WEBVTT - The Rat

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<v Speaker 1>What the hell is this? What does it sound like? Eddie?

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<v Speaker 1>You're inside man scrow to us. No, no, no, no, no, no,

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<v Speaker 1>I didn't do this. I didn't mean to. Oh my god,

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<v Speaker 1>I think I'm having a heart attack. Boss, you're gonna

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<v Speaker 1>want to get out here, Lonzo, try and make sure

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<v Speaker 1>Willie here doesn't die before we get a chance to

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<v Speaker 1>kill him. Holy sh it, we have around and come

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<v Speaker 1>out with your hand fucking alarm. No, when it comes

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<v Speaker 1>to fast, what are you saying that? We gotta fucking

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<v Speaker 1>ret It's exactly ms. God damn it. Now, what are

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<v Speaker 1>we gonna do. I've been in jobs where they've gone bad.

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<v Speaker 1>The only way some of us get out of lives

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<v Speaker 1>if we draw the coast fire to the front for

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<v Speaker 1>our comedy. Hey, what is your talking? Stay on the

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<v Speaker 1>ground and shut the fu what's the plan? Boss? I'm

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<v Speaker 1>calling Daisy. No, we dont a fucking situation here, eddiot,

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<v Speaker 1>baby girl, Eddie, what's going on? Where are you? Daisy?

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<v Speaker 1>I'm still at the spot. What's the what's that alarm? Listen?

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<v Speaker 1>Get back to the safe house as soon as possible.

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<v Speaker 1>The guys will explain it to you. I just wanted

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<v Speaker 1>to call it and say I love you, baby, I

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<v Speaker 1>love you too? What what what's go on? I'll drawl

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<v Speaker 1>there by up freak you head out the back. I'm

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<v Speaker 1>too old to end fine, baby girl, get along, so

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<v Speaker 1>I'm not going anywhere. To give my brother out of

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<v Speaker 1>here for me. As soon as the bullets start flying,

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<v Speaker 1>you two are that that Jory? Okay, hey, go alright,

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<v Speaker 1>let's do this. Let's make it count. Welcome to Solve,

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<v Speaker 1>the interactive mystery podcast where you don't just hear about crimes,

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<v Speaker 1>you solve them. Each episode will present you with a

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<v Speaker 1>different case inspired by a true crime. You'll interrogate suspects,

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<v Speaker 1>piece together evidence, and investigate the crime scene. This is

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<v Speaker 1>your case, but today you're not the detective. You're part

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<v Speaker 1>of a gang of bank robbers trying to root out

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<v Speaker 1>a rat. Can you solve? Who talked to the cops?

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<v Speaker 1>Solve presents the rat? Shit? Where are they? Oh? My god?

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<v Speaker 1>What the hell happened? We got busted? Baby girl took

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<v Speaker 1>one in a size. It's not bad. Oh, and where

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<v Speaker 1>the funk were you? Pete? The cops had the place surrounded.

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<v Speaker 1>I couldn't get closed. Oh some getaway driver you are, Pete?

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<v Speaker 1>I had to spend the past hour crawling through backyards. Johnson,

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<v Speaker 1>her blade nass over fences. I'm fine. I've been driving

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<v Speaker 1>around looking for you for an hour. Hello, you son

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<v Speaker 1>of a bitch, You son of a b yould this?

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<v Speaker 1>He did not, swear to God, I didn't. Oh yeah,

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<v Speaker 1>tell me how the bank manager gets the coach of

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<v Speaker 1>the fucking vault wrong. It was, it was all just

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<v Speaker 1>happening so fast. I think I think I was disassociating. Listen,

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<v Speaker 1>the alarms didna make a difference. The cops were already there.

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<v Speaker 1>Shut up, Just shut up, listen. Police department tells us

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<v Speaker 1>that the police received an anonymous phone call notifying them

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<v Speaker 1>of the exact time the heist would occur. We're now

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<v Speaker 1>receiving confirmation that among the two dead at the attempted

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<v Speaker 1>Crown Trust Bank heist is Eddie Doyle, leader of the

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<v Speaker 1>Doyle Gang of bank robbers who have been terrorizing citizens

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<v Speaker 1>across the Northeast. We'll keep you informed as this breaking story.

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<v Speaker 1>To Frank Eddie, I can't believe it. Okay, okay, somebody

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<v Speaker 1>called the cups and it had to be someone in

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<v Speaker 1>this room, Pete, Willie, Daisy, what about baby girl? What

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<v Speaker 1>about me bit I said it could be anyone. I

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<v Speaker 1>guess that means it could be you two, Alonso, Do

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<v Speaker 1>you really think I'd do anything to get my own

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<v Speaker 1>brother killed? Eddie was my idol. Sure there was some

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<v Speaker 1>sib rivalry or whatever. We get into it. That's what

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<v Speaker 1>brothers do, right. It's just not a big enough score, Alonso.

