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Speaker 1: Hey, welcome to episode five sixty eight. We're gonna talk

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Speaker 1: about concerts. In a second, we'll do a concert questionnaire.

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Speaker 1: I got Eddie and Brandon Ray here, but I wanted

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Speaker 1: to start because I watched that movie Life of Chuck.

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Speaker 1: You haven't seen it yet.

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Speaker 2: I have not seen it yet. I haven't.

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Speaker 3: I saw your posts and I looked it up. It

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Speaker 3: looks super interesting.

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Speaker 1: You haven't seen it.

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Speaker 2: I haven't.

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Speaker 1: Okay, I'm not even telling anything about it. But Stephen

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Speaker 1: King wrote the original, which is a short story, and

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Speaker 1: so I looked up all of the Stephen King movie adaptations,

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Speaker 1: and I think of Stephen King as someone who writes

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Speaker 1: scary movies. Horror.

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Speaker 2: Yeah, horror movies he does. But not no, dude, I've

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Speaker 2: seen think lists like this too, where I'm like, wow,

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Speaker 2: he wrote that.

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Speaker 1: So and I can roll down some of these here

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Speaker 1: Stephen King wrote, and I'm just gonna go in order.

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Speaker 1: He wrote Shawshank Redemption.

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Speaker 2: Yep, that was the one I was shocked at.

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Speaker 1: And I think the original the name of it isn't

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Speaker 1: Shawshank Redemption. It's like the Shawshank Redemption of some woman. Yes,

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Speaker 1: another short story, I believe. Yeah, it is a short

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Speaker 1: that's yeah. The Shawshank Redemption is it number one? Stand

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Speaker 1: By Me is at number two, crazy, one of my favorites,

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Speaker 1: highest rated. I just don't think of Stephen King as

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Speaker 1: someone who writes stand by Me or Shawshank Redemption type things,

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Speaker 1: because it's always Kujo, Children of the Corn, it and so.

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Speaker 1: But either at the it's as well. Yeahh the Green Mile,

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Speaker 1: which is not horror? Did you know? I didn't know that.

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Speaker 1: I think I had heard that, but I don't know

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Speaker 1: I would have listed it.

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Speaker 2: I don't.

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Speaker 1: I couldn't recall that The Shining and Misery or at four.

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Speaker 2: And five, those are horror movies.

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Speaker 1: It at six, doctor Sleep, I don't know what that is.

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Speaker 4: Mike saw that the sequel to The Shining.

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Speaker 1: Oh, so it's also scary, Carrie, is it a that's scary?

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Speaker 1: Fourteen oh eight? That's from a short story Dolores Claiborne.

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Speaker 1: That movie was crazy?

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Speaker 3: What John Cusack Delors Claiborne, Oh, fourteen o eight. I'm sorry, Oh,

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Speaker 3: I don't know.

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Speaker 1: We moved on past that. So what's fourteen oh eight?

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Speaker 3: It's with John Cusack. Basically he's he's in this hotel room.

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Speaker 3: It's a haunted hotel room and all this crazy stuff

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Speaker 3: happens in it. I'm sorry, I thought we were still

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Speaker 3: but keep going. Yeah, it's scary, but it's like the

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Speaker 3: one of the wildest movies I've ever seen.

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Speaker 1: Delores Claiborne. That sounds like the singer of the Cranberries.

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Speaker 5: Oh, Delores Aroor or whatever her name is. What I

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Speaker 5: was thinking Delores from Silence of the Lambs. But he

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Speaker 5: didn't write that is Oh, that's what it is, Deloris.

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Speaker 2: That's the that's the Spanish version.

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Speaker 1: It is so Stephen King has written so many freaking

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Speaker 1: things that aren't horror, including the Life of Chuck.

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Speaker 2: Yes, oh yeah, he wrote that too.

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Speaker 1: He wrote The Long Walk, which also came out last year.

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Speaker 1: Is great. It was a movie where they have to

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Speaker 1: keep walking. If they stop walking, they get shot.

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Speaker 2: Oh yeah, that's cool.

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Speaker 1: Big shout out of Stephen King.

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Speaker 4: That's all.

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Speaker 1: I just want to start this big shout of Stephen King.

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Speaker 2: Do you remember the movie about the old car.

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Speaker 1: Herbie the Lovebug.

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Speaker 2: No, No, I think it was. It's like an old

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Speaker 2: fifties car. Oh Christine, Christine, dude, that's an awesome movie,

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Speaker 2: Like the car turns to life. You know, and every

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Speaker 2: time it like wakes up, it plays fifties music, creepy man,

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Speaker 2: does it kill? It runs over people?

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Speaker 1: It does kill, it kills. Yeah, it's like that, and

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Speaker 1: it feels like that's like I get a high rating. Though,

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Speaker 1: like any car that ever like turns human, I feel

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Speaker 1: like they really don't get the benefit of the doubt

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Speaker 1: when it comes to ratings, Like.

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Speaker 2: The radio turns on and it's playing like rock and Robin.

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Speaker 1: Tweet and then killing people.

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Speaker 2: Yeah, dude, it's awesome.

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Speaker 1: I also looked up because I was kind of surprised

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Speaker 1: about how many things Stephen King wrote that turn into

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Speaker 1: movies that I've seen that I didn't realize were Stephen

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Speaker 1: King because I just associate all horror with him. What

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Speaker 1: do you think now, remove Stephen King, all authors adaptations

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Speaker 1: from books to movies. What do you think the biggest

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Speaker 1: of all time?

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Speaker 3: Is?

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Speaker 2: The first that comes to my mind is John Grisham.

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Speaker 2: John grisha Yeah, like he did The Firm, he did

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Speaker 2: Pelican Brief, a lot of those nineties lawyer movies.

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Speaker 4: Mike, you know, now, I don't put money on Stephen King.

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Speaker 1: Harry Potter.

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Speaker 2: Oh, dang makes sense, Yeah, it does make sense.

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Speaker 1: One point three, four billion dollars, Harry Potter and the

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Speaker 1: Deathly Hallows and number one, number two Stephen King, no

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Speaker 1: book adaptations. The Lord of the Rings, of course, made

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Speaker 1: over a billion dollars.

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Speaker 2: Yes, number three, Okay, I got this one.

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Speaker 1: Hunger Games, Jurassic Park, dang it. Whoa Michael Crichton made

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Speaker 1: over a billion dollars. Harry Potter at four, the Hobbit

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Speaker 1: at five, and the Hobbit is Lord of the Rings. Yeah,

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Speaker 1: m hm. At number six, you're not guessing it's it's

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Speaker 1: not stim King. So uh, this is something that's very,

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Speaker 1: very very old. I would have thought like eighteen hundreds,

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Speaker 1: but apparently I don't know, maybe it.

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Speaker 2: Is something very old.

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Speaker 1: The sake Shakespeare, Alice in Wonderland. I'm not sure when

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Speaker 1: Alison went only came out, but Lewis Carroll wrote it

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Speaker 1: has made over a billion dollars.

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Speaker 2: Yeah, I would guess Alison wonder is probably this.

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Speaker 1: You don't have to guess. You have a computer over there.

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Speaker 4: Yeah, eighteen sixty five what I.

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Speaker 1: Would have guessed. The eighteen hundreds.

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Speaker 2: I was going to guess nineteen sixty.

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Speaker 1: Oh, you'd missed that by one hundred, by lot. The

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Speaker 1: da Vinci Code at seven? Yeah, who was Dan Brown?

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Speaker 2: Dan Brown?

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Speaker 1: Seven hundred and sixty million. Now finally worthy your boy

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Speaker 1: Stephen King?

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Speaker 2: Stephen King really and he beat John Grisham.

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Speaker 1: I don't see John Grisham yet, but Stephen King's it

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Speaker 1: has made seven hundred nineteen million dollars. Oh, what's the

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Speaker 1: biggest horror adaptation ever? At the Clown?

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Speaker 4: Yeah?

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Speaker 2: Does he also do the other clown spin off ones?

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Speaker 2: Like what's the cons name Pennywise?

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Speaker 4: Yeah?

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Speaker 2: Like, don't they have other Pennywise movies?

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Speaker 4: They have the like the remakes of it, and then

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Speaker 4: they have the TV show.

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Speaker 1: But those aren't all from a book. Those are just

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Speaker 1: movies spun off of the book, right, Yeah? Yeah, these

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Speaker 1: are absolute books that were written that then turn into

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Speaker 1: movies adaptations. The Hunger Games at nine from Susanne Collins

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Speaker 1: eight hundred and sixty five million. Did you read those?

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Speaker 2: No? Wow?

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Speaker 1: Awesome? I think you would like those.

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Speaker 2: You read those?

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Speaker 1: I read them before they were movies, and way before.

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Speaker 2: They were How many books are there?

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Speaker 1: Three? I believe books, and I think they made four movies.

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Speaker 1: Of those three books, they split.

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Speaker 4: The last one and then they have the newer prequels.

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Speaker 1: I didn't like they split the last one.

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Speaker 4: I hate it when they do that me too. Harry

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Speaker 4: Potter started.

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Speaker 1: That The Chronicles of Narnia at ten.

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Speaker 2: That's the Lion Witch and the Wardrobe.

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Speaker 1: Right, yeah, you read that one.

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Speaker 2: I mean at school. I think try to Gone.

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Speaker 1: With the Wind makes the list. Wow, it's actually if

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Speaker 1: in adjusted for inflation, which we didn't do. We just

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Speaker 1: did the money coming in, it would have been number one.

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Speaker 1: But Margaret Mitchell Gone with the Win in the book.

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Speaker 2: You ever seen that movie? No, it's a great movie.

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Speaker 2: It's long though, it's really long.

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Speaker 1: The fault of our stars? Is that Mandy Moore? Or

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Speaker 1: is that a long walk to a million to walk

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Speaker 1: to remember?

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Speaker 2: It was a good one, great movie. Harry Connor Junior.

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Speaker 1: Well, I'm getting them all confused.

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Speaker 2: I think it's Mandy Moore and the.

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Speaker 1: Green Mile Life of Pie. The Godfather at two hundred

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Speaker 1: and fifty million dollars. Jaws was a book.

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Speaker 2: I didn't realize that.

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Speaker 1: Shawshank Redemption which when they say short story though, how short?

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Speaker 1: And how do we read a short story?

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Speaker 2: And how do you turn that into a long movie?

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Speaker 1: Well, how do you read a short How do you

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Speaker 1: buy a short story? Back in the day. Is it

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Speaker 1: a novella? Is that what they call it?

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Speaker 4: I just remember reading them in school. They'd be in

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Speaker 4: a textbook and they'd only be a few pages long.

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Speaker 4: But I don't know. If you go out and buy

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Speaker 4: a short story.

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Speaker 2: I bet you can Amazon Shashank, But.

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Speaker 1: You couldn't then, is my point. There was no Amazon

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Speaker 1: when it came.

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Speaker 2: Out, Like, so why would they even write those?

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Speaker 3: Well?

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Speaker 1: Who's seeing it?

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Speaker 2: But you know what's interesting too, are like the short movies.

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Speaker 2: You know what I'm talking about, Like there's a whole

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Speaker 2: category in the oscars where it's like short films, best

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Speaker 2: short Film, best short Film?

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Speaker 1: Who watches that? How would you ever get those back

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Speaker 1: in the day? Right, Like Blockbuster didn't have that to

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Speaker 1: go to the library? Mark, Mark, Mike, what did you

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Speaker 1: think about short films?

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Speaker 4: Sometimes they would just play them at movie theaters like

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Speaker 4: before other movies. So you'd go watch a short film,

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Speaker 4: or they do big compilation days where like it's a

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Speaker 4: short film day and you just go watch.

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Speaker 1: Who would go to a short film day?

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Speaker 4: We almost went to one last year.

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Speaker 1: It looked well, But I could see now watching a

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Speaker 1: short film because you have access to get pretty much everything. Yeah,

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Speaker 1: but in nineteen ninety eight, how are they having that?

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Speaker 1: Who was seeing it?

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Speaker 4: A lot of new directors now would just put out

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Speaker 4: their short film on YouTube and then that's how they

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Speaker 4: get a full feature film. Like they see their short

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Speaker 4: film that, I guess their attention and they get the

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Speaker 4: money to make the fool.

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Speaker 1: Oh that makes sense. And I hear you on that now.

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Speaker 1: I'm talking about that. That's been an award for twenty

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Speaker 1: five thirty years.

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Speaker 2: Forever, and every time they would list the movies, I'd

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Speaker 2: never heard of any of them. I just wanted to

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Speaker 2: shine a light on Stephen King. Hey, that's cool, bro,

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Speaker 2: nobody's doing Did you know that because of the trailer?

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Speaker 2: Because in the trailer it says from the author that also.

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Speaker 1: Written by Stephen King. Yeah, I saw that on the

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Speaker 1: image on the front page. Okay, and so I said

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Speaker 1: Stephen King, and I thought, oh, is this going to

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Speaker 1: be a horror movie? And then I started watching it.

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Speaker 1: It's not a horror movie at all. And then I thought,

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Speaker 1: what else have I watched of his that I didn't

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Speaker 1: even associate with him because I just associate with him

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Speaker 1: horror movies.

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Speaker 4: I think you would also like The Running Man which

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Speaker 4: is a remake that came out last year with Glenn Powell.

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Speaker 4: He also wrote that originally Arnold, I'm really Arnold, and

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Speaker 4: then Glenn Powell did it.

