1 00:00:00,720 --> 00:00:04,120 Speaker 1: I am all in again. 2 00:00:06,600 --> 00:00:20,360 Speaker 2: Oh that's you. I smell pop culture with Eastern. 3 00:00:20,040 --> 00:00:25,080 Speaker 1: Allen and iHeart radio podcast. That's right, friends, I am 4 00:00:25,560 --> 00:00:28,960 Speaker 1: Easton Allen. I am a person here on the podcast 5 00:00:29,000 --> 00:00:31,200 Speaker 1: and I can smell things, and this week I am 6 00:00:31,240 --> 00:00:34,479 Speaker 1: smelling pop culture. That's right, it is. I am all in. 7 00:00:34,640 --> 00:00:37,360 Speaker 1: I smell pop culture. The reason you're here is because 8 00:00:37,400 --> 00:00:39,720 Speaker 1: you love Gilmore Girls. I love Gilmore Girls. You love 9 00:00:39,720 --> 00:00:42,720 Speaker 1: Gilmore Girls. That's why we're here. And we are going 10 00:00:42,760 --> 00:00:45,519 Speaker 1: to take a big old whiff. We're gonna inhale. We're 11 00:00:45,520 --> 00:00:48,080 Speaker 1: gonna show off one of our five senses, and that 12 00:00:48,159 --> 00:00:51,880 Speaker 1: is the sense of smell. To figure out the pop 13 00:00:51,920 --> 00:00:54,280 Speaker 1: culture references in Gilmore Girls. Where do they come from, 14 00:00:54,280 --> 00:00:56,760 Speaker 1: who are they, where are they going? Who are the 15 00:00:56,760 --> 00:00:59,160 Speaker 1: people that make them pop culture references? Who are the 16 00:00:59,400 --> 00:01:01,520 Speaker 1: icons that brings to life. We're going to talk to 17 00:01:01,560 --> 00:01:03,720 Speaker 1: them all, and that is what we're here to do 18 00:01:04,240 --> 00:01:06,959 Speaker 1: this week. Oh my god, you guys, this week we're 19 00:01:06,959 --> 00:01:09,920 Speaker 1: talking to a legend. I always say that every week 20 00:01:09,959 --> 00:01:13,480 Speaker 1: I meet at this time a true legend. But before 21 00:01:13,480 --> 00:01:16,080 Speaker 1: I tell you who we're talking to, I got to 22 00:01:16,520 --> 00:01:18,520 Speaker 1: bring you back to the world of Gilmer Girls. We're 23 00:01:18,520 --> 00:01:20,280 Speaker 1: going to start as hollow for a moment. We're going 24 00:01:20,319 --> 00:01:23,280 Speaker 1: to season one episode ten. If you're sitting at home 25 00:01:23,319 --> 00:01:27,240 Speaker 1: listening to this, you got your finger on your Apple TV, 26 00:01:27,360 --> 00:01:30,319 Speaker 1: your Roku remote, you're pulling up Netflix to watch along. 27 00:01:31,040 --> 00:01:34,240 Speaker 1: Go to season one episode ten. Hey, if we're getting 28 00:01:34,280 --> 00:01:38,440 Speaker 1: specific here, fast forward to like thirty three minutes. Richard's 29 00:01:38,440 --> 00:01:42,959 Speaker 1: in the hospital and Lorelei and Rory are in the 30 00:01:43,000 --> 00:01:46,520 Speaker 1: waiting room trying to get snacks out of the vending machine. 31 00:01:46,920 --> 00:01:50,120 Speaker 1: And in this moment, Lourlai, You'll remember from the last 32 00:01:50,120 --> 00:01:56,000 Speaker 1: episode that Rory and Dean fell asleep together at Miss 33 00:01:56,080 --> 00:02:02,320 Speaker 1: Patti's and in this episode, Dean tries to get Rory's 34 00:02:02,360 --> 00:02:05,480 Speaker 1: attention by tapping on the window and Lourai catches him. 35 00:02:05,640 --> 00:02:09,760 Speaker 1: They have a conversation, and now we're in this moment. 36 00:02:09,840 --> 00:02:14,760 Speaker 1: In season one, episode ten, Rory and Loralai are talking 37 00:02:14,840 --> 00:02:19,320 Speaker 1: in this waiting room and Laurai tells Rory that Dean 38 00:02:19,600 --> 00:02:21,160 Speaker 1: pulled the old tap in on the window a bit, 39 00:02:21,919 --> 00:02:27,600 Speaker 1: and Rory says, you know, nothing happened, and Lourlai believes her. 40 00:02:27,720 --> 00:02:32,240 Speaker 1: Laura trusts her, and she says this quote Rory, there 41 00:02:32,240 --> 00:02:34,000 Speaker 1: are only two things that I totally trust in this 42 00:02:34,160 --> 00:02:36,200 Speaker 1: entire world. The fact that I will never be able 43 00:02:36,240 --> 00:02:38,359 Speaker 1: to understand what Charro is saying no matter how long 44 00:02:38,440 --> 00:02:41,919 Speaker 1: she lives in this country. And you what a tender 45 00:02:41,960 --> 00:02:45,400 Speaker 1: moment between mother and daughter. But also who is Charro? 46 00:02:45,560 --> 00:02:49,520 Speaker 1: What is that? Who is Charo? Charo is an actress, 47 00:02:49,560 --> 00:02:53,280 Speaker 1: a comedian, one of the best Flamenco guitarists to ever live, 48 00:02:54,800 --> 00:03:00,560 Speaker 1: a pop culture icon for decades now. I remember when 49 00:03:00,600 --> 00:03:03,280 Speaker 1: I was growing up, Charro was just everywhere. Everyone was 50 00:03:04,040 --> 00:03:11,000 Speaker 1: making Charro jokes. Charro was on my TV My favorite 51 00:03:11,040 --> 00:03:15,120 Speaker 1: memories of Charro. She voiced a character that looked exactly 52 00:03:15,200 --> 00:03:18,120 Speaker 1: like her in the movie Thumbolina. She played Missus Toad. 53 00:03:18,240 --> 00:03:22,200 Speaker 1: And if you are a nineties animation fan, you know 54 00:03:22,280 --> 00:03:25,720 Speaker 1: thumb Berlina and Charro is in it, and again it's 55 00:03:25,720 --> 00:03:29,079 Speaker 1: a frog that looks just like Charro. Charro was also 56 00:03:29,200 --> 00:03:31,880 Speaker 1: in the Pee Wee's Playhoffs Christmas Special, which is very 57 00:03:31,919 --> 00:03:34,960 Speaker 1: near and dear to my heart. I love Charo. If 58 00:03:35,000 --> 00:03:38,000 Speaker 1: you if you aren't familiar with her work, she is. 59 00:03:38,640 --> 00:03:41,040 Speaker 1: She's known as the kuci Cuchi girl. Cuci Cucci was 60 00:03:41,080 --> 00:03:43,320 Speaker 1: her catchphrase. She would say it all the time. It 61 00:03:43,360 --> 00:03:45,720 Speaker 1: doesn't really mean anything. Is this kind of a collection 62 00:03:45,760 --> 00:03:49,480 Speaker 1: of sounds, but it is a phrase that took the 63 00:03:49,560 --> 00:03:52,640 Speaker 1: nation in the world by storm. She is truly living 64 00:03:52,680 --> 00:03:57,480 Speaker 1: the American dream. Charro is an icon, a legend. We 65 00:03:57,560 --> 00:03:59,520 Speaker 1: are going to talk to Charro. We are going to 66 00:03:59,560 --> 00:04:02,000 Speaker 1: find out if you can understand what she's saying, because 67 00:04:02,040 --> 00:04:05,480 Speaker 1: Laura I can't. Uh and uh, hopefully you can because 68 00:04:05,480 --> 00:04:07,280 Speaker 1: we're gonna hang out there for a while here. But 69 00:04:07,400 --> 00:04:10,360 Speaker 1: it is I smell pop culture. Charo is here, Cucci, Cucci. 70 00:04:10,480 --> 00:04:12,920 Speaker 1: Let's go. It's nice to meet you. My name is Easton. 71 00:04:12,960 --> 00:04:13,720 Speaker 1: Thanks for doing this. 72 00:04:14,120 --> 00:04:14,880 Speaker 3: Yeah, I know you. 73 00:04:15,360 --> 00:04:18,520 Speaker 4: It's a pleasure. It's a pleasure talking to you. I 74 00:04:18,560 --> 00:04:19,840 Speaker 4: love your shat. 75 00:04:19,800 --> 00:04:22,159 Speaker 1: Oh, thank you, thank you. I'm such a big fan. 76 00:04:22,240 --> 00:04:24,159 Speaker 1: This is truly an honor for me to talk to 77 00:04:24,160 --> 00:04:25,440 Speaker 1: you today. This is gonna be so fun. 78 00:04:25,920 --> 00:04:26,800 Speaker 3: Thank you so much. 79 00:04:27,040 --> 00:04:30,040 Speaker 4: The honor is mine because this is very important issue 80 00:04:30,560 --> 00:04:33,960 Speaker 4: that I am. Okay, I don't want you miss gon 81 00:04:34,040 --> 00:04:38,120 Speaker 4: cruse me. Okay, I don't have ego. Ye, of course no, 82 00:04:38,240 --> 00:04:41,719 Speaker 4: I don't have it. I have a big mouth, no ego. 83 00:04:42,120 --> 00:04:45,200 Speaker 4: So that proves to me. And they said, you know what, 84 00:04:46,680 --> 00:04:51,159 Speaker 4: would you find out that you were the pioneer that 85 00:04:51,360 --> 00:04:57,640 Speaker 4: did everything that is changed, the music, the fashion, the 86 00:04:57,720 --> 00:05:01,680 Speaker 4: only one name the Gucci Gucci think okay And I 87 00:05:01,720 --> 00:05:05,920 Speaker 4: said okay, what and they said no. The generation see 88 00:05:05,960 --> 00:05:10,359 Speaker 4: I call a generational zipper. They're supposed to know because 89 00:05:10,360 --> 00:05:15,320 Speaker 4: they discovered midia instrum. Thank god to the Internet, social media, 90 00:05:16,240 --> 00:05:21,280 Speaker 4: every single way that the past don't disappear. 