1 00:00:01,800 --> 00:00:05,240 Speaker 1: And That's what you Really missed with Jenna and Kevin 2 00:00:05,559 --> 00:00:11,000 Speaker 1: and I Heart Radio podcast. Welcome to and That's what 3 00:00:11,119 --> 00:00:15,360 Speaker 1: You Really Missed podcast. I'm Jenna Shqwitz and I am 4 00:00:15,400 --> 00:00:19,439 Speaker 1: still Kevin Michale, and today we have a fun special episode. 5 00:00:19,760 --> 00:00:23,159 Speaker 1: UM fan participation if you will wild m Jenna, what 6 00:00:23,160 --> 00:00:26,160 Speaker 1: are we doing? We are doing and ask me anything? Episode? 7 00:00:26,760 --> 00:00:29,639 Speaker 1: And the amount of questions we got, we could do 8 00:00:29,720 --> 00:00:33,879 Speaker 1: twenty of these and maybe we will. Everybody's amazing. Yeah, no, 9 00:00:33,960 --> 00:00:37,839 Speaker 1: I love these. These are really these questions were absolutely amazing, 10 00:00:38,000 --> 00:00:40,279 Speaker 1: And thank you for sending him in. Keep setting him 11 00:00:40,280 --> 00:00:42,599 Speaker 1: in and we'll do more of these, I think if 12 00:00:42,640 --> 00:00:47,920 Speaker 1: you like them. There were there were some themes here. 13 00:00:48,240 --> 00:00:53,360 Speaker 1: We will address the frequent questions. There were some great questions, 14 00:00:53,360 --> 00:00:57,360 Speaker 1: some thoughtful questions. UM, and this we were all very 15 00:00:57,440 --> 00:01:00,360 Speaker 1: very excited. So yeah, to echo, Jenna said, very should have. 16 00:01:00,440 --> 00:01:08,520 Speaker 1: Let's get into a Jenna, let's do it. Let's do it. Yeah. Okay, 17 00:01:08,560 --> 00:01:10,600 Speaker 1: I'm gonna just scroll in here and look at one 18 00:01:10,640 --> 00:01:14,680 Speaker 1: of the randomly, I'm just gonna pick one. Okay, okay, 19 00:01:15,040 --> 00:01:18,479 Speaker 1: did you get to choose Alicia Facciano. Also, please, we're 20 00:01:18,800 --> 00:01:22,840 Speaker 1: apologizing now for the bottery of names that we will 21 00:01:22,840 --> 00:01:25,920 Speaker 1: message you so thank you so much, thank you for 22 00:01:25,920 --> 00:01:30,440 Speaker 1: your patients. Um. Alicia Fasciano said, did you get to 23 00:01:30,480 --> 00:01:32,479 Speaker 1: choose your spots in the choir room scenes or were 24 00:01:32,480 --> 00:01:35,959 Speaker 1: they chosen for you? As a very good question, A 25 00:01:36,040 --> 00:01:38,640 Speaker 1: lot of the time we were allowed to choose them. 26 00:01:38,680 --> 00:01:42,880 Speaker 1: A lot of the time we uh, we kind of 27 00:01:43,200 --> 00:01:46,160 Speaker 1: chose them on our own, knowing our little storylines that 28 00:01:46,200 --> 00:01:48,080 Speaker 1: we're going on. You're like, well, I have to sit 29 00:01:48,120 --> 00:01:50,400 Speaker 1: next to Artie because we have lines and you know 30 00:01:50,480 --> 00:01:54,680 Speaker 1: we're dating. But I can't sit next to Finn because 31 00:01:54,720 --> 00:01:57,520 Speaker 1: we just got in a fight. So there was a 32 00:01:57,560 --> 00:02:01,600 Speaker 1: lot of like jigging jigging wow um. And then some 33 00:02:01,680 --> 00:02:05,200 Speaker 1: directors would come in and have spots for us, like 34 00:02:05,320 --> 00:02:08,880 Speaker 1: Karas Barclay or extols who knew us very well would 35 00:02:08,919 --> 00:02:13,640 Speaker 1: assign a seat. So it just depended on the director, right, Yeah, 36 00:02:13,680 --> 00:02:16,080 Speaker 1: I did, um, And dependent on the scene. Some of 37 00:02:16,080 --> 00:02:19,760 Speaker 1: them we needed to be sitting across from each other 38 00:02:19,800 --> 00:02:22,160 Speaker 1: for like a particular shot where we could like throw 39 00:02:22,200 --> 00:02:24,040 Speaker 1: a glance and the some sitting right next to you, 40 00:02:24,080 --> 00:02:26,920 Speaker 1: then that wouldn't work. So yeah, it's it's very depending 41 00:02:26,919 --> 00:02:32,680 Speaker 1: on who was in charge. E Carosi, I totally. I 42 00:02:32,760 --> 00:02:35,160 Speaker 1: know I'm futuring this. UM asked what was the hardest 43 00:02:35,160 --> 00:02:40,120 Speaker 1: song you had to sing on the show? Oh? Um, 44 00:02:41,240 --> 00:02:46,440 Speaker 1: I think um my top two, like the first thing 45 00:02:46,520 --> 00:02:50,000 Speaker 1: coming to my three, um or foot Loose just because 46 00:02:50,080 --> 00:02:53,919 Speaker 1: Luke Edgemond did some insane ad lib and that song 47 00:02:54,080 --> 00:02:59,960 Speaker 1: is weirdly just so high. UM at last was very difficult. 48 00:03:00,639 --> 00:03:03,560 Speaker 1: And having to do a song like that, like an 49 00:03:03,720 --> 00:03:07,160 Speaker 1: iconic song that you don't want to mess up with 50 00:03:07,200 --> 00:03:12,799 Speaker 1: Amber was also just a lot of extra pressure, you know, 51 00:03:12,480 --> 00:03:17,400 Speaker 1: didn't I didn't. Yeah, that was very difficult. Um. And 52 00:03:17,520 --> 00:03:21,920 Speaker 1: I would say another one was p y T was 53 00:03:22,120 --> 00:03:25,680 Speaker 1: probably the hardest because I did have like a hundred 54 00:03:25,720 --> 00:03:30,480 Speaker 1: and two fever and I would sing a line it 55 00:03:30,480 --> 00:03:33,959 Speaker 1: would basically be like where did it come from a baby, 56 00:03:34,000 --> 00:03:35,520 Speaker 1: And then we had to supper five minutes after my 57 00:03:35,600 --> 00:03:39,240 Speaker 1: voice to come back because it would go out every line. Yeah, 58 00:03:39,320 --> 00:03:45,360 Speaker 1: it was really sad. What about you? You know? I 59 00:03:45,400 --> 00:03:49,680 Speaker 1: was having vocal issues mid seasons, I want to say, 60 00:03:49,720 --> 00:03:54,160 Speaker 1: like four or five, and UM, I never quite figured 61 00:03:54,160 --> 00:03:58,040 Speaker 1: out what it was. It was partially acid reflux and 62 00:03:58,160 --> 00:04:04,040 Speaker 1: partially I don't know anyway, your body rejected. Yeah, she 63 00:04:04,160 --> 00:04:07,720 Speaker 1: was tired. Um, dog Dy's was actually very much in 64 00:04:07,760 --> 00:04:12,160 Speaker 1: my register, but those higher moments were really hard for 65 00:04:12,200 --> 00:04:14,800 Speaker 1: me to sustain during those times. So dog Days was 66 00:04:14,840 --> 00:04:16,800 Speaker 1: really hard because I wanted to nail it, obviously because 67 00:04:16,800 --> 00:04:18,800 Speaker 1: you're seeing with Amber at number two days. Because like 68 00:04:18,960 --> 00:04:24,119 Speaker 1: one of my favorite songs for the record, thank You, 69 00:04:23,320 --> 00:04:27,680 Speaker 1: I tried, And then um, because You Love Me was 70 00:04:27,800 --> 00:04:32,120 Speaker 1: incredibly difficult. Um, I knew it so well that it 71 00:04:32,200 --> 00:04:34,920 Speaker 1: was actually it was easy to do, but it was 72 00:04:35,360 --> 00:04:37,880 Speaker 1: so hard. I mean, who can sing Celene and do 73 00:04:37,960 --> 00:04:43,120 Speaker 1: it well? And then um, Congdom Style obviously for its 74 00:04:43,120 --> 00:04:51,919 Speaker 