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<v Speaker 1>The cash on hand, sure, But the safety deposit boxes,

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<v Speaker 1>that's what I am a fisk banks are known for.

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<v Speaker 1>Can you say for sure what's in those boxes? No?

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<v Speaker 1>Come on, excuse your damn head. Thanks baby, you got it? Okay, Daisy,

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<v Speaker 1>what do you think now I'm with fisk Um. Well,

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<v Speaker 1>if I'm being honest, it kind of seems small time.

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<v Speaker 1>I mean, what are you a fucking amateur? Not the

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<v Speaker 1>first time a woman puts you in your place? Alonzo?

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<v Speaker 1>Fuck you, Frank? Who the fuck at the door? Relax,

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<v Speaker 1>it's a friend. Oh, I'm sorry. I thought this was

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<v Speaker 1>a safe house. Didn't realize we could have play dates

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<v Speaker 1>over here. Guys, this is the new kid I was

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<v Speaker 1>telling you about. Pete. Uh, Pete met the guys. Hi, everyone,

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<v Speaker 1>you brought a stranger to the safe Come on, Pete's

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<v Speaker 1>no stranger. He's cool. All right. I vouched for him.

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<v Speaker 1>I was stoked to meet Eddie Doyle. I mean, the

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<v Speaker 1>guy is a legend. I read about all these incredible

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<v Speaker 1>heisty pull off It was like the good old days,

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<v Speaker 1>you know, a classic motherfucking gangster. I just knew I

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<v Speaker 1>could help, and the only way to get in with

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<v Speaker 1>Eddie Doyle was to bring something to the table. Listen, kid,

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<v Speaker 1>pete is it this isn't a good time. We're discussing

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<v Speaker 1>sensitive matters. I haven't in at the Crown Trust. Crown Trust,

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<v Speaker 1>uh with one of the piece of them for years. Okay,

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<v Speaker 1>I have a sea kid speak. Okay, So my downstairs neighbor, right,

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<v Speaker 1>he's his bank manager, real down on his luck, old funk.

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<v Speaker 1>His ex is taken him for half. The guy's looking

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<v Speaker 1>for some off the book's income. You know, would he

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<v Speaker 1>be an inside man? I mean you'd have to ask him.

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<v Speaker 1>I did everything I was supposed to do. I swear

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<v Speaker 1>to God. I swear to God, please please don't kill me.

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<v Speaker 1>I never talked to the cops. I hate cops. My

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<v Speaker 1>ex wife sucking a cop. Why would I tip them off?

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<v Speaker 1>I just wanted to help Eddie Ranks, my neighbor. I

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<v Speaker 1>was telling you about Willie. Oh, it's a real honor

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<v Speaker 1>and a pleasure to meet you. You've got two minutes. Okay, Well,

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<v Speaker 1>I'm I've been the manager at Crown Trust for ten years.

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<v Speaker 1>We douche bag. Did anybody ask your fucking biography? Tell

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<v Speaker 1>us about the vault? Right? Yeah? It's uh, I mean

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<v Speaker 1>you know right, it's it's impenetrable. Uh. I don't know

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<v Speaker 1>much about the technical side, but I know any unauthorized

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<v Speaker 1>attempt will trigger the alarm and immediately alert the police.

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<v Speaker 1>And you obviously have the code. Yes, yes, I'm the

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<v Speaker 1>only one that knows it. Nobody's allowed him but me.

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<v Speaker 1>But if I were to be held up at gunpoint,

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<v Speaker 1>I would have no choice but to follow the commands

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<v Speaker 1>and open the vault. That's policy. What do you want

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<v Speaker 1>in return? Oh? I don't know. I haven't really thought

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<v Speaker 1>about I guess uh, twenty. You haven't even hit a

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<v Speaker 1>number that would prevent me from tossing you over this dock.

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<v Speaker 1>Ten eight. Bye. Yeah, there's a good boy. Good job, Willie.

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<v Speaker 1>Do you think you did great? I thought i'd handled

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<v Speaker 1>myself pretty good. You did, you? Really did you? I

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<v Speaker 1>don't think you should do it The wheels are already

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<v Speaker 1>in motion. You're telling me you can't put the brakes

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<v Speaker 1>on when you own the car. I guess my question

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<v Speaker 1>would be why it's risky. It's not one of these

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<v Speaker 1>community banks you could go down for this. I take

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<v Speaker 1>your point to heart. If this didn't feel like part

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<v Speaker 1>of a larger narrative with you lately, well what about

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<v Speaker 1>that narrative? Do you really need more money? You ever

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<v Speaker 1>hear of retirement retirements? The number one killer getting shot

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<v Speaker 1>in the head, Robbing the bank is number two. All

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<v Speaker 1>let's talk about giving up on the life. This is

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<v Speaker 1>the only life I know, Daisy. What about starting a

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<v Speaker 1>new life you and me and leave the guys behind

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<v Speaker 1>their family. Well, we could start a family. I mean

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<v Speaker 1>I'd like that, and we both know that will never

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<v Speaker 1>happen so long as you're in the business. The business

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<v Speaker 1>is paying for this food were eaten. What's more important

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<v Speaker 1>to you, Eddie, the money or me? Maybe I've known

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<v Speaker 1>the money long. Yeah. I felt for the bad boy.