91 00:05:22,640 --> 00:05:24,920 Speaker 3: They discovered with you, with. 92 00:05:24,760 --> 00:05:29,359 Speaker 4: Your job with the journalist, everything that before they was born, 93 00:05:30,040 --> 00:05:35,320 Speaker 4: they were somebody who was and who this person did it? 94 00:05:35,480 --> 00:05:38,640 Speaker 4: And why this person did it? It was many persons, okay, 95 00:05:39,120 --> 00:05:43,760 Speaker 4: but I was actually they told me the pioneer the vote. 96 00:05:43,800 --> 00:05:46,839 Speaker 3: It was me. Well, I'm going to tell you. 97 00:05:46,440 --> 00:05:50,760 Speaker 4: Why I came to America with my sister when my 98 00:05:50,839 --> 00:05:56,960 Speaker 4: Puciuchi was only a I was looking for really a dream, 99 00:05:57,400 --> 00:06:01,599 Speaker 4: to find a new world, to start a because America 100 00:06:01,920 --> 00:06:06,279 Speaker 4: was so big for you, for Spain, especially when I 101 00:06:06,400 --> 00:06:10,400 Speaker 4: was bord in the south of Spain, a sil Murcia. 102 00:06:11,360 --> 00:06:16,000 Speaker 4: That we used to love the movie that they show it, 103 00:06:16,160 --> 00:06:19,600 Speaker 4: although when they showed the movie was already maybe twenty 104 00:06:19,680 --> 00:06:23,839 Speaker 4: or three year old, but we love it. I remember 105 00:06:23,920 --> 00:06:31,239 Speaker 4: Doria Cena. Yes, we came full of passion and live America. 106 00:06:31,600 --> 00:06:35,400 Speaker 4: And one thing that I want to share with the 107 00:06:35,480 --> 00:06:40,080 Speaker 4: generation see is you got to believe yourself. You got 108 00:06:40,080 --> 00:06:43,520 Speaker 4: to trust what you think that is good. It's so 109 00:06:43,720 --> 00:06:48,400 Speaker 4: this is very important. I know great artor that's supposed 110 00:06:48,440 --> 00:06:51,320 Speaker 4: to make it and they never make it because they 111 00:06:51,360 --> 00:06:55,359 Speaker 4: intimidated when they went to AU this show and you 112 00:06:55,400 --> 00:06:58,280 Speaker 4: were very embarrassed in my time that you go and 113 00:06:58,320 --> 00:07:00,680 Speaker 4: there is three people said down, look like you know 114 00:07:00,920 --> 00:07:05,760 Speaker 4: what that bridge had to tell us. So so intimidated, 115 00:07:06,680 --> 00:07:10,480 Speaker 4: wouldn't be a great opportunity for so many talented people 116 00:07:11,080 --> 00:07:15,360 Speaker 4: and never happened. Well, the same thing my sister and me, 117 00:07:15,480 --> 00:07:18,320 Speaker 4: we gain not afraid, not afraid. 118 00:07:19,320 --> 00:07:20,600 Speaker 3: I always said, well. 119 00:07:20,480 --> 00:07:22,520 Speaker 4: If I don't make an America, I can come back 120 00:07:22,560 --> 00:07:24,080 Speaker 4: sell tomato in Tijuana. 121 00:07:24,240 --> 00:07:27,760 Speaker 3: It was not afraid, trust me, and it was. 122 00:07:28,440 --> 00:07:34,480 Speaker 4: Found but steady into what I believe and what you 123 00:07:34,560 --> 00:07:36,920 Speaker 4: are going to thank you for helping me. What you 124 00:07:37,000 --> 00:07:42,200 Speaker 4: are doing is thank you again. There is now unaware 125 00:07:42,200 --> 00:07:47,360 Speaker 4: waking up of what happened. That the Blue Gee, the Alpha, 126 00:07:48,160 --> 00:07:54,040 Speaker 4: the music this new generation discovered and when they discovered 127 00:07:54,080 --> 00:07:56,160 Speaker 4: that it was me. Of course it's going to be 128 00:07:56,200 --> 00:07:59,760 Speaker 4: an event in a beautiful play tiny when you showed 129 00:07:59,800 --> 00:08:03,080 Speaker 4: your two a big three or thousand, at least three 130 00:08:03,120 --> 00:08:05,440 Speaker 4: thousand venue, this tiny place. 131 00:08:05,680 --> 00:08:07,760 Speaker 3: I don't think it's any more than three hundred. 132 00:08:09,000 --> 00:08:13,320 Speaker 4: But it's going to be an event, Catalina Jazz Club. 133 00:08:14,160 --> 00:08:16,160 Speaker 4: I can wait to go and see it because planet 134 00:08:16,160 --> 00:08:18,760 Speaker 4: to time, my timing, my entry. 135 00:08:19,120 --> 00:08:19,440 Speaker 3: He said. 136 00:08:19,560 --> 00:08:24,560 Speaker 4: Everybody says that it's so intimate Catalina jack Club, and 137 00:08:24,600 --> 00:08:28,880 Speaker 4: it will be an explanation with a gray review interviewer. 138 00:08:29,640 --> 00:08:34,120 Speaker 4: I admire that person asking me really how I feel 139 00:08:34,160 --> 00:08:39,240 Speaker 4: about that, without even noted. I start with one name, 140 00:08:39,480 --> 00:08:46,280 Speaker 4: and everybody have a name. Well, I started, show me 141 00:08:46,320 --> 00:08:51,920 Speaker 4: the way to the bank. But anyway it was I start, yes, 142 00:08:53,640 --> 00:08:58,559 Speaker 4: stop me if I talk to first, because I speak 143 00:08:58,679 --> 00:08:59,560 Speaker 4: like a spirit goal. 144 00:08:59,559 --> 00:09:03,480 Speaker 3: Salet stopped me into and said, start all over again. 145 00:09:03,679 --> 00:09:06,000 Speaker 1: We love fast talkers here. Now keep it going. 146 00:09:06,200 --> 00:09:08,480 Speaker 3: We love it you stop me, I say, what are 147 00:09:08,480 --> 00:09:09,200 Speaker 3: you talking about? 148 00:09:09,800 --> 00:09:15,880 Speaker 4: Barrel line is that I was very, very kaky, a 149 00:09:15,920 --> 00:09:21,840 Speaker 4: little kaki beach, but I believe in myself and I 150 00:09:22,000 --> 00:09:28,040 Speaker 4: was already at the Hotel Sahara that was the most 151 00:09:28,280 --> 00:09:32,920 Speaker 4: in Las Vega, the most powerful hotel to perform Johnny 152 00:09:32,960 --> 00:09:38,840 Speaker 4: Carso Shabbi Devia Junior, the Martin and everybody that really 153 00:09:39,120 --> 00:09:42,520 Speaker 4: was established as a headliner performed there. 154 00:09:43,440 --> 00:09:47,200 Speaker 3: I was very lucky. Johnny Carso liked me. 155 00:09:47,960 --> 00:09:50,600 Speaker 4: I think that he brought me many times because he 156 00:09:50,679 --> 00:09:53,040 Speaker 4: never knew what the hell I was talking about. And 157 00:09:53,240 --> 00:09:57,560 Speaker 4: still until the you his life keep on saying, speak 158 00:09:57,760 --> 00:09:59,640 Speaker 4: slowly and clearly. 159 00:10:00,840 --> 00:10:02,080 Speaker 3: Okay. 160 00:10:02,760 --> 00:10:09,240 Speaker 4: Probably a great producer from Philadelphia by the name Vince Montana. 