WEBVTT - Episode 4:  A Delicate Balance

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<v Speaker 1>The Manowa Caves is intended for mature audiences. It contains

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<v Speaker 1>strong language and depictions of bullying, violence, and sexual assault

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<v Speaker 1>that some may find disturbing. Listener discretion is advised. Also,

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<v Speaker 1>this is an extremely immersive experience and headphones are recommended.

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<v Speaker 1>You're listening to The Manawat Caves, a production of iHeartRadio,

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<v Speaker 1>Blumhouse Television, and Psycopia Pictures. J August fifth. I woke

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<v Speaker 1>up in the pool of my own sweat this morning.

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<v Speaker 1>It was three thirty three am, exactly three thirty three.

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<v Speaker 1>The hotel room was sweltering. The acunit had been blown

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<v Speaker 1>out in hot air all night. I took my mind

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<v Speaker 1>a minute to catch up to where I was, to

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<v Speaker 1>realize that I wasn't still back in my New York apartment,

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<v Speaker 1>that I was back home. I thought this had all

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<v Speaker 1>just been an elaborate dream. But it wasn't a dream.

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<v Speaker 1>I had to listen back to my tape, the recordings

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<v Speaker 1>from yesterday, to find out where I'd been and what

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<v Speaker 1>I'd done. And his biological father was Deacon Hadley. There

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<v Speaker 1>is if you remember what the detective was looking for

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<v Speaker 1>when he stopped by that last time back in July

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<v Speaker 1>two thousand and seven containers records. I hopped in the shower.

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<v Speaker 1>The school off water was ice cold, never got hot,

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<v Speaker 1>And as soon as I stepped into that cold shower,

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<v Speaker 1>the nightmare came back to me. There were bats, thousands

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<v Speaker 1>of bats, shifting blotches against other shades of darkness, a cavern,

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<v Speaker 1>deep and strange. I was staring into the whirling black

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<v Speaker 1>on black. Then I heard deaconheading. He was calling out

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<v Speaker 1>further back in the void, I heard him crying. That's

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<v Speaker 1>how I followed the voice, straining to hear over the

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<v Speaker 1>cacophony of bats swirling around me, anguished please, for forgiveness.

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<v Speaker 1>Then he stopped, and all I heard was the flutter

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<v Speaker 1>and chirp in of those bats. They seemed to converge

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<v Speaker 1>around me, and then they exploded out worth the whole colony,

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<v Speaker 1>thousands and thousands of them, leaving the cave in a funnel,

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<v Speaker 1>carrying Thomas Hadley's final anguish cries with them across the forest,

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<v Speaker 1>over the ramshackle trailer homes and cabins, over the Chapel

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<v Speaker 1>Wall River into Pottsville, all the way into my own bedroom.

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<v Speaker 1>And then suddenly I was back there in the house.

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<v Speaker 1>I grew up in my own bed, and the gray

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<v Speaker 1>Man was there too, in the room with me, silhouetted

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<v Speaker 1>in the doorway. I couldn't move. He looked down upon me.

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<v Speaker 1>Maybe he was able to the ground. Who else might

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<v Speaker 1>a going out to the caves that day? Someone always

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<v Speaker 1>knows something. I wanted to stand up for him, but

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<v Speaker 1>I couldn't. Not the time Deacon Hadley threw a couple

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<v Speaker 1>of warrant pists on his head from the second story bathroom,

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<v Speaker 1>and not the time Thomas Hadley locked him as a locker.

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<v Speaker 1>I wanted to stop it, but I knew it would

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<v Speaker 1>just make matters worse for me. This is why he

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<v Speaker 1>came home, isn't it. James Fancher's executions coming up in

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<v Speaker 1>your anguish too, Angel. There's no small thing to stand

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<v Speaker 1>up to a bully. When you do, you become the target.

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<v Speaker 1>I've been bullied quite a bit when I was a boy.

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<v Speaker 1>Wasn't until I befriended Tyler Wilson in the ninth grade

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<v Speaker 1>that had stopped. Tyler was from a different neck of

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<v Speaker 1>the woods. He was quiet and kept to himself, but

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<v Speaker 1>he was tough. No, the Hadley gang didn't want to

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<v Speaker 1>fuck with Tyler. It was too much trouble. They might

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<v Speaker 1>actually have to fight, and they knew Tyler would fight

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<v Speaker 1>for real. But after my battle on the bus with

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<v Speaker 1>Duley Tapper trying to stand up for Finch, the bullying

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<v Speaker 1>started again for me. I don't look who where's the pants?

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<v Speaker 1>I told you they was gay livers, didn't I you're

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<v Speaker 1>gonna get it in half? Faget. I don't even get that.

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<v Speaker 1>Next week, my dad had to pick me up from school.

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<v Speaker 1>He saw the Hadley gang laughing and throwing threats. As

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<v Speaker 1>I walked past, he comes, I fag it, you're gonna

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<v Speaker 1>get it soon or not. Fucker A time's coming, little

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<v Speaker 1>bitch scate. Yeah, I'm whip his ass and gain I'm

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<v Speaker 1>gonna whip your ass again. Those your friends not exactly

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<v Speaker 1>forget a dad best just to adoring on. Those are

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<v Speaker 1>Bobby Handley's kids. Yeah, it's it's not a big deal.

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<v Speaker 1>My dad ran the mechanic shop at the Hadley dealership

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<v Speaker 1>and it was no secret in our house that he

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<v Speaker 1>despised Bobby Hadley. H get messing with you again? What

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<v Speaker 1>this is? This is high school. It's it ain't like that, dad, Really,

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<v Speaker 1>those guys are just pricks. It's not worth the energy.

