WEBVTT - Kxng Crooked's Truth:Did Joe Budden sabotage Slaughterhouse?

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<v Speaker 1>Jay, you know what it is. We're back with another

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<v Speaker 1>episode A Gangster chronicles your boy eight and I'm with

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<v Speaker 1>the homie Big Steal in the house was cracking, y'all.

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<v Speaker 1>And today we have a special guest. I don't want

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<v Speaker 1>to call him a special guest. The motherfucker is probably

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<v Speaker 1>one of the best rappers in the fucking world. Dog

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<v Speaker 1>just a lyrical motherfucker, the one and only King Crooked.

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<v Speaker 1>Ye know what, I'm here, lady Man. Finally, Dog, Lady,

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<v Speaker 1>I don't think you know Eight. I've been hitting the

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<v Speaker 1>homie up on motherfucking Twitter everywhere, Dog trying to get this.

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<v Speaker 1>He's been just nagging a nigga, just this exclusive. And

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<v Speaker 1>if you I guess he said, he finally said, fuck it,

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<v Speaker 1>I'm gonna go and see this square here nigga, Na

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<v Speaker 1>you know that you soon as you called, I was

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<v Speaker 1>with it. No, yeah, no, he was here. Man, No problems.

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<v Speaker 1>I'll be here. Man. We ain't got no, we ain't

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<v Speaker 1>got no bad We got no bad reputation or issues

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<v Speaker 1>with my boy Crook and everything is all is all gravy.

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<v Speaker 1>So glad to have you're on the show, man, Man,

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<v Speaker 1>Glad to be here. Thanks to invite me to the party. Man,

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<v Speaker 1>I'm on the gainst the Chronicles. We're gonna talk about

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<v Speaker 1>some gangster shit. Oh no, man, you know what, Man,

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<v Speaker 1>Actually the Gangster Chronicles is expanding a little bit beyond

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<v Speaker 1>just the normal gangster ship. Dog. We touched on some

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<v Speaker 1>everything dogs. You know what I'm saying. We got to

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<v Speaker 1>show people that, you know, even though we come from

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<v Speaker 1>the streets, you know, people be questioning our intelligence, you know,

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<v Speaker 1>like we don't have the brains or we don't have

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<v Speaker 1>the knowings to have decent conversations or in depth stuff

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<v Speaker 1>to talk about that we ain't up on current events

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<v Speaker 1>or just the culture of things. You know, people look

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<v Speaker 1>at us and just a neighborhood gang and rapping and

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<v Speaker 1>gun toting and that's it. You know, vocabulary is kind

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<v Speaker 1>of small. So we like to show people that our

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<v Speaker 1>brains can venture more than just talking about what we

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<v Speaker 1>did growing up in the streets. You know what I'm

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<v Speaker 1>saying that our cognitive abilities are not subpart but on

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<v Speaker 1>the whole another level. You know what I'm saying, Hey,

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<v Speaker 1>if they must ain't listen to them albums, you know

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<v Speaker 1>they should have knew how sharp it was was going down. Yeah,

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<v Speaker 1>it show because it show ain't easy, man, And this

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<v Speaker 1>is what I want to do. I want to go

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<v Speaker 1>back to the beginning a little bit Man, east Side

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<v Speaker 1>Alone Beach, California to the east Side Jill l right,

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<v Speaker 1>p Nate Dog the Greatest. Oh yeah for sure. Ain't

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<v Speaker 1>nobody even closer? Man, Auto two can't even fade him. Man,

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<v Speaker 1>they were special when they get on your record, Dog,

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<v Speaker 1>you was liably go from sitling possibly one hundred thousand

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<v Speaker 1>units of possibly going platinum. Dog. I was so mad

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<v Speaker 1>when they when they kicked me off of Virsion Records.

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<v Speaker 1>You know what I'm saying, because I had my first

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<v Speaker 1>single was Nate Me and Nate battle Kat produced it.

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<v Speaker 1>It was called this is for the Crooking Me, This

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<v Speaker 1>is for the Krug that's seen me. Babe. Yeah, God,

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<v Speaker 1>I was gate. I was only like eighteen nineteen. I

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<v Speaker 1>was ready to come back. Yeah, fire man. They came

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<v Speaker 1>in with a brown bag and said, everybody darker than

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<v Speaker 1>this bad get out to build it. Janet Jackson, Yeah,

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<v Speaker 1>for sure, I remember that time when it happened. You know,

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<v Speaker 1>it's crazy the Dog. I don't think people understand this. Dog.

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<v Speaker 1>Nate really made a difference on your record. He impacted

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<v Speaker 1>your sales absolutely. Nate got on that motherfucking yes, it

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<v Speaker 1>was over. It was radio all day radio. I remember

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<v Speaker 1>one year we added the Powerhouse. I was up there

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<v Speaker 1>with high seeing quick okay, and Nate came off to

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<v Speaker 1>that motherfucker dog and did a met lead of hooks

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<v Speaker 1>and when I tell you, he turned the whole motherfucking

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<v Speaker 1>show out. Just hooks, just with hooks, My nigga, was

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<v Speaker 1>the craziest thing. He was up there for about twenty

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<v Speaker 1>minutes dog doing nothing but back to back hooks. Wow,

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<v Speaker 1>nothing but back to back hooks, and everybody was going

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<v Speaker 1>crazy and could Nobody whoever came on after him was

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<v Speaker 1>kind of like you was kind of whatever. They just

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<v Speaker 1>shut this most sit down with the hook master definitely.

