1 00:00:00,200 --> 00:00:03,120 Speaker 1: Hello the Internet, and welcome to Season to forty five, 2 00:00:03,279 --> 00:00:09,520 Speaker 1: Episode one of jed Hi Guys High Heart Radio. This 3 00:00:09,640 --> 00:00:12,360 Speaker 1: is a podcast where we take a deep dive into 4 00:00:12,400 --> 00:00:19,079 Speaker 1: America's shared consciousness. It's Monday, July eleven. My name is 5 00:00:19,200 --> 00:00:23,479 Speaker 1: What is going on with this co host that I 6 00:00:23,520 --> 00:00:27,040 Speaker 1: got for today is he's doing the most and can't 7 00:00:27,040 --> 00:00:32,080 Speaker 1: simply coffee miles. It's about standard expanding, Uh new new 8 00:00:32,120 --> 00:00:36,879 Speaker 1: ship like like echoes. Uh, what's the first thing you 9 00:00:36,920 --> 00:00:40,800 Speaker 1: did called like a chant monk chant? Sure? Yeah, Well 10 00:00:40,880 --> 00:00:44,920 Speaker 1: my name is Jack O'Brien, a k Macha macha man. 11 00:00:46,080 --> 00:00:52,320 Speaker 1: For get coffee. I'm a matcha man, Macha macha man 12 00:00:54,080 --> 00:00:58,920 Speaker 1: ing Guatemala. There's no macha man that those are courtesy of. 13 00:00:59,560 --> 00:01:02,320 Speaker 1: So those two a ks it came in within moments 14 00:01:02,480 --> 00:01:06,480 Speaker 1: of one another. Christi Ambucci min gave me the first one. 15 00:01:06,640 --> 00:01:11,800 Speaker 1: Chris Mackling even more topical second one. Shout out to 16 00:01:12,440 --> 00:01:16,199 Speaker 1: two great months thinking of like, well done, appreciate y'all. 17 00:01:16,760 --> 00:01:19,640 Speaker 1: I'm thrilled to be joined by a very special guest 18 00:01:19,720 --> 00:01:22,320 Speaker 1: co host, one of the EPs on this very network, 19 00:01:22,440 --> 00:01:25,759 Speaker 1: former EP of this show. Uh, he is the king 20 00:01:25,800 --> 00:01:29,880 Speaker 1: of staying that bitch on twitch. It's DJ Dan Old 21 00:01:29,920 --> 00:01:35,520 Speaker 1: good Man. Here a k a botta bengas bought a Bungus, 22 00:01:35,520 --> 00:01:37,920 Speaker 1: a phrase that I'm positive I didn't make up, but 23 00:01:38,680 --> 00:01:40,560 Speaker 1: maybe I did. Who the heck knows. Anyway, it's a 24 00:01:40,560 --> 00:01:42,600 Speaker 1: pleasure to be here, Jack. How you doing? Wait did 25 00:01:42,600 --> 00:01:45,120 Speaker 1: you say that? Like two days ago on on the show? 26 00:01:45,160 --> 00:01:48,400 Speaker 1: You said, boy the Bengas literally all the time. And 27 00:01:48,440 --> 00:01:50,400 Speaker 1: I don't know where it came from, but I just 28 00:01:50,560 --> 00:01:53,000 Speaker 1: know it's like a John Lennon scrambled Eggs moment where 29 00:01:53,000 --> 00:01:54,680 Speaker 1: I'm just like, I know I didn't make up the smellody. 30 00:01:54,720 --> 00:01:57,000 Speaker 1: I know I didn't make up this phrase. Someone please 31 00:01:57,040 --> 00:02:01,440 Speaker 1: be like from what the few us were talking about? Man, 32 00:02:01,840 --> 00:02:03,520 Speaker 1: I think I do, but you just said it, You 33 00:02:03,600 --> 00:02:07,280 Speaker 1: just like mentioned it so casually that uh yeah, I was. 34 00:02:07,360 --> 00:02:10,560 Speaker 1: I was confused. But anyways, you know how podcasts, by 35 00:02:10,600 --> 00:02:16,040 Speaker 1: mentioning someone will indirectly kill them. Um, I think you 36 00:02:16,120 --> 00:02:20,160 Speaker 1: might have been the reason James conduct because he invented 37 00:02:20,160 --> 00:02:23,760 Speaker 1: the phrase botta bying. You invented the phrase botta bingis 38 00:02:23,800 --> 00:02:28,240 Speaker 1: bata bungus And yeah, he ad libbed that on the 39 00:02:28,280 --> 00:02:31,840 Speaker 1: set of the Godfather and then the Mafia took it 40 00:02:32,000 --> 00:02:34,480 Speaker 1: and was like, yeah, we've always said that ship but 41 00:02:34,919 --> 00:02:37,520 Speaker 1: he he had libbed it. Um, I did not know 42 00:02:37,560 --> 00:02:44,760 Speaker 1: that at all. What wow? Yeah. Anyways, by two very 43 00:02:44,800 --> 00:02:49,320 Speaker 1: funny comedians whose work has appeared on lesser shows like 44 00:02:49,400 --> 00:02:54,240 Speaker 1: This American Life, that Drew Barrymore show. H They are 45 00:02:54,880 --> 00:02:58,560 Speaker 1: the lead investigators and hosts of Truth Hounds, which just 46 00:02:58,680 --> 00:03:03,399 Speaker 1: dropped last was those season two? UM and your podcast Yeah, 47 00:03:03,480 --> 00:03:05,600 Speaker 1: just one of the best podcasts that's ever been made. 48 00:03:06,120 --> 00:03:09,760 Speaker 1: UM it is the hilarious and talented Kyle Amazona and 49 00:03:09,919 --> 00:03:22,160 Speaker 1: Anna Saragena sandwich Man. Al Right, I knew something was coming. 50 00:03:22,200 --> 00:03:26,600 Speaker 1: You had that crazy looking your really was holding that in. 51 00:03:26,919 --> 00:03:29,680 Speaker 1: Another hit is coming, Another hit is coming down the pipe. 52 00:03:29,800 --> 00:03:32,200 Speaker 1: I did not tell Anna, so I really started for 53 00:03:32,360 --> 00:03:36,480 Speaker 1: taking that moment, but I was really hold up, Look, 54 00:03:36,720 --> 00:03:38,880 Speaker 1: it was great, It was really nice, and I want 55 00:03:38,880 --> 00:03:43,320 Speaker 1: to uphold your life. Kyle. I do wanna apologize because 56 00:03:43,360 --> 00:03:45,840 Speaker 1: I do. I don't have the vocal talents to put 57 00:03:46,000 --> 00:03:48,720 Speaker 1: equal emphasis on two names. So I did kind of 58 00:03:48,760 --> 00:03:53,320 Speaker 1: go a Amazona and Anna Saragina And so you know, 59 00:03:53,400 --> 00:04:04,360 Speaker 1: Kyle Amazona, I am that because one of you said that. 60 00:04:05,000 --> 00:04:12,880 Speaker 1: That's said so that we are. She's never said, bitch, 61 00:04:12,880 --> 00:04:16,920 Speaker 1: before you're seeing something. Really, we're breaking new ground here. 62 00:04:17,120 --> 00:04:22,279 Speaker 1: Daniel's a big Twitter, very small but very small, big Twitter. 63 00:04:22,680 --> 00:04:25,520 Speaker 1: How are you guys doing. I think we're great. We're 64 00:04:25,560 --> 00:04:30,039 Speaker 1: reunited after Kyle was away for a week, so the 65 00:04:30,040 --> 00:04:32,000 Speaker 1: first week we've taken apart and I don't even know 66 00:04:32,040 --> 00:04:35,400 Speaker 1: how long. Yeah, before the zoom started, I greeted you guys, 67 00:04:35,400 --> 00:04:39,400 Speaker 1: and I said, olah, it was because I was on 68 00:04:39,440 --> 00:04:46,839 Speaker 1: the East coast. She actually the melting cot over there. Yeah, exactly, absolutely, 69 00:04:47,240 --> 00:04:50,000 Speaker 1: And you were two of the people who went and 70 00:04:50,040 --> 00:04:53,839 Speaker 1: saw Elvis with us. Um, and that was fun. Right, 71 00:04:54,040 --> 00:04:56,960 Speaker 1: we had had a good time. Stop talking about it, 72 00:04:57,040 --> 00:04:59,560 Speaker 1: I guess, stop thinking about it. I'll talk to anyone 73 00:04:59,600 --> 00:05:02,000 Speaker 1: who lives sense and sometimes for those who don't mean, 74 00:05:02,120 --> 00:05:06,599 Speaker 1: I just And a nice favorite part was that it 75 00:05:06,720 --> 00:05:11,279 Speaker 1: felt like whenever Elvis went through something, the transition would 76 00:05:11,320 --> 00:05:14,840 Speaker 1: always be him going, you ain't nothing but a hound dog, 77 00:05:17,600 --> 00:05:19,600 Speaker 1: but you ain't nothing about a hound dog would reflect 78 00:05:19,640 --> 00:05:22,600 Speaker 1: the moods. Sometimes it was really somber, like when he 79 00:05:22,720 --> 00:05:28,400 Speaker 1: invented civil rights. Um. Yeah, the greatest civil rights leader, 80 00:05:28,400 --> 00:05:32,920 Speaker 1: Elvis Presley. Well, okay, okay, Well I looked at him 81 00:05:32,920 --> 00:05:39,640 Speaker 1: and said, I'll have what he's having. He's like, he's 82 00:05:39,680 --> 00:05:42,719 Speaker 1: really sad. So he's like on the piano and it's 83 00:05:42,760 --> 00:05:45,440 Speaker 1: like he's one hand on the piano. He like it 84 00:05:45,480 --> 00:05:47,440 Speaker 1: barely seems like he knows what his hands are going 85 00:05:47,480 --> 00:05:49,600 Speaker 1: to do, but they do know what they're doing, and 86 00:05:50,279 --> 00:05:53,800 Speaker 1: to do it ain't nothing but a hound. Of course, 87 00:05:53,880 --> 00:05:58,839 Speaker 1: of course, of course I have. My favorite part also 88 00:05:59,640 --> 00:06:04,400 Speaker 1: was at Um. The whole time, everybody's like Elvis is 89 00:06:04,440 --> 00:06:07,000 Speaker 1: obsessed with pepsi. This guy, get this guy a pepsi. 90 00:06:07,160 --> 00:06:09,880 Speaker 1: This guy loves pep but he's having he's like having 91 00:06:09,920 --> 00:06:11,680 Speaker 1: a panic attack before he goes on to do his 92 00:06:11,720 --> 00:06:17,080 Speaker 1: first show where you know yet to go get get 93 00:06:17,120 --> 00:06:19,320 Speaker 1: this man of Pepsi. And then when he hits rock 94 00:06:19,360 --> 00:06:22,039 Speaker 1: bottom and someone else has to hold his microphone or 95 00:06:22,080 --> 00:06:24,599 Speaker 1: if you saw this, he's really rock bottom. He's having 96 00:06:24,640 --> 00:06:28,080 Speaker 1: a coke. And I made this wary point the day 97 00:06:28,120 --> 00:06:36,640 Speaker 1: after when we talk. It's not subtle though, it's not yeah, 98 00:06:36,880 --> 00:06:40,880 Speaker 1: it's all pepsi. It's happening in the South where they 99 00:06:41,080 --> 00:06:43,760 Speaker 1: call pepsi coke. They're like, hey, here, would you like 100 00:06:43,800 --> 00:06:47,120 Speaker 1: a coke? Even if they're talking about pepsi, Like nobody. 101 00:06:47,240 --> 00:06:49,920 Speaker 1: Pepsi doesn't exist in the South. So like I clagged 102 00:06:49,920 --> 00:06:53,400 Speaker 1: at the very first time, they're suddenly like, um, the 103 00:06:53,480 --> 00:06:56,400 Speaker 1: only thing that will cure this man's nerves and give 104 00:06:56,520 --> 00:06:59,000 Speaker 1: us the rock and roll career of that Elvis Presley 105 00:06:59,160 --> 00:07:03,200 Speaker 1: is a pepsi and and it works. And I was like, huh, 106 00:07:03,880 --> 00:07:06,600 Speaker 1: that's really weird, Like they must have some deal with pepsi. 107 00:07:07,120 --> 00:07:10,080 Speaker 1: And sure enough, like they kept drinking pepsi, pepsi, pepsi. 