things together, listening to music, you know, led that book

0:34:21.719 --> 0:34:25.120
<v Speaker 3>the Beatles, and yeah, James Taylor. It was. It was

0:34:25.160 --> 0:34:29.319
<v Speaker 3>a wonderful world, wonderful time, and it was kind of

0:34:29.320 --> 0:34:31.520
<v Speaker 3>an innocence and it did seem like it didn't seem

0:34:31.560 --> 0:34:34.520
<v Speaker 3>like a lot of people were getting hurt too much.

0:34:35.440 --> 0:34:37.040
<v Speaker 3>Every It was sort of accepting the fact that, oh,

0:34:37.040 --> 0:34:39.920
<v Speaker 3>we're exploring things, we're we're together, we're liking you know,

0:34:40.040 --> 0:34:43.800
<v Speaker 3>this this experience, we're growing up together, and uh, I

0:34:44.000 --> 0:34:46.239
<v Speaker 3>I kind of miss it. I don't know what. I

0:34:46.280 --> 0:34:47.480
<v Speaker 3>don't know what we would have done if we were

0:34:47.520 --> 0:34:51.520
<v Speaker 3>just on iPhones and stuff. It seems seems to be

0:34:51.560 --> 0:34:53.800
<v Speaker 3>more impersonal now. And we were always there was always

0:34:53.800 --> 0:34:57.240
<v Speaker 3>a group of us together you know, yeah, just trying things.

0:34:57.640 --> 0:34:59.440
<v Speaker 3>That was That was nice.

0:35:00.640 --> 0:35:03.120
<v Speaker 1>You have been open for years and in the book

0:35:03.200 --> 0:35:07.320
<v Speaker 1>about your own struggles with self medicating and some reckless behavior,

0:35:07.680 --> 0:35:10.399
<v Speaker 1>no doubt connected to what you have faced. How did

0:35:10.440 --> 0:35:11.520
<v Speaker 1>you stop that cycle?

0:35:12.360 --> 0:35:17.640
<v Speaker 3>Yeah, it's interesting I did do. I did about six

0:35:17.760 --> 0:35:22.160
<v Speaker 3>years kind of actively in the in the program, you know,

0:35:22.200 --> 0:35:24.400
<v Speaker 3>an AA twelve step kind of thing. But I've actually

0:35:24.440 --> 0:35:29.200
<v Speaker 3>turned more toward God after that, okay, and realized that, oh,

0:35:29.480 --> 0:35:33.640
<v Speaker 3>that's probably the avenue for me, like your sense of

0:35:33.680 --> 0:35:36.719
<v Speaker 3>faith and offensive sense of strength and connection to God.

0:35:38.480 --> 0:35:40.520
<v Speaker 3>And one thing that one of the guys I knew,

0:35:40.520 --> 0:35:42.240
<v Speaker 3>who was kind of an old timer and the AA

0:35:42.360 --> 0:35:47.759
<v Speaker 3>had said, he said, well, you know, the cause of

0:35:47.840 --> 0:35:55.880
<v Speaker 3>addiction is unresolved grief. M That really makes sense for me. Yeah,

0:35:55.880 --> 0:35:58.120
<v Speaker 3>and in a lot of ways, I got to resolve it.

0:35:58.160 --> 0:36:01.520
<v Speaker 3>And once that happened, you know, uh, it was pretty

0:36:01.520 --> 0:36:03.160
<v Speaker 3>smooth sale. And I mean I still have a drink

0:36:03.160 --> 0:36:05.920
<v Speaker 3>once in a while, and I enjoy a party with

0:36:05.960 --> 0:36:10.880
<v Speaker 3>my friends and Christmas Eve sometimes I'll have you know,

0:36:10.960 --> 0:36:17.040
<v Speaker 3>one toddy too many, but it's pretty but it lost

0:36:17.040 --> 0:36:19.960
<v Speaker 3>its teeth to like stop me from living, you know,

0:36:20.440 --> 0:36:27.120
<v Speaker 3>for a long time, I allowed myself to have it

0:36:27.160 --> 0:36:29.759
<v Speaker 3>abrupt me, have it, have it stop me, you know,

0:36:30.200 --> 0:36:32.800
<v Speaker 3>have it shift me away from the things I wanted

0:36:32.840 --> 0:36:35.399
<v Speaker 3>to do. And that was that's that's the mistake you make.

0:36:35.440 --> 0:36:38.240
<v Speaker 3>I mean, and I think, yeah, there's clearly there's clearly

0:36:38.280 --> 0:36:42.239
<v Speaker 3>a component of it. There's a disease that's like you

0:36:42.280 --> 0:36:44.560
<v Speaker 3>could do, I say, a functional disease. I suppose, But

0:36:45.120 --> 0:36:47.400
<v Speaker 3>it's a disease you can get over, you know. I

0:36:47.440 --> 0:36:49.879
<v Speaker 3>mean my son, my son, one of my sons has

0:36:50.120 --> 0:36:53.319
<v Speaker 3>O c D. And I said, honey, it's okay to

0:36:53.480 --> 0:36:56.000
<v Speaker 3>like have oct but don't let it have you. And

0:36:56.640 --> 0:36:59.120
<v Speaker 3>it may be an oversimplification, but you can make that

0:36:59.200 --> 0:37:02.200
<v Speaker 3>decision about things like that. Yeah, you don't have to

0:37:02.320 --> 0:37:02.960
<v Speaker 3>let it have you.

0:37:03.520 --> 0:37:03.719
<v Speaker 4>Yeah.

0:37:04.120 --> 0:37:06.680
<v Speaker 3>So, I I mean, I hope my message about you know,

0:37:07.440 --> 0:37:11.040
<v Speaker 3>alcoholism or addiction is an encouraging one because it needn't

0:37:11.120 --> 0:37:15.000
<v Speaker 3>have you. You don't have to let it take that place

0:37:15.040 --> 0:37:18.520
<v Speaker 3>in your life. It's pretty tempting, that's, you know. And

0:37:18.560 --> 0:37:20.360
<v Speaker 3>there are moments when you think, oh, pole asture, do

0:37:20.520 --> 0:37:22.960
<v Speaker 3>need that? But then it goes away.

0:37:23.440 --> 0:37:23.920
<v Speaker 4>Yeah.

0:37:24.040 --> 0:37:26.799
<v Speaker 3>Yeah, that the same guy, It's same guy years ago,

0:37:27.320 --> 0:37:28.840
<v Speaker 3>he said to me. He said, well, you know, eventually

0:37:29.120 --> 0:37:31.960
<v Speaker 3>the natch you know, becomes a good thing. And then

0:37:31.960 --> 0:37:33.759
<v Speaker 3>he said, and this whole thing one day at a time,

0:37:33.800 --> 0:37:37.880
<v Speaker 3>he said, nonsense. You know, after a while, you know

0:37:38.360 --> 0:37:40.399
<v Speaker 3>you don't have to think about one day at a time.