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<v Speaker 1>You know you being from Long Beach, Version was your

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<v Speaker 1>first label. That was the first label that she was on, right, yeah,

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<v Speaker 1>I mean you know the first major The first label

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<v Speaker 1>I was on was Muscle Record and that was an

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<v Speaker 1>independent label owned by Chuckie Miller and Russell. Yeah. They

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<v Speaker 1>both went to the NFL man and they came back

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<v Speaker 1>and opened up a label on the East Side, and

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<v Speaker 1>that was the first label that I was on. I

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<v Speaker 1>gotta give it to them because they gave me my

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<v Speaker 1>first shot. You know what I'm saying. Oh yeah, for sure,

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<v Speaker 1>you definitely have to go back man to the people

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<v Speaker 1>that believed in you first and get them they props

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<v Speaker 1>and the Russell was the ship. Yeah, I played against

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<v Speaker 1>eight ball, Me and this niggative yall can't see on

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<v Speaker 1>camera my homeboys sitting across the room. We played against

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<v Speaker 1>eight ball and I hit him in the backfield. One

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<v Speaker 1>played Dog and I thought my shoulder is separated. He

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<v Speaker 1>would feel like a tank coming through their up. Yeah. Yeah,

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<v Speaker 1>he laid power on swimming over the offensive linement. Dog

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<v Speaker 1>thoughts don't making hill of a play. I tackled him, Dog,

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<v Speaker 1>but my shoulder wasn't right to this day, Dog, after

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<v Speaker 1>I hit that big eight ball and no joke, man,

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<v Speaker 1>you know, the city turned out a lot of great

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<v Speaker 1>football players. Man, Polly High is really Oh definitely, it's

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<v Speaker 1>definitely to leave one of them spots, you know what

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<v Speaker 1>I mean, Lone beast. Probably before Bosco took over. Bosco

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<v Speaker 1>kind of with Bosco did Dog all the kids. Because

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<v Speaker 1>my son wanted to go to Polly and he was

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<v Speaker 1>a five star crew um. He wanted to go to

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<v Speaker 1>Long Beach. Probably Ill said hell, no, why for you? Man?

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<v Speaker 1>You know what, Dog, I worked hard to get. I

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<v Speaker 1>ain't gonna even say nothing about that one. No, But

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<v Speaker 1>you know what, maybe he didn't want him to follow

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<v Speaker 1>in his footsteps, is that I don't want muse. I remember,

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<v Speaker 1>I remember the ship I was down. Yeah, I remember, shit,

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<v Speaker 1>I was doing a long Beast California. When I first

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<v Speaker 1>touched down to California, when I was like his age

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<v Speaker 1>and very impressionable. I ain't gonna lie, dog, the streets

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<v Speaker 1>was fun as a motherfucker. Right, it was fun. It

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<v Speaker 1>was exciting and ticon un to them popos, and one

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<v Speaker 1>start coming, nigga started shooting at you. That's when that

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<v Speaker 1>ship get a little different. Oh yeah, to get a

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<v Speaker 1>little different than Yeah. You know, so when you signed

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<v Speaker 1>this deal with Chucky and eight Ball, how were you

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<v Speaker 1>at the time, seventeen waiting to turn eighteen, seventeen years old. Yeah,

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<v Speaker 1>and so that's your first that was your first time

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<v Speaker 1>with the actual studio and everything like that. So well,

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<v Speaker 1>it wasn't my first time in actual studio. Man. I

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<v Speaker 1>was one of my moms used to sing, right, my

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<v Speaker 1>mother from Oklahoma. You know what I'm saying. And her

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<v Speaker 1>and her twin sister, my aunt Charline rest in pH

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<v Speaker 1>They had a group man and they used to do

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<v Speaker 1>backup singing for the gap bands, do you know what

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<v Speaker 1>I'm saying. And they came out here to chase their

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<v Speaker 1>dream down, you know what I mean. And then my

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<v Speaker 1>mom ended up having kids. My mom met my pops

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<v Speaker 1>um in Long Beach. He was he was stationed there.

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<v Speaker 1>He was in the Navy, you know what I'm saying.

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<v Speaker 1>So she always I wanted to wrap since I was eight,

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<v Speaker 1>you know what I'm saying. So she put me in

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<v Speaker 1>the studio when I was eight years old. That was

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<v Speaker 1>the first time I won the studio. I did a

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<v Speaker 1>song called the Controller. What I'm saying, microphone controller, you

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<v Speaker 1>know what I mean. So you eight years old talking

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<v Speaker 1>about you the microphone control I spelled the beat is

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<v Speaker 1>a hammer, the rhythms and nail. You know. I was

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<v Speaker 1>sitting there like that with eight years old, you know.

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<v Speaker 1>So shout out to my mother for always believing in

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<v Speaker 1>me and trying to push me. We didn't have much,

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<v Speaker 1>but she just she did the best she could. You

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<v Speaker 1>know what I'm saying. My mom's you know, bless my mom's.

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<v Speaker 1>They they wasn't for it. They was not for the

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<v Speaker 1>rap shit in the beginning. You know, it was in

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<v Speaker 1>the streets hard. So that was like another motherfucking level

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<v Speaker 1>of being in the streets to them. You get me

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<v Speaker 1>my mom's and them from Gulfport, Mississippi. So when they

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<v Speaker 1>heard the nigga around there playing that ship and then

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<v Speaker 1>they was like, you know because my wraps, I wasn't

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<v Speaker 1>a controller. You know, we was talking about five old

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<v Speaker 1>came through last night, So so went to jail, So

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<v Speaker 1>and so came through so and so blasted all right.

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<v Speaker 1>So when she was here and that, she was like, oh,

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<v Speaker 1>hell no, yeah, nigga, you get to go do something.

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<v Speaker 1>You ain't feel that it was it was. It was,

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<v Speaker 1>you know, had to sneak out and do type of shit.

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<v Speaker 1>On my end, it wasn't really supported, you know, especially

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<v Speaker 1>coming from motherfuckers who was hard working people, you know

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<v Speaker 1>what I'm saying, coming from the South, like like music

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<v Speaker 1>musicians and not like a pipe dream. We worked like

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<v Speaker 1>around this motherfucker yea, you know, the starting artist exactly

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<v Speaker 1>like that shit ain't gonna work you dreaming. Hell yeah,

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<v Speaker 1>it was. It was good that you know, music had

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<v Speaker 1>you know, developed a little bit by your time that

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<v Speaker 1>your mom's could see, you know, the talent that you had,

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<v Speaker 1>was ready to investing you going to the studios. Ship.

