1 00:00:00,440 --> 00:00:02,840 Speaker 1: Hey guys, thanks for checking out this bonus episode. Before 2 00:00:02,840 --> 00:00:04,240 Speaker 1: we get into it, though, I wanted to fill you 3 00:00:04,280 --> 00:00:06,040 Speaker 1: in on all the great content we got for you 4 00:00:06,080 --> 00:00:09,080 Speaker 1: this week here in Disgraceland. We just released a brand 5 00:00:09,080 --> 00:00:13,080 Speaker 1: new episode on Blondie, and tomorrow we're releasing a rewind 6 00:00:13,119 --> 00:00:16,079 Speaker 1: episode from our archive on Chris Brown. That's over in 7 00:00:16,120 --> 00:00:19,080 Speaker 1: the bad Lands feed. Check out some archive re releases 8 00:00:19,120 --> 00:00:21,480 Speaker 1: on River Phoenix and Tim Allen as well. All right, 9 00:00:21,600 --> 00:00:27,200 Speaker 1: let's get into it, shall we. Hey, discos, need a 10 00:00:27,240 --> 00:00:30,120 Speaker 1: little more Disgraceland in your life, just to touch to 11 00:00:30,200 --> 00:00:33,880 Speaker 1: get you through. Yeah, me too. This is the podcast 12 00:00:33,920 --> 00:00:51,080 Speaker 1: that comes after the podcast. Welcome to Disgraceland. The after Partie, 13 00:00:52,240 --> 00:00:55,480 Speaker 1: Welcome to the Disgraceland bonus episode, a little thing we 14 00:00:55,640 --> 00:00:58,560 Speaker 1: like to call the after party. This is the show 15 00:00:58,600 --> 00:01:00,720 Speaker 1: after the show, the party after the party, the bridge 16 00:01:00,720 --> 00:01:02,840 Speaker 1: to get you from one full episode of Disgraceland to 17 00:01:03,000 --> 00:01:06,200 Speaker 1: the other, the backyard to dig into the dirt. On 18 00:01:06,280 --> 00:01:09,399 Speaker 1: this episode, we are talking, among other things, about our 19 00:01:09,520 --> 00:01:13,959 Speaker 1: new full episode on Blondie, this week's rewind episode on 20 00:01:14,080 --> 00:01:17,920 Speaker 1: Chris Brown, and of course your voicemails, text, dms and more, 21 00:01:18,240 --> 00:01:21,160 Speaker 1: and as always, a whole lot of Rosie all Right discos, 22 00:01:21,560 --> 00:01:36,200 Speaker 1: Let's get into it all right this week in Disgraceland, 23 00:01:36,240 --> 00:01:39,319 Speaker 1: brand new episode on Blondie, one of the great bands 24 00:01:39,360 --> 00:01:41,600 Speaker 1: to come out of the nineteen seventies punk new Wave 25 00:01:41,720 --> 00:01:46,559 Speaker 1: CBGBCN in New York City, fertile scene, great time for music, 26 00:01:46,640 --> 00:01:50,040 Speaker 1: great time for musical innovation as well, and also a 27 00:01:50,080 --> 00:01:54,600 Speaker 1: great time of fear, violent crime. Had the Five Borrows 28 00:01:54,680 --> 00:01:59,760 Speaker 1: in a stranglehold, Muggers, rapist, thieves, criminal deviance, all kinds 29 00:02:00,080 --> 00:02:02,920 Speaker 1: ran wild, wild in the streets. As Girl and Jeffrey 30 00:02:02,960 --> 00:02:06,040 Speaker 1: said so true New Yorkers like Blondie. Though they were tough, 31 00:02:06,560 --> 00:02:10,600 Speaker 1: they were kind of jaded and immune to the fierce 32 00:02:10,680 --> 00:02:13,640 Speaker 1: city vibes that inflicted the tourists who came to New 33 00:02:13,720 --> 00:02:17,240 Speaker 1: York City. Blondie's Debbie Harry, in particular, she was not 34 00:02:17,280 --> 00:02:19,800 Speaker 1: a victim. She's a survivor. She was not a mark. 35 00:02:20,080 --> 00:02:23,200 Speaker 1: But she nearly became a victim as soon to be 36 00:02:23,280 --> 00:02:26,799 Speaker 1: infamous serial killer offered her a ride. So Debbie Harry 37 00:02:26,919 --> 00:02:29,800 Speaker 1: wrote all about her infamous encounter with soon to be 38 00:02:29,840 --> 00:02:33,119 Speaker 1: serial killer Ted Bundy in her autobiography Face It, which 39 00:02:33,200 --> 00:02:37,640 Speaker 1: came out back in twenty nineteen. Okay, this is to 40 00:02:37,800 --> 00:02:41,800 Speaker 1: me one of the greatest connections between music and true 41 00:02:41,800 --> 00:02:46,919 Speaker 1: crime in history. It is also quite literally the reason 42 00:02:46,960 --> 00:02:51,400 Speaker 1: I do this podcast. These weird fucking connections. Now, let's 43 00:02:51,400 --> 00:02:54,200 Speaker 1: just address the elephant in the room really quick. Did 44 00:02:54,240 --> 00:02:58,400 Speaker 1: this happen? Did Debbie Harry? As I put forth in 45 00:02:58,480 --> 00:03:02,000 Speaker 1: the new full episode on Blondie, and as Debbie Harry 46 00:03:02,600 --> 00:03:04,680 Speaker 1: confirms to be true, states to be true in her 47 00:03:04,720 --> 00:03:08,440 Speaker 1: book and has done elsewhere, the fact that she was 48 00:03:08,520 --> 00:03:11,760 Speaker 1: once given a ride by Ted Bundy and who tried 49 00:03:11,800 --> 00:03:14,400 Speaker 1: to abduct her and she then escaped. Now, a lot 50 00:03:14,400 --> 00:03:16,600 Speaker 1: of people call bullshit on this, but here's the deal. 51 00:03:16,840 --> 00:03:20,760 Speaker 1: This is the greatest type of storytelling. It's myth, meaning 52 00:03:20,800 --> 00:03:23,320 Speaker 1: you can't prove that it happened, but you can't prove 53 00:03:23,320 --> 00:03:26,720 Speaker 1: that it didn't happen either. I've talked about this before. Now, 54 00:03:26,840 --> 00:03:28,399 Speaker 1: a lot of people point to the fact that Ted 55 00:03:28,440 --> 00:03:30,720 Speaker 1: Bundy never killed anybody in New York City, and that 56 00:03:30,800 --> 00:03:34,160 Speaker 1: Ted Bundy was not known to be an East Coast guy, 57 00:03:34,200 --> 00:03:35,640 Speaker 1: that he wasn't in New York City at the time. 58 00:03:35,680 --> 00:03:39,080 Speaker 1: But however, there is evidence that he was in Philadelphia 59 00:03:39,440 --> 00:03:42,240 Speaker 1: at the time, which is only about an hour's drive 60 00:03:42,920 --> 00:03:47,520 Speaker 1: from New York City. So who you gonna believe? I'm 61 00:03:47,600 --> 00:03:50,360 Speaker 1: choosing to believe the victim here. I couldn't help myself. 62 00:03:50,520 --> 00:03:54,200 Speaker 1: I'm choosing to believe Debbie Harry here, not out of 63 00:03:54,240 --> 00:03:57,280 Speaker 1: some like you know, false sense of victims rights or 64 00:03:57,320 --> 00:03:59,560 Speaker 1: anything like that, but just because this is a damn 65 00:03:59,560 --> 00:04:02,720 Speaker 1: good story. And Debbie Harry is a pretty credible person 66 00:04:02,760 --> 00:04:04,600 Speaker 1: when you look at her past and you look how 67 00:04:04,640 --> 00:04:07,680 Speaker 1: authentically she's represented herself in her art and everything else. 68 00:04:07,920 --> 00:04:10,440 Speaker 1: Who knows, maybe she wanted to sell books. I don't know, 69 00:04:10,480 --> 00:04:13,160 Speaker 1: but this story is just too good to put down. 70 00:04:13,200 --> 00:04:16,400 Speaker 1: I've been talking about this forever since I first thought 71 00:04:16,440 --> 00:04:19,240 Speaker 1: of this podcast. I wanted to do this episode when 72 00:04:19,279 --> 00:04:21,960 Speaker 1: I did those live shows back in gosh, when were 73 00:04:22,000 --> 00:04:23,159 Speaker 1: they twenty nineteen? 