108 00:07:10,400 --> 00:07:14,080 Speaker 1: And then his last concert, the only time we get 109 00:07:14,120 --> 00:07:17,119 Speaker 1: to see him in a fat suit, like a fat 110 00:07:17,120 --> 00:07:21,160 Speaker 1: Elvis suit. He has a bunch of like cups of 111 00:07:21,240 --> 00:07:26,480 Speaker 1: coke on his piano and he looks bad. It's not 112 00:07:26,560 --> 00:07:29,680 Speaker 1: even like a can or a glass. It's actually one 113 00:07:29,720 --> 00:07:40,840 Speaker 1: of those paper ones that yeah with us, he was there, 114 00:07:40,840 --> 00:07:45,840 Speaker 1: you go wow. Alright, Kyle and Anna, we're going to 115 00:07:45,920 --> 00:07:47,800 Speaker 1: get to know you a little bit better in a moment. First, 116 00:07:47,840 --> 00:07:49,600 Speaker 1: we're gonna tell our listeners a couple of things. We're 117 00:07:49,640 --> 00:07:54,200 Speaker 1: talking about end of last week, very tumultuous time with 118 00:07:54,240 --> 00:07:57,760 Speaker 1: an assassination. Um, I don't know if we're going to 119 00:07:57,800 --> 00:08:01,520 Speaker 1: talk about that, because I don't know where recording this, 120 00:08:01,640 --> 00:08:04,080 Speaker 1: Like the day after it happened, but we don't really 121 00:08:04,120 --> 00:08:07,520 Speaker 1: know the information that you know as you're listening to 122 00:08:07,560 --> 00:08:11,520 Speaker 1: this um so we don't even know what what happened 123 00:08:11,640 --> 00:08:14,120 Speaker 1: or who it was. Really we know the name of 124 00:08:14,120 --> 00:08:16,560 Speaker 1: the person, we don't know what was going on anyways. 125 00:08:16,720 --> 00:08:19,280 Speaker 1: I want to talk about Where the craw Dads Sing, 126 00:08:19,560 --> 00:08:22,920 Speaker 1: which is a book that I was kind of vaguely 127 00:08:22,960 --> 00:08:25,160 Speaker 1: aware of, but they got they got the big movie 128 00:08:25,200 --> 00:08:27,880 Speaker 1: coming out this week. I want to talk about McGrath, 129 00:08:28,080 --> 00:08:31,960 Speaker 1: The Crime Dog, maybe even Louis c Kay's movie that 130 00:08:32,240 --> 00:08:35,240 Speaker 1: came out that I really I don't know how many 131 00:08:35,240 --> 00:08:40,480 Speaker 1: people noticed that that it came out. Oh yeah, did 132 00:08:40,520 --> 00:08:47,280 Speaker 1: you see it opening day? I go was it in 133 00:08:47,400 --> 00:08:52,760 Speaker 1: theaters like a couple. It's got a very limited, tastefully 134 00:08:52,840 --> 00:08:56,640 Speaker 1: limited run for awards consideration. You gotta get it in theater. 135 00:08:56,679 --> 00:08:59,320 Speaker 1: You gotta get in the theater. Is he Starr in it? No? 136 00:09:00,000 --> 00:09:02,200 Speaker 1: It does not, All right, I guess we'll talk about 137 00:09:02,240 --> 00:09:03,839 Speaker 1: that one. We've had it on the dock for a while, 138 00:09:03,880 --> 00:09:07,240 Speaker 1: but it seems like there's there's some interest there from 139 00:09:07,240 --> 00:09:10,200 Speaker 1: our guests. No, no, no, there's no entrance. There's no 140 00:09:11,400 --> 00:09:21,160 Speaker 1: big fans. Louis Kay for someone else. Before we get 141 00:09:21,200 --> 00:09:25,440 Speaker 1: to any of that, we do like to ask our guests, Kyle, 142 00:09:25,640 --> 00:09:28,760 Speaker 1: and what is something from your search history that is 143 00:09:28,800 --> 00:09:32,880 Speaker 1: revealing about who you are? Oh? About revealing who I am? 144 00:09:32,960 --> 00:09:36,000 Speaker 1: I didn't know that was also part of it. It 145 00:09:36,040 --> 00:09:39,360 Speaker 1: reveals who you are because you searched for it. Yeah, Lord, 146 00:09:39,600 --> 00:09:42,000 Speaker 1: you want to go first, I'll go first, step up 147 00:09:42,040 --> 00:09:43,680 Speaker 1: to bat and I'll come to that. I'll buy you 148 00:09:43,720 --> 00:09:49,040 Speaker 1: some step up to bad. Okay, you're on deck. You're 149 00:09:49,040 --> 00:09:52,600 Speaker 1: definitely on deck. Okay. So the last thing I googled 150 00:09:52,840 --> 00:09:56,560 Speaker 1: was a photo of Willie Nelson from Thief, because last 151 00:09:56,640 --> 00:10:00,400 Speaker 1: night I was watching Thief. Um, you know, Rest in 152 00:10:00,440 --> 00:10:04,960 Speaker 1: Power James con and uh, I was like, I think 153 00:10:05,000 --> 00:10:10,280 Speaker 1: I look exactly like Willie Nelson. Oh my gosh, So 154 00:10:10,320 --> 00:10:14,000 Speaker 1: I looked up. I was googling Thief, Willie Nelson, Thief, 155 00:10:14,040 --> 00:10:19,800 Speaker 1: Willy Nelson ponytailon window because he's by the window, and 156 00:10:19,920 --> 00:10:22,800 Speaker 1: I think I do look exactly like Billy Nelson and Thief. Wow, 157 00:10:24,120 --> 00:10:29,080 Speaker 1: I watched Thief yesterday as well. So you saw me 158 00:10:29,360 --> 00:10:32,440 Speaker 1: do a great I did not. I did not see 159 00:10:32,480 --> 00:10:36,640 Speaker 1: it all the time. I've never seen Thief before. But 160 00:10:36,800 --> 00:10:38,320 Speaker 1: did did you watch it? It was it was hard 161 00:10:38,360 --> 00:10:41,280 Speaker 1: to find. It was like voodoo or some ship who 162 00:10:41,360 --> 00:10:48,360 Speaker 1: put all right the l a County beautiful app. Really, 163 00:10:49,480 --> 00:10:52,000 Speaker 1: I love a well designed app. That's nice. It's um, 164 00:10:52,040 --> 00:10:54,559 Speaker 1: I really like. I'm actually a big fan of Canopy 165 00:10:54,679 --> 00:10:57,920 Speaker 1: but um there was a weird lag and then was 166 00:10:58,000 --> 00:11:04,000 Speaker 1: also available Canopies. Another library reapp that has okay, great 167 00:11:04,040 --> 00:11:08,360 Speaker 1: selection of Willie Nelson has some real um like non 168 00:11:08,400 --> 00:11:11,040 Speaker 1: actor energy and that. But it's like makes them very 169 00:11:11,040 --> 00:11:14,559 Speaker 1: compelling to watch. But um, this is not just me 170 00:11:14,600 --> 00:11:17,560 Speaker 1: being like, so, don't feel bad that you look exactly 171 00:11:17,600 --> 00:11:22,120 Speaker 1: like him, because he's very compelling. You don't think you do? 172 00:11:23,000 --> 00:11:24,959 Speaker 1: I really do, and thank you so much for your 173 00:11:27,040 --> 00:11:29,320 Speaker 1: probably pull up a pick right here. I look like 174 00:11:29,360 --> 00:11:32,439 Speaker 1: a very interesting assortment of men. It's so funny because 175 00:11:32,559 --> 00:11:36,240 Speaker 1: sometimes I sometimes I see it, and sometimes I really 176 00:11:36,360 --> 00:11:40,000 Speaker 1: don't see it. It's I look, I guess I actually 177 00:11:40,080 --> 00:11:45,240 Speaker 1: I do see it. Actually, yeah, it's sort of you 178 00:11:45,280 --> 00:11:48,559 Speaker 1: do see it. I think you're actually a bit cuter. 179 00:11:49,400 --> 00:11:53,920 Speaker 1: Thank you. It's all right, Yeah that's my tap. Oh 180 00:11:53,960 --> 00:11:56,319 Speaker 1: my god, it's very interesting. I look like I look 181 00:11:56,360 --> 00:11:58,520 Speaker 1: like Willie Nelson and thief. And then I look, what's 182 00:11:58,559 --> 00:12:02,040 Speaker 1: the YouTube kid who reviews uh um, the suit kid 183 00:12:02,160 --> 00:12:07,199 Speaker 1: who reviews like reviews Chicken or somebody. Yeah and Burgers. Yes, 184 00:12:07,640 --> 00:12:09,080 Speaker 1: you know, I can't remember his name, but I know 185 00:12:09,080 --> 00:12:12,280 Speaker 1: who you're talking about. Okay, I can see that one 186 00:12:12,320 --> 00:12:14,559 Speaker 1: a little bit more absolutely. I can see that one 187 00:12:14,600 --> 00:12:17,680 Speaker 1: more so between me, Kem and Willie Nelson. It's just 188 00:12:17,679 --> 00:12:21,960 Speaker 1: a nice consortium of men that I look exactly like. Um, 189 00:12:22,000 --> 00:12:24,560 Speaker 1: how about you, Kyle, What's something from your search history 190 00:12:24,600 --> 00:12:29,040 Speaker 1: that is revealing and just allows us to judge you. 191 00:12:29,600 --> 00:12:31,439 Speaker 1: I don't think it's I want to say, it doesn't 192 00:12:31,440 --> 00:12:33,959 Speaker 1: reveal anything about me, but maybe a little secret about 193 00:12:33,960 --> 00:12:36,120 Speaker 1: me is sometimes I do get mixed up in the 194 00:12:36,160 --> 00:12:44,599 Speaker 1: celebrity hot goss. Okay, so what's the hottest goss? Doja cats? 195 00:12:46,280 --> 00:12:50,679 Speaker 1: Doja Cats called out this boy from I Don't Want 196 00:12:50,720 --> 00:12:53,440 Speaker 1: Stranger Things, but it called up this boy from Stranger 197 00:12:53,480 --> 00:12:59,240 Speaker 1: Things for sharing I guess their private messages, And so 198 00:12:59,840 --> 00:13:02,840 Speaker 1: I searched. This is actually the what I searched. I 199 00:13:02,880 --> 00:13:08,520 Speaker 1: searched doja cat period no space m E S S 200 00:13:08,600 --> 00:13:13,000 Speaker 1: A g w um because I just wanted to underno 201 00:13:13,080 --> 00:13:18,319 Speaker 1: what the message cat no space period M S S 202 00:13:18,760 --> 00:13:23,800 Speaker 1: g w I just like like message, um, and I 203 00:13:23,920 --> 00:13:26,440 Speaker 1: just wanted to see what the content of the message was. 204 00:13:27,480 --> 00:13:30,079 Speaker 1: And because Doja Cat was pretty upset, you want to 205 00:13:30,080 --> 00:13:32,520 Speaker 1: see what she's so upset about. Yeah, and I guess 206 00:13:32,559 --> 00:13:37,040 Speaker 1: she had hit up this young fellow to be like I, um, 207 00:13:37,160 --> 00:13:39,480 Speaker 1: I think that when your co stars is pretty cute, 208 00:13:39,720 --> 00:13:42,720 Speaker 1: does he have a girlfriend? And then he the young 209 00:13:42,920 --> 00:13:46,320 Speaker 1: stranger things kid. I guess put it on TikTok and 210 00:13:46,360 --> 00:13:50,200 Speaker 1: shared it with the girl. My whole thing. I hope 211 00:13:50,240 --> 00:13:53,280 Speaker 1: the Doja cat whatever follower what do they call them? 212 00:13:53,320 --> 00:14:02,880 Speaker 1: The doj diverse cats doesn't come from the doj ki, 213 00:14:03,000 --> 00:14:10,600 Speaker 1: doja cat, dojoo. Yes, the dojos don't come for me. Okay, 214 00:14:10,640 --> 00:14:12,840 Speaker 1: the dojos please don't come from me. But I do 215 00:14:13,000 --> 00:14:15,280 Speaker 1: have to say that, like because the Chief kind of 216 00:14:15,320 --> 00:14:20,280 Speaker 1: came back and was like, that's some snake ship about 217 00:14:20,600 --> 00:14:23,800 Speaker 1: him sharing it, which I agree, it's like weird for 218 00:14:23,880 --> 00:14:26,400 Speaker 1: him to share it. At the same time, you're also 219 00:14:26,480 --> 00:14:28,640 Speaker 1: messaging a twelve year old boy. That is, I see 220 00:14:28,680 --> 00:14:31,160 Speaker 1: both sides of the So it's like, you don't hit 221 00:14:31,240 --> 00:14:33,600 Speaker 1: up a twelve year old boy about someone you have 222 00:14:33,600 --> 00:14:35,920 Speaker 1: a crush on, because that's a twelve year old boy. 223 00:14:36,600 --> 00:14:38,200 Speaker 1: Which one was the boy? Because I don't think they're 224 00:14:38,240 --> 00:14:42,160 Speaker 1: twelve anymore. They're not. They might have been. They might 225 00:14:42,200 --> 00:14:45,040 Speaker 1: have since then turned actually doesn't even Actually I will 226 00:14:45,080 --> 00:14:47,080 Speaker 1: say that this guy might actually look like he was 227 00:14:48,440 --> 00:14:56,560 Speaker 1: like me. I'm just kidding, but maybe Noah Snap. Do 228 00:14:56,600 --> 00:15:00,480 Speaker 1: you think Noah looks like me? He has seventeen years old, 229 00:15:00,680 --> 00:15:05,000 Speaker 1: and yes, you are young. So I just think that 230 00:15:05,040 --> 00:15:08,880 Speaker 1: if you, oh, yeah, that looks different. Yeah right there. 