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Speaker 1: Andrea Barber, Joe Aty Sweetened.

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Speaker 2: We haven't done in one of those in a long time.

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Speaker 1: I know. You know what I love is when Fanurito's

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Speaker 1: uh come up to me and seeing.

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Speaker 2: My name like that. Great.

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Speaker 1: Yeah, I'm like, I love it. Yeah, our little.

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Speaker 2: Trend is taking over. Yeah, and that's been since forever,

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Speaker 2: like since we were kids, Like we've been doing that

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Speaker 2: for a really long Yeah.

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Speaker 1: And I'm trying to remember.

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Speaker 2: Why, why or where it started or who else did

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Speaker 2: Like did we do that with other people? I don't

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Speaker 2: think so did Dave do it?

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Speaker 1: I don't know.

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Speaker 3: I only associate it with you.

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Speaker 1: So this start and why and yeah I don't huh yeah,

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Speaker 1: because I don't like Dave cooler.

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Speaker 2: That doesn't that. But did he do.

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Speaker 1: It to like would he walk by and sing no?

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Speaker 1: Because it was it was like a call and repeat,

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Speaker 1: like one of us said it and the other one

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Speaker 1: set it back.

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Speaker 2: Yeah, it's like our mating call.

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Speaker 1: Yeah, yeah, I can if I ever lose you in

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Speaker 1: a crowd, I can just send that out.

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Speaker 2: And you'll I'll find you. Yeah, like a bat signal.

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Speaker 1: Yeah it's true. Yeah, it's true. It's an AB. It's

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Speaker 1: an A B signal, Yeah, HRT signal. Yeah, right, exactly.

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Speaker 2: Oh too funny. That's so great.

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Speaker 1: So have you been since the last time I saw you.

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Speaker 3: Five minutes ago?

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Speaker 1: Five minutes ago? We just recorded another episode right before this,

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Speaker 1: which hopefully you guys loved and enjoyed with Nel Samuels.

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Speaker 1: But yeah, we I don't have much much pre show

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Speaker 1: for it. What do you got?

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Speaker 2: Well, I've just I've been getting such good sleep and

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Speaker 2: I've been getting up at like five every day. But

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Speaker 2: I've discovered a new podcast called Boring Books for Sleeping,

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Speaker 2: And it's just people with great voices or great great voices,

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Speaker 2: and they're just reading things like the art of needlework

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Speaker 2: or all about cats right, or woodworking one oh one.

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Speaker 1: Let's see. I'd be like, wait, I want to pay

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Speaker 1: attention to this, you know what I mean? Like I couldn't.

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Speaker 2: Yeah, yeah, well for some, but it's just it's it's

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Speaker 2: enough that you want to listen, but like it just

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Speaker 2: lulls you right to sleep. It's fantastic. You should try it.

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Speaker 2: Try it and tell me. Here's the thing.

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Speaker 1: I miscal calls it my Space music.

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Speaker 2: I listen to my Space.

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Speaker 1: Music when I go to bed. I have those little

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Speaker 1: like the little headband like soft things.

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Speaker 2: Those are great.

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Speaker 1: Because I yeah, I like falling asleep to like meditation music,

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Speaker 1: so like singing bowls or I don't know, weird you know,

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Speaker 1: the two point whatever gigahertz that's supposed to I don't know,

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Speaker 1: help you be a better person. I don't know whatever

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Speaker 1: it is like that, you you know, you lay and

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Speaker 1: listen to that. And I listened to those every night.

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Speaker 1: But I had to get the headphones because my space

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Speaker 1: music was driving the scow nuts. I was like, you know,

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Speaker 1: some weird meditation. He's like, he has to sleep. It's

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Speaker 1: like got to be absolutely silent, like even the little

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Speaker 1: space heater in my room, it's like, God, it's just

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Speaker 1: so loud. I'm like, I really, yeah, he has to

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Speaker 1: and he does. It still doesn't sleep great then, but

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Speaker 1: it's like silent and totally dark, and I'm like, if

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Speaker 1: it's totally silent, my mind is not.

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Speaker 2: So I'm the same way. I can't I can't take

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Speaker 2: total silence. I can't take total dark. I need a

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Speaker 2: night light.

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Speaker 1: No, I like it.

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Speaker 2: I like it dark.

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Speaker 1: I'm like one of those people that when I go

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Speaker 1: to a hotel, like I am like rigging up things

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Speaker 1: to push the curtains against the wall so there's no

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Speaker 1: light seepage, and like towels under the door because the

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Speaker 1: hallway light is like unplugging the stupid alarm clock things.

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Speaker 1: I'm like, I've got my phone. I don't mean that,

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Speaker 1: like yeah, like I I and I didn't use shut

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Speaker 1: it down, but I yeah, Now, I'm like, I don't

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Speaker 1: want anything.

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Speaker 2: But what if you have to get up in the night,

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Speaker 2: aren't you afraid you're gonna trip over something? Like I

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Speaker 2: want my night lights so when I pee in the night,

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Speaker 2: I'm not tripping over. I don't trip over anything, Okay

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Speaker 2: at night? My dog sometimes who later during the day.

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Speaker 1: I mean, I see, I don't. It's not like pitch,

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Speaker 1: you know. I just I kind of feel my way around.

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Speaker 1: Although it definitely when I've been staying at hotels before

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Speaker 1: and you wake up and you think you're in your

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Speaker 1: house and then you're like, oh, disoriented and you're like

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Speaker 1: wait what, Oh okay.

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Speaker 2: Yeah, that's a little more disconcerting.

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Speaker 1: Yeah yeah, yeah, And that hasn't happened to me at home, though,

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Speaker 1: which I think that's when we start to worry. If

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Speaker 1: I get up and I'm I don't know where I

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Speaker 1: am when I'm at home. Well give it, give it time, right, Yes, Well,

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Speaker 1: I'm glad you've been getting good sleep.

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Speaker 2: Though it's sunrise every morning. It's just it's really like,

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Speaker 2: look at what a good mood I'm in. It's life changing,

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Speaker 2: you know what.

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Speaker 1: And I think I maybe have mentioned this before. You

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Speaker 1: were saying before You're like, I'm a morning person and

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Speaker 1: I love being up early, and I was like, I

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Speaker 1: don't know what's wrong with you. Yeah, I don't hate

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Speaker 1: my early mornings. Now, I don't hate that many. I

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Speaker 1: I prefer around an eight thirty eight forty five wake

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Speaker 1: up like whoa, oh yeah, been up for hours by then,

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Speaker 1: and I go and I'll go to bed at like

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Speaker 1: eight pm. I usually I do. I do need a

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Speaker 1: lot of sleep to sort of recharge myself. So it's

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Speaker 1: good for I have been liking the early mornings and

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Speaker 1: every and I think of you. I'm sitting there drinking

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Speaker 1: my little cup of coffee in the dark, looking at

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Speaker 1: like this sun, you know, coming up outside, and I'm like, oh,

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Speaker 1: I bet Andrew's doing this too.

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Speaker 2: Yeah, yeah, I'm probably doing my crossword and coffee, Like, oh.

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Speaker 1: That's what I do too crosswordy coffee.

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Speaker 2: We should FaceTime each other and do the crossword together.

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Speaker 2: And then we were talking about connections yesterday Kim Moffett,

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Speaker 2: because full House was one of the answers to one

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Speaker 2: of the connections yesterday.

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Speaker 1: It was like full Gingerbread haunted something and I was like, oh,

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Speaker 1: House House, yes, it's all yeah.

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Speaker 3: I was very, very proud.

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Speaker 2: That full House made it up onto that list.

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Speaker 1: Does I know it always feels good when you, like

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Speaker 1: you find a full House moment on Jeopardy or in

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Speaker 1: a trivia question that's on, Like you're like, oh, it

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Speaker 1: makes you feel like you've made it. Yeah, well, because

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Speaker 1: it's that thing where you're like, wow, okay, so they're

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Speaker 1: asking something that like they assume a lot of people know,

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Speaker 1: maybe not everyone specifically, but like it's in the sort

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Speaker 1: of culture enough that it's a common reference. So that yeah,

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Speaker 1: it kind of makes it feels weird.

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Speaker 2: You're like, oh no, yeah, there's many avenues to success,

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Speaker 2: and I always like to think that, well, it's for

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Speaker 2: the full Houses, for the fans were successful, not with

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Speaker 2: critics but with fans that have been so loyal to

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Speaker 2: the show for almost forty years. But this is another

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Speaker 2: version of success making it into making it in upper

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Speaker 2: classword puzzle.

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Speaker 1: Yeah, I think and that also, really I think Seals

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Speaker 1: are deal with AARP for officially representing this podcast, because

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Speaker 1: that was the most old lady we've said in a while,

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Speaker 1: and we say a lot.

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Speaker 2: Well, we were like, oh.

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Speaker 1: Yeah, getting up early in the morning, watching the sunrise

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Speaker 1: and doing our crosswords.

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Speaker 2: Oh lord, I bet so many people can relate to

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Speaker 2: that though. You know, I'm sure it's cool now, it's cool.

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Speaker 2: This is you know, I don't care about being cool.

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Speaker 2: I don't.

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Speaker 1: It's just funny to me that I'm like so quickly,

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Speaker 1: my my, my youth slipped away.

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Speaker 2: You know, have you started getting junk mail from ARP?

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Speaker 2: Like that's when you really know that you're.

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Speaker 1: No but approaching. Miss Scowl is already a member because

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Speaker 1: he's fifty four, so yeah, so we already. Yeah, I

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Speaker 1: don't get the discounts, but but yeah, I do.

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Speaker 2: He gets the discounts on like movie tickets.

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Speaker 1: I don't know if that he ever uses it.

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Speaker 2: Do you get a car like a membership card? I

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Speaker 2: don't know. I don't know.

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Speaker 1: I'm not in the club yet.

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Speaker 2: I'm in triple A but not.

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Speaker 1: Yeah, I'm in triple but not aar P. Triple aar P. Yeah,

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Speaker 1: you should just combine triple A r P.

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Speaker 2: We need a lot, so it's triple A. Yeah.

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Speaker 1: Yeah, yes, exactly.

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Speaker 2: That's so great. Okay, that's my next goal is to

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Speaker 2: get an aar P membership card because I want I

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Speaker 2: think you have to be fifty.

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Speaker 1: Okay, so he is the cutoff. So there you go,

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Speaker 1: something to look forward to.

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Speaker 3: I'm doing July third, get a card.

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Speaker 1: A ar P is gonna be just waiting for you.

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Speaker 2: There.

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Speaker 1: You can't wait.

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Speaker 2: Yeah.

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Speaker 1: It thrilled truly, and they're they're loving to mention on

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Speaker 1: this podcast.

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Speaker 2: Yeah, well you know it's Hey, we're relatable to somebody

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Speaker 2: out there. Boy, I'm gonna go do it.

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Speaker 3: Well, let's get into this episode.

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Speaker 2: Let's quickly switch topics.

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Speaker 1: For our old lady having we've lost her, we've lost

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Speaker 1: our everyone.

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Speaker 2: I don't know where everyone tunes out. Let's get to

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Speaker 2: the point of today where well, first let me let

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Speaker 2: me introduce us. Welcome back to Howard tan Ritos. I'm

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Speaker 2: Andrea Barber and I'm Jodie Sweeten.

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Speaker 3: Last Night Check and.

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Speaker 2: Today we're discussing season four, Episode nine one Last Kiss.

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Speaker 2: It originally aired on November sixteenth, nineteen ninety, and it

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Speaker 2: goes a little something like this, Jesse eagerly anticipates his

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Speaker 2: high school reunion until an ex girlfriend contacts him recipe

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Speaker 2: for disaster right there. It was directed by Joelswick. It

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Speaker 2: was written by Leslie Ray and David Stephen Simon. And

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Speaker 2: we have a ton of guest stars. First, and most importantly,

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Speaker 2: we have Barkley as Sparky, who has a page on IMDb.

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Speaker 1: I was gonna say, wasn't he? Was he the dog

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Speaker 1: in Frasier? No, No, No, as a whole IMDb page?

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Speaker 2: Oh yeah, he's a very accomplished K nine thespian like

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Speaker 2: really he Well, first of all, this is his first

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Speaker 2: of four appearances in Full House. He comes back okay

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Speaker 2: in season five. I mean he was selling so bring

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Speaker 2: it back? You know. Yeah, that's how much of an

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Speaker 2: impact she made on our producers that they brought him back.

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Speaker 2: He also appeared in Ernest Goes to Jail and then

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Speaker 2: the sequel Ernest Scared Stupid Right, And he's also credited

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Speaker 2: as a producer for the short Caney Mountain he produces

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Speaker 2: and like can't do right?

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Speaker 1: But my question is Why did they have to change

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Speaker 1: his name? Why couldn't he be Barkley. Barkley is also

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Speaker 1: a very cute, sort of like traditional little dog name.

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Speaker 1: Instead of sparking, maybe it was in his contract, he

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Speaker 1: was like, I can't, no, I can't use my real name.

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Speaker 2: His name is trademarked, like you know cher or Madonna.

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Speaker 2: He one name, one Barkley. He cannot use You can't

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Speaker 2: use it, and you know, pay him extra and we

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Speaker 2: couldn't do that.

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Speaker 1: True, and he wasn't.

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Speaker 2: Yeah, he wasn't portraying himself. That would be weird. So okay, yeah, okay,

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Speaker 2: so this all this all tracks. Next we have Erica

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Speaker 2: Eleniak as Carrie Fowler. She started out as a child

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Speaker 2: actor at at the age of ten, and her first

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Speaker 2: film role was E. T. Extraterrestrial, So that seems really cool.

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Speaker 2: As an adult, she joined the original cast of Baywatch

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Speaker 2: for two seasons, and she appeared in the films Under

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Speaker 2: Siege and The Beverly Hillbillies. She was Playboy Playmate of

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Speaker 2: the Month in July nineteen eighty nine, and a fun

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Speaker 2: fact is that this issue of Playboy magazine was used

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Speaker 2: in the film Home Alone. Oh yeah, I haven't seen

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Speaker 2: that in a while. Erica has been an acting coach

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Speaker 2: for several years and also worked with children in recovery

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Speaker 2: for substance abuse and behavioral issues using acting as a

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Speaker 2: form of therapy. Fantastic, and she's currently the narrator for

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Speaker 2: the iHeartRadio podcast series The Murder Years about I think

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Speaker 2: it's fiction. A woman reinvestigates the murders that surrounded her

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Speaker 2: high school years. So okay, I'm gonna have to check

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Speaker 2: that out. Fantastic.

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Speaker 3: Next we have Carrie Griffin as Gary.

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Speaker 2: We love Gary. He's been on the show before. He's

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Speaker 2: the redheaded Ripper, not to.

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Speaker 1: Be bullet with rattail Ripper who has never been seen again.

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Speaker 2: He remains an enigmay rat tailor. Yay may he rested. Next,

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Speaker 2: we have Roger Lodge as Roger. You'll recognize him as

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Speaker 2: the original host of the dating game show Blind Date.

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Speaker 2: He hosts The Sports Lodge on radio station k l

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Speaker 2: A a a M. Eight thirty, which is owned by

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Speaker 2: the Los Angeles Angels baseball team, and he also appeared

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Speaker 2: in You Again, Yes Dear, General Hospital, Grandfathered, Big Shot,

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Speaker 2: and Fuller House. He's a big, big friend of John's,

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Speaker 2: so you can see lots of cans there.

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Speaker 1: I remember Roger always being around.

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Speaker 2: He was always around. Yeah, yeah, And he gets some

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Speaker 2: lines in this episode, and he's credited in a few

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Speaker 2: more episodes to come as well.

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Speaker 1: So I mean he's he's no Barkley, but he's done

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Speaker 1: some things.

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Speaker 2: He's done. Yeah, he's not as many as Barkley, but

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Speaker 2: he's done some things. Next, we have Ken.

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Speaker 3: Thorley as Hammer.

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Speaker 2: He's one of those actors that has guest starred on

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Speaker 2: everything literally everything, Married with Children, Life, goes On, Murphy Brown,

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Speaker 2: Perfect Strangers. But he's best known for Men in Black

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Speaker 2: and Star Trek, the next generation great actor in the Black. Yeah,

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Speaker 2: we have two uncredited actors, Troy Martin and Jim Ryan.

