1 00:00:00,120 --> 00:00:03,480 Speaker 1: My next guest has a content creating production company called 2 00:00:03,760 --> 00:00:08,200 Speaker 1: Magic Lemonade. I love that name. The production company specializes 3 00:00:08,680 --> 00:00:13,000 Speaker 1: in television, film, and new media, with offices in Hollywood, California, 4 00:00:13,200 --> 00:00:16,800 Speaker 1: and Atlanta, Georgia. Her company, Magic Lemonade, creates and produces 5 00:00:16,840 --> 00:00:20,400 Speaker 1: content from pre to post production for networks and studios. 6 00:00:20,680 --> 00:00:23,079 Speaker 1: Known as the Woman behind the Labs, I've known her 7 00:00:23,079 --> 00:00:24,599 Speaker 1: a lot of a lot of years, so I know 8 00:00:24,840 --> 00:00:27,720 Speaker 1: for a fact she's been associated with me on many 9 00:00:27,760 --> 00:00:30,560 Speaker 1: comedy productions. She made history last year is the first 10 00:00:30,600 --> 00:00:34,879 Speaker 1: African American female recipient of an Emmy for Outstanding Variety 11 00:00:34,920 --> 00:00:38,080 Speaker 1: Special for her role as producer of a Dave Chappelle 12 00:00:38,760 --> 00:00:42,720 Speaker 1: comedy special and also want a Grammy for Best Comedy Album. 13 00:00:42,800 --> 00:00:46,360 Speaker 1: Please Welcome to money making Conversation and fantastic and brilliant 14 00:00:46,640 --> 00:00:52,800 Speaker 1: producer Ricky Hughes. Hey, how are you? I have to 15 00:00:52,800 --> 00:00:54,160 Speaker 1: put it out there? Girl? You know you're out there 16 00:00:54,160 --> 00:00:55,960 Speaker 1: doing it. You know you know I saw your photos 17 00:00:56,040 --> 00:00:58,720 Speaker 1: holding the Grammy and holding the Emmy. I love it. 18 00:00:58,800 --> 00:01:02,120 Speaker 1: I love shared us. You know, thank you, you know, 19 00:01:02,160 --> 00:01:04,200 Speaker 1: because I don't like to, you know, because I got 20 00:01:04,200 --> 00:01:06,120 Speaker 1: a couple of Grammage, I got some image awards, and 21 00:01:06,160 --> 00:01:08,000 Speaker 1: I you know, you can find him in my house. 22 00:01:08,040 --> 00:01:11,759 Speaker 1: You know they're not They're not somewhere right there, right there. 23 00:01:11,760 --> 00:01:13,600 Speaker 1: Either you're blind or you just don't want to look. 24 00:01:13,680 --> 00:01:15,360 Speaker 1: My mom. You can see my stuff when you walk 25 00:01:15,400 --> 00:01:18,640 Speaker 1: in my house. So because because you know, as a 26 00:01:18,640 --> 00:01:20,960 Speaker 1: as a producer, you know, it's kind of like the 27 00:01:21,319 --> 00:01:24,440 Speaker 1: crown jewel of people recognizing what you do. Because we 28 00:01:24,520 --> 00:01:28,000 Speaker 1: operate behind the scenes. You know, the talent always gets recognized, 29 00:01:28,040 --> 00:01:30,560 Speaker 1: gets recognizing in the streets, generally gets recognized with a 30 00:01:30,560 --> 00:01:34,240 Speaker 1: bigger paycheck. But as a producer, talked to us about 31 00:01:34,760 --> 00:01:39,560 Speaker 1: winning those awards, I mean, you know these awards. One, 32 00:01:39,640 --> 00:01:42,960 Speaker 1: you know, working with Dave Chappelle is always a joy, 33 00:01:43,160 --> 00:01:47,360 Speaker 1: a pleasure and honor um. And then to be recognized Dave, 34 00:01:47,440 --> 00:01:49,560 Speaker 1: as you said, it is always front and center, which 35 00:01:49,600 --> 00:01:53,160 Speaker 1: as he should be. And you know, these awards were 36 00:01:53,200 --> 00:01:56,400 Speaker 1: really about our peers recognizing us for especially to Emmy, 37 00:01:57,040 --> 00:01:59,200 Speaker 1: was you know for stand Laton and I to be 38 00:01:59,600 --> 00:02:02,560 Speaker 1: recoge nice, you know, as a producers who really you know, 39 00:02:02,560 --> 00:02:05,400 Speaker 1: put the show together and protected the voice for Dave. 40 00:02:05,960 --> 00:02:09,360 Speaker 1: So you know, when we sat there and you know, 41 00:02:09,400 --> 00:02:13,680 Speaker 1: we were up against some really big names and you know, 42 00:02:13,760 --> 00:02:16,360 Speaker 1: some comeback, Carl Burnett to come back, you know, and 43 00:02:16,639 --> 00:02:21,240 Speaker 1: speaking the room Martin Short, you know, carful karaoke like, 44 00:02:21,240 --> 00:02:23,519 Speaker 1: there was some really big names there. So we were 45 00:02:23,560 --> 00:02:25,400 Speaker 1: really in the place, We're excited to be in this 46 00:02:25,520 --> 00:02:28,440 Speaker 1: building at this moment, you know, sharing the moment. And 47 00:02:28,480 --> 00:02:31,399 Speaker 1: then they started playing killing Me Softly and we heard 48 00:02:31,440 --> 00:02:33,880 Speaker 1: the song We're like, wait, that's Day's favorite song. And 49 00:02:33,919 --> 00:02:36,959 Speaker 1: then they said saying Latey Ricky Hughes a Chappelle and 50 00:02:37,000 --> 00:02:38,440 Speaker 1: we kind of looked these other were like, yet up, 51 00:02:39,160 --> 00:02:41,680 Speaker 1: So you know, you know, finally got up because we 52 00:02:42,280 --> 00:02:46,799 Speaker 1: just didn't really anticipate that um but we still stood 53 00:02:46,840 --> 00:02:48,960 Speaker 1: in a lot of gratitude and had a great time 54 00:02:49,040 --> 00:02:51,080 Speaker 1: sharing that moment. And it's always great to feel like 55 00:02:51,080 --> 00:02:53,160 Speaker 1: you're recognized by your peers, you know, you know, it's 56 00:02:53,200 --> 00:02:56,639 Speaker 1: really special because stan Lathan, you know that that that's 57 00:02:56,639 --> 00:03:00,440 Speaker 1: a legendary name that needs a documentary attached to his name, Okay, 58 00:03:00,440 --> 00:03:03,800 Speaker 1: because I tell him all the time he is, you know, 59 00:03:03,919 --> 00:03:05,639 Speaker 1: he is what if you want to say, the King 60 00:03:05,639 --> 00:03:10,480 Speaker 1: of comedy, I would call staying the king or the Emperor, 61 00:03:11,160 --> 00:03:13,960 Speaker 1: you know, because and he's so humble and you know 62 00:03:14,040 --> 00:03:16,760 Speaker 1: in his approach, but in the end, he's definitely one 63 00:03:16,760 --> 00:03:18,880 Speaker 1: of my favorite people. On the surface. You know, Standing 64 00:03:18,919 --> 00:03:21,320 Speaker 1: and I you know, did Deaf Comedy Jam together, Standing, 65 00:03:21,360 --> 00:03:24,400 Speaker 1: did Steve Harvey's sitcom that was on the w B 66 00:03:24,680 --> 00:03:29,880 Speaker 1: Staying did Uh the Kevin hart Uh improv show on 67 00:03:30,000 --> 00:03:34,040 Speaker 1: a bt UM. You know, he's he's he's he's constantly 68 00:03:34,920 --> 00:03:38,560 Speaker 1: staying current. He's constantly stays revel and I apologize I 69 00:03:38,600 --> 00:03:42,320 Speaker 1: forgot Deaf Comedy Jam, which changed the face of standing 70 00:03:42,360 --> 00:03:44,960 Speaker 1: up comedy today. That's staying late and that's that's just 71 00:03:45,120 --> 00:03:47,440 Speaker 1: part of that's why she says he's the king of 72 00:03:47,520 --> 00:03:51,440 Speaker 1: comedy from a producer jack the producer, from a director standpoint, 73 00:03:51,800 --> 00:03:54,600 Speaker 1: you know, he like I said, I I consider him 74 00:03:54,640 --> 00:03:58,440 Speaker 1: a friend, I consider a person mentor because I've been 75 00:03:58,440 --> 00:04:00,880 Speaker 1: in the position to stand back and watch what he does. 76 00:04:01,480 --> 00:04:04,640 Speaker 1: But the key words that you say very humble. Oh 77 00:04:04,680 --> 00:04:09,160 Speaker 1: my god, he's so humble. It's it's it's almost ridiculous. 78 00:04:10,040 --> 00:04:11,640 Speaker 1: I mean the fact that he goes back to sestme 79 00:04:11,720 --> 00:04:14,600 Speaker 1: Street of Mom's navely like that, such a breast of 80 00:04:14,680 --> 00:04:18,880 Speaker 1: work that stands you know between it's just you know, 81 00:04:21,240 --> 00:04:23,680 Speaker 1: right now, you're the Queen of Queen of Comedy producer. 