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<v Speaker 1>I wish my mom would have put me in the studio.

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<v Speaker 1>You gotta think there was the eighties, right, Yeah, there

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<v Speaker 1>was the eighties. There wasn't nobody because they were saying

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<v Speaker 1>this shit wasn't go. Last dog he was seeing rap

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<v Speaker 1>was go just a fast Yeah, he said it was

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<v Speaker 1>a fast six. It was hard danging around this motherfucker.

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<v Speaker 1>I'm tally real, I'm done. I don't give a fuck.

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<v Speaker 1>Fresh Fast days in Long Beach to digging I'm talking about.

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<v Speaker 1>It was hard bag this motherfuck real talk. Yeah, the

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<v Speaker 1>eighties was man. Listen man, eighties croker sacks. Man, they're

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<v Speaker 1>very curls. It was hard back high school, fighting with

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<v Speaker 1>the niggas, hopping the back fence, all that type of shit. Man.

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<v Speaker 1>I didn't we didn't know nothing. When you talk about

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<v Speaker 1>the fucking fresh Fast, that was a Loane Beach, I believe,

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<v Speaker 1>and I remember when that ship happened. Dog, it was cracking.

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<v Speaker 1>It was motherfucker's getting robbed in the parking lot, motherfuckers

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<v Speaker 1>getting beat up because you think about it, everybody from

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<v Speaker 1>La had congregated a pump that set a pumlane beach

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<v Speaker 1>that day, right, and so you had a number of

0:09:49.520 --> 0:09:53.079
<v Speaker 1>different niggas from everywhere else. They alone Beach numb A,

0:09:53.200 --> 0:09:55.480
<v Speaker 1>Long Beaches one of them type of cities. Long Beaches

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<v Speaker 1>are all blue city. For all those that don't know

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<v Speaker 1>out there ain't number of crips them, one ain't number

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<v Speaker 1>of crips. And then you got some moines and you

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<v Speaker 1>got the Mexican homies, right, and that's and that's it.

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<v Speaker 1>And it's not that big of them. It's a big city,

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<v Speaker 1>but it's close knit. Yeah, absolutely, it's close knit. And

0:10:13.600 --> 0:10:16.520
<v Speaker 1>that was the thing when I first came to California.

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<v Speaker 1>Ill touched down out here in eighty eight and had

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<v Speaker 1>been coming out to visit a few summers before they

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<v Speaker 1>because I got some people out of here, right, So

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<v Speaker 1>I've been coming since like eighty five eighty six, right, Yeah,

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<v Speaker 1>And when I tell you that, it was like the

0:10:29.720 --> 0:10:33.920
<v Speaker 1>gangster ship was just at this full apex at that time. Yeah,

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<v Speaker 1>because I came out here, dog and the nigga needed

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<v Speaker 1>to get some money because I didn't have a family,

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<v Speaker 1>you know, I most niggas get support from the crib.

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<v Speaker 1>I didn't have nobody sending me a bag. I came

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<v Speaker 1>out to this motherfucker with fifty dollars in my pocket,

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<v Speaker 1>dog and a couple pair of pants. Like, nigga, you know,

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<v Speaker 1>you got to go make your way in this world, right,

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<v Speaker 1>So I got out here the quickest way I saw

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<v Speaker 1>to get this some money. Man. The homie put a

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<v Speaker 1>sack in my hand. In the gap, I said, this

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<v Speaker 1>was a spot had it was, this is what a

0:10:59.520 --> 0:11:02.320
<v Speaker 1>spot had, and that's what it was. Yeah, man, I

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<v Speaker 1>mean shit. We was too young to get jobs, you

0:11:06.440 --> 0:11:08.480
<v Speaker 1>know what I'm saying. We couldn't legally work, so we

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<v Speaker 1>had to find ways to get money, you know what

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<v Speaker 1>I mean. It wasn't like I could go get a

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<v Speaker 1>fucking job. But I knew I was poor, you know

0:11:16.000 --> 0:11:18.240
<v Speaker 1>what I'm saying. I knew that I didn't want to

0:11:18.280 --> 0:11:21.000
<v Speaker 1>keep wearing these fucking thirst store clothes that my moms

0:11:21.000 --> 0:11:23.240
<v Speaker 1>could afford. You know what I'm saying. We was so poor, nigga,

0:11:23.280 --> 0:11:25.200
<v Speaker 1>we used to switch the tags on the first store

0:11:25.240 --> 0:11:29.040
<v Speaker 1>clothed nigga. Damn, you know what I'm saying. Like we was,

0:11:29.160 --> 0:11:32.120
<v Speaker 1>we was below the poverty line. So I figured out

0:11:32.200 --> 0:11:34.880
<v Speaker 1>that money was very necessary early in my life, probably

0:11:34.920 --> 0:11:36.720
<v Speaker 1>when I should have just been a kid having fun

0:11:36.760 --> 0:11:38.800
<v Speaker 1>on the skateboard, you know what I mean. And then

0:11:38.800 --> 0:11:42.600
<v Speaker 1>I got siblings, so you know, once Pop bounced out,

0:11:42.600 --> 0:11:44.680
<v Speaker 1>it was on me and my older brother to hold

0:11:44.720 --> 0:11:47.360
<v Speaker 1>everything down, you know what I mean. My older brothers

0:11:47.360 --> 0:11:50.240
<v Speaker 1>start cooking in the kitchen, you know, doing this thing

0:11:50.600 --> 0:11:52.440
<v Speaker 1>with the wrist work, you know what I'm saying. And

0:11:52.480 --> 0:11:55.920
<v Speaker 1>he's taught me, you know the game on that I mean,

0:11:55.960 --> 0:11:58.000
<v Speaker 1>Nigga say, we didn't know shit. We got theamn. We

0:11:58.120 --> 0:12:04.320
<v Speaker 1>knew at five six years old. We pos mother if

0:12:04.400 --> 0:12:11.840
<v Speaker 1>we pours the disrespect to the strugglers. But God, David,

0:12:12.200 --> 0:12:14.040
<v Speaker 1>like she, like you said, you supposed to be a

0:12:14.160 --> 0:12:17.959
<v Speaker 1>kid having happy times watching cartoons on the weekend that

0:12:18.080 --> 0:12:21.280
<v Speaker 1>you picked up. Like Nigga, it's cold and its mother.

