WEBVTT - How Fox's Blockchain Creative Labs is Unlocking Media's Web3 Future

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<v Speaker 1>M. Welcome to Strictly Business, the podcast where we talk

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<v Speaker 1>with some of the brightest minds working in the media

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<v Speaker 1>business today. I'm Andrew Wallenstein with Variety. What does the

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<v Speaker 1>Fox hit series, The Masked Singer, Pro Wrestling, and Dolly

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<v Speaker 1>Parton have in common. They've all made it to the

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<v Speaker 1>white hot world of n f T s courtesy of

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<v Speaker 1>Blockchain Creative Labs, a new unit of the Fox conglomerate,

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<v Speaker 1>pushing the entertainment business into the future as boldly as

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<v Speaker 1>anyone in the entertainment industry today. To help me sort

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<v Speaker 1>out what exactly that means, I'm joined by b c

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<v Speaker 1>L CEO Scott Greenberg and CEOO and president Melody Hildebrand.

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<v Speaker 1>We'll be back to talk with them in just a moment.

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<v Speaker 1>We're back with Scott Greenberg and Melody Hildebrand of Blockchain

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<v Speaker 1>Creative Labs, a unit of Fox, the conglomerate that brings

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<v Speaker 1>you Fox Broadcast Network, Fox News Channel and much more.

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<v Speaker 1>Welcome guys, Thank you great to be here, so just

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<v Speaker 1>to be here, thank you, Scott. Before we delve into

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<v Speaker 1>what exactly you did with Dolly and the rest of them,

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<v Speaker 1>I want to hear more about the genesis of blockchain

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<v Speaker 1>creative labs. We we don't see a lot of this

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<v Speaker 1>stuff in media companies. Uh yeah, it's a it's a

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<v Speaker 1>great story. And that's actually how Melody and I first met.

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<v Speaker 1>We knew each other in the company, Uh you know Fox.

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<v Speaker 1>Uh so my day job, my side hustle is I

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<v Speaker 1>have the CEO of Bento Box, the animation company which

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<v Speaker 1>Fox acquired a little bit too a half years ago.

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<v Speaker 1>And you know, in Fox, at its core is entrepreneurial business,

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<v Speaker 1>you know, and it's in the disrupting business. And you know,

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<v Speaker 1>as we're looking for new things to grow, we're always

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<v Speaker 1>challenged as leaders of what is next? What can you

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<v Speaker 1>build a top and of the business. And we've been

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<v Speaker 1>tracking what was going on in the space, and you know,

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<v Speaker 1>we kind of had come to pitch the idea that

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<v Speaker 1>this was a organic thing to grow and it kind

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<v Speaker 1>of just the timing was right. And at the same time,

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<v Speaker 1>uh you know, pitches the Childie Collier, the CEO of

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<v Speaker 1>Fox Entertainment, is my boss. At the same time, Paul

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<v Speaker 1>Cheesebros CTO was working with Melody on it, and we

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<v Speaker 1>kind of came together and we put our heads and

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<v Speaker 1>pulled the best in the brightest to you go figure

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<v Speaker 1>it out. But why does this need to be a

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<v Speaker 1>formal division? When I hear the word labs and I

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<v Speaker 1>think of, like, you know, a skunk works operation. But

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<v Speaker 1>why so? So the name is actually very descriptive, you know.

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<v Speaker 1>So the name is blockchain because it's blockchain technology. Creative

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<v Speaker 1>out our core were creative company, and you know, and

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<v Speaker 1>we want to we believe it was a creative application

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<v Speaker 1>and labs as we have many hypotheses that we want

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<v Speaker 1>to prove, and ultimately we believe this is the future

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<v Speaker 1>of content distribution, This is the future of of really

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<v Speaker 1>the creative production process. And we think fox UM as

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<v Speaker 1>a place who taught America had a text thirty years

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<v Speaker 1>ago with American Idol, is the right place to teach

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<v Speaker 1>you know, Americans how what a digital asset is and

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<v Speaker 1>how to on it. So we thought it was a

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<v Speaker 1>really great place to really you know, again being an

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<v Speaker 1>entrepreneural place, and you know, from Lackland to the leadership

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<v Speaker 1>down Paul and Charlie, you know, really let's go trailblade

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<v Speaker 1>and find the future. And the Melody and I just

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<v Speaker 1>kind of head to head, and you know, Melody has

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<v Speaker 1>been a great partner in this and together we even

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<v Speaker 1>really jumping ahead and trying to forge and figure out

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<v Speaker 1>how to build this together and Melody, what part of

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<v Speaker 1>the business do you come from? My original hustle was

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<v Speaker 1>and where I still am this chief information Security officer

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<v Speaker 1>at Fox, so responsible for cybersecurity, but I also ran

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<v Speaker 1>product and engineering UM more broadly. And so I think

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<v Speaker 1>another reason that Fox I think felt like it was

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<v Speaker 1>really set up to go after this in a serious

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<v Speaker 1>way was kind of by some of the decisions we

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<v Speaker 1>chose not to go after like Fox does not trying

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<v Speaker 1>to go after the streaming wars for example. You know,

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<v Speaker 1>we're not launching a direct to consumer bundle to go

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<v Speaker 1>head to head against some of the other media company

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<v Speaker 1>and that really has freed up a lot of brain space,

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<v Speaker 1>I think for us to feel like we can actually

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<v Speaker 1>leap frog in a way and go to what we

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<v Speaker 1>really believe it's kind of going to be the future

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<v Speaker 1>UM in Web three and so I was running our

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<v Speaker 1>streaming infrastructure, and I think through you know, the decisions

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<v Speaker 1>that we made really the formation of Fox kind of

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<v Speaker 1>post Disney transaction, that's when we decided or we kind

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<v Speaker 1>of had the space to then make this decision that

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<v Speaker 1>we actually want to forge into the future in a

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<v Speaker 1>very serious way, and we had kind of the top

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<v Speaker 1>line support and the kind of the war chest to

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<v Speaker 1>be able to go after it. UM and that's the

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<v Speaker 1>reason to really found a whole subsidiary to to take

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<v Speaker 1>it quite seriously, not to treat this as like a

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<v Speaker 1>small innovation project on a side, but rather actually revenue

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<v Speaker 1>generating business. And when you say top line, I mean

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<v Speaker 1>you know Scott, you mentioned Lachlin Murdoch, I mean just Rupert.

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<v Speaker 1>I'm just curious. Are the Murdochs. Do they get Web three?

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<v Speaker 1>Is this the passion of theirs? Absolutely, they are holders

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<v Speaker 1>of n f T s. I can personally attest UM.

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<v Speaker 1>And I think, you know, part of what you know

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<v Speaker 1>we're doing is really trying to bring this technology to

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<v Speaker 1>a broader set of people UM. And it's you know, historically,

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<v Speaker 1>I think been locked up in a you know, a

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<v Speaker 1>group that had a very high intersection with people who

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<v Speaker 1>had early interest in cryptocurrencies UM. And that's interesting, but

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<v Speaker 1>we think there's just so such a broader application. So

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<v Speaker 1>bringing web three technology to our executive team, bringing it

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<v Speaker 1>to you know, the fans of our shows, I think

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<v Speaker 1>it's all kind of in the spirit of democratization UM

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<v Speaker 1>and in accessibility UM and recognizing that there are some

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<v Speaker 1>kind of inherent frictions right now in some web free

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<v Speaker 1>tech and we feel like we're well positioned to help

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<v Speaker 1>kind of smooth some of that to on board everyone

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<v Speaker 1>from you know, our executive team, but obviously much more

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<v Speaker 1>broadly to the fans of you know, our sports entertainment

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<v Speaker 1>news programs. So let's dig into the applications. I believed

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<v Speaker 1>the masked Singer was the first thing you did. Uh

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<v Speaker 1>so what was that? And why the mask Singer? Why

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<v Speaker 1>did it lend itself to this? I'll say the Y

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<v Speaker 1>and Melody want to tell what it was. Um. So look,

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<v Speaker 1>the Messengers, the number one, the reality show on television.

