1 00:00:02,759 --> 00:00:05,800 Speaker 1: For so many of her prime years, Christina Aguilera had 2 00:00:05,800 --> 00:00:09,280 Speaker 1: been compared to her contemporaries for better and for worse. 3 00:00:09,880 --> 00:00:14,080 Speaker 2: Comparison that thief of joy, and after her biggest rival 4 00:00:14,200 --> 00:00:18,600 Speaker 2: and earliest friend became America's favorite train wreck slash punching bag, 5 00:00:19,079 --> 00:00:21,439 Speaker 2: comparisons still haunted all that Christina did. 6 00:00:23,200 --> 00:00:26,279 Speaker 1: Following the success of the throwbacky Back to Basics in 7 00:00:26,280 --> 00:00:29,480 Speaker 1: two thousand and six, Christina released a Greatest Hits album 8 00:00:29,520 --> 00:00:32,280 Speaker 1: with two new, more electronically focused tracks. 9 00:00:32,880 --> 00:00:35,640 Speaker 2: The songs gave us a hint at where Christina's head 10 00:00:35,760 --> 00:00:39,240 Speaker 2: was at musically, our girl was staying curious and looking 11 00:00:39,280 --> 00:00:42,120 Speaker 2: for new sounds. The follow up to Back to Basics 12 00:00:42,280 --> 00:00:43,160 Speaker 2: was on its way. 13 00:00:43,760 --> 00:00:47,400 Speaker 1: Titled Light and Darkness, the album would explore duality, not 14 00:00:47,560 --> 00:00:52,000 Speaker 1: just musically but thematically, but for reasons unknown, the project 15 00:00:52,040 --> 00:00:52,720 Speaker 1: was scrapped. 16 00:00:53,440 --> 00:00:55,840 Speaker 2: Rumor has it that the label was afraid that the 17 00:00:55,880 --> 00:00:59,480 Speaker 2: album would draw comparisons to Beyonce I Am Sasha Fears 18 00:00:59,520 --> 00:01:02,760 Speaker 2: had just and obviously we just can't have two pop 19 00:01:02,800 --> 00:01:04,480 Speaker 2: divas exploring their two sides. 20 00:01:04,760 --> 00:01:08,600 Speaker 1: God forbid two women talking about themselves at the top 21 00:01:08,640 --> 00:01:12,280 Speaker 1: of the charts. So instead, the follow up to Back 22 00:01:12,280 --> 00:01:15,040 Speaker 1: to Basics would be titled Bionic. 23 00:01:15,520 --> 00:01:18,720 Speaker 2: And after being delayed by two months, Bionic was released. 24 00:01:19,360 --> 00:01:23,960 Speaker 2: To critics, do you mean crickets? Oh well both? Bionic 25 00:01:24,120 --> 00:01:25,920 Speaker 2: was Christina's first album not. 26 00:01:26,000 --> 00:01:29,160 Speaker 1: To go platinum, just like they thought Christina was chasing 27 00:01:29,160 --> 00:01:32,560 Speaker 1: the Latin explosion with Mire Flejo. The critics heard the 28 00:01:32,560 --> 00:01:36,320 Speaker 1: synthpop direction of Bionic and could only think of one thing. 29 00:01:36,880 --> 00:01:41,240 Speaker 2: Lady Gaga, the fame Monster wasn't even a year old. 30 00:01:41,440 --> 00:01:44,200 Speaker 2: Poor Christina didn't have a chance, and the music video 31 00:01:44,240 --> 00:01:47,080 Speaker 2: for her lead single did not help matters. 32 00:01:47,520 --> 00:01:50,240 Speaker 1: If you look at the video, you would instantly go, wait, 33 00:01:50,280 --> 00:01:51,720 Speaker 1: does that go like if you were on let's just 34 00:01:51,760 --> 00:01:53,600 Speaker 1: say you didn't have your okay, if I didn't have my. 35 00:01:53,560 --> 00:01:57,280 Speaker 2: Contacts in Yeah, no, but it's bad. Like it's literally 36 00:01:57,320 --> 00:01:58,720 Speaker 2: a knockoff like legit. 37 00:01:58,840 --> 00:01:59,960 Speaker 3: But it's not a good knockoff. 38 00:02:00,120 --> 00:02:02,720 Speaker 1: Sometimes knock ups you're like, hey, that's not bad, Yeah, 39 00:02:02,720 --> 00:02:09,080 Speaker 1: that have budget. Yeah no, it definitely gives me. And 40 00:02:09,120 --> 00:02:10,840 Speaker 1: the song we're talking about in the video that we're 41 00:02:10,840 --> 00:02:13,480 Speaker 1: talking about is not myself Tonight. And if you kind 42 00:02:13,480 --> 00:02:15,360 Speaker 1: of do a little side by side screenshot of that 43 00:02:15,440 --> 00:02:19,880 Speaker 1: with Bad Romance, you're gonna understand exactly what we're talking about. 44 00:02:20,280 --> 00:02:25,639 Speaker 1: And the critics, well, they didn't mince words, including Prez Hilton, who, 45 00:02:25,680 --> 00:02:29,480 Speaker 1: after calling Aguilera has been along with other names that 46 00:02:29,520 --> 00:02:33,320 Speaker 1: I'm not going to mention, actually encouraged followers to boycott 47 00:02:33,360 --> 00:02:37,280 Speaker 1: the album and trash Christina, how about Perez's trash yuck? 48 00:02:37,480 --> 00:02:40,000 Speaker 2: This was the same game of apples to oranges the 49 00:02:40,040 --> 00:02:42,520 Speaker 2: press had played with her and Brittany, but this time 50 00:02:42,800 --> 00:02:45,799 Speaker 2: actively weaponized and so Bionic. 