82 00:04:23,800 --> 00:04:27,080 Speaker 1: That's my girl here, Mrs Ricky Hughes. So you know, 83 00:04:28,040 --> 00:04:31,200 Speaker 1: let's let's talk about some of the times I met you. Okay, uh, 84 00:04:31,400 --> 00:04:34,520 Speaker 1: just to show you the journey. I like to say, 85 00:04:34,520 --> 00:04:38,800 Speaker 1: the first and only BT comedy special We Might Win 86 00:04:38,880 --> 00:04:40,960 Speaker 1: the Steve Harvey Holts and I was fortunate to be 87 00:04:41,000 --> 00:04:43,880 Speaker 1: a producer on the show along with you, and then 88 00:04:44,680 --> 00:04:48,280 Speaker 1: several times on Rip the Runway, uh, which I thought 89 00:04:48,400 --> 00:04:53,200 Speaker 1: was a cool concept of of being even making making 90 00:04:53,200 --> 00:04:57,600 Speaker 1: a fashion our version of Victoria's Secrets Runway and um, 91 00:04:57,839 --> 00:05:00,839 Speaker 1: and those those moments of meeting you. What I always 92 00:05:00,920 --> 00:05:05,119 Speaker 1: encountered was professionalism. You knew your job and you stayed 93 00:05:05,120 --> 00:05:06,560 Speaker 1: on top of the game. Of course I talked about 94 00:05:06,560 --> 00:05:10,920 Speaker 1: the Monique Talk Show, just other projects that wouldn't personally involved. 95 00:05:10,920 --> 00:05:13,719 Speaker 1: I would walking in and see you. They're always smiling, 96 00:05:13,880 --> 00:05:16,479 Speaker 1: always on top of your game. What motivates you to 97 00:05:16,520 --> 00:05:22,360 Speaker 1: be successful? Just you know, my motivation is really just 98 00:05:22,440 --> 00:05:25,000 Speaker 1: to be great and and everything that I do and 99 00:05:25,080 --> 00:05:27,120 Speaker 1: make sure that I'm impeccable with my words. A lot 100 00:05:27,120 --> 00:05:29,000 Speaker 1: of times that keeps me with kind of with my 101 00:05:29,080 --> 00:05:32,640 Speaker 1: head down and just moving quickly through things. Um, I know, 102 00:05:32,760 --> 00:05:34,839 Speaker 1: as a leader of the ship, it's always important. I 103 00:05:34,880 --> 00:05:36,640 Speaker 1: know that every eye is always on me, So it's 104 00:05:36,680 --> 00:05:39,000 Speaker 1: always important to be calm, cool and collective. Like never 105 00:05:39,120 --> 00:05:41,600 Speaker 1: no one ever hears me speak above this voice, no 106 00:05:41,640 --> 00:05:44,440 Speaker 1: matter what's going on. And I know that there's a 107 00:05:44,520 --> 00:05:48,840 Speaker 1: responsibility in that, and I just you know, I own that. 108 00:05:49,080 --> 00:05:52,120 Speaker 1: And you know, it's really important for me that everything 109 00:05:52,120 --> 00:05:54,839 Speaker 1: that we put onto that screen is really reflective of 110 00:05:54,920 --> 00:05:58,320 Speaker 1: what our intentions were. Now, it is really interesting when 111 00:05:58,320 --> 00:06:01,120 Speaker 1: I talk because just true you this is her tone 112 00:06:01,839 --> 00:06:04,200 Speaker 1: when she's uh if she if she is upset, she 113 00:06:04,279 --> 00:06:08,320 Speaker 1: never I say, brings it out. She she would have 114 00:06:08,320 --> 00:06:10,360 Speaker 1: the conversations, let you know if you're doing your job 115 00:06:10,480 --> 00:06:13,160 Speaker 1: right or wrong. But the thing about is that consistency. 116 00:06:13,440 --> 00:06:16,080 Speaker 1: But let's talk about before we get into the how 117 00:06:16,120 --> 00:06:18,599 Speaker 1: you started in music and the transition of the name 118 00:06:18,640 --> 00:06:22,119 Speaker 1: of your company, Magic Lemonade. Give us that back story. 119 00:06:23,600 --> 00:06:27,040 Speaker 1: So Magic Lemonade one, I just want to do about 120 00:06:27,080 --> 00:06:31,599 Speaker 1: that Magic Lemonade. Where does that come from? Well, Magic 121 00:06:31,680 --> 00:06:33,880 Speaker 1: Lemonade came from a place, you know, at the point 122 00:06:33,920 --> 00:06:36,320 Speaker 1: where I wanted to you know, I'd worked for with 123 00:06:36,360 --> 00:06:39,280 Speaker 1: so many other people and I realized it was time 124 00:06:39,320 --> 00:06:41,640 Speaker 1: for me to hang out my own shingle. And I say, 125 00:06:41,720 --> 00:06:44,279 Speaker 1: you know what happens no matter no matter what happens 126 00:06:44,320 --> 00:06:46,640 Speaker 1: with any projects that are brought to me or that 127 00:06:46,720 --> 00:06:49,200 Speaker 1: I create, I always have to add a little magic 128 00:06:49,240 --> 00:06:52,720 Speaker 1: to it to make it the sweetest lemonade possible. And 129 00:06:52,760 --> 00:06:55,920 Speaker 1: the biggest thing is you can't say it without smiling, 130 00:06:56,320 --> 00:06:59,559 Speaker 1: absolutely though. It's just it's a reminder that we can't 131 00:06:59,600 --> 00:07:02,520 Speaker 1: take the so serious, you know, we really need to 132 00:07:02,600 --> 00:07:05,440 Speaker 1: just enjoy ourselves. To me, the journey is just as 133 00:07:06,200 --> 00:07:09,440 Speaker 1: just as important as the final product. So I like 134 00:07:09,520 --> 00:07:12,120 Speaker 1: to make sure that you know, I created a place 135 00:07:12,480 --> 00:07:16,320 Speaker 1: where everyone that comes there feels heard, everyone that works 136 00:07:16,360 --> 00:07:18,920 Speaker 1: with me feels like we're working together and not for me, 137 00:07:19,400 --> 00:07:21,520 Speaker 1: and that they understand that this is all just a 138 00:07:21,560 --> 00:07:23,640 Speaker 1: magical experience and let's just get on the ride have 139 00:07:23,760 --> 00:07:26,440 Speaker 1: a good time. We know that. Really. First of all, 140 00:07:26,480 --> 00:07:29,239 Speaker 1: you're right, because when you said magic lemonade, I immediately 141 00:07:29,280 --> 00:07:31,200 Speaker 1: went to my you know, Chick fil A lemonade. I 142 00:07:31,400 --> 00:07:34,400 Speaker 1: love their lem you know, I went right there, you 143 00:07:34,400 --> 00:07:38,120 Speaker 1: know my favorite lemonades. I'm already smiling thinking about where 144 00:07:38,120 --> 00:07:40,240 Speaker 1: I'm gonna stop when I finished this bought podcast to 145 00:07:40,240 --> 00:07:43,640 Speaker 1: the radio show today. You know when I when I 146 00:07:43,640 --> 00:07:46,239 Speaker 1: think about the way we develop our relationships, it's always 147 00:07:46,240 --> 00:07:49,200 Speaker 1: a journey, like I finishes to be a producer, the writers, 148 00:07:49,200 --> 00:07:51,000 Speaker 1: shitcome and all the things I've done in my life 149 00:07:51,000 --> 00:07:54,040 Speaker 1: and a manager. I started out as a stand up comedian, 150 00:07:55,160 --> 00:07:56,960 Speaker 1: and I thought I was going to be the next 151 00:07:57,360 --> 00:08:01,120 Speaker 1: Richard Pryor. At the time when I started, Murphy was everywhere, 152 00:08:01,200 --> 00:08:03,840 Speaker 1: so I was competing with his world. And then deaf 153 00:08:03,960 --> 00:08:06,640 Speaker 1: Jam came along and that gave me a comedic opportunity. 