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<v Speaker 1>We put this business together last we started talking about

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<v Speaker 1>this last margin. We Melody I got approval to build

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<v Speaker 1>this really last May, and so we're trying to figure

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<v Speaker 1>what asset was there. What was a moment? So frankly,

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<v Speaker 1>we said she was a better place than number one

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<v Speaker 1>to show in television on the Fox network to do it, so,

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<v Speaker 1>you know, you know, we put an ambitious goal. And

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<v Speaker 1>then Melody wanta talk about we built Yeah, I think

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<v Speaker 1>we also just looked at it creatively and thought, you know,

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<v Speaker 1>this is a show that just from the art, the visuals,

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<v Speaker 1>the drama of the show, which has you know, a

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<v Speaker 1>weekly voting pattern, the concept that you know, there are

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<v Speaker 1>all these masks and characters behind the masks that fans

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<v Speaker 1>have just identified with overtime and have such passion around UM,

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<v Speaker 1>and just the natural reveals. We just thought it was

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<v Speaker 1>a creatively really well you did to what could be

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<v Speaker 1>a first for a you know around n F T

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<v Speaker 1>s UM. So creatively there's a good good match conceptually,

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<v Speaker 1>and I I think we and then we pressure tested that

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<v Speaker 1>with the producer of the show, who was just really

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<v Speaker 1>excited to dig in with us. And I think that's

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<v Speaker 1>one of our key learning through through that process that

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<v Speaker 1>obviously we apply to that moving forward, is that, you know,

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<v Speaker 1>integrating this into the core of the show as opposed

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<v Speaker 1>to kind of being this this thing that sits on

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<v Speaker 1>the side that is disconnected from the core of the

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<v Speaker 1>show UM is less successful than having a really tight partnership.

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<v Speaker 1>So we've really partnered to kind of release this marketplace

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<v Speaker 1>UM that that draws on the drama of the show

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<v Speaker 1>that brings in the fan as opposed to just trying

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<v Speaker 1>to reach a crypto audience. We really wanted to reach

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<v Speaker 1>the massing or super fan and bring them on board UM,

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<v Speaker 1>and we've created a thriving discord that allows the massing

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<v Speaker 1>or fans to come in and communicate and connect with

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<v Speaker 1>each other like they've never before. The show can come

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<v Speaker 1>on and talk directly to their fans and listen to

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<v Speaker 1>them in ways have never been possible. So this to

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<v Speaker 1>us was really just kind of a first test that

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<v Speaker 1>that proved certain hypotheses. We've learned a lot from it. UM.

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<v Speaker 1>I think there's we feel like there's, you know, so

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<v Speaker 1>much more to do, but it kind of was a

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<v Speaker 1>first experiment. And Andrew that was this is a follow

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<v Speaker 1>up something Melody had said, you know, we're doing this

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<v Speaker 1>during the summer, and she was on a family vacation

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<v Speaker 1>in Wisconsin, and we weren't sure that you know, you

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<v Speaker 1>have early adopters of crypto, and it's very important for

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<v Speaker 1>us that our product was cryptopure. That was that the

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<v Speaker 1>purest felt it was authentic. At the same time, we

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<v Speaker 1>hadn't make it accessible to our mainstream audience. And so

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<v Speaker 1>Melody was in Wisconsin with their family and she's a

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<v Speaker 1>great news I'm at a restaurant and his waitress she

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<v Speaker 1>loves the mess singer, but she has no idea an

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<v Speaker 1>n f T. So we so all of a sudden,

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<v Speaker 1>the waitress in Wisconsin became our calling cards, like what

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<v Speaker 1>do we do to make the waitress in Wisconsin understand

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<v Speaker 1>what was owned n f T. And this discord was

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<v Speaker 1>unbelievable because we had we had a lot of our

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<v Speaker 1>moderators were crypto purists and doing the crypto conversations, and

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<v Speaker 1>all of a sudden, our fans showed up and they

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<v Speaker 1>started having creative conversations, they started hanging out together, and

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<v Speaker 1>it grew, I mean melody, what was what was the

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<v Speaker 1>percentage it grew. It was unbelievable what happened there. And

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<v Speaker 1>I think that showed really what the beauty Web three

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<v Speaker 1>is really connecting the community and the creator and the content,

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<v Speaker 1>and that's the beauty that once one relationship is really

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<v Speaker 1>a special thing that we're trying to figure out. What

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<v Speaker 1>were the growth rates and that was really unbelievable. And yeah,

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<v Speaker 1>I think that we we drove about quarter million installs

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<v Speaker 1>um of wallets and for the first this was the

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<v Speaker 1>first time for any of these fans that that we

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<v Speaker 1>spoke to that they've ever owned owned any digital asset, right,

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<v Speaker 1>And so this was the test, like if we actually

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<v Speaker 1>reduced the friction to onboarding, the fans will show up,

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<v Speaker 1>as Scott describes, because they feel like they're getting closer

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<v Speaker 1>to the creator, They're getting closer to Fox, are getting

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<v Speaker 1>close to the mass singer, they're getting closer to Nick Lache,

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<v Speaker 1>you know, to the people about in the show. And

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<v Speaker 1>so I think that was we were, I think really

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<v Speaker 1>pleasantly surprised about how much the fans showed up and

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<v Speaker 1>the growth rate, about people getting into both the n

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<v Speaker 1>f T marketplace as well as the discord where they

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<v Speaker 1>could talk about it. But I want to go back

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<v Speaker 1>to your Wisconsin waitress who you know, I'm just picture

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<v Speaker 1>ring I guess the average demo for mass singer and

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<v Speaker 1>telling them to go on discord, which they've probably never

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<v Speaker 1>even heard of. And I just think, and you know,

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<v Speaker 1>a skeptic here, and you know rebut what my contention is,

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<v Speaker 1>if you will, But to me, as I look at

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<v Speaker 1>even the best applications out there for n f T s,

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<v Speaker 1>it just feels fundamentally inaccessible, that there's too many things

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<v Speaker 1>that are so not you use the comparison of texting.

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<v Speaker 1>Texting is simple, it's one step. This is like a

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<v Speaker 1>whole thing. So to some degree, you know, do you

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<v Speaker 1>really feel in and this took place in that there

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<v Speaker 1>is a way to get at anyone but early adopters,

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<v Speaker 1>I do. I mean, I also think you know there

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<v Speaker 1>is friction, but in that friction is freedom, um and

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<v Speaker 1>we need to work through the friction to to enable

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<v Speaker 1>these up comes. It's early days, so there's so much

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<v Speaker 1>room for improvement and accessibility. It's the kind of thing

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<v Speaker 1>we're working on every single day to think about how

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<v Speaker 1>we can lower the barrier to entry. But there are

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<v Speaker 1>a few decisions we made early on. I think it

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<v Speaker 1>really helped. For example, we allowed social sign on. We

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<v Speaker 1>allowed a custodial non custodial wallet, so that meant that,

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<v Speaker 1>you know, fans didn't have to memorize their own sixteen

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<v Speaker 1>character private or sixteen word private key. You know, we

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<v Speaker 1>could actually manage that for them initially. And now we're

0:11:28.840 --> 0:11:31.480
<v Speaker 1>giving them the opportunity to self self because custody as

0:11:31.520 --> 0:11:33.920
<v Speaker 1>they get more comfortable, That to me is an on

0:11:34.160 --> 0:11:37.720
<v Speaker 1>ramp that can bring more users on initially as opposed

0:11:37.760 --> 0:11:41.560
<v Speaker 1>to just immediately turning off. So social sign on was big.