0:12:22.200 --> 0:12:27.520
<v Speaker 1>We pour as fuck. We didn't even have utility sometimes, dog,

0:12:27.559 --> 0:12:29.600
<v Speaker 1>I had to go out there and turn the electric

0:12:29.640 --> 0:12:33.920
<v Speaker 1>back on and learn how to turn my electric gass on,

0:12:34.080 --> 0:12:36.559
<v Speaker 1>my water on. I could do all that, even when

0:12:36.559 --> 0:12:38.960
<v Speaker 1>they take the water meter. You're going you cut two

0:12:38.960 --> 0:12:41.120
<v Speaker 1>inner tubes from the bicycle and you put them on

0:12:41.200 --> 0:12:44.400
<v Speaker 1>there you twist their motherfucking hanger around. The motherfucker's cut

0:12:44.400 --> 0:12:47.800
<v Speaker 1>your water back on, like poor, poor, poor my nigga,

0:12:47.880 --> 0:12:49.920
<v Speaker 1>and they come back right now, they're come back. They

0:12:50.040 --> 0:12:52.080
<v Speaker 1>come back and shut that motherfucker off. You better fill

0:12:52.160 --> 0:12:55.920
<v Speaker 1>up while you can make. You make you appreciate shit today.

0:12:56.040 --> 0:12:59.000
<v Speaker 1>Man like niggas be always you know, I get it,

0:12:59.120 --> 0:13:01.560
<v Speaker 1>thiggas be on the rich rich shit and whatever. But

0:13:01.920 --> 0:13:04.600
<v Speaker 1>you got to be able to appreciate. Motherfucker. I turned

0:13:04.640 --> 0:13:07.679
<v Speaker 1>my lights on every fucking day, and give me. I

0:13:07.679 --> 0:13:09.920
<v Speaker 1>can open my front door every day, you know what

0:13:09.960 --> 0:13:13.400
<v Speaker 1>I'm saying. I can eat every day and eat comfortably.

0:13:13.760 --> 0:13:15.800
<v Speaker 1>You know what I'm saying. I can wear what I

0:13:15.880 --> 0:13:18.520
<v Speaker 1>want to wear. But to be able to steal, maintain,

0:13:19.040 --> 0:13:21.959
<v Speaker 1>and not forget where you came from. You know, that's

0:13:22.000 --> 0:13:24.840
<v Speaker 1>the type of motherfucker I am, right. I try to

0:13:24.880 --> 0:13:28.160
<v Speaker 1>not you know, be too fancy with it. You know,

0:13:28.280 --> 0:13:30.960
<v Speaker 1>coming from being an entertainer and all that, you know,

0:13:31.040 --> 0:13:35.360
<v Speaker 1>sometimes you get lost in that ship. You know, you

0:13:35.440 --> 0:13:39.200
<v Speaker 1>try to fit in with certain motherfuckers because you believe

0:13:39.320 --> 0:13:41.679
<v Speaker 1>that's what you should be doing as a rapper. But

0:13:42.360 --> 0:13:44.720
<v Speaker 1>you know, I've been I've always been a type of

0:13:44.760 --> 0:13:48.839
<v Speaker 1>motherfucking Don't get me wrong. You lose yourself every now

0:13:48.880 --> 0:13:50.960
<v Speaker 1>and then, you know what I'm saying, And then you

0:13:51.040 --> 0:13:54.520
<v Speaker 1>come back to reality and I'm grateful for that, you know,

0:13:54.800 --> 0:13:58.360
<v Speaker 1>and strong days in poorer days, because now nigga can

0:13:58.400 --> 0:14:01.280
<v Speaker 1>hand you a couple of hundred thousand or whatever, and

0:14:01.480 --> 0:14:03.920
<v Speaker 1>you don't how to be smart with shit. I mean,

0:14:04.280 --> 0:14:07.960
<v Speaker 1>necessities is everything. You know. Flossing is one thing, but

0:14:08.400 --> 0:14:11.400
<v Speaker 1>being able to take care of your family, your kids, lights,

0:14:11.440 --> 0:14:15.160
<v Speaker 1>stay on, food on the table, kids can do basically

0:14:15.200 --> 0:14:17.439
<v Speaker 1>whatever they want to do as far as you know,

0:14:17.920 --> 0:14:22.760
<v Speaker 1>not being you know, alienated, growing up being a poor kid.

0:14:22.920 --> 0:14:27.160
<v Speaker 1>Yeah yeah, motheruckers. Just going to school with motherfuckers and

0:14:27.640 --> 0:14:30.280
<v Speaker 1>you'd be feeling a little out of place. Motherfucker's got

0:14:30.320 --> 0:14:33.360
<v Speaker 1>on the guests this and against that. You know that

0:14:33.520 --> 0:14:36.360
<v Speaker 1>was back in our days. You know, motherfucker's flossing and

0:14:36.480 --> 0:14:39.320
<v Speaker 1>we're looking like damn and you wearing the same shit

0:14:39.400 --> 0:14:42.040
<v Speaker 1>every day, trying to rotate that motherfucker trying to figure

0:14:42.040 --> 0:14:45.040
<v Speaker 1>out the rotation. And it's always a motherfucking the school

0:14:45.080 --> 0:14:47.680
<v Speaker 1>that got jokes to figure out your rotation. Nigga, I

0:14:47.880 --> 0:14:50.680
<v Speaker 1>know what you're doing. You just want that same shit Friday,

0:14:50.800 --> 0:14:53.360
<v Speaker 1>and you can wear this again Friday. Just motherfuckers, you

0:14:53.360 --> 0:14:55.120
<v Speaker 1>want to just punch the motherfucker's in the mouth. How

0:14:55.120 --> 0:14:57.080
<v Speaker 1>about when they tell you they get your brother had

0:14:57.120 --> 0:15:00.320
<v Speaker 1>that outfit? Oh yeah, yeah. It's always a mother fuck

0:15:00.440 --> 0:15:03.200
<v Speaker 1>with jokes that don't figure it out the whole motherfucking play.