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Speaker 1: Was that Glenn Powell good? Though I didn't see good

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Speaker 1: reviews on it.

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Speaker 4: It was pretty good. It's about like him going on

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Speaker 4: a TV show where he has to stay alive and

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Speaker 4: if he does, he wins like millions of dollars.

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Speaker 2: And everyone's trying to kill him.

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Speaker 1: Right, Yah, everybody in.

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Speaker 4: The world is like recording him, chasing him down. Anybody

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Speaker 4: can kill him.

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Speaker 1: Would I like it?

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Speaker 4: I think you would.

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Speaker 1: Stephen King has written over eighty books. He's written sixty

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Speaker 1: five novels and includes seven written as Richard Bachman. Right,

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Speaker 1: I remember hearing about that. Why did he write as

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Speaker 1: Richard Backman? Oh? What was it?

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Speaker 4: It's like when he first started out, Like The Long

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Speaker 4: Walk was his first ever book that he wrote under

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Speaker 4: that name.

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Speaker 1: Why so is that his real name?

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Speaker 3: Because no, it was like an alter ego that he

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Speaker 3: made up, Like he wrote Thinner.

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Speaker 1: Have you ever read a Stephen King book? Because I

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Speaker 1: have not read. I've never again. I just wouldn't think

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Speaker 1: to grab one. He wrote in a Richard Backman for

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Speaker 1: a few reasons. He was publishing too much and the

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Speaker 1: seventies publishers believed an author should put out one book

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Speaker 1: per year, so they thought that would hurt sales if

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Speaker 1: he kept putting out more books. So then he was like, fine,

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Speaker 1: I'll just create somebody else, and he created Richard.

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Speaker 2: Buckman had a boy.

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Speaker 1: And then he also wanted to know if people would

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Speaker 1: still buy his books if Stephen King wasn't on the cover,

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Speaker 1: because he already had success. So he wondered could book

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Speaker 1: stand on their own?

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Speaker 2: And the answer was no.

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Speaker 1: No, I think they sold, really some of them did,

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Speaker 1: Stephen Whatever, Yeah, what a Richard Bachman.

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Speaker 2: I think Richard.

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Speaker 1: And the Bakman books are a little more sicle less supernatural.

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Speaker 2: But how do you market?

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Speaker 1: The Long Walk and The Running Man and Thinner were

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Speaker 1: all written by Stephen Backman. In the eighties, a bookstore

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Speaker 1: clerk noticed similarities of the two and blew the cover

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Speaker 1: and then matched copyright records and publicly exposed Bachman as King.

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Speaker 1: King killed off Bachman with a fake obituary that read

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Speaker 1: Richard Bachman died of pseudonym cancer. That's funny.

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Speaker 3: This also says Bachman was inspired by Backman Turner overdrive.

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Speaker 2: No way that.

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Speaker 1: Stephen King Canadiana because btos Canadian. Yeah, it taken care

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Speaker 1: of business every day, taking care of business every way.

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Speaker 1: Uh yeah, there you go. He's born in Maine. He

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Speaker 1: close enough.

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Speaker 2: It's really close up there.

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Speaker 1: He threw a rock over to Canada. Big shout out

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Speaker 1: to Stephen King. If you haven't seen that movie, I

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Speaker 1: sent Eddie a screenshot. Ronnie Dunn text me Brooks and done.

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Speaker 1: It was like, what's that movie you're talking about the

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Speaker 1: dancing Man? And I said, no, there's a dancing man

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Speaker 1: in it, but it's a walk to remembered.

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Speaker 2: Remember what's uh? I said it the wrong movie? No, no, no, no,

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Speaker 2: it was a Life of Chuck.

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Speaker 1: And I said hey, because I was getting some feedback

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Speaker 1: from listeners that were like, I don't get it, and

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Speaker 1: I don't want to tell you what there is to

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Speaker 1: get or not get, but there is something in it

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Speaker 1: that you have to understand. It's not just a movie

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Speaker 1: you watch and you take it all for what is

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Speaker 1: being presented to you. There's a deeper meaning to it,

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Speaker 1: and I can understand if it's not your thing, or

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Speaker 1: if you're not focused on it, it could maybe you don't

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Speaker 1: catch it, and they're like, I didn't get it, thought

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Speaker 1: it was stupid, totally get it. Hit me up and

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Speaker 1: I was like, hey watch this, but it depends what

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Speaker 1: kind of mood you're and you may not like it.

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Speaker 1: And like four hours later hit me back. He was like,

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Speaker 1: we really like that.

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Speaker 2: Oh that's awesome.

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Speaker 1: Nice. He said, what else you got? I said, have

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Speaker 1: you watched The Long Walk? And he's thinking, yeah, he said,

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Speaker 1: I already watched it. It's good. I said, Okay, I'm done.

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Speaker 1: I'm tapped out. That's about all I got as far

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Speaker 1: as movie.

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Speaker 2: Recommend it when you send me the text, I pictured Ronnie,

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Speaker 2: you know, just like on his couch on Netflix, you know,

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Speaker 2: on the search button. Oh, let me tell Bobby what

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Speaker 2: it is running.

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Speaker 1: He watches the other one. So yeah, big shoutout Stephen

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Speaker 1: King anything anything, guys want to add to that.

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Speaker 2: No, I'm just I'm looking forward to that movie only because.

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Speaker 1: Don't because it won't be as good as I don't know.

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Speaker 2: But but there are so many crime movies. There are

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Speaker 2: so many just movies about like, you know, bad things happening,

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Speaker 2: like crime or whatever, or like a murderer. And I

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Speaker 2: see this trailer, and I'm like, Okay, this is one

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Speaker 2: movie that set looks so different than everything else that's

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Speaker 2: out there.

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Speaker 1: The thing is, I never saw a trailer for it.

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Speaker 2: Because I watched the trailer and oh you did, Okay,

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Speaker 2: so you sought it out. I didn't even know of

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Speaker 2: the movie no after you told me about it. I

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Speaker 2: watched the trailer yesterday.

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Speaker 1: I stumbled up on the screen capture when I was

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Speaker 1: just going through, and I thought, I'm drawn to that.

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Speaker 1: The colors, Yeah, it's pretty blue, Tom Hiddleston Huddleston.

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Speaker 2: And I told Mike too. I'm like, man, it's He's

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Speaker 2: told me it was on Hulu and I said that's

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Speaker 2: crazy because I'm always on Hulu because that's where I

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Speaker 2: get my live TV. And I never saw that movie

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Speaker 2: pop up.

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Speaker 1: Hulu kind of blows for finding new stuff because they

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Speaker 1: do populate it with a lot of like dateline current stuff,

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Speaker 1: so the first few roads like all the normal TV

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Speaker 1: stuff in serieses, so you don't really know unless you

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Speaker 1: search it out for Hulu. On that we're Netflix, but

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Speaker 1: Hulu also sucks. And what you watched recently, that's like

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Speaker 1: the eleventh tab down too. You got to go way

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Speaker 1: down where Netflix is like Tab two. You're already watching this,

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Speaker 1: you want to keep watching, And here's our top ten

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Speaker 1: shows of the week.

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Speaker 2: I like the top ten me too, Yes, and Hulu

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Speaker 2: does not have that.

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Speaker 1: We're a couple weeks out, by the way, for this

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Speaker 1: podcast being on Netflix. Cool, a coupled a few weeks.

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Speaker 2: That's amazing.

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Speaker 1: Yeah, so I wasn't actually fighting for Netflix there. I

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Speaker 1: really feel that way.

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Speaker 2: But then halfway through, I thought to myself, that's what Yeah,

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Speaker 2: let me just say it.

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Speaker 3: Yeah, okay, Hey, speaking of Bobby recommendations, I started watching

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Speaker 3: Paradise on Hulu.

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Speaker 1: I don't know if you have Hey have art of Hulu? Whoa, dude,

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Speaker 1: it's blowing my mind.

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Speaker 2: Yeah, it's different, great recommendation.

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Speaker 1: I loved it. I did not see that the twist

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Speaker 1: has been so talked about, but I still don't want

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Speaker 1: to talk about it. I didn't even know. I didn't

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Speaker 1: see that coming. It just looked by the previews to

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Speaker 1: be an awesome show based on what they showed. And

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Speaker 1: then there's another twist in it, and you go, oh,

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Speaker 1: that's this is not the show. I'm watching it at all.

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Speaker 1: I love it, and it comes back in February.

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Speaker 2: Wow.

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Speaker 3: Fun fact, long long time ago, James Marsden hit on

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Speaker 3: my wife at a bar nice and she turned him down.

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Speaker 1: I was like, why would you.

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Speaker 2: Do that, James Marsden, He's the he's the president.

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Speaker 3: She turned down the president of the United States.

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Speaker 2: Man.

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Speaker 1: He's a really good looking older guy. Yeah, because I

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Speaker 1: think he's in his fifties now and he still looks

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Speaker 1: way young.

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Speaker 2: Oh. You know what's funny is he's known to my

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Speaker 2: kids from The Sonic and Sonic the Hedgehog.

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Speaker 1: Oh that's right. Yeah, I know him mostly from Jerry Duty.

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Speaker 1: Such a good show. That show nailed it is. Yeah,

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Speaker 1: they've made another one. It's not out yet, but it's

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Speaker 1: not a jury. I think it's but Mike can search

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Speaker 1: what it is. There's a different premise, okay, because I

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Speaker 1: think everybody then going in for jury UDEs looking around

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Speaker 1: like this is a joke, am I being Yeah, we're

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Speaker 1: James Martin.

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Speaker 4: It's a corporate retreat.

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Speaker 1: Oh that's cool, it's gonna be good.

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Speaker 2: That sounds that sounds fun.

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Speaker 1: They go on to corporate retreat. Did I finally saw

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Speaker 1: kind of Gross or the documentary? Thoughts?

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Speaker 2: I learned a few things.

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Speaker 1: Did you enjoy watching it.

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Speaker 2: I did. I mean, I'm such a fan that I

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Speaker 2: loved watching it, but overall I was ready for it

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Speaker 2: to end. Really yeah, I mean I love the stories.

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Speaker 2: I got some stories that I'd never heard of before.

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Speaker 2: There were some stories cool that he's that he's told here,

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Speaker 2: you know, in the studio, and I was like, that's crazy.

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Speaker 2: He told it here the exact way he told in

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Speaker 2: the documentary. Love that, but he just got a little

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Speaker 2: little he got a little whiny for me after my

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Speaker 2: wife says about his music. But I don't see that

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Speaker 2: in the music, like, and maybe the music is like,

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Speaker 2: oh that's art cool, it's whiny and everything whatever, But

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Speaker 2: in person, like I was like, all right, due, I'm

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Speaker 2: kind of like, I'm done. I feel for him that

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Speaker 2: he had to go through things like that, and maybe

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Speaker 2: still goes through things like that, but I was kind

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Speaker 2: of done hearing about it.

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Speaker 1: The documentaries on HBO Max is part of the Music

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Speaker 1: Box series and it's called Counting Crows. Have you Seen

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Speaker 1: Me Lately?

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Speaker 2: Yeah?

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Speaker 1: I loved it. But I'm a massive Counting Crows fan,

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Speaker 1: as is Eddie. It's my favorite band, my favorite band

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Speaker 1: kind of cross and I thought it was fantastic, and

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Speaker 1: I'd never heard of the disorder he had, the disassociated never.

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Speaker 2: Heard of that, and I felt bad for him. I did,

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Speaker 2: But after watching the whole documentar, I'm like, oh, I'm

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Speaker 2: ready for this to be over.

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Speaker 1: You don't want to hear about it anymore.

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Speaker 2: Kind of done. But you know what, though, I think

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Speaker 2: the cool cool stories in that is I didn't know

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Speaker 2: the viper room situation.

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Speaker 1: When he went and just like tended bar for a

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Speaker 1: while because he can feel normal.

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Speaker 2: Yeah, and the band's like, are we still a band?

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Speaker 2: Or are we not a band?

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Speaker 1: Because he'd been gone.

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Speaker 2: Yeah, but it really helped him out to become him.

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Speaker 2: And the Dread story too. I always thought he was

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Speaker 2: black because of the Dreads.

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Speaker 1: Yep, I can see that, or at least but he's

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Speaker 1: very white, but at least or I still am not

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Speaker 1: convinced he's not some black really, Yeah, what is he like?

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Speaker 1: You know what I am? I did the twenty three

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Speaker 1: in me. I think that's one I did. Yeah, and

439
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Speaker 1: I got like a little Irish, some German, some, but

440
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Speaker 1: it's all as Caucasian as you could possibly be.

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Speaker 2: I mean, he's Jewish Durre.

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Speaker 1: Its interesting, Yeah, so did people hate on him for

443
00:18:31,720 --> 00:18:35,360
Speaker 1: having Dreads, where they say he was like appropriating. Oh,

444
00:18:35,359 --> 00:18:36,640
Speaker 1: I don't know, is that even a thing? Then?

445
00:18:36,720 --> 00:18:36,880
Speaker 6: Yeah?

446
00:18:36,920 --> 00:18:38,760
Speaker 1: Always thought I always thought Fergie was black too.

447
00:18:39,000 --> 00:18:41,720
Speaker 2: For the record, yeah, I'm with you on that where

448
00:18:41,720 --> 00:18:42,919
Speaker 2: I'm still convinced she could be.

