1 00:00:02,960 --> 00:00:05,840 Speaker 1: What the hell is this? What does it sound like? Eddie? 2 00:00:06,280 --> 00:00:09,600 Speaker 1: You're inside man scrow to us. No, no, no, no, no, no, 3 00:00:09,640 --> 00:00:13,880 Speaker 1: I didn't do this. I didn't mean to. Oh my god, 4 00:00:14,720 --> 00:00:17,479 Speaker 1: I think I'm having a heart attack. Boss, you're gonna 5 00:00:17,520 --> 00:00:20,680 Speaker 1: want to get out here, Lonzo, try and make sure 6 00:00:20,720 --> 00:00:22,919 Speaker 1: Willie here doesn't die before we get a chance to 7 00:00:23,000 --> 00:00:32,960 Speaker 1: kill him. Holy sh it, we have around and come 8 00:00:33,000 --> 00:00:37,040 Speaker 1: out with your hand fucking alarm. No, when it comes 9 00:00:37,080 --> 00:00:40,680 Speaker 1: to fast, what are you saying that? We gotta fucking 10 00:00:40,680 --> 00:00:45,279 Speaker 1: ret It's exactly ms. God damn it. Now, what are 11 00:00:45,280 --> 00:00:47,760 Speaker 1: we gonna do. I've been in jobs where they've gone bad. 12 00:00:48,840 --> 00:00:50,440 Speaker 1: The only way some of us get out of lives 13 00:00:50,479 --> 00:00:54,120 Speaker 1: if we draw the coast fire to the front for 14 00:00:54,240 --> 00:01:01,840 Speaker 1: our comedy. Hey, what is your talking? Stay on the 15 00:01:01,840 --> 00:01:07,680 Speaker 1: ground and shut the fu what's the plan? Boss? I'm 16 00:01:07,680 --> 00:01:11,840 Speaker 1: calling Daisy. No, we dont a fucking situation here, eddiot, 17 00:01:11,840 --> 00:01:21,600 Speaker 1: baby girl, Eddie, what's going on? Where are you? Daisy? 18 00:01:22,680 --> 00:01:27,080 Speaker 1: I'm still at the spot. What's the what's that alarm? Listen? 19 00:01:28,160 --> 00:01:30,320 Speaker 1: Get back to the safe house as soon as possible. 20 00:01:31,080 --> 00:01:33,600 Speaker 1: The guys will explain it to you. I just wanted 21 00:01:33,640 --> 00:01:39,120 Speaker 1: to call it and say I love you, baby, I 22 00:01:39,200 --> 00:01:47,320 Speaker 1: love you too? What what what's go on? I'll drawl 23 00:01:47,360 --> 00:01:49,800 Speaker 1: there by up freak you head out the back. I'm 24 00:01:49,840 --> 00:01:53,600 Speaker 1: too old to end fine, baby girl, get along, so 25 00:01:54,080 --> 00:01:55,960 Speaker 1: I'm not going anywhere. To give my brother out of 26 00:01:56,000 --> 00:01:59,120 Speaker 1: here for me. As soon as the bullets start flying, 27 00:01:59,320 --> 00:02:05,480 Speaker 1: you two are that that Jory? Okay, hey, go alright, 28 00:02:06,680 --> 00:02:37,520 Speaker 1: let's do this. Let's make it count. Welcome to Solve, 29 00:02:37,960 --> 00:02:41,520 Speaker 1: the interactive mystery podcast where you don't just hear about crimes, 30 00:02:42,040 --> 00:02:44,800 Speaker 1: you solve them. Each episode will present you with a 31 00:02:44,840 --> 00:02:48,880 Speaker 1: different case inspired by a true crime. You'll interrogate suspects, 32 00:02:49,160 --> 00:02:53,280 Speaker 1: piece together evidence, and investigate the crime scene. This is 33 00:02:53,320 --> 00:02:56,799 Speaker 1: your case, but today you're not the detective. You're part 34 00:02:56,840 --> 00:02:58,920 Speaker 1: of a gang of bank robbers trying to root out 35 00:02:58,960 --> 00:03:01,880 Speaker 1: a rat. Can you solve? Who talked to the cops? 36 00:03:02,840 --> 00:03:15,839 Speaker 1: Solve presents the rat? Shit? Where are they? Oh? My god? 37 00:03:16,919 --> 00:03:21,200 Speaker 1: What the hell happened? We got busted? Baby girl took 38 00:03:21,200 --> 00:03:25,600 Speaker 1: one in a size. It's not bad. Oh, and where 39 00:03:25,600 --> 00:03:29,080 Speaker 1: the funk were you? Pete? The cops had the place surrounded. 40 00:03:29,080 --> 00:03:32,200 Speaker 1: I couldn't get closed. Oh some getaway driver you are, Pete? 41 00:03:32,560 --> 00:03:35,520 Speaker 1: I had to spend the past hour crawling through backyards. Johnson, 42 00:03:35,640 --> 00:03:39,240 Speaker 1: her blade nass over fences. I'm fine. I've been driving 43 00:03:39,240 --> 00:03:43,160 Speaker 1: around looking for you for an hour. Hello, you son 44 00:03:43,160 --> 00:03:45,080 Speaker 1: of a bitch, You son of a b yould this? 45 00:03:45,640 --> 00:03:47,520 Speaker 1: He did not, swear to God, I didn't. Oh yeah, 46 00:03:47,640 --> 00:03:49,560 Speaker 1: tell me how the bank manager gets the coach of 47 00:03:49,600 --> 00:03:51,680 Speaker 1: the fucking vault wrong. It was, it was all just 48 00:03:51,760 --> 00:03:56,400 Speaker 1: happening so fast. I think I think I was disassociating. Listen, 49 00:03:56,640 --> 00:03:59,400 Speaker 1: the alarms didna make a difference. The cops were already there. 