154 00:08:06,720 --> 00:08:09,280 Speaker 1: But you didn't start out being the queen of comedy 155 00:08:09,320 --> 00:08:11,760 Speaker 1: from a producing standpoint, talk about the start of your 156 00:08:11,800 --> 00:08:15,040 Speaker 1: career in music, not at all. You know, I started 157 00:08:15,080 --> 00:08:19,000 Speaker 1: off in music. UM. I worked with UM. We had 158 00:08:19,000 --> 00:08:24,640 Speaker 1: a soundtrack that was I don't know, George Jackson, Doug mckenry, 159 00:08:25,000 --> 00:08:30,360 Speaker 1: I did, you know. And at this point soundtracks were 160 00:08:30,360 --> 00:08:34,839 Speaker 1: really big and I had UM and so they had 161 00:08:34,840 --> 00:08:40,000 Speaker 1: needed a soundtrack and I brought in I brought in 162 00:08:40,040 --> 00:08:44,240 Speaker 1: Warrengey and his crew for the Jason's lyric soundtrack. So 163 00:08:44,920 --> 00:08:47,960 Speaker 1: UM coming from there, Warren's manager said, Hey, I got 164 00:08:47,960 --> 00:08:51,400 Speaker 1: these kids. They've never been on the road, Can you 165 00:08:51,400 --> 00:08:54,199 Speaker 1: help me with them? So I started managing with Ronchy 166 00:08:54,320 --> 00:08:56,600 Speaker 1: with Warrengy and started taking all the guys on the 167 00:08:56,679 --> 00:08:58,800 Speaker 1: road and that was the start of my music career. 168 00:08:58,800 --> 00:09:01,559 Speaker 1: I ended up working in Priority Records for some years 169 00:09:02,000 --> 00:09:04,080 Speaker 1: and then when we did the final bio for E. M. 170 00:09:04,120 --> 00:09:06,600 Speaker 1: I I said I'm out. I would rather go to 171 00:09:06,640 --> 00:09:10,319 Speaker 1: film and TV moved over. I started working with Carl 172 00:09:10,400 --> 00:09:14,520 Speaker 1: Craig and Ralph Farquhar and so we started producing shows 173 00:09:14,520 --> 00:09:17,960 Speaker 1: from there. So my entry from music into TV was 174 00:09:18,000 --> 00:09:21,640 Speaker 1: through comedy. So that's why all my projects you see, 175 00:09:21,679 --> 00:09:25,200 Speaker 1: always have a music and a comedic base. Somehow it's 176 00:09:25,200 --> 00:09:27,640 Speaker 1: infused and I kind of worked back and forth and 177 00:09:27,720 --> 00:09:30,040 Speaker 1: it goes, you know, in the live world as well. 178 00:09:30,640 --> 00:09:33,559 Speaker 1: So um, and then I started working with stan Leyson. 179 00:09:34,360 --> 00:09:37,120 Speaker 1: And you know, throughout my career, I didn't start off 180 00:09:37,160 --> 00:09:40,040 Speaker 1: as a p A or any of the traditional route. 181 00:09:40,720 --> 00:09:43,120 Speaker 1: When I started off, I came in, I said I'm 182 00:09:43,160 --> 00:09:45,600 Speaker 1: a producer. I went into my research on what it took, 183 00:09:46,000 --> 00:09:48,480 Speaker 1: and you know, I stuck my chest up hi still 184 00:09:48,520 --> 00:09:50,440 Speaker 1: with my head high, and walked in and said, I'm 185 00:09:50,480 --> 00:09:53,520 Speaker 1: a producer. Let's produce some shows together. And then I 186 00:09:53,559 --> 00:09:55,480 Speaker 1: realized I needed to bring something to the table. What 187 00:09:55,600 --> 00:09:58,559 Speaker 1: I did have was great relationships with talent, so I 188 00:09:58,600 --> 00:10:02,640 Speaker 1: was able to leverage those relationships and with my newfound 189 00:10:02,679 --> 00:10:05,560 Speaker 1: knowledge of what it takes to produce and put those 190 00:10:05,559 --> 00:10:08,319 Speaker 1: things together and really, you know, started to dig in. 191 00:10:08,840 --> 00:10:12,480 Speaker 1: It's really when you started going down memory lane. Carl Craig, 192 00:10:12,600 --> 00:10:14,880 Speaker 1: which I did there. I worked with him on HBO 193 00:10:14,960 --> 00:10:18,160 Speaker 1: or the Iced t Uh Project or HBO back in 194 00:10:18,200 --> 00:10:21,319 Speaker 1: the day. And then Ralph Harquar uh like a big brother, 195 00:10:21,400 --> 00:10:24,480 Speaker 1: a little brother uh to me. You know, he's right 196 00:10:24,520 --> 00:10:27,719 Speaker 1: up there with U, with Staying Lathan. You know I 197 00:10:28,280 --> 00:10:32,679 Speaker 1: do you look a look at them as mentors to you. Oh? Absolutely, 198 00:10:32,720 --> 00:10:34,920 Speaker 1: I mean I've learned something. Yeah. I probed myself on 199 00:10:35,040 --> 00:10:37,240 Speaker 1: learning something from everyone that had come in contact with, 200 00:10:37,360 --> 00:10:42,520 Speaker 1: you know, from whatever position they hold um. But definitely Carl. 201 00:10:42,600 --> 00:10:44,520 Speaker 1: You know, Carl was one who just said because he 202 00:10:44,640 --> 00:10:47,880 Speaker 1: came from music with the music video world, and he 203 00:10:47,960 --> 00:10:50,920 Speaker 1: was you know constantly like, hey, Ricky, if we do this, 204 00:10:51,000 --> 00:10:53,520 Speaker 1: we could do that. You know, he would constantly had 205 00:10:53,559 --> 00:10:56,960 Speaker 1: a plan for us together, which was you know, really 206 00:10:57,000 --> 00:10:59,840 Speaker 1: great because you can just stepping in next to someone. 207 00:10:59,840 --> 00:11:01,760 Speaker 1: I always say, always stand next to a w and 208 00:11:01,800 --> 00:11:03,480 Speaker 1: everyone says, what does that mean? That's an always stand 209 00:11:03,480 --> 00:11:06,160 Speaker 1: next to a winner. And if you can stand next 210 00:11:06,200 --> 00:11:09,280 Speaker 1: to a winner and then still have your own mindset 211 00:11:09,640 --> 00:11:12,559 Speaker 1: that you're choosing to be a winner as well, you 212 00:11:12,679 --> 00:11:15,040 Speaker 1: make yourself a great company and you can move effortlessly 213 00:11:15,080 --> 00:11:18,800 Speaker 1: through the process. So, you know, we always had a 214 00:11:18,920 --> 00:11:20,960 Speaker 1: kind of winning mentality no matter what task we were 215 00:11:21,040 --> 00:11:23,360 Speaker 1: up against, you know, and Ralph has always been I 216 00:11:23,440 --> 00:11:25,800 Speaker 1: learned so much from Ralph. No one is I think 217 00:11:25,840 --> 00:11:30,280 Speaker 1: bolder than Ralph and committed, you know, uh to this 218 00:11:30,400 --> 00:11:34,840 Speaker 1: creative So we fought, we've loved, We've done all that 219 00:11:34,880 --> 00:11:37,000 Speaker 1: stuff between all of us, and we at the end 220 00:11:37,080 --> 00:11:38,800 Speaker 1: we finally get to them of the project, and it's 221 00:11:38,880 --> 00:11:41,800 Speaker 1: usually a really great work. I tell you the names 222 00:11:42,200 --> 00:11:45,320 Speaker 1: that you're talking about, the work ethic that they allow 223 00:11:45,440 --> 00:11:47,760 Speaker 1: you to see. You know, this is a journey with everybody. 224 00:11:47,760 --> 00:11:50,000 Speaker 1: I can you know, you can understand the tone. None 225 00:11:50,000 --> 00:11:52,080 Speaker 1: of these people you've mentioned, our screamers. One of these 226 00:11:52,080 --> 00:11:55,240 Speaker 1: people I want want to be noticed on the set. 227 00:11:55,600 --> 00:11:57,680 Speaker 1: They just want to be direct and pull out the 228 00:11:57,679 --> 00:12:01,240 Speaker 1: best talent that that individual, all that best script of 229 00:12:01,320 --> 00:12:04,760 Speaker 1: the best UH read from that script the biggest production 230 00:12:04,800 --> 00:12:07,440 Speaker 1: that they're involved in, and that really sets the tone 231 00:12:07,480 --> 00:12:08,920 Speaker 1: for what we're trying to do and what we're trying 232 00:12:08,960 --> 00:12:11,560 Speaker 1: to deliver. On Money Making Conversation, I'm talking to Ricky Hughes, 233 00:12:11,800 --> 00:12:15,360 Speaker 1: she had called the Queen of Comedy from a producer 234 00:12:15,400 --> 00:12:19,719 Speaker 1: standpoint as an amazing production company located in Hollywood, California 235 00:12:19,880 --> 00:12:23,240 Speaker 1: and Atlanta, Georgia called Magic Lemonade. When we get back, 236 00:12:23,280 --> 00:12:28,720 Speaker 1: we want to find out what hole for her company. Also, 237 00:12:29,400 --> 00:12:31,120 Speaker 1: how did she meet j Jappel. I'm telling you how 238 00:12:31,120 --> 00:12:33,160 Speaker 1: I met Dasabel, But she gets just a story too, 239 00:12:33,160 --> 00:12:35,319 Speaker 1: because you know, I've learned with her our stories kind 240 00:12:35,320 --> 00:12:37,880 Speaker 1: of entwined. She busted out with Jason's lyrics. She's a 241 00:12:37,960 --> 00:12:41,520 Speaker 1: lyric only we we've ever started with Jason lipp Fast 242 00:12:41,559 --> 00:12:44,920 Speaker 1: Freddy How. This is Sean McDonald and you're listening to 243 00:12:44,960 --> 00:12:48,240 Speaker 1: Money Making Conversation, a show I created to UH give 244 00:12:48,280 --> 00:12:52,000 Speaker 1: you information, information about winning, and an opportunity to understand 245 00:12:52,080 --> 00:12:54,439 Speaker 1: the world that you're trying to win in. That is 246 00:12:54,480 --> 00:12:57,400 Speaker 1: the world of entertainment and the world of being an entrepreneur. 