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Speaker 1: Breakfast Club to show you love to Hate from the

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Speaker 1: East to the West Coast, d J M angela Ye, Charlomagne,

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Speaker 1: the really show on the planet. This is where I

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Speaker 1: respect this show because this is a voice of society.

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Speaker 1: James in the game. Guys are the coveted morning show.

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Speaker 1: What y'all earning it in goacting the culture up in

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Speaker 1: the morning, and they want to hear that Breakfast the

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Speaker 1: world's most dangerous morning show. Bumba Bum. Good morning Usa, Hey,

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Speaker 1: good morning, good morning. Angela Ye was popping. Just because

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Speaker 1: it's Friday, don't mean things change, you know what I'm saying.

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Speaker 1: It's Friday. I'm out here. I'm in La still. I

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Speaker 1: just just left this Hennessey party in La now. Um,

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Speaker 1: you know I was out here for this Hennessee art

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Speaker 1: of the event that they were doing for their limited

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Speaker 1: edition battle with Scott Campbell tattooed artists from Brooklyn, Okay.

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Speaker 1: So they had the big launch party out here. But

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Speaker 1: we had a great time last night. Nas performed, Dave

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Speaker 1: East opened up for him. So but you know what

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Speaker 1: the time difference. It's three am here. I left the party,

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Speaker 1: got my bags and came straight to work. Did you shower.

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Speaker 1: I showered, Yes, okay, you that was I don't know

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Speaker 1: if he really did. You have to think about that one. Hey,

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Speaker 1: I'm not When do I ever smell? Yeah, you're right,

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Speaker 1: keep it real. No, you can say a lot of

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Speaker 1: things about me, but I don't smell. You know, Charlotte

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Speaker 1: Mage's not here. Yeah, but he's supposed to be coming

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Speaker 1: to Oh. He probably don't want nobody to know he's

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Speaker 1: in La. Maybe I said that. He's probably just laid

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Speaker 1: on his way from Jersey. I feel bad, man, both

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Speaker 1: of these guys are actually in La now. Um, ANGELI,

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Speaker 1: when you get a chance, send me the tattoo guys

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Speaker 1: information because I want to finish my tattoo. I started

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Speaker 1: off with three kids on my arm and I have Yeah,

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Speaker 1: I have an extual once I gotta finish my with

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Speaker 1: all my kids names. Well, he's a little busy. I

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Speaker 1: don't know. And plus, last time you got a tattoo,

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Speaker 1: I heard you cried. Yes, if tattoo's hurt, they're not

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Speaker 1: They're not simple. I tried everything. I tried to drink alcohol,

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Speaker 1: I tried to smoke. One time I tried to you

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Speaker 1: probably Yeah, I was gonna say you should take some

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Speaker 1: pain killers first, or pain is pain. Yeah, I just

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Speaker 1: deal with it. You know they say women deal with

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Speaker 1: paint a lot better than men do. Yeah, I think so. No,

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Speaker 1: it's like a fact. No, No, I think so absolutely,

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Speaker 1: because I couldn't have a baby. There's no way I

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Speaker 1: could pop a baby out. But you have a lot

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Speaker 1: of feminine qualities. That's why I'm surprised. Shut up, all right,

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Speaker 1: but let's talk about some unfortunate news that happened. We're

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Speaker 1: gonna get into this in front page news and this actually,

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Speaker 1: you know, yesterday the attacks had happened, and it was awful,

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Speaker 1: awful to see that all these people got killed. And

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Speaker 1: it's just crazy. Like I was, I'm out here in

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Speaker 1: LA and I found out about it a little late

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Speaker 1: because I fell asleep. I woke up from to a

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Speaker 1: whole bunch of different text messages crazy news. Yeah, it

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Speaker 1: was pretty bad, pretty pretty bad. I mean, I can't

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Speaker 1: understand people. People are deranged, people are crazy. I understand.

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Speaker 1: If you don't like the world, take your own life,

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Speaker 1: don't take other people's life, which you It's just sad.

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Speaker 1: We lost two people from America. I think a man

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Speaker 1: was out there with his son enjoying it, and it's

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Speaker 1: just a very sad news. We'll get to it in

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Speaker 1: front page news. You got a lot of noise out there. Yeah,

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Speaker 1: that's Paris. I don't know what she's doing. She's in

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Speaker 1: the studio with me, moving chairs around, making noise. All right, well,

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Speaker 1: front page News when we come back. And also we

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Speaker 1: got some special guests joining us today. We have Schoolboy

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Speaker 1: Q he'll be in the building and also the cast

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Speaker 1: of Power. That Power comes back Sunday, July seventeenth at

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Speaker 1: nine pm. So we'll talk show. We'll talk to Tommy,

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Speaker 1: We'll talk to Angie, We'll talk to Angela, Angie whenever

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Speaker 1: you want to call us the breakfast Locomrner three reneeded

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Speaker 1: me morning. Everybody is DJ Envy, Angela, Ye, Charlomagne the guy.

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Speaker 1: We all to breakfast club. Let's getting some front page news.

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Speaker 1: Let's talk about the terror attack in France. Yes and

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Speaker 1: when I was first watching this news story yesterday, I

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Speaker 1: said forty people were killed, but by now the toll

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Speaker 1: has gone up to eighty four people killed in Nice

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Speaker 1: in France. Now, what they are saying is that a

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Speaker 1: man by himself was driving a truck and he drove

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Speaker 1: his truck into a crowd of people. It was a

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Speaker 1: pedestrian only area. It was a large commercial truck. He

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Speaker 1: also had a gun, they said, all kinds of explosives

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Speaker 1: in the car as well. He was a resident of Nice,

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Speaker 1: according to local newspapers. They already named him and they

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Speaker 1: reported that he has no They don't know the exact motive,

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Speaker 1: but they are saying that this is a terrorist attack

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Speaker 1: and the worst since November when one hundred and thirty

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Speaker 1: people were killed across Paris and a series of coordinated sieges.

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Speaker 1: There were two Americans that were killed as well. Now

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Speaker 1: it was Sean Copeland and his eleven year old son, Brodie,

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Speaker 1: and they were from Austin, Texas. I mean, I know

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Speaker 1: the driver was killed, but that's why you want to

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Speaker 1: see the driver captured and really tortured. I mean, you know,

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Speaker 1: some people hate the world and hate their life, but

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Speaker 1: the fact that you get in the truck and just

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Speaker 1: plow innocent people down just pisses me to fo off,

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Speaker 1: you know, really sad. And Rihanna's out there actually right, Yeah,

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Speaker 1: she was a to have a show, but of course

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Speaker 1: she canceled that show because you know, it's not gonna

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Speaker 1: go down right now, Okay, now, Also, Barack Obama, he

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Speaker 1: held a town home meeting yesterday. Yes, he did, I

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Speaker 1: need you to I don't have the story. I heard

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Speaker 1: some of it on the news this morning. I know

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Speaker 1: that the police were actually wanted him to. I guess

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Speaker 1: turned on the blue light in the White House and

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Speaker 1: Barack Obama wouldn't do it. He says he supports the police.

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Speaker 1: He actually says he's saying it's not us. He's saying

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Speaker 1: it's not us versus them. And that's basically the gist

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Speaker 1: of what he was saying. With the deaths of the

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Speaker 1: police officers and also with police brutality that has led

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Speaker 1: to the killings of men as well. Right. He also

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Speaker 1: said that he supports Black Lives Matter. It's not a

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Speaker 1: terrorist group or a hate organization. It's just African American

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Speaker 1: people actually loving themselves and standing up for their own right.

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Speaker 1: A lot of people think that Black Lives Matter is

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Speaker 1: anti police and all, but it's not anti police. It's

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Speaker 1: anti police brutality. He said, No one wants to avoid

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Speaker 1: police shootings more than cops themselves. He said it chatters

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Speaker 1: them too. He said, I don't want to narration of

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Speaker 1: young people to grow up thinking either they have to

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Speaker 1: mistrust the police. Alternatively, the police who are doing a

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Speaker 1: good job and are out there taking care of their communities.

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Speaker 1: They're constantly at risk, not just some criminals, but also

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Speaker 1: because of the community that mistrusts them. Absolutely, it's a deep,

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Speaker 1: deep issue that obviously is going to take some time

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Speaker 1: to resolve, but it does mean that people have to

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Speaker 1: keep those lines of communications open. I know Barack Obama

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Speaker 1: has a couple of months left in the White House,

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Speaker 1: but now it's the time. I think he should stand

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Speaker 1: up because he is our president, and I felt like

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Speaker 1: the last seven years, eight years he hasn't felt like

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Speaker 1: our president. I want him to stand up more. He

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Speaker 1: has six months or four or five months left. It

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Speaker 1: doesn't matter if they try to kick him out. Do

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Speaker 1: what you gotta do, Do what's right, Do what you

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Speaker 1: would do it in how you feel when you got

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Speaker 1: pulled over. I'm sure you got pulled over several times.

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Speaker 1: How you feel that your daughter could get pulled over.

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Speaker 1: I really want him to stand up for us in

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Speaker 1: these last couple of months. But it was actually certain

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Speaker 1: things that happened that were very powerful. In one moment

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Speaker 1: on there, Jamar Taylor. He's the twelve year or son

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Speaker 1: of the woman that was shielded by the police as

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Speaker 1: she tried to protect her kids during the sniper attack

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Speaker 1: that happened in Dallas. He told the President that he

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Speaker 1: now wants to become a police officer so we can

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Speaker 1: tell kids an adults that not all police officers are bad.

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Speaker 1: He said, Some police officers make mistakes, and that's what

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Speaker 1: I've been saying for a long time. We need more

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Speaker 1: people looking like us in the police department. You know

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Speaker 1: it's my dad is a retired police officer, my uncle's

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Speaker 1: a police officer. Great, God's great individuals, no racism, actually

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Speaker 1: tries to help people, looks out for people, and that's

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Speaker 1: what we need. We need more of that on the force,

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Speaker 1: more of that in the police departments, lieutenant sergeant's, judges, etc. Yeah.

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Speaker 1: And it's not even the color of year skin. It's

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Speaker 1: really of you having an understanding of people in the

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Speaker 1: community and not being fearful of the people that you're

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Speaker 1: supposed to be protecting. Absolutely all right, Well, last front

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Speaker 1: page news and now tell them why you're mad. Eight

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Speaker 1: five eight five, one oh five one. If you're upset,

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Speaker 1: you need to vent collus right now. Maybe somebody pitched

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Speaker 1: you off, maybe at a bad morning, maybe upset with

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Speaker 1: what's going on with France, whatever it may be. If

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Speaker 1: you want to vent phone lines, a wide open vent

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Speaker 1: with us, you can have a great Friday. Eight undred

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Speaker 1: five eight five one oh five one. It's the Breakfast Club.

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Speaker 1: Go morning, Breakfast Club, yox. You know what makes me mad?

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Speaker 1: But I can't handle the truth. I tell them why

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Speaker 1: you mad? When the prep club? What up? Did your boy?

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Speaker 1: Mike Man? What? What up? Whatever? Bro? Hey? What's respect all? Y'all?

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Speaker 1: You know what I mean? Hey? Me being being a

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Speaker 1: black person? Do you know what I mean? Black? If

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Speaker 1: black lives matter? You know what I'm saying, Why why

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Speaker 1: don't we protesting when you know cops killed black people?

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Speaker 1: You know what I'm saying, Why we aren't protesting when

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Speaker 1: another black person killed another black person? Or you know

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Speaker 1: these people out here with these videos fighting that actually

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Speaker 1: the black lives matter. They do protesting all the time,

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Speaker 1: not just when white people kill black people. You probably

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Speaker 1: only see it in the press when white people kill

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Speaker 1: black And I don't think it's just white people. I

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Speaker 1: think it's when it's police officers who are hired and

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Speaker 1: paid to protect us. They absolutely positively do a protest

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Speaker 1: all that. I don't know. I don't see. I don't

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Speaker 1: see it though, you know what I mean, I don't.

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Speaker 1: I don't see it. The new like seeing then like

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Speaker 1: like just you know, just bruble like whatever. You know,

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Speaker 1: me only covers it when it's a police brutality. Other

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Speaker 1: than that, the movie is not covering it. I know.

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Speaker 1: I know media covered stuff, you know what, they keep

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Speaker 1: their ratings up there you go, you know what I mean?

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Speaker 1: Say whoam? And I'm gonna tell you something else to

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Speaker 1: People always talk about our black on black crime, black

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Speaker 1: on black crime, but you know that people who live

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Speaker 1: in communities with each other are the ones that when

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Speaker 1: things go down and there's crimes committed, it's because those

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Speaker 1: are the people you live amongst white don't White crime

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Speaker 1: is way more than any other black on black crime.

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Speaker 1: It depends on the neighborhoods that you live in. Hello,

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Speaker 1: who's this? Hey? This is Chris from a moment gonna

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Speaker 1: lie Chris telling them about you, mad bro. Yeah, I'm

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Speaker 1: calling because I was watching The Esterdays the other night

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Speaker 1: and I was listening to the statements made by Lebron

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Speaker 1: James and Dwayne Wade, and I completely agree with Charlot Mayne.

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Speaker 1: You know, it's a great speech at all, but there

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Speaker 1: really wasn't a plan present him. Uh. I agree with

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Speaker 1: Angela too. It's also really about economics. Well, I think

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Speaker 1: that I was a plan if you really heard what

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Speaker 1: Lebron said. Lebron said he we have to go back

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Speaker 1: to our communities and make sure that we talk to

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Speaker 1: the community leaders and walk to the police and talk

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Speaker 1: to the young kids and teach them and try to

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Speaker 1: bridge the community together. That's what part of their plan was.

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Speaker 1: They're not activists, they're just uh sports athletes. That's really

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Speaker 1: just trying to make a difference. But I do agree

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Speaker 1: with the whole and it's not just the economic hit

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Speaker 1: that we can implement on people and give us more power.

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Speaker 1: But there's other things we need to do. But that's

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Speaker 1: just one part of it. The economic kid is really

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Speaker 1: you know, I don't really understand because I don't see

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Speaker 1: because American businesses old like you know, if you want

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Speaker 1: to get gas and you want to go to a

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Speaker 1: black gas station or an African American owned gas station,

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Speaker 1: where you're gonna go Listen, First of all, they do

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Speaker 1: have websites now that people have been putting up that

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Speaker 1: list all the different black businesses, I did so from me,

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Speaker 1: all right, and they didn't just say gas stations. But

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Speaker 1: the point is to really support black businesses more and

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Speaker 1: make an effort to do so. Everything that is beneficial

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Speaker 1: to you is not always going to be easy to do.

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Speaker 1: Sometimes you do have to go a little bit out

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Speaker 1: of your way, and if you can't do that, you

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Speaker 1: should try to do that. But the reason why, obviously

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Speaker 1: the economy is important is because finances financially, whoever has

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Speaker 1: money or the people that are in positions of power, Now,

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Speaker 1: if you can take money from people and hurt their businesses,

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Speaker 1: that's when they pay attention and that's when they listen. Well,

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Speaker 1: speaking of a black owned business, we are about to

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Speaker 1: open about Juice Ball in Brooklyn, and that's right, it's

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Speaker 1: pretty much done. Don't it look nice? Yeah, it looks beautiful.

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Speaker 1: And we're going to be doing a lot for the community,

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Speaker 1: So not just having Jews, but we're gonna be doing programs.

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Speaker 1: We're gonna be doing health clinics, health plus. Y'all don't understand,

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Speaker 1: like this has been such a huge, huge project for us,

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Speaker 1: and we have all kinds of plants, and the work

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Speaker 1: is in the works as far as educating the community,

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Speaker 1: as far as making sure we have things that we

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Speaker 1: can give away for free, just anything that's going to

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Speaker 1: be beneficial. So we're really looking forward to that. I

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Speaker 1: can't wait. I wish it's been open, but I'm excited

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Speaker 1: and looking forward to doing things that are going to

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Speaker 1: be really helpful. Tell them why you're married. Eight don't

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Speaker 1: drew five eight five one to five one. If you're upset,

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Speaker 1: you need to vet, you could call us at any time.