449
00:18:42,960 --> 00:18:45,440
Speaker 3: I thought that until the national anthem.

450
00:18:45,680 --> 00:18:47,440
Speaker 1: Mmmm, you know that was a bad one.

451
00:18:47,720 --> 00:18:50,000
Speaker 2: Yeah, whoop whoop, whoop, whoop, whoop whoop.

452
00:18:50,040 --> 00:18:52,280
Speaker 1: I guess I never thought about it until I heard

453
00:18:52,320 --> 00:18:53,880
Speaker 1: the dreads thing, and I was like, wait, why would

454
00:18:54,000 --> 00:18:55,280
Speaker 1: people care that he had dreads?

455
00:18:55,359 --> 00:18:58,639
Speaker 2: Yeah, I don't know. I thought it was interesting that

456
00:18:58,720 --> 00:19:00,960
Speaker 2: he kind of had never really felt like himself until

457
00:19:00,960 --> 00:19:01,880
Speaker 2: he got dreads and then.

458
00:19:01,800 --> 00:19:03,199
Speaker 1: He's like, maybe I need dreads.

459
00:19:03,440 --> 00:19:05,800
Speaker 2: Dude, you come in to marrow with dreads.

460
00:19:05,880 --> 00:19:10,040
Speaker 1: I'm so white though, it just wouldn't work. It'd be

461
00:19:10,040 --> 00:19:10,879
Speaker 1: for sure appropriation.

462
00:19:11,119 --> 00:19:13,160
Speaker 2: I know for sure, if I had hair, I would

463
00:19:13,160 --> 00:19:14,080
Speaker 2: definitely try to do.

464
00:19:14,480 --> 00:19:16,520
Speaker 1: You probably could, though, because I think the less white

465
00:19:16,560 --> 00:19:18,520
Speaker 1: you get, the more you can do dreads. But generally

466
00:19:18,720 --> 00:19:21,960
Speaker 1: I have seen white guys with dreads. But just I

467
00:19:21,960 --> 00:19:23,000
Speaker 1: think dreads are so cool.

468
00:19:23,080 --> 00:19:23,880
Speaker 2: I think they're so cool.

469
00:19:24,080 --> 00:19:26,520
Speaker 1: Like I have black friends that have dreads and they

470
00:19:26,520 --> 00:19:28,240
Speaker 1: look so cool. And then I've known a couple of

471
00:19:28,240 --> 00:19:30,360
Speaker 1: white guys. They just like dirty. Yeah, they don't look

472
00:19:30,400 --> 00:19:31,800
Speaker 1: good on white guys.

473
00:19:31,720 --> 00:19:33,679
Speaker 2: Like my wife if she doesn't wash her hair in

474
00:19:33,760 --> 00:19:36,080
Speaker 2: like a couple of weeks, she started they started dreading. Yeah, right,

475
00:19:36,119 --> 00:19:36,800
Speaker 2: you have a little bit.

476
00:19:37,119 --> 00:19:41,000
Speaker 1: Yeah, music box counting Crows? Have you seen lately? Really

477
00:19:41,040 --> 00:19:42,240
Speaker 1: liked it? And you watched the other one?

478
00:19:42,280 --> 00:19:44,040
Speaker 2: I loved it? What's the other one?

479
00:19:44,400 --> 00:19:45,480
Speaker 1: Hallelujah? Jeff Buckley?

480
00:19:45,520 --> 00:19:47,679
Speaker 2: Jeff Buckley, hallelujah? Loved it? Is it called hell?

481
00:19:48,040 --> 00:19:49,440
Speaker 1: No, that's what I think you have on him?

482
00:19:49,600 --> 00:19:50,520
Speaker 2: I don't think that's what it's called.

483
00:19:50,600 --> 00:19:53,240
Speaker 1: Jeff went I love that one. We talked about that.

484
00:19:53,320 --> 00:19:56,040
Speaker 7: Yes, let's take a quick pause for a message from

485
00:19:56,040 --> 00:20:07,040
Speaker 7: our sponsor, and we're back on the Bobby cast.

486
00:20:07,560 --> 00:20:09,600
Speaker 1: Let's do a concert of questionnaire and all three of

487
00:20:09,680 --> 00:20:12,240
Speaker 1: us can answer these. You can relive one concert you've

488
00:20:12,280 --> 00:20:15,840
Speaker 1: already seen, so you had to go to this concert,

489
00:20:15,960 --> 00:20:17,800
Speaker 1: but you get to go back to this concert and

490
00:20:17,840 --> 00:20:20,760
Speaker 1: relive it. Which concert do you go back to?

491
00:20:22,880 --> 00:20:23,200
Speaker 4: Eddie?

492
00:20:23,359 --> 00:20:23,639
Speaker 2: Dang?

493
00:20:24,640 --> 00:20:25,240
Speaker 1: Do you do why?

494
00:20:25,840 --> 00:20:27,760
Speaker 2: I mean, that's the first one that comes to my mind.

495
00:20:27,800 --> 00:20:31,439
Speaker 2: But I'm trying to think, like early, early on, you know,

496
00:20:32,680 --> 00:20:35,240
Speaker 2: you start thinking, like your first few concerts are so

497
00:20:35,320 --> 00:20:38,879
Speaker 2: impressionable to just this young you going to a concert

498
00:20:38,880 --> 00:20:40,840
Speaker 2: for the first time, seeing someone from one stage. But

499
00:20:41,240 --> 00:20:43,680
Speaker 2: my first two were like Clint Black and George Strait

500
00:20:43,720 --> 00:20:45,480
Speaker 2: and they were awesome and I'll never forget them, but

501
00:20:45,840 --> 00:20:49,000
Speaker 2: like respect like different. Yes they weren't together got it,

502
00:20:49,040 --> 00:20:52,040
Speaker 2: But I'm happy with that experience. I wouldn't care to

503
00:20:52,119 --> 00:20:56,320
Speaker 2: go back. Pearl Jam opening up for you two in

504
00:20:56,440 --> 00:21:02,959
Speaker 2: Hawaii at it's the stadium called Aloha Stadium.

505
00:21:02,480 --> 00:21:04,200
Speaker 1: Brandon, you get to go back to one concert that

506
00:21:04,200 --> 00:21:04,920
Speaker 1: you've already seen.

507
00:21:04,960 --> 00:21:08,680
Speaker 3: What is it, probably two thousand and four, the Cotton Bowl.

508
00:21:08,800 --> 00:21:14,080
Speaker 3: It was the very first Crossroads Guitar Festival. We got

509
00:21:14,080 --> 00:21:17,440
Speaker 3: there at like seven am and got front row.

510
00:21:17,680 --> 00:21:18,720
Speaker 1: We're on the DVD.

511
00:21:19,080 --> 00:21:22,840
Speaker 3: It's Eric Clapton, BB King, Buddy Guy, Carlos Santana, Joe Walsh,

512
00:21:22,880 --> 00:21:27,280
Speaker 3: John Mayer who was there with you, Me and my

513
00:21:27,359 --> 00:21:30,119
Speaker 3: brother and our best friend Chad, and we drove like

514
00:21:30,240 --> 00:21:30,760
Speaker 3: five hours.

515
00:21:31,440 --> 00:21:33,840
Speaker 1: Chad, Chad, I'm gonna be that dude. Though I don't

516
00:21:33,880 --> 00:21:35,920
Speaker 1: think you can call a festival on every art to

517
00:21:36,000 --> 00:21:37,719
Speaker 1: the festival, I think you can go on. You can

518
00:21:37,760 --> 00:21:39,480
Speaker 1: go one because mine's at a festival. I didn't do the

519
00:21:39,480 --> 00:21:41,800
Speaker 1: whole festival. I did the one m artists. Okay, okay, okay,

520
00:21:42,240 --> 00:21:43,600
Speaker 1: you just picked the greatest hits album.

521
00:21:43,640 --> 00:21:43,880
Speaker 3: Sorry.

522
00:21:43,880 --> 00:21:46,160
Speaker 1: As far as like, what's the best album ever, You're right,

523
00:21:46,240 --> 00:21:49,000
Speaker 1: you did that thing. I'm gonna go so I'm not

524
00:21:49,040 --> 00:21:51,280
Speaker 1: doing all of a cl But I saw John Mayer

525
00:21:51,320 --> 00:21:54,879
Speaker 1: play acl that was in the rain, and what I

526
00:21:54,920 --> 00:21:56,520
Speaker 1: would do different as I would just wear different clothes

527
00:21:56,560 --> 00:22:00,160
Speaker 1: because I got so wet all cotton. But it was

528
00:22:00,200 --> 00:22:00,840
Speaker 1: super cool.

529
00:22:01,040 --> 00:22:02,399
Speaker 2: That was when it got real money, right.

530
00:22:03,119 --> 00:22:05,639
Speaker 1: The vibe was awesome. It was like one of the

531
00:22:05,640 --> 00:22:07,600
Speaker 1: first times I'd seen John Mayer do a full length

532
00:22:07,680 --> 00:22:11,200
Speaker 1: show because he's been, you know, my favorite solo artist forever.

533
00:22:11,760 --> 00:22:12,879
Speaker 1: So that's what I would do.

534
00:22:13,160 --> 00:22:15,480
Speaker 2: What was the rain situation for him? Like did he

535
00:22:15,560 --> 00:22:17,240
Speaker 2: just play just like and that's why I was cool.

536
00:22:17,320 --> 00:22:18,359
Speaker 2: That's really awesome.

537
00:22:19,080 --> 00:22:23,840
Speaker 1: Okay, I have I have one, and this is that counts,

538
00:22:23,880 --> 00:22:26,280
Speaker 1: by the way. I hate to be that. No, no, I agree,

539
00:22:26,359 --> 00:22:27,359
Speaker 1: that's that's a good point.

540
00:22:28,280 --> 00:22:31,240
Speaker 3: When I was about twelve years old, this is like

541
00:22:31,359 --> 00:22:34,600
Speaker 3: right before I'm before I start playing guitar. I was

542
00:22:34,600 --> 00:22:39,280
Speaker 3: a big Creed fan. Sorry, Eddie. But Creed's playing United

543
00:22:39,280 --> 00:22:44,080
Speaker 3: Spirit Arena in Lubbock, Texas. But it wasn't Creed that

544
00:22:44,200 --> 00:22:45,480
Speaker 3: I like freaked out about.

545
00:22:45,520 --> 00:22:47,120
Speaker 2: There we go, dude.

546
00:22:48,119 --> 00:22:52,840
Speaker 3: Collective Soul was their their main support. It was another band,

547
00:22:52,840 --> 00:22:57,399
Speaker 3: Clips Soul, and then Creed. And that night, that moment

548
00:22:57,560 --> 00:22:59,880
Speaker 3: was when I was like, I want to play guitar, Like.

549
00:23:00,040 --> 00:23:01,879
Speaker 1: This Roland made you want to play guitar.

550
00:23:01,840 --> 00:23:06,040
Speaker 3: Dude, everything about that band like and dude, he called

551
00:23:06,040 --> 00:23:10,480
Speaker 3: somebody out up in the up in the boxes, like

552
00:23:10,520 --> 00:23:12,960
Speaker 3: people were watching TV in their boxes, and he stops

553
00:23:13,000 --> 00:23:13,480
Speaker 3: the show and.

554
00:23:13,400 --> 00:23:15,960
Speaker 1: He's like, this is what I'm talking about. You know,

555
00:23:16,000 --> 00:23:18,879
Speaker 1: we're charging as the main support, not even it's the headliner.

556
00:23:18,920 --> 00:23:20,800
Speaker 1: You don't know. He's like going off.

557
00:23:20,920 --> 00:23:23,560
Speaker 3: He's like, we have to charge like all this money

558
00:23:23,600 --> 00:23:25,879
Speaker 3: for concert tickets and people can barely afford it.

559
00:23:25,960 --> 00:23:28,240
Speaker 1: And look at this jackass up here.

560
00:23:28,280 --> 00:23:31,960
Speaker 3: He's he's watching TV during the concert, Like if you man,

561
00:23:32,040 --> 00:23:32,400
Speaker 3: We're like.

562
00:23:32,440 --> 00:23:34,600
Speaker 2: Yeah, the guy probably has no idea what you're talking

563
00:23:34,600 --> 00:23:35,000
Speaker 2: about him.

564
00:23:35,000 --> 00:23:37,080
Speaker 1: He's like, and it's just a meetup of the concert.

565
00:23:37,119 --> 00:23:39,600
Speaker 1: He's like it's on television and he's getting yelled at

566
00:23:39,640 --> 00:23:41,639
Speaker 1: and he's watching the he's like, no, no, I didn't even

567
00:23:41,640 --> 00:23:45,879
Speaker 1: turn this on. It's hurt and it's you guys. If

568
00:23:45,920 --> 00:23:49,200
Speaker 1: you could see any artist that you've never seen that's

569
00:23:49,240 --> 00:23:51,919
Speaker 1: alive and be front row, who would it be?

570
00:23:52,080 --> 00:23:55,440
Speaker 2: Yeah, Taylor Swift, Yeah, I'd love. I'd love to see

571
00:23:55,440 --> 00:23:59,120
Speaker 2: that show. I just when that show came around, I couldn't.

572
00:23:59,200 --> 00:24:02,399
Speaker 2: I mean there, you can't get a hookup quote unquote

573
00:24:02,400 --> 00:24:04,200
Speaker 2: hookup for that and it's too expensive.