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<v Speaker 1>He was livid. Things were beyond his control. It was

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<v Speaker 1>less than a year since Mom died too. Anyway, A

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<v Speaker 1>couple of days later, I was reading in the library

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<v Speaker 1>during lunch. That's when they got me. I was sitting

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<v Speaker 1>between the rows of bookshelves in the back with Thomas,

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<v Speaker 1>Deacon Dually and the rest of them. They cornered me.

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<v Speaker 1>Thomas held me in a headlock. Due we hit my

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<v Speaker 1>face and box. That wasn't so bad, but then Deacon

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<v Speaker 1>gotta para scissors off the librarian's desk. They pulled my

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<v Speaker 1>pants down to my ankles. Hey what He scissored the

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<v Speaker 1>blades in front of my face to show them off,

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<v Speaker 1>before he pressed a cold, sharp metal blades against my bass.

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<v Speaker 1>What are you anyway? Boy or a bitch? Hey? You

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<v Speaker 1>know what? I'll tell you what a man? Maybe name

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<v Speaker 1>send me? He's such a pussy, Just get off. Then

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<v Speaker 1>he grabs stress full of my hair and it was loan.

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<v Speaker 1>Then he scissored it off and tossed it on the carpet.

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<v Speaker 1>Just then the library mother came back in and put

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<v Speaker 1>mencim Thomas and the rest of them all bring off.

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<v Speaker 1>Was laughing there were a few other kids in the

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<v Speaker 1>library who did nothing but gawk at me while I

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<v Speaker 1>pulled my pants back up. Well, my father picked me

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<v Speaker 1>up that afternoon. He saw my hair and my swollen face,

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<v Speaker 1>and there was no deny at it anymore. His son

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<v Speaker 1>was the target of the town police, and there was

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<v Speaker 1>nothing he could do. August fifth, on my way to

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<v Speaker 1>meet Joe Campbell again, up the road, halfway to Nashville.

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<v Speaker 1>I'm late. I can't seem to wake up all the way.

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<v Speaker 1>She just stopped at the Myrtles for a coffee. It's

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<v Speaker 1>a little diner we used to go to when I

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<v Speaker 1>was a Kid's still standing. Not so sure about missus

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<v Speaker 1>Myrtle though. I feel like a ghost in this town.

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<v Speaker 1>Lots of familiar faces from my past, everyone older and heavier.

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<v Speaker 1>They make eye contact with me and their real spin.

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<v Speaker 1>Some recognize me of familiar face registers in their mind,

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<v Speaker 1>but they can't quite place me, so they stare. Others

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<v Speaker 1>remember me, and I'm guessing by their looks. You recall

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<v Speaker 1>certain feelings, feelings associated with the Hadley Brothers murders, especially now.

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<v Speaker 1>You can feel the energy just driving through town. James Fincher,

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<v Speaker 1>the monster and Man of war County is going to

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<v Speaker 1>be put to death next week, and that seems to

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<v Speaker 1>inform every interaction. It's an added tension that's come with

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<v Speaker 1>this fog, the air tingling like a mom on a

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<v Speaker 1>timer tick tick boom, a county judge ordered, and no

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<v Speaker 1>knock worn on the trailer that James Fincher shared with

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<v Speaker 1>his sister Dina, and Buck's elder lane over in splinter gap,

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<v Speaker 1>you can see from the only available footage a state

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<v Speaker 1>trooper's body camp, that it's complete chaos, with county and

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<v Speaker 1>state officials working in tandem and flooded in the small

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<v Speaker 1>space with light and the noise and the terror. At

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<v Speaker 1>three o'clock in the morning, Dina's face seemed briefly mouth

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<v Speaker 1>opened to scream, hair swept across her face as she

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<v Speaker 1>spirited out. Bally swollen with child tells the tale. In

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<v Speaker 1>the motion blur, you can see a streak of red

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<v Speaker 1>a nose bleed. What's perhaps more chun is how calmly

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<v Speaker 1>we see Finch rise from the couch that he slept on,

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<v Speaker 1>hands up, eyes dead, mouth a grim line, and then

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<v Speaker 1>slowly turned and sink to his knees like it was inevitable,

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<v Speaker 1>like he knew they were coming, like he always knew

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<v Speaker 1>that they would come for him. Eventually, he was brought

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<v Speaker 1>to the county jail in the middle of the night,

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<v Speaker 1>and the town at large was completely unaware of the developments.

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<v Speaker 1>Even Detective Silomon Smith was left in the dark and

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<v Speaker 1>would have remained so if he didn't decide to pay

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<v Speaker 1>the Fincher home and visit himself two days later to

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<v Speaker 1>find broken windows and a very terrified Dina trying to

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<v Speaker 1>put things back in order. Jill Campbell explained it best.

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<v Speaker 1>That's per usual. People have a complicated relationship with the

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<v Speaker 1>law out here. People here liked to be left alone.

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<v Speaker 1>Think what happens behind closed doors are on their property

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<v Speaker 1>is their business and theirs alone. I mean, most of

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<v Speaker 1>it is a run of the male constitutional rights and

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<v Speaker 1>individual freedom stuff. Deah, my dad, it was that way. Yeah,

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<v Speaker 1>well most people are. Then you got your griff Washingtons,

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<v Speaker 1>the dog fighting rings, the meth cooks, the real criminal element,

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<v Speaker 1>people who have something to hide. But Buddy, there ain't

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<v Speaker 1>nothing that changes the patriots mind about authority like an

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<v Speaker 1>outsider coming in and making trouble. L Finch, I'm talking

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<v Speaker 1>about Detective Smith. Now, I don't want to say it

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<v Speaker 1>was a race thing. But it was absolutely a race thing.

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<v Speaker 1>I mean by default. Look, Share Hooper, born and raised

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<v Speaker 1>here all his life, getting ready to close this case

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<v Speaker 1>against a kid who allegedly murdered two of Mani Wak's

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<v Speaker 1>favorite sons, and the moment he announces it incomes some

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<v Speaker 1>former big city Atlanta cop to defend the alleged murderer.