1: own reasons was the hardest. Emotionally, Yeah, yeah, definitely emotionally, 75 00:04:52,080 --> 00:04:55,880 Speaker 1: and um, physically and learning another language one of the 76 00:04:55,880 --> 00:04:59,480 Speaker 1: hardest languages to learn. And yeah, just like in thirty 77 00:04:59,480 --> 00:05:03,440 Speaker 1: minutes follow up to that, was there an easiest song 78 00:05:03,480 --> 00:05:10,760 Speaker 1: that you just knew so well that you could just do? 79 00:05:09,400 --> 00:05:13,560 Speaker 1: That's you know, Flash Dance was a really fun one 80 00:05:13,640 --> 00:05:19,640 Speaker 1: for me. I'm pretty easy to do. Um and yeah, 81 00:05:19,720 --> 00:05:21,880 Speaker 1: yeah that was that was one that was an easy one. 82 00:05:21,920 --> 00:05:25,480 Speaker 1: What about You I Think Stronger by Britney Spears. I 83 00:05:25,520 --> 00:05:27,680 Speaker 1: was scared of that high note at the end, but 84 00:05:27,800 --> 00:05:29,520 Speaker 1: once I got in there and started recording it. It 85 00:05:29,600 --> 00:05:31,279 Speaker 1: ended up being one of the quickest sessions because I 86 00:05:31,360 --> 00:05:40,119 Speaker 1: just knew it. Yeah, fully jumped out, Well, I'm glad 87 00:05:40,120 --> 00:05:43,320 Speaker 1: it did. I'm glad we got UM. Here's one from 88 00:05:43,440 --> 00:05:49,360 Speaker 1: Poison Blossom. What was your least favorite character storyline? Oh, 89 00:05:51,600 --> 00:06:03,039 Speaker 1: there's a lot of them. Um, I don't know. Honestly, 90 00:06:03,120 --> 00:06:07,280 Speaker 1: your your STD storyline was my only story I actually didn't. 91 00:06:07,279 --> 00:06:10,400 Speaker 1: I don't know. I I just think the idea of 92 00:06:10,480 --> 00:06:14,400 Speaker 1: you and an STD costume freaks me out. Yeah, it 93 00:06:14,480 --> 00:06:20,080 Speaker 1: wasn't great. That might be my don't There were times 94 00:06:20,120 --> 00:06:24,360 Speaker 1: when there was. It wasn't necessarily storyline, but I feel 95 00:06:24,360 --> 00:06:30,040 Speaker 1: like my response to um was the writer's story, It's 96 00:06:30,040 --> 00:06:33,320 Speaker 1: like a really serious story and then already replies super 97 00:06:33,360 --> 00:06:38,159 Speaker 1: insensitively obviously that's not my storyline. But he did a 98 00:06:38,200 --> 00:06:42,240 Speaker 1: couple of those things, a couple of times where he 99 00:06:42,480 --> 00:06:45,680 Speaker 1: just seemed like an ass. I'm just like, what who 100 00:06:45,760 --> 00:06:47,520 Speaker 1: is this? It's one of those times where you like, oh, 101 00:06:47,560 --> 00:06:51,440 Speaker 1: it's not me. It is a character. Fine, yeah, you know, 102 00:06:52,000 --> 00:06:55,320 Speaker 1: and also a storyline. Probably STD. It was fun because 103 00:06:55,320 --> 00:06:59,120 Speaker 1: it was insane. Oh wait, I think maybe I've told 104 00:06:59,120 --> 00:07:05,360 Speaker 1: this story. When Taylor Swift visited during that episode, and 105 00:07:05,480 --> 00:07:09,720 Speaker 1: I'm yes, did you know this? Do you remember this? 106 00:07:10,800 --> 00:07:13,160 Speaker 1: I mean I knew Taylor was around because her and 107 00:07:13,200 --> 00:07:16,640 Speaker 1: Diana were friends, but she was filming on Paramount that 108 00:07:16,720 --> 00:07:23,840 Speaker 1: day and through Diana and she, I was filming. One 109 00:07:23,840 --> 00:07:25,920 Speaker 1: of the scenes were like the musical number. I'm in 110 00:07:25,960 --> 00:07:31,600 Speaker 1: this really gross, ugly hot sweater. I'm probably pretty sninky, 111 00:07:31,800 --> 00:07:38,040 Speaker 1: and we were like filming with the the girls um 112 00:07:38,160 --> 00:07:41,040 Speaker 1: that I was like cooking up with at the time. 113 00:07:41,800 --> 00:07:45,160 Speaker 1: And then Roger comes over to me and it's like, um, 114 00:07:45,200 --> 00:07:48,920 Speaker 1: Taylor Swift is here, I would like to see and 115 00:07:48,960 --> 00:07:51,280 Speaker 1: he was whispering like what we're is? She's like right here. 116 00:07:52,680 --> 00:07:55,920 Speaker 1: He turns around and Jesus right there like he and 117 00:07:55,960 --> 00:07:59,240 Speaker 1: everyone's like, what's going on? I felt very funny. I 118 00:07:59,320 --> 00:08:03,480 Speaker 1: was like, don't worry as girl friends swiftly came to visit. 119 00:08:04,440 --> 00:08:07,960 Speaker 1: But also that that follow up question to that brookalize 120 00:08:08,080 --> 00:08:11,480 Speaker 1: as what song would Tina sing from Taylor Swifts Midnight album? 121 00:08:12,080 --> 00:08:17,880 Speaker 1: And I think Genma and Tina would sing Mastermind sounds 122 00:08:17,880 --> 00:08:22,760 Speaker 1: about right, Which wasn't that the song that played when 123 00:08:22,880 --> 00:08:27,480 Speaker 1: Ryan got his Golden Globe? Was it? I think it 124 00:08:27,720 --> 00:08:32,760 Speaker 1: was that's really funny. Actually, yeah, it all makes sense. 125 00:08:33,280 --> 00:08:37,360 Speaker 1: It all makes sense. I've got a question, um, Leah, like, 126 00:08:39,480 --> 00:08:41,679 Speaker 1: was there really so much drama on set like the 127 00:08:41,720 --> 00:08:44,440 Speaker 1: media reported? Now, I know we've talked about this before, 128 00:08:44,960 --> 00:08:49,120 Speaker 1: but there's a lot of juice swirling around right now, 129 00:08:49,720 --> 00:08:54,760 Speaker 1: and I would like that sentence that juice swirling around. 130 00:08:57,280 --> 00:09:00,520 Speaker 1: I'm in rare form this week. So I there was 131 00:09:00,559 --> 00:09:05,160 Speaker 1: a lot of jews swirling around in the media, and um, 132 00:09:05,200 --> 00:09:08,040 Speaker 1: I would like to be debunket. No, there really was 133 00:09:08,120 --> 00:09:10,640 Speaker 1: not so much drama on set. There were there were 134 00:09:10,679 --> 00:09:13,800 Speaker 1: peaks and valleys. There were definitely times where things would 135 00:09:13,800 --> 00:09:16,320 Speaker 1: go on or there would be like somebody was in 136 00:09:16,400 --> 00:09:19,240 Speaker 1: a fight of some sort or an argument, or somebody 137 00:09:19,280 --> 00:09:22,200 Speaker 1: would wrap themselves and be like I'm done for the 138 00:09:22,280 --> 00:09:26,800 Speaker 1: day and leave, because sometimes we really hit those those 139 00:09:26,840 --> 00:09:30,760 Speaker 1: points where it was time to go. Um. But no, 140 00:09:31,200 --> 00:09:37,839 Speaker 1: I know percent of the time. Percent of the time. Um, 141 00:09:37,880 --> 00:09:41,120 Speaker 1: like any kind of like water cooler talk or drama, 142 00:09:41,200 --> 00:09:44,000 Speaker 1: there's like little bits of that here and there. But no, 143 00:09:44,200 --> 00:09:48,280 Speaker 1: it never felt like that. No, it definitely didn't. Remember 144 00:09:49,280 --> 00:09:52,560 Speaker 1: there would be like magazine articles too, like we would 145 00:09:52,640 --> 00:09:55,440 Speaker 1: laugh at the time. Yeah, like what is this like 146 00:09:55,559 --> 00:09:58,720 Speaker 1: also like who was going around saying these things? Even 147 00:09:58,760 --> 00:10:02,199 Speaker 1: now if I see people like saying certain things like 148 00:10:02,320 --> 00:10:06,560 Speaker 1: none of this is true, that is the craziest magazine 149 00:10:06,600 --> 00:10:08,440 Speaker 1: to you remember I was We were on the cover 150 00:10:08,559 --> 00:10:10,400 Speaker 1: I think of in Touch for US Weekly and it 151 00:10:10,440 --> 00:10:14,320 Speaker 1: was Glee Kids Gone wild mm hmm. And it was 152 00:10:14,520 --> 00:10:19,160 Speaker 1: very like stupid, like there wasn't even like pointed stuff 153 00:10:19,200 --> 00:10:21,680 Speaker 1: to like talk about because there was nothing to talk about. 