0:37:40.440 --> 0:37:42.960
<v Speaker 3>He said, you know, it helps it first when you're

0:37:43.080 --> 0:37:44.640
<v Speaker 3>kind of a newby to think, well, if if I

0:37:44.640 --> 0:37:48.040
<v Speaker 3>can get through a day without drinking, that's at least something,

0:37:48.480 --> 0:37:50.200
<v Speaker 3>you know, he says, Noah, yeah, eventually you just know

0:37:50.239 --> 0:37:53.359
<v Speaker 3>you're not going to be going down that path. Yeah, yeah,

0:37:53.360 --> 0:37:56.919
<v Speaker 3>that's it. But that grief thing really helped, And hence

0:37:56.960 --> 0:37:58.200
<v Speaker 3>the reason for the book in a lot of ways,

0:37:58.280 --> 0:38:01.360
<v Speaker 3>was to offer people to a context for why you

0:38:01.400 --> 0:38:03.880
<v Speaker 3>would live that way or why your grief would be overwhelming,

0:38:04.440 --> 0:38:06.680
<v Speaker 3>and to see that you can actually move on and

0:38:06.760 --> 0:38:08.600
<v Speaker 3>you can actually take it and have it incorporated into

0:38:08.600 --> 0:38:11.000
<v Speaker 3>your life. So that the book was always meant to

0:38:11.000 --> 0:38:16.759
<v Speaker 3>be a kind of not an admonishment, but but a

0:38:16.800 --> 0:38:20.759
<v Speaker 3>kind of an encouragement to say to somebody, remember the

0:38:20.960 --> 0:38:24.680
<v Speaker 3>joy as of course, remember is you know the word

0:38:24.840 --> 0:38:29.840
<v Speaker 3>that I you know, really focus on, but that gift

0:38:29.880 --> 0:38:31.640
<v Speaker 3>that those people gave you in your life, the thing

0:38:31.760 --> 0:38:35.520
<v Speaker 3>you're missing need to be missing all the time. You know,

0:38:35.600 --> 0:38:41.279
<v Speaker 3>you can reclaim that joy and and you can weep

0:38:41.320 --> 0:38:45.520
<v Speaker 3>that it's lost, but it's not lost. You still have it.

0:38:45.880 --> 0:38:47.360
<v Speaker 3>You still have it. It's up to you to go

0:38:47.360 --> 0:38:50.799
<v Speaker 3>ahead and dive in there and open the page and say, Hi,

0:38:51.239 --> 0:38:52.560
<v Speaker 3>I miss you, I love you.

0:38:54.480 --> 0:38:54.959
<v Speaker 4>That's great.

0:38:55.360 --> 0:38:58.200
<v Speaker 6>So speaking of joy, then I have to ask what

0:38:59.440 --> 0:39:02.439
<v Speaker 6>meant more or to you? The greatest moment you've ever

0:39:02.480 --> 0:39:03.720
<v Speaker 6>experienced as an actor?

0:39:04.840 --> 0:39:06.120
<v Speaker 4>Or that day water skiing.

0:39:06.960 --> 0:39:14.560
<v Speaker 3>Oh yeah, there's only so many of those, you get right,

0:39:16.520 --> 0:39:19.759
<v Speaker 3>that end the surfing day, the surf I disappeared through

0:39:19.760 --> 0:39:22.640
<v Speaker 3>the wave. I just uh, those were still the defining

0:39:22.640 --> 0:39:25.000
<v Speaker 3>moments of my understanding where I am in the universon

0:39:25.320 --> 0:39:28.759
<v Speaker 3>where the universe is with me. I still have them,

0:39:28.760 --> 0:39:32.560
<v Speaker 3>they're still in there. But yeah, to remember what was

0:39:32.600 --> 0:39:35.440
<v Speaker 3>great about that that session with Esther, which was the

0:39:35.440 --> 0:39:39.840
<v Speaker 3>water angel thing. Uh, I'd never seen it through Karen's eyes,

0:39:40.960 --> 0:39:43.279
<v Speaker 3>and that was the gift that she gave me that day,

0:39:44.080 --> 0:39:49.160
<v Speaker 3>was to see her vision of watching this boy in

0:39:49.200 --> 0:39:49.600
<v Speaker 3>the water.

0:39:49.680 --> 0:39:53.800
<v Speaker 4>You know, yeah, wow, amazing. Do you still ride a motorcycle?

0:39:54.400 --> 0:39:58.320
<v Speaker 3>I do not as much? You know, my wife.

0:39:59.040 --> 0:40:03.759
<v Speaker 4>We had eight I mean, well, but.

0:40:04.239 --> 0:40:06.439
<v Speaker 3>I will get another one.

0:40:08.719 --> 0:40:10.319
<v Speaker 6>I tell you the way you talked about your dog

0:40:10.400 --> 0:40:12.600
<v Speaker 6>and the way you talked about your bike, just how

0:40:12.640 --> 0:40:13.799
<v Speaker 6>important things were.

0:40:13.840 --> 0:40:18.680
<v Speaker 3>They were absolutely like, you know, talismans of my life.

0:40:18.960 --> 0:40:24.040
<v Speaker 3>Absolutely touch those. Yeah, that motorcycle, it was a great bike.

0:40:24.239 --> 0:40:27.440
<v Speaker 3>I mean there was one time, and I think it's

0:40:27.480 --> 0:40:30.920
<v Speaker 3>called the Texas Canyon. I was doing about one hundred

0:40:30.920 --> 0:40:33.400
<v Speaker 3>and thirty miles an hour. Oh my god, and it

0:40:33.520 --> 0:40:38.160
<v Speaker 3>was just heaven. There was nobody. There was nobody on

0:40:38.200 --> 0:40:42.520
<v Speaker 3>the road. It was a beautiful highway. And uh, you know,

0:40:42.560 --> 0:40:44.400
<v Speaker 3>there's this thing you do, but when you're going fast

0:40:44.400 --> 0:40:46.879
<v Speaker 3>on a motorcycle, you know, it's like you understand where

0:40:46.880 --> 0:40:50.040
<v Speaker 3>the center of gravity is right. And when you're really

0:40:50.080 --> 0:40:53.160
<v Speaker 3>going fast and you go deep into a turn, you

0:40:53.239 --> 0:40:55.960
<v Speaker 3>don't decelerate. You have to accelerate. You have to you

0:40:55.960 --> 0:40:58.399
<v Speaker 3>have to crank it up a little bit. And then

0:40:58.440 --> 0:41:00.560
<v Speaker 3>once you crank it just a bit, the bikes stands up,

0:41:01.080 --> 0:41:04.280
<v Speaker 3>the bike finds its center again, and you just feel

0:41:04.360 --> 0:41:06.960
<v Speaker 3>so safe and secure on it. I mean, it's insane,

0:41:07.320 --> 0:41:11.440
<v Speaker 3>but it's not. It's just you have this the sense

0:41:11.560 --> 0:41:15.680
<v Speaker 3>like I am completely rooted to the universe in this moment,

0:41:15.719 --> 0:41:17.799
<v Speaker 3>with this man made machine that is part of me,

0:41:17.920 --> 0:41:20.200
<v Speaker 3>that is part of the earth. It is one of

0:41:20.200 --> 0:41:23.560
<v Speaker 3>those expressions of existence. I guess it just it just

0:41:23.600 --> 0:41:26.160
<v Speaker 3>blows your mind and it's so wonderful. And you know

0:41:26.200 --> 0:41:28.840
<v Speaker 3>you're going somewhere. I mean, we're doing one hundred and

0:41:28.880 --> 0:41:32.719
<v Speaker 3>thirty miles an hour through you know, Savage country. You

0:41:32.760 --> 0:41:36.480
<v Speaker 3>know they look like John Ford the landscapes, desert scapes

0:41:36.560 --> 0:41:38.680
<v Speaker 3>up John Wayne movies. And I was going on, you know,

0:41:38.880 --> 0:41:41.000
<v Speaker 3>co Cheese Valley or whatever. I was going, Man, this

0:41:41.120 --> 0:41:42.239
<v Speaker 3>is fantastic.

