WEBVTT - The Female Pharaoh

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<v Speaker 1>Welcome to Noble Blood, a production of iHeartRadio and Grimm

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<v Speaker 1>and Mild from Aaron Manky listener discretion advised. In nineteen

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<v Speaker 1>twenty two, Howard Carter had achieved what most archaeologists can

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<v Speaker 1>only dream of. After over two decades of methodically exploring

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<v Speaker 1>and excavating Egypt's Valley of the Kings, a region in

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<v Speaker 1>Thebes where pharaohs of ancient Egypt built their tombs, he

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<v Speaker 1>made a discovery that would change the field of archaeology forever.

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<v Speaker 1>Carter happened upon a pharaoh's tomb virtually untouched for millennia.

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<v Speaker 1>Pharaoh tutin common was relatively inconsequential as a ruler, but

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<v Speaker 1>thousands of years later, as King Tut, he became the

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<v Speaker 1>most famous ancient Egyptian pharaoh of modern times thanks to

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<v Speaker 1>the fact that, unlike the tombs of many other pharaohs,

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<v Speaker 1>it hadn't already been ransacked by robbers, which meant it

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<v Speaker 1>was filled with dazzling artifacts. King Tut and Howard Carter

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<v Speaker 1>both shot to stardom, but twenty years before Carter's career

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<v Speaker 1>defining discovery. Back in his very first season in the

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<v Speaker 1>Valley of the Kings, Carter had actually com tantalizingly close

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<v Speaker 1>to making another spectacular find. Only three days into his expedition,

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<v Speaker 1>while exploring the southeast wall of the basin, he discovered

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<v Speaker 1>steps the stone staircase led to the tomb of Tutmos

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<v Speaker 1>the Fourth, a pharaoh of the eighteenth dynasty. The tomb

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<v Speaker 1>itself was almost entirely empty, having been ransacked by ancient

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<v Speaker 1>tomb raiders, but didn't walk away completely empty handed. He

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<v Speaker 1>found two artifacts, an alabaster cup and a blue scarab

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<v Speaker 1>beetle carving, both bearing the name Hot Chipsoot. Later that

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<v Speaker 1>same season, Carter found another tomb, one that was relatively

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<v Speaker 1>simple compared to the ornate burial chambers of the valley.

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<v Speaker 1>After climbing down the rough steps and creeping down a passageway,

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<v Speaker 1>he came to a chamber which looked to be ransacked.

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<v Speaker 1>All that remained were two mummified women and some mummified geese.

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<v Speaker 1>Carter was unimpressed. He took the geese, resealed the tomb,

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<v Speaker 1>and moved on to his next find. Another archaeologist came

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<v Speaker 1>upon that tomb just three years later, Edward Arton. He

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<v Speaker 1>removed one of the two mummies, the one in an

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<v Speaker 1>actual coffin, and he resealed the tomb again. Neither Carter

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<v Speaker 1>nor Arton thought that the tomb was important enough to

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<v Speaker 1>warrant even cataloging. Until the tomb's rediscovery in nineteen eighty nine,

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<v Speaker 1>the remaining female mummy had lain alone on the cold

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<v Speaker 1>floor of the dark tomb for over three thousand years.

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<v Speaker 1>If only Howard Carter had known that this unimportant looking

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<v Speaker 1>female mummy, which he came upon decades before King Tut

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<v Speaker 1>and left behind in favor of mummified geese, was likely

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<v Speaker 1>one of ancient Egypt's greatest pharaohs. I'm Dana Schwartz, and

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<v Speaker 1>this is noble blood from the beginning of Hotschips That's reign.

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<v Speaker 1>She was exceptional, both in the sense of her rulership

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<v Speaker 1>and in the sense that she was in almost every

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<v Speaker 1>way an anomaly. Before we get into hutch Its life,

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<v Speaker 1>I think it'll be a little helpful first to understand

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<v Speaker 1>ancient Egyptian royal families and their systems of inheritance. Like

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<v Speaker 1>many monarchies throughout history, the Egyptian monarchy was organized around

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<v Speaker 1>male preferen primogeniture. In other words, firstborn sons and their

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<v Speaker 1>offspring took privilege over their siblings in matters of succession.

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<v Speaker 1>Speaking of siblings, ancient Egyptian royal families also practiced incest

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<v Speaker 1>that might count as this episode's Lord Byron cameo. In

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<v Speaker 1>ancient Egypt, brothers and sisters regularly married each other and

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<v Speaker 1>had children, who would then often go on to marry

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<v Speaker 1>their siblings. Ancient Egyptians believed that pharaohs were the physical

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<v Speaker 1>embodiment of gods, and since incest was integral to the

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<v Speaker 1>ancient Egyptian creation myth, this practice within the royal family

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<v Speaker 1>seen as divinely inspired. Another marital tradition that ancient Egyptian

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<v Speaker 1>royals practiced was polygamy. While polygamy was not the norm

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<v Speaker 1>in everyday life in ancient Egypt, pharaohs were able to

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<v Speaker 1>have multiple wives. Their primary wife was ideally a sibling,

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<v Speaker 1>but they were not necessarily related to their lesser wives.