51 00:02:45,520 --> 00:02:48,440 Speaker 1: Ticked I hate us back then, h I hate us 52 00:02:48,639 --> 00:02:50,399 Speaker 1: like we need to make it up to her. By 53 00:02:50,440 --> 00:02:55,360 Speaker 1: the way again, hindsight is twenty twenty and in recent 54 00:02:55,480 --> 00:02:59,480 Speaker 1: years critics have been much kinder to this album. But 55 00:02:59,520 --> 00:03:02,200 Speaker 1: the damn it which was done, and while there is 56 00:03:02,200 --> 00:03:04,680 Speaker 1: a happy ending, the twenty tens, for the most part, 57 00:03:04,919 --> 00:03:14,320 Speaker 1: would not be kind to our girl. I'm your host Lilianavsquez. 58 00:03:13,400 --> 00:03:17,720 Speaker 2: And I'm Joseph Carrio and this is Becoming an Icon. 59 00:03:18,200 --> 00:03:20,720 Speaker 1: A weekly podcast where we give you the rundown on 60 00:03:20,760 --> 00:03:25,040 Speaker 1: how today's most famous Latin v stars have shaped pop culture. 61 00:03:24,960 --> 00:03:27,200 Speaker 2: And given the world some extra level. 62 00:03:27,720 --> 00:03:30,000 Speaker 3: Sit back and get comfortable. 63 00:03:29,760 --> 00:03:33,720 Speaker 2: Because we are going in the only way we know how. 64 00:03:33,960 --> 00:03:39,440 Speaker 1: With Buena buenasriesas some me and a lot of opinions 65 00:03:39,520 --> 00:03:42,720 Speaker 1: as we relive their greatest achievements on our journey to 66 00:03:42,800 --> 00:03:45,040 Speaker 1: find out what makes them still iconic. 67 00:03:56,040 --> 00:03:57,880 Speaker 2: So, I know you think I've been a slot for 68 00:03:57,960 --> 00:04:02,000 Speaker 2: strip this whole time, but you are, but not exclusively. 69 00:04:02,120 --> 00:04:05,560 Speaker 2: There's another Christina project I've been dying to talk about. 70 00:04:06,120 --> 00:04:09,400 Speaker 3: Is it Christina Aguilera's. 71 00:04:10,840 --> 00:04:11,560 Speaker 2: Share. 72 00:04:13,680 --> 00:04:15,720 Speaker 3: It's a must see. 73 00:04:15,800 --> 00:04:17,599 Speaker 2: It's a classic. 74 00:04:17,279 --> 00:04:19,240 Speaker 3: Cult classic, I think, is what you mean? 75 00:04:20,200 --> 00:04:23,719 Speaker 2: It's educational? Who among us knew what air rights were 76 00:04:23,760 --> 00:04:24,680 Speaker 2: before seeing Burless? 77 00:04:24,880 --> 00:04:28,839 Speaker 1: I mean, who even knew that anything that happens in 78 00:04:28,880 --> 00:04:32,159 Speaker 1: this movie could ever happen in La. It's so campy, 79 00:04:32,279 --> 00:04:37,400 Speaker 1: it's so good, it's visually incredible. It makes a zero sense. 80 00:04:37,480 --> 00:04:40,039 Speaker 1: It is escapism and its purest form. 81 00:04:40,440 --> 00:04:43,159 Speaker 2: So wait, try to reconstruct a story from memory, though, 82 00:04:43,760 --> 00:04:44,640 Speaker 2: crush MEI okay? 83 00:04:44,680 --> 00:04:46,000 Speaker 3: So here's like the cliff notes. 84 00:04:46,560 --> 00:04:49,320 Speaker 1: Christina is basically a cocktail waitress with a big voice 85 00:04:49,440 --> 00:04:53,000 Speaker 1: and big dreams of being discovered in a star and 86 00:04:53,040 --> 00:04:55,600 Speaker 1: she ends up getting a waitressing job, a cocktail waitressing 87 00:04:55,720 --> 00:05:00,480 Speaker 1: job in a burlesque club that is owned and and 88 00:05:00,560 --> 00:05:03,640 Speaker 1: managed by Share, and she wants to be one of 89 00:05:03,640 --> 00:05:06,080 Speaker 1: the girls on stage. But the girls are like, no, bitch, 90 00:05:06,120 --> 00:05:08,839 Speaker 1: you're just a cocktail waitress. Say the fuck off our stage. 91 00:05:08,960 --> 00:05:11,640 Speaker 1: But she has a better voice than them, she's prittier 92 00:05:11,680 --> 00:05:15,000 Speaker 1: than that, she can dance better than them, and so 93 00:05:15,080 --> 00:05:15,880 Speaker 1: finally she gets her. 94 00:05:15,839 --> 00:05:17,440 Speaker 3: Big shot and like what happens. 95 00:05:17,440 --> 00:05:20,520 Speaker 1: Of course she becomes like this huge draw and I'm 96 00:05:20,560 --> 00:05:23,279 Speaker 1: not gonna spoil it for you, but hold on, the 97 00:05:23,320 --> 00:05:27,760 Speaker 1: club's in trouble. The club is in trouble, and share 98 00:05:28,000 --> 00:05:30,279 Speaker 1: what like in what world is share in this movie? 