0:15:03.440 --> 0:15:06.080
<v Speaker 1>But going back to this, after you had the situation

0:15:06.120 --> 0:15:09.280
<v Speaker 1>with them, what was next? What happened next? After I

0:15:09.320 --> 0:15:13.520
<v Speaker 1>did Muscle Records, Um, I was bobbing down the street.

0:15:13.640 --> 0:15:15.840
<v Speaker 1>I was on Atlantic Avenue, man, I was on my

0:15:15.920 --> 0:15:19.800
<v Speaker 1>way to go see my dude Fudgelow and be Tip

0:15:20.440 --> 0:15:25.760
<v Speaker 1>and and they was making some music for Warren was

0:15:25.840 --> 0:15:28.720
<v Speaker 1>They was making ideas to pitch the Warren and Warren

0:15:28.840 --> 0:15:30.920
<v Speaker 1>Warren was just coming up you know what I'm saying

0:15:30.920 --> 0:15:33.280
<v Speaker 1>in the game. And I was mobbing over there to go,

0:15:33.520 --> 0:15:36.080
<v Speaker 1>you know, come up with some music ideas with them

0:15:36.120 --> 0:15:39.960
<v Speaker 1>and all that, and my homie Big C Style pulled

0:15:40.040 --> 0:15:43.040
<v Speaker 1>up on me and Big Style was like, yo, I've

0:15:43.040 --> 0:15:46.440
<v Speaker 1>been looking for you. Man. We got this compilation called

0:15:46.520 --> 0:15:51.640
<v Speaker 1>nineteen Street Compilation. So I was like, okay, nineteen Street Compilation.

0:15:51.720 --> 0:15:53.680
<v Speaker 1>I was like, all right, cool. So I was like

0:15:53.880 --> 0:15:56.400
<v Speaker 1>He was like, get in. We were recording that soundcastle.

0:15:56.480 --> 0:15:59.320
<v Speaker 1>Now the soundcastle was like a million dollars studio, and

0:15:59.560 --> 0:16:01.480
<v Speaker 1>you know, me and my brother Dice, we mob and

0:16:01.520 --> 0:16:04.600
<v Speaker 1>we broke hungry. So we jumped into the car. Lt.

0:16:04.760 --> 0:16:07.280
<v Speaker 1>Hutton was in there eating a piece of chicken. Nigga

0:16:07.320 --> 0:16:09.200
<v Speaker 1>had an s crall on his head. Now that nigga

0:16:09.280 --> 0:16:15.160
<v Speaker 1>like one of the biggest producers. You know the kind

0:16:15.160 --> 0:16:17.560
<v Speaker 1>of shit. You know what I'm saying. Man, We jumped

0:16:17.600 --> 0:16:19.520
<v Speaker 1>in and went to the studio. We did this, We

0:16:19.560 --> 0:16:21.160
<v Speaker 1>did it. I asked him. I was like, Yo, how

0:16:21.160 --> 0:16:23.560
<v Speaker 1>many songs can I be on? I see y'all almost done?

0:16:23.720 --> 0:16:25.480
<v Speaker 1>He said, you could be on as many as you want.

0:16:25.520 --> 0:16:28.720
<v Speaker 1>Then I jumped on ten joints. That's how hungry I was,

0:16:29.280 --> 0:16:31.200
<v Speaker 1>you know what I'm saying. In a matter like two days,

0:16:31.240 --> 0:16:33.720
<v Speaker 1>I was on ten songs and then that can that

0:16:33.800 --> 0:16:39.440
<v Speaker 1>came out and uh some. My man Malik, my man

0:16:39.560 --> 0:16:44.720
<v Speaker 1>Malik Levy. He had this deal called Capital Punishment at

0:16:44.760 --> 0:16:48.040
<v Speaker 1>Capital Records. He had this label. They had these dudes

0:16:48.080 --> 0:16:51.600
<v Speaker 1>over there, um called damn All we do with smoke

0:16:51.720 --> 0:16:56.960
<v Speaker 1>mad is them Channel Channel Jaris went on it. You

0:16:57.000 --> 0:16:58.880
<v Speaker 1>know what I'm saying, So that was Malik in them.

0:16:58.920 --> 0:17:00.680
<v Speaker 1>They was moving at some Malik he came through and

0:17:00.720 --> 0:17:02.640
<v Speaker 1>he heard the compilation, was like, man, I could get

0:17:02.680 --> 0:17:06.240
<v Speaker 1>y'all the situation. You know what I'm saying, So Virgin.

0:17:06.520 --> 0:17:09.479
<v Speaker 1>That's when Virgin came in through New Trot, New Troy,

0:17:09.840 --> 0:17:12.720
<v Speaker 1>you know what I'm saying with Eric, and they was

0:17:12.760 --> 0:17:15.639
<v Speaker 1>over there. You know, the Looneys had just blew up

0:17:15.800 --> 0:17:18.000
<v Speaker 1>what I got five on here there rapping out over

0:17:18.040 --> 0:17:20.080
<v Speaker 1>here at that time was a lot over there. They

0:17:20.080 --> 0:17:23.480
<v Speaker 1>had m you know, ben Zeno on them, has some

0:17:23.520 --> 0:17:27.360
<v Speaker 1>shit going on over there, and Face Mob was over there.