247 00:12:58,320 --> 00:13:01,520 Speaker 1: Being an entrepreneur is UH is definitely taking a lot 248 00:13:01,520 --> 00:13:04,000 Speaker 1: of a stronger foothold into what we're doing because of 249 00:13:04,040 --> 00:13:07,080 Speaker 1: social media. Social media allows us to brand our vision, 250 00:13:07,440 --> 00:13:10,640 Speaker 1: brand our ideas, and promote our dreams with a plan 251 00:13:11,040 --> 00:13:12,880 Speaker 1: and allows us to go out there and not reach 252 00:13:13,000 --> 00:13:15,040 Speaker 1: I always tell people who live in the Muhammadali era, 253 00:13:15,160 --> 00:13:17,960 Speaker 1: I am the greatest uh that he promoted that he 254 00:13:18,040 --> 00:13:21,320 Speaker 1: said that, and now we understand that was a brand 255 00:13:21,360 --> 00:13:24,440 Speaker 1: that he put out there. They would live throughout our 256 00:13:24,559 --> 00:13:27,840 Speaker 1: times that we live. But Corporation has been bragging like 257 00:13:27,920 --> 00:13:31,040 Speaker 1: that all their lives forward McDonald's, talking about their products, 258 00:13:31,080 --> 00:13:33,240 Speaker 1: talking about their hamburgers, talking about their cars, talking about 259 00:13:33,240 --> 00:13:35,360 Speaker 1: their computers. Now, in the area that we live in, 260 00:13:35,960 --> 00:13:38,280 Speaker 1: you could do the same with social media. On the 261 00:13:38,360 --> 00:13:40,720 Speaker 1: on the phone, I have a guess, you know, I 262 00:13:40,840 --> 00:13:42,640 Speaker 1: know many times you know she's talking about she did 263 00:13:42,640 --> 00:13:45,800 Speaker 1: the music soundtrack for Jason's lyric, you know, the JA lyrics. 264 00:13:46,000 --> 00:13:47,599 Speaker 1: Like I said, one of the movies I started in 265 00:13:47,720 --> 00:13:50,640 Speaker 1: as fast Freddick. You know all I say, Ricky, you 266 00:13:50,679 --> 00:13:53,280 Speaker 1: know for some reason, you have we gotta work together. 267 00:13:54,160 --> 00:13:57,040 Speaker 1: That's all I gotta say. Let's do it, you know. 268 00:13:57,240 --> 00:14:00,280 Speaker 1: She that's how she did. Wasn't no hesitation. That's remember 269 00:14:00,320 --> 00:14:03,000 Speaker 1: she said she didn't come in doing mail room. She 270 00:14:03,040 --> 00:14:05,480 Speaker 1: didn't come in doing p a word. She said, I'm coming, 271 00:14:05,480 --> 00:14:08,480 Speaker 1: I'm a producer. I said, let's work together. She said, 272 00:14:08,559 --> 00:14:12,200 Speaker 1: let's do it. And you know, it's really funny because 273 00:14:12,800 --> 00:14:14,840 Speaker 1: I'm talking about the shell little story. As a writer. 274 00:14:14,960 --> 00:14:17,200 Speaker 1: I came in as a you know, you have different 275 00:14:17,280 --> 00:14:19,600 Speaker 1: levels of writing and sitcom. You know you have a 276 00:14:19,640 --> 00:14:23,200 Speaker 1: staff right, executive story. I came in as an executive story. 277 00:14:23,240 --> 00:14:26,960 Speaker 1: Yet I skilled the staff right because of the fact 278 00:14:27,000 --> 00:14:30,960 Speaker 1: that it's how you prepare and what I presented, and 279 00:14:31,080 --> 00:14:33,480 Speaker 1: I felt that why why why do I need to 280 00:14:33,520 --> 00:14:35,680 Speaker 1: start there? And so when you said the story about 281 00:14:35,680 --> 00:14:38,000 Speaker 1: being a producer, shee. A lot of people don't want 282 00:14:38,040 --> 00:14:40,760 Speaker 1: to do the homework or the legwork because once you 283 00:14:40,800 --> 00:14:44,000 Speaker 1: commit to something, you can't lay back on your laurels. 284 00:14:44,000 --> 00:14:45,880 Speaker 1: In other words, you have to do it five times 285 00:14:45,920 --> 00:14:47,680 Speaker 1: harder because you know you have to play catch up, 286 00:14:47,720 --> 00:14:49,920 Speaker 1: you have to learn on the job, and people expect 287 00:14:50,000 --> 00:14:52,480 Speaker 1: certain things from you when you were being hired for 288 00:14:52,560 --> 00:14:54,920 Speaker 1: that title, and those are the challenges that a lot 289 00:14:54,920 --> 00:14:57,200 Speaker 1: of people don't step up for. And that's what annoyed 290 00:14:57,280 --> 00:15:00,680 Speaker 1: me the most. In our business that we call entertainment 291 00:15:00,840 --> 00:15:04,080 Speaker 1: because there are no guarantees. As you know, Ricky is like, 292 00:15:04,800 --> 00:15:06,560 Speaker 1: you know, you think that check is coming and all 293 00:15:06,600 --> 00:15:08,600 Speaker 1: of a sudden it doesn't comments fast as you want 294 00:15:09,360 --> 00:15:11,360 Speaker 1: it might be. And you know in our business as well, 295 00:15:11,840 --> 00:15:14,920 Speaker 1: you know money comments can come in large lump songs 296 00:15:15,480 --> 00:15:17,120 Speaker 1: and then it can get off. So you have to 297 00:15:17,160 --> 00:15:20,000 Speaker 1: have an accounting in your head too. You know this 298 00:15:20,080 --> 00:15:22,320 Speaker 1: check coming in, it got to go all the way 299 00:15:22,360 --> 00:15:29,760 Speaker 1: through decembers. So let's talk about that, talk about that 300 00:15:29,800 --> 00:15:34,080 Speaker 1: whole process. So of of running the production company, you know, 301 00:15:34,120 --> 00:15:37,920 Speaker 1: you you're seeking our jobs and opportunities, you're being recommended 302 00:15:37,960 --> 00:15:41,960 Speaker 1: for jobs and opportunities. How what is a real production company? 303 00:15:42,000 --> 00:15:44,120 Speaker 1: I know I've had a couple of people on and 304 00:15:44,160 --> 00:15:46,920 Speaker 1: I've never asked that question. What is a production company 305 00:15:47,160 --> 00:15:51,320 Speaker 1: in the media of television and film? So you have 306 00:15:51,440 --> 00:15:53,440 Speaker 1: a couple of different production companies. You have some that 307 00:15:53,480 --> 00:15:55,560 Speaker 1: are just kind of a loan out production company that 308 00:15:55,600 --> 00:15:58,640 Speaker 1: they're really kind of a name only and they're a 309 00:15:58,800 --> 00:16:01,920 Speaker 1: name for maybe the talent. Then you have a production 310 00:16:01,960 --> 00:16:04,720 Speaker 1: company like our is. It's a full service production company. 