WEBVTT - FROM THE VAULT: The Goonies (40th Anniversary Edition)

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<v Speaker 1>Too Much Information is a production of iHeartRadio. Hello everyone,

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<v Speaker 1>and welcome to Too Much Information, the show that gives

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<v Speaker 1>you the secret stories, a little known facts behind your

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<v Speaker 1>favorite music, movies, TV shows, and more. We are your

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<v Speaker 1>two one eyed Willies of wanton Over explanation. My name's

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<v Speaker 1>Jordan run Tugg. These are just getting longer and longer.

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<v Speaker 2>It's gonna be a run on sentenced by the time

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<v Speaker 2>we're through with it. And I'm Alex Heigel.

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<v Speaker 1>Yes, and today we are talking about the Goonies. Yes,

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<v Speaker 1>one of my favorite movies of the eighties. We've had

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<v Speaker 1>several requests for this one, which is really great. So

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<v Speaker 1>nice to know that you're as excited about these as

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<v Speaker 1>we are. Quick PSA. Feel free to reach out with

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<v Speaker 1>any topic requests, find us on Twitter or whatever. We

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<v Speaker 1>love to hear from you. But Goonies is a special

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<v Speaker 1>one because this was one of those movies that I'd

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<v Speaker 1>watch on repeat, really almost every day as a kid.

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<v Speaker 1>I loved it so much. I have nothing especially enlightening

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<v Speaker 1>to say about it. I just think it's a wonderful movie. Basically,

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<v Speaker 1>it's Junior Indiana Jones, which makes sense considering it came

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<v Speaker 1>from the mind of Steven Spielberg. I personally love gang

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<v Speaker 1>movies like this, and The Sandlot definitely gave me unrealistic

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<v Speaker 1>expectations about like friendship goals and the Beatles too. I

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<v Speaker 1>guess you know, Sandlot, Goonies, Beatles, all great gangs. I

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<v Speaker 1>was also really obsessed with shipwrecks as a kid, so

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<v Speaker 1>he sent me into like my family basement in search

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<v Speaker 1>of something akin to the treasure map that sets this

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<v Speaker 1>plot in motion. Hock. We talked a little bit about

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<v Speaker 1>this earlier. What are your thoughts on this movie?

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<v Speaker 2>I don't have love for it the same way you do,

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<v Speaker 2>but it's great. I don't know what you're gonna do

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<v Speaker 2>on the Coonies. It's incredible, I mean, inspiring on all cylinders.

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<v Speaker 2>It's Richard Donner and Steven Spielberg. It's like, even if

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<v Speaker 2>it didn't have the amazing cast that it had and

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<v Speaker 2>the sort of rough hewn charm, it would have still

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<v Speaker 2>been a great movie just by virtue of those guys

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<v Speaker 2>knew how to make movies. Yeah, I don't know. I

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<v Speaker 2>mean we talked a little bit about this when we

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<v Speaker 2>were first pitching this. But like the eighties, like fan

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<v Speaker 2>to see movie that I watched more was Eddie Murphy

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<v Speaker 2>starring in The Golden Child.

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<v Speaker 1>Wait, I don't think I I don't remember this at all.

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<v Speaker 1>What is this?

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<v Speaker 2>It's like either The Golden Child or Big Trouble in

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<v Speaker 2>Little China. I have Big Trouble Little China. I watched like,

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<v Speaker 2>yeah that I that was Goodies for me. I watched

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<v Speaker 2>that movie like hmm weekly. But yeah, Golden chowd is

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<v Speaker 2>Eddie Murphy. It's like a weird fantasy movie about him,

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<v Speaker 2>like shepherding mystical avatar of some kind back to Nepal

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<v Speaker 2>I think or something.

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<v Speaker 1>I don't know.

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<v Speaker 2>It's just got this crazy. It doesn't make any sense.

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<v Speaker 2>It's not a good movie. It's just funny, like it's

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<v Speaker 2>one of those things I just had laying around on VHS.

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<v Speaker 1>I have never even seen this movie before.

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<v Speaker 2>People really people don't really talk about it.

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<v Speaker 1>They don't want you to know about it. Anyway. We'll

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<v Speaker 1>get ready because we're gonna tell you all about Steven

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<v Speaker 1>Spielberg's secret role as the unofficial co director, the authentic

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<v Speaker 1>blood and skulls use for props, and the real life

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<v Speaker 1>shipwreck that inspired the plot. We've also got the crazy

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<v Speaker 1>connections between the goonies Gremlins, back to the future in

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<v Speaker 1>James Bond, plus Sloth's nightmarish makeup prosthetics that nearly electrocuted him.

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<v Speaker 1>There's the on set few between Corey Felban and Martha Plimpton,

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<v Speaker 1>the prank war between the Fortelli brothers, the time Michael

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<v Speaker 1>Jackson called Sean Aston, and the lost subplot involving escaped gorillas.

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<v Speaker 1>You'll learn how about of chicken pox almost cheated us

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<v Speaker 1>out of Jeff Cohen's hilarious performance as Chunk, how the

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<v Speaker 1>production crew built and destroyed a full size pirate ship,

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<v Speaker 1>and how Alice Cooper crashed the epic cast party. So,

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<v Speaker 1>without further ado, here is everything you didn't know about

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<v Speaker 1>The Goonies. Wow, we're starting this with a section that

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<v Speaker 1>I have subheaded childhood sads. It's like this in Dad Issues. Yep, yep,

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<v Speaker 1>both coming together very often with Steven Spielberg. Like so

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<v Speaker 1>many great things in this world, The Goonies was conceived

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<v Speaker 1>by Steven Spielberg, who acted as execus, a producer, and

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<v Speaker 1>as will find out, sort of a secret code director

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<v Speaker 1>because he's Steven Spielberg and just couldn't help himself. So

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<v Speaker 1>Spielberg was inspired by two things, the first being his childhood.

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<v Speaker 1>Again because he's Steven Spielberg. He said that the idea

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<v Speaker 1>of the Goonies came from a group of kids he

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<v Speaker 1>knew as a boy in school. And Spielberg had a

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<v Speaker 1>tough time in school because he struggled with undiagnosed dyslexia,

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<v Speaker 1>and as a result, he learned to read a few

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<v Speaker 1>years later than other kids in his class, and he

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<v Speaker 1>was bullied mercilessly because of it. He described himself as

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<v Speaker 1>being a nerd and an outsider growing up. Quote like

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<v Speaker 1>the kid that played clarinet in the band and orchestra,

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<v Speaker 1>which I did, which I personally take offense to because

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<v Speaker 1>I do as well. And I recently went out of

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<v Speaker 1>my way to tell that to a friend the other day,

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<v Speaker 1>And now I'm wondering if I shouldn't have. I didn't

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<v Speaker 1>know that the clarinet was that loaded of a band instrument.

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<v Speaker 2>Do you know that you can hear Spielberg playing clarinet

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<v Speaker 2>on the Jaws soundtrack? No, it's when there's like a

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<v Speaker 2>school marching band coming by, and apparently they couldn't get

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<v Speaker 2>like one of these.

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<v Speaker 1>I guess they either either.

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<v Speaker 2>Williams did it as a favor for him, or they

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<v Speaker 2>couldn't find like an actual orchestra musician to playly enough

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<v Speaker 2>to sound like a high school clarinet player, that they

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<v Speaker 2>just got Spielberg to do it. But you can see

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<v Speaker 2>him playing clarinet on there's photos of him playing clarinet

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<v Speaker 2>on the set of on the set of Jaws.

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<v Speaker 1>Really cute, that's adorable. Yeah, But he was also bullied

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<v Speaker 1>in his town as a kid because he's one of

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<v Speaker 1>the only Jewish families in I think the neighborhood he

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<v Speaker 1>was growing up in Arizona, which led him to be

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<v Speaker 1>mocked and even beaten a little later in high school,

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<v Speaker 1>and Spielberg apparently got revenge on his bullies one night

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<v Speaker 1>by sneaking out and smearing peanut butter on their windows.

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<v Speaker 1>The fifties ladies and gentlemen anyway, So during this rough

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<v Speaker 1>period in Spielberg's youth, he was embraced by a gang

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<v Speaker 1>of outsiders who sort of took them under their wing

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<v Speaker 1>and made him feel included and for a time somewhat normal.

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<v Speaker 1>This was, at its heart, the genesis of the Goonies,

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<v Speaker 1>this gang of inclusive outsiders who go off in search

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<v Speaker 1>of a legendary seventeenth century pirates treasure. As I said,

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<v Speaker 1>it's sort of an Indiana Jones adventure written by S. C.

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<v Speaker 1>Hinton for the legend of One Eyed Willie and his

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<v Speaker 1>shipped The Inferno. Spielberg was inspired by the wreck of

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<v Speaker 1>the Santa Cristo de Burgos, which was a Spanish galleon

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<v Speaker 1>that set sail from the Philippines to Mexico in sixteen

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<v Speaker 1>ninety three but never made it to its destination. It

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<v Speaker 1>vanished on its journey, taking with it a precious cargo

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<v Speaker 1>of porcelain, silk and bees wax. Something about bees not

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<v Speaker 1>being indigenous to certain parts of the world. I don't know.

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<v Speaker 1>Beeswax hot commodity in the sixteen hundreds, So bizarrely, this

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<v Speaker 1>Spanish galleon was thought to be shipwrecked off the coast

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<v Speaker 1>of Astoria, Oregon, which is a long way off from Mexico.

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<v Speaker 1>I guess the trade route would take it down the

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<v Speaker 1>coast of northern California, but they must have went off

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<v Speaker 1>course somewhere to end up in Oregon. Indigenous tribes in

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<v Speaker 1>what's now known as Oregon passed down stories about this

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<v Speaker 1>galleon throughout the generations, calling the bees wax wreck because

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<v Speaker 1>of these blocks of beeswax that would wash ashore from it,

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<v Speaker 1>as well as bits of blue and white porcelain and

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<v Speaker 1>bits of wood we'd get tossed up on the rocks

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<v Speaker 1>or buried in the sound every now and then, And

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<v Speaker 1>this led to this whole run on the area by

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<v Speaker 1>treasure hunters in the late nineteenth century, not long after

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<v Speaker 1>the gold Rush. And so these reports in this area

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<v Speaker 1>about this being this lost pirate ship, right, it wasn't

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<v Speaker 1>a pirate ship, right, but this lost Spanish galleon helped

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<v Speaker 1>inspire Spielberg to create the One Eyed Willie plot of

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<v Speaker 1>the Goodies. And for years this wreck was basically thought

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<v Speaker 1>just to be like a local legend. But then in

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<v Speaker 1>June twenty twenty two, just earlier this year, National Geographic

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<v Speaker 1>confirmed that they found what was left of the Santa

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<v Speaker 1>Cristo de Burgos. Found a few dozen timbers, which is

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<v Speaker 1>extremely rare for a century's old ship and waters, and

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<v Speaker 1>I think they found more peace wax, which is good

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<v Speaker 1>that the world needs. So it was a happy ending there.

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<v Speaker 2>First you get the money, then you get the bees wax.

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<v Speaker 1>Then you got the tower.

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<v Speaker 2>Yeah, there's a famous British warship that's near the hell Gate,

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<v Speaker 2>which is that super cool name for the like stretch

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<v Speaker 2>of water between Randall's Island and Astoria and New York.

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<v Speaker 2>And uh, something like two to four million dollars in

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<v Speaker 2>gold down there.

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<v Speaker 1>Did they get it?

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<v Speaker 2>I there's like a whole there's a whole thing about

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<v Speaker 2>treasure hunters trying to find it.

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<v Speaker 1>But no, I think they blew it up because they would.

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<v Speaker 2>This is I mean, this is maybe a little too

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<v Speaker 2>NYC granular history, but this place was so treacherous that

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<v Speaker 2>at one point the US Army Corps of Engineers detonated.

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<v Speaker 2>Uh like they just tried to blow it up, essentially

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<v Speaker 2>to like blow up a bunch of the rocks in

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<v Speaker 2>a crucial area too, to kind of change the flow

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<v Speaker 2>of water. So they maybe they probably blew this ship up. Anyway,

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<v Speaker 2>it's supposed to also be super haunted. Uh, well, I

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<v Speaker 2>imagine that all shipwrecks. Well there's a bunch of there

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<v Speaker 2>are a bunch of like prisoners of war and I

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<v Speaker 2>think slaves on this particular ship.

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<v Speaker 1>So oh yeah, so extra haunted. All shipwrecks are haunted. Yeah,

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<v Speaker 1>extra haunted.

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<v Speaker 2>There was a great hang on there's a great I

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<v Speaker 2>forget the name of this ship. There was a great

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<v Speaker 2>quote the hussar. Oh yeah, oh you.

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<v Speaker 1>Know the husser. Well, go go, go go.

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<v Speaker 2>In eighteen seventy six, the USR recorps of engineers blew

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<v Speaker 2>fifty six thousand pounds or twenty five tons of dynamite

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<v Speaker 2>to try and to try and blow that up and

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<v Speaker 2>failed or succeeded. I don't know what the metric of success.

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<v Speaker 1>They are there. That was what they're gonna do for

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<v Speaker 1>the Titanic. They were going to try to set off

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<v Speaker 1>before they realized it was like two and a half

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<v Speaker 1>miles down. They were going to try to set off

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<v Speaker 1>explosives that were going to try to dis lodge it

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<v Speaker 1>and bring it to the surface or fill it with

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<v Speaker 1>ping pong balls.

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<v Speaker 2>Oh yes, I remember the ping pong ball's bit. Yeah,

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<v Speaker 2>I guess. In twenty thirteen they found uh, okay, so

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<v Speaker 2>they found a cannon from it at least, and they

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<v Speaker 2>were cleaning this cannon and they found out it was

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<v Speaker 2>loaded and still had nearly two pounds of gunpowder in it,

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<v Speaker 2>which is like, oh my god.

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<v Speaker 1>Smoke break as they're cleaning this thing.

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<v Speaker 2>Yeah, you have like you're like your your nice docile

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<v Speaker 2>job as a as a preservationist and you find a

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<v Speaker 2>fully loaded active cannon.

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<v Speaker 1>That's a huzzer. Yeah. Wow.

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<v Speaker 2>Anyway, getting back on track, speaking of old wooden ships. Uh,

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<v Speaker 2>Spooberg hired screenwriter Christopher Columbus. Two we did there, Yeah,

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<v Speaker 2>ties back, ties back together. Columbus had just written nineteen

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<v Speaker 2>eighty four's Gremlins, which is a personal favorite of mine,

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<v Speaker 2>and he would obviously go on to direct Home Alone,

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<v Speaker 2>Missus Doubtfire, the first two Harry Potter movies by Centennial Man. Ooh,

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<v Speaker 2>this is this thing on?

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<v Speaker 1>Uh.

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<v Speaker 2>He brought his own ideas to the story, though he

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<v Speaker 2>grew up in Ohio, where he spent a lot of

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<v Speaker 2>his youth exploring the abandoned coal mines, not an activity

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<v Speaker 2>I can recommend.

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<v Speaker 1>This show does not condone pencil. I feel like that's.

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<v Speaker 2>Yeah, I sure a lot of speaking of haunted places. Yeah,

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<v Speaker 2>I don't know. I guess instead of the docks, his

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<v Speaker 2>pitch was to have them all be in coal mines.

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<v Speaker 1>I have a question for you, God, I had always

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<v Speaker 1>heard it as the boonies or the boone docks. I

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<v Speaker 1>think the goonies is the phrase I had never heard

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<v Speaker 1>unless it was in the context of this movie. Have

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<v Speaker 1>you heard that? Nope?

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<v Speaker 2>So boondocks. Oh this is interesting. This is this here,

0:11:33.320 --> 0:11:36.720
<v Speaker 2>this will interest you. Boon Docks comes from the word

0:11:36.720 --> 0:11:42.280
<v Speaker 2>in Tagalog bundock for mountain. It was adapted by American

0:11:42.280 --> 0:11:45.760
<v Speaker 2>soldiers stationed in the Philippines and then readopted in the

0:11:45.800 --> 0:11:48.880
<v Speaker 2>early twentieth century, and then picked up again in World

0:11:48.920 --> 0:11:54.240
<v Speaker 2>War Two. So that's boondocks goon. Oh boy, I thought

0:11:54.280 --> 0:12:01.280
<v Speaker 2>it was going to get racist. Oh it's early May. Yeah,

0:12:01.320 --> 0:12:06.040
<v Speaker 2>goony goon could be made up. Etymology Online traces it

0:12:06.080 --> 0:12:10.520
<v Speaker 2>to Harper's in December of twenty one, possibly originating from

0:12:10.640 --> 0:12:15.800
<v Speaker 2>sailor slang referring to Albatross's or other big clumsy birds.

0:12:16.280 --> 0:12:18.640
<v Speaker 1>But I guess yeah, Spielberg was probably like, you know what,

0:12:18.840 --> 0:12:22.760
<v Speaker 1>coal mines not especially cinematic. What about a boat? Just

0:12:22.760 --> 0:12:23.880
<v Speaker 1>think about a boat, plus.

0:12:23.640 --> 0:12:27.440
<v Speaker 2>Trying to imagine lighting all that. Oh yeah, anyway, there

0:12:27.480 --> 0:12:29.400
<v Speaker 2>are a lot of rewrites on this movie. I didn't

0:12:29.400 --> 0:12:31.599
<v Speaker 2>find anyone else credited. Did you find anyone who's like

0:12:31.600 --> 0:12:33.800
<v Speaker 2>a script doctor on this or it was just they

0:12:33.880 --> 0:12:36.680
<v Speaker 2>just kept sending it back to Chrystalmas. Yeah, it's like

0:12:36.800 --> 0:12:39.920
<v Speaker 2>Becker Fagan just be like, Nope, not it, that's not it.

0:12:40.559 --> 0:12:44.240
<v Speaker 2>So yeah, I guess much like Xana do a recent episode.

0:12:44.280 --> 0:12:46.760
<v Speaker 2>I guess the actors didn't get pages for their scenes

0:12:46.840 --> 0:12:50.040
<v Speaker 2>until right before they were about to shoot, which sounds

0:12:50.160 --> 0:12:50.840
<v Speaker 2>nerve wracking.

0:12:51.400 --> 0:12:54.800
<v Speaker 1>And they're all kids too. Yeah, it's resilient, they'll bounce back.

0:12:54.840 --> 0:12:55.439
<v Speaker 1>It's fine.

0:12:56.360 --> 0:12:58.000
<v Speaker 2>Yeah, I guess, like they didn't even know what was

0:12:58.040 --> 0:12:59.960
<v Speaker 2>happening to Chunk. They had no idea what his plot

0:13:00.160 --> 0:13:02.199
<v Speaker 2>line was. They were just like, hey, he gets separated

0:13:02.240 --> 0:13:03.679
<v Speaker 2>at some point, we haven't seen him for.

0:13:03.600 --> 0:13:07.520
<v Speaker 1>A couple of weeks. Does kill off Chunky?

0:13:09.520 --> 0:13:12.040
<v Speaker 2>So I guess we mentioned Chris Columbus also at the

0:13:12.040 --> 0:13:15.600
<v Speaker 2>script of Gremlins, And so there's a reference in Goonie's

0:13:15.640 --> 0:13:18.760
<v Speaker 2>Two Gremlins. You said that this presupposes then that they

0:13:18.800 --> 0:13:21.640
<v Speaker 2>take place in the same shared cinematic universe. So when

0:13:21.679 --> 0:13:24.280
<v Speaker 2>Chunk calls the cops, they nod to this habit he

0:13:24.320 --> 0:13:26.440
<v Speaker 2>had of prank calls. The officer reminds him of the

0:13:26.480 --> 0:13:28.680
<v Speaker 2>time when he called with a story about little green

0:13:28.720 --> 0:13:32.520
<v Speaker 2>creatures that multiply when you pour water on them. Gremlins.

0:13:32.720 --> 0:13:35.600
<v Speaker 2>That movie was also executive produced by Spielbergen features a

0:13:35.640 --> 0:13:39.120
<v Speaker 2>young Corey Feldman, who will get to And there's another connection.

0:13:39.280 --> 0:13:41.920
<v Speaker 2>Did you know that the town in Gremlins, which is

0:13:42.000 --> 0:13:45.160
<v Speaker 2>Kingston Falls, is shot on the same soundstage as Back

0:13:45.200 --> 0:13:46.840
<v Speaker 2>to the Future the set for Mill Valley?

0:13:47.480 --> 0:13:51.960
<v Speaker 1>What the universal backlot? Wow? Courts square my god Well.