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<v Speaker 1>If a pharaoh didn't have any male offspring by their

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<v Speaker 1>primary wife, the sons of lesser wives could ascend to

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<v Speaker 1>the throne. Importantly, Egyptian succession almost never included women, and

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<v Speaker 1>few women were pharaohs in their own right. That being said,

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<v Speaker 1>royal women were not shut out of power entirely Within

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<v Speaker 1>their system of government, there was an institutional structure set

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<v Speaker 1>up to bestow power upon select women. Given the many

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<v Speaker 1>health problems royalty faced due to their family's incest, as

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<v Speaker 1>well as the decadent lifestyles they led, it was common

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<v Speaker 1>for pharaohs to die young, with only a young child

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<v Speaker 1>to succeed them. When that happened, the new pharaoh's mother,

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<v Speaker 1>usually the primary wife of the former pharaoh, acted as

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<v Speaker 1>her son's regent. The phenomenon of mother as regent was

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<v Speaker 1>so common that king's mother was an official title that

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<v Speaker 1>one could hold. In fact, there was no term in

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<v Speaker 1>their language that translates to regent, but king's mother appears

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<v Speaker 1>to have functioned as the equivalent term. Exercising power as

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<v Speaker 1>king's mother was entirely accepted, even celebrated, and if you

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<v Speaker 1>think about it, it makes sense why in a strict

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<v Speaker 1>system of patriarchal rule, if an adult man was acting

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<v Speaker 1>as regent to a younger pharaoh, he might be tempted

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<v Speaker 1>to usurp power for himself, But women who had no

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<v Speaker 1>way to take the throne would act in their son's

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<v Speaker 1>best interests and gladly step aside once their sons came

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<v Speaker 1>of age. A monument erected by Amos the First, the

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<v Speaker 1>first pharaoh of the eighteenth dynasty, offers just one example

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<v Speaker 1>of the celebration of king mothers. Almost the First had

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<v Speaker 1>a stella, or stone similar to a tombstone engraved at Karnak,

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<v Speaker 1>which honored his mother, his former regent, Ajotep the First.

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<v Speaker 1>The engravings describe her as quote one who pulled Egypt together,

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<v Speaker 1>having cared for its army, having guarded it, having brought

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<v Speaker 1>back those who fled it, gathering up its deserters, having

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<v Speaker 1>quieted the south, subduing those who defy her end quote.

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<v Speaker 1>I don't know about you, but just reading that, it

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<v Speaker 1>definitely doesn't sound like she was a toothless regent. For

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<v Speaker 1>a woman's power to be celebrated in such a way

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<v Speaker 1>so early is kind of remarkable. Notable, too, is just

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<v Speaker 1>how many king's mothers there were in the few generations

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<v Speaker 1>before Hotchipsut during the Otset of the eighteenth dynasty, And importantly,

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<v Speaker 1>these women were not exclusively the mothers of the pharaohs

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<v Speaker 1>for whom they were acting as regent. Excuse all of

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<v Speaker 1>the names that I am about to throw your way,

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<v Speaker 1>no need to remember them, and I will do my

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<v Speaker 1>best not to mispronounce them, but just to get the

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<v Speaker 1>point across. For example, Hotchepsut's grandmother, amis Nefertari, had been

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<v Speaker 1>the king's mother and ruled as regent for her daughter's husband.

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<v Speaker 1>Because amis Nefertari's husband, Pharaoh Almost the First, hadn't had

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<v Speaker 1>any male heirs, the throne passed to their daughter's husband,

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<v Speaker 1>a distant relative, But that husband was young when he

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<v Speaker 1>ascended the throne, so amus Nefertari, despite not being her

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<v Speaker 1>son in law's biological mother, shepherded the country while he

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<v Speaker 1>learned the ropes. This tradition of female regency later helped

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<v Speaker 1>hot Chipsut legitimize her reign, but more on that later.

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<v Speaker 1>Like his predecessor, that son in law, I'menhotep the I

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<v Speaker 1>didn't have any male heirs, so the throne passed to

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<v Speaker 1>his sister's husband, Tutmost the First. And finally we get

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<v Speaker 1>to hot Chipsut. She was the daughter of Futmost the

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<v Speaker 1>First and his primary wife, Ahms. Thutmos and Alms did

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<v Speaker 1>not have any sons, but that Moost had a son

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<v Speaker 1>by his secondary wife, so Thutmost the second That son

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<v Speaker 1>was his father's successor. Following tradition, half siblings, that Most

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<v Speaker 1>the Second and hot Chipsut wed, thus making hot Chipsut

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<v Speaker 1>the daughter of the pharaoh, the sister of the pharaoh,

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<v Speaker 1>and the wife life of the pharaoh. Quite the collection

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<v Speaker 1>of titles. At this point, Hotschipsut's life and trajectory was

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<v Speaker 1>pretty standard for someone of her background. What her everyday

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<v Speaker 1>life looked like we can't exactly know, but her general

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<v Speaker 1>responsibilities were to perform religious rituals and, like many queens

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<v Speaker 1>before and after her, to provide the pharaoh with a

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<v Speaker 1>male heir. But everything changed when her husband, slash half

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<v Speaker 1>brother that Most the Second died in fourteen seventy nine

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<v Speaker 1>b C. Okay, this is the last of the very