0:41:42.239 --> 0:41:50.120
<v Speaker 6>And something in the motorcycle maintenance exactly exactly what it was.

0:41:50.320 --> 0:41:54.000
<v Speaker 3>It was that experience. And I mean, I'm an eternal

0:41:54.080 --> 0:41:56.879
<v Speaker 3>juvenile when it comes down to that. It's just fantastic.

0:41:57.200 --> 0:41:57.720
<v Speaker 3>That's great.

0:41:58.000 --> 0:42:01.440
<v Speaker 1>In your long Hollywood career, you have been a producer

0:42:01.760 --> 0:42:02.680
<v Speaker 1>multiple times.

0:42:02.840 --> 0:42:06.400
<v Speaker 2>Have you ever thought of turning Karen's story into a movie?

0:42:07.320 --> 0:42:09.960
<v Speaker 3>You know what, I haven't, but there are there were

0:42:10.000 --> 0:42:12.759
<v Speaker 3>some people talking to us now about the possibility of it,

0:42:13.320 --> 0:42:16.200
<v Speaker 3>and and you know, I'm giving it some thought. I'm

0:42:16.200 --> 0:42:16.919
<v Speaker 3>giving it some thoughts.

0:42:16.920 --> 0:42:17.440
<v Speaker 5>You're it.

0:42:18.000 --> 0:42:20.040
<v Speaker 3>The important thing for me, and writing the book as well,

0:42:20.120 --> 0:42:24.120
<v Speaker 3>was to to invite people into the joy that we'd

0:42:24.120 --> 0:42:28.320
<v Speaker 3>had together because growing up was wonderful. Growing up together

0:42:28.440 --> 0:42:30.719
<v Speaker 3>was wonderful. Karen and I together was it was a

0:42:30.760 --> 0:42:33.279
<v Speaker 3>great thing. I was closer to her than any other

0:42:33.360 --> 0:42:36.600
<v Speaker 3>human being in my entire life, and it just felt

0:42:36.719 --> 0:42:39.520
<v Speaker 3>it just fell that way. And that story when when

0:42:39.800 --> 0:42:41.759
<v Speaker 3>Estra said, you know, I said, looks like I just

0:42:41.840 --> 0:42:43.600
<v Speaker 3>was writing and I realized, oh my god, she's the

0:42:43.600 --> 0:42:46.239
<v Speaker 3>love of my life. And she said yes. And how

0:42:46.320 --> 0:42:50.040
<v Speaker 3>fortunate that you guys were born into the same family. Hmm,

0:42:50.280 --> 0:42:53.120
<v Speaker 3>you didn't have to spend your life looking for each other. Yeah,

0:42:53.160 --> 0:42:56.040
<v Speaker 3>there you were. And she said, yes, you've lived many

0:42:56.080 --> 0:42:57.759
<v Speaker 3>lives together. Because you know, this is when they start

0:42:57.800 --> 0:42:59.680
<v Speaker 3>talking about I don't know if I buy all that stuff,

0:43:00.080 --> 0:43:03.000
<v Speaker 3>what I kind of do? You know? I'm living in

0:43:03.160 --> 0:43:06.480
<v Speaker 3>LA you know we got All's the guy that reads

0:43:06.840 --> 0:43:09.640
<v Speaker 3>auras and angels and says, oh, yeah, you've got one

0:43:09.719 --> 0:43:11.279
<v Speaker 3>right there. You're telling you right now. He goes like,

0:43:13.640 --> 0:43:17.200
<v Speaker 3>is he talking to But he told me once he

0:43:17.280 --> 0:43:19.680
<v Speaker 3>told me, he said, you've lived two thy four hundred

0:43:19.719 --> 0:43:20.960
<v Speaker 3>and eighty five lives.

0:43:23.040 --> 0:43:28.799
<v Speaker 4>Okay, they're busy, busy, and you.

0:43:28.719 --> 0:43:30.440
<v Speaker 3>Know, whenever I go to an airport, I look at

0:43:30.480 --> 0:43:32.560
<v Speaker 3>all those airplanes and I see you know a quantas

0:43:32.800 --> 0:43:38.359
<v Speaker 3>or you know cathe or you know whatever emirates or whatever,

0:43:38.400 --> 0:43:41.680
<v Speaker 3>And I think to myself, what I was? You know,

0:43:42.360 --> 0:43:44.040
<v Speaker 3>have I actually lived that many lives? And I've been

0:43:44.040 --> 0:43:47.120
<v Speaker 3>at all those places from from all those places. So

0:43:47.160 --> 0:43:50.160
<v Speaker 3>there's this weird thing that resonates with me. You know,

0:43:50.160 --> 0:43:52.239
<v Speaker 3>it probably resonates with you guys too. You think maybe

0:43:52.239 --> 0:43:55.920
<v Speaker 3>I've been an adventurer of it. Yeah, I circumnavigate the

0:43:55.920 --> 0:43:58.040
<v Speaker 3>globe once, if you still believe it's a globe, you know.

0:43:58.120 --> 0:44:00.040
<v Speaker 3>So you know, I've got a whole bunch of.

0:44:01.600 --> 0:44:03.799
<v Speaker 4>Science that.

0:44:09.920 --> 0:44:12.200
<v Speaker 6>It would be a wonderful film, Danielle, that now I'm

0:44:12.200 --> 0:44:13.520
<v Speaker 6>thinking about it as a film, it would be It

0:44:13.560 --> 0:44:15.120
<v Speaker 6>would be a wonderful film to see.

0:44:15.800 --> 0:44:18.560
<v Speaker 3>It would definitely be a sumptuous kind of revisiting of

0:44:18.600 --> 0:44:19.600
<v Speaker 3>the seventies.

0:44:20.360 --> 0:44:22.200
<v Speaker 4>Yeah, I'm curious.

0:44:22.239 --> 0:44:24.520
<v Speaker 6>I know your your sister would be difficult to answer,

0:44:24.560 --> 0:44:26.759
<v Speaker 6>But who would you cast to play your grandfather?

0:44:29.680 --> 0:44:32.920
<v Speaker 3>I'm trying to think of an actor that I was interesting.