50 00:03:59,720 --> 00:04:03,120 Speaker 1: Shut up, Just shut up, listen. Police department tells us 51 00:04:03,160 --> 00:04:06,480 Speaker 1: that the police received an anonymous phone call notifying them 52 00:04:06,520 --> 00:04:10,320 Speaker 1: of the exact time the heist would occur. We're now 53 00:04:10,320 --> 00:04:13,400 Speaker 1: receiving confirmation that among the two dead at the attempted 54 00:04:13,400 --> 00:04:16,839 Speaker 1: Crown Trust Bank heist is Eddie Doyle, leader of the 55 00:04:16,920 --> 00:04:20,320 Speaker 1: Doyle Gang of bank robbers who have been terrorizing citizens 56 00:04:20,360 --> 00:04:24,400 Speaker 1: across the Northeast. We'll keep you informed as this breaking story. 57 00:04:24,520 --> 00:04:33,520 Speaker 1: To Frank Eddie, I can't believe it. Okay, okay, somebody 58 00:04:33,839 --> 00:04:35,960 Speaker 1: called the cups and it had to be someone in 59 00:04:35,960 --> 00:04:39,400 Speaker 1: this room, Pete, Willie, Daisy, what about baby girl? What 60 00:04:39,440 --> 00:04:41,800 Speaker 1: about me bit I said it could be anyone. I 61 00:04:41,800 --> 00:04:52,640 Speaker 1: guess that means it could be you two, Alonso, Do 62 00:04:52,720 --> 00:04:55,320 Speaker 1: you really think I'd do anything to get my own 63 00:04:55,360 --> 00:04:59,680 Speaker 1: brother killed? Eddie was my idol. Sure there was some 64 00:04:59,720 --> 00:05:04,080 Speaker 1: sib rivalry or whatever. We get into it. That's what 65 00:05:04,200 --> 00:05:11,920 Speaker 1: brothers do, right. It's just not a big enough score, Alonso. 66 00:05:12,680 --> 00:05:16,200 Speaker 1: The cash on hand, sure, But the safety deposit boxes, 67 00:05:16,800 --> 00:05:18,520 Speaker 1: that's what I am a fisk banks are known for. 68 00:05:19,080 --> 00:05:21,680 Speaker 1: Can you say for sure what's in those boxes? No? 69 00:05:22,440 --> 00:05:29,400 Speaker 1: Come on, excuse your damn head. Thanks baby, you got it? Okay, Daisy, 70 00:05:29,600 --> 00:05:34,200 Speaker 1: what do you think now I'm with fisk Um. Well, 71 00:05:34,200 --> 00:05:37,120 Speaker 1: if I'm being honest, it kind of seems small time. 72 00:05:39,120 --> 00:05:42,560 Speaker 1: I mean, what are you a fucking amateur? Not the 73 00:05:42,600 --> 00:05:45,080 Speaker 1: first time a woman puts you in your place? Alonzo? 74 00:05:45,320 --> 00:05:49,160 Speaker 1: Fuck you, Frank? Who the fuck at the door? Relax, 75 00:05:49,440 --> 00:05:52,719 Speaker 1: it's a friend. Oh, I'm sorry. I thought this was 76 00:05:52,760 --> 00:05:55,600 Speaker 1: a safe house. Didn't realize we could have play dates 77 00:05:55,680 --> 00:05:59,160 Speaker 1: over here. Guys, this is the new kid I was 78 00:05:59,200 --> 00:06:03,679 Speaker 1: telling you about. Pete. Uh, Pete met the guys. Hi, everyone, 79 00:06:04,120 --> 00:06:07,200 Speaker 1: you brought a stranger to the safe Come on, Pete's 80 00:06:07,200 --> 00:06:12,280 Speaker 1: no stranger. He's cool. All right. I vouched for him. 81 00:06:12,320 --> 00:06:14,719 Speaker 1: I was stoked to meet Eddie Doyle. I mean, the 82 00:06:14,760 --> 00:06:17,600 Speaker 1: guy is a legend. I read about all these incredible 83 00:06:17,680 --> 00:06:20,080 Speaker 1: heisty pull off It was like the good old days, 84 00:06:20,080 --> 00:06:25,000 Speaker 1: you know, a classic motherfucking gangster. I just knew I 85 00:06:25,000 --> 00:06:27,120 Speaker 1: could help, and the only way to get in with 86 00:06:27,240 --> 00:06:33,040 Speaker 1: Eddie Doyle was to bring something to the table. Listen, kid, 87 00:06:34,040 --> 00:06:37,760 Speaker 1: pete is it this isn't a good time. We're discussing 88 00:06:37,800 --> 00:06:44,839 Speaker 1: sensitive matters. I haven't in at the Crown Trust. Crown Trust, 89 00:06:45,640 --> 00:06:50,039 Speaker 1: uh with one of the piece of them for years. Okay, 90 00:06:50,720 --> 00:06:57,000 Speaker 1: I have a sea kid speak. Okay, So my downstairs neighbor, right, 91 00:06:57,120 --> 00:06:59,920 Speaker 1: he's his bank manager, real down on his luck, old funk. 92 00:07:00,400 --> 00:07:02,600 Speaker 1: His ex is taken him for half. The guy's looking 93 00:07:02,640 --> 00:07:05,719 Speaker 1: for some off the book's income. You know, would he 94 00:07:05,760 --> 00:07:13,239 Speaker 1: be an inside man? I mean you'd have to ask him. 95 00:07:14,360 --> 00:07:16,800 Speaker 1: I did everything I was supposed to do. I swear 96 00:07:16,840 --> 00:07:20,000 Speaker 1: to God. I swear to God, please please don't kill me. 97 00:07:20,960 --> 00:07:24,760 Speaker 1: I never talked to the cops. I hate cops. My 98 00:07:24,920 --> 00:07:28,560 Speaker 1: ex wife sucking a cop. Why would I tip them off? 99 00:07:29,040 --> 00:07:35,200 Speaker 1: I just wanted to help Eddie Ranks, my neighbor. I 100 00:07:35,240 --> 00:07:38,000 Speaker 1: was telling you about Willie. Oh, it's a real honor 101 00:07:38,000 --> 00:07:41,559 Speaker 1: and a pleasure to meet you. You've got two minutes. Okay, Well, 102 00:07:42,160 --> 00:07:45,960 Speaker 1: I'm I've been the manager at Crown Trust for ten years. 