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<v Speaker 1>very confusing family tree, I promise. Hotschipsut and Thutmost the

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<v Speaker 1>Second hadn't had any sons, and so when Thutmost the

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<v Speaker 1>Second died, the throne passed to his son by his

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<v Speaker 1>secondary wife, Isis a son named Thutmost the Third, but

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<v Speaker 1>like many of the pharaohs before him, the Third was

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<v Speaker 1>a young boy when he ascended to the throne. Instead

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<v Speaker 1>of his mother, Isis, who had been a secondary wife,

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<v Speaker 1>acting as his regent, Hot Chipsut, as the closest person

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<v Speaker 1>of royal blood, assumed the role of king mother. This

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<v Speaker 1>transition was the stepping stone for Hotschipsut between life as

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<v Speaker 1>a royal wife and life as a pharaoh. As king's mother,

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<v Speaker 1>Hotschipsut basically ruled Egypt with little to no input from

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<v Speaker 1>Futmost the Third. However, instead of stepping aside ont Thatutmost

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<v Speaker 1>the Third came of age, Hotschipsut took another quite unusual path.

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<v Speaker 1>Seven years into young Thutmos's reign, Hotschipsut crowned herself along

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<v Speaker 1>with her step son, co Pharaoh of Egypt. She was

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<v Speaker 1>no longer ruler on behalf of someone else, but now

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<v Speaker 1>acted in her own name. And even though she was

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<v Speaker 1>technically of equal power to Most the Third, and even

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<v Speaker 1>though both of their courts got along, hot Chipsut became

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<v Speaker 1>the primary leader of Egypt. In becoming pharaoh, hot Chipsut

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<v Speaker 1>went from king's mother to daughter of Ray, Lady of

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<v Speaker 1>the Two Lands, king of Upper and Lower Egypt. Hot

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<v Speaker 1>Chipsut united with Ammun as pharaoh. She was successful in

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<v Speaker 1>maintaining peace and order within the state. Even better, she

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<v Speaker 1>helped Egypt prosper financially and artistically. It's clear that Hotchepsut's

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<v Speaker 1>rise to the throne was a positive force in ancient Egypt.

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<v Speaker 1>Will never know why exactly Hotchepsut chose to elevate herself

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<v Speaker 1>to becoming pharaoh. Unfortunately, the kinds of records or stories

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<v Speaker 1>needed to know that information have been lost to history.

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<v Speaker 1>Perhaps she felt she needed to become co pharaoh in

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<v Speaker 1>order to secure the sun for Thutmost, her stepson, or

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<v Speaker 1>perhaps she believed this promotion would be the best way

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<v Speaker 1>for her to maintain her own legitimacy as a ruler.

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<v Speaker 1>Maybe Thutmost was unqualified as a pharaoh and she thought

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<v Speaker 1>she was doing what was best for Egypt. We can't know. Luckily, However,

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<v Speaker 1>there is quite a lot that we can know about

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<v Speaker 1>how hotships That legitimized herself as a pharaoh to the public,

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<v Speaker 1>and we can thank hot ships At herself for that.

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<v Speaker 1>During her reign, she sponsored an impressive number of artistic

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<v Speaker 1>and architectural projects. Many of these commissions featured engravings, paintings,

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<v Speaker 1>and sculptures that tell her story, or at least the

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<v Speaker 1>story she wanted told. The type and volume of art

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<v Speaker 1>created during hot ships AT's reign was markedly different from

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<v Speaker 1>that of her predecessors. First, facilitated by the trade routes

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<v Speaker 1>that Hotschipsut had helped to open up, artists began to

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<v Speaker 1>draw inspiration from neighboring kingdoms, and Egyptian art began to

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<v Speaker 1>feature new motifs and techniques. Not only were artists creating

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<v Speaker 1>new visions of Egyptian art, but now hot Chipsut was

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<v Speaker 1>paying them to do so. The pharaoh commissioned an impressive

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<v Speaker 1>number of buildings and monuments during her reign, and in

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<v Speaker 1>the interest of keeping this episode relatively short, i'll name

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<v Speaker 1>just a few. Following in the footsteps of previous pharaohs,

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<v Speaker 1>hot Chipsut sponsored various projects at the Karnak Temple complex

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<v Speaker 1>in Luxor, like what is now known as the Chapel

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<v Speaker 1>Rouge Temple. The most outstanding of these projects at Karnak

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<v Speaker 1>are twin obelisks that once flanked the entrance to a temple.

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<v Speaker 1>Measuring just under thirty meters almost one hundred feet tall,

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<v Speaker 1>the obelisks were the tallest buildings in the world when

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<v Speaker 1>they were constructed. Unfortunately, only one of these obelisks remains upright,

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<v Speaker 1>but it has stayed upright for over thirty five hundred years,

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<v Speaker 1>which is amazing, and that remaining obelisk is the tallest

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<v Speaker 1>obelisk in Egypt to this day. The gem in all

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<v Speaker 1>of ancient Egyptian architecture really is her mortuary Temple at

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<v Speaker 1>Deir el Barrie. The temple, which was meant to serve

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<v Speaker 1>as a place to worship the pharaoh after her death,

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<v Speaker 1>sits on top of a series of colonnaded terraces. Sloping

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<v Speaker 1>walkways allow visitors to scale the many stories with ease.