0:44:33.239 --> 0:44:36.600
<v Speaker 3>You know, that's a really good question. Was such a

0:44:37.480 --> 0:44:41.200
<v Speaker 3>monumental guy? I mean I really looked up to him.

0:44:41.440 --> 0:44:43.640
<v Speaker 4>Yeah, you could tell you definitely could tell.

0:44:44.680 --> 0:44:47.279
<v Speaker 3>I've known very few people like him who seemed to

0:44:47.320 --> 0:44:51.040
<v Speaker 3>show up, you know, just as surely as the sun

0:44:51.160 --> 0:44:53.920
<v Speaker 3>was going to rise that day, he was in it.

0:44:54.000 --> 0:44:57.759
<v Speaker 3>And there that's a great question I'm going to have

0:44:57.760 --> 0:44:59.840
<v Speaker 3>to get back to you on.

0:45:00.200 --> 0:45:02.160
<v Speaker 4>I'm so curious because you touched on it a little

0:45:02.160 --> 0:45:02.640
<v Speaker 4>bit in the book.

0:45:02.640 --> 0:45:06.520
<v Speaker 6>But I'm the idea that right before he passed he

0:45:07.040 --> 0:45:10.040
<v Speaker 6>actually opened up about the war and being at Guadalcanal.

0:45:10.719 --> 0:45:12.600
<v Speaker 6>Do you think and you touched on a little bit,

0:45:12.640 --> 0:45:14.760
<v Speaker 6>you said you weren't quite sure, But looking back.

0:45:14.560 --> 0:45:16.279
<v Speaker 4>Do you think he knew he was sick?

0:45:17.560 --> 0:45:20.719
<v Speaker 3>You know what, I kind of do, But I don't

0:45:20.760 --> 0:45:26.640
<v Speaker 3>know if he was ready to acknowledge it right. You know,

0:45:26.719 --> 0:45:29.600
<v Speaker 3>I'm not even sure if he actually got a proper diagnosis,

0:45:29.640 --> 0:45:33.640
<v Speaker 3>because everybody seemed pretty pretty surprised when he checked in

0:45:33.719 --> 0:45:37.279
<v Speaker 3>and he got the diagnosis that he was riddled with,

0:45:37.640 --> 0:45:42.320
<v Speaker 3>you know, c and well everybody's what you know, and

0:45:42.719 --> 0:45:45.600
<v Speaker 3>including him, So it's a I think he sensed that

0:45:45.680 --> 0:45:50.360
<v Speaker 3>he was going But that night, when he opened up

0:45:50.360 --> 0:45:52.040
<v Speaker 3>to me about what had happened to him, was the

0:45:52.040 --> 0:45:55.000
<v Speaker 3>first time he spoke to me as a man. I

0:45:55.080 --> 0:45:57.600
<v Speaker 3>think that was part of it. Yeah. I think part

0:45:57.640 --> 0:45:59.520
<v Speaker 3>of what he was trying to negotiate with me, or

0:45:59.560 --> 0:46:03.239
<v Speaker 3>at least kind of a massage in me, was that

0:46:03.440 --> 0:46:08.320
<v Speaker 3>you're on a you're at the sort of precipice of

0:46:08.440 --> 0:46:12.480
<v Speaker 3>real manhood, and tragedy will will visit you, and you

0:46:12.600 --> 0:46:15.080
<v Speaker 3>will You need to know how to maintain your character

0:46:15.200 --> 0:46:18.239
<v Speaker 3>in the face of what seems like the impossible. And

0:46:18.440 --> 0:46:24.680
<v Speaker 3>I think maybe that's what that lesson was. And to

0:46:24.800 --> 0:46:28.360
<v Speaker 3>understand that in his heart it had been broken. I

0:46:28.400 --> 0:46:31.560
<v Speaker 3>think that he had lived with a broken heart for

0:46:31.640 --> 0:46:34.560
<v Speaker 3>a long time and was still brave about it because

0:46:34.600 --> 0:46:35.920
<v Speaker 3>I mean, you know, he lost his mom when he

0:46:35.920 --> 0:46:39.799
<v Speaker 3>was little. His brother blamed him extraordinary things, and he

0:46:39.880 --> 0:46:42.359
<v Speaker 3>was a man of great accomplishment Captain of the crew

0:46:42.400 --> 0:46:47.080
<v Speaker 3>at Berkeley, which was pretty interesting. Wow. Yeah, he's a

0:46:47.280 --> 0:46:52.000
<v Speaker 3>dynamic guy and he did his part, and he was

0:46:52.080 --> 0:46:54.680
<v Speaker 3>kind of uh in terms of World War Two, he

0:46:54.760 --> 0:46:57.120
<v Speaker 3>was he was you know, he knew we were manipulating

0:46:57.160 --> 0:46:58.759
<v Speaker 3>in that war. He thought he knew that, you know,

0:46:59.280 --> 0:47:02.799
<v Speaker 3>Roosevelt kind of made plans to fight a war well

0:47:02.840 --> 0:47:06.480
<v Speaker 3>before we were in it, and he didn't like that,

0:47:07.719 --> 0:47:09.719
<v Speaker 3>but he went anyway. I mean, he left for two

0:47:09.760 --> 0:47:14.040
<v Speaker 3>and a half years and didn't didn't have his wife

0:47:14.120 --> 0:47:19.920
<v Speaker 3>or his daughter with him. And yeah, they're just amazing people, amazing.

0:47:20.920 --> 0:47:24.479
<v Speaker 1>I did want to ask a work related question. We

0:47:24.719 --> 0:47:29.560
<v Speaker 1>have often mentioned the pilot of Cheers as an absolutely

0:47:30.080 --> 0:47:33.840
<v Speaker 1>perfect episode of TV on this podcasts.

0:47:34.000 --> 0:47:36.880
<v Speaker 2>Did you know immediately Cheers was something special?

0:47:37.960 --> 0:47:47.520
<v Speaker 3>Yeah, yeah, I mean Fraser. When I joined Cheers, it

0:47:47.560 --> 0:47:49.480
<v Speaker 3>was like, yeah, that was special too. I mean, I

0:47:49.520 --> 0:47:51.959
<v Speaker 3>am actually writing about that right now. They're just too good,

0:47:52.360 --> 0:47:57.239
<v Speaker 3>so discover it again. But but Fraser was one of

0:47:57.239 --> 0:47:59.399
<v Speaker 3>those things where it just came right off the page

0:47:59.440 --> 0:48:01.719
<v Speaker 3>at some point, this is this is good now. I've

0:48:01.719 --> 0:48:03.840
<v Speaker 3>heard Jimmy Burrows talk about the pilot of Cheers and

0:48:03.880 --> 0:48:06.479
<v Speaker 3>said the same thing. He said, you know, they'd written

0:48:06.520 --> 0:48:08.120
<v Speaker 3>a script that was He said it was a script

0:48:08.120 --> 0:48:09.960
<v Speaker 3>for radio. He says, you could have done that script

0:48:10.000 --> 0:48:14.600
<v Speaker 3>success without ever seeing it. So I think that's that's

0:48:14.600 --> 0:48:16.520
<v Speaker 3>a really good indication of what it could be. And

0:48:16.560 --> 0:48:18.880
<v Speaker 3>I think I think Fraser had the same hallmark to it.