74 00:04:23,480 --> 00:04:23,760 Speaker 2: I did. 75 00:04:23,839 --> 00:04:25,560 Speaker 1: I had a bit at the end of the shows 76 00:04:25,640 --> 00:04:28,120 Speaker 1: where I would do this sort of like true or 77 00:04:28,160 --> 00:04:34,760 Speaker 1: false thing with these absurd stories the musicians how to 78 00:04:34,800 --> 00:04:39,400 Speaker 1: part it, and this Ted Bundy Debbie Harry thing was 79 00:04:39,440 --> 00:04:41,960 Speaker 1: part of it even back then. So I've been itching 80 00:04:42,520 --> 00:04:45,240 Speaker 1: to tell this story. So the response has been great 81 00:04:45,279 --> 00:04:48,120 Speaker 1: so far. I love that you guys are responding to it. 82 00:04:48,320 --> 00:04:50,040 Speaker 1: I love that you were there for the shock of 83 00:04:50,080 --> 00:04:52,960 Speaker 1: the Ted Bundy thing. I'm down with it. If you 84 00:04:53,000 --> 00:04:55,200 Speaker 1: know any other information on this, anyone out there listening 85 00:04:55,200 --> 00:04:58,000 Speaker 1: who knows Debbie Harry has perhaps some different insight into 86 00:04:58,040 --> 00:05:01,960 Speaker 1: this personally from her in touch, let me know, all right. 87 00:05:02,000 --> 00:05:05,320 Speaker 1: Six one seven nine oh six six six three eight. Also, 88 00:05:05,400 --> 00:05:07,360 Speaker 1: if you are a listener out there and you've heard 89 00:05:07,360 --> 00:05:09,560 Speaker 1: this story and you think it's bullshit, let me know. 90 00:05:09,600 --> 00:05:10,960 Speaker 1: If you think it's not, let me know. We list 91 00:05:11,040 --> 00:05:12,240 Speaker 1: let me know what you think of the episode. Six 92 00:05:12,320 --> 00:05:15,720 Speaker 1: one seven nine oh six six six three eight. All right. 93 00:05:15,720 --> 00:05:18,600 Speaker 1: We'll do some emails right now at Disgrace slam Pod. 94 00:05:19,520 --> 00:05:23,560 Speaker 1: This email here from Lawrence, who writes in uh, let's 95 00:05:23,560 --> 00:05:27,360 Speaker 1: see here, subject Sam Cook, March sixth, twenty eighteen. He's 96 00:05:27,400 --> 00:05:30,200 Speaker 1: referring to the release date that we put out the 97 00:05:30,240 --> 00:05:33,799 Speaker 1: Sam Cook episode, which I believe is yeah, that's uh, 98 00:05:34,080 --> 00:05:37,080 Speaker 1: the third episode we released. That's one day before my 99 00:05:37,240 --> 00:05:41,120 Speaker 1: second son was born. And the message says, hey, just 100 00:05:41,240 --> 00:05:45,240 Speaker 1: listen to this. I disagree. Things are complicated, more complicated 101 00:05:45,240 --> 00:05:48,320 Speaker 1: than you reported. No, I don't think it was the mafia, 102 00:05:48,480 --> 00:05:51,560 Speaker 1: his wife or a planned hit by the motel manager. 103 00:05:52,080 --> 00:05:54,440 Speaker 1: Not enough room here to express myself. So I will 104 00:05:54,480 --> 00:05:58,560 Speaker 1: just say baby drowning, bad contract signing, the weight of sin, 105 00:05:59,080 --> 00:06:04,000 Speaker 1: alcohol abuse, unpaid prostitute, and a murdered husband boyfriend. And 106 00:06:04,000 --> 00:06:07,320 Speaker 1: that's the message from Lawrence, who sounds like he has 107 00:06:07,360 --> 00:06:10,760 Speaker 1: some information that we don't have. So Lawrence, appreciate the email. 108 00:06:10,839 --> 00:06:13,600 Speaker 1: My man right back or hit me back six one 109 00:06:13,640 --> 00:06:15,320 Speaker 1: seven nine oh six six six three eight. If you 110 00:06:15,360 --> 00:06:16,600 Speaker 1: want to talk about it further, if you want to 111 00:06:16,600 --> 00:06:19,640 Speaker 1: talk about it confidentially, we can do that. Just let 112 00:06:19,640 --> 00:06:21,640 Speaker 1: me know that's what you prefer, and I won't talk 113 00:06:21,640 --> 00:06:25,920 Speaker 1: about it here in this public space. This one from 114 00:06:26,040 --> 00:06:28,680 Speaker 1: Rob O'Connor. This is a recent one. Rob writes in 115 00:06:29,200 --> 00:06:32,919 Speaker 1: thank you, that's the subject line. Hey, there been listening 116 00:06:32,960 --> 00:06:36,000 Speaker 1: since the beginning. It was disappointed to stop when the 117 00:06:36,040 --> 00:06:39,080 Speaker 1: show went exclusive. Just wanted to reach out and say 118 00:06:39,080 --> 00:06:41,239 Speaker 1: how happy I am that the show is available everywhere 119 00:06:41,240 --> 00:06:43,840 Speaker 1: again and I look forward to catching up on the backlog. 120 00:06:44,080 --> 00:06:47,680 Speaker 1: Keep up the good work, Rob, Rob my man, welcome back, 121 00:06:47,839 --> 00:06:51,119 Speaker 1: Welcome back to Disgraceland. We're happy to have you and Rob, 122 00:06:51,600 --> 00:06:54,640 Speaker 1: you've missed a lot. We've got a lot of episodes. 123 00:06:54,240 --> 00:06:54,680 Speaker 2: A ton. 124 00:06:55,000 --> 00:06:57,520 Speaker 1: Not only did we re release all the episodes that 125 00:06:57,560 --> 00:07:01,039 Speaker 1: you missed that were exclusive. We've all s so upped 126 00:07:01,080 --> 00:07:04,600 Speaker 1: our ante this year. We've produced twice as many episodes 127 00:07:04,640 --> 00:07:07,440 Speaker 1: as we normally do. Every week we're releasing a new 128 00:07:07,480 --> 00:07:11,320 Speaker 1: episode of Disgraceland. You're getting back just in time. You 129 00:07:11,360 --> 00:07:14,480 Speaker 1: can catch up, and you're here at the perfect moment, 130 00:07:14,560 --> 00:07:18,480 Speaker 1: Rob because we right now at Double Elvis are getting 131 00:07:18,520 --> 00:07:22,280 Speaker 1: together our plans for twenty twenty four. And let me 132 00:07:22,320 --> 00:07:26,000 Speaker 1: just tell you as it pertains to Disgraceland and bad 133 00:07:26,080 --> 00:07:28,920 Speaker 1: Lands or Sportsland or Hollywood Land or any of the lands, 134 00:07:29,320 --> 00:07:34,440 Speaker 1: any of the storytelling we're doing, we have boku goodness 135 00:07:34,680 --> 00:07:37,720 Speaker 1: for you guys for next year. Big change is coming, 136 00:07:38,000 --> 00:07:42,520 Speaker 1: we think in a good way. Lots more content coming. 137 00:07:42,840 --> 00:07:45,760 Speaker 1: Merch is coming. I've heard you. I've heard you all year. 138 00:07:45,800 --> 00:07:47,720 Speaker 1: You've been reaching out to me. Where's the merch, where's 139 00:07:47,720 --> 00:07:49,280 Speaker 1: the merch, where's the merch? I need the merch, I 140 00:07:49,280 --> 00:07:51,800 Speaker 1: want the merch. Give me the merch. And I've been like, 141 00:07:52,120 --> 00:07:54,400 Speaker 1: I don't have it. I don't know what to tell you. Well, listen, 142 00:07:54,600 --> 00:07:59,160 Speaker 1: we're starting, We're getting it back up. We're refilling the basics, 143 00:07:59,480 --> 00:08:01,800 Speaker 1: and I have a plan to be re releasing merch 144 00:08:01,840 --> 00:08:04,280 Speaker 1: on a regular basis going forward. I also have a 145 00:08:04,320 --> 00:08:06,640 Speaker 1: plan that I'm working on so that we can engage 146 00:08:06,640 --> 00:08:09,240 Speaker 1: more this voicemail six one, seven, nine oh six sixty 147 00:08:09,240 --> 00:08:11,800 Speaker 1: six three eight text message thing that we've been doing, rob. 148 00:08:11,840 --> 00:08:13,840 Speaker 1: You can reach out. You don't have to just email. 