0:11:41.600 --> 0:11:45.920
<v Speaker 1>Allowing us, you know, a custodial wallet was big. Um

0:11:46.080 --> 0:11:49.840
<v Speaker 1>by allowing credit card purchases, that was big. So I

0:11:49.880 --> 0:11:52.439
<v Speaker 1>think we you know, we accepted crypto. We allowed people

0:11:52.480 --> 0:11:54.920
<v Speaker 1>to bring their own wallets, so we felt crypto purist,

0:11:54.920 --> 0:11:57.760
<v Speaker 1>Scott said. But we also provided these more kind of

0:11:57.800 --> 0:12:01.400
<v Speaker 1>web two on ramps that I think brought people in

0:12:01.720 --> 0:12:04.960
<v Speaker 1>if they began to see the value, and that allowed

0:12:04.960 --> 0:12:06.800
<v Speaker 1>them to stick around and they were willing to kind

0:12:06.800 --> 0:12:09.360
<v Speaker 1>of work with what's on, What's next? And Discords. I

0:12:09.360 --> 0:12:11.719
<v Speaker 1>think no exception, you know, Discord is was these were

0:12:11.760 --> 0:12:14.640
<v Speaker 1>first time Discord users for sure. I think what they

0:12:14.640 --> 0:12:16.640
<v Speaker 1>found though, was that once they got on, it was

0:12:16.640 --> 0:12:19.520
<v Speaker 1>a much safer space, you know, versus somewhere like Twitter,

0:12:19.520 --> 0:12:22.520
<v Speaker 1>where they're dealing with all this noise and hatred and

0:12:22.520 --> 0:12:25.400
<v Speaker 1>and just just noise. And in Discord they could just

0:12:25.400 --> 0:12:27.600
<v Speaker 1>be their true selves. They could talk about how awesome

0:12:27.640 --> 0:12:30.280
<v Speaker 1>the Mother Earth costume was and the nesting is kind

0:12:30.280 --> 0:12:33.200
<v Speaker 1>of a bananas show, um, and the true believers are

0:12:33.200 --> 0:12:35.720
<v Speaker 1>true believers, and it's like it's really cool just to

0:12:35.720 --> 0:12:37.640
<v Speaker 1>be able to see them being a place where no

0:12:37.679 --> 0:12:40.560
<v Speaker 1>one's a hater and everyone's into the show, and everyone

0:12:40.559 --> 0:12:42.520
<v Speaker 1>who's there like we did. We did token gating, so

0:12:42.559 --> 0:12:45.120
<v Speaker 1>everyone was there like we could like verify like they

0:12:45.120 --> 0:12:47.280
<v Speaker 1>showed up, like they were there for the right reasons.

0:12:47.360 --> 0:12:50.079
<v Speaker 1>And I think the community really responded positively to that.

0:12:52.240 --> 0:12:57.080
<v Speaker 1>I'm sorry, well that in terms of you, we're what

0:12:57.120 --> 0:13:01.600
<v Speaker 1>we're talking about is essentially a digital collectible and the

0:13:01.720 --> 0:13:06.800
<v Speaker 1>collectible market in general, merchandise in general, that's only going

0:13:06.840 --> 0:13:10.120
<v Speaker 1>to appeal to a super fan. And so again I

0:13:10.160 --> 0:13:13.200
<v Speaker 1>go back to your comparison with texting, that's not a

0:13:13.200 --> 0:13:16.520
<v Speaker 1>super fan application. That's hey, take part in the voting

0:13:16.960 --> 0:13:19.719
<v Speaker 1>of American Idol. Tens of millions are going to do

0:13:19.800 --> 0:13:26.000
<v Speaker 1>that here. I just can't imagine, even if the technology

0:13:26.120 --> 0:13:27.959
<v Speaker 1>was more accessible, and it does sound like you did

0:13:28.000 --> 0:13:30.480
<v Speaker 1>everything you could to make it as accessible as it

0:13:30.520 --> 0:13:32.920
<v Speaker 1>could be, that at the end of the day, how

0:13:32.960 --> 0:13:37.520
<v Speaker 1>many people really want these digital goods? So and so

0:13:37.760 --> 0:13:40.040
<v Speaker 1>I think you're dead on and and the day. If

0:13:40.080 --> 0:13:42.280
<v Speaker 1>the end game here was to be a digital collectical business, No,

0:13:42.400 --> 0:13:43.920
<v Speaker 1>and I would not be doing this. It's not worth

0:13:43.960 --> 0:13:47.120
<v Speaker 1>our time. Um, it's at least for us what inspires

0:13:47.160 --> 0:13:49.840
<v Speaker 1>us to do something interesting. Um, first that we've been

0:13:49.880 --> 0:13:51.839
<v Speaker 1>doing is educating a lot of what we're doing right now.

0:13:51.880 --> 0:13:54.560
<v Speaker 1>In the mast take, it was educating people, but what

0:13:54.559 --> 0:13:56.960
<v Speaker 1>what you actually have digital property rights? It's a hard

0:13:56.960 --> 0:13:59.480
<v Speaker 1>constant to understand that actually, you know, in the virtual

0:13:59.520 --> 0:14:02.560
<v Speaker 1>world now every asset has property right and you have

0:14:02.600 --> 0:14:04.680
<v Speaker 1>a you know on the block shade of unique identifier

0:14:04.720 --> 0:14:07.280
<v Speaker 1>which is you know, which is a really amazing concept

0:14:07.280 --> 0:14:09.920
<v Speaker 1>of basically have republicated. So one that's educating and getting

0:14:09.920 --> 0:14:12.520
<v Speaker 1>a trust. So there's a lot of that. I think

0:14:12.880 --> 0:14:16.559
<v Speaker 1>for us, you know, like you know, you know, people

0:14:16.640 --> 0:14:18.720
<v Speaker 1>understand a collectible interest in the value that so I

0:14:18.720 --> 0:14:21.000
<v Speaker 1>think the market of art was accessible at the first time.

0:14:21.000 --> 0:14:23.040
<v Speaker 1>People say, okay, I understand as I collected, and so

0:14:23.120 --> 0:14:26.080
<v Speaker 1>for us it was an easy accessible place. But if

0:14:26.120 --> 0:14:28.320
<v Speaker 1>you look at tokens that we the cards that we sold,

0:14:28.360 --> 0:14:30.880
<v Speaker 1>it wasn't just a collectible had utility, And we talked

0:14:30.880 --> 0:14:33.280
<v Speaker 1>about n f T s. We talked about that social

0:14:33.320 --> 0:14:35.680
<v Speaker 1>clout sort of reflects like I was there. I was

0:14:35.760 --> 0:14:37.280
<v Speaker 1>you know, I showed up and it it proved I

0:14:37.320 --> 0:14:40.040
<v Speaker 1>was there too, might have utility. So if you collected,

0:14:40.240 --> 0:14:42.560
<v Speaker 1>for us, if you collected all the animal ones, you

0:14:42.680 --> 0:14:45.440
<v Speaker 1>then got access to something else. So we look at

0:14:45.480 --> 0:14:48.000
<v Speaker 1>the future use of n s T s, the utilitarian

0:14:48.040 --> 0:14:50.200
<v Speaker 1>access of a that might act as a ticket to

0:14:50.240 --> 0:14:53.320
<v Speaker 1>open up somewhere or be it might be access to subscription.

0:14:53.480 --> 0:14:55.000
<v Speaker 1>Like you know, you're you run the variety of the

0:14:55.080 --> 0:14:57.440
<v Speaker 1>I P process. That's someone that may be tokenized and

0:14:57.440 --> 0:14:59.960
<v Speaker 1>you might reward people for being there early and that subscription.