103 00:07:45,960 --> 00:07:49,440 Speaker 1: We douche bag. Did anybody ask your fucking biography? Tell 104 00:07:49,520 --> 00:07:53,760 Speaker 1: us about the vault? Right? Yeah? It's uh, I mean 105 00:07:54,520 --> 00:07:58,040 Speaker 1: you know right, it's it's impenetrable. Uh. I don't know 106 00:07:58,640 --> 00:08:02,000 Speaker 1: much about the technical side, but I know any unauthorized 107 00:08:02,000 --> 00:08:04,880 Speaker 1: attempt will trigger the alarm and immediately alert the police. 108 00:08:05,480 --> 00:08:08,960 Speaker 1: And you obviously have the code. Yes, yes, I'm the 109 00:08:09,000 --> 00:08:12,160 Speaker 1: only one that knows it. Nobody's allowed him but me. 110 00:08:12,600 --> 00:08:15,200 Speaker 1: But if I were to be held up at gunpoint, 111 00:08:15,800 --> 00:08:18,400 Speaker 1: I would have no choice but to follow the commands 112 00:08:18,400 --> 00:08:22,080 Speaker 1: and open the vault. That's policy. What do you want 113 00:08:22,120 --> 00:08:25,200 Speaker 1: in return? Oh? I don't know. I haven't really thought 114 00:08:25,200 --> 00:08:34,079 Speaker 1: about I guess uh, twenty. You haven't even hit a 115 00:08:34,160 --> 00:08:36,720 Speaker 1: number that would prevent me from tossing you over this dock. 116 00:08:37,480 --> 00:08:52,720 Speaker 1: Ten eight. Bye. Yeah, there's a good boy. Good job, Willie. 117 00:08:53,360 --> 00:08:55,480 Speaker 1: Do you think you did great? I thought i'd handled 118 00:08:55,480 --> 00:09:01,280 Speaker 1: myself pretty good. You did, you? Really did you? I 119 00:09:01,280 --> 00:09:03,760 Speaker 1: don't think you should do it The wheels are already 120 00:09:03,760 --> 00:09:05,959 Speaker 1: in motion. You're telling me you can't put the brakes 121 00:09:05,960 --> 00:09:08,440 Speaker 1: on when you own the car. I guess my question 122 00:09:08,440 --> 00:09:12,640 Speaker 1: would be why it's risky. It's not one of these 123 00:09:12,840 --> 00:09:15,960 Speaker 1: community banks you could go down for this. I take 124 00:09:16,000 --> 00:09:18,000 Speaker 1: your point to heart. If this didn't feel like part 125 00:09:18,040 --> 00:09:20,800 Speaker 1: of a larger narrative with you lately, well what about 126 00:09:20,840 --> 00:09:24,200 Speaker 1: that narrative? Do you really need more money? You ever 127 00:09:24,280 --> 00:09:27,520 Speaker 1: hear of retirement retirements? The number one killer getting shot 128 00:09:27,520 --> 00:09:29,880 Speaker 1: in the head, Robbing the bank is number two. All 129 00:09:29,960 --> 00:09:32,080 Speaker 1: let's talk about giving up on the life. This is 130 00:09:32,080 --> 00:09:35,400 Speaker 1: the only life I know, Daisy. What about starting a 131 00:09:35,440 --> 00:09:38,560 Speaker 1: new life you and me and leave the guys behind 132 00:09:39,120 --> 00:09:44,199 Speaker 1: their family. Well, we could start a family. I mean 133 00:09:44,280 --> 00:09:46,160 Speaker 1: I'd like that, and we both know that will never 134 00:09:46,160 --> 00:09:49,200 Speaker 1: happen so long as you're in the business. The business 135 00:09:49,240 --> 00:09:53,920 Speaker 1: is paying for this food were eaten. What's more important 136 00:09:53,960 --> 00:09:59,440 Speaker 1: to you, Eddie, the money or me? Maybe I've known 137 00:09:59,480 --> 00:10:08,360 Speaker 1: the money long. Yeah. I felt for the bad boy. 138 00:10:09,440 --> 00:10:11,520 Speaker 1: I guess that was stupid of me ever to expect 139 00:10:11,640 --> 00:10:15,240 Speaker 1: him to change, But I really did want to start 140 00:10:15,240 --> 00:10:18,480 Speaker 1: a family with him. I think on some level he 141 00:10:18,520 --> 00:10:22,720 Speaker 1: wanted that too, but he had other people in his ear. 142 00:10:26,120 --> 00:10:28,640 Speaker 1: All right, everybody, thanks for coming. No, kids, shut the 143 00:10:28,679 --> 00:10:32,720 Speaker 1: funk up. Yes, sorry, all right, let's get down to business. 144 00:10:33,440 --> 00:10:36,040 Speaker 1: Do we have enough guns? Do you think we don't? 145 00:10:36,520 --> 00:10:38,040 Speaker 1: If the gods get called, we might have to shoot 146 00:10:38,040 --> 00:10:40,880 Speaker 1: our way out. Jesus, I think we go with our 147 00:10:40,960 --> 00:10:43,760 Speaker 1: usual amount. Hang on, baby girls, got a point, bro, 148 00:10:44,360 --> 00:10:47,840 Speaker 1: This is a bigger job, bigger risk. Why, thank you Alonso, 149 00:10:48,040 --> 00:10:51,400 Speaker 1: Finally a voice of reason around here. Fine, baby girl, 150 00:10:51,720 --> 00:10:54,680 Speaker 1: you can run the armory, new kid. Yeah, you drive 151 00:10:54,760 --> 00:10:59,880 Speaker 1: the car? You got your license? Right? No, Jesus, excuse me? 152 00:11:00,000 --> 00:11:03,200 Speaker 1: What then