311 00:16:04,760 --> 00:16:07,520 Speaker 1: So we take everything from concept all the way until 312 00:16:07,520 --> 00:16:09,840 Speaker 1: we deliver it to the air. So from the moment 313 00:16:09,880 --> 00:16:13,000 Speaker 1: there's an idea about a show, then we immediately start 314 00:16:13,040 --> 00:16:15,880 Speaker 1: to idate about the idea, whether we're working with a 315 00:16:15,880 --> 00:16:18,680 Speaker 1: network or a studio. Then we get to the process 316 00:16:18,720 --> 00:16:21,000 Speaker 1: of making sure that we had we've had a creative 317 00:16:21,000 --> 00:16:23,240 Speaker 1: meetings of the mind that yes, this is the exact 318 00:16:23,280 --> 00:16:26,320 Speaker 1: project that we like to create. Then we start to 319 00:16:26,360 --> 00:16:29,480 Speaker 1: create you know, budgets. How much does this cost? Can 320 00:16:29,560 --> 00:16:31,960 Speaker 1: we stay within can we create this vision within the 321 00:16:32,000 --> 00:16:35,040 Speaker 1: limits of this budget number? And then who are the 322 00:16:35,160 --> 00:16:38,040 Speaker 1: proper staffing who can help us bring this vision alive 323 00:16:38,440 --> 00:16:41,680 Speaker 1: and making sure that we curate that crew that truly 324 00:16:41,720 --> 00:16:44,960 Speaker 1: makes sense for our in game or in product. And 325 00:16:44,960 --> 00:16:47,120 Speaker 1: then it's a process of making it happen and knowing 326 00:16:47,160 --> 00:16:52,240 Speaker 1: that every single production, I don't care how prepared you are, 327 00:16:52,640 --> 00:16:55,720 Speaker 1: They're going to be some little fires. So I always 328 00:16:55,720 --> 00:16:57,880 Speaker 1: say the best thing I can do is is have 329 00:16:58,040 --> 00:17:01,320 Speaker 1: the best preproduction process as possible, so that I'm prepared 330 00:17:01,400 --> 00:17:03,920 Speaker 1: that any fire comes, I can quickly pivot to the 331 00:17:03,920 --> 00:17:06,000 Speaker 1: next and keep moving so that we can still make 332 00:17:06,000 --> 00:17:09,639 Speaker 1: our goal. And after we finished our production, then we 333 00:17:09,760 --> 00:17:12,240 Speaker 1: get ready to go into the edit bay, our post 334 00:17:12,280 --> 00:17:15,680 Speaker 1: production music, everything that comes along with it, making the 335 00:17:15,840 --> 00:17:20,520 Speaker 1: edit to satisfy whether it's the the studio or the network, 336 00:17:21,400 --> 00:17:22,919 Speaker 1: and then get it out there to the world. So 337 00:17:22,960 --> 00:17:26,560 Speaker 1: that's kind of a snapshot of what our production company does. 338 00:17:26,720 --> 00:17:28,960 Speaker 1: And we come in a different stages. Usually we come 339 00:17:28,960 --> 00:17:31,600 Speaker 1: in at the beginning, at the ideation point, where it's 340 00:17:31,640 --> 00:17:33,920 Speaker 1: just just an idea, whether we've pitched it or someone 341 00:17:33,960 --> 00:17:37,680 Speaker 1: has pitched it to us or um. Sometimes we come 342 00:17:37,720 --> 00:17:39,639 Speaker 1: in and I have to really put some magic on. 343 00:17:39,760 --> 00:17:41,919 Speaker 1: This is where the eliminate is. Sometimes I get limits 344 00:17:42,040 --> 00:17:44,720 Speaker 1: and people say, ky, we need help, help we got 345 00:17:44,800 --> 00:17:47,000 Speaker 1: you know, the people that started this got got in 346 00:17:47,080 --> 00:17:50,280 Speaker 1: under their head, over their head. They didn't you know, 347 00:17:50,359 --> 00:17:52,360 Speaker 1: didn't quite know how to get us to the finish line. 348 00:17:52,440 --> 00:17:54,120 Speaker 1: Can you come in and do that? And so I've 349 00:17:54,160 --> 00:17:55,760 Speaker 1: done that too. I don't like to do too much 350 00:17:55,760 --> 00:17:58,520 Speaker 1: of that because it's you know, it's you kind of 351 00:17:58,520 --> 00:18:02,600 Speaker 1: walking down from a deficit. You know, it's really because 352 00:18:02,800 --> 00:18:05,520 Speaker 1: that means your voice is important. And from a female 353 00:18:05,600 --> 00:18:08,679 Speaker 1: standpoint of being an African American, you know you have 354 00:18:08,800 --> 00:18:10,800 Speaker 1: to you have to that's your brand. How do you 355 00:18:10,840 --> 00:18:13,840 Speaker 1: protect that? And uh and and make sure you put 356 00:18:13,840 --> 00:18:19,120 Speaker 1: our quality content. I think my biggest, my biggest litmus 357 00:18:19,119 --> 00:18:22,200 Speaker 1: test is is this something that I would want to watch? 358 00:18:22,280 --> 00:18:24,480 Speaker 1: Is this something that I'm engaged in? A lot of 359 00:18:24,520 --> 00:18:27,320 Speaker 1: projects come my way and I have to have discernment, 360 00:18:27,520 --> 00:18:30,919 Speaker 1: and I say no a lot, and you know, the 361 00:18:31,000 --> 00:18:33,480 Speaker 1: agent and managers like, oh my gosh, Ricky White saying no, 362 00:18:33,640 --> 00:18:35,720 Speaker 1: this is the greatest project, this is working with this person. 363 00:18:35,760 --> 00:18:37,360 Speaker 1: I said, yeah, but it's not aligned with my core 364 00:18:37,440 --> 00:18:41,359 Speaker 1: belief And at this point in my career, I know 365 00:18:41,600 --> 00:18:43,560 Speaker 1: that when it gets tough, I have to be a 366 00:18:43,640 --> 00:18:46,880 Speaker 1: hundred in tintos down, willing to spend my own money 367 00:18:46,920 --> 00:18:49,879 Speaker 1: if necessary, to make sure that this is corrected. If 368 00:18:49,920 --> 00:18:52,439 Speaker 1: I can't say that about this project or feel like 369 00:18:52,480 --> 00:18:54,240 Speaker 1: I can get to that point that I have to 370 00:18:54,240 --> 00:18:56,680 Speaker 1: walk away because then there's somebody else better suited for 371 00:18:56,760 --> 00:19:00,680 Speaker 1: this project, right, And that's that's then that's really being 372 00:19:00,720 --> 00:19:04,359 Speaker 1: honest with yourself. I have to be and that a 373 00:19:04,359 --> 00:19:06,000 Speaker 1: lot of people, they do know a lot of people. 374 00:19:06,119 --> 00:19:09,120 Speaker 1: They look at them, they look at the check opportunity, 375 00:19:09,160 --> 00:19:12,920 Speaker 1: but also you know that that check can, can, can can, 376 00:19:13,880 --> 00:19:16,679 Speaker 1: but taking the wrong project can affect other opportunities. And 377 00:19:16,720 --> 00:19:19,080 Speaker 1: that's what you're saying right now. Make sure, you stay 378 00:19:19,119 --> 00:19:22,080 Speaker 1: in the lane that presents what you want to represent 379 00:19:22,480 --> 00:19:25,159 Speaker 1: and what you're trying and your ability to create not 380 00:19:25,280 --> 00:19:30,240 Speaker 1: so much that check correct absolutely, you know. It's as 381 00:19:30,520 --> 00:19:32,679 Speaker 1: we talked about them. Weave actually just mentioned and they 382 00:19:32,680 --> 00:19:35,040 Speaker 1: were talking about Dave Chappelle. I met Dave Chappelle and 383 00:19:35,240 --> 00:19:39,080 Speaker 1: uh two we both did hbo dea comedy jam together, 384 00:19:39,640 --> 00:19:41,720 Speaker 1: and uh it was funny. I you know, we meet 385 00:19:41,760 --> 00:19:44,080 Speaker 1: each other and saw Dave and like ten years and 386 00:19:44,240 --> 00:19:46,800 Speaker 1: like a year and a half ago. I was two 387 00:19:46,880 --> 00:19:49,520 Speaker 1: years ago. I was coming I wasn't going walking into 388 00:19:49,520 --> 00:19:53,040 Speaker 1: the Four Seasons Hotel and this young man came running 389 00:19:53,080 --> 00:19:56,080 Speaker 1: behind me going hey, He said, are you a Sean McGough. 390 00:19:56,600 --> 00:20:04,560 Speaker 1: I go, um yeah, and he away, excuse me, why 391 00:20:04,600 --> 00:20:06,600 Speaker 1: are you asking them by Roshan McDonald? He said, because 392 00:20:06,640 --> 00:20:08,560 Speaker 1: Dave Chappelle is in the car. And he wasn't sheery 393 00:20:08,640 --> 00:20:10,760 Speaker 1: and saw a long time. I said, Dave Chappelle is 394 00:20:10,800 --> 00:20:12,920 Speaker 1: in the car. That tell us behind to get on it. 395 00:20:13,000 --> 00:20:15,679 Speaker 1: And we saw each other because I say that because 396 00:20:16,440 --> 00:20:20,280 Speaker 1: he's that type of guy. He's a likable, approachable guy, 397 00:20:20,560 --> 00:20:25,040 Speaker 1: you know, a creative genius. Please understand this is the 398 00:20:25,400 --> 00:20:27,560 Speaker 1: guy works in his craft like on his on his 399 00:20:27,640 --> 00:20:29,960 Speaker 1: upcoming special. He was just in Houston working at a 400 00:20:30,080 --> 00:20:32,960 Speaker 1: very small venue that you know, like see two hundreds 401 00:20:32,960 --> 00:20:35,719 Speaker 1: to work on his material. And so you and so 402 00:20:35,760 --> 00:20:37,560 Speaker 1: that's how he doesn't go out to ad livel if 403 00:20:37,560 --> 00:20:39,400 Speaker 1: you give him a check, he's going to come back 404 00:20:39,440 --> 00:20:42,560 Speaker 1: with the ability to with the material. And so so 405 00:20:42,880 --> 00:20:45,320 Speaker 1: I say that story because the fact that most people 406 00:20:45,359 --> 00:20:47,720 Speaker 1: would just have let me walk in the hotel and whatever, 407 00:20:47,760 --> 00:20:50,879 Speaker 1: because I saw David and years and for him to 408 00:20:50,960 --> 00:20:52,800 Speaker 1: want to know that was me, and then we hugged 409 00:20:52,800 --> 00:20:54,679 Speaker 1: and we took some photos and all that good stuff. 