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<v Speaker 1>I guess that was stupid of me ever to expect

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<v Speaker 1>him to change, But I really did want to start

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<v Speaker 1>a family with him. I think on some level he

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<v Speaker 1>wanted that too, but he had other people in his ear.

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<v Speaker 1>All right, everybody, thanks for coming. No, kids, shut the

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<v Speaker 1>funk up. Yes, sorry, all right, let's get down to business.

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<v Speaker 1>Do we have enough guns? Do you think we don't?

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<v Speaker 1>If the gods get called, we might have to shoot

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<v Speaker 1>our way out. Jesus, I think we go with our

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<v Speaker 1>usual amount. Hang on, baby girls, got a point, bro,

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<v Speaker 1>This is a bigger job, bigger risk. Why, thank you Alonso,

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<v Speaker 1>Finally a voice of reason around here. Fine, baby girl,

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<v Speaker 1>you can run the armory, new kid. Yeah, you drive

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<v Speaker 1>the car? You got your license? Right? No, Jesus, excuse me?

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<v Speaker 1>What then you told me you did? Never jove, I

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<v Speaker 1>know how driver. I just don't have a license. I

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<v Speaker 1>know I drive, don't I know how to drive? Guys,

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<v Speaker 1>we leave here at three pm. It's a fifteen minute

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<v Speaker 1>drive to the bank. We're through those doors at three

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<v Speaker 1>fift and do I come in or do I stay

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<v Speaker 1>in the car? Got it? Alonso and I are gonna

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<v Speaker 1>walk Willie to the back where he opens the bolt. Willie,

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<v Speaker 1>how many employees at the time? We should have six

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<v Speaker 1>tillers at four bankers. Okay, that's fine. Frank and baby girl.

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<v Speaker 1>On crowd control, what do I do? Ready? You wait

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<v Speaker 1>back here, give me a minute. Everyone, Hey, slow down,

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<v Speaker 1>you're pushing me out. You didn't even want this job

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<v Speaker 1>to go down in the first place. Yeah, but now

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<v Speaker 1>that it is, I shouldn't be sidelined like I'm your

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<v Speaker 1>dumb trophy girlfriend. Hey, Daisy, come on, that's not why

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<v Speaker 1>I'm not pushing you out. Trying to keep you safe. Okay,

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<v Speaker 1>you said it yourself, this is dangerous. I couldn't live

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<v Speaker 1>with myself if anything happened to you, so I need

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<v Speaker 1>you as far away from it as possible. Once this

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<v Speaker 1>is done, we'll go away on a big trip. Okay. Well,

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<v Speaker 1>after this job we can travel the old fucking globe.

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<v Speaker 1>So just wait here. No better yet. I'm gonna send

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<v Speaker 1>you to one of those spas. You're like, really, yeah,

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<v Speaker 1>which one you want to go to? I don't know.

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<v Speaker 1>Come on, I guess Christo Falls. Crystal Falls. That's two

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<v Speaker 1>hours away. Why not to win a little spring? What

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<v Speaker 1>one is not as nice? Okay? Okay, whatever my girl wants.

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<v Speaker 1>Now let's get back inside. Huh okay any of you? So?

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<v Speaker 1>Does everyone like the plan? I think it's genius. Boss,

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<v Speaker 1>you would, Hey, I'm sorry you got something to say

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<v Speaker 1>to me. I couldn't quite hear you. You know what, Eddie?

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<v Speaker 1>Can I borrow your keys for a bit? I think

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<v Speaker 1>I'm gonna head home. That's twice she's walked out in

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<v Speaker 1>even five minutes, Eddie. That girl's temperamental. Do you know

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<v Speaker 1>who the rat is? Don't you? It's Daisy. She's overly emotional.

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<v Speaker 1>She's intimidated by strong women like me. Fuck anyway, I

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<v Speaker 1>don't trust her as far as I can throw her.

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<v Speaker 1>And I'm a strong bitch. So that's pretty far, Willie.

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<v Speaker 1>What's the deal with this ball? Yes? Well, it's a

0:13:32.400 --> 0:13:35.600
<v Speaker 1>key code changes every week. You have to enter in

0:13:35.600 --> 0:13:41.160
<v Speaker 1>correctly on the first attempt. Or what the hell are

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<v Speaker 1>you doing? Leave the kiddle up? All right? Enough enough, Frank?