149 00:08:14,080 --> 00:08:15,920 Speaker 1: You can hit me on text and voicemail. We've been 150 00:08:15,920 --> 00:08:18,120 Speaker 1: doing this for I don't know, six seven months now. 151 00:08:18,480 --> 00:08:20,600 Speaker 1: It's inspired me in different ways. We have this great 152 00:08:20,640 --> 00:08:24,680 Speaker 1: conversation going on. We've got this awesome community here. But 153 00:08:24,760 --> 00:08:27,080 Speaker 1: I got to tell you, after six seven eight months 154 00:08:27,080 --> 00:08:28,920 Speaker 1: of doing this, I'm feeling a little limited. I'm feeling 155 00:08:28,920 --> 00:08:32,960 Speaker 1: a little constrained. It's hard. You guys, text and voicemail 156 00:08:33,000 --> 00:08:35,320 Speaker 1: a lot, and I no doubt sense that you are 157 00:08:35,360 --> 00:08:37,839 Speaker 1: frustrated at my lack of response. I'm telling you, I'm 158 00:08:37,840 --> 00:08:41,640 Speaker 1: trying to respond. It's just hard. I'm not complaining, but 159 00:08:42,120 --> 00:08:44,080 Speaker 1: I'm just telling you it's difficult when you have hundreds 160 00:08:44,080 --> 00:08:46,760 Speaker 1: of texts to respond to them all or even a few. 161 00:08:47,200 --> 00:08:49,960 Speaker 1: But I'm working on a way to solve this problem, 162 00:08:50,080 --> 00:08:52,280 Speaker 1: to keep the engagement going, but make it so it's 163 00:08:52,320 --> 00:08:54,480 Speaker 1: a better experience for all of us. All right, More 164 00:08:54,559 --> 00:08:56,800 Speaker 1: on that in the coming weeks. But this is all 165 00:08:56,800 --> 00:08:58,640 Speaker 1: to say, I guess you know. I wasn't gonna do 166 00:08:58,679 --> 00:09:01,200 Speaker 1: this until later, but I'll do it now. Thanksgiving is 167 00:09:01,200 --> 00:09:03,800 Speaker 1: in what two days? No, it's tomorrow, it's in one day. 168 00:09:04,000 --> 00:09:06,600 Speaker 1: You're gonna be getting this on Thanksgiving, this episode. I'm 169 00:09:06,640 --> 00:09:09,960 Speaker 1: grateful for you, guys. I'm grateful for this community. I'm 170 00:09:10,040 --> 00:09:12,280 Speaker 1: thankful that you're in my ear. You're calling me, you're 171 00:09:12,320 --> 00:09:15,400 Speaker 1: texting me, you're hitting me up on DMS, you're listening 172 00:09:15,440 --> 00:09:18,920 Speaker 1: to these episodes. They matter to you. The conversations we're 173 00:09:18,960 --> 00:09:23,520 Speaker 1: having about these larger than life personalities, be they musicians 174 00:09:23,840 --> 00:09:26,480 Speaker 1: or actors in the bad Lands feed or even athletes 175 00:09:26,480 --> 00:09:29,480 Speaker 1: who've talked about them as well. You guys always bring 176 00:09:29,640 --> 00:09:33,000 Speaker 1: something interesting to the table. You inspire me. You make 177 00:09:33,080 --> 00:09:35,959 Speaker 1: me think about how I want this podcast to live 178 00:09:36,000 --> 00:09:37,560 Speaker 1: in the world and grow in the world, and what 179 00:09:37,600 --> 00:09:39,640 Speaker 1: I want to talk about, what I want to research, 180 00:09:39,720 --> 00:09:41,480 Speaker 1: what I want to write. Same goes for the folks 181 00:09:41,480 --> 00:09:44,160 Speaker 1: who work here at Double Elvis. I know Zeth Lundy 182 00:09:44,240 --> 00:09:46,280 Speaker 1: is thinking he feels the same exact way as he's 183 00:09:46,320 --> 00:09:49,800 Speaker 1: hearing this, So just we are grateful. I am personally 184 00:09:49,880 --> 00:09:53,960 Speaker 1: grateful thank you. Let's not stop. Twenty twenty four is 185 00:09:54,000 --> 00:09:56,720 Speaker 1: going to be a banger of a year. All right, 186 00:09:57,120 --> 00:09:59,480 Speaker 1: enjoy your families this Thanksgiving break. I'm going to take 187 00:09:59,480 --> 00:10:01,280 Speaker 1: a quick break right here. I'll be back though, in 188 00:10:01,559 --> 00:10:27,000 Speaker 1: just a few minutes. All right, we are back. And 189 00:10:27,040 --> 00:10:29,400 Speaker 1: before we get into your voicemail and your texts, I 190 00:10:29,440 --> 00:10:32,000 Speaker 1: just want to do a quick little couple beats here 191 00:10:32,160 --> 00:10:36,480 Speaker 1: on Blondie the band. Okay, because Debbie Harry eats up 192 00:10:36,640 --> 00:10:39,040 Speaker 1: a lot of the real estate when we think and 193 00:10:39,120 --> 00:10:43,079 Speaker 1: talk about Blondie. There's even some folks who have thought 194 00:10:43,160 --> 00:10:45,280 Speaker 1: and always will think that Debbie Harry is Blondie. But 195 00:10:45,320 --> 00:10:47,480 Speaker 1: she's not their real band. They're They're They're They're a 196 00:10:47,559 --> 00:10:49,680 Speaker 1: full band, a rock and roll band. It is not 197 00:10:49,800 --> 00:10:51,960 Speaker 1: a solo act. It never has been, never will be. 198 00:10:53,360 --> 00:10:54,880 Speaker 1: And I just want to say they're a great band. 199 00:10:55,240 --> 00:10:58,959 Speaker 1: And when they were one of the first MTV bands ever, 200 00:10:59,600 --> 00:11:02,800 Speaker 1: And when I was a teeny tiny little boy and 201 00:11:03,679 --> 00:11:07,680 Speaker 1: conscious of television, quite frankly left alone by my parents 202 00:11:07,800 --> 00:11:11,320 Speaker 1: or my babysitter to just watch television that was probably 203 00:11:11,360 --> 00:11:14,960 Speaker 1: highly inappropriate to me, but nonetheless had a great deal 204 00:11:15,000 --> 00:11:17,920 Speaker 1: of influence on me. And who I am today. Blondie 205 00:11:17,960 --> 00:11:20,160 Speaker 1: was one of the first music videos that I think 206 00:11:20,200 --> 00:11:22,839 Speaker 1: I'd ever seen, not the first. I think adam Ant 207 00:11:22,840 --> 00:11:27,040 Speaker 1: was probably the first. Clash Rock the Kasbob, Sorry, yeah, 208 00:11:27,160 --> 00:11:29,360 Speaker 1: rock the Kasbob, but Blondie might have been I don't know, 209 00:11:29,480 --> 00:11:33,160 Speaker 1: two or three four, something like that. So major influence 210 00:11:33,200 --> 00:11:35,680 Speaker 1: on me, major, major, major influence on me, And still 211 00:11:35,679 --> 00:11:37,720 Speaker 1: to this day when I hear Blondie, I feel good inside. 212 00:11:37,720 --> 00:11:40,480 Speaker 1: I feel nostalgic. But now I can look at it 213 00:11:40,520 --> 00:11:43,160 Speaker 1: objectively and I can actually look at what they were doing. 214 00:11:44,120 --> 00:11:46,480 Speaker 1: What they were doing was genre, what they were doing 215 00:11:46,520 --> 00:11:50,840 Speaker 1: with style, what they were doing against the grain of 216 00:11:50,880 --> 00:11:53,079 Speaker 1: the scene that they were in that was propelling them. 217 00:11:53,080 --> 00:11:56,640 Speaker 1: At the same time, they were mightily subversive and just 218 00:11:57,640 --> 00:12:02,880 Speaker 1: beyond cool. Blondie the band, and of course Debbie Harry, 219 00:12:03,320 --> 00:12:07,079 Speaker 1: the front woman. You could just I talk about aliens 220 00:12:07,120 --> 00:12:08,640 Speaker 1: landing on the planet all the time and how we 221 00:12:08,679 --> 00:12:10,480 Speaker 1: would explain things to them. You could just if you 222 00:12:10,520 --> 00:12:12,400 Speaker 1: wanted to explain the word cool, you could just show 223 00:12:12,440 --> 00:12:14,360 Speaker 1: them a picture of Blondie. You really could. It would 224 00:12:14,400 --> 00:12:16,480 Speaker 1: do it, just that's it. You wouldn't even need words, 225 00:12:16,880 --> 00:12:19,320 Speaker 1: just show them Debbie Harry and they will understand what 226 00:12:19,400 --> 00:12:21,320 Speaker 1: cool is. At least that's my opinion, and I understand 227 00:12:21,360 --> 00:12:23,720 Speaker 1: that it's subjective. Six one seven nine oh six six 228 00:12:23,840 --> 00:12:26,640 Speaker 1: six three eight. Coolest looking band of all time? Okay, 229 00:12:26,840 --> 00:12:28,720 Speaker 1: you need a picture to explain how cool they are? 230 00:12:28,800 --> 00:12:30,480 Speaker 1: Maybe you can do it without words. Who is it? 231 00:12:30,559 --> 00:12:32,320 Speaker 1: Let me know? Six one seven nine oh six sixty 232 00:12:32,320 --> 00:12:35,160 Speaker 1: six three eight voicemail and text. Speaking of which, let's 233 00:12:35,160 --> 00:12:37,880 Speaker 1: get into some voicemails right now. All right, so let's 234 00:12:37,960 --> 00:12:41,280 Speaker 1: check out this voicemail from Steve in the four one 235 00:12:41,320 --> 00:12:42,840 Speaker 1: two HI named. 