0:17:27.400 --> 0:17:30.120
<v Speaker 1>So it was you know, they came in and it's

0:17:30.119 --> 0:17:33.359
<v Speaker 1>so funny because you know, I was a super technical rapper,

0:17:33.960 --> 0:17:37.879
<v Speaker 1>you know what I mean. Because I listened to Big Daddy,

0:17:38.000 --> 0:17:40.720
<v Speaker 1>Kane and Rock Him and Kogi rapping all of them,

0:17:40.720 --> 0:17:43.520
<v Speaker 1>and I was like, man, all of the greats. Yeah,

0:17:43.560 --> 0:17:45.520
<v Speaker 1>I was like, dog, how can I get my skill

0:17:45.800 --> 0:17:48.359
<v Speaker 1>my skills together? You know what I'm saying. And because

0:17:48.359 --> 0:17:50.199
<v Speaker 1>the old dude told me, He's like, you want to

0:17:50.280 --> 0:17:52.400
<v Speaker 1>you want to stop being poor. You gotta find something

0:17:52.400 --> 0:17:55.239
<v Speaker 1>you good at and stick to it. And I was like,

0:17:55.280 --> 0:17:57.600
<v Speaker 1>you know what I'm gonna try to really push my

0:17:57.720 --> 0:18:00.639
<v Speaker 1>pen so sometimes you know, the home be like, man,

0:18:00.680 --> 0:18:02.399
<v Speaker 1>I don't know what you was talking about because that

0:18:02.440 --> 0:18:05.080
<v Speaker 1>shit sound hard though, you know what I'm saying. But

0:18:05.160 --> 0:18:07.560
<v Speaker 1>it was like I was rap, you know what I'm saying.

0:18:07.560 --> 0:18:10.720
<v Speaker 1>So um, it was just crazy. When the when the

0:18:10.920 --> 0:18:14.159
<v Speaker 1>nars from from New Tribe and them came into the

0:18:14.240 --> 0:18:15.920
<v Speaker 1>to the studio, they was like, who is that little

0:18:15.960 --> 0:18:19.200
<v Speaker 1>nigga right there? You know what I'm saying. And off

0:18:19.240 --> 0:18:22.320
<v Speaker 1>of the compilation, they gave me a solo deal, you

0:18:22.359 --> 0:18:23.840
<v Speaker 1>know what I'm saying. And that's how I got the

0:18:23.880 --> 0:18:26.720
<v Speaker 1>solo deal. Walked into the Virgin Records. Man, I was

0:18:26.760 --> 0:18:29.800
<v Speaker 1>just a young dude. Man, I was living on Lyndon Avenue,

0:18:30.119 --> 0:18:32.480
<v Speaker 1>you know what I'm saying. And it was like a

0:18:32.480 --> 0:18:36.840
<v Speaker 1>big boardroom with people in suits and ties and signing

0:18:36.880 --> 0:18:40.040
<v Speaker 1>the contract and taking pictures and shaking hands with people,

0:18:40.080 --> 0:18:42.080
<v Speaker 1>and you know what I'm saying. It was a It

0:18:42.119 --> 0:18:44.760
<v Speaker 1>was a big deal for me because at that point

0:18:44.800 --> 0:18:47.680
<v Speaker 1>I thought I made it. I didn't know that it's

0:18:47.680 --> 0:18:50.600
<v Speaker 1>a whole lot more to go after you get a

0:18:50.640 --> 0:18:53.000
<v Speaker 1>record deal. But I ended up over there. We did

0:18:53.000 --> 0:18:55.840
<v Speaker 1>a dope ass album. I had the Dog Pound on

0:18:55.880 --> 0:18:58.159
<v Speaker 1>there and Naked Dog on there, and Battlecat did a

0:18:58.200 --> 0:19:02.560
<v Speaker 1>lot of production. LT did production, Dash did production. And

0:19:03.840 --> 0:19:08.560
<v Speaker 1>they said somebody was embezzling in the Urban Department or

0:19:08.560 --> 0:19:11.359
<v Speaker 1>something like that, so they just shut down the whole

0:19:11.600 --> 0:19:13.960
<v Speaker 1>Urban Department right when my album was ready to go.

0:19:14.080 --> 0:19:16.040
<v Speaker 1>I thought I was about to come out and serve it,

0:19:16.400 --> 0:19:18.480
<v Speaker 1>you know what I'm saying. But they shut it down.

0:19:18.680 --> 0:19:22.040
<v Speaker 1>And uh, it was cool because they let me step

0:19:22.080 --> 0:19:24.320
<v Speaker 1>with my masters and they ain't. So you got to

0:19:24.359 --> 0:19:26.200
<v Speaker 1>walk away with that album. I got to walk away

0:19:26.240 --> 0:19:28.280
<v Speaker 1>with the album, and I got to walk away, you

0:19:28.280 --> 0:19:30.280
<v Speaker 1>know what I mean. They didn't. They didn't say, you know,

0:19:30.480 --> 0:19:34.159
<v Speaker 1>the recoupment. All that was. You got to keep the

0:19:34.240 --> 0:19:36.359
<v Speaker 1>advance and all that. Let me ask you this, as

0:19:36.359 --> 0:19:38.280
<v Speaker 1>a poor kid coming up a long beach man from

0:19:38.320 --> 0:19:40.679
<v Speaker 1>the ghetto like so many of us, what did you

0:19:40.720 --> 0:19:42.280
<v Speaker 1>do when you first got to check man? What's the

0:19:42.320 --> 0:19:45.920
<v Speaker 1>first thing you did? Though? First thing I did? Dog

0:19:47.160 --> 0:19:50.880
<v Speaker 1>I went and um, I went and got a car.

0:19:51.720 --> 0:19:53.240
<v Speaker 1>You know what I'm saying. I wouldn't got a car.