161 00:10:10,559 --> 00:10:13,200 Speaker 3: He was the king of the at that time, was 162 00:10:13,240 --> 00:10:15,839 Speaker 3: called disco. Okay. 163 00:10:16,600 --> 00:10:21,040 Speaker 4: Probably he saw me several times at the Tu Nai 164 00:10:21,160 --> 00:10:26,000 Speaker 4: show and then he flew with two more people from 165 00:10:26,040 --> 00:10:31,480 Speaker 4: the Salsaul Orchestra East. The most beautiful thing that can 166 00:10:31,600 --> 00:10:35,960 Speaker 4: have a musician. I'm a musician. When I walk and 167 00:10:36,120 --> 00:10:41,880 Speaker 4: meet the Salso Orchestra is heavy minimum. If I do 168 00:10:42,000 --> 00:10:46,480 Speaker 4: fifty the best musician in the world, and. 169 00:10:46,440 --> 00:10:48,400 Speaker 1: You recorded to your album Cuchi Cuchi with them. 170 00:10:48,920 --> 00:10:53,920 Speaker 4: Yes, Montana came to see me in Las Vegas, and 171 00:10:53,960 --> 00:10:56,720 Speaker 4: after that as permit to see me at the dressing 172 00:10:56,840 --> 00:11:01,080 Speaker 4: room or the sahara, and he said, okay, I saw 173 00:11:01,080 --> 00:11:05,640 Speaker 4: you at the denight shirt. You are you are different 174 00:11:05,840 --> 00:11:09,040 Speaker 4: and fun and fear less. I have a great song 175 00:11:09,520 --> 00:11:12,079 Speaker 4: that I was about to give it to us bigger 176 00:11:12,160 --> 00:11:15,240 Speaker 4: star than me, he said, don't get offended, but much much, 177 00:11:15,360 --> 00:11:20,040 Speaker 4: much bigger. But I saw the way handle the audience 178 00:11:20,080 --> 00:11:23,319 Speaker 4: and on the stage. You that's on it for you. 179 00:11:24,400 --> 00:11:28,160 Speaker 4: And I said, okay, excuse me, I did not know 180 00:11:28,200 --> 00:11:29,600 Speaker 4: who was being Montana. 181 00:11:30,040 --> 00:11:30,240 Speaker 2: Yeah. 182 00:11:30,679 --> 00:11:33,240 Speaker 4: And I was so gaggy that I said, don't talk 183 00:11:33,320 --> 00:11:37,600 Speaker 4: to me with Williams Maurice the president. 184 00:11:37,640 --> 00:11:39,320 Speaker 3: Would you believe in Norman Broco? 185 00:11:39,960 --> 00:11:43,640 Speaker 4: That again, if you go to Norman Broco, take you 186 00:11:44,440 --> 00:11:47,040 Speaker 4: in his agency, you don't have to worry. 187 00:11:47,200 --> 00:11:47,680 Speaker 3: This is it. 188 00:11:48,840 --> 00:11:52,720 Speaker 4: They put in the right pleasure Norman Broco. I said, 189 00:11:52,720 --> 00:11:55,920 Speaker 4: this is Norman Brogo resting pee, what a great guy. 190 00:11:56,480 --> 00:11:59,760 Speaker 4: And you call him and don't tell me talk. 191 00:12:01,880 --> 00:12:02,440 Speaker 3: He laughed. 192 00:12:03,080 --> 00:12:06,920 Speaker 4: And obviously he did call Williams more agency and he 193 00:12:07,000 --> 00:12:11,360 Speaker 4: did talk with totally. Uh what he was going for 194 00:12:12,320 --> 00:12:18,760 Speaker 4: as if I was able and available to assa nor 195 00:12:18,880 --> 00:12:25,319 Speaker 4: Manbroco contact me And I said, okay, what is it 196 00:12:25,320 --> 00:12:28,200 Speaker 4: all about? He said, this man, you have no idea. 197 00:12:28,280 --> 00:12:32,880 Speaker 4: Who is he making the bigger hit one tero? So 198 00:12:32,920 --> 00:12:38,120 Speaker 4: we make a deal. I went to Philadelphia, which I 199 00:12:38,240 --> 00:12:41,800 Speaker 4: love it, but I went with to Borregard one from 200 00:12:41,800 --> 00:12:42,680 Speaker 4: the Hotel Sahara. 201 00:12:43,480 --> 00:12:46,480 Speaker 3: The guy was working already. I was doing a lot 202 00:12:46,520 --> 00:12:48,440 Speaker 3: of money with THI and. 203 00:12:48,400 --> 00:12:53,480 Speaker 4: I went to the Bodgard another Bodgar probably be Montana 204 00:12:53,559 --> 00:12:59,280 Speaker 4: pure thread of my dancer and uh looking for fast 205 00:12:59,480 --> 00:13:00,720 Speaker 4: with Kai Chorista. 206 00:13:00,840 --> 00:13:02,320 Speaker 3: I got in my luggage at that time. 207 00:13:02,360 --> 00:13:06,720 Speaker 4: You gonna have anything you want to Choria Longania. Everything 208 00:13:06,720 --> 00:13:09,760 Speaker 4: that they were bringing me into my sister from Spain. 209 00:13:10,760 --> 00:13:15,280 Speaker 3: So it's very intense history. I will in in. 210 00:13:17,240 --> 00:13:22,160 Speaker 4: I don't believe what I saw the whole It was big, beautiful, 211 00:13:22,240 --> 00:13:27,120 Speaker 4: beautiful and Norman room with the bad musicians in town 212 00:13:27,679 --> 00:13:32,040 Speaker 4: waiting to meet me. I I almost I almost rom 213 00:13:32,080 --> 00:13:36,000 Speaker 4: there because I knew it was like I didn't come 214 00:13:36,040 --> 00:13:39,360 Speaker 4: true a lot a lot African America. But like when 215 00:13:39,360 --> 00:13:42,640 Speaker 4: you see the movie with phone with the thing, I 216 00:13:42,679 --> 00:13:48,920 Speaker 4: mean it was a movie. Well, Bi Montana said, did 217 00:13:48,960 --> 00:13:52,320 Speaker 4: you receive the song that I sent you? And I 218 00:13:52,400 --> 00:13:56,480 Speaker 4: said yes, did you like it? And I said, well, 219 00:13:57,360 --> 00:13:58,280 Speaker 4: would you believe in me? 220 00:13:58,840 --> 00:14:06,320 Speaker 3: Well it's a beautiful song, but something is empty. You 221 00:14:06,360 --> 00:14:07,440 Speaker 3: should see his face. 222 00:14:08,080 --> 00:14:11,679 Speaker 4: You want to kill you. I saw he like if 223 00:14:11,679 --> 00:14:15,520 Speaker 4: when look at me and all of the musicians thinking, 224 00:14:15,559 --> 00:14:20,400 Speaker 4: oh the bus is gonna go to the lake and said, 225 00:14:20,760 --> 00:14:25,160 Speaker 4: I said, something is missing and he said really and 226 00:14:25,160 --> 00:14:27,920 Speaker 4: I said yeah, And he said, remember that I told 227 00:14:28,000 --> 00:14:31,200 Speaker 4: you that I could I give it to the big one, 228 00:14:32,040 --> 00:14:35,840 Speaker 4: but I gave it to you. And I said, I 229 00:14:35,840 --> 00:14:39,000 Speaker 4: don't want please, don't miss called screw me. I don't 230 00:14:39,000 --> 00:14:42,880 Speaker 4: want to offend nobody. Please you get the best orchestra 231 00:14:42,960 --> 00:14:48,120 Speaker 4: in the world, soul, shoul orchestra. The soul is missing. 232 00:14:48,920 --> 00:14:51,680 Speaker 4: And he was very interested, and keep looking at me. 233 00:14:52,680 --> 00:14:55,360 Speaker 4: Try to get out of the room. Probably he was breathing, 234 00:14:56,800 --> 00:15:01,320 Speaker 4: I kill it, but no turn back face to face, 235 00:15:01,360 --> 00:15:03,360 Speaker 4: he said, and what will you do? 236 00:15:04,120 --> 00:15:07,840 Speaker 3: That have shown? And I was shaking. 237 00:15:09,920 --> 00:15:15,320 Speaker 4: Okay, I said, okay, I will tryston. 238 00:15:15,760 --> 00:15:19,840 Speaker 3: At that time, we're not peace repair. It was not 239 00:15:20,640 --> 00:15:22,440 Speaker 3: take end of No. 240 00:15:23,040 --> 00:15:25,920 Speaker 4: It was like a franc Sinatra did I when I 241 00:15:26,000 --> 00:15:26,560 Speaker 4: was seventeen. 242 00:15:26,560 --> 00:15:28,600 Speaker 3: It was a year. It was the mark. 243 00:15:28,720 --> 00:15:34,640 Speaker 4: It was booth Ca Cavinetta. You go there with the regulars. 244 00:15:35,840 --> 00:15:39,720 Speaker 4: You listen live to the musician, You not listen to 245 00:15:39,760 --> 00:15:44,800 Speaker 4: a track. Okay, right, I said to the musician, who. 246 00:15:44,720 --> 00:15:48,280 Speaker 3: Are a feeling? When they started playing, what a feeling? 247 00:15:48,320 --> 00:15:51,200 Speaker 3: I was in heaven. I were very relaxed. 248 00:15:52,280 --> 00:15:56,520 Speaker 4: I just closed my eyes and I listened the song. 249 00:15:57,840 --> 00:16:00,680 Speaker 4: Then I asked, please, can can you play it again? 250 00:16:01,000 --> 00:16:05,400 Speaker 4: APOLOGI but I went to to entertain it in here. 251 00:16:05,560 --> 00:16:10,400 Speaker 4: How the the trompond they repeated again at that time, 252 00:16:10,480 --> 00:16:14,200 Speaker 4: I sing, and it's cute, you know, yes, a little 253 00:16:14,240 --> 00:16:18,160 Speaker 4: bit of clothes, very ladies, a little bit ver is sexy. 254 00:16:19,200 --> 00:16:23,520 Speaker 4: But there is a space of eighth bar where the 255 00:16:23,600 --> 00:16:29,280 Speaker 4: background go, beautiful singer. I hold you in my arm. 256 00:16:30,000 --> 00:16:33,040 Speaker 4: And then I got the inspiration. I said, this is 257 00:16:33,080 --> 00:16:35,640 Speaker 4: this is going to missic. I went in his Spanish 258 00:16:36,120 --> 00:16:38,720 Speaker 4: and I guess the vocal background in English? 