236 00:12:42,720 --> 00:12:46,880 Speaker 3: Steve Kind about Mark Almond. One of my favorites from 237 00:12:46,880 --> 00:12:50,680 Speaker 3: Mark Almond is Mark Almond with Fetus. I can't remember 238 00:12:50,679 --> 00:12:53,559 Speaker 3: the exact name of the album, but it's a great 239 00:12:54,400 --> 00:13:02,480 Speaker 3: little interpretation of his wile to act with the fetus Industrialism. Yeah, 240 00:13:02,640 --> 00:13:03,880 Speaker 3: I mean, I'm sure you know right now. He's a 241 00:13:03,920 --> 00:13:06,080 Speaker 3: member of Sauce Cell. He also played with people like 242 00:13:06,080 --> 00:13:09,160 Speaker 3: Psycho TV. He's a great, great musician. 243 00:13:09,400 --> 00:13:12,520 Speaker 1: Have a good day, all right, Steve, got gotta clear 244 00:13:12,600 --> 00:13:16,080 Speaker 1: up some confusion here. I was talking about Mark Almond 245 00:13:17,280 --> 00:13:21,000 Speaker 1: a couple bonus episodes back, I received a bunch of 246 00:13:21,080 --> 00:13:23,560 Speaker 1: voicemails like you're Steve, I got a bunch of dms 247 00:13:23,600 --> 00:13:29,760 Speaker 1: from some smart informed music fans like yourself, hipping me 248 00:13:29,840 --> 00:13:32,760 Speaker 1: to the fact that Mark Almond is the lead singer 249 00:13:32,760 --> 00:13:36,679 Speaker 1: for the band Soft Cell. Tainted Love great song also 250 00:13:36,720 --> 00:13:40,200 Speaker 1: covered by the Far Side Revelation Records band from way back. 251 00:13:41,240 --> 00:13:42,679 Speaker 1: I think it was Far Side, No, I think it 252 00:13:42,679 --> 00:13:44,800 Speaker 1: was Shades Apart. It was Shades Apart also on Revelation. 253 00:13:44,960 --> 00:13:48,840 Speaker 1: Wasn't the Far Side anyhow, I digress, but saw Cell 254 00:13:49,160 --> 00:13:52,120 Speaker 1: Mark Almond because I mentioned a song called the City 255 00:13:52,200 --> 00:13:55,720 Speaker 1: that I was obsessed with by Mark Almond. Now, as 256 00:13:55,760 --> 00:13:59,520 Speaker 1: soon as I heard this, I felt, oh, Jake, you moron, 257 00:13:59,640 --> 00:14:01,400 Speaker 1: How did you not know that this was the guy 258 00:14:01,400 --> 00:14:03,920 Speaker 1: from Soft Cell? And I was just I just happened 259 00:14:03,960 --> 00:14:06,840 Speaker 1: to see the video for tamed Love great video the 260 00:14:06,880 --> 00:14:08,600 Speaker 1: other night as well, and I was like, Wow, this 261 00:14:08,640 --> 00:14:11,160 Speaker 1: singer is really fucking interesting because I hadn't really seen 262 00:14:11,200 --> 00:14:14,200 Speaker 1: the band before, you know, so I look into it. 263 00:14:14,240 --> 00:14:19,000 Speaker 1: Turns out it's not the same Mark Almond. There's if 264 00:14:19,040 --> 00:14:21,960 Speaker 1: you go on Spotify you can in search the City 265 00:14:22,120 --> 00:14:24,720 Speaker 1: by Mark Almond. You will see what I'm talking about. 266 00:14:25,840 --> 00:14:30,920 Speaker 1: And they're also Mark Almond is stylized Mark Dash Almond. Okay, 267 00:14:31,000 --> 00:14:33,280 Speaker 1: So that got me thinking, Okay, what the hell's happening here? 268 00:14:33,560 --> 00:14:35,800 Speaker 1: So I looked into it and it's actually sometimes there's 269 00:14:35,800 --> 00:14:39,040 Speaker 1: sometimes owned as the Mark Almond Band. Two dudes, one 270 00:14:39,120 --> 00:14:42,480 Speaker 1: last named Mark, the other last named Almond, have this 271 00:14:42,520 --> 00:14:47,480 Speaker 1: sort of jazz fusion seventies thing that's incredible. And that's 272 00:14:47,760 --> 00:14:51,560 Speaker 1: what I was getting into, not Mark Almond from soft Cell, 273 00:14:52,320 --> 00:14:55,560 Speaker 1: but this fetus thing sounds really interesting. And now I 274 00:14:55,600 --> 00:14:57,320 Speaker 1: kind of want to reach out to Mark Almond because 275 00:14:57,320 --> 00:15:00,240 Speaker 1: I've gotten so much incoming from you guys on Mark 276 00:15:00,240 --> 00:15:03,440 Speaker 1: Almon fans frankly and uh soft Cell fans. I kind 277 00:15:03,440 --> 00:15:05,600 Speaker 1: of want to reach out to them and interview them 278 00:15:05,600 --> 00:15:07,120 Speaker 1: for you guys and talk to him here. I think 279 00:15:07,120 --> 00:15:10,560 Speaker 1: that'd be a really cool thing. Definitely a lot of interest. 280 00:15:11,000 --> 00:15:13,000 Speaker 1: So if you guys are interested in that, hit me up, 281 00:15:13,080 --> 00:15:15,000 Speaker 1: just you don't have to call, you know, tech six 282 00:15:15,040 --> 00:15:17,360 Speaker 1: one seven nine oh six six six three eight. See 283 00:15:17,400 --> 00:15:18,920 Speaker 1: what kind of interest we can get going here for 284 00:15:19,120 --> 00:15:22,880 Speaker 1: Mark Allman from Soft Cell interview, I'll get hip on 285 00:15:22,960 --> 00:15:25,480 Speaker 1: his whole catalog. Sounds like an interesting guy, looks like 286 00:15:25,520 --> 00:15:27,560 Speaker 1: an interesting guy. He's been making music for a long, 287 00:15:27,640 --> 00:15:30,160 Speaker 1: long long time. And has a real fan base, and 288 00:15:30,160 --> 00:15:31,240 Speaker 1: I think he'd be cool to talk to you, and 289 00:15:31,280 --> 00:15:32,720 Speaker 1: I think you guys would appreciate that. And I can 290 00:15:32,760 --> 00:15:34,560 Speaker 1: even get questions from you guys as well. All right, 291 00:15:34,600 --> 00:15:37,280 Speaker 1: six one seven nine oh six six six three eight, 292 00:15:37,480 --> 00:15:38,880 Speaker 1: let me know if you want to mark Almond email. 293 00:15:38,920 --> 00:15:40,960 Speaker 1: We'll see what we can do. All right, let's hear 294 00:15:40,960 --> 00:15:42,280 Speaker 1: from Ellie in the nine oh nine. 295 00:15:43,160 --> 00:15:46,640 Speaker 4: Hey, Jake, it's Ellie your guys here from the nine 296 00:15:46,680 --> 00:15:50,000 Speaker 4: oh nine, playing in on my own burning questions I 297 00:15:50,120 --> 00:15:54,720 Speaker 4: had about the wuting Sava that you just did. So 298 00:15:55,240 --> 00:16:01,240 Speaker 4: my favorite member is after All, which is a genius. 