you told me you did? Never jove, I 153 00:11:03,240 --> 00:11:04,720 Speaker 1: know how driver. I just don't have a license. I 154 00:11:04,720 --> 00:11:06,360 Speaker 1: know I drive, don't I know how to drive? Guys, 155 00:11:06,679 --> 00:11:09,080 Speaker 1: we leave here at three pm. It's a fifteen minute 156 00:11:09,120 --> 00:11:11,160 Speaker 1: drive to the bank. We're through those doors at three 157 00:11:11,240 --> 00:11:14,880 Speaker 1: fift and do I come in or do I stay 158 00:11:14,880 --> 00:11:17,360 Speaker 1: in the car? Got it? Alonso and I are gonna 159 00:11:17,360 --> 00:11:20,439 Speaker 1: walk Willie to the back where he opens the bolt. Willie, 160 00:11:20,600 --> 00:11:24,440 Speaker 1: how many employees at the time? We should have six 161 00:11:24,480 --> 00:11:28,880 Speaker 1: tillers at four bankers. Okay, that's fine. Frank and baby girl. 162 00:11:28,960 --> 00:11:31,920 Speaker 1: On crowd control, what do I do? Ready? You wait 163 00:11:31,960 --> 00:11:41,080 Speaker 1: back here, give me a minute. Everyone, Hey, slow down, 164 00:11:41,200 --> 00:11:43,800 Speaker 1: you're pushing me out. You didn't even want this job 165 00:11:43,880 --> 00:11:45,679 Speaker 1: to go down in the first place. Yeah, but now 166 00:11:45,679 --> 00:11:47,560 Speaker 1: that it is, I shouldn't be sidelined like I'm your 167 00:11:47,600 --> 00:11:51,360 Speaker 1: dumb trophy girlfriend. Hey, Daisy, come on, that's not why 168 00:11:51,760 --> 00:11:54,800 Speaker 1: I'm not pushing you out. Trying to keep you safe. Okay, 169 00:11:55,800 --> 00:11:59,160 Speaker 1: you said it yourself, this is dangerous. I couldn't live 170 00:11:59,240 --> 00:12:01,839 Speaker 1: with myself if anything happened to you, so I need 171 00:12:01,880 --> 00:12:05,480 Speaker 1: you as far away from it as possible. Once this 172 00:12:05,640 --> 00:12:08,640 Speaker 1: is done, we'll go away on a big trip. Okay. Well, 173 00:12:09,080 --> 00:12:11,600 Speaker 1: after this job we can travel the old fucking globe. 174 00:12:12,280 --> 00:12:15,960 Speaker 1: So just wait here. No better yet. I'm gonna send 175 00:12:15,960 --> 00:12:21,079 Speaker 1: you to one of those spas. You're like, really, yeah, 176 00:12:21,400 --> 00:12:23,960 Speaker 1: which one you want to go to? I don't know. 177 00:12:24,920 --> 00:12:31,600 Speaker 1: Come on, I guess Christo Falls. Crystal Falls. That's two 178 00:12:31,600 --> 00:12:34,040 Speaker 1: hours away. Why not to win a little spring? What 179 00:12:34,160 --> 00:12:38,680 Speaker 1: one is not as nice? Okay? Okay, whatever my girl wants. 180 00:12:39,520 --> 00:12:47,560 Speaker 1: Now let's get back inside. Huh okay any of you? So? 181 00:12:47,760 --> 00:12:50,400 Speaker 1: Does everyone like the plan? I think it's genius. Boss, 182 00:12:50,400 --> 00:12:53,520 Speaker 1: you would, Hey, I'm sorry you got something to say 183 00:12:53,520 --> 00:12:56,880 Speaker 1: to me. I couldn't quite hear you. You know what, Eddie? 184 00:12:56,960 --> 00:12:58,600 Speaker 1: Can I borrow your keys for a bit? I think 185 00:12:58,600 --> 00:13:01,560 Speaker 1: I'm gonna head home. That's twice she's walked out in 186 00:13:01,600 --> 00:13:09,120 Speaker 1: even five minutes, Eddie. That girl's temperamental. Do you know 187 00:13:09,160 --> 00:13:13,880 Speaker 1: who the rat is? Don't you? It's Daisy. She's overly emotional. 188 00:13:14,400 --> 00:13:21,520 Speaker 1: She's intimidated by strong women like me. Fuck anyway, I 189 00:13:21,559 --> 00:13:23,199 Speaker 1: don't trust her as far as I can throw her. 190 00:13:23,280 --> 00:13:28,080 Speaker 1: And I'm a strong bitch. So that's pretty far, Willie. 191 00:13:28,960 --> 00:13:32,320 Speaker 1: What's the deal with this ball? Yes? Well, it's a 192 00:13:32,400 --> 00:13:35,600 Speaker 1: key code changes every week. You have to enter in 193 00:13:35,600 --> 00:13:41,160 Speaker 1: correctly on the first attempt. Or what the hell are 194 00:13:41,160 --> 00:13:47,319 Speaker 1: you doing? Leave the kiddle up? All right? Enough enough, Frank? 195 00:13:47,440 --> 00:13:52,360 Speaker 1: What the hell? Kids a wreck? You up? And you 196 00:13:52,480 --> 00:13:54,520 Speaker 1: vouched for the son of a picture Losso? Yeah? I do. 197 00:13:54,760 --> 00:13:57,959 Speaker 1: He's cool. He's not a rat. I've known Peck for years. 