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<v Speaker 1>What the hell? Kids a wreck? You up? And you

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<v Speaker 1>vouched for the son of a picture Losso? Yeah? I do.

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<v Speaker 1>He's cool. He's not a rat. I've known Peck for years.

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<v Speaker 1>This old man's a cop. You ever tell you that.

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<v Speaker 1>I haven't talked to my dad since I was a kid. Okay,

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<v Speaker 1>he walked out of me and my mom when I

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<v Speaker 1>was thirteen years old. I don't talk to him. I

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<v Speaker 1>don't think about him. I barely even remember the fucking guy.

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<v Speaker 1>What I do remember is how nothing I ever did

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<v Speaker 1>was ever good enough for him. I would do things

0:14:22.840 --> 0:14:25.520
<v Speaker 1>like try and make him proud, try and impress him.

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<v Speaker 1>I never got so much as an ad of boy.

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<v Speaker 1>I hate him. I hate cops. I never read anybody

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<v Speaker 1>out to them. I swear to God. He stopped paying

0:14:36.920 --> 0:14:38.800
<v Speaker 1>child support while I was still in high school. He

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<v Speaker 1>has nothing to do with me, and I have nothing

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<v Speaker 1>to do with him. Alonzo still vouch for him. I

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<v Speaker 1>never heard him mention a dad. I believe him. All right, Well, kid,

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<v Speaker 1>I trust my brother's judgment, but you're gonna have to

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<v Speaker 1>pass the test first. So, uh, where are we? Do

0:15:06.720 --> 0:15:09.400
<v Speaker 1>you know? The little May family? Yeah? I mean you

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<v Speaker 1>guys have been like rivals for years. Well, Levi La

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<v Speaker 1>May owns this shop right here, okay, and you're gonna

0:15:17.400 --> 0:15:21.440
<v Speaker 1>rob it? Fuck Eddie, Come on, Alonso, I'm not a cop,

0:15:21.520 --> 0:15:24.080
<v Speaker 1>and you'll prove that to us by going through that

0:15:24.120 --> 0:15:26.480
<v Speaker 1>door and telling him to empty the register and the

0:15:26.600 --> 0:15:30.960
<v Speaker 1>safe into this bag. Eddie, please no get moving. Kids

0:15:37.840 --> 0:15:45.280
<v Speaker 1>gonna help you, son? Uh? Yeah? Can I give me

0:15:45.360 --> 0:15:48.800
<v Speaker 1>everything that's in the Troy in the safe? So are

0:15:48.880 --> 0:15:54.920
<v Speaker 1>you seriously trying to rob a gun shop. Just just

0:15:55.120 --> 0:15:57.560
<v Speaker 1>do what I say, old man or whoa whoa wait,

0:15:57.560 --> 0:16:00.400
<v Speaker 1>please put that down. I'll put you down, you son

0:16:00.440 --> 0:16:09.600
<v Speaker 1>him a bishop? What about who is the fucking bo

0:16:11.640 --> 0:16:19.320
<v Speaker 1>And don't show your face around my shot. Come on,

0:16:19.400 --> 0:16:27.640
<v Speaker 1>get in no time, come on, just dive in. Hey

0:16:28.360 --> 0:16:42.040
<v Speaker 1>you didn't die, You passed the test. Cheers. So what

0:16:42.080 --> 0:16:45.920
<v Speaker 1>do you think, Alonso? The kid? All right, he's fine.

0:16:48.440 --> 0:16:53.240
<v Speaker 1>But you know that that whole thing got me thinking

0:16:53.960 --> 0:16:57.840
<v Speaker 1>maybe we should be hitting up something other than banks. Huh, Yeah,

0:16:57.840 --> 0:17:01.160
<v Speaker 1>I want to mix it up. Banks are big jobs,

0:17:01.560 --> 0:17:05.000
<v Speaker 1>but little shops with fat registers. Look at have a

0:17:06.160 --> 0:17:09.919
<v Speaker 1>sustained supplemental income kind of thing, like a like a

0:17:09.960 --> 0:17:15.040
<v Speaker 1>side hustle, a side hustle. Yeah, I mean, how how's

0:17:15.080 --> 0:17:18.840
<v Speaker 1>that sound to you? Eddie? Well, Alonso, that sounds pretty

0:17:18.840 --> 0:17:24.480
<v Speaker 1>fucking stupid if I'm being honest, Okay, I I was

0:17:24.560 --> 0:17:27.320
<v Speaker 1>just trying to hire volume jobs means more chances to

0:17:27.359 --> 0:17:30.760
<v Speaker 1>get busted. We do low volume, high return jobs to

0:17:30.800 --> 0:17:35.919
<v Speaker 1>mitigate that risk, understand. Yeah, yeah, yeah, sure, I was

0:17:36.000 --> 0:17:38.920
<v Speaker 1>just thinking. I don't pay you to thank Alonso, leave