299 00:16:01,280 --> 00:16:04,840 Speaker 4: My favorite album of his is Liquid Swords from nineteen 300 00:16:04,880 --> 00:16:08,240 Speaker 4: ninety five, and my favorite looking album as a whole 301 00:16:08,240 --> 00:16:12,720 Speaker 4: group is obviously OG and thirty six Chambers. I'm sorry, 302 00:16:12,720 --> 00:16:15,800 Speaker 4: there's just no comparison and there never will be. And 303 00:16:15,840 --> 00:16:17,760 Speaker 4: then the fun set I learned while it's being to 304 00:16:17,800 --> 00:16:21,480 Speaker 4: you is that Gizza was the only member to trust 305 00:16:21,760 --> 00:16:26,280 Speaker 4: the full integrity of the entire rap game to not 306 00:16:26,360 --> 00:16:28,680 Speaker 4: even sign a contract to a Little Records. That's kind 307 00:16:28,680 --> 00:16:32,160 Speaker 4: of cool. I didn't even realize that it got that deep, 308 00:16:32,360 --> 00:16:35,760 Speaker 4: but that's awesome. And the quick Little five note is 309 00:16:35,800 --> 00:16:39,440 Speaker 4: that the gizz Rizza and ODB sure a grandma. That 310 00:16:40,160 --> 00:16:43,720 Speaker 4: just sounds really cool. Anyway, Yeah, thanks for the series man, 311 00:16:43,760 --> 00:16:48,920 Speaker 4: I was amazing and hopefully I hear more amazing stuff 312 00:16:49,000 --> 00:16:49,920 Speaker 4: coming out of the show. 313 00:16:50,080 --> 00:16:55,280 Speaker 1: Thanks Ellie, great voicemail. Thank you. Yeah, you know, I 314 00:16:55,320 --> 00:16:57,920 Speaker 1: was talking about this with Zeth, who I mentioned I 315 00:16:58,120 --> 00:17:02,240 Speaker 1: mentioned earlier. Zeth writes at Double Elvis, and we talk 316 00:17:02,280 --> 00:17:06,359 Speaker 1: a lot about what we're making, what most interests us 317 00:17:06,400 --> 00:17:10,400 Speaker 1: about these stories, and you're hitting the nail on the head, 318 00:17:10,560 --> 00:17:11,960 Speaker 1: you know, you just you know, you said the most 319 00:17:11,960 --> 00:17:14,159 Speaker 1: interesting fact for you, fun little factor I think is 320 00:17:14,200 --> 00:17:18,080 Speaker 1: how you quoted it about the Ji's and not signing 321 00:17:18,119 --> 00:17:22,080 Speaker 1: that contract, which is fascinating. But I think there's in 322 00:17:22,200 --> 00:17:25,240 Speaker 1: every episode we do, you know, even the Blondie Ted 323 00:17:25,280 --> 00:17:27,959 Speaker 1: Bundy connection that's a version of these sort of like 324 00:17:28,560 --> 00:17:31,480 Speaker 1: these elements of these stories that are just they're the 325 00:17:31,520 --> 00:17:32,840 Speaker 1: most interesting parts to me. 326 00:17:33,160 --> 00:17:33,320 Speaker 2: You know. 327 00:17:33,400 --> 00:17:37,560 Speaker 1: It's like if we're gonna watch a Debbie Harry documentary 328 00:17:38,280 --> 00:17:40,560 Speaker 1: or behind the Music, not to slight behind the music. 329 00:17:40,560 --> 00:17:42,639 Speaker 1: I love behind the music. I grew up on it, 330 00:17:43,000 --> 00:17:45,600 Speaker 1: or just something any documentary you're gonna get, you're gonna 331 00:17:45,640 --> 00:17:48,200 Speaker 1: get the same story, and what we're trying to do 332 00:17:48,440 --> 00:17:52,800 Speaker 1: is give you this interesting insight that's really compelling and 333 00:17:52,880 --> 00:17:55,639 Speaker 1: really interesting, and I feel like oftentimes I don't do 334 00:17:55,680 --> 00:17:57,800 Speaker 1: a good enough job talking about it here with you guys. 335 00:17:58,720 --> 00:18:01,040 Speaker 1: So thank you Ellie for for bringing one of these up. 336 00:18:01,359 --> 00:18:03,560 Speaker 1: And it's just interesting your time, He's perfect. A Zeth 337 00:18:03,600 --> 00:18:04,960 Speaker 1: and I were just talking about how we're going to 338 00:18:05,000 --> 00:18:06,440 Speaker 1: do this more. How are we going to talk more 339 00:18:06,480 --> 00:18:08,840 Speaker 1: about these how we're going to shine a light on 340 00:18:09,320 --> 00:18:12,960 Speaker 1: these interesting aspects of these stories, you know, because even 341 00:18:12,960 --> 00:18:14,960 Speaker 1: when I promote them, when I promote them on Instagram 342 00:18:15,000 --> 00:18:17,639 Speaker 1: where you see the metadata in your feed, or I 343 00:18:17,640 --> 00:18:20,040 Speaker 1: talk about it in here, I seldom get to those 344 00:18:20,119 --> 00:18:22,960 Speaker 1: like those weird little moments, you know, Like I talked 345 00:18:23,000 --> 00:18:27,840 Speaker 1: about it on in my stories this past week regarding 346 00:18:27,960 --> 00:18:29,760 Speaker 1: I don't know why, but I was thinking of Frank 347 00:18:29,760 --> 00:18:33,359 Speaker 1: Sinatra and Marilyn Monroe and just the fact that you know, 348 00:18:33,400 --> 00:18:35,399 Speaker 1: Merrily Monroe, everyone knows you hooked up with John F. Kennedy. 349 00:18:35,400 --> 00:18:37,480 Speaker 1: You're gonna watch any documentary out there about Merril Monroe, 350 00:18:37,480 --> 00:18:39,080 Speaker 1: they're going to talk about her affair with John F. 351 00:18:39,119 --> 00:18:39,399 Speaker 2: Kennedy. 352 00:18:39,440 --> 00:18:41,440 Speaker 1: And the same goes for any documentary about John F. Kennedy, 353 00:18:41,440 --> 00:18:43,720 Speaker 1: they're going to talk about her his affair with Marilyn Monroe. 354 00:18:43,960 --> 00:18:45,359 Speaker 1: But the thing that they're not going to tell you 355 00:18:45,359 --> 00:18:48,000 Speaker 1: about probably is that Frank Sinatra is the one who 356 00:18:48,000 --> 00:18:50,800 Speaker 1: connected them at his home in Palm Springs and that's 357 00:18:50,840 --> 00:18:52,760 Speaker 1: where they first hooked up. And that, to me is 358 00:18:52,800 --> 00:18:55,320 Speaker 1: really interesting For some reason, I don't know why. It 359 00:18:55,520 --> 00:18:57,960 Speaker 1: just is same thing with John Lennon. The John Lennon 360 00:18:58,000 --> 00:18:59,600 Speaker 1: episode that we did. We did a two part around 361 00:18:59,640 --> 00:19:03,320 Speaker 1: John Lee and way back in season two of Disgraceland, 362 00:19:03,320 --> 00:19:06,640 Speaker 1: I believe, and in the research I found all these 363 00:19:07,000 --> 00:19:11,200 Speaker 1: amazing anecdotes about John Lennon, about what he watched on television, 364 00:19:11,200 --> 00:19:13,480 Speaker 1: about how he was obsessed with Barbara Walters and thought 365 00:19:13,520 --> 00:19:16,720 Speaker 1: she was smoking hot, you know, all this interesting stuff, 366 00:19:16,720 --> 00:19:18,920 Speaker 1: and I put a lot of it into the episode. 367 00:19:19,119 --> 00:19:21,600 Speaker 1: And that's just a perfect example of what I'm talking about. 368 00:19:21,640 --> 00:19:25,560 Speaker 1: There are these really interesting tidbits that the research throws 369 00:19:25,600 --> 00:19:27,520 Speaker 1: off that we try to put into these episodes that 370 00:19:27,800 --> 00:19:29,800 Speaker 1: you and I don't get enough time to talk about 371 00:19:30,080 --> 00:19:32,360 Speaker 1: and to geek out on. And I think, honestly, that's 372 00:19:32,359 --> 00:19:34,920 Speaker 1: why we're here. That's why you guys are listening to Disgraceland. 373 00:19:34,960 --> 00:19:37,080 Speaker 1: That's what makes that's in part what makes it different. 374 00:19:37,280 --> 00:19:40,640 Speaker 1: So again, Ellie, thanks for reminding me us of that. 375 00:19:41,200 --> 00:19:44,640 Speaker 1: And let's make a concerted effort in the new year 376 00:19:45,000 --> 00:19:48,520 Speaker 1: to talk more about these weird little anecdotes that are 377 00:19:48,520 --> 00:19:51,600 Speaker 1: in all these episodes. Let's do one more voicemail here, 378 00:19:51,920 --> 00:19:53,520 Speaker 1: this one from the seven to seven five. 379 00:19:54,560 --> 00:19:59,080 Speaker 5: Hi, Jake, this is from the seven five, and I 380 00:19:59,119 --> 00:20:02,080 Speaker 5: was telling me the one I'm to introduce myself, I'm 381 00:20:02,119 --> 00:20:05,080 Speaker 5: a trust driver. A friend of mine who's also a 382 00:20:05,160 --> 00:20:08,719 Speaker 5: trust driver, jes right, was the one man I introduced 383 00:20:08,720 --> 00:20:12,280 Speaker 5: me to this great plan and then I found the 384 00:20:12,320 --> 00:20:15,520 Speaker 5: after party and it's just been a fun riding. Since 385 00:20:16,359 --> 00:20:20,320 Speaker 5: I love your show. You're doing great work. So about 386 00:20:20,320 --> 00:20:22,920 Speaker 5: the question is to what song would be played at 387 00:20:22,920 --> 00:20:26,640 Speaker 5: my funeral? I would have to say Life is Beautiful 388 00:20:26,640 --> 00:20:32,120 Speaker 5: by six Am. Love that song because it's so true. Anyway, 389 00:20:32,520 --> 00:20:35,600 Speaker 5: thank you so much for listening, and I will start 390 00:20:35,640 --> 00:20:38,320 Speaker 5: to hear in at some point later down the road. 391 00:20:38,920 --> 00:20:42,439 Speaker 5: Here's Dank grabbing gears and make a smile. 