198 00:13:58,040 --> 00:14:01,040 Speaker 1: This old man's a cop. You ever tell you that. 199 00:14:03,960 --> 00:14:07,199 Speaker 1: I haven't talked to my dad since I was a kid. Okay, 200 00:14:07,360 --> 00:14:08,719 Speaker 1: he walked out of me and my mom when I 201 00:14:08,760 --> 00:14:11,120 Speaker 1: was thirteen years old. I don't talk to him. I 202 00:14:11,120 --> 00:14:14,440 Speaker 1: don't think about him. I barely even remember the fucking guy. 203 00:14:17,760 --> 00:14:20,720 Speaker 1: What I do remember is how nothing I ever did 204 00:14:20,760 --> 00:14:22,800 Speaker 1: was ever good enough for him. I would do things 205 00:14:22,840 --> 00:14:25,520 Speaker 1: like try and make him proud, try and impress him. 206 00:14:25,560 --> 00:14:27,640 Speaker 1: I never got so much as an ad of boy. 207 00:14:28,440 --> 00:14:31,640 Speaker 1: I hate him. I hate cops. I never read anybody 208 00:14:31,680 --> 00:14:36,880 Speaker 1: out to them. I swear to God. He stopped paying 209 00:14:36,920 --> 00:14:38,800 Speaker 1: child support while I was still in high school. He 210 00:14:38,840 --> 00:14:40,720 Speaker 1: has nothing to do with me, and I have nothing 211 00:14:40,720 --> 00:14:46,480 Speaker 1: to do with him. Alonzo still vouch for him. I 212 00:14:46,880 --> 00:14:55,000 Speaker 1: never heard him mention a dad. I believe him. All right, Well, kid, 213 00:14:55,520 --> 00:14:58,160 Speaker 1: I trust my brother's judgment, but you're gonna have to 214 00:14:58,160 --> 00:15:06,680 Speaker 1: pass the test first. So, uh, where are we? Do 215 00:15:06,720 --> 00:15:09,400 Speaker 1: you know? The little May family? Yeah? I mean you 216 00:15:09,400 --> 00:15:12,400 Speaker 1: guys have been like rivals for years. Well, Levi La 217 00:15:12,480 --> 00:15:17,320 Speaker 1: May owns this shop right here, okay, and you're gonna 218 00:15:17,400 --> 00:15:21,440 Speaker 1: rob it? Fuck Eddie, Come on, Alonso, I'm not a cop, 219 00:15:21,520 --> 00:15:24,080 Speaker 1: and you'll prove that to us by going through that 220 00:15:24,120 --> 00:15:26,480 Speaker 1: door and telling him to empty the register and the 221 00:15:26,600 --> 00:15:30,960 Speaker 1: safe into this bag. Eddie, please no get moving. Kids 222 00:15:37,840 --> 00:15:45,280 Speaker 1: gonna help you, son? Uh? Yeah? Can I give me 223 00:15:45,360 --> 00:15:48,800 Speaker 1: everything that's in the Troy in the safe? So are 224 00:15:48,880 --> 00:15:54,920 Speaker 1: you seriously trying to rob a gun shop. Just just 225 00:15:55,120 --> 00:15:57,560 Speaker 1: do what I say, old man or whoa whoa wait, 226 00:15:57,560 --> 00:16:00,400 Speaker 1: please put that down. I'll put you down, you son 227 00:16:00,440 --> 00:16:09,600 Speaker 1: him a bishop? What about who is the fucking bo 228 00:16:11,640 --> 00:16:19,320 Speaker 1: And don't show your face around my shot. Come on, 229 00:16:19,400 --> 00:16:27,640 Speaker 1: get in no time, come on, just dive in. Hey 230 00:16:28,360 --> 00:16:42,040 Speaker 1: you didn't die, You passed the test. Cheers. So what 231 00:16:42,080 --> 00:16:45,920 Speaker 1: do you think, Alonso? The kid? All right, he's fine. 232 00:16:48,440 --> 00:16:53,240 Speaker 1: But you know that that whole thing got me thinking 233 00:16:53,960 --> 00:16:57,840 Speaker 1: maybe we should be hitting up something other than banks. Huh, Yeah, 234 00:16:57,840 --> 00:17:01,160 Speaker 1: I want to mix it up. Banks are big jobs, 235 00:17:01,560 --> 00:17:05,000 Speaker 1: but little shops with fat registers. Look at have a 236 00:17:06,160 --> 00:17:09,919 Speaker 1: sustained supplemental income kind of thing, like a like a 237 00:17:09,960 --> 00:17:15,040 Speaker 1: side hustle, a side hustle. Yeah, I mean, how how's 238 00:17:15,080 --> 00:17:18,840 Speaker 1: that sound to you? Eddie? Well, Alonso, that sounds pretty 239 00:17:18,840 --> 00:17:24,480 Speaker 1: fucking stupid if I'm being honest, Okay, I I was 240 00:17:24,560 --> 00:17:27,320 Speaker 1: just trying to hire volume jobs means more chances to 241 00:17:27,359 --> 00:17:30,760 Speaker 1: get busted. We do low volume, high return jobs to 242 00:17:30,800 --> 00:17:35,919 Speaker 1: mitigate that risk, understand. Yeah, yeah, yeah, sure, I was 243 00:17:36,000 --> 00:17:38,920 Speaker 1: just thinking. I don't pay you to thank Alonso, leave 244 00:17:38,960 --> 00:17:45,199 Speaker 1: that to me. Eddie was always the smartest guy in 245 00:17:45,200 --> 00:17:49,600 Speaker 1: the room. Just to ask him. He liked to remind 246 00:17:49,680 --> 00:17:52,760 Speaker 1: me that he'd always be the boss that I served 247 00:17:52,760 --> 00:17:57,439 Speaker 1: at his pleasure. Yeah, he kind of always treated me 248 00:17:57,480 --> 00:18:02,000 Speaker 1: more like an employee than a brother, you know. All right, 249 00:18:02,800 --> 00:18:09,080 Speaker 1: thanks for the drink. Oh hey, hey, baby girl, h 250 00:18:09,680 --> 00:18:12,000 Speaker 1: what do you what are you? What are you doing 251 00:18:12,080 --> 00:18:15,560 Speaker 1: here showing the boss the guns? What's it to you? Oh? No, no, no, nothing, nothing, 252 00:18:15,640 --> 00:18:20,800 Speaker 1: that's that's good. Maybe I'll stick around Alonzo, Will you 253 00:18:20,840 --> 00:18:23,320 Speaker 1: get the funk out of here. I'm in the mood 254 00:18:23,320 --> 00:18:29,680 Speaker 1: for more pleasant company, right yeah, right, well I'll I'll 255 00:18:29,680 --> 00:18:33,359 Speaker 1: see you, baby girl. Thanks for the drink. Eddy m 256 00:18:33,600 --> 00:18:38,760 Speaker 1: hm the VT s s N. This thing is sick 257 00:18:38,840 --> 00:18:43,919 Speaker 1: as fuck. Thirty round mag armor piercing bullets. There's a 258 00:18:44,000 --> 00:18:47,840 Speaker 1: standard issue for Russian military. I got two, one for 259 00:18:47,880 --> 00:18:51,840 Speaker 1: you and one for me. I'm happy with my semi attos. 