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Speaker 1: Keep it locked. It's the Breakfast Club. Good morning, the

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Speaker 1: Breakfast Club. M B. Listen this just Oh of God,

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Speaker 1: of Gods, report God, it's well. If you remember on

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Speaker 1: Wendy Williams show, she was talking about Jesse h Jesse

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Speaker 1: Williams speech that happened at the BT Awards, and she

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Speaker 1: said some things about HBCUs it had people in an uproar.

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Speaker 1: Here's what she said, No of the lily offended. If

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Speaker 1: there was a school that was known as an historically

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Speaker 1: white college, we have historically black colleges. What if there

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Speaker 1: was the n national organization for white people only, there's

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Speaker 1: the NAACP National by the way, what is the c color?

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Speaker 1: We're still using color? Like I get what everybody's quiet is.

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Speaker 1: You're leaving me out here to hang to drive by myself.

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Speaker 1: They sure were well. Roland Martin from TV one actually

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Speaker 1: broke it down for her on his show. I really

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Speaker 1: am am tired of these wanna be stacy dashes who

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Speaker 1: clearly don't bother to actually read a book. Wendy, let

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Speaker 1: me help you out. The NAACP was founded by a

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Speaker 1: mix of folks who were black in white. You do

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Speaker 1: realize that the first president of the NAACP, Wendy, was white.

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Speaker 1: Let me deal with HBCUs. Now, one of the reasons

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Speaker 1: why you don't have historically white universities is because we

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Speaker 1: simply call them universities. The fact of the matter, if

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Speaker 1: you can go around the country and you will see universities, Wendy,

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Speaker 1: there's seventy eight white. Wendy, let me help y'all with something.

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Speaker 1: When you're on TV and you have no idea what

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Speaker 1: you're talking about, shut the hell up. I mean, I mean,

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Speaker 1: I agree with him. I mean, my daughter is fourteen

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Speaker 1: years old and I would love if she went to

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Speaker 1: Hampton University. Well, after all of this Wendy Williams did

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Speaker 1: invite Roland Martin on her show to explain what why

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Speaker 1: she was wrong for her statements and give a history lesson.

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Speaker 1: And here's how it went down. I saw the rant.

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Speaker 1: I wanted to reach out. I've never been scared, you know,

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Speaker 1: to face being wrong. And we were talking on the

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Speaker 1: phone for so long that I said, well, just come

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Speaker 1: to the show, come to educate us all. I want

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Speaker 1: to apologize to everyone that I might have offended regarding

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Speaker 1: my remarks, you know, apology and I was wrong. Now

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Speaker 1: what did he say on the show? Did you watch

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Speaker 1: the show? I watched the clip from it. I didn't

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Speaker 1: see the whole entire show. I wonder what I said

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Speaker 1: on the show. Yeah, he did give some information, and

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Speaker 1: he said, when it comes to our colleges, we couldn't

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Speaker 1: go to those schools. As a matter of fact, we

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Speaker 1: couldn't read during slavery. You could be killed if you

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Speaker 1: were found to be reading. So that's why it's so

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Speaker 1: critically important. He said, you know, these institutions allow us

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Speaker 1: to survive in America, even though we built this country.

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Speaker 1: And he just gave basically a whole history lesson. But

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Speaker 1: it's definitely worth you seeing. Yeah, I went to Hampton University.

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Speaker 1: I'm sure everybody knows. I talk about it all the time,

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Speaker 1: and I need to do more for Hampton University. I

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Speaker 1: absolutely positive to the people at Hampton talk about that

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Speaker 1: all the time. I don't do enough. I only go

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Speaker 1: down there I think once a year, but I would

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Speaker 1: love to go down there more. Like, why don't Envy

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Speaker 1: do more for Hampton. I'm working so much everywhere, but

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Speaker 1: I absolutely positively need to do more for my college,

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Speaker 1: for my amimal minor. So I will start doing more

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Speaker 1: from your school. Was like he hanged that flag in

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Speaker 1: the background at Hampton University flag on the show, Like

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Speaker 1: he think that's doing something. Look, I'm at Hampton six

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Speaker 1: seven times a year, doing stuff and doing shows. I

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Speaker 1: don't have time to actually talk to the student because

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Speaker 1: I have a job. Dang, but I will be more more.

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Speaker 1: Sometimes you have to make time for things that are important, sir. Right, Okay, Now,

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Speaker 1: guess who is trying to get a reality show? Charlie Sheen.

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Speaker 1: That is what people are saying. People Magazine actually reported

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Speaker 1: that he's been trying to do a document a show

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Speaker 1: documenting his journey living with HIV on a new reality show,

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Speaker 1: so he's shopping it around. People don't know if it's

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Speaker 1: already picked up or what's going on with that. But

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Speaker 1: would you watch that show? Charlie Sheen living with HIV?

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Speaker 1: I'll watch it. He's a pretty interesting person in general.

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Speaker 1: He's still a wild boy. I don't know if he's

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Speaker 1: calmed down, so he's still a wild boy. But I

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Speaker 1: would definitely watch it, I think so, all right, And

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Speaker 1: speaking of reality shows, TEVJ has had to get a

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Speaker 1: restraining on her against Joscelyn. Whoever thought it would come

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Speaker 1: to this now? He says. Now, he says that she

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Speaker 1: was out to ruin his character, and you know, she

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Speaker 1: made these allegations that he molested his sick year old daughter,

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Speaker 1: and he said that was just out of revenge. It's

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Speaker 1: a terrible thing to say about somebody, you know. And

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Speaker 1: Jocelyn posted a message that was saying that he was

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Speaker 1: molesting his daughter that he has with Mimi for years.

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Speaker 1: So he hasn't said anything about it until yesterday he

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Speaker 1: filed for and was granted a temporary restraining order against Joscelyn.

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Speaker 1: He says that she is volatile, jealous, and that she's

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Speaker 1: filled with an evil sense of revenge after they split up,

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Speaker 1: he has she has to stay at least two hundred

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Speaker 1: yards away from him, but she's still about to go

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Speaker 1: and get her Rolex and diamond ring from his house

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Speaker 1: as long as the cops come as well. Now, Joscelyn,

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Speaker 1: I wrote a plane with Joscelyn going to Atlanta a

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Speaker 1: couple of weeks ago. Joscelyn is Diesel, she's built. I

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Speaker 1: would I would get a restraint order against her too,

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Speaker 1: to order the still too close with Joscelyn. She's Diesel. Yeah,

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Speaker 1: she definitely could beat him. All right, Well that is

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Speaker 1: your rumor report. I'm Angela yee. All right, thank you Miche.

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Speaker 1: Now when we come back, we have the cast of Power.

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Speaker 1: They'll be joining us. Power comes back this Sunday at

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Speaker 1: nine pm on Stars. We're talking to Ghosts, we're talking

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Speaker 1: to Tommy, we're talking to Tasha, and we're talking to

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Speaker 1: Angela when we come back. So if you got your

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Speaker 1: questions up, not you, Angela. And as the Breakfast Lo Morning.

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Speaker 1: That was Rihanna work Morning. Everybody is DJ m vy

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Speaker 1: Angela ye, Charlomagne the guy. We are the Breakfast Club.

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Speaker 1: We got some special guests in the building for show.

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Speaker 1: We have the cast of power. We got ghosts, Angie, Tasha,

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Speaker 1: and Tommy. And that's how I know I'm invested in

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Speaker 1: the show because that's who I see when they're walking

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Speaker 1: down I don't see, Sorry, I don't see. That's the

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Speaker 1: real name. Word up, ghost, Tommy, Tasha, and Angie. There

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Speaker 1: you go, that's who I see. That comes back this Sunday,

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Speaker 1: July seventeenth, pushing the graduate Thursdays for comedy Sundays for drama,

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Speaker 1: particularly cable drama. You know, I way people can have

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Speaker 1: a Saturday night Charloma. You gotta ask some of these

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Speaker 1: questions because I've seen the first episode and I don't

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Speaker 1: want to spoil it. Oh, so I'll let you leave

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Speaker 1: with some of these. I mean, I can't wait to

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Speaker 1: watch season two, first of all, because I want to

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Speaker 1: know how to help there. Season three, I want to

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Speaker 1: know how to help Kanan got out that room. I know,

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Speaker 1: I know that that's a good question because that make

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Speaker 1: the show, that could make this season real. Corn And

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Speaker 1: dropped the match right there, right, I know, he's he's

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Speaker 1: hard to feel like. It's a shout out to Dynasty.

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Speaker 1: You know, it's one of those things where We got

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Speaker 1: so much social media coverage after that, Like, yo, I

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Speaker 1: thought it was truthful and to this moment exactly, but

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Speaker 1: then people forget, as you said, we walked in and

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Speaker 1: you made us the characters that we are, but everybody forgets.

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Speaker 1: He's also the executive producer, so that might happen. Really

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Speaker 1: understanding the first episode as well. Either that's a good thing,

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Speaker 1: so they don't explain how he really got out that room.

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Speaker 1: He might, he might, he might not be in the

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Speaker 1: first episode. This is an important time where I got

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Speaker 1: to realize powers just a TV shows. Yeah, you might

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00:20:39,080 --> 00:20:41,399
Speaker 1: have to let go of the idea. This is real life. Now,

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Speaker 1: got you leaving the game? Trying it over? And when

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Speaker 1: the tagline his ghost must die, I don't know, are

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Speaker 1: you leaving the game? Is the game over for you?

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Speaker 1: I think it's hard to take the game out of

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Speaker 1: the cat, take the cat out of the game a

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Speaker 1: little bit. But he and Tommy grew up with Canan's

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Speaker 1: help at figuring out how to distribute these drugs throughout

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Speaker 1: all of New York, and so I don't really know

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Speaker 1: how much I can leave a game. I don't expect

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Speaker 1: nothing good to happen to you because you left your

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Speaker 1: wife with the decide chick. Nothing bid comes to guys

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Speaker 1: will do that, you know, And I'm sticking to that

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Speaker 1: story because that's what I say. Hey, when I'm watching

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Speaker 1: my wife, like that guy is wrong. Yeah, what he's

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Speaker 1: doing is wrong. And then what about when your wife

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Speaker 1: go to the bathroom like damn, Angela bade why I

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Speaker 1: can that's good? Yeah, you have a problem playing that

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00:21:25,320 --> 00:21:27,760
Speaker 1: character because you all decide chicken. Now, people might not

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00:21:28,119 --> 00:21:29,600
Speaker 1: have a problem playing the character at all. I have

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Speaker 1: a problem with like people's crazy coming at me. They

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Speaker 1: think you decide chicken. Real real, Yeah, there's a lot

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Speaker 1: like when iver you're sexualized as a character, it inevitably

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Speaker 1: transfers from you the character to you the actress. And

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Speaker 1: like the truth is, I'd rather like drink milk chicks

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Speaker 1: and like futter into the covers at night than nasty.

423
00:21:50,359 --> 00:21:52,480
Speaker 1: We don't want to hear that that we got fantasies

424
00:21:52,480 --> 00:21:54,160
Speaker 1: about you. Now, I like sucking farts out of girls.

425
00:21:54,200 --> 00:21:57,720
Speaker 1: Watch Oh my gosh. It's like I don't want it

426
00:21:57,720 --> 00:21:59,920
Speaker 1: to be milkshaped drinking like you know what I'm saying,

427
00:22:01,280 --> 00:22:07,160
Speaker 1: natural organic fart. Listen, she was drinking organic milk shakes,

428
00:22:08,600 --> 00:22:14,560
Speaker 1: smells like vanilla beans. Yeah, yeah, I'm gonna ruin the

429
00:22:14,640 --> 00:22:17,120
Speaker 1: fantasy for you. I can't help it. It's over now.

430
00:22:17,680 --> 00:22:19,000
Speaker 1: So the guys walk up to you and be like, yeo,

431
00:22:19,040 --> 00:22:23,160
Speaker 1: would you be my side check? Oh my goma. You know, yeah,

432
00:22:23,359 --> 00:22:26,720
Speaker 1: I got some interesting pictures on social media that you're

433
00:22:26,760 --> 00:22:29,040
Speaker 1: trying to show me. They send you penis pictures. You're

434
00:22:29,040 --> 00:22:31,360
Speaker 1: trying to show me that DJ. You know, I got

435
00:22:31,440 --> 00:22:33,240
Speaker 1: one guy that's harassing the hell out of me. He

436
00:22:34,000 --> 00:22:37,000
Speaker 1: a new Snapchat every day and he sends me Penis picks.

437
00:22:37,080 --> 00:22:39,159
Speaker 1: He says, you Penis picktures. Every day. We're trying to

438
00:22:39,240 --> 00:22:42,040
Speaker 1: highlight me. But you look flying those jeans today and

439
00:22:42,119 --> 00:22:47,760
Speaker 1: he ain't block them yet, but every day every day

440
00:22:48,240 --> 00:22:52,879
Speaker 1: it's crazy. You got Crissie too. You know people, actually,

441
00:22:52,960 --> 00:22:55,960
Speaker 1: why do you staysically? Yeah no no, because not on

442
00:22:56,040 --> 00:22:58,160
Speaker 1: social media. People actually just catch me in the street

443
00:22:58,440 --> 00:23:02,040
Speaker 1: and show you like, no, no, no, this is not

444
00:23:02,119 --> 00:23:04,720
Speaker 1: about being its people. No, I mean I live in

445
00:23:04,720 --> 00:23:06,800
Speaker 1: New York, I live in Brooklyn. People are really I

446
00:23:06,920 --> 00:23:09,200
Speaker 1: get a lot of love, honestly, but it's more women.

447
00:23:09,680 --> 00:23:12,399
Speaker 1: It's more. But it's like inappropriate from guys because they

448
00:23:12,440 --> 00:23:15,560
Speaker 1: think I'm actually like having sex with Omar his character.

449
00:23:15,800 --> 00:23:18,000
Speaker 1: They want to try all the positions we try. It

450
00:23:18,080 --> 00:23:20,680
Speaker 1: gets really weird. Um, But most of it is just

451
00:23:20,840 --> 00:23:23,720
Speaker 1: women like just like, yeah, I'm team Tasha, I'm ready

452
00:23:23,800 --> 00:23:26,480
Speaker 1: for you, and you know, they want to control the story.

453
00:23:26,760 --> 00:23:28,840
Speaker 1: They're very passionate because a lot of women can relate

454
00:23:28,840 --> 00:23:31,440
Speaker 1: because women hate They do not like a woman interfering

455
00:23:31,440 --> 00:23:33,040
Speaker 1: on you well, and it's just more of the story

456
00:23:33,119 --> 00:23:35,760
Speaker 1: in general. They really less than just a side chick.

457
00:23:35,880 --> 00:23:39,000
Speaker 1: I think people really appreciate the Tasha's arid to die

458
00:23:39,040 --> 00:23:41,960
Speaker 1: for her husband, her children. She's the woman that you

459
00:23:42,119 --> 00:23:43,880
Speaker 1: kind of want to have on your side if you're

460
00:23:43,880 --> 00:23:47,480
Speaker 1: about to go down. She's gonna really because the storyline

461
00:23:47,560 --> 00:23:50,080
Speaker 1: like isn't clean in terms of like the wife. The

462
00:23:50,160 --> 00:23:53,680
Speaker 1: wife isn't like perfect real wife. And then at the

463
00:23:53,800 --> 00:23:58,159
Speaker 1: same time, until you came along, she masturbated in the

464
00:23:58,280 --> 00:24:00,800
Speaker 1: first scene I did. None of the characters in Power

465
00:24:00,840 --> 00:24:03,800
Speaker 1: are clean perfect. So when people like will like condemn

466
00:24:03,920 --> 00:24:07,320
Speaker 1: one with a fervor and like defend other another with

467
00:24:07,440 --> 00:24:10,640
Speaker 1: a lot of passion, like ultimately that tells on the person.

468
00:24:10,840 --> 00:24:13,480
Speaker 1: That's true. Because I called Tasha all kinds of whole bitches.

469
00:24:13,480 --> 00:24:15,480
Speaker 1: When she masturbated in that car in front of that driver,

470
00:24:15,560 --> 00:24:17,199
Speaker 1: I'm like, now that's the whole stuff. Now, I think

471
00:24:17,280 --> 00:24:20,239
Speaker 1: what's supposed to do. That's why why their husband's right

472
00:24:20,280 --> 00:24:22,080
Speaker 1: there because of her trying to get back. You got

473
00:24:22,160 --> 00:24:23,960
Speaker 1: to be better than us. But if he was a driver,

474
00:24:24,040 --> 00:24:25,920
Speaker 1: you would have been cool with it, loved it. See

475
00:24:26,560 --> 00:24:33,119
Speaker 1: that's why Sean did. Now went down Tommy and goes,

476
00:24:33,200 --> 00:24:34,760
Speaker 1: y'all don't see out of eye. In the first episode,

477
00:24:34,840 --> 00:24:37,440
Speaker 1: it looks like y'are not seeing out of eye. Tommy.