259 00:16:39,160 --> 00:16:45,960 Speaker 3: I go in Spanish, Yo momam, mi corazo and I did. 260 00:16:46,000 --> 00:16:48,280 Speaker 4: I don't know from where I went with that expression. 261 00:16:49,040 --> 00:16:52,200 Speaker 4: And when we finished, I was so scared to get 262 00:16:52,200 --> 00:16:56,160 Speaker 4: out from the book. And Montana came out from his 263 00:16:56,280 --> 00:16:59,800 Speaker 4: books and all the musicians and like that, relaxed with 264 00:17:00,040 --> 00:17:03,200 Speaker 4: the instrument on the lab and I look at him. 265 00:17:03,200 --> 00:17:06,720 Speaker 4: I said, what do you see and he said, guys, 266 00:17:07,359 --> 00:17:11,200 Speaker 4: it's a hit, yes, And everybody. 267 00:17:10,720 --> 00:17:15,919 Speaker 3: Applaud and it's thought. That was the birth of spanklish. 268 00:17:16,880 --> 00:17:21,800 Speaker 4: Hm, it's the first time, trust me, and the document 269 00:17:22,000 --> 00:17:25,479 Speaker 4: and the video speak for itself. That was the first 270 00:17:25,520 --> 00:17:30,840 Speaker 4: time that they was allowed in the middle of English 271 00:17:30,880 --> 00:17:37,399 Speaker 4: English song, I respond with the same translation, because dance 272 00:17:37,600 --> 00:17:40,919 Speaker 4: a little bit closer, come to me a little bit 273 00:17:40,960 --> 00:17:46,680 Speaker 4: closer is exactly America day masserca. If they come over 274 00:17:46,800 --> 00:17:50,520 Speaker 4: me coorrason, it's almost a translation of what I was 275 00:17:50,560 --> 00:17:56,879 Speaker 4: hearing the allowed, and that was the birth of the Spanish. 276 00:17:57,480 --> 00:17:59,880 Speaker 4: So now by then a khaki because they all applaud 277 00:17:59,880 --> 00:18:05,000 Speaker 4: the of course, yeah, now young kaki. 278 00:18:05,640 --> 00:18:07,520 Speaker 3: Now I know that I'm that I'm not going to 279 00:18:07,560 --> 00:18:08,120 Speaker 3: be kick out. 280 00:18:09,200 --> 00:18:14,320 Speaker 4: Now we are more relaxed. They give a pizza, they 281 00:18:14,359 --> 00:18:18,040 Speaker 4: give up beer, which I love pizza beer. Excuse me, 282 00:18:18,640 --> 00:18:23,960 Speaker 4: and said, we relax and the dad said, well, beautiful, you. 283 00:18:23,920 --> 00:18:28,400 Speaker 3: Didn't very good. Think think think of and he said, well, 284 00:18:28,480 --> 00:18:29,440 Speaker 3: we want to know, you. 285 00:18:29,480 --> 00:18:32,280 Speaker 4: Know, got me in bad that you give you. They 286 00:18:32,320 --> 00:18:35,320 Speaker 4: give you the week off because they had to earn 287 00:18:35,359 --> 00:18:39,960 Speaker 4: the Pyramids. Also, Norman broco to the Sahara because I 288 00:18:40,080 --> 00:18:42,760 Speaker 4: wasn't really doing the great business at that time with 289 00:18:42,880 --> 00:18:46,040 Speaker 4: the liner, and I said, okay, he said, let's do 290 00:18:46,119 --> 00:18:51,159 Speaker 4: the whole city. But now I was not scared. I 291 00:18:51,280 --> 00:18:53,680 Speaker 4: was now they're going to listen to me. Really truly, 292 00:18:54,400 --> 00:18:58,080 Speaker 4: I was relaxed. We became good friends. I will I 293 00:18:58,119 --> 00:19:01,040 Speaker 4: can find I wish I can find a pure that 294 00:19:01,119 --> 00:19:08,200 Speaker 4: we both are dancing. Great men, very humbob uh Italiano 295 00:19:09,119 --> 00:19:13,159 Speaker 4: with a regard right. I thought at the beginning going 296 00:19:13,359 --> 00:19:16,360 Speaker 4: say something is empty. I thought that he's gonna say, well, 297 00:19:19,480 --> 00:19:24,240 Speaker 4: but no, he breathed, He walked toward the door or 298 00:19:24,280 --> 00:19:28,720 Speaker 4: the studio, came back and said, and what will you 299 00:19:28,800 --> 00:19:32,760 Speaker 4: do that will be no missing and have so? So 300 00:19:33,000 --> 00:19:38,280 Speaker 4: he challenged me, controlling himself. Okay, now I had the 301 00:19:38,359 --> 00:19:41,760 Speaker 4: freedom to suggest what I will do so in that 302 00:19:41,960 --> 00:19:47,000 Speaker 4: city that we are celebrating. It's a legacy. You had 303 00:19:47,040 --> 00:19:51,399 Speaker 4: three huge hits. One it's called Dance a little Bit Closer. 304 00:19:52,200 --> 00:19:54,119 Speaker 4: The other it's called Believe. 305 00:19:53,720 --> 00:19:54,480 Speaker 3: It or not. It's not. 306 00:19:56,240 --> 00:20:02,639 Speaker 4: Riquito b you are are eye que q u I 307 00:20:03,040 --> 00:20:11,000 Speaker 4: t oh donkey book requito little donkey. Now they was 308 00:20:11,080 --> 00:20:14,240 Speaker 4: asking me why you want to sing a song that 309 00:20:14,400 --> 00:20:17,840 Speaker 4: is about a little donkey like you. You don't know he 310 00:20:18,000 --> 00:20:23,919 Speaker 4: know more than you. It's true, so I said, because 311 00:20:24,680 --> 00:20:26,560 Speaker 4: it's going to be a huge hit. But it is 312 00:20:26,640 --> 00:20:29,840 Speaker 4: in the Spanish. Okay, with a letter in English. No, 313 00:20:30,480 --> 00:20:36,680 Speaker 4: then you will kill the song. Another another piece, another 314 00:20:36,760 --> 00:20:42,600 Speaker 4: pire that what it were, so they allowed me to 315 00:20:42,720 --> 00:20:47,440 Speaker 4: do myself that way. I want to share with the generation. 316 00:20:47,720 --> 00:20:51,840 Speaker 4: See p yourself. Don't get in PREPD with some cell 317 00:20:51,920 --> 00:20:56,080 Speaker 4: every day did in your car. You know who you 318 00:20:56,119 --> 00:21:01,159 Speaker 4: are and answer who you are and trust yourself because 319 00:21:01,160 --> 00:21:03,800 Speaker 4: that what happened to me. It happened to my sister 320 00:21:03,880 --> 00:21:09,000 Speaker 4: with the costume. So it's a very important event and 321 00:21:09,040 --> 00:21:12,720 Speaker 4: it's no ego. Please don't miss Kruseing. It's just a 322 00:21:12,800 --> 00:21:21,040 Speaker 4: legacy that they add to the social media like you radio, Internet, Facebook, Instagram, 323 00:21:21,600 --> 00:21:27,240 Speaker 4: discover the past that it will be destroyed. It wasn't 324 00:21:27,320 --> 00:21:33,560 Speaker 4: for this incredible invention of social media, social media save me. 325 00:21:34,680 --> 00:21:37,720 Speaker 4: When I was very sad, very sad with Corona Tyeing, 326 00:21:37,800 --> 00:21:42,200 Speaker 4: I asked my husband social media people help each other. 327 00:21:43,480 --> 00:21:46,240 Speaker 4: And that's why I am talking to you. Thank you 328 00:21:46,280 --> 00:21:50,120 Speaker 4: for this opportunity. That's why I will accept the war. 329 00:21:51,040 --> 00:21:54,240 Speaker 4: And that's why. Another question is why. 330 00:21:54,160 --> 00:21:58,520 Speaker 3: Only one name? Yeah, well, ask me a question, actually 331 00:21:58,600 --> 00:21:58,919 Speaker 3: ask me. 332 00:21:59,680 --> 00:22:02,760 Speaker 1: I'm going to ask you that question. But first before 333 00:22:02,800 --> 00:22:05,320 Speaker 1: we do that, we got to take a quick commercial break. Okay, 334 00:22:05,359 --> 00:22:08,240 Speaker 1: stick around everybody. There's a lot more charo where this 335 00:22:08,359 --> 00:22:20,240 Speaker 1: came from. We're back it is. I smell pop culture. 336 00:22:20,240 --> 00:22:22,840 Speaker 1: My name is Easton. I'm hanging out with Charo, and 337 00:22:22,920 --> 00:22:27,440 Speaker 1: I gotta ask, Okay, I gotta ask. You're the pioneer 338 00:22:27,640 --> 00:22:30,680 Speaker 1: of the single name. Where did that come from? Why 339 00:22:31,000 --> 00:22:32,200 Speaker 1: are you just Charro? 