574
00:24:05,080 --> 00:24:08,080
Speaker 1: So this is a harder question for me because I

575
00:24:08,080 --> 00:24:10,320
Speaker 1: feel like anybody that's alive that I've really wanted to

576
00:24:10,320 --> 00:24:11,879
Speaker 1: see I have been able to see unless I go

577
00:24:11,960 --> 00:24:13,960
Speaker 1: back to living, because then I would probably go like

578
00:24:13,960 --> 00:24:16,320
Speaker 1: Paul McCartney, Yes, that'd be cool too if he plays

579
00:24:16,320 --> 00:24:17,959
Speaker 1: and he does play a lot of the Beatles stuff.

580
00:24:18,000 --> 00:24:20,480
Speaker 2: He just finish his tour, I think American tour.

581
00:24:20,359 --> 00:24:22,400
Speaker 1: So I have to go to that older spot because

582
00:24:22,400 --> 00:24:27,439
Speaker 1: I've seen anybody that's making current music relevant, super relevant,

583
00:24:27,480 --> 00:24:29,320
Speaker 1: I think I've been if I wanted to go, But

584
00:24:29,320 --> 00:24:31,239
Speaker 1: I think it'd be really cool to go front row

585
00:24:31,280 --> 00:24:32,880
Speaker 1: Paul McCartney's mind.

586
00:24:32,720 --> 00:24:34,439
Speaker 2: That'd be awesome. And my mom just went to go

587
00:24:34,480 --> 00:24:37,240
Speaker 2: see him and it was so special to her because

588
00:24:37,280 --> 00:24:40,080
Speaker 2: she you know she's been a fan of the Beatles

589
00:24:40,119 --> 00:24:42,720
Speaker 2: since she was a little girl. She's like, I've never

590
00:24:42,800 --> 00:24:45,120
Speaker 2: ever seen I never got to see the Beatles, never

591
00:24:45,160 --> 00:24:47,560
Speaker 2: have seen Pau McCartney concert. And here she is, like,

592
00:24:47,720 --> 00:24:51,640
Speaker 2: you know, seventy eight years old watching Paul McCartney play.

593
00:24:51,680 --> 00:24:53,760
Speaker 2: It was a really cool, she said, Brandon.

594
00:24:54,400 --> 00:24:56,399
Speaker 3: I have to agree with the Paul McCartney thing. I've

595
00:24:56,960 --> 00:25:00,119
Speaker 3: never seen him. All of my family, like my my

596
00:25:00,160 --> 00:25:02,240
Speaker 3: father in law has seen him. My father in law

597
00:25:02,280 --> 00:25:04,960
Speaker 3: saw the Beatles at Metz Stadium.

598
00:25:05,160 --> 00:25:07,879
Speaker 2: Wow, that was like the way it got crazy right, Oh,

599
00:25:07,920 --> 00:25:08,560
Speaker 2: it was insane.

600
00:25:09,119 --> 00:25:13,000
Speaker 3: And so just just hearing all of his stories and

601
00:25:13,040 --> 00:25:16,119
Speaker 3: like reading Paul's books and just following that would just

602
00:25:16,160 --> 00:25:16,840
Speaker 3: be incredible.

603
00:25:16,880 --> 00:25:19,880
Speaker 1: I think I would have possibly picked John Fogerty because

604
00:25:19,880 --> 00:25:22,679
Speaker 1: I was a massive CCR fan, still am. But we

605
00:25:22,680 --> 00:25:24,280
Speaker 1: saw him at Iharlready Music Festival.

606
00:25:24,640 --> 00:25:24,840
Speaker 4: Him.

607
00:25:24,880 --> 00:25:28,160
Speaker 1: Man, he's eighty and can still go awesome, It can

608
00:25:28,200 --> 00:25:31,120
Speaker 1: still can still. I would stay. He sounds eight out

609
00:25:31,160 --> 00:25:33,880
Speaker 1: of ten, yeah, to what you would think, not three

610
00:25:33,920 --> 00:25:37,560
Speaker 1: out of ten doing an impression of John Fogerty.

611
00:25:37,600 --> 00:25:41,359
Speaker 2: Eight out of ten and he is older.

612
00:25:41,280 --> 00:25:43,560
Speaker 1: He's eighty plus eighty plus.

613
00:25:43,280 --> 00:25:45,840
Speaker 2: Where like your voice just can't do stuff like that.

614
00:25:45,880 --> 00:25:49,080
Speaker 2: And his music requires high singing, high and intense.

615
00:25:49,680 --> 00:25:52,600
Speaker 1: Yeah, and he slowly walks out there and then he's

616
00:25:52,720 --> 00:25:57,679
Speaker 1: like Amy, he kills it. I watched the documentary of

617
00:25:57,840 --> 00:26:00,200
Speaker 1: Chevy Chase and mentioned this on the show. It's called

618
00:26:00,240 --> 00:26:02,399
Speaker 1: I'm Chevy Chasing, You're Not. And the whole documentary is

619
00:26:02,440 --> 00:26:05,080
Speaker 1: basically showing how hard he was to work with, but

620
00:26:05,119 --> 00:26:07,800
Speaker 1: also showing his life. And he's in his eighties now,

621
00:26:08,160 --> 00:26:12,280
Speaker 1: and he moves slow and still makes little jokes and stuff.

622
00:26:12,320 --> 00:26:14,880
Speaker 1: But then I was thinking that, like when Fogerty came in,

623
00:26:15,240 --> 00:26:17,920
Speaker 1: moved a little slow but went hard. Yeah, Chevy Chase

624
00:26:17,960 --> 00:26:19,200
Speaker 1: moved a little slow, and I think he just is

625
00:26:19,240 --> 00:26:20,879
Speaker 1: the normal eighty three year old at this point.

626
00:26:21,000 --> 00:26:21,200
Speaker 4: Yeah.

627
00:26:21,600 --> 00:26:22,199
Speaker 1: Have you watched that.

628
00:26:22,800 --> 00:26:25,199
Speaker 3: I've seen clips. It's crazy.

629
00:26:25,240 --> 00:26:26,879
Speaker 1: It doesn't make me like him less.

630
00:26:26,960 --> 00:26:29,120
Speaker 2: Really, because you kind of expected that from him anyway. Yah.

631
00:26:29,160 --> 00:26:30,920
Speaker 1: The expectation was he's difficult to work with it, but

632
00:26:30,920 --> 00:26:32,639
Speaker 1: then you understand why it was difficult to work with

633
00:26:33,080 --> 00:26:35,240
Speaker 1: and like the abuse he went through as a kid

634
00:26:35,280 --> 00:26:37,600
Speaker 1: that made him like he is. They kind of do that.

635
00:26:37,720 --> 00:26:39,760
Speaker 1: Let's show the villain why the villain's the villain, and

636
00:26:39,800 --> 00:26:43,800
Speaker 1: it doesn't justify how at times he treated people. But

637
00:26:43,960 --> 00:26:46,080
Speaker 1: like all of his friends that came on this or people,

638
00:26:46,160 --> 00:26:47,960
Speaker 1: some people didn't even want to come on, but they

639
00:26:47,960 --> 00:26:49,840
Speaker 1: were like, yeah, man, he's a dick, but you just

640
00:26:49,920 --> 00:26:52,959
Speaker 1: always knew he was a dick. But he was so funny,

641
00:26:53,720 --> 00:26:55,880
Speaker 1: and a lot of people interpreted him being a dick

642
00:26:55,920 --> 00:26:57,840
Speaker 1: for he was just doing his comedy, even with people

643
00:26:57,840 --> 00:27:01,440
Speaker 1: that weren't comedy people. So I can see why people

644
00:27:01,520 --> 00:27:03,879
Speaker 1: did not like him, But I also can see why

645
00:27:04,440 --> 00:27:07,720
Speaker 1: he was so famous and funny, and it was it's

646
00:27:07,720 --> 00:27:08,440
Speaker 1: a good documentary.

647
00:27:08,600 --> 00:27:11,040
Speaker 2: His movies were just funny. I loved so many of

648
00:27:11,040 --> 00:27:11,560
Speaker 2: his movies.

649
00:27:11,640 --> 00:27:13,200
Speaker 3: I don't think I could be friends with them. Yeah,

650
00:27:13,240 --> 00:27:15,800
Speaker 3: oh no, I don't think he wants to be friends

651
00:27:15,800 --> 00:27:16,280
Speaker 3: with anyone.

652
00:27:16,560 --> 00:27:18,280
Speaker 2: Right, is that the vibe?

653
00:27:18,400 --> 00:27:23,240
Speaker 1: But I could definitely understand how why he made it. Yeah,

654
00:27:23,320 --> 00:27:26,280
Speaker 1: and it's also he was really good looking too, super funny,

655
00:27:26,560 --> 00:27:28,840
Speaker 1: really good looking back in the day. But it's it's

656
00:27:28,840 --> 00:27:32,080
Speaker 1: on CNN right now, but I watched it on demand

657
00:27:32,080 --> 00:27:34,440
Speaker 1: on YouTube TV like cable. But then it comes down

658
00:27:34,440 --> 00:27:35,520
Speaker 1: on HBO Max in a few weeks.

659
00:27:35,560 --> 00:27:38,160
Speaker 2: Okay, good, because I saw it exclusively on something else

660
00:27:38,200 --> 00:27:40,880
Speaker 2: that CNN.

661
00:27:40,119 --> 00:27:42,119
Speaker 1: But you can find it on demand on CNN on

662
00:27:42,160 --> 00:27:45,399
Speaker 1: demand on if you have Hulu Live or live. What

663
00:27:45,600 --> 00:27:50,880
Speaker 1: artist did you love until you saw them live? I'll

664
00:27:50,880 --> 00:27:53,240
Speaker 1: go first. I didn't read these questions ahead of time either,

665
00:27:53,400 --> 00:27:55,359
Speaker 1: but I'll go first because I have an answer. And

666
00:27:55,480 --> 00:27:57,840
Speaker 1: I don't think it's that I love them less, but

667
00:27:57,880 --> 00:28:01,280
Speaker 1: I just realized they are not good live because I

668
00:28:01,320 --> 00:28:05,920
Speaker 1: can still love their music. And what is unfortunate now

669
00:28:05,960 --> 00:28:08,000
Speaker 1: is this person is sick and he's still out performing

670
00:28:08,000 --> 00:28:10,600
Speaker 1: and go for it and it's still fun to see him.

671
00:28:10,600 --> 00:28:12,280
Speaker 1: But this is before he was sick. He still wasn't

672
00:28:12,280 --> 00:28:16,880
Speaker 1: good live. It was ever Clear. Oh yeah, yeah, yeah,

673
00:28:16,920 --> 00:28:17,440
Speaker 1: Art Alexis.

674
00:28:17,520 --> 00:28:20,120
Speaker 2: We saw him when he wasn't sick and it still wasn't.

675
00:28:20,320 --> 00:28:23,600
Speaker 1: I love ever Clear. I love so much of the

676
00:28:23,640 --> 00:28:25,359
Speaker 1: after glow before that. I loved Sparkling Fade, I think

677
00:28:25,440 --> 00:28:27,840
Speaker 1: is what the album was massive. I even loved the

678
00:28:27,880 --> 00:28:29,719
Speaker 1: story like he was older when they hit and he

679
00:28:29,800 --> 00:28:32,600
Speaker 1: was trading like work for studio time in a garage.

680
00:28:33,240 --> 00:28:37,359
Speaker 1: He's like thirty years old. Ever Clear was a massive

681
00:28:37,400 --> 00:28:41,120
Speaker 1: part of my college life. Saw them play live, saw

682
00:28:41,200 --> 00:28:43,600
Speaker 1: him play live at like a winery, did do we

683
00:28:43,600 --> 00:28:45,320
Speaker 1: go to that together? No, I went with you there

684
00:28:45,400 --> 00:28:48,120
Speaker 1: yet it was one of you, Yeah, one of you's.

685
00:28:48,160 --> 00:28:49,920
Speaker 2: I went lest so he played solo.

686
00:28:50,160 --> 00:28:53,200
Speaker 1: Yep, it was him Marcy playground lead singer. Yeah, and

687
00:28:53,440 --> 00:28:55,800
Speaker 1: who sings this? Oh, it's all my bride out each

688
00:28:55,920 --> 00:28:59,840
Speaker 1: six six they were all and there's one more dude?

689
00:29:00,080 --> 00:29:01,080
Speaker 2: Was it Jim Blossom's guy?

690
00:29:01,160 --> 00:29:02,640
Speaker 1: No Fountains of Fountains Wayne?

691
00:29:03,040 --> 00:29:06,040
Speaker 3: Oh, dude, the guy and he passed away. The singer

692
00:29:06,080 --> 00:29:10,720
Speaker 3: did during COVID he audited, Yeah, the main songwriter of

693
00:29:10,760 --> 00:29:11,400
Speaker 3: Fountains of Wayne.

694
00:29:11,440 --> 00:29:12,640
Speaker 1: There was two guys.

695
00:29:12,280 --> 00:29:16,120
Speaker 3: There, but the singer passed away. The guitar player that

696
00:29:16,160 --> 00:29:18,040
Speaker 3: was with him, but not the singer. I don't think

697
00:29:18,080 --> 00:29:20,080
Speaker 3: so got him. He also wrote that thing that's better

698
00:29:20,120 --> 00:29:20,400
Speaker 3: than No.