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<v Speaker 1>At the time, I was caught up in all the excitement.

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<v Speaker 1>I was there at the raid. It was the most

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<v Speaker 1>badass thing I'd ever done. Didn't matter that Dana was

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<v Speaker 1>screaming or that James gave up without a fight. I

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<v Speaker 1>was young. I got to play hero. It didn't even

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<v Speaker 1>occur to me that we may have had shit wrong

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<v Speaker 1>until the article came out. The article What an article?

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<v Speaker 1>Detective Smith went to the local press. A couple of

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<v Speaker 1>days later, a story printed about James Fincher with Solomon

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<v Speaker 1>owned records suggesting ulterior motives for the rest of Finch

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<v Speaker 1>no shit. Other publications picked it up to Smith publicly

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<v Speaker 1>called out the sheriff, the mayor, the reverend, basically torturing

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<v Speaker 1>every bridge he ever crossed in manu Wake County. What

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<v Speaker 1>was the last time you saw him Detective Smith. Well

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<v Speaker 1>after the news piece broke, I wrote with Hooper out

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<v Speaker 1>to the old fowl or place where Solomon was living

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<v Speaker 1>and had that go. Hooper made me wait on the porch.

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<v Speaker 1>There was a lot of shouting and then it got quiet,

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<v Speaker 1>and then and then Hooper came out. His face was

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<v Speaker 1>flushed and sweaty. He wouldn't make eye contact. He was

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<v Speaker 1>visibly mad as hell. Anyway, last I saw Solomon Smith

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<v Speaker 1>was as we were pulling out. He was standing on

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<v Speaker 1>the porch, hands on his hips, just to find as

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<v Speaker 1>hell to Hooper SAE what had happened. Hooper told Smith

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<v Speaker 1>he was no longer welcome and man of walk count

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<v Speaker 1>in that if he knew what was good for him,

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<v Speaker 1>he'd leave quietly. But I don't think Detective Smith left

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<v Speaker 1>because of Hooper. I think he knew who the killer

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<v Speaker 1>was before he disappeared. He was looking into the school

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<v Speaker 1>attendance records from Carter High. He was tracking whoever else

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<v Speaker 1>was absent from school that day. You think he would

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<v Speaker 1>have submitted those records as evidence had it not. If

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<v Speaker 1>it was after he was off the case. He couldn't

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<v Speaker 1>exactly trust the sheriff's office. He was basically a private investigator.

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<v Speaker 1>At that point, he'd set a meeting with James's defense attorney,

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<v Speaker 1>but he never showed up. So whatever Solomon Smith knew,

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<v Speaker 1>he took that intel with him to wherever it is

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<v Speaker 1>he went. Where was you last seen? I'm not sure

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<v Speaker 1>they found his car though, about a decade ago, just

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<v Speaker 1>north of here. I think I don't remember. Maybe I

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<v Speaker 1>can dig up the police report, or maybe you can

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<v Speaker 1>talk to the guys at the newspaper. August fifth, two

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<v Speaker 1>forty five pm. I took Joe's advice. I'm on my

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<v Speaker 1>way to the Pottsville Press to talk to a guy

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<v Speaker 1>named Ian Spanks, the editor in chief. Maybe Detective Smith

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<v Speaker 1>told the press something, something more than what they decided

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<v Speaker 1>to print. Mister Spinks, Julian Solace, mister Slace, come in.

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<v Speaker 1>You can call me Jolian. Looking a little rough around

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<v Speaker 1>the edge since the last time I saw you. The

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<v Speaker 1>last time, Yeah, I doubt you'd remember me. I was

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<v Speaker 1>just a facing the crowd the courthouse back then. You

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<v Speaker 1>were there for that. Okay, Well, thanks for seeing me.

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<v Speaker 1>How could I know? I'm hoping you'll be the skyline

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<v Speaker 1>I was Sunday's front page about James Fincher and the

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<v Speaker 1>fourteen year anniversary of the Heathy Brothers murders. Prodigal Son

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<v Speaker 1>returns right the wrongs he himself contributed to hell of

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<v Speaker 1>a story. Interested to see where it goes. Well, you're

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<v Speaker 1>not serious, I am. I think we can help each

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<v Speaker 1>other out here. Well, I just need the tapes. The tapes,

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<v Speaker 1>they're of interest in my research. The press interview with

0:18:25.040 --> 0:18:28.960
<v Speaker 1>Detective Smith from two thousand and seven. Oh oh, I

0:18:29.000 --> 0:18:34.440
<v Speaker 1>thought you were interested in the other ones. What's other ones? Well?

0:18:35.440 --> 0:18:42.879
<v Speaker 1>The ones are you? What are you talking about? This

0:18:43.040 --> 0:18:56.920
<v Speaker 1>is Sheriff Hooper's and tear gage of you. Can I

0:18:57.000 --> 0:19:00.960
<v Speaker 1>please go to the bathroom, sir? Just top more questions?

0:19:01.240 --> 0:19:07.960
<v Speaker 1>All right? So, okay, you're not in trouble yet, all right, Okay,

0:19:09.040 --> 0:19:15.080
<v Speaker 1>look at me. Yeah, what you say here now there's

0:19:15.200 --> 0:19:20.040
<v Speaker 1>just between you and me. Nobody's gonna find out. Nobody's

0:19:20.080 --> 0:19:22.119
<v Speaker 1>gonna be mad at you for saying what you know.

0:19:24.640 --> 0:19:28.000
<v Speaker 1>And I think it's safe to say that you do

0:19:28.080 --> 0:19:35.480
<v Speaker 1>know things. Now. Earlier you said that James Fincher hated

0:19:35.480 --> 0:19:40.879
<v Speaker 1>the Hadley Brothers. Is that right? Well, yeah, but because

0:19:40.880 --> 0:19:42.960
<v Speaker 1>of what they did to his sister, what they did

0:19:42.960 --> 0:19:46.919
<v Speaker 1>to Dina but you weren't there for that, were you? No?