231 00:15:09,360 --> 00:15:12,120 Speaker 1: I also yeah, I just think that, like, you can't 232 00:15:12,240 --> 00:15:17,760 Speaker 1: expect you can't expect young people to Um, okay, can 233 00:15:17,800 --> 00:15:22,000 Speaker 1: this not show something about me? Though? You're you know 234 00:15:22,040 --> 00:15:23,680 Speaker 1: what I think it shows. Just really don't think it 235 00:15:23,720 --> 00:15:30,440 Speaker 1: shows that you have a curiosity and you're kind of exercise. 236 00:15:30,440 --> 00:15:34,400 Speaker 1: You're doing a kind of exercise in debate, doing both sides. Yeah, 237 00:15:34,600 --> 00:15:37,960 Speaker 1: you're giving both sides of fair trial. Think that this 238 00:15:38,080 --> 00:15:41,960 Speaker 1: this is great. You're a fair judge. But you're one 239 00:15:41,960 --> 00:15:46,040 Speaker 1: of the great journalists of every time. You really are. Meanwhile, 240 00:15:46,080 --> 00:15:50,680 Speaker 1: I'm over here looking like Noah Snap. Okay, And what 241 00:15:50,720 --> 00:15:53,200 Speaker 1: we've learned about Anna is that she looks like every 242 00:15:53,240 --> 00:16:02,280 Speaker 1: single white man between the seventeen and six Honestum, I 243 00:16:02,360 --> 00:16:06,600 Speaker 1: just my only complaint is I don't think it's snake ship. 244 00:16:06,640 --> 00:16:09,680 Speaker 1: I think it's like kind of like pathetic and like 245 00:16:11,160 --> 00:16:12,960 Speaker 1: I don't know, Yeah, it's just a little boy and 246 00:16:13,040 --> 00:16:15,880 Speaker 1: be like, oh my god, don't you cat messaged me 247 00:16:15,920 --> 00:16:21,080 Speaker 1: and think, uh, yeah, it's like that he's not a snake. 248 00:16:21,480 --> 00:16:24,080 Speaker 1: He's not like out to get you. He thinks you're 249 00:16:24,160 --> 00:16:27,480 Speaker 1: like very cool, and it's probably very I don't know. 250 00:16:27,560 --> 00:16:29,520 Speaker 1: I actually don't know enough, so maybe he is just 251 00:16:29,600 --> 00:16:32,600 Speaker 1: being a snake. I think. I think this completely speaks 252 00:16:32,600 --> 00:16:34,720 Speaker 1: to the kind of like binary nature of the Internet, 253 00:16:34,720 --> 00:16:37,840 Speaker 1: where you're either cringe or you're really cool and that 254 00:16:38,000 --> 00:16:40,280 Speaker 1: like and and and there's no age thing. It's not like, 255 00:16:40,600 --> 00:16:43,320 Speaker 1: oh shoot, you know what, you're young, you don't quite understand. 256 00:16:43,440 --> 00:16:45,360 Speaker 1: It's like this behavior is actually probably not something that 257 00:16:45,400 --> 00:16:48,960 Speaker 1: you should do. It's like this kid sucks. And that's 258 00:16:48,960 --> 00:16:51,680 Speaker 1: how it works immediately because he did something that he 259 00:16:51,800 --> 00:16:54,240 Speaker 1: probably shouldn't have done. That literally, any one of us 260 00:16:54,280 --> 00:16:55,760 Speaker 1: at that age, if we had this access to the 261 00:16:55,800 --> 00:16:58,920 Speaker 1: internet would have done the same thing for sure. But 262 00:16:59,000 --> 00:17:02,440 Speaker 1: I totally agree that like he shouldn't have don't like 263 00:17:02,560 --> 00:17:06,520 Speaker 1: that's his friend. If he had a girlfriend and been 264 00:17:06,560 --> 00:17:10,359 Speaker 1: like doja cat thinks you're cute man like as your 265 00:17:10,400 --> 00:17:16,399 Speaker 1: friends your friend Yo cat was asking about it. Not 266 00:17:16,600 --> 00:17:22,639 Speaker 1: very cute. I know it doesn't look like he actually 267 00:17:22,880 --> 00:17:27,560 Speaker 1: that was my takeaways, Like, okay, he must have some 268 00:17:27,800 --> 00:17:30,600 Speaker 1: energy about him. Um, all right, let's take a quick 269 00:17:30,640 --> 00:17:33,240 Speaker 1: break and we'll come back and talk about your overrated 270 00:17:33,280 --> 00:17:49,640 Speaker 1: and underrated. And we're back and um, very as always, 271 00:17:49,680 --> 00:17:55,080 Speaker 1: just the non recorded parts of the conversations with you guys. 272 00:17:55,240 --> 00:17:59,760 Speaker 1: Always always an adventure, um roller Foster of Black People. 273 00:17:59,840 --> 00:18:05,520 Speaker 1: And then we go on and then we're like, hello, 274 00:18:06,240 --> 00:18:12,480 Speaker 1: were like Jack O'Brien, my name is Kyle, and we're 275 00:18:12,520 --> 00:18:20,639 Speaker 1: like you were saying, well, maybe this will come up 276 00:18:20,640 --> 00:18:22,960 Speaker 1: and over it underrated, maybe it won't, which case I 277 00:18:22,960 --> 00:18:25,080 Speaker 1: will ask you about it afterwards. What is something you 278 00:18:25,160 --> 00:18:30,480 Speaker 1: think is overrated? Okay, we didn't talk about this beforehand. Well, 279 00:18:30,520 --> 00:18:34,720 Speaker 1: and it goes um, but we do have a combined one. 280 00:18:34,800 --> 00:18:39,240 Speaker 1: But was that underrated or overrated? That one's underrated? Overrated? 281 00:18:39,359 --> 00:18:41,560 Speaker 1: We can start under it. Let's go under it. Let's 282 00:18:41,560 --> 00:18:47,360 Speaker 1: flip flop, flip flop underrated. Okay, Well, okay, I guess 283 00:18:47,359 --> 00:18:48,840 Speaker 1: I'll go first because I made you go up to 284 00:18:48,880 --> 00:18:54,320 Speaker 1: that Okay, So, um, my underrated is um, the story 285 00:18:54,600 --> 00:19:01,359 Speaker 1: is get back into your get comfortable. Story is that 286 00:19:01,720 --> 00:19:04,400 Speaker 1: I have a friend who goes to this gym and 287 00:19:04,440 --> 00:19:07,119 Speaker 1: they were showing me pictures of the gym owner and 288 00:19:07,160 --> 00:19:11,560 Speaker 1: it was a very buff Asian man and so, but 289 00:19:11,640 --> 00:19:15,000 Speaker 1: I don't want to phrase it as underrated buff Asian people. 290 00:19:15,240 --> 00:19:17,800 Speaker 1: I wanted to actually have a little a little more classy, 291 00:19:17,880 --> 00:19:22,000 Speaker 1: So I'm going to say buffness within the Asian American community. 292 00:19:25,240 --> 00:19:30,880 Speaker 1: That actually sounded like like a ballad initiative, well worded 293 00:19:32,280 --> 00:19:41,040 Speaker 1: vote Kyles, I just you know, I feel there should 294 00:19:41,080 --> 00:19:45,000 Speaker 1: be more of us. You're representative right here. I am 295 00:19:45,040 --> 00:19:48,399 Speaker 1: part of that community. Um. I usually hide it with 296 00:19:48,440 --> 00:19:51,560 Speaker 1: my big shirts, but underheath my shirt there's a lot 297 00:19:51,600 --> 00:19:55,119 Speaker 1: of muscle. I actually call her a strong friend. And 298 00:19:55,160 --> 00:19:58,640 Speaker 1: also for the listeners at home, Kyle is flexing really hard, 299 00:19:58,720 --> 00:20:02,240 Speaker 1: right I don't if you can bury your voice, it's 300 00:20:02,240 --> 00:20:05,800 Speaker 1: probably coming true. But yeah, it is a pose off 301 00:20:06,760 --> 00:20:09,960 Speaker 1: happening right now. Yeah, what's something you think is underrated? 302 00:20:09,960 --> 00:20:12,280 Speaker 1: And I think something that's underrated is going live on 303 00:20:12,320 --> 00:20:14,560 Speaker 1: Instagram with Woody Allen. I think that that is really 304 00:20:15,240 --> 00:20:18,000 Speaker 1: I think that that's underrated. I think more people should 305 00:20:18,000 --> 00:20:21,560 Speaker 1: be going life with Woody Allen all the time. I'm 306 00:20:21,600 --> 00:20:29,120 Speaker 1: going out. I didn't know about that. Oh my god, 307 00:20:29,480 --> 00:20:31,879 Speaker 1: I knew. I knew he had him on his podcast 308 00:20:32,000 --> 00:20:36,120 Speaker 1: or something maybe underrated, going live, overrated, turning the comments 309 00:20:36,119 --> 00:20:39,280 Speaker 1: off with that, let me get in there, let me 310 00:20:39,320 --> 00:20:42,080 Speaker 1: get in and let me play. Yeah, come on, let 311 00:20:42,080 --> 00:20:45,160 Speaker 1: me play out of there. And it didn't go smoothly 312 00:20:45,440 --> 00:20:52,640 Speaker 1: the from a technical standpoint, Woody Allen's wife I kept 313 00:20:52,640 --> 00:20:56,720 Speaker 1: going out, and so then Alec Baldwin was just like 314 00:20:57,440 --> 00:21:01,480 Speaker 1: branding with a like really really getting mad where you're like, 315 00:21:01,520 --> 00:21:04,800 Speaker 1: oh this temper is I mean, that's just what you're 316 00:21:04,800 --> 00:21:09,000 Speaker 1: showing us. So yeah, there's more to Oh my god, 317 00:21:09,000 --> 00:21:11,239 Speaker 1: it was very very Actually he was getting mad at 318 00:21:11,280 --> 00:21:14,800 Speaker 1: Woody Allen were just the circumstances. He was getting mad 319 00:21:14,800 --> 00:21:17,199 Speaker 1: at the WiFi, I think. But then he would be 320 00:21:17,240 --> 00:21:22,119 Speaker 1: like march off screen and scream in Spanish away really 321 00:21:22,640 --> 00:21:27,679 Speaker 1: the Woody's house? Yeah, what would he? Alec Baldwin was shouting, 322 00:21:27,760 --> 00:21:31,840 Speaker 1: he was definitelyish, just like you when you came on 323 00:21:31,880 --> 00:21:36,879 Speaker 1: the recording, so not so different and here not so different. 