410 00:20:55,000 --> 00:20:57,520 Speaker 1: But tell us about your your relationship with him and 411 00:20:57,560 --> 00:20:59,879 Speaker 1: how because you have to meet a person to be 412 00:21:00,119 --> 00:21:02,119 Speaker 1: to work with those with the day, because Dave's a 413 00:21:02,160 --> 00:21:04,520 Speaker 1: created person and he wants he's want people around him 414 00:21:04,520 --> 00:21:09,720 Speaker 1: there has that that same energy. Correct, absolutely absolutely, And 415 00:21:09,800 --> 00:21:11,840 Speaker 1: you know I first met Dave actually on Deef Comedy 416 00:21:11,920 --> 00:21:13,879 Speaker 1: Jam as well. I was working with stand It was 417 00:21:14,359 --> 00:21:19,000 Speaker 1: the last season of Jeff Comedy Jam and I went 418 00:21:19,080 --> 00:21:20,879 Speaker 1: to go they said Dave just arrived. I went to 419 00:21:20,880 --> 00:21:24,480 Speaker 1: go meet him at the car. Came in by himself, bear, 420 00:21:25,680 --> 00:21:28,040 Speaker 1: no one else was with him. He walked in and 421 00:21:28,040 --> 00:21:31,560 Speaker 1: he said, you know, I'm here for Stand. Is the 422 00:21:31,560 --> 00:21:33,240 Speaker 1: only reason why I would do this is for Stand, 423 00:21:33,320 --> 00:21:36,160 Speaker 1: I said, and we appreciate you. We had great conversation, 424 00:21:36,880 --> 00:21:38,600 Speaker 1: and you know, he went on and this was one 425 00:21:38,600 --> 00:21:41,720 Speaker 1: of the first time he really told the whole story 426 00:21:42,240 --> 00:21:45,879 Speaker 1: of what happened, and UM, it was such you know, 427 00:21:46,040 --> 00:21:50,840 Speaker 1: a moment there and we've always connected. And then when 428 00:21:51,040 --> 00:21:54,840 Speaker 1: you know, fast forward to when Dave decided I think 429 00:21:54,840 --> 00:21:57,199 Speaker 1: I'm ready to come back, you know and kind of 430 00:21:57,240 --> 00:22:00,359 Speaker 1: share some of the stuff with the world. Uh, Stand 431 00:22:00,400 --> 00:22:02,840 Speaker 1: called and said, Ricky, you know, Dave's readyus has got 432 00:22:02,840 --> 00:22:04,960 Speaker 1: to be a really you know, we've got to really 433 00:22:04,960 --> 00:22:08,240 Speaker 1: dial this in. It's really important, you know. We so 434 00:22:08,320 --> 00:22:10,399 Speaker 1: we really understood the gravity of the situation, and we 435 00:22:10,440 --> 00:22:13,399 Speaker 1: had a very very small crew. We shot this with 436 00:22:13,520 --> 00:22:15,639 Speaker 1: Dave's own money. Like one thing I love is he 437 00:22:15,720 --> 00:22:21,160 Speaker 1: just bets on himself and we um, we just created 438 00:22:21,160 --> 00:22:25,760 Speaker 1: the most intimate environment for him to create and UM 439 00:22:25,880 --> 00:22:28,879 Speaker 1: and just respect the genius of it all. And you know, 440 00:22:29,000 --> 00:22:31,800 Speaker 1: it's a process working with Dave that I absolutely love 441 00:22:31,920 --> 00:22:34,680 Speaker 1: and respect from the beginning all the way to the end. 442 00:22:35,280 --> 00:22:39,920 Speaker 1: And we're just happy that everything that we've done thus far, 443 00:22:39,920 --> 00:22:42,880 Speaker 1: I've shot every special with Dave since he's come back, 444 00:22:43,080 --> 00:22:45,560 Speaker 1: and each one has gotten has been just better than 445 00:22:45,600 --> 00:22:48,000 Speaker 1: the last. And you know, I think we really have 446 00:22:48,160 --> 00:22:51,080 Speaker 1: a magical family together that works together, and we all 447 00:22:51,280 --> 00:22:55,440 Speaker 1: know and understand our role and respect everyone everyone's position 448 00:22:55,440 --> 00:22:59,040 Speaker 1: in which I think is you know, you know I'll 449 00:22:59,080 --> 00:23:01,879 Speaker 1: be in a end up comic and watching these specials 450 00:23:02,080 --> 00:23:04,520 Speaker 1: because you know, because you look at him, is he 451 00:23:04,600 --> 00:23:07,520 Speaker 1: gonna do the same thing the same style that he 452 00:23:07,600 --> 00:23:10,439 Speaker 1: did the previous special. Because that's how comics. That's how 453 00:23:10,440 --> 00:23:12,520 Speaker 1: you can see people work out, you know, out the 454 00:23:12,520 --> 00:23:15,000 Speaker 1: while you see the same hook, the same angle. This 455 00:23:15,040 --> 00:23:17,520 Speaker 1: is how they get their laughs out. You know, everyone 456 00:23:17,560 --> 00:23:20,520 Speaker 1: has been they've been Dave Chappelle, but they have told 457 00:23:20,560 --> 00:23:24,159 Speaker 1: a different story. And that's that's comedic genius. I know, 458 00:23:24,240 --> 00:23:29,679 Speaker 1: you guys have to be sitting around going wow wow constantly, 459 00:23:29,760 --> 00:23:32,800 Speaker 1: you know. And another thing that we're always and uh, 460 00:23:33,000 --> 00:23:35,640 Speaker 1: you know, Dave reinvent himself. I believe on every special, 461 00:23:35,720 --> 00:23:38,240 Speaker 1: every special, I can tell he's a conversation that had 462 00:23:38,320 --> 00:23:41,919 Speaker 1: that was had before we shot the special, and he 463 00:23:42,960 --> 00:23:45,919 Speaker 1: everything was very deliberate. He was really clear about what 464 00:23:46,040 --> 00:23:51,320 Speaker 1: his intentions were for every single show, and I'm always 465 00:23:51,320 --> 00:23:54,359 Speaker 1: excited to see it all comes to fruitions because look, 466 00:23:54,200 --> 00:23:56,000 Speaker 1: we go. When he says he's ready, we go. We 467 00:23:56,119 --> 00:23:59,159 Speaker 1: watched the workout, you know, see where he is. No 468 00:23:59,200 --> 00:24:02,160 Speaker 1: one tells day of what to say, because but we definitely, 469 00:24:02,200 --> 00:24:04,720 Speaker 1: you know, weigh in and you know in the end, 470 00:24:05,359 --> 00:24:07,960 Speaker 1: Dave knows that he has to stand head and shoulders. 471 00:24:08,040 --> 00:24:10,359 Speaker 1: And the biggest thing, he's a comics comic, Like he 472 00:24:10,480 --> 00:24:12,919 Speaker 1: loves this art form of comedy, so he doesn't take 473 00:24:12,960 --> 00:24:17,800 Speaker 1: it for granted. Definitely make sure everyone else around really 474 00:24:17,880 --> 00:24:20,800 Speaker 1: really you're telling the absolute truth. It is really is. Uh, 475 00:24:21,240 --> 00:24:25,000 Speaker 1: he is a comics comic. Is coming up? What what what? What? 476 00:24:25,000 --> 00:24:27,240 Speaker 1: What do we look for for magic lemonade? And you're 477 00:24:27,359 --> 00:24:32,600 Speaker 1: producing talents in um such exciting things were starting. You know, 478 00:24:32,640 --> 00:24:36,000 Speaker 1: I just finished the Trumpet Awards shooting Trumpet Awards with 479 00:24:36,040 --> 00:24:39,000 Speaker 1: that will air in January, which magically May is really 480 00:24:39,040 --> 00:24:41,800 Speaker 1: excited about. You know, we came in to elevate the show. 481 00:24:41,960 --> 00:24:44,640 Speaker 1: We brought us to the Adobe Theater and we had 482 00:24:44,720 --> 00:24:47,800 Speaker 1: the most amazing talent Martin Lawrence such as the entertainer 483 00:24:47,840 --> 00:24:50,679 Speaker 1: wanted the psychs like it was amazing and it was 484 00:24:50,680 --> 00:24:53,960 Speaker 1: such an effortless production. You just pulled on your little comedy. 