260 00:18:52,400 --> 00:18:54,879 Speaker 1: Give it to Frank. Bet it'll put a smile on 261 00:18:54,920 --> 00:18:59,600 Speaker 1: the old man's face. You know something about you holding 262 00:18:59,640 --> 00:19:03,000 Speaker 1: that gun and you haven't called me in a while. 263 00:19:03,640 --> 00:19:07,480 Speaker 1: Been busy been with her. Hey, you watch your tongue. 264 00:19:07,680 --> 00:19:18,080 Speaker 1: Why don't you watch it? M hm h h. Yeah 265 00:19:18,760 --> 00:19:22,440 Speaker 1: he was more than just a boss. Okay, Tasty could 266 00:19:22,480 --> 00:19:26,600 Speaker 1: never give him what he needed. I just wish we 267 00:19:26,680 --> 00:19:29,439 Speaker 1: had the chance for it to be just him and me, 268 00:19:30,040 --> 00:19:40,360 Speaker 1: you know, instead of him me and her. H m hmm, 269 00:19:41,320 --> 00:19:45,720 Speaker 1: that's right. Yes, the appointment is for through fifteen. Thank 270 00:19:45,760 --> 00:19:49,720 Speaker 1: you so much. Who's that on the phone. I was 271 00:19:49,760 --> 00:19:52,480 Speaker 1: just booking my SPA day. Thanks to you, my love. 272 00:19:54,000 --> 00:19:58,520 Speaker 1: You deserve it. Hey, Alonzo, let's go over some things. 273 00:20:00,480 --> 00:20:04,760 Speaker 1: So the spa must be fucking nice. All the rest 274 00:20:04,800 --> 00:20:07,479 Speaker 1: of us are doing our job, the parts of being 275 00:20:07,560 --> 00:20:15,199 Speaker 1: number one, not just a side piece slut. Do you 276 00:20:15,200 --> 00:20:18,720 Speaker 1: think I'm stupid? Of course I knew. I guess I 277 00:20:18,760 --> 00:20:20,880 Speaker 1: just thought that one day Eddie really would give up 278 00:20:20,920 --> 00:20:25,119 Speaker 1: the life, he'd be away from her. You could just 279 00:20:25,359 --> 00:20:32,000 Speaker 1: focus on us and setting things right. Maybe I am stupid. 280 00:20:37,320 --> 00:20:42,560 Speaker 1: I don't want to talk. I just don't want to them. Okay, 281 00:20:42,640 --> 00:20:46,680 Speaker 1: I don't know what's going on. Will He is getting 282 00:20:46,680 --> 00:20:55,520 Speaker 1: cold feet? No, I didn't say that. What's the problem, Willie. Oh, 283 00:20:55,560 --> 00:21:01,000 Speaker 1: I'm just concerned that I'll get caught, are killed, or 284 00:21:01,400 --> 00:21:05,440 Speaker 1: or that you'll kill me. Anyway, Hey, listen to me. 285 00:21:06,200 --> 00:21:10,040 Speaker 1: Nobody's gonna hurt you. Okay. When you run with Eddie Doyle, 286 00:21:10,280 --> 00:21:13,320 Speaker 1: you're taken care of He looks after us, and we 287 00:21:13,400 --> 00:21:16,439 Speaker 1: look after him. There's not one of us who wouldn't 288 00:21:16,440 --> 00:21:22,400 Speaker 1: bend over backwards for him, right, Daisy, Yeah, that's right. 289 00:21:26,240 --> 00:21:29,480 Speaker 1: I saw the look between Daisy and baby Girl. That's 290 00:21:29,520 --> 00:21:33,560 Speaker 1: when I pieced it together, seeing Baby Girl and Eddie's 291 00:21:33,560 --> 00:21:36,840 Speaker 1: that night. What does she always treated me like I'm invisible? 292 00:21:38,080 --> 00:21:43,560 Speaker 1: She only had eyes for my brother. Will you turn 293 00:21:43,640 --> 00:21:47,040 Speaker 1: that light off? I'm just taking my earrings out. I 294 00:21:47,119 --> 00:21:51,320 Speaker 1: need some sleep. I was going to be a busy day. 295 00:21:52,040 --> 00:21:55,280 Speaker 1: What if you just didn't go? What come on, Eddie, 296 00:21:55,920 --> 00:21:58,320 Speaker 1: let's just get out of here. We'll start a new 297 00:21:58,359 --> 00:22:03,800 Speaker 1: life together tonight, babe. All right, I'm really just tired. 298 00:22:03,960 --> 00:22:12,360 Speaker 1: All right, let's get some sleep. Okay, okay, look at 299 00:22:12,359 --> 00:22:22,480 Speaker 1: the lights. We're here. Everybody out of the car. Kid, 300 00:22:22,800 --> 00:22:25,199 Speaker 1: two loops around the block, then right back here. You 301 00:22:25,280 --> 00:22:32,480 Speaker 1: got a boss. Afternoon everyone. This is a robbery. On 302 00:22:32,480 --> 00:22:35,800 Speaker 1: the floor. Get on the board over there, face on 303 00:22:35,840 --> 00:22:40,440 Speaker 1: the fucking marble. I sit down, Frank, you gotta handled here, 304 00:22:40,640 --> 00:22:43,600 Speaker 1: got it? You hit back? Thank you? The manager? Uh? 305 00:22:44,040 --> 00:22:47,080 Speaker 1: Well I suppose that, yes, yes, I Alonso. Come on, 306 00:22:47,280 --> 00:22:54,200 Speaker 1: let's get him to the vault. Come on, what are 307 00:22:54,200 --> 00:23:00,359 Speaker 1: you waiting for all right. Sorry, Okay, into the code, Willie. 