478
00:24:37,440 --> 00:24:40,600
Speaker 1: You're trying to start your understatement. You're trying to start

479
00:24:40,640 --> 00:24:44,159
Speaker 1: your own situation and operation, the situation, the operation. I

480
00:24:44,200 --> 00:24:46,760
Speaker 1: think that Tommy through this journey of season three, well,

481
00:24:46,960 --> 00:24:48,840
Speaker 1: he has to either sink or swim, and I think

482
00:24:48,880 --> 00:24:50,719
Speaker 1: that we all know that, you know, he's gonna he's

483
00:24:50,760 --> 00:24:52,960
Speaker 1: gonna live, you know, as much as he can. But

484
00:24:53,200 --> 00:24:55,520
Speaker 1: I think that once the veil gets removed, he will

485
00:24:55,560 --> 00:24:57,879
Speaker 1: see how much work he's already been doing by himself anyway,

486
00:24:57,920 --> 00:25:01,440
Speaker 1: because Ghost has removed himself from the wisely enough not

487
00:25:01,600 --> 00:25:03,560
Speaker 1: saying hey Tommy, look at everything you did, Tommy, look

488
00:25:03,600 --> 00:25:06,440
Speaker 1: at how how amazing you've done in the game. He's

489
00:25:06,480 --> 00:25:08,440
Speaker 1: only he told Tommy, yeah, you're good, but I'm better,

490
00:25:08,800 --> 00:25:11,840
Speaker 1: and yeah, he hasn't been doing anything. So once Tommy realizes,

491
00:25:11,920 --> 00:25:14,440
Speaker 1: I think the fun for me is when Tommy actually realizes, Wow,

492
00:25:14,440 --> 00:25:16,680
Speaker 1: I've been doing this by myself for a long time.

493
00:25:17,119 --> 00:25:19,399
Speaker 1: That's your best friend. Now your best friend trying to

494
00:25:19,520 --> 00:25:23,000
Speaker 1: kill you. Exactly, y'all ever reconcile later on? You know

495
00:25:23,119 --> 00:25:25,040
Speaker 1: the thing about it, that's a great question. Think about

496
00:25:25,040 --> 00:25:29,040
Speaker 1: it when you think about our agenda versus the fair agenda.

497
00:25:29,560 --> 00:25:32,240
Speaker 1: As smart as they are, as bright as women are,

498
00:25:32,280 --> 00:25:34,399
Speaker 1: as much as they say watch out for that, we

499
00:25:34,520 --> 00:25:36,400
Speaker 1: go stand in and go sorry, I had to stand

500
00:25:36,440 --> 00:25:39,680
Speaker 1: in to understand what you meant. We make up, We

501
00:25:39,840 --> 00:25:44,080
Speaker 1: figure things out. Our battles become reconciled a lot easier

502
00:25:44,080 --> 00:25:46,119
Speaker 1: than when girls are batting after somebody trying to kill you.

503
00:25:46,200 --> 00:25:52,800
Speaker 1: Though friends, you can't you speaks so different, But the

504
00:25:52,880 --> 00:25:55,600
Speaker 1: reality is for them to be best friends and brothers

505
00:25:55,840 --> 00:25:58,400
Speaker 1: in in essence. We watch all of it. We raised

506
00:25:58,440 --> 00:26:00,880
Speaker 1: on the Mafia films and you see literally they took

507
00:26:00,920 --> 00:26:04,200
Speaker 1: Fredo out. Michael Corleone's character takes Fredo out. It gets

508
00:26:04,240 --> 00:26:07,200
Speaker 1: him taken out and he's done. That's his brother, So

509
00:26:07,440 --> 00:26:10,520
Speaker 1: it's not that non truthful. In a game of drug

510
00:26:10,680 --> 00:26:13,800
Speaker 1: dealing and selling, paranoia becomes a big thing to people.

511
00:26:13,880 --> 00:26:18,360
Speaker 1: Forget Tommy's freaking doing the product. He's doing drugs. So really,

512
00:26:18,359 --> 00:26:20,480
Speaker 1: you posted Nino Brown and g money him. You posted

513
00:26:20,480 --> 00:26:26,960
Speaker 1: to kill him? There you go? Am I gonna do it?

514
00:26:27,200 --> 00:26:29,280
Speaker 1: You know what I mean? Like, how much is the struggle?

515
00:26:29,359 --> 00:26:31,239
Speaker 1: How much of the struggle is real? And Tommy how

516
00:26:31,320 --> 00:26:32,760
Speaker 1: much is he figuring out? And how much have we

517
00:26:32,840 --> 00:26:38,000
Speaker 1: always seen people underestimating Tommy's savvy and Tommy's intelligence? I mean,

518
00:26:38,080 --> 00:26:40,679
Speaker 1: time and again it happens. It's true. I will keep

519
00:26:40,720 --> 00:26:42,879
Speaker 1: it lock. We have more with the Cast of Power.

520
00:26:43,320 --> 00:26:45,520
Speaker 1: It comes back on this Sunday at nine pm. So

521
00:26:45,680 --> 00:26:48,440
Speaker 1: keep it lock. This's the Breakfast Local Morning, the Breakfast

522
00:26:48,480 --> 00:26:54,840
Speaker 1: Club that was Drake Control of Morning. Everybody's DJ m

523
00:26:54,920 --> 00:26:57,920
Speaker 1: vy angela Ye, Charloman the guy. We are the Breakfast Club.

524
00:26:58,280 --> 00:27:00,800
Speaker 1: We have the Cast of Power in the building. Now

525
00:27:00,880 --> 00:27:04,520
Speaker 1: Power comes back this Sunday at nine pm. Now Omari ghosts.

526
00:27:04,800 --> 00:27:06,960
Speaker 1: During the premiere fifty Cents, Folcus said that maybe some

527
00:27:07,080 --> 00:27:09,440
Speaker 1: of the writers and the people in charge really didn't

528
00:27:09,480 --> 00:27:11,959
Speaker 1: want you to be the main character. So how does

529
00:27:12,000 --> 00:27:13,920
Speaker 1: that make you feel active now? To be a successful

530
00:27:13,920 --> 00:27:16,000
Speaker 1: do you go back and flipping bird get the middle finger?

531
00:27:16,080 --> 00:27:19,639
Speaker 1: Asketball money? From what I heard all the writers, I

532
00:27:19,680 --> 00:27:22,920
Speaker 1: think it was the executive the executives of a of

533
00:27:23,119 --> 00:27:26,000
Speaker 1: a network that was not in the position it is

534
00:27:26,160 --> 00:27:29,480
Speaker 1: now because of Omari hardware. They were in a different

535
00:27:29,520 --> 00:27:32,040
Speaker 1: position than they are now. And Power was not the

536
00:27:32,160 --> 00:27:36,280
Speaker 1: number one show on the number two premium cable network.

537
00:27:36,680 --> 00:27:39,639
Speaker 1: Um it was like the number four premium cable network

538
00:27:39,720 --> 00:27:42,399
Speaker 1: and Power didn't exist yet. So yeah, they probably had

539
00:27:42,440 --> 00:27:44,040
Speaker 1: some question because they had a lot riding on this,

540
00:27:44,160 --> 00:27:45,960
Speaker 1: more than they would ever let us in on. And

541
00:27:46,119 --> 00:27:50,080
Speaker 1: then this is what happened. White and Michael John White

542
00:27:50,080 --> 00:27:54,760
Speaker 1: looked like y'all came up the same You were hilarious,

543
00:27:56,960 --> 00:28:00,240
Speaker 1: but they now better recognize, you know now whatever you

544
00:28:00,280 --> 00:28:03,320
Speaker 1: know what happened was And actors, you know listening, they

545
00:28:03,320 --> 00:28:06,320
Speaker 1: should all hear this. You have This is what execs start.

546
00:28:06,359 --> 00:28:08,720
Speaker 1: He's a good actor, but up to this point we've

547
00:28:08,760 --> 00:28:11,560
Speaker 1: just seen him perhaps still scenes. He hasn't necessarily been

548
00:28:11,600 --> 00:28:13,840
Speaker 1: a lead yet people have always wondered about him. It's

549
00:28:13,840 --> 00:28:16,919
Speaker 1: a freaking ten year career at that point, why hasn't

550
00:28:16,920 --> 00:28:19,720
Speaker 1: he dada dada? But in the midst of the race

551
00:28:19,880 --> 00:28:22,560
Speaker 1: relations conversation that we're having every single day, we got

552
00:28:22,640 --> 00:28:25,240
Speaker 1: to remember there's not a lot of amar's in a

553
00:28:25,320 --> 00:28:29,080
Speaker 1: position to play a character like Ghost. Prior Shana Rhymes

554
00:28:29,119 --> 00:28:33,560
Speaker 1: hats off had done certain things. But Isaiah Washington Columba short,

555
00:28:33,920 --> 00:28:36,920
Speaker 1: we've seen black Man, Omar Epps has played on a house.

556
00:28:37,160 --> 00:28:39,360
Speaker 1: At one point, I played on shows while I was

557
00:28:39,480 --> 00:28:43,840
Speaker 1: number two on the call sheet. Nobody's necessarily played a complicated, crazy,

558
00:28:44,480 --> 00:28:49,280
Speaker 1: brilliant range Field character as bountiful as Ghost, and all

559
00:28:49,320 --> 00:28:53,520
Speaker 1: those colors made the lights at Stars go. I don't

560
00:28:53,560 --> 00:28:56,000
Speaker 1: really know if he could pull it off. She just

561
00:28:56,040 --> 00:28:58,239
Speaker 1: said you had a great ass. Yeah, I wonder how

562
00:28:58,320 --> 00:29:00,520
Speaker 1: that works because y'all do a lot of sex scenes

563
00:29:00,560 --> 00:29:02,960
Speaker 1: himself and Amara your marriage. Reason why I'm saying that,

564
00:29:03,120 --> 00:29:05,320
Speaker 1: it's actually because, like he's the only man's ask that

565
00:29:05,320 --> 00:29:09,000
Speaker 1: I've ever heard discussed by other heterosexual men. You'll hear

566
00:29:09,080 --> 00:29:11,200
Speaker 1: like dudes. I don't know if we should call those

567
00:29:11,240 --> 00:29:13,479
Speaker 1: men out, Like should we should we call them out? Yea,

568
00:29:13,480 --> 00:29:15,520
Speaker 1: they're probably the same dudes that are asking him be

569
00:29:15,600 --> 00:29:27,479
Speaker 1: for a penis. But your point. The sex scenes are

570
00:29:27,560 --> 00:29:31,160
Speaker 1: crazy better than us. No, of course we all have.

571
00:29:31,240 --> 00:29:33,320
Speaker 1: I mean, she's got a great body. Look at Joe,

572
00:29:33,480 --> 00:29:36,160
Speaker 1: he's killing it. I mean, Omari, I don't know. I'm

573
00:29:36,200 --> 00:29:38,200
Speaker 1: doing what I can. But at the end of the day,

574
00:29:40,200 --> 00:29:47,120
Speaker 1: thank you. Don't go there, Charlotte, I gotta watch You're

575
00:29:47,160 --> 00:29:48,760
Speaker 1: so sweet. No, but at the end of the day,

576
00:29:48,800 --> 00:29:50,760
Speaker 1: the sex is used in a really cool way. Like

577
00:29:50,880 --> 00:29:53,920
Speaker 1: Power is so well written that even the sex scenes

578
00:29:54,000 --> 00:29:57,920
Speaker 1: have a story, even the sex scenes have intentioned Yes,

579
00:29:58,120 --> 00:30:00,960
Speaker 1: thank you, and she creates the these moments where Ghost

580
00:30:01,120 --> 00:30:04,120
Speaker 1: is dealing with frustration of his day, or killing someone,

581
00:30:04,320 --> 00:30:07,360
Speaker 1: or taking his frustration out on on Angela or or

582
00:30:07,520 --> 00:30:10,680
Speaker 1: him in Holly or even me. The sex is intentional,

583
00:30:10,840 --> 00:30:14,040
Speaker 1: it's smart, it's done in a way that's not gratuitous.

584
00:30:14,080 --> 00:30:17,080
Speaker 1: I just I'm really proud of you deal with you

585
00:30:17,120 --> 00:30:18,920
Speaker 1: know what I was gonna ask you. It's funny, man,

586
00:30:19,120 --> 00:30:20,920
Speaker 1: she just said you had a great ass your wife

587
00:30:20,960 --> 00:30:23,680
Speaker 1: at home, Like yo, I want to know, because everybody

588
00:30:23,720 --> 00:30:26,400
Speaker 1: talks about how many couples watch you together? Right, yeah,

589
00:30:26,720 --> 00:30:28,600
Speaker 1: we were just does it is it nice for a

590
00:30:28,640 --> 00:30:32,720
Speaker 1: play to watch us? Absolutely? After the I never my wife.

591
00:30:32,920 --> 00:30:38,920
Speaker 1: It depends. Man, you were sorry, but have you ever

592
00:30:39,000 --> 00:30:43,320
Speaker 1: thought about it? This is once once your wife you

593
00:30:43,360 --> 00:30:45,560
Speaker 1: once your wife de escalates from being upset that you're

594
00:30:45,640 --> 00:30:51,400
Speaker 1: cheating on your wife. That yeah, then they want it.

595
00:30:51,520 --> 00:30:55,560
Speaker 1: You'd be like, I'm a document. Did turn around on

596
00:30:55,720 --> 00:30:58,520
Speaker 1: the dance you married? She single? She said you had

597
00:30:58,560 --> 00:31:00,400
Speaker 1: a great ass because your wife get up said about

598
00:31:00,400 --> 00:31:04,080
Speaker 1: stuff like that and have great sisters to her. So

599
00:31:04,200 --> 00:31:06,640
Speaker 1: they all figured out. Yeah, yeah, they all figure it

600
00:31:06,840 --> 00:31:11,000
Speaker 1: all different stages of life. The security is part of it.

601
00:31:11,160 --> 00:31:14,000
Speaker 1: You know, it's necessary. Man has a beautiful wife and

602
00:31:14,160 --> 00:31:16,640
Speaker 1: he's having lots of sex this season, so look out.

603
00:31:16,680 --> 00:31:18,480
Speaker 1: You an NBY happened to be handsome men and you're

604
00:31:18,480 --> 00:31:20,440
Speaker 1: doing radio. You don't have your wives at some point

605
00:31:20,520 --> 00:31:25,520
Speaker 1: going staying out too like they have. You've got a

606
00:31:25,640 --> 00:31:39,400
Speaker 1: nice ask brother, but you know what happens, Jana. Man,

607
00:31:39,480 --> 00:31:41,840
Speaker 1: if you an NBA stay out late, you know your

608
00:31:41,880 --> 00:31:44,120
Speaker 1: wives are like you gotta go to that. Yeah, yeah,

609
00:31:44,200 --> 00:31:46,280
Speaker 1: you know it's real. That's real. So you gotta bring

610
00:31:46,360 --> 00:31:48,360
Speaker 1: them around and make them feel comfortable. They want to

611
00:31:48,360 --> 00:31:50,320
Speaker 1: meet them. Let me meet, let me meet, let me meet.