340 00:22:33,200 --> 00:22:34,840 Speaker 3: Do you want to hear my real name? 341 00:22:35,480 --> 00:22:37,280 Speaker 1: Yes? I do very badly. 342 00:22:37,920 --> 00:22:46,080 Speaker 4: Maria Rosario, Pillar, Martinez, Morena Lorenza. 343 00:22:46,119 --> 00:22:48,800 Speaker 3: Okay, well, when. 344 00:22:48,640 --> 00:22:54,280 Speaker 4: You pour in Spain, Maria, your first name, honor the 345 00:22:54,359 --> 00:23:01,080 Speaker 4: vision Mary. Then Rosario is the Rosari that we pray 346 00:23:01,760 --> 00:23:07,240 Speaker 4: the pillar. Well, my grandma from my mother's side, Rosario, 347 00:23:08,080 --> 00:23:09,920 Speaker 4: my grandma from my father's side. 348 00:23:10,160 --> 00:23:10,520 Speaker 3: Pillar. 349 00:23:11,520 --> 00:23:16,400 Speaker 4: Already you had three name Maria, Rosario, Pila. Then start 350 00:23:16,440 --> 00:23:20,920 Speaker 4: coming your father uh A Peggio and your mother A 351 00:23:21,000 --> 00:23:23,679 Speaker 4: pegg I said that. I said that I saw my 352 00:23:23,840 --> 00:23:26,720 Speaker 4: passport when again to America was like a ser pertein. 353 00:23:30,680 --> 00:23:34,480 Speaker 4: Norman Broco, the president of William Morias, I told you. 354 00:23:35,520 --> 00:23:39,440 Speaker 3: He said, we have a problem, and I said, why 355 00:23:39,520 --> 00:23:43,520 Speaker 3: the problem? People like you? 356 00:23:43,520 --> 00:23:48,440 Speaker 4: You make a good business for Sahara and Atlantic City. 357 00:23:48,640 --> 00:23:52,080 Speaker 4: You you're doing good. But I cannot represent you with 358 00:23:52,200 --> 00:23:57,359 Speaker 4: one name. Okay, yeah, because I did the name for 359 00:23:57,520 --> 00:24:03,800 Speaker 4: Marie Limboro wonderful, I called read the hybor with okay, 360 00:24:04,800 --> 00:24:08,520 Speaker 4: you got to have a second name because I was 361 00:24:08,560 --> 00:24:13,600 Speaker 4: so used that people call me Scha mother, and I said, okay, okay, 362 00:24:14,040 --> 00:24:20,240 Speaker 4: very respectful, okay, because I okay, Miter Broco, okay, you 363 00:24:20,560 --> 00:24:25,760 Speaker 4: are a businessman and you discovered Marilyn Monroe King Nova 364 00:24:25,920 --> 00:24:29,359 Speaker 4: every the day. Why don't you give me an opportunity. 365 00:24:30,080 --> 00:24:32,879 Speaker 4: I'm going now in a few days to the SACA again. 366 00:24:33,800 --> 00:24:36,800 Speaker 4: And you know you saw me there with one name. 367 00:24:37,320 --> 00:24:39,879 Speaker 4: Keep it one more name, and I will like to 368 00:24:39,920 --> 00:24:43,920 Speaker 4: the audience, are you comfortable with one name? He looked 369 00:24:44,000 --> 00:24:46,840 Speaker 4: mister laughing like. I said, I don't know. You are 370 00:24:46,880 --> 00:24:51,840 Speaker 4: crazy or you are clever, and I said both yes, 371 00:24:52,800 --> 00:24:56,280 Speaker 4: And then that was the opportunity. But guess who was 372 00:24:56,600 --> 00:25:05,080 Speaker 4: starting with me? Geen neighbor. Wow, hello Chao? You never 373 00:25:05,160 --> 00:25:09,640 Speaker 4: called it Charo, Hello Chao. How are you share? Okay? 374 00:25:10,240 --> 00:25:16,280 Speaker 4: So in that deal with Miter Broko, I asked to 375 00:25:16,320 --> 00:25:19,800 Speaker 4: the people, would you like it that miter broke the 376 00:25:19,960 --> 00:25:20,520 Speaker 4: big chat? 377 00:25:21,480 --> 00:25:24,040 Speaker 3: It challenged me, and they said no, no, we love 378 00:25:24,280 --> 00:25:25,760 Speaker 3: Chao Charo Charu. 379 00:25:26,040 --> 00:25:29,760 Speaker 4: Also their many Latino and when you perform for Latino, 380 00:25:30,640 --> 00:25:34,480 Speaker 4: they love to say yo in tone in tone by 381 00:25:34,640 --> 00:25:35,359 Speaker 4: leg bye. 382 00:25:36,040 --> 00:25:38,840 Speaker 3: So you were here at Chiaro and that's all. 383 00:25:39,920 --> 00:25:43,440 Speaker 4: And then okay, I go by, not too match, but 384 00:25:43,600 --> 00:25:48,800 Speaker 4: tang by, and I started reading everybody still calling themselves 385 00:25:48,840 --> 00:25:54,760 Speaker 4: one name. So this see that I did it perhaps instant, 386 00:25:54,840 --> 00:25:59,720 Speaker 4: because I was not afraid. I trust myself. It became 387 00:26:00,119 --> 00:26:05,200 Speaker 4: actually the beginning of a big change. We haven't taken 388 00:26:05,240 --> 00:26:09,560 Speaker 4: you back to the seventy seven, seventy eight, seven, nine eighty. 389 00:26:10,280 --> 00:26:15,439 Speaker 4: So this, this company said, it's no ego. You are 390 00:26:15,640 --> 00:26:22,000 Speaker 4: entitled to really accepted what you did the same thing Easton. 391 00:26:22,080 --> 00:26:29,960 Speaker 4: I did it with community, Latinos, open door, Riggy, Marty mccartoni, 392 00:26:30,680 --> 00:26:35,840 Speaker 4: Shakira is a long long list. Yeah, and I hope 393 00:26:36,240 --> 00:26:39,240 Speaker 4: you know. Easton asked me what the hell you are 394 00:26:39,280 --> 00:26:42,919 Speaker 4: now in La Chario? 395 00:26:42,960 --> 00:26:44,720 Speaker 1: Why are you in La What's going on? 396 00:26:45,200 --> 00:26:48,440 Speaker 4: Somebody is your instant? Were I supposed to be right 397 00:26:48,480 --> 00:26:53,040 Speaker 4: now in Colombia? Gartha Hena having the time of my 398 00:26:53,200 --> 00:26:57,160 Speaker 4: life for the bigger event ever. Was a beautiful, talented 399 00:26:57,240 --> 00:27:01,320 Speaker 4: younger by the name Karaoji that she wants me to 400 00:27:01,359 --> 00:27:05,240 Speaker 4: be there because she's so clever that she knows who 401 00:27:05,320 --> 00:27:09,639 Speaker 4: is who and who is taught start the revolution of 402 00:27:09,800 --> 00:27:14,760 Speaker 4: music and the open door for Latinos are so talented. 403 00:27:15,920 --> 00:27:21,040 Speaker 4: Gary and Boie are so talented that with all my heart, 404 00:27:21,720 --> 00:27:22,520 Speaker 4: I do like. 405 00:27:22,560 --> 00:27:24,240 Speaker 3: It to be there. I become a fun of her. 406 00:27:25,000 --> 00:27:27,959 Speaker 3: What she accomplished it unbelievable. I think she's number one 407 00:27:28,040 --> 00:27:32,480 Speaker 3: in the world right now and cheered. 408 00:27:33,680 --> 00:27:36,000 Speaker 4: One thing is either you born with or you don't 409 00:27:36,000 --> 00:27:40,320 Speaker 4: borrow with. Last night I was changing. I love text 410 00:27:40,320 --> 00:27:44,400 Speaker 4: message because text message I spell better than I talk. 411 00:27:46,280 --> 00:27:54,360 Speaker 4: I really talk like, but text message I also give 412 00:27:54,400 --> 00:27:57,919 Speaker 4: me the chance to know the spelling his correct about 413 00:27:57,920 --> 00:28:00,680 Speaker 4: trying the money, I send it to her. The last 414 00:28:00,680 --> 00:28:05,160 Speaker 4: said my Harry broken, thank you for being so nice 415 00:28:05,440 --> 00:28:07,840 Speaker 4: and give me the honor that I'll be there and 416 00:28:08,040 --> 00:28:11,080 Speaker 4: call me Rainaw and the Queen. But I cannot be 417 00:28:11,119 --> 00:28:13,879 Speaker 4: with you because I'm going to be with you and 418 00:28:13,920 --> 00:28:16,080 Speaker 4: because I'm going to be prepared for a few more 419 00:28:17,040 --> 00:28:20,240 Speaker 4: interview for again September seven. 420 00:28:20,280 --> 00:28:22,400 Speaker 3: I wish you would be there there. 