0:19:47.280 --> 0:19:52.320
<v Speaker 1>But yeah? Moving on, moving on the point is James

0:19:52.320 --> 0:19:57.800
<v Speaker 1>Fincher had it out for the Hadleys? Is that right now?

0:19:57.840 --> 0:20:01.760
<v Speaker 1>You really need to be straight with me, Son, Yes, sir,

0:20:03.440 --> 0:20:06.920
<v Speaker 1>you could say he hated them enough to want to

0:20:07.000 --> 0:20:12.760
<v Speaker 1>hurt them. Couldn't you that he wanted revenge? I couldn't

0:20:12.760 --> 0:20:15.840
<v Speaker 1>say all that was true. It's simply based Look at

0:20:15.840 --> 0:20:21.040
<v Speaker 1>these photos, Son, Look at him. Blunt forced trauma to

0:20:21.080 --> 0:20:27.240
<v Speaker 1>the head, multiple stab wounds. Hell, Deacon Hadley was bashed

0:20:27.240 --> 0:20:29.320
<v Speaker 1>so hard in the head that his left eyeball was

0:20:29.400 --> 0:20:33.880
<v Speaker 1>hanging out of his eye socket. Thomas's throat cut. Can

0:20:33.920 --> 0:20:37.919
<v Speaker 1>you imagine the type of hatred you would have to feel, Julian,

0:20:38.000 --> 0:20:41.360
<v Speaker 1>to relentlessly bash a human body to the point where

0:20:41.359 --> 0:20:49.359
<v Speaker 1>it is almost unrecognizable? Well? Can you, Son, I don't

0:20:49.480 --> 0:20:51.800
<v Speaker 1>need Can you defend the kind of person that could

0:20:51.880 --> 0:20:57.560
<v Speaker 1>do that? Could you feel this sort of hatred? Well?

0:20:58.920 --> 0:21:03.720
<v Speaker 1>I no, I don't know. I need to go to

0:21:03.760 --> 0:21:07.040
<v Speaker 1>the bathroom. But do you know that James Fincher hated them?

0:21:07.119 --> 0:21:12.040
<v Speaker 1>Don't you? You can say that? I need you to

0:21:12.119 --> 0:21:15.440
<v Speaker 1>say that. Say what what you want me to say? Say?

0:21:15.480 --> 0:21:21.439
<v Speaker 1>What that James Fincher hated them, that he wanted to

0:21:21.520 --> 0:21:26.320
<v Speaker 1>hurt them now, that he wanted revenge, that he obsessed

0:21:26.359 --> 0:21:28.840
<v Speaker 1>over them. He made up stories about them to wreck

0:21:28.880 --> 0:21:31.479
<v Speaker 1>their lives. Didn't That's just not true. No, he didn't.

0:21:31.560 --> 0:21:34.959
<v Speaker 1>He did. You know he did? He didn't just because

0:21:34.960 --> 0:21:45.679
<v Speaker 1>they picked on him. No, he didn't. Julian, have you

0:21:45.760 --> 0:21:50.480
<v Speaker 1>heard the phrase accessory after the fact? It means that

0:21:50.520 --> 0:21:55.399
<v Speaker 1>if you know something, something crucial to my investigation of

0:21:55.400 --> 0:22:00.360
<v Speaker 1>the murder of Thomas and Deacon Hadley, and you withhold it, well,

0:22:00.359 --> 0:22:04.639
<v Speaker 1>then you're guilty too. And I think you know something, boy,

0:22:05.800 --> 0:22:08.520
<v Speaker 1>And if you don't tell me now and I find

0:22:08.520 --> 0:22:12.359
<v Speaker 1>out later, there ain't no jury in the world gonna

0:22:12.400 --> 0:22:15.719
<v Speaker 1>let you be free. I don't. They always used to

0:22:15.880 --> 0:22:18.000
<v Speaker 1>bully in And he knew it too, didn't you. You

0:22:18.080 --> 0:22:21.080
<v Speaker 1>knew what he was planning because you boys were going

0:22:21.119 --> 0:22:24.119
<v Speaker 1>down there at the caves all the time. Hell, you

0:22:24.160 --> 0:22:31.119
<v Speaker 1>showed him the place yourself, didn't you. I didn't. You

0:22:31.280 --> 0:22:36.399
<v Speaker 1>didn't what, Julian? You showed James Fincher the ins and

0:22:36.440 --> 0:22:39.520
<v Speaker 1>outs of it. And that's okay, son, There's nothing wrong

0:22:39.520 --> 0:22:43.679
<v Speaker 1>with that. Everybody likes a little frill I'm not suggesting

0:22:43.720 --> 0:22:48.560
<v Speaker 1>you knew that you were dealing with a psychopath, did you?

0:22:48.560 --> 0:22:54.240
<v Speaker 1>You're not a bad kid he used you, didn't he No,

0:22:54.760 --> 0:22:58.320
<v Speaker 1>he got in your head, he tricked you. No, no

0:22:58.440 --> 0:23:03.159
<v Speaker 1>he didn't. He could plan no revenge, No, no, I

0:23:03.280 --> 0:23:05.199
<v Speaker 1>just we went there to hang out. We were just

0:23:05.840 --> 0:23:09.680
<v Speaker 1>It wasn't the Hadley's idea to go down there that night,

0:23:10.119 --> 0:23:15.280
<v Speaker 1>was it? No? Because if they wanted to hurt James,

0:23:16.400 --> 0:23:19.000
<v Speaker 1>they do it right out in the open, right, They've

0:23:19.000 --> 0:23:22.160
<v Speaker 1>been doing it for years. But James wanted to play

0:23:22.200 --> 0:23:27.800
<v Speaker 1>for keeps and he knew just the place. James wanted

0:23:27.840 --> 0:23:35.800
<v Speaker 1>to take them out to the caves. That now, you

0:23:35.920 --> 0:23:39.520
<v Speaker 1>better tell me the truth, son. You know we got

0:23:39.520 --> 0:23:44.240
<v Speaker 1>your buddy Tyler here too, right. Oh yeah, yeah, he's

0:23:44.320 --> 0:23:47.879
<v Speaker 1>right across the hall, and he's already told us the truth.