612
00:31:50,920 --> 00:31:54,320
Speaker 1: That's what I met. My boyfriend knows like everybody knows

613
00:31:54,480 --> 00:31:57,560
Speaker 1: each other. We're all so weird. I know, were killing

614
00:31:57,640 --> 00:32:00,680
Speaker 1: fans right now fans and I'm sorry. Yeah, So that's

615
00:32:00,760 --> 00:32:03,640
Speaker 1: that is the True Power has a nudity clause and

616
00:32:03,800 --> 00:32:06,240
Speaker 1: that somebody has to appear nude at some points during

617
00:32:06,240 --> 00:32:14,360
Speaker 1: the runner. You don't have that. You know, our contract,

618
00:32:14,800 --> 00:32:16,400
Speaker 1: you know, you had leaks and all kind of stuff

619
00:32:16,440 --> 00:32:23,160
Speaker 1: that they to the point where they try to steal

620
00:32:23,280 --> 00:32:26,000
Speaker 1: the scripts and sell them. That's like the craziest thing

621
00:32:26,040 --> 00:32:32,680
Speaker 1: I've ever heard of, a really bad business plan. It's

622
00:32:32,840 --> 00:32:36,280
Speaker 1: not yeah, we have to set we do have to

623
00:32:36,640 --> 00:32:39,560
Speaker 1: be open. Yeah, it's the options. You know, it's a

624
00:32:39,640 --> 00:32:43,400
Speaker 1: nudity option. Ye might see Timmy they have they have

625
00:32:43,480 --> 00:32:46,200
Speaker 1: the option of requesting you be and you can't just

626
00:32:46,320 --> 00:32:49,719
Speaker 1: say no, I wasn't into you know, so you might

627
00:32:49,760 --> 00:32:53,320
Speaker 1: see Timmy's character graduate this year. Dre to I don't know.

628
00:32:53,440 --> 00:32:56,120
Speaker 1: We were into the world. The four of us feel

629
00:32:56,160 --> 00:32:59,680
Speaker 1: like the sex trophy has to be passed as on

630
00:33:00,240 --> 00:33:02,640
Speaker 1: I've had I was season one, we were season one.

631
00:33:03,080 --> 00:33:07,760
Speaker 1: We've been seeing I mean Joe and Joe and seasons. Yeah,

632
00:33:07,840 --> 00:33:11,760
Speaker 1: I'm ready to be I'm passing it. I'm passing it now.

633
00:33:11,800 --> 00:33:14,320
Speaker 1: With everything going on in the African American community that

634
00:33:14,520 --> 00:33:16,240
Speaker 1: put into the show at all, because you see that

635
00:33:16,320 --> 00:33:17,800
Speaker 1: every once in a while at a show will take

636
00:33:17,840 --> 00:33:19,640
Speaker 1: something out of real life and put it. We see

637
00:33:19,640 --> 00:33:24,880
Speaker 1: that at all. Definitely, Yeah, black lives matter, Yeah, absolutely.

638
00:33:25,200 --> 00:33:29,200
Speaker 1: I think Courtney is going to probably add more and

639
00:33:29,320 --> 00:33:31,960
Speaker 1: that's one of the things that coming up in season four.

640
00:33:32,680 --> 00:33:35,920
Speaker 1: If there will be a season four, it will be discussed.

641
00:33:35,960 --> 00:33:37,840
Speaker 1: So I think we're all, you know, we talk about

642
00:33:37,880 --> 00:33:42,160
Speaker 1: it amongst each other. I'm really I'm really upset out

643
00:33:42,200 --> 00:33:45,560
Speaker 1: there marching. It's frustrating, and we all talk about how

644
00:33:46,040 --> 00:33:48,480
Speaker 1: this Black Lives matter. It's just about more so making

645
00:33:48,520 --> 00:33:52,080
Speaker 1: sure the nation understands why our lives matter and why

646
00:33:52,120 --> 00:33:55,160
Speaker 1: we're being ignored and not put in a position of

647
00:33:55,600 --> 00:33:59,200
Speaker 1: feeling valuable in America. We made you know, Joe made

648
00:33:59,240 --> 00:34:01,440
Speaker 1: a really good point today. That's a good point. Not

649
00:34:01,560 --> 00:34:03,320
Speaker 1: Tory and I didn't think about it. He said, we're

650
00:34:03,400 --> 00:34:06,320
Speaker 1: kind of suddenly doing our job in this show by

651
00:34:06,440 --> 00:34:11,080
Speaker 1: even having the diversity of casts that we have. At

652
00:34:11,200 --> 00:34:15,000
Speaker 1: least we are of a diverse conversation. So I don't

653
00:34:15,040 --> 00:34:17,320
Speaker 1: really know if we can go six or seven seasons.

654
00:34:17,360 --> 00:34:20,120
Speaker 1: If we're lucky and not address this in some capacity.

655
00:34:20,560 --> 00:34:22,600
Speaker 1: All right, well we got more with the Cast of Power.

656
00:34:22,719 --> 00:34:25,520
Speaker 1: Keep it locked. It's the Breakfast Club. The morning that

657
00:34:25,719 --> 00:34:29,520
Speaker 1: was Jeremiah We mourning. Everybody is dj M v Angela, Ye,

658
00:34:29,719 --> 00:34:32,320
Speaker 1: Charlomagne the God. We are the Breakfast Club. We have

659
00:34:32,480 --> 00:34:34,879
Speaker 1: the Cast of Power in the building. Our power comes

660
00:34:34,920 --> 00:34:37,600
Speaker 1: back this Sunday on Stars at nine pm. Shot to

661
00:34:37,680 --> 00:34:39,960
Speaker 1: the Boy fifth. Now, Charlemie, what do you think say

662
00:34:40,000 --> 00:34:43,520
Speaker 1: to people who say that art influences kids that act negatively?

663
00:34:43,760 --> 00:34:46,160
Speaker 1: So like a show like Power that question? Yeah, I

664
00:34:46,200 --> 00:34:48,320
Speaker 1: think that I think it can go both ways. I

665
00:34:48,400 --> 00:34:50,640
Speaker 1: think that if people are actually having conversations, I think

666
00:34:50,680 --> 00:34:53,920
Speaker 1: that a show like Power would ultimately lead to positive

667
00:34:54,000 --> 00:34:59,080
Speaker 1: conversations and discussing actions that have consequences. And this obviously

668
00:34:59,200 --> 00:35:03,160
Speaker 1: isn't a a very fruitful way of getting out of

669
00:35:03,200 --> 00:35:05,520
Speaker 1: the hood. But you know, somebody like fifty, like you know,

670
00:35:06,040 --> 00:35:08,960
Speaker 1: who was put into negative situations that where he had

671
00:35:09,040 --> 00:35:13,080
Speaker 1: to make choices that allow him to change his life

672
00:35:13,120 --> 00:35:15,919
Speaker 1: into you know, incredibly successful business man, it is probably

673
00:35:15,920 --> 00:35:17,879
Speaker 1: a better way to go. So it's like now producer, Yeah,

674
00:35:17,920 --> 00:35:20,839
Speaker 1: and now producer of a successful television show. His first

675
00:35:20,840 --> 00:35:22,480
Speaker 1: of many I'm sure, and then to go back and say,

676
00:35:22,520 --> 00:35:25,000
Speaker 1: we'll see this example that made this. If you actually

677
00:35:25,040 --> 00:35:27,040
Speaker 1: go back, I think it will be But I think

678
00:35:27,080 --> 00:35:28,840
Speaker 1: that if people take it at you know, kind of

679
00:35:28,880 --> 00:35:31,759
Speaker 1: at face value, I think it could lead to people

680
00:35:31,960 --> 00:35:35,200
Speaker 1: just saying, oh this, I want to emulate this character

681
00:35:35,320 --> 00:35:38,080
Speaker 1: that I see on here, especially even to your point

682
00:35:38,120 --> 00:35:40,239
Speaker 1: of walking in, Like you guys are those characters and

683
00:35:40,520 --> 00:35:42,400
Speaker 1: they tell people yeah and the reality of it. So

684
00:35:42,760 --> 00:35:44,200
Speaker 1: I think it can be backlash. But I think that

685
00:35:44,239 --> 00:35:46,279
Speaker 1: there's nothing different than any other show that's ever been

686
00:35:46,320 --> 00:35:49,239
Speaker 1: on that because that's why I love what Power does,

687
00:35:49,360 --> 00:35:51,719
Speaker 1: and I think that's why the community and all people

688
00:35:51,800 --> 00:35:53,960
Speaker 1: have connected to our show. I think that's why we're

689
00:35:54,000 --> 00:35:55,680
Speaker 1: the number one show on Stars. I think that's why

690
00:35:55,719 --> 00:35:57,680
Speaker 1: we've been able to build up the network. I think

691
00:35:57,719 --> 00:36:01,320
Speaker 1: that's yeah in Stars history, Thank you. But it's unbelievable

692
00:36:01,400 --> 00:36:04,600
Speaker 1: when you see the unexpected. You don't expect Tommy to

693
00:36:04,840 --> 00:36:07,360
Speaker 1: look like Joe initially maybe on paper, the words and

694
00:36:07,440 --> 00:36:10,439
Speaker 1: the way his swag. Tommy's got so much swag. They're like, damn,

695
00:36:10,760 --> 00:36:13,000
Speaker 1: you know, all my friends want to want to date him. Um,

696
00:36:13,440 --> 00:36:16,360
Speaker 1: at the end of the day, it's changing the narrative

697
00:36:16,440 --> 00:36:19,279
Speaker 1: and flipping the script. But your guys are relatable, and

698
00:36:19,320 --> 00:36:20,880
Speaker 1: that's what I was gonna say. You guys move like

699
00:36:21,120 --> 00:36:24,160
Speaker 1: a startup record label, meaning you guys are on the road,

700
00:36:24,320 --> 00:36:27,880
Speaker 1: you're talking to kids in school, at the club, y'all together.

701
00:36:28,000 --> 00:36:32,399
Speaker 1: I can't believe. But I haven't seen that takes me back. Yeah,

702
00:36:32,400 --> 00:36:34,680
Speaker 1: that's how it used to be, essence. I've seen y'all

703
00:36:35,520 --> 00:36:38,520
Speaker 1: know that experienced to see you say, damn, they are

704
00:36:38,560 --> 00:36:41,120
Speaker 1: from where I'm from, from that meddle from New Jersey,

705
00:36:41,239 --> 00:36:43,880
Speaker 1: from you know, and people don't get this. Who's your

706
00:36:43,880 --> 00:36:45,640
Speaker 1: favorite group in natari? The I'm with three w Like,

707
00:36:45,640 --> 00:36:49,520
Speaker 1: who would you rather? Right now? I move? I'm moving

708
00:36:49,640 --> 00:36:52,560
Speaker 1: with them all day, every day. I would never I

709
00:36:52,760 --> 00:36:56,040
Speaker 1: never go back, definitely never going back. How close is

710
00:36:56,040 --> 00:36:58,160
Speaker 1: the actual Catherine real life though, like outside of the

711
00:36:58,239 --> 00:37:01,840
Speaker 1: promo and pretty cool. I think people are shocked at

712
00:37:01,920 --> 00:37:06,200
Speaker 1: how yeah, what good friends we are? We crazy, whether

713
00:37:06,280 --> 00:37:08,680
Speaker 1: even it's for press or even just you know, the

714
00:37:08,760 --> 00:37:10,799
Speaker 1: start of the season getting together or going to the gym,

715
00:37:10,880 --> 00:37:13,000
Speaker 1: or I ran into Joe actually because we live near

716
00:37:13,040 --> 00:37:15,480
Speaker 1: each other. At at the gym or whatever it is,

717
00:37:15,640 --> 00:37:19,120
Speaker 1: or they get smoothies or I think there is something

718
00:37:19,200 --> 00:37:23,600
Speaker 1: special about this power finely, like genuinely don't think you'll

719
00:37:23,640 --> 00:37:27,279
Speaker 1: get this in any other show, Like I mean, people

720
00:37:27,320 --> 00:37:30,240
Speaker 1: trying to compare power to different things. But we are unique,

721
00:37:30,360 --> 00:37:33,600
Speaker 1: and we are unique in our connection. I knew Notori

722
00:37:33,680 --> 00:37:36,319
Speaker 1: for about eight years, and I always now, way way

723
00:37:36,360 --> 00:37:39,560
Speaker 1: back actually when my first movie Notorious, he came up

724
00:37:39,600 --> 00:37:41,720
Speaker 1: to me and told me, you know, but I remember

725
00:37:41,800 --> 00:37:44,399
Speaker 1: when Leila Notoria and Joe came in. I kept thinking

726
00:37:44,640 --> 00:37:47,759
Speaker 1: powers really being able to influence who gets tired and

727
00:37:48,239 --> 00:37:50,359
Speaker 1: who you want to work with. And I always thought

728
00:37:50,360 --> 00:37:52,640
Speaker 1: it was a really cool thing that as I got older,

729
00:37:52,640 --> 00:37:55,040
Speaker 1: I started thinking, you know what, maybe the greatest people

730
00:37:55,080 --> 00:37:58,719
Speaker 1: are not in necessarily the top positions next to and

731
00:37:58,840 --> 00:38:01,680
Speaker 1: Adam Sandler. But the reality of life is if he

732
00:38:01,840 --> 00:38:03,480
Speaker 1: gets to work with the same people that we kept

733
00:38:03,520 --> 00:38:06,360
Speaker 1: seeing in the early comedies in the nineties and two thousands,

734
00:38:06,520 --> 00:38:08,520
Speaker 1: it's probably because he's like I like working with him, right,

735
00:38:08,840 --> 00:38:14,040
Speaker 1: So for me, I got lucky because I really like

736
00:38:14,320 --> 00:38:17,080
Speaker 1: Joe in The Chemistry Read. I really like Leland the

737
00:38:17,160 --> 00:38:19,560
Speaker 1: Chemistry Read, and I had already known in Love Notory,

738
00:38:19,640 --> 00:38:22,160
Speaker 1: so my thought was, well, that part's cool. I don't

739
00:38:22,200 --> 00:38:24,440
Speaker 1: need to really say that to it execs. Let that

740
00:38:24,600 --> 00:38:26,800
Speaker 1: be my card that I hold safe to me that

741
00:38:26,920 --> 00:38:29,080
Speaker 1: I liked them. But then what was really dope was

742
00:38:29,160 --> 00:38:32,239
Speaker 1: dating were good. It should almost be icing on the cake.

743
00:38:32,560 --> 00:38:34,000
Speaker 1: It should go the other way where you really like

744
00:38:34,160 --> 00:38:36,680
Speaker 1: working with somebody. Now they can't be obviously, they have

745
00:38:36,800 --> 00:38:39,279
Speaker 1: to be adequate at which you've wanted them to bring

746
00:38:39,360 --> 00:38:41,680
Speaker 1: to the table. But I just think it's a great

747
00:38:41,719 --> 00:38:44,000
Speaker 1: perspective that we haven't necessarily figured out a lot of

748
00:38:44,040 --> 00:38:46,520
Speaker 1: times we want to support things that are not necessarily

749
00:38:46,600 --> 00:38:48,959
Speaker 1: good or good for you. But if you got people

750
00:38:49,120 --> 00:38:50,480
Speaker 1: that are next to you that are good for you,

751
00:38:52,040 --> 00:38:54,440
Speaker 1: not only lift them up. It's counterintuitive to not freaking

752
00:38:54,480 --> 00:38:57,520
Speaker 1: work with them. To your point, every we we wear

753
00:38:57,560 --> 00:39:00,239
Speaker 1: a word of mouth thing versus the shows that we're

754
00:39:00,280 --> 00:39:02,880
Speaker 1: being compared to us. That is the fact. So we

755
00:39:03,040 --> 00:39:06,400
Speaker 1: had to promote and a better, more constructive that's how

756
00:39:06,400 --> 00:39:09,800
Speaker 1: we start. That's how the breakfast Clubs took it by storm.

757
00:39:09,920 --> 00:39:13,640
Speaker 1: We can't necessarily promote if the show is back so quick.

758
00:39:13,760 --> 00:39:16,440
Speaker 1: We need we need good. That's a really good point.