154 00:10:21,679 --> 00:10:23,920 Speaker 1: And it was like they're going out to drink and 155 00:10:23,960 --> 00:10:26,840 Speaker 1: we're like, well, we are of age and we work 156 00:10:26,920 --> 00:10:30,880 Speaker 1: really hard and sometimes we like to have a drink. 157 00:10:30,920 --> 00:10:34,000 Speaker 1: It was very they were grasping. I think people wanted something, 158 00:10:34,040 --> 00:10:36,320 Speaker 1: so it was just easy to they wanted to see 159 00:10:36,320 --> 00:10:41,640 Speaker 1: the Glee on the cover of whatever is um speaking 160 00:10:41,640 --> 00:10:45,440 Speaker 1: of which Faith zero four When one asked, have you 161 00:10:45,480 --> 00:10:48,760 Speaker 1: signed any India's that keep you from talking poorly about 162 00:10:48,800 --> 00:10:54,320 Speaker 1: another co star? Which is there are no Indias that 163 00:10:54,360 --> 00:10:58,400 Speaker 1: were signed in the making of Glee or postly about 164 00:10:58,559 --> 00:11:02,520 Speaker 1: talking about anyone for better or for worse. I wonder 165 00:11:02,559 --> 00:11:08,120 Speaker 1: if people obviously people do think that, but no, I 166 00:11:08,120 --> 00:11:11,480 Speaker 1: feel like as a cast, we've done nothing but to 167 00:11:11,600 --> 00:11:16,240 Speaker 1: publicly prove that we talked pretty openly about everything. Yeah. 168 00:11:16,800 --> 00:11:18,920 Speaker 1: But the funny thing is, like that's all that way. 169 00:11:18,960 --> 00:11:22,360 Speaker 1: We we talked about things so openly and it's not 170 00:11:22,400 --> 00:11:25,040 Speaker 1: really like a lot of news and people are like, 171 00:11:25,080 --> 00:11:29,280 Speaker 1: well there must be more. Yeah, okay, So Slinker Andrew said, 172 00:11:29,360 --> 00:11:31,800 Speaker 1: what were your guys favorite memories when filming in New York? 173 00:11:31,800 --> 00:11:33,960 Speaker 1: New York deserves its own episode and it will have 174 00:11:34,000 --> 00:11:38,760 Speaker 1: its own episode because there was so much happening. But 175 00:11:38,920 --> 00:11:41,560 Speaker 1: the thing that I remember the most about New York 176 00:11:41,600 --> 00:11:43,800 Speaker 1: was like, oh my god, we're gonna be working so much. 177 00:11:44,200 --> 00:11:47,760 Speaker 1: It's so crazy, Like it's such a big episode. I 178 00:11:47,800 --> 00:11:51,280 Speaker 1: think we shot a total of five minutes in you 179 00:11:52,160 --> 00:11:56,640 Speaker 1: because there were so many fans and so much paparazzi, 180 00:11:56,679 --> 00:11:59,600 Speaker 1: they could only bring us outside to shoot at like 181 00:11:59,640 --> 00:12:03,120 Speaker 1: tk ts or wherever. We were on the streets for 182 00:12:03,280 --> 00:12:05,800 Speaker 1: a very short amount of time before like things got 183 00:12:05,880 --> 00:12:08,080 Speaker 1: dangerous or weird and we had to go back in. 184 00:12:08,559 --> 00:12:11,200 Speaker 1: And I feel like we just like hung out a lot. 185 00:12:12,160 --> 00:12:14,160 Speaker 1: We did. It was so weird, went out a lot 186 00:12:14,200 --> 00:12:16,640 Speaker 1: of nights in the nights, and we went to work 187 00:12:16,720 --> 00:12:18,600 Speaker 1: very early and showed up and did our job. But 188 00:12:18,679 --> 00:12:20,160 Speaker 1: like a lot of the time we were able to 189 00:12:20,240 --> 00:12:22,760 Speaker 1: kind of just hang out and we watched the We 190 00:12:22,800 --> 00:12:25,400 Speaker 1: got up and watched the Royal Wedding. When we were 191 00:12:25,400 --> 00:12:29,760 Speaker 1: in New York. Um, we celebrated mine in Diana's birthday 192 00:12:29,760 --> 00:12:32,400 Speaker 1: in New York with our friend Will. It was a 193 00:12:32,400 --> 00:12:35,319 Speaker 1: really fun time. It was a great time. I also 194 00:12:35,360 --> 00:12:42,080 Speaker 1: remember showing up and the script wasn't done for that 195 00:12:42,160 --> 00:12:46,040 Speaker 1: first New York episode. Remember that it was the first 196 00:12:46,080 --> 00:12:49,000 Speaker 1: time that had happened, and so we were shooting with 197 00:12:49,040 --> 00:12:52,040 Speaker 1: like three quarters of the script and so we still 198 00:12:52,080 --> 00:12:56,000 Speaker 1: don't know how the episode ended. Yeah, and so we 199 00:12:56,000 --> 00:12:58,800 Speaker 1: were just and like in New York, the trailers have 200 00:12:58,880 --> 00:13:03,440 Speaker 1: to be on the street, so it felt very much 201 00:13:03,600 --> 00:13:05,520 Speaker 1: like we had like there was security and everything and 202 00:13:05,559 --> 00:13:09,360 Speaker 1: people couldn't but it did feel like anytime we would 203 00:13:09,480 --> 00:13:11,760 Speaker 1: go outside of our trailer to walk to another trailer 204 00:13:11,840 --> 00:13:14,240 Speaker 1: or walked here and makeup, there was pop Rozzie everywhere. 205 00:13:14,600 --> 00:13:16,600 Speaker 1: So there's all these photos online of all of us 206 00:13:16,640 --> 00:13:18,360 Speaker 1: like sort of yelling to each other outside of our 207 00:13:18,400 --> 00:13:21,800 Speaker 1: doors and just being dumb. But it was so I 208 00:13:21,800 --> 00:13:24,560 Speaker 1: felt so lucky because we got to sort of like 209 00:13:24,600 --> 00:13:27,320 Speaker 1: shut down these beautiful areas of New York and like 210 00:13:27,360 --> 00:13:32,480 Speaker 1: in Central Park and village times Times Square, Remember Times Square. 211 00:13:32,520 --> 00:13:34,520 Speaker 1: I think we shot that thing in Time Square twice 212 00:13:34,720 --> 00:13:37,720 Speaker 1: and then that was it. It felt pretty rock star, 213 00:13:37,800 --> 00:13:41,720 Speaker 1: I have to say, like it felt very famous and 214 00:13:41,760 --> 00:13:46,040 Speaker 1: also like I was, like, yes it was I was home, 215 00:13:46,200 --> 00:13:48,800 Speaker 1: so it was just nice to be home. I'm sure 216 00:13:48,800 --> 00:13:52,400 Speaker 1: that was so cool for you. Oh it's awesome. My 217 00:13:52,400 --> 00:13:55,800 Speaker 1: my mother and my sister in law and my dad 218 00:13:56,000 --> 00:14:01,559 Speaker 1: and my my um, dad's cousin worry in the extras 219 00:14:01,640 --> 00:14:05,240 Speaker 1: in Lincoln Center. That's so cute. At the Lincoln Center. 