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<v Speaker 1>The monument was built into a steep cliff face, which

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<v Speaker 1>makes for a striking backdrop. Despite how awe inspiring it is,

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<v Speaker 1>today the temple is less impressive than it once was.

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<v Speaker 1>Many sculptures, including ones of the gods of Cyris and Sphinxes,

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<v Speaker 1>were looted over the years by other pharaohs for their

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<v Speaker 1>own projects, and although a bit hard to imagine based

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<v Speaker 1>on today's arid landscape, the entire complex was once surrounded

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<v Speaker 1>by lush gardens. I urge you to look up photos

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<v Speaker 1>of the temple, as it certainly deserves its title as

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<v Speaker 1>a masterpiece of the ancient world, and I'll put up

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<v Speaker 1>photos on the Patreon. Within the episode script it's on

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<v Speaker 1>these buildings that Hotschipsut solidified justification for her reign. At

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<v Speaker 1>all of these different sites there remain engravings and paintings

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<v Speaker 1>which tell stories of Hotchipsut's origins and her accolades and

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<v Speaker 1>many accomplishments. For example, on the walls of her mortuary temple,

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<v Speaker 1>we can still find engravings telling about her successful expedition

0:16:55.640 --> 0:16:58.640
<v Speaker 1>to the kingdom of punt or the region south of

0:16:58.680 --> 0:17:02.600
<v Speaker 1>the Nile around the mouth of the Red Sea. These

0:17:02.680 --> 0:17:06.600
<v Speaker 1>inscriptions and images also tell us how the pharaoh used

0:17:06.640 --> 0:17:12.040
<v Speaker 1>religion and gender to justify her reign. As I previously mentioned,

0:17:12.400 --> 0:17:17.280
<v Speaker 1>ancient Egyptians saw pharaohs as physical embodiments of their gods.

0:17:17.880 --> 0:17:21.359
<v Speaker 1>Not only were pharaohs ordained by the gods to rule,

0:17:21.800 --> 0:17:24.959
<v Speaker 1>but they were the beings that connected the physical and

0:17:25.200 --> 0:17:29.520
<v Speaker 1>spiritual worlds and held the two in balance. If the

0:17:29.640 --> 0:17:33.800
<v Speaker 1>king wasn't appeasing the gods properly, the world as the

0:17:33.840 --> 0:17:38.360
<v Speaker 1>ancient Egyptians knew, would cease to exist. The Nile would

0:17:38.440 --> 0:17:42.480
<v Speaker 1>dry up, disease would descend upon the population, or their

0:17:42.480 --> 0:17:46.719
<v Speaker 1>neighbors would invade. As such, being a pharaoh involved a

0:17:46.960 --> 0:17:53.240
<v Speaker 1>panoply of religious responsibilities Accomplishing all of those religious tasks

0:17:53.880 --> 0:17:58.480
<v Speaker 1>were not difficult for Hotshipsut. She had already trained to

0:17:58.560 --> 0:18:03.160
<v Speaker 1>be God's wife or the highest priestess in the state religion.

0:18:03.720 --> 0:18:07.879
<v Speaker 1>The pharaoh's religious rituals were no more difficult or demanding

0:18:08.160 --> 0:18:12.040
<v Speaker 1>than those of the pharaoh's wife. The task Hotschipsut did

0:18:12.119 --> 0:18:17.160
<v Speaker 1>face was to communicate the divine justification for her rule,

0:18:17.760 --> 0:18:22.760
<v Speaker 1>and to do that, hot Chipsut made herself divine at

0:18:22.800 --> 0:18:27.320
<v Speaker 1>both her temple in Karnak and her mortuary temple. Inscriptions

0:18:27.440 --> 0:18:33.199
<v Speaker 1>tell the supposed story of Hotschipsut's divine birth. According to

0:18:33.240 --> 0:18:38.080
<v Speaker 1>the inscriptions, Amun, the principal god during the eighteenth dynasty,

0:18:38.640 --> 0:18:44.560
<v Speaker 1>visited and impregnated Hotchipsut's mother in the form of Hotchipsut's father,

0:18:45.119 --> 0:18:49.119
<v Speaker 1>the pharaoh that most the first. This way, Hotchipsut is

0:18:49.280 --> 0:18:54.280
<v Speaker 1>simultaneously the daughter of a previous pharaoh but also sired

0:18:54.440 --> 0:19:00.359
<v Speaker 1>by a god. Hotchepsut's birth itself was also sacred, as

0:19:00.400 --> 0:19:04.119
<v Speaker 1>her mother was tended to in labor by Hecket, the

0:19:04.160 --> 0:19:08.080
<v Speaker 1>goddess of life, and Khnum, the god in charge of

0:19:08.160 --> 0:19:13.280
<v Speaker 1>shaping humans. On top of all that, according to her story,

0:19:13.640 --> 0:19:17.360
<v Speaker 1>hot Chipsut was also endorsed by the oracle of a moon,

0:19:17.720 --> 0:19:21.680
<v Speaker 1>who proclaimed that it was his will that Hotchepsut be pharaoh.