0:13:52.000 --> 0:13:55.040
<v Speaker 1>On the topic of Back to the Futures, internet sleuths

0:13:55.040 --> 0:13:58.160
<v Speaker 1>have discovered an interesting connection between The Goonies and Back

0:13:58.200 --> 0:14:01.160
<v Speaker 1>to the Future My favorite movie. Appropriately enough, it all

0:14:01.200 --> 0:14:04.200
<v Speaker 1>has to do with time. There's a wall calendar seen

0:14:04.320 --> 0:14:06.880
<v Speaker 1>ten minutes into The Goonies that shows that it's October

0:14:06.960 --> 0:14:10.280
<v Speaker 1>nineteen eighty five, and there's also a newspaper front page

0:14:10.320 --> 0:14:12.880
<v Speaker 1>that's seen around the forty three minute mark that's dated

0:14:12.920 --> 0:14:16.239
<v Speaker 1>October twenty fourth, nineteen eighty five, which was a Thursday,

0:14:16.679 --> 0:14:18.640
<v Speaker 1>And at one point in the movie, mouth says that

0:14:18.679 --> 0:14:21.800
<v Speaker 1>it's Saturday, two days later, which means that the whole

0:14:21.840 --> 0:14:25.400
<v Speaker 1>movie takes place on October twenty sixth, nineteen eighty five.

0:14:26.000 --> 0:14:29.440
<v Speaker 1>This is the exact day that Marty McFly takes the

0:14:29.480 --> 0:14:33.640
<v Speaker 1>DeLorean back in time to nineteen fifty five. And considering

0:14:33.640 --> 0:14:36.240
<v Speaker 1>Spielberg was involved with Back to the Future two, I

0:14:36.280 --> 0:14:38.040
<v Speaker 1>don't think there's any way that could be an accident.

0:14:38.480 --> 0:14:43.920
<v Speaker 2>This sets the stage for and verbal contract, a movie

0:14:43.960 --> 0:14:48.480
<v Speaker 2>in which Marty McFly meets the Goonies, meets the Gremlins,

0:14:48.800 --> 0:14:53.400
<v Speaker 2>meets the Flintstones, meets the Jetsons in Viva Rock Vegas.

0:14:55.480 --> 0:15:02.680
<v Speaker 1>And the Flintstones Kids with the WWE And this answers Yeah,

0:15:02.760 --> 0:15:06.880
<v Speaker 1>on the Rockets, Ladies and Gentlemen, the Aristocrats.

0:15:11.200 --> 0:15:14.160
<v Speaker 2>We do so much uncredited development work on the show,

0:15:14.400 --> 0:15:17.720
<v Speaker 2>like come on, we're just spinning.

0:15:17.840 --> 0:15:22.480
<v Speaker 1>Gold Man well, getting back to Corey Feldman, as all

0:15:22.520 --> 0:15:25.880
<v Speaker 1>things must do. He apparently goes way back with Spielberg.

0:15:26.000 --> 0:15:27.800
<v Speaker 1>He talks about going to visit him on the set

0:15:27.800 --> 0:15:31.280
<v Speaker 1>of Poultrygeist, which Spielberg wrote and, depending on who you believe,

0:15:31.520 --> 0:15:35.440
<v Speaker 1>may have covertly directed. Feldman claims that he was originally

0:15:35.480 --> 0:15:38.680
<v Speaker 1>cast in et as Elliott's best friends, but the roles

0:15:38.720 --> 0:15:43.800
<v Speaker 1>written out sure. Feldman says that Spielberg felt so bad

0:15:43.800 --> 0:15:45.600
<v Speaker 1>about this that he promised to put him in his

0:15:45.600 --> 0:15:48.320
<v Speaker 1>next project that he was working on, which was Gremlin's.

0:15:48.920 --> 0:15:52.240
<v Speaker 1>Considering this is Corey Feldman, I'm inclined to call bs

0:15:52.240 --> 0:15:54.960
<v Speaker 1>on this, but Spielberg does have a history of doing this.

0:15:55.680 --> 0:15:58.120
<v Speaker 1>When he was casting for Hook, he really liked this

0:15:58.160 --> 0:16:00.400
<v Speaker 1>one kid, but didn't cast them, but to me put

0:16:00.440 --> 0:16:02.960
<v Speaker 1>him in his next movie, which was Jurassic Park, and

0:16:03.160 --> 0:16:05.360
<v Speaker 1>that was the little boy in that Joseph Mazzella, So

0:16:05.600 --> 0:16:07.040
<v Speaker 1>he does have a track record of doing that.

0:16:07.200 --> 0:16:11.320
<v Speaker 2>Later went on to play Queen. Bassist John Deacon made

0:16:11.320 --> 0:16:11.880
<v Speaker 2>me rasty.

0:16:11.960 --> 0:16:14.440
<v Speaker 1>I didn't know that until this morning, and I almost

0:16:14.440 --> 0:16:16.240
<v Speaker 1>texted you about it. That blew my mind.

0:16:16.400 --> 0:16:19.400
<v Speaker 2>Loved John Deacon less so that movie.

0:16:19.960 --> 0:16:23.760
<v Speaker 1>Yes, So Gremlins led to Corey Feldman's evolvement in Goonies,

0:16:23.760 --> 0:16:26.200
<v Speaker 1>but he still had to audition. I guess Bilberg was

0:16:26.240 --> 0:16:28.760
<v Speaker 1>originally slated to direct the Goonies, but then he dropped

0:16:28.800 --> 0:16:31.520
<v Speaker 1>out and director Richard Donner took over, which we'll talk

0:16:31.560 --> 0:16:33.640
<v Speaker 1>more about in a little bit. So Corey Felban lost

0:16:33.640 --> 0:16:35.920
<v Speaker 1>his favorite status and had to go back to auditioning.

0:16:36.320 --> 0:16:38.440
<v Speaker 1>So he goes to the audition and he meets another

0:16:38.520 --> 0:16:40.600
<v Speaker 1>young kid in the waiting room who's also there to

0:16:40.640 --> 0:16:42.760
<v Speaker 1>audition to play the character of Mouth, and that was

0:16:42.800 --> 0:16:46.240
<v Speaker 1>Corey Hame and they would famously be joined at the

0:16:46.280 --> 0:16:49.160
<v Speaker 1>hip throughout the eighties and early nineties, becoming best friends

0:16:49.160 --> 0:16:52.280
<v Speaker 1>and starring together in The Lost Boys and apparently six

0:16:52.360 --> 0:16:56.720
<v Speaker 1>other movies together, Too Sweetly. Feldman said that after Ham's

0:16:56.720 --> 0:16:58.800
<v Speaker 1>death in twenty ten, one of the first people to

0:16:58.800 --> 0:17:00.560
<v Speaker 1>call him the check on him was his Goonies co

0:17:00.640 --> 0:17:08.800
<v Speaker 1>star Shaan Astone. Like the sweetest the goodest boy, but

0:17:09.400 --> 0:17:13.040
<v Speaker 1>as you can imagine, Feldman kind of the opposite of

0:17:13.080 --> 0:17:15.560
<v Speaker 1>the goodest boy. You can sometimes get on the rest

0:17:15.560 --> 0:17:18.480
<v Speaker 1>of the cast nerves. He was basically his character in

0:17:18.480 --> 0:17:22.480
<v Speaker 1>the movie. He and Martha Plimpton in particular, had kind

0:17:22.480 --> 0:17:25.400
<v Speaker 1>of a tempestuous relationship, sort of a big sister little

0:17:25.440 --> 0:17:28.520
<v Speaker 1>brother relationship. She recalls flipping out on him one day.

0:17:28.800 --> 0:17:30.960
<v Speaker 1>I was sitting at my typewriter doing my homework and

0:17:31.000 --> 0:17:33.399
<v Speaker 1>he came over and started annoying me. I got up

0:17:33.440 --> 0:17:35.240
<v Speaker 1>from the typewriter and got him on the floor and

0:17:35.280 --> 0:17:38.679
<v Speaker 1>started smashing his hand on it, shouting, shut up, shut up,

0:17:38.760 --> 0:17:41.960
<v Speaker 1>shut up. I think this was I think she tells

0:17:42.000 --> 0:17:44.359
<v Speaker 1>the story like during some kind of Goonies event, like

0:17:44.400 --> 0:17:47.760
<v Speaker 1>to his face, So I think they're okay now. When

0:17:47.760 --> 0:17:51.040
<v Speaker 1>Feldman was a guest on Steve O's wild Ride podcast

0:17:51.119 --> 0:17:53.600
<v Speaker 1>Friend of the Pod Stevo, he said that he was

0:17:53.640 --> 0:17:57.120
<v Speaker 1>only paid forty dollars for six months work on the Goonies,

0:17:57.160 --> 0:18:01.760
<v Speaker 1>which I find weird for a Spielberg production. Sure, maybe

0:18:01.760 --> 0:18:05.600
<v Speaker 1>that's just what his parents told him here a Yeah,

0:18:05.640 --> 0:18:09.600
<v Speaker 1>he emancipated himself, I think not long after. But yeah,

0:18:09.600 --> 0:18:14.080
<v Speaker 1>Feldman remains inordinately proud of Goony's, calling it the Willie

0:18:14.080 --> 0:18:17.560
<v Speaker 1>Walker of our generation. I don't know if I get

0:18:17.560 --> 0:18:19.920
<v Speaker 1>the analogy, but sure, yeah, I.

0:18:19.880 --> 0:18:24.480
<v Speaker 2>Mean poor Corey, yeah kid who truly got cheered up

0:18:24.520 --> 0:18:26.760
<v Speaker 2>and spit out by the entertainment industry.

0:18:27.160 --> 0:18:32.720
<v Speaker 1>Yeah. Yeah, this leads us somewhat perfectly into the Michael

0:18:32.800 --> 0:18:36.080
<v Speaker 1>Jackson corner. Yes, there's a line in the movie where

0:18:36.160 --> 0:18:39.040
<v Speaker 1>Chunk talks about, you know, some made up story about

0:18:39.040 --> 0:18:41.760
<v Speaker 1>Michael Jackson coming over to his house to use the bathroom,

0:18:42.040 --> 0:18:44.880
<v Speaker 1>which is ironic because Corey Feldman had a burgeoning friendship

0:18:44.880 --> 0:18:47.639
<v Speaker 1>with Michael Jackson around this time. Is Director Richard Donner

0:18:47.680 --> 0:18:51.199
<v Speaker 1>and Steven Spielberg apparently used the Jacksons as something of

0:18:51.200 --> 0:18:53.880
<v Speaker 1>a carrot during the production. They sent the young cast

0:18:53.920 --> 0:18:57.160
<v Speaker 1>to see the Jackson's Victory Reunion tour at Dodger Stadium

0:18:57.240 --> 0:19:01.400
<v Speaker 1>during pre production. This a treat, And I guess when

0:19:01.440 --> 0:19:03.760
<v Speaker 1>they were filming the pipe scene, you know, the scene

0:19:03.800 --> 0:19:06.040
<v Speaker 1>where they're all banging on the pipes and try to signal,

0:19:06.240 --> 0:19:09.760
<v Speaker 1>you know, that they need help to the people in town. Feldman,

0:19:09.920 --> 0:19:12.600
<v Speaker 1>he didn't have the passion that director Richard Donner wanted.

0:19:13.000 --> 0:19:15.359
<v Speaker 1>So Donner told him a little surprised that he was

0:19:15.359 --> 0:19:17.480
<v Speaker 1>going to tell him later. He told him, Michael Jackson's

0:19:17.480 --> 0:19:19.320
<v Speaker 1>coming to visit the set tomorrow, you know. And then

0:19:19.359 --> 0:19:21.960
<v Speaker 1>they went to shoot the scene again, and Corey's all

0:19:22.240 --> 0:19:24.440
<v Speaker 1>amped up because his hero is about to visit the set.

0:19:24.840 --> 0:19:27.280
<v Speaker 1>And I think it's when he's the scene when he's

0:19:27.320 --> 0:19:33.480
<v Speaker 1>screaming the line reverse pressure. Yeah, it's interesting, Donna, really, Uh,

0:19:33.640 --> 0:19:36.080
<v Speaker 1>we'll talk about this later. That's some really unique ways

0:19:36.119 --> 0:19:38.400
<v Speaker 1>of trying to get good performances out of these kids,

0:19:38.520 --> 0:19:41.480
<v Speaker 1>kind of like Kubrick doing the Shining when he had

0:19:41.520 --> 0:19:44.000
<v Speaker 1>this cole separate plot that he made up to tell

0:19:44.080 --> 0:19:46.480
<v Speaker 1>the little boy he was playing Danny, so that he

0:19:46.480 --> 0:19:48.800
<v Speaker 1>didn't traumatize them by telling him the real plot. I

0:19:48.840 --> 0:19:52.600
<v Speaker 1>don't know. I like Richard Donner's approach here. Sure enough,

0:19:52.680 --> 0:19:56.040
<v Speaker 1>Michael did come onto the set. There's amazing pictures of

0:19:56.119 --> 0:19:59.000
<v Speaker 1>him on One Eyed Billy's pirate ship with his arm

0:19:59.040 --> 0:20:01.560
<v Speaker 1>around Chunk, which which is kind of funny because it

0:20:02.440 --> 0:20:06.639
<v Speaker 1>validated chunks bs story from earlier on the plot about

0:20:06.680 --> 0:20:09.720
<v Speaker 1>hanging with Michael Jackson. So Corey Felbrian was close friends

0:20:09.720 --> 0:20:12.840
<v Speaker 1>with Michael and the two lady became estranged for reasons

0:20:12.880 --> 0:20:18.119
<v Speaker 1>that are murky. But uh, well, actually, you I believe

0:20:18.359 --> 0:20:19.159
<v Speaker 1>have found.

0:20:19.320 --> 0:20:22.240
<v Speaker 2>Something desperately hope is true.

0:20:22.720 --> 0:20:26.080
<v Speaker 1>Yeah, what's that? Well, Corey felban and Michael Jackson fall out.

0:20:26.359 --> 0:20:29.720
<v Speaker 2>One of the reasons that I've read cited was that

0:20:30.080 --> 0:20:33.639
<v Speaker 2>Michael Jackson was afraid of how Corey Felbman was going

0:20:33.680 --> 0:20:36.959
<v Speaker 2>to talk to him about talk about him in one

0:20:37.000 --> 0:20:40.359
<v Speaker 2>of his books that he'd written, and backed off accordingly.

0:20:39.920 --> 0:20:40.080
<v Speaker 1>But.

0:20:41.520 --> 0:20:44.520
<v Speaker 2>Feldman the whole you have to we have to talk

0:20:44.560 --> 0:20:47.280
<v Speaker 2>about nine to eleven when we talk about Corey Feldman

0:20:47.359 --> 0:20:49.639
<v Speaker 2>and Michael Jackson. I don't know if people know this,

0:20:49.760 --> 0:20:54.520
<v Speaker 2>but apparently Michael Jackson drove Marlon Brando, Elizabeth Taylor, and

0:20:54.640 --> 0:20:58.440
<v Speaker 2>Liza Minelli out of New York on nine to eleven.

0:20:58.600 --> 0:21:00.879
<v Speaker 1>There was a like a made for TV movie with

0:21:01.119 --> 0:21:02.560
<v Speaker 1>Joseph Fines.

0:21:02.680 --> 0:21:06.520
<v Speaker 2>Yeah, in like Whiteface. It's deeply upsetting. So that's a

0:21:06.520 --> 0:21:09.960
<v Speaker 2>real thing that happened, And apparently Feldman was not included

0:21:10.000 --> 0:21:14.359
<v Speaker 2>in this, and he was upset about that, and he

0:21:14.520 --> 0:21:20.040
<v Speaker 2>retaliated with this song called megaloman that features the lyrics

0:21:20.359 --> 0:21:23.520
<v Speaker 2>I believed in your words, I believed in your lies.

0:21:24.040 --> 0:21:27.600
<v Speaker 1>But in September in New York, you left me to die.

0:21:28.200 --> 0:21:35.520
<v Speaker 1>I love you, megalo Man so as in Megalomaniac. Yeah, yeah, yeah, Okay.

0:21:35.560 --> 0:21:40.679
<v Speaker 2>So their relationship fell apart, either because of what Michael

0:21:41.000 --> 0:21:43.679
<v Speaker 2>was afraid that Corey was going to write about, or

0:21:43.720 --> 0:21:45.960
<v Speaker 2>because of nine to eleven to Potato Potato.

0:21:46.760 --> 0:21:51.120
<v Speaker 1>I am not being sarcastic when I say, why don't

0:21:51.160 --> 0:21:54.200
<v Speaker 1>more people know about this? That's wow?

0:21:54.359 --> 0:21:57.440
<v Speaker 2>Okay, well barely this road trip ended up in Ohio.

0:21:57.880 --> 0:22:00.359
<v Speaker 2>Either they got on so well or they were just

0:22:00.400 --> 0:22:02.600
<v Speaker 2>like so petrified of being on the East Coast that

0:22:02.640 --> 0:22:06.920
<v Speaker 2>they drove into Ohio. And I read that Marlon Brando

0:22:06.760 --> 0:22:10.320
<v Speaker 2>who was like, you know, this is in full figured

0:22:10.359 --> 0:22:14.399
<v Speaker 2>Brendo era, so they I guess he was like constantly

0:22:14.440 --> 0:22:18.600
<v Speaker 2>asking to stop for fast food, annoying everyone else in

0:22:18.600 --> 0:22:19.000
<v Speaker 2>the car.

0:22:19.520 --> 0:22:20.960
<v Speaker 1>Yeah, that's a hell of a movie.

0:22:21.040 --> 0:22:25.160
<v Speaker 2>That's a great, great movie that that should be made.

0:22:25.240 --> 0:22:27.879
<v Speaker 2>They deserves better they made it. No, it deserves better

0:22:27.920 --> 0:22:31.200
<v Speaker 2>than that. I mean, I'm talking prestige. I want Daniel

0:22:31.240 --> 0:22:35.080
<v Speaker 2>day Lewis in there. I want Meryl Streep. No, Meryl

0:22:35.119 --> 0:22:38.320
<v Speaker 2>Streep could play Elizabeth Taylor. I'm developing again.

0:22:38.560 --> 0:22:42.720
<v Speaker 1>Damn it. Here's a question. I mean no offense when

0:22:42.760 --> 0:22:46.119
<v Speaker 1>I say this. Do you think the car trip? Do

0:22:46.160 --> 0:22:49.840
<v Speaker 1>you think it was funny? Do I think it was funny? Yeah?

0:22:50.119 --> 0:22:54.959
<v Speaker 2>Scream? Are you imagining? Imagine all those personalities in that car.

0:22:55.320 --> 0:22:57.479
<v Speaker 2>It's better if it was like a compact, if they

0:22:57.480 --> 0:22:59.600
<v Speaker 2>weren't in like like and they weren't a limited.

0:22:59.640 --> 0:23:00.720
<v Speaker 1>It was my driving.

0:23:02.440 --> 0:23:05.399
<v Speaker 2>God, that's a great question. I wonder who drove. I

0:23:05.400 --> 0:23:10.760
<v Speaker 2>don't know, man, Maybe they took turns. Liz McNeil wrote

0:23:10.760 --> 0:23:11.679
<v Speaker 2>about this at People.

0:23:12.280 --> 0:23:13.920
<v Speaker 1>Oh ah.

0:23:14.000 --> 0:23:17.720
<v Speaker 2>Tim Mendelssohn, a close friend and trustee of Elizabeth Taylor's estate,

0:23:18.119 --> 0:23:21.760
<v Speaker 2>shot down the rumors, saying there was never any road trip.

0:23:21.800 --> 0:23:24.720
<v Speaker 2>Elizabeth was in New York after nine to eleven. Wow,

0:23:24.920 --> 0:23:28.480
<v Speaker 2>that is wild. So, Corey Feldman, you wrote that distrack

0:23:28.640 --> 0:23:31.919
<v Speaker 2>megaloman for nothing? All right, Well, that was one of

0:23:31.920 --> 0:23:35.280
<v Speaker 2>our most bizarre at tensions we've ever been on this Well,

0:23:35.320 --> 0:23:35.840
<v Speaker 2>I mean.