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Speaker 2: Sorry they're uncredited. Here's your credit on You're welcome. They're like,

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Speaker 2: I would have just preferred to be a name.

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Speaker 3: It's so we start with our teaser.

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Speaker 2: In the kitchen, Danny walks in while Stephanie is in

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Speaker 2: the process of making a birthday cake for Comet. She's

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Speaker 2: making his favorite meat loaf with cheese frosting.

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Speaker 1: That is a lot of meat loaf. It's a double

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Speaker 1: decker cake of meat loaf.

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Speaker 2: I'm impressed. That stuff was able to make that like

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Speaker 2: this is?

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Speaker 3: This is not easy.

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Speaker 1: No, you know, it's not eat where'd she get all

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Speaker 1: the meat? You know, there's at least five pounds of

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Speaker 1: ground beef in that. That's a lot easily easily. This

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Speaker 1: is she's very committed to Comet and his birthday. And

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Speaker 1: I do remember the like the cheese spray in the

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Speaker 1: can though, oh yeah, never really loved that. I didn't

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Speaker 1: hate it on like a plane cracker, but it just

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Speaker 1: it smelled weird. And I always thought that she's coming

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Speaker 1: out of a like a whipped cream tube was odd.

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Speaker 2: Yeah, it just doesn't feel natural.

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Speaker 1: Well, I'm pretty sure it's not, but I haven't seen

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Speaker 1: any like, you know, cans of cheese lying around in

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Speaker 1: but anyway, yeah, so I remember.

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Speaker 2: It. Well, it's meant for dogs, so it's not meant

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Speaker 2: to be appealing to humans. So just then, Michelle appears

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Speaker 2: at the doorway. Her eyes widen as she shouts, do

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Speaker 2: I see a cake? She bolts towards the treat, but

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Speaker 2: Steph stops her. This is for comm It's birthday party.

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Speaker 2: Keep your paws off, Michelle admits, I'll try, but birthday

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Speaker 2: cake makes me crazy. Danny interrupts, did I just hear

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Speaker 2: you're throwing a birthday party for Comment? I know he's family,

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Speaker 2: but Stephanie tells him to. When she sees Comment run in,

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Speaker 2: she scolds her dad. Not in front of the d og.

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Speaker 2: Michelle looks at her dad and proudly announces I can spell. Michelle,

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Speaker 2: m I s h e l l l L he.

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Speaker 2: Danny teases that was very good. Michelle LLLLLLL. Then Steph

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Speaker 2: asks her dad if he can take Comment out of

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Speaker 2: the house later so she and Joe can set up

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Speaker 2: for his surprise party. Danny sarcastically asks if he should

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Speaker 2: take him to dinner in a movie, and Steph shakes

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Speaker 2: her head. Don't be silly, he's a dog. Take him shopping.

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Speaker 2: Michelle uses this distraction to try the Yemmy frosting. She

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Speaker 2: takes a lick from the spoon and her face sours. Yeah.

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Speaker 2: She looks at Steph and frowns, you are a bad cook.

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Speaker 2: Tough critic, Yeah, very tough critic. Just I like this teaser.

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Speaker 2: I usually don't like the teasers. I like this tea again.

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Speaker 1: This teaser connect It was a through line, you know

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Speaker 1: that sort of connected to the show.

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Speaker 2: It wasn't just a random, like why do we do

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Speaker 2: that for thirty seconds? Yeah? Yeah, It's not just yeah

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Speaker 2: thirty seconds of Michelle being cute. It connected to the

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Speaker 2: b plot of the show and it continuity too. It

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Speaker 2: carries over Michelle's love of cake for the last episode exactly. Yeah,

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Speaker 2: this was a winning teaser on multiple levels. Next, we

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Speaker 2: are in Jesse's room. Jesse is strumming on his guitar

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Speaker 2: when Joey walks in and joins him, wearing possibly the

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Speaker 2: worst sweater I've ever seen on Dave Clier. What was

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Speaker 2: the large hands all of what was?

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Speaker 1: I feel like, Oh, I know what it reminded me of.

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Speaker 1: I was like, somebody just had a costume like that.

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Speaker 1: I was like Beyonce on her Renaissance tour had like

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Speaker 1: a full bodysuit thing and it was like strategically placed.

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Speaker 1: Oh hands, it was gorgeous. But this was not gorgeous.

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Speaker 1: This was not gorgeousness was This was a very nineteen

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Speaker 1: ninety sweater. It was not so louder the better you know,

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Speaker 1: it was just.

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Speaker 2: So yeah loud and bad colors, Like there was nothing

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Speaker 2: redeeming about this sweater. Yeah, sorry, Cord so Joey plays

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Speaker 2: his own air guitar and sings my Sharona while mimicking

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Speaker 2: electric guitar noises.

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Speaker 3: He falls to his knees. He is still jamming out

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Speaker 3: he's going.

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Speaker 2: Crazy, and Jesse shouts, get down, Joseph, and Joey strains,

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Speaker 2: I am down. I can't get up, so Jesse helps

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Speaker 2: him up, and he tells Joey that he was just

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Speaker 2: practicing some old tunes. He's getting back together with his

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Speaker 2: high school band tonight at their ten year reunion.

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Speaker 1: I remember when that seemed like long, right, Yes, my gosh,

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Speaker 1: someday I'm gonna be like ten year reunion.

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Speaker 2: Yeah. Yeah, my thirty year reunion was last I didn't go,

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Speaker 2: but it was last year, and I'm.

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Speaker 1: Like ten years.

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Speaker 2: He was a baby, he's an a meba.

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Speaker 1: He was ten years. You don't need to go back yet.

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Speaker 1: It's only in ten years.

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Speaker 2: Don't worry about it. Yeah, exactly, you got time, so

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Speaker 2: Joy mocks him in a grandpa voice. You you're sure

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Speaker 2: getting up there, aren't you? A grandpa? Jesse reminds him

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00:18:53,160 --> 00:18:55,919
Speaker 2: it's not age that matters, it's how much hair you

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Speaker 2: have left. He looks at himself in the mirror. With

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Speaker 2: his full head of hair and exclaims life is good.

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Speaker 2: Jesse and Joey start to leave the room when Jesse's

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Speaker 2: phone rings and goes straight to voicemail. A woman's voice

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Speaker 2: on the other end starts singing Muskrat Love, which.

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Speaker 1: Is an actual song.

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Speaker 2: Everyone.

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Speaker 1: I just want you to know, if you've never heard

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Speaker 1: of it before, it is it's a real song.

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Speaker 2: I hadn't. I hadn't heard of it, So it is

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Speaker 2: a real song. Oh yeah, but it's like.

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Speaker 1: A it's like a cheesy nineteen seventies it would be

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Speaker 1: like a like making sort of like a very man

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Speaker 1: low reference, you know what I mean. It's kind of

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Speaker 1: like it's yeah, I mean it's it's old muskrat love.

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Speaker 1: For God's sake, you know, it's Ferret Pheromones. I don't know,

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Speaker 1: like you know what I mean, Like, why are we

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Speaker 1: singing about a muskrat?

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Speaker 2: It's so weird, but it's the nineties, it's you know.

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Speaker 1: Well, and that song was from the seventies and even

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Speaker 1: weirder time. So wow, that's what I'm saying. The reference

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Speaker 1: of like muskrat Love was like old then, so that

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Speaker 1: was why I was like, just in case no one

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Speaker 1: has ever heard of that.

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Speaker 3: That's why, because it's really, really real.

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Speaker 1: It was a real song.

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Speaker 2: Yes, it was called Muskrat Love.

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Speaker 3: Uh.

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Speaker 2: So Jesse walks back in the room when he hears

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Speaker 2: the singing and his jaw drops. After this, mystery woman

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Speaker 2: sings a few lines. She says, we have ten years

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Speaker 2: to make up for Jesse. I'll see you later. It's

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Speaker 2: rather forward of her. Well, she's this is just show.

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Speaker 2: I assume because because the message was talked to me,

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Speaker 2: and so I assume he's got his own line, which

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Speaker 2: was a big deal in nineteen ninety. That was huge

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Speaker 2: when me and my brother's got our own phone line

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Speaker 2: in the house.

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Speaker 1: Well, DJ has one, doesn't she? DJ has one. Apparently

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Speaker 1: everyone in the house has has their own phone line.

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Speaker 2: Especially especially Michelle.

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00:20:51,440 --> 00:20:54,560
Speaker 1: She's got to take clients over the phone sometimes. Michelle's

402
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Speaker 1: running her whole business, right. Yeah, she was one of

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Speaker 1: the first work from home uh you know proponents, So.

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00:21:01,040 --> 00:21:05,600
Speaker 2: She was ahead of her time. Yes, so Jesse explains

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Speaker 2: to Joey my old girlfriend Carrie singing our old song.

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Speaker 2: I don't believe it, and Joey frowns me neither. Your

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00:21:12,960 --> 00:21:18,760
Speaker 2: song was muskrat Love exactly. See exactly. Jesse defends himself.

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00:21:18,920 --> 00:21:22,119
Speaker 2: It was playing the first time we kissed. Joey asks

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Speaker 2: if they were in an elevator, and Jesse sighs, it

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00:21:24,880 --> 00:21:27,600
Speaker 2: was a dentist's office. It gives you the tone of

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00:21:27,640 --> 00:21:32,600
Speaker 2: the song there. Yeah, and you, Zach, Jesse's picking up

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Speaker 2: women in a in a Dennisnis right. At least their

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Speaker 2: mouths were clean, you know.

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Speaker 1: But if it was it was in high school. They

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Speaker 1: they went to the same dentist and made out in

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Speaker 1: the waiting room.

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Speaker 2: Whatever.

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Speaker 1: I'm not going to ask question about we're thinking too

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Speaker 1: hard on well, at least one of us is thinking,

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Speaker 1: because Jesse certainly isn't in this episode.

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00:21:53,520 --> 00:21:57,040
Speaker 2: Yeah, true. So Jesse sits down and he smiles as

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Speaker 2: he remembers Carrie. She had the most incredible, hypnotic eyes,

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Speaker 2: the face of an angel, the most amazing body.

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Speaker 1: Was she funny?

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Speaker 2: Was she smart?

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00:22:07,520 --> 00:22:10,800
Speaker 1: Was she No? She just had she had eyes, a face,

427
00:22:10,880 --> 00:22:11,399
Speaker 1: and a body.

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Speaker 2: Okay, she looks, she looks good.

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Speaker 3: You can tell what was the most important?

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Speaker 1: It right? Right?

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00:22:20,240 --> 00:22:22,600
Speaker 2: And then Joey holds up a picture of Becky and says,

432
00:22:22,840 --> 00:22:28,280
Speaker 2: remember her. Jesse's tone immediately changes. She was okay, Jesse

433
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Speaker 2: tells him that Carrie Fowler was his first great love.

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Speaker 2: They had all these dreams of getting married, having kids, graduating.

435
00:22:37,040 --> 00:22:38,880
Speaker 2: He hasn't seen her in ten years, but he's going

436
00:22:38,920 --> 00:22:43,120
Speaker 2: to see her tonight. Joey wonders what happens if all

437
00:22:43,160 --> 00:22:47,960
Speaker 2: those feelings, those old feelings come back, you're engaged. Jesse's

438
00:22:47,960 --> 00:22:52,600
Speaker 2: worry is palpable. He decides he's not going. Joey insists

439
00:22:52,600 --> 00:22:55,360
Speaker 2: that he not missed his high school reunion to help

440
00:22:55,400 --> 00:22:58,399
Speaker 2: with the situation. He can bring someone who will distract Carrie,

441
00:22:58,760 --> 00:23:02,960
Speaker 2: someone intelligent and sexy, and he's obviously talking about himself.

442
00:23:03,920 --> 00:23:06,119
Speaker 2: Jesse nods an agreement, and then he leaves the room

443
00:23:06,160 --> 00:23:07,760
Speaker 2: and yells out for Becky instead.

444
00:23:08,000 --> 00:23:08,880
Speaker 3: And the pink carpet.

445
00:23:08,920 --> 00:23:11,240
Speaker 2: I just have to say, the pink carpet is still there,

446
00:23:11,440 --> 00:23:13,960
Speaker 2: and it was green in the previous season, so now

447
00:23:14,040 --> 00:23:16,639
Speaker 2: it's pink. I don't it's not better. I don't know

448
00:23:16,680 --> 00:23:19,560
Speaker 2: why they went with pink. It's not much move.

449
00:23:19,720 --> 00:23:23,600
Speaker 1: It wasn't. It wasn't like, oh, we got it looks better.

450
00:23:23,680 --> 00:23:26,560
Speaker 1: It was like no, just no, just looks different.

451
00:23:26,960 --> 00:23:30,000
Speaker 2: It's still bad. Yeah. Still, that was the eighties.

452
00:23:30,000 --> 00:23:36,160
Speaker 1: Everyone had terrible uh carpet everywhere. Oh God, my mom

453
00:23:36,320 --> 00:23:40,160
Speaker 1: loved mauve, mauve whatever carpeting.

454
00:23:40,359 --> 00:23:41,080
Speaker 3: Love what she did.

455
00:23:41,160 --> 00:23:45,320
Speaker 1: We oh, in several houses that we had had a

456
00:23:45,359 --> 00:23:46,560
Speaker 1: lot of mauve carpeting.

457
00:23:47,080 --> 00:23:49,360
Speaker 2: I'm just picturing that with like some sort of floral

458
00:23:49,440 --> 00:23:50,080
Speaker 2: print on.

459
00:23:50,840 --> 00:23:53,800
Speaker 1: You know, tons, tons of florals.

460
00:23:54,920 --> 00:23:56,480
Speaker 2: Yep, yep, I.

461
00:23:56,400 --> 00:23:57,080
Speaker 3: Can picture it.

462
00:23:57,160 --> 00:24:00,720
Speaker 2: But it's Janice. I love it. So Next in the

463
00:24:00,720 --> 00:24:03,440
Speaker 2: girls room, Becky is sitting on the bed helping DJ

464
00:24:03,600 --> 00:24:07,480
Speaker 2: and Kimmy with something when Jesse comes running in. He asks,

465
00:24:07,760 --> 00:24:09,480
Speaker 2: remember when I said you didn't have to come to

466
00:24:09,520 --> 00:24:12,240
Speaker 2: my reunion because you'd be bored to death? And Becky

467
00:24:12,280 --> 00:24:16,919
Speaker 2: smiles yes, and I can't thank you enough. Jesse responds,

468
00:24:17,080 --> 00:24:19,960
Speaker 2: you're welcome, and you're coming. He grabs her hand and

469
00:24:20,000 --> 00:24:23,560
Speaker 2: starts to drag her out, but DJ stops him. Rebecca

470
00:24:23,800 --> 00:24:26,760
Speaker 2: is bringing me and Kimmy down to the station. We

471
00:24:26,840 --> 00:24:32,199
Speaker 2: get to eyewitness eyewitness news. Jesse insists, this is my

472
00:24:32,240 --> 00:24:34,920
Speaker 2: ten year reunion and I want to show off my fiance.

473
00:24:35,880 --> 00:24:40,159
Speaker 2: Kimmy gasps, ten year reunion. Boy, you are ancient. That

474
00:24:40,280 --> 00:24:42,520
Speaker 2: means you started high school before I was even born.

475
00:24:43,480 --> 00:24:46,280
Speaker 2: Jesse narrows his eyes that's why we call them the

476
00:24:46,280 --> 00:24:50,399
Speaker 2: good old days. Jammy. That's like my only purpose in

477
00:24:50,480 --> 00:24:53,720
Speaker 2: being here was like to deliver this line. But DJ

478
00:24:53,840 --> 00:24:56,679
Speaker 2: pleads her case, this is research for an article for

479
00:24:56,760 --> 00:24:59,359
Speaker 2: the school paper. I'm the editor, and I gave myself

480
00:24:59,359 --> 00:25:01,600
Speaker 2: an assignment. So if I don't come through for me,

481
00:25:01,840 --> 00:25:04,119
Speaker 2: I'm gonna have to give myself a stern lecture in

482
00:25:04,160 --> 00:25:07,080
Speaker 2: front of the whole class. She wags her finger in

483
00:25:07,119 --> 00:25:09,800
Speaker 2: a lecturing way and admits, it's really hard to do

484
00:25:09,840 --> 00:25:13,959
Speaker 2: this to yourself. This boy, they really carried through this

485
00:25:14,200 --> 00:25:17,320
Speaker 2: school newspaper editor storyline. This is another thing that.