0:19:22.280 --> 0:19:26.840
<v Speaker 1>With those stories and proclamations, hotschipsu It covered all of

0:19:26.880 --> 0:19:33.120
<v Speaker 1>her bases. Whether or not she truly believed that narrative

0:19:33.359 --> 0:19:37.240
<v Speaker 1>is something else, we'll never know. But like many later

0:19:37.400 --> 0:19:41.159
<v Speaker 1>monarchs who bought into their own divine mandate to rule,

0:19:41.720 --> 0:19:46.000
<v Speaker 1>Hotchepsut very well could have believed that the gods predetermined

0:19:46.080 --> 0:19:50.240
<v Speaker 1>her birth and fate as a pharaoh. But more importantly,

0:19:50.720 --> 0:19:54.639
<v Speaker 1>the general public and future generations needed to believe it,

0:19:55.080 --> 0:19:59.960
<v Speaker 1>and by inscribing that tale on her temples, Hotschepsut woild,

0:20:00.160 --> 0:20:05.640
<v Speaker 1>cementing her claim to the throne in perpetuity. Another key

0:20:05.720 --> 0:20:11.439
<v Speaker 1>way that Hotchipsut legitimized her rule was by deliberately masculinizing

0:20:11.560 --> 0:20:16.359
<v Speaker 1>her image. In ancient Egyptian art, there were customary and

0:20:16.600 --> 0:20:21.520
<v Speaker 1>distinct representations of men and women. The main difference between

0:20:21.600 --> 0:20:25.879
<v Speaker 1>genders was that men were drawn wearing short kilts and

0:20:25.960 --> 0:20:29.680
<v Speaker 1>with their feet spread apart, and women had ankle length

0:20:29.840 --> 0:20:34.520
<v Speaker 1>dresses and a shorter stride. Given that Egyptian pharaohs were

0:20:34.560 --> 0:20:39.560
<v Speaker 1>almost always men, the standard depiction of a pharaoh included

0:20:39.760 --> 0:20:44.959
<v Speaker 1>standard male dress and stance. Pharaohs were also depicted wearing

0:20:45.040 --> 0:20:49.719
<v Speaker 1>a variety of crowns and a fake beard. During the

0:20:49.840 --> 0:20:55.159
<v Speaker 1>early years of her regency, Hotchipsut was depicted femininely. She

0:20:55.280 --> 0:20:59.200
<v Speaker 1>had a smaller stride and wore a long dress. I mean,

0:20:59.280 --> 0:21:02.000
<v Speaker 1>she was the wife of the former pharaoh and not

0:21:02.080 --> 0:21:05.360
<v Speaker 1>yet claiming the throne beside her stepson, there was no

0:21:05.440 --> 0:21:10.080
<v Speaker 1>need for her to portray herself as anything but the norm. However,

0:21:10.280 --> 0:21:13.560
<v Speaker 1>once she crowned herself pharaoh in the seventh year of

0:21:13.680 --> 0:21:18.000
<v Speaker 1>that Most the Third's reign, her depictions started to feature

0:21:18.240 --> 0:21:23.199
<v Speaker 1>both masculine and feminine traits. For example, the engraving of

0:21:23.240 --> 0:21:26.879
<v Speaker 1>Hotchepsuit at Chappelle Rouge shows her with a long dress,

0:21:27.200 --> 0:21:31.520
<v Speaker 1>but also with a crown adorned by ramshorns, an accessory

0:21:31.600 --> 0:21:36.320
<v Speaker 1>worn by pharaohs. Over time, her depictions became more and

0:21:36.560 --> 0:21:40.720
<v Speaker 1>more masculine. For example, some of the statues that we

0:21:40.800 --> 0:21:44.359
<v Speaker 1>still have of her today feature the fake beard that

0:21:44.440 --> 0:21:49.399
<v Speaker 1>all pharaohs donned. Other engravings that depict both hot Chepsu

0:21:49.600 --> 0:21:52.800
<v Speaker 1>and her co ruler that Most the Third appear to

0:21:52.880 --> 0:21:57.200
<v Speaker 1>show two male pharaohs. We only know that it's this

0:21:57.400 --> 0:22:02.280
<v Speaker 1>particular pair. Because of the inscription that accompany the engravings,

0:22:02.840 --> 0:22:07.679
<v Speaker 1>it's clear that Hotschipsut was meticulous in crafting her image.

0:22:08.040 --> 0:22:11.119
<v Speaker 1>She even went so far as to have altered depictions

0:22:11.160 --> 0:22:14.840
<v Speaker 1>of herself from her years as queen and king mother

0:22:15.280 --> 0:22:22.160
<v Speaker 1>to eliminate the queenly attributes and add in more masculine traits. Now,

0:22:22.240 --> 0:22:26.480
<v Speaker 1>this topic has been controversial over the years. For a while,

0:22:26.720 --> 0:22:32.439
<v Speaker 1>many scholars believed that Hotchipsut's masculine appearance in art reflected

0:22:32.480 --> 0:22:38.040
<v Speaker 1>a queer identity or perhaps an androgynous wardrobe. However, that

0:22:38.160 --> 0:22:42.720
<v Speaker 1>view has largely fallen out of fashion, particularly because of

0:22:42.760 --> 0:22:47.080
<v Speaker 1>the feminine grammar that was used in writing Hotschipsut's names

0:22:47.119 --> 0:22:52.120
<v Speaker 1>and epithets. Accompanying many of those masculine depictions of hotship

0:22:52.200 --> 0:22:57.840
<v Speaker 1>Sut are inscriptions using feminine versions of titles and feminine

0:22:57.960 --> 0:23:02.480
<v Speaker 1>endings for words. While the image appears to depict a man,

0:23:02.960 --> 0:23:07.200
<v Speaker 1>the inscriptions communicate that we are looking at a female pharaoh.