0:48:19.760 --> 0:48:21.920
<v Speaker 3>We had some fun with it. We got we did

0:48:21.960 --> 0:48:24.280
<v Speaker 3>a rehearsal of it once and got a standing ovation

0:48:24.440 --> 0:48:28.440
<v Speaker 3>from a full house and thought, well, that's weird. We

0:48:28.440 --> 0:48:31.120
<v Speaker 3>weren't even filming yet. And that's when David came up

0:48:31.120 --> 0:48:32.200
<v Speaker 3>to me and said, say, he said, what do you

0:48:32.280 --> 0:48:34.080
<v Speaker 3>what do you think this means? And I said, honestly,

0:48:35.080 --> 0:48:36.200
<v Speaker 3>I think it means you're going to be able to

0:48:36.239 --> 0:48:40.520
<v Speaker 3>buy a house. He said, what doesn't mean for you?

0:48:40.560 --> 0:48:42.560
<v Speaker 3>And I said, I think I'm going to be able

0:48:42.560 --> 0:48:43.520
<v Speaker 3>to buy two houses?

0:48:46.080 --> 0:48:50.600
<v Speaker 6>Well, I mean that's I'm the resident television addict and historian.

0:48:50.640 --> 0:48:51.000
<v Speaker 4>I love it.

0:48:51.040 --> 0:48:53.640
<v Speaker 6>And I know that there were times where I won't

0:48:53.640 --> 0:48:56.120
<v Speaker 6>get into names, but other cast members of Cheers would

0:48:56.160 --> 0:48:57.759
<v Speaker 6>sit there at the table read and say, man, we

0:48:57.840 --> 0:48:58.279
<v Speaker 6>really got.

0:48:58.200 --> 0:48:59.360
<v Speaker 4>To get rid of the Fraser character.

0:48:59.680 --> 0:49:02.920
<v Speaker 6>Yeah, well where you know, there were times it was

0:49:03.040 --> 0:49:06.399
<v Speaker 6>very difficult and and and some people didn't even want

0:49:06.400 --> 0:49:10.080
<v Speaker 6>the character around. To then become what Fraser became, it

0:49:10.120 --> 0:49:12.160
<v Speaker 6>was truly amazing. Yeah, truly extraordiny.

0:49:12.280 --> 0:49:13.040
<v Speaker 3>It's a reflex.

0:49:14.680 --> 0:49:16.680
<v Speaker 6>And I have to ask, just because I'm such a fan,

0:49:16.800 --> 0:49:19.400
<v Speaker 6>what is working with James Burrows?

0:49:19.560 --> 0:49:23.960
<v Speaker 3>Like, Uh, Jimmy just knows his story, you know, he

0:49:24.000 --> 0:49:30.080
<v Speaker 3>knows the story he wants to tell. He's I called

0:49:30.080 --> 0:49:33.160
<v Speaker 3>a requisite disrespect he has. He has no particular respect

0:49:33.200 --> 0:49:34.960
<v Speaker 3>for anything he's doing except that he just knows what

0:49:35.000 --> 0:49:38.680
<v Speaker 3>he's doing, and it's just on an automatic pilot. You

0:49:38.680 --> 0:49:41.160
<v Speaker 3>don't get there unless you've done it long enough. Right now,

0:49:41.280 --> 0:49:43.120
<v Speaker 3>this is the this is the thing. You know. I'm

0:49:43.160 --> 0:49:45.120
<v Speaker 3>all for it, trying to give people jobs and stuff,

0:49:45.120 --> 0:49:48.320
<v Speaker 3>But we got the last decade or so, we're giving people,

0:49:48.920 --> 0:49:52.840
<v Speaker 3>you know, directorships to people who've never directed, and you

0:49:52.960 --> 0:49:54.400
<v Speaker 3>keep thinking, what the hell are we doing this for?

0:49:54.480 --> 0:49:55.880
<v Speaker 3>And there was a whole bunch of reasons for it,

0:49:55.920 --> 0:49:59.080
<v Speaker 3>but lack of preparation destroyed a lot of TV lately.

0:50:00.000 --> 0:50:02.360
<v Speaker 3>Pople just weren't showing up. They didn't know how. Jimmy

0:50:02.360 --> 0:50:04.480
<v Speaker 3>Burrow shows up. He always shows up. He always knows how.

0:50:04.640 --> 0:50:06.319
<v Speaker 3>He sees what's wrong with the character, he sees what's

0:50:06.360 --> 0:50:08.080
<v Speaker 3>wrong with the story. He can look at it in

0:50:08.080 --> 0:50:10.520
<v Speaker 3>two seconds and say, well, you got to write that better,

0:50:10.640 --> 0:50:14.600
<v Speaker 3>or you got to you don't need that. And and

0:50:14.840 --> 0:50:17.319
<v Speaker 3>because he's earned the sort of respect that he has

0:50:17.320 --> 0:50:19.480
<v Speaker 3>in the industry, people just take the note and do

0:50:19.520 --> 0:50:24.120
<v Speaker 3>it right. It's very hard to find younger writers, especially

0:50:24.200 --> 0:50:27.120
<v Speaker 3>these days, who will actually take a note. You know,

0:50:27.120 --> 0:50:29.080
<v Speaker 3>and you think, you guys got to get the got

0:50:29.120 --> 0:50:31.680
<v Speaker 3>to get the hang of comedy. Comedy is a collaborative effort. Man.

0:50:31.760 --> 0:50:34.560
<v Speaker 3>It's not like you're sitting in some closet thinking about

0:50:34.640 --> 0:50:36.399
<v Speaker 3>what's funny, and then there's a bunch of actors who

0:50:36.719 --> 0:50:38.440
<v Speaker 3>don't know how to make it funny, and you think

0:50:38.480 --> 0:50:44.640
<v Speaker 3>it's their fault. Some of the funniest, most talent people

0:50:44.640 --> 0:50:46.840
<v Speaker 3>in the world sitting there doing their best and it

0:50:46.840 --> 0:50:47.680
<v Speaker 3>ain't funny.

0:50:47.840 --> 0:50:52.120
<v Speaker 6>Right, Maybe do you think sitcom is gone? Do you

0:50:52.160 --> 0:50:54.719
<v Speaker 6>think the sitcom that we know and love is ever

0:50:54.760 --> 0:50:55.319
<v Speaker 6>going to come back?

0:50:55.400 --> 0:50:58.239
<v Speaker 3>I don't think so. Actually, I think I think it's

0:50:58.360 --> 0:51:01.120
<v Speaker 3>being gradually sort of reintroduce. Now. We tried with the

0:51:01.160 --> 0:51:03.359
<v Speaker 3>new Fraser, and you know, there was some resistance over

0:51:03.920 --> 0:51:06.880
<v Speaker 3>Paramount Plus and they didn't quite know what to do that.