486
00:25:17,440 --> 00:25:22,919
Speaker 1: There was several mentions of it. I think it. It

487
00:25:23,040 --> 00:25:28,280
Speaker 1: gave a very good representation of like DJ's responsible type,

488
00:25:28,280 --> 00:25:29,680
Speaker 1: a sort of personality.

489
00:25:30,080 --> 00:25:33,920
Speaker 2: Oh absolutely, she's perfect as an editor, editor.

490
00:25:34,000 --> 00:25:35,879
Speaker 1: In charge, running things kind of.

491
00:25:35,920 --> 00:25:40,160
Speaker 2: That's that. That's that is totally. I'm just I'm always

492
00:25:40,160 --> 00:25:44,320
Speaker 2: impressed when full house has anything that resembles continuity. So

493
00:25:44,400 --> 00:25:45,679
Speaker 2: I would pleasantly, well.

494
00:25:45,760 --> 00:25:49,880
Speaker 1: Let's not get too excited. There's something it's gonna go sideways.

495
00:25:50,160 --> 00:25:55,280
Speaker 3: I will I will temper my excitement here. So she

496
00:25:55,400 --> 00:25:56,480
Speaker 3: reminds everyone.

497
00:25:56,240 --> 00:25:58,920
Speaker 2: That they have to head out and Kimmy follows after her,

498
00:25:59,000 --> 00:26:04,159
Speaker 2: asking what time does the six o'clock news start. Becky

499
00:26:04,200 --> 00:26:06,720
Speaker 2: tells Jesse that she's sorry, but she promised the girls.

500
00:26:07,040 --> 00:26:09,080
Speaker 2: She tells him to have a great time at his reunion,

501
00:26:09,200 --> 00:26:12,679
Speaker 2: and Jesse stops her. He gives her two very passionate

502
00:26:12,880 --> 00:26:17,240
Speaker 2: goodbye kisses, and Becky is suspicious. You are coming back,

503
00:26:17,280 --> 00:26:22,639
Speaker 2: aren't you? She shouldn't be suspicious? And is Becky wearing

504
00:26:22,800 --> 00:26:25,000
Speaker 2: the same or maybe this isn't ever where you look?

505
00:26:25,640 --> 00:26:26,399
Speaker 3: What should I save this?

506
00:26:26,440 --> 00:26:27,679
Speaker 2: I'll save this for everywhere you'll look.

507
00:26:27,760 --> 00:26:29,280
Speaker 1: Okay, okay, I'll save it. I'll save it.

508
00:26:29,280 --> 00:26:33,000
Speaker 2: I'll circle back. So next we are on the front

509
00:26:33,040 --> 00:26:37,080
Speaker 2: door step stoop where all the horses have gone. There's

510
00:26:37,240 --> 00:26:39,040
Speaker 2: a lot There's been a lot of traffic up here.

511
00:26:39,840 --> 00:26:42,480
Speaker 2: But now Danny walks comet to the front door and

512
00:26:42,560 --> 00:26:46,480
Speaker 2: purposefully yells loud enough for everyone inside to hear home

513
00:26:46,520 --> 00:26:50,800
Speaker 2: again after our long, long walk. He continues with the

514
00:26:50,800 --> 00:26:54,119
Speaker 2: loud talking hmm comment, I wonder why it's so quiet

515
00:26:54,119 --> 00:26:56,920
Speaker 2: in there? Why don't we go in and see? They

516
00:26:56,920 --> 00:26:59,639
Speaker 2: open the door to reveal stuff. Joey and Michelle surrounded

517
00:26:59,640 --> 00:27:03,119
Speaker 2: by their neighborhood dogs, all dressed in party hats and

518
00:27:03,160 --> 00:27:03,680
Speaker 2: they by the.

519
00:27:03,600 --> 00:27:05,720
Speaker 1: Way, this is this is how I want to die,

520
00:27:06,119 --> 00:27:09,880
Speaker 1: just getting just surrounded with dogs and party hats. That

521
00:27:10,080 --> 00:27:10,840
Speaker 1: is heaven.

522
00:27:11,640 --> 00:27:12,639
Speaker 3: It looks like heaven.

523
00:27:13,040 --> 00:27:16,000
Speaker 1: I was so great real, I was like being a

524
00:27:16,000 --> 00:27:17,560
Speaker 1: scene with like seven dogs.

525
00:27:17,680 --> 00:27:19,639
Speaker 2: Yes, please, Oh how fun.

526
00:27:19,760 --> 00:27:20,680
Speaker 1: It's so cute.

527
00:27:21,119 --> 00:27:23,159
Speaker 2: This is such a great storyline, Like I love. This

528
00:27:23,240 --> 00:27:25,639
Speaker 2: is such a cute bit for you and Joey and

529
00:27:25,760 --> 00:27:28,639
Speaker 2: Michelle and oh man. I can only imagine how many

530
00:27:28,680 --> 00:27:31,280
Speaker 2: animal trainers they had to have. There was like one

531
00:27:31,840 --> 00:27:34,320
Speaker 2: one for each dog or did they have multiple trainers?

532
00:27:34,440 --> 00:27:38,400
Speaker 1: No, I think they had I maybe one or two

533
00:27:38,400 --> 00:27:40,360
Speaker 1: for each dog. But each dog had to be focused

534
00:27:40,359 --> 00:27:44,359
Speaker 1: on on something or someone. Yeah, I don't know. I

535
00:27:44,400 --> 00:27:45,480
Speaker 1: mean maybe they could.

536
00:27:45,680 --> 00:27:46,120
Speaker 2: I don't know.

537
00:27:46,240 --> 00:27:48,760
Speaker 1: I don't know if like two dogs could be staring

538
00:27:48,760 --> 00:27:49,480
Speaker 1: at the same trainer.

539
00:27:49,520 --> 00:27:51,919
Speaker 2: Maybe probably, I don't know, but I don't know.

540
00:27:51,960 --> 00:27:54,120
Speaker 1: I guess it would depend on how familiar they are

541
00:27:54,440 --> 00:27:58,240
Speaker 1: with the trainer. Oh yeah, probably not gonna just listen

542
00:27:58,240 --> 00:28:00,720
Speaker 1: to anybody, Oh no, for sure. Now when these dogs

543
00:28:00,760 --> 00:28:03,600
Speaker 1: had to do like things like shake hands, right, and

544
00:28:03,640 --> 00:28:06,560
Speaker 1: that Doberman was so pretty oh beautiful.

545
00:28:06,960 --> 00:28:09,080
Speaker 2: These dogs are just they're so cute.

546
00:28:08,840 --> 00:28:12,720
Speaker 1: And Barkley slash Sparky was rivet. He rivet.

547
00:28:12,800 --> 00:28:15,639
Speaker 2: He earned his paycheck. He really did. He had a

548
00:28:15,680 --> 00:28:16,359
Speaker 2: lot of work thrown.

549
00:28:16,640 --> 00:28:18,280
Speaker 1: Did I have a question though? Where I was like,

550
00:28:18,359 --> 00:28:23,400
Speaker 1: so so did Steph and Joey just go and take

551
00:28:23,440 --> 00:28:26,360
Speaker 1: all the dogs from the neighborhood and bring them over

552
00:28:26,359 --> 00:28:28,360
Speaker 1: to the house. And the owners were like cool, all right,

553
00:28:28,920 --> 00:28:29,440
Speaker 1: that's fine.

554
00:28:29,960 --> 00:28:31,399
Speaker 2: Yeah, how did that conversation go?

555
00:28:32,240 --> 00:28:36,040
Speaker 1: Hi, I borrow your dog for a birthday party. You're

556
00:28:36,080 --> 00:28:39,760
Speaker 1: not invited, but I'm taking your dog. It was dog

557
00:28:39,840 --> 00:28:43,320
Speaker 1: I was just like, very well behaved dogs. Though you

558
00:28:43,360 --> 00:28:45,120
Speaker 1: imagine if all the dogs in your neighborhood were that

559
00:28:45,120 --> 00:28:45,640
Speaker 1: well behaved.

560
00:28:45,880 --> 00:28:48,520
Speaker 2: Oh yeah, no it was.

561
00:28:48,680 --> 00:28:49,920
Speaker 3: It was not nearly chaotic.

562
00:28:49,920 --> 00:28:54,959
Speaker 1: And think, think of your neighborhood and think and go

563
00:28:55,040 --> 00:28:57,960
Speaker 1: around to like six or seven different houses and just

564
00:28:58,400 --> 00:29:00,880
Speaker 1: take dogs from there and then bring them in your

565
00:29:00,920 --> 00:29:03,760
Speaker 1: house without their owners and and put party hats on

566
00:29:03,800 --> 00:29:04,880
Speaker 1: them and see how it goes.

567
00:29:06,880 --> 00:29:10,959
Speaker 2: Don't start playing with each other. They're nowhere, They're no sitting.

568
00:29:11,160 --> 00:29:14,920
Speaker 1: Yeah, nobody pooped on the floor.

569
00:29:15,000 --> 00:29:18,760
Speaker 2: Yeah, it was completely completely cling.

570
00:29:19,840 --> 00:29:20,160
Speaker 1: Yeah.

571
00:29:20,200 --> 00:29:22,440
Speaker 2: You can't even get killed less dogs.

572
00:29:22,720 --> 00:29:24,200
Speaker 1: They've had a horse in here before. They know what

573
00:29:24,240 --> 00:29:26,560
Speaker 1: they're doing this there do you do?

574
00:29:29,440 --> 00:29:31,160
Speaker 3: Okay? So where are we?

575
00:29:31,200 --> 00:29:34,640
Speaker 2: Oh? They all surprise and stuff exclaims this is so great.

576
00:29:34,920 --> 00:29:37,520
Speaker 2: Did you see the look on Comet's face? And she

577
00:29:37,600 --> 00:29:41,920
Speaker 2: places a hat on the birthday dog, good boy. Danny questions,

578
00:29:41,920 --> 00:29:44,600
Speaker 2: what about the look on my face? And Joey places

579
00:29:44,600 --> 00:29:48,160
Speaker 2: a party hat on his head in response. Danny is

580
00:29:48,160 --> 00:29:50,280
Speaker 2: happy that Stephanie was able to throw this party, but

581
00:29:50,520 --> 00:29:53,320
Speaker 2: wonders if she had to invite every dog on the block.

582
00:29:54,160 --> 00:29:57,000
Speaker 2: Then he sarcastically asks the party guests if anyone has

583
00:29:57,040 --> 00:30:00,960
Speaker 2: to use the hydrant. The dogs stare at him blankly,

584
00:30:01,520 --> 00:30:04,480
Speaker 2: so Joey chimes in, don't worry. He says that to

585
00:30:04,560 --> 00:30:08,719
Speaker 2: all his dinner guests. Stephanie introduces her dad to all

586
00:30:08,760 --> 00:30:14,160
Speaker 2: of Comet's friends. There's Bobo, Winky, Sparky, Jar Jar, and Jaws.

587
00:30:15,120 --> 00:30:18,680
Speaker 2: Danny shakes jaws is paw, reminding him he's never been

588
00:30:18,800 --> 00:30:24,480
Speaker 2: and isn't currently a maleman. Meanwhile, Michelle is petting Sparky

589
00:30:24,560 --> 00:30:28,400
Speaker 2: in comments you're little just like me, and the dog

590
00:30:28,520 --> 00:30:32,440
Speaker 2: gives her a kiss. In response, Oh, this little jack

591
00:30:32,520 --> 00:30:33,440
Speaker 2: is so cute.

592
00:30:33,840 --> 00:30:36,280
Speaker 1: Berkley is just I mean, look at it. Brilliant he

593
00:30:36,400 --> 00:30:38,000
Speaker 1: was like, I I got this.

594
00:30:38,480 --> 00:30:40,840
Speaker 2: He should have won an Emmy for that performance, you know.

595
00:30:40,880 --> 00:30:42,479
Speaker 1: He was, well, you know what, it's the only thing

596
00:30:42,520 --> 00:30:45,760
Speaker 1: preventing him from being in he got. He's got the Grammy,

597
00:30:45,880 --> 00:30:50,000
Speaker 1: the Oscar, the Tony Yeah for producing obviously.

598
00:30:49,880 --> 00:30:53,560
Speaker 2: Well, yeah, obviously for producing. He's just very multi talented.

599
00:30:55,600 --> 00:30:57,760
Speaker 2: So Michelle scrunches her face and says, do I look

600
00:30:57,800 --> 00:31:01,120
Speaker 2: like an ice cream cone? Then Joey brings out the cake.

601
00:31:01,400 --> 00:31:04,920
Speaker 2: He starts singing Happy Birthday in his Scooby Doo impression,

602
00:31:05,240 --> 00:31:11,000
Speaker 2: and the dogs follow suit, barking and yowling along with him.

603
00:31:11,280 --> 00:31:14,760
Speaker 2: It's so cute, so cute, and Dave is so into it,

604
00:31:14,800 --> 00:31:16,120
Speaker 2: like with his hat.

605
00:31:16,400 --> 00:31:17,880
Speaker 1: The dogs were like, this is great.

606
00:31:17,920 --> 00:31:21,160
Speaker 2: Do I get a treat? Yeah?

607
00:31:21,240 --> 00:31:22,400
Speaker 3: He sets the cake.

608
00:31:22,200 --> 00:31:24,280
Speaker 2: Down in front of Comet, and Stuff tells him to

609
00:31:24,320 --> 00:31:27,280
Speaker 2: make a wish and blow out the candle. Danny breaks

610
00:31:27,320 --> 00:31:29,320
Speaker 2: the news that Commt is a dog and he can't

611
00:31:29,320 --> 00:31:31,880
Speaker 2: blow out candles. Little comment.

612
00:31:32,560 --> 00:31:37,160
Speaker 1: Yeah, Commet comments yeah.

613
00:31:37,760 --> 00:31:40,600
Speaker 2: Commet blows out his birthday candle all by himself, and

614
00:31:40,680 --> 00:31:46,840
Speaker 2: everyone yearsay. Danny jokes, all right, smart guy, let's see

615
00:31:46,840 --> 00:31:51,440
Speaker 2: you cut the cake and hand out slices a fake

616
00:31:51,560 --> 00:31:54,440
Speaker 2: cake too, Like, did you remember if this I assume

617
00:31:54,440 --> 00:31:56,560
Speaker 2: it was a fake cake because putting a real cake

618
00:31:56,640 --> 00:31:57,760
Speaker 2: down in front of dogs.

619
00:32:00,760 --> 00:32:04,480
Speaker 1: They I mean, they're trained, they're not gonna That's like

620
00:32:04,600 --> 00:32:09,040
Speaker 1: they are waiting for the okay to do something. That's

621
00:32:09,040 --> 00:32:11,840
Speaker 1: why they all just staring off. Yeah, they're staring at

622
00:32:12,040 --> 00:32:14,880
Speaker 1: any number of dog trainers off to the side. Totally

623
00:32:15,040 --> 00:32:19,400
Speaker 1: normal dog behavior to just be frozen and staring straight ahead. Yeah,

624
00:32:19,600 --> 00:32:22,600
Speaker 1: laser focused. Yeah, they're just literally I mean, yeah, no,

625
00:32:22,640 --> 00:32:25,080
Speaker 1: they I don't. I mean, I'm sure that they're in

626
00:32:25,160 --> 00:32:26,840
Speaker 1: their little dog brain is like.

627
00:32:26,840 --> 00:32:28,640
Speaker 2: I really want that gig. I really want that gig.

628
00:32:28,960 --> 00:32:31,160
Speaker 2: But yeah, they won't do it. They won't do it. Oh,

629
00:32:31,160 --> 00:32:31,800
Speaker 2: they're so good.

630
00:32:32,000 --> 00:32:32,840
Speaker 3: They're so good.

631
00:32:32,920 --> 00:32:34,480
Speaker 2: They earned their their treats.

632
00:32:34,560 --> 00:32:38,040
Speaker 1: They're just and comment blew out the birthday candle.

633
00:32:38,680 --> 00:32:39,840
Speaker 3: I was so impressed.

634
00:32:40,360 --> 00:32:43,560
Speaker 2: And I remember that, not the scene, but just in general,

635
00:32:43,600 --> 00:32:44,800
Speaker 2: the trainer getting comment.