392 00:20:43,160 --> 00:20:45,760 Speaker 1: All right, Stevie, thanks for leaving the voicemail. I think 393 00:20:45,840 --> 00:20:46,800 Speaker 1: I think that's what you said. 394 00:20:46,800 --> 00:20:47,200 Speaker 2: Your name was. 395 00:20:47,200 --> 00:20:49,240 Speaker 1: If I got it wrong, I apologize, but it sounds 396 00:20:49,240 --> 00:20:54,040 Speaker 1: like Stevie and Stevie give a shout to Desiree for 397 00:20:54,119 --> 00:20:57,080 Speaker 1: turning you on to Disgraceland. I love that I got 398 00:20:57,080 --> 00:21:01,040 Speaker 1: truckers out there driving around the world, hard working folks 399 00:21:01,080 --> 00:21:04,520 Speaker 1: out there listening to disgraced Land, delivering us all of 400 00:21:04,560 --> 00:21:08,840 Speaker 1: our goods, keeping the supply chain going, making sure we're 401 00:21:08,840 --> 00:21:12,879 Speaker 1: getting all our gifts, all our essentials, everything for the holidays. 402 00:21:13,160 --> 00:21:15,520 Speaker 1: Shout out to all of you in a big thanks 403 00:21:15,840 --> 00:21:20,240 Speaker 1: for making America run on time. Appreciate it. Have not 404 00:21:20,440 --> 00:21:23,439 Speaker 1: heard life is beautiful, but you're right. It is true. 405 00:21:24,119 --> 00:21:26,560 Speaker 1: It's life is a beautiful thing. You're just You're totally right. 406 00:21:26,600 --> 00:21:30,040 Speaker 1: I don't really have much to add beyond beyond that, 407 00:21:30,680 --> 00:21:33,640 Speaker 1: so thanks for calling in. And I see some other 408 00:21:33,680 --> 00:21:36,000 Speaker 1: truckers who have called in, And unfortunately I can't play 409 00:21:36,000 --> 00:21:41,080 Speaker 1: all the voicemails here, which brings me to this this 410 00:21:41,160 --> 00:21:43,240 Speaker 1: thing we got to figure out. I got to figure 411 00:21:43,280 --> 00:21:46,959 Speaker 1: out how I engage with you guys more on these 412 00:21:47,040 --> 00:21:49,320 Speaker 1: voicemails and texts, and I promise you I'm working on 413 00:21:49,359 --> 00:21:53,000 Speaker 1: it now. We're going to keep doing them, obviously, but 414 00:21:53,040 --> 00:21:54,840 Speaker 1: we're going to find a way to do more. That's 415 00:21:54,840 --> 00:21:56,439 Speaker 1: what I'm trying to figure out with you guys. So 416 00:21:56,520 --> 00:21:59,440 Speaker 1: if you're not receiving a voicemail or a text back 417 00:21:59,440 --> 00:22:03,280 Speaker 1: from me away, be patient trying to get through them. 418 00:22:03,400 --> 00:22:06,520 Speaker 1: If you're not hearing your voicemail or your text in 419 00:22:06,560 --> 00:22:08,879 Speaker 1: one of these after party episodes, it's just it's the 420 00:22:08,920 --> 00:22:12,520 Speaker 1: hard reality. We don't have that much time. Truck or Joey, 421 00:22:12,600 --> 00:22:15,920 Speaker 1: I'm looking at you, Okay, Jay in the nine oh seven. 422 00:22:15,960 --> 00:22:18,160 Speaker 1: I'm talking to you as well, JC in the nine 423 00:22:18,200 --> 00:22:22,720 Speaker 1: to one six Valve from the five oh five, Doctor Geffner, Okay, 424 00:22:23,040 --> 00:22:25,760 Speaker 1: all you guys, I see you, Clinton from the three 425 00:22:25,880 --> 00:22:28,600 Speaker 1: one seven, I see you all, Andrew from the three 426 00:22:28,680 --> 00:22:31,040 Speaker 1: one four, Justin from the five to four to oh 427 00:22:31,119 --> 00:22:34,760 Speaker 1: all right, I see you. We will talk eventually. Hanging 428 00:22:34,840 --> 00:22:36,399 Speaker 1: there with me. Can take a quick break, be back 429 00:22:36,400 --> 00:22:53,800 Speaker 1: in a flash, do some texts. All right, we are back. 430 00:22:53,880 --> 00:22:57,000 Speaker 1: First to say, put the call out for some dog 431 00:22:57,080 --> 00:23:02,119 Speaker 1: picks from you guys, and overwhelmingly, this is the greatest 432 00:23:02,320 --> 00:23:06,480 Speaker 1: onslaught of cuteness I've ever seen. Keep them coming. Love 433 00:23:06,840 --> 00:23:09,600 Speaker 1: the dog names that are music based. I met a 434 00:23:09,640 --> 00:23:11,960 Speaker 1: dog via text named the Thin white Duke and another 435 00:23:12,000 --> 00:23:15,720 Speaker 1: name Ziggy, and I thought that was really smart, all right. 436 00:23:15,840 --> 00:23:18,960 Speaker 1: So from the three one seven Blondie, great episode you 437 00:23:19,000 --> 00:23:20,920 Speaker 1: have me on the edge of my seat, love love, 438 00:23:21,000 --> 00:23:23,199 Speaker 1: love it, you got it three one seven, Thanks for 439 00:23:23,240 --> 00:23:26,600 Speaker 1: writing in this one. From the eight six to two, Hey, Jake, 440 00:23:26,680 --> 00:23:28,200 Speaker 1: just wanted to let you know that I've been listening 441 00:23:28,240 --> 00:23:30,080 Speaker 1: to your podcast since the beginning. It came into my 442 00:23:30,080 --> 00:23:32,879 Speaker 1: life at the right time when everything was hitting the fans. 443 00:23:32,960 --> 00:23:36,280 Speaker 1: So through the darkest times then and now, your voice 444 00:23:36,280 --> 00:23:38,800 Speaker 1: gives me comfort and honestly a lot of laughter. So 445 00:23:38,920 --> 00:23:41,800 Speaker 1: thank you for all your casts. Often you're literally playing 446 00:23:41,800 --> 00:23:43,960 Speaker 1: in my head all night. Your voice is the best 447 00:23:43,960 --> 00:23:46,639 Speaker 1: to sleep too, so I listened to all episodes on 448 00:23:46,720 --> 00:23:50,160 Speaker 1: repeat all the time. Thanks again, eight six', Two thank. 449 00:23:50,200 --> 00:23:51,879 Speaker 1: You that means a. Lot appreciate. 450 00:23:51,920 --> 00:23:52,560 Speaker 2: It happy That. 451 00:23:52,480 --> 00:23:55,080 Speaker 1: I'm putting something into the world that's making somebody. HAPPY 452 00:23:55,119 --> 00:23:57,720 Speaker 1: i appreciate the. Message let's go on here see what 453 00:23:57,760 --> 00:24:00,800 Speaker 1: else we got some other texts from the five one. 454 00:24:00,880 --> 00:24:03,840 Speaker 1: Six WHEN i thought you were Referencing Mark allman Of Soft, 455 00:24:03,880 --> 00:24:05,840 Speaker 1: CELL i had a great memory of the best alternative 456 00:24:05,920 --> 00:24:10,320 Speaker 1: radio station ever w L R Love Disgraceland you're a wonderful. 