324 00:21:36,920 --> 00:21:41,480 Speaker 1: You and Alex very very how do you say cucumber. 325 00:21:42,040 --> 00:21:50,480 Speaker 1: How you say? What did he say? There was a 326 00:21:50,560 --> 00:21:54,040 Speaker 1: day when Alec Baldwin made a soft kind of not soft, 327 00:21:54,080 --> 00:21:57,000 Speaker 1: actually it was very the phone call not the phone call. No, 328 00:21:57,119 --> 00:21:59,920 Speaker 1: when he announced going live with Woody Yeah, I don't 329 00:22:00,000 --> 00:22:03,159 Speaker 1: if you guys saw this, he was he made this 330 00:22:03,280 --> 00:22:07,479 Speaker 1: video of himself. He's smoldering. He's smoldering for so I'm like, 331 00:22:07,560 --> 00:22:10,680 Speaker 1: you're really overestimating how attractive you are because he thinks 332 00:22:10,720 --> 00:22:13,239 Speaker 1: he can buy a lot of airtime with just like 333 00:22:13,400 --> 00:22:16,720 Speaker 1: pursing his lips and really looking around, and he's like 334 00:22:17,320 --> 00:22:22,400 Speaker 1: on Tuesday, like, can we get to the cap? What's 335 00:22:22,440 --> 00:22:28,439 Speaker 1: happening to pausing for thirty minutes on Tuesday June? I 336 00:22:28,480 --> 00:22:32,399 Speaker 1: believe what is that knows exactly what it is, right, 337 00:22:33,280 --> 00:22:39,320 Speaker 1: but it's searching for it, searching for It's just there's 338 00:22:39,320 --> 00:22:45,679 Speaker 1: a calendar. Yet he goes something big, I'm going to 339 00:22:45,720 --> 00:22:48,040 Speaker 1: be going live with and then he holds he doesn't 340 00:22:48,040 --> 00:22:49,720 Speaker 1: even say what Allen's name. He just holds up his 341 00:22:49,760 --> 00:22:53,880 Speaker 1: book and let's the book speak for itself. And then 342 00:22:53,920 --> 00:22:56,240 Speaker 1: that So that video was I mean, that just was 343 00:22:56,280 --> 00:22:59,040 Speaker 1: etched into my brain. He did not specify a M 344 00:22:59,119 --> 00:23:02,360 Speaker 1: or P M. So I did miss Instagram five. That's 345 00:23:02,400 --> 00:23:05,159 Speaker 1: so funny. He didn't. He didn't specify what coast he 346 00:23:05,280 --> 00:23:07,720 Speaker 1: was on. He didn't think to specify. No, he said 347 00:23:07,920 --> 00:23:12,600 Speaker 1: seven thirty, ten thirty like east, like, but he didn't 348 00:23:12,640 --> 00:23:16,359 Speaker 1: specify AM or PM. Oh that was it PM? It 349 00:23:16,480 --> 00:23:20,600 Speaker 1: was ah, it was He's still alive at seven thirty 350 00:23:20,640 --> 00:23:23,840 Speaker 1: a m. They're time? What the fuck? I don't know 351 00:23:24,040 --> 00:23:28,879 Speaker 1: on the East coast? The East coast inappropriate miscalculation of 352 00:23:28,880 --> 00:23:31,399 Speaker 1: when people go alive or was it? No? You know what, 353 00:23:31,400 --> 00:23:33,000 Speaker 1: I'm sorry. I don't want to be with like ten. 354 00:23:33,119 --> 00:23:38,600 Speaker 1: I think it was actually seven thirty very early, but 355 00:23:40,320 --> 00:23:43,159 Speaker 1: oh yeah, yeah, that's how time works. Not really, it 356 00:23:43,240 --> 00:23:46,400 Speaker 1: would be ten thirty there, Yeah, still too early if yes, yeah, 357 00:23:46,440 --> 00:23:50,480 Speaker 1: that's anyway, that's that's underrated. But we haven't one together too, 358 00:23:51,000 --> 00:23:56,919 Speaker 1: someone together, underrated together. This is your overrated and underrated together. 359 00:23:57,920 --> 00:24:03,000 Speaker 1: They're underrated or this show. Yeah. Anna was talking about 360 00:24:03,040 --> 00:24:07,160 Speaker 1: the shirt that she's wearing right now, and she was saying, 361 00:24:07,680 --> 00:24:11,119 Speaker 1: I actually was going to get you one in a 362 00:24:11,160 --> 00:24:16,040 Speaker 1: different color, but the woman who was helping me was 363 00:24:16,119 --> 00:24:18,760 Speaker 1: kind of mean, so I ended up not getting it. 364 00:24:19,760 --> 00:24:24,360 Speaker 1: So are combined underrated? Isa and then you said, oh, 365 00:24:24,400 --> 00:24:26,879 Speaker 1: And then I said, you know what, even though you 366 00:24:26,920 --> 00:24:30,480 Speaker 1: didn't get it for me, I feel like you did. 367 00:24:30,960 --> 00:24:34,280 Speaker 1: And it was you even just saying that I almost 368 00:24:34,320 --> 00:24:38,880 Speaker 1: got you this shirt but I didn't. It's almost as good. 369 00:24:38,920 --> 00:24:42,520 Speaker 1: It's it's actually as good as you getting me that shirt, 370 00:24:42,520 --> 00:24:45,080 Speaker 1: because it's the count because it really is the thought 371 00:24:45,200 --> 00:24:48,639 Speaker 1: that you were going to get me that shirt but 372 00:24:48,800 --> 00:24:55,000 Speaker 1: you didn't. That's underrated, whatever that whatever that is underrated, 373 00:24:55,080 --> 00:25:00,240 Speaker 1: and the thought being what counts is underrated. Yes, we're 374 00:25:00,320 --> 00:25:04,480 Speaker 1: also simultaneously standing up to rude people. I appreciate. I 375 00:25:04,520 --> 00:25:06,800 Speaker 1: didn't think it was the thought that counts. I didn't 376 00:25:06,840 --> 00:25:11,000 Speaker 1: think it's simmered that. Just what it is is you 377 00:25:11,119 --> 00:25:13,520 Speaker 1: say my saying it was almost as good as just 378 00:25:13,560 --> 00:25:16,520 Speaker 1: getting the shirt exactly. So it's not even the thought 379 00:25:16,560 --> 00:25:18,680 Speaker 1: that counts. It's just that you don't even need to 380 00:25:18,720 --> 00:25:22,640 Speaker 1: get the shirt and involved it's just the like, well, 381 00:25:22,680 --> 00:25:26,080 Speaker 1: actually it's the thought that I said to both of you, Hey, 382 00:25:26,359 --> 00:25:29,560 Speaker 1: I got you guys. I was thinking about getting you 383 00:25:29,600 --> 00:25:34,040 Speaker 1: guys coffees into your house exactly the way you like them, 384 00:25:34,359 --> 00:25:37,920 Speaker 1: but honestly right, But then the show was about to start. 385 00:25:38,160 --> 00:25:40,720 Speaker 1: Then I couldn't get around to it and you walk 386 00:25:40,800 --> 00:25:46,480 Speaker 1: away going, Now, that was really nice of hers. What 387 00:25:46,560 --> 00:25:51,479 Speaker 1: we're talking about, you were going to do something for them? Yes, 388 00:25:51,840 --> 00:25:53,960 Speaker 1: do you have to in this case, have to have 389 00:25:54,080 --> 00:25:57,199 Speaker 1: actually been about to do it? Or can you just 390 00:25:57,240 --> 00:25:59,720 Speaker 1: tell someone that that is the decision that you are 391 00:25:59,760 --> 00:26:03,719 Speaker 1: going to have to make by yourself. I kind of 392 00:26:03,720 --> 00:26:08,000 Speaker 1: would lean toward I'm actually was about to do you 393 00:26:08,000 --> 00:26:11,000 Speaker 1: want to lie? Then? You know, I understand that life 394 00:26:11,000 --> 00:26:16,720 Speaker 1: is tough right now, So yeah, like that's okay, that's okay, 395 00:26:16,880 --> 00:26:20,880 Speaker 1: that's the kind of guy you are, then that's fine. Yeah, 396 00:26:22,760 --> 00:26:30,480 Speaker 1: what what is something you guys think? Is it overrated? Okay? Okay, okay, 397 00:26:30,520 --> 00:26:32,359 Speaker 1: this is why am I. I'm not trying to put 398 00:26:32,400 --> 00:26:38,199 Speaker 1: anyone on blast here? Yeah blast off, but overrated to me? 399 00:26:39,720 --> 00:26:46,840 Speaker 1: The response no worries I which is really kind of 400 00:26:47,000 --> 00:26:50,000 Speaker 1: hurt my feelings because I actually think I said no 401 00:26:50,080 --> 00:26:53,080 Speaker 1: worries to you today today. Yeah, you're a big kind 402 00:26:53,119 --> 00:27:00,280 Speaker 1: of works. Okay. I warned her beforehand because they said, 403 00:27:00,280 --> 00:27:03,160 Speaker 1: I don't want to attack you live on air. I 404 00:27:03,200 --> 00:27:06,800 Speaker 1: want you to have a little heads up no worries. 405 00:27:07,160 --> 00:27:09,240 Speaker 1: And the thing is that I'm bringing my own baggage 406 00:27:09,280 --> 00:27:13,120 Speaker 1: into the situation. You say no worries. I hear, oh, 407 00:27:13,160 --> 00:27:19,320 Speaker 1: there's worries, do we not it? You said, you imagine 408 00:27:19,359 --> 00:27:23,840 Speaker 1: no worries as someone being like kind of aggressively by themselves, 409 00:27:23,880 --> 00:27:31,720 Speaker 1: like no worries. Yeah, because there's definitely worries to convey 410 00:27:31,280 --> 00:27:36,920 Speaker 1: a sort of worry free philosophy. I would say, but I, well, 411 00:27:37,040 --> 00:27:41,879 Speaker 1: she's she said. When I am, I'm a hundred, I 412 00:27:41,960 --> 00:27:46,520 Speaker 1: am real. I say no worries, there are no worries attached. 413 00:27:47,400 --> 00:27:49,760 Speaker 1: I actually want you to really no worries because of 414 00:27:49,800 --> 00:27:53,800 Speaker 1: what it is is that I'm usually running late. When 415 00:27:53,840 --> 00:27:57,760 Speaker 1: I said when when I say no worries, I'm like, no, 416 00:27:57,960 --> 00:28:01,240 Speaker 1: it's totally okay. I don't want you to worry about anything. 417 00:28:01,280 --> 00:28:05,320 Speaker 1: I'm not being like seething in my house like in 418 00:28:05,359 --> 00:28:07,560 Speaker 1: my in my heart of hearts. I go, she's seething 419 00:28:07,560 --> 00:28:10,240 Speaker 1: in her house. I just I want you not to worry. 