0:23:36.280 --> 0:23:41.080
<v Speaker 1>Corey's become a passionate crusader against child sexual abuse, and

0:23:41.520 --> 0:23:44.800
<v Speaker 1>although he's repeatedly insisted that nothing inappropriate ever happened with

0:23:44.880 --> 0:23:48.840
<v Speaker 1>him and Michael, after seeing the explosive Leaving Neverland documentary

0:23:48.840 --> 0:23:51.160
<v Speaker 1>in twenty nineteen, he said he no longer felt comfortable

0:23:51.160 --> 0:23:54.880
<v Speaker 1>defending Michael, and also admitted the possibility that Jackson could

0:23:54.920 --> 0:23:59.560
<v Speaker 1>have been grooming him as part of their friendship. So yeah,

0:23:59.840 --> 0:24:01.199
<v Speaker 1>but he's still dressing up as him.

0:24:01.240 --> 0:24:03.879
<v Speaker 2>As recently as twenty thirteen, he did a Michael Jackson

0:24:03.960 --> 0:24:08.359
<v Speaker 2>tribute performance in costume performing Billy Jean at a Limp

0:24:08.400 --> 0:24:09.160
<v Speaker 2>Biscuit show.

0:24:10.640 --> 0:24:18.520
<v Speaker 1>Wow, Who's that okay? Michael took an active interest in

0:24:19.280 --> 0:24:22.920
<v Speaker 1>more than a young boy. Yeah, yeah, I was really

0:24:22.920 --> 0:24:25.720
<v Speaker 1>trying to find a way to say that didn't land

0:24:25.760 --> 0:24:29.600
<v Speaker 1>on that phrasing, But yeah, the movie star Sean Aston,

0:24:30.040 --> 0:24:32.480
<v Speaker 1>and he even called him at home. Sean Assen told

0:24:32.520 --> 0:24:35.720
<v Speaker 1>Vulture in twenty seventeen, I remember Michael Jackson once called

0:24:35.720 --> 0:24:37.880
<v Speaker 1>to see if I was feeling okay because I'd gone

0:24:37.880 --> 0:24:40.320
<v Speaker 1>home sick from the set of the Goonies. They shut

0:24:40.359 --> 0:24:42.359
<v Speaker 1>down production for a couple of days. I was so

0:24:42.440 --> 0:24:45.520
<v Speaker 1>excited he called, but he didn't leave his number, and

0:24:45.560 --> 0:24:48.200
<v Speaker 1>the first thing my mom said was, I don't understand

0:24:48.400 --> 0:24:51.520
<v Speaker 1>what does he want? Why is he calling you? And

0:24:51.640 --> 0:24:54.440
<v Speaker 1>Sean Aston's mom was Patty Duke, who was a child

0:24:54.480 --> 0:24:56.800
<v Speaker 1>actress in the sixties who'd starred in The Patty Duke

0:24:56.920 --> 0:24:59.359
<v Speaker 1>Show and won an Oscar for her portrayal of Helen

0:24:59.400 --> 0:25:02.280
<v Speaker 1>Keller in The marri Arcle Worker, and probably most relevant

0:25:02.280 --> 0:25:05.240
<v Speaker 1>to my tacky interests, starred as Neili O'Hara and Valley

0:25:05.280 --> 0:25:07.720
<v Speaker 1>of the Dolls. So yeah, she probably being a former

0:25:07.800 --> 0:25:10.320
<v Speaker 1>child star herself and having gone through it, she probably

0:25:10.400 --> 0:25:16.720
<v Speaker 1>was very wary of who's coming around her son. God uh.

0:25:17.359 --> 0:25:20.520
<v Speaker 2>Speaking of Sean Aston, yeah, his family history is really fascinating.

0:25:21.160 --> 0:25:23.399
<v Speaker 2>For years, no one had any idea whose father was,

0:25:24.840 --> 0:25:27.280
<v Speaker 2>including him and his mom. She had a relationship with

0:25:27.320 --> 0:25:30.600
<v Speaker 2>Dizzy Arnez Junior, who is Lucy and Ricky's son, but

0:25:30.640 --> 0:25:32.800
<v Speaker 2>she also had a relationship with a music journalist named

0:25:32.840 --> 0:25:35.960
<v Speaker 2>Michael Tell, and so when she got pregnant she didn't

0:25:35.960 --> 0:25:39.560
<v Speaker 2>know who the dad was. Michael Tell, this being the seventies,

0:25:39.560 --> 0:25:42.119
<v Speaker 2>offered to marry her to keep her out of the

0:25:42.160 --> 0:25:48.240
<v Speaker 2>tabloid sheets, but their marriage lasted thirteen days. God dam,

0:25:48.280 --> 0:25:49.760
<v Speaker 2>I didn't even make it too. That's got to be

0:25:49.800 --> 0:25:54.520
<v Speaker 2>a record. Yeah, that's like Pam Anderson and John Peters Territory.

0:25:54.960 --> 0:25:57.880
<v Speaker 1>Do you not remember that? No, John Peter's the producer,

0:25:58.080 --> 0:26:01.440
<v Speaker 1>the very same he was married to Pam Pam Anderson. Yeah,

0:26:01.600 --> 0:26:05.040
<v Speaker 1>they watched Pam Anderson. John Peters played by Bradley Cooper.

0:26:06.480 --> 0:26:09.119
<v Speaker 2>Gotta love tail so much it's gonna it's gonna kill me.

0:26:09.960 --> 0:26:14.040
<v Speaker 1>Yeah. How long were they married? Twelve days? They beat

0:26:14.080 --> 0:26:15.560
<v Speaker 1>them twelve days.

0:26:16.800 --> 0:26:18.920
<v Speaker 2>Yeah, this is big page six. When I was working there,

0:26:20.520 --> 0:26:23.520
<v Speaker 2>claimed claimed. He claimed that he paid off all of

0:26:23.560 --> 0:26:27.280
<v Speaker 2>her debts. Wow, and then they at least but she

0:26:27.359 --> 0:26:29.840
<v Speaker 2>had almost two hundred grand in bills and no way

0:26:29.880 --> 0:26:32.119
<v Speaker 2>to pay it. And then he said, and this is

0:26:32.160 --> 0:26:37.080
<v Speaker 2>the thanks I get. Well, he's kind of a scumback,

0:26:37.200 --> 0:26:43.639
<v Speaker 2>so oh yeah, well, yes, anyway, thirteen day marriage. Jesus

0:26:43.720 --> 0:26:50.200
<v Speaker 2>Christ Sean was born in nineteen seventy one, so Patty's

0:26:50.200 --> 0:26:52.240
<v Speaker 2>marriage to Michael Tell was over by that point. A

0:26:52.320 --> 0:26:55.200
<v Speaker 2>year later, she married John Askedon, who played Gomez in

0:26:55.240 --> 0:26:56.400
<v Speaker 2>the Adams Family.

0:26:56.400 --> 0:26:58.800
<v Speaker 1>And was the dad on the original Freaky Friday.

0:26:58.640 --> 0:27:02.080
<v Speaker 2>And John asked in as Sean and gives him his last.

0:27:01.960 --> 0:27:05.240
<v Speaker 1>Name, Patty Duke and John Assen then split when Sean

0:27:05.320 --> 0:27:09.640
<v Speaker 1>was a teenager and Patty married another guy named Michael Pierce.

0:27:10.280 --> 0:27:12.600
<v Speaker 1>And this was the same year that Sean was filming

0:27:12.600 --> 0:27:15.639
<v Speaker 1>The Goonies. Patty told him that Desi Jr. Was his

0:27:15.680 --> 0:27:18.680
<v Speaker 1>real dad, and so he got really close with Desi Jr.

0:27:19.280 --> 0:27:21.800
<v Speaker 1>And then after ten years of believing this, he took

0:27:21.800 --> 0:27:24.800
<v Speaker 1>a blood test and learned that music journalist Michael Tell,

0:27:24.960 --> 0:27:27.480
<v Speaker 1>the guy of the Thirteen Day Marriage, was actually his dad.

0:27:27.920 --> 0:27:30.320
<v Speaker 2>And yeah, further evidence in Sean Aston just being the

0:27:30.359 --> 0:27:34.360
<v Speaker 2>goodest boy he has just he is a very zen

0:27:34.480 --> 0:27:38.000
<v Speaker 2>viewing it all, he says he's close to all four

0:27:38.040 --> 0:27:41.359
<v Speaker 2>of them, saying I can call any of them on

0:27:41.400 --> 0:27:44.639
<v Speaker 2>the phone anytime I want to, John, Desi, Mike or

0:27:44.720 --> 0:27:47.320
<v Speaker 2>Papa Mike. My four dads.

0:27:47.680 --> 0:27:47.960
<v Speaker 1>I guess.

0:27:48.000 --> 0:27:49.960
<v Speaker 2>John Aston and Patty Duke were divorcing by the time

0:27:50.000 --> 0:27:53.600
<v Speaker 2>Goonies came out, but they held hands and cried through

0:27:53.640 --> 0:27:55.879
<v Speaker 2>their entire first viewing of it because they were so

0:27:55.960 --> 0:28:02.000
<v Speaker 2>proud of their little boy. Oh you know, as testified

0:28:02.040 --> 0:28:05.480
<v Speaker 2>by a long career in Hollywood, inherited his Oscar winning

0:28:05.520 --> 0:28:08.280
<v Speaker 2>mother's talent, and the scene where he tells the story

0:28:08.280 --> 0:28:11.040
<v Speaker 2>of One Eyed Willy is improvised, or at the very

0:28:11.119 --> 0:28:15.879
<v Speaker 2>least recalled from very short memory. Richard Donner wanted to

0:28:15.920 --> 0:28:18.399
<v Speaker 2>get a naturalistic performance read out of this scene, so

0:28:18.720 --> 0:28:21.639
<v Speaker 2>just before they shot this, Donner told him the story

0:28:21.640 --> 0:28:24.760
<v Speaker 2>of One Eyed Willy, and then when the cameras were

0:28:24.960 --> 0:28:27.280
<v Speaker 2>basically said, all right, just repeat that as best you

0:28:27.320 --> 0:28:29.800
<v Speaker 2>can while the cameras are rolling. So that's why it

0:28:29.880 --> 0:28:32.560
<v Speaker 2>kind of looks like, you know, he's like recalling it

0:28:32.600 --> 0:28:35.399
<v Speaker 2>in real time guesse. He was, Yeah, I love that.

0:28:35.480 --> 0:28:37.480
<v Speaker 1>I love all the ways that Richard Donner got these

0:28:37.520 --> 0:28:39.200
<v Speaker 1>really natural performances out of these.

0:28:39.160 --> 0:28:41.240
<v Speaker 2>Kids, just despite hating them.

0:28:41.720 --> 0:28:45.800
<v Speaker 1>Yeah, yeah, we'll talk about that. Yeah. Uh, just a

0:28:45.920 --> 0:28:48.600
<v Speaker 1>quick pause here before we go any further. One Eyed Lilly.

0:28:48.800 --> 0:28:52.840
<v Speaker 1>That is a dirty joke, right, that's obvious. Okay, okay,

0:28:52.880 --> 0:28:57.520
<v Speaker 1>good fun check. There are really a disproportionate number of

0:28:57.600 --> 0:29:01.040
<v Speaker 1>kids with famous parents in this movie, or maybe it's

0:29:01.160 --> 0:29:04.360
<v Speaker 1>Hollywood nepotism. I don't know. It just seems weird to me.

0:29:04.520 --> 0:29:08.000
<v Speaker 1>In addition to Sean Aston, there's Martha Plimpton, who's the

0:29:08.080 --> 0:29:11.640
<v Speaker 1>daughter of Keith Carradine and also distantly related to the

0:29:11.640 --> 0:29:14.880
<v Speaker 1>writer George Plimpton. In a way, aren't we all distantly

0:29:14.920 --> 0:29:19.760
<v Speaker 1>related to the writer George Plimpton. And of course you

0:29:19.800 --> 0:29:22.760
<v Speaker 1>have Josh Brolin, the son of noted handsome man actor

0:29:22.920 --> 0:29:27.320
<v Speaker 1>James Brown, who's still alive. I didn't realize this was

0:29:27.400 --> 0:29:31.040
<v Speaker 1>Josh Brolin's film debut, and he was very intense and eager.

0:29:31.080 --> 0:29:33.160
<v Speaker 1>In fact, he was a bit of a tryhard. He'd

0:29:33.160 --> 0:29:36.320
<v Speaker 1>been reading about the Stanislavsky method of acting, and he

0:29:36.440 --> 0:29:38.600
<v Speaker 1>later recalled the day that they were filming the scene

0:29:38.600 --> 0:29:41.640
<v Speaker 1>where the goonies slide through the underground water tunnels that

0:29:41.760 --> 0:29:44.760
<v Speaker 1>dump them out in the water around the pirate ship,

0:29:45.120 --> 0:29:47.840
<v Speaker 1>and Brolin later said I came up to Spielberg and

0:29:47.880 --> 0:29:49.560
<v Speaker 1>said that I wanted to climb the walls of the

0:29:49.600 --> 0:29:52.320
<v Speaker 1>tunnels and that it represented my mother's womb. For some

0:29:52.360 --> 0:29:56.120
<v Speaker 1>odd reason. Spielberg's response was, why don't you just act?

0:29:56.960 --> 0:29:59.000
<v Speaker 2>I would prefer if it were Richard Donner, and he

0:29:59.080 --> 0:30:01.520
<v Speaker 2>was just like, son of a bitch, I'm so sick

0:30:01.520 --> 0:30:02.680
<v Speaker 2>of these damn kids.

0:30:06.080 --> 0:30:09.200
<v Speaker 1>Uh. It's the shades of the Dustin Hoffman Lawrence Olivia

0:30:09.280 --> 0:30:12.360
<v Speaker 1>exchange during Marathon Man, when Dustin Hoffins like, oh, I

0:30:12.480 --> 0:30:14.680
<v Speaker 1>lost my motivation and Olivia is like, why don't you

0:30:14.720 --> 0:30:21.800
<v Speaker 1>try acting Darling? Yeah? Uh yeah. The directorial approaches on

0:30:21.800 --> 0:30:24.640
<v Speaker 1>this movie were a little less high concept than Stanislavsky.

0:30:24.960 --> 0:30:27.760
<v Speaker 1>I guess when director Richard Donner wanted more intensity, he

0:30:27.800 --> 0:30:32.400
<v Speaker 1>would just yell big eyes during a major scene where

0:30:32.440 --> 0:30:36.040
<v Speaker 1>it works every time. Uh. Josh Brolin is one of

0:30:36.080 --> 0:30:38.280
<v Speaker 1>my favorite lines in this movie when he's yelling at

0:30:38.320 --> 0:30:41.040
<v Speaker 1>his younger brother Mikey, I'm gonna hate you so hard

0:30:41.040 --> 0:30:42.680
<v Speaker 1>when you wake up, your clothes are gonna be out

0:30:42.720 --> 0:30:45.520
<v Speaker 1>of style. Yeah, it's a great line. Yeah. There's a

0:30:45.560 --> 0:30:48.239
<v Speaker 1>funny little goof in the scene where the Goonies are

0:30:48.280 --> 0:30:50.680
<v Speaker 1>in the abandoned restaurant where the for Tellies are hiding out,

0:30:50.720 --> 0:30:54.880
<v Speaker 1>like just after Chunk breaks the water cooler. Sean Aston

0:30:54.960 --> 0:30:58.280
<v Speaker 1>aka Mikey calls Josh Brolin by his real name instead

0:30:58.280 --> 0:31:01.640
<v Speaker 1>of his character brand, but left that in for some reason.

0:31:02.960 --> 0:31:05.200
<v Speaker 1>Speaking of Chunk, we have to talk about the kid

0:31:05.240 --> 0:31:09.080
<v Speaker 1>who played him, the amazing Jeff Cohen, truly the MVP

0:31:09.240 --> 0:31:12.640
<v Speaker 1>of this movie. He is so good yet it's I believe,

0:31:12.760 --> 0:31:15.320
<v Speaker 1>the only live action role he ever did, and we

0:31:15.440 --> 0:31:18.120
<v Speaker 1>very nearly didn't even get that. He got chicken pox

0:31:18.240 --> 0:31:20.760
<v Speaker 1>just before the shoot and was worried that they'd recast

0:31:20.840 --> 0:31:22.880
<v Speaker 1>the role if he told them about it, so he

0:31:22.920 --> 0:31:25.760
<v Speaker 1>didn't tell anyone and he showed up anyway, I'm sure,

0:31:25.880 --> 0:31:28.040
<v Speaker 1>leading to an outbreak of chicken pox on the setup,

0:31:28.160 --> 0:31:30.840
<v Speaker 1>and you can see it when he's doing the truffle

0:31:30.880 --> 0:31:33.520
<v Speaker 1>shuffle and lifting his shirt up. You can actually see

0:31:33.520 --> 0:31:36.880
<v Speaker 1>the spot still in his chest and stomach. I feel

0:31:36.920 --> 0:31:39.040
<v Speaker 1>really bad for this kid. He really hated doing the

0:31:39.040 --> 0:31:41.720
<v Speaker 1>truffle shuffle. Like that look of dismay you see on

0:31:41.760 --> 0:31:44.280
<v Speaker 1>his face when mouth makes him do it is like

0:31:44.440 --> 0:31:47.440
<v Speaker 1>authentic and to make him feel better, Director Richard Donner

0:31:47.480 --> 0:31:50.680
<v Speaker 1>actually cleared the set when he did it, which is

0:31:51.080 --> 0:31:53.000
<v Speaker 1>you know, I know, I really feel bad for him.

0:31:53.240 --> 0:31:56.240
<v Speaker 1>Richard Donner really loved this kid. Jeff Cohen, who played Chunk.

0:31:56.920 --> 0:31:59.280
<v Speaker 1>In the scene where Chunk starts crying when the Fortellies

0:31:59.320 --> 0:32:01.840
<v Speaker 1>take his ice cream even spoon away, you could actually

0:32:01.840 --> 0:32:05.640
<v Speaker 1>hear donn Or giggling off screen if you listened to it.

0:32:06.760 --> 0:32:09.480
<v Speaker 1>I think Jeff Cohen, kid play Chunk, actually ad libbed

0:32:09.520 --> 0:32:11.960
<v Speaker 1>a lot of that. I know he ad libbed the

0:32:12.040 --> 0:32:14.680
<v Speaker 1>Hebrew prayer that he says when he first sees Jake

0:32:14.720 --> 0:32:17.520
<v Speaker 1>Fortelly and the scene where he tells the story about

0:32:17.600 --> 0:32:22.280
<v Speaker 1>vomiting off a theater balcony. He's just an inspired performance.

0:32:22.600 --> 0:32:25.520
<v Speaker 1>The anecdote itself is a real life prank that Spielberg

0:32:25.600 --> 0:32:28.200
<v Speaker 1>did when he was growing up in Arizona. I don't

0:32:28.200 --> 0:32:30.040
<v Speaker 1>know much more about it beyond that, I'd love to

0:32:30.080 --> 0:32:33.840
<v Speaker 1>hear Spielberg explain how he fake vomited in the middle

0:32:33.840 --> 0:32:36.920
<v Speaker 1>of a theater. But yeah, this kid, Jeff Cohen is

0:32:37.000 --> 0:32:40.000
<v Speaker 1>just so damn good. He appeared on a very famous

0:32:40.000 --> 0:32:43.400
<v Speaker 1>British chat show called Wogan, just himself, not with the

0:32:43.440 --> 0:32:45.240
<v Speaker 1>rest of the cast of the movie, you know, right

0:32:45.280 --> 0:32:48.440
<v Speaker 1>after Goonies came out, and he's absolutely hysterical. Check it

0:32:48.440 --> 0:32:51.520
<v Speaker 1>out on YouTube. He's wearing this like bizarre duck hat

0:32:51.600 --> 0:32:55.480
<v Speaker 1>that has wings that randomly flaps, and like he handles

0:32:55.520 --> 0:32:58.680
<v Speaker 1>all sorts of like really terrible body shamy questions from

0:32:58.720 --> 0:33:02.600
<v Speaker 1>the host, which is incredible quick comebacks. It's really funny.

0:33:03.080 --> 0:33:05.560
<v Speaker 1>Perhaps because of all this flack about his weight, he

0:33:05.680 --> 0:33:08.360
<v Speaker 1>left acting soon after The Goonies. He slimmed down and

0:33:08.360 --> 0:33:12.120
<v Speaker 1>pursued a law degree, but his reputation as Chunk followed

0:33:12.160 --> 0:33:15.120
<v Speaker 1>him wherever he went. He ran for class president UC

0:33:15.280 --> 0:33:18.240
<v Speaker 1>Berkeley with the slogan chunk for President, which you know,

0:33:18.520 --> 0:33:21.240
<v Speaker 1>use what you got good publicity. It was also during

0:33:21.240 --> 0:33:23.640
<v Speaker 1>his college days that he performed the truffle shuffle for

0:33:23.680 --> 0:33:27.200
<v Speaker 1>the only time publicly. He later said, I was the

0:33:27.240 --> 0:33:29.719
<v Speaker 1>mic man at the football games, trying to pump the

0:33:29.720 --> 0:33:32.520
<v Speaker 1>crowd up. I wasn't certain everyone knew who I was.