0:19:53.240 --> 0:19:56.040
<v Speaker 1>I put some beat in it, you know, of course,

0:19:56.160 --> 0:19:58.800
<v Speaker 1>and then um, I ain't got an apartment and I

0:19:58.840 --> 0:20:02.520
<v Speaker 1>went moved to Bigsby Nose like I thought, I made it.

0:20:03.000 --> 0:20:06.520
<v Speaker 1>That's what niggas. When the nigga long beast make it,

0:20:06.600 --> 0:20:09.520
<v Speaker 1>he goes to the Bixby Nose, A bill my short

0:20:09.560 --> 0:20:15.280
<v Speaker 1>with the big feet like the cop that they could

0:20:15.280 --> 0:20:19.600
<v Speaker 1>go in to Serdos or some ships. Is it? They

0:20:19.600 --> 0:20:22.560
<v Speaker 1>had a mode up the ladder digger. Hell yeah, niggas

0:20:22.640 --> 0:20:25.880
<v Speaker 1>up the motherfucking row. So you go through that situation.

0:20:25.880 --> 0:20:28.240
<v Speaker 1>Did you ever put that project out? Never came out?

0:20:29.160 --> 0:20:30.720
<v Speaker 1>You had the masters, though you could have won to

0:20:30.720 --> 0:20:32.639
<v Speaker 1>deal what she wanted to with that. I didn't know

0:20:32.640 --> 0:20:34.480
<v Speaker 1>what we didn't We didn't know that ship back then.

0:20:34.800 --> 0:20:37.000
<v Speaker 1>We didn't know about I got my masters. I didn't

0:20:37.000 --> 0:20:39.680
<v Speaker 1>go independent. Right now, I'm pressing up a few copies.

0:20:39.760 --> 0:20:42.040
<v Speaker 1>See if you'd ran acros I was busy playing football. No,

0:20:42.359 --> 0:20:44.480
<v Speaker 1>I was dune playing football. You're way younger than me.

0:20:44.680 --> 0:20:47.520
<v Speaker 1>But you'd ran across the nigga like me. That album.

0:20:47.640 --> 0:20:49.919
<v Speaker 1>Damn ship didn't come to the the head. I'd already had

0:20:49.960 --> 0:20:52.440
<v Speaker 1>a full strategy for that motherfucker. I had a lot

0:20:52.480 --> 0:20:55.120
<v Speaker 1>of mentors, dog, but a lot of them didn't know

0:20:55.680 --> 0:20:58.800
<v Speaker 1>the business business exactly. You see what I'm saying, so

0:20:59.040 --> 0:21:02.000
<v Speaker 1>it was like, damn, I look back, like, yeah, you know,

0:21:02.240 --> 0:21:04.600
<v Speaker 1>it took a lot of us to get fucked over

0:21:04.720 --> 0:21:09.120
<v Speaker 1>to learn the business. Yes, yeah, that's I mean, that's

0:21:09.160 --> 0:21:11.360
<v Speaker 1>what it takes. I mean, we got we hear that's

0:21:11.359 --> 0:21:13.880
<v Speaker 1>saying all the time. Oh you're gonna get fucked Yeah,

0:21:13.920 --> 0:21:15.879
<v Speaker 1>you come through the door. Yeah, it's just no if

0:21:15.960 --> 0:21:18.320
<v Speaker 1>fans your buts. Yeah, it's what you learn from that

0:21:18.400 --> 0:21:22.159
<v Speaker 1>fucking It's how you maintain and how you maneuver and

0:21:22.240 --> 0:21:25.679
<v Speaker 1>actually ship. That's life, dog. It's like you constantly learning,

0:21:26.160 --> 0:21:30.520
<v Speaker 1>even now as an older man. Right, It's certain experiences

0:21:30.520 --> 0:21:32.359
<v Speaker 1>I go through and I chalk him up his lessons.

0:21:32.720 --> 0:21:34.920
<v Speaker 1>Like even when something go bad, I say, you know what,

0:21:35.720 --> 0:21:37.720
<v Speaker 1>thank god, you know that was another lesson right there.

0:21:38.240 --> 0:21:42.119
<v Speaker 1>We don't fail, we learn for sure. And so you

0:21:42.240 --> 0:21:44.760
<v Speaker 1>got this situation. By now you got an incredible buzz

0:21:44.800 --> 0:21:47.840
<v Speaker 1>because I heard it. I started hearing about you during

0:21:47.880 --> 0:21:50.880
<v Speaker 1>that period when a nineteen Street compilation came out and everything,

0:21:50.880 --> 0:21:52.960
<v Speaker 1>and people were saying, man, it's a dude, long beach.

0:21:53.240 --> 0:21:55.280
<v Speaker 1>It's harder than rock him, you know what I mean,

0:21:55.359 --> 0:21:58.040
<v Speaker 1>And people was talking about you in that regard. It

0:21:58.080 --> 0:22:00.280
<v Speaker 1>made me definitely go check in on it. Right, So

0:22:01.800 --> 0:22:05.560
<v Speaker 1>when did you start fucking with the row? Fucking with

0:22:05.680 --> 0:22:11.040
<v Speaker 1>the Row? Well, after that situation went back independent. You

0:22:11.040 --> 0:22:14.760
<v Speaker 1>know what I'm saying. I'm at I'm at Kinko's making

0:22:14.800 --> 0:22:18.000
<v Speaker 1>my own mixtape covers. See see that. See the young people,

0:22:18.000 --> 0:22:20.320
<v Speaker 1>they don't know, they don't know about that grind. You

0:22:20.359 --> 0:22:22.439
<v Speaker 1>know what I'm saying. We was, We was going to studio,

0:22:22.560 --> 0:22:26.920
<v Speaker 1>buying studio time, you know, putting, putting projects together, doing

0:22:26.920 --> 0:22:29.960
<v Speaker 1>our own album covers, pressing our own stuff up, you

0:22:29.960 --> 0:22:33.240
<v Speaker 1>know what I'm saying, and hand to hand trying to

0:22:33.280 --> 0:22:35.320
<v Speaker 1>get them off, you know what I'm saying. So I

0:22:35.400 --> 0:22:38.560
<v Speaker 1>was doing that and then I met some dudes from

0:22:38.600 --> 0:22:42.280
<v Speaker 1>from from Texas and they had a little independent label.