420 00:28:10,280 --> 00:28:13,200 Speaker 1: I'm worrying, you know. But maybe instead of saying no worries, 421 00:28:13,240 --> 00:28:16,080 Speaker 1: I'll just go type please don't take out, Please don't 422 00:28:16,119 --> 00:28:18,480 Speaker 1: get in a car crash over this, just head over 423 00:28:18,480 --> 00:28:22,040 Speaker 1: when you yeah a little longer, thank you. I was 424 00:28:22,040 --> 00:28:25,239 Speaker 1: gonna ask is there's some more preferred verbis that you'd like, 425 00:28:25,880 --> 00:28:28,159 Speaker 1: please don't get in a car crash truly, fret not, 426 00:28:28,359 --> 00:28:31,240 Speaker 1: and don't even think about driving reckless when you see 427 00:28:31,240 --> 00:28:33,920 Speaker 1: I at my end of things, that simply not worried 428 00:28:33,920 --> 00:28:40,200 Speaker 1: about dam I'm not because a big fan of fret 429 00:28:40,280 --> 00:28:45,000 Speaker 1: not not great one fret not just feels like the 430 00:28:45,120 --> 00:28:50,680 Speaker 1: Shakespeare translation of no worries, doesn't it? Yes, okay, but 431 00:28:50,680 --> 00:28:53,360 Speaker 1: but it's not. It's different, it's not. But at that point, 432 00:28:53,480 --> 00:28:55,920 Speaker 1: simply all language that replaces no worries, it's just a 433 00:28:55,960 --> 00:28:59,760 Speaker 1: retranslation of no worries. All good, It's okay, thumbs up 434 00:28:59,760 --> 00:29:02,920 Speaker 1: in the g whatever, it's a thumbs up emoji. I'm 435 00:29:02,960 --> 00:29:06,400 Speaker 1: crashing my car. You are? You are out of your board? 436 00:29:06,520 --> 00:29:09,960 Speaker 1: I am, I am, I'm checking myself into urgent care. 437 00:29:10,520 --> 00:29:12,800 Speaker 1: Can we talk to my Should we talk to then 438 00:29:13,320 --> 00:29:15,480 Speaker 1: we should make an emoji thumbs up. But then it 439 00:29:15,520 --> 00:29:17,800 Speaker 1: has like little balloon coming out of it or something 440 00:29:17,920 --> 00:29:21,160 Speaker 1: to be like, it's a positive thumbs up, it's okay. 441 00:29:21,200 --> 00:29:23,200 Speaker 1: That would be That would be helpful. Because my father 442 00:29:23,280 --> 00:29:25,960 Speaker 1: sends me the most devastating text messages where I'm like 443 00:29:26,000 --> 00:29:28,160 Speaker 1: sending some large apology and then I just get a 444 00:29:28,240 --> 00:29:30,920 Speaker 1: thumbs up back and I'm like, dad, why do you 445 00:29:30,920 --> 00:29:33,760 Speaker 1: do this? Just don't see anything, just don't say anything. 446 00:29:34,120 --> 00:29:40,320 Speaker 1: Just hey, sometimes just a letter k hey k h. Yeah. 447 00:29:40,480 --> 00:29:43,680 Speaker 1: It's such a status thing to just give a very like, 448 00:29:44,440 --> 00:29:49,800 Speaker 1: not thought out response to a long text message. Okay, 449 00:29:50,080 --> 00:29:53,680 Speaker 1: like really hurts. It's I have received your message, and 450 00:29:54,480 --> 00:30:00,960 Speaker 1: uh sure, yes, absolutely absolutely. I if I may rudely 451 00:30:00,960 --> 00:30:03,680 Speaker 1: add an addendum to what we're talking about here, because this, 452 00:30:03,840 --> 00:30:06,040 Speaker 1: this really truly resonates so deeply with me, the way 453 00:30:06,200 --> 00:30:09,320 Speaker 1: what you're saying. I have a friend that nerd alert 454 00:30:09,400 --> 00:30:12,000 Speaker 1: I played video games with, and he told me that 455 00:30:12,200 --> 00:30:14,640 Speaker 1: he when he is in a situation where he is 456 00:30:14,680 --> 00:30:17,440 Speaker 1: getting upset at his teammates. But it's like, you know what, No, 457 00:30:17,520 --> 00:30:19,200 Speaker 1: I'm going to move past this. He's like, you know, 458 00:30:19,320 --> 00:30:21,160 Speaker 1: instead of like being mad or trying to correct, I 459 00:30:21,240 --> 00:30:24,640 Speaker 1: just say all good. But all that tells me is 460 00:30:24,680 --> 00:30:27,320 Speaker 1: that whenever you say all good when we're playing games together, 461 00:30:27,560 --> 00:30:31,719 Speaker 1: you're seething in your chair at me. What did you 462 00:30:31,760 --> 00:30:33,640 Speaker 1: just do? All you did was add a whole another 463 00:30:33,680 --> 00:30:35,600 Speaker 1: set of words where I'm just like, okay, great, well 464 00:30:35,600 --> 00:30:37,440 Speaker 1: now you're upset and now there's something we can do. 465 00:30:38,080 --> 00:30:42,720 Speaker 1: Absolutely I have to put on to get your feelings. 466 00:30:43,200 --> 00:30:49,880 Speaker 1: You know, the crime Dog, which was the story that 467 00:30:50,120 --> 00:30:55,440 Speaker 1: we probably won't get to. But um, all right, I 468 00:30:55,440 --> 00:30:58,560 Speaker 1: think we have one more one more overrated. Yeah, okay, 469 00:30:58,600 --> 00:31:04,440 Speaker 1: this will probably not generate a lot of conversation. I 470 00:31:04,480 --> 00:31:08,719 Speaker 1: feel all my just kind of create a halt, a 471 00:31:08,760 --> 00:31:13,440 Speaker 1: crazy stop in sort of any momentum. But okay, so 472 00:31:13,480 --> 00:31:15,960 Speaker 1: I know, I said emoji with somethings up with a balloon, 473 00:31:16,520 --> 00:31:20,800 Speaker 1: but my um, overrated is not the image of a balloon, 474 00:31:20,880 --> 00:31:25,320 Speaker 1: but actual physical balloons. Because they when they pop, it's 475 00:31:25,440 --> 00:31:30,280 Speaker 1: very scary, very loud. They are yes, interesting again, I said, 476 00:31:30,840 --> 00:31:35,640 Speaker 1: I knew this wasn't gonna generic. No, look, the popping 477 00:31:35,720 --> 00:31:38,240 Speaker 1: that is scary, I do agree with, and that to 478 00:31:38,280 --> 00:31:41,200 Speaker 1: me is almost not worth They're hard to carry. They're 479 00:31:41,240 --> 00:31:42,640 Speaker 1: not that hard to carry at all. What are you 480 00:31:42,680 --> 00:31:50,600 Speaker 1: talking anything? It's it's at least if you have to 481 00:31:50,720 --> 00:31:55,240 Speaker 1: kind of carry you you got a bunch are we 482 00:31:55,360 --> 00:31:58,840 Speaker 1: talking helium filled balloons? Helium filled balloons? You put them 483 00:31:58,840 --> 00:32:01,200 Speaker 1: in your car and your you're hitting them away, you're 484 00:32:01,240 --> 00:32:03,640 Speaker 1: hitting them. You can't see the front of your car. 485 00:32:04,080 --> 00:32:07,640 Speaker 1: This is crazy because my style of friendship with you 486 00:32:07,720 --> 00:32:14,560 Speaker 1: is that I absolutely get you balloons pretty often. That's crazy. Yeah, 487 00:32:14,600 --> 00:32:18,440 Speaker 1: but you just get me happening here. This is really 488 00:32:18,440 --> 00:32:22,360 Speaker 1: a therapy s Honestly, no worries about those worries, no 489 00:32:22,480 --> 00:32:27,440 Speaker 1: worries about the balloon, don't worries. Don't I have car insurance, 490 00:32:27,480 --> 00:32:31,120 Speaker 1: so no worries. Honestly, I couldn't really think of something, 491 00:32:31,240 --> 00:32:34,520 Speaker 1: so I said, it's okay. It's just sometimes I went 492 00:32:34,520 --> 00:32:35,840 Speaker 1: through a little phase where I thought it would be 493 00:32:35,880 --> 00:32:38,200 Speaker 1: really funny to get Kyle, like a delivery of just 494 00:32:38,280 --> 00:32:41,520 Speaker 1: one balloon or just one Yeah, that was really cool. 495 00:32:42,720 --> 00:32:45,320 Speaker 1: That sounds it sounds nice. That's why I have like 496 00:32:45,360 --> 00:32:48,640 Speaker 1: a bunch of these like red vases for single flower 497 00:32:48,800 --> 00:32:51,600 Speaker 1: just around my house. Anna would just send me a 498 00:32:51,640 --> 00:32:54,120 Speaker 1: single rose, and then I would just be like, I 499 00:32:54,200 --> 00:32:57,160 Speaker 1: get to deliver, I go and then and then I 500 00:32:57,200 --> 00:32:59,360 Speaker 1: just feel like Anna would just be like if you 501 00:32:59,400 --> 00:33:01,080 Speaker 1: could see where what and I was doing, She's just 502 00:33:01,120 --> 00:33:08,840 Speaker 1: at her house laughing, that's amazing, And I'm like very confused. 503 00:33:12,120 --> 00:33:14,440 Speaker 1: All right, let's take a break, we'll come back. We'll 504 00:33:14,480 --> 00:33:17,960 Speaker 1: spend a couple of minutes talking about the news. After 505 00:33:18,040 --> 00:33:32,400 Speaker 1: this and we're back and do you guys have your 506 00:33:32,400 --> 00:33:35,720 Speaker 1: fan Dango tickets yet? For where the crowd Dad's saying, 507 00:33:36,320 --> 00:33:39,360 Speaker 1: I'm run into the box office running, Oh, You're gonna 508 00:33:39,440 --> 00:33:42,080 Speaker 1: run instead of getting it on fandango. So this was 509 00:33:42,160 --> 00:33:46,520 Speaker 1: like a big best seller smash hit. Like I feel 510 00:33:46,520 --> 00:33:49,080 Speaker 1: like I heard the title. I knew this book existed 511 00:33:49,120 --> 00:33:50,480 Speaker 1: a couple of years ago. I think it came out 512 00:33:50,480 --> 00:33:54,280 Speaker 1: in twenty nineteen. I thought it was like hillbilly Elegy 513 00:33:54,400 --> 00:33:58,080 Speaker 1: adjacent because it seemed like it was like the South, 514 00:33:58,880 --> 00:34:03,880 Speaker 1: you know, Am I right? Um? And it is based 515 00:34:03,880 --> 00:34:07,040 Speaker 1: in the South, but it is a murder mystery, uh. 516 00:34:07,080 --> 00:34:10,680 Speaker 1: And it's based on like a girl who was like 517 00:34:10,719 --> 00:34:13,480 Speaker 1: a swamp girl who raises herself in the swamp. But 518 00:34:13,680 --> 00:34:16,919 Speaker 1: she's beautiful and all the boys love her, and then 519 00:34:16,960 --> 00:34:19,840 Speaker 1: she kills one of them and then it's like the 520 00:34:19,960 --> 00:34:24,640 Speaker 1: trial where it's like did she judge them or did 521 00:34:24,680 --> 00:34:27,880 Speaker 1: they judge her or something like that. Anyways, the movie 522 00:34:28,040 --> 00:34:31,239 Speaker 1: version produced by Reese Witherspoon. She made the book a 523 00:34:31,360 --> 00:34:34,640 Speaker 1: hit by making it part of her book club, which 524 00:34:34,920 --> 00:34:37,560 Speaker 1: that is apparently the new Oprah's book Club. Did y'all 525 00:34:37,600 --> 00:34:42,040 Speaker 1: know that? Yeah? Reese Witherspoon's book Club is like the 526 00:34:42,080 --> 00:34:47,399 Speaker 1: new kingmaker in the world, and she's never once steered 527 00:34:47,480 --> 00:34:49,440 Speaker 1: us wrong. I'm still waiting for my n f t 528 00:34:49,600 --> 00:34:52,479 Speaker 1: s that she turned me onto to turn around, but 529 00:34:52,800 --> 00:34:55,600 Speaker 1: I think I think they're coming back. You gotta buy 530 00:34:55,640 --> 00:34:59,880 Speaker 1: the dip and then the cataclysmic spiral go ahead. I 531 00:35:00,000 --> 00:35:02,440 Speaker 1: just remember that in Sweethome, Alabama, she goes and you 532 00:35:02,480 --> 00:35:05,320 Speaker 1: had a baby at a bar. That's all I remember. 