759
00:39:16,960 --> 00:39:19,440
Speaker 1: So I thought of watching it on Twitter. I can't

760
00:39:19,440 --> 00:39:21,440
Speaker 1: seeing everybody talking power power I'm like, what the hell

761
00:39:21,520 --> 00:39:23,480
Speaker 1: is power? So by the time I started watching it,

762
00:39:23,520 --> 00:39:25,880
Speaker 1: y'all was like six episodes into the first season. One

763
00:39:26,239 --> 00:39:29,120
Speaker 1: really well, I'm glad you caught up. Well, it starts

764
00:39:29,200 --> 00:39:31,759
Speaker 1: this question today, how hard is if you to remain

765
00:39:31,840 --> 00:39:36,400
Speaker 1: professional omar because you get chex scenes with Natari, like

766
00:39:36,800 --> 00:39:42,600
Speaker 1: you know, you ever feel them getting hard females. Here's

767
00:39:42,600 --> 00:39:50,040
Speaker 1: the thing, like a big brother is I can't there's

768
00:39:50,160 --> 00:39:53,440
Speaker 1: no sexiness because where people aren't understanding, Like, the hardest

769
00:39:53,480 --> 00:39:56,280
Speaker 1: part about the sex scene is dealing with with people

770
00:39:56,360 --> 00:39:58,719
Speaker 1: seeing it afterwards and thinking it's real. First of all,

771
00:39:58,760 --> 00:40:01,320
Speaker 1: this dude does a suck on, it's tight. Well, no,

772
00:40:02,000 --> 00:40:06,200
Speaker 1: we were where we were protection as well, like and

773
00:40:06,280 --> 00:40:08,400
Speaker 1: he slept with that it would castrate in like a

774
00:40:08,480 --> 00:40:12,080
Speaker 1: bullet would fall off, and it is not we like

775
00:40:12,239 --> 00:40:14,359
Speaker 1: not after we make it sexy, Like if you came

776
00:40:14,400 --> 00:40:16,040
Speaker 1: in and watch, you'd be like, damn, they do a

777
00:40:16,120 --> 00:40:20,880
Speaker 1: really good like and then sometimes after while you feel like,

778
00:40:20,920 --> 00:40:23,680
Speaker 1: what we're moving in weird positions. Even though it's a

779
00:40:23,719 --> 00:40:27,440
Speaker 1: small cruise, there's still like thirty people, even if it's

780
00:40:27,440 --> 00:40:29,680
Speaker 1: a close set, you still have people watching you, like, yeah,

781
00:40:29,800 --> 00:40:32,440
Speaker 1: get it goes y'all are watching from an angle that

782
00:40:32,520 --> 00:40:36,160
Speaker 1: you're thinking he's on the bed while we're moving like this. Oh,

783
00:40:36,200 --> 00:40:37,440
Speaker 1: that's good to know. The next time, I don't have

784
00:40:37,480 --> 00:40:40,480
Speaker 1: to be in that position. And that's the problem. Okay,

785
00:40:40,760 --> 00:40:44,120
Speaker 1: don't even worry. We're good, but we're excited and grateful.

786
00:40:44,239 --> 00:40:45,560
Speaker 1: I just want to say shout out to all the

787
00:40:45,600 --> 00:40:47,000
Speaker 1: fans who've been with us. Like you said, like a

788
00:40:47,040 --> 00:40:50,319
Speaker 1: startup like New York, New York, New York City, New

789
00:40:50,440 --> 00:40:52,359
Speaker 1: York City. The people who have been riding with us.

790
00:40:52,520 --> 00:40:55,560
Speaker 1: We were a little bitty eight episode show that nobody knew,

791
00:40:55,600 --> 00:40:58,080
Speaker 1: Like what's powering? Curtis said, from day one means a lot.

792
00:40:58,200 --> 00:41:01,160
Speaker 1: He said, this show is going to blow, and I'm like,

793
00:41:01,360 --> 00:41:03,200
Speaker 1: mind you. He told Olivia she was gonna blow too,

794
00:41:04,640 --> 00:41:11,040
Speaker 1: Like say that, don't say that, don't say that. You

795
00:41:11,160 --> 00:41:13,640
Speaker 1: know what the worst part of it is five is

796
00:41:13,680 --> 00:41:16,320
Speaker 1: probably listening and laughing. But what's Olivia doing to that comment?

797
00:41:16,360 --> 00:41:21,640
Speaker 1: You just made? Want to get staring power? How do

798
00:41:21,719 --> 00:41:23,960
Speaker 1: you come from him? I let him go? Let him go?

799
00:41:24,000 --> 00:41:26,040
Speaker 1: How many saons y'all got written? Five already? Right? We

800
00:41:26,120 --> 00:41:28,719
Speaker 1: didn't get the public announcement that season four us back,

801
00:41:28,760 --> 00:41:31,680
Speaker 1: so it's not made official yet, but so we're hopeful

802
00:41:31,680 --> 00:41:35,000
Speaker 1: that the numbers are huge, so everybody should want. What

803
00:41:35,080 --> 00:41:36,840
Speaker 1: I'm hoping is that when they bring back four, they

804
00:41:36,880 --> 00:41:39,120
Speaker 1: actually make an announcement that four and five or that

805
00:41:39,239 --> 00:41:41,600
Speaker 1: we got four and five. That's what I'm putting out there.

806
00:41:41,719 --> 00:41:45,840
Speaker 1: So on this Sunday, nine pm on Stars Sunday, the

807
00:41:46,000 --> 00:41:49,480
Speaker 1: appreciate you guys for joining us, the Cast of Power.

808
00:41:49,520 --> 00:41:58,080
Speaker 1: It's the Breakfast Crest Breakfast Piece, the Breakfast Club just

809
00:41:58,960 --> 00:42:06,879
Speaker 1: oh the gosh U Reports, it's the Rum of Reports Club. Well.

810
00:42:06,960 --> 00:42:09,280
Speaker 1: Wendy Williams had some things to say about rich Homie

811
00:42:09,320 --> 00:42:12,799
Speaker 1: Kwan messing up Biggie's lyrics from Get Money with Little

812
00:42:12,880 --> 00:42:16,560
Speaker 1: Kim during the Hip Hop Honors Awards, and she actually

813
00:42:16,880 --> 00:42:18,960
Speaker 1: might have messed it up as well. Check it out.

814
00:42:19,280 --> 00:42:23,719
Speaker 1: I'll refresh you quad. You want to sip more on

815
00:42:23,880 --> 00:42:27,680
Speaker 1: my living room flow playing in ten do seasily? Oh,

816
00:42:28,200 --> 00:42:31,640
Speaker 1: pick up the phone, say Papa not home? Sex all night,

817
00:42:31,840 --> 00:42:35,479
Speaker 1: man in the mall, spend my cheese, all my weed

818
00:42:36,120 --> 00:42:38,680
Speaker 1: tattoo on bleep saying be all, did I do too much?

819
00:42:38,719 --> 00:42:41,759
Speaker 1: You have to pay for that? Now? Oh well, it's

820
00:42:41,800 --> 00:42:44,440
Speaker 1: actually in correct now let's talk about this, because we

821
00:42:44,560 --> 00:42:46,440
Speaker 1: all were talking about this behind the scenes, me, you

822
00:42:46,520 --> 00:42:49,040
Speaker 1: and Charlottaigne. Well, she said a mad lame doing it.

823
00:42:49,080 --> 00:42:50,560
Speaker 1: Sounds like she read it. She didn't really know that.

824
00:42:50,719 --> 00:42:53,560
Speaker 1: It's not seasily like I was telling y'all, it sees

825
00:42:53,640 --> 00:42:56,160
Speaker 1: and Nino, right, and then spend my v smoke all

826
00:42:56,280 --> 00:43:00,160
Speaker 1: my weed tattoo on Anino's from Junior Mathia And we

827
00:43:00,239 --> 00:43:05,120
Speaker 1: had a whole argument about this behind the scenes yesterday also,

828
00:43:05,239 --> 00:43:08,000
Speaker 1: and I told y'all it was Seasonino because Little Seas

829
00:43:08,040 --> 00:43:10,719
Speaker 1: actually tweeted out, you want to sit Moa on my

830
00:43:10,800 --> 00:43:13,600
Speaker 1: living room floor playing in ten though with Season Nino

831
00:43:13,760 --> 00:43:17,279
Speaker 1: hashtag big lyrics, hashtag season No. One hundred. Send that

832
00:43:17,360 --> 00:43:19,520
Speaker 1: to Winny for me and everybody else. So for all

833
00:43:19,560 --> 00:43:24,879
Speaker 1: of y'all, it's Seas and Nino. Okay, all right, well

834
00:43:24,880 --> 00:43:27,319
Speaker 1: this is I'm just telling you what he wrote. Rumor

835
00:43:27,400 --> 00:43:29,560
Speaker 1: hads today. Kylie Jenner is pregnant. Now I don't know

836
00:43:29,560 --> 00:43:32,200
Speaker 1: if that's true, but according to in Touch, she's pregnant.

837
00:43:32,239 --> 00:43:35,399
Speaker 1: I don't know, and they're saying that she is very

838
00:43:35,480 --> 00:43:39,600
Speaker 1: excited about it. She's pregnant by Tiger of course, Kylie, Yes,

839
00:43:39,840 --> 00:43:43,840
Speaker 1: seventeen year old. Yes, really, and that's just a rumor. Okay,

840
00:43:43,920 --> 00:43:46,560
Speaker 1: that's just according to in Touch. So that is crazy

841
00:43:46,640 --> 00:43:50,640
Speaker 1: if that that family is something else. Tiger's baby mama

842
00:43:50,840 --> 00:43:54,719
Speaker 1: is with Kylie's brother and she's pregnant. And now this

843
00:43:54,920 --> 00:43:58,239
Speaker 1: is crazy. Girl, I don't know if this is true.

844
00:43:58,520 --> 00:44:00,880
Speaker 1: I'm sorry, so com down, and like I said to you,

845
00:44:00,960 --> 00:44:03,080
Speaker 1: it's just reported from in Touch sap Bury. I here

846
00:44:03,120 --> 00:44:07,520
Speaker 1: the background. Now, listen, there was a lot of flight

847
00:44:07,600 --> 00:44:10,160
Speaker 1: issues yesterday when I when I was coming in, there

848
00:44:10,280 --> 00:44:12,719
Speaker 1: was a lot of flight issues just simply because there

849
00:44:12,840 --> 00:44:15,239
Speaker 1: was bad weather in Arizona, they said, so they had

850
00:44:15,239 --> 00:44:17,680
Speaker 1: to reroute the plane. We were sitting on the tarmac

851
00:44:17,719 --> 00:44:21,719
Speaker 1: for a while. Is your Mike on? His Mike's not on.

852
00:44:23,440 --> 00:44:26,040
Speaker 1: I don't know what you make it is. Hey, is

853
00:44:26,040 --> 00:44:28,920
Speaker 1: it that Mike? Okay? Hello, yeah, that sounds like such

854
00:44:28,960 --> 00:44:30,759
Speaker 1: a professional show here, guy. He just walked in and

855
00:44:30,800 --> 00:44:33,239
Speaker 1: started talking. Listen, man, we had flight issues right in

856
00:44:33,560 --> 00:44:36,479
Speaker 1: land till just now. All right, now, let's talk about

857
00:44:36,600 --> 00:44:39,280
Speaker 1: Kim Kardashian. She is not a fan of Tiller Swift

858
00:44:39,480 --> 00:44:43,040
Speaker 1: at all, and she also feels like that sweet and

859
00:44:43,160 --> 00:44:46,000
Speaker 1: innocent little victim act that tell us Swift does is

860
00:44:46,040 --> 00:44:49,239
Speaker 1: getting old. Calvin Harris has said the same thing. Check

861
00:44:49,280 --> 00:44:51,640
Speaker 1: Out what Kim Kardashian had to say about Taylor Swift.

862
00:44:52,400 --> 00:44:56,600
Speaker 1: She legitimately quote says, as soon as I get on

863
00:44:56,680 --> 00:44:59,919
Speaker 1: that Grammy red carpet, I'm gonna tell all the pride

864
00:45:00,239 --> 00:45:02,440
Speaker 1: like I was in on it, and she just didn't

865
00:45:02,520 --> 00:45:06,440
Speaker 1: like the reaction. Yeah, and you know, just another way

866
00:45:06,480 --> 00:45:08,640
Speaker 1: to play the victim. It's definitely got her a lot

867
00:45:08,680 --> 00:45:11,439
Speaker 1: of tension the first time. I'm just like speaking the truth,

868
00:45:11,600 --> 00:45:14,680
Speaker 1: like he called her, spoke to her. She even helped

869
00:45:14,760 --> 00:45:18,680
Speaker 1: him like rewrite. You know. Yeah, it's so wild. I

870
00:45:18,800 --> 00:45:21,440
Speaker 1: agree with that though, because after a while, if Taylor

871
00:45:21,480 --> 00:45:23,439
Speaker 1: comes out with another album she's talking about a bunch

872
00:45:23,440 --> 00:45:25,319
Speaker 1: of guys breaking up with her and breaking her heart.

873
00:45:25,360 --> 00:45:28,839
Speaker 1: After while, you gotta say, maybe it's you. Okay, maybe

874
00:45:28,880 --> 00:45:31,279
Speaker 1: it's not these guys. Maybe it's you. You know. But

875
00:45:31,400 --> 00:45:35,040
Speaker 1: she's also young and probably not ready to settle down

876
00:45:35,040 --> 00:45:37,400
Speaker 1: one hundred percent, and the guys are kind of not ready,

877
00:45:37,480 --> 00:45:42,680
Speaker 1: and it's difficult sometimes these celebrity relationships. We'll stop backing

878
00:45:42,719 --> 00:45:44,320
Speaker 1: like you want to be in these committed relationships and

879
00:45:44,360 --> 00:45:46,600
Speaker 1: just go through your whole phase, like every human being

880
00:45:46,680 --> 00:45:49,200
Speaker 1: on this planet doesn't keep it moving, all right, And

881
00:45:49,880 --> 00:45:52,240
Speaker 1: Nick Cannon speaking of somebody who went through the whole phase,

882
00:45:52,560 --> 00:45:54,480
Speaker 1: because I guess that's over with now he's trying to

883
00:45:54,480 --> 00:45:58,560
Speaker 1: settle down. Allegedly now he is dating Chili from TLC.

884
00:45:58,719 --> 00:46:01,000
Speaker 1: But they're saying that it's not serious yet. They've just

885
00:46:01,080 --> 00:46:04,200
Speaker 1: been spending time together, hanging out, trying to see where

886
00:46:04,200 --> 00:46:06,920
Speaker 1: it could go, but they haven't committed to each other.

887
00:46:07,280 --> 00:46:09,520
Speaker 1: They said, Chili's a very mature woman that's been around

888
00:46:09,520 --> 00:46:11,879
Speaker 1: the music industry for some time and gets it. Nick

889
00:46:11,880 --> 00:46:13,440
Speaker 1: has always had a crush on her growing up, and

890
00:46:13,520 --> 00:46:15,520
Speaker 1: he thinks she is beautiful. NICKI and all the girls

891
00:46:15,560 --> 00:46:18,520
Speaker 1: he had a crush on Row Drop one a clues

892
00:46:18,520 --> 00:46:21,160
Speaker 1: bos from Nick Cannon. Nick Cannon have the best couchie

893
00:46:21,200 --> 00:46:24,640
Speaker 1: catalog probably that I've heard. He yeah, because I remember

894
00:46:24,680 --> 00:46:26,560
Speaker 1: he telling Big Boy about that he had with Nicole

895
00:46:26,600 --> 00:46:35,480
Speaker 1: Silly to ebank're you're married and you put Chili on

896
00:46:35,560 --> 00:46:38,120
Speaker 1: that list. He got a great couchie catalog, bro, Ni,

897
00:46:38,480 --> 00:46:40,640
Speaker 1: let's say with you one catalog way better than his

898
00:46:40,760 --> 00:46:44,960
Speaker 1: rap catalog. Well you know, yeah, yeah, it's not even close. Hey,

899
00:46:45,040 --> 00:46:46,920
Speaker 1: you gotta do what you gotta do. All right. Well

900
00:46:46,960 --> 00:46:50,319
Speaker 1: I'm Angela Yee and that is your rumor report, all right. Now,

901
00:46:50,440 --> 00:46:52,560
Speaker 1: coming up next, we usually do Donkey of the Day,

902
00:46:53,080 --> 00:46:57,160
Speaker 1: but I ain't got nothing prepared. But actually, Schoolboy, we're

903
00:46:57,160 --> 00:47:00,360
Speaker 1: going to talk to schoolboys and then anyway, there was

904
00:47:01,600 --> 00:47:05,360
Speaker 1: no I'm not I thought he was gonna do that,

905
00:47:05,680 --> 00:47:07,799
Speaker 1: nor guys, I don't know what he's going that. Yeah,

906
00:47:07,840 --> 00:47:09,919
Speaker 1: Schoolboy Q would be here. He's from La. You guys

907
00:47:09,960 --> 00:47:12,080
Speaker 1: in La. We're just kicking with Schoolboy to the next

908
00:47:12,120 --> 00:47:14,319
Speaker 1: house and keep it locked us to Breakfast Club from morning. Yeah,

909
00:47:15,280 --> 00:47:19,319
Speaker 1: that was needed me Rihanna Morning. Everybody's DJ MVY, Angela Ye,

910
00:47:19,480 --> 00:47:22,440
Speaker 1: Charlomagne the guy we are the Breakfast Club. Now, usually

911
00:47:22,440 --> 00:47:25,080
Speaker 1: we do Donkey up the Day right here, but Schoolboy

912
00:47:25,160 --> 00:47:27,960
Speaker 1: QUE was in the building, Angelie and Charlomagne on the

913
00:47:28,040 --> 00:47:30,320
Speaker 1: West coast in La. So we'll just put the donkey

914
00:47:30,400 --> 00:47:32,560
Speaker 1: back and just get it to the Schoolboy Que interview.