0:15:00.000 --> 0:15:03.160
<v Speaker 1>And ultimately we see what we're excited about is because

0:15:03.200 --> 0:15:06.040
<v Speaker 1>ultimately these smart contracts in the code and these n

0:15:06.080 --> 0:15:09.680
<v Speaker 1>f t s can actually have huge applications in multiple

0:15:09.720 --> 0:15:12.840
<v Speaker 1>industries to reduce the friction to take money back and

0:15:12.880 --> 0:15:15.520
<v Speaker 1>as Mellie talked about the you know, the the freedom

0:15:15.760 --> 0:15:17.680
<v Speaker 1>you take your information back, you know. So one, as

0:15:17.680 --> 0:15:21.000
<v Speaker 1>a content creator, I control my control, my my my content,

0:15:21.080 --> 0:15:22.760
<v Speaker 1>and I can choose what I give it to. And

0:15:22.800 --> 0:15:25.080
<v Speaker 1>as a consumer more importantly, no longer are you're giving

0:15:25.120 --> 0:15:28.040
<v Speaker 1>all of your information to these other companies in a

0:15:28.120 --> 0:15:30.000
<v Speaker 1>change for free content. You choose what you do it.

0:15:30.240 --> 0:15:33.960
<v Speaker 1>So there's all these uses that are you know, smart

0:15:33.960 --> 0:15:35.400
<v Speaker 1>people out there we're gonna work with and things just

0:15:35.400 --> 0:15:37.560
<v Speaker 1>trying to figure out where that's the exciting part I

0:15:37.560 --> 0:15:39.640
<v Speaker 1>think collectibles today is just oh, this is the first

0:15:39.720 --> 0:15:42.640
<v Speaker 1>use that we can wrap our head around. I wonder,

0:15:43.160 --> 0:15:45.920
<v Speaker 1>and again, as as much as you've done to make

0:15:45.960 --> 0:15:50.200
<v Speaker 1>the product accessible, that if we have this conversation in

0:15:50.280 --> 0:15:53.240
<v Speaker 1>two years, three years, my guess is it's going to

0:15:53.320 --> 0:15:57.160
<v Speaker 1>be a very different products simply because it has to

0:15:57.200 --> 0:16:00.840
<v Speaker 1>get more mainstream. This you know, Cousto do your wallet

0:16:00.920 --> 0:16:04.160
<v Speaker 1>and all like what the It just has to get simpler.

0:16:04.160 --> 0:16:08.480
<v Speaker 1>Do you expect it's gonna get there? I think so.

0:16:08.560 --> 0:16:11.920
<v Speaker 1>I think there's a lot of companies, technology companies that

0:16:11.960 --> 0:16:16.480
<v Speaker 1>are working on innovations to make this space better. Wallets are,

0:16:16.480 --> 0:16:18.480
<v Speaker 1>in particular, I think are an area that if you

0:16:18.480 --> 0:16:20.720
<v Speaker 1>just look in the last six months, they've gotten so

0:16:20.840 --> 0:16:23.600
<v Speaker 1>much better. UM. And there is a lot more competition

0:16:23.920 --> 0:16:26.320
<v Speaker 1>right now, so all the wallet companies I think are

0:16:26.400 --> 0:16:29.320
<v Speaker 1>upping their games to make things more accessible. I think

0:16:29.400 --> 0:16:32.440
<v Speaker 1>there's you know a lot of um security and scam

0:16:32.560 --> 0:16:35.760
<v Speaker 1>risk right now, UM that I think companies are taking

0:16:35.880 --> 0:16:39.440
<v Speaker 1>quite seriously that maybe they hit under invest in historically.

0:16:39.440 --> 0:16:42.240
<v Speaker 1>So we're seeing just like a as there's real money,

0:16:42.280 --> 0:16:45.160
<v Speaker 1>as we're bringing onboardy more fans who might be slightly

0:16:45.240 --> 0:16:48.360
<v Speaker 1>less sophisticated about the risks they're entering, but that our

0:16:48.360 --> 0:16:50.800
<v Speaker 1>responsibility is higher, you know, to then be able to

0:16:50.800 --> 0:16:52.800
<v Speaker 1>make sure these people have a good experience. So I

0:16:52.840 --> 0:16:55.200
<v Speaker 1>think there's just a ton of innovation um, that that's

0:16:55.200 --> 0:16:58.240
<v Speaker 1>happening right now. And I mean, truth flick, the smartest

0:16:58.280 --> 0:17:00.160
<v Speaker 1>people I know in tech are all we're in the

0:17:00.280 --> 0:17:02.360
<v Speaker 1>Web three. I mean I came from like a big

0:17:02.440 --> 0:17:05.200
<v Speaker 1>data startup before Fox. Um. I've run into my ex

0:17:05.240 --> 0:17:07.480
<v Speaker 1>colleagues all the time now at every Web three company

0:17:07.520 --> 0:17:10.320
<v Speaker 1>we talked to. So I think the talent concentration is there,

0:17:10.320 --> 0:17:14.400
<v Speaker 1>the belief is there, the innovations they're still early Indians.

0:17:14.440 --> 0:17:17.000
<v Speaker 1>I mean there's a long road to go. Um, it's still,

0:17:17.280 --> 0:17:20.320
<v Speaker 1>without a doubt, high friction UM and I think quite

0:17:20.320 --> 0:17:24.320
<v Speaker 1>difficult for an average consumer. We'll have more with Scott

0:17:24.359 --> 0:17:28.000
<v Speaker 1>Greenberg and Melody Hildebrand of Blockchain Creative Labs in just

0:17:28.119 --> 0:17:35.080
<v Speaker 1>a moment, and we're back with the principles at Fox's

0:17:35.160 --> 0:17:38.480
<v Speaker 1>Blockchain Creative Labs, where we're talking about all sorts of

0:17:38.480 --> 0:17:42.959
<v Speaker 1>interesting applications, including as we had this conversation just ahead

0:17:42.960 --> 0:17:46.440
<v Speaker 1>of the south By Southwest Festival, which I should note

0:17:46.440 --> 0:17:51.040
<v Speaker 1>is a Penskey Media property just like Variety. Uh, and

0:17:51.080 --> 0:17:52.920
<v Speaker 1>I'm very curious to see what you guys are gonna

0:17:52.920 --> 0:17:56.920
<v Speaker 1>do in terms of your official sponsorship capacity there and

0:17:57.119 --> 0:17:59.919
<v Speaker 1>especially what you're doing with Dolly Parton of all people.

0:18:00.520 --> 0:18:02.840
<v Speaker 1>So what tell me what the Dolly verse is going

0:18:02.880 --> 0:18:08.960
<v Speaker 1>to look like. So look, we we chose as we

0:18:09.200 --> 0:18:11.720
<v Speaker 1>the timing, timing is everything right, We're coming out of

0:18:11.760 --> 0:18:14.800
<v Speaker 1>COVID and south Buy hasn't been live in two years.

0:18:15.760 --> 0:18:19.360
<v Speaker 1>And when we started looking at the landscape of timing

0:18:19.400 --> 0:18:22.440
<v Speaker 1>and we have some team members in Austin and somebody said,

0:18:22.480 --> 0:18:25.360
<v Speaker 1>what about south By? And for us, south By represents

0:18:25.359 --> 0:18:28.000
<v Speaker 1>everything that excites us of the opportunity web three one.