0:17:38.960 --> 0:17:45.199
<v Speaker 1>that to me. Eddie was always the smartest guy in

0:17:45.200 --> 0:17:49.600
<v Speaker 1>the room. Just to ask him. He liked to remind

0:17:49.680 --> 0:17:52.760
<v Speaker 1>me that he'd always be the boss that I served

0:17:52.760 --> 0:17:57.439
<v Speaker 1>at his pleasure. Yeah, he kind of always treated me

0:17:57.480 --> 0:18:02.000
<v Speaker 1>more like an employee than a brother, you know. All right,

0:18:02.800 --> 0:18:09.080
<v Speaker 1>thanks for the drink. Oh hey, hey, baby girl, h

0:18:09.680 --> 0:18:12.000
<v Speaker 1>what do you what are you? What are you doing

0:18:12.080 --> 0:18:15.560
<v Speaker 1>here showing the boss the guns? What's it to you? Oh? No, no, no, nothing, nothing,

0:18:15.640 --> 0:18:20.800
<v Speaker 1>that's that's good. Maybe I'll stick around Alonzo, Will you

0:18:20.840 --> 0:18:23.320
<v Speaker 1>get the funk out of here. I'm in the mood

0:18:23.320 --> 0:18:29.680
<v Speaker 1>for more pleasant company, right yeah, right, well I'll I'll

0:18:29.680 --> 0:18:33.359
<v Speaker 1>see you, baby girl. Thanks for the drink. Eddy m

0:18:33.600 --> 0:18:38.760
<v Speaker 1>hm the VT s s N. This thing is sick

0:18:38.840 --> 0:18:43.919
<v Speaker 1>as fuck. Thirty round mag armor piercing bullets. There's a

0:18:44.000 --> 0:18:47.840
<v Speaker 1>standard issue for Russian military. I got two, one for

0:18:47.880 --> 0:18:51.840
<v Speaker 1>you and one for me. I'm happy with my semi attos.

0:18:52.400 --> 0:18:54.879
<v Speaker 1>Give it to Frank. Bet it'll put a smile on

0:18:54.920 --> 0:18:59.600
<v Speaker 1>the old man's face. You know something about you holding

0:18:59.640 --> 0:19:03.000
<v Speaker 1>that gun and you haven't called me in a while.

0:19:03.640 --> 0:19:07.480
<v Speaker 1>Been busy been with her. Hey, you watch your tongue.

0:19:07.680 --> 0:19:18.080
<v Speaker 1>Why don't you watch it? M hm h h. Yeah

0:19:18.760 --> 0:19:22.440
<v Speaker 1>he was more than just a boss. Okay, Tasty could

0:19:22.480 --> 0:19:26.600
<v Speaker 1>never give him what he needed. I just wish we

0:19:26.680 --> 0:19:29.439
<v Speaker 1>had the chance for it to be just him and me,

0:19:30.040 --> 0:19:40.360
<v Speaker 1>you know, instead of him me and her. H m hmm,

0:19:41.320 --> 0:19:45.720
<v Speaker 1>that's right. Yes, the appointment is for through fifteen. Thank

0:19:45.760 --> 0:19:49.720
<v Speaker 1>you so much. Who's that on the phone. I was

0:19:49.760 --> 0:19:52.480
<v Speaker 1>just booking my SPA day. Thanks to you, my love.

0:19:54.000 --> 0:19:58.520
<v Speaker 1>You deserve it. Hey, Alonzo, let's go over some things.

0:20:00.480 --> 0:20:04.760
<v Speaker 1>So the spa must be fucking nice. All the rest

0:20:04.800 --> 0:20:07.479
<v Speaker 1>of us are doing our job, the parts of being

0:20:07.560 --> 0:20:15.199
<v Speaker 1>number one, not just a side piece slut. Do you

0:20:15.200 --> 0:20:18.720
<v Speaker 1>think I'm stupid? Of course I knew. I guess I

0:20:18.760 --> 0:20:20.880
<v Speaker 1>just thought that one day Eddie really would give up

0:20:20.920 --> 0:20:25.119
<v Speaker 1>the life, he'd be away from her. You could just

0:20:25.359 --> 0:20:32.000
<v Speaker 1>focus on us and setting things right. Maybe I am stupid.

0:20:37.320 --> 0:20:42.560
<v Speaker 1>I don't want to talk. I just don't want to them. Okay,

0:20:42.640 --> 0:20:46.680
<v Speaker 1>I don't know what's going on. Will He is getting

0:20:46.680 --> 0:20:55.520
<v Speaker 1>cold feet? No, I didn't say that. What's the problem, Willie. Oh,

0:20:55.560 --> 0:21:01.000
<v Speaker 1>I'm just concerned that I'll get caught, are killed, or

0:21:01.400 --> 0:21:05.440
<v Speaker 1>or that you'll kill me. Anyway, Hey, listen to me.