0:33:32.840 --> 0:33:35.000
<v Speaker 1>I got up there to say go Bears, and this

0:33:35.120 --> 0:33:37.960
<v Speaker 1>frat guy in the back row started screaming, truck full

0:33:38.080 --> 0:33:41.200
<v Speaker 1>shof full. Then the last three rows started chanting it.

0:33:41.480 --> 0:33:43.600
<v Speaker 1>Next thing you know, it caught on and ten thousand

0:33:43.640 --> 0:33:48.280
<v Speaker 1>students were cheering truff full shuff full guy. So I know,

0:33:48.760 --> 0:33:51.920
<v Speaker 1>I know. But now he works as an entertainment lawyer

0:33:52.000 --> 0:33:54.360
<v Speaker 1>where he counts the kid who played Data among his

0:33:54.440 --> 0:33:57.040
<v Speaker 1>many clients. I didn't realize the kid who played Data

0:33:57.080 --> 0:33:58.920
<v Speaker 1>is also in everything everywhere, all.

0:33:58.800 --> 0:34:02.880
<v Speaker 2>Why yeahund as well in Temple of Doom.

0:34:03.000 --> 0:34:03.240
<v Speaker 1>Yeah.

0:34:03.240 --> 0:34:04.680
<v Speaker 2>When that movie came out, he did a bunch of

0:34:04.720 --> 0:34:07.680
<v Speaker 2>interviews where he was talking about how basically how disillusioned

0:34:07.680 --> 0:34:10.320
<v Speaker 2>he was with Hollywood after being in these two enormous

0:34:10.320 --> 0:34:13.320
<v Speaker 2>back to back movies and then just being unable to

0:34:13.360 --> 0:34:16.680
<v Speaker 2>find work because of the climate of Hollywood racism. You

0:34:16.840 --> 0:34:19.319
<v Speaker 2>also will remember this is the era of Long Duck

0:34:19.400 --> 0:34:24.759
<v Speaker 2>Dong being in sixteen Candles. So not only were there

0:34:24.800 --> 0:34:27.800
<v Speaker 2>not opportunities for people of Asian descent to be in movies,

0:34:27.840 --> 0:34:31.480
<v Speaker 2>but they Hollywood was just comfortable being openly racist towards them.

0:34:31.960 --> 0:34:33.719
<v Speaker 2>But yeah, he had a really interesting career. I guess

0:34:33.760 --> 0:34:35.719
<v Speaker 2>he worked in Hong Kong for a while. He was

0:34:35.760 --> 0:34:39.200
<v Speaker 2>choreographing fight scenes. He was doing ad assistant directing work

0:34:39.239 --> 0:34:44.919
<v Speaker 2>for One car Y who's cultishly adored director. Oh yeah,

0:34:45.000 --> 0:34:48.319
<v Speaker 2>and everything everywhere all wants whips. So happy ending for

0:34:48.400 --> 0:34:50.280
<v Speaker 2>him after years of misery.

0:34:52.160 --> 0:34:57.360
<v Speaker 1>Well, speaking of offensive names in films, I guess Data's

0:34:57.840 --> 0:35:02.799
<v Speaker 1>real name in this movie is re Wang Dick. Oh boy,

0:35:02.800 --> 0:35:06.640
<v Speaker 1>come on, come on. You'll notice how everyone in this

0:35:06.719 --> 0:35:09.640
<v Speaker 1>movie is a nickname, Data, Chunk, Sloth, Brands, and their

0:35:09.640 --> 0:35:13.279
<v Speaker 1>real names are rarely ever mentioned. But we hear too

0:35:13.320 --> 0:35:17.200
<v Speaker 1>much information, have dug them up. And Mikey is Michael Walsh. Obviously,

0:35:17.719 --> 0:35:22.280
<v Speaker 1>Mouth is Clark Devereaux. Data. We just said, Richard Wang

0:35:22.840 --> 0:35:27.279
<v Speaker 1>Brand is Brandon Walsh, Chunk is Lawrence Cohen, Andy is

0:35:27.360 --> 0:35:31.200
<v Speaker 1>Andrea Teresa Carmichael's boring, and Stephan is Stephanie Steinbrenner and

0:35:31.360 --> 0:35:35.040
<v Speaker 1>sloth is Lotney for Telly, I remember his mom says

0:35:35.040 --> 0:35:38.840
<v Speaker 1>that a couple of times lotany that's a name, funny story.

0:35:39.320 --> 0:35:42.200
<v Speaker 1>The real life last names of all the Goonies end

0:35:42.239 --> 0:35:47.200
<v Speaker 1>in the letter and Aston, Brolin, Cohen, Felman, Green, Plimpton,

0:35:47.280 --> 0:35:51.319
<v Speaker 1>and Kwan. Wow. Do that check that out? You seem

0:35:51.480 --> 0:35:57.839
<v Speaker 1>genuinely wow. Okay, that's cool. That's called acting. Oh, I'm

0:35:57.840 --> 0:35:58.799
<v Speaker 1>glad you tried it.

0:36:02.280 --> 0:36:04.759
<v Speaker 2>As you meditate on that, We'll be right back with

0:36:04.800 --> 0:36:07.239
<v Speaker 2>more too much information after these messages.

0:36:18.520 --> 0:36:20.920
<v Speaker 1>But enough about the prep. Let's get into the shooting

0:36:21.000 --> 0:36:24.480
<v Speaker 1>of The Goonies. When Spielberg stepped away from directing, presumably

0:36:24.480 --> 0:36:26.759
<v Speaker 1>because he had his hands full with Indiana Jones and

0:36:26.800 --> 0:36:29.240
<v Speaker 1>all sorts of other stuff, they brought in director Richard Donner,

0:36:29.360 --> 0:36:32.640
<v Speaker 1>late of the Superman series starring Christopher Reeve, and he

0:36:32.680 --> 0:36:34.680
<v Speaker 1>went on the direct radio Flyer written by the guy

0:36:34.680 --> 0:36:36.480
<v Speaker 1>who wrote the Samlot And as we discussed in a

0:36:36.520 --> 0:36:40.200
<v Speaker 1>previous episode, the Goonies was shot almost entirely on location

0:36:40.320 --> 0:36:43.440
<v Speaker 1>in the town of Astoria, Oregon, though the tunnels and

0:36:43.480 --> 0:36:46.080
<v Speaker 1>the cave with one of Willie's pirate ship were shot

0:36:46.080 --> 0:36:49.320
<v Speaker 1>on sound stages in Burbank, California. The shoot went on

0:36:49.440 --> 0:36:52.680
<v Speaker 1>for five months and was done almost entirely sequentially, which

0:36:52.680 --> 0:36:56.680
<v Speaker 1>is very rare. Yeah, that's nuts. Yeah, as you can imagine,

0:36:56.680 --> 0:36:59.919
<v Speaker 1>the Goonies is a huge boon for the tourist trade

0:37:00.040 --> 0:37:03.440
<v Speaker 1>in Astoria, a huge goon if you will. They celebrate

0:37:03.520 --> 0:37:07.960
<v Speaker 1>Goonies Day, thank you. They celebrate Goony's Day on June seventh,

0:37:07.960 --> 0:37:09.840
<v Speaker 1>which was the day the film was released in nineteen

0:37:09.880 --> 0:37:13.000
<v Speaker 1>eighty five. The jail where the Fatellies make their escape

0:37:13.000 --> 0:37:14.960
<v Speaker 1>at the start of the movie is now a film museum,

0:37:15.000 --> 0:37:17.920
<v Speaker 1>appropriately enough, which opened on the twenty fifth anniversary of

0:37:17.960 --> 0:37:21.120
<v Speaker 1>The Goonies release in twenty ten, and contains memorabilia from

0:37:21.160 --> 0:37:24.279
<v Speaker 1>the movie. And this is weird. I didn't know where

0:37:24.280 --> 0:37:26.800
<v Speaker 1>else to put this. The field where the Fatellis restaurant

0:37:26.840 --> 0:37:30.080
<v Speaker 1>hideout is located was used again in the movie Kindergarden Cop.

0:37:31.120 --> 0:37:33.839
<v Speaker 1>There you go. Yeah, and this is really funny. The

0:37:33.880 --> 0:37:37.640
<v Speaker 1>actor who played mister Walsh Mikey and Brand's dad, it's

0:37:37.640 --> 0:37:40.920
<v Speaker 1>a guy named Keith Walker. He was so inspired by

0:37:40.920 --> 0:37:43.640
<v Speaker 1>the scenery of Astoria that he wrote his one and

0:37:43.680 --> 0:37:47.399
<v Speaker 1>only screenplay Free Willie, Free Willy and Free Willy two

0:37:47.520 --> 0:37:51.800
<v Speaker 1>were both filmed in his Historia Electric Booglo. Yeah that

0:37:51.960 --> 0:37:56.400
<v Speaker 1>Free Willy too, Secret of the Ooze, Willy Harder Ye

0:37:58.080 --> 0:37:59.920
<v Speaker 1>never gets a good day to Free Willie.

0:38:00.400 --> 0:38:02.960
<v Speaker 2>Free with Me with a Vengeance. Just all the die

0:38:03.000 --> 0:38:05.560
<v Speaker 2>hard ones are so funny. They filmed Black Stallion there

0:38:05.560 --> 0:38:07.920
<v Speaker 2>as well. There was this whole run of mid to

0:38:08.160 --> 0:38:11.240
<v Speaker 2>mid eighties to early nineties movies filmed in Astoria, Oregon.

0:38:11.640 --> 0:38:16.160
<v Speaker 2>I did not know that beautiful Astoria. Visit Astoria. Yeah,

0:38:16.200 --> 0:38:20.920
<v Speaker 2>I'll take that money now, Astoria, Oregon Town Council.

0:38:21.239 --> 0:38:24.560
<v Speaker 1>The Walsh family home became something of a local landmark,

0:38:24.640 --> 0:38:27.239
<v Speaker 1>known as the Goonies House. The nice lady who lived

0:38:27.239 --> 0:38:29.799
<v Speaker 1>there spent years giving tours to the fans who'd show

0:38:29.880 --> 0:38:32.000
<v Speaker 1>up on our doorstep from all over the world, sometimes

0:38:32.080 --> 0:38:35.080
<v Speaker 1>up to fifty people a day. But our dear producer

0:38:35.120 --> 0:38:37.680
<v Speaker 1>Mike Johns paid a visit to Astoria a few years

0:38:37.719 --> 0:38:39.799
<v Speaker 1>back and discovered that there's now a sign on the

0:38:39.840 --> 0:38:43.840
<v Speaker 1>property warning off trespassers and gooney fans. Apparently, during the

0:38:43.840 --> 0:38:46.759
<v Speaker 1>thirtieth anniversary of the Goonies in twenty fifteen, the home

0:38:46.800 --> 0:38:49.399
<v Speaker 1>was descended upon by an army of rowdy fans who

0:38:49.480 --> 0:38:52.480
<v Speaker 1>trampled the grounds, pete in the bushes, and generally wrecked

0:38:52.480 --> 0:38:55.120
<v Speaker 1>the place. This is why we can't have nice things.

0:38:55.960 --> 0:38:57.479
<v Speaker 1>That's what of OSMA. We got to give a shout

0:38:57.480 --> 0:38:59.759
<v Speaker 1>out to our beloved Mike. It's truly criminal that we

0:38:59.800 --> 0:39:02.160
<v Speaker 1>mention and our fictitious producer Jamie more than we do

0:39:02.239 --> 0:39:05.520
<v Speaker 1>our actual colleague and buddy. Mike is not only the

0:39:05.520 --> 0:39:07.600
<v Speaker 1>best friend this show has ever had, but also one

0:39:07.640 --> 0:39:10.040
<v Speaker 1>of the best friends anyone could ask for, makes a

0:39:10.160 --> 0:39:12.920
<v Speaker 1>sound way better than we deserve, and is an incredible musician.

0:39:12.960 --> 0:39:15.960
<v Speaker 1>Go to Mike's YouTube channel and bancamp meaning of everything.

0:39:16.480 --> 0:39:19.920
<v Speaker 1>My personal favorite is this gorgeous tribute to the recently

0:39:19.960 --> 0:39:23.839
<v Speaker 1>departed Loretta Lynn. This amazing shoegaze version of you ain't

0:39:23.880 --> 0:39:27.239
<v Speaker 1>woman enough. Mike. We love you, Sorry, we made you

0:39:27.280 --> 0:39:29.160
<v Speaker 1>listen to us talk about Steely Dan the other day

0:39:29.160 --> 0:39:29.960
<v Speaker 1>for ninety minutes.

0:39:30.280 --> 0:39:32.400
<v Speaker 2>We'll get a Jethro Toall episode in for you.

0:39:32.680 --> 0:39:33.880
<v Speaker 1>Yeah one, Yeah, these days.

0:39:35.160 --> 0:39:39.840
<v Speaker 2>We touched earlier on Steven Spielberg's habit of ghost directing

0:39:40.440 --> 0:39:44.640
<v Speaker 2>to the UH to the consternation of the actual directors.

0:39:44.840 --> 0:39:47.359
<v Speaker 2>I mean The famous one that I remember is Poltergeist

0:39:47.360 --> 0:39:50.920
<v Speaker 2>and Toby Hooper. Yeah, it's so talked about, especially in

0:39:50.960 --> 0:39:55.359
<v Speaker 2>the horror nerd community. But yeah, it got so bad

0:39:55.400 --> 0:39:57.719
<v Speaker 2>that I think Spielberg at one point had to take

0:39:57.760 --> 0:40:00.239
<v Speaker 2>out a Variety. It did take out a Variety ad

0:40:00.480 --> 0:40:03.160
<v Speaker 2>where he was like, I did not co direct this

0:40:03.200 --> 0:40:05.480
<v Speaker 2>movie because I think it was a whole DGA Director's

0:40:05.520 --> 0:40:10.040
<v Speaker 2>Guild issue. But I mean, I don't know. It's it's

0:40:10.080 --> 0:40:13.120
<v Speaker 2>just funny that it is such a running theme with Spielberg.

0:40:13.120 --> 0:40:17.160
<v Speaker 2>In particular, one of Toby Hooper's collaborators, Mick Garris, said

0:40:17.160 --> 0:40:20.040
<v Speaker 2>in twenty seventeen that the same thing happened on the

0:40:20.080 --> 0:40:23.719
<v Speaker 2>set of Used Cars to Robert Zemeckis, to the point

0:40:23.719 --> 0:40:28.560
<v Speaker 2>where Kurt Russell told Spielberg I can take direction from

0:40:28.600 --> 0:40:32.560
<v Speaker 2>you or Bob, but not both, and Spielberg backed off,

0:40:32.840 --> 0:40:35.200
<v Speaker 2>which is amazing because I just, yeah, I mean, if

0:40:35.800 --> 0:40:38.520
<v Speaker 2>somebody's going to intimidate Steven Spielberg, it's probably going to

0:40:38.600 --> 0:40:39.960
<v Speaker 2>be eighties Kurt Russell.

0:40:40.080 --> 0:40:42.760
<v Speaker 1>Let's say Escape from New York era Russell.

0:40:44.280 --> 0:40:46.759
<v Speaker 2>But yeah, Richard Donner had known him since he was

0:40:46.760 --> 0:40:50.840
<v Speaker 2>a kid, which probably made all of this backseat directing

0:40:50.960 --> 0:40:54.640
<v Speaker 2>that much more galling. Spielberg got started on shows in

0:40:54.640 --> 0:40:57.920
<v Speaker 2>the early seventies like Marcus Welby and an episode of Colombo.

0:40:58.840 --> 0:41:01.680
<v Speaker 2>I want to see that, And so Donner was kind

0:41:01.680 --> 0:41:04.600
<v Speaker 2>of shepherding him through that. And so despite the fact

0:41:04.640 --> 0:41:08.480
<v Speaker 2>that Spielberg was basically only a producer and had a

0:41:08.520 --> 0:41:11.360
<v Speaker 2>story by credit on the actual log line of the film,

0:41:11.560 --> 0:41:13.440
<v Speaker 2>there are photos of him walking around the set with

0:41:13.520 --> 0:41:19.720
<v Speaker 2>a baseball hat reading head Gooney, and different cast members

0:41:19.719 --> 0:41:23.280
<v Speaker 2>have said that he was Oh, it's awful, it's awful.

0:41:23.680 --> 0:41:26.880
<v Speaker 2>Side note, I love the cottage industry of like film

0:41:26.920 --> 0:41:30.960
<v Speaker 2>crews making like I love film merchandise, like film production.

0:41:31.440 --> 0:41:32.200
<v Speaker 1>Just just for the crew.

0:41:32.440 --> 0:41:33.960
<v Speaker 2>Did you ever hear about the battle that happened on

0:41:33.960 --> 0:41:34.840
<v Speaker 2>the set of Blade Runner?

0:41:35.400 --> 0:41:36.560
<v Speaker 1>No? They.

0:41:37.800 --> 0:41:41.200
<v Speaker 2>Ridley Scott gave this interview famously protracted shoot. Ridley Scott

0:41:41.280 --> 0:41:43.040
<v Speaker 2>gave this interview where he was talking about how much

0:41:43.120 --> 0:41:45.840
<v Speaker 2>he liked working with English crews better than American cruise

0:41:45.880 --> 0:41:49.360
<v Speaker 2>because he said English crews would just say yes, Governor

0:41:49.800 --> 0:41:52.000
<v Speaker 2>and do what he asked. And so all of the

0:41:52.000 --> 0:41:55.799
<v Speaker 2>American crewmen made a series of sarcastic t shirts that

0:41:55.920 --> 0:41:59.640
<v Speaker 2>just said yes Governor. On the back and warn.

0:41:59.440 --> 0:42:02.239
<v Speaker 1>All pretty good. Yeah, that's pretty good. But yeah, some

0:42:02.280 --> 0:42:02.520
<v Speaker 1>of the.

0:42:02.440 --> 0:42:05.319
<v Speaker 2>Goonies cast members have basically said that Spielberg was co

0:42:05.400 --> 0:42:08.960
<v Speaker 2>directing this thing. He was shooting the aforementioned pipe banging

0:42:09.600 --> 0:42:13.279
<v Speaker 2>underground pipe banging scene phrasing, and the scene at the

0:42:13.320 --> 0:42:17.520
<v Speaker 2>wishing well where Andy, the rich girl accidentally kisses little Mikey.

0:42:17.640 --> 0:42:20.120
<v Speaker 1>Makes so much sense. I mean, that just looks like

0:42:20.320 --> 0:42:24.160
<v Speaker 1>such a Spielberg scene. This is great, like still photo

0:42:24.280 --> 0:42:27.560
<v Speaker 1>of Mikey and Andy and silhouette and like they look

0:42:27.640 --> 0:42:30.920
<v Speaker 1>like cartoons. They look like Peter Pan and Tinkerbell or

0:42:30.960 --> 0:42:34.239
<v Speaker 1>something like it. All of his childhood stuff really just

0:42:34.320 --> 0:42:36.120
<v Speaker 1>has this kind I mean, no one that we went

0:42:36.480 --> 0:42:38.120
<v Speaker 1>on to do Hook a couple of years later, Like

0:42:38.160 --> 0:42:40.240
<v Speaker 1>there's always like this kind of a little magical element

0:42:40.280 --> 0:42:44.239
<v Speaker 1>with all the child stuff. I mean et obviously this

0:42:44.360 --> 0:42:47.560
<v Speaker 1>scene's great. Sean Aston, who was like thirteen, was super

0:42:47.560 --> 0:42:51.239
<v Speaker 1>pumped to kiss the woman playing Andy Carrie Green, who

0:42:51.320 --> 0:42:54.279
<v Speaker 1>was like seventeen. Carry Green, on the other hand, I

0:42:54.320 --> 0:42:56.279
<v Speaker 1>thought the whole thing was creepy and was worried she

0:42:56.360 --> 0:43:00.839
<v Speaker 1>traumatized this little kid. Yeah, well, seems to be doing fun.

0:43:01.520 --> 0:43:06.240
<v Speaker 2>Set askedonsidered okay, but yeah, this tough set for Donner.