99 00:05:30,320 --> 00:05:31,880 Speaker 3: Like who got this movie made? 100 00:05:31,920 --> 00:05:33,760 Speaker 1: I need to have that producer on my team so 101 00:05:33,760 --> 00:05:35,440 Speaker 1: that I can get all my good ideas made. 102 00:05:35,560 --> 00:05:37,440 Speaker 3: Anyway, point is it was really. 103 00:05:37,200 --> 00:05:39,039 Speaker 1: Interesting to me that at that point in her career 104 00:05:39,160 --> 00:05:42,680 Speaker 1: Christina was like, pause, I want to act in a 105 00:05:42,839 --> 00:05:44,440 Speaker 1: movie that's not that great. 106 00:05:44,520 --> 00:05:47,760 Speaker 2: Like, honestly, we need to give burlesk a whole episode 107 00:05:47,800 --> 00:05:49,160 Speaker 2: of the show because it's just. 108 00:05:49,279 --> 00:05:51,359 Speaker 3: Iconic bonus content for sure. 109 00:05:51,760 --> 00:05:54,839 Speaker 1: But although Burlesque is a bona fide camp classic, the 110 00:05:54,880 --> 00:05:58,480 Speaker 1: movie's promotion schedule ended up crashing headlong with Christina's tour 111 00:05:58,560 --> 00:06:01,120 Speaker 1: for Bionic and one had to go. 112 00:06:02,360 --> 00:06:05,360 Speaker 2: Not to sound like pres Hilton, please don't but if 113 00:06:05,400 --> 00:06:08,120 Speaker 2: she were ten years younger, she could have totally done 114 00:06:08,120 --> 00:06:10,679 Speaker 2: them both. Remember how she made her throat bleed. 115 00:06:10,960 --> 00:06:11,360 Speaker 3: I don't know. 116 00:06:11,480 --> 00:06:14,320 Speaker 1: I feel like promotion for the film, the schedules are 117 00:06:14,360 --> 00:06:16,400 Speaker 1: wild and she'd probably have to be in two places 118 00:06:16,440 --> 00:06:19,120 Speaker 1: at the same time, And ultimately the tour was canceled 119 00:06:19,160 --> 00:06:20,640 Speaker 1: due to a lack of rehearsal time. 120 00:06:21,120 --> 00:06:24,359 Speaker 2: Christina promised to reschedule the tour for twenty eleven, but 121 00:06:24,680 --> 00:06:28,799 Speaker 2: it never happened. Bionic, Christina's a lowest selling album, never 122 00:06:28,920 --> 00:06:29,679 Speaker 2: got a tour. 123 00:06:30,160 --> 00:06:32,599 Speaker 1: You could say that times were tough for Miss Aguilaira 124 00:06:32,960 --> 00:06:35,720 Speaker 1: and didn't stop with her career. Towards the end of 125 00:06:35,760 --> 00:06:39,360 Speaker 1: twenty ten, Christina confirmed that she and her husband, Jordan Bratman, 126 00:06:39,520 --> 00:06:44,120 Speaker 1: had separated. The divorce proceedings would stretch on through twenty eleven. 127 00:06:44,360 --> 00:06:47,000 Speaker 2: The same year the Bionic tour was supposed to be 128 00:06:47,080 --> 00:06:51,160 Speaker 2: rescheduled for. Christina would state quote, things were so unhealthy 129 00:06:51,200 --> 00:06:53,880 Speaker 2: and unhappy for both Jordan and me. I knew it 130 00:06:53,960 --> 00:06:56,440 Speaker 2: had to end. When you're unhappy in your marriage, your 131 00:06:56,520 --> 00:06:58,880 Speaker 2: children are the ones who suffer. That's the last thing 132 00:06:58,960 --> 00:06:59,640 Speaker 2: I wanted. 133 00:06:59,360 --> 00:07:02,159 Speaker 1: For my son, considering, you know, the home that she 134 00:07:02,320 --> 00:07:05,120 Speaker 1: grew up in. It makes perfect sense that her attention 135 00:07:05,400 --> 00:07:07,800 Speaker 1: was not on her career at this moment. She would 136 00:07:07,839 --> 00:07:11,400 Speaker 1: also state, although Jordan and I are separated, our commitment 137 00:07:11,480 --> 00:07:14,120 Speaker 1: to our son Max remains as strong as ever. 138 00:07:15,200 --> 00:07:16,400 Speaker 2: Our girl needs a win. 139 00:07:16,880 --> 00:07:19,080 Speaker 1: Well, there's still a cherry on top of his shit. 140 00:07:19,160 --> 00:07:23,120 Speaker 1: Sunday No. The same year as her divorce, Aguilera was 141 00:07:23,240 --> 00:07:27,040 Speaker 1: chosen to sing the national anthem at Super Bowl forty five. 142 00:07:27,560 --> 00:07:30,520 Speaker 2: Okay, I mean she's got this right. She's saying at 143 00:07:30,560 --> 00:07:34,520 Speaker 2: sporting events in Pittsburgh all the time, she's their lucky charm. 