0:23:07.840 --> 0:23:12.320
<v Speaker 1>Scholars now mostly believe that Hotshepsut did not try to

0:23:12.480 --> 0:23:16.639
<v Speaker 1>hide her sex, but rather assumed these masculine traits in

0:23:16.720 --> 0:23:22.080
<v Speaker 1>portraiture in order to associate herself with kingship, and considering

0:23:22.160 --> 0:23:25.280
<v Speaker 1>that we still consider her not just a pharaoh, but

0:23:25.359 --> 0:23:29.359
<v Speaker 1>one of Egypt's most impactful pharaohs. She seems to have

0:23:29.520 --> 0:23:35.440
<v Speaker 1>achieved her goal about twenty two years after Thutmost the

0:23:35.560 --> 0:23:39.520
<v Speaker 1>Third was crowned pharaoh and about fifteen years after hotships

0:23:39.840 --> 0:23:45.520
<v Speaker 1>crowned herself. Co pharaoh. Hotchepsut died sometime around fourteen fifty

0:23:45.560 --> 0:23:49.720
<v Speaker 1>eight BC. She was likely around fifty when she passed.

0:23:50.240 --> 0:23:53.399
<v Speaker 1>Based on the mummy that is believed to be hotship Sut,

0:23:53.640 --> 0:23:58.280
<v Speaker 1>she likely died of bone cancer. Her co ruler and stepson,

0:23:58.440 --> 0:24:02.120
<v Speaker 1>Thutmost the Third, when to rule for about thirty three

0:24:02.359 --> 0:24:06.720
<v Speaker 1>more years that I'm telling. The story of Hotschipset itself

0:24:07.160 --> 0:24:10.960
<v Speaker 1>is pretty remarkable, given the measures taken after her death

0:24:11.280 --> 0:24:15.840
<v Speaker 1>to erase her from history. Across the many monuments that

0:24:15.880 --> 0:24:21.080
<v Speaker 1>Hotschipsut commissioned, archaeologists have found evidence that most the Third

0:24:21.160 --> 0:24:25.160
<v Speaker 1>and perhaps his son the next pharaoh, tried to destroy

0:24:25.359 --> 0:24:29.840
<v Speaker 1>statues and engravings featuring hot chip Sut. One of the

0:24:29.840 --> 0:24:34.040
<v Speaker 1>biggest examples of that erasure was found at d'ar l Baris,

0:24:34.359 --> 0:24:39.280
<v Speaker 1>not far from Hotshipsut's mortuary temple. In the twentieth century,

0:24:39.480 --> 0:24:45.800
<v Speaker 1>archaeologists found two pits filled with destroyed statues just yards

0:24:45.840 --> 0:24:51.879
<v Speaker 1>away from Hotschipsut's temple. After reassembling the fractured stone, it

0:24:51.960 --> 0:24:56.400
<v Speaker 1>became clear that the broken statues were all of hotship Set.

0:24:57.000 --> 0:25:01.120
<v Speaker 1>Some featured her as a sphinx, others depicted her sitting,

0:25:01.280 --> 0:25:05.640
<v Speaker 1>and some were enormous statues of the pharaoh standing upright.

0:25:06.280 --> 0:25:10.359
<v Speaker 1>These works of art had previously adorned her mortuary temple,

0:25:10.800 --> 0:25:15.320
<v Speaker 1>but at some point they were removed, destroyed, and thrown

0:25:15.359 --> 0:25:19.679
<v Speaker 1>into pits. It seems that Most the third wanted to

0:25:19.880 --> 0:25:24.639
<v Speaker 1>erase Hotchipsut's image so completely that he hid some of

0:25:24.680 --> 0:25:29.080
<v Speaker 1>the rubble underneath a ramp leading to his own mortuary temple.

0:25:29.760 --> 0:25:32.520
<v Speaker 1>But that wasn't the only form of erasure that that

0:25:32.680 --> 0:25:36.679
<v Speaker 1>Most the third demanded. Artisans on the orders of the

0:25:36.720 --> 0:25:41.200
<v Speaker 1>pharaoh chipped away at images of the previous pharaoh, as

0:25:41.240 --> 0:25:46.200
<v Speaker 1>well as inscriptions bearing her name. Buttmost the Third literally

0:25:46.280 --> 0:25:53.560
<v Speaker 1>tried to remove Hotschipsut from ancient Egyptian historical records. Although

0:25:53.600 --> 0:25:57.960
<v Speaker 1>this act might feel pretty personal, the destructive mission was

0:25:58.280 --> 0:26:01.600
<v Speaker 1>likely not an act of retro on the part of