915
00:47:32,600 --> 00:47:35,200
Speaker 1: Schoolboy cues here and he came in there playing Pokemon Go.

916
00:47:36,239 --> 00:47:42,440
Speaker 1: He did me up and down time. I'm trying. I'm

917
00:47:42,480 --> 00:47:45,960
Speaker 1: trying to catch you many now. I was watching I

918
00:47:46,040 --> 00:47:48,400
Speaker 1: was watching the interview you did in La on the

919
00:47:48,520 --> 00:47:51,160
Speaker 1: rail with Letty. You said you not You wasn't enjoying

920
00:47:51,200 --> 00:47:54,440
Speaker 1: the moment. Are you enjoying the moment now? Still? You know,

921
00:47:54,840 --> 00:47:56,719
Speaker 1: there's a lot of man, there's rough man. You lose

922
00:47:56,760 --> 00:47:58,680
Speaker 1: your one of your own boys, bro like that. Ain't

923
00:47:58,760 --> 00:48:00,759
Speaker 1: that ain't easy? Man? You don't just be like all right,

924
00:48:00,800 --> 00:48:02,919
Speaker 1: I'm over it. He wrapped about down on the album.

925
00:48:02,960 --> 00:48:05,520
Speaker 1: He went to prison right for a hundred years, man,

926
00:48:05,719 --> 00:48:08,320
Speaker 1: Jesus Christ, he just he just I just got the

927
00:48:08,400 --> 00:48:10,960
Speaker 1: news that he got a hundred years to day my

928
00:48:11,040 --> 00:48:13,640
Speaker 1: album dropped. Damn, I'm suposed to feel like that. I've

929
00:48:13,640 --> 00:48:16,560
Speaker 1: been eating like once a day, like just being my homie,

930
00:48:16,600 --> 00:48:18,800
Speaker 1: be folk, even though he was my homie, like you

931
00:48:18,880 --> 00:48:21,560
Speaker 1: the reason I'm even rapping about this lifestyle. He did

932
00:48:21,640 --> 00:48:23,560
Speaker 1: do to put me on the set, like only like

933
00:48:23,680 --> 00:48:25,760
Speaker 1: three years older than me, but he's like my original

934
00:48:25,880 --> 00:48:27,840
Speaker 1: being home me Like, bro talk, you feel like what

935
00:48:28,040 --> 00:48:33,120
Speaker 1: some survival's remorse, maybe survivor's guilt that you made it

936
00:48:33,200 --> 00:48:35,560
Speaker 1: and he you know, nah, not really that. It's just

937
00:48:35,760 --> 00:48:38,719
Speaker 1: more so than just my nick Like he's gone and

938
00:48:38,800 --> 00:48:40,399
Speaker 1: all I could do is just hope fun a pill.

939
00:48:40,480 --> 00:48:41,840
Speaker 1: I mean, you still got to enjoy the moment. You

940
00:48:41,880 --> 00:48:43,400
Speaker 1: got a door right now, so that could be some

941
00:48:43,600 --> 00:48:45,399
Speaker 1: kind of Man I'm out here and she just brought

942
00:48:45,440 --> 00:48:50,120
Speaker 1: her arm yesterday. Too much? You know what you don't

943
00:48:50,120 --> 00:48:53,000
Speaker 1: have tomont E said, well, you don't have time with

944
00:48:53,040 --> 00:48:55,040
Speaker 1: Pokemon go, you got too much. I'm trying to keep

945
00:48:55,120 --> 00:48:58,399
Speaker 1: my mind off of it. But just like being a kid,

946
00:48:58,600 --> 00:49:00,920
Speaker 1: you know, seven year old. Like that was one of

947
00:49:00,960 --> 00:49:03,000
Speaker 1: the reasons why I told people I stepped away from

948
00:49:03,080 --> 00:49:05,640
Speaker 1: music after my last album because it's just like I'm

949
00:49:05,680 --> 00:49:08,600
Speaker 1: always doing this type of stuff and moving around and

950
00:49:08,680 --> 00:49:10,920
Speaker 1: I'm missing out on my family. Like important. I was

951
00:49:10,920 --> 00:49:13,920
Speaker 1: supposed to be there, like my daughter broker arm and

952
00:49:14,200 --> 00:49:16,600
Speaker 1: she got like somebody else taking her to the hospital.

953
00:49:17,200 --> 00:49:19,160
Speaker 1: In the hospital, whether I'm supposed to be there right,

954
00:49:19,280 --> 00:49:24,440
Speaker 1: did you as to make me sad talking about your

955
00:49:24,480 --> 00:49:27,879
Speaker 1: FaceTime or she's in the FaceTime and she sleep most

956
00:49:27,920 --> 00:49:29,320
Speaker 1: of the time, you know what I mean? She on

957
00:49:29,400 --> 00:49:31,600
Speaker 1: the dope. They got her on the dope and stuff.

958
00:49:31,640 --> 00:49:35,160
Speaker 1: She was gonna get ready to go. It's dope, man,

959
00:49:35,280 --> 00:49:37,000
Speaker 1: It's dope. It is what it is. I just think

960
00:49:37,080 --> 00:49:40,439
Speaker 1: before FaceTime something like that happened and you can at least.

961
00:49:40,480 --> 00:49:42,680
Speaker 1: Now that's a lot of a connection like that to

962
00:49:42,760 --> 00:49:45,399
Speaker 1: be on the FaceTime and see modern technology has really

963
00:49:45,480 --> 00:49:48,600
Speaker 1: helped a lot with relationships in general now for sure.

964
00:49:48,640 --> 00:49:51,439
Speaker 1: Off tops, well, let's talk about the new album blank face,

965
00:49:51,560 --> 00:49:54,440
Speaker 1: blank face, blank face. Seventeen songs. You must have had

966
00:49:54,480 --> 00:49:56,640
Speaker 1: a lot of songs done to be able to pick seventeen.

967
00:49:57,200 --> 00:49:59,720
Speaker 1: I mean, yeah, we were going to do a deluxe

968
00:49:59,719 --> 00:50:01,200
Speaker 1: and that, but I'm just like, well, I do a

969
00:50:01,280 --> 00:50:03,239
Speaker 1: de luxe. That's like the label stuff that you were

970
00:50:03,320 --> 00:50:04,960
Speaker 1: in about to seal the stuff. I don't care about

971
00:50:05,000 --> 00:50:09,920
Speaker 1: that stuff, but never can't about I mean, don't care,

972
00:50:10,080 --> 00:50:12,719
Speaker 1: bottom Bay. They put me in this position, don't get

973
00:50:12,760 --> 00:50:15,200
Speaker 1: a twisted like TD put me in this position. I

974
00:50:15,200 --> 00:50:17,279
Speaker 1: wouldn't be where I'm at without TD. Like you know

975
00:50:17,360 --> 00:50:19,040
Speaker 1: how I know you can because you did the song

976
00:50:19,160 --> 00:50:22,080
Speaker 1: Studio that was a huge hit song off the last album,

977
00:50:22,480 --> 00:50:24,000
Speaker 1: and then I could tell on this song you have

978
00:50:24,080 --> 00:50:26,160
Speaker 1: another hit. What you talked about the time with Miguel

979
00:50:26,760 --> 00:50:30,800
Speaker 1: and Justine tough broad You didn't No, I didn't like

980
00:50:30,920 --> 00:50:33,560
Speaker 1: it at first because look see what I said that

981
00:50:33,640 --> 00:50:35,640
Speaker 1: the listening to the party sound it I had to

982
00:50:35,680 --> 00:50:39,000
Speaker 1: say stuff so brief it came out wrong. But I

983
00:50:39,080 --> 00:50:42,160
Speaker 1: didn't like the song until me Gel and Justine got im.

984
00:50:43,480 --> 00:50:46,040
Speaker 1: I'm the one that asks for that. I was getting

985
00:50:46,080 --> 00:50:48,640
Speaker 1: the hook. Then we had as you can tell, Kendrick

986
00:50:48,719 --> 00:50:51,239
Speaker 1: still got background vocals. Kendrick is in the background too.

987
00:50:51,280 --> 00:50:53,320
Speaker 1: It's just a little like, Nah, I'm cool on that,

988
00:50:53,520 --> 00:50:56,000
Speaker 1: Like y'all know about the forest meter. But you was

989
00:50:56,120 --> 00:50:58,680
Speaker 1: Kindrick on one album with the girls song. Yeah, I

990
00:50:58,680 --> 00:51:01,879
Speaker 1: can see what I'm saying. I'm all the time. I'm

991
00:51:01,960 --> 00:51:04,440
Speaker 1: outing with Dave. I'm like, bro, that's a bootleg studio.

992
00:51:04,520 --> 00:51:06,480
Speaker 1: He like, no, it's not. I'm like, bro, it's definitely

993
00:51:06,520 --> 00:51:08,880
Speaker 1: a bootleg studio. I don't think it sound like studio.

994
00:51:10,680 --> 00:51:12,360
Speaker 1: But na, I'm the one that was like, get me

995
00:51:12,480 --> 00:51:17,919
Speaker 1: me Gail at least, yeah, no, what it is these

996
00:51:18,320 --> 00:51:21,200
Speaker 1: bunk ass websites they put it out there. They don't

997
00:51:21,200 --> 00:51:24,960
Speaker 1: even put Justine there. Schoolboard Q hated the song with me, Gail.

998
00:51:25,120 --> 00:51:29,000
Speaker 1: I never mentioned me like I never, But also I

999
00:51:29,040 --> 00:51:30,880
Speaker 1: would have to say it brief so I can understand

1000
00:51:30,920 --> 00:51:32,759
Speaker 1: why they would put it like that. You could tell

1001
00:51:32,880 --> 00:51:34,719
Speaker 1: that they're looking for us. It's a great headline and

1002
00:51:34,840 --> 00:51:37,719
Speaker 1: looking like yeah, exactly, but he doesn't like song with

1003
00:51:38,040 --> 00:51:40,839
Speaker 1: Miguel Miguel hit you like, Bro, I thought you said

1004
00:51:40,880 --> 00:51:43,000
Speaker 1: you like, yeah, we huted at each other or whatever.

1005
00:51:43,080 --> 00:51:44,960
Speaker 1: I was wrong in the situation. I would have been

1006
00:51:45,120 --> 00:51:47,160
Speaker 1: like I would have hided. Let you know what I'm saying.

1007
00:51:47,200 --> 00:51:48,840
Speaker 1: Somebody says something like that to me, Ain't nothing you

1008
00:51:48,880 --> 00:51:50,200
Speaker 1: can say to me, like you know what I mean?

1009
00:51:50,280 --> 00:51:51,759
Speaker 1: So I have to highlight him and let them know.

1010
00:51:51,960 --> 00:51:57,840
Speaker 1: Probably I was like that, ain't this better? No, I

1011
00:51:58,000 --> 00:52:00,080
Speaker 1: was like that. I'm just like, I'm just like to

1012
00:52:00,120 --> 00:52:02,839
Speaker 1: apologize to him because it came out wrong. And as

1013
00:52:02,880 --> 00:52:04,520
Speaker 1: a man, you gotta know when you're wrong when you

1014
00:52:04,800 --> 00:52:06,040
Speaker 1: when you do something, you know what I mean? I

1015
00:52:06,160 --> 00:52:08,879
Speaker 1: was wrong? How man? We just always used to run

1016
00:52:08,920 --> 00:52:10,720
Speaker 1: into each other, and I just had a top calling

1017
00:52:10,760 --> 00:52:13,120
Speaker 1: him like I'm not about to go ask somebody like

1018
00:52:13,320 --> 00:52:15,640
Speaker 1: Kanye West status, like yo, let me get your number.

1019
00:52:15,640 --> 00:52:18,640
Speaker 1: We should do something like Kanye is up here out there,

1020
00:52:18,800 --> 00:52:21,560
Speaker 1: school boy. No, no, not like Kanye, Bro, Kanye is

1021
00:52:21,600 --> 00:52:23,480
Speaker 1: a legend, like he hasn't done it over and over

1022
00:52:23,560 --> 00:52:25,719
Speaker 1: and over and over and over since I was in

1023
00:52:25,880 --> 00:52:28,160
Speaker 1: like first year out of high school. You know what

1024
00:52:28,200 --> 00:52:31,399
Speaker 1: I'm saying, right, you know your playing exact, you don't.

1025
00:52:32,120 --> 00:52:35,480
Speaker 1: I hate when you artists like no disrespect, but if

1026
00:52:35,560 --> 00:52:38,279
Speaker 1: you just got on, like you're not even made the

1027
00:52:38,360 --> 00:52:40,440
Speaker 1: freshman list, you ask him for my number and you

1028
00:52:40,560 --> 00:52:43,200
Speaker 1: talk about let's go to the WIP, let's do this.

1029
00:52:43,360 --> 00:52:46,160
Speaker 1: Oh you should like no, I'm cool like na like

1030
00:52:47,080 --> 00:52:49,040
Speaker 1: unless it's like unless I know who you are and

1031
00:52:49,080 --> 00:52:51,959
Speaker 1: it's dope, like don't just ask me for my number,

1032
00:52:52,000 --> 00:52:53,640
Speaker 1: and like no we need to get one, Like no,

1033
00:52:53,760 --> 00:52:55,760
Speaker 1: we don't need to get one. Still think you underrated?

1034
00:52:56,160 --> 00:53:00,600
Speaker 1: I mean still yees so much because people confuse gangster

1035
00:53:00,680 --> 00:53:03,040
Speaker 1: raut with no substance. Now, but we got the most

1036
00:53:03,040 --> 00:53:06,440
Speaker 1: substance in any artists because for the simple fact we're

1037
00:53:06,440 --> 00:53:08,480
Speaker 1: talking about our life. People just be talking about what's

1038
00:53:08,520 --> 00:53:10,640
Speaker 1: on the news. I'll be hearing Nick to be wrapping

1039
00:53:10,719 --> 00:53:13,200
Speaker 1: double Time and like that's bars. Like now you just

1040
00:53:13,400 --> 00:53:15,399
Speaker 1: got better and way more child, I get more greener,

1041
00:53:15,440 --> 00:53:20,120
Speaker 1: I got more like what the he said, that's double time? Confused? Nick?

1042
00:53:20,520 --> 00:53:23,080
Speaker 1: I know you ain't saying my bad just stepping up

1043
00:53:23,120 --> 00:53:25,440
Speaker 1: lyrically on this album. Of course I had to, man,

1044
00:53:25,560 --> 00:53:28,759
Speaker 1: this is I felt I felt like people sleeping on me. Man,

1045
00:53:28,880 --> 00:53:31,560
Speaker 1: even though I had the big record. I just got

1046
00:53:31,680 --> 00:53:33,279
Speaker 1: to come back harder. I just felt like I just

1047
00:53:33,360 --> 00:53:35,960
Speaker 1: had to come back harder. Stay focused. Man, Now you

1048
00:53:36,080 --> 00:53:38,960
Speaker 1: haven't had some experiences with aliens because I see you're

1049
00:53:39,000 --> 00:53:42,920
Speaker 1: on Action Bronson's so that he's doing, or if you're

1050
00:53:42,960 --> 00:53:44,600
Speaker 1: popping up in LA all the time. Oh yeah, so

1051
00:53:44,719 --> 00:53:46,680
Speaker 1: they say, I mean, I don't believe in none of that. Alien.