485 00:24:54,520 --> 00:24:56,840 Speaker 1: You just pulled on your little comedy connection right there. 486 00:24:56,880 --> 00:24:59,919 Speaker 1: You just threw out those names. Y see, I'm just 487 00:25:00,280 --> 00:25:01,600 Speaker 1: what you had not gonna come on my show and 488 00:25:01,600 --> 00:25:04,600 Speaker 1: act like you regular? Okay, what You're not gonna come 489 00:25:04,600 --> 00:25:06,000 Speaker 1: on my show and act like you can just throw 490 00:25:06,040 --> 00:25:10,600 Speaker 1: out Martin Lawrence, throw out Cedric, Cedric the entertainer, and 491 00:25:10,640 --> 00:25:12,480 Speaker 1: throw out wanted the Psyche and just keep moving on. 492 00:25:12,800 --> 00:25:15,040 Speaker 1: We know that they brought me into elevate it, so 493 00:25:15,400 --> 00:25:21,120 Speaker 1: I stepped in and brought in a few people through people. Now, 494 00:25:21,640 --> 00:25:24,000 Speaker 1: it was an awesome event. I mean, for those who 495 00:25:24,000 --> 00:25:27,800 Speaker 1: don't know, we saw Martin guifts speech that went on 496 00:25:28,000 --> 00:25:31,520 Speaker 1: for about virus six menses, which is unheard of in 497 00:25:31,560 --> 00:25:34,840 Speaker 1: the history. I had Mike Epps who was there, who 498 00:25:35,119 --> 00:25:38,080 Speaker 1: did an amazing job. Mike sucks of the script, which 499 00:25:38,080 --> 00:25:39,960 Speaker 1: in fifteen years and working with it, I've never seen. 500 00:25:40,840 --> 00:25:43,560 Speaker 1: You know. Anthony Anderson came in and loved the word 501 00:25:43,600 --> 00:25:46,680 Speaker 1: that we're on the page, you know, So it was just, um, 502 00:25:46,720 --> 00:25:48,639 Speaker 1: you know, it was a moment where you feel like, oh, 503 00:25:48,680 --> 00:25:51,520 Speaker 1: we did this right. Well, you know that what I 504 00:25:51,600 --> 00:25:54,879 Speaker 1: what I hear is this. I hear trust because talent 505 00:25:54,920 --> 00:25:58,320 Speaker 1: has to trust you. I hear credibility because your brand 506 00:25:58,359 --> 00:26:00,600 Speaker 1: has to say something for people. Because the trump Reate 507 00:26:00,600 --> 00:26:03,159 Speaker 1: Awards has been around forever. It's a good job, but 508 00:26:03,359 --> 00:26:05,520 Speaker 1: never have they had the names that you radle off 509 00:26:05,560 --> 00:26:08,560 Speaker 1: in a group like this. That red carpet was on fire. 510 00:26:09,200 --> 00:26:13,159 Speaker 1: That okay, and you know to throw our Anthony, I know, 511 00:26:13,200 --> 00:26:17,840 Speaker 1: Anthony an you know these these opinionated people will change 512 00:26:17,840 --> 00:26:21,040 Speaker 1: the script on you in a heartbeat. Okay. Same thing 513 00:26:21,080 --> 00:26:24,520 Speaker 1: with Mike Epps. These are opinionated people, okay. And and 514 00:26:24,760 --> 00:26:28,480 Speaker 1: you know when you're dealing with a person who's here's 515 00:26:28,480 --> 00:26:31,080 Speaker 1: the whole thing is that not one of those personalities 516 00:26:31,119 --> 00:26:35,400 Speaker 1: you said was similar. So you had to treat everyone unique, 517 00:26:35,720 --> 00:26:38,600 Speaker 1: had to greet everyone unique and make sure they valued 518 00:26:39,160 --> 00:26:42,920 Speaker 1: their purpose on the show. That is what a great 519 00:26:42,960 --> 00:26:47,160 Speaker 1: producer does, Ricky. And I'm glad, I'm glad you brought 520 00:26:47,200 --> 00:26:49,920 Speaker 1: this up because for me to be able to say 521 00:26:49,960 --> 00:26:53,560 Speaker 1: this to you and from a producer to another producer 522 00:26:54,160 --> 00:26:56,800 Speaker 1: and be able to say, that's a gift, young lady. 523 00:26:56,880 --> 00:27:00,400 Speaker 1: That's why magic eliminated successful and that's why you continue 524 00:27:00,440 --> 00:27:02,640 Speaker 1: to be successful. But I'm sure you have some more projects, 525 00:27:02,640 --> 00:27:05,399 Speaker 1: please get them out there. I know January Magic Time 526 00:27:05,480 --> 00:27:08,240 Speaker 1: and you know, you know you tying in the bad 527 00:27:08,280 --> 00:27:10,600 Speaker 1: bars released with the Trumpet Award appears. I know what 528 00:27:10,640 --> 00:27:14,159 Speaker 1: he's doing. I know it's all coming together in a 529 00:27:14,160 --> 00:27:16,080 Speaker 1: wonderful way. You know. I think it should be a 530 00:27:16,080 --> 00:27:21,200 Speaker 1: sylbiotic relationship with cross Promote. I'm doing a BFF Awards February, 531 00:27:21,960 --> 00:27:25,040 Speaker 1: which always an event that I absolutely love and I've 532 00:27:25,040 --> 00:27:29,960 Speaker 1: been doing with Jeff for the last four years Jeff Friday. Um, 533 00:27:30,000 --> 00:27:32,640 Speaker 1: so that's something really important for the community and really 534 00:27:32,640 --> 00:27:34,880 Speaker 1: important for you know, for the world, and I love 535 00:27:34,880 --> 00:27:38,000 Speaker 1: the things that have always spring out of that event. Um. 536 00:27:38,160 --> 00:27:41,600 Speaker 1: I also, uh, you know, I managed Carlos Miller and 537 00:27:41,760 --> 00:27:45,040 Speaker 1: Emmanuel Husson and Carlos I will put my stake, my 538 00:27:45,080 --> 00:27:48,000 Speaker 1: reputation on this will be the next one to blow 539 00:27:48,680 --> 00:27:51,879 Speaker 1: amazing comic. I can watch Carlos do Time for you know, 540 00:27:51,960 --> 00:27:54,480 Speaker 1: two hours and never repeat the same joke and do 541 00:27:54,520 --> 00:27:56,520 Speaker 1: it in a whole week, which is something I see 542 00:27:56,640 --> 00:27:59,639 Speaker 1: that Davies all the time. Um. He's never afraid of 543 00:27:59,640 --> 00:28:02,000 Speaker 1: someone's feeling this material because he's got much more of it. 544 00:28:03,080 --> 00:28:06,199 Speaker 1: So I love that. Um. I also, you know I 545 00:28:06,240 --> 00:28:08,680 Speaker 1: worked with the guys at eighty five South. I executive 546 00:28:08,720 --> 00:28:13,240 Speaker 1: produce those guys. What you know very well you're making 547 00:28:13,280 --> 00:28:16,560 Speaker 1: me mad. We actually should be doing lunch because you know, 548 00:28:16,720 --> 00:28:20,440 Speaker 1: you keep going hit it out of my life youth 549 00:28:20,600 --> 00:28:23,640 Speaker 1: like that either, My guys, I've been working with DC 550 00:28:23,760 --> 00:28:26,080 Speaker 1: of those guys for six years, you know, and and 551 00:28:26,119 --> 00:28:30,359 Speaker 1: I've watched and your the Steve Harvey platform, and you 552 00:28:30,480 --> 00:28:35,760 Speaker 1: in particular were the road map for Chad and Joe 553 00:28:36,760 --> 00:28:39,280 Speaker 1: and they will always give it back to you. I 554 00:28:39,280 --> 00:28:41,600 Speaker 1: will always give it up to you. But what these 555 00:28:41,640 --> 00:28:45,680 Speaker 1: young men have created on their own, being their own bosses, 556 00:28:45,880 --> 00:28:48,560 Speaker 1: is a story that's meant to be told, and it's 557 00:28:48,600 --> 00:28:51,120 Speaker 1: meant to be told because it's at the level where 558 00:28:51,200 --> 00:28:54,240 Speaker 1: every person can meet them. These are, to me, I 559 00:28:54,280 --> 00:28:57,680 Speaker 1: called the Kings with the Common Touch, because these guys 560 00:28:58,080 --> 00:29:02,200 Speaker 1: are nothing short of amazing. They're fearless and now with 561 00:29:02,320 --> 00:29:05,520 Speaker 1: the business are built around them, like, we're in such 562 00:29:05,520 --> 00:29:09,000 Speaker 1: an amazing place. And the biggest thing is that I love. 563 00:29:09,040 --> 00:29:11,400 Speaker 1: The first thing I said when I first started working, 564 00:29:11,440 --> 00:29:12,840 Speaker 1: I said, you guys, the first thing I want you 565 00:29:12,840 --> 00:29:14,560 Speaker 1: guys to do is no one to be hungry at 566 00:29:14,560 --> 00:29:17,240 Speaker 1: this table. I don't want to take any deal until 567 00:29:17,280 --> 00:29:21,440 Speaker 1: everyone is fed. So when everyone was fed, then we 568 00:29:21,440 --> 00:29:24,600 Speaker 1: started having meetings. And once we started having meetings, we 569 00:29:24,680 --> 00:29:29,000 Speaker 1: had the power of no and the world right now, 570 00:29:29,200 --> 00:29:34,120 Speaker 1: every agency, every management company, every studio wants to be involved. 