220 00:14:05,600 --> 00:14:08,760 Speaker 1: That was really quick too. I barely remember filming there. 221 00:14:08,840 --> 00:14:21,080 Speaker 1: Oh yeah, that was fun. Do you remember this? So? 222 00:14:21,520 --> 00:14:24,200 Speaker 1: Breaking the Curtain asked thoughts on the Glee novels that 223 00:14:24,240 --> 00:14:28,040 Speaker 1: were released during the first few seasons. I have no 224 00:14:28,080 --> 00:14:30,080 Speaker 1: thoughts because I did not know there were novels. Did 225 00:14:30,120 --> 00:14:33,160 Speaker 1: you know that I know about fan fiction, I don't 226 00:14:33,160 --> 00:14:36,400 Speaker 1: know about the novels. Yeah, if that is real, can 227 00:14:36,440 --> 00:14:42,000 Speaker 1: somebody like send us those because just on Twitter that 228 00:14:42,160 --> 00:14:49,400 Speaker 1: is wild? Okay? Yeah, Julie Jules said, what was your 229 00:14:49,440 --> 00:14:55,200 Speaker 1: favorite Amber Riley performance? Yeah, there's so many, ain't away. 230 00:14:55,200 --> 00:14:58,720 Speaker 1: It is definitely one of them. Um, and I'm telling 231 00:14:58,720 --> 00:15:01,120 Speaker 1: you was also one of them. Ain't No Way on 232 00:15:01,200 --> 00:15:07,480 Speaker 1: tour was unreal. Look, and I'm telling you because I 233 00:15:07,480 --> 00:15:10,520 Speaker 1: got to see Amber do it in London in dream 234 00:15:10,560 --> 00:15:14,240 Speaker 1: Girls like postally as well, so it felt very full 235 00:15:14,240 --> 00:15:19,000 Speaker 1: circle and um was really cool, really cool. I think 236 00:15:19,080 --> 00:15:21,680 Speaker 1: I always think of tour, I think of Ain't No Way, 237 00:15:21,760 --> 00:15:26,840 Speaker 1: and I think um River deep down hyah was just 238 00:15:28,480 --> 00:15:34,120 Speaker 1: of course, So I'm not gonna lie. I had to 239 00:15:34,160 --> 00:15:40,360 Speaker 1: go on YouTube earlier and Jasmine d From made this 240 00:15:40,480 --> 00:15:44,160 Speaker 1: video fifteen minute video of the ranking every Tina coin 241 00:15:44,240 --> 00:15:47,640 Speaker 1: Chang song because I had to go on and watch 242 00:15:47,720 --> 00:15:49,880 Speaker 1: because I didn't remember all the songs that I did. 243 00:15:50,560 --> 00:15:55,040 Speaker 1: It's hard to remember some of those, like like I 244 00:15:55,080 --> 00:15:57,680 Speaker 1: don't know, it's just some songs that I didn't remember. 245 00:15:58,480 --> 00:16:01,800 Speaker 1: And it was really great. And I'm now going to 246 00:16:02,040 --> 00:16:03,800 Speaker 1: go down a hole and do it for all the 247 00:16:03,840 --> 00:16:06,440 Speaker 1: characters because I believe there there must be ones for 248 00:16:06,520 --> 00:16:12,720 Speaker 1: like you and Amber and everybody else are one. Um, 249 00:16:13,520 --> 00:16:19,960 Speaker 1: no one but shells asked for there where any of 250 00:16:19,960 --> 00:16:25,520 Speaker 1: the guest stars divas. No, No, The guest stars were 251 00:16:26,480 --> 00:16:31,840 Speaker 1: actually usually the easiest, the coolest, happy to be there 252 00:16:33,000 --> 00:16:38,000 Speaker 1: and like really like Gwyneth, Kate Hudson, Sarah Jessica Parker 253 00:16:38,840 --> 00:16:43,200 Speaker 1: all awesome. Everyone is so cool. I remember Kate Hudson 254 00:16:43,280 --> 00:16:46,760 Speaker 1: just hanging out in base camp and just been like, hey, 255 00:16:46,800 --> 00:16:50,960 Speaker 1: so like the schedules crazy, is it's normal? I'm like, yeah, 256 00:16:51,040 --> 00:16:53,280 Speaker 1: you know. She's like I haven't gotten the song back 257 00:16:53,360 --> 00:16:55,120 Speaker 1: yet that I recorded, and I was like, yeah, here's 258 00:16:55,120 --> 00:16:57,320 Speaker 1: from the time table of like how that works. Like 259 00:16:57,360 --> 00:16:59,720 Speaker 1: oh really, It's like, okay, that's good to know. It 260 00:16:59,840 --> 00:17:02,320 Speaker 1: was just she was so like hanging with us all 261 00:17:02,360 --> 00:17:09,120 Speaker 1: the time. Everyone was really really nice. So co Heavens 262 00:17:09,600 --> 00:17:11,560 Speaker 1: did being the only two o g s grab that 263 00:17:11,600 --> 00:17:17,600 Speaker 1: graduated in season five bond you together more. Um, it 264 00:17:17,680 --> 00:17:19,359 Speaker 1: didn't feel like we're the only two o g s 265 00:17:19,400 --> 00:17:24,119 Speaker 1: because like there was like Cordy and Darren and and everybody, 266 00:17:24,160 --> 00:17:26,840 Speaker 1: and then everybody else felt like they just were, you know, 267 00:17:26,960 --> 00:17:31,119 Speaker 1: part of the crew. But I do I like this 268 00:17:31,200 --> 00:17:34,240 Speaker 1: question because do you remember we only found out we 269 00:17:34,240 --> 00:17:37,160 Speaker 1: were going to be We were juniors on the panel 270 00:17:37,560 --> 00:17:40,639 Speaker 1: at Comic Con when they announced it to everybody. I 271 00:17:40,760 --> 00:17:43,600 Speaker 1: do not remember that. Oh, we were at Comic Con 272 00:17:43,680 --> 00:17:46,080 Speaker 1: for the first time. We were so excited. All the 273 00:17:46,080 --> 00:17:50,639 Speaker 1: photos we look like such babies, and um, I remember 274 00:17:50,720 --> 00:17:54,040 Speaker 1: Brad and Ryan and they're like, what about the graduating 275 00:17:54,040 --> 00:17:56,200 Speaker 1: class blah blah blah, And they're like, well, Tina and Nardi, 276 00:17:56,240 --> 00:17:58,080 Speaker 1: you're juniors and me and you on the panel were 277 00:17:58,119 --> 00:18:05,440 Speaker 1: like this boom and I was like oh, and then 278 00:18:05,520 --> 00:18:08,639 Speaker 1: the wheels like start turning on stage. I'm like having 279 00:18:08,680 --> 00:18:11,359 Speaker 1: to process the fact that we're not graduating, which we 280 00:18:11,359 --> 00:18:14,480 Speaker 1: were like very excited about. I was very excited about 281 00:18:14,520 --> 00:18:17,920 Speaker 1: the time, um because just because you're like something new, 282 00:18:18,000 --> 00:18:19,920 Speaker 1: something different, We're we're all going, what's going to happen 283 00:18:19,920 --> 00:18:22,240 Speaker 1: to the show, and then all of a sudden, it's 284 00:18:22,240 --> 00:18:23,720 Speaker 1: like you get to be in the choir room for 285 00:18:23,760 --> 00:18:29,560 Speaker 1: another hole year. When I when we found out, I 286 00:18:29,600 --> 00:18:36,879 Speaker 1: do remember feeling um thankful, because I was worried that 287 00:18:36,920 --> 00:18:39,199 Speaker 1: if I was in New York or something like like oh, 288 00:18:39,240 --> 00:18:41,600 Speaker 1: maybe it wouldn't be on the show anymore. And it's like, oh, 289 00:18:41,600 --> 00:18:43,440 Speaker 1: I'm still in high school, so I still got a 290 00:18:43,520 --> 00:18:45,359 Speaker 1: job I'm going to do. We think we were going 291 00:18:45,400 --> 00:18:47,160 Speaker 1: to get like kicked off the show at some point? 