533 00:35:05,440 --> 00:35:08,080 Speaker 1: That's so funny you said that because amediately when you 534 00:35:08,160 --> 00:35:11,400 Speaker 1: said Reese Withers has never steered us wrong. The movie 535 00:35:11,480 --> 00:35:15,600 Speaker 1: that came to my mind was sweeth Home, Alabama, The 536 00:35:15,719 --> 00:35:20,080 Speaker 1: Lightning in the Glass. I haven't seen that movie, but 537 00:35:20,760 --> 00:35:23,480 Speaker 1: run Run the Walk. Here's a little taste of it. 538 00:35:23,800 --> 00:35:29,319 Speaker 1: A Latin and the Glass that you've really got to 539 00:35:29,320 --> 00:35:35,600 Speaker 1: go down a treat on these days. Wow. So the 540 00:35:35,680 --> 00:35:38,960 Speaker 1: thing that was like most noteworthy about the book's success, 541 00:35:38,960 --> 00:35:41,600 Speaker 1: like and the author, was that it was like a 542 00:35:41,760 --> 00:35:45,799 Speaker 1: seventy something first time author and that's what that's how 543 00:35:45,840 --> 00:35:48,759 Speaker 1: it was covered. It was like, do you believe this 544 00:35:48,800 --> 00:35:52,520 Speaker 1: person is writing for the first time? And nobody really 545 00:35:52,560 --> 00:35:54,440 Speaker 1: brought up the fact that she was involved in a 546 00:35:54,520 --> 00:35:57,840 Speaker 1: murder in Africa and had to flee Africa because of 547 00:35:57,920 --> 00:36:02,399 Speaker 1: suspicions surrounding the murder and because her son in law 548 00:36:02,480 --> 00:36:06,840 Speaker 1: committed the murder on film while an ABC News film 549 00:36:06,880 --> 00:36:10,640 Speaker 1: crew was with them. So basically her and her husband 550 00:36:10,680 --> 00:36:14,439 Speaker 1: where conservationists went around trying to fight off poachers. One 551 00:36:14,440 --> 00:36:17,520 Speaker 1: of the ways they did that is by shooting at 552 00:36:17,560 --> 00:36:20,920 Speaker 1: them from helicopters. So they are a white couple in Africa, 553 00:36:21,160 --> 00:36:25,800 Speaker 1: and people who knew them reported their feelings about Africa 554 00:36:26,040 --> 00:36:29,920 Speaker 1: were and I quote nice continent pity about the Africans. 555 00:36:30,320 --> 00:36:33,160 Speaker 1: That that that's how they summed up there, like sort 556 00:36:33,160 --> 00:36:38,320 Speaker 1: of vibes um. And so, while accompanyed by a camera 557 00:36:38,400 --> 00:36:42,960 Speaker 1: crew for the Network news show Turning Point, her son 558 00:36:43,000 --> 00:36:46,400 Speaker 1: in law murdered a poacher. Not like the poacher pulled 559 00:36:46,400 --> 00:36:50,120 Speaker 1: a gun on him. Uh, he waited at the camp 560 00:36:50,400 --> 00:36:53,040 Speaker 1: for the poacher to return to his camp and then 561 00:36:53,080 --> 00:36:57,080 Speaker 1: like shot him six times. And then her husband allegedly 562 00:36:57,200 --> 00:37:00,520 Speaker 1: took the body up in his helicopter and dropped it 563 00:37:00,560 --> 00:37:04,680 Speaker 1: in a lake, so it was never found. Yeah, And 564 00:37:04,760 --> 00:37:08,000 Speaker 1: so like I remember reading this New Yorker story, because 565 00:37:08,040 --> 00:37:09,719 Speaker 1: the New Yorker did a story about this is like 566 00:37:09,760 --> 00:37:12,480 Speaker 1: there's these two people who just like got away with murder. 567 00:37:12,880 --> 00:37:16,600 Speaker 1: And also it's like while because they're like, we're the 568 00:37:16,680 --> 00:37:20,919 Speaker 1: only thing that's holding Africa back from being overrun by poachers, 569 00:37:21,080 --> 00:37:24,120 Speaker 1: and like we that's why we have to be tough 570 00:37:24,920 --> 00:37:28,239 Speaker 1: on poachers and like murder them that they don't say 571 00:37:28,400 --> 00:37:30,600 Speaker 1: murder them, but they're like like that's why we have 572 00:37:30,640 --> 00:37:35,560 Speaker 1: a helicopter, I guess um. And then like they have 573 00:37:35,640 --> 00:37:39,600 Speaker 1: to flee because they murdered someone, and the authorities are like, yeah, 574 00:37:39,640 --> 00:37:43,800 Speaker 1: you definitely murdered someone, like happened. And then like the 575 00:37:43,840 --> 00:37:47,799 Speaker 1: New Yorker author journalists like goes back and like researches 576 00:37:47,880 --> 00:37:50,560 Speaker 1: and he's like, actually, it's like much better now than 577 00:37:50,600 --> 00:37:53,000 Speaker 1: it was when they were here, and like they weren't 578 00:37:53,040 --> 00:37:56,960 Speaker 1: helping as much as they thought they were, if at all. Uh, 579 00:37:57,000 --> 00:38:01,719 Speaker 1: And like the community is glad they're gone. So anyways, 580 00:38:02,000 --> 00:38:06,319 Speaker 1: the fact that this was not brought up like you 581 00:38:06,320 --> 00:38:09,480 Speaker 1: you have to have like it's she didn't change her name. 582 00:38:10,520 --> 00:38:13,920 Speaker 1: She still has the same name as she did like 583 00:38:14,760 --> 00:38:18,320 Speaker 1: eight years before when The New Yorker wrote a massive 584 00:38:18,360 --> 00:38:22,560 Speaker 1: profile of her, Like being part of this thing, and 585 00:38:23,040 --> 00:38:25,560 Speaker 1: it does like tie into I could see people like 586 00:38:25,760 --> 00:38:28,560 Speaker 1: being like, well, they're too totally. It's not like her 587 00:38:28,560 --> 00:38:32,320 Speaker 1: book is about committing a murder in Africa and getting 588 00:38:32,360 --> 00:38:34,520 Speaker 1: away with it. So first of all, she she and 589 00:38:34,560 --> 00:38:37,680 Speaker 1: her husband wrote memoirs when they were in Africa and 590 00:38:38,200 --> 00:38:43,319 Speaker 1: they were like not great. They they had this one 591 00:38:43,440 --> 00:38:47,480 Speaker 1: story where they were like talking about, um, this cook 592 00:38:47,600 --> 00:38:52,200 Speaker 1: that they had, this African cook, and they like told 593 00:38:52,239 --> 00:38:55,920 Speaker 1: the story of of him being like I'd always wanted 594 00:38:55,920 --> 00:38:59,160 Speaker 1: to meet like somebody who had flown in a plane, 595 00:38:59,719 --> 00:39:02,399 Speaker 1: like when you're in a plane, are you close to 596 00:39:02,440 --> 00:39:05,880 Speaker 1: the stars? Like? And then so the New Yorker author 597 00:39:05,960 --> 00:39:08,680 Speaker 1: like goes and interviews the cook and he's like I 598 00:39:08,719 --> 00:39:13,080 Speaker 1: flew in the fucking air force. I'm what are you? 599 00:39:13,600 --> 00:39:18,160 Speaker 1: What are you talking about? Like, but it's just this 600 00:39:18,360 --> 00:39:22,759 Speaker 1: and then that is like and that that's also like 601 00:39:22,880 --> 00:39:27,200 Speaker 1: characters in her book where the Crawdads thing like there's 602 00:39:27,239 --> 00:39:32,360 Speaker 1: a black family that are like the you know, magical characters, 603 00:39:32,520 --> 00:39:38,920 Speaker 1: and it's yeah, so it's a mess. It's just that 604 00:39:39,480 --> 00:39:43,360 Speaker 1: like the media was did did not? We're not like, hey, 605 00:39:43,400 --> 00:39:47,520 Speaker 1: this book has like very strong white supremacy tendencies. This 606 00:39:47,600 --> 00:39:52,160 Speaker 1: person was involved in a white supremacist murder and it 607 00:39:52,239 --> 00:39:56,160 Speaker 1: is like laying low in the United States. Uh, and 608 00:39:56,640 --> 00:40:01,680 Speaker 1: is the author of this book? Um? Yeah, so I 609 00:40:01,719 --> 00:40:04,279 Speaker 1: don't know. I love the idea of laying low in 610 00:40:04,320 --> 00:40:07,760 Speaker 1: the United States. Yeah, laying low casually making a movie 611 00:40:07,920 --> 00:40:15,200 Speaker 1: making Yeah you missed this one, you really did. I 612 00:40:15,200 --> 00:40:18,680 Speaker 1: want to say something kind of controversial. I really hope 613 00:40:18,719 --> 00:40:21,880 Speaker 1: that this doesn't go the wrong way. But I feel 614 00:40:21,960 --> 00:40:25,200 Speaker 1: like I so much just say something stupid on Twitter. 615 00:40:25,320 --> 00:40:30,160 Speaker 1: I can't live that down. This woman, this woman getting 616 00:40:30,160 --> 00:40:35,720 Speaker 1: away with this When I go my but on Twitter, 617 00:40:36,239 --> 00:40:38,560 Speaker 1: It's like, I just feel like that's just who I 618 00:40:38,600 --> 00:40:42,480 Speaker 1: am for the next twenty years. I'm glad you did it. Yeah, 619 00:40:42,840 --> 00:40:45,200 Speaker 1: I'm glad you did address the my butt tweet because 620 00:40:45,239 --> 00:40:47,520 Speaker 1: we were going to have to bring it up eventually. 621 00:40:47,960 --> 00:40:50,719 Speaker 1: It's been It's on everyone's mind, do you know what 622 00:40:50,760 --> 00:40:53,759 Speaker 1: I'm saying. I just feel that that that actually is 623 00:40:53,880 --> 00:40:59,920 Speaker 1: crazy example privilege that, oh yeah, get away with like murder, 624 00:41:01,719 --> 00:41:06,480 Speaker 1: you know, and also like using white supremacy too, because 625 00:41:06,480 --> 00:41:10,719 Speaker 1: she's telling like a romantic Southern tale of supremacy, Like 626 00:41:10,840 --> 00:41:15,120 Speaker 1: she's able to become a national celebrity twice, once for 627 00:41:15,680 --> 00:41:20,840 Speaker 1: murder and another were writing a book that everyone's like, yes, 628 00:41:21,560 --> 00:41:25,680 Speaker 1: that's crazy, we're not seeing it. M I heard the name. 629 00:41:25,719 --> 00:41:30,520 Speaker 1: I go, I'm out'nions. Yeah, we're seeing Minions twice. Have 630 00:41:30,560 --> 00:41:35,520 Speaker 1: you seen again in sus Well, that's the I was 631 00:41:35,600 --> 00:41:40,600 Speaker 1: telling Kyle, that's about the friend the Gentlemanions, the Gentlemenions, 632 00:41:41,040 --> 00:41:46,280 Speaker 1: Gentlemanian that just don't you throw stuff at the screen. 