0:18:28.119 --> 0:18:31.240
<v Speaker 1>It really forged the way of independent filmmakers right and

0:18:31.240 --> 0:18:34.399
<v Speaker 1>really in the independent filmmaking and music. And then every

0:18:34.480 --> 0:18:36.960
<v Speaker 1>you know, the tech the tech run you know, every

0:18:36.960 --> 0:18:39.400
<v Speaker 1>major tech brand showed up there from Twitter and Square,

0:18:39.640 --> 0:18:42.040
<v Speaker 1>so we felt what a great place to go and

0:18:42.080 --> 0:18:44.240
<v Speaker 1>do something. So, you know, for us, we were exactly

0:18:44.280 --> 0:18:45.560
<v Speaker 1>sure what we're gonna do, but we wanted to be there,

0:18:45.600 --> 0:18:47.280
<v Speaker 1>so we wanted to be the sponsor. You know, we

0:18:47.359 --> 0:18:50.199
<v Speaker 1>took the title sponsor and so for us, our our

0:18:50.240 --> 0:18:51.960
<v Speaker 1>hope was, we know some of the smartest lines and

0:18:52.119 --> 0:18:55.119
<v Speaker 1>entertainment and tech. So our hope was, let's try to

0:18:55.200 --> 0:18:58.040
<v Speaker 1>take these two weeks, ten days, however long it is,

0:18:58.520 --> 0:19:00.480
<v Speaker 1>and try to make it like an EPCO. What is

0:19:00.640 --> 0:19:03.160
<v Speaker 1>how can we actually activate creators and the Big ten

0:19:03.240 --> 0:19:06.159
<v Speaker 1>have a conversation Web three of how can this technology

0:19:06.160 --> 0:19:08.520
<v Speaker 1>apply for tech, for media in the future, and for

0:19:08.640 --> 0:19:11.080
<v Speaker 1>us It's not about this is about Fox and blockchain

0:19:11.080 --> 0:19:12.720
<v Speaker 1>creative labs. I'm just gonna talk about our stuff, but

0:19:12.760 --> 0:19:14.920
<v Speaker 1>we have some of other partners and petters really have

0:19:14.960 --> 0:19:18.520
<v Speaker 1>the conversation. So that was our macro hypothesis and no,

0:19:18.680 --> 0:19:20.920
<v Speaker 1>do you want to talk about you know what we're

0:19:20.920 --> 0:19:23.919
<v Speaker 1>doing there? Yeah, I think we're really trying to create

0:19:23.960 --> 0:19:27.960
<v Speaker 1>the platform that enables the musicians and filmmakers to connect

0:19:28.080 --> 0:19:30.480
<v Speaker 1>directly with their audiences via n f t s and

0:19:30.560 --> 0:19:33.280
<v Speaker 1>via Web three. So we've gone to all the artists

0:19:33.320 --> 0:19:35.560
<v Speaker 1>we're working with UM quite a few of them now

0:19:35.560 --> 0:19:38.240
<v Speaker 1>who will be UM releasing n f t s on

0:19:38.280 --> 0:19:41.520
<v Speaker 1>a south By marketplace UM. And they're also going to

0:19:41.600 --> 0:19:44.280
<v Speaker 1>be able to have what are known as co apps

0:19:44.320 --> 0:19:47.119
<v Speaker 1>or kind of proof of attendance tokens UM, so that

0:19:47.160 --> 0:19:49.399
<v Speaker 1>anyone who shows up to their show can kind of

0:19:49.400 --> 0:19:51.720
<v Speaker 1>scan a QR code and get a cryptographic you know,

0:19:51.800 --> 0:19:54.080
<v Speaker 1>token that proves that they were there. And that to

0:19:54.240 --> 0:19:56.439
<v Speaker 1>us was it's a very Web three zeitgeist thing, but

0:19:56.440 --> 0:19:58.720
<v Speaker 1>it felt so perfect for South buy you know, where

0:19:58.720 --> 0:20:00.639
<v Speaker 1>there's there's this you know, the urban legend. If I

0:20:00.720 --> 0:20:02.920
<v Speaker 1>was in the back bar, I saw Amy Winehouse at

0:20:02.920 --> 0:20:05.800
<v Speaker 1>her first show, and you know, as I think, our

0:20:05.840 --> 0:20:07.920
<v Speaker 1>team says, I think something like a hundreds the people

0:20:07.960 --> 0:20:10.480
<v Speaker 1>who could actually fit the capacity of that space, you know,

0:20:10.840 --> 0:20:13.720
<v Speaker 1>make that claim, but now actually we could have a

0:20:13.760 --> 0:20:21.720
<v Speaker 1>real way to prove that. So about Dolly, tell me what, Yes,

0:20:21.800 --> 0:20:24.359
<v Speaker 1>I think that the ideas we can have both new artists,

0:20:24.560 --> 0:20:27.119
<v Speaker 1>that we can provide a platform for them to connect

0:20:27.160 --> 0:20:28.959
<v Speaker 1>with their fans for the first time. Because we're going

0:20:29.000 --> 0:20:30.800
<v Speaker 1>to kick off the week first weekend with that. But

0:20:30.960 --> 0:20:33.399
<v Speaker 1>really the culminating event, as you say, is with Dolly

0:20:33.480 --> 0:20:35.840
<v Speaker 1>on the second weekend UM and we're going to be

0:20:35.840 --> 0:20:38.440
<v Speaker 1>bringing her for the first time to south Bybe. She's

0:20:38.440 --> 0:20:42.080
<v Speaker 1>going to be streaming a concert on the blockchain. We're

0:20:42.160 --> 0:20:47.240
<v Speaker 1>using a really innovative UM technology called the Luvo, which

0:20:47.320 --> 0:20:50.760
<v Speaker 1>is a blockchain streaming Technology Media Distribution Company UM. And

0:20:50.760 --> 0:20:52.919
<v Speaker 1>this I think is part of the hypothesis about how

0:20:53.080 --> 0:20:55.320
<v Speaker 1>you know, this capability is so much more than collectibles,

0:20:55.320 --> 0:20:56.960
<v Speaker 1>as you say, you know, it's really we think it's

0:20:57.000 --> 0:20:59.399
<v Speaker 1>the future of media distribution, and we think this is

0:20:59.440 --> 0:21:01.240
<v Speaker 1>the kind of the best way to kind of show

0:21:01.280 --> 0:21:04.040
<v Speaker 1>that promise because we're streaming a live concert and we'll

0:21:04.040 --> 0:21:06.440
<v Speaker 1>be selling her album as an n f T UM

0:21:06.480 --> 0:21:08.080
<v Speaker 1>and so that's going to be kind of the Dolly

0:21:08.240 --> 0:21:09.679
<v Speaker 1>verse UM. It's going to be a kind of a

0:21:09.680 --> 0:21:13.240
<v Speaker 1>dedicated landing zone. Dolly will be there UM for about

0:21:13.280 --> 0:21:16.399
<v Speaker 1>the concert and a talk where she's releasen a book

0:21:16.840 --> 0:21:20.400
<v Speaker 1>with James Patterson and she'll be having a fireside chat

0:21:20.440 --> 0:21:23.720
<v Speaker 1>about that. And we're just absolutely stoked to be a

0:21:23.760 --> 0:21:26.439
<v Speaker 1>part of it, UM and to bring her stuff, to

0:21:26.600 --> 0:21:28.159
<v Speaker 1>allow her fans to connect with her in a new

0:21:28.200 --> 0:21:30.679
<v Speaker 1>way they never had before. And just to just to

0:21:30.800 --> 0:21:32.800
<v Speaker 1>add on to that that's really important that had lost

0:21:33.320 --> 0:21:35.560
<v Speaker 1>when we're talking about we're selling her album as an

0:21:35.680 --> 0:21:38.239
<v Speaker 1>n f T and what that means is, you know,

0:21:38.560 --> 0:21:40.639
<v Speaker 1>when you had a dvs C D, you owned it.

0:21:40.880 --> 0:21:43.000
<v Speaker 1>You couldn't copy it, you could have broadcast it, but

0:21:43.080 --> 0:21:44.800
<v Speaker 1>you owned it, you could possession, you could take it.