0:26:01.920 --> 0:26:06.119
<v Speaker 1>Moost the Third against his stepmom. Evidence suggests that This

0:26:06.280 --> 0:26:10.840
<v Speaker 1>work didn't begin immediately after Hotshipsut died, but close to

0:26:11.040 --> 0:26:15.600
<v Speaker 1>twenty years after. Why wait so long to take revenge

0:26:15.680 --> 0:26:22.600
<v Speaker 1>If it's personal? Historians hypothesize that actually that Moost the Third,

0:26:22.760 --> 0:26:26.399
<v Speaker 1>removing his former co ruler from the records, was trying

0:26:26.440 --> 0:26:31.719
<v Speaker 1>to gradually subsume his stepmom's achievements as his own in

0:26:31.880 --> 0:26:35.520
<v Speaker 1>order to appear all powerful. He wouldn't want to share

0:26:35.640 --> 0:26:40.080
<v Speaker 1>credit for various achievements during their co rulership. He wanted

0:26:40.119 --> 0:26:44.840
<v Speaker 1>to claim those achievements for himself. Additionally, the idea of

0:26:44.920 --> 0:26:49.600
<v Speaker 1>female leadership complicated the male led form of government that

0:26:49.720 --> 0:26:54.159
<v Speaker 1>the ancient Egyptians subscribed to. Since it was the pharaoh's

0:26:54.240 --> 0:26:58.200
<v Speaker 1>job to maintain order and ward off chaos, it's possible

0:26:58.240 --> 0:27:02.920
<v Speaker 1>erasing Hotships from their history was an attempt to erase

0:27:03.000 --> 0:27:06.879
<v Speaker 1>the reality of female leadership and any of the chaos

0:27:06.920 --> 0:27:10.159
<v Speaker 1>that it might cause. So, even though it might be

0:27:10.240 --> 0:27:13.680
<v Speaker 1>easy to assume that that most Third attempted to erase

0:27:13.720 --> 0:27:17.560
<v Speaker 1>Hotship Suit from history because of personal contempt for his

0:27:18.119 --> 0:27:22.760
<v Speaker 1>stepmom slash Aunt, the motivation was much more likely political.

0:27:24.720 --> 0:27:30.200
<v Speaker 1>Despite this campaign of erasure, evidence of Hotshipsut's reign remains.

0:27:30.640 --> 0:27:33.080
<v Speaker 1>I mean how else would we know about her. But

0:27:33.240 --> 0:27:37.520
<v Speaker 1>between her death and the archaeological excavations of the nineteenth

0:27:37.560 --> 0:27:43.280
<v Speaker 1>and twentieth centuries, hot Chipsut largely disappeared from history. It

0:27:43.359 --> 0:27:48.280
<v Speaker 1>was only after archaeologists deciphered the inscriptions at Dar l

0:27:48.400 --> 0:27:53.760
<v Speaker 1>Bari that Hotschipsut, the female pharaoh, reappeared. And that is

0:27:53.880 --> 0:27:57.560
<v Speaker 1>part of why I'm telling her story today. This woman

0:27:57.760 --> 0:28:01.320
<v Speaker 1>was one of the most successful and prolific pharaohs of

0:28:01.359 --> 0:28:06.119
<v Speaker 1>ancient Egypt. Despite centuries of silence, were now able to

0:28:06.240 --> 0:28:10.720
<v Speaker 1>share her story and her achievements. Her reign complicated the

0:28:10.840 --> 0:28:14.919
<v Speaker 1>patriarchal system of governance of her time and complicates our

0:28:15.080 --> 0:28:18.879
<v Speaker 1>current understanding of gender and power in the ancient world.

0:28:19.440 --> 0:28:23.679
<v Speaker 1>But still she existed and her story is worth telling.

0:28:30.400 --> 0:28:33.359
<v Speaker 1>That's the story of hot chipst But keep listening after

0:28:33.440 --> 0:28:36.680
<v Speaker 1>a brief sponsor break for a little bit on her

0:28:36.720 --> 0:28:56.600
<v Speaker 1>beauty secrets. Nowadays, skincare and beauty are all the rage.

0:28:56.800 --> 0:29:01.600
<v Speaker 1>Influencers are touting the newest creams and ointment mascara's and lipsticks,

0:29:01.840 --> 0:29:04.880
<v Speaker 1>obviously the solution to any and all of your problems.

0:29:05.520 --> 0:29:10.320
<v Speaker 1>Despite the distinctly postmodern capitalists spin on beauty that we're

0:29:10.400 --> 0:29:15.720
<v Speaker 1>currently experiencing. Emphasis on one's appearance is as ancient as

0:29:15.800 --> 0:29:21.640
<v Speaker 1>the pharaoh's. One of Hotschipsut's notable accomplishments is her successful

0:29:21.720 --> 0:29:25.720
<v Speaker 1>expedition to the Kingdom of punt, which I spoke briefly

0:29:25.800 --> 0:29:30.560
<v Speaker 1>about earlier. That kingdom was known for its luxury goods

0:29:30.560 --> 0:29:37.520
<v Speaker 1>like aromatic resins, ivory gold. Hotschipsut's royally sponsored expedition came

0:29:37.560 --> 0:29:42.080
<v Speaker 1>back to Egypt with live mrh trees, with frankencen and

0:29:42.320 --> 0:29:46.440
<v Speaker 1>with gold. This trio of items pre dating the Three

0:29:46.520 --> 0:29:49.840
<v Speaker 1>Wise Men of the Bible. Hot Chipsut brought them first.