699
00:29:20,600 --> 00:29:21,200
Speaker 1: I'm just kidding.

700
00:29:21,200 --> 00:29:22,720
Speaker 2: I have no idea. I just I just thought that

701
00:29:22,760 --> 00:29:25,000
Speaker 2: he was one of the singer. But we went Yeah

702
00:29:25,240 --> 00:29:27,680
Speaker 2: me sounds Randon. We went to and it was those

703
00:29:27,680 --> 00:29:30,040
Speaker 2: four lead singers and the mark must have been sick

704
00:29:30,080 --> 00:29:32,920
Speaker 2: then for sure. Yeah, Like, why didn't I go with you?

705
00:29:33,000 --> 00:29:35,040
Speaker 2: That sounds like something we would one hundred percent go.

706
00:29:35,000 --> 00:29:37,200
Speaker 1: To, because I think we all talked about it, and

707
00:29:37,240 --> 00:29:39,000
Speaker 1: Brandon and I went because you would have gone.

708
00:29:39,040 --> 00:29:41,080
Speaker 2: For sure, I must have had COVID. I think I

709
00:29:41,120 --> 00:29:41,560
Speaker 2: had COVID.

710
00:29:42,040 --> 00:29:44,400
Speaker 1: It was pre COVID eighteen.

711
00:29:44,560 --> 00:29:45,560
Speaker 2: Maybe I don't know.

712
00:29:45,640 --> 00:29:46,240
Speaker 1: Yeah, you probably did.

713
00:29:46,280 --> 00:29:47,640
Speaker 2: Don't understand why I wasn't there.

714
00:29:47,840 --> 00:29:50,640
Speaker 1: The Marcie Playground guy came out first and played like

715
00:29:50,640 --> 00:29:53,600
Speaker 1: three songs because that's and they have one he hasn't,

716
00:29:53,760 --> 00:29:55,920
Speaker 1: but they played two other ones too. It was good.

717
00:29:56,240 --> 00:29:58,600
Speaker 2: And then Eve said, yeah, and I think art alexis

718
00:29:58,640 --> 00:30:01,240
Speaker 2: closed he headline, but it was he couldn't sing. Do

719
00:30:01,280 --> 00:30:02,160
Speaker 2: you remember that, Brandon?

720
00:30:02,200 --> 00:30:04,720
Speaker 1: I do? Yeah, it was it was great. I mean

721
00:30:04,920 --> 00:30:06,600
Speaker 1: it was funn even him singing bad because we sang

722
00:30:06,640 --> 00:30:07,840
Speaker 1: with that and it wasn't a winery.

723
00:30:08,360 --> 00:30:10,200
Speaker 2: So we we saw him a while back and he

724
00:30:10,200 --> 00:30:10,760
Speaker 2: couldn't sing.

725
00:30:10,840 --> 00:30:11,920
Speaker 1: So full concert.

726
00:30:12,000 --> 00:30:14,160
Speaker 2: Yes, So when you went to this one, did you

727
00:30:14,240 --> 00:30:16,040
Speaker 2: kind of expect, Oh, it's probably a bad night. Let's

728
00:30:16,040 --> 00:30:16,920
Speaker 2: see how he does today.

729
00:30:17,640 --> 00:30:20,760
Speaker 1: Is a bit different because when we saw him we

730
00:30:20,840 --> 00:30:24,720
Speaker 1: went to it legit like a like and it wasn't

731
00:30:24,720 --> 00:30:26,840
Speaker 1: an arena but a small it wasn't.

732
00:30:26,880 --> 00:30:29,480
Speaker 2: It wasn't ACL Live, right, so it was a ACL Live, yes,

733
00:30:29,480 --> 00:30:32,480
Speaker 2: al that arena. It's uh, it's not really a theater.

734
00:30:32,560 --> 00:30:35,880
Speaker 1: It's bigger than a theater regardless modern day theater. We went,

735
00:30:36,280 --> 00:30:40,440
Speaker 1: but they had instruments band and Jen Blossoms open Marcy

736
00:30:40,520 --> 00:30:44,040
Speaker 1: Playground was there. Their full band opened, Sugar Ray played

737
00:30:44,440 --> 00:30:46,960
Speaker 1: ever Clear play. You see the kind of concepts we

738
00:30:47,000 --> 00:30:49,320
Speaker 1: go to. It was so awesome because they had so

739
00:30:49,440 --> 00:30:52,240
Speaker 1: much music and there were drums and guitars. I didn't

740
00:30:52,280 --> 00:30:54,880
Speaker 1: feel like Arta Alexis was so bad that show. I

741
00:30:54,880 --> 00:30:57,240
Speaker 1: think they masked it with music when when Brandon and

742
00:30:57,280 --> 00:30:58,600
Speaker 1: I went to the winery to watch, it was just

743
00:30:58,680 --> 00:31:00,440
Speaker 1: him an acoustic guitar and it was just him sitting

744
00:31:00,480 --> 00:31:05,280
Speaker 1: up there, So it was more he was more vulnerable, Yeah,

745
00:31:05,320 --> 00:31:07,600
Speaker 1: for sure. Yeah, and he's out playing now and he's sick.

746
00:31:07,640 --> 00:31:12,280
Speaker 1: I think he has you know, I don't want to

747
00:31:12,280 --> 00:31:13,240
Speaker 1: guess it's his ailment.

748
00:31:13,480 --> 00:31:15,560
Speaker 2: I was about to guess it's not a fun.

749
00:31:16,200 --> 00:31:16,560
Speaker 7: Let's do it.

750
00:31:17,320 --> 00:31:19,560
Speaker 1: And I'm rooting for him. Oh he's got a mess, okay,

751
00:31:19,920 --> 00:31:22,320
Speaker 1: and he's still not playing and awesome, But yeah, I

752
00:31:22,320 --> 00:31:24,280
Speaker 1: would say that for him, that was not a good

753
00:31:24,280 --> 00:31:24,680
Speaker 1: one for me.

754
00:31:25,240 --> 00:31:28,800
Speaker 2: Uh, I'm gonna go Bob Dylan, but I still oh, yeah, good.

755
00:31:29,040 --> 00:31:31,480
Speaker 2: I still love Bob Dylan and I love his music.

756
00:31:31,520 --> 00:31:34,200
Speaker 2: I love his his albums, and I love listening to

757
00:31:34,280 --> 00:31:38,200
Speaker 2: him still, but man live, I don't recommend that for anyone.

758
00:31:38,520 --> 00:31:42,240
Speaker 1: So I went and saw him at ACL Festival, and

759
00:31:42,360 --> 00:31:45,240
Speaker 1: I'm not a fan. I'm more of a fan now

760
00:31:45,280 --> 00:31:48,360
Speaker 1: of his story and what he means to songwriting. After

761
00:31:48,400 --> 00:31:51,400
Speaker 1: watching the movie, reading the book first, then watch the book,

762
00:31:52,920 --> 00:31:54,800
Speaker 1: I forget. Yeah, I think so that was a good book.

763
00:31:54,840 --> 00:31:56,680
Speaker 1: I think so. I read it so long ago when

764
00:31:56,680 --> 00:31:58,080
Speaker 1: it was kind of boring to me, but I still

765
00:31:58,240 --> 00:32:00,480
Speaker 1: like understood why the people that I like like him.

766
00:32:01,000 --> 00:32:03,320
Speaker 1: But his music, except for the hits, was not something

767
00:32:03,360 --> 00:32:05,840
Speaker 1: I was drawn to. So he was just playing at

768
00:32:05,880 --> 00:32:08,720
Speaker 1: ACL and I walked over if doing songs had ever

769
00:32:08,800 --> 00:32:09,280
Speaker 1: heard of either?

770
00:32:09,360 --> 00:32:11,480
Speaker 2: But no, No, they probably were. That's the all point.

771
00:32:11,680 --> 00:32:13,880
Speaker 2: They were probably the hits. You just can't understand them.

772
00:32:13,920 --> 00:32:15,800
Speaker 2: I'm not even being a hater. I'm not hating either

773
00:32:15,800 --> 00:32:17,640
Speaker 2: because I love Bob Dylan. I didn't love him enough

774
00:32:17,640 --> 00:32:18,800
Speaker 2: for it to affect me in a negative way. I

775
00:32:18,840 --> 00:32:22,280
Speaker 2: just walked off, dude. The crazy one was I saw him.

776
00:32:22,600 --> 00:32:25,720
Speaker 2: It was a dual tour of Willie Nelson and Bob Dylan,

777
00:32:25,720 --> 00:32:29,080
Speaker 2: and they were playing baseball stadiums and I went and

778
00:32:29,120 --> 00:32:31,920
Speaker 2: I think Willie Nelson played first. It was awesome, It

779
00:32:32,000 --> 00:32:35,400
Speaker 2: was great, will He's amazing. Then Bob Dylan comes out

780
00:32:35,680 --> 00:32:39,120
Speaker 2: and for the first five or six songs, like it's inaudible,

781
00:32:39,200 --> 00:32:42,520
Speaker 2: Like you can't you're really playing music trivia with his music,

782
00:32:42,560 --> 00:32:43,840
Speaker 2: Like is that like a rolling stone?

783
00:32:43,880 --> 00:32:45,760
Speaker 1: Because of the sound or because of his way.

784
00:32:47,240 --> 00:32:49,600
Speaker 2: These kind of things like that, and you don't really understand.

785
00:32:49,800 --> 00:32:54,080
Speaker 2: So people started leaving. Like I'm talking, I would say

786
00:32:54,320 --> 00:32:58,320
Speaker 2: sixty percent of the crowd just left, wow and wild,

787
00:32:58,360 --> 00:33:00,000
Speaker 2: and forty percent of us were they and I stayed.

788
00:33:00,160 --> 00:33:01,600
Speaker 2: I'm like, I'm such a fan. I've never really seen

789
00:33:01,680 --> 00:33:04,760
Speaker 2: him before. Someone to stay and he sings, He finishes

790
00:33:04,800 --> 00:33:08,000
Speaker 2: whatever song he's singing. Then he he had a hat on.

791
00:33:08,080 --> 00:33:10,360
Speaker 2: I remember the hat was really low and he kind

792
00:33:10,400 --> 00:33:14,080
Speaker 2: of picks the hat up, looks up and goes welcome

793
00:33:14,080 --> 00:33:18,080
Speaker 2: Bob Dylan fans. He goes into like a rolling stone

794
00:33:18,680 --> 00:33:20,640
Speaker 2: and it was crystal clear, And I'm like, did he

795
00:33:20,760 --> 00:33:24,120
Speaker 2: do that on purpose to eat out the non fans?

796
00:33:24,280 --> 00:33:25,400
Speaker 1: Just test it all, you guys.

797
00:33:25,480 --> 00:33:27,760
Speaker 2: I feel like he's that kind of dude where like

798
00:33:28,160 --> 00:33:30,280
Speaker 2: he feel like he's like Chevy Chase too, like difficult,

799
00:33:30,320 --> 00:33:31,200
Speaker 2: probably very difficult.

800
00:33:31,280 --> 00:33:33,479
Speaker 1: He knows exactly who is as an artist. He's kind

801
00:33:33,480 --> 00:33:33,800
Speaker 1: of a dick.

802
00:33:33,880 --> 00:33:37,800
Speaker 2: I've heard the opposite. I've heard multiple people that have

803
00:33:38,240 --> 00:33:39,800
Speaker 2: met him, hung out with him, and he's like he

804
00:33:39,880 --> 00:33:43,120
Speaker 2: is the nicest person you'll ever meet. Wow, because I

805
00:33:43,160 --> 00:33:44,840
Speaker 2: thought the same thing. I'm like, oh, I wouldn't want

806
00:33:44,880 --> 00:33:45,480
Speaker 2: to meet Bob Dye.

807
00:33:45,360 --> 00:33:46,840
Speaker 1: Because I feel like somebody would do that to run

808
00:33:46,880 --> 00:33:47,320
Speaker 1: people off.

809
00:33:49,440 --> 00:33:51,640
Speaker 2: I feel like that was just a fun game to him,

810
00:33:51,680 --> 00:33:52,520
Speaker 2: like let's see how that.

811
00:33:52,480 --> 00:33:53,520
Speaker 1: Feels like what a dick would do.

812
00:33:54,960 --> 00:33:58,240
Speaker 3: But okay, I have a question for the Counting Crows

813
00:33:58,240 --> 00:33:59,040
Speaker 3: fans in.

814
00:33:59,000 --> 00:34:02,440
Speaker 1: The room or diehards. I know, yeah, you hate when

815
00:34:02,440 --> 00:34:04,800
Speaker 1: he changes the songs up here, you know I and

816
00:34:04,840 --> 00:34:06,720
Speaker 1: I'm they talk about the documentary too.

817
00:34:06,720 --> 00:34:08,560
Speaker 3: Well, That's what I was going to ask you guys about, like,

818
00:34:08,640 --> 00:34:11,799
Speaker 3: you know, diehard Bob Dylan fans they don't care because

819
00:34:11,800 --> 00:34:13,719
Speaker 3: they just love Bob Dylan. But do you guys, A

820
00:34:14,000 --> 00:34:17,000
Speaker 3: do you notice that whenever you see them.

821
00:34:17,000 --> 00:34:20,640
Speaker 2: County Crows County Cruise. Oh yeah, okay, we know it's

822
00:34:20,680 --> 00:34:21,160
Speaker 2: coming too.