144 00:07:34,800 --> 00:07:39,160 Speaker 1: Yeah. Well, unfortunately she fucked up the larraa no oh. 145 00:07:39,240 --> 00:07:43,240 Speaker 1: And you know the people who like football, you know 146 00:07:43,320 --> 00:07:48,840 Speaker 1: how they get about the national anthem. So twenty eleven 147 00:07:49,040 --> 00:07:54,400 Speaker 1: was Christina's no good, very bad year, and that's probably 148 00:07:54,440 --> 00:07:57,240 Speaker 1: why she was drawn to the stability of a hot 149 00:07:57,320 --> 00:08:10,640 Speaker 1: new show on NBC called The Voice. Before the Masked 150 00:08:10,640 --> 00:08:13,840 Speaker 1: Singer and all that jazz, there was the Voice. 151 00:08:14,040 --> 00:08:17,760 Speaker 2: It still is The Voice. Honey. We're on season twenty five, and. 152 00:08:17,960 --> 00:08:21,400 Speaker 1: In the very first season, Christina Aguilera was selected to 153 00:08:21,440 --> 00:08:23,520 Speaker 1: be one of the shows four coaches. 154 00:08:23,840 --> 00:08:25,920 Speaker 2: Okay, if you've never watched the Voice. You might ask 155 00:08:25,960 --> 00:08:29,960 Speaker 2: yourself why would Christina choose to relive her failed run 156 00:08:30,000 --> 00:08:32,280 Speaker 2: on Star Search, But from the other side of the 157 00:08:32,320 --> 00:08:33,199 Speaker 2: judge counter. 158 00:08:33,440 --> 00:08:37,040 Speaker 1: One answer could be money, but the other might be 159 00:08:37,080 --> 00:08:39,560 Speaker 1: the opportunity to cultivate a protege or two. 160 00:08:40,320 --> 00:08:43,640 Speaker 2: The Voice gave Christina the opportunity to mentor young talent 161 00:08:43,800 --> 00:08:46,160 Speaker 2: and stay in touch with the next generation of music 162 00:08:46,200 --> 00:08:48,920 Speaker 2: lovers and be a shady binge to Adam Levine. 163 00:08:49,400 --> 00:08:52,560 Speaker 1: Honestly, the Voice might have been the best place for 164 00:08:52,600 --> 00:08:54,960 Speaker 1: her to channel that mean girl Exstina. 165 00:08:54,559 --> 00:08:55,800 Speaker 3: Energy from her stripped days. 166 00:08:56,200 --> 00:08:59,480 Speaker 1: Who doesn't like a little healthy competition, even if you've 167 00:08:59,600 --> 00:09:03,440 Speaker 1: never seen international TV sensation The Voice or even a 168 00:09:03,440 --> 00:09:04,520 Speaker 1: commercial for it. 169 00:09:04,720 --> 00:09:05,720 Speaker 3: Here's the spark notes. 170 00:09:06,200 --> 00:09:09,800 Speaker 1: First contestants audition for four pop stars turned music coaches 171 00:09:09,920 --> 00:09:13,360 Speaker 1: who sit in swivel chairs with their backs turned to them. 172 00:09:13,400 --> 00:09:15,640 Speaker 2: If a coach likes what they hear, they push a 173 00:09:15,640 --> 00:09:17,960 Speaker 2: big red button to thring their chair around and see 174 00:09:18,040 --> 00:09:21,280 Speaker 2: who's singing. The contestant then gets to pick their coach 175 00:09:21,320 --> 00:09:24,240 Speaker 2: among the button pushers, and each coach ends up with 176 00:09:24,280 --> 00:09:28,160 Speaker 2: the team of contestants. Then we get a season long 177 00:09:28,240 --> 00:09:30,040 Speaker 2: singing tournament for Christina. 178 00:09:30,280 --> 00:09:32,360 Speaker 1: This was a let them come to me approach to 179 00:09:32,440 --> 00:09:35,960 Speaker 1: fostering proteges, and she picked contestants who would let her 180 00:09:36,000 --> 00:09:39,640 Speaker 1: stick to what she knew, singers with formidable vocal range, 181 00:09:39,679 --> 00:09:41,360 Speaker 1: who could riff, and it was. 182 00:09:41,360 --> 00:09:43,960 Speaker 2: A safe way to stay in the spotlight, no shade. 183 00:09:44,600 --> 00:09:48,720 Speaker 2: Speaking of did you watch her on the Voice? 184 00:09:48,800 --> 00:09:51,240 Speaker 1: I did, but I watched it not because I wanted 185 00:09:51,240 --> 00:09:52,280 Speaker 1: to see her coach and mentor. 186 00:09:52,280 --> 00:09:53,840 Speaker 3: I actually just wanted to see the looks. 