0:21:44.800 --> 0:21:46.880
<v Speaker 1>When you're done, you can resell it when you buy

0:21:46.920 --> 0:21:49.760
<v Speaker 1>an album. Now, on some of the other digital platforms,

0:21:49.840 --> 0:21:51.879
<v Speaker 1>you don't actually own it. You have a license to

0:21:51.960 --> 0:21:54.040
<v Speaker 1>use it. So if you end your subscription, you know,

0:21:54.240 --> 0:21:56.000
<v Speaker 1>and you actually paid for it, you have no longer

0:21:56.040 --> 0:22:00.840
<v Speaker 1>have access. So with blockchain technology, you have she We're

0:22:00.840 --> 0:22:02.600
<v Speaker 1>gonna have a limited edition of these, so each one's

0:22:02.640 --> 0:22:04.760
<v Speaker 1>having unique identifiers. You actually own it. You have the

0:22:04.800 --> 0:22:07.639
<v Speaker 1>same property rights digitally that you would for a c D.

0:22:08.200 --> 0:22:09.480
<v Speaker 1>And when you're done with it, if you want to

0:22:09.480 --> 0:22:12.000
<v Speaker 1>resell it, you can. And the great thing is Dolly

0:22:12.200 --> 0:22:14.680
<v Speaker 1>and us will get a royalty and that to us,

0:22:15.000 --> 0:22:17.280
<v Speaker 1>we hope to be doing this with video and episode

0:22:17.280 --> 0:22:20.080
<v Speaker 1>of television after things air, so it's it's the same

0:22:20.280 --> 0:22:23.600
<v Speaker 1>distribution chain, but you're getting property rights back and that

0:22:23.800 --> 0:22:27.160
<v Speaker 1>is such a fundamental shift, which you're super you know, luckily,

0:22:27.160 --> 0:22:28.840
<v Speaker 1>and we're doing a Dolly because her, you know, she's

0:22:28.880 --> 0:22:31.439
<v Speaker 1>so special and and uh and that to me is

0:22:31.440 --> 0:22:34.080
<v Speaker 1>a real innovation we're really excited about. Well, but how

0:22:34.119 --> 0:22:36.080
<v Speaker 1>do you I think what you're starting to get into

0:22:36.080 --> 0:22:40.200
<v Speaker 1>with the resale is smart contracts. How do you envision

0:22:40.280 --> 0:22:46.480
<v Speaker 1>implementing smart contract resale fees without angering consumers telling them

0:22:46.520 --> 0:22:49.359
<v Speaker 1>that you know, you could own it again. But then

0:22:49.640 --> 0:22:52.520
<v Speaker 1>you know, you guys are going to get a percentage.

0:22:53.880 --> 0:22:56.320
<v Speaker 1>I mean, I think that it's um I think consumers

0:22:56.359 --> 0:22:58.960
<v Speaker 1>are gonna be psyched about it. I mean that we've heard,

0:22:59.200 --> 0:23:01.639
<v Speaker 1>you know, particularly talking to fans, you know, and and

0:23:01.720 --> 0:23:04.200
<v Speaker 1>talking to artists, you know, when their fans buy something

0:23:04.840 --> 0:23:08.800
<v Speaker 1>like they buy because they support the fan the artists themselves, right,

0:23:08.840 --> 0:23:13.040
<v Speaker 1>and we're like allowing that relationship to continue in perpetuity,

0:23:13.160 --> 0:23:15.960
<v Speaker 1>and so you know, the vast majority is going to

0:23:16.040 --> 0:23:18.640
<v Speaker 1>the artist. You know, primary sales, one of the artists

0:23:18.640 --> 0:23:22.040
<v Speaker 1>presently taking a transaction fee, but at Christians actually fee

0:23:22.080 --> 0:23:25.080
<v Speaker 1>that is way below say what Apple would charge on

0:23:25.160 --> 0:23:27.280
<v Speaker 1>it in that purchase fee, or way below what a

0:23:27.280 --> 0:23:29.760
<v Speaker 1>credit card would charge, you know. Even so I think

0:23:29.760 --> 0:23:33.439
<v Speaker 1>there's like a small transaction fee on primary sales secondary sales.

0:23:33.520 --> 0:23:37.399
<v Speaker 1>Now there's actually a way for both of the owner

0:23:37.480 --> 0:23:40.080
<v Speaker 1>currently to to get the majority of the proceeds, but

0:23:40.200 --> 0:23:43.480
<v Speaker 1>for Dolly to continue to get proceeds and perpetuity. To me,

0:23:43.520 --> 0:23:46.119
<v Speaker 1>that just feels so much more fair. It's like that

0:23:46.280 --> 0:23:47.920
<v Speaker 1>is what the future should be. I think I don't

0:23:47.960 --> 0:23:50.679
<v Speaker 1>think fans are going to reject that. Um, it feels

0:23:50.680 --> 0:23:53.639
<v Speaker 1>like that's about supporting the artists themselves and providing that

0:23:53.760 --> 0:23:57.280
<v Speaker 1>long term relationship things that just been totally lost before

0:23:57.400 --> 0:24:02.639
<v Speaker 1>because platforms essentially listed and it caused a lot of convenience,

0:24:02.680 --> 0:24:03.960
<v Speaker 1>but it also left a lot of money on the

0:24:04.000 --> 0:24:08.800
<v Speaker 1>table for the original creators. I just you know, I

0:24:08.880 --> 0:24:11.440
<v Speaker 1>also know you guys are going to be working with

0:24:11.520 --> 0:24:15.720
<v Speaker 1>an upcoming animated series C Populist from Dan Harmon that

0:24:15.760 --> 0:24:19.199
<v Speaker 1>will be on the Fox Network. I guess, like the

0:24:19.240 --> 0:24:23.879
<v Speaker 1>Masked Singer, I understood established property, fervent fan base, latch

0:24:23.960 --> 0:24:28.680
<v Speaker 1>onto that perfect, But why a new series that has

0:24:28.760 --> 0:24:31.280
<v Speaker 1>no built in I mean, I guess Dan Harmon has

0:24:31.800 --> 0:24:36.160
<v Speaker 1>some thread, but I was curious why you would sort

0:24:36.200 --> 0:24:39.439
<v Speaker 1>of launch with and f t S is part of

0:24:39.480 --> 0:24:42.680
<v Speaker 1>a new show. It's a great question. So to be clear,

0:24:42.720 --> 0:24:44.520
<v Speaker 1>we're not doing every Fox show, right, so it's not

0:24:44.600 --> 0:24:48.280
<v Speaker 1>just you know, this is a check the box marketing event. Um.

0:24:48.320 --> 0:24:50.800
<v Speaker 1>I think animation is different. You know, I think I

0:24:50.800 --> 0:24:52.840
<v Speaker 1>ablsos you look at Dan Harmon is different. So what

0:24:52.960 --> 0:24:54.879
<v Speaker 1>we look at we're looking for. If you look at

0:24:54.880 --> 0:24:57.000
<v Speaker 1>our deal to w w E. You look at Mass Singer,

0:24:57.080 --> 0:25:00.000
<v Speaker 1>look at Dolly Parton. We're looking for creators of people

0:25:00.119 --> 0:25:03.480
<v Speaker 1>who have a pre existing audience too active. And I

0:25:03.520 --> 0:25:05.879
<v Speaker 1>think you look at the comic con crowd, and you

0:25:05.880 --> 0:25:08.879
<v Speaker 1>know the animation crowd, they love animation. The Fox animation

0:25:09.040 --> 0:25:12.040
<v Speaker 1>is you know, it's the gold standard. So we felt

0:25:12.280 --> 0:25:14.720
<v Speaker 1>that it was a great opportunity to a the fans

0:25:14.760 --> 0:25:16.960
<v Speaker 1>love hearing stuff early, so and it takes us a

0:25:16.960 --> 0:25:19.480
<v Speaker 1>long time to make a show. So for us, it

0:25:19.520 --> 0:25:22.880
<v Speaker 1>was a great opportunity to start sharing digital art. Everything

0:25:22.880 --> 0:25:25.119
<v Speaker 1>to makes digitally and this is the original hypothesis of

0:25:25.119 --> 0:25:28.280
<v Speaker 1>blockchain creative labs from Bento. Everything we makes digitally ready,

0:25:28.359 --> 0:25:30.760
<v Speaker 1>let's just log it on the blockchain and start sharing it.