0:23:49.200 --> 0:23:54.359
<v Speaker 1>So what's it going to be your story or his? Now? Talk?

0:23:55.640 --> 0:23:58.680
<v Speaker 1>James Fincher wanted to take them out to the caves,

0:23:58.720 --> 0:24:10.200
<v Speaker 1>didn't he answer me? Maybe? Yeah? I guess what? What?

0:24:10.200 --> 0:24:15.880
<v Speaker 1>What's that? Yeah? I didn't get that James Fincher had

0:24:15.920 --> 0:24:21.840
<v Speaker 1>the idea to bring the boys down there. Yes, yeah, yes?

0:24:23.000 --> 0:24:25.960
<v Speaker 1>Did you hear him when he suggested they go down

0:24:25.960 --> 0:24:29.280
<v Speaker 1>there and settle the score once and for all. Where

0:24:29.359 --> 0:24:34.440
<v Speaker 1>is he? Where is my son? Oh? Shit, now, Paul,

0:24:34.520 --> 0:24:36.560
<v Speaker 1>you know you can't be in here. What the fuck up?

0:24:37.200 --> 0:24:39.600
<v Speaker 1>This is between me and my boy? What did you say?

0:24:40.320 --> 0:24:43.760
<v Speaker 1>What did you tell off? When I ask you a question?

0:24:43.920 --> 0:24:47.200
<v Speaker 1>What did you say? Hi, Paul, that's domestic confused. I'm

0:24:47.200 --> 0:24:49.879
<v Speaker 1>gonna rest your ass too. Now you better call the

0:24:50.040 --> 0:24:53.040
<v Speaker 1>fuck you better back the fuck off. You understand me.

0:24:53.240 --> 0:24:56.760
<v Speaker 1>This is between me and hand easy. I got a feeling.

0:24:56.920 --> 0:24:59.320
<v Speaker 1>I got a feeling. We're on the same side here. Anyway,

0:24:59.640 --> 0:25:08.080
<v Speaker 1>sit down out to speak a little louder Son, right

0:25:08.080 --> 0:25:15.840
<v Speaker 1>into the mic. There, go on, Son, unburden yourself James

0:25:16.960 --> 0:25:23.600
<v Speaker 1>and sure, absolutely and without any doubt, go on. Now

0:25:24.960 --> 0:25:31.640
<v Speaker 1>murder TKT and Thomas Hadley in those games. There you go, Son,

0:25:32.840 --> 0:25:41.920
<v Speaker 1>You've done the right thing. You know that that wasn't

0:25:41.920 --> 0:25:45.080
<v Speaker 1>the real story. Well it certainly helped get James Fincher

0:25:45.160 --> 0:25:48.320
<v Speaker 1>the death sense, didn't you, But it wasn't the truth

0:25:49.400 --> 0:25:52.879
<v Speaker 1>that was coerced. Well I don't doubt that. What was

0:25:52.920 --> 0:25:57.600
<v Speaker 1>the truth? Then you might if I here record, I'd

0:25:57.680 --> 0:26:00.480
<v Speaker 1>rather you not. This could really help your case. I

0:26:00.520 --> 0:26:02.399
<v Speaker 1>mean having a news story out there, you never know

0:26:02.440 --> 0:26:05.960
<v Speaker 1>who might come for. Do you think that could work?

0:26:06.800 --> 0:26:11.520
<v Speaker 1>Maybe that's what was the truth? What truth about James

0:26:11.520 --> 0:26:14.600
<v Speaker 1>Fincher telling the Head Brothers to meet him at the caves?

0:26:15.200 --> 0:26:19.679
<v Speaker 1>He wouldn't have off the record, Okay, off the record?

0:26:19.760 --> 0:26:22.639
<v Speaker 1>Why not? Because he wouldn't have. And why did you

0:26:22.640 --> 0:26:30.359
<v Speaker 1>say he did? Just listen, he didn't kill him? Okay,

0:26:31.000 --> 0:26:34.280
<v Speaker 1>Well it sounds like you know something. No, Detective Smith

0:26:34.400 --> 0:26:37.280
<v Speaker 1>knew something, which is why I'm here. He was onto

0:26:37.320 --> 0:26:40.760
<v Speaker 1>something and this paper interviewed him before he disappeared. He

0:26:40.840 --> 0:26:43.560
<v Speaker 1>was following up on a lead, which I am kind

0:26:43.600 --> 0:26:46.200
<v Speaker 1>of lead, that kind of lead that would exonerate James

0:26:46.200 --> 0:26:49.560
<v Speaker 1>Fincher and then lo and behold he vanished, fucking gone.