187 00:09:54,520 --> 00:09:57,000 Speaker 2: Of course, I just wanted to see it because I 188 00:09:57,000 --> 00:09:58,240 Speaker 2: wanted to see what she was like. 189 00:09:58,960 --> 00:10:00,840 Speaker 1: Yeah, I do think that the Void is that kind 190 00:10:00,920 --> 00:10:04,080 Speaker 1: of vehicle for an artist that allows you to see 191 00:10:04,120 --> 00:10:05,359 Speaker 1: a much more. 192 00:10:05,480 --> 00:10:08,240 Speaker 3: Stripped down version of them. 193 00:10:08,360 --> 00:10:11,160 Speaker 1: It's very authentic, right, Yeah, it's in the moment. It's 194 00:10:11,160 --> 00:10:13,240 Speaker 1: in the moment you're reacting. I mean, it's not live. 195 00:10:13,280 --> 00:10:14,920 Speaker 1: And they say that they feed them lines in all 196 00:10:14,960 --> 00:10:17,000 Speaker 1: of this drama. But point is you got to just 197 00:10:17,080 --> 00:10:19,320 Speaker 1: see her being her, and she is kind of bitchy 198 00:10:19,480 --> 00:10:20,800 Speaker 1: in a good way, like she's. 199 00:10:20,679 --> 00:10:24,040 Speaker 2: Really funny and she I think she was just. 200 00:10:24,520 --> 00:10:28,840 Speaker 1: No, I mean bitchy, good direct direct quick like could 201 00:10:28,880 --> 00:10:32,800 Speaker 1: read can read you, And I don't mean the exactly 202 00:10:33,080 --> 00:10:34,720 Speaker 1: and I don't mean it about the contestants. 203 00:10:34,760 --> 00:10:36,400 Speaker 3: I mean with her fellow judges. 204 00:10:36,040 --> 00:10:38,280 Speaker 1: Like she could read their bs and call them out 205 00:10:38,320 --> 00:10:39,760 Speaker 1: on it, which I love. 206 00:10:40,000 --> 00:10:41,080 Speaker 2: Yeah, yeah, yeah. 207 00:10:41,120 --> 00:10:45,480 Speaker 1: And The Voice gave Christina seven seasons of consistent exposure 208 00:10:45,960 --> 00:10:50,040 Speaker 1: and an opportunity to work with the next generation of vocalists, 209 00:10:50,160 --> 00:10:52,640 Speaker 1: not just as a coach, but as a collaborator. 210 00:10:53,080 --> 00:10:55,840 Speaker 2: In the first season, she's saying beautiful on stage with 211 00:10:55,880 --> 00:10:57,880 Speaker 2: one of her finalists, Beverly McClellan. 212 00:10:58,160 --> 00:10:59,240 Speaker 3: And that's not all. 213 00:10:59,440 --> 00:11:03,559 Speaker 1: The Voice also gave Christina an opportunity to organically jump 214 00:11:03,600 --> 00:11:07,599 Speaker 1: on a Maroon five track alongside fellow coach Adam lebin. 215 00:11:08,320 --> 00:11:10,960 Speaker 2: I don't skip many Christina tracks, but when I do, 216 00:11:11,280 --> 00:11:12,680 Speaker 2: it's the one with Adam Lebine. 217 00:11:13,240 --> 00:11:14,160 Speaker 3: I'm going to join you on that. 218 00:11:14,360 --> 00:11:18,120 Speaker 1: But anyway, Moves Like Jagger was the biggest hit Christina 219 00:11:18,200 --> 00:11:21,880 Speaker 1: had had in five years, charting at number one in 220 00:11:21,960 --> 00:11:24,080 Speaker 1: fourteen different countries, including the US. 221 00:11:24,200 --> 00:11:26,600 Speaker 3: I Hate Us, I still hate Us. 222 00:11:26,760 --> 00:11:29,240 Speaker 2: So The Voice was a bit of a lifeline for 223 00:11:29,360 --> 00:11:31,880 Speaker 2: Christina's career, and when it came time to drop a 224 00:11:31,920 --> 00:11:34,800 Speaker 2: new album, the show even gave her a stage to 225 00:11:34,880 --> 00:11:36,840 Speaker 2: debut her lead single. 226 00:11:36,880 --> 00:11:40,120 Speaker 1: Her follow up to Bionic twenty twelve's Lotus was themed 227 00:11:40,160 --> 00:11:43,520 Speaker 1: around rebirth. Christina wanted to move on from the hardship 228 00:11:43,640 --> 00:11:47,520 Speaker 1: of her No Good, Very Bad. Twenty eleven, she. 229 00:11:47,559 --> 00:11:50,680 Speaker 2: Debuted the lead single your Body on stage on The Voice, 230 00:11:50,720 --> 00:11:52,960 Speaker 2: and the track hit number one on the US Dance 231 00:11:53,000 --> 00:11:56,079 Speaker 2: Club Song Chart, a welcome change from Moves Like Jyer. 232 00:11:56,559 --> 00:12:00,839 Speaker 1: While the singles performed well as an album, Lotus wasn't 233 00:12:00,840 --> 00:12:03,320 Speaker 1: really enough to bring Christina back to the highs of 234 00:12:03,320 --> 00:12:07,280 Speaker 1: her two thousands platinum age. Rcia was unwilling to put 235 00:12:07,360 --> 00:12:11,360 Speaker 1: much promotion behind it, possibly still apprehensive over the drama 236 00:12:11,520 --> 00:12:13,120 Speaker 1: surrounding Bionic and. 237 00:12:13,040 --> 00:12:16,720 Speaker 2: The fans weren't having it, but Christina released a statement 238 00:12:16,720 --> 00:12:20,040 Speaker 2: to everyone, upset about the lack of support, saying music 239 00:12:20,120 --> 00:12:22,800 Speaker 2: and an artist's truth and identity cannot be defined on 240 00:12:22,840 --> 00:12:25,880 Speaker 2: a chart or review or with an award. It's good 241 00:12:25,920 --> 00:12:29,160 Speaker 2: to care, but being rewarded by material things isn't why 242 00:12:29,200 --> 00:12:32,640 Speaker 2: I remain in the business. It's the love of creating, expressing, 243 00:12:32,720 --> 00:12:35,160 Speaker 2: and connecting with myself and others. 