0:25:30.800 --> 0:25:34.760
<v Speaker 1>So ultimately we're gonna have provide exclusive access to fans.

0:25:34.800 --> 0:25:36.919
<v Speaker 1>We might give it away to start reward people from

0:25:36.920 --> 0:25:39.480
<v Speaker 1>coming in early and getting part of it, getting excited

0:25:39.760 --> 0:25:42.439
<v Speaker 1>and so getting them so not just it's not markets,

0:25:42.480 --> 0:25:44.399
<v Speaker 1>really becoming part of it, being part of the process.

0:25:44.480 --> 0:25:47.239
<v Speaker 1>Seeing if you make people love seeing this stuff, and

0:25:47.240 --> 0:25:50.280
<v Speaker 1>then ultimately you know they'll be excited and maybe what

0:25:50.320 --> 0:25:52.600
<v Speaker 1>we hope to happen is those fans will be rooting

0:25:52.640 --> 0:25:54.399
<v Speaker 1>for it and will actually, you know, I can't. I'm

0:25:54.400 --> 0:25:55.920
<v Speaker 1>not gonna give away some the cool stuff we're gonna do,

0:25:55.960 --> 0:25:58.280
<v Speaker 1>but there may be some utility for being an early fan.

0:25:58.359 --> 0:26:01.439
<v Speaker 1>You might get rewarded and that part of something. And

0:26:01.440 --> 0:26:04.080
<v Speaker 1>then ultimately after the show airs on Fox, right, so

0:26:04.119 --> 0:26:06.679
<v Speaker 1>air Sunday night, you know, and it goes on Hulu

0:26:06.720 --> 0:26:08.439
<v Speaker 1>and then the when the home video window opens, you

0:26:08.440 --> 0:26:10.600
<v Speaker 1>can buy the DVD. Maybe by being an early fan

0:26:10.680 --> 0:26:14.240
<v Speaker 1>you can get it. So to us, that fandom, the

0:26:14.359 --> 0:26:17.840
<v Speaker 1>you know, that's the crossover of gamers, tech and animation.

0:26:17.920 --> 0:26:19.960
<v Speaker 1>That was the right people, and Dan is so awesome

0:26:20.240 --> 0:26:22.720
<v Speaker 1>and the show is so fun and it's about you know,

0:26:22.760 --> 0:26:25.240
<v Speaker 1>it's about ancient Greece, and so we're money is being

0:26:25.240 --> 0:26:27.240
<v Speaker 1>invented at the same time. So it just really ties

0:26:27.280 --> 0:26:28.760
<v Speaker 1>in as me really to us, I felt with the

0:26:28.840 --> 0:26:31.359
<v Speaker 1>right show, the right personally do it with. And I

0:26:31.440 --> 0:26:35.560
<v Speaker 1>totally get how I mean. Dan Harmon obviously has fervent

0:26:35.680 --> 0:26:38.679
<v Speaker 1>fans w w E my god, those I and I

0:26:38.680 --> 0:26:43.159
<v Speaker 1>grew up as a fan. They're completely insane. I get it.

0:26:43.240 --> 0:26:46.160
<v Speaker 1>But I still on the collectible end of it, even

0:26:46.160 --> 0:26:48.800
<v Speaker 1>with the day Harman and you know I'm a basketball fan,

0:26:49.160 --> 0:26:52.239
<v Speaker 1>but I don't understand NBA top shot, Like why do

0:26:52.320 --> 0:26:56.040
<v Speaker 1>I want to own the video or the gift of

0:26:56.119 --> 0:26:59.560
<v Speaker 1>the lebron dunk that I could see on YouTube a

0:26:59.640 --> 0:27:04.000
<v Speaker 1>billion in times? How to me that is sort of

0:27:04.040 --> 0:27:08.760
<v Speaker 1>like the first hump in consumer acceptance and the main

0:27:08.920 --> 0:27:11.080
<v Speaker 1>streaming of this stuff. And I don't understand how to

0:27:11.119 --> 0:27:13.840
<v Speaker 1>get past that. Help me, so let me let me,

0:27:13.880 --> 0:27:16.639
<v Speaker 1>let me attack it one way I think had a

0:27:16.640 --> 0:27:20.080
<v Speaker 1>different way. Again, we asked about why Dan harmon something new.

0:27:20.240 --> 0:27:22.080
<v Speaker 1>So one of the things we believe in is this

0:27:22.119 --> 0:27:25.120
<v Speaker 1>is me the future of how shows get finance and produced.

0:27:25.400 --> 0:27:28.000
<v Speaker 1>So if you're a fan of a writer, comedian, actor

0:27:28.040 --> 0:27:29.560
<v Speaker 1>and they want to do something, you might not know

0:27:29.880 --> 0:27:31.879
<v Speaker 1>the new show, but if you want to support them

0:27:31.880 --> 0:27:35.119
<v Speaker 1>and be a patron right this technology and able to

0:27:35.160 --> 0:27:38.000
<v Speaker 1>do actually early on and support them and you know

0:27:38.320 --> 0:27:40.640
<v Speaker 1>currently from regular peoples, you can actually own a piece

0:27:40.640 --> 0:27:42.760
<v Speaker 1>of it. But there's ways to be rewarded and supported

0:27:42.760 --> 0:27:44.959
<v Speaker 1>and get it going. And so it's about the one

0:27:45.000 --> 0:27:47.000
<v Speaker 1>to one relationship of the creator and his fan base,

0:27:47.080 --> 0:27:49.160
<v Speaker 1>and the fans can actually support the creator to own

0:27:49.160 --> 0:27:51.800
<v Speaker 1>on what they do, and that to us is the

0:27:51.800 --> 0:27:54.680
<v Speaker 1>exciting thing and we get it's the future distribution and

0:27:54.720 --> 0:27:56.720
<v Speaker 1>we're gonna provide a service and help do it. So

0:27:57.080 --> 0:28:00.480
<v Speaker 1>to me, you know, I hear you want the NBA

0:28:00.520 --> 0:28:02.399
<v Speaker 1>Top Shows and Noll can talk to about the collectibility

0:28:02.480 --> 0:28:04.680
<v Speaker 1>and that stuff, but to me, it's really about the

0:28:04.720 --> 0:28:06.800
<v Speaker 1>early on of this is the moment I own and

0:28:07.560 --> 0:28:09.160
<v Speaker 1>to to the top show thing. A thing I can

0:28:09.160 --> 0:28:11.320
<v Speaker 1>say is the ways to explained to me is you

0:28:11.320 --> 0:28:13.720
<v Speaker 1>know there's only one Mona Lisa, right, There's a ton

0:28:13.760 --> 0:28:16.040
<v Speaker 1>of copies around there. I know, you know, I know,

0:28:16.359 --> 0:28:18.520
<v Speaker 1>you know the Perio number says the check. I own

0:28:18.560 --> 0:28:20.760
<v Speaker 1>the Mona Lisa, but all the copies around there, so

0:28:20.800 --> 0:28:22.879
<v Speaker 1>there's some value and cloud for owning that. That's the

0:28:22.880 --> 0:28:24.600
<v Speaker 1>one thing I can say for the NVI A. I'm

0:28:24.640 --> 0:28:27.000
<v Speaker 1>not a sports collector, but I can understand it. But

0:28:27.080 --> 0:28:29.640
<v Speaker 1>to me, it's really about the other It's about being

0:28:29.640 --> 0:28:32.119
<v Speaker 1>the patronage and being supportive and being a part of

0:28:32.119 --> 0:28:34.600
<v Speaker 1>something in the community that to me is where the

0:28:34.640 --> 0:28:37.080
<v Speaker 1>stuff goes. Now, what do you think I think that

0:28:37.200 --> 0:28:40.440
<v Speaker 1>the best Web three projects, you know, are not purely

0:28:40.480 --> 0:28:43.120
<v Speaker 1>about a collectible. They're not just about you know, a

0:28:43.120 --> 0:28:46.560
<v Speaker 1>piece of art. Event I mean, there is a sense

0:28:46.640 --> 0:28:49.440
<v Speaker 1>of how the community is feeling like they are a

0:28:49.480 --> 0:28:53.160
<v Speaker 1>part of something special, that they are connected to the athlete,

0:28:53.200 --> 0:28:56.960
<v Speaker 1>they're connecting to the league, they're connected to the artist,

0:28:57.040 --> 0:29:00.000
<v Speaker 1>the musician, the filmmaker, um. And they have a relationship

0:29:00.000 --> 0:29:03.200
<v Speaker 1>and ship like a bi directional relationship and never had before.