0:43:06.719 --> 0:43:09.520
<v Speaker 2>One of his associates later said, I think it was

0:43:09.560 --> 0:43:11.680
<v Speaker 2>a difficult time because it's very difficult to have a

0:43:11.719 --> 0:43:14.680
<v Speaker 2>producer on the set who's also director, and I think

0:43:14.719 --> 0:43:17.560
<v Speaker 2>Dick allowed Spielberg to shoot a lot of second unit stuff.

0:43:17.600 --> 0:43:21.000
<v Speaker 2>I'd imagine it wasn't the warmest or easiest of collaborations.

0:43:21.520 --> 0:43:23.719
<v Speaker 2>Promotions for this movie made a big deal about Spielberg

0:43:23.719 --> 0:43:26.040
<v Speaker 2>teaming up with Richard Donner, who was still a big

0:43:26.080 --> 0:43:28.080
<v Speaker 2>deal at the time, and there was even a teaser

0:43:28.160 --> 0:43:31.960
<v Speaker 2>trailer for The Goonies that took the letters from its

0:43:32.000 --> 0:43:35.400
<v Speaker 2>title sequence from the famous movies that Spielberg and Donner

0:43:35.440 --> 0:43:38.040
<v Speaker 2>had just been involved with, the g from Gremlins, the

0:43:38.080 --> 0:43:40.520
<v Speaker 2>O from The Omen, the O from Raiders of the

0:43:40.560 --> 0:43:44.359
<v Speaker 2>Lost arc and from Close Encounters, an I from Indiana Jones,

0:43:44.360 --> 0:43:46.799
<v Speaker 2>and the Temple of Doom E from E T and

0:43:46.880 --> 0:43:49.560
<v Speaker 2>the S from Superman, which doesn't have anything to do

0:43:49.600 --> 0:43:52.279
<v Speaker 2>with the movies, but it belongs in the annals of

0:43:52.360 --> 0:43:56.680
<v Speaker 2>great teaser trailers. Surely an annal sum.

0:43:56.560 --> 0:43:57.480
<v Speaker 1>The people pumped.

0:43:58.800 --> 0:44:00.920
<v Speaker 2>Yeah, and there's another thing that's brought into this, which

0:44:01.000 --> 0:44:05.840
<v Speaker 2>was a boatload of James Bond references. Dad's belt you'll notice,

0:44:06.400 --> 0:44:09.120
<v Speaker 2>which has his all of his gadgets has double seven

0:44:09.160 --> 0:44:09.960
<v Speaker 2>inscribed on it.

0:44:10.040 --> 0:44:12.880
<v Speaker 1>And he also in the scene when he's ziplining into

0:44:13.239 --> 0:44:16.239
<v Speaker 1>Mikey's house, he plays the James Bond theme on a

0:44:16.280 --> 0:44:20.120
<v Speaker 1>walkman or something. Spielberg threw that in there in exchange

0:44:20.160 --> 0:44:24.600
<v Speaker 1>for Bond producer Albert Cubby Broccoli using the Close Encounters

0:44:24.640 --> 0:44:27.760
<v Speaker 1>theme in nineteen seventy nine's Moonriker the Bond Movie.

0:44:27.800 --> 0:44:30.040
<v Speaker 2>Yeah, and funnily enough, four years after Goonies came out,

0:44:30.160 --> 0:44:32.960
<v Speaker 2>Robert Davey, one of the Fertellies, plays the villain not

0:44:33.080 --> 0:44:35.680
<v Speaker 2>the two thousands indie band who will get to later.

0:44:36.840 --> 0:44:40.479
<v Speaker 2>Davey played a villain in the Misbegotten, The red Headed

0:44:40.480 --> 0:44:44.040
<v Speaker 2>step child of the Bond franchise, Timothy Dalton's Licensed to Kill.

0:44:44.719 --> 0:44:48.719
<v Speaker 1>Yeah, that's one of the less Engling Dan Lendling ding

0:44:48.960 --> 0:44:53.200
<v Speaker 1>Ding Ding Ding that and like late Era Oh Broson,

0:44:53.880 --> 0:44:54.920
<v Speaker 1>Lately Era Broon.

0:44:55.000 --> 0:45:00.400
<v Speaker 2>Yeah, speaking of Joey Pants, he loved Joey ban and

0:45:00.440 --> 0:45:02.360
<v Speaker 2>I love it how much you love Joey Pants?

0:45:02.440 --> 0:45:07.799
<v Speaker 1>And yeah, the American legend. This brings us to the

0:45:07.800 --> 0:45:10.640
<v Speaker 1>for Telly Brothers. Robert dave and Joey Pants. What's his

0:45:10.680 --> 0:45:16.200
<v Speaker 1>real name, Joe Pantaliano. Yes, apparently Robert Dave, who's a

0:45:16.239 --> 0:45:18.520
<v Speaker 1>trained opera singer. By the way, that's why he's singing

0:45:18.520 --> 0:45:21.200
<v Speaker 1>Madam Butterfly all the time in the movie. He's supposed

0:45:21.200 --> 0:45:23.919
<v Speaker 1>to be in Rambo two or Rambo First Blood whatever

0:45:23.960 --> 0:45:24.920
<v Speaker 1>the second Rambow was.

0:45:25.280 --> 0:45:28.399
<v Speaker 2>Yeah, the second one is confusingly titled First Blood Part two.

0:45:30.440 --> 0:45:33.879
<v Speaker 2>Oh okay, yeah, all right, first Blood Part two.

0:45:35.200 --> 0:45:37.680
<v Speaker 1>So he'd gotten in shape for it and was poised

0:45:37.680 --> 0:45:39.719
<v Speaker 1>to fly to the jungle to film. But I guess

0:45:39.719 --> 0:45:42.320
<v Speaker 1>there was a communication snaffoo when he accepted the Goonies

0:45:42.520 --> 0:45:46.320
<v Speaker 1>and they mistakenly recast his part, which made things weird

0:45:46.360 --> 0:45:48.800
<v Speaker 1>between him and his friend Sylvester Stallone for a while.

0:45:49.640 --> 0:45:52.200
<v Speaker 1>And you know, maybe he took his frustration out on

0:45:52.280 --> 0:45:55.880
<v Speaker 1>his goony brother, Joey Pants. The two were engaged in

0:45:55.920 --> 0:45:59.399
<v Speaker 1>a fairly high stakes prank war throughout the shoot. At

0:45:59.400 --> 0:46:03.120
<v Speaker 1>one point, Robert Dove nailed Joey's dressing room door shut

0:46:03.200 --> 0:46:07.799
<v Speaker 1>I believe, with him inside, and Joey retaliated this isn't

0:46:07.800 --> 0:46:11.319
<v Speaker 1>as good by stealing his license plate, and I guess

0:46:11.320 --> 0:46:14.759
<v Speaker 1>the director sort of cottoned on to their antagonistic I

0:46:14.800 --> 0:46:17.640
<v Speaker 1>don't know how playful it was, but a relationship, and

0:46:17.680 --> 0:46:21.200
<v Speaker 1>he put the sibling rivalry in the movie. Another instance

0:46:21.280 --> 0:46:24.799
<v Speaker 1>of Robert Dove's aggression coming through was the scene when

0:46:24.800 --> 0:46:27.400
<v Speaker 1>they're making the jail break and they shoot the gasoline,

0:46:27.440 --> 0:46:30.160
<v Speaker 1>which causes it to ignite. They're originally going to light

0:46:30.200 --> 0:46:32.000
<v Speaker 1>a dollar bill and try to throw it on the

0:46:32.000 --> 0:46:34.239
<v Speaker 1>gas line, but Dobby said that it would take too

0:46:34.280 --> 0:46:37.200
<v Speaker 1>long for this piece of paper to land just right,

0:46:37.520 --> 0:46:39.000
<v Speaker 1>just kind of like what happened in Greece when they

0:46:39.040 --> 0:46:41.560
<v Speaker 1>were trying to get Sandy's cigarette to land right in

0:46:41.640 --> 0:46:43.520
<v Speaker 1>her feet, right in front of Danny. So he came

0:46:43.600 --> 0:46:45.080
<v Speaker 1>up with the idea of just shooting it, which I

0:46:45.080 --> 0:46:48.160
<v Speaker 1>don't even know if that actually would cause gasoline to ignite,

0:46:48.239 --> 0:46:51.440
<v Speaker 1>but looks cool. Yeah, it looks really cool. Maybe the

0:46:51.480 --> 0:46:53.880
<v Speaker 1>bullet ricochet's off the ground, Maybe there's a little spark

0:46:53.920 --> 0:46:55.000
<v Speaker 1>that happens there. I don't know.

0:46:55.400 --> 0:46:58.359
<v Speaker 2>Ann Ramsey really slapped him in that scene, Robert Goddy.

0:46:58.480 --> 0:47:01.640
<v Speaker 1>Yeah, which I'm glad we got Ann Ramsey in here,

0:47:01.640 --> 0:47:04.600
<v Speaker 1>because I didn't have any anything about her throw Mama

0:47:04.640 --> 0:47:09.040
<v Speaker 1>from the train. She's so scary. I think that's consciously

0:47:09.120 --> 0:47:13.439
<v Speaker 1>why I didn't. Yeah, I'm still prod of her. Could

0:47:13.960 --> 0:47:14.600
<v Speaker 1>she's still alive?

0:47:14.680 --> 0:47:18.319
<v Speaker 2>She could be, she could be right behind you. No,

0:47:18.440 --> 0:47:23.319
<v Speaker 2>she does in eighty eight? Uh yere after anyway, that

0:47:23.400 --> 0:47:24.399
<v Speaker 2>wasn't a coincidence?

0:47:24.920 --> 0:47:25.719
<v Speaker 1>Is it safe yet?

0:47:25.840 --> 0:47:31.960
<v Speaker 2>Okay, while we're running down the for Telly family, we

0:47:32.040 --> 0:47:35.880
<v Speaker 2>must get to the third for Telly brother, Latany aka Sloth,

0:47:36.360 --> 0:47:39.400
<v Speaker 2>played by former Oakland Raiders star John Matt Tussac, who

0:47:39.440 --> 0:47:41.600
<v Speaker 2>did two stints in the Super Bowl before trying his

0:47:41.600 --> 0:47:44.400
<v Speaker 2>hand at acting. He wears a Raider shirt in the movie,

0:47:44.440 --> 0:47:47.680
<v Speaker 2>which could be considered as just a pirate's joke but

0:47:48.160 --> 0:47:50.799
<v Speaker 2>actually a non to his old team, and then he

0:47:50.920 --> 0:47:53.839
<v Speaker 2>rips that shirt to reveal a Superman shirt under that,

0:47:54.040 --> 0:47:56.040
<v Speaker 2>which is at of course, a nod to Richard Donner,

0:47:56.080 --> 0:48:00.640
<v Speaker 2>who had directed The Superman. Spielberg loves his heastray as

0:48:01.040 --> 0:48:04.080
<v Speaker 2>a running theme that will develop into this I guess.

0:48:04.120 --> 0:48:06.800
<v Speaker 2>Before The Goodies was even filmed. A few years prior,

0:48:06.920 --> 0:48:11.120
<v Speaker 2>Methusac had placed ninth in World's Strongest Man competition, where

0:48:11.120 --> 0:48:15.399
<v Speaker 2>those damn beefy slabs of men like tow trucks and

0:48:15.880 --> 0:48:20.600
<v Speaker 2>expressed tires and he just looks like a it looks

0:48:20.600 --> 0:48:21.399
<v Speaker 2>like animal.

0:48:21.160 --> 0:48:24.200
<v Speaker 1>Mountain, yeah, yes he does, or the mountain.

0:48:23.960 --> 0:48:26.759
<v Speaker 2>From Game of Thrones. Yes, just a large slab of

0:48:26.800 --> 0:48:30.279
<v Speaker 2>a man. The stunt double for Sloth is a guy

0:48:30.360 --> 0:48:31.320
<v Speaker 2>named Randall Winner.

0:48:31.920 --> 0:48:32.080
<v Speaker 1>Uh.

0:48:32.280 --> 0:48:35.440
<v Speaker 2>And he says, he just said, I don't drink, so

0:48:35.480 --> 0:48:38.480
<v Speaker 2>I would escort John Matusac to all the bars so

0:48:38.520 --> 0:48:41.200
<v Speaker 2>I could get him home. I was the John Wrangler.

0:48:41.440 --> 0:48:44.040
<v Speaker 2>I'd drink Coca cola and make sure he didn't beat

0:48:44.120 --> 0:48:44.800
<v Speaker 2>up the place.

0:48:49.840 --> 0:48:50.240
<v Speaker 1>He said.

0:48:50.560 --> 0:48:53.759
<v Speaker 2>Matusac was a big kid with very few limitations about

0:48:53.760 --> 0:48:57.200
<v Speaker 2>how he conducted himself. He was taking painkillers, and when

0:48:57.239 --> 0:48:59.439
<v Speaker 2>you put a gallon of wine on top of that,

0:48:59.520 --> 0:49:02.759
<v Speaker 2>you have controlling yourself. At times he was like a

0:49:02.800 --> 0:49:07.360
<v Speaker 2>lost child in a lot of ways. Oh but yeah.

0:49:07.239 --> 0:49:08.040
<v Speaker 1>A bit of a partier.

0:49:08.640 --> 0:49:10.480
<v Speaker 2>He died in eighty nine at the age of thirty

0:49:10.520 --> 0:49:14.920
<v Speaker 2>eight accidental prescription drug overdose. Had traces of cocaine in

0:49:14.920 --> 0:49:18.440
<v Speaker 2>his bloodstream. But still a hell of a life, and

0:49:18.880 --> 0:49:23.040
<v Speaker 2>his time in the goonies was checkered. Five hours of

0:49:23.120 --> 0:49:25.239
<v Speaker 2>makeup each day it took to get him into that

0:49:25.440 --> 0:49:28.920
<v Speaker 2>and one of these prosthetic eyes was manually operated by

0:49:29.000 --> 0:49:33.080
<v Speaker 2>remote control. So someone would start a count off camera

0:49:33.239 --> 0:49:36.239
<v Speaker 2>and he would blink his other eye at the appropriate

0:49:36.280 --> 0:49:39.160
<v Speaker 2>time to sync them up. And then for the scenes

0:49:39.160 --> 0:49:41.160
<v Speaker 2>in the pirate ship, all the kids were told him

0:49:41.200 --> 0:49:44.120
<v Speaker 2>not to get wet because this was an electrical rig,

0:49:44.680 --> 0:49:48.200
<v Speaker 2>and they promptly they promptly did any any way, which

0:49:48.239 --> 0:49:55.320
<v Speaker 2>prompted a shooting shutdown of a week. Sluck can't blink,

0:49:56.680 --> 0:50:00.400
<v Speaker 2>I chopping executive. I'm looking at the dailies and sloth

0:50:00.480 --> 0:50:08.839
<v Speaker 2>can clink. Shut it down, Doc Broland's pay. Oh, come

0:50:08.880 --> 0:50:12.280
<v Speaker 2>on you, kiddo, it's Feldman. Yeah, it would have been Felban.

0:50:12.560 --> 0:50:14.880
<v Speaker 2>Bring me that Feldman kid again. I'm gonna carve my

0:50:14.960 --> 0:50:16.200
<v Speaker 2>initials into his chest.

0:50:17.760 --> 0:50:17.880
<v Speaker 1>Uh.

0:50:18.080 --> 0:50:20.880
<v Speaker 2>Matt Music had horrific backpain due who's used in the

0:50:20.960 --> 0:50:23.480
<v Speaker 2>NFL and had a tough time actually picking up chunk

0:50:23.520 --> 0:50:26.120
<v Speaker 2>and throwing the people around in the movie. Fun fact,

0:50:26.200 --> 0:50:28.120
<v Speaker 2>the candy bar he eats the movie was supposed to

0:50:28.160 --> 0:50:30.080
<v Speaker 2>be an almond Joy rather than a baby Ruth.

0:50:30.520 --> 0:50:32.680
<v Speaker 1>Here's a fun fact. That's the trivia question I got

0:50:32.800 --> 0:50:36.359
<v Speaker 1>right on our episode of Food Court with Richard Blaze. Uh,

0:50:36.840 --> 0:50:41.760
<v Speaker 1>where I triumph over you for defending milk chocolate? Where

0:50:41.840 --> 0:50:46.360
<v Speaker 1>I handily defeated you in single combat. The novelization of

0:50:46.400 --> 0:50:48.480
<v Speaker 1>this movie, did you did you have this? No?

0:50:48.600 --> 0:50:50.200
<v Speaker 2>Because I know you're a novelization guy.

0:50:50.239 --> 0:50:55.200
<v Speaker 1>A little bit. Not really, No, The only hate you.

0:50:55.640 --> 0:50:59.160
<v Speaker 1>The only reason I had movie novelizations were when I

0:50:59.280 --> 0:51:01.600
<v Speaker 1>was going to elementary school and I wish I could

0:51:01.640 --> 0:51:03.680
<v Speaker 1>be watching a movie, but I couldn't.

0:51:03.280 --> 0:51:06.680
<v Speaker 2>So I would be reading the novelization. Yeah, I was

0:51:06.680 --> 0:51:08.359
<v Speaker 2>a big novelization guy. I had a bunch of those.

0:51:08.360 --> 0:51:09.799
<v Speaker 2>I would always just get them at like the like

0:51:10.000 --> 0:51:12.360
<v Speaker 2>half priced bookstore when we were on vacation and just

0:51:12.440 --> 0:51:14.920
<v Speaker 2>read them. I'll tell you the novelization of the movie

0:51:14.920 --> 0:51:20.480
<v Speaker 2>Blade Blade. That book taught me how to curse as

0:51:20.600 --> 0:51:23.959
<v Speaker 2>a child. I had no idea. There were so many

0:51:24.000 --> 0:51:29.279
<v Speaker 2>permutations on the F word. Speaking of improv, do you

0:51:29.360 --> 0:51:32.200
<v Speaker 2>know Wesley Snipes at a table read improv the single

0:51:32.200 --> 0:51:35.360
<v Speaker 2>best line from that movie, which is some mothers always

0:51:35.360 --> 0:51:39.280
<v Speaker 2>trying to ice skate up hill, right before he kills

0:51:39.320 --> 0:51:43.480
<v Speaker 2>the bad guy, Wesley Snipes, blady gentlemen, the friend of

0:51:43.520 --> 0:51:44.840
<v Speaker 2>the pod Wesley Snipes.

0:51:46.000 --> 0:51:46.440
<v Speaker 1>Anyway.

0:51:46.560 --> 0:51:50.240
<v Speaker 2>The novelization of this movie delves deeper into Sloth's life,

0:51:50.320 --> 0:51:53.120
<v Speaker 2>revealing that after the events of the movie, Chunk's parents

0:51:53.160 --> 0:51:56.680
<v Speaker 2>adopt him and throw him a bar mitzvah that is adorable.

0:51:56.719 --> 0:52:04.640
<v Speaker 2>Imagine Sloth reading the torah.

0:52:01.480 --> 0:52:03.960
<v Speaker 1>I'm you're not gonna get ready to do that impression.

0:52:05.080 --> 0:52:07.319
<v Speaker 2>There was also a scene that was storyboarded but never

0:52:07.400 --> 0:52:12.920
<v Speaker 2>shot where Sloth flexes first steph Martha Plimpton's who swoons

0:52:13.120 --> 0:52:14.680
<v Speaker 2>over him, saying, Hunk City.

0:52:15.040 --> 0:52:15.239
<v Speaker 1>God.

0:52:15.239 --> 0:52:17.440
<v Speaker 2>The deleted scenes of this movie are so weird. We'll

0:52:17.440 --> 0:52:18.160
<v Speaker 2>get into Garriz.

0:52:18.239 --> 0:52:20.759
<v Speaker 1>Yeah, the best ones. Yeah. Yeah.

0:52:20.800 --> 0:52:23.040
<v Speaker 2>The pirate movie that Sloth watches while he's chained up

0:52:23.040 --> 0:52:25.680
<v Speaker 2>in the basement is the nineteen thirty five Errol Flynn

0:52:25.760 --> 0:52:30.320
<v Speaker 2>swashbuckling classic Captain Blood. Dave Gruson, who did the score

0:52:30.400 --> 0:52:32.720
<v Speaker 2>to this, recycled some of the cues from those classic

0:52:32.800 --> 0:52:38.239
<v Speaker 2>movies for this film's score, specifically from Adventures of Don Juan,

0:52:38.360 --> 0:52:41.520
<v Speaker 2>which does star Erl Flynn. Yeah, and it's such a

0:52:41.560 --> 0:52:43.560
<v Speaker 2>cute turn for his character. You know, he's watching the

0:52:43.680 --> 0:52:46.719
<v Speaker 2>Errol Flynn movies and then he gets his h he

0:52:46.760 --> 0:52:50.000
<v Speaker 2>gets in agativity, Yes, while chained in a basement by

0:52:50.040 --> 0:52:55.880
<v Speaker 2>his family, who among us, and then he gets to

0:52:55.920 --> 0:52:58.480
<v Speaker 2>do this pirate ship. He gets a sliding at the end,

0:52:58.560 --> 0:53:04.000
<v Speaker 2>just like Errol Flynn speaking of the set ah the

0:53:04.080 --> 0:53:07.760
<v Speaker 2>Epic Showdown with the Fertelly family aboard one eyed Willie's

0:53:07.800 --> 0:53:12.080
<v Speaker 2>treasure laden pirate chip, the Inferno hidden in a massive cave.