244 00:12:36,760 --> 00:12:39,439 Speaker 1: Christina would leave The Voice in twenty sixteen after winning 245 00:12:39,440 --> 00:12:42,559 Speaker 1: the series with her contestant Alison Porter, making her the 246 00:12:42,600 --> 00:12:47,400 Speaker 1: first woman coach to win the show. Christina's next moves 247 00:12:48,040 --> 00:13:00,160 Speaker 1: a return to touring and two more albums. Never one 248 00:13:00,240 --> 00:13:02,720 Speaker 1: to shy away from the truth, Christina described her time 249 00:13:02,760 --> 00:13:04,679 Speaker 1: on The Voice as a hamster wheel. 250 00:13:05,280 --> 00:13:09,240 Speaker 2: When our girl is done, she's done. After gaining a 251 00:13:09,280 --> 00:13:12,480 Speaker 2: reputation as the shadiest coach on the show for good 252 00:13:12,760 --> 00:13:15,640 Speaker 2: or bad, she kept the season finale by joining Ariana 253 00:13:15,679 --> 00:13:17,720 Speaker 2: Grande on stage for Dangerous Woman. 254 00:13:18,040 --> 00:13:21,240 Speaker 1: Extina had been chipping away at two new albums as 255 00:13:21,280 --> 00:13:25,040 Speaker 1: far back as twenty fourteen. Four years later, she gave 256 00:13:25,120 --> 00:13:26,360 Speaker 1: us Liberation. 257 00:13:26,280 --> 00:13:28,640 Speaker 2: To promote the album, Christina appeared on the cover of 258 00:13:28,720 --> 00:13:33,959 Speaker 2: Paper magazine with a natural look, zero makeup, zero retouching. 259 00:13:34,160 --> 00:13:35,400 Speaker 3: Do you believe that was zero makeup? 260 00:13:36,040 --> 00:13:38,440 Speaker 2: Yeah, because I think my friend Zoe Grossman shot that. 261 00:13:38,800 --> 00:13:42,320 Speaker 1: I'm not mistaken, and it really was. It wasn't like 262 00:13:42,360 --> 00:13:44,360 Speaker 1: Alicia Keys pretending no makeup. 263 00:13:44,800 --> 00:13:46,600 Speaker 2: Well you know what, I think you could look back 264 00:13:46,640 --> 00:13:48,760 Speaker 2: in the ten was doing her then he might have 265 00:13:48,840 --> 00:13:50,680 Speaker 2: done a little face and body. Let's be honest. 266 00:13:50,880 --> 00:13:54,559 Speaker 3: Just when people say no makeup, they don't usually. 267 00:13:54,160 --> 00:13:57,240 Speaker 2: Mean they just mean the real high fashion no makeup makeup, 268 00:13:57,320 --> 00:13:59,000 Speaker 2: Thank you, Joseph, Like Runaway no makeup. 269 00:13:59,040 --> 00:14:01,040 Speaker 3: This is why Joseph is here anyway? 270 00:14:01,400 --> 00:14:04,960 Speaker 1: Look back at the cover, you guys, because it made waves, 271 00:14:05,040 --> 00:14:08,200 Speaker 1: and it is so easy to see why. After we 272 00:14:08,280 --> 00:14:11,440 Speaker 1: had the bubblegum pop look of her debut, the gritty 273 00:14:11,480 --> 00:14:15,400 Speaker 1: sexuality in Stripped, and the baby Jane back to Basics era, 274 00:14:15,640 --> 00:14:17,800 Speaker 1: and of course all of those seasons of sitting all 275 00:14:17,920 --> 00:14:20,560 Speaker 1: dolled up in the coach's chair, this was. 276 00:14:20,560 --> 00:14:23,320 Speaker 3: The Christina that no one had seen before. 277 00:14:24,240 --> 00:14:28,720 Speaker 2: This look defined Liberation, an album dedicated to freeing herself 278 00:14:28,720 --> 00:14:30,920 Speaker 2: from anything that wasn't her truth. 279 00:14:31,160 --> 00:14:34,440 Speaker 1: And the album liberated her in more ways than one. 280 00:14:34,480 --> 00:14:38,960 Speaker 1: With Liberation, Christina finally received critical recognition, free of any 281 00:14:39,000 --> 00:14:43,440 Speaker 1: comparisons to competing pop stars. Instead, she got nods to 282 00:14:43,480 --> 00:14:47,560 Speaker 1: her direct influences Whitney, Mariah, and Janet Jackson. 283 00:14:47,880 --> 00:14:52,400 Speaker 2: Rolling Stone called Liberation Christina at her peak. BuzzFeed called 284 00:14:52,400 --> 00:14:56,200 Speaker 2: it a throwback to Stripped, featuring rock, R and B, soul, 285 00:14:56,360 --> 00:15:00,040 Speaker 2: hip hop, regaton, and of course classic Christina ballads. 286 00:15:00,040 --> 00:15:03,000 Speaker 1: With her strongest artistic statement in years. Out in the world, 287 00:15:03,320 --> 00:15:07,720 Speaker 1: Christina finally returned to touring after a full decade away. 288 00:15:09,080 --> 00:15:12,920 Speaker 2: The Liberation tour wasn't an arena tour like back to basics, 289 00:15:13,160 --> 00:15:15,680 Speaker 2: but critics hailed it as a bona fide comeback. 