292 00:18:47,560 --> 00:18:49,119 Speaker 1: Was that a thing where like are we going to 293 00:18:49,160 --> 00:18:51,800 Speaker 1: be in the show? Like maybe they won't bring everyone 294 00:18:51,800 --> 00:18:55,119 Speaker 1: to New York because that seems weird, like why would 295 00:18:55,119 --> 00:18:59,240 Speaker 1: everything character move to the same place and go to 296 00:18:59,280 --> 00:19:01,760 Speaker 1: the same school. Yeah, I remember that we would come 297 00:19:01,840 --> 00:19:05,040 Speaker 1: up with different theories about what would happen to us 298 00:19:05,040 --> 00:19:06,879 Speaker 1: because if we went to different cities, they wouldn't probably 299 00:19:06,880 --> 00:19:10,000 Speaker 1: cover all of us. So I'm okay, we still have 300 00:19:10,000 --> 00:19:18,360 Speaker 1: a check for a notice season. Um um six Phobic asked, 301 00:19:18,560 --> 00:19:21,679 Speaker 1: is it true that the writers would add storylines about 302 00:19:22,240 --> 00:19:26,119 Speaker 1: you I r L to annoy y'all. They definitely wrote 303 00:19:26,160 --> 00:19:30,840 Speaker 1: to some truth, right. They definitely saw relationships forming, they 304 00:19:30,840 --> 00:19:36,399 Speaker 1: saw friendships forming, they saw certain things happened, situations happened 305 00:19:36,400 --> 00:19:38,199 Speaker 1: that they wrote to, which we'll get to in the 306 00:19:38,240 --> 00:19:46,520 Speaker 1: podcast soon. Um. Yeah, And and I think after they 307 00:19:46,720 --> 00:19:49,040 Speaker 1: start to get to know you well enough, it just 308 00:19:49,119 --> 00:19:52,439 Speaker 1: kind of like it inspires them and it fits into 309 00:19:52,480 --> 00:19:55,800 Speaker 1: like the way that we were kind of moving in 310 00:19:55,920 --> 00:19:59,000 Speaker 1: this show. So yes, they did right to truth, but 311 00:19:59,080 --> 00:20:02,000 Speaker 1: not all of them and not to definitely not all 312 00:20:02,040 --> 00:20:06,359 Speaker 1: of it. Well, like, for an example, I used to 313 00:20:06,720 --> 00:20:09,160 Speaker 1: because I was in musical theater, I would have crushes 314 00:20:09,240 --> 00:20:11,520 Speaker 1: on a lot of gay men O Cay some point, 315 00:20:11,800 --> 00:20:16,200 Speaker 1: So I, Um, they liked that story. I love that story, 316 00:20:16,520 --> 00:20:19,440 Speaker 1: and so they wrote in that Tina fell in love 317 00:20:19,480 --> 00:20:23,280 Speaker 1: with Blaine, and um, I know that whole story has 318 00:20:23,320 --> 00:20:25,640 Speaker 1: a lot of controversy around it, in the vapor rape 319 00:20:25,680 --> 00:20:29,199 Speaker 1: and the whole thing, but um, it was kind of 320 00:20:29,240 --> 00:20:33,399 Speaker 1: inspired by me. And so that's like an example of 321 00:20:34,200 --> 00:20:38,600 Speaker 1: minus the vapo. Yeah, I didn't do that. There are 322 00:20:38,600 --> 00:20:41,480 Speaker 1: a lot of questions about that storyline, by the way. Yeah, yeah, 323 00:20:41,520 --> 00:20:45,760 Speaker 1: we can talk about that. Um, there's there there also 324 00:20:45,800 --> 00:20:48,800 Speaker 1: as an umbrella thing. There were so many questions about 325 00:20:49,480 --> 00:20:52,840 Speaker 1: everyone hooking up, people hooking up with each other, people 326 00:20:52,880 --> 00:20:55,400 Speaker 1: hooking up on st offset, people hooking up with people 327 00:20:55,400 --> 00:21:00,439 Speaker 1: who were on the crew and cast. It was wild. 328 00:21:01,960 --> 00:21:05,840 Speaker 1: Um the question, Yeah, there were, because there's no point 329 00:21:05,880 --> 00:21:08,480 Speaker 1: in this singling out one question because there were so 330 00:21:08,520 --> 00:21:13,359 Speaker 1: many questions about this. But yeah, we were. And there 331 00:21:13,400 --> 00:21:15,520 Speaker 1: I saw one asking if there was like jealousy if 332 00:21:15,520 --> 00:21:18,280 Speaker 1: people hooked up. We were young. Just think of like 333 00:21:18,359 --> 00:21:24,120 Speaker 1: your college years. You know, there was drama, no jealousy, 334 00:21:24,720 --> 00:21:27,160 Speaker 1: There was no drama. It was just we were hanging out. 335 00:21:27,160 --> 00:21:32,760 Speaker 1: There wasn't a lot of cross section cross cross crosstamination happening. Yeah, 336 00:21:32,800 --> 00:21:35,199 Speaker 1: cross found nation, cross contamination. There wasn't a lot of 337 00:21:35,240 --> 00:21:39,240 Speaker 1: that happening. Um, even with the obvious hook ups and things. 338 00:21:39,280 --> 00:21:42,600 Speaker 1: But um, now I wasn't. No. I mean like a 339 00:21:42,600 --> 00:21:46,800 Speaker 1: little bit, but not a lot. Also not our story 340 00:21:46,800 --> 00:21:53,320 Speaker 1: to tell. That's my that's my little motto. Um all right. 341 00:21:54,040 --> 00:21:58,119 Speaker 1: Caitlin rathfordy X said, how did you feel about season 342 00:21:58,160 --> 00:22:00,159 Speaker 1: six and did you like that? Did you feel like 343 00:22:00,200 --> 00:22:04,959 Speaker 1: your characters were pushed out? Season six was Tina went 344 00:22:05,000 --> 00:22:07,919 Speaker 1: down to, Well, I went down to a recur um, 345 00:22:07,960 --> 00:22:10,439 Speaker 1: which is like my contract was no longer that I 346 00:22:10,520 --> 00:22:12,520 Speaker 1: had to be in every episode, but I was in 347 00:22:12,720 --> 00:22:16,159 Speaker 1: just a few. So Tina went to college. And at 348 00:22:16,200 --> 00:22:18,359 Speaker 1: that point, Um no, I didn't feel like I was 349 00:22:18,400 --> 00:22:20,680 Speaker 1: being pushed out because I had actually had a conversation 350 00:22:20,720 --> 00:22:23,399 Speaker 1: with the producers and Bryan and everybody, and you know, 351 00:22:23,560 --> 00:22:26,000 Speaker 1: this was like kind of a mutual thing. There were 352 00:22:26,000 --> 00:22:28,080 Speaker 1: a lot of new people coming in and it was 353 00:22:28,160 --> 00:22:30,840 Speaker 1: something that I wanted to do as well. It was 354 00:22:30,880 --> 00:22:33,760 Speaker 1: like take a small step back, but not like leave 355 00:22:33,840 --> 00:22:36,720 Speaker 1: the show. So I didn't feel like that. Um, I 356 00:22:36,760 --> 00:22:38,480 Speaker 1: did feel a little removed from the show. That it 357 00:22:38,560 --> 00:22:42,320 Speaker 1: was weird to hear about it from you, Um what 358 00:22:42,359 --> 00:22:44,320 Speaker 1: was going on sometimes because I just wasn't there all 359 00:22:44,320 --> 00:22:48,040 Speaker 1: the time. But also like yeah, I was ready. What 360 00:22:48,080 --> 00:22:52,080 Speaker 1: about you, Kevin? I felt removed too. I got I 361 00:22:52,200 --> 00:22:56,640 Speaker 1: wasn't a full series regular. I was like a part 362 00:22:56,760 --> 00:23:00,480 Speaker 1: time regular. And even then, I think because we were 363 00:23:00,520 --> 00:23:03,199 Speaker 1: so used to just being there all the time that 364 00:23:03,359 --> 00:23:09,119 Speaker 1: having anything less than that felt like a disconnect. So 365 00:23:10,119 --> 00:23:12,280 Speaker 1: I liked our characters ended up. I like how we 366 00:23:12,400 --> 00:23:16,240 