0:53:12.280 --> 0:53:13.840
<v Speaker 2>This was one of the scenes that was filmed on

0:53:14.120 --> 0:53:18.760
<v Speaker 2>stage in California. Required nine hundred thousand gallons of water.

0:53:19.160 --> 0:53:22.480
<v Speaker 2>That sounds like a made up figure, But I don't. Yeah,

0:53:22.560 --> 0:53:25.440
<v Speaker 2>I mean bit rich considering California has been in like

0:53:25.480 --> 0:53:26.480
<v Speaker 2>a thirty year drought.

0:53:26.600 --> 0:53:33.360
<v Speaker 1>That's uh. When he how Old's goonies, Yeah, that's correlation.

0:53:34.680 --> 0:53:37.200
<v Speaker 2>This was the same set where the water shoot slides

0:53:37.200 --> 0:53:39.719
<v Speaker 2>were used, which dumps them into the water in the

0:53:39.760 --> 0:53:43.760
<v Speaker 2>pirate cave. That was a fully functioning water slide courtesy

0:53:43.760 --> 0:53:48.400
<v Speaker 2>of the Langford Surf Coaster Corporation. Anyway, anybody they do

0:53:48.440 --> 0:53:51.400
<v Speaker 2>anything else whatever. Richard Donner later said that he and

0:53:51.440 --> 0:53:53.520
<v Speaker 2>the crew would sneak off after a busy day of

0:53:53.560 --> 0:53:56.920
<v Speaker 2>filming to ride those water slides, which is adorable, along

0:53:56.960 --> 0:54:00.799
<v Speaker 2>with friend of the Pod Harrison Ford. Once stopped by

0:54:00.800 --> 0:54:03.440
<v Speaker 2>the set and according to Corey Feldman, was climbing around

0:54:03.480 --> 0:54:04.800
<v Speaker 2>the caves with all the kids.

0:54:04.920 --> 0:54:08.320
<v Speaker 1>This is like the one moment of joy Richard Donner had,

0:54:08.640 --> 0:54:12.359
<v Speaker 1>after all, after fourteen hour days of being tortured by

0:54:12.400 --> 0:54:15.880
<v Speaker 1>Corey Feldman, chose filling up to him coming up some

0:54:16.120 --> 0:54:17.919
<v Speaker 1>weird talking about his thing.

0:54:18.080 --> 0:54:22.439
<v Speaker 2>Yeah, Richard Donner just pours himself many martinis and rides

0:54:22.480 --> 0:54:26.839
<v Speaker 2>the water water slide. That ship was real and had

0:54:26.920 --> 0:54:29.960
<v Speaker 2>been built especially for the production over the course of

0:54:30.000 --> 0:54:31.440
<v Speaker 2>only two and a half months.

0:54:31.520 --> 0:54:36.320
<v Speaker 1>That's insane movie magic. Yeah, or one hundred five people.

0:54:36.960 --> 0:54:39.719
<v Speaker 1>One hundred and five well, yeah, one hundred and five. Well,

0:54:39.760 --> 0:54:41.160
<v Speaker 1>today they would have just done CGI.

0:54:41.239 --> 0:54:43.520
<v Speaker 2>At least the prop people were union, so they would

0:54:43.520 --> 0:54:47.680
<v Speaker 2>He's making okay money. Fun fact, folks, always remember when

0:54:47.719 --> 0:54:51.160
<v Speaker 2>you're watching these CGI monstrosities that those are not union jobs,

0:54:52.200 --> 0:54:55.120
<v Speaker 2>and that is why they are constantly being favored as

0:54:55.120 --> 0:54:58.920
<v Speaker 2>opposed to practical effects, makeup and wardrobe. Anyway, all one

0:54:59.000 --> 0:55:02.160
<v Speaker 2>hundred and five feet of that ship were designed to

0:55:02.280 --> 0:55:06.520
<v Speaker 2>resemble Errol Flynn's ship from the film The Seahawk. Some

0:55:06.560 --> 0:55:08.960
<v Speaker 2>of that rigging was recycled from the Pirates of the

0:55:08.960 --> 0:55:12.359
<v Speaker 2>Caribbean ship at Disneyland, which was being renovated at the time.

0:55:12.480 --> 0:55:17.000
<v Speaker 2>The sails on that ship required over seven thousand square

0:55:17.040 --> 0:55:19.360
<v Speaker 2>feet of material. The largest one of them was sixty

0:55:19.400 --> 0:55:21.600
<v Speaker 2>by thirty and you can spot R two D two

0:55:21.800 --> 0:55:25.080
<v Speaker 2>scrolled away in there, because once again Spielberg loves his

0:55:25.120 --> 0:55:25.960
<v Speaker 2>little Easter eggs.

0:55:27.320 --> 0:55:30.319
<v Speaker 1>In order to get an authentically overwhelmed reaction from the cast,

0:55:30.400 --> 0:55:33.319
<v Speaker 1>Richard Donner forbade the kids from seeing the ship before

0:55:33.360 --> 0:55:36.080
<v Speaker 1>they shot the scene, and was constructed on another set

0:55:36.120 --> 0:55:40.320
<v Speaker 1>and was hidden behind a very gigantic tarp I imagine.

0:55:40.719 --> 0:55:42.839
<v Speaker 1>Donner later said, the day we were gonna film them

0:55:42.880 --> 0:55:45.120
<v Speaker 1>first seeing it, we backed them all into the water

0:55:45.160 --> 0:55:47.839
<v Speaker 1>and set the cameras on action. They knew what they

0:55:47.840 --> 0:55:49.440
<v Speaker 1>were going to see, but they didn't know what it

0:55:49.480 --> 0:55:52.880
<v Speaker 1>was going to look like. I love this. During some

0:55:52.960 --> 0:55:55.200
<v Speaker 1>Gooni's event with Richard Donner in two thousand and one,

0:55:55.600 --> 0:55:57.960
<v Speaker 1>Corey Feldman claimed that he snuck onto the ship while

0:55:58.000 --> 0:56:01.200
<v Speaker 1>it was being built, and a visible annoyed Richard Donner

0:56:01.320 --> 0:56:06.320
<v Speaker 1>just tried to shrug off these claims. For Donner felt

0:56:06.400 --> 0:56:10.160
<v Speaker 1>like fifteen years later, Corey Selman still making his life

0:56:10.160 --> 0:56:16.160
<v Speaker 1>a living hell being haunted by Corey Feldman, And for

0:56:16.200 --> 0:56:18.160
<v Speaker 1>the most part, for these kids, seeing the ship for

0:56:18.200 --> 0:56:20.960
<v Speaker 1>the first time as a really emotional moment, and Martha

0:56:21.000 --> 0:56:24.080
<v Speaker 1>Plimpton later said she almost started to cry, and Sean

0:56:24.120 --> 0:56:27.400
<v Speaker 1>Aston's mouth just dropped open, and he remembered thinking, the

0:56:27.440 --> 0:56:30.480
<v Speaker 1>whole adventure we'd gone through had a happy ending. The ship.

0:56:31.480 --> 0:56:34.000
<v Speaker 1>But yeah, because they filmed it sequentially, filmed it order

0:56:34.080 --> 0:56:36.919
<v Speaker 1>right exactly. I love it too much, but the whole

0:56:36.920 --> 0:56:41.520
<v Speaker 1>thing sort of backfired. Josh Brolin was so shocked he

0:56:41.560 --> 0:56:45.920
<v Speaker 1>apparently let an S bomb slip, which supposedly required the

0:56:46.000 --> 0:56:50.080
<v Speaker 1>scene to be shot again. Maybe just the master shot.

0:56:50.160 --> 0:56:51.799
<v Speaker 1>I don't know. I'm not sure because I think some

0:56:51.840 --> 0:56:54.120
<v Speaker 1>of those close ups of them reacting to it are

0:56:54.239 --> 0:56:58.000
<v Speaker 1>authentic first, you know, first reactions. I've seen multiple explanations

0:56:58.040 --> 0:56:59.719
<v Speaker 1>for this. I prefer to think that some of the

0:57:00.080 --> 0:57:03.040
<v Speaker 1>close up reactions for that are real. The swearing in

0:57:03.080 --> 0:57:05.759
<v Speaker 1>this movie is really funny for a PG movie. The

0:57:05.880 --> 0:57:09.040
<v Speaker 1>S word and its variations are used twenty times throughout

0:57:09.040 --> 0:57:11.840
<v Speaker 1>this movie, and in order to skirt a harsher rating,

0:57:11.960 --> 0:57:14.720
<v Speaker 1>the profanity was strategically placed that it could be drowned

0:57:14.719 --> 0:57:17.880
<v Speaker 1>out by background noise like police sirens or running water,

0:57:18.280 --> 0:57:21.960
<v Speaker 1>or just the film's score during TV broadcasts, and it

0:57:22.000 --> 0:57:24.080
<v Speaker 1>was also edited in a really specific way so that

0:57:24.120 --> 0:57:25.920
<v Speaker 1>all you had to do was trim the first or

0:57:26.000 --> 0:57:28.720
<v Speaker 1>last few seconds of a scene to lose the swear word,

0:57:28.760 --> 0:57:32.360
<v Speaker 1>which is very clever. You may notice that in the

0:57:32.360 --> 0:57:36.000
<v Speaker 1>scene where rocks are falling from the cave ceiling, Data screams,

0:57:36.240 --> 0:57:40.400
<v Speaker 1>holy shit. He spelled it out because his mother made

0:57:40.440 --> 0:57:42.880
<v Speaker 1>him promise not to use any bad words in the movie,

0:57:43.040 --> 0:57:47.000
<v Speaker 1>which is adorable. This brings us to my favorite segment

0:57:47.080 --> 0:57:49.640
<v Speaker 1>of this show. It belongs in a museum, probably the

0:57:49.720 --> 0:57:52.720
<v Speaker 1>biggest instance of it belongs to the museum that we've

0:57:52.720 --> 0:57:56.520
<v Speaker 1>ever had. The one hundred and five foot Inferno ship

0:57:57.160 --> 0:58:01.360
<v Speaker 1>would have made an absolutely incredible tourist to try. Unfortunately,

0:58:01.920 --> 0:58:04.000
<v Speaker 1>no one had the foresight or the money to make

0:58:04.040 --> 0:58:07.120
<v Speaker 1>this reality. No one wanted this pirate ship after the shoot,

0:58:07.480 --> 0:58:11.560
<v Speaker 1>so it was destroyed, that beautiful pirate ship. Oh my god,

0:58:11.640 --> 0:58:16.240
<v Speaker 1>that breaks my heart. But yeah, right, I know, you

0:58:16.360 --> 0:58:19.040
<v Speaker 1>think that we could just save it to use. I

0:58:19.080 --> 0:58:21.560
<v Speaker 1>guess there aren't that many movies that require, you know,

0:58:22.200 --> 0:58:25.560
<v Speaker 1>waten pirate ships. But you'd think that it would be

0:58:25.760 --> 0:58:29.120
<v Speaker 1>handy to have around on a back lot somewhere. But yeah,

0:58:29.160 --> 0:58:32.680
<v Speaker 1>I guess not. But there's another treasure from the Goonies

0:58:32.720 --> 0:58:35.720
<v Speaker 1>which has gone missing. For a far more frustrating reason.

0:58:36.000 --> 0:58:40.520
<v Speaker 1>The map to One Eyed Willie's Treasure Map is so badass.

0:58:40.680 --> 0:58:44.040
<v Speaker 1>It comes to us courtesy of production designer J. Michael Reva,

0:58:44.440 --> 0:58:47.840
<v Speaker 1>who I believe is also responsible for the ship as well.

0:58:48.480 --> 0:58:51.400
<v Speaker 1>He put his sweat and blood into this map. Literally

0:58:52.000 --> 0:58:53.840
<v Speaker 1>the night before he was due to drop it off,

0:58:54.080 --> 0:58:56.160
<v Speaker 1>he came to the conclusion that it looked too new.

0:58:56.360 --> 0:58:58.520
<v Speaker 1>It was supposed to be three hundred years old, so

0:58:58.560 --> 0:59:01.240
<v Speaker 1>he set about trying to age it in his hotel room,

0:59:01.240 --> 0:59:04.240
<v Speaker 1>pouring coffee onto it, you know that old trick, and

0:59:04.280 --> 0:59:07.160
<v Speaker 1>even cutting his finger to drip his own blood around

0:59:07.200 --> 0:59:10.400
<v Speaker 1>the edges, which I don't even I don't you know

0:59:10.440 --> 0:59:13.160
<v Speaker 1>that the coffee or tea trick to age paper. I

0:59:13.240 --> 0:59:19.640
<v Speaker 1>mean that not heard smear and blood around groper. Yeah, violation, Yeah, yeah,

0:59:19.760 --> 0:59:23.080
<v Speaker 1>very much. So he later said, you do these crazy things.

0:59:23.080 --> 0:59:25.120
<v Speaker 1>You get so into it, and it worked. You look

0:59:25.160 --> 0:59:26.760
<v Speaker 1>at the map and it looks like an old map

0:59:26.760 --> 0:59:32.360
<v Speaker 1>that's seen many years in battles, So that's uh gross map.

0:59:33.040 --> 0:59:36.000
<v Speaker 1>The map was given to Sean Aston Mikey, who treasured

0:59:36.000 --> 0:59:38.800
<v Speaker 1>it for many years until his mother, Patty Duke, came

0:59:38.840 --> 0:59:41.600
<v Speaker 1>across it in his room and threw it away thinking

0:59:41.640 --> 0:59:47.200
<v Speaker 1>it was an old scrap of paper that hurts a lot. Yeah,

0:59:47.360 --> 0:59:51.320
<v Speaker 1>I know, spent almost cancels out valley of the dolls.

0:59:52.280 --> 0:59:55.720
<v Speaker 2>Speaking of OSHA violations, there is at least one yew

0:59:56.000 --> 0:59:59.120
<v Speaker 2>that has been lovingly preserved for posterity, the skull of

0:59:59.120 --> 1:00:02.120
<v Speaker 2>One Eyed Willie. Richard Dawner kept that on display and

1:00:02.160 --> 1:00:04.200
<v Speaker 2>a stand in his home next to a model of

1:00:04.240 --> 1:00:07.840
<v Speaker 2>the Inferno Pirate ship until his death last year. We

1:00:07.880 --> 1:00:09.560
<v Speaker 2>don't know where it is right now, right.

1:00:10.120 --> 1:00:12.360
<v Speaker 1>Yeah, I would assume that it's got to be well

1:00:12.360 --> 1:00:15.080
<v Speaker 1>accounted estate somewhere. Yeah. Yeah.

1:00:15.120 --> 1:00:18.440
<v Speaker 2>According to a website dedicated to the film Goonies, it

1:00:18.560 --> 1:00:22.680
<v Speaker 2>was mentioned on the cast list that the skeleton of

1:00:22.760 --> 1:00:25.080
<v Speaker 2>One Eyed Willie was played by.

1:00:25.400 --> 1:00:28.320
<v Speaker 1>Real Well, well, you're bearing the lead here. It's a

1:00:28.320 --> 1:00:28.880
<v Speaker 1>real skull.

1:00:29.280 --> 1:00:32.480
<v Speaker 2>It's a real skull belonged supposedly to a guy named

1:00:32.560 --> 1:00:36.280
<v Speaker 2>Raoul Wu who died from lead poisoning. I have been

1:00:36.520 --> 1:00:39.440
<v Speaker 2>not been able to track down anymore on that. Why

1:00:39.480 --> 1:00:43.000
<v Speaker 2>would you want a lead poisoned skull on the set

1:00:43.040 --> 1:00:43.920
<v Speaker 2>of your children's movie?

1:00:43.960 --> 1:00:45.400
<v Speaker 1>Why would you want a real skull at all?

1:00:46.080 --> 1:00:49.040
<v Speaker 2>Well, you know, an actor prepares there's a scene with

1:00:49.160 --> 1:00:52.520
<v Speaker 2>storyboarding but never shot, where Mikey and Andy find one

1:00:52.520 --> 1:00:55.920
<v Speaker 2>eyed Willie with daggers in the eye sockets and Andy

1:00:55.960 --> 1:00:56.840
<v Speaker 2>has to pull them out.

1:00:57.360 --> 1:01:02.840
<v Speaker 1>Speaking of auction materials, Jordan, Yes, As a point of fact,

1:01:02.920 --> 1:01:06.160
<v Speaker 1>the Lou Garrig baseball card that Mikey finds elm Chester

1:01:06.240 --> 1:01:11.040
<v Speaker 1>Copperpott's body is worth two hundred and seventy five thousand

1:01:11.080 --> 1:01:14.840
<v Speaker 1>dollars at auction in mint condition. And according to international

1:01:14.880 --> 1:01:18.200
<v Speaker 1>maritime salvage law, rights to salvage a vessel and its

1:01:18.200 --> 1:01:21.680
<v Speaker 1>contents go to the person or persons who first successfully

1:01:21.760 --> 1:01:24.560
<v Speaker 1>brings something off the vessel in question. In this case,

1:01:24.600 --> 1:01:27.000
<v Speaker 1>this is Mikey who brought the jewels off the ship,

1:01:27.080 --> 1:01:30.520
<v Speaker 1>so legally the inferno and everything on it belongs to him,

1:01:30.680 --> 1:01:32.160
<v Speaker 1>including one on Lilly's body.

1:01:32.280 --> 1:01:35.640
<v Speaker 2>Surely, the first time we have ever cited international merit

1:01:35.640 --> 1:01:40.040
<v Speaker 2>time law on.

1:01:38.800 --> 1:01:40.600
<v Speaker 1>This is episode sixty three.

1:01:40.520 --> 1:01:43.120
<v Speaker 2>Yeah, I'm surprised it took that long too.

1:01:43.240 --> 1:01:45.400
<v Speaker 1>On it if we were coming up on about probably

1:01:45.480 --> 1:01:49.040
<v Speaker 1>roughly three straight days of us talking at each other,

1:01:50.400 --> 1:01:52.400
<v Speaker 1>and I'm amazed it took that long for that to

1:01:52.440 --> 1:01:57.600
<v Speaker 1>come up. Yeah, we're going to take a quick break

1:01:57.760 --> 1:02:00.240
<v Speaker 1>but we'll be right back with more too much information

1:02:00.360 --> 1:02:19.800
<v Speaker 1>in just a moment. And this brings us to the

1:02:19.920 --> 1:02:21.760
<v Speaker 1>end of the movie. And you'll notice at the end

1:02:21.800 --> 1:02:24.520
<v Speaker 1>of the movie, Data, when he gets to the beach

1:02:24.600 --> 1:02:27.400
<v Speaker 1>talking to a group of reporters, says the octopus was

1:02:27.520 --> 1:02:30.280
<v Speaker 1>very scary. I always thought this was just the kids

1:02:30.280 --> 1:02:33.720
<v Speaker 1>telling tall tales, even though Data is probably the most

1:02:33.760 --> 1:02:36.000
<v Speaker 1>trustworthy of the bunch. I don't know, maybe Mikey too.