633 00:41:46,760 --> 00:41:50,680 Speaker 1: That's oh, that's what they were doing to bananas at 634 00:41:50,719 --> 00:41:55,920 Speaker 1: the screen. Honestly, that that the title Gentlemenions does not 635 00:41:56,040 --> 00:41:58,680 Speaker 1: also carry into the behavior. You think, the whole idea 636 00:41:58,680 --> 00:42:00,879 Speaker 1: of like wearing suits and like walking in this nice 637 00:42:00,960 --> 00:42:03,640 Speaker 1: orderly fashion, trying to like make some sort of you know, 638 00:42:03,719 --> 00:42:05,600 Speaker 1: I don't know statement, whatever the heck they're doing. They're 639 00:42:05,600 --> 00:42:07,399 Speaker 1: the kids. But then that just drops the second year 640 00:42:07,400 --> 00:42:09,040 Speaker 1: in the movie theater, what's with that? Yeah, what's up 641 00:42:09,080 --> 00:42:11,280 Speaker 1: with that? I mean, it had followed through, you know, committed, 642 00:42:11,960 --> 00:42:14,960 Speaker 1: But it's it's pretty sick that they're just making their 643 00:42:14,960 --> 00:42:18,919 Speaker 1: own like Rocky horror, you know, like, yeah, that's sick. 644 00:42:19,440 --> 00:42:22,239 Speaker 1: That is fun. That is really fun. It's maybe not 645 00:42:22,320 --> 00:42:27,279 Speaker 1: fun at the expense of let's say employees, but you know, yeah, right, 646 00:42:27,320 --> 00:42:29,319 Speaker 1: maybe that's maybe that's the next wave of a Gentlemanians, 647 00:42:29,320 --> 00:42:32,280 Speaker 1: the next rise of grew to perchance the Gentlemanians actually 648 00:42:32,360 --> 00:42:35,680 Speaker 1: clean up after themselves, clean up after yourself. Yeah, yeah, 649 00:42:35,800 --> 00:42:37,640 Speaker 1: that should be part of the part of the deal. 650 00:42:37,840 --> 00:42:40,160 Speaker 1: The one thing that I wanted to comment on was 651 00:42:40,239 --> 00:42:42,440 Speaker 1: that when I was growing up, I'd go to Lake 652 00:42:42,480 --> 00:42:45,520 Speaker 1: Tahoe and we would catch crowd hads. So they also 653 00:42:45,600 --> 00:42:51,960 Speaker 1: they also sing in Lake Taho actually universal national experience, 654 00:42:52,200 --> 00:42:54,239 Speaker 1: so we can say the crowd had saying I say, 655 00:42:54,400 --> 00:42:57,640 Speaker 1: think of a more specific title. Yeah, wow, oh, it's 656 00:42:57,640 --> 00:43:01,839 Speaker 1: a critique about I love that, thank you? And where 657 00:43:01,880 --> 00:43:04,560 Speaker 1: and where is that supposed to be? Because in many 658 00:43:04,560 --> 00:43:08,440 Speaker 1: places you know that they have sung in to where 659 00:43:08,440 --> 00:43:13,440 Speaker 1: the water is wet? Uh okay, yeah, where this guy 660 00:43:13,640 --> 00:43:18,439 Speaker 1: is blue? Okay. Swamp girl is great. I love swamp girl. Yeah, 661 00:43:19,719 --> 00:43:24,319 Speaker 1: pretty pretty swamp girl murderer pretty Yeah, and she looks 662 00:43:24,320 --> 00:43:30,879 Speaker 1: she's pretty. Swamp girl murders, the swamp girl murders. Yeah, 663 00:43:31,960 --> 00:43:37,799 Speaker 1: swampy murders, swampy murder. Love a swampy murder. All right, 664 00:43:37,880 --> 00:43:41,480 Speaker 1: let's let's talk real quick about McGruff. McGuff is back 665 00:43:41,480 --> 00:43:45,600 Speaker 1: in the house. Um, I did just wanna are you 666 00:43:45,640 --> 00:43:49,440 Speaker 1: guys are all I think younger than me by Daniel, 667 00:43:49,440 --> 00:43:53,480 Speaker 1: I know, a pretty significant amount. What is your relationship 668 00:43:53,520 --> 00:43:57,920 Speaker 1: to McGruff the crime dog? I think my generation of 669 00:43:57,920 --> 00:44:01,640 Speaker 1: of elementary school, you know, pre presentations by some haggard 670 00:44:01,680 --> 00:44:05,800 Speaker 1: individual uh, kind of like skipped the Dare McGruff phase 671 00:44:05,920 --> 00:44:08,480 Speaker 1: and just went straight to the like, yeah I did 672 00:44:08,520 --> 00:44:12,360 Speaker 1: Heroin and it was bad, went straight into that phase. Wait, 673 00:44:12,440 --> 00:44:16,759 Speaker 1: you had like people from recovery programs come in and talk. Yes, 674 00:44:17,000 --> 00:44:19,520 Speaker 1: yes it was. It was less corporate centric and more 675 00:44:19,600 --> 00:44:25,040 Speaker 1: just individual person representing their own past centric. Yeah I 676 00:44:25,160 --> 00:44:28,759 Speaker 1: got it. But were they like real scared straight about it? Yeah, no, 677 00:44:28,920 --> 00:44:31,200 Speaker 1: they they were. I mean, you know, when you're talking 678 00:44:31,239 --> 00:44:32,799 Speaker 1: to a room full of thirteen ye roles that are 679 00:44:32,800 --> 00:44:34,920 Speaker 1: like making fart noises every time you say something, it's 680 00:44:35,000 --> 00:44:37,040 Speaker 1: kind of like, you know, what do you? You do 681 00:44:37,080 --> 00:44:38,920 Speaker 1: your best, You do your best to share your message 682 00:44:38,920 --> 00:44:42,480 Speaker 1: and then ums, gentlemanions. It sounds like Kyle, and what 683 00:44:42,520 --> 00:44:45,040 Speaker 1: about y'all? Did you have any experience with McGruff or 684 00:44:45,080 --> 00:44:47,239 Speaker 1: any DARE programs or any of that stuff. I think 685 00:44:47,280 --> 00:44:50,080 Speaker 1: I remember the commercial? Did he talk like this? Yeah? 686 00:44:53,000 --> 00:44:56,480 Speaker 1: Not surprisingly, McGruff is like a police like he was 687 00:44:56,560 --> 00:45:01,520 Speaker 1: created by the ad Council to be the police version 688 00:45:01,680 --> 00:45:05,799 Speaker 1: of Smoky Bear. And I remember I think I might 689 00:45:05,840 --> 00:45:12,879 Speaker 1: have had this uh pop music album called McGruff's Smart Kids, 690 00:45:12,920 --> 00:45:17,719 Speaker 1: Smart Kids Say No to Drugs. It sounds bad, um, 691 00:45:17,760 --> 00:45:20,279 Speaker 1: but I just there's something about it that really like 692 00:45:20,320 --> 00:45:22,760 Speaker 1: I was like, oh, I've seen that many times before. 693 00:45:23,080 --> 00:45:26,200 Speaker 1: There's a song called marijuana that sounds like Danny DeVito 694 00:45:26,360 --> 00:45:30,040 Speaker 1: belting out an eighties power ballad about how pot is 695 00:45:30,120 --> 00:45:32,400 Speaker 1: like any of your head against the wall. Actually, do 696 00:45:32,400 --> 00:45:38,680 Speaker 1: you wanna should we play it? We certainly could definitely 697 00:45:38,719 --> 00:45:45,640 Speaker 1: cry marijuana. I don't try it at all. This is pop. Yeah, 698 00:45:46,719 --> 00:45:51,160 Speaker 1: it's like me eating your head on a wall. Marijuana 699 00:45:51,280 --> 00:45:57,440 Speaker 1: is that was the fast way to fall? Yeah, he 700 00:45:57,920 --> 00:46:03,560 Speaker 1: I feel like he's dropping the McGruff character. Yeah cha 701 00:46:04,160 --> 00:46:15,480 Speaker 1: yeah Arawan, I mean that's just true. Wow, Wow, that 702 00:46:15,560 --> 00:46:21,840 Speaker 1: was really fun. Honestly. Yeah. I I grew up having 703 00:46:21,920 --> 00:46:24,879 Speaker 1: recurring nightmares that a drug dealer was going to hold 704 00:46:24,920 --> 00:46:27,400 Speaker 1: me down, cut my thumb with a razor blade, and 705 00:46:27,480 --> 00:46:30,239 Speaker 1: put cocaine in my blood to get me hooked. Like 706 00:46:30,320 --> 00:46:33,399 Speaker 1: that's that is the version of drugs that they had 707 00:46:33,480 --> 00:46:36,960 Speaker 1: put into like put out there for me that I 708 00:46:37,000 --> 00:46:41,480 Speaker 1: was like, oh man, which is exactly what ended up happening. 709 00:46:41,760 --> 00:46:44,600 Speaker 1: But yeah, it's like, I think the war on drugs is, 710 00:46:44,840 --> 00:46:48,920 Speaker 1: like we've all agreed it was obviously a racist fight 711 00:46:49,160 --> 00:46:54,480 Speaker 1: for mass incarceration, and yet they're like still investing in McGruff. 712 00:46:55,000 --> 00:46:58,319 Speaker 1: Uh that YPD spent more than five hundred dollars on 713 00:46:58,400 --> 00:47:05,360 Speaker 1: eight McGruff costumes. Uh yeah, yeah, I know they're still 714 00:47:05,440 --> 00:47:10,440 Speaker 1: still out here from doing the McGruff thing. Yeah, I do, 715 00:47:11,320 --> 00:47:14,839 Speaker 1: like a TikTok d. An m YPD spokesman even well, 716 00:47:15,120 --> 00:47:19,640 Speaker 1: I'm sure they have like brainstormed that as a viral 717 00:47:19,719 --> 00:47:22,600 Speaker 1: video because an m y p D spokesman even admitted 718 00:47:22,640 --> 00:47:24,920 Speaker 1: that the reason why the police are willing to spend 719 00:47:24,960 --> 00:47:28,439 Speaker 1: so much taxpayer money on McGruff costumes is because they 720 00:47:28,520 --> 00:47:31,520 Speaker 1: can quote use them to go to schools and say 721 00:47:31,680 --> 00:47:38,320 Speaker 1: trust the police. Police are your friends, which is I 722 00:47:38,400 --> 00:47:40,480 Speaker 1: don't think they were supposed to like say that out loud, 723 00:47:40,560 --> 00:47:44,160 Speaker 1: but that's uh anyway, don't trust the police. Never talked 724 00:47:44,160 --> 00:47:47,759 Speaker 1: to cops, yep, yeah, keep dogs out of it and 725 00:47:47,840 --> 00:47:52,280 Speaker 1: keep Yeah, there was there was there was some argument 726 00:47:52,280 --> 00:47:54,840 Speaker 1: I saw recently about how like making more drugs legal 727 00:47:54,960 --> 00:47:57,480 Speaker 1: would like to give. There was some cop was like, well, 728 00:47:57,560 --> 00:47:59,080 Speaker 1: what do we do with all the dogs? And they'll 729 00:47:59,080 --> 00:48:01,400 Speaker 1: be out of a job, as if dogs having jobs? 730 00:48:01,480 --> 00:48:04,799 Speaker 1: Was like, because that's the concern. Let them. Those are 731 00:48:04,840 --> 00:48:08,640 Speaker 1: the unemployment numbers I checked first, exactly saying a lot 732 00:48:08,719 --> 00:48:13,200 Speaker 1: of unemployed dogs. Dog doesn't want to lose his job. 733 00:48:15,640 --> 00:48:22,520 Speaker 1: Dog from it. She's scared. Well, Kyle and a uh, 734 00:48:22,800 --> 00:48:26,239 Speaker 1: truly a pleasure as always having you on the daily zeitgeist. 