290 00:15:16,000 --> 00:15:18,760 Speaker 1: The Houston Press called the show a form of therapy 291 00:15:18,920 --> 00:15:22,240 Speaker 1: for diehard Extina stands with a set list featuring blocks 292 00:15:22,240 --> 00:15:24,440 Speaker 1: of songs from each of her albums. 293 00:15:24,880 --> 00:15:28,640 Speaker 3: I say, does that sound familiar? 294 00:15:29,920 --> 00:15:32,440 Speaker 2: Taylor sound for Mills. 295 00:15:32,800 --> 00:15:35,400 Speaker 1: They also went on to call it a winning audition 296 00:15:35,760 --> 00:15:39,400 Speaker 1: for a Vegas residency and wouldn't you know it? In 297 00:15:39,440 --> 00:15:43,760 Speaker 1: twenty nineteen, Christina would begin a residency at Planet Hollywood, 298 00:15:43,880 --> 00:15:45,360 Speaker 1: Las Vegas. 299 00:15:45,000 --> 00:15:49,720 Speaker 2: Dubbed The Experience. The residency coincided with the X Tour 300 00:15:49,800 --> 00:15:53,120 Speaker 2: aka the European leg of her Liberation tour twenty four 301 00:15:53,200 --> 00:15:56,760 Speaker 2: Nights of Ecstasy. She even did songs from burlesque or 302 00:15:56,800 --> 00:15:57,520 Speaker 2: the real ones. 303 00:15:57,640 --> 00:16:00,480 Speaker 1: That would be me cheering in the audience. The Liberation 304 00:16:00,760 --> 00:16:04,240 Speaker 1: was one half of a creative renaissance for Christina. The 305 00:16:04,320 --> 00:16:08,760 Speaker 1: other half was the Spanish language double album Aguilera, her 306 00:16:08,880 --> 00:16:13,080 Speaker 1: first fully Spanish release since Mireflejo. 307 00:16:12,840 --> 00:16:16,160 Speaker 2: And everyone came through for this one. Becky g osuna 308 00:16:16,160 --> 00:16:20,120 Speaker 2: fini Natipaluso. The very first track samples Genie in a 309 00:16:20,200 --> 00:16:24,440 Speaker 2: Bottle and gives it a reggaeton beat. Lahna escapo and 310 00:16:24,680 --> 00:16:25,520 Speaker 2: She's here to ball. 311 00:16:26,000 --> 00:16:30,400 Speaker 1: Aguilera is a marathon of Latino musical stylings from urbano 312 00:16:30,520 --> 00:16:35,080 Speaker 1: to more traditional affair like guaracha and rancheras, separated into 313 00:16:35,280 --> 00:16:41,720 Speaker 1: three parts, La Fuersa, La tormenta, ilalouse, signifying empowerment, vulnerability, 314 00:16:41,800 --> 00:16:43,320 Speaker 1: forgiveness and closure. 315 00:16:44,080 --> 00:16:48,280 Speaker 2: The album closes with nois quetextrane, the haunting ballad about 316 00:16:48,280 --> 00:16:51,480 Speaker 2: her childhood that we touched back on part one. This 317 00:16:51,640 --> 00:16:54,520 Speaker 2: is sixteen a coming full circle, making amends with the 318 00:16:54,560 --> 00:16:57,120 Speaker 2: past and being unapologetically herself. 319 00:16:57,720 --> 00:17:01,480 Speaker 1: In May of twenty twenty four, Aguilera parted ways with RCL, 320 00:17:02,120 --> 00:17:04,920 Speaker 1: the label that never quite knew what to do with her. 321 00:17:05,359 --> 00:17:09,359 Speaker 1: Her new home is fifty twenty Records, a Regazon label 322 00:17:09,440 --> 00:17:11,760 Speaker 1: based in Miami and distributed by Sony. 323 00:17:12,160 --> 00:17:15,520 Speaker 2: Fifty twenty boaths up and coming Latin artists like Nati Beluso, 324 00:17:15,560 --> 00:17:19,240 Speaker 2: who's featured in Tina's last album, and Gania Oh's who 325 00:17:19,280 --> 00:17:22,000 Speaker 2: I can't stop talking to since Domas recommended her. 326 00:17:22,320 --> 00:17:26,400 Speaker 4: Hey, Kuti Putti, remember what we talked about with Daddy Yankee, 327 00:17:26,840 --> 00:17:31,200 Speaker 4: Those indie labels with major label distribution, creative freedom and 328 00:17:31,440 --> 00:17:33,000 Speaker 4: a healthy cut of those profits. 329 00:17:33,280 --> 00:17:36,359 Speaker 2: Ching Mommy's Home y'all, and she's doing whatever the f 330 00:17:36,480 --> 00:17:41,760 Speaker 2: she wants in the booths and in the bedroom. 331 00:17:42,600 --> 00:17:44,440 Speaker 3: Are we gonna talk about playground? 332 00:17:44,880 --> 00:17:47,880 Speaker 2: I mean, is this safe? 333 00:17:48,080 --> 00:17:49,600 Speaker 1: Are you asking me if this is a safe space 334 00:17:49,600 --> 00:17:50,560 Speaker 1: to talk about vibrators? 