Speaker 1: ended up, you know that all that rounding out and everything, 367 00:23:16,280 --> 00:23:19,080 Speaker 1: but in terms of actually like being there and filming, 368 00:23:19,080 --> 00:23:21,959 Speaker 1: and it felt weird because I think once you're not 369 00:23:22,160 --> 00:23:26,960 Speaker 1: there all the time. Mentally, I think I was a 370 00:23:27,000 --> 00:23:33,520 Speaker 1: little removed or checked out, you know, Um, Jenna Hunting, 371 00:23:33,600 --> 00:23:38,639 Speaker 1: Munty Fitness, Um. I wanted to know if that's you 372 00:23:38,720 --> 00:23:43,040 Speaker 1: doing the ad libs and express yourself, Slade, you know, 373 00:23:43,400 --> 00:23:52,080 Speaker 1: I don't know. I don't know. We all did ad 374 00:23:52,119 --> 00:23:54,560 Speaker 1: libs and express herself because it was a group number, 375 00:23:54,800 --> 00:23:58,159 Speaker 1: like I remember hearing Naya did some, Amber did some, 376 00:23:58,600 --> 00:24:04,640 Speaker 1: and Lea did some. I don't know. Thank you, I'll 377 00:24:04,680 --> 00:24:06,760 Speaker 1: take the credit, but I don't know that it's mine 378 00:24:06,880 --> 00:24:11,040 Speaker 1: to take. I don't honestly, I don't remember. There were 379 00:24:11,040 --> 00:24:13,600 Speaker 1: a couple of times when so when we actually shot 380 00:24:13,600 --> 00:24:19,760 Speaker 1: the musical numbers. Phil sound Man um he would have 381 00:24:20,160 --> 00:24:23,200 Speaker 1: all of the he'd actually have like the studio file 382 00:24:23,400 --> 00:24:26,280 Speaker 1: of all the tracks um that he would play when 383 00:24:26,280 --> 00:24:29,440 Speaker 1: we would sing it. So when we're filming it, sometimes 384 00:24:29,480 --> 00:24:31,800 Speaker 1: if you listen to the recording of it, not to 385 00:24:31,840 --> 00:24:34,359 Speaker 1: bore you too much, but some of the ad libs 386 00:24:35,280 --> 00:24:38,480 Speaker 1: um might be mixed low so you can't really hear them. 387 00:24:38,480 --> 00:24:41,000 Speaker 1: But when we have to lip sync to it, sometimes 388 00:24:41,320 --> 00:24:43,000 Speaker 1: he would need to turn those up so we could 389 00:24:43,040 --> 00:24:45,400 Speaker 1: actually lip sync properly to them to hear where they go. 390 00:24:46,119 --> 00:24:48,480 Speaker 1: And I always loved that because I would go through 391 00:24:48,520 --> 00:24:51,399 Speaker 1: it with him and be like, hey, can you like 392 00:24:51,640 --> 00:24:55,080 Speaker 1: solo out some of these things just for me, like, 393 00:24:55,200 --> 00:24:57,960 Speaker 1: you know, off stage, just because sometimes we couldn't tell. 394 00:24:58,000 --> 00:25:00,160 Speaker 1: I remember one time Corey Mark and I when were 395 00:25:00,160 --> 00:25:02,280 Speaker 1: doing one of the Boys mash ups, we had no 396 00:25:02,359 --> 00:25:05,360 Speaker 1: idea who was seeing what because we'd switch off every 397 00:25:05,359 --> 00:25:07,720 Speaker 1: other line on a few parts on out libs and 398 00:25:07,760 --> 00:25:12,160 Speaker 1: at sometimes we all sort of sound similar, and we 399 00:25:12,359 --> 00:25:15,600 Speaker 1: like I remember halfway through filming that even Corey wasn't 400 00:25:15,600 --> 00:25:17,639 Speaker 1: doing the album, like Corey, that's you, and He's like, 401 00:25:17,680 --> 00:25:20,800 Speaker 1: I thought that was you. So it happened a lot. 402 00:25:21,440 --> 00:25:23,399 Speaker 1: But we don't because you go in and everybody just 403 00:25:23,440 --> 00:25:26,040 Speaker 1: records a bunch and then they end up choosing what 404 00:25:26,240 --> 00:25:32,200 Speaker 1: they want to use, right right. No, I was interesting. 405 00:25:32,359 --> 00:25:44,520 Speaker 1: I actually didn't. I forgot about that. Um, Annie m R. 406 00:25:44,600 --> 00:25:46,119 Speaker 1: Wants to know it's the best prank you've done to 407 00:25:46,200 --> 00:25:50,199 Speaker 1: a cast mate. I don't. I wasn't a prank player. 408 00:25:50,359 --> 00:25:54,320 Speaker 1: I was pranked UM quite a few times. And there 409 00:25:54,400 --> 00:25:58,080 Speaker 1: was one where it was a group of people I 410 00:25:58,119 --> 00:26:00,720 Speaker 1: believe it was Kelly and Diana and and maybe Nya 411 00:26:00,920 --> 00:26:03,520 Speaker 1: and a couple of other people that were aing people 412 00:26:04,240 --> 00:26:11,280 Speaker 1: like UM, pretty little liars, and you would get aid 413 00:26:11,359 --> 00:26:13,840 Speaker 1: and they would have some dirty little secret on you 414 00:26:13,960 --> 00:26:17,760 Speaker 1: that they would reveal and and like somehow and and 415 00:26:17,800 --> 00:26:19,879 Speaker 1: then I came back to my trailer one day. And 416 00:26:19,880 --> 00:26:23,720 Speaker 1: everybody knows on set that I love Sarachadrach on everything. 417 00:26:23,720 --> 00:26:26,680 Speaker 1: I still do. UM. I came back to my trailer 418 00:26:27,359 --> 00:26:31,280 Speaker 1: and there was an a on my vanity mirror written 419 00:26:31,440 --> 00:26:34,159 Speaker 1: in Saracha with an empty stratcha bottle in front of it. 420 00:26:34,200 --> 00:26:36,879 Speaker 1: And I thought that was very good. I still have 421 00:26:37,000 --> 00:26:39,800 Speaker 1: I think I have a photo of it somewhere. UM. 422 00:26:39,840 --> 00:26:42,199 Speaker 1: And then they left some dirty little secret about me 423 00:26:42,320 --> 00:26:44,639 Speaker 1: or I don't know, something like that. But that was 424 00:26:44,680 --> 00:26:47,080 Speaker 1: it was brilliant. They got all of us. That was 425 00:26:47,160 --> 00:26:50,159 Speaker 1: the best print because it went on for weeks a while. 426 00:26:50,720 --> 00:26:54,240 Speaker 1: We went on tour and we got these Samsung phones, 427 00:26:55,520 --> 00:26:59,440 Speaker 1: remember that? And so that was the other one. Yes, 428 00:26:59,520 --> 00:27:02,520 Speaker 1: And so they would stuff. We get these mysterious texts 429 00:27:02,560 --> 00:27:05,480 Speaker 1: from a and it would always be in reference to 430 00:27:05,560 --> 00:27:11,359 Speaker 1: like something people shouldn't know. Oh my god, do you 431 00:27:11,359 --> 00:27:16,960 Speaker 1: remember how wet did it get? Oh my god? That's right. 