636
00:32:46,320 --> 00:32:48,600
Speaker 1: I remember I remember that scene because I like it.

637
00:32:48,640 --> 00:32:51,040
Speaker 1: You know, obviously took a futureries to get the dog

638
00:32:51,080 --> 00:32:53,640
Speaker 1: to blow out a birthday candle, but he was so

639
00:32:53,760 --> 00:32:55,880
Speaker 1: good and his little like whispered bark.

640
00:32:56,720 --> 00:32:59,760
Speaker 2: Yeah yeah, yeah, boy. Oh it was so good. It's

641
00:32:59,800 --> 00:33:01,920
Speaker 2: just I love dogs. You love dogs.

642
00:33:02,680 --> 00:33:05,520
Speaker 1: I mean, did you see I was in heaven? Anytime

643
00:33:05,880 --> 00:33:08,920
Speaker 1: I was often put in charge of commet in a scene,

644
00:33:09,440 --> 00:33:12,560
Speaker 1: and then anytime there were like multiple dogs, I was like,

645
00:33:12,600 --> 00:33:13,240
Speaker 1: this is the best.

646
00:33:13,760 --> 00:33:17,320
Speaker 2: Oh yeah, great, great, great storyline for you loved it.

647
00:33:18,840 --> 00:33:21,480
Speaker 2: So next we are at Jesse's high school reunion. The

648
00:33:21,560 --> 00:33:24,520
Speaker 2: gym is decked out in decorations, with high school alumni

649
00:33:24,640 --> 00:33:27,840
Speaker 2: dressed up and scattered around the room. Jesse walks in

650
00:33:27,920 --> 00:33:30,560
Speaker 2: and one of his bandmates spots him right away. He

651
00:33:30,640 --> 00:33:33,040
Speaker 2: runs up to Jesse and picks him right up off

652
00:33:33,040 --> 00:33:36,600
Speaker 2: the ground. Jesse is ecstatic to see the guy, who

653
00:33:36,600 --> 00:33:39,560
Speaker 2: he calls Hammer, and picks him up off the ground

654
00:33:39,600 --> 00:33:43,440
Speaker 2: in a big hug as well. Hammer examines Jesse and admits,

655
00:33:43,600 --> 00:33:49,720
Speaker 2: you look exactly the same, and Jesse jokingly responds, you don't.

656
00:33:50,040 --> 00:33:52,520
Speaker 2: He scans the room and asks Hammer if he's seen

657
00:33:52,680 --> 00:33:56,760
Speaker 2: Carrie Fowler yet, and his friend asks why you still

658
00:33:56,800 --> 00:33:59,760
Speaker 2: got the hots for Carrie and Jesse shakes his head. No,

659
00:34:00,240 --> 00:34:02,360
Speaker 2: you happen to be looking at a man who's engaged

660
00:34:02,480 --> 00:34:06,480
Speaker 2: to be married. Hammer can't hide his shock. No, you,

661
00:34:06,880 --> 00:34:10,520
Speaker 2: mister party machine. The Human Love Factory.

662
00:34:10,760 --> 00:34:16,359
Speaker 1: As opposed to the non human love factory. I mean,

663
00:34:16,480 --> 00:34:18,520
Speaker 1: loves feels like a pretty human emotion.

664
00:34:20,400 --> 00:34:24,120
Speaker 2: Robots don't really yeah, yeah right, were.

665
00:34:24,040 --> 00:34:26,080
Speaker 1: You the robot love factory? I don't know.

666
00:34:26,120 --> 00:34:29,040
Speaker 2: It's just I was like the writers were running out

667
00:34:29,040 --> 00:34:31,080
Speaker 2: of description. I had to just make it and make

668
00:34:31,080 --> 00:34:34,680
Speaker 2: it up. So he grabs Jesse brings him over to

669
00:34:34,680 --> 00:34:38,560
Speaker 2: the rest of the band, relaying this announcement, mister Catman

670
00:34:38,760 --> 00:34:42,640
Speaker 2: is getting married cat Man. I didn't. I don't if

671
00:34:42,680 --> 00:34:44,960
Speaker 2: these are these are words.

672
00:34:45,040 --> 00:34:48,960
Speaker 1: I don't know why, But I was like, did that

673
00:34:49,480 --> 00:34:52,440
Speaker 1: was there? Was there a reference? Was that something like

674
00:34:52,560 --> 00:34:55,360
Speaker 1: old TV show reference that we have just had no

675
00:34:55,440 --> 00:34:55,919
Speaker 1: idea about.

676
00:34:55,960 --> 00:34:58,440
Speaker 2: Maybe. I don't know. I just assumed it was like

677
00:34:58,480 --> 00:35:03,480
Speaker 2: a like a like a cat purring sexual reference. I

678
00:35:03,520 --> 00:35:05,120
Speaker 2: don't know, it's a stretch. I don't know what it

679
00:35:05,120 --> 00:35:05,560
Speaker 2: would be.

680
00:35:05,520 --> 00:35:09,880
Speaker 1: More for a girl, though, I get I don't know anyway,

681
00:35:10,080 --> 00:35:11,200
Speaker 1: mister catman.

682
00:35:11,239 --> 00:35:13,800
Speaker 2: Cat man, okay, doesn't that cat Man is getting married

683
00:35:14,160 --> 00:35:18,439
Speaker 2: and everyone's excited for Jesse. They cheer, they jump onto him,

684
00:35:18,880 --> 00:35:21,040
Speaker 2: they give him the loving pats and ruffle his hair,

685
00:35:21,320 --> 00:35:25,000
Speaker 2: and Jesse shall say, hey, hey, watch the hair. Come on, guys,

686
00:35:25,040 --> 00:35:27,919
Speaker 2: we're mature adults grow up, and then he contradicts himself

687
00:35:27,960 --> 00:35:31,160
Speaker 2: and jumps onto his friends and mimics the same endearing gestures.

688
00:35:32,520 --> 00:35:34,560
Speaker 2: They all hop onto the stage and Jesse tells them

689
00:35:34,560 --> 00:35:37,520
Speaker 2: it's time to rock and roll. One of the band

690
00:35:37,560 --> 00:35:39,959
Speaker 2: mates asks, are you sure you want to start now?

691
00:35:40,320 --> 00:35:42,400
Speaker 2: Didn't we used to like to wait until Carrie was

692
00:35:42,440 --> 00:35:46,520
Speaker 2: at the front, sitting nice and close watching you. Jesse responds,

693
00:35:46,600 --> 00:35:50,040
Speaker 2: I'm happily engaged. Carrie means nothing to me, and then

694
00:35:50,040 --> 00:35:52,799
Speaker 2: he yells out to the crowd with excitement, welcome back

695
00:35:52,800 --> 00:35:59,359
Speaker 2: to nineteen eighty. We are discipline problems. Great great name

696
00:35:59,400 --> 00:36:01,880
Speaker 2: man name Yeah. They start off with my Sharona and

697
00:36:01,920 --> 00:36:05,560
Speaker 2: they are going all out. They're swinging their instruments in unison.

698
00:36:06,200 --> 00:36:10,480
Speaker 2: The crowd is pumped up and dancing, and Jesse sounds great.

699
00:36:11,040 --> 00:36:14,160
Speaker 2: Just then Carrie appears at the door, giving Jesse a

700
00:36:14,239 --> 00:36:18,960
Speaker 2: longing look. Hammer nudges Jesse and motions towards her. When

701
00:36:19,000 --> 00:36:21,840
Speaker 2: Jesse spots her, he messes up the song lyrics, singing,

702
00:36:22,320 --> 00:36:24,440
Speaker 2: Mamama Mercy.

703
00:36:24,600 --> 00:36:30,960
Speaker 1: Here we go. Here we go, dragged into another one

704
00:36:31,000 --> 00:36:36,560
Speaker 1: of Jesse's poor decisions.

705
00:36:36,880 --> 00:36:39,560
Speaker 2: So after the commercial break, uh this we're still at

706
00:36:39,560 --> 00:36:42,479
Speaker 2: the high school reunion, It continues. Carrie stares at Jesse

707
00:36:42,640 --> 00:36:46,240
Speaker 2: for a moment before saying hi. Jesse responds by telling

708
00:36:46,280 --> 00:36:50,080
Speaker 2: Hammer she wants you, and Hammer says, yeah, right in

709
00:36:50,200 --> 00:36:54,160
Speaker 2: my dreams. Go up to her. Jesse nods, okay, I'll

710
00:36:54,200 --> 00:36:56,600
Speaker 2: say hi to an old friend. That's what reunions are for.

711
00:36:57,239 --> 00:36:59,600
Speaker 2: He jumps off the stage and walks towards his ex.

712
00:37:00,000 --> 00:37:02,680
Speaker 1: Everyone seeing pretty okay with them just dropping the song.

713
00:37:03,440 --> 00:37:08,000
Speaker 2: Oh yeah, because everybody's like everybody's want to gonna happen, right, yeah,

714
00:37:08,280 --> 00:37:10,360
Speaker 2: so invested in his relationship.

715
00:37:11,000 --> 00:37:14,520
Speaker 1: This family really just pulls focus wherever they go.

716
00:37:14,239 --> 00:37:18,759
Speaker 2: It's just too It's amazing narcissism.

717
00:37:18,760 --> 00:37:20,640
Speaker 3: One a one, turn it back to me.

718
00:37:22,760 --> 00:37:25,560
Speaker 2: So Jesse says, Hey, Carrie, old buddy, how you doing.

719
00:37:26,360 --> 00:37:28,239
Speaker 2: She greets him and pulls him in for a hug.

720
00:37:29,040 --> 00:37:32,160
Speaker 2: While they are embracing, Hammer hops on the mic and

721
00:37:32,200 --> 00:37:35,880
Speaker 2: announces look who's on the dance floor Golden Bay High's

722
00:37:35,920 --> 00:37:39,000
Speaker 2: Hottest couple of nineteen eighty. Picking up right where they

723
00:37:39,080 --> 00:37:42,640
Speaker 2: left off, Jesse holds Carrie with one arm as he

724
00:37:42,680 --> 00:37:45,359
Speaker 2: waves to the rest of the classmates. Hi, I can

725
00:37:45,400 --> 00:37:47,279
Speaker 2: say hi to all my friends. I'll be around to

726
00:37:47,360 --> 00:37:51,280
Speaker 2: hug each and every one of you. Momentarily, Hammer continues

727
00:37:51,360 --> 00:37:53,560
Speaker 2: believe it or not, this was Jesse and Carrey's song,

728
00:37:54,040 --> 00:37:56,479
Speaker 2: and the band begins to play Muskrat Love.

729
00:37:58,760 --> 00:38:06,960
Speaker 1: I'm just thinking, like it's just so ridiculous welcome, I know,

730
00:38:07,239 --> 00:38:10,120
Speaker 1: I know, just every once in a while, like it'll

731
00:38:10,200 --> 00:38:12,880
Speaker 1: hit me more. I'm like, this is so it's just

732
00:38:12,960 --> 00:38:16,359
Speaker 1: like so all about them, and I duh, I get it.

733
00:38:16,360 --> 00:38:18,239
Speaker 1: It's you know, but it's just sometimes where I'm like,

734
00:38:18,480 --> 00:38:23,239
Speaker 1: this is so unlike, it's just it's all I don't know,

735
00:38:23,440 --> 00:38:24,600
Speaker 1: it's just so funny to me.

736
00:38:25,280 --> 00:38:28,000
Speaker 2: It's it's yeah, it feels like the planets are aligning,

737
00:38:28,120 --> 00:38:30,480
Speaker 2: and it's all the setting up Jesse for free like that.

738
00:38:34,120 --> 00:38:37,040
Speaker 2: Don't need to set him up for these stupid decisions.

739
00:38:37,680 --> 00:38:38,840
Speaker 1: They're not helping Hammer.

740
00:38:39,880 --> 00:38:43,120
Speaker 2: I know, Hammer. I wanted to strangle Hammer. Uh, not

741
00:38:43,200 --> 00:38:46,040
Speaker 2: as much as I wanted to strangle Carrie. Though, Carrie

742
00:38:46,040 --> 00:38:50,560
Speaker 2: insists that she and Jesse dance. Jesse agrees and starts

743
00:38:50,560 --> 00:38:53,200
Speaker 2: to do an upbeat dance by himself, but Carrie quickly

744
00:38:53,239 --> 00:38:58,880
Speaker 2: pulls him in for a slow dance. Mm Jesse, Jesse asks,

745
00:38:58,920 --> 00:39:02,640
Speaker 2: have you been in Europe? This whole time, and Carrie nods, yeah,

746
00:39:02,800 --> 00:39:06,200
Speaker 2: I'm really sorry we lost touch, but we're touching now.

747
00:39:07,360 --> 00:39:10,640
Speaker 2: Jesse's voice raises in pitch. Did I mention I'm engaged?

748
00:39:10,680 --> 00:39:13,320
Speaker 2: Because I am? People see me on the street and go, whoa,

749
00:39:13,520 --> 00:39:17,960
Speaker 2: there goes a happy engaged guy. Carrie questions, but you're

750
00:39:18,000 --> 00:39:23,360
Speaker 2: not married yet, and Jesse shakes his head. She suggests

751
00:39:23,680 --> 00:39:26,480
Speaker 2: maybe there's a reason fate brought us together tonight.

752
00:39:26,840 --> 00:39:29,360
Speaker 1: And he says nothing.

753
00:39:29,440 --> 00:39:32,440
Speaker 2: He still continues to dance. Yeah, but you know what,

754
00:39:32,520 --> 00:39:34,600
Speaker 2: this is the moment where she becomes the villain, like

755
00:39:35,400 --> 00:39:37,920
Speaker 2: she's mad at her. I am, I am at this

756
00:39:37,960 --> 00:39:41,279
Speaker 2: point because like he's putting up some resistance.

757
00:39:42,040 --> 00:39:45,399
Speaker 3: She's just bulldozing over these boundaries. You're not married yet.

758
00:39:45,480 --> 00:39:46,400
Speaker 3: You know there's a reason.

759
00:39:46,440 --> 00:39:49,520
Speaker 2: It's fate, you know, like, girl, back off, you know,

760
00:39:49,560 --> 00:39:52,600
Speaker 2: take those boobs and just back off, back off.

761
00:39:53,000 --> 00:39:55,200
Speaker 1: But Jesse could have been held a little more of

762
00:39:55,239 --> 00:39:55,760
Speaker 1: a boundary.

763
00:39:56,040 --> 00:39:56,480
Speaker 2: I agree.

764
00:39:56,560 --> 00:39:59,040
Speaker 1: I mean, hey, you stopped the entire performance when she

765
00:39:59,120 --> 00:40:01,719
Speaker 1: walked in the room, so so he's not exactly saying

766
00:40:01,760 --> 00:40:03,439
Speaker 1: I'm not interested, you know what I mean? If somebody

767
00:40:03,520 --> 00:40:05,560
Speaker 1: did that, I'd be like, I think I have a chance.

768
00:40:06,000 --> 00:40:08,120
Speaker 2: Yeah, he couldn't. He should have just waved from the

769
00:40:08,160 --> 00:40:10,719
Speaker 2: stage and continued with the next song. But you know,

770
00:40:11,400 --> 00:40:13,160
Speaker 2: then the storyline wouldn't.

771
00:40:12,760 --> 00:40:15,600
Speaker 1: Work, So then we wouldn't hear Muskrat Love so right.

772
00:40:17,320 --> 00:40:20,800
Speaker 2: So Jesse jokes it wasn't fate, it was the reunion committee,

773
00:40:21,320 --> 00:40:23,920
Speaker 2: and Carrie admits I didn't know how i'd feel seeing

774
00:40:23,920 --> 00:40:26,319
Speaker 2: you again, But being back in your arms, it's like

775
00:40:26,400 --> 00:40:29,759
Speaker 2: nothing has changed. Don't you remember the last time we

776
00:40:29,760 --> 00:40:33,239
Speaker 2: were together. The camera pans up to the disco ball

777
00:40:33,360 --> 00:40:36,840
Speaker 2: and we're transported back to the same spot ten years ago.

778
00:40:37,080 --> 00:40:40,000
Speaker 2: At the farewell party for the class of nineteen eighty.