421 00:28:22,880 --> 00:28:26,480 Speaker 4: It's very emotional. I don't want to cry. I just 422 00:28:26,560 --> 00:28:30,800 Speaker 4: cried right now when I had lad I'm an eat 423 00:28:31,600 --> 00:28:37,520 Speaker 4: chocolade used to but it is very reworthy. And when 424 00:28:37,600 --> 00:28:43,120 Speaker 4: you meet my sister, because she's making fashion only that 425 00:28:44,040 --> 00:28:47,800 Speaker 4: Lo Lo Lo pen. All right, ask me, Charo, where 426 00:28:47,880 --> 00:28:51,920 Speaker 4: your sister did that? I just just you do that 427 00:28:52,800 --> 00:28:54,160 Speaker 4: because that distore dog. 428 00:28:54,040 --> 00:28:59,200 Speaker 3: How to do seper She did not know. 429 00:29:00,240 --> 00:29:05,280 Speaker 4: Make her to nervay real nerveay and and then we 430 00:29:05,360 --> 00:29:07,160 Speaker 4: don't have the machine that got. 431 00:29:08,480 --> 00:29:13,560 Speaker 3: Its yere. She do it by hand always pocket still 432 00:29:14,040 --> 00:29:14,840 Speaker 3: don't push simp. 433 00:29:15,600 --> 00:29:20,680 Speaker 4: So at the tonight show, we don't regle with Johnny Carson, 434 00:29:21,080 --> 00:29:24,800 Speaker 4: the market, show your name it my costume, were you're 435 00:29:24,880 --> 00:29:28,920 Speaker 4: coming from the bra stop by beautiful see through all ki. 436 00:29:31,640 --> 00:29:33,040 Speaker 3: The top of the path. 437 00:29:33,800 --> 00:29:37,440 Speaker 4: And of course it was not eating because did you 438 00:29:37,520 --> 00:29:40,800 Speaker 4: put one pound? The honeymoon is over. We got to 439 00:29:40,920 --> 00:29:47,040 Speaker 4: show everything. But she through is tone by hand. She 440 00:29:47,120 --> 00:29:50,120 Speaker 4: catted from my mother and Miauela all of the beach, 441 00:29:51,680 --> 00:29:55,920 Speaker 4: and they allow us, they do allow us. It was 442 00:29:55,960 --> 00:29:59,520 Speaker 4: a little carmelic caming again. Oh no, okay, can she 443 00:29:59,600 --> 00:30:02,560 Speaker 4: make a litt letters? No, she don't know how to 444 00:30:02,600 --> 00:30:08,520 Speaker 4: pu sip not the costal telling you. She became very 445 00:30:08,520 --> 00:30:10,640 Speaker 4: good friend of Bob Mackie. Your name it all of them. 446 00:30:10,960 --> 00:30:11,440 Speaker 2: Wow. 447 00:30:13,000 --> 00:30:17,080 Speaker 3: Her name is Caramelita. Karmen is little, but she got little. 448 00:30:17,640 --> 00:30:25,560 Speaker 4: They go like caramel Cita, but east through Carmelita, and 449 00:30:25,880 --> 00:30:30,280 Speaker 4: Carmelita have got She used to go to the weather 450 00:30:30,360 --> 00:30:34,480 Speaker 4: of people and tell them please, she's so skinny. 451 00:30:34,680 --> 00:30:38,600 Speaker 3: It's no, it's not too sexy. It's you that I 452 00:30:38,720 --> 00:30:39,800 Speaker 3: really don't know how to do. 453 00:30:42,240 --> 00:30:45,720 Speaker 4: And they always coming the Martin to the rescue, or 454 00:30:45,760 --> 00:30:48,440 Speaker 4: the wife of the Martin to the rescue, or the 455 00:30:48,560 --> 00:30:51,520 Speaker 4: sistant Johnny Carso and that you know, done nothing. 456 00:30:52,000 --> 00:30:54,720 Speaker 3: Let her go. It is skinny letter and then let 457 00:30:54,800 --> 00:30:58,240 Speaker 3: me wear those costs. Are not kidding you? She through 458 00:30:58,760 --> 00:30:59,480 Speaker 3: but with. 459 00:30:59,600 --> 00:31:05,640 Speaker 4: Bugle upside down and brother by my mother, my auntie, 460 00:31:06,720 --> 00:31:09,160 Speaker 4: my sister, and I tried to do that, but I 461 00:31:09,200 --> 00:31:09,960 Speaker 4: were not that good. 462 00:31:10,360 --> 00:31:13,000 Speaker 3: They were so good that egal I did and do 463 00:31:13,200 --> 00:31:14,920 Speaker 3: you don't see even the threat? 464 00:31:15,640 --> 00:31:16,040 Speaker 1: Wow? 465 00:31:16,480 --> 00:31:20,880 Speaker 4: And that's what they are celebrating, the legacy or two 466 00:31:20,880 --> 00:31:23,440 Speaker 4: little girls very young one time. What's upon a time 467 00:31:23,480 --> 00:31:28,160 Speaker 4: we were young, believe me, and in love with the 468 00:31:28,240 --> 00:31:33,280 Speaker 4: dream of America, the country of the freedom, with a 469 00:31:33,400 --> 00:31:36,400 Speaker 4: hope to they and I whatever it taken to work, 470 00:31:37,480 --> 00:31:43,280 Speaker 4: and time goes so fast that you bling, and I said, 471 00:31:43,360 --> 00:31:48,480 Speaker 4: my god, what what happened? Because your business is kind 472 00:31:48,520 --> 00:31:52,520 Speaker 4: of cruel when you are had and they offered you 473 00:31:52,720 --> 00:31:56,120 Speaker 4: good offer and you figure it out. If I don't 474 00:31:56,120 --> 00:32:02,440 Speaker 4: come to America, I will be selling tomato where I 475 00:32:02,480 --> 00:32:03,240 Speaker 4: cannot say no. 476 00:32:03,960 --> 00:32:04,760 Speaker 1: Of course, No. 477 00:32:05,720 --> 00:32:09,960 Speaker 4: We are at a point. I work hard with my body. 478 00:32:10,600 --> 00:32:12,760 Speaker 4: I keep it in a good shape. I run miles 479 00:32:12,800 --> 00:32:13,800 Speaker 4: three miles this morning. 480 00:32:15,160 --> 00:32:15,600 Speaker 1: Wow. 481 00:32:16,360 --> 00:32:18,680 Speaker 4: I take it with the mina. I want to share 482 00:32:18,760 --> 00:32:23,400 Speaker 4: with everybody. I care a lot for the generations. I 483 00:32:23,480 --> 00:32:25,520 Speaker 4: got it, you know, as I told you, generations ship. 484 00:32:26,240 --> 00:32:29,240 Speaker 4: There's nice people. I don't know if the parent had 485 00:32:29,240 --> 00:32:32,000 Speaker 4: the time to give them what they needed. When the children, 486 00:32:33,960 --> 00:32:37,040 Speaker 4: I know that some time there where in my future 487 00:32:37,040 --> 00:32:39,920 Speaker 4: where I'm going, what's going to happen to me. 488 00:32:39,920 --> 00:32:40,600 Speaker 3: When I got old? 489 00:32:40,600 --> 00:32:47,400 Speaker 4: There when I jumped from teenager to adult like in America, 490 00:32:47,520 --> 00:32:50,080 Speaker 4: A man of my god, twenty three year old? Amen, 491 00:32:50,520 --> 00:32:53,200 Speaker 4: A man, No, it's a guy, it's a kid. I 492 00:32:53,240 --> 00:32:56,440 Speaker 4: had to learn a lot. But I thinking about that 493 00:32:57,360 --> 00:32:59,880 Speaker 4: it once in a while. I go to college when 494 00:32:59,880 --> 00:33:03,560 Speaker 4: I unplaced Chicago, you name in concerts and I take 495 00:33:03,680 --> 00:33:08,120 Speaker 4: one day extra and say hello to them. They like 496 00:33:08,200 --> 00:33:11,120 Speaker 4: me very much. The people that I get to near 497 00:33:11,200 --> 00:33:14,600 Speaker 4: to the kids, beautiful kid, I tell them. Basis of 498 00:33:16,040 --> 00:33:19,800 Speaker 4: no pig, no pik pik Pik is the bed war 499 00:33:20,480 --> 00:33:24,720 Speaker 4: for for musician guitarists, it's the end of at the 500 00:33:24,840 --> 00:33:30,680 Speaker 4: end of your future. This got gear finger is the finger, 501 00:33:31,120 --> 00:33:35,600 Speaker 4: yes official and a scale and I see them so 502 00:33:35,800 --> 00:33:41,680 Speaker 4: grateful to somebody from the past, Saint Christopher Colombo. 503 00:33:43,560 --> 00:33:46,320 Speaker 3: On today say guy, you're not allowed. 