1:02:36.360 --> 1:02:39.280
<v Speaker 1>But this line actually refers to a deleted scene that

1:02:39.360 --> 1:02:43.760
<v Speaker 1>involves Steph and Mouth, Martha Plimpton, and Corey Feldman getting

1:02:43.760 --> 1:02:46.280
<v Speaker 1>attacked by an octopus after they try to flee one

1:02:46.320 --> 1:02:49.560
<v Speaker 1>i'd Willy's ship. And since this is pre CGI, as

1:02:49.560 --> 1:02:51.480
<v Speaker 1>you mentioned, this all had to be practical effects, so

1:02:51.480 --> 1:02:55.240
<v Speaker 1>they built a thirty two foot octopus. But unfortunately, the

1:02:55.320 --> 1:02:58.240
<v Speaker 1>general consensus was that the octopus looked kind of goofy

1:02:58.280 --> 1:03:01.680
<v Speaker 1>and basically too to be considered scary. For what was

1:03:01.680 --> 1:03:04.080
<v Speaker 1>the climax of the movie, Sean asked them. Put it bluntly,

1:03:04.440 --> 1:03:09.760
<v Speaker 1>the octopus always sucked. But the octopus featured prominently in

1:03:09.800 --> 1:03:12.560
<v Speaker 1>the promo campaign for the movie. It appeared in trading

1:03:12.640 --> 1:03:16.200
<v Speaker 1>cars that were made as toys. It also appeared in

1:03:16.200 --> 1:03:19.000
<v Speaker 1>the video for the Cyndi Lapper song Goonies Are Good Enough,

1:03:19.000 --> 1:03:20.480
<v Speaker 1>which we'll get to in a moment, And there was

1:03:20.520 --> 1:03:22.880
<v Speaker 1>also a song on the soundtrack called eight Arms to

1:03:22.960 --> 1:03:25.800
<v Speaker 1>Hold You by the goon Squad, and the filmmakers were

1:03:25.800 --> 1:03:28.240
<v Speaker 1>convinced this song was gonna be a huge hit, so

1:03:28.280 --> 1:03:30.520
<v Speaker 1>they pressed it as a twelve inch dance single, but

1:03:30.720 --> 1:03:33.600
<v Speaker 1>it sold miserably and is apparently one of the rarest

1:03:33.640 --> 1:03:36.640
<v Speaker 1>most valuable Goony related items out there. So if you

1:03:36.680 --> 1:03:38.400
<v Speaker 1>have a copy of eight Arms to Hold You by

1:03:38.400 --> 1:03:41.680
<v Speaker 1>the goon Squad on twelve inch, hold on to it.

1:03:41.800 --> 1:03:44.040
<v Speaker 1>Also a point of fact, eight Arms to Hold You

1:03:44.160 --> 1:03:46.640
<v Speaker 1>is the working title of the Beatles second movie Help

1:03:47.360 --> 1:03:50.480
<v Speaker 1>Know That? So like a gang Bang scenario. No, it's

1:03:51.600 --> 1:03:56.880
<v Speaker 1>one of the statue of the I believe fake Indian

1:03:56.920 --> 1:03:59.720
<v Speaker 1>god Kayli with the eight arms coming off of it.

1:04:00.520 --> 1:04:05.040
<v Speaker 2>Oh yeah, yeah, yeah, sure that's a weird movie.

1:04:05.160 --> 1:04:08.040
<v Speaker 1>Yeah it is very much so. Yeah. So. There are

1:04:08.040 --> 1:04:09.880
<v Speaker 1>a lot of scenes from The Goonies that were cut

1:04:09.920 --> 1:04:14.120
<v Speaker 1>from the theatrical release but reinstated for cable broadcasts, where

1:04:14.560 --> 1:04:17.520
<v Speaker 1>scenes that have been deemed inappropriate for broadcasts were cut

1:04:17.680 --> 1:04:19.360
<v Speaker 1>and they needed to make up the running time, so

1:04:19.400 --> 1:04:22.240
<v Speaker 1>they put these previously deleted scenes back in, which is

1:04:22.680 --> 1:04:26.800
<v Speaker 1>really interesting, kind of weird. I'm not totally sure if

1:04:26.840 --> 1:04:29.160
<v Speaker 1>the octopus scene is one of them that made it

1:04:29.200 --> 1:04:32.120
<v Speaker 1>onto the TV broadcasts. I've heard some accounts that it

1:04:32.240 --> 1:04:36.360
<v Speaker 1>did make it onto TV airings, but there's another scene

1:04:36.360 --> 1:04:38.480
<v Speaker 1>earlier in the movie that definitely did. It's when the

1:04:38.480 --> 1:04:41.240
<v Speaker 1>Goonies stop at a convenience store early in their adventure.

1:04:41.880 --> 1:04:45.040
<v Speaker 1>Mikey compares his treasure map to a modern map. Chunk

1:04:45.120 --> 1:04:48.280
<v Speaker 1>buys junk food, and probably most crucially to the plot

1:04:48.400 --> 1:04:51.160
<v Speaker 1>is the scene where the Goonies meet steph Andy and

1:04:51.200 --> 1:04:53.760
<v Speaker 1>the rich bully Troy for the first time. I think

1:04:53.800 --> 1:04:56.000
<v Speaker 1>Troy's dad is the one that's trying to destroy the

1:04:56.040 --> 1:04:59.120
<v Speaker 1>Goonies home and make a golf course or something out

1:04:59.120 --> 1:05:02.880
<v Speaker 1>of it. Troy threatens to use the treasure map as

1:05:02.880 --> 1:05:06.200
<v Speaker 1>a rolling paper and light it up. Brand shows up

1:05:06.240 --> 1:05:09.000
<v Speaker 1>to defend his little brother Mikey, and then it cuts

1:05:09.000 --> 1:05:12.160
<v Speaker 1>the Brand riding his bike home when try pulls up

1:05:12.200 --> 1:05:15.040
<v Speaker 1>alongside him in his Mustang and tries to run him

1:05:15.080 --> 1:05:17.440
<v Speaker 1>off the road. Remember he holds onto his hand when

1:05:17.440 --> 1:05:20.240
<v Speaker 1>he's on his bike and like runs him to the

1:05:20.280 --> 1:05:22.640
<v Speaker 1>edge of the cliff and just like sends them all. Yeah, yeah,

1:05:22.680 --> 1:05:25.600
<v Speaker 1>it's pretty freaky. So that whole scene makes a lot

1:05:25.640 --> 1:05:28.120
<v Speaker 1>more sense that they just had like a fight earlier

1:05:28.160 --> 1:05:30.800
<v Speaker 1>on in the you know, in the day, because otherwise,

1:05:30.840 --> 1:05:33.520
<v Speaker 1>just out of context, it seems like a pretty aggressive

1:05:33.640 --> 1:05:37.160
<v Speaker 1>thing for somebody to do that we've not really seen

1:05:37.200 --> 1:05:39.680
<v Speaker 1>in the movie before. That's to kill him for no reason.

1:05:40.240 --> 1:05:42.600
<v Speaker 2>Now we must come to a segment we like to

1:05:42.640 --> 1:05:52.760
<v Speaker 2>call monkey business. That's that's hey, that's I got nothing. Hey, hey, hey,

1:05:52.800 --> 1:05:55.040
<v Speaker 2>they have a monkey. Yes, they're not monkeys, though garulas

1:05:55.040 --> 1:05:58.040
<v Speaker 2>are apes of a bitch. We threw this whole conceit off.

1:05:58.200 --> 1:06:01.480
<v Speaker 1>Oh man, Well, yeah, there was a whole subplot in

1:06:01.480 --> 1:06:06.800
<v Speaker 1>The Goonies involving escaped gorillas that Spielberg insisted on being

1:06:06.840 --> 1:06:09.560
<v Speaker 1>in there. I love this so much. There were a

1:06:09.600 --> 1:06:11.480
<v Speaker 1>few scenes that were left on the cutting room floor.

1:06:11.920 --> 1:06:14.880
<v Speaker 1>One of the goonies protested against the demolition of their neighborhood,

1:06:15.240 --> 1:06:18.640
<v Speaker 1>and another word Data tries out a gadget called the Intimidator,

1:06:18.680 --> 1:06:21.400
<v Speaker 1>which puffs air into his shirt to make him look muscular,

1:06:21.640 --> 1:06:25.960
<v Speaker 1>not unlike a pufferfish, but the most bizarre, easily was

1:06:26.040 --> 1:06:30.440
<v Speaker 1>this whole elaborate subplot involving two gorillas who'd escaped from

1:06:30.440 --> 1:06:33.400
<v Speaker 1>a zoo. This was scripted, this was storyboard, and this

1:06:33.520 --> 1:06:36.600
<v Speaker 1>was even shot. This is one of Spielberg's ideas, and

1:06:36.640 --> 1:06:39.880
<v Speaker 1>he loved it so much he insisted on it, even

1:06:39.960 --> 1:06:43.200
<v Speaker 1>going so far as directing the sequences himself, to the

1:06:43.440 --> 1:06:47.560
<v Speaker 1>apparent chagrin of actual director Richard Donner. It begins when

1:06:47.600 --> 1:06:50.160
<v Speaker 1>the goonies are underground, signaling for help by banging on

1:06:50.200 --> 1:06:52.720
<v Speaker 1>the underground pipes. We've talked about the scene a few times.

1:06:53.000 --> 1:06:55.440
<v Speaker 1>This sets off a chain of chaotic events in town,

1:06:55.720 --> 1:06:57.880
<v Speaker 1>and one of them was going to be that these

1:06:57.920 --> 1:07:01.040
<v Speaker 1>two gorillas, Bonzo and Bertha, gap from a local zoo,

1:07:01.920 --> 1:07:03.400
<v Speaker 1>and then we're going to run am uck through the

1:07:03.440 --> 1:07:05.720
<v Speaker 1>town for the rest of the movie, hijacking a golf

1:07:05.800 --> 1:07:09.680
<v Speaker 1>cart and then later stealing Troy's red Mustang and embarking

1:07:09.760 --> 1:07:12.800
<v Speaker 1>on a French Connection style car chase with stunt drivers.

1:07:12.800 --> 1:07:14.919
<v Speaker 1>It was just gonna be this random element that would

1:07:15.000 --> 1:07:17.640
<v Speaker 1>keep popping up through the rest of the movie, and

1:07:17.720 --> 1:07:20.840
<v Speaker 1>Spielberg was so enthusiastic about the subplot that Donner was like,

1:07:21.000 --> 1:07:23.440
<v Speaker 1>you know, what about how did you direct it yourself?

1:07:24.240 --> 1:07:28.360
<v Speaker 1>So he did. It's like really complex, probably very expensive

1:07:28.640 --> 1:07:29.560
<v Speaker 1>series of scenes.

1:07:29.640 --> 1:07:32.320
<v Speaker 2>I just found this thing from Willamette Week, which is

1:07:32.440 --> 1:07:36.840
<v Speaker 2>I believe, an Oregon publication talking about the Ape Seed. Well,

1:07:36.960 --> 1:07:39.640
<v Speaker 2>it's like an oral history of it filming in Astoria

1:07:40.200 --> 1:07:43.280
<v Speaker 2>with a bunch of local residents. Quoted Dave Johnson, a

1:07:43.320 --> 1:07:48.000
<v Speaker 2>retired Astoria Police Department officer, had this to say about

1:07:48.000 --> 1:07:51.920
<v Speaker 2>the gorilla scene, which is hilarious. There were two gorillas

1:07:51.960 --> 1:07:54.959
<v Speaker 2>in a Mustang convertible. They wrecked a brand new car,

1:07:55.080 --> 1:07:56.480
<v Speaker 2>but it was never part of the movie.

1:07:56.880 --> 1:07:59.040
<v Speaker 1>There was a part. There was a part on the dock.

1:07:59.120 --> 1:08:01.800
<v Speaker 1>It's like in the French Could when they actually crashed

1:08:01.800 --> 1:08:03.240
<v Speaker 1>into a real car. He says.

1:08:03.280 --> 1:08:05.160
<v Speaker 2>There is a part in the dock during the big

1:08:05.200 --> 1:08:07.760
<v Speaker 2>car chase. They were supposed to come flying down the dock.

1:08:08.280 --> 1:08:10.480
<v Speaker 2>One police car was supposed to go through the railing

1:08:10.600 --> 1:08:13.560
<v Speaker 2>and landed a boat. Somebody screwed up and the jeep

1:08:13.640 --> 1:08:15.640
<v Speaker 2>that they were driving a rental they had gotten in

1:08:15.680 --> 1:08:19.440
<v Speaker 2>Portland that they weren't supposed to mess up. Someone mistimed

1:08:19.439 --> 1:08:21.280
<v Speaker 2>it and the police car hit the back of it.

1:08:21.680 --> 1:08:23.720
<v Speaker 2>The police car landed on the boat where it was

1:08:23.720 --> 1:08:27.280
<v Speaker 2>supposed to go, Donner goes, somebody get me a car.

1:08:27.479 --> 1:08:37.840
<v Speaker 2>I gotta go fire somebody. So the ape scene. Spielberg's

1:08:37.840 --> 1:08:41.400
<v Speaker 2>insistence on this gorilla chase scene cost someone their job

1:08:41.880 --> 1:08:44.479
<v Speaker 2>when a stunt involving a police car went awry.

1:08:45.880 --> 1:08:49.040
<v Speaker 1>For those of us who've never seen Richard Donner, just

1:08:50.320 --> 1:08:52.920
<v Speaker 1>what actor would you get to play him? How would

1:08:52.960 --> 1:09:01.200
<v Speaker 1>you summ up that that pissed off, exhausted energy. Yeah

1:09:01.240 --> 1:09:07.120
<v Speaker 1>like that, I'm the idiot crash on the runway. Yeah, yeah,

1:09:07.160 --> 1:09:09.679
<v Speaker 1>that's that seems about right. But this was all cut

1:09:09.920 --> 1:09:13.360
<v Speaker 1>supposedly because Richard Donner reshot the ending of the movie,

1:09:13.560 --> 1:09:16.640
<v Speaker 1>and Christopher Clumps's original script had the film end at

1:09:16.680 --> 1:09:20.599
<v Speaker 1>Mikey's house, the Walsh House, where Rosalita, the maid would

1:09:20.640 --> 1:09:23.439
<v Speaker 1>find the bag of jewels that Mikey had taken off

1:09:23.479 --> 1:09:26.040
<v Speaker 1>the ship while doing the laundry, thus providing the family

1:09:26.040 --> 1:09:28.760
<v Speaker 1>with the cash to save their house and save their neighborhood.

1:09:29.080 --> 1:09:34.120
<v Speaker 1>And then the gorillas We're gonna show up, And then

1:09:34.160 --> 1:09:39.439
<v Speaker 1>the gorillas show up, and the shopping executive, Hey, the

1:09:39.439 --> 1:09:42.640
<v Speaker 1>gorillas show up at the Walsh House as they're all celebrating,

1:09:43.000 --> 1:09:46.120
<v Speaker 1>and then they're finally apprehended by the cops and taken

1:09:46.240 --> 1:09:49.120
<v Speaker 1>back to the zoo. None of this has anything to

1:09:49.160 --> 1:09:51.680
<v Speaker 1>do with the plot of the movie at all. Spielberg

1:09:51.800 --> 1:09:55.960
<v Speaker 1>just loved it. But yeah, I just apes on the loose,

1:09:56.000 --> 1:10:00.519
<v Speaker 1>I guess. But Richard Donner, he just felt that this

1:10:00.680 --> 1:10:03.679
<v Speaker 1>scene at the house felt like such a small ending

1:10:03.880 --> 1:10:05.840
<v Speaker 1>to such a you know, an epic movie. They just

1:10:06.200 --> 1:10:10.040
<v Speaker 1>had an Errol Flynn's style swashbuckling fight on a pirate ship,

1:10:10.080 --> 1:10:12.880
<v Speaker 1>and now they're in this kind of rundown house. But

1:10:13.040 --> 1:10:15.559
<v Speaker 1>Donner wanted to be able to see the pirate ships

1:10:15.560 --> 1:10:17.120
<v Speaker 1>sail away at the end of the movie, so we

1:10:17.200 --> 1:10:20.320
<v Speaker 1>decided to reshoot the ending at in Cola State Park

1:10:20.400 --> 1:10:23.960
<v Speaker 1>by Haystack Rock, that very distinctive rock formation, and you

1:10:24.000 --> 1:10:27.400
<v Speaker 1>get that epic shot of one eyed Willie's pirate ships

1:10:27.400 --> 1:10:29.680
<v Speaker 1>sailing away. Funnily enough, in the ending, some of the

1:10:29.720 --> 1:10:31.920
<v Speaker 1>parents of the Goonies of their parents in real life.

1:10:32.040 --> 1:10:34.599
<v Speaker 1>I think Chuck's parents are in that scene, and Richard

1:10:34.640 --> 1:10:37.200
<v Speaker 1>Donner actually shows up as a cameo and an ATV.

1:10:37.560 --> 1:10:40.040
<v Speaker 1>So there you go. You will be able to get

1:10:40.040 --> 1:10:42.920
<v Speaker 1>to see if Donna. If you watch The Goonies so

1:10:43.000 --> 1:10:46.160
<v Speaker 1>you got Donner, but there's no gorillas rolling into the ending.

1:10:46.800 --> 1:10:49.240
<v Speaker 1>The official reason that this whole gorilla subplot was cut

1:10:49.320 --> 1:10:51.640
<v Speaker 1>was because it lost its conclusion when they reshot the

1:10:51.720 --> 1:10:54.280
<v Speaker 1>ending at the beach. I don't know if they just

1:10:54.280 --> 1:10:57.040
<v Speaker 1>deemed it too expensive to get all those stunt drivers

1:10:57.080 --> 1:11:01.640
<v Speaker 1>back or what you know, could have the gorillas just

1:11:01.680 --> 1:11:04.519
<v Speaker 1>show up on the beach. I guess, but Dnner acxd it.

1:11:04.920 --> 1:11:06.439
<v Speaker 1>I have a funny feeling he was just looking for

1:11:06.439 --> 1:11:07.439
<v Speaker 1>an excuse to get rid of it.

1:11:07.880 --> 1:11:10.439
<v Speaker 2>We just pan away and there's two gorillas like sit

1:11:10.560 --> 1:11:11.680
<v Speaker 2>in there, arm in arm.

1:11:11.880 --> 1:11:16.360
<v Speaker 1>Yeah. And these Spielberg directed gorilla sequences have never been

1:11:16.400 --> 1:11:19.000
<v Speaker 1>seen in full. There have been a few behind the

1:11:19.040 --> 1:11:21.479
<v Speaker 1>scenes photos that have surfaced in recent years, and a

1:11:21.600 --> 1:11:24.439
<v Speaker 1>rough work print of part of one of the car

1:11:24.520 --> 1:11:29.000
<v Speaker 1>chase scenes, but other than that, it remains in Spielberg's

1:11:29.600 --> 1:11:33.920
<v Speaker 1>vault of special things. It's just the scene from Raiders.

1:11:34.720 --> 1:11:38.040
<v Speaker 2>Now we must talk about my beloved Cindy Laupper and

1:11:38.200 --> 1:11:38.679
<v Speaker 2>a song.

1:11:39.800 --> 1:11:41.080
<v Speaker 1>Oh I love Cydey Lapper.

1:11:41.600 --> 1:11:43.400
<v Speaker 2>Yeah, I have a whole sidebar and I didn't even

1:11:43.439 --> 1:11:44.840
<v Speaker 2>get to write in here, but I'm going to talk

1:11:44.880 --> 1:11:45.280
<v Speaker 2>about it.

1:11:45.320 --> 1:11:47.120
<v Speaker 1>Which is the professional wrestling.

1:11:46.720 --> 1:11:49.880
<v Speaker 2>Tie in Goonies Are Good Enough, the theme song to

1:11:50.080 --> 1:11:54.640
<v Speaker 2>the Goonies. Cindy was asked by Spielberg directly and she

1:11:54.960 --> 1:11:58.360
<v Speaker 2>agreed to do a twelve minute, two part music video

1:11:58.400 --> 1:12:02.160
<v Speaker 2>for the song, which includes a cameo from Spuberg along

1:12:02.200 --> 1:12:05.040
<v Speaker 2>with a who's who of professional wrestling. At the time,

1:12:05.439 --> 1:12:08.719
<v Speaker 2>Sidney Lauper had such a connection to eighties wrestling culture

1:12:08.800 --> 1:12:12.919
<v Speaker 2>it rules. She met Captain Lou Albano, who a wrestling

1:12:13.520 --> 1:12:17.320
<v Speaker 2>personality manager, on a plane from Puerto Rico, and when

1:12:17.360 --> 1:12:19.200
<v Speaker 2>it came time to shoot the Girls Just Want to

1:12:19.240 --> 1:12:21.080
<v Speaker 2>Have Fun video, she wanted to put him in there

1:12:21.120 --> 1:12:24.800
<v Speaker 2>and this led to like a long standing association with it.