0:21:06.200 --> 0:21:10.040
<v Speaker 1>Nobody's gonna hurt you. Okay. When you run with Eddie Doyle,

0:21:10.280 --> 0:21:13.320
<v Speaker 1>you're taken care of He looks after us, and we

0:21:13.400 --> 0:21:16.439
<v Speaker 1>look after him. There's not one of us who wouldn't

0:21:16.440 --> 0:21:22.400
<v Speaker 1>bend over backwards for him, right, Daisy, Yeah, that's right.

0:21:26.240 --> 0:21:29.480
<v Speaker 1>I saw the look between Daisy and baby Girl. That's

0:21:29.520 --> 0:21:33.560
<v Speaker 1>when I pieced it together, seeing Baby Girl and Eddie's

0:21:33.560 --> 0:21:36.840
<v Speaker 1>that night. What does she always treated me like I'm invisible?

0:21:38.080 --> 0:21:43.560
<v Speaker 1>She only had eyes for my brother. Will you turn

0:21:43.640 --> 0:21:47.040
<v Speaker 1>that light off? I'm just taking my earrings out. I

0:21:47.119 --> 0:21:51.320
<v Speaker 1>need some sleep. I was going to be a busy day.

0:21:52.040 --> 0:21:55.280
<v Speaker 1>What if you just didn't go? What come on, Eddie,

0:21:55.920 --> 0:21:58.320
<v Speaker 1>let's just get out of here. We'll start a new

0:21:58.359 --> 0:22:03.800
<v Speaker 1>life together tonight, babe. All right, I'm really just tired.

0:22:03.960 --> 0:22:12.360
<v Speaker 1>All right, let's get some sleep. Okay, okay, look at

0:22:12.359 --> 0:22:22.480
<v Speaker 1>the lights. We're here. Everybody out of the car. Kid,

0:22:22.800 --> 0:22:25.199
<v Speaker 1>two loops around the block, then right back here. You

0:22:25.280 --> 0:22:32.480
<v Speaker 1>got a boss. Afternoon everyone. This is a robbery. On

0:22:32.480 --> 0:22:35.800
<v Speaker 1>the floor. Get on the board over there, face on

0:22:35.840 --> 0:22:40.440
<v Speaker 1>the fucking marble. I sit down, Frank, you gotta handled here,

0:22:40.640 --> 0:22:43.600
<v Speaker 1>got it? You hit back? Thank you? The manager? Uh?

0:22:44.040 --> 0:22:47.080
<v Speaker 1>Well I suppose that, yes, yes, I Alonso. Come on,

0:22:47.280 --> 0:22:54.200
<v Speaker 1>let's get him to the vault. Come on, what are

0:22:54.200 --> 0:23:00.359
<v Speaker 1>you waiting for all right. Sorry, Okay, into the code, Willie.

0:23:01.119 --> 0:23:04.960
<v Speaker 1>You do know the code? Yeah, it's just it feels

0:23:05.000 --> 0:23:10.200
<v Speaker 1>like the room is spinning, Willie. Into the fucking code. Okay.

0:23:12.320 --> 0:23:16.280
<v Speaker 1>Uh huh? The hell is this? What's it sound like? Eddie?

0:23:16.640 --> 0:23:20.000
<v Speaker 1>You're inside? Man scrow Dius. No, no, no, no, no, no,

0:23:20.040 --> 0:23:24.280
<v Speaker 1>I didn't do this. I didn't mean to. Oh my god,

0:23:25.119 --> 0:23:27.880
<v Speaker 1>I think I'm having a heart attack. Loss. You're gonna

0:23:27.920 --> 0:23:30.880
<v Speaker 1>want to get out of here, Bonzo, try and make

0:23:30.880 --> 0:23:33.240
<v Speaker 1>sure Willie here doesn't die before we get a chance

0:23:33.280 --> 0:23:46.760
<v Speaker 1>to kill him. Holy shit, we have fucking alarm. No,

0:23:46.920 --> 0:23:50.240
<v Speaker 1>when it comes to the what are you saying that?

0:23:50.359 --> 0:23:55.400
<v Speaker 1>We gotta fucking rent? That's exactly what, God damn it. Now,

0:23:55.440 --> 0:23:57.600
<v Speaker 1>what are we gonna do? I've been in jobs where

0:23:57.600 --> 0:24:00.320
<v Speaker 1>they've gone back the only way some of this good

0:24:00.320 --> 0:24:02.480
<v Speaker 1>our lives. We draw all the cups, fire the front,

0:24:03.520 --> 0:24:09.320
<v Speaker 1>turning to work all our coma right now, non, Hey,

0:24:09.800 --> 0:24:12.240
<v Speaker 1>what are you guys saying about talking? Stay on the

0:24:12.240 --> 0:24:16.800
<v Speaker 1>ground and shut the fuck up. What's the plan? Boss?