504 00:33:47,200 --> 00:33:50,440 Speaker 4: I was your age. I know how I feel. But 505 00:33:50,560 --> 00:33:53,640 Speaker 4: did you trudge yourself? The world is very little for 506 00:33:53,720 --> 00:33:59,120 Speaker 4: you guys, and that's the way I feel happy. And 507 00:33:59,160 --> 00:34:03,360 Speaker 4: I would be grateful to you forever. Because again I 508 00:34:03,400 --> 00:34:10,279 Speaker 4: suppose to be Colombia thing har and they want to 509 00:34:10,320 --> 00:34:14,759 Speaker 4: do something especially for me, break my heart. But she 510 00:34:14,760 --> 00:34:19,040 Speaker 4: she conquered the world. She she really the queen right now. 511 00:34:20,280 --> 00:34:23,359 Speaker 4: So I'm looking for you to see you there. I'm 512 00:34:23,360 --> 00:34:28,080 Speaker 4: going to have an an interview a journalist and they 513 00:34:28,080 --> 00:34:30,560 Speaker 4: don't tell me who because they know that I have 514 00:34:30,640 --> 00:34:33,640 Speaker 4: a big mouth, so I. 515 00:34:33,560 --> 00:34:34,520 Speaker 3: Don't know who it's going to be. 516 00:34:35,520 --> 00:34:38,719 Speaker 4: But I what I'm telling you actually was it's all 517 00:34:38,760 --> 00:34:43,920 Speaker 4: about and to give a hope to people that they 518 00:34:43,920 --> 00:34:48,719 Speaker 4: are now worry concerned that there is a god and 519 00:34:48,760 --> 00:34:54,480 Speaker 4: you have to trust yourself. Another no smoke. One of 520 00:34:54,480 --> 00:34:57,960 Speaker 4: my greatest dancers is in big trouble right now because 521 00:34:58,080 --> 00:35:01,560 Speaker 4: mokes so much that they have all the artery black 522 00:35:02,880 --> 00:35:05,920 Speaker 4: and it's only thirty two. Oh god, it's one of 523 00:35:05,920 --> 00:35:09,279 Speaker 4: the best answer I ever had. We know the big 524 00:35:09,400 --> 00:35:17,160 Speaker 4: with flaming and when the show was over, what's the 525 00:35:17,160 --> 00:35:21,480 Speaker 4: matter with you? And telling me was a matter of 526 00:35:21,880 --> 00:35:27,680 Speaker 4: smoking and that's it. So I want to share with 527 00:35:27,760 --> 00:35:28,280 Speaker 4: your people. 528 00:35:29,480 --> 00:35:31,240 Speaker 1: No smoke, don't smoke. 529 00:35:31,760 --> 00:35:34,440 Speaker 4: Don't smoke, and I'm not working for any company, and 530 00:35:34,520 --> 00:35:38,880 Speaker 4: don't make any commercial. I saw it with people around me. 531 00:35:39,239 --> 00:35:41,759 Speaker 4: You only now for those who had to even caugh. 532 00:35:42,719 --> 00:35:46,960 Speaker 4: So one of my al Buies Trader said, no smoke, 533 00:35:47,880 --> 00:35:49,200 Speaker 4: drink a lot of WAA. 534 00:35:50,960 --> 00:36:03,359 Speaker 3: And have hope. Don't ever loves the hope. 535 00:36:04,760 --> 00:36:06,759 Speaker 1: Before we let you go, I want to share a 536 00:36:06,800 --> 00:36:09,480 Speaker 1: memory I have of you that I treasure. I think 537 00:36:09,480 --> 00:36:12,960 Speaker 1: about this all the time. Do you remember performing on 538 00:36:13,040 --> 00:36:15,680 Speaker 1: Peewee's Playhouse Christmas Special? Do you remember that. 539 00:36:16,400 --> 00:36:20,640 Speaker 4: Oka see my best friend, my brother, my soul brother. 540 00:36:21,680 --> 00:36:25,400 Speaker 1: I love that performance, Charle. I've watched that a million times. 541 00:36:25,440 --> 00:36:27,560 Speaker 1: I want to know how that came. So you were 542 00:36:27,560 --> 00:36:29,880 Speaker 1: close to Peewee, My god. 543 00:36:29,719 --> 00:36:34,320 Speaker 4: My brother bro that Wait a minute, he went to Kawaii, 544 00:36:34,560 --> 00:36:37,239 Speaker 4: He went to Honolulu. Okay, Oh, my God, give me 545 00:36:37,239 --> 00:36:41,040 Speaker 4: a few more min Okay, yes, yes, I still crying. 546 00:36:42,120 --> 00:36:47,720 Speaker 4: I am not the same. See hit us away, okay, peewee, 547 00:36:48,160 --> 00:36:52,480 Speaker 4: never grow up? Gohy, I think the company that to me, 548 00:36:52,840 --> 00:36:53,600 Speaker 4: he's a disas. 549 00:36:55,120 --> 00:36:57,200 Speaker 3: We don't grow up. I'm not going to grow up. 550 00:36:57,239 --> 00:37:02,319 Speaker 3: I'm going to stay in the asha. I wanta never 551 00:37:02,360 --> 00:37:04,200 Speaker 3: grow up. Okay. 552 00:37:04,840 --> 00:37:09,640 Speaker 4: The story is that pe with fallow me. I did 553 00:37:09,680 --> 00:37:13,080 Speaker 4: know that before anything followed. He was always trying to 554 00:37:13,320 --> 00:37:16,480 Speaker 4: how can I talk with Sharrow? How can I I'm 555 00:37:16,480 --> 00:37:18,000 Speaker 4: taking you time time? 556 00:37:18,440 --> 00:37:18,799 Speaker 3: You know. 557 00:37:20,719 --> 00:37:24,000 Speaker 4: That for the keid Now generation, see listen to this 558 00:37:24,920 --> 00:37:29,720 Speaker 4: leaving genius with a magnificent education, a heart of gold. 559 00:37:30,200 --> 00:37:32,640 Speaker 3: But he never grew up. It's a disease. 560 00:37:33,440 --> 00:37:42,680 Speaker 4: So he wanted to meet me. Sohow he met Jim 561 00:37:42,800 --> 00:37:49,320 Speaker 4: neighbor because I was already living in Honolulu. You neighbor again, 562 00:37:49,440 --> 00:37:54,640 Speaker 4: another brother? Yeah? Then you neighbor called me a sad 563 00:37:54,880 --> 00:37:57,279 Speaker 4: peep with her money, calling you all the time. 564 00:37:57,719 --> 00:38:01,239 Speaker 3: You don't answer. I know, and to be sex, I 565 00:38:01,280 --> 00:38:02,440 Speaker 3: know you got to go Hi. 566 00:38:03,640 --> 00:38:08,879 Speaker 4: So Si, I will meet him in Honolulu because for 567 00:38:08,920 --> 00:38:13,840 Speaker 4: twenty years more we are residents of Hawaii, Kawaii. 568 00:38:14,320 --> 00:38:17,600 Speaker 3: Mirah Bira I wish I can't find it. I'm going 569 00:38:17,640 --> 00:38:18,279 Speaker 3: to churk to. 570 00:38:18,280 --> 00:38:22,640 Speaker 4: You the more beautiful island in the world called Kawaii. Okay, 571 00:38:23,239 --> 00:38:27,520 Speaker 4: pee Wee go to Honolulu. Pee Wee became good friend 572 00:38:27,560 --> 00:38:33,680 Speaker 4: of Gen. Naval Pee Wee very love for Honolulu. Pee 573 00:38:33,760 --> 00:38:38,360 Speaker 4: we lived in Honolulu and also he lived also in 574 00:38:38,440 --> 00:38:42,800 Speaker 4: another island. And he also went to my island Kawaii. 575 00:38:43,719 --> 00:38:46,879 Speaker 4: We met and we love each other forever. Ever when 576 00:38:46,920 --> 00:38:49,520 Speaker 4: you met Pee Wee, we give you a hand and 577 00:38:49,640 --> 00:38:50,279 Speaker 4: you that's it. 578 00:38:51,239 --> 00:38:52,200 Speaker 3: So he gone. 579 00:38:53,000 --> 00:38:56,719 Speaker 4: When I was at the Hillton Hawaiian Village in do 580 00:38:56,840 --> 00:38:57,959 Speaker 4: you have you ever been there? 581 00:38:58,000 --> 00:38:58,680 Speaker 3: It's paradise. 582 00:38:59,040 --> 00:38:59,880 Speaker 1: I have been there. 583 00:39:00,320 --> 00:39:07,000 Speaker 4: All the presidents stopped there on the way to Hong Kong, Japan, Asia, India. 584 00:39:07,320 --> 00:39:09,440 Speaker 3: They had to. When they got there. 585 00:39:10,400 --> 00:39:13,200 Speaker 4: They love it because they had two three day to 586 00:39:13,239 --> 00:39:16,919 Speaker 4: relax for the trip that is following the tour. 587 00:39:17,200 --> 00:39:18,719 Speaker 3: Day later, I met. 588 00:39:18,680 --> 00:39:21,879 Speaker 4: A lot of them. The bush, the glinto all of them. 589 00:39:22,000 --> 00:39:23,920 Speaker 4: They got to be there and I had there my 590 00:39:23,960 --> 00:39:29,960 Speaker 4: own room. We call it the tropics. For seventeen years 591 00:39:30,440 --> 00:39:33,719 Speaker 4: at the Hilto Hawaiian Villas because my deal was with 592 00:39:33,760 --> 00:39:37,600 Speaker 4: the Hilto that my son and my nephew had to 593 00:39:37,600 --> 00:39:42,840 Speaker 4: be a study in a school called Puno. When you 594 00:39:42,920 --> 00:39:47,799 Speaker 4: graduated Punohu, you can do anything you want. 595 00:39:47,960 --> 00:39:49,920 Speaker 3: Obama graduate in Punohu. 596 00:39:50,440 --> 00:39:52,560 Speaker 1: Yes, So that the story. 