779
00:40:41,200 --> 00:40:44,359
Speaker 2: Carrie is standing by herself, looking distressed as she checks

780
00:40:44,440 --> 00:40:47,080
Speaker 2: her watch. She's I don't know if this is a

781
00:40:47,120 --> 00:40:50,080
Speaker 2: wig or they just managed to redo her hair. But

782
00:40:50,239 --> 00:40:55,560
Speaker 2: it is so eighties the teasing that bangs, like, yeah,

783
00:40:55,719 --> 00:41:00,480
Speaker 2: it was so giant. So a motorcycle revs in the distance,

784
00:41:00,640 --> 00:41:04,160
Speaker 2: and then Jesse comes speeding in his mullet and long

785
00:41:04,200 --> 00:41:05,760
Speaker 2: earrings flowing in.

786
00:41:05,640 --> 00:41:08,719
Speaker 1: The wind, blowing indeed.

787
00:41:10,320 --> 00:41:11,760
Speaker 2: A mullet the worse.

788
00:41:13,560 --> 00:41:16,040
Speaker 1: Right. I was like, wait, it can't get any worse

789
00:41:16,080 --> 00:41:18,320
Speaker 1: than the Oh my god, it is.

790
00:41:18,320 --> 00:41:20,800
Speaker 2: Like it was so long.

791
00:41:20,960 --> 00:41:25,719
Speaker 1: It was like it was like they put like two

792
00:41:25,760 --> 00:41:27,200
Speaker 1: different wigs on him, you know what I mean. It

793
00:41:27,239 --> 00:41:28,839
Speaker 1: was like there was like the there was the top

794
00:41:28,920 --> 00:41:30,880
Speaker 1: part of the wig, and then they just clipped on

795
00:41:30,960 --> 00:41:32,719
Speaker 1: like a long wig on the back of it.

796
00:41:33,400 --> 00:41:35,759
Speaker 2: There was no blending like it was just like it

797
00:41:35,800 --> 00:41:38,000
Speaker 2: was just Yeah, it was a yeah.

798
00:41:37,880 --> 00:41:41,800
Speaker 1: It was if that's what he looked like in nineteen

799
00:41:41,840 --> 00:41:45,680
Speaker 1: eighty though also he, I mean, very mature for a

800
00:41:45,760 --> 00:41:48,799
Speaker 1: senior in high school and hasn't changed much at all.

801
00:41:50,760 --> 00:41:52,360
Speaker 2: Bay at least he cut the mullet.

802
00:41:52,440 --> 00:41:55,560
Speaker 1: But yeah, aside from that, well technically stuff cut the mullet.

803
00:41:55,640 --> 00:41:58,000
Speaker 1: Let's yeah, agree have stuff to think for that.

804
00:41:58,120 --> 00:42:01,200
Speaker 2: But he had to cut it against Oh, this doesn't

805
00:42:01,560 --> 00:42:03,720
Speaker 2: me it's the prices didn't get caught in the wheels

806
00:42:03,719 --> 00:42:04,440
Speaker 2: of his motorcycle.

807
00:42:05,480 --> 00:42:06,240
Speaker 3: It's a hazard.

808
00:42:06,760 --> 00:42:09,640
Speaker 1: Yeah, you can't just ride around with that flapping behind

809
00:42:09,680 --> 00:42:12,719
Speaker 1: you. You gotta tie that up, braid it all, take a scar.

810
00:42:13,120 --> 00:42:15,400
Speaker 1: It's like an accessory. It's gonna be a nightmare when

811
00:42:15,400 --> 00:42:17,839
Speaker 1: you're on a motorcycle. Your hair is blown everywhere. It's

812
00:42:18,239 --> 00:42:20,560
Speaker 1: it's gonna be eating that mullet. You know.

813
00:42:21,080 --> 00:42:23,920
Speaker 2: No, I'm not gonna like that got it?

814
00:42:24,280 --> 00:42:25,680
Speaker 3: Oh, long live the mullet.

815
00:42:26,440 --> 00:42:28,240
Speaker 1: Oh, it's living quite long.

816
00:42:31,920 --> 00:42:35,080
Speaker 2: So Carrie scolds him, telling him he's gonna get in trouble,

817
00:42:35,600 --> 00:42:39,279
Speaker 2: and Jesse scoffs, I graduate tomorrow. What'll they do expel me?

818
00:42:40,200 --> 00:42:42,759
Speaker 2: He grabs Carrie and twirls her around while giving her

819
00:42:42,800 --> 00:42:45,480
Speaker 2: a kiss. He decides they should take the motorcycle to

820
00:42:45,520 --> 00:42:48,239
Speaker 2: the library. He's always wondered what it looks like in there.

821
00:42:49,280 --> 00:42:51,920
Speaker 2: He hops back onto the vehicle, but Carrie stops him.

822
00:42:52,520 --> 00:42:54,560
Speaker 2: She sits down next to him and admits that they

823
00:42:54,600 --> 00:42:55,880
Speaker 2: need to have a little talk.

824
00:42:56,520 --> 00:42:58,880
Speaker 3: She asks, do you remember when I sent.

825
00:42:58,719 --> 00:43:01,759
Speaker 2: My pictures to that modeling agency? Well, they love them,

826
00:43:01,960 --> 00:43:05,719
Speaker 2: and they're sending me to Paris. Jesse is shocked. You

827
00:43:05,760 --> 00:43:07,719
Speaker 2: can't go to Paris. You're supposed to come on the

828
00:43:07,760 --> 00:43:08,960
Speaker 2: road with me and my band.

829
00:43:09,520 --> 00:43:13,600
Speaker 1: I'm glad he's it's consistent, though, you know what I mean, Like,

830
00:43:13,640 --> 00:43:16,319
Speaker 1: at least we're not like, oh he grew into this

831
00:43:16,400 --> 00:43:18,640
Speaker 1: brit Now. He was just always like Nope, you can't

832
00:43:18,640 --> 00:43:18,960
Speaker 1: do that.

833
00:43:19,160 --> 00:43:22,120
Speaker 2: So okay, I know at least now you can blame

834
00:43:22,160 --> 00:43:23,400
Speaker 2: it on him being eighteen or.

835
00:43:23,400 --> 00:43:25,879
Speaker 1: Whatever, you know, So it's I just keep blaming Grandpa Nick.

836
00:43:26,400 --> 00:43:27,120
Speaker 2: Just keep blaming it.

837
00:43:27,200 --> 00:43:29,680
Speaker 1: Yeah, I just keep going. That was the example. Okay,

838
00:43:29,719 --> 00:43:31,160
Speaker 1: it's okay, Yes.

839
00:43:31,120 --> 00:43:33,399
Speaker 2: You would hope in ten years Jesse will would have

840
00:43:33,960 --> 00:43:36,000
Speaker 2: grown up matured a little bit. But it's like at

841
00:43:36,000 --> 00:43:37,320
Speaker 2: this point you're just blaming it on the fact that

842
00:43:37,320 --> 00:43:41,160
Speaker 2: he's eighteen. He's a bonehead. His frontal cortex hasn't hasn't

843
00:43:41,160 --> 00:43:41,919
Speaker 2: developed yet.

844
00:43:42,200 --> 00:43:45,880
Speaker 1: Yeah, but you know, but his but his uh, rear

845
00:43:46,000 --> 00:43:48,640
Speaker 1: mullet has definitely developed.

846
00:43:48,680 --> 00:43:51,760
Speaker 2: Yeah. Yeah, it's all quartets, not so much rear mullet.

847
00:43:52,520 --> 00:43:53,520
Speaker 2: It's all on the back beau.

848
00:43:53,640 --> 00:43:55,040
Speaker 1: Yeah.

849
00:43:55,520 --> 00:43:58,799
Speaker 2: Uh so, Carrie reminds him of her modeling career. This

850
00:43:58,920 --> 00:44:02,680
Speaker 2: is the biggest break she's ever had. She questions, you

851
00:44:02,719 --> 00:44:05,720
Speaker 2: really think I should throw it away? And Jesse doesn't

852
00:44:05,719 --> 00:44:08,879
Speaker 2: think twice Yeah, my band's really started to take off.

853
00:44:08,920 --> 00:44:10,840
Speaker 2: Now someday we're going to be as big as the

854
00:44:10,880 --> 00:44:11,480
Speaker 2: village people.

855
00:44:13,080 --> 00:44:19,360
Speaker 1: I can't. It's just like you, like, what you know

856
00:44:19,360 --> 00:44:21,759
Speaker 1: what I mean, Like, do you expect from quick?

857
00:44:21,840 --> 00:44:22,080
Speaker 2: Yeah?

858
00:44:22,239 --> 00:44:26,440
Speaker 1: What yep? Bro, come on, he's.

859
00:44:26,239 --> 00:44:30,440
Speaker 2: So selfish and yeah, like way to be an encouraging partner.

860
00:44:30,800 --> 00:44:34,040
Speaker 1: But nope, And everyone's like, oh, you're hating on Jesse,

861
00:44:34,520 --> 00:44:39,480
Speaker 1: but you got it. I know that's one he's anyway, Yeah,

862
00:44:39,200 --> 00:44:40,120
Speaker 1: I get it going.

863
00:44:40,239 --> 00:44:40,879
Speaker 2: I keep going.

864
00:44:41,160 --> 00:44:42,640
Speaker 3: Uh so, Carrie.

865
00:44:43,040 --> 00:44:46,000
Speaker 2: Carrie's eyes narrow, How could you be so selfish? What

866
00:44:46,080 --> 00:44:50,160
Speaker 2: about me? And Jesse spits back, what about me? They

867
00:44:50,200 --> 00:44:52,600
Speaker 2: go back and forth asking no, what about me? And

868
00:44:52,719 --> 00:44:57,600
Speaker 2: Jesse gets quiet, what about us? Carrie sighs, sounds like

869
00:44:57,600 --> 00:45:00,040
Speaker 2: we're breaking up. He tells her he doesn't want to

870
00:45:00,080 --> 00:45:03,480
Speaker 2: do that, and she admits, neither do I. Jesse grabs

871
00:45:03,480 --> 00:45:06,279
Speaker 2: her hand, Go do your modeling thing. I'll do my

872
00:45:06,440 --> 00:45:08,480
Speaker 2: rock and roll, and I promise you as soon as

873
00:45:08,480 --> 00:45:10,160
Speaker 2: you get back, we're going to pick it up where

874
00:45:10,160 --> 00:45:14,160
Speaker 2: we left off. Carrie's eyes fill with tears. You really

875
00:45:14,200 --> 00:45:17,719
Speaker 2: mean that? Jesse tells her to read his lips, and

876
00:45:17,880 --> 00:45:21,280
Speaker 2: he kisses her. We flash forward to the present, where

877
00:45:21,360 --> 00:45:24,600
Speaker 2: Carrie and Jesse are still slow dancing. Carrie is convinced

878
00:45:24,800 --> 00:45:28,080
Speaker 2: this is their second chance and holds him to his promise.

879
00:45:29,160 --> 00:45:32,520
Speaker 2: Jesse reminds her that was ten years ago, but Carrie

880
00:45:32,600 --> 00:45:36,960
Speaker 2: argues that it still doesn't feel over between them. Jesse hesitates,

881
00:45:37,560 --> 00:45:40,279
Speaker 2: I don't know, I gotta go. I'm sorry. He runs

882
00:45:40,320 --> 00:45:42,560
Speaker 2: out of the event, leaving Carrie on the dance floor

883
00:45:42,640 --> 00:45:45,719
Speaker 2: all alone. Okay, this is good, this is good.

884
00:45:45,800 --> 00:45:46,239
Speaker 1: This is good.

885
00:45:46,520 --> 00:45:48,080
Speaker 2: Like that's what you're supposed to do. Run away like

886
00:45:48,160 --> 00:45:49,640
Speaker 2: run away sometimes.

887
00:45:49,920 --> 00:45:52,920
Speaker 1: Okay, well credit where credits do? This was an improvement.

888
00:45:53,239 --> 00:45:55,400
Speaker 2: Yeah, I'm telling you, heading in the right direction home.

889
00:45:55,960 --> 00:45:58,640
Speaker 2: He he was holding off, he was doing the right

890
00:45:58,680 --> 00:46:01,840
Speaker 2: thing despite all of these forces coming at But you know,

891
00:46:02,080 --> 00:46:03,360
Speaker 2: and then it kind of, I mean, it kind of

892
00:46:03,360 --> 00:46:08,400
Speaker 2: screwed his bandmates over. But what else? Disappointed? Jesse was

893
00:46:08,480 --> 00:46:09,000
Speaker 2: very upset.

894
00:46:09,480 --> 00:46:09,960
Speaker 1: Jesse sa.

895
00:46:18,000 --> 00:46:21,280
Speaker 2: So. Next in the living room, Danny, Becky, and Stephanie

896
00:46:21,320 --> 00:46:25,520
Speaker 2: are scouring the room looking for Sparky, who's lost. Joey

897
00:46:25,520 --> 00:46:27,560
Speaker 2: walks in after taking all the other dogs back to

898
00:46:27,600 --> 00:46:31,120
Speaker 2: their respective homes. He asks if they've found Sparky yet.

899
00:46:32,120 --> 00:46:35,200
Speaker 2: Danny size, not a trace, but I did find thirty

900
00:46:35,239 --> 00:46:38,600
Speaker 2: eight cents and a rubber pork chop. He asks Joey,

901
00:46:38,640 --> 00:46:42,160
Speaker 2: if you were a dog, where would you be. Joey

902
00:46:42,360 --> 00:46:46,160
Speaker 2: thinks seriously about this question and decides drinking water out

903
00:46:46,160 --> 00:46:48,319
Speaker 2: of the toilet and he runs away to go check

904
00:46:48,360 --> 00:46:51,920
Speaker 2: that theory. Meanwhile, steph decides that they can get commet

905
00:46:52,080 --> 00:46:55,520
Speaker 2: to help them find Sparky. Becky reminds her that Comment's

906
00:46:55,520 --> 00:46:58,040
Speaker 2: a little partied out right now. And we see Comment

907
00:46:58,080 --> 00:47:00,000
Speaker 2: on the couch laying on his back with a part

908
00:47:00,000 --> 00:47:02,640
Speaker 2: pready hat still on his head. It's so cute.

909
00:47:02,680 --> 00:47:04,799
Speaker 1: That's how my dog lays on the couch all the time.

910
00:47:05,280 --> 00:47:07,440
Speaker 1: She does just oh yeah, she gets her little blanket

911
00:47:07,440 --> 00:47:09,879
Speaker 1: and then she just flips over and like displays out

912
00:47:09,920 --> 00:47:13,200
Speaker 1: everywhere and just yeah, it's the best. It looks so comfortable,

913
00:47:14,000 --> 00:47:17,840
Speaker 1: sluffy and yeah, totally comfortable and fluffy. But also they're

914
00:47:17,880 --> 00:47:20,640
Speaker 1: pretty uh, they're taking this pretty well that they've lost

915
00:47:20,640 --> 00:47:24,480
Speaker 1: someone else's dog, you know what I mean. They're like, huh,

916
00:47:24,520 --> 00:47:26,160
Speaker 1: I wonder where the dog went. I don't know, it's

917
00:47:26,200 --> 00:47:27,880
Speaker 1: not ours, like right.

918
00:47:28,680 --> 00:47:30,960
Speaker 2: It's yeah, there's no panic, like they are very very

919
00:47:30,960 --> 00:47:31,880
Speaker 2: calm at this moment.

920
00:47:32,000 --> 00:47:36,560
Speaker 1: The dog. They're in the alco looking calling it to

921
00:47:36,600 --> 00:47:41,120
Speaker 1: the bookshelves.

922
00:47:39,600 --> 00:47:44,720
Speaker 2: Out of door. I don't know. Yes, yeah, oh, Sparky

923
00:47:45,200 --> 00:47:49,279
Speaker 2: so up in Michelle's room. Michelle is holding Sparky hostage

924
00:47:49,440 --> 00:47:52,360
Speaker 2: in her room. She's even put some cute bunny ears

925
00:47:52,360 --> 00:47:55,040
Speaker 2: on him. She tells him, you can be my dog.

926
00:47:55,280 --> 00:47:59,239
Speaker 2: I'll call you peanut. DJ calls out for Michelle so

927
00:47:59,280 --> 00:48:01,520
Speaker 2: she quickly tells Sparky to go hide under the bed,

928
00:48:01,719 --> 00:48:04,759
Speaker 2: but no barking, the dog does exactly yes, he's told.