308 00:23:01,119 --> 00:23:04,960 Speaker 1: You do know the code? Yeah, it's just it feels 309 00:23:05,000 --> 00:23:10,200 Speaker 1: like the room is spinning, Willie. Into the fucking code. Okay. 310 00:23:12,320 --> 00:23:16,280 Speaker 1: Uh huh? The hell is this? What's it sound like? Eddie? 311 00:23:16,640 --> 00:23:20,000 Speaker 1: You're inside? Man scrow Dius. No, no, no, no, no, no, 312 00:23:20,040 --> 00:23:24,280 Speaker 1: I didn't do this. I didn't mean to. Oh my god, 313 00:23:25,119 --> 00:23:27,880 Speaker 1: I think I'm having a heart attack. Loss. You're gonna 314 00:23:27,920 --> 00:23:30,880 Speaker 1: want to get out of here, Bonzo, try and make 315 00:23:30,880 --> 00:23:33,240 Speaker 1: sure Willie here doesn't die before we get a chance 316 00:23:33,280 --> 00:23:46,760 Speaker 1: to kill him. Holy shit, we have fucking alarm. No, 317 00:23:46,920 --> 00:23:50,240 Speaker 1: when it comes to the what are you saying that? 318 00:23:50,359 --> 00:23:55,400 Speaker 1: We gotta fucking rent? That's exactly what, God damn it. Now, 319 00:23:55,440 --> 00:23:57,600 Speaker 1: what are we gonna do? I've been in jobs where 320 00:23:57,600 --> 00:24:00,320 Speaker 1: they've gone back the only way some of this good 321 00:24:00,320 --> 00:24:02,480 Speaker 1: our lives. We draw all the cups, fire the front, 322 00:24:03,520 --> 00:24:09,320 Speaker 1: turning to work all our coma right now, non, Hey, 323 00:24:09,800 --> 00:24:12,240 Speaker 1: what are you guys saying about talking? Stay on the 324 00:24:12,240 --> 00:24:16,800 Speaker 1: ground and shut the fuck up. What's the plan? Boss? 325 00:24:17,880 --> 00:24:22,080 Speaker 1: I'll call it Daisy. No, we got a fucking situation here, Eddie, 326 00:24:22,240 --> 00:24:32,000 Speaker 1: baby girl, Eddy, what's going on? Where are you Daisy, 327 00:24:33,040 --> 00:24:37,479 Speaker 1: I'm still at the spot. What's the what's that alarm? Listen? 328 00:24:38,560 --> 00:24:40,720 Speaker 1: Get back to the safe house as soon as possible. 329 00:24:41,480 --> 00:24:44,000 Speaker 1: The guys will explain it to you. I just wanted 330 00:24:44,000 --> 00:24:49,760 Speaker 1: to call it say I love you, baby, I love 331 00:24:49,840 --> 00:24:58,720 Speaker 1: you too? What what? What's I'll draw all their byre freak. 332 00:24:59,000 --> 00:25:02,240 Speaker 1: You head out the back. I'm too old to run, Eddie. Fine, 333 00:25:02,760 --> 00:25:04,880 Speaker 1: baby Girl, get a long o you. I'm not going 334 00:25:04,880 --> 00:25:07,240 Speaker 1: anywhere to get my brother out of here for me. 335 00:25:08,040 --> 00:25:10,159 Speaker 1: As soon as the bullets start flying, you two are 336 00:25:10,200 --> 00:25:16,240 Speaker 1: out that back door. Okay, Hey, go all right, Frankie, 337 00:25:17,080 --> 00:25:48,480 Speaker 1: let's do this. Let's make a country where you've reached 338 00:25:48,520 --> 00:25:51,520 Speaker 1: the end of the investigation. It's time to decide who 339 00:25:51,600 --> 00:25:56,240 Speaker 1: you think the rat is. Here are your suspects, Eddie's 340 00:25:56,280 --> 00:26:00,040 Speaker 1: brother Alonzo seeing Baby Girl and Eddie sat night? And 341 00:26:00,320 --> 00:26:03,720 Speaker 1: what does she always treated me like I'm invisible? She 342 00:26:03,920 --> 00:26:10,040 Speaker 1: only had eyes for my brother, Eddie's girlfriend, Daisy. That's 343 00:26:10,080 --> 00:26:15,560 Speaker 1: more important to you any the money on me his mistress. 344 00:26:16,040 --> 00:26:19,320 Speaker 1: Baby Girl, you haven't called me in a while, been 345 00:26:19,400 --> 00:26:23,560 Speaker 1: busy been with her? Hey, you watch your tongue. The 346 00:26:23,640 --> 00:26:28,119 Speaker 1: new kid Pete's wretching. Wait, are you sucked the fun up, 347 00:26:28,680 --> 00:26:30,800 Speaker 1: and you vouched for the son of a pictul. Also, yeah, 348 00:26:30,840 --> 00:26:34,919 Speaker 1: I do this. Old man's a cop or the bank manager, Willie. 349 00:26:35,320 --> 00:26:40,480 Speaker 1: I'm just concerned that I'll get caught or or killed, 350 00:26:40,600 --> 00:26:44,480 Speaker 1: or or that you'll kill me. Anyway, we'll be back 351 00:26:44,600 --> 00:26:56,639 Speaker 1: with the answer after a word from our sponsor. Now 352 00:26:56,720 --> 00:27:00,520 Speaker 1: it's time to find out who the rat was. The 353 00:27:00,640 --> 00:27:06,359 Speaker 1: rat was Eddie's girlfriend, Daisy. Daisy felt betrayed and humiliated 354 00:27:06,400 --> 00:27:10,159 Speaker 1: by Eddie's ongoing affair with baby Girl and constantly choosing 355 00:27:10,200 --> 00:27:12,879 Speaker 1: a life of crime over a life with her. I 356 00:27:13,000 --> 00:27:16,000 Speaker 1: felt for the bad boy. I guess that was stupid 357 00:27:16,040 --> 00:27:18,640 Speaker 1: of me ever to expect him to change. The first 358 00:27:18,760 --> 00:27:20,920 Speaker 1: clue that Daisy was lying was when she claimed to 359 00:27:20,960 --> 00:27:24,320 Speaker 1: be at the spa during the heist. Where are you, Daisy? 