735 00:48:26,680 --> 00:48:30,000 Speaker 1: Where can people find you? Follow you all that good stuff? Well, 736 00:48:30,040 --> 00:48:35,680 Speaker 1: we should talk about our final season of Truth Hounds. Yeah, final, No, 737 00:48:35,760 --> 00:48:38,720 Speaker 1: not final, We're coming back. We have another season final, 738 00:48:39,160 --> 00:48:43,120 Speaker 1: our final episode of the season two. I mean give 739 00:48:43,160 --> 00:48:47,680 Speaker 1: you a heart attack, full palpitations. We just finished our 740 00:48:48,840 --> 00:48:53,080 Speaker 1: season two and if you haven't listened to it, we 741 00:48:53,239 --> 00:48:55,920 Speaker 1: actually most of the episode, most of the season is 742 00:48:55,960 --> 00:49:01,680 Speaker 1: about one investigation, and I honestly think it's pretty um epic. 743 00:49:02,120 --> 00:49:04,040 Speaker 1: I do think it's pretty epic. Not not to be 744 00:49:04,840 --> 00:49:08,080 Speaker 1: you know, to our own horn or epic sauce or whatever, 745 00:49:08,120 --> 00:49:13,720 Speaker 1: but it is an Odyssey esque epic. I would say yes, 746 00:49:13,880 --> 00:49:16,719 Speaker 1: And I guess to give you a little taste, we 747 00:49:18,320 --> 00:49:21,719 Speaker 1: see a web we saw a website. We saw a website. 748 00:49:22,120 --> 00:49:27,799 Speaker 1: We were curious about the person running the website. I 749 00:49:27,800 --> 00:49:32,319 Speaker 1: think we have to reveal a little more, Yeah, a 750 00:49:32,360 --> 00:49:37,759 Speaker 1: little big. We We found this person who runs a 751 00:49:37,800 --> 00:49:42,239 Speaker 1: film festival through a web and the initial draw was 752 00:49:42,280 --> 00:49:46,760 Speaker 1: at the website sucked. Yeah, it was a little funky. 753 00:49:46,880 --> 00:49:50,839 Speaker 1: It was all geo cities. What question were you investigating 754 00:49:50,840 --> 00:49:53,759 Speaker 1: when you found the site? What is fear? And why 755 00:49:53,800 --> 00:49:57,600 Speaker 1: can't I look away? Basically, we saw that the it 756 00:49:57,680 --> 00:50:01,440 Speaker 1: was a film festival. The festival director 's photo was very, 757 00:50:01,560 --> 00:50:04,919 Speaker 1: very freaky, and it scared us. But at the same 758 00:50:04,960 --> 00:50:09,479 Speaker 1: time we were incredibly intrigued by this person as well 759 00:50:09,520 --> 00:50:13,480 Speaker 1: as just like the festival in the community. And so 760 00:50:14,080 --> 00:50:18,080 Speaker 1: we basically went on to apply to the film festival 761 00:50:18,320 --> 00:50:22,320 Speaker 1: by making a short, whole short decoy, a real decoy 762 00:50:22,440 --> 00:50:25,560 Speaker 1: short film to apply to this festival. And then we 763 00:50:25,640 --> 00:50:29,759 Speaker 1: went to the festival. And then it didn't even end there. 764 00:50:29,960 --> 00:50:32,799 Speaker 1: It didn't even I would argue that doesn't really begin there, 765 00:50:32,800 --> 00:50:35,799 Speaker 1: it doesn't even begin there. But for our podcast, we 766 00:50:35,880 --> 00:50:39,560 Speaker 1: made a short film to submit to a festival. That's 767 00:50:39,640 --> 00:50:42,239 Speaker 1: that's the kind of lengths we're willing to go to. Yeah, 768 00:50:42,440 --> 00:50:45,440 Speaker 1: and I think it's pretty Um, it's really I do 769 00:50:45,480 --> 00:50:48,480 Speaker 1: think it's an epic all right, Yeah, please go listen. 770 00:50:48,640 --> 00:50:53,560 Speaker 1: It is a high point in podcast investigation. I listened 771 00:50:53,560 --> 00:50:55,520 Speaker 1: to the final episode and I go, I don't know 772 00:50:55,560 --> 00:50:57,520 Speaker 1: who's running this thing, but I think we should get 773 00:50:57,560 --> 00:51:01,320 Speaker 1: a pe body to be honest with. And is there 774 00:51:01,360 --> 00:51:03,800 Speaker 1: a tweet or some of the work of social media 775 00:51:04,040 --> 00:51:06,640 Speaker 1: you've been enjoying. I guess for me it's I've been 776 00:51:06,760 --> 00:51:10,000 Speaker 1: enjoying just rewatching the Boris Johnson video where he says 777 00:51:10,040 --> 00:51:13,560 Speaker 1: them's the brakes. I guess that's that's kind of what 778 00:51:13,600 --> 00:51:19,320 Speaker 1: I'm rocking with, right, you didn't know what we had? Yeah? Um, 779 00:51:19,440 --> 00:51:22,440 Speaker 1: for me, I think it's the Twitter video that's been 780 00:51:22,440 --> 00:51:25,560 Speaker 1: going around of those dogs sticking their nose out of 781 00:51:25,560 --> 00:51:29,520 Speaker 1: the window. Oh, and they're they're really big dogs. And 782 00:51:29,560 --> 00:51:33,160 Speaker 1: they there's about three or four dogs. So go check 783 00:51:33,280 --> 00:51:36,759 Speaker 1: that out. I don't know where you find it, but 784 00:51:37,040 --> 00:51:39,200 Speaker 1: I just happen to go sticking their nose out the 785 00:51:39,200 --> 00:51:42,359 Speaker 1: window and they're really big dogs. They're big. Yeah, there 786 00:51:42,480 --> 00:51:48,120 Speaker 1: yere four I think five? Maybe? Yeah? Uh, Daniel, where 787 00:51:48,120 --> 00:51:50,400 Speaker 1: can people find you? What's a tweet you've been enjoying? 788 00:51:50,840 --> 00:51:52,440 Speaker 1: You can find me all over the internet at DJ 789 00:51:52,600 --> 00:51:54,880 Speaker 1: underscored Daniel. If you're listening to this the day we 790 00:51:54,960 --> 00:51:57,239 Speaker 1: recorded it, which is impossible, I'll be live on Twitch 791 00:51:57,320 --> 00:52:00,040 Speaker 1: later today, but otherwise live Wednesday is Friday, and of 792 00:52:00,080 --> 00:52:02,759 Speaker 1: days on twitch dot tv slash tach Underscore Daniel, and 793 00:52:03,120 --> 00:52:05,480 Speaker 1: I've just been loving all of the riffs on the 794 00:52:05,640 --> 00:52:10,000 Speaker 1: Jordan Peterson uh little speech he gave on Twitter video 795 00:52:10,000 --> 00:52:12,760 Speaker 1: he made about it, and UM, I'm trying to remember 796 00:52:12,760 --> 00:52:15,080 Speaker 1: the name of this character from Watchman, but um, one 797 00:52:15,080 --> 00:52:17,479 Speaker 1: of my favorites, one of my favorite Twitter accounts, Whack 798 00:52:17,560 --> 00:52:20,520 Speaker 1: with a silent h at Whack Nicholson posted. So it's 799 00:52:20,520 --> 00:52:22,839 Speaker 1: a picture of a of a square from Watchman comic 800 00:52:22,920 --> 00:52:25,120 Speaker 1: and it's Ozzy Mandia speaking. But it is the text 801 00:52:25,160 --> 00:52:27,840 Speaker 1: that says, I'm not taking down that tweet or acknowledging 802 00:52:27,840 --> 00:52:31,000 Speaker 1: that my tweet violated Twitter rules, up yours woke moral 803 00:52:31,040 --> 00:52:33,719 Speaker 1: less with Ozzy Mandia say, and that just and that 804 00:52:33,840 --> 00:52:37,040 Speaker 1: just gave me a nice little giggle. So yeah, shout 805 00:52:37,080 --> 00:52:41,480 Speaker 1: out at Whack Nicholson Whack with a silent H. You 806 00:52:41,520 --> 00:52:44,799 Speaker 1: can find me on Twitter at Jack Underscore. O'Brien, I've 807 00:52:44,800 --> 00:52:47,919 Speaker 1: been enjoying a tweet from Soren. They then tweeted them, 808 00:52:48,000 --> 00:52:51,840 Speaker 1: your pets are spoiled me. They're competitively compensated for the 809 00:52:51,960 --> 00:52:56,880 Speaker 1: user experience they provide. Um, and then Amelia Eliz all 810 00:52:57,000 --> 00:53:01,640 Speaker 1: Day tweeted, the announcements at the Seattle Airport are always like, hey, 811 00:53:01,760 --> 00:53:06,960 Speaker 1: it's modest mouse. Please report any suspicious activity, police officer. 812 00:53:07,760 --> 00:53:10,640 Speaker 1: It's so true. Have you ever been there? They got 813 00:53:10,719 --> 00:53:14,480 Speaker 1: like they got like all these like rock icons from 814 00:53:14,520 --> 00:53:18,600 Speaker 1: the grunge era to just be like, hey, it's sound Garden. 815 00:53:19,000 --> 00:53:29,319 Speaker 1: What's yeah done to a stranger? That's awesome. You can 816 00:53:29,360 --> 00:53:31,960 Speaker 1: find us on Twitter at Daily Zays, were at the 817 00:53:32,080 --> 00:53:34,920 Speaker 1: Daily Zist on Instagram. We have a Facebook fan page 818 00:53:34,920 --> 00:53:37,440 Speaker 1: and website Daily zays dot com where we post our 819 00:53:37,480 --> 00:53:42,200 Speaker 1: episodes and our footnote where we link off to the 820 00:53:42,200 --> 00:53:44,719 Speaker 1: information that we talked about in today's episode, as well 821 00:53:44,760 --> 00:53:48,399 Speaker 1: as that song that we think you might enjoying. Uh 822 00:53:48,960 --> 00:53:53,080 Speaker 1: to producer DJ Daniel, Um, if you don't have one, 823 00:53:54,080 --> 00:53:59,120 Speaker 1: so it's it's your call. You can know what check. 824 00:53:59,239 --> 00:54:01,880 Speaker 1: I'm interested in what you have to say. All right, 825 00:54:02,040 --> 00:54:04,000 Speaker 1: let's here. So I don't know if you've heard of 826 00:54:04,040 --> 00:54:07,080 Speaker 1: this movie where the crowd dads sing but it's got 827 00:54:07,160 --> 00:54:11,000 Speaker 1: a really cool soundtrack. It's like all these you know. 828 00:54:11,440 --> 00:54:15,239 Speaker 1: Uh So, there is a movie called The Worst Person 829 00:54:15,280 --> 00:54:18,680 Speaker 1: in the World that has a great soundtrack and it 830 00:54:19,040 --> 00:54:22,880 Speaker 1: ends with the song by Arc gar Funcle, which I 831 00:54:22,960 --> 00:54:27,160 Speaker 1: was not very familiar with Art car Funcle as a 832 00:54:27,200 --> 00:54:30,080 Speaker 1: solo musician. Um, I just knew him as like a 833 00:54:30,120 --> 00:54:34,200 Speaker 1: punch line to the bad of the two between Simon 834 00:54:34,200 --> 00:54:37,680 Speaker 1: and Garfuncle. And there's the song that ends that movie 835 00:54:37,719 --> 00:54:41,360 Speaker 1: called Waters of March that uh I think might like 836 00:54:41,680 --> 00:54:45,200 Speaker 1: be hypnotizing me or so I can't stop listening to it. 837 00:54:45,200 --> 00:54:48,400 Speaker 1: It's a problem, So I'm gonna make it your problem too. 838 00:54:48,800 --> 00:54:52,080 Speaker 1: I also just really love it. It is Art Garfuncle's 839 00:54:52,239 --> 00:54:58,480 Speaker 1: version of Antonio Carlos who Beam's Waters of March, and 840 00:54:58,719 --> 00:55:03,040 Speaker 1: it's good, I think. So I will link after that 841 00:55:03,080 --> 00:55:06,040 Speaker 1: in my footnote The Daily Say Guys, the production off 842 00:55:06,040 --> 00:55:08,080 Speaker 1: I Heart Radio from more podcast from My Heart Radio. 843 00:55:08,120 --> 00:55:11,439 Speaker 1: Visit the I Heart Radio app Apple Podcaster, where every 844 00:55:11,520 --> 00:55:13,279 Speaker 1: listen your favorite chose us going to do it for 845 00:55:13,360 --> 00:55:15,920 Speaker 1: us this morning, back this afternoon to tell you what's trending, 846 00:55:15,920 --> 00:55:18,160 Speaker 1: and we'll talk to you all then bye. By