929
00:48:05,040 --> 00:48:08,520
Speaker 2: Right before DJ enters the room, she asks Michelle if

930
00:48:08,560 --> 00:48:11,799
Speaker 2: she's seen Sparky anywhere, and Michelle plasters a smile onto

931
00:48:11,840 --> 00:48:16,280
Speaker 2: her face. No, Sparky here, have a nice day. On cue,

932
00:48:16,320 --> 00:48:19,600
Speaker 2: Sparky barks. We see him sitting amongst a pile of

933
00:48:19,640 --> 00:48:27,320
Speaker 2: stuffed animals, blending in quite well, yeah, it's so funny

934
00:48:27,400 --> 00:48:29,960
Speaker 2: like this just never fails to make me laugh.

935
00:48:30,040 --> 00:48:32,879
Speaker 1: Rabbit ears yet, So.

936
00:48:32,880 --> 00:48:36,320
Speaker 2: DJ questions did that bunny rabbit just bark? And Michelle

937
00:48:36,360 --> 00:48:39,840
Speaker 2: barks in response, pretending it was her. But Sparky barks

938
00:48:39,880 --> 00:48:44,279
Speaker 2: some more, and Michelle admits maybe it's a doggie. DJ

939
00:48:44,360 --> 00:48:48,400
Speaker 2: hops onto the bed and grabs the tiny dog. Wait, sorry,

940
00:48:48,480 --> 00:48:51,320
Speaker 2: I was like, did I Oh no, she says it twice? Okay, Sorry,

941
00:48:51,360 --> 00:48:54,359
Speaker 2: I just I just had a momentary like I was like.

942
00:48:54,360 --> 00:49:01,040
Speaker 1: Oh no, are you okay? And I can't get rich.

943
00:49:01,320 --> 00:49:04,160
Speaker 1: We're just talking about crosswords and now this like I can't.

944
00:49:04,440 --> 00:49:06,719
Speaker 2: Oh my god is on the phone.

945
00:49:06,760 --> 00:49:08,000
Speaker 1: I get it right?

946
00:49:08,920 --> 00:49:10,840
Speaker 2: No, I thought I had read the same thing twice,

947
00:49:10,880 --> 00:49:13,200
Speaker 2: but the line, the line repeats.

948
00:49:12,960 --> 00:49:15,400
Speaker 1: So well, yeah, she says, yeah, maybe it's a doggie.

949
00:49:15,400 --> 00:49:16,200
Speaker 1: Maybe it's Sparky.

950
00:49:16,320 --> 00:49:18,880
Speaker 2: Okay, maybe it's Sparky Okay. So sorry, my brain is

951
00:49:18,920 --> 00:49:23,879
Speaker 2: back in its place, so Michelle corrects DJ. His name

952
00:49:23,920 --> 00:49:27,399
Speaker 2: is Peanut and he's my doggie. And DJ wonders what's

953
00:49:27,440 --> 00:49:31,239
Speaker 2: wrong with Comet. Michelle explains, one day he was this

954
00:49:31,320 --> 00:49:33,759
Speaker 2: big and she puts her hands close together, and then

955
00:49:33,800 --> 00:49:36,359
Speaker 2: he was this big and she holds her arms far

956
00:49:36,400 --> 00:49:41,400
Speaker 2: apart to distinguish the size difference. DJ realizes that Michelle

957
00:49:41,440 --> 00:49:44,480
Speaker 2: just wants a dog her own size. She explains to

958
00:49:44,520 --> 00:49:47,319
Speaker 2: her little sister, the reason Comet got so big is

959
00:49:47,320 --> 00:49:51,200
Speaker 2: because dogs grow faster than people. But Commet's all finished

960
00:49:51,239 --> 00:49:54,280
Speaker 2: growing and you're still getting bigger. So as you get bigger,

961
00:49:54,560 --> 00:49:57,239
Speaker 2: Comet will seem to be getting smaller, even though he's

962
00:49:57,280 --> 00:50:02,120
Speaker 2: staying the same size. Understand. Michelle frowns, are you nuts?

963
00:50:02,719 --> 00:50:05,200
Speaker 2: And DJ decides to change for tactics.

964
00:50:05,840 --> 00:50:06,680
Speaker 3: How about I take.

965
00:50:06,560 --> 00:50:09,239
Speaker 2: Sparky home and then make you a double scoop ice

966
00:50:09,280 --> 00:50:13,680
Speaker 2: cream Sunday And Michelle grins, You got it, dude, that's good.

967
00:50:13,719 --> 00:50:16,120
Speaker 2: We should reward the child for stealing someone else's dog.

968
00:50:18,400 --> 00:50:22,120
Speaker 1: You know it's I hold onto this other person's dog.

969
00:50:22,239 --> 00:50:26,080
Speaker 1: You know what you get a Sunday's I mean, look.

970
00:50:25,920 --> 00:50:28,879
Speaker 2: I get it. I would also probably hold onto other

971
00:50:28,880 --> 00:50:29,520
Speaker 2: people's dogs.

972
00:50:30,239 --> 00:50:31,200
Speaker 3: Dj was desperate.

973
00:50:31,280 --> 00:50:38,080
Speaker 2: You know she's right. Yeah. So back in the living room,

974
00:50:38,440 --> 00:50:41,920
Speaker 2: Danny is vacuuming the furniture. Of course, when Jesse buns

975
00:50:41,960 --> 00:50:45,480
Speaker 2: in panicked, he breathlessly tells Danny he needs to talk

976
00:50:45,480 --> 00:50:47,920
Speaker 2: to him, but Danny needs a minute. Some of Comet's

977
00:50:47,960 --> 00:50:53,280
Speaker 2: friends left their coats behind. Jesse turns off the vacuum

978
00:50:53,280 --> 00:50:57,000
Speaker 2: and immediately tells Danny about his predicament. I was dancing

979
00:50:57,000 --> 00:50:59,399
Speaker 2: with my old friend, my old girlfriend, Carrie, and they

980
00:50:59,400 --> 00:51:01,719
Speaker 2: played musk at Love and I had to run right

981
00:51:01,760 --> 00:51:05,040
Speaker 2: out of the gym. Danny admits, of all the songs

982
00:51:05,040 --> 00:51:09,200
Speaker 2: about muskrats, that one was my favorite.

983
00:51:09,320 --> 00:51:12,160
Speaker 1: They were very big in the seventies. Muskrat's huge.

984
00:51:13,600 --> 00:51:15,799
Speaker 2: He starts to snap and sing the song, but Jesse

985
00:51:15,920 --> 00:51:18,400
Speaker 2: forces him to stop. He brings Danny back to the

986
00:51:18,440 --> 00:51:22,000
Speaker 2: problem at hand. What if I saw Carrie before I

987
00:51:22,040 --> 00:51:25,120
Speaker 2: met Becky. What if instead of ten year reunions they

988
00:51:25,160 --> 00:51:28,040
Speaker 2: had seven year reunions. What if I saw her and

989
00:51:28,120 --> 00:51:30,400
Speaker 2: danced with her and kissed her, and what if I

990
00:51:30,600 --> 00:51:34,520
Speaker 2: liked it? Danny interrupts, what if Becky hears you? She's

991
00:51:34,600 --> 00:51:37,840
Speaker 2: upstairs with the girls, and Jesse panics.

992
00:51:37,920 --> 00:51:38,560
Speaker 3: Becky's here.

993
00:51:40,360 --> 00:51:42,560
Speaker 2: Danny tells him to calm down and gives him a

994
00:51:42,600 --> 00:51:45,080
Speaker 2: word of advice. I think what you need to do

995
00:51:45,160 --> 00:51:47,520
Speaker 2: is sort out your feelings like you would sort out

996
00:51:47,520 --> 00:51:51,120
Speaker 2: your laundry. Jesse doesn't like the way this is going,

997
00:51:51,200 --> 00:51:53,560
Speaker 2: but Danny begs him to stay with him. Think of

998
00:51:53,600 --> 00:51:56,200
Speaker 2: your feelings for Becky as your whites, and your feelings

999
00:51:56,239 --> 00:51:59,120
Speaker 2: for Carrie as your darks. Make sure you do separate

1000
00:51:59,120 --> 00:52:01,400
Speaker 2: loads because of red sock can mix with your whites

1001
00:52:01,440 --> 00:52:03,440
Speaker 2: and you'll end up with pink underwear.

1002
00:52:05,680 --> 00:52:11,759
Speaker 1: Jesse gets her, explaining of things it's hereditary.

1003
00:52:11,920 --> 00:52:15,720
Speaker 2: Yeah, I'm sure it made sense in Danny's mind, right, Yeah, exactly,

1004
00:52:15,719 --> 00:52:20,759
Speaker 2: there's like I yeah. So Danny admits these laundry analogies

1005
00:52:20,800 --> 00:52:24,840
Speaker 2: are highly sophisticated, so he explains his thoughts in layman's

1006
00:52:24,920 --> 00:52:28,120
Speaker 2: terms this time. Look, I think Becky's the greatest, but

1007
00:52:28,160 --> 00:52:30,280
Speaker 2: it's not fair for either of you to get married

1008
00:52:30,360 --> 00:52:33,319
Speaker 2: if you're not sure about your feelings. Whatever you need

1009
00:52:33,360 --> 00:52:35,160
Speaker 2: to do to sort this thing out, you better do

1010
00:52:35,280 --> 00:52:39,360
Speaker 2: it right now. Then Carrie appears at the door and

1011
00:52:39,400 --> 00:52:42,120
Speaker 2: says hi to Jesse. She knows where he lives. I

1012
00:52:42,120 --> 00:52:45,440
Speaker 2: don't know she has a phone number. Oh she like

1013
00:52:45,480 --> 00:52:47,800
Speaker 2: a stockery type of person.

1014
00:52:47,880 --> 00:52:49,840
Speaker 1: How does she know how she get the phone number?

1015
00:52:50,160 --> 00:52:51,520
Speaker 2: I bet I bet she Well, I don't know how

1016
00:52:51,560 --> 00:52:54,279
Speaker 2: she got the phone number. But I bet you had

1017
00:52:54,320 --> 00:52:58,680
Speaker 2: Google home. You can't google anybody. Yeah, yeah, she's yeah,

1018
00:52:59,000 --> 00:53:01,560
Speaker 2: just a stocker tendon. Yeah yeah, this has got to

1019
00:53:01,800 --> 00:53:04,560
Speaker 2: keep one eye on her at all times. Yeah, she

1020
00:53:04,600 --> 00:53:06,720
Speaker 2: has an agenda.

1021
00:53:07,760 --> 00:53:09,120
Speaker 3: So Carrie appears.

1022
00:53:08,760 --> 00:53:11,880
Speaker 2: And she says hi to Jesse. Danny's eyes widen and

1023
00:53:11,920 --> 00:53:14,919
Speaker 2: he asks his brother in law who's that, and Jesse

1024
00:53:15,040 --> 00:53:19,160
Speaker 2: responds it's the red Sock. He runs up to Carrie

1025
00:53:19,160 --> 00:53:22,319
Speaker 2: and ushers her outside, with him closing the door behind them.

1026
00:53:23,000 --> 00:53:26,040
Speaker 2: He asks what she's doing here, and she admits to

1027
00:53:26,120 --> 00:53:29,479
Speaker 2: find out why you walked out on me tonight. Jesse

1028
00:53:29,600 --> 00:53:32,239
Speaker 2: tells her, I'm sorry if I hurt your feelings. You know,

1029
00:53:32,320 --> 00:53:34,520
Speaker 2: I thought I had my whole life figured out and

1030
00:53:34,560 --> 00:53:36,520
Speaker 2: then you show up and I don't know what I'm doing.

1031
00:53:37,719 --> 00:53:41,640
Speaker 2: Carrie lends her perspective, I think you're scared. You still

1032
00:53:41,640 --> 00:53:44,000
Speaker 2: have feelings for me, and there's only one way to

1033
00:53:44,040 --> 00:53:50,680
Speaker 2: find out. She kisses him and he doesn't stop her, and.

1034
00:53:50,960 --> 00:53:51,440
Speaker 1: This is it.

1035
00:53:51,560 --> 00:53:52,760
Speaker 2: This is where he fails.

1036
00:53:53,440 --> 00:53:54,759
Speaker 1: I was like, what are you.

1037
00:53:56,760 --> 00:53:57,880
Speaker 3: Don't even entertain this?

1038
00:53:58,040 --> 00:54:00,239
Speaker 2: Like, just don't even go outside with her for me?

1039
00:54:00,480 --> 00:54:02,760
Speaker 1: But right, don't go outside with it? But for me also,

1040
00:54:02,840 --> 00:54:05,560
Speaker 1: I mean, first of all, she's potentially followed you home,

1041
00:54:05,600 --> 00:54:07,640
Speaker 1: so you probably shouldn't be anywhere alone with her. But

1042
00:54:09,880 --> 00:54:11,560
Speaker 1: he's like, oh, then you show up, and I don't

1043
00:54:11,600 --> 00:54:15,000
Speaker 1: know what I'm doing. If that's how committed you are

1044
00:54:15,239 --> 00:54:18,239
Speaker 1: to I don't think it's a good idea that you

1045
00:54:18,239 --> 00:54:20,560
Speaker 1: should marry Becky. If you're like, oh, wow, I haven't

1046
00:54:20,600 --> 00:54:22,640
Speaker 1: seen you for ten years, but I spent five minutes

1047
00:54:22,640 --> 00:54:24,840
Speaker 1: with you, and man, I can throw everything away. I

1048
00:54:24,840 --> 00:54:26,960
Speaker 1: don't know. It just feels a little and it feels

1049
00:54:27,120 --> 00:54:30,520
Speaker 1: like I don't know, it feels like Becky's unimportant.

1050
00:54:31,280 --> 00:54:35,040
Speaker 2: Yeah yeah, I keep thinking, how who was Becky gonna

1051
00:54:35,040 --> 00:54:37,319
Speaker 2: feel about this? You know, like, is he if he

1052
00:54:37,400 --> 00:54:39,320
Speaker 2: was really certain about Becky, this would not even be

1053
00:54:39,360 --> 00:54:42,120
Speaker 2: an issue, like oh yeah, that's my X now moving on.

1054
00:54:42,719 --> 00:54:46,319
Speaker 2: But he's tormented by it, so it's like, yeah, it

1055
00:54:46,320 --> 00:54:47,560
Speaker 2: makes me feel bad for Becky.

1056
00:54:47,640 --> 00:54:50,160
Speaker 1: Yeah, I didn't, and I didn't think it made Jesse

1057
00:54:50,320 --> 00:54:51,160
Speaker 1: look great.

1058
00:54:51,719 --> 00:54:53,440
Speaker 3: No, oh no it didn't.

1059
00:54:53,719 --> 00:54:54,359
Speaker 1: I mean, and.

1060
00:54:55,880 --> 00:54:56,640
Speaker 2: That happens a lot.

1061
00:54:58,760 --> 00:54:59,680
Speaker 3: That just happens a lot.

1062
00:54:59,760 --> 00:55:04,320
Speaker 2: Yes, sen's a lot. Yeah. So Carrie pulls away and asks, well,

1063
00:55:05,120 --> 00:55:08,560
Speaker 2: and Jesse admits that was a wonderful kiss. It made

1064
00:55:08,600 --> 00:55:10,440
Speaker 2: me think of all the great times we had together.

1065
00:55:10,920 --> 00:55:13,480
Speaker 2: But it made me realize that everything we have is

1066
00:55:13,520 --> 00:55:14,760
Speaker 2: in the past.

1067
00:55:15,040 --> 00:55:16,759
Speaker 1: I mean not really, you're making out with this chick

1068
00:55:16,760 --> 00:55:17,879
Speaker 1: on your front porch right now.

1069
00:55:18,000 --> 00:55:23,520
Speaker 2: I mean, how brought us right into the present. Yeah. Yeah.

1070
00:55:23,600 --> 00:55:26,959
Speaker 2: Carrie's eyes water as she asks, so it's really over.

1071
00:55:27,680 --> 00:55:31,239
Speaker 2: Jesse nods and she accepts it. Well I needed to know,

1072
00:55:31,880 --> 00:55:35,960
Speaker 2: and he softly responds me too. Carrie thanks him for

1073
00:55:36,000 --> 00:55:39,319
Speaker 2: the dance and says goodbye before walking away. And she's

1074
00:55:39,320 --> 00:55:41,360
Speaker 2: got these really, I was so distracted by her eyebrows

1075
00:55:41,400 --> 00:55:43,640
Speaker 2: in this whole scene, like she's got the it's a

1076
00:55:43,719 --> 00:55:45,280
Speaker 2: unibrow ish situation.