0:24:17.880 --> 0:24:22.080
<v Speaker 1>I'll call it Daisy. No, we got a fucking situation here, Eddie,

0:24:22.240 --> 0:24:32.000
<v Speaker 1>baby girl, Eddy, what's going on? Where are you Daisy,

0:24:33.040 --> 0:24:37.479
<v Speaker 1>I'm still at the spot. What's the what's that alarm? Listen?

0:24:38.560 --> 0:24:40.720
<v Speaker 1>Get back to the safe house as soon as possible.

0:24:41.480 --> 0:24:44.000
<v Speaker 1>The guys will explain it to you. I just wanted

0:24:44.000 --> 0:24:49.760
<v Speaker 1>to call it say I love you, baby, I love

0:24:49.840 --> 0:24:58.720
<v Speaker 1>you too? What what? What's I'll draw all their byre freak.

0:24:59.000 --> 0:25:02.240
<v Speaker 1>You head out the back. I'm too old to run, Eddie. Fine,

0:25:02.760 --> 0:25:04.880
<v Speaker 1>baby Girl, get a long o you. I'm not going

0:25:04.880 --> 0:25:07.240
<v Speaker 1>anywhere to get my brother out of here for me.

0:25:08.040 --> 0:25:10.159
<v Speaker 1>As soon as the bullets start flying, you two are

0:25:10.200 --> 0:25:16.240
<v Speaker 1>out that back door. Okay, Hey, go all right, Frankie,

0:25:17.080 --> 0:25:48.480
<v Speaker 1>let's do this. Let's make a country where you've reached

0:25:48.520 --> 0:25:51.520
<v Speaker 1>the end of the investigation. It's time to decide who

0:25:51.600 --> 0:25:56.240
<v Speaker 1>you think the rat is. Here are your suspects, Eddie's

0:25:56.280 --> 0:26:00.040
<v Speaker 1>brother Alonzo seeing Baby Girl and Eddie sat night? And

0:26:00.320 --> 0:26:03.720
<v Speaker 1>what does she always treated me like I'm invisible? She

0:26:03.920 --> 0:26:10.040
<v Speaker 1>only had eyes for my brother, Eddie's girlfriend, Daisy. That's

0:26:10.080 --> 0:26:15.560
<v Speaker 1>more important to you any the money on me his mistress.

0:26:16.040 --> 0:26:19.320
<v Speaker 1>Baby Girl, you haven't called me in a while, been

0:26:19.400 --> 0:26:23.560
<v Speaker 1>busy been with her? Hey, you watch your tongue. The

0:26:23.640 --> 0:26:28.119
<v Speaker 1>new kid Pete's wretching. Wait, are you sucked the fun up,

0:26:28.680 --> 0:26:30.800
<v Speaker 1>and you vouched for the son of a pictul. Also, yeah,

0:26:30.840 --> 0:26:34.919
<v Speaker 1>I do this. Old man's a cop or the bank manager, Willie.

0:26:35.320 --> 0:26:40.480
<v Speaker 1>I'm just concerned that I'll get caught or or killed,

0:26:40.600 --> 0:26:44.480
<v Speaker 1>or or that you'll kill me. Anyway, we'll be back

0:26:44.600 --> 0:26:56.639
<v Speaker 1>with the answer after a word from our sponsor. Now

0:26:56.720 --> 0:27:00.520
<v Speaker 1>it's time to find out who the rat was. The

0:27:00.640 --> 0:27:06.359
<v Speaker 1>rat was Eddie's girlfriend, Daisy. Daisy felt betrayed and humiliated

0:27:06.400 --> 0:27:10.159
<v Speaker 1>by Eddie's ongoing affair with baby Girl and constantly choosing

0:27:10.200 --> 0:27:12.879
<v Speaker 1>a life of crime over a life with her. I

0:27:13.000 --> 0:27:16.000
<v Speaker 1>felt for the bad boy. I guess that was stupid

0:27:16.040 --> 0:27:18.640
<v Speaker 1>of me ever to expect him to change. The first

0:27:18.760 --> 0:27:20.920
<v Speaker 1>clue that Daisy was lying was when she claimed to

0:27:20.960 --> 0:27:24.320
<v Speaker 1>be at the spa during the heist. Where are you, Daisy?

0:27:26.920 --> 0:27:31.760
<v Speaker 1>What a spa that we know was two hours away?

0:27:32.760 --> 0:27:38.240
<v Speaker 1>I guess Christo Falls, Chrystal Falls. That's two hours away

0:27:38.920 --> 0:27:41.800
<v Speaker 1>one a little spring. Yet Daisy somehow beat the rest

0:27:41.840 --> 0:27:43.960
<v Speaker 1>of the gang back to the safe house. What the

0:27:44.040 --> 0:27:47.960
<v Speaker 1>hell happened? We got busted it. I had to spend

0:27:48.000 --> 0:27:51.639
<v Speaker 1>the past hour crawling through backyards. Dawson hubleyness over friends.