1052
00:53:47,920 --> 00:53:50,000
Speaker 1: I don't believe in alien. Don't get me wrong. I

1053
00:53:50,040 --> 00:53:52,279
Speaker 1: don't think we're the only species in the world. I'm

1054
00:53:52,320 --> 00:53:56,160
Speaker 1: not believing Alien has a spaceship flying over LA. Just

1055
00:53:56,239 --> 00:53:59,799
Speaker 1: seeing was cracking him. No, we got planes, I can

1056
00:54:00,040 --> 00:54:01,880
Speaker 1: all other countries and all around the world. We're not

1057
00:54:02,040 --> 00:54:04,239
Speaker 1: going to mar He's talking about what's crack that we

1058
00:54:04,360 --> 00:54:06,239
Speaker 1: know what's going on? Oh they see us. We gotta

1059
00:54:06,280 --> 00:54:09,600
Speaker 1: get out of here. An experience if that was ghost

1060
00:54:09,760 --> 00:54:12,600
Speaker 1: or something. No, I never had experience with ghosts that

1061
00:54:13,520 --> 00:54:16,239
Speaker 1: dreamed all that. But you know what I'm saying, you

1062
00:54:16,320 --> 00:54:18,440
Speaker 1: had sex with the ghost too, like Bobby Brown. No,

1063
00:54:18,640 --> 00:54:21,880
Speaker 1: I don't know what he's telling about. Set. No, man,

1064
00:54:21,960 --> 00:54:25,439
Speaker 1: I need some of that. He got. Whatever you got crack,

1065
00:54:25,640 --> 00:54:30,239
Speaker 1: it's called the ghost. I mean, you ain't getting no

1066
00:54:30,400 --> 00:54:34,000
Speaker 1: SCD running. We got more with Schoolboy Que keeping locked

1067
00:54:34,040 --> 00:54:40,360
Speaker 1: us to Breakfast Club. Good Morning, the Breakfast Club that

1068
00:54:40,520 --> 00:54:44,440
Speaker 1: was Schoolboy Q, Kanye West Morning, Everybody's DJ m vy

1069
00:54:44,560 --> 00:54:47,239
Speaker 1: angela Ye, Charlemagne the guy we are the Breakfast Club

1070
00:54:47,360 --> 00:54:50,160
Speaker 1: Schoolboy que is in the building that there's a freak

1071
00:54:50,239 --> 00:54:51,480
Speaker 1: q out a little bit when you go to your

1072
00:54:51,520 --> 00:54:54,200
Speaker 1: concert and people are looking like you with the hat, like, Bro,

1073
00:54:54,400 --> 00:54:57,880
Speaker 1: it's weird, bro, people wearing the circle the John Lenny's glasses.

1074
00:54:58,480 --> 00:55:01,080
Speaker 1: I'm sorry to see ugly being years now like that.

1075
00:55:01,200 --> 00:55:03,479
Speaker 1: You gotta salute shilly for that. They can't take credit

1076
00:55:03,520 --> 00:55:05,399
Speaker 1: for that. I'm not taking the credit for it. I'm

1077
00:55:05,400 --> 00:55:07,960
Speaker 1: just saying when I'm at my shows, I've seen that,

1078
00:55:08,160 --> 00:55:11,320
Speaker 1: and it's it's it's a little weird. I'm seeing dashikis

1079
00:55:11,360 --> 00:55:13,880
Speaker 1: now like they already took the bucket hats from me.

1080
00:55:13,960 --> 00:55:16,080
Speaker 1: Everybody wearing the bucket I'm like, bro, like I had

1081
00:55:16,120 --> 00:55:17,719
Speaker 1: to put that away. That's why you don't wear them.

1082
00:55:18,280 --> 00:55:20,319
Speaker 1: He got a little too weird. Everywhere I go. It's

1083
00:55:20,360 --> 00:55:23,200
Speaker 1: just like everybody knew it was me off the rip, like,

1084
00:55:23,280 --> 00:55:25,560
Speaker 1: oh that schoolbook you I took the bucket hat off.

1085
00:55:25,600 --> 00:55:27,880
Speaker 1: People don't even bother me. No, more. But what's the

1086
00:55:27,920 --> 00:55:33,640
Speaker 1: science behind the dashikis it? I'm black? Okay, damn the

1087
00:55:33,680 --> 00:55:38,400
Speaker 1: album behind that? So I'm just asking on Twitter you

1088
00:55:38,480 --> 00:55:41,000
Speaker 1: just be paying five dollars. They just five dollars off

1089
00:55:41,000 --> 00:55:43,520
Speaker 1: of Amazon. I didn't you getting the match your sneakers though,

1090
00:55:44,120 --> 00:55:47,960
Speaker 1: I get every color possible on Amazon. I go to

1091
00:55:48,440 --> 00:55:50,960
Speaker 1: every week I check Amazon. You got got any new ones? No,

1092
00:55:51,120 --> 00:55:52,839
Speaker 1: they got any I didn't brought them all. I ain't

1093
00:55:52,840 --> 00:55:56,719
Speaker 1: seen no new ones now reloaded. I gonna throws. I

1094
00:55:56,800 --> 00:55:59,800
Speaker 1: got a couple throwbacks, like like like exclusive ones because

1095
00:55:59,800 --> 00:56:02,919
Speaker 1: it's spec I got a cover. I got a couple

1096
00:56:02,920 --> 00:56:13,400
Speaker 1: of exclusive guys the super Bowl and cool it No,

1097
00:56:13,680 --> 00:56:18,839
Speaker 1: just his face go, yeah this Michael Jordan crying. People

1098
00:56:18,880 --> 00:56:21,319
Speaker 1: thought that was your album cover. You put that out

1099
00:56:21,360 --> 00:56:23,640
Speaker 1: there like that for people to think that as a joke. Yeah,

1100
00:56:24,040 --> 00:56:25,440
Speaker 1: did you really want to do that? But you knew,

1101
00:56:25,640 --> 00:56:28,720
Speaker 1: Michael Jordan. The whole thing was, I had a concept

1102
00:56:28,800 --> 00:56:31,439
Speaker 1: behind it because the album is obviously called blank Face,

1103
00:56:32,239 --> 00:56:33,800
Speaker 1: and I was supposed to put out a bunch of

1104
00:56:33,840 --> 00:56:36,359
Speaker 1: a series of pictures. But you put the first one

1105
00:56:36,400 --> 00:56:39,560
Speaker 1: out and everybody jumped on it like, oh cute, that's

1106
00:56:39,600 --> 00:56:42,000
Speaker 1: the cover. I've never said it was the cover, all right,

1107
00:56:42,239 --> 00:56:45,560
Speaker 1: So I'm like, all right, y'all stupid. Not my fans.

1108
00:56:46,520 --> 00:56:49,160
Speaker 1: The websites, like, like I said, they tim z now

1109
00:56:49,280 --> 00:56:51,440
Speaker 1: like you put something out, they want to be the

1110
00:56:51,480 --> 00:56:53,399
Speaker 1: first one to do. They want to gossip, they want

1111
00:56:53,440 --> 00:56:56,279
Speaker 1: to you know what I mean. So I'm not all right.

1112
00:56:56,360 --> 00:56:58,439
Speaker 1: These websites just stupid. Did I threw the Donald Trump

1113
00:56:58,480 --> 00:57:00,360
Speaker 1: went out and I was like, deluxe coverage? So now

1114
00:57:00,400 --> 00:57:03,520
Speaker 1: I'm trolling now because y'all mess my whole thing up

1115
00:57:03,560 --> 00:57:05,000
Speaker 1: that I would trying to do. I had a whole

1116
00:57:05,160 --> 00:57:07,759
Speaker 1: bunch of pictures, bro, and the first picture we put

1117
00:57:07,880 --> 00:57:10,840
Speaker 1: up the first two minutes they talk about album. But

1118
00:57:10,960 --> 00:57:14,399
Speaker 1: you know, that just means people are excited. And yes, man,

1119
00:57:14,680 --> 00:57:16,920
Speaker 1: you put something out and immediately everybody jumps on it.

1120
00:57:17,000 --> 00:57:18,760
Speaker 1: They're like, oh, this is the album covered albums coming.

1121
00:57:18,840 --> 00:57:20,880
Speaker 1: It's exciting for people. Now, imagine you put that out

1122
00:57:20,880 --> 00:57:24,080
Speaker 1: and nobody said nothing would have been tight because they

1123
00:57:24,160 --> 00:57:26,520
Speaker 1: would have got everything I got that I wanted to

1124
00:57:26,640 --> 00:57:28,960
Speaker 1: do with it. It would have been tight. But I mean,

1125
00:57:29,120 --> 00:57:31,040
Speaker 1: it is what it is. Man. I'm not I'm not.

1126
00:57:31,120 --> 00:57:33,920
Speaker 1: I'm new to all this media stuff. Still, like I

1127
00:57:33,960 --> 00:57:36,040
Speaker 1: can tell you. That's what that flip flops on. Yeah,

1128
00:57:36,400 --> 00:57:38,520
Speaker 1: tis like what you cool here? Like, man, I'm not

1129
00:57:38,560 --> 00:57:40,040
Speaker 1: about to come in here, Like what I'm gonna come

1130
00:57:40,040 --> 00:57:45,280
Speaker 1: in here? Y'all know I getting money? Like? Now, what

1131
00:57:45,400 --> 00:57:47,800
Speaker 1: does the blank face actually symbolize? Because on the album

1132
00:57:47,920 --> 00:57:49,880
Speaker 1: you got a line where you say all lives matter.

1133
00:57:50,280 --> 00:57:52,840
Speaker 1: Oh no, people got that and they mixed it up.

1134
00:57:53,520 --> 00:57:57,000
Speaker 1: The whole song. First of the song is called black Thoughts. Okay,

1135
00:57:57,400 --> 00:58:01,320
Speaker 1: the whole song is about crips and bloods. After I

1136
00:58:01,400 --> 00:58:05,080
Speaker 1: said all lives matter, I said both sides. So what

1137
00:58:05,240 --> 00:58:07,000
Speaker 1: does that give you? What does that bring to you?

1138
00:58:07,080 --> 00:58:11,160
Speaker 1: What am I talking about exactly? Which means I'm still

1139
00:58:11,240 --> 00:58:14,520
Speaker 1: talking about black lives. I flip the whole little ignorance

1140
00:58:14,560 --> 00:58:17,920
Speaker 1: saying all lives matter into making it still black lives.

1141
00:58:18,280 --> 00:58:21,000
Speaker 1: And get what I'm saying. People are not dissecting the lyrics.

1142
00:58:21,080 --> 00:58:23,920
Speaker 1: People are so easy at listening to the songs because

1143
00:58:24,240 --> 00:58:27,120
Speaker 1: rappers are whack. People just hear it and they're just like, oh,

1144
00:58:27,400 --> 00:58:29,320
Speaker 1: you said all lives matter. You didn't even listen to

1145
00:58:29,440 --> 00:58:34,120
Speaker 1: the song black Thoughts, So you said there's only two

1146
00:58:34,240 --> 00:58:36,600
Speaker 1: skin colors? Like you know what I mean? Like people

1147
00:58:36,600 --> 00:58:38,480
Speaker 1: always making it white in the black thing. It's not

1148
00:58:38,560 --> 00:58:40,800
Speaker 1: about that. Like, are you disgusted with the music industry

1149
00:58:40,800 --> 00:58:42,720
Speaker 1: because you keep saying these rappers are so whack? Oh

1150
00:58:42,800 --> 00:58:46,040
Speaker 1: they are, Like not everybody whack, bro, I'll just see

1151
00:58:46,080 --> 00:58:49,880
Speaker 1: what everybody's doing. Everybody's trying to make older music, Like, oh,

1152
00:58:49,880 --> 00:58:51,800
Speaker 1: I'm trying to sound like this, dude, I'm trying to

1153
00:58:51,840 --> 00:58:53,680
Speaker 1: sound like that. Dude. Are they doing the same thing?

1154
00:58:53,880 --> 00:58:57,000
Speaker 1: Like I don't tune and like everybody that's the new

1155
00:58:57,040 --> 00:59:01,280
Speaker 1: wave now, like because guy like you, because of Kendrick,

1156
00:59:01,280 --> 00:59:03,960
Speaker 1: because of vict minsonn Chance, I like, I like a

1157
00:59:04,080 --> 00:59:07,040
Speaker 1: lot about it. Can't get me wrong. Are the people

1158
00:59:07,080 --> 00:59:10,360
Speaker 1: that's dope. But it's so much whacked out there no content,

1159
00:59:10,480 --> 00:59:14,040
Speaker 1: no nothing, And then it makes the listener lazy, Like

1160
00:59:14,200 --> 00:59:16,760
Speaker 1: everywhere you go, everybody asks you, so what do your

1161
00:59:16,800 --> 00:59:19,840
Speaker 1: album mean? Before it even drop, Like everybody's been asking

1162
00:59:19,840 --> 00:59:21,200
Speaker 1: me what does blank face me? And I'm like, you

1163
00:59:21,280 --> 00:59:22,920
Speaker 1: figure it out first. It don't even out of week.

1164
00:59:23,040 --> 00:59:25,280
Speaker 1: Listen to it. We got more with Schoolboy Q when

1165
00:59:25,320 --> 00:59:27,520
Speaker 1: we come back. Keep it locked. It's the breakfast club

1166
00:59:27,560 --> 00:59:31,400
Speaker 1: come morning. That was Drake one Dance Morning. Everybody's DJ

1167
00:59:31,760 --> 00:59:34,000
Speaker 1: m V Angela Yee, Charlomagne, the guy we are the

1168
00:59:34,040 --> 00:59:37,440
Speaker 1: breakfast club. Schoolboy Q is in the building of Charlemagne.

1169
00:59:37,480 --> 00:59:39,080
Speaker 1: I'm gonna think a crack of did blank face thing.

1170
00:59:39,120 --> 00:59:40,840
Speaker 1: I think it means that, like you don't want to

1171
00:59:40,880 --> 00:59:42,400
Speaker 1: be profiled, you don't want to be just you don't

1172
00:59:42,400 --> 00:59:44,560
Speaker 1: want to be stereotypes, like don't put me in no boxes.

1173
00:59:45,400 --> 00:59:48,320
Speaker 1: You don't know what I am part of that's a

1174
00:59:48,400 --> 00:59:51,920
Speaker 1: big that's big percentage of what the album is. Like,

1175
00:59:53,360 --> 00:59:56,240
Speaker 1: got it albums out right now, make sure you pick

1176
00:59:56,280 --> 00:59:58,560
Speaker 1: it up. And we appreciate you joining us. School Boy.

1177
00:59:58,560 --> 01:00:00,919
Speaker 1: You've been the same since you first email. Man. Every

1178
01:00:00,960 --> 01:00:02,920
Speaker 1: time you get the same guy, you always show us

1179
01:00:02,960 --> 01:00:05,120
Speaker 1: love and we appreciate that. Man. Thank y'all for not

1180
01:00:05,440 --> 01:00:09,160
Speaker 1: doing me like the other rappers and making good music music,

1181
01:00:09,200 --> 01:00:12,160
Speaker 1: and you don't do dumb when you're not in the booth. Yeah, people,

1182
01:00:12,480 --> 01:00:14,920
Speaker 1: I've been looking at some of these interviews. I'll be like, damn,

1183
01:00:15,000 --> 01:00:18,880
Speaker 1: I'm ready to get down something. As y'all say, the people,

1184
01:00:18,960 --> 01:00:22,880
Speaker 1: we gotta get down like off top. We make good music, y'all,

1185
01:00:22,960 --> 01:00:26,560
Speaker 1: scalars man, y'all making y'all making artists feel weird like

1186
01:00:27,040 --> 01:00:30,120
Speaker 1: y'all do answer questions not interested in the answer, like

1187
01:00:32,280 --> 01:00:34,280
Speaker 1: ask the questions. I don't even care what the deal

1188
01:00:34,320 --> 01:00:37,680
Speaker 1: to saying like so I'll appreciate y'all for even you

1189
01:00:37,760 --> 01:00:39,520
Speaker 1: know what I'm saying. If you don't put the knowledge

1190
01:00:39,520 --> 01:00:41,040
Speaker 1: of me, if you don't put no thought into your

1191
01:00:41,160 --> 01:00:43,040
Speaker 1: music or your craft, why should we put thought into

1192
01:00:43,040 --> 01:00:50,040
Speaker 1: all questions when we interview? True, my mind supposed to

1193
01:00:50,080 --> 01:00:52,520
Speaker 1: say that. See you said you answer the questions like

1194
01:00:52,640 --> 01:00:54,960
Speaker 1: you answer and say stuff like me and he answered

1195
01:00:55,040 --> 01:00:58,280
Speaker 1: say stuff like Dave and topping one to answer the

1196
01:00:58,400 --> 01:01:00,680
Speaker 1: lead just to token female that need be on the show.