823
00:34:21,360 --> 00:34:25,440
Speaker 1: Okay, you do do you care? Does it bother you? Like,

824
00:34:25,719 --> 00:34:28,879
Speaker 1: do you wish he would stay. So the last show

825
00:34:28,920 --> 00:34:31,160
Speaker 1: that Eddie and I went to together, he actually played

826
00:34:31,160 --> 00:34:33,400
Speaker 1: them eighty five to ninety percent right on, and we

827
00:34:33,400 --> 00:34:36,040
Speaker 1: were surprised by that. I think I would compare it

828
00:34:36,040 --> 00:34:37,719
Speaker 1: to I went and I went to the I saw

829
00:34:37,719 --> 00:34:39,439
Speaker 1: the Mona Lisa right So I go to the Louver

830
00:34:39,480 --> 00:34:41,000
Speaker 1: and I've never seen them Mona Lisa before, and I'd

831
00:34:41,000 --> 00:34:43,239
Speaker 1: heard by so many people that it's so small. You're

832
00:34:43,239 --> 00:34:45,000
Speaker 1: going to be so shocked at how small it is.

833
00:34:45,320 --> 00:34:48,600
Speaker 1: In my head, it was a posted stamp, So when

834
00:34:48,600 --> 00:34:51,480
Speaker 1: I finally saw it, it wasn't a post to stamp.

835
00:34:51,920 --> 00:34:53,160
Speaker 1: It was like a TV screen. I was like, this,

836
00:34:53,200 --> 00:34:55,520
Speaker 1: think's bigger than I thought because I had the expectation

837
00:34:55,600 --> 00:34:57,480
Speaker 1: that it was so small. I didn't go to a

838
00:34:57,480 --> 00:35:00,400
Speaker 1: bunch of Counting Crows shows, Okay, so I just heard

839
00:35:00,480 --> 00:35:04,160
Speaker 1: forever they suck live. They don't play songs like they're

840
00:35:04,200 --> 00:35:06,000
Speaker 1: supposed to. So I go to a show the first time.

841
00:35:06,080 --> 00:35:08,200
Speaker 1: We're in Austin, and I love County Crows, but I've never

842
00:35:08,200 --> 00:35:10,480
Speaker 1: been to a show. I'm going these are going to

843
00:35:10,520 --> 00:35:12,000
Speaker 1: be all songs that I know the words too, but

844
00:35:12,080 --> 00:35:13,919
Speaker 1: every one of them is going to be completely out

845
00:35:13,920 --> 00:35:16,520
Speaker 1: of sync, and so I go with the attitude of

846
00:35:16,560 --> 00:35:18,319
Speaker 1: I'm just going because I like them maybe, and they

847
00:35:18,320 --> 00:35:20,960
Speaker 1: played like half of the songs and I was like, oh,

848
00:35:21,080 --> 00:35:22,839
Speaker 1: that's not a post to Stamp at all. Yeah, that's

849
00:35:22,880 --> 00:35:26,839
Speaker 1: like DV and so, because my expectation was they change

850
00:35:26,840 --> 00:35:28,880
Speaker 1: every song, the fact that they did half the songs

851
00:35:29,840 --> 00:35:33,480
Speaker 1: it didn't land on me negatively. There were people around me.

852
00:35:33,520 --> 00:35:35,799
Speaker 1: They're like, this sucks because they didn't know that he

853
00:35:35,880 --> 00:35:38,800
Speaker 1: gets bored like Bob Dylan does. It just changes songs

854
00:35:38,880 --> 00:35:41,160
Speaker 1: up the show that Eddie and I went too recently,

855
00:35:41,320 --> 00:35:43,320
Speaker 1: because I've probably seen them now four or five times.

856
00:35:43,760 --> 00:35:45,759
Speaker 1: Like I said, he did eighty to ninety percent all

857
00:35:45,880 --> 00:35:48,640
Speaker 1: the right way, and we were shocked, wow, because their

858
00:35:48,640 --> 00:35:50,800
Speaker 1: expectation was he's going to change up all these songs,

859
00:35:51,239 --> 00:35:55,800
Speaker 1: and when he played mister Jones normally, it was abnormal

860
00:35:55,840 --> 00:35:56,120
Speaker 1: to us.

861
00:35:56,239 --> 00:35:57,960
Speaker 2: Yeah, like, wait, why isn't he changed it.

862
00:35:58,560 --> 00:36:02,440
Speaker 1: I'm believing good enough to get an original version. But

863
00:36:02,520 --> 00:36:05,000
Speaker 1: if you watch on TikTok, people will get upset when

864
00:36:05,040 --> 00:36:07,799
Speaker 1: they play songs differently because they don't know that's what

865
00:36:07,880 --> 00:36:08,360
Speaker 1: he does.

866
00:36:08,280 --> 00:36:11,960
Speaker 2: A lot, and they've been doing that forever, yeah, forever.

867
00:36:12,040 --> 00:36:15,080
Speaker 2: So Yeah, it doesn't. It doesn't bother me. I like it.

868
00:36:15,600 --> 00:36:17,640
Speaker 1: I like it because I know he's gonna do it,

869
00:36:17,680 --> 00:36:19,160
Speaker 1: and when he doesn't do it, I like it even

870
00:36:19,160 --> 00:36:23,160
Speaker 1: more when he does it originally the original version. Good question, man,

871
00:36:23,239 --> 00:36:25,120
Speaker 1: I watch your answer to that that question. Who did

872
00:36:25,200 --> 00:36:27,120
Speaker 1: you see? Maybe it's tough for you as an artist.

873
00:36:27,160 --> 00:36:29,360
Speaker 1: You've opened for a lot of people. You're in the biz.

874
00:36:29,440 --> 00:36:31,200
Speaker 1: This person may hit you up and want to beat

875
00:36:31,239 --> 00:36:34,319
Speaker 1: you up. Yeah, maybe I need to go back.

876
00:36:34,400 --> 00:36:39,560
Speaker 3: No, maybe, And maybe I saw them on and Off night, But.

877
00:36:39,560 --> 00:36:43,239
Speaker 1: It was guns and Roses. Man, were they all come back?

878
00:36:43,560 --> 00:36:47,640
Speaker 3: It was recent? It might have been actually it might

879
00:36:47,640 --> 00:36:50,920
Speaker 3: have been like four years ago. There were parts of

880
00:36:50,960 --> 00:36:53,440
Speaker 3: the show that were great, Oh, this is like Welcome

881
00:36:53,480 --> 00:36:54,000
Speaker 3: to the Jungle?

882
00:36:54,160 --> 00:36:57,960
Speaker 1: Was spot on? Did he sound like old Axel on.

883
00:36:57,840 --> 00:37:00,839
Speaker 3: Some songs and then and then other songs it was like,

884
00:37:00,920 --> 00:37:02,360
Speaker 3: what what is happening?

885
00:37:02,560 --> 00:37:04,200
Speaker 1: Like this is like this is horrible?

886
00:37:04,360 --> 00:37:08,200
Speaker 2: Was he changing the song structure or was it just

887
00:37:08,200 --> 00:37:09,920
Speaker 2: his voice couldn't keep up with it?

888
00:37:09,960 --> 00:37:11,879
Speaker 3: Was his voice like you know, he's got that low

889
00:37:12,040 --> 00:37:14,839
Speaker 3: low thang and then he goes ah bye and he

890
00:37:14,880 --> 00:37:16,279
Speaker 3: couldn't like regulate it.

891
00:37:16,560 --> 00:37:18,759
Speaker 1: He also he was having trouble keeping it. It wasn't

892
00:37:18,760 --> 00:37:21,399
Speaker 1: that he was consciously going I'm just not gonna sing

893
00:37:21,440 --> 00:37:22,160
Speaker 1: this song the same way.

894
00:37:22,360 --> 00:37:26,919
Speaker 3: Yeah, exactly, and that whole diva mentality like you saw

895
00:37:26,920 --> 00:37:28,960
Speaker 3: it start to come out, you know, like he was

896
00:37:29,000 --> 00:37:31,439
Speaker 3: like yelling at his crew and then he would say

897
00:37:31,480 --> 00:37:34,160
Speaker 3: things like the crowd wasn't into it enough, and it

898
00:37:34,239 --> 00:37:36,479
Speaker 3: is like, dude, this is a sold out bridge Stone

899
00:37:36,520 --> 00:37:39,200
Speaker 3: Arena show, like people are giving it all they got.

900
00:37:39,239 --> 00:37:41,440
Speaker 3: It was just it just left a It made me

901
00:37:41,520 --> 00:37:44,120
Speaker 3: understand what people were talking about.

902
00:37:44,280 --> 00:37:45,880
Speaker 1: Yeah, even though I'm still I'm a.

903
00:37:45,920 --> 00:37:49,399
Speaker 3: Huge Guns and Roses fan whatever, but it was just like, ah,

904
00:37:49,480 --> 00:37:50,600
Speaker 3: would I go see them again?

905
00:37:50,800 --> 00:37:53,080
Speaker 1: I don't know. And after you guys walked off, he

906
00:37:53,160 --> 00:37:54,759
Speaker 1: goes the real fancy.

907
00:38:00,480 --> 00:38:01,359
Speaker 2: He learned it from Bob.

908
00:38:04,400 --> 00:38:08,120
Speaker 1: I saw clips. I didn't go. But similarly, and I

909
00:38:08,120 --> 00:38:10,080
Speaker 1: think it's just if people come back in their hold

910
00:38:10,360 --> 00:38:12,239
Speaker 1: and they had a distinct way of singing, they can't

911
00:38:12,239 --> 00:38:14,840
Speaker 1: do it. You feel bad for them. But when I

912
00:38:14,880 --> 00:38:18,399
Speaker 1: watch clips of a CDC, oh yeah, and you feel bad.

913
00:38:18,400 --> 00:38:20,040
Speaker 1: I'd still like to go to the show me too.

914
00:38:20,640 --> 00:38:24,880
Speaker 1: But it's that registerment. Rian Johnson and then also even

915
00:38:25,360 --> 00:38:29,680
Speaker 1: Angus playing guitar. They have to be eighty years old too. Yeah,

916
00:38:29,719 --> 00:38:32,480
Speaker 1: and he runs around a lot. He's not really able to.

917
00:38:33,440 --> 00:38:34,560
Speaker 1: That's hard, dude.

918
00:38:34,600 --> 00:38:37,399
Speaker 2: Do you know who still Well, it's been it's been

919
00:38:37,480 --> 00:38:39,840
Speaker 2: probably seven or eight years that I've seen him, but

920
00:38:40,320 --> 00:38:42,080
Speaker 2: the Rolling Stones, and I know they had to cancel

921
00:38:42,160 --> 00:38:45,439
Speaker 2: a tour whatever been. And I know when I saw

922
00:38:45,480 --> 00:38:47,680
Speaker 2: them by eight years ago, they rocked.

923
00:38:47,800 --> 00:38:50,000
Speaker 3: Did you see him at Nissan? And Nissan me too, Man,

924
00:38:50,080 --> 00:38:50,840
Speaker 3: I was there.

925
00:38:50,719 --> 00:38:52,480
Speaker 2: And that's one of those where I was just like

926
00:38:52,680 --> 00:38:54,560
Speaker 2: so shocked that they were still so good.

927
00:38:55,040 --> 00:38:56,840
Speaker 1: So a question, and this is maybe not be a

928
00:38:56,840 --> 00:39:00,000
Speaker 1: fair question I had heard could be completely false. Here

929
00:39:00,040 --> 00:39:04,480
Speaker 1: do they have a band back behind? I see him

930
00:39:04,480 --> 00:39:07,440
Speaker 1: playing as well back behind underneath, and that if you

931
00:39:07,440 --> 00:39:09,440
Speaker 1: pay attention to Keith Richards, he's awful lot. You can

932
00:39:09,440 --> 00:39:12,920
Speaker 1: hear it. It's like, but they have a band setting

933
00:39:12,960 --> 00:39:14,759
Speaker 1: all the fundamentals up for them, and they kind of

934
00:39:14,760 --> 00:39:16,319
Speaker 1: play over the top of that band, not tracks, but

935
00:39:16,360 --> 00:39:18,280
Speaker 1: a band you can't see. Do you think that's true.

936
00:39:18,480 --> 00:39:21,680
Speaker 2: I think that it's probably true. But I did hear

937
00:39:22,080 --> 00:39:25,600
Speaker 2: mess ups and that's probably the old guys having their

938
00:39:25,600 --> 00:39:31,839
Speaker 2: instrument's still like the sound guys, you know, but like, yeah,

939
00:39:32,080 --> 00:39:34,160
Speaker 2: do you remember Keith Richard's guitar, Like you can hear

940
00:39:34,200 --> 00:39:36,799
Speaker 2: it where it's like, oh, that which is the guitar hero?

941
00:39:36,880 --> 00:39:37,440
Speaker 2: You know when you hit the.

942
00:39:39,480 --> 00:39:43,239
Speaker 3: Yeah, which which that's the Keith Richard it's that sloppy

943
00:39:43,680 --> 00:39:44,640
Speaker 3: jangly thing.

944
00:39:45,680 --> 00:39:48,279
Speaker 1: But I don't I don't think that's true. That's what

945
00:39:48,320 --> 00:39:50,200
Speaker 1: I have when I play a sloppy jangly thing. It's

946
00:39:50,200 --> 00:39:52,760
Speaker 1: my actual thing. It's all slamp all jangle.