0:22:42.320 --> 0:22:44.720
<v Speaker 1>So I went down there and wrote for all their artists,

0:22:45.320 --> 0:22:46.840
<v Speaker 1>you know what I mean. And I was keeping me

0:22:46.880 --> 0:22:49.119
<v Speaker 1>and that was keeping me afloat, you know. I was

0:22:49.160 --> 0:22:51.320
<v Speaker 1>just pinning for all their artists and I was keeping

0:22:51.320 --> 0:22:54.679
<v Speaker 1>me right. And then I got a knock on my

0:22:54.800 --> 0:22:58.479
<v Speaker 1>door and it was a big style and dads. They

0:22:58.520 --> 0:23:03.280
<v Speaker 1>had Dog Pound Records through Death Row, and they was like, yo,

0:23:03.520 --> 0:23:05.679
<v Speaker 1>we want you to come to death Row with us.

0:23:06.560 --> 0:23:08.879
<v Speaker 1>You know what I'm saying, And I was like, Okay,

0:23:08.920 --> 0:23:10.680
<v Speaker 1>what's going down. It was like, yeah, we got to

0:23:10.720 --> 0:23:13.680
<v Speaker 1>meet with Shug. Shug was locked up. He was in

0:23:13.800 --> 0:23:17.400
<v Speaker 1>Mule Creek, and I was like, all right, cool, so

0:23:18.080 --> 0:23:21.760
<v Speaker 1>flew up to go see Shugar. Now I come in

0:23:22.000 --> 0:23:28.160
<v Speaker 1>after them. I get to I get to Sacramento. Shug

0:23:28.280 --> 0:23:32.280
<v Speaker 1>got a tahoe that he'd been paying for at the

0:23:32.320 --> 0:23:36.919
<v Speaker 1>airport for his whole time he was incarcerating, you know,

0:23:37.040 --> 0:23:40.640
<v Speaker 1>airport parking as high as a motherfucker. So he paying

0:23:40.720 --> 0:23:45.080
<v Speaker 1>for this motherfucker for years for everybody who come to

0:23:45.160 --> 0:23:48.119
<v Speaker 1>visit him. So you jump into tahole, you know what

0:23:48.160 --> 0:23:51.119
<v Speaker 1>I'm saying. Reggie was driving and we went up to

0:23:51.320 --> 0:23:54.600
<v Speaker 1>uh to go see Shug, and we stopped in the

0:23:54.640 --> 0:23:58.040
<v Speaker 1>middle of nowhere, and I didn't know what was going on.

0:23:58.480 --> 0:24:01.000
<v Speaker 1>And I was like, man, well he stopped. Reggie jumped

0:24:01.000 --> 0:24:03.280
<v Speaker 1>out and got on the cell phone. He got back

0:24:03.320 --> 0:24:06.359
<v Speaker 1>in his whole mood change. I was like, man, what

0:24:06.440 --> 0:24:08.639
<v Speaker 1>the fuck is going on? You know what I'm saying,

0:24:09.320 --> 0:24:11.879
<v Speaker 1>I'm I'm thinking about an exit strategy. Shit, I know,

0:24:12.000 --> 0:24:17.359
<v Speaker 1>death row reputation. You don't know you're going on in

0:24:17.359 --> 0:24:19.359
<v Speaker 1>the middle of nowhere. Let me ask you this. I

0:24:19.400 --> 0:24:24.080
<v Speaker 1>know we're from different sides. Yeah, snooped the party at

0:24:24.080 --> 0:24:26.920
<v Speaker 1>that time at the party, Okay, Now that's ay made

0:24:26.920 --> 0:24:28.520
<v Speaker 1>it extra weird for you. You You stopped off from the

0:24:28.520 --> 0:24:31.520
<v Speaker 1>middle of nowhere, a young chryp nigga from Long I'm

0:24:31.560 --> 0:24:34.600
<v Speaker 1>just I'm just I'm just just a neutral, neutral nigga.

0:24:34.680 --> 0:24:37.000
<v Speaker 1>That dad got a whole bunch of a whole bunch

0:24:37.040 --> 0:24:39.160
<v Speaker 1>of seas in my family. You know what I'm saying.

0:24:39.400 --> 0:24:42.400
<v Speaker 1>Take that back. I shouldn't have said, because I mean,

0:24:42.440 --> 0:24:44.560
<v Speaker 1>you know, just to be from the city, we grew

0:24:44.640 --> 0:24:46.199
<v Speaker 1>up like this, you know what I mean, Like this

0:24:46.280 --> 0:24:52.240
<v Speaker 1>is what it is. But um, you know. Yeah. So man,

0:24:52.640 --> 0:24:54.639
<v Speaker 1>they stopped in the middle of nowhere. I'm like, dude,

0:24:54.720 --> 0:24:57.160
<v Speaker 1>what's the fuck is popping right here? And he get

0:24:57.200 --> 0:24:59.880
<v Speaker 1>back in mood. Change. Next thing, you know, he looking

0:25:00.000 --> 0:25:01.800
<v Speaker 1>at me through the rear view. He's like, hey, man,

0:25:03.200 --> 0:25:06.200
<v Speaker 1>something happened up there at the up there at to jail.

0:25:06.320 --> 0:25:09.920
<v Speaker 1>I said, what happened your home boys they got into

0:25:09.960 --> 0:25:15.080
<v Speaker 1>it with should I said what? They's like He's like, yeah,

0:25:15.160 --> 0:25:18