457 00:24:10,359 --> 00:24:13,720 Speaker 1: Storyteller makes my trafficky commute less. Annoying thanks five to one, 458 00:24:13,840 --> 00:24:16,440 Speaker 1: six nine to five one, rights and, hey did you 459 00:24:16,520 --> 00:24:19,560 Speaker 1: listen To Goodbye kiss By? Kasabian loved that. SONG i 460 00:24:19,600 --> 00:24:22,359 Speaker 1: have not listened to, it BUT i. Will sounds like 461 00:24:22,400 --> 00:24:25,560 Speaker 1: we were talking about it, though seven, six so rights 462 00:24:25,600 --> 00:24:27,280 Speaker 1: In Jake donald here from the seven to. Six, Oh 463 00:24:27,320 --> 00:24:30,520 Speaker 1: i'm a Huge disgraceland. Fan you're close about THE us. 464 00:24:30,560 --> 00:24:33,640 Speaker 1: Festival it was In, california but in Southern, california Near 465 00:24:33,720 --> 00:24:36,440 Speaker 1: sanburn And, dino to be, precise roughly forty five minutes 466 00:24:36,480 --> 00:24:39,320 Speaker 1: from my house here In Apple. Valley, SADLY i was 467 00:24:39,359 --> 00:24:42,800 Speaker 1: a pimply teen In chicago then sporting My Talking heads 468 00:24:42,840 --> 00:24:45,359 Speaker 1: concert t, shirts and not at THE us festival at 469 00:24:45,400 --> 00:24:47,520 Speaker 1: nineteen eighty two or nineteen eighty three at The Glen 470 00:24:47,520 --> 00:24:51,159 Speaker 1: Helln pavilion where later on we'd see MANY oz fests 471 00:24:51,200 --> 00:24:53,960 Speaker 1: and the Last Foo fighter is. Awesome Cal Jam festival 472 00:24:54,040 --> 00:24:56,479 Speaker 1: rock a rolla seven six. Zho thanks for the. CORRECTION 473 00:24:56,960 --> 00:24:59,240 Speaker 1: i THINK i just assumed that because it Was Steve Wosney, 474 00:24:59,280 --> 00:25:05,399 Speaker 1: act that it was Northern. CALIFORNIA i stan. Corrected this 475 00:25:05,560 --> 00:25:07,199 Speaker 1: is a long one from the six to zho three, 476 00:25:07,280 --> 00:25:09,840 Speaker 1: says listening To disgraceland AS i prep For, thanksgiving wanted 477 00:25:09,880 --> 00:25:11,840 Speaker 1: to take a break and respond to a few things 478 00:25:12,080 --> 00:25:15,480 Speaker 1: in your bonus. Episode OH i messed. Up this is 479 00:25:15,480 --> 00:25:18,639 Speaker 1: a rap party, response BUT i started, sean keep it in, 480 00:25:18,640 --> 00:25:22,520 Speaker 1: here listen six'. Oh three keep Prepping for thanksgiving and Listening. 481 00:25:22,600 --> 00:25:24,520 Speaker 1: To disgraceland have a good one with. YOUR family i 482 00:25:24,560 --> 00:25:27,920 Speaker 1: will answer your rap party question in the next rap party, 483 00:25:27,960 --> 00:25:31,240 Speaker 1: all right four eight, oh hey This is jay from 484 00:25:31,240 --> 00:25:33,040 Speaker 1: the four to eight. TO oh i was at that 485 00:25:33,200 --> 00:25:35,800 Speaker 1: you two show At Sun. Devil stadium you Asked About 486 00:25:35,800 --> 00:25:38,200 Speaker 1: mark allman at the end of that episode From. Saft 487 00:25:38,200 --> 00:25:41,760 Speaker 1: sell maybe not the tainted love cheese you're looking, for it. 488 00:25:41,760 --> 00:25:44,879 Speaker 1: Definitely not we're Gonna Get Mark mark alman to come. 489 00:25:44,920 --> 00:25:45,159 Speaker 2: On here. 490 00:25:45,200 --> 00:25:47,639 Speaker 1: All right we did a rewind episode. Last week this 491 00:25:47,720 --> 00:25:49,560 Speaker 1: is a new thing, we're doing at least for the, 492 00:25:49,600 --> 00:25:53,159 Speaker 1: foreseeable future where we are releasing trying to get all 493 00:25:53,200 --> 00:25:55,240 Speaker 1: these archive episodes out that we've. Talked, about right so 494 00:25:55,280 --> 00:25:58,160 Speaker 1: we Released that sublime episode under. Your feet this one 495 00:25:58,200 --> 00:26:01,240 Speaker 1: comes from the five, four one, Who writes i'm listening 496 00:26:01,280 --> 00:26:03,480 Speaker 1: To the sublime episode RIGHT now i wanted to ask 497 00:26:03,560 --> 00:26:06,000 Speaker 1: if you have listened to the Cover Album The House. 498 00:26:06,040 --> 00:26:08,399 Speaker 1: BRADLEY built i wouldn't say any of the tracks are 499 00:26:08,400 --> 00:26:10,920 Speaker 1: better than, the originals but so many of my favorites 500 00:26:10,960 --> 00:26:15,199 Speaker 1: recorded tracks for. The Album, Mad, Caddies Authority, zero pepper The. 501 00:26:15,240 --> 00:26:18,640 Speaker 1: SUPER villains i Believe the expendables also have. A track it's. 502 00:26:18,760 --> 00:26:21,120 Speaker 1: Really good if you, haven't listened. YOU should i will check, 503 00:26:21,119 --> 00:26:23,639 Speaker 1: that out. Thank you there's also a couple dog pictures 504 00:26:23,680 --> 00:26:28,920 Speaker 1: Here from Moon, and arnold and they, are adorable really, 505 00:26:28,960 --> 00:26:30,720 Speaker 1: really cute especially the pit bull. 506 00:26:30,960 --> 00:26:31,160 Speaker 2: Love. 507 00:26:31,200 --> 00:26:34,880 Speaker 1: It yeah, all right guys six, one seven nine, oh 508 00:26:34,920 --> 00:26:38,120 Speaker 1: six six six, three eight let's do one more seven two, 509 00:26:38,240 --> 00:26:39,080 Speaker 1: four right, Say. 510 00:26:39,000 --> 00:26:39,360 Speaker 2: Hey Jake. 511 00:26:39,400 --> 00:26:41,479 Speaker 1: It's anthony you asked for, episode subjects and You know 512 00:26:41,520 --> 00:26:43,800 Speaker 1: i'm gonna be both sides Of my Drummer requested Alice 513 00:26:43,840 --> 00:26:46,640 Speaker 1: And Shane Lane Stanley mike starr episode And A dolores 514 00:26:46,680 --> 00:26:50,199 Speaker 1: Reard and. Cranberry's episode those are. Good ones those are. 515 00:26:50,240 --> 00:26:52,920 Speaker 1: Good ones seven. TWO four i think you're gonna get 516 00:26:53,200 --> 00:26:57,200 Speaker 1: one of those early. Next year, all right all These 517 00:26:57,240 --> 00:27:00,880 Speaker 1: texts jessica and the five oh nine four one two 518 00:27:01,000 --> 00:27:03,840 Speaker 1: With More, Mark alman the seven Six, To oh Zoe 519 00:27:04,000 --> 00:27:06,159 Speaker 1: and goose and the seven One sixth lee in the 520 00:27:06,240 --> 00:27:09,480 Speaker 1: nine OH one i, hear you six, THREE oh i 521 00:27:09,560 --> 00:27:12,639 Speaker 1: have Not Watched Daisy jones benny from the six. OH 522 00:27:12,760 --> 00:27:15,760 Speaker 1: four i will get back. TO you i, WILL try i. 523 00:27:15,840 --> 00:27:17,840 Speaker 1: Will try five to, Three oh i'd like to know 524 00:27:17,920 --> 00:27:20,679 Speaker 1: More About. Portishead byork you're gonna. Be happy we get 525 00:27:20,680 --> 00:27:23,560 Speaker 1: a buyorke thing coming your. Way soon five, three oh, 526 00:27:23,600 --> 00:27:25,800 Speaker 1: all right, all right six one seven nine oh six 527 00:27:25,880 --> 00:27:28,520 Speaker 1: six six three. EIGHT listen i was just talking about 528 00:27:28,560 --> 00:27:31,080 Speaker 1: that sublime. Rewind episode we got a rewind episode coming 529 00:27:31,160 --> 00:27:34,520 Speaker 1: Up On. Chris Brown this friday was originally released a 530 00:27:34,520 --> 00:27:37,359 Speaker 1: little over a year Ago on, october eighteenth twenty. Twenty 531 00:27:37,359 --> 00:27:41,000 Speaker 1: two is part of season Ten. Of Disgraceland chris brown not. 532 00:27:41,040 --> 00:27:43,080 Speaker 1: Gonna lie not, a fan not a fan of, his 533 00:27:43,200 --> 00:27:45,520 Speaker 1: music not a fan of him as, his person not 534 00:27:45,560 --> 00:27:47,240 Speaker 1: a fan of any of the bullshit that he's gotten 535 00:27:47,280 --> 00:27:50,320 Speaker 1: up to in. His life not a particularly interesting guy in. My, 536 00:27:50,520 --> 00:27:54,520 Speaker 1: estimation however the story was just too good not. To 537 00:27:54,560 --> 00:27:57,400 Speaker 1: do just the guys gotten into a lot of, fucking 538 00:27:57,440 --> 00:28:01,919 Speaker 1: trouble and the major troubling event is just too dramatic 539 00:28:02,000 --> 00:28:03,720 Speaker 1: for us, to ignore so we got. INTO it a 540 00:28:03,720 --> 00:28:06,040 Speaker 1: lot of people get. Pissed off not gonna lie. ABOUT 541 00:28:06,040 --> 00:28:08,080 Speaker 1: that a Lot Of chris brown fans on the internet 542 00:28:08,119 --> 00:28:11,639 Speaker 1: did not appreciate, This EPISODE but i. Don't care you, 543 00:28:11,680 --> 00:28:14,560 Speaker 1: know why because you can start your own goddamn podcasts 544 00:28:14,560 --> 00:28:17,840 Speaker 1: FOR all. I Care but i'm proud of the work 545 00:28:17,880 --> 00:28:20,479 Speaker 1: we DID and i liked. The episode. THIS happens i 546 00:28:20,560 --> 00:28:23,119 Speaker 1: often cover Artists that i'm not a fan of and 547 00:28:23,440 --> 00:28:25,360 Speaker 1: doesn't mean we can't make good content out, of it which. 