947
00:39:53,000 --> 00:39:57,400
Speaker 2: But dude, Mick Jagger was just like he moved a

948
00:39:57,440 --> 00:40:00,440
Speaker 2: lot up and down the stage, his hair great, and

949
00:40:00,480 --> 00:40:01,480
Speaker 2: he sounded awesome.

950
00:40:02,239 --> 00:40:13,880
Speaker 6: The Bobby Cast will be right back. This is the

951
00:40:13,920 --> 00:40:14,640
Speaker 6: Bobby Cast.

952
00:40:15,760 --> 00:40:18,319
Speaker 1: I have two questions left. What runs a concert for you?

953
00:40:20,080 --> 00:40:22,680
Speaker 1: I'll go first in that it wasn't the fault, but

954
00:40:22,719 --> 00:40:24,160
Speaker 1: I went to see Tom Petty once and they couldn't

955
00:40:24,160 --> 00:40:26,200
Speaker 1: get the sound right in the crowd the whole time

956
00:40:26,320 --> 00:40:29,320
Speaker 1: yelling turn it up, turn it up. And Tom Petty's

957
00:40:29,320 --> 00:40:31,120
Speaker 1: playing and only the first part can hear it in

958
00:40:31,160 --> 00:40:32,920
Speaker 1: the crowd in the back, like turn it up, we

959
00:40:33,080 --> 00:40:35,239
Speaker 1: can't hear. And like three songs went through, and then

960
00:40:35,239 --> 00:40:36,840
Speaker 1: finally there was like a button that was supposed to

961
00:40:36,920 --> 00:40:41,480
Speaker 1: the full sound, so that was bad. I don't mind

962
00:40:41,640 --> 00:40:43,640
Speaker 1: is it the sound or the crowd that was a

963
00:40:43,680 --> 00:40:47,040
Speaker 1: sound issue. Okay, but the sound. But if the crow

964
00:40:47,080 --> 00:40:48,920
Speaker 1: wouldn't yell, they wouldn't have got it. Ever, all of

965
00:40:48,920 --> 00:40:53,880
Speaker 1: it was annoying, but that very much an outlier, Like

966
00:40:53,920 --> 00:40:55,920
Speaker 1: I don't think that that happens a whole lot. I

967
00:40:55,920 --> 00:40:58,760
Speaker 1: don't mind phones. Some people be like, man, a phone.

968
00:40:58,840 --> 00:41:01,279
Speaker 1: It doesn't hurt me if you're holding a phone up, Like,

969
00:41:01,320 --> 00:41:07,080
Speaker 1: I don't mind phones. I don't like when people talk

970
00:41:07,239 --> 00:41:11,840
Speaker 1: or yell during slow during ballads at a at a singer.

971
00:41:11,920 --> 00:41:15,040
Speaker 1: Like let's say somebody sitting downt a piano and he's like, yeah,

972
00:41:15,680 --> 00:41:19,359
Speaker 1: well I just heard. It's like the bro bo we're

973
00:41:19,400 --> 00:41:24,000
Speaker 1: here and everyone here is yeah. Like when those slow

974
00:41:24,040 --> 00:41:26,799
Speaker 1: down moments happen. I like it when everybody slows down

975
00:41:26,840 --> 00:41:28,520
Speaker 1: and lets the guy do the thing because it's a

976
00:41:28,560 --> 00:41:29,480
Speaker 1: vulnerable point.

977
00:41:29,560 --> 00:41:30,239
Speaker 2: I agree with that.

978
00:41:30,239 --> 00:41:32,320
Speaker 1: That's that ruins it for me. Or when someone's just

979
00:41:32,360 --> 00:41:34,120
Speaker 1: trying to like yell a joke, get a joke in

980
00:41:34,320 --> 00:41:38,000
Speaker 1: when someone's playing something slow, or it's I hate that

981
00:41:38,000 --> 00:41:40,320
Speaker 1: that one off person who's trying to get the spotlight

982
00:41:40,360 --> 00:41:42,840
Speaker 1: when it's not their spotlight to have Brandon.

983
00:41:43,880 --> 00:41:47,439
Speaker 3: Yeah, I mean there's all all of that. I mean,

984
00:41:47,960 --> 00:41:52,240
Speaker 3: I guess depending on where you're sitting, just just people

985
00:41:52,840 --> 00:41:59,919
Speaker 3: talking constantly or or get getting drunk, Like.

986
00:42:01,920 --> 00:42:04,760
Speaker 1: Just just go somewhere else, man, Like that drunk's tough,

987
00:42:04,880 --> 00:42:07,839
Speaker 1: you know, but talking like having a full blown loud

988
00:42:07,840 --> 00:42:12,759
Speaker 1: conversation during a ballad, Yeah, quiet song, yeah, like you can.

989
00:42:13,560 --> 00:42:17,040
Speaker 1: They're doing higher, we're going to creed all the time.

990
00:42:18,960 --> 00:42:22,160
Speaker 1: Talk to your buddy. But when they're doing arms wide

991
00:42:22,200 --> 00:42:26,360
Speaker 1: open and you want to hear that the heart, shush,

992
00:42:26,400 --> 00:42:29,200
Speaker 1: shut up, Come on, okay, Eddie.

993
00:42:29,960 --> 00:42:31,520
Speaker 2: Yeah, I'm gonna stick with the crowd. I think the

994
00:42:31,520 --> 00:42:35,239
Speaker 2: crowd's usually what ruins it for me. But specifically I

995
00:42:35,440 --> 00:42:38,799
Speaker 2: like to stand up at concerts. I don't like to

996
00:42:38,840 --> 00:42:41,960
Speaker 2: sit down and watch the show. And I've had multiple

997
00:42:42,040 --> 00:42:45,960
Speaker 2: moments where crowd members have been like can you please

998
00:42:45,960 --> 00:42:49,520
Speaker 2: sit down or like stand up the whole show, and

999
00:42:49,600 --> 00:42:51,799
Speaker 2: you see them kind of move because I'm standing up

1000
00:42:52,040 --> 00:42:54,120
Speaker 2: and jumping and enjoying the concerts.

1001
00:42:54,440 --> 00:42:55,000
Speaker 1: About the show.

1002
00:42:55,120 --> 00:42:57,080
Speaker 2: So I think, like, yeah, I hear they're a crowd

1003
00:42:57,080 --> 00:43:00,439
Speaker 2: that they hate. I hate that people don't really get

1004
00:43:00,440 --> 00:43:02,880
Speaker 2: into the shows. You know, like as much as I

1005
00:43:02,880 --> 00:43:03,959
Speaker 2: think they should.

1006
00:43:03,840 --> 00:43:05,640
Speaker 1: A little bit, isn't it read the room in those

1007
00:43:05,640 --> 00:43:09,680
Speaker 1: situations like I get universally you bought taking stand up.

1008
00:43:11,000 --> 00:43:14,160
Speaker 1: But again, if you're a Nora Jones concert, I don't

1009
00:43:14,160 --> 00:43:16,520
Speaker 1: know what I didn't and you're standing up and that's

1010
00:43:16,560 --> 00:43:17,480
Speaker 1: a sit down show.

1011
00:43:18,200 --> 00:43:22,680
Speaker 2: Yeah that happened that. Who's the one that has the

1012
00:43:22,760 --> 00:43:27,160
Speaker 2: music with the the puppies that are Sarah McLaughlin. It

1013
00:43:27,239 --> 00:43:28,200
Speaker 2: was a Sarah McLaughlin show.

1014
00:43:28,239 --> 00:43:32,520
Speaker 1: In the arm you're standing up. But see, I think that's.

1015
00:43:32,400 --> 00:43:33,759
Speaker 2: Rude of you.

1016
00:43:33,360 --> 00:43:37,360
Speaker 1: You fairly can't. You're legally can right well, but it's rude.

1017
00:43:37,640 --> 00:43:41,120
Speaker 1: It's also kind of rude at a show if you're

1018
00:43:41,120 --> 00:43:43,239
Speaker 1: standing up the whole time if everybody around you, what

1019
00:43:43,239 --> 00:43:45,000
Speaker 1: I'll do everybody around me standing up, I stand up

1020
00:43:45,040 --> 00:43:46,560
Speaker 1: and say up. If everybody around me sits down, I'm

1021
00:43:46,560 --> 00:43:48,399
Speaker 1: not gonna be the one guy at an Aqua Lung

1022
00:43:48,440 --> 00:43:51,800
Speaker 1: concert that's standing up because everybody behind me is like

1023
00:43:51,840 --> 00:43:53,240
Speaker 1: wanting to just sit and enjoy the show.

1024
00:43:53,840 --> 00:43:55,600
Speaker 2: Aqual long, I feel you gotta get up and jump.

1025
00:43:55,760 --> 00:43:57,319
Speaker 1: No. Aqual long was a piano.

1026
00:43:59,160 --> 00:44:00,919
Speaker 2: Not proud of than Sunshine.

1027
00:44:01,280 --> 00:44:02,440
Speaker 1: There's a piano concert.

1028
00:44:03,280 --> 00:44:05,120
Speaker 2: I just think to me is like, you can do

1029
00:44:05,160 --> 00:44:08,319
Speaker 2: whatever you want, and if you're bothering people, which I

1030
00:44:08,360 --> 00:44:10,160
Speaker 2: wasn't bothering anyone, you can stand you.

1031
00:44:10,200 --> 00:44:13,080
Speaker 1: Are bothering someone. If it's again, I'm not.

1032
00:44:13,239 --> 00:44:14,960
Speaker 2: Look, I wasn't in front of the wheelchair aisle. Dude,

1033
00:44:15,000 --> 00:44:19,319
Speaker 2: they can stand up to with me and you're you're

1034
00:44:19,360 --> 00:44:20,680
Speaker 2: not wrong, You're not wrong.

1035
00:44:20,880 --> 00:44:23,560
Speaker 1: I just say I read the room and just like

1036
00:44:23,600 --> 00:44:25,799
Speaker 1: I don't like to talk loud during a slow song

1037
00:44:26,280 --> 00:44:28,520
Speaker 1: if the everyday around me is not standing up, and

1038
00:44:28,560 --> 00:44:31,400
Speaker 1: it's one of those sit down moments that you really focus,

1039
00:44:31,600 --> 00:44:32,200
Speaker 1: I sit down.

1040
00:44:32,560 --> 00:44:36,080
Speaker 2: You ever see those South American shows of like rock

1041
00:44:36,120 --> 00:44:40,799
Speaker 2: bands going to South America and the whole freaking's arena

1042
00:44:41,000 --> 00:44:42,319
Speaker 2: is jumping and you're trying to.

1043
00:44:42,239 --> 00:44:44,160
Speaker 1: Do that Sarah mclaugh And you know what, that's annoying.

1044
00:44:45,840 --> 00:44:51,319
Speaker 2: I'm just saying, I think in America we need to

1045
00:44:51,400 --> 00:44:55,000
Speaker 2: get into our concerts here. Man, they wanted, the artist

1046
00:44:55,080 --> 00:44:55,600
Speaker 2: wants us.

1047
00:44:55,560 --> 00:44:59,359
Speaker 1: To keep get into concerts differently. Different songs are meant

1048
00:44:59,360 --> 00:45:00,800
Speaker 1: to be gotten into different ways.

1049
00:45:01,160 --> 00:45:03,200
Speaker 2: I remember I was at a Band of Horses concert

1050
00:45:03,640 --> 00:45:06,480
Speaker 2: and I was just jumping up and down and the

1051
00:45:06,520 --> 00:45:09,200
Speaker 2: people around me after two or three songs started jumping

1052
00:45:09,239 --> 00:45:11,319
Speaker 2: with me and they're like, we love your energy. I'm like,

1053
00:45:11,400 --> 00:45:12,440
Speaker 2: thank you, let's go.

1054
00:45:12,560 --> 00:45:14,520
Speaker 1: That's awesome. I like that. I like that for you.

1055
00:45:14,960 --> 00:45:15,680
Speaker 1: That's really cool.

1056
00:45:15,800 --> 00:45:17,319
Speaker 2: I don't think you would have been that guy.

1057
00:45:17,520 --> 00:45:21,399
Speaker 1: However, if we're to ray La Montaigne show and you're

1058
00:45:21,440 --> 00:45:24,040
Speaker 1: jumping around when it's supposed to be accepted and beautiful,

1059
00:45:24,120 --> 00:45:25,359
Speaker 1: it's just a room. It's read the room.

1060
00:45:25,440 --> 00:45:28,960
Speaker 3: Yeah, there's concert etiquette for sure, and it's on all sides.

1061
00:45:29,000 --> 00:45:29,239
Speaker 4: Man.

1062
00:45:29,600 --> 00:45:32,680
Speaker 3: Just you know, we were at Brian Adams.

1063
00:45:32,880 --> 00:45:33,600
Speaker 1: At bridge Stone.

1064
00:45:33,640 --> 00:45:35,480
Speaker 2: It's a stand up show for me, oh my god,

1065
00:45:35,680 --> 00:45:38,839
Speaker 2: like yeah, if there's like momentum and yeah, but even

1066
00:45:38,920 --> 00:45:40,239
Speaker 2: everything I do, I do it for you.

1067
00:45:40,320 --> 00:45:42,279
Speaker 1: I'm still stand everybody standing up for sure.