0:51:06.920 --> 0:51:09.400
<v Speaker 3>I think they may have even devalued the project as

0:51:09.440 --> 0:51:13.799
<v Speaker 3>a result. But we were close. We were close. I

0:51:13.920 --> 0:51:16.040
<v Speaker 3>really liked the new show and I loved where it

0:51:16.080 --> 0:51:17.520
<v Speaker 3>was going to go. But we haven't really done more

0:51:17.520 --> 0:51:21.040
<v Speaker 3>than one season of it, right. We did twenty shows, right,

0:51:21.120 --> 0:51:23.879
<v Speaker 3>so that would have been oh, hi, now we know.

0:51:23.840 --> 0:51:25.520
<v Speaker 1>Who you are, right exactly.

0:51:25.920 --> 0:51:28.600
<v Speaker 3>There's the show now, and now we get the next

0:51:28.719 --> 0:51:32.239
<v Speaker 3>nine years, which is I mean the first year to

0:51:32.239 --> 0:51:34.080
<v Speaker 3>figure all that stuff out and have people fall in

0:51:34.120 --> 0:51:37.200
<v Speaker 3>love with the characters. Again, I thought we were well

0:51:37.200 --> 0:51:38.800
<v Speaker 3>on our way, but they didn't know what to do

0:51:38.840 --> 0:51:42.480
<v Speaker 3>with it. You know. What's happening though now behind the scenes,

0:51:42.480 --> 0:51:45.560
<v Speaker 3>what I'm hearing is, you know, Amazon wants to put

0:51:45.560 --> 0:51:49.720
<v Speaker 3>commercials on. They want to make programming maybe just once

0:51:49.719 --> 0:51:50.080
<v Speaker 3>a week.

0:51:50.800 --> 0:51:52.000
<v Speaker 4>They want to go back to network TV.

0:51:52.080 --> 0:52:00.759
<v Speaker 3>So what a great idea. It's kind of ext but

0:52:00.880 --> 0:52:04.800
<v Speaker 3>I mean, I know, I'm it is a wonderful medium.

0:52:04.840 --> 0:52:06.560
<v Speaker 3>I didn't like sitcoms when I was a kid because

0:52:06.560 --> 0:52:08.879
<v Speaker 3>I thought, well, it's not theater, it's not TV, so hey,

0:52:09.080 --> 0:52:10.719
<v Speaker 3>you know, but it was a bit of a snob

0:52:10.800 --> 0:52:11.239
<v Speaker 3>and a joke.

0:52:11.360 --> 0:52:15.440
<v Speaker 4>So right understands.

0:52:18.239 --> 0:52:20.640
<v Speaker 3>Now it's the most wonderful way to kind of relate

0:52:20.680 --> 0:52:23.360
<v Speaker 3>to the audience. It's the indulge you he acknowledge the audience.

0:52:23.400 --> 0:52:26.239
<v Speaker 3>You know they're there, that they laugh, you have you

0:52:26.320 --> 0:52:29.840
<v Speaker 3>play to them. Uh, And that's what entertainment has always

0:52:29.840 --> 0:52:34.920
<v Speaker 3>really been, you know. I at one point what happened

0:52:34.960 --> 0:52:36.759
<v Speaker 3>to Fraser when Fraser was you know, but the first

0:52:36.800 --> 0:52:39.000
<v Speaker 3>five years we were just swimming, and then they introduced

0:52:39.000 --> 0:52:43.640
<v Speaker 3>this show called When the Animals Turn on their owners.

0:52:43.440 --> 0:52:50.280
<v Speaker 4>When animals attack. Yeah, right, we're competing with taking.

0:52:52.480 --> 0:52:56.080
<v Speaker 3>Kidding me? Who wants to sup crap like that? But

0:52:56.160 --> 0:52:57.560
<v Speaker 3>you know when you put an alligator next to a

0:52:57.600 --> 0:52:59.839
<v Speaker 3>guy and you see him chopping, you know you think, well, yeah,

0:52:59.840 --> 0:53:05.960
<v Speaker 3>I sound like to see that the different world. I thought, well,

0:53:06.000 --> 0:53:07.839
<v Speaker 3>how the hell did that happen? And then of course

0:53:07.840 --> 0:53:09.719
<v Speaker 3>then we got to sex and the City and a

0:53:09.719 --> 0:53:12.520
<v Speaker 3>couple of By then they started the single camera comedy,

0:53:12.800 --> 0:53:14.440
<v Speaker 3>which of course they didn't know what to do to

0:53:14.800 --> 0:53:18.200
<v Speaker 3>make you laugh, so they ended up putting calypso music.

0:53:18.200 --> 0:53:20.799
<v Speaker 3>Whenever a laugh track would have been right, you know,

0:53:20.920 --> 0:53:22.960
<v Speaker 3>they just said, they just said, well, here's your cue,

0:53:23.280 --> 0:53:31.760
<v Speaker 3>this is your kye. Now you can laugh. Yeah. Yeah,

0:53:34.560 --> 0:53:39.759
<v Speaker 3>they talk about a funny thing happened on the way

0:53:39.760 --> 0:53:45.320
<v Speaker 3>to the forum. In in previews that musical, it was dead.

0:53:45.680 --> 0:53:48.040
<v Speaker 3>They thought, what the hell are we gonna do? It

0:53:48.080 --> 0:53:50.160
<v Speaker 3>doesn't light up, it doesn't spark, it doesn't go. And

0:53:50.200 --> 0:53:52.719
<v Speaker 3>then somebody said, well, let's tell them it's okay to laugh.

0:53:53.600 --> 0:53:57.840
<v Speaker 3>And the first thing they wrote a song called comedy Tonight,

0:53:59.000 --> 0:54:04.040
<v Speaker 3>and that's what opens it to night. And then suddenly

0:54:04.080 --> 0:54:05.200
<v Speaker 3>it turned around and the show.

0:54:05.080 --> 0:54:06.839
<v Speaker 7>Is a success.

0:54:06.920 --> 0:54:08.960
<v Speaker 3>So you've got to give them permission to laugh, right,

0:54:09.000 --> 0:54:10.799
<v Speaker 3>So you have to find some way to do it.

0:54:10.840 --> 0:54:12.480
<v Speaker 3>You got to give an audience the wink of the

0:54:12.480 --> 0:54:14.759
<v Speaker 3>eye somewhere and say, come on in, we're going to

0:54:14.840 --> 0:54:18.400
<v Speaker 3>have some fun. Yeah. Yeah, so they traded out with

0:54:18.640 --> 0:54:21.960
<v Speaker 3>you know, it's not canned laughter, it's actually recorded laughter

0:54:22.000 --> 0:54:22.880
<v Speaker 3>from the actual event.

0:54:23.040 --> 0:54:23.320
<v Speaker 2>Yes.

0:54:23.520 --> 0:54:26.000
<v Speaker 3>Well, there were some shows where they would can't do it,

0:54:26.000 --> 0:54:28.719
<v Speaker 3>you know years ago Dick Van Dyke show. Sure, no

0:54:28.760 --> 0:54:31.360
<v Speaker 3>audience for that. Yeah, but it worked.