360 00:27:26,920 --> 00:27:31,760 Speaker 1: What a spa that we know was two hours away? 361 00:27:32,760 --> 00:27:38,240 Speaker 1: I guess Christo Falls, Chrystal Falls. That's two hours away 362 00:27:38,920 --> 00:27:41,800 Speaker 1: one a little spring. Yet Daisy somehow beat the rest 363 00:27:41,840 --> 00:27:43,960 Speaker 1: of the gang back to the safe house. What the 364 00:27:44,040 --> 00:27:47,960 Speaker 1: hell happened? We got busted it. I had to spend 365 00:27:48,000 --> 00:27:51,639 Speaker 1: the past hour crawling through backyards. Dawson hubleyness over friends. 366 00:27:51,760 --> 00:27:54,760 Speaker 1: I'm fine, I've been driving around looking for you for 367 00:27:54,880 --> 00:27:57,280 Speaker 1: an hour. If the surviving gang members got back to 368 00:27:57,320 --> 00:27:59,960 Speaker 1: the safe house in an hour, there's no way Daisy 369 00:28:00,040 --> 00:28:02,280 Speaker 1: could have been there first if she was two hours away. 370 00:28:03,400 --> 00:28:07,160 Speaker 1: That's because she never made a SPA appointment. And since 371 00:28:07,240 --> 00:28:09,520 Speaker 1: we know someone made a phone call to the police, 372 00:28:10,119 --> 00:28:13,520 Speaker 1: police received an anonymous phone call notifying them of the 373 00:28:13,680 --> 00:28:17,159 Speaker 1: exact time the heist would occur. And since she was 374 00:28:17,240 --> 00:28:20,240 Speaker 1: privy to all of Eddie's plans, it's a fifteen minute 375 00:28:20,280 --> 00:28:22,320 Speaker 1: drive to the bank. Were through those doors at three? 376 00:28:23,240 --> 00:28:25,520 Speaker 1: It becomes clear that when Daisy claimed to be on 377 00:28:25,600 --> 00:28:28,560 Speaker 1: the phone with the SPA, she was actually talking to 378 00:28:28,640 --> 00:28:32,600 Speaker 1: the police. Yes, the appointment is for through Thank you 379 00:28:32,680 --> 00:28:36,600 Speaker 1: so much. Was that on the phone? I was just 380 00:28:36,680 --> 00:28:41,160 Speaker 1: booking my SPA day, Thanks to you, mym. This episode 381 00:28:41,240 --> 00:28:43,520 Speaker 1: was inspired by a true crime that took place in 382 00:28:44,800 --> 00:28:47,320 Speaker 1: when the Los Angeles bank was the latest target of 383 00:28:47,400 --> 00:28:51,280 Speaker 1: a pair of serial bank robbers armed with machine guns. 384 00:28:51,360 --> 00:28:53,720 Speaker 1: The men fired shots into the ceiling and forced the 385 00:28:53,760 --> 00:28:57,600 Speaker 1: bank's assistant manager to open the vault responding to the 386 00:28:57,680 --> 00:29:00,360 Speaker 1: sounds of gunfire. Police were waiting for the obbers in 387 00:29:00,400 --> 00:29:04,480 Speaker 1: the parking lot, where an epic shootout ensued. Both robbers 388 00:29:04,520 --> 00:29:07,160 Speaker 1: were killed and eleven officers were wounded, and what's regarded 389 00:29:07,200 --> 00:29:09,520 Speaker 1: as one of the most intense gun battles in US 390 00:29:09,600 --> 00:29:16,840 Speaker 1: police history. Eddie was played by Cody Lindley, Daisy by 391 00:29:16,960 --> 00:29:23,040 Speaker 1: Nicky mcaulay, Baby Girl by Christina Denton, Alonso by Xander Mobis, 392 00:29:23,960 --> 00:29:28,480 Speaker 1: Pete by Oliver Cooper, Frank by Joe Otchman. Willie was 393 00:29:28,520 --> 00:29:34,240 Speaker 1: played by Billy Merritt, Swat Captain Ian James Corlett. Levi 394 00:29:34,520 --> 00:29:37,920 Speaker 1: was played by Jeff Whitzky, and Ian James Corlett played 395 00:29:37,960 --> 00:29:41,320 Speaker 1: the SWAT Captain and the news anchor. Written and directed 396 00:29:41,400 --> 00:29:47,720 Speaker 1: by Corey Serge. Executive produced by Walt Palmer and Corey Surge, produced, 397 00:29:47,760 --> 00:29:52,360 Speaker 1: recorded and mixed by Salt Audio. Recorded at Bang Zoom Studios, 398 00:29:53,360 --> 00:29:57,840 Speaker 1: Edited by Zach Jurich for Salts Audio. Sound designed by 399 00:29:57,960 --> 00:30:01,840 Speaker 1: Jasper van Dyke for Salt Audio. Original music and score 400 00:30:01,880 --> 00:30:06,200 Speaker 1: by Noah Gersh and Jamie Cheffman at Salts Audio, Casting 401 00:30:06,280 --> 00:30:11,240 Speaker 1: by Romy Stuttman, Casting assistant Daisy Laura, and our production 402 00:30:11,280 --> 00:30:15,920 Speaker 1: coordinator was Liz Lamy. This episode was hosted by me 403 00:30:16,440 --> 00:30:17,120 Speaker 1: Mike McNeil