1077
00:55:45,880 --> 00:55:47,719
Speaker 1: And I almost wasn't gonna say anything, but I was

1078
00:55:47,800 --> 00:55:50,200
Speaker 1: because I was like, oh, those are like great brookshields eyebrows.

1079
00:55:50,200 --> 00:55:53,239
Speaker 1: And then I was like, then they kept going is

1080
00:55:53,280 --> 00:55:53,960
Speaker 1: it yeah.

1081
00:55:54,040 --> 00:55:55,920
Speaker 2: I was like, oh, they were sort.

1082
00:55:55,800 --> 00:55:59,319
Speaker 3: Of like coughed in a way that it yeah, it almost.

1083
00:55:58,719 --> 00:56:02,800
Speaker 1: Me those like that, that brief moment whatever in the

1084
00:56:02,840 --> 00:56:05,800
Speaker 1: last couple of years were like the big giant, fluffy

1085
00:56:05,840 --> 00:56:09,440
Speaker 1: caterpillar eyebrows were a thing when people were like combing

1086
00:56:09,440 --> 00:56:11,759
Speaker 1: them out to look like old men. Oh you know

1087
00:56:11,960 --> 00:56:16,080
Speaker 1: that's sort of yeah, like just really, well, now I

1088
00:56:16,120 --> 00:56:21,720
Speaker 1: see why we headed into the super waxing plucking of eyebrows,

1089
00:56:21,840 --> 00:56:24,120
Speaker 1: because if we were walking around with those, I mean,

1090
00:56:24,239 --> 00:56:25,080
Speaker 1: something had to be done.

1091
00:56:25,680 --> 00:56:27,520
Speaker 2: I can see the pendulum swung.

1092
00:56:29,200 --> 00:56:31,319
Speaker 1: I was like, oh, she's got like very brookshields, sort

1093
00:56:31,320 --> 00:56:33,440
Speaker 1: of great face framing eyebrows.

1094
00:56:33,520 --> 00:56:33,759
Speaker 2: Yeah.

1095
00:56:33,840 --> 00:56:35,560
Speaker 1: But then I was but you're right, I was a

1096
00:56:35,600 --> 00:56:37,399
Speaker 1: little distracted. I think was the lighting too.

1097
00:56:37,520 --> 00:56:42,000
Speaker 2: The lighting it. I was like, close ups, yeah she's.

1098
00:56:41,920 --> 00:56:46,360
Speaker 1: Yeah, and again I'm not slamming her, was I wasn't.

1099
00:56:46,680 --> 00:56:48,719
Speaker 2: Yeah, it was just this is a comment on the

1100
00:56:48,800 --> 00:56:54,319
Speaker 2: ninety nineties fashion nineties trends and.

1101
00:56:53,000 --> 00:56:56,359
Speaker 1: The yeah, we don't need the everyone coming at us

1102
00:56:56,360 --> 00:56:57,480
Speaker 1: for we're not oh.

1103
00:56:57,360 --> 00:56:59,960
Speaker 2: No, no, no no. If she had whatever brows you want,

1104
00:57:00,040 --> 00:57:03,040
Speaker 2: if she had like the Pamela Anderson overly plucked, thin

1105
00:57:03,640 --> 00:57:06,000
Speaker 2: thin thin brows. I would say something about that too,

1106
00:57:06,040 --> 00:57:06,600
Speaker 2: just because.

1107
00:57:07,280 --> 00:57:09,680
Speaker 1: You gotta wait till like nineteen ninety four for that. Oh, okay,

1108
00:57:09,719 --> 00:57:12,919
Speaker 1: it's come coming. It's cos coming good.

1109
00:57:13,840 --> 00:57:16,880
Speaker 2: So Jesse watches Carrie leave and then he bursts through

1110
00:57:16,880 --> 00:57:19,800
Speaker 2: the front door, yelling for Becky. While running up the stairs.

1111
00:57:20,600 --> 00:57:23,520
Speaker 2: He spots Becky upstairs in the hallway and tells her

1112
00:57:23,560 --> 00:57:25,680
Speaker 2: he's so happy to see her. He gives her a

1113
00:57:25,680 --> 00:57:28,960
Speaker 2: big kiss and then grabs her arm. She asks what happened?

1114
00:57:29,160 --> 00:57:31,960
Speaker 2: How was your ree? And Jesse pulls her into his

1115
00:57:32,080 --> 00:57:36,680
Speaker 2: room and she finishes her sentence union. Jesse admits the

1116
00:57:36,680 --> 00:57:41,760
Speaker 2: most incredible thing happened, and Becky excitedly asks really. Jesse nods,

1117
00:57:41,960 --> 00:57:44,640
Speaker 2: I saw my old girlfriend and she looked so beautiful.

1118
00:57:45,720 --> 00:57:49,320
Speaker 2: Becky's smile pads before asking really.

1119
00:57:50,240 --> 00:57:50,920
Speaker 3: Jesse nods.

1120
00:57:51,000 --> 00:57:54,120
Speaker 2: Still enthused about the night, he tells Becky about slow

1121
00:57:54,200 --> 00:57:57,080
Speaker 2: dancing to their old song, and he even tells her

1122
00:57:57,120 --> 00:58:03,640
Speaker 2: about the kiss, and Becky snaps, you kissed her? Sure, yeah,

1123
00:58:03,760 --> 00:58:07,360
Speaker 2: Jesse responds, yeah, but listen, and Becky repeats, you kissed her.

1124
00:58:08,120 --> 00:58:11,200
Speaker 2: Jesse tries to explain, but Becky rightfully can't get past

1125
00:58:11,400 --> 00:58:16,240
Speaker 2: the kissing part. Yeah, I mean, I don't know. I'm

1126
00:58:16,280 --> 00:58:18,080
Speaker 2: glad he didn't hide it from her because that would

1127
00:58:18,120 --> 00:58:19,440
Speaker 2: have been lying and deception.

1128
00:58:19,720 --> 00:58:22,080
Speaker 1: Right, No, he didn't. He didn't need to lie. But

1129
00:58:22,160 --> 00:58:24,600
Speaker 1: it like the way he said it was like it

1130
00:58:24,640 --> 00:58:25,280
Speaker 1: doesn't matter.

1131
00:58:25,640 --> 00:58:29,440
Speaker 2: Yeah, he was so like, your feelings don't again. Yeah,

1132
00:58:29,480 --> 00:58:31,360
Speaker 2: he was just like, oh, I had this revelation and

1133
00:58:31,400 --> 00:58:33,720
Speaker 2: I'm gonna tell you all about your feelings.

1134
00:58:33,760 --> 00:58:36,400
Speaker 1: But right, it's sort of like that thing you know,

1135
00:58:36,520 --> 00:58:39,720
Speaker 1: and they unless to do so would injure them or others. Yeah,

1136
00:58:39,760 --> 00:58:42,320
Speaker 1: it's part of the step thing being honest and this.

1137
00:58:42,680 --> 00:58:45,880
Speaker 1: You know, sometimes sometimes you're gonna it's not that we're

1138
00:58:45,880 --> 00:58:47,360
Speaker 1: saying not to be honest about it, but the way

1139
00:58:47,360 --> 00:58:49,560
Speaker 1: it was done, it was his approach. The whole thing

1140
00:58:49,680 --> 00:58:52,960
Speaker 1: just made Becky feel like unimportant, I know, like a

1141
00:58:53,400 --> 00:58:54,440
Speaker 1: like a an option.

1142
00:58:55,120 --> 00:58:58,000
Speaker 2: Yeah. I just didn't love so bad for her, like

1143
00:58:58,040 --> 00:59:00,720
Speaker 2: she's she deserves so much more more than that. She

1144
00:59:00,760 --> 00:59:03,000
Speaker 2: deserves to have a fiance that isn't on the fence

1145
00:59:03,560 --> 00:59:05,120
Speaker 2: when he meets his.

1146
00:59:05,400 --> 00:59:06,880
Speaker 1: She was the one that have this stupid idea in

1147
00:59:06,920 --> 00:59:08,439
Speaker 1: the first place. He wanted to get married Reno.

1148
00:59:08,680 --> 00:59:11,520
Speaker 2: Yeah, this is sea she was right to make him.

1149
00:59:11,600 --> 00:59:15,200
Speaker 1: Wait, this was your idea and now you're questioning it.

1150
00:59:15,280 --> 00:59:21,280
Speaker 2: Come on, she's so patient, she's so dang patient. Yeah.

1151
00:59:21,320 --> 00:59:24,320
Speaker 2: So Becky threatens I'll kill you, and Jesse holds her

1152
00:59:24,400 --> 00:59:28,120
Speaker 2: arms and explains, when I kissed her, I realized that

1153
00:59:28,200 --> 00:59:30,520
Speaker 2: I never want to kiss anyone but you for as

1154
00:59:30,600 --> 00:59:32,800
Speaker 2: long as I live. I love you so much.

1155
00:59:33,680 --> 00:59:38,320
Speaker 1: No, thank you, No, that's not that doesn't make it bad.

1156
00:59:38,400 --> 00:59:39,920
Speaker 1: I mean that's that doesn't make it better.

1157
00:59:40,080 --> 00:59:42,680
Speaker 3: No, it's a sweet sentiment, but it's it doesn't undo.

1158
00:59:42,760 --> 00:59:43,320
Speaker 2: The damn it.

1159
00:59:43,480 --> 00:59:45,400
Speaker 1: Like I made out with somebody else. And then I

1160
00:59:45,440 --> 00:59:47,360
Speaker 1: realized while I was doing that it wasn't terrible. I

1161
00:59:47,360 --> 00:59:49,720
Speaker 1: didn't stop, but I also realized that I'd rather be

1162
00:59:49,760 --> 00:59:50,240
Speaker 1: doing it with you.

1163
00:59:50,480 --> 00:59:54,520
Speaker 2: Yeah. Then I don't know.

1164
00:59:54,560 --> 00:59:55,920
Speaker 1: I didn't know how to feel about this. You know,

1165
00:59:55,960 --> 00:59:57,360
Speaker 1: I actually didn't know how to feel like.

1166
00:59:58,840 --> 01:00:01,160
Speaker 2: It was it was such a terrible approach. There was

1167
01:00:01,160 --> 01:00:03,000
Speaker 2: no sensitivity to Becky's feelings.

1168
01:00:03,080 --> 01:00:05,400
Speaker 1: Yeah, I just felt like it like it could have

1169
01:00:05,440 --> 01:00:07,520
Speaker 1: been done in a way that like you still had

1170
01:00:07,560 --> 01:00:09,920
Speaker 1: the like, oh my gosh, I'm really getting married like

1171
01:00:10,040 --> 01:00:12,440
Speaker 1: that sort of thing, but not necessarily make it that Like,

1172
01:00:14,120 --> 01:00:16,080
Speaker 1: I don't know this other hot girl came and I

1173
01:00:16,120 --> 01:00:17,840
Speaker 1: made out with her and then realized in doing that

1174
01:00:17,840 --> 01:00:19,440
Speaker 1: that actually, no, you're the one.

1175
01:00:19,320 --> 01:00:22,520
Speaker 2: Yeah, this is not a compliment to Becky, but he's

1176
01:00:22,560 --> 01:00:23,760
Speaker 2: presenting it like it's a call.

1177
01:00:24,440 --> 01:00:26,320
Speaker 1: That's what I'm like. It was sort of that, like

1178
01:00:26,440 --> 01:00:29,760
Speaker 1: he's kind of gaslight here in the way that he's like, no, no, no, no, no.

1179
01:00:29,840 --> 01:00:30,000
Speaker 2: I know.

1180
01:00:30,160 --> 01:00:32,960
Speaker 1: Yeah, you're right. I kissed her. Yeah, fine, but it

1181
01:00:33,040 --> 01:00:34,840
Speaker 1: wasn't as good as you. And I don't know why

1182
01:00:34,840 --> 01:00:38,760
Speaker 1: you're overreacting, like a sort of a vibe. That's it.

1183
01:00:38,840 --> 01:00:42,560
Speaker 2: I'm like, that's it. It's like, dude, Oh geez.

1184
01:00:42,400 --> 01:00:45,480
Speaker 1: I guess I just I again. People were like, oh,

1185
01:00:45,560 --> 01:00:49,800
Speaker 1: Jesse and Becky had the best relationship, and I'm waiting

1186
01:00:50,720 --> 01:00:51,000
Speaker 1: they have.

1187
01:00:51,080 --> 01:00:59,160
Speaker 2: The best chemistry, but I have the bestship. Yeah. Oh yeah.

1188
01:00:59,200 --> 01:01:01,720
Speaker 2: So Becky, for reason buys into this.

1189
01:01:02,720 --> 01:01:05,919
Speaker 1: She said, she's young. You know, we all we all

1190
01:01:05,920 --> 01:01:09,480
Speaker 1: have just a little less like boundaries and self respect.

1191
01:01:09,480 --> 01:01:12,960
Speaker 2: Now I'm young and in love, Becky, you have to no, don't,

1192
01:01:13,040 --> 01:01:16,280
Speaker 2: don't give in so easily. But she says, oh, Jess,

1193
01:01:16,400 --> 01:01:19,560
Speaker 2: and he kisses her and she huffs, why did you

1194
01:01:19,600 --> 01:01:20,520
Speaker 2: have to go and kiss her?

1195
01:01:21,640 --> 01:01:23,040
Speaker 3: Yes, like within five.

1196
01:01:22,840 --> 01:01:27,760
Speaker 1: Minutes they're still on Yeah, I mean gross suit.

1197
01:01:27,920 --> 01:01:29,880
Speaker 2: And I know he kissed the kissed Carrie and then

1198
01:01:29,920 --> 01:01:34,760
Speaker 2: two minutes kiss Yeah. I was like that, like no, no, yeah,

1199
01:01:34,880 --> 01:01:38,400
Speaker 2: I was not comfortable with that. So Jesse explains, it's

1200
01:01:38,440 --> 01:01:40,640
Speaker 2: just part of my past that I had to clear up.

1201
01:01:41,040 --> 01:01:43,440
Speaker 2: Getting married is the biggest decision I've ever had to

1202
01:01:43,440 --> 01:01:46,800
Speaker 2: make in my life. Becky confesses that she didn't realize

1203
01:01:46,840 --> 01:01:52,920
Speaker 2: he was having any doubts and Jesse Jesse shakes his head.

1204
01:01:53,200 --> 01:01:57,200
Speaker 2: Not doubts exactly, they're more like little doubt lets. He's

1205
01:01:57,240 --> 01:02:01,280
Speaker 2: gasolining her again. He's still He's like, yeah, no, I

1206
01:02:01,280 --> 01:02:02,200
Speaker 2: didn't say that word.

1207
01:02:02,200 --> 01:02:04,040
Speaker 1: I meant this just like.

1208
01:02:04,120 --> 01:02:05,080
Speaker 3: He's digging his hole.

1209
01:02:05,160 --> 01:02:06,880
Speaker 2: You know, he's just playing a game.

1210
01:02:07,080 --> 01:02:07,280
Speaker 1: Man.

1211
01:02:07,320 --> 01:02:11,080
Speaker 2: I don't like it. Becky unfortunately, can understand. It took

1212
01:02:11,080 --> 01:02:14,480
Speaker 2: her two years to say yes. And Jesse asks, and

1213
01:02:14,520 --> 01:02:17,600
Speaker 2: now you're one hundred percent sure? Right? She smiles, Yeah,

1214
01:02:17,840 --> 01:02:18,320
Speaker 2: you don't have.

1215
01:02:18,240 --> 01:02:19,560
Speaker 1: The space to be asking that question.

1216
01:02:21,360 --> 01:02:23,440
Speaker 2: Well, he's trying to make a point, but it's the

1217
01:02:23,480 --> 01:02:24,960
Speaker 2: wrong point and it's the wrong time.

1218
01:02:25,000 --> 01:02:26,720
Speaker 1: Now are you hunder percent sure? I don't know you

1219
01:02:26,800 --> 01:02:29,360
Speaker 1: seem it about sixty four right now.