432 00:27:17,520 --> 00:27:20,840 Speaker 1: We have our contest winner, our auction winner who donated 433 00:27:20,880 --> 00:27:25,159 Speaker 1: to snick Smiths and she won and to come on 434 00:27:25,200 --> 00:27:28,399 Speaker 1: the podcast. And so we're gonna in the spirit of 435 00:27:28,440 --> 00:27:31,240 Speaker 1: asking questions, we're gonna ask her some and I think 436 00:27:31,280 --> 00:27:34,080 Speaker 1: she might have some questions for us. But let's bring 437 00:27:34,240 --> 00:27:41,439 Speaker 1: in Madeleine. Hi. How are you pretty good? Are you good? 438 00:27:42,119 --> 00:27:44,560 Speaker 1: Excited that you're here? Yeah? First of all, thanks for 439 00:27:44,600 --> 00:27:47,200 Speaker 1: being here. Thank you for donating to Snake Smiths. I'm 440 00:27:47,320 --> 00:27:50,000 Speaker 1: so glad that you did. And now we're all here 441 00:27:50,040 --> 00:27:54,000 Speaker 1: to get great, very grateful. Where are you calling in from? Um? 442 00:27:54,040 --> 00:27:59,840 Speaker 1: From my storm in Portland State, Oregon? Oh? Nice, beautiful, 443 00:28:00,680 --> 00:28:04,920 Speaker 1: Poreland is beautiful. Um. So we have some questions for you, 444 00:28:05,080 --> 00:28:07,280 Speaker 1: but we wanted to see if you had any questions 445 00:28:07,320 --> 00:28:14,040 Speaker 1: for us first. Yeah, Um, I like Brainstorm, got got 446 00:28:14,080 --> 00:28:18,560 Speaker 1: a couple great go for it, give them to us. 447 00:28:20,040 --> 00:28:21,919 Speaker 1: So one of the first questions I want to ask was, like, 448 00:28:22,119 --> 00:28:26,240 Speaker 1: is there any specific storylines in Glee that really resonated 449 00:28:26,320 --> 00:28:30,399 Speaker 1: with you? M hmm, that's a good one. It's a 450 00:28:30,480 --> 00:28:34,960 Speaker 1: good one. Um. I think it just resonated with me 451 00:28:35,000 --> 00:28:38,080 Speaker 1: for the purpose that I was glad it was being seen. 452 00:28:38,120 --> 00:28:40,280 Speaker 1: And I've talked about this before, but Kurt and Bert 453 00:28:40,360 --> 00:28:44,240 Speaker 1: I think was just phenomenal on so many different levels. 454 00:28:44,800 --> 00:28:48,000 Speaker 1: And it was nice to be able to see a 455 00:28:48,040 --> 00:28:54,959 Speaker 1: healthy Gayson and accepting father accepting Ish at first um 456 00:28:54,960 --> 00:28:59,520 Speaker 1: father relationship because I think that helped, you know, transform 457 00:28:59,600 --> 00:29:01,760 Speaker 1: people's views of how this can be done in a 458 00:29:01,960 --> 00:29:05,760 Speaker 1: healthy and normal, productive way. That was going to be 459 00:29:05,840 --> 00:29:12,560 Speaker 1: mine too. You can also say that one, well I did. Yeah, 460 00:29:12,560 --> 00:29:15,360 Speaker 1: that's that's one of my favorite storylines that like I 461 00:29:15,520 --> 00:29:18,600 Speaker 1: really resonated with as well. Just overall, do you have 462 00:29:18,640 --> 00:29:22,000 Speaker 1: another one that would really resonated with you? Another one 463 00:29:22,120 --> 00:29:26,720 Speaker 1: was probably getting accepted into college and like trying to 464 00:29:26,760 --> 00:29:31,480 Speaker 1: find your career in like different places. Um, that storyline 465 00:29:31,520 --> 00:29:35,040 Speaker 1: and seasons like three through five especially, it was like 466 00:29:36,240 --> 00:29:38,800 Speaker 1: really hit at the right moment when I rewatched Glee 467 00:29:38,840 --> 00:29:41,320 Speaker 1: at some point and I was just like, oh, I'm 468 00:29:41,360 --> 00:29:45,440 Speaker 1: going with this right now. Yeah, that's a very intimidating 469 00:29:45,840 --> 00:29:50,320 Speaker 1: and anxiety written. I think inves just what am I doing? 470 00:29:50,680 --> 00:29:52,560 Speaker 1: How much of the snow what I want to do 471 00:29:52,760 --> 00:29:57,200 Speaker 1: at this age? That makes no sense? Yeah, all right? 472 00:29:57,600 --> 00:30:02,800 Speaker 1: Next question nextclusion is do you have a favorite finale 473 00:30:02,880 --> 00:30:07,240 Speaker 1: out of all the finales? We've talked about this on 474 00:30:07,240 --> 00:30:14,479 Speaker 1: the podcast before, but um, the two thousand nine I 475 00:30:14,520 --> 00:30:17,960 Speaker 1: think at one point was supposed to be the finale 476 00:30:18,040 --> 00:30:21,160 Speaker 1: of the series, and there was some question of like 477 00:30:21,400 --> 00:30:23,120 Speaker 1: is this going to be or is the other one 478 00:30:23,160 --> 00:30:25,960 Speaker 1: going to be? What is the other one called? Um, 479 00:30:26,000 --> 00:30:30,800 Speaker 1: you know, the two parter essentially, and I thought two 480 00:30:30,800 --> 00:30:34,520 Speaker 1: thousand nine it was where it could have ended for me. Yeah, 481 00:30:34,760 --> 00:30:37,400 Speaker 1: or was one of my favorites. I think just because 482 00:30:37,400 --> 00:30:40,320 Speaker 1: it was so fun to do and we were literally 483 00:30:40,360 --> 00:30:43,600 Speaker 1: just talking about this before you joined us. Was it 484 00:30:43,760 --> 00:30:45,280 Speaker 1: was a season two when we were in New York 485 00:30:45,760 --> 00:30:49,040 Speaker 1: filmed filming the finale in New York, and it was 486 00:30:49,640 --> 00:30:53,080 Speaker 1: chaos but so much fun and it felt like a party. 487 00:30:53,160 --> 00:30:55,560 Speaker 1: To sort of at the end of the season, like 488 00:30:55,800 --> 00:30:59,040 Speaker 1: you did your final exams and you just had that 489 00:30:59,080 --> 00:31:01,320 Speaker 1: extra week in school like that. That's what it felt like, 490 00:31:02,160 --> 00:31:05,800 Speaker 1: and it felt soft get the film somewhere else and 491 00:31:05,880 --> 00:31:09,080 Speaker 1: glamorous New York. So that was probably my favorite, the 492 00:31:09,120 --> 00:31:11,960 Speaker 1: craziest experience in New York every And there was one 493 00:31:12,000 --> 00:31:14,000 Speaker 1: day that Kevin and I. I just remember this, Kevin 494 00:31:14,040 --> 00:31:15,880 Speaker 1: and I we showed up to work in the morning 495 00:31:15,880 --> 00:31:21,120 Speaker 1: and we had the same outfit on. Remember that we 496 00:31:21,120 --> 00:31:22,760 Speaker 1: were both in New York. We were like we were 497 00:31:22,760 --> 00:31:24,600 Speaker 1: at the same outfit today. We didn't call each other 498 00:31:27,800 --> 00:31:31,760 Speaker 1: much time together. Yeah, clearly. Another question I know in 499 00:31:32,280 --> 00:31:36,840 Speaker 1: the previous podcast is talked about working with Paris and 500 00:31:36,840 --> 00:31:38,520 Speaker 1: stuff like that. I was wondering if you had any 501 00:31:38,560 --> 00:31:42,120 Speaker 1: other favorite directors you've worked with. Well, Ryan for sure. 502 00:31:42,280 --> 00:31:44,840 Speaker 1: I mean I feel like outside of Ryan and Brad 503 00:31:44,840 --> 00:31:49,800 Speaker 1: and Ian like the main Holy Trinity um. Eric Stoltz 504 00:31:50,240 --> 00:31:55,120 Speaker 1: was incredible to work with because he had this whole 505 00:31:55,160 --> 00:31:58,719 Speaker 1: different way of working. He was open suits, you weren't allowed, 506 00:31:58,840 --> 00:32:00,520 Speaker 1: you had to know your lines, you weren't to bring 507 00:32:01,120 --> 00:32:03,720 Speaker 1: your sides that they would give you for the day. 508 00:32:03,760 --> 00:32:08,120 Speaker 1: So he wanted you to be extra prepared, but as 509 00:32:08,200 --> 00:32:13,040 Speaker 1: intimidating that should be. He was so into the characters. 