1068
00:45:42,560 --> 00:45:44,960
Speaker 3: But there's a there's a woman and I mean he's

1069
00:45:45,000 --> 00:45:48,359
Speaker 3: got an older crowd. She's literally talking on her cell

1070
00:45:48,400 --> 00:45:54,160
Speaker 3: phone man speakerphone, facetiming with the person you know, watching

1071
00:45:54,200 --> 00:45:56,960
Speaker 3: the show, and she's like so good, right, and you

1072
00:45:57,000 --> 00:46:00,000
Speaker 3: can hear you can hear the person on the speakerphone

1073
00:46:00,080 --> 00:46:01,520
Speaker 3: and trying to sing the song.

1074
00:46:03,440 --> 00:46:06,239
Speaker 1: Just like somebody get her out of here, like this

1075
00:46:06,360 --> 00:46:06,880
Speaker 1: is awful.

1076
00:46:06,960 --> 00:46:10,600
Speaker 2: Okay, okay, see, that's a question for you guys singing along.

1077
00:46:11,120 --> 00:46:14,319
Speaker 2: I've had people where I've sing I've sat around them

1078
00:46:14,400 --> 00:46:16,759
Speaker 2: and they're singing so loud that I can't hear the

1079
00:46:16,840 --> 00:46:18,440
Speaker 2: artists that I'm there to see.

1080
00:46:18,600 --> 00:46:20,240
Speaker 1: I think it's to read the room type thing. Again.

1081
00:46:20,520 --> 00:46:23,239
Speaker 1: I think it's an understand the etiquette based on what

1082
00:46:23,280 --> 00:46:24,520
Speaker 1: everybody else is doing as well.

1083
00:46:25,480 --> 00:46:28,239
Speaker 2: If but you know you're not a good singer, and

1084
00:46:28,280 --> 00:46:31,040
Speaker 2: you could ruin what the person the people around you

1085
00:46:31,080 --> 00:46:31,879
Speaker 2: are hearing.

1086
00:46:31,800 --> 00:46:33,719
Speaker 1: By everybody singing along, it can be the worst thing

1087
00:46:33,760 --> 00:46:34,960
Speaker 1: in the world. Sing as loud and proud at you

1088
00:46:35,000 --> 00:46:37,759
Speaker 1: can't because that's a sing a long song. Again. If

1089
00:46:37,880 --> 00:46:44,320
Speaker 1: Alanis is up there doing unforgiven, so that's metallic. No,

1090
00:46:44,520 --> 00:46:49,520
Speaker 1: but wait, that's one that goes I and the said

1091
00:46:55,480 --> 00:46:57,840
Speaker 1: she's uninvited, thank you there. Nobody even said that. I

1092
00:46:58,760 --> 00:47:02,080
Speaker 1: thank you myself, me for forgetting there. If she's doing

1093
00:47:02,160 --> 00:47:06,120
Speaker 1: uninvited and you're singing so loud when it's one of

1094
00:47:06,120 --> 00:47:08,520
Speaker 1: those moments again that it's supposed to be her moment,

1095
00:47:09,320 --> 00:47:11,560
Speaker 1: then you need to shut up. I don't care if

1096
00:47:11,560 --> 00:47:14,840
Speaker 1: you sing really good, it's just I don't people that

1097
00:47:14,960 --> 00:47:21,799
Speaker 1: don't have the we'll call it emotional intelligence to understand

1098
00:47:22,120 --> 00:47:23,839
Speaker 1: why you should act a certain way, when you should

1099
00:47:23,880 --> 00:47:26,200
Speaker 1: act a certain way based on the emotion of what's

1100
00:47:26,200 --> 00:47:30,560
Speaker 1: coming from the stage. I get irritated at that.

1101
00:47:30,880 --> 00:47:34,440
Speaker 3: Here's a question for you as a performer, Like.

1102
00:47:34,440 --> 00:47:37,279
Speaker 2: You're not a performer, no, no, no, we love to

1103
00:47:37,320 --> 00:47:37,840
Speaker 2: know this from you.

1104
00:47:38,040 --> 00:47:42,160
Speaker 1: Yes, no, no, no, Like greater performer than any of

1105
00:47:42,239 --> 00:47:47,600
Speaker 1: us ever. Do you know what it's like? Yes, well

1106
00:47:47,640 --> 00:47:48,399
Speaker 1: both both of you guys.

1107
00:47:48,440 --> 00:47:51,920
Speaker 3: And I'm specifically talking about your your fan base like

1108
00:47:52,280 --> 00:47:54,400
Speaker 3: raging idiots, comedy fan base.

1109
00:47:54,400 --> 00:47:55,480
Speaker 1: All that, all that stuff.

1110
00:47:55,920 --> 00:47:59,080
Speaker 3: What is your big biggest pet peeve about an audience?

1111
00:47:59,160 --> 00:48:01,560
Speaker 1: Like, oh, if I'm telling you jokes and people are talking, done,

1112
00:48:01,640 --> 00:48:04,000
Speaker 1: shut it down because it's all timing.

1113
00:48:04,200 --> 00:48:07,319
Speaker 2: But but what about talking to you that I don't care?

1114
00:48:07,400 --> 00:48:10,240
Speaker 2: That's what I'm Yeah, don't care, don't talk. Yeah.

1115
00:48:10,239 --> 00:48:12,680
Speaker 1: If I'm playing music and you're singing along, that's okay.

1116
00:48:13,000 --> 00:48:15,480
Speaker 1: I love it because there's music. If I'm talking, the

1117
00:48:15,640 --> 00:48:17,560
Speaker 1: silence is as part of the much part of the

1118
00:48:17,600 --> 00:48:20,880
Speaker 1: act as the talking is. So you're stepping on words

1119
00:48:20,880 --> 00:48:23,160
Speaker 1: I'm saying that are getting laughs or gaps I'm leaving

1120
00:48:23,200 --> 00:48:25,759
Speaker 1: to get a laugh based on the next word that

1121
00:48:25,800 --> 00:48:28,880
Speaker 1: I'm saying, even and it's hard to not scold an

1122
00:48:28,920 --> 00:48:32,279
Speaker 1: audience if they're like lovingly talking to you, but it

1123
00:48:32,400 --> 00:48:35,160
Speaker 1: still interrupts everything, Like I'm like, hey, so went out yesterday,

1124
00:48:35,200 --> 00:48:38,120
Speaker 1: did it? I love you. It's hard to be angry

1125
00:48:38,160 --> 00:48:39,759
Speaker 1: at someone that's telling you they love you, but what

1126
00:48:39,760 --> 00:48:43,000
Speaker 1: they're doing is runing that for everybody else. What I've

1127
00:48:43,040 --> 00:48:47,759
Speaker 1: had to do in those situations is if you just

1128
00:48:48,400 --> 00:48:50,400
Speaker 1: don't pay any attention to it, even though it's so

1129
00:48:50,520 --> 00:48:53,520
Speaker 1: obviously out there presented to you, If it's bothered somewhere,

1130
00:48:53,560 --> 00:48:57,440
Speaker 1: if it's loving or whatever it is, it's it's ruining

1131
00:48:57,520 --> 00:49:00,640
Speaker 1: the product. You cannot let the audience it's in or

1132
00:49:00,680 --> 00:49:01,600
Speaker 1: they're all going to think they.

1133
00:49:01,560 --> 00:49:03,440
Speaker 2: Can get in by by acknowledge.

1134
00:49:03,440 --> 00:49:07,760
Speaker 1: You can't acknowledge it at all, good, bad and different.

1135
00:49:07,920 --> 00:49:09,440
Speaker 1: You just have to go and if they keep doing it,

1136
00:49:09,480 --> 00:49:10,839
Speaker 1: then you have to stop the show. And I've done

1137
00:49:10,840 --> 00:49:15,200
Speaker 1: that before and go. Man, it's weird to have to

1138
00:49:15,200 --> 00:49:18,040
Speaker 1: get onto somebody for being so loving and I love

1139
00:49:18,080 --> 00:49:20,319
Speaker 1: you back, but all these people paid for a ticket.

1140
00:49:20,120 --> 00:49:21,359
Speaker 2: Right, Yeah, he's done that before.

1141
00:49:21,480 --> 00:49:23,799
Speaker 3: Yeah you have, you definitely have the last time you

1142
00:49:23,800 --> 00:49:24,760
Speaker 3: guys played at the opry.

1143
00:49:24,800 --> 00:49:25,440
Speaker 1: What I loved.

1144
00:49:26,480 --> 00:49:28,960
Speaker 3: You guys are asking people to clap and then they

1145
00:49:29,000 --> 00:49:29,359
Speaker 3: got off.

1146
00:49:29,480 --> 00:49:32,520
Speaker 1: We're like, stop clapping, you're running across. We can't keep up.

1147
00:49:32,600 --> 00:49:33,920
Speaker 2: I feel like we never learned on that one.

1148
00:49:34,000 --> 00:49:36,359
Speaker 1: Yeah, well keep up with normal clapping. So but you're

1149
00:49:36,400 --> 00:49:38,600
Speaker 1: doing a good job, crowd, But we love keep up.

1150
00:49:38,760 --> 00:49:41,000
Speaker 1: They loved every second of it. It's so funny. And

1151
00:49:41,040 --> 00:49:43,239
Speaker 1: in music that's a lot easier to do, yeah, because

1152
00:49:43,239 --> 00:49:45,200
Speaker 1: there's music and you can. But if you're just talking

1153
00:49:45,239 --> 00:49:47,759
Speaker 1: and someone's talking, it would be the comparable too. If

1154
00:49:47,800 --> 00:49:49,400
Speaker 1: we're playing music and someone brings out a guitar from

1155
00:49:49,400 --> 00:49:51,239
Speaker 1: the crowd and starts playing guitar in the middle of it. Yeah,

1156
00:49:51,640 --> 00:49:53,240
Speaker 1: it's the same way as talking during talking.

1157
00:49:53,360 --> 00:49:55,959
Speaker 3: Okay, how do you feel about doing Q and a's

1158
00:49:56,000 --> 00:49:57,520
Speaker 3: after your comedy shows.

1159
00:49:57,400 --> 00:49:59,840
Speaker 2: After why are you?

1160
00:50:00,200 --> 00:50:01,320
Speaker 1: Well, they're they're nightmares.

1161
00:50:01,440 --> 00:50:03,879
Speaker 3: Oh dude, this guy, this drunk guy like went off

1162
00:50:03,920 --> 00:50:07,560
Speaker 3: on Bobby in this beautiful theater and his and his

1163
00:50:07,560 --> 00:50:13,320
Speaker 3: his wife is just hiding because he's just he's justlings.

1164
00:50:13,760 --> 00:50:15,880
Speaker 1: Yeah, and it's like you don't want to like have

1165
00:50:15,960 --> 00:50:19,919
Speaker 1: somebody removed because they're obviously a fan or yeah, that's

1166
00:50:20,000 --> 00:50:21,960
Speaker 1: that's tough. The weirdest part about Q and A is

1167
00:50:22,000 --> 00:50:24,279
Speaker 1: the weirdest part about any of that is, or even

1168
00:50:24,280 --> 00:50:26,320
Speaker 1: meet and greets, is when people want to like kiss

1169
00:50:26,360 --> 00:50:29,239
Speaker 1: you or touch you and we're like, oh, I just

1170
00:50:29,280 --> 00:50:31,759
Speaker 1: want to give you and you're I appreciate you being here,

1171
00:50:31,800 --> 00:50:37,040
Speaker 1: but I don't. I don't want your germs. So I'm

1172
00:50:37,080 --> 00:50:37,640
Speaker 1: sorry about that.

1173
00:50:37,640 --> 00:50:38,040
Speaker 2: By the way.

1174
00:50:38,200 --> 00:50:41,839
Speaker 1: Yeah, that's how Brandon got I hadn't seen you. All right,

1175
00:50:41,880 --> 00:50:46,719
Speaker 1: that's it. Thank you boys for hopping in. Thank you

1176
00:50:46,719 --> 00:50:48,880
Speaker 1: everybody for listening. If you got to this end at

1177
00:50:48,920 --> 00:50:52,319
Speaker 1: the end of this Bobby cast, we appreciate it. And Eddie,

1178
00:50:52,440 --> 00:50:56,760
Speaker 1: chill out. When Life House is playing hanging by a moment,

1179
00:50:57,000 --> 00:50:58,640
Speaker 1: you don't need to stand up and do the waves.

1180
00:50:58,840 --> 00:51:01,480
Speaker 2: Just take it in long descent. I'm starting up, man.

1181
00:51:02,120 --> 00:51:07,000
Speaker 1: Thank you guys for listening. Soon, as of right now,

1182
00:51:07,000 --> 00:51:09,040
Speaker 1: we're not able to say yet. We know but our

1183
00:51:09,400 --> 00:51:11,719
Speaker 1: this show will be on Netflix. We have a lot

1184
00:51:11,760 --> 00:51:14,600
Speaker 1: of great artists lined up for those first few episodes,

1185
00:51:15,520 --> 00:51:17,920
Speaker 1: but for now we'll just keep talking ourselves. Make shut that.

1186
00:51:18,000 --> 00:51:22,120
Speaker 1: Stephen King, Richard Bachman, Yeah, uh and you guys. All right,

1187
00:51:22,120 --> 00:51:23,959
Speaker 1: that's it. Thank you guys, We'll see you guys next week.

1188
00:51:24,800 --> 00:51:27,280
Speaker 1: Thanks for listening to a Bobby cast production