548 00:28:25,359 --> 00:28:26,120 Speaker 2: We did It's. 549 00:28:26,160 --> 00:28:28,800 Speaker 1: Coming friday check it out six one seven nine, oh 550 00:28:28,840 --> 00:28:30,600 Speaker 1: six six six three eight to let me know what 551 00:28:30,640 --> 00:28:33,320 Speaker 1: you Think Of chris brown voicemail and. Or text i'm 552 00:28:33,320 --> 00:28:34,639 Speaker 1: gonna take a quick Break and i'll be back in. 553 00:28:34,680 --> 00:28:50,239 Speaker 2: A flash, all right. 554 00:28:50,280 --> 00:28:52,720 Speaker 1: Welcome back six one seven nine oh six six six. 555 00:28:52,840 --> 00:28:55,040 Speaker 1: Three eight question Of the WEEK is i want to 556 00:28:55,080 --> 00:28:57,280 Speaker 1: know How your. THANKSGIVING was i want to know what, 557 00:28:57,320 --> 00:29:01,600 Speaker 1: you DID but I also i want to know what content. 558 00:29:01,680 --> 00:29:04,400 Speaker 1: You consumed what do you listen to when? You cook 559 00:29:05,000 --> 00:29:07,680 Speaker 1: what do you watch after that? Massive meal do you 560 00:29:07,720 --> 00:29:09,960 Speaker 1: go to the movies with? Your family you're going to see, 561 00:29:10,000 --> 00:29:14,640 Speaker 1: the Uh The ridley, Scott Film Joaquin. Phoenix napoleon you're 562 00:29:14,640 --> 00:29:17,480 Speaker 1: gonna go. Do that you're gonna watch Something. On netflix you're. 563 00:29:17,480 --> 00:29:20,680 Speaker 1: GONNA binge i don't know The. Whole beatles let it be? 564 00:29:20,800 --> 00:29:23,000 Speaker 1: Thing now that was, last year. Wasn't it what are you? 565 00:29:23,000 --> 00:29:24,120 Speaker 1: Gonna do what are you? Gonna watch what are you? 566 00:29:24,120 --> 00:29:25,720 Speaker 1: Gonna consume what are you? GONNA do I got i 567 00:29:25,720 --> 00:29:27,800 Speaker 1: Got some MARVEL stuff i gotta knock out with my nine. 568 00:29:27,880 --> 00:29:30,160 Speaker 1: Year old i'm trying to get excited. About it not 569 00:29:30,240 --> 00:29:34,720 Speaker 1: Particularly a marvel type, of guy, but yeah That's what. 570 00:29:34,760 --> 00:29:37,680 Speaker 1: I'm doing i'm gonna watch The last waltz parts of, 571 00:29:37,680 --> 00:29:40,479 Speaker 1: it ANYWAYS as i Do. Every thanksgiving i'm gonna Jump on. 572 00:29:40,520 --> 00:29:44,120 Speaker 1: Instagram tomorrow i'm gonna tell You About bob Dylan And 573 00:29:44,160 --> 00:29:48,360 Speaker 1: martin scorsese's beef during The. Last waltz, all right you 574 00:29:48,400 --> 00:29:49,960 Speaker 1: canna be able to see that there and then that'll 575 00:29:49,960 --> 00:29:51,880 Speaker 1: probably end up being an episode Of disgrace land at. 576 00:29:51,880 --> 00:29:53,760 Speaker 1: Some point but six p one seven nine six six six. 577 00:29:53,840 --> 00:29:55,240 Speaker 1: THREE eight i want to know what you listen to 578 00:29:55,280 --> 00:29:57,040 Speaker 1: while you cook. YOUR turkey i want to know what 579 00:29:57,080 --> 00:29:59,400 Speaker 1: you're listening to while You're. EATING thanksgiving i want to 580 00:29:59,400 --> 00:30:02,240 Speaker 1: know what content hit. You watch text me voicemail me get. 581 00:30:02,280 --> 00:30:05,680 Speaker 1: Into it what is The greatest thanksgiving content? Out there 582 00:30:05,840 --> 00:30:07,800 Speaker 1: what do? You get what are your? Go tos let, 583 00:30:07,840 --> 00:30:10,160 Speaker 1: me know you KNOW what i kind. OF need i 584 00:30:10,240 --> 00:30:12,240 Speaker 1: kind of need some new music to. Listen to i'm. 585 00:30:12,280 --> 00:30:14,840 Speaker 1: TAPPED out i get this, one Mix The mark alman 586 00:30:15,000 --> 00:30:16,600 Speaker 1: In the city Mix that i've been telling you ABOUT 587 00:30:16,640 --> 00:30:19,640 Speaker 1: that i just can't stop, listening TO and i need 588 00:30:19,680 --> 00:30:22,880 Speaker 1: to move on to, something else All right at disgrace Lamdpod, On, 589 00:30:22,880 --> 00:30:25,720 Speaker 1: instagram FACEBOOK. AND x I know i didn't do any dms, 590 00:30:25,720 --> 00:30:28,840 Speaker 1: this WEEK but i will next week and get back 591 00:30:28,840 --> 00:30:31,880 Speaker 1: to you in. The apps as, they say let's recap 592 00:30:31,920 --> 00:30:33,800 Speaker 1: it right now in. Your feed, number one a brand 593 00:30:33,840 --> 00:30:36,480 Speaker 1: new Episode. Of blondie number two, coming tomorrow rewind Episode On, 594 00:30:36,560 --> 00:30:39,440 Speaker 1: chris brown a previously exclusive episode that we are. Finally 595 00:30:39,480 --> 00:30:42,000 Speaker 1: releasing Number three over in The Bad, Lands feed we've 596 00:30:42,040 --> 00:30:44,520 Speaker 1: got archive Releases On river Phoenix And tim allen just 597 00:30:44,520 --> 00:30:47,360 Speaker 1: to keep you satiated Over the. Thanksgiving break brand new 598 00:30:47,360 --> 00:30:50,360 Speaker 1: episodes coming your way. Next week also number four next Week, 599 00:30:50,400 --> 00:30:54,680 Speaker 1: in disgraceland a brand new Episode On michael hutchins Of, 600 00:30:54,800 --> 00:30:57,760 Speaker 1: in excess which you guys have been requesting from since 601 00:30:57,840 --> 00:31:00,080 Speaker 1: way back, number five my number six one seven in 602 00:31:00,160 --> 00:31:02,400 Speaker 1: nine oh six six six, three eight call me on 603 00:31:02,440 --> 00:31:04,920 Speaker 1: the telephone or text me. Number six remember no one 604 00:31:04,920 --> 00:31:06,440 Speaker 1: cares about the music you love more than. You do 605 00:31:06,480 --> 00:31:09,080 Speaker 1: and well that's just, a disgrace. All right my moment 606 00:31:09,080 --> 00:31:12,000 Speaker 1: of bliss in honor of this Week's disgrace land Episode 607 00:31:12,000 --> 00:31:16,360 Speaker 1: On blondie me reading You the Manhattan phone book from nineteen, 608 00:31:16,440 --> 00:31:22,040 Speaker 1: Seventy seven azula h four to Twenty seven west one 609 00:31:22,120 --> 00:31:25,920 Speaker 1: forty seven three eight six two one six, Three Five 610 00:31:26,680 --> 00:31:31,360 Speaker 1: azule daniel, Five eleven west one twelve, six six six 611 00:31:31,760 --> 00:31:36,760 Speaker 1: seven five, Three Nine azuma noria nine two five one 612 00:31:36,800 --> 00:31:42,160 Speaker 1: three Eight One azumbrado thomas six, Twenty two east twentieth 613 00:31:42,600 --> 00:31:47,640 Speaker 1: five three three eight three, One Zero asia Joseph two 614 00:31:48,000 --> 00:31:52,760 Speaker 1: dash three five eight, Four six azuria seven one forty 615 00:31:52,800 --> 00:32:00,640 Speaker 1: five five six ninety eight three fifty, ninety six twenty 616 00:32:00,760 --> 00:32:05,120 Speaker 1: Three three Sarah three. 617 00:32:04,720 --> 00:32:07,360 Speaker 2: Washington's one four. 618 00:32:06,480 --> 00:32:14,520 Speaker 1: Says three six ft five as, a reliance quit talking and. 619 00:32:14,720 --> 00:32:16,920 Speaker 1: Start mixing could