0:26:49.920 --> 0:26:52.119
<v Speaker 1>His car found somewhere just north of town. Did you

0:26:52.119 --> 0:26:55.360
<v Speaker 1>guys run a story on that. I'd have to look

0:26:55.400 --> 0:26:58.280
<v Speaker 1>into the archives. Yeah, you do that. In dig up

0:26:58.280 --> 0:27:01.080
<v Speaker 1>that interview with Smith and their information, you can about

0:27:01.080 --> 0:27:03.000
<v Speaker 1>his involvement with to have the murder case from two

0:27:03.000 --> 0:27:05.080
<v Speaker 1>thousand and seven, and I'll give you an interview, how

0:27:05.119 --> 0:27:09.600
<v Speaker 1>about that on the record, you bet? And while you're

0:27:09.600 --> 0:27:11.800
<v Speaker 1>at and find out where they found miss Carr, will you,

0:27:12.840 --> 0:27:21.680
<v Speaker 1>you have myself. The truth is, I don't remember James

0:27:21.760 --> 0:27:23.399
<v Speaker 1>asking to have the brothers to meet him up at

0:27:23.440 --> 0:27:26.560
<v Speaker 1>the case. It doesn't make any sense. I knew Finch

0:27:27.119 --> 0:27:29.520
<v Speaker 1>better than anyone in the world outside of Dina. Maybe

0:27:30.440 --> 0:27:34.399
<v Speaker 1>he was my friend, him and Tyler and him asking

0:27:34.480 --> 0:27:38.080
<v Speaker 1>Tacon and Thomas to go out to the caves alone. Nah,

0:27:39.200 --> 0:27:41.840
<v Speaker 1>I don't think that's what happened that night. I never

0:27:41.880 --> 0:28:10.280
<v Speaker 1>thought that's what happened. When you think of the fairytale

0:28:10.359 --> 0:28:15.560
<v Speaker 1>version of Appalachia, my early childhood was pretty much. It

0:28:15.600 --> 0:28:18.960
<v Speaker 1>would smoke and gray blue winter mornings, trumping with my

0:28:19.000 --> 0:28:21.240
<v Speaker 1>father and the snow to see the icicles hanging off

0:28:21.240 --> 0:28:25.400
<v Speaker 1>the eaves of our little home. Apple picking and drives

0:28:25.440 --> 0:28:28.840
<v Speaker 1>to look at leaves changing in the fall, Tomato sandwiches

0:28:28.880 --> 0:28:31.639
<v Speaker 1>the swimming hole, and roadside boiled peanuts in the summer.

0:28:33.240 --> 0:28:36.840
<v Speaker 1>Dad worked for Hadley Pontiac. He tolerated the job because

0:28:36.840 --> 0:28:41.080
<v Speaker 1>he loved my mother, and when I came along, I'd

0:28:41.080 --> 0:28:44.160
<v Speaker 1>like to think he loved me too. I could never

0:28:44.200 --> 0:28:47.160
<v Speaker 1>really tell. When I was young, he was a little

0:28:47.160 --> 0:28:52.840
<v Speaker 1>hard on me. When I was eighteen, my mother died.

0:28:53.320 --> 0:29:02.160
<v Speaker 1>Of course, everything changed. When my mother died a family

0:29:02.240 --> 0:29:04.720
<v Speaker 1>is like a mobile danglet from the ceiling. It's a

0:29:04.800 --> 0:29:08.120
<v Speaker 1>balancing act. You never have any idea how much a

0:29:08.160 --> 0:29:11.239
<v Speaker 1>single person can hold together a family until they are

0:29:11.320 --> 0:29:16.040
<v Speaker 1>no longer in the position to do so. She got sick.

0:29:16.840 --> 0:29:20.680
<v Speaker 1>It was sudden stage four sophageal cancer. After the test,

0:29:20.760 --> 0:29:25.360
<v Speaker 1>they gave her four months. She lasted three the end.

0:29:26.800 --> 0:29:30.680
<v Speaker 1>It was horrible. When she went, she took the best

0:29:30.720 --> 0:29:33.320
<v Speaker 1>parts of my father with her, and the Idella claugh

0:29:33.440 --> 0:29:42.080
<v Speaker 1>we shared. Dad started drinking again. Of course, I know

0:29:42.120 --> 0:29:44.120
<v Speaker 1>what you're thinking. You're thinking that because of his drink,

0:29:44.120 --> 0:29:47.120
<v Speaker 1>and he faded into the background or neglected me. Nope,

0:29:48.000 --> 0:29:50.840
<v Speaker 1>not my father. He wasn't a neglectful absent your father.

0:29:52.240 --> 0:29:56.600
<v Speaker 1>He watched me closer, became increasingly obsessed with my safety,

0:29:57.160 --> 0:30:00.680
<v Speaker 1>micromanage my existence. Always wanted to know my eggs whereabouts,

0:30:00.720 --> 0:30:03.640
<v Speaker 1>wanted precise details about where I was going and with whom.

0:30:03.960 --> 0:30:07.120
<v Speaker 1>Wanted me home immediately after school every day, and would

0:30:07.160 --> 0:30:10.520
<v Speaker 1>go bat shit when I didn't. He hated my friends,

0:30:11.200 --> 0:30:13.560
<v Speaker 1>called Tyler common trash, which of course made me want

0:30:13.600 --> 0:30:15.680
<v Speaker 1>to spend more time away from home, more time in

0:30:15.720 --> 0:30:19.959
<v Speaker 1>the woods with Tyler. I only wanted to escape my

0:30:20.080 --> 0:30:23.080
<v Speaker 1>childhood and the house that felt forever empty and haunted

0:30:23.120 --> 0:30:26.280
<v Speaker 1>after my mother's death. And that's when he became violent

0:30:27.640 --> 0:30:32.040
<v Speaker 1>when I started lying once I told him I was

0:30:32.080 --> 0:30:34.000
<v Speaker 1>going with the debate team to a nearby town for

0:30:34.040 --> 0:30:38.120
<v Speaker 1>a tournament. Instead, I set out to the caves with Tyler.

0:30:39.080 --> 0:30:42.040
<v Speaker 1>There were lights in the rear view following us out

0:30:42.040 --> 0:30:45.400
<v Speaker 1>past the edge of town. I thought maybe Griff Washington

0:30:45.480 --> 0:30:48.600
<v Speaker 1>was patrolling his property, maybe following us to make sure

0:30:48.600 --> 0:30:51.560
<v Speaker 1>we didn't trust pass. But when we pulled over for gas,

0:30:51.560 --> 0:30:55.080
<v Speaker 1>hoping whoever was following us would pass on by, they didn't.