335 00:17:50,640 --> 00:17:52,560 Speaker 3: Yeah, this is a safe space. 336 00:17:53,960 --> 00:17:58,400 Speaker 1: Christina founded a sex brand. And by the way, she's 337 00:17:58,400 --> 00:18:02,320 Speaker 1: not her Hello. Yes, and she's not the only one. Oh, 338 00:18:02,840 --> 00:18:07,800 Speaker 1: did you know Selena has one Gomez? Can you imagine 339 00:18:07,840 --> 00:18:09,200 Speaker 1: if she had a vibrator called. 340 00:18:10,640 --> 00:18:11,959 Speaker 2: I'm deleting. 341 00:18:14,840 --> 00:18:17,639 Speaker 1: We've got Selena dabbling into this business. 342 00:18:17,720 --> 00:18:18,720 Speaker 3: Jemi Leva, I. 343 00:18:18,720 --> 00:18:23,040 Speaker 2: Don't know Demi Levado had something as something. 344 00:18:23,240 --> 00:18:24,160 Speaker 3: I am here for this. 345 00:18:24,240 --> 00:18:24,760 Speaker 2: I love that. 346 00:18:24,880 --> 00:18:27,360 Speaker 3: I love these latinas being like, no, no, no, no, no. 347 00:18:27,400 --> 00:18:30,520 Speaker 1: Sex is good, sex is enjoyable, It's pleasurable. 348 00:18:30,560 --> 00:18:33,320 Speaker 2: It's for both people, correct. 349 00:18:32,920 --> 00:18:33,960 Speaker 3: But mainly for us. 350 00:18:36,119 --> 00:18:38,480 Speaker 1: I also want to take us back to that infamous 351 00:18:38,520 --> 00:18:42,920 Speaker 1: Blender interview where Christina says that she never wanted to 352 00:18:42,960 --> 00:18:46,600 Speaker 1: hide her sexuality or her Latini that and now she 353 00:18:46,760 --> 00:18:51,480 Speaker 1: is finely in an era where she can confidently express both. 354 00:18:52,680 --> 00:18:55,680 Speaker 2: She can be who she is without comparisons to anyone else. 355 00:18:55,920 --> 00:18:59,080 Speaker 2: And while she and you know who still follow and 356 00:18:59,240 --> 00:19:02,280 Speaker 2: unfollow each other as time goes on. In twenty twenty one, 357 00:19:02,400 --> 00:19:05,879 Speaker 2: she expressed solidarity for the same woman she was once 358 00:19:06,000 --> 00:19:08,639 Speaker 2: pitted against, just as that woman was on the cusp 359 00:19:08,680 --> 00:19:09,240 Speaker 2: of liberation. 360 00:19:10,119 --> 00:19:13,080 Speaker 1: On her social media, Christina shared an open letter supporting 361 00:19:13,160 --> 00:19:16,720 Speaker 1: Brittany as she fought against her conservatorship. The letter read, 362 00:19:17,280 --> 00:19:19,280 Speaker 1: every woman must have the right to her own body, 363 00:19:19,320 --> 00:19:22,199 Speaker 1: her own reproductive system, her own privacy, her own space, 364 00:19:22,280 --> 00:19:25,320 Speaker 1: her own healing, and her own happiness. The person I 365 00:19:25,359 --> 00:19:28,200 Speaker 1: once knew has been living without compassion or decency from 366 00:19:28,240 --> 00:19:30,560 Speaker 1: those in control. To a woman who has worked under 367 00:19:30,600 --> 00:19:33,960 Speaker 1: conditions and pressure unimaginable to most, I promise you she 368 00:19:34,040 --> 00:19:37,040 Speaker 1: deserves all of the freedom possible to live her happiest life. 369 00:19:37,320 --> 00:19:39,560 Speaker 1: My heart goes out to Brittany. She deserves all the 370 00:19:39,680 --> 00:19:41,600 Speaker 1: true love and support in the world. 371 00:19:43,080 --> 00:19:46,360 Speaker 2: Christina's first track as a recording artist found her wondering 372 00:19:46,400 --> 00:19:50,119 Speaker 2: when her reflection would show who she was inside. 373 00:19:49,680 --> 00:19:52,560 Speaker 1: And the music industry is almost designed to make you 374 00:19:52,640 --> 00:19:56,000 Speaker 1: forget who that is, but actions and choices can help 375 00:19:56,040 --> 00:19:56,760 Speaker 1: remind us. 376 00:19:57,200 --> 00:19:59,560 Speaker 2: Time and again. Christina has caught her way back from 377 00:19:59,640 --> 00:20:02,320 Speaker 2: dark day. That's when we can see exactly who she 378 00:20:02,400 --> 00:20:06,280 Speaker 2: is inside. A fighter a mother, a diva, and of 379 00:20:06,320 --> 00:20:07,440 Speaker 2: course an icon. 380 00:20:17,080 --> 00:20:23,800 Speaker 1: On the next Becoming an Icon rock Mexicano Royalty Mana. 381 00:20:26,600 --> 00:20:30,320 Speaker 1: Becoming an Icon is presented by Sonoo and Iheart's Michael 382 00:20:30,359 --> 00:20:34,159 Speaker 1: dudda podcast network. Listen to Becoming an Icon on the 383 00:20:34,280 --> 00:20:38,800 Speaker 1: iHeartRadio app, Apple podcast, or wherever you get your podcast