0:54:32.600 --> 0:54:37.480
<v Speaker 1>My last question for you, if anyone is newly facing grief,

0:54:37.960 --> 0:54:39.880
<v Speaker 1>like a listener has just stumbled into the death of

0:54:39.880 --> 0:54:42.680
<v Speaker 1>a loved one, what is your advice to them, Considering

0:54:42.719 --> 0:54:44.000
<v Speaker 1>all the work you've done to survive.

0:54:44.440 --> 0:54:49.520
<v Speaker 3>Yeah, you have to accept this now, you're not going

0:54:49.520 --> 0:54:54.480
<v Speaker 3>to get over it. It's always going to be there.

0:54:55.560 --> 0:55:01.840
<v Speaker 3>And let it be impossible, Let it be awful for

0:55:01.880 --> 0:55:08.160
<v Speaker 3>a while. Yeah, because you can't. You can't have it

0:55:08.200 --> 0:55:11.839
<v Speaker 3>go away. You just need to let it breathe and

0:55:11.880 --> 0:55:15.160
<v Speaker 3>breathing you and miss that person and then slowly try

0:55:15.200 --> 0:55:19.719
<v Speaker 3>to climb out and remember what was good between you

0:55:19.840 --> 0:55:22.680
<v Speaker 3>and hope that you know there is justice in the world.

0:55:23.440 --> 0:55:25.719
<v Speaker 3>There really isn't a lot of the time, right, But

0:55:26.640 --> 0:55:28.239
<v Speaker 3>I mean, what's happened with it, you know, some of

0:55:28.239 --> 0:55:30.440
<v Speaker 3>the highly publicized stuff that's going on lately. I mean,

0:55:30.480 --> 0:55:33.160
<v Speaker 3>not of those poor people have lost their their loved ones,

0:55:33.160 --> 0:55:35.879
<v Speaker 3>and those beautiful young women have been killed. I mean,

0:55:35.880 --> 0:55:41.560
<v Speaker 3>it's just awful, awful, and to die that way, well,

0:55:41.840 --> 0:55:44.040
<v Speaker 3>it is, I guess, part of the human story, you know,

0:55:44.320 --> 0:55:47.600
<v Speaker 3>But it's been going on for thousands and thousands of years.

0:55:48.239 --> 0:55:53.760
<v Speaker 3>Tragic endings and horrible circumstances and people's disregard for one another.

0:55:54.360 --> 0:55:57.680
<v Speaker 3>But through it all, you have a right to embrace

0:55:57.760 --> 0:56:01.960
<v Speaker 3>the memory of that person and remember them, as I've

0:56:01.960 --> 0:56:05.920
<v Speaker 3>said before, in the in the sumpture of their lives,

0:56:06.200 --> 0:56:10.480
<v Speaker 3>and then the joy that they brought you. And it

0:56:10.840 --> 0:56:14.520
<v Speaker 3>may not bring solace now, but in time, the memories

0:56:14.520 --> 0:56:17.560
<v Speaker 3>of those people, that first smile you had, the first

0:56:17.920 --> 0:56:20.640
<v Speaker 3>the first kiss they gave you, the first hug you felt,

0:56:20.640 --> 0:56:22.719
<v Speaker 3>the first time you wept for them because they were

0:56:22.719 --> 0:56:26.280
<v Speaker 3>in pain, whatever, all those things are precious gifts about

0:56:26.719 --> 0:56:31.840
<v Speaker 3>what means in life, what means eventually everything to you

0:56:31.880 --> 0:56:34.719
<v Speaker 3>in life. Those are the only things that actually mean anything. Yeah,

0:56:34.920 --> 0:56:38.040
<v Speaker 3>that is that connection and someone took it away, and

0:56:38.080 --> 0:56:40.279
<v Speaker 3>then you have a right to actually be upset about it.

0:56:40.640 --> 0:56:46.080
<v Speaker 3>Then you have a right to expect justice. I mean,

0:56:46.120 --> 0:56:48.200
<v Speaker 3>I don't think you can actually go meet it out yourself.

0:56:48.239 --> 0:56:50.160
<v Speaker 3>I mean, although you know, for a long time I thought, well,

0:56:50.160 --> 0:56:52.640
<v Speaker 3>I'd go kill those guys if I could, right, But

0:56:56.920 --> 0:56:59.560
<v Speaker 3>you just don't let them. Don't let that memory be

0:56:59.719 --> 0:57:01.480
<v Speaker 3>sold by the way they died.

0:57:02.360 --> 0:57:03.760
<v Speaker 4>Yeah.

0:57:03.880 --> 0:57:06.960
<v Speaker 1>The book is called Karen a Brother Remembers by the

0:57:06.960 --> 0:57:11.320
<v Speaker 1>incredible Kelsey Grammar. It is available everywhere, and you should

0:57:11.320 --> 0:57:13.719
<v Speaker 1>be so proud that you were able to share her

0:57:13.760 --> 0:57:16.240
<v Speaker 1>story and yours with all of us. Thank you so

0:57:16.320 --> 0:57:17.760
<v Speaker 1>much for being here with us today.

0:57:18.080 --> 0:57:19.400
<v Speaker 3>Good pleasure. Good to see you guys.

0:57:19.560 --> 0:57:20.200
<v Speaker 1>Good to see you.

0:57:20.600 --> 0:57:23.360
<v Speaker 4>Thank you, thank you, thank you, Thank you too.

0:57:23.680 --> 0:57:34.480
<v Speaker 7>Bye bye.

0:57:37.760 --> 0:57:38.080
<v Speaker 3>Man.

0:57:40.320 --> 0:57:48.040
<v Speaker 1>His ability to go from telling such a funny being

0:57:48.080 --> 0:57:50.680
<v Speaker 1>so funny and telling a great story and then just

0:57:51.120 --> 0:57:58.919
<v Speaker 1>within seconds tapping into raw emotion is just unparalleled.

0:57:59.040 --> 0:58:01.320
<v Speaker 6>Well, he's a genius. I mean, he's an actual genius.

0:58:01.360 --> 0:58:02.960
<v Speaker 6>And that's when you read the book. One of the

0:58:03.000 --> 0:58:04.880
<v Speaker 6>first things that happens to him, which is just so insane,

0:58:04.920 --> 0:58:05.960
<v Speaker 6>is he's.

0:58:06.000 --> 0:58:11.080
<v Speaker 8>Kicked out of Juilliard. Yeah, so it's like it's like,

0:58:13.960 --> 0:58:18.800
<v Speaker 8>who the did you keep? I'd love to know, because

0:58:18.840 --> 0:58:21.440
<v Speaker 8>I mean, seriously, he's you see it just in a

0:58:21.480 --> 0:58:25.480
<v Speaker 8>conversation with him, but when you when you watch his work, Uh,

0:58:25.520 --> 0:58:26.960
<v Speaker 8>it's insane.

0:58:26.960 --> 0:58:29.200
<v Speaker 4>There's a there. He reminds me a bit of.

0:58:29.160 --> 0:58:32.400
<v Speaker 6>Bill Daniels or you know, in that there's this this

0:58:32.600 --> 0:58:34.800
<v Speaker 6>gravitas to him even as he's.