1197
01:01:00,720 --> 01:01:05,560
Speaker 1: I feel like she just here to just tell you, like,

1198
01:01:06,560 --> 01:01:09,720
Speaker 1: but yeah, so I heard you name your album blank

1199
01:01:09,800 --> 01:01:19,000
Speaker 1: face Angela give Angela like she loves music, but I

1200
01:01:19,040 --> 01:01:22,280
Speaker 1: don't think she cares to interview nobody. I can tell

1201
01:01:22,440 --> 01:01:26,880
Speaker 1: she genuinely loved music, but she doesn't care to exactly what.

1202
01:01:27,240 --> 01:01:28,880
Speaker 1: You want to go and listen to the music, she

1203
01:01:28,880 --> 01:01:31,120
Speaker 1: ain't trying to. I definitely went to the listening session.

1204
01:01:31,600 --> 01:01:33,760
Speaker 1: He was the only one. So you do that type

1205
01:01:33,760 --> 01:01:37,440
Speaker 1: of stuff. I understand that because you come up here

1206
01:01:37,480 --> 01:01:39,360
Speaker 1: and take time out to promote. I like to go

1207
01:01:39,400 --> 01:01:41,240
Speaker 1: out and show my support as well for people. If

1208
01:01:41,240 --> 01:01:43,440
Speaker 1: I care about your music, I care about you, I

1209
01:01:43,520 --> 01:01:45,200
Speaker 1: like to make sure I'll go out of my way

1210
01:01:45,240 --> 01:01:46,960
Speaker 1: to go and do that. So yeah, one more thing

1211
01:01:47,160 --> 01:01:50,160
Speaker 1: to the people. I've been going through something lately, man,

1212
01:01:50,800 --> 01:01:53,040
Speaker 1: and haven't been able to get to have a chance

1213
01:01:53,080 --> 01:01:55,400
Speaker 1: to get to the album. It's gonna be there for

1214
01:01:55,560 --> 01:01:58,000
Speaker 1: you whenever you get to it. I understand. I had

1215
01:01:58,040 --> 01:02:00,760
Speaker 1: a lot of fans that told me they couldn't listen

1216
01:02:00,760 --> 01:02:02,760
Speaker 1: to the album at the moment because everything that's going

1217
01:02:02,800 --> 01:02:04,560
Speaker 1: on this week. It was a lot of things took

1218
01:02:04,600 --> 01:02:06,960
Speaker 1: off the distraction from him and they didn't want to disrespect,

1219
01:02:07,000 --> 01:02:09,600
Speaker 1: which I appreciate they're saying they didn't want to disrespect

1220
01:02:09,680 --> 01:02:11,800
Speaker 1: my craft and just going and listen to it with

1221
01:02:12,000 --> 01:02:15,120
Speaker 1: a messed in mind. So I appreciate everybody that's telling

1222
01:02:15,160 --> 01:02:16,440
Speaker 1: me that. On two, how do you feel about what

1223
01:02:18,080 --> 01:02:20,120
Speaker 1: it's messed up? What's going on? You know what I'm saying,

1224
01:02:20,160 --> 01:02:23,160
Speaker 1: Like it just doesn't make sense how many black people

1225
01:02:23,200 --> 01:02:26,360
Speaker 1: are just dying left and right. Then on top of that,

1226
01:02:26,440 --> 01:02:28,640
Speaker 1: we got a bunch of people dying on film, man,

1227
01:02:28,800 --> 01:02:32,240
Speaker 1: Like I'm sick of seeing six people. To set this

1228
01:02:32,400 --> 01:02:34,320
Speaker 1: over and over, and I'm sick of seeing six people

1229
01:02:35,120 --> 01:02:38,439
Speaker 1: record another black man get killed. Bro like one person

1230
01:02:38,560 --> 01:02:40,880
Speaker 1: doing it. That's fine. I think everybody else need to

1231
01:02:40,920 --> 01:02:43,520
Speaker 1: stand up because we didn't seen something. Now, we didn't

1232
01:02:43,560 --> 01:02:46,200
Speaker 1: seen the same cycle over and over again. They're gonna

1233
01:02:46,280 --> 01:02:49,040
Speaker 1: kill you now. They're gonna kill you now. So it's

1234
01:02:49,040 --> 01:02:51,640
Speaker 1: about time we start standing next to that cop to

1235
01:02:51,760 --> 01:02:54,280
Speaker 1: make sure he does he's everything right. That means I

1236
01:02:54,320 --> 01:02:56,600
Speaker 1: gotta go to jail for an hour. You get what

1237
01:02:56,640 --> 01:02:58,680
Speaker 1: I'm saying, Because that's all it's gonna be. I'm gonna

1238
01:02:58,680 --> 01:03:00,840
Speaker 1: go to jail for an hour. I'm with it because

1239
01:03:01,280 --> 01:03:03,040
Speaker 1: I'm not trying to look at no kid crying on

1240
01:03:03,120 --> 01:03:05,760
Speaker 1: TV no more, because all three of us got the

1241
01:03:05,840 --> 01:03:08,280
Speaker 1: perfect angle to show that the cop. We don't need

1242
01:03:08,360 --> 01:03:09,640
Speaker 1: to see that no more. You know what I mean?

1243
01:03:09,760 --> 01:03:15,120
Speaker 1: Like real talk with the LAPD bad. I got LAPD

1244
01:03:15,600 --> 01:03:17,560
Speaker 1: add it on my skin so you can understand what

1245
01:03:17,680 --> 01:03:20,120
Speaker 1: that is. You believe all cops are bad? No, that

1246
01:03:20,280 --> 01:03:24,200
Speaker 1: all cops are bad. Nah, that's like saying some LAPD

1247
01:03:25,600 --> 01:03:27,640
Speaker 1: because you're part of it, You're part of you letting

1248
01:03:27,640 --> 01:03:31,160
Speaker 1: the slide. That's why I like. That's like me being

1249
01:03:31,240 --> 01:03:33,760
Speaker 1: a gang member, and then I don't do songs like

1250
01:03:33,840 --> 01:03:35,600
Speaker 1: black Thoughts where I say let's put the rag down

1251
01:03:35,640 --> 01:03:37,479
Speaker 1: and raise our kids. All I'm saying the script crypt

1252
01:03:37,680 --> 01:03:39,800
Speaker 1: the script that. But I'm in New York right now

1253
01:03:39,800 --> 01:03:42,880
Speaker 1: at the Breakfast Club. I'm part of that buoy. Like

1254
01:03:43,000 --> 01:03:44,480
Speaker 1: you know what I'm saying. I have to make those

1255
01:03:44,560 --> 01:03:46,600
Speaker 1: records like that. I have to make the records like

1256
01:03:46,760 --> 01:03:49,320
Speaker 1: never change you could. It's the ways of telling people

1257
01:03:49,560 --> 01:03:52,200
Speaker 1: your story in your background. But you also got to

1258
01:03:52,240 --> 01:03:54,360
Speaker 1: let them know that this is not cool. Kids are

1259
01:03:54,400 --> 01:03:56,400
Speaker 1: listening to this, But it's this thing called it in

1260
01:03:56,440 --> 01:03:59,880
Speaker 1: the Constitution, called your right of defense against unlawful arrest. Google,

1261
01:04:00,360 --> 01:04:02,200
Speaker 1: I'm telling everybody about that. I mean, even though they

1262
01:04:02,200 --> 01:04:05,360
Speaker 1: don't respect our constitutional rights anyway, but you're right of

1263
01:04:05,520 --> 01:04:08,440
Speaker 1: defense against unlawful arrest. Everybody need to read that. I'm

1264
01:04:08,440 --> 01:04:11,320
Speaker 1: gonna read that mark all right. Well it's the Breakfast Club,

1265
01:04:11,360 --> 01:04:24,960
Speaker 1: the schoolboy Q this just oh got Breakfast Club. Well,

1266
01:04:25,080 --> 01:04:27,880
Speaker 1: rumor has it that Pokemon Go is gonna be doing

1267
01:04:28,000 --> 01:04:32,600
Speaker 1: a partnership with McDonald's now. According to a well placed source,

1268
01:04:32,680 --> 01:04:36,680
Speaker 1: they have confirmed with Gizmoto that that sponsorship is moving forward.

1269
01:04:36,720 --> 01:04:39,640
Speaker 1: So I guess what they're saying is every McDonald's restaurant

1270
01:04:39,720 --> 01:04:42,040
Speaker 1: in this country would be a poke stop or a gym.

1271
01:04:42,560 --> 01:04:44,200
Speaker 1: That is dope. I wish I could make all the

1272
01:04:44,280 --> 01:04:48,040
Speaker 1: clubs that I DJ Pokemon stop. I'm gonna eight year

1273
01:04:48,040 --> 01:04:50,280
Speaker 1: olds coming to club, all right, maybe an eight year olds,

1274
01:04:50,280 --> 01:04:53,000
Speaker 1: but you know what I mean. But yeah, that's actually

1275
01:04:53,000 --> 01:04:54,560
Speaker 1: a great way to get business. And if you put

1276
01:04:54,640 --> 01:04:58,760
Speaker 1: some Pokemon in the fries, We're gonna put a Pokemon

1277
01:04:58,880 --> 01:05:02,560
Speaker 1: spot at our je spot every opening up doctor. Yeah, absolutely,

1278
01:05:02,800 --> 01:05:06,480
Speaker 1: you get a green juice in a Pokemon all right. Now,

1279
01:05:06,680 --> 01:05:10,040
Speaker 1: let's talk about ESPN's First Take. They have named a

1280
01:05:10,160 --> 01:05:13,360
Speaker 1: replacement for Skip Bayless, and that is Max Kellerman. He

1281
01:05:13,440 --> 01:05:15,919
Speaker 1: will start histon on the show with Stephen A. Smith

1282
01:05:16,040 --> 01:05:20,120
Speaker 1: starting July twenty five. So he's gonna be leaving ESPN

1283
01:05:20,160 --> 01:05:24,960
Speaker 1: two Sports Nation and ESPN's Radio Max and Marcella's show.

1284
01:05:25,080 --> 01:05:26,520
Speaker 1: I don't really watch the show like that because I

1285
01:05:26,560 --> 01:05:28,120
Speaker 1: got four kids and I'm using with my kids. But

1286
01:05:28,160 --> 01:05:31,040
Speaker 1: everybody says that's a good replacement, right, So he said,

1287
01:05:31,040 --> 01:05:33,280
Speaker 1: I'm thrilled to join the excellent team at First Take.

1288
01:05:33,320 --> 01:05:35,240
Speaker 1: A year's back on the air and in the hallways

1289
01:05:35,240 --> 01:05:37,400
Speaker 1: of ESPN Radio New York. Stephen A and I would

1290
01:05:37,440 --> 01:05:40,760
Speaker 1: engage in details and thoughtful discussions on sports and every

1291
01:05:40,800 --> 01:05:43,360
Speaker 1: other topic that you can imagine. And Steven A. Smith

1292
01:05:43,400 --> 01:05:45,800
Speaker 1: welcome to as well. He said, I'm excited to have

1293
01:05:45,920 --> 01:05:48,040
Speaker 1: Max on board. We've known one another for years. We

1294
01:05:48,200 --> 01:05:50,320
Speaker 1: worked at ESPN New York together, and we both love

1295
01:05:50,360 --> 01:05:52,960
Speaker 1: our boxing. Yeah. Anybody that challenges stephen A Smith on

1296
01:05:53,040 --> 01:05:54,640
Speaker 1: TV like that, I always think is a good show.

1297
01:05:54,840 --> 01:05:56,600
Speaker 1: All right, Well, I guess you think that's a good show.

1298
01:05:57,320 --> 01:06:00,720
Speaker 1: And let's talk about the Emmy's. The Primetime Awards would

1299
01:06:00,720 --> 01:06:04,280
Speaker 1: tell you who was nominated now. Beyonce got nominated for

1300
01:06:04,600 --> 01:06:09,200
Speaker 1: four Primetime Emmys for Lemonade, for the video the movie, Yes,

1301
01:06:09,480 --> 01:06:12,120
Speaker 1: for her visual album That's what we are calling it,

1302
01:06:12,320 --> 01:06:16,600
Speaker 1: Okay album, Okay right. It was nominated for Outstanding Production

1303
01:06:16,720 --> 01:06:20,959
Speaker 1: Design for a Variety Nonfiction Event or Awards Special, also

1304
01:06:21,080 --> 01:06:24,920
Speaker 1: nominated for Outstanding Directing for a Variety Special Category and

1305
01:06:25,120 --> 01:06:29,040
Speaker 1: Outstanding Variety Special Category, and for Outstanding Picture Editing for

1306
01:06:29,160 --> 01:06:33,360
Speaker 1: Variety Programming. I hope she wins all four. I hope

1307
01:06:33,400 --> 01:06:35,400
Speaker 1: so at least some of them, right, I mean, there

1308
01:06:35,440 --> 01:06:37,560
Speaker 1: are a lot of great nominees because I know you

1309
01:06:37,680 --> 01:06:40,120
Speaker 1: watched The People Versus O. J. Simpson, Right, I love

1310
01:06:40,200 --> 01:06:42,960
Speaker 1: that show. So that was nominated for Best Limited Series,

1311
01:06:43,000 --> 01:06:47,000
Speaker 1: alongside Roots, The Night Manager, Fargo, and American Crime. Okay,

1312
01:06:47,000 --> 01:06:49,120
Speaker 1: I watch American Crime too. Yeah, you'll be excited it.

1313
01:06:49,200 --> 01:06:51,480
Speaker 1: Just Elba was nominated for Best Actor in a Limited

1314
01:06:51,520 --> 01:06:53,880
Speaker 1: Series or a Television Movie. So was Courtney b. Vans

1315
01:06:53,920 --> 01:06:55,760
Speaker 1: for The People Versus O. J. Simpson, both of them.

1316
01:06:56,080 --> 01:06:59,280
Speaker 1: It just Elba for Luther and Cuba Gooding Junior The

1317
01:06:59,320 --> 01:07:01,840
Speaker 1: People Versus J. Simpson. Yeah, I think People Gooding. Judia

1318
01:07:01,880 --> 01:07:03,880
Speaker 1: did an amazing job on that show tour and they

1319
01:07:03,920 --> 01:07:05,400
Speaker 1: said it's coming back. I don't know how it's coming

1320
01:07:05,440 --> 01:07:07,800
Speaker 1: back because I guess it's in jail and the stuff

1321
01:07:07,800 --> 01:07:09,320
Speaker 1: that he did to go back to jail. But I

1322
01:07:09,360 --> 01:07:11,600
Speaker 1: mean it was a good show. Well I'm Angela. Yeah,

1323
01:07:11,640 --> 01:07:14,320
Speaker 1: and that is your rumor report, all right, miss seeing

1324
01:07:14,360 --> 01:07:16,640
Speaker 1: that when we come back, we got the People's Choice Mix.

1325
01:07:16,720 --> 01:07:18,360
Speaker 1: It's a Friday, so you know we throw it back.

1326
01:07:18,680 --> 01:07:20,160
Speaker 1: Let me know what you want to hear eight hundred

1327
01:07:20,240 --> 01:07:22,360
Speaker 1: five eight five one oh five one and shout to

1328
01:07:22,400 --> 01:07:24,800
Speaker 1: everybody in Boston. We're gonna have a lot of fun.

1329
01:07:24,880 --> 01:07:27,680
Speaker 1: Tonight Boston on that boat cruise. I'll give you details later,

1330
01:07:27,960 --> 01:07:30,000
Speaker 1: but the People's Choice mixes up next to the Breakfast Club.

1331
01:07:30,000 --> 01:07:30,360
Speaker 1: Good morning,