510 00:32:13,160 --> 00:32:16,120 Speaker 1: He loved the characters. He cared about the character storylines, 511 00:32:16,680 --> 00:32:18,960 Speaker 1: what they were thinking and doing on and off screen, 512 00:32:19,320 --> 00:32:23,000 Speaker 1: and being around someone like that Um who always was 513 00:32:23,040 --> 00:32:25,920 Speaker 1: thinking of those things just meant a lot and he 514 00:32:26,320 --> 00:32:29,760 Speaker 1: came up with so many great ideas. Eric was the best. 515 00:32:30,400 --> 00:32:32,200 Speaker 1: He was just the best, and he came back for 516 00:32:32,280 --> 00:32:34,520 Speaker 1: like a lot of episodes. He did like a lot 517 00:32:34,560 --> 00:32:36,120 Speaker 1: a lot of episodes with us, so he was just 518 00:32:36,160 --> 00:32:40,000 Speaker 1: a really familiar face to have around. UM. It can 519 00:32:40,040 --> 00:32:44,800 Speaker 1: be really daunting as a TV director to come into 520 00:32:45,080 --> 00:32:49,880 Speaker 1: somebody else's space and kind of be in charge because 521 00:32:50,440 --> 00:32:52,720 Speaker 1: it's like our home, right, You're like coming into our 522 00:32:52,760 --> 00:32:56,600 Speaker 1: house and then like taking charge of it. So there's 523 00:32:56,680 --> 00:33:00,840 Speaker 1: like a very um there was a very respectful way 524 00:33:00,880 --> 00:33:04,560 Speaker 1: that Eric came in, but also like still took charge 525 00:33:04,920 --> 00:33:07,479 Speaker 1: of everything we need to get done, and you know, 526 00:33:07,560 --> 00:33:11,000 Speaker 1: really actually like directing and leading versus kind of the 527 00:33:11,080 --> 00:33:14,440 Speaker 1: laugh thereof with some directors, Um, not a lot, but 528 00:33:14,560 --> 00:33:18,040 Speaker 1: sometimes it'd be directors that kind of like let everybody 529 00:33:18,040 --> 00:33:20,760 Speaker 1: else take the lead, and that makes for a really 530 00:33:20,840 --> 00:33:25,280 Speaker 1: messy time behind the scenes. I think I remember we 531 00:33:25,360 --> 00:33:29,080 Speaker 1: started like we kept asking Ryan to bring Eric back more? 532 00:33:29,640 --> 00:33:32,800 Speaker 1: Do you remember that? And he was so he was like, 533 00:33:33,040 --> 00:33:35,640 Speaker 1: you guys have never asked this before, Like yeah, but 534 00:33:35,720 --> 00:33:37,280 Speaker 1: we love him, Like why do you love him so much? 535 00:33:37,400 --> 00:33:38,840 Speaker 1: Like you need to come be hang out with us. 536 00:33:38,920 --> 00:33:42,840 Speaker 1: You can see the magic. He also made it on time. 537 00:33:43,040 --> 00:33:46,040 Speaker 1: He always made his days, which was really important because 538 00:33:46,680 --> 00:33:48,600 Speaker 1: some directors could come in and not realize like how 539 00:33:48,680 --> 00:33:51,160 Speaker 1: much there was to do, and you know, was just 540 00:33:51,200 --> 00:33:55,600 Speaker 1: like a way over limit. Yeah, and then Eric would 541 00:33:55,600 --> 00:33:58,200 Speaker 1: be like you're like, what seven o'clock and I can 542 00:33:58,240 --> 00:34:03,880 Speaker 1: go home? Yea, yeah, Okay, we have some questions for 543 00:34:03,920 --> 00:34:08,600 Speaker 1: you before you go? So what is your favorite Glee song? 544 00:34:08,680 --> 00:34:15,200 Speaker 1: No pressure? My favorite Glee song is actually, um, I 545 00:34:15,239 --> 00:34:19,439 Speaker 1: believe in a thing called love. Uh wow, I don't 546 00:34:19,480 --> 00:34:24,400 Speaker 1: think I've ever heard that one. I love that. That's great. 547 00:34:24,440 --> 00:34:27,440 Speaker 1: But yeah, like earlier was like I like a good 548 00:34:27,520 --> 00:34:32,680 Speaker 1: rock sone and that it's just a good yeah, great song. Um. 549 00:34:32,719 --> 00:34:42,960 Speaker 1: What is one of your favorite group numbers? M like 550 00:34:43,160 --> 00:34:47,360 Speaker 1: full Group or like trouble Tones, whatever you want. Trouble 551 00:34:47,400 --> 00:34:54,320 Speaker 1: Tones absolutely counts. They win. Um. One of my favorites 552 00:34:54,440 --> 00:34:59,840 Speaker 1: is the adule mashup mm hm m hm. I'm like 553 00:35:00,000 --> 00:35:02,520 Speaker 1: know what it's called, but that one's likes it and 554 00:35:03,760 --> 00:35:07,319 Speaker 1: something like that one was one of my favorites. Oh, yes, 555 00:35:08,080 --> 00:35:11,160 Speaker 1: that is an excellent that also, I think just gets 556 00:35:11,200 --> 00:35:16,680 Speaker 1: better with time, doesn't it. That one is just up there. Um. 557 00:35:16,719 --> 00:35:22,160 Speaker 1: Do you have a dream storyline that you wish could 558 00:35:22,160 --> 00:35:25,520 Speaker 1: have happened between some of the characters or the song 559 00:35:25,640 --> 00:35:29,200 Speaker 1: we wanted us to do. Honestly, I really would have 560 00:35:29,239 --> 00:35:36,880 Speaker 1: loved to see more Tina and Artie and all of it, 561 00:35:37,560 --> 00:35:40,480 Speaker 1: not sucking up at all. I would have loved to 562 00:35:40,760 --> 00:35:45,000 Speaker 1: like dig more into your guys storylines. Yeah, thank you 563 00:35:45,200 --> 00:35:50,320 Speaker 1: for saying that. I definitely as we got like into 564 00:35:50,320 --> 00:35:52,799 Speaker 1: the later seasons, I got to I felt like I 565 00:35:52,840 --> 00:35:55,879 Speaker 1: got to do more, which was really nice. Um, even 566 00:35:55,920 --> 00:35:59,000 Speaker 1: though the story has got a little weirder, but um, 567 00:35:59,640 --> 00:36:04,480 Speaker 1: but I appreciate that. Thank you. We appreciate that. Um. 568 00:36:04,520 --> 00:36:07,680 Speaker 1: Thank you so much for joining us. We really appreciate 569 00:36:07,800 --> 00:36:11,000 Speaker 1: showing up. You are a pure delight. Thank you so 570 00:36:11,000 --> 00:36:13,520 Speaker 1: so much. Yeah, it was so nice to meet you. 571 00:36:13,680 --> 00:36:16,760 Speaker 1: Good luck in school. Thanks for having me of course, 572 00:36:17,000 --> 00:36:21,360 Speaker 1: and thank you for listening. Yes, thank you, thank you. 573 00:36:21,920 --> 00:36:24,600 Speaker 1: That was really fun. Let's do another one of these? Yeah, 574 00:36:24,640 --> 00:36:27,160 Speaker 1: I could, I could keep going. There are so we 575 00:36:27,239 --> 00:36:31,719 Speaker 1: had thousands questions. Thank you guys for writing in. Seriously, 576 00:36:31,840 --> 00:36:34,440 Speaker 1: we're going to do this again. UM. We really appreciate 577 00:36:34,440 --> 00:36:38,279 Speaker 1: your thoughtful questions asking in writing in. Continue to ask 578 00:36:38,320 --> 00:36:41,360 Speaker 1: and we'll we'll answer them throughout the podcast as well, obviously. 579 00:36:41,680 --> 00:36:46,840 Speaker 1: UM and uh, come back next week for another recast. 580 00:36:46,920 --> 00:36:49,840 Speaker 1: See you next time. Bye, that's what you really miss 581 00:36:49,920 --> 00:36:53,520 Speaker 1: There you go. Thanks for listening and follow us on 582 00:36:53,520 --> 00:36:56,560 Speaker 1: Instagram at and That's what you really miss pod. Make 583 00:36:56,600 --> 00:36:58,880 Speaker 1: sure to write us a review and leave us five stars. 584 00:36:59,080 --> 00:37:00,279 Speaker 1: See you next time. Three