1220
01:02:29,360 --> 01:02:32,440
Speaker 2: You know so, Becky smiles, I'm sure that I love you,

1221
01:02:32,880 --> 01:02:35,680
Speaker 2: and that's all I need. There are no guarantees, but

1222
01:02:35,760 --> 01:02:39,160
Speaker 2: I believe in you, and I believe in us. Why

1223
01:02:39,560 --> 01:02:44,440
Speaker 2: she's so so denised to him? Jesse agrees, I know

1224
01:02:44,560 --> 01:02:46,640
Speaker 2: in my heart that this is going to work. I

1225
01:02:46,680 --> 01:02:49,400
Speaker 2: love you. Kiss each other and then pull away and

1226
01:02:49,440 --> 01:02:54,360
Speaker 2: shout in unison, have mercy. Becky has just one more question.

1227
01:02:54,800 --> 01:02:57,560
Speaker 2: When is your next high school re union? Jesse says

1228
01:02:57,600 --> 01:03:01,640
Speaker 2: ten years, and she declares, I'm They both grin and

1229
01:03:01,640 --> 01:03:04,440
Speaker 2: give each other another kiss as the outro music plays,

1230
01:03:04,480 --> 01:03:06,080
Speaker 2: and that is our show.

1231
01:03:06,880 --> 01:03:08,760
Speaker 1: Oh boy, not.

1232
01:03:08,760 --> 01:03:10,640
Speaker 2: A satisfying ending. I gotta say that.

1233
01:03:10,720 --> 01:03:12,120
Speaker 1: No, not as not as well.

1234
01:03:12,280 --> 01:03:15,600
Speaker 2: I mean, what was the option? They break him up

1235
01:03:15,600 --> 01:03:18,280
Speaker 2: for another few episodes, make him right, can make him,

1236
01:03:18,480 --> 01:03:20,320
Speaker 2: make it work for it, you know, make it?

1237
01:03:20,360 --> 01:03:22,400
Speaker 1: Yeah? I did, I kind of. I was like, oh,

1238
01:03:22,440 --> 01:03:22,840
Speaker 1: we could have.

1239
01:03:24,200 --> 01:03:25,920
Speaker 2: It was a little too tidy, a little it was

1240
01:03:25,960 --> 01:03:29,360
Speaker 2: wrapped up too fast. It was just sending the wrong message.

1241
01:03:29,640 --> 01:03:32,120
Speaker 2: I don't know. I didn't love it. I thought just

1242
01:03:32,880 --> 01:03:34,160
Speaker 2: until the kiss and then he lost it.

1243
01:03:34,200 --> 01:03:37,080
Speaker 1: All that was yeah, when it was like, okay, you know,

1244
01:03:37,120 --> 01:03:39,840
Speaker 1: it's cute and this and that, blah blah. Okay, we'll

1245
01:03:39,880 --> 01:03:42,640
Speaker 1: go with you on that, right, But yeah, the second

1246
01:03:42,960 --> 01:03:45,000
Speaker 1: she stalked him to his house and then he went

1247
01:03:45,000 --> 01:03:47,360
Speaker 1: out and kissed her and and like took her outside

1248
01:03:47,400 --> 01:03:49,840
Speaker 1: like he was trying to like hide her. He was hiding,

1249
01:03:49,960 --> 01:03:51,280
Speaker 1: you know what I mean? Like that to me, I

1250
01:03:51,320 --> 01:03:54,000
Speaker 1: was like, if you, if you aren't worried about it,

1251
01:03:54,040 --> 01:03:55,200
Speaker 1: bring her in the house, be like, hey, this is

1252
01:03:55,240 --> 01:03:56,560
Speaker 1: my brother in law, Danny.

1253
01:03:56,720 --> 01:03:59,720
Speaker 3: Yeah, come inside of me.

1254
01:03:58,640 --> 01:04:00,760
Speaker 1: Meet my fiance, she's upstairs, or you know.

1255
01:04:00,920 --> 01:04:04,120
Speaker 2: Like yeah, never never hide the X. That's a big

1256
01:04:04,160 --> 01:04:07,720
Speaker 2: red flag. But I think it was. I think this

1257
01:04:07,800 --> 01:04:10,640
Speaker 2: episode was meant to show Jesse's growth, but it didn't

1258
01:04:10,840 --> 01:04:11,600
Speaker 2: miss the market.

1259
01:04:11,400 --> 01:04:14,080
Speaker 1: Going for that. We keep trying to show Jesse's growth

1260
01:04:14,120 --> 01:04:17,880
Speaker 1: and it really just shows that he's making it everyone

1261
01:04:17,960 --> 01:04:23,720
Speaker 1: else's problem. Yeah, yeah, I know we love Jesse Jay,

1262
01:04:24,080 --> 01:04:27,000
Speaker 1: but there's serious Maybe it's in the writing.

1263
01:04:27,080 --> 01:04:31,920
Speaker 2: Let's blame the writing, blame right, or blaming the writing

1264
01:04:32,120 --> 01:04:33,040
Speaker 2: for missing the mark.

1265
01:04:33,120 --> 01:04:33,880
Speaker 3: It just missed the mark.

1266
01:04:34,040 --> 01:04:37,200
Speaker 1: Yeah, it just felt like it could there. You could

1267
01:04:37,240 --> 01:04:43,960
Speaker 1: have without too much more drastic change, you could have

1268
01:04:44,400 --> 01:04:47,480
Speaker 1: made it a little better of a message.

1269
01:04:47,680 --> 01:04:51,440
Speaker 2: Yeah. Yeah, And I understand like, oh, you know, you're

1270
01:04:51,480 --> 01:04:54,640
Speaker 2: seeing your X from ten years ago. There's some anxiety

1271
01:04:54,680 --> 01:04:56,600
Speaker 2: around that. Like I understand all of that. It was

1272
01:04:56,640 --> 01:05:00,080
Speaker 2: just right. He didn't handle it. He didn't handle it well.

1273
01:05:00,120 --> 01:05:02,360
Speaker 2: You just say the past is the past to see

1274
01:05:02,600 --> 01:05:05,320
Speaker 2: and now we're moving on. You know, just do slow dance.

1275
01:05:05,400 --> 01:05:07,520
Speaker 1: Don't kids so wrapped up in his past?

1276
01:05:07,880 --> 01:05:08,160
Speaker 2: Yeah?

1277
01:05:08,240 --> 01:05:10,080
Speaker 1: You know they say those people are like obsessed with

1278
01:05:10,120 --> 01:05:13,520
Speaker 1: peaking in high school, like like, oh my god, I

1279
01:05:13,560 --> 01:05:15,080
Speaker 1: want to go back to high school, like this whole

1280
01:05:15,080 --> 01:05:18,520
Speaker 1: doctor Dared thing. Yes, Jesse, he's living in the past.

1281
01:05:18,560 --> 01:05:20,600
Speaker 1: He's you know, and that's kind of.

1282
01:05:20,600 --> 01:05:23,360
Speaker 2: Sand Like, yeah, bro, you got you've got. Your life

1283
01:05:23,400 --> 01:05:23,720
Speaker 2: is good.

1284
01:05:24,000 --> 01:05:25,840
Speaker 3: The best is yet to come. Like, stop living in

1285
01:05:25,920 --> 01:05:26,400
Speaker 3: the past.

1286
01:05:26,640 --> 01:05:30,360
Speaker 2: You've got a beautiful fiance who's more tolerant than anyone

1287
01:05:30,400 --> 01:05:31,040
Speaker 2: I've ever known.

1288
01:05:31,080 --> 01:05:35,400
Speaker 1: You've got an advertising agency that you started. I mean,

1289
01:05:35,480 --> 01:05:38,200
Speaker 1: you're directing commercials, you're doing all manner of things that

1290
01:05:38,240 --> 01:05:40,480
Speaker 1: you're not qualified for. You should be proud of your

1291
01:05:40,520 --> 01:05:47,040
Speaker 1: success exactly, But I guess I like there have been

1292
01:05:47,840 --> 01:05:50,480
Speaker 1: Season four feels like we've had some peaks and valleys.

1293
01:05:50,800 --> 01:05:53,560
Speaker 1: We're only nine episodes in, but I'm like yeah, because

1294
01:05:53,560 --> 01:05:55,360
Speaker 1: everyone was like, this is the this is the season.

1295
01:05:55,360 --> 01:05:57,840
Speaker 2: I'm like, yeah, you know what, I actually talked to

1296
01:05:57,920 --> 01:05:59,680
Speaker 2: Kim about that. Kim Kim off it.

1297
01:06:00,040 --> 01:06:02,560
Speaker 1: Oh yes, came off the part she was saying she.

1298
01:06:02,560 --> 01:06:04,640
Speaker 3: Commented on this. She says, everyone said not everyone.

1299
01:06:04,640 --> 01:06:07,160
Speaker 2: A lot of people say season four is the best season,

1300
01:06:07,240 --> 01:06:09,320
Speaker 2: is their favorite season, and she said, no, it's not

1301
01:06:09,360 --> 01:06:12,439
Speaker 2: the best season. There's just so many miles. So there's

1302
01:06:12,480 --> 01:06:14,479
Speaker 2: it's the wedding, like it's a it's a big sture.

1303
01:06:14,680 --> 01:06:17,360
Speaker 2: It's a lot of things happened, but it's not necessarily

1304
01:06:17,400 --> 01:06:22,160
Speaker 2: the best season. It's just the biggest okay, well the biggest.

1305
01:06:22,600 --> 01:06:25,040
Speaker 1: Yeah, sometimes the most memorable things aren't always the best

1306
01:06:25,680 --> 01:06:27,000
Speaker 1: true true.

1307
01:06:27,240 --> 01:06:28,800
Speaker 2: So I don't know. I mean, you're to see the

1308
01:06:28,840 --> 01:06:32,560
Speaker 2: rest of the season and see if it improves, but yeah,

1309
01:06:32,600 --> 01:06:34,360
Speaker 2: so far, I'm just kind of like, E, I don't know.

1310
01:06:34,360 --> 01:06:37,240
Speaker 2: There's some great standout at rist moments season four.

1311
01:06:37,160 --> 01:06:42,400
Speaker 1: But less the redeeming factor of this whole episode. Uh

1312
01:06:43,480 --> 01:06:49,640
Speaker 1: was Sparky Let's be real, Sparky slash Barkley that this

1313
01:06:49,680 --> 01:06:52,040
Speaker 1: would have been nothing didn't even need to exist.

1314
01:06:52,200 --> 01:06:56,160
Speaker 2: But really, the B storyline should have been the a storyline.

1315
01:06:56,160 --> 01:06:59,840
Speaker 2: We should have had more dogs, more spark dogs.

1316
01:06:59,360 --> 01:07:03,840
Speaker 1: Less less making out with people, you know, yeah, always,

1317
01:07:03,960 --> 01:07:09,040
Speaker 1: that's always a better ratio. Sure, dogs less kissing your exes,

1318
01:07:10,400 --> 01:07:14,400
Speaker 1: that's you know what embroider that on a pillow. Yeah,

1319
01:07:14,440 --> 01:07:18,960
Speaker 1: that is I think. Actually, that's a really great life

1320
01:07:19,040 --> 01:07:23,680
Speaker 1: lesson for a lot of people. Add more dogs, less

1321
01:07:23,760 --> 01:07:30,360
Speaker 1: kissing your exes. I think the next shop right, it's

1322
01:07:30,400 --> 01:07:33,160
Speaker 1: the title of my new of my dating advice book,

1323
01:07:33,200 --> 01:07:37,360
Speaker 1: My Relationship. Yeah, more dogs, less kissing your exes. It's

1324
01:07:37,400 --> 01:07:40,760
Speaker 1: true words to live by. I mean, the less dogs,

1325
01:07:40,800 --> 01:07:44,200
Speaker 1: more kissing your exes terrible bad Only bad things are

1326
01:07:44,240 --> 01:07:48,200
Speaker 1: going to happen from that only. And kissing your dog

1327
01:07:48,360 --> 01:07:52,080
Speaker 1: also not great. No, don't don't do that. That's weird.

1328
01:07:52,280 --> 01:07:54,400
Speaker 3: Kissing your ex guy would kiss my dog.

1329
01:07:55,480 --> 01:07:58,640
Speaker 1: Your dog kissing you is one thing? You kissing your dog?

1330
01:07:59,080 --> 01:07:59,800
Speaker 2: Goodness.

1331
01:08:00,400 --> 01:08:03,640
Speaker 1: Yes, I guess it depends. I'll let that slide. But

1332
01:08:04,160 --> 01:08:07,520
Speaker 1: all I'm saying is more dogs, less exes, totter.

1333
01:08:07,680 --> 01:08:08,480
Speaker 3: I'm on board with that.

1334
01:08:09,040 --> 01:08:15,000
Speaker 1: Yep. Oh my, oh my, thank you guys h for

1335
01:08:15,320 --> 01:08:20,360
Speaker 1: listening to another unhinged, ridiculous episode of UH. I almost

1336
01:08:20,360 --> 01:08:22,040
Speaker 1: forgot the name of our I was like of HRT,

1337
01:08:22,320 --> 01:08:28,360
Speaker 1: which is which is what hi res no hormone replacement.

1338
01:08:29,240 --> 01:08:31,559
Speaker 1: Thank you again for joining us for another episode of

1339
01:08:31,600 --> 01:08:34,479
Speaker 1: Howard tan Rito's. We love you guys. Thanks fan Rito's

1340
01:08:34,520 --> 01:08:37,600
Speaker 1: for being just on board with our weirdness. We love it.

1341
01:08:37,800 --> 01:08:40,160
Speaker 3: Fans are as patient with us as Becky is.

1342
01:08:41,120 --> 01:08:43,160
Speaker 1: That's true. They're like, look, we know a thing or

1343
01:08:43,200 --> 01:08:48,120
Speaker 1: two about patients, you too, and I mean patients not patients.

1344
01:08:48,439 --> 01:08:50,559
Speaker 2: Is that we also probably qualify?

1345
01:08:51,840 --> 01:08:55,560
Speaker 1: Yes, but make sure you guys are following us on

1346
01:08:55,560 --> 01:08:59,320
Speaker 1: on socials which is Instagram at Howard Podcast. You can

1347
01:08:59,360 --> 01:09:01,920
Speaker 1: also send us in email at how Rude Tanatos at

1348
01:09:01,960 --> 01:09:05,519
Speaker 1: gmail dot com. Like and subscribe to the podcast. Rate it,

1349
01:09:06,280 --> 01:09:08,920
Speaker 1: give us some stars, uh, you know all the fun

1350
01:09:08,960 --> 01:09:11,519
Speaker 1: things uh. And make sure you're subscribing to it so

1351
01:09:11,560 --> 01:09:13,120
Speaker 1: you get all the new episodes when they come out.

1352
01:09:13,680 --> 01:09:16,280
Speaker 1: And we will see you guys next time for another

1353
01:09:16,320 --> 01:09:21,000
Speaker 1: fabulous episode of how Rude Tritos. And remember the world

1354
01:09:21,040 --> 01:09:27,400
Speaker 1: is small, but the house is full of Jesse's ego.

1355
01:09:27,680 --> 01:09:30,719
Speaker 1: My god, it can't even fit in the house. Ridiculous

1356
01:09:30,760 --> 01:09:32,439
Speaker 1: bigger bursting.

1357
01:09:32,600 --> 01:09:32,840
Speaker 2: Yeah.

1358
01:09:33,000 --> 01:09:39,920
Speaker 1: Oh, by the way, speaking of go by merch, Okay, yeah,

1359
01:09:39,960 --> 01:09:42,360
Speaker 1: I just saw the note, and this Mattie was like,

1360
01:09:42,360 --> 01:09:44,439
Speaker 1: as you sign off, give another merch shout out. And

1361
01:09:44,479 --> 01:09:49,920
Speaker 1: then I signed off and I went, oh, go by merch. Yeah,

1362
01:09:50,000 --> 01:09:52,240
Speaker 1: go by merch. How rude merch.

1363
01:09:52,439 --> 01:09:55,840
Speaker 2: Right dot com? There we go, There we go. This

1364
01:09:55,920 --> 01:09:58,120
Speaker 2: is a brilliant ending. Now it's out.

1365
01:09:58,600 --> 01:10:00,439
Speaker 1: You know what. The house is small, and so is

1366
01:10:00,479 --> 01:10:00,840
Speaker 1: my brain.

1367
01:10:01,040 --> 01:10:03,840
Speaker 2: I'm gonna leave. I want that on a shirt.