571 00:29:34,360 --> 00:29:36,080 Speaker 1: But now we have the power of not to tell 572 00:29:36,120 --> 00:29:38,320 Speaker 1: the story the way we want the story to be told. 573 00:29:39,040 --> 00:29:42,600 Speaker 1: And I think it's the most beautiful, powerful position that 574 00:29:43,040 --> 00:29:45,520 Speaker 1: these guys can ever be in. And I'm so happy 575 00:29:45,600 --> 00:29:49,240 Speaker 1: that they trust me and that we've built this together, 576 00:29:49,560 --> 00:29:52,760 Speaker 1: you know. So, I mean, these guys are just amazing. 577 00:29:52,880 --> 00:29:56,240 Speaker 1: So people are detail give a little bit more detail 578 00:29:56,280 --> 00:29:59,200 Speaker 1: about what eight is and what they're doing with MS 579 00:29:59,240 --> 00:30:02,680 Speaker 1: and eighty five. I started off as a podcast and 580 00:30:02,800 --> 00:30:05,840 Speaker 1: as a podcast. Carlo's Miller had the idea for the podcast, 581 00:30:06,280 --> 00:30:09,160 Speaker 1: and he had been working with d c um On 582 00:30:09,320 --> 00:30:11,360 Speaker 1: while they're working on Wild and Out, And they also 583 00:30:11,440 --> 00:30:14,800 Speaker 1: had um Chico Beans who was working on Wild and 584 00:30:14,800 --> 00:30:17,080 Speaker 1: Out at the time too. They all came together and 585 00:30:17,080 --> 00:30:19,720 Speaker 1: did a podcast with also Clayton Thomas also comes in 586 00:30:19,800 --> 00:30:22,360 Speaker 1: from time to time and does and does some time 587 00:30:22,360 --> 00:30:25,440 Speaker 1: on a podcast. But then it started to grow through 588 00:30:25,480 --> 00:30:29,720 Speaker 1: social media and as it started to grow. Then we 589 00:30:29,760 --> 00:30:31,959 Speaker 1: started to take it out on the road and starting 590 00:30:32,080 --> 00:30:36,200 Speaker 1: just doing show dates. They started selling out. And there's 591 00:30:36,200 --> 00:30:37,720 Speaker 1: a couple of people that are really important I have 592 00:30:37,760 --> 00:30:40,240 Speaker 1: to say at this point. You know, Chad was like, Hey, 593 00:30:40,280 --> 00:30:42,360 Speaker 1: can I get through space? Is Steve Harvey Studio? Can 594 00:30:42,400 --> 00:30:47,200 Speaker 1: I do whatever whatever favors could happen to make this happen. 595 00:30:47,720 --> 00:30:50,960 Speaker 1: They all made it happen. Joe would shoot everything, edit everything, 596 00:30:51,000 --> 00:30:52,880 Speaker 1: but he's also like a savant when it comes to 597 00:30:52,920 --> 00:30:55,840 Speaker 1: social media, so he was really clear to be able 598 00:30:55,880 --> 00:30:58,800 Speaker 1: to say this is where we need to go next. 599 00:30:59,160 --> 00:31:01,720 Speaker 1: And that was the to success because it didn't shows 600 00:31:01,760 --> 00:31:05,320 Speaker 1: sold out shows. The next kid is that because it's 601 00:31:05,400 --> 00:31:08,960 Speaker 1: improv there's never the same show. So this gives us 602 00:31:09,000 --> 00:31:11,880 Speaker 1: the ability that most shows don't have, and that is 603 00:31:11,920 --> 00:31:14,240 Speaker 1: to walk into the same market over and over again 604 00:31:14,280 --> 00:31:16,880 Speaker 1: and the same audience to show up and show out 605 00:31:16,920 --> 00:31:20,640 Speaker 1: for them. So, but it takes a special group of people. 606 00:31:20,680 --> 00:31:23,080 Speaker 1: So when you put DC Young Flyer, Carlos Miller and 607 00:31:23,160 --> 00:31:27,000 Speaker 1: Chico Beans and the forefront and allow them to be 608 00:31:27,080 --> 00:31:30,320 Speaker 1: who they are authentically and the rest of the machine 609 00:31:30,400 --> 00:31:34,240 Speaker 1: behind them supported, it's a really beautiful thing and it's 610 00:31:34,360 --> 00:31:37,680 Speaker 1: definitely some magic that's created on that stage every day 611 00:31:37,720 --> 00:31:41,600 Speaker 1: that the guys go out. Well, my friend, that's so 612 00:31:41,720 --> 00:31:44,520 Speaker 1: thankful you called it on my show. So thankful that 613 00:31:44,560 --> 00:31:47,760 Speaker 1: the past that I've walked in and then still walking 614 00:31:47,800 --> 00:31:51,040 Speaker 1: in you dancing and making them bigger. Uh. The note 615 00:31:51,040 --> 00:31:54,320 Speaker 1: that you're developing and mentoring and doing business with people 616 00:31:54,440 --> 00:31:58,560 Speaker 1: that I know, Chad and Joe. I should be so 617 00:31:58,640 --> 00:32:01,720 Speaker 1: hard on them, young man. You know he in fact, 618 00:32:01,840 --> 00:32:04,440 Speaker 1: Chack he called me two weeks ago and said thank you, 619 00:32:04,840 --> 00:32:07,200 Speaker 1: said thank you, he said, we know that. He said, 620 00:32:07,240 --> 00:32:10,800 Speaker 1: we give you credit up front on why we're successful 621 00:32:11,120 --> 00:32:14,320 Speaker 1: because we didn't understand the discipline that they took. The 622 00:32:14,400 --> 00:32:17,680 Speaker 1: discipline of being able to grind means something that people 623 00:32:17,680 --> 00:32:19,520 Speaker 1: around you just can't be your friends. They have to 624 00:32:19,520 --> 00:32:22,000 Speaker 1: be understanding work work hard for you the same dream 625 00:32:22,040 --> 00:32:24,160 Speaker 1: you're trying to work hard for. And that's what that's 626 00:32:24,160 --> 00:32:27,280 Speaker 1: the that's the corp Woarth Magic. Lemonade is correct. It 627 00:32:27,480 --> 00:32:33,240 Speaker 1: is absolutely absolutely with my friend. We're gonna talk soon. 628 00:32:33,640 --> 00:32:35,719 Speaker 1: I'd love to bring you back on when we know 629 00:32:35,840 --> 00:32:38,560 Speaker 1: the Uh, Jeff Fry the show comes out, just to 630 00:32:38,600 --> 00:32:40,600 Speaker 1: talk about it, just to talk about it, you know, 631 00:32:40,720 --> 00:32:42,440 Speaker 1: that's that's gonna be the first quarter, because I know 632 00:32:42,440 --> 00:32:44,640 Speaker 1: you're gonna have something the second quarter, the third quarter, 633 00:32:44,640 --> 00:32:48,280 Speaker 1: in the fourth quarter, uh you know you'll be throwing 634 00:32:48,280 --> 00:32:51,520 Speaker 1: out some sitcom talk, some tour talk, all kind of 635 00:32:51,560 --> 00:32:53,600 Speaker 1: good stuff. But that's what you do. And congratulations on 636 00:32:53,680 --> 00:32:56,040 Speaker 1: starting your production company. I know it's up being up 637 00:32:56,040 --> 00:32:59,360 Speaker 1: for a while, but working with people that I admire, 638 00:33:00,080 --> 00:33:04,320 Speaker 1: uh Rap Farquar, uh Stan Lathan called Craig. I went 639 00:33:04,400 --> 00:33:06,640 Speaker 1: out to say those three young men had an effect 640 00:33:06,640 --> 00:33:11,160 Speaker 1: on who ras Sean McDonald lives today. Absolutely, Thank you 641 00:33:11,240 --> 00:33:13,960 Speaker 1: so much, thank you. I appreciate you. Thank you talking 642 00:33:14,280 --> 00:33:14,560 Speaker 1: about