0:30:55.160 --> 0:30:59.160
<v Speaker 1>They pulled in right behind us. Turned out as my father.

0:31:01.040 --> 0:31:04.560
<v Speaker 1>He had been tailing us. He dragged me by the

0:31:04.560 --> 0:31:07.680
<v Speaker 1>back of my neck out of Tyler's car and threw

0:31:07.760 --> 0:31:10.720
<v Speaker 1>me into his. When we got back home, he locked

0:31:10.760 --> 0:31:13.640
<v Speaker 1>me in the basement for twelve hours. It was only

0:31:13.640 --> 0:31:16.360
<v Speaker 1>a crawl space with a small cinder block room for

0:31:16.400 --> 0:31:20.120
<v Speaker 1>the furnace. I remember while I was locked down there,

0:31:20.200 --> 0:31:22.600
<v Speaker 1>I found an old chest filled with my mother's clothes.

0:31:23.560 --> 0:31:27.560
<v Speaker 1>It was freezing, so I put him on. They almost

0:31:27.560 --> 0:31:32.760
<v Speaker 1>fit an old sweater and that scarf she was knitting

0:31:32.800 --> 0:31:38.720
<v Speaker 1>for me when she died. That red scarf. It was

0:31:38.760 --> 0:31:42.240
<v Speaker 1>that same week I met Finch. I know it was

0:31:42.280 --> 0:31:44.880
<v Speaker 1>that week because the first thing he said to me

0:31:44.960 --> 0:32:00.640
<v Speaker 1>was that he liked my red scarf. Wilson repair he Tyler's. Julian, Well, oh, Julie,

0:32:01.160 --> 0:32:03.840
<v Speaker 1>what a while with the pleasure. I know it's late.

0:32:04.480 --> 0:32:06.240
<v Speaker 1>I hate to pass to you, Grace and me with

0:32:06.400 --> 0:32:08.760
<v Speaker 1>your presence twice in forty eight hours. I mean, after

0:32:08.880 --> 0:32:15.720
<v Speaker 1>what fourteen fucking years radio silence? Oh well, I don't

0:32:15.720 --> 0:32:18.000
<v Speaker 1>mean to be caused. After a little visit to the cave,

0:32:18.040 --> 0:32:20.400
<v Speaker 1>I got to thinking about how you ain't changed. Bad man?

0:32:21.000 --> 0:32:23.760
<v Speaker 1>How's that you're one of those top pigle only ever

0:32:23.800 --> 0:32:33.520
<v Speaker 1>call when you need something? So go on? What can

0:32:33.560 --> 0:32:41.560
<v Speaker 1>I do for you now, Julian? Damn, Well, you got

0:32:41.680 --> 0:32:47.360
<v Speaker 1>me bagged. I guess I'm just I'm just fucking with

0:32:47.520 --> 0:32:51.200
<v Speaker 1>your man. Hell, none of my friends ever called me

0:32:51.240 --> 0:32:57.200
<v Speaker 1>anyway listening need something? Oh you've got friends? Oh high

0:32:57.240 --> 0:33:04.600
<v Speaker 1>fucking high. So what's a Well? I just um the

0:33:04.760 --> 0:33:08.760
<v Speaker 1>AC unit my piece of shit motel. I'd call maintenance,

0:33:08.840 --> 0:33:10.680
<v Speaker 1>but I don't want to deal with Did you check

0:33:10.760 --> 0:33:15.040
<v Speaker 1>the filter? No, I'm nine percent it's just a clock.

0:33:15.240 --> 0:33:17.000
<v Speaker 1>Pull the face off and take the filter out. You

0:33:17.040 --> 0:33:19.480
<v Speaker 1>can run it without for the night, but sooner or

0:33:19.560 --> 0:33:22.160
<v Speaker 1>later you should probably just come and take my spare

0:33:22.280 --> 0:33:25.440
<v Speaker 1>room like I told you. O. Man, I mean, well,

0:33:25.960 --> 0:33:29.360
<v Speaker 1>if my company's not good enough for wait second, you're

0:33:29.400 --> 0:33:34.080
<v Speaker 1>doing that thing? Yeah? Got you again? Listen. That isn't

0:33:34.120 --> 0:33:37.480
<v Speaker 1>the only reason I called I Else. I wanted to

0:33:37.520 --> 0:33:39.760
<v Speaker 1>say it was good to see you the other day. Man,

0:33:40.240 --> 0:33:43.200
<v Speaker 1>it's been way too long. I know, I know that.

0:33:47.200 --> 0:33:53.000
<v Speaker 1>I look you there. Can I ask you something? What?

0:33:56.200 --> 0:34:07.720
<v Speaker 1>Why'd you come back? What do you mean? I mean, Julian,

0:34:08.040 --> 0:34:12.400
<v Speaker 1>there is a lot you don't understand here. This is

0:34:12.480 --> 0:34:19.359
<v Speaker 1>bigger than bigger than what exactly I'm trying to help

0:34:19.400 --> 0:34:24.439
<v Speaker 1>you here, Julian, things are in a delicate balance, all right.

0:34:24.600 --> 0:34:28.879
<v Speaker 1>What what thinks my ass and reflux? What the fuck

0:34:28.960 --> 0:34:32.759
<v Speaker 1>you think I'm talking about? Man, you don't understand. Oh,

0:34:32.840 --> 0:34:35.640
<v Speaker 1>I don't understand. I had to come back to what

0:34:35.800 --> 0:34:39.279
<v Speaker 1>you should resent to that earth. You're playing with fire here.