597 00:39:53,320 --> 00:39:55,480 Speaker 4: Pee Wee called and said I need you and I said, 598 00:39:55,480 --> 00:39:59,000 Speaker 4: pee Wee and working, and he said do that for me. 599 00:39:59,680 --> 00:40:03,480 Speaker 4: So I took apply and I went. He was doing 600 00:40:03,520 --> 00:40:06,600 Speaker 4: the special. But by day we were brother and sisters okay. 601 00:40:07,320 --> 00:40:09,759 Speaker 4: And I said, what is it all about? He said, 602 00:40:09,760 --> 00:40:13,279 Speaker 4: I want to see Phelip Navida and. 603 00:40:13,239 --> 00:40:14,799 Speaker 3: I love it. It was. 604 00:40:15,000 --> 00:40:19,080 Speaker 4: It was little paradise for child. They had Robbo at 605 00:40:19,080 --> 00:40:22,839 Speaker 4: that time. They have little butterfly that go to here. 606 00:40:23,280 --> 00:40:26,640 Speaker 4: They got cookie everywhere, actually Gola, they were running cold. 607 00:40:28,080 --> 00:40:35,360 Speaker 4: I was like a wonderland. It was wonderland. So I said, 608 00:40:35,360 --> 00:40:39,319 Speaker 4: pee with you. I'm going to play my guitar. I'm 609 00:40:39,320 --> 00:40:43,120 Speaker 4: going to sing the song a little different of Feliciano. 610 00:40:44,280 --> 00:40:46,200 Speaker 4: It's okay with you, okay, So whatever you want to do. 611 00:40:46,160 --> 00:40:48,399 Speaker 3: It's okay. I know you pull it out. 612 00:40:49,000 --> 00:40:51,800 Speaker 4: So I reheaded one tie and when they were rehearsing, 613 00:40:51,920 --> 00:40:56,440 Speaker 4: he's over that. He put a robot interrupting me or dancing. 614 00:40:57,640 --> 00:41:00,759 Speaker 4: But I didn't know that the robot was coming. I 615 00:41:00,880 --> 00:41:04,320 Speaker 4: was so concentrated, you know, and that's beautiful. 616 00:41:04,360 --> 00:41:11,360 Speaker 3: I started with it in the very beautiful. 617 00:41:11,760 --> 00:41:15,160 Speaker 4: And then while I am doing this and singing, he 618 00:41:15,200 --> 00:41:19,640 Speaker 4: is doing the pinata trying to bring it up cookie, 619 00:41:19,920 --> 00:41:22,319 Speaker 4: and I was thinking, well, I'm playing and singing. I 620 00:41:22,360 --> 00:41:24,600 Speaker 4: heard they say so money for me because they were 621 00:41:24,760 --> 00:41:30,279 Speaker 4: whoo quality solad involved and see I see the song. 622 00:41:30,920 --> 00:41:32,799 Speaker 4: We had the time of my life and we are 623 00:41:32,880 --> 00:41:37,319 Speaker 4: like this really that he never told me that he 624 00:41:37,520 --> 00:41:42,239 Speaker 4: was sick. He don't say to nobody. So now pe 625 00:41:42,239 --> 00:41:45,600 Speaker 4: Wee is in a l a doing a concert, and 626 00:41:45,680 --> 00:41:47,200 Speaker 4: of course I go. Of course I have to go 627 00:41:47,400 --> 00:41:50,640 Speaker 4: with my brother, and they get people with me. Play 628 00:41:50,719 --> 00:41:55,200 Speaker 4: So Down everybody, lovesh. He did a great show, several 629 00:41:55,440 --> 00:41:58,840 Speaker 4: sandal show and then we went to say hello, I 630 00:41:58,920 --> 00:42:01,840 Speaker 4: have a picture. He didn't say nothing about that he 631 00:42:02,000 --> 00:42:05,400 Speaker 4: was sick. He didn't show that he was sick. And 632 00:42:05,480 --> 00:42:10,600 Speaker 4: the next day what the law in California quarantee nobody 633 00:42:10,600 --> 00:42:15,040 Speaker 4: can get out, nobody can do nothing, Corona Wow. So 634 00:42:15,239 --> 00:42:18,359 Speaker 4: he had to cancel. As you save for So Down 635 00:42:18,480 --> 00:42:22,520 Speaker 4: two all over the United States. But we keep in 636 00:42:22,560 --> 00:42:25,719 Speaker 4: touch and talk with each other. When I found out 637 00:42:25,760 --> 00:42:28,360 Speaker 4: he went to see me at the at the Hollywood 638 00:42:28,400 --> 00:42:32,680 Speaker 4: ball He would not believe I was eating so colada 639 00:42:33,239 --> 00:42:35,919 Speaker 4: before the show. He said, you know nerve, I said, 640 00:42:35,960 --> 00:42:39,400 Speaker 4: you kidding me? He said, about nineteen thousand people, they 641 00:42:39,400 --> 00:42:42,239 Speaker 4: can not really put it outside. And he was so 642 00:42:42,320 --> 00:42:48,000 Speaker 4: proud of me. Then he a congratulations. There were gep oveloped, 643 00:42:48,000 --> 00:42:52,200 Speaker 4: but never a war shaoh my days. A number never 644 00:42:52,280 --> 00:42:52,960 Speaker 4: told me nothing. 645 00:42:53,800 --> 00:42:57,640 Speaker 3: I cry. I cry, I like mysell in a room. 646 00:42:58,280 --> 00:43:01,000 Speaker 3: I cry, but I know it wi you, That's what 647 00:43:01,160 --> 00:43:05,000 Speaker 3: it is. So look at how well I remember your question. 648 00:43:05,480 --> 00:43:07,680 Speaker 1: Thank you for sharing that chart. What a special memory. 649 00:43:08,040 --> 00:43:10,319 Speaker 1: You're just such a legend. I am such a big 650 00:43:10,360 --> 00:43:13,600 Speaker 1: fan of you. And again, if you're in La September seventh, 651 00:43:13,680 --> 00:43:15,440 Speaker 1: you gotta go see her at the Catalina Club with 652 00:43:15,480 --> 00:43:18,960 Speaker 1: the Salsol Orchestra. A night of music and I had 653 00:43:19,000 --> 00:43:21,440 Speaker 1: a fine Charles, the most talented person who's ever walked 654 00:43:21,480 --> 00:43:21,759 Speaker 1: the earth. 655 00:43:21,800 --> 00:43:24,520 Speaker 3: You're the best, which as yet for the best. 656 00:43:24,840 --> 00:43:28,000 Speaker 4: It takes a lot of passion, it takes a lot 657 00:43:28,000 --> 00:43:31,719 Speaker 4: of energy, it takes a belief in yourself, and it 658 00:43:31,880 --> 00:43:35,120 Speaker 4: takes When I talk with the grand only. 659 00:43:36,360 --> 00:43:38,560 Speaker 3: Resting Bill Montana. 660 00:43:39,719 --> 00:43:43,440 Speaker 4: Got the guy to tell your son is beautiful. 661 00:43:42,960 --> 00:43:47,680 Speaker 3: But it isn't tea your son. I'll need a soul, 662 00:43:48,719 --> 00:43:50,440 Speaker 3: and he said, and I want to put her in 663 00:43:50,480 --> 00:43:55,000 Speaker 3: the the are in the ocean, or Philadelphia, the river, 664 00:43:55,120 --> 00:43:58,520 Speaker 3: whatever is there. He had control and he gave me 665 00:43:58,560 --> 00:44:04,279 Speaker 3: the opportunity. So my last same message to everybody. 666 00:44:05,000 --> 00:44:07,879 Speaker 4: You have to be lucky that the people that can 667 00:44:07,960 --> 00:44:12,880 Speaker 4: find you for you trust you, and the people really 668 00:44:13,080 --> 00:44:17,120 Speaker 4: like you. Bego Norman Brogo also like me and allow 669 00:44:17,200 --> 00:44:20,880 Speaker 4: me to recall only one name, and Big Montana allowed 670 00:44:20,960 --> 00:44:25,120 Speaker 4: me to change his concept into a by language Spangly. 671 00:44:25,800 --> 00:44:29,040 Speaker 4: So with that kind of love, if you are lucky 672 00:44:29,080 --> 00:44:31,680 Speaker 4: one I which are the best everybody? The door is 673 00:44:31,719 --> 00:44:33,120 Speaker 4: open for any generation. 674 00:44:34,040 --> 00:44:36,640 Speaker 3: Thank you again. And it's a big honor for me 675 00:44:36,800 --> 00:44:42,239 Speaker 3: because it's no ego. But you know way, don't you 676 00:44:42,280 --> 00:44:44,520 Speaker 3: see me? They also that I'm going to walk like 677 00:44:44,560 --> 00:44:49,879 Speaker 3: a slow camera. I didn't my way wait. 678 00:44:50,640 --> 00:44:53,879 Speaker 4: Thank you for the opportunity to talk about the real 679 00:44:53,960 --> 00:44:55,120 Speaker 4: thing of this event. 680 00:44:56,120 --> 00:44:57,800 Speaker 1: Thank you so much. I have a great rest of 681 00:44:57,800 --> 00:44:59,759 Speaker 1: your day and I'll see you soon. Okay, but. 682 00:45:09,880 --> 00:45:31,480 Speaker 2: Dotty, everybody don't forget. 683 00:45:31,520 --> 00:45:35,560 Speaker 1: Follow us on Instagram at I Am all In podcast 684 00:45:35,680 --> 00:45:48,680 Speaker 1: and email us at Gilmore at iHeartRadio dot com,