0:29:50.480 --> 0:29:55.360
<v Speaker 1>Hotchipsut took the frankincense from this expedition, charred it, and

0:29:55.520 --> 0:29:58.960
<v Speaker 1>ground it to a paste. She then took the paste

0:29:59.000 --> 0:30:03.000
<v Speaker 1>and added it to a galina based eye cosmetic now

0:30:03.040 --> 0:30:07.719
<v Speaker 1>known as coal. While she was almost certainly not the

0:30:07.760 --> 0:30:11.280
<v Speaker 1>first person to ever do it, Hotchipsut is the first

0:30:11.320 --> 0:30:16.200
<v Speaker 1>person to have been recorded using frankincense's resin as eyeliner.

0:30:17.120 --> 0:30:21.760
<v Speaker 1>Archaeologists also think they found the skin cream Hotschipsut used.

0:30:22.160 --> 0:30:25.560
<v Speaker 1>The Egyptian Museum at the University of Bonn in Germany

0:30:25.920 --> 0:30:29.760
<v Speaker 1>has in its permanent collection a vessel shaped like a

0:30:29.760 --> 0:30:34.440
<v Speaker 1>falcon that, based on an inscription on the vessel, likely

0:30:34.480 --> 0:30:39.560
<v Speaker 1>belonged to Hotschipsut. Originally, scholars believed that the falcon might

0:30:39.600 --> 0:30:42.880
<v Speaker 1>have once held her perfume, but after breaking through the

0:30:42.960 --> 0:30:46.120
<v Speaker 1>seal into the body of the falcon, they were able

0:30:46.160 --> 0:30:50.560
<v Speaker 1>to test what was once inside. Based on the chemical

0:30:50.640 --> 0:30:55.600
<v Speaker 1>components of the remaining ancient residue, the vessel likely contained

0:30:55.840 --> 0:31:00.840
<v Speaker 1>skin lotion, and not just any lotion, but body or

0:31:00.880 --> 0:31:06.240
<v Speaker 1>even medication for irritated skin. The sample contained lots of

0:31:06.480 --> 0:31:10.360
<v Speaker 1>fatty acids that are known to provide relief to people

0:31:10.440 --> 0:31:16.160
<v Speaker 1>with skin conditions. Further, scientists found a number of hydrocarbons,

0:31:16.560 --> 0:31:20.800
<v Speaker 1>which are used today to treat chronic conditions like egzema.

0:31:21.520 --> 0:31:26.240
<v Speaker 1>Scholars know that skin diseases ran in Hotchipsut's family, so

0:31:26.320 --> 0:31:30.880
<v Speaker 1>it is very likely that Hotchipsut herself suffered from something

0:31:31.080 --> 0:31:35.680
<v Speaker 1>like psoriasis and used that cream in that falcon to

0:31:35.880 --> 0:31:40.240
<v Speaker 1>help calm her skin. While this cream might have been

0:31:40.280 --> 0:31:45.400
<v Speaker 1>a temporary salve for Hotschipsut, it also might have killed her.

0:31:46.040 --> 0:31:49.200
<v Speaker 1>One of the hydrocarbons that the scientists found in the

0:31:49.240 --> 0:31:55.200
<v Speaker 1>falcon was a benzopyrene, one of the most carcinogenic compounds known.

0:31:55.960 --> 0:31:59.920
<v Speaker 1>This is the compound in cigarettes that causes lung cancer.

0:32:00.600 --> 0:32:07.400
<v Speaker 1>So essentially, hot Chipsut probably exposed herself to cancerous lotion regularly.

0:32:08.160 --> 0:32:12.600
<v Speaker 1>Scholars knew for years that Hotschipsud had cancer. Now we

0:32:12.680 --> 0:32:18.440
<v Speaker 1>have a potential cause. People have always said beauty is pain.

0:32:29.640 --> 0:32:33.800
<v Speaker 1>Noble Blood is a production of iHeartRadio and Grimm and

0:32:33.880 --> 0:32:37.680
<v Speaker 1>Mild from Aaron Mankey. Noble Blood is hosted by me

0:32:37.960 --> 0:32:42.880
<v Speaker 1>Danish Forts, with additional writing and researching by Hannah Johnston,

0:32:43.240 --> 0:32:48.680
<v Speaker 1>Hannah Zwick, Courtney Sender, Julia Milani, and Armand Cassam. The

0:32:48.760 --> 0:32:52.920
<v Speaker 1>show is edited and produced by Noemi Griffin and rima

0:32:53.120 --> 0:32:58.760
<v Speaker 1>il Kaali, with supervising producer Josh Thain and executive producers

0:32:58.800 --> 0:33:03.400
<v Speaker 1>Aaron Mankey, Alex Williams, and Matt Frederick. For more podcasts

0:33:03.440 --> 0:33:08.960
<v Speaker 1>from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or wherever

0:33:09.000 --> 0:33:10.400
<v Speaker 1>you listen to your favorite shows.