0:34:40.360 --> 0:34:42.759
<v Speaker 1>You have no idea what you're mess It's not just

0:34:42.840 --> 0:34:45.200
<v Speaker 1>for me. I'm trying to do the right thing here

0:34:45.440 --> 0:34:50.879
<v Speaker 1>for Fish. I'm trying to help him. Don't you think

0:34:51.440 --> 0:34:55.480
<v Speaker 1>I mind? He's on death row Tie's part to play

0:34:56.080 --> 0:35:07.439
<v Speaker 1>all right here, I'm gonna well, I'm not gonna sit

0:35:07.480 --> 0:35:11.600
<v Speaker 1>on my ass watching Jeffard and smoking cigarettes. Did you

0:35:11.640 --> 0:35:14.440
<v Speaker 1>know there were others other kids who were absent from

0:35:14.480 --> 0:35:49.240
<v Speaker 1>school that day other than Thomas and Deacon. What you know, Tyler? Tyler? Tyler, Tyler?

0:35:49.239 --> 0:36:02.319
<v Speaker 1>Can you hear me? Tyler? I lost you man? What

0:36:02.400 --> 0:36:55.200
<v Speaker 1>the hell? What the fuck? Fuck? H M A ghost

0:36:55.280 --> 0:37:14.320
<v Speaker 1>in the mirror. In the Hounds of Dancing The Manowat

0:37:14.360 --> 0:37:18.359
<v Speaker 1>Caves stars Jonathan Tucker as Julian Salis, Eddie Gatheggie as

0:37:18.440 --> 0:37:23.160
<v Speaker 1>James Fincher, Clark Peters as Detective Solomon Smith, Nick Sercy

0:37:23.320 --> 0:37:27.799
<v Speaker 1>as Sheriff Kirby Hooper, Justin Wellborn as Tyler Wilson, Jill

0:37:27.880 --> 0:37:31.920
<v Speaker 1>Jane Clements as Jill Campbell, Brad Carter as Dooley Tappard,

0:37:32.440 --> 0:37:36.680
<v Speaker 1>Scott Poythress as Reverend Perkins, Samantha Ashley as Deana Fincher,

0:37:37.239 --> 0:37:41.520
<v Speaker 1>Justin Matthews Smith as Paul Salace, Tara Oakes as Laura Salis,

0:37:42.120 --> 0:37:46.880
<v Speaker 1>Jonathan Horn as Deacon Hadley, Alden Kronovitch as Thomas Hadley,

0:37:47.480 --> 0:37:51.600
<v Speaker 1>Mike w Anderson as Griff Washington, Bodie Walter Roth as

0:37:51.680 --> 0:37:55.839
<v Speaker 1>Jimmy Fincher, Brian McClure as Ian Spinks, Larry Clark as

0:37:55.880 --> 0:38:00.200
<v Speaker 1>Bobby Hadley, Peyton Fallis as Ed le Blanc, Vic Polis Says,

0:38:00.200 --> 0:38:04.879
<v Speaker 1>William Fowler, Nick Dakosky as Richard Rydell, and Aileen Loy

0:38:05.239 --> 0:38:10.200
<v Speaker 1>as The Darkness, with additional performances by Clint McGown, Dina Dill,

0:38:10.800 --> 0:38:17.640
<v Speaker 1>Edward Howard, Henry Foster Brown, Jamie Joseph, Juan Manzalez, Christopher Curry,

0:38:17.680 --> 0:38:23.200
<v Speaker 1>Bailey Hyneman, David Mitchell, and Bernard Sataro Clark. Created by

0:38:23.239 --> 0:38:27.040
<v Speaker 1>Connell Byrne and Dan Bush. Written by Dan Bush, Zoe

0:38:27.160 --> 0:38:31.800
<v Speaker 1>Cooper and Nicholas Dakaski featuring our theme song Killer Inside,

0:38:31.840 --> 0:38:36.240
<v Speaker 1>written produced and performed by Lear Lynn. Our executive producers

0:38:36.239 --> 0:38:41.080
<v Speaker 1>are Matt Frederick, Alexander Williams, Michael Monte, and Courtney Dufrees.

0:38:41.680 --> 0:38:46.000
<v Speaker 1>Our executive producers at Blumhouse Television are Jeremy Gold, Chris Dickey,

0:38:46.360 --> 0:38:51.560
<v Speaker 1>and Noah Feinberg. Produced by Dan Bush, music by Ben Lovett.

0:38:51.760 --> 0:38:56.720
<v Speaker 1>Additional music by Alexander Rodriguez, edited by Dan Bush, Chris Childs,

0:38:56.880 --> 0:39:02.200
<v Speaker 1>Stephen Perez and David Chen. Sound designed by Benjamin Malcolm. Dialogue,

0:39:02.280 --> 0:39:05.800
<v Speaker 1>editing and sound mixing by Wan Campus. Recorded at Studio

0:39:05.840 --> 0:39:09.279
<v Speaker 1>Awesome in Los Angeles, Sound by Studio in Atlanta and

0:39:09.480 --> 0:39:13.400
<v Speaker 1>Echo Mountain in Asheville. Casting by Sunday Bowling, Kennedy and

0:39:13.520 --> 0:39:17.920
<v Speaker 1>Meg Mormon. Our dialect coach is Linda Bassesti, Assistant director,

0:39:17.960 --> 0:39:23.040
<v Speaker 1>Michael Monte second assistant director, script supervisor and production coordinator

0:39:23.440 --> 0:39:28.560
<v Speaker 1>Sarah Klein. Supervising producer Josh Thine. Special thanks to Mary

0:39:28.600 --> 0:39:33.160
<v Speaker 1>Ellen and Jason Davis, Jonathan Deeter, and Joe Rickman. The

0:39:33.280 --> 0:39:37.360
<v Speaker 1>Manoel Caves is a production of iHeartRadio, Blumhouse Television, and

0:39:37.520 --> 0:40:05.000
<v Speaker 1>Psychopia Pictures.