0:27:51.760 --> 0:27:54.760
<v Speaker 1>I'm fine, I've been driving around looking for you for

0:27:54.880 --> 0:27:57.280
<v Speaker 1>an hour. If the surviving gang members got back to

0:27:57.320 --> 0:27:59.960
<v Speaker 1>the safe house in an hour, there's no way Daisy

0:28:00.040 --> 0:28:02.280
<v Speaker 1>could have been there first if she was two hours away.

0:28:03.400 --> 0:28:07.160
<v Speaker 1>That's because she never made a SPA appointment. And since

0:28:07.240 --> 0:28:09.520
<v Speaker 1>we know someone made a phone call to the police,

0:28:10.119 --> 0:28:13.520
<v Speaker 1>police received an anonymous phone call notifying them of the

0:28:13.680 --> 0:28:17.159
<v Speaker 1>exact time the heist would occur. And since she was

0:28:17.240 --> 0:28:20.240
<v Speaker 1>privy to all of Eddie's plans, it's a fifteen minute

0:28:20.280 --> 0:28:22.320
<v Speaker 1>drive to the bank. Were through those doors at three?

0:28:23.240 --> 0:28:25.520
<v Speaker 1>It becomes clear that when Daisy claimed to be on

0:28:25.600 --> 0:28:28.560
<v Speaker 1>the phone with the SPA, she was actually talking to

0:28:28.640 --> 0:28:32.600
<v Speaker 1>the police. Yes, the appointment is for through Thank you

0:28:32.680 --> 0:28:36.600
<v Speaker 1>so much. Was that on the phone? I was just

0:28:36.680 --> 0:28:41.160
<v Speaker 1>booking my SPA day, Thanks to you, mym. This episode

0:28:41.240 --> 0:28:43.520
<v Speaker 1>was inspired by a true crime that took place in

0:28:44.800 --> 0:28:47.320
<v Speaker 1>when the Los Angeles bank was the latest target of

0:28:47.400 --> 0:28:51.280
<v Speaker 1>a pair of serial bank robbers armed with machine guns.

0:28:51.360 --> 0:28:53.720
<v Speaker 1>The men fired shots into the ceiling and forced the

0:28:53.760 --> 0:28:57.600
<v Speaker 1>bank's assistant manager to open the vault responding to the

0:28:57.680 --> 0:29:00.360
<v Speaker 1>sounds of gunfire. Police were waiting for the obbers in

0:29:00.400 --> 0:29:04.480
<v Speaker 1>the parking lot, where an epic shootout ensued. Both robbers

0:29:04.520 --> 0:29:07.160
<v Speaker 1>were killed and eleven officers were wounded, and what's regarded

0:29:07.200 --> 0:29:09.520
<v Speaker 1>as one of the most intense gun battles in US

0:29:09.600 --> 0:29:16.840
<v Speaker 1>police history. Eddie was played by Cody Lindley, Daisy by

0:29:16.960 --> 0:29:23.040
<v Speaker 1>Nicky mcaulay, Baby Girl by Christina Denton, Alonso by Xander Mobis,

0:29:23.960 --> 0:29:28.480
<v Speaker 1>Pete by Oliver Cooper, Frank by Joe Otchman. Willie was

0:29:28.520 --> 0:29:34.240
<v Speaker 1>played by Billy Merritt, Swat Captain Ian James Corlett. Levi

0:29:34.520 --> 0:29:37.920
<v Speaker 1>was played by Jeff Whitzky, and Ian James Corlett played

0:29:37.960 --> 0:29:41.320
<v Speaker 1>the SWAT Captain and the news anchor. Written and directed

0:29:41.400 --> 0:29:47.720
<v Speaker 1>by Corey Serge. Executive produced by Walt Palmer and Corey Surge, produced,

0:29:47.760 --> 0:29:52.360
<v Speaker 1>recorded and mixed by Salt Audio. Recorded at Bang Zoom Studios,

0:29:53.360 --> 0:29:57.840
<v Speaker 1>Edited by Zach Jurich for Salts Audio. Sound designed by

0:29:57.960 --> 0:30:01.840
<v Speaker 1>Jasper van Dyke for Salt Audio. Original music and score

0:30:01.880 --> 0:30:06.200
<v Speaker 1>by Noah Gersh and Jamie Cheffman at Salts Audio, Casting

0:30:06.280 --> 0:30:11.240
<v Speaker 1>by Romy Stuttman, Casting assistant Daisy Laura, and our production

0:30:11.280 --> 0:30:15.920
<v Speaker 1>coordinator was Liz Lamy. This episode was hosted by me

0:30:16.440 --> 0:30:17.120
<v Speaker 1>Mike McNeil