0:29:03.480 --> 0:29:05.280
<v Speaker 1>And like, you know, Fox is a broadcast company that

0:29:05.320 --> 0:29:07.640
<v Speaker 1>we're so used to going one too many, right, and

0:29:07.680 --> 0:29:10.200
<v Speaker 1>this is where we're seeing the promise of like, oh, actually,

0:29:10.400 --> 0:29:12.360
<v Speaker 1>for the first time, like in these discords, it's actually

0:29:12.360 --> 0:29:15.520
<v Speaker 1>like it's bidirectional in this really special way. And so

0:29:15.600 --> 0:29:18.320
<v Speaker 1>I think that's I think a lot of tashaws did

0:29:18.360 --> 0:29:20.560
<v Speaker 1>an incredible job to like just bring this to the

0:29:20.640 --> 0:29:23.440
<v Speaker 1>mainstream and to get people to begin to understand this

0:29:23.480 --> 0:29:26.680
<v Speaker 1>ownership concept. And I think the next phase, like all

0:29:26.720 --> 0:29:29.120
<v Speaker 1>the interesting projects that we're tracking that we're you know,

0:29:29.160 --> 0:29:31.160
<v Speaker 1>that we have admired that we're working on as well,

0:29:31.240 --> 0:29:33.520
<v Speaker 1>we'd like to think, you know, are really embedding this

0:29:33.600 --> 0:29:37.719
<v Speaker 1>community concept. First, we're thinking about media distribution and entirely

0:29:37.720 --> 0:29:41.480
<v Speaker 1>fresh ways. We're thinking about by passing traditional gatekeeping UM

0:29:41.600 --> 0:29:45.800
<v Speaker 1>you know technologies and just shortening the distance between fan

0:29:45.880 --> 0:29:49.800
<v Speaker 1>and creator, UM as opposed to just you know, an

0:29:49.840 --> 0:29:51.800
<v Speaker 1>asset that I think all the questions you ask are

0:29:51.840 --> 0:29:55.480
<v Speaker 1>totally legitimate. Um, but it's early it's early inning still,

0:29:55.720 --> 0:30:00.320
<v Speaker 1>you know, one last question. I'm surprised we've on this

0:30:00.400 --> 0:30:05.720
<v Speaker 1>far into the conversation without using the word metaverse. Um,

0:30:05.920 --> 0:30:10.880
<v Speaker 1>where does all of this fit into this other? I

0:30:10.880 --> 0:30:16.480
<v Speaker 1>believe connected notion that we're all navigating some interruptible three

0:30:16.600 --> 0:30:21.120
<v Speaker 1>dimensional world where n f T consumption is easy and

0:30:21.160 --> 0:30:24.160
<v Speaker 1>all that, or are you guys thinking that far in

0:30:24.200 --> 0:30:27.840
<v Speaker 1>advance we are? I think of n f T s

0:30:27.880 --> 0:30:30.480
<v Speaker 1>as kind of the fundamental building block of the metaverse.

0:30:30.520 --> 0:30:34.240
<v Speaker 1>And you can't exist in this digital realm without property rights,

0:30:34.280 --> 0:30:37.400
<v Speaker 1>without a sense of ownership, without a sense of uh,

0:30:37.480 --> 0:30:40.000
<v Speaker 1>you know, what are assets that I own that I'm

0:30:40.040 --> 0:30:42.840
<v Speaker 1>connected to? So I think this is part of we

0:30:42.880 --> 0:30:44.640
<v Speaker 1>think this is a the abuilding block tick to be

0:30:44.680 --> 0:30:47.520
<v Speaker 1>able to create these more immersive experiences. We're doing some

0:30:47.840 --> 0:30:50.240
<v Speaker 1>a lot of technical exploration there and talking to a

0:30:50.240 --> 0:30:53.520
<v Speaker 1>few creators who I think a very interesting visions about

0:30:53.560 --> 0:30:58.120
<v Speaker 1>how to bring you know, their their fandom into the metaverse.

0:30:58.480 --> 0:31:00.720
<v Speaker 1>And I personally there's not gonna be one metaverse, you know,

0:31:00.760 --> 0:31:03.600
<v Speaker 1>I think there's going to be, you know, a heterogeneous

0:31:03.640 --> 0:31:06.000
<v Speaker 1>space here with n f T S is the ability

0:31:06.040 --> 0:31:08.360
<v Speaker 1>in blocks and creators are going to be able to

0:31:08.520 --> 0:31:10.960
<v Speaker 1>vision I think, you know, really exciting things that no onice.

0:31:11.560 --> 0:31:13.000
<v Speaker 1>We don't even know what those things are yet, but

0:31:13.040 --> 0:31:14.680
<v Speaker 1>we know we're going to need to have property rights

0:31:14.800 --> 0:31:18.160
<v Speaker 1>while we're there, so working on that those core underlying

0:31:18.200 --> 0:31:22.160
<v Speaker 1>technologies feels like the right step. Well, I gotta say

0:31:22.400 --> 0:31:26.680
<v Speaker 1>I've on this podcast and in twenty years of twenty

0:31:26.680 --> 0:31:29.880
<v Speaker 1>plus years of covering the business, I've seen a lot

0:31:29.920 --> 0:31:33.800
<v Speaker 1>of innovation come down the pike. I can't be any

0:31:33.960 --> 0:31:36.479
<v Speaker 1>more sort of in a status suspense about how this

0:31:36.600 --> 0:31:39.000
<v Speaker 1>is all going to play out. To some degree is

0:31:39.080 --> 0:31:42.080
<v Speaker 1>I think you hear from some of my skepticism. There's

0:31:42.200 --> 0:31:45.920
<v Speaker 1>a bit of naked Emperor to some of this. That's okay.

0:31:45.960 --> 0:31:49.880
<v Speaker 1>Sometimes there's failure and success comes in different ways. But

0:31:50.080 --> 0:31:52.680
<v Speaker 1>I'm really looking forward to seeing how this all plays out.

0:31:52.720 --> 0:31:55.080
<v Speaker 1>And thank you both for coming on the pod to

0:31:55.080 --> 0:31:58.480
<v Speaker 1>talk about it. Thank you for having us for pleasure.

0:31:59.360 --> 0:32:08.000
<v Speaker 1>M H. This has been another episode of Strictly Business.

0:32:08.120 --> 0:32:11.360
<v Speaker 1>Tune in next week for another helping of scintillating conversation

0:32:11.480 --> 0:32:14.080
<v Speaker 1>with media movers and shakers, and please make sure you

0:32:14.080 --> 0:32:17.560
<v Speaker 1>subscribe to the podcast to hear future episodes. Also leave

0:32:17.600 --> 0:32:20.440
<v Speaker 1>a review in Apple Podcasts and let us know how

0:32:20.480 --> 0:32:20.920
<v Speaker 1>we're doing