1:12:24.880 --> 1:12:30.760
<v Speaker 2>She was basically invited onto to do WWF promotions. And

1:12:30.800 --> 1:12:33.479
<v Speaker 2>I didn't know this, but because of that, and because

1:12:33.479 --> 1:12:36.000
<v Speaker 2>she was such an MTV star, there was this whole

1:12:36.040 --> 1:12:39.679
<v Speaker 2>synergy between MTV and professional wrestling. At the time, MTV

1:12:39.800 --> 1:12:44.040
<v Speaker 2>broadcast the first live wrestling match on cable television, and

1:12:44.400 --> 1:12:49.639
<v Speaker 2>at Cindy Lauper's behest, the first live professional wrestling match

1:12:49.680 --> 1:12:58.880
<v Speaker 2>between women, Wow Yeah, and with Andy Kaufman. Sadly, sadly

1:12:59.040 --> 1:13:02.479
<v Speaker 2>no anyway, Corey Feldman was a massive Cyndi Lapper fan,

1:13:02.520 --> 1:13:04.200
<v Speaker 2>and he was super prompted that she was doing a

1:13:04.200 --> 1:13:08.280
<v Speaker 2>song for this until he heard it, subsequently saying it

1:13:08.400 --> 1:13:11.320
<v Speaker 2>was terrible, the worst song I've ever heard Cindy Lauper do,

1:13:11.680 --> 1:13:14.000
<v Speaker 2>but it went to number one, even though she has

1:13:14.000 --> 1:13:16.799
<v Speaker 2>also said it was not a particular favorite of hers.

1:13:17.080 --> 1:13:21.280
<v Speaker 2>She didn't play it live for over twenty years. Eventually

1:13:21.360 --> 1:13:24.000
<v Speaker 2>debuted and her True Colors tour in two thousand and seven.

1:13:24.840 --> 1:13:28.160
<v Speaker 2>Apparently in her autobiography, she talks about a meeting she

1:13:28.200 --> 1:13:31.760
<v Speaker 2>had with Steven Spielberg to discuss their ideas for the

1:13:31.840 --> 1:13:34.160
<v Speaker 2>music video for this, and at one point she told

1:13:34.240 --> 1:13:37.680
<v Speaker 2>him his ideas were not very creative, which ended the

1:13:38.600 --> 1:13:40.000
<v Speaker 2>subsequently ended the meeting.

1:13:40.160 --> 1:13:42.960
<v Speaker 1>Yeah, but she pushed to have the Bengals on the soundtrack.

1:13:44.200 --> 1:13:47.880
<v Speaker 1>That was again at her behest and Oscar and Grammy

1:13:47.920 --> 1:13:51.599
<v Speaker 1>winning composer Dave Gruson his original score for this was

1:13:51.920 --> 1:13:54.960
<v Speaker 1>just not issued for very many years, but the cue

1:13:54.960 --> 1:13:58.080
<v Speaker 1>that he wrote for Telly Chase has just popped up

1:13:58.080 --> 1:14:02.320
<v Speaker 1>in a bunch of different movie trailers, including Inner Space,

1:14:02.400 --> 1:14:04.840
<v Speaker 1>the Steven Spielberg produced movie, so that for a while

1:14:04.880 --> 1:14:06.640
<v Speaker 1>you could just hear that part of the score in

1:14:06.720 --> 1:14:09.160
<v Speaker 1>movie trailers, which is so funny because it's kind of

1:14:09.200 --> 1:14:13.040
<v Speaker 1>like how Clint Mansell and Kronos Quartet wrote this piece

1:14:13.080 --> 1:14:15.920
<v Speaker 1>for rock Raem for a dream Ah which is called

1:14:15.960 --> 1:14:19.400
<v Speaker 1>I Think lux E Turna and it just got this

1:14:19.520 --> 1:14:20.559
<v Speaker 1>second life of its own.

1:14:20.640 --> 1:14:21.800
<v Speaker 2>You would just see it. It was in like the

1:14:21.800 --> 1:14:23.680
<v Speaker 2>Lord of the Rings trailer and like you would just

1:14:23.720 --> 1:14:26.799
<v Speaker 2>see it get popped up, completely divorced of its context

1:14:26.800 --> 1:14:30.280
<v Speaker 2>as like I just go to trailer music. I always

1:14:30.320 --> 1:14:30.920
<v Speaker 2>just love that.

1:14:30.920 --> 1:14:31.800
<v Speaker 1>That's so funny to me.

1:14:32.680 --> 1:14:36.120
<v Speaker 2>Speaking the Fortellies speak of music.

1:14:37.360 --> 1:14:39.839
<v Speaker 1>Oh yeah, for me, the best part of the Goonies

1:14:39.920 --> 1:14:42.639
<v Speaker 1>musical legacy is that inspire the name for the mid

1:14:42.680 --> 1:14:46.679
<v Speaker 1>two thousand Scottish rock band the Fortellies, the song Chelsea Dagger,

1:14:46.720 --> 1:14:49.120
<v Speaker 1>that song whips and also whistle for the choir. It's

1:14:49.160 --> 1:14:51.280
<v Speaker 1>a great song. Shout out to my friend Katie if

1:14:51.320 --> 1:14:53.600
<v Speaker 1>she's listening. She loved that song. There's a lot of

1:14:53.600 --> 1:14:57.960
<v Speaker 1>personal shout outs in this one. Yeah, this brings us

1:14:57.960 --> 1:15:02.720
<v Speaker 1>to the rest, rest and the rest. Let's go to

1:15:02.760 --> 1:15:05.280
<v Speaker 1>the box office stats. The Goonies was released in June

1:15:05.320 --> 1:15:08.880
<v Speaker 1>nineteen eighty five and initially trailed behind Rambo Forest Blood

1:15:08.880 --> 1:15:11.240
<v Speaker 1>Part two at the box office, which must have pissed

1:15:11.320 --> 1:15:13.519
<v Speaker 1>Robert Dovey off to no end. That's the movie that

1:15:13.520 --> 1:15:16.080
<v Speaker 1>he was supposed to be in. Also, it ultimately made

1:15:16.080 --> 1:15:18.320
<v Speaker 1>one hundred and twenty four million dollars on a nineteen

1:15:18.320 --> 1:15:21.240
<v Speaker 1>million dollar budget, making it the ninth highest grossing movie

1:15:21.240 --> 1:15:25.559
<v Speaker 1>of the year. Critics' responses were largely positive. Robert or Ebert,

1:15:26.000 --> 1:15:27.400
<v Speaker 1>I don't know. I mean, I do know why we're

1:15:27.439 --> 1:15:29.200
<v Speaker 1>going for him. He's Roger Ebert, but he had a

1:15:29.200 --> 1:15:32.639
<v Speaker 1>great review. It's a fantastical story of buried pirate treasure,

1:15:33.080 --> 1:15:35.639
<v Speaker 1>told with a slice of life approach that lets these

1:15:35.760 --> 1:15:42.640
<v Speaker 1>kids use words Bogart didn't know in Casablanca. What a phrase? Oh.

1:15:42.920 --> 1:15:45.800
<v Speaker 1>Over the years, various sequels and spinoffs have been proposed,

1:15:45.920 --> 1:15:48.880
<v Speaker 1>including an idea for our Cartoon Network series that would

1:15:48.880 --> 1:15:52.600
<v Speaker 1>have seen Corey Feldman reprize the role of Mouth. I

1:15:52.880 --> 1:15:55.560
<v Speaker 1>think that one stayed on the on the old development

1:15:55.640 --> 1:15:59.480
<v Speaker 1>slate of of all the characters to base the spinoff

1:15:59.520 --> 1:16:03.400
<v Speaker 1>around all right. In two thousand and seven, a musical

1:16:03.479 --> 1:16:08.160
<v Speaker 1>adaptation was proposed, but even though Spielberg and Donner discussed it,

1:16:08.439 --> 1:16:11.360
<v Speaker 1>project went nowhere. Like a Broadway show that could have

1:16:11.360 --> 1:16:17.240
<v Speaker 1>been cool, So okay cool quotes. In February twenty twenty,

1:16:17.320 --> 1:16:19.960
<v Speaker 1>Sarah Wattson, the creator of the show The Bold Type,

1:16:20.439 --> 1:16:22.960
<v Speaker 1>began work on a pilot drama series in which a

1:16:23.000 --> 1:16:26.439
<v Speaker 1>woman helps film students create a shot for shot remake

1:16:26.479 --> 1:16:30.599
<v Speaker 1>of The Goonies. I don't know anything more about that.

1:16:30.600 --> 1:16:34.280
<v Speaker 1>That's fascinating to me. I like really really specific shows

1:16:34.320 --> 1:16:37.760
<v Speaker 1>like that. It's a plot of b kind rewind. Oh,

1:16:37.800 --> 1:16:40.040
<v Speaker 1>you're right, that's true video store employees.

1:16:40.040 --> 1:16:41.840
<v Speaker 2>But yeah.

1:16:41.880 --> 1:16:45.479
<v Speaker 1>In interviews for years, Sean Astins insisted that a Gooney

1:16:45.600 --> 1:16:48.519
<v Speaker 1>sequel was an absolute certainty, just a question of when

1:16:48.720 --> 1:16:51.519
<v Speaker 1>there's an IMDb page for Goonies two that slated for

1:16:51.600 --> 1:16:54.840
<v Speaker 1>twenty twenty seven, which is hell of a long way off.

1:16:55.840 --> 1:16:58.720
<v Speaker 1>The possibility of a sequel began circulating sometime around the

1:16:58.720 --> 1:17:01.920
<v Speaker 1>early two thousands, when and Gooney's director Richard Donner and

1:17:01.960 --> 1:17:05.519
<v Speaker 1>Steven Spielberg were on board for a story, but Warner

1:17:05.520 --> 1:17:09.840
<v Speaker 1>Brothers apparently wasn't interested in a sequel, despite the fact

1:17:09.840 --> 1:17:12.920
<v Speaker 1>that many of the original stars had expressed interest in

1:17:12.960 --> 1:17:17.080
<v Speaker 1>appearing in it. I mean, as much as I'm kind

1:17:17.120 --> 1:17:20.360
<v Speaker 1>of opposed to doing later era sequels, of beloved movies.

1:17:20.640 --> 1:17:24.639
<v Speaker 1>It seems like kind of a miss at least curious. Yeah, yeah,

1:17:24.720 --> 1:17:26.840
<v Speaker 1>it's like not quite long enough for it to be

1:17:26.880 --> 1:17:30.439
<v Speaker 1>one hundred percent definitely terrible if it was what sixteen

1:17:30.520 --> 1:17:33.000
<v Speaker 1>years later, Like, I'm curious how that would have gone,

1:17:33.040 --> 1:17:35.960
<v Speaker 1>but never came together, and I guess. Corey Felman and

1:17:36.000 --> 1:17:39.080
<v Speaker 1>Shawn Aston later pitched their own sequel idea in apparently

1:17:39.120 --> 1:17:42.000
<v Speaker 1>as late as twenty nineteen, but never came to fruition

1:17:42.120 --> 1:17:44.880
<v Speaker 1>due to a combination of high budget requirements and the

1:17:44.960 --> 1:17:47.519
<v Speaker 1>cast and crew's inability to come to a consensus about

1:17:47.560 --> 1:17:51.280
<v Speaker 1>a story, and then Richard Donner's death in July twenty

1:17:51.280 --> 1:17:54.479
<v Speaker 1>twenty one almost certainly put an end to the dream

1:17:54.640 --> 1:17:59.120
<v Speaker 1>of a Goony sequel or a nightmare. Corey Felerman more

1:17:59.200 --> 1:18:01.840
<v Speaker 1>or less said as much in August of this year

1:18:02.200 --> 1:18:04.479
<v Speaker 1>that it's probably not going to happen, and he, for one,

1:18:04.800 --> 1:18:07.519
<v Speaker 1>is sort of glad because sequels ruin everything.

1:18:08.520 --> 1:18:11.160
<v Speaker 2>Yeah, quantica that in April, saying I feel like, after

1:18:11.240 --> 1:18:13.680
<v Speaker 2>Donner's passing, I'm kind of at peace with leaving that

1:18:13.760 --> 1:18:16.040
<v Speaker 2>movie alone now, even though I want Gooney's to two

1:18:16.040 --> 1:18:17.720
<v Speaker 2>to happen, I'm kind of at a place where I

1:18:17.720 --> 1:18:19.760
<v Speaker 2>think it should just be the way it is.

1:18:19.960 --> 1:18:22.360
<v Speaker 1>You shouldn't mess with it. Agreed.

1:18:23.560 --> 1:18:25.559
<v Speaker 2>There's just a tremendous story that comes out of the

1:18:25.680 --> 1:18:28.200
<v Speaker 2>end of this shoot, even.

1:18:28.120 --> 1:18:29.719
<v Speaker 1>The perfect way to end. I love this.

1:18:30.160 --> 1:18:33.320
<v Speaker 2>Poor Richard Donner, I mean, had to watch his former

1:18:33.360 --> 1:18:37.479
<v Speaker 2>protege become a much larger director than him and possibly

1:18:37.520 --> 1:18:40.880
<v Speaker 2>take over his shoot. He was stressed out constantly by

1:18:40.920 --> 1:18:45.439
<v Speaker 2>dealing with children. His quote in the making of documentary is,

1:18:45.840 --> 1:18:47.880
<v Speaker 2>I think the most unique thing about working with this

1:18:47.960 --> 1:18:51.720
<v Speaker 2>many kids is that every night I'm contemplating suicide. It

1:18:51.840 --> 1:18:54.200
<v Speaker 2>is the most difficult thing I've ever thought I was

1:18:54.280 --> 1:18:55.040
<v Speaker 2>going to get into.

1:18:55.640 --> 1:18:58.040
<v Speaker 1>Did you watch this clip? Like there's no humor in

1:18:58.080 --> 1:18:59.479
<v Speaker 1>his face as he says this.

1:19:00.800 --> 1:19:02.479
<v Speaker 2>But so by the time the shoot was over, Donner

1:19:02.640 --> 1:19:04.800
<v Speaker 2>was just thrilled to get back. He couldn't wait to

1:19:04.800 --> 1:19:06.960
<v Speaker 2>get back to his home in Maui and Hawaii and

1:19:07.040 --> 1:19:11.240
<v Speaker 2>just relax without a bunch of children around. But Spielberg,

1:19:11.720 --> 1:19:17.920
<v Speaker 2>that son of a bitch, wouldn't let this happen. For

1:19:18.000 --> 1:19:20.640
<v Speaker 2>the last week of the shoot, Donner had noticed that

1:19:20.640 --> 1:19:23.760
<v Speaker 2>the kids were acting a little cold, little standoffish towards him,

1:19:24.280 --> 1:19:26.200
<v Speaker 2>and they had been shooting for five months for this,

1:19:26.320 --> 1:19:28.559
<v Speaker 2>you know, so they'd become very close and this freaked

1:19:28.640 --> 1:19:30.439
<v Speaker 2>him out a little bit, so he tries to put

1:19:30.439 --> 1:19:32.639
<v Speaker 2>it out of his mind, flies back to Maui, where

1:19:32.640 --> 1:19:35.920
<v Speaker 2>he runs into some neighbor who has this excuse to

1:19:36.000 --> 1:19:39.120
<v Speaker 2>keep him out of the house all day, Eron's or something.

1:19:39.160 --> 1:19:41.479
<v Speaker 2>And by the time he finally gets back to his house,

1:19:41.800 --> 1:19:44.519
<v Speaker 2>the entire cast of the Goonies, along with all of

1:19:44.560 --> 1:19:47.679
<v Speaker 2>their spouses and partners, are hanging out at his house,

1:19:48.479 --> 1:19:53.040
<v Speaker 2>having come directly from the airport, luggage and all. Spielberg

1:19:53.160 --> 1:19:55.800
<v Speaker 2>flew them all down there for a rap party barbecue,

1:19:56.200 --> 1:20:01.360
<v Speaker 2>and Donner's other neighbor, Alice Cooper, came by to party

1:20:01.400 --> 1:20:01.920
<v Speaker 2>as well.

1:20:02.600 --> 1:20:02.720
<v Speaker 1>Uh.

1:20:02.800 --> 1:20:04.600
<v Speaker 2>There was a film crew on hand as well to

1:20:04.720 --> 1:20:07.080
<v Speaker 2>film all of this. Uh And according to the documentary

1:20:07.120 --> 1:20:10.200
<v Speaker 2>The Unauthorized Story of the Goonies, things got a little

1:20:10.200 --> 1:20:12.920
<v Speaker 2>too out of hand for this to be included on

1:20:12.960 --> 1:20:17.599
<v Speaker 2>the special features of a rated PGE movie. But it's

1:20:17.640 --> 1:20:19.960
<v Speaker 2>out there somewhere, folks. If you can, if you can

1:20:19.960 --> 1:20:20.679
<v Speaker 2>get it, mo.

1:20:20.640 --> 1:20:27.400
<v Speaker 1>You five bucks this time, will mo you? Well? To

1:20:27.439 --> 1:20:29.599
<v Speaker 1>close out, I'd like to read a section from another

1:20:29.600 --> 1:20:32.599
<v Speaker 1>deleted scene in this movie where Andy and Steph take

1:20:32.640 --> 1:20:35.599
<v Speaker 1>the sacred Gooney oath. Never made it in the movie,

1:20:35.680 --> 1:20:39.439
<v Speaker 1>but uh I personally said this oath before we started taping.

1:20:39.479 --> 1:20:41.600
<v Speaker 1>So I'm already a goony. But higel, if you'd be

1:20:41.600 --> 1:20:44.000
<v Speaker 1>so kind as a repeat after me and anyone else

1:20:44.040 --> 1:20:46.479
<v Speaker 1>listening at home, please feel free to follow along repeat

1:20:46.479 --> 1:20:50.360
<v Speaker 1>as well. I will never betray my goondock friends. I

1:20:50.360 --> 1:20:53.960
<v Speaker 1>will never betray my goondock friends. We will stick together

1:20:54.080 --> 1:20:57.160
<v Speaker 1>until the whole world ends. We will stick together until

1:20:57.160 --> 1:21:00.599
<v Speaker 1>the whole world ends, through heaven and hell and newular war,

1:21:00.920 --> 1:21:04.000
<v Speaker 1>through heaven and hell and nuclear war. Good pals like

1:21:04.120 --> 1:21:07.559
<v Speaker 1>us will stick like tar. Good POWs like us will

1:21:07.600 --> 1:21:11.880
<v Speaker 1>stick like tar. Doesn't rhyme, but okay, in the city

1:21:11.960 --> 1:21:14.040
<v Speaker 1>or the country, or the forest or the boonies.

1:21:14.479 --> 1:21:16.920
<v Speaker 2>In the city or the country, or the forest or

1:21:16.960 --> 1:21:18.120
<v Speaker 2>the boonies.

1:21:18.000 --> 1:21:20.639
<v Speaker 1>I am proudly declared a fellow gooney.

1:21:21.120 --> 1:21:23.839
<v Speaker 2>I am proudly declared a fellow gooney.

1:21:24.400 --> 1:21:29.240
<v Speaker 1>Congratulations side, congratulations to all of you at on. Well,

1:21:29.479 --> 1:21:33.120
<v Speaker 1>Goonies never say die, so we'll just say until next time.

1:21:33.880 --> 1:21:35.920
<v Speaker 1>This has been too much information. My name is Jordan

1:21:36.000 --> 1:21:36.840
<v Speaker 1>Runtalg and.

1:21:36.760 --> 1:21:40.280
<v Speaker 2>I'm Alex Iigel and until that one last gooney weekend,

1:21:41.479 --> 1:21:42.439
<v Speaker 2>We'll see you next time.

1:21:47.520 --> 1:21:50.679
<v Speaker 1>Too Much Information was a production of iHeartRadio. The show's

1:21:50.720 --> 1:21:54.360
<v Speaker 1>executive producers are Noel Brown and Jordan Runtalk. The supervising

1:21:54.400 --> 1:21:55.599
<v Speaker 1>producer is Mike Johns.

1:21:55.760 --> 1:21:58.599
<v Speaker 2>The show was researched, written, and hosted by Jordan run

1:21:58.680 --> 1:22:00.080
<v Speaker 2>Talk and Alex Higel.

1:22:00.080 --> 1:22:03.120
<v Speaker 1>With original music by Seth Applebaum and the Ghost Funk Orchestra.

1:22:03.640 --> 1:22:05.680
<v Speaker 1>If you like what you heard, please subscribe and leave

1:22:05.720 --> 1:22:08.720
<v Speaker 1>us a review. For more podcasts on iHeartRadio, visit the

1:22:08.720 --> 1:22:12.040
<v Speaker 1>iHeartRadio app, Apple Podcasts, or wherever you listen to your

1:22:12.040 --> 1:22:12.759
<v Speaker 1>favorite shows