0:58:34.800 --> 0:58:35.600
<v Speaker 4>Just sitting there.

0:58:35.800 --> 0:58:41.600
<v Speaker 6>Yeah, and and he can make a sitcom Shakespearean and

0:58:41.640 --> 0:58:43.240
<v Speaker 6>there's something wonderful about that.

0:58:43.320 --> 0:58:45.160
<v Speaker 4>And he's yeah, he's a living legend. I mean he

0:58:45.200 --> 0:58:45.560
<v Speaker 4>really is.

0:58:46.720 --> 0:58:49.040
<v Speaker 7>Yeah, he's so open, you know.

0:58:49.120 --> 0:58:52.280
<v Speaker 5>And it's about actors that I always find so is

0:58:52.320 --> 0:58:56.440
<v Speaker 5>that the emotions are right there, just teeming somewhere right

0:58:56.480 --> 0:58:59.240
<v Speaker 5>under this. And it's like that, you know, because you

0:58:59.280 --> 0:59:02.560
<v Speaker 5>can easily think of her actors as fakers or people

0:59:02.600 --> 0:59:04.680
<v Speaker 5>who you know, But like he said, it's actually being

0:59:04.680 --> 0:59:07.360
<v Speaker 5>able to tell the truth. It's actually just always knowing

0:59:07.400 --> 0:59:09.640
<v Speaker 5>that it's just going to flow out of you, you know.

0:59:09.680 --> 0:59:10.880
<v Speaker 5>And that's why when he said he wrote the book

0:59:10.880 --> 0:59:13.040
<v Speaker 5>as a stream of consciousness, is like right, because you've

0:59:13.080 --> 0:59:18.000
<v Speaker 5>been training all your life for a for things to

0:59:18.000 --> 0:59:19.720
<v Speaker 5>flow out of you, for the words to come out

0:59:19.760 --> 0:59:23.840
<v Speaker 5>for the you know, and so that accessibility is just

0:59:24.240 --> 0:59:26.320
<v Speaker 5>it's so powerful, and you know, you can see like

0:59:26.360 --> 0:59:28.520
<v Speaker 5>he just we start talking about a certain subject, he's

0:59:28.560 --> 0:59:29.280
<v Speaker 5>going to start crying.

0:59:29.880 --> 0:59:30.760
<v Speaker 3>He's going to let it happen.

0:59:30.800 --> 0:59:33.760
<v Speaker 5>He's going to let it come through, and then you know, yeah, yeah,

0:59:33.960 --> 0:59:35.080
<v Speaker 5>it's an amazing thing to see.

0:59:35.240 --> 0:59:37.960
<v Speaker 6>Well, I mean, if his goal with the book is

0:59:38.000 --> 0:59:40.480
<v Speaker 6>to introduce you to a person that by the end

0:59:40.520 --> 0:59:44.000
<v Speaker 6>you feel like you know, then he did it. I mean,

0:59:44.040 --> 0:59:46.960
<v Speaker 6>you do you feel like you know this girl who

0:59:47.040 --> 0:59:50.520
<v Speaker 6>was taken when she was nineteen in a horrible way.

0:59:50.920 --> 0:59:53.360
<v Speaker 6>And while you do know all that about her, you

0:59:53.480 --> 0:59:56.040
<v Speaker 6>also know the kind of free spirit she was and

0:59:56.720 --> 0:59:59.120
<v Speaker 6>the guy she was dating and the life she was leading,

0:59:59.160 --> 1:00:01.240
<v Speaker 6>and you know, going to this place and going to

1:00:01.240 --> 1:00:02.600
<v Speaker 6>that place and living here and living there.

1:00:02.720 --> 1:00:04.240
<v Speaker 4>That's one of the things about the two of them.

1:00:04.680 --> 1:00:07.800
<v Speaker 6>They were total had total wanderlust. Both of them, you

1:00:07.800 --> 1:00:10.840
<v Speaker 6>could tell, just wanted to travel and see the world.

1:00:10.880 --> 1:00:12.800
<v Speaker 6>He keeps talking about like, oh, and then I drove

1:00:12.880 --> 1:00:15.360
<v Speaker 6>to San Diego again from Florida, and then I drove back,

1:00:15.440 --> 1:00:16.880
<v Speaker 6>and then I drove to Texas and then I drove

1:00:16.960 --> 1:00:18.920
<v Speaker 6>It's like they're not even flying to these places. They're

1:00:18.960 --> 1:00:22.240
<v Speaker 6>hopping our motorcycles, they're hopping in cars, and they're experiencing

1:00:22.800 --> 1:00:24.520
<v Speaker 6>the trip, the journey for them.

1:00:24.720 --> 1:00:26.800
<v Speaker 1>And even when he talked about past lives and he

1:00:26.840 --> 1:00:29.360
<v Speaker 1>talked about being on airplanes and like, I've been to

1:00:29.440 --> 1:00:33.320
<v Speaker 1>all these places, I've done all you know, I've circumnavigated

1:00:33.360 --> 1:00:33.920
<v Speaker 1>the globe.

1:00:33.960 --> 1:00:38.080
<v Speaker 6>Like, yeah, yeah, it's yeah, really incredible. That might might

1:00:38.120 --> 1:00:40.360
<v Speaker 6>be my favorite conversation we've had with anybody. And we've

1:00:40.360 --> 1:00:41.880
<v Speaker 6>had some, we've had some great ones.

1:00:42.080 --> 1:00:44.600
<v Speaker 1>Yeah, really great. I'm so glad he came and talked

1:00:44.600 --> 1:00:46.480
<v Speaker 1>to us about it. Thank you all for joining us

1:00:46.480 --> 1:00:48.520
<v Speaker 1>for this episode of Pod Meets World. As always, you

1:00:48.560 --> 1:00:50.960
<v Speaker 1>can follow us on Instagram pod Meets World Show. You

1:00:50.960 --> 1:00:53.400
<v Speaker 1>can send us your emails pod meets World Show at

1:00:53.440 --> 1:00:54.400
<v Speaker 1>gmail dot com.

1:00:54.600 --> 1:00:57.680
<v Speaker 4>And we've got March Hug the people you love.

1:00:58.400 --> 1:01:02.840
<v Speaker 1>March pod meets Worldshow dot com will send us out.

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<v Speaker 4>We love you all, pod dismissed.

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<v Speaker 6>Podmeets World is n iHeart podcast producer and hosted by

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<v Speaker 6>Danielle Fischel, Wilfredell and Ryder Strong Executive producers, Jensen Carp

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<v Speaker 6>and Amy Sugarman, Executive in charge of production Danielle Romo,

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<v Speaker 6>producer and editor, Tara Sudbaksh producer, Maddy.

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<v Speaker 4>Moore, engineer and Boy Meets World superfan Easton Allen.

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<v Speaker 6>Our theme song is by Kyle Morton of Typhoon and

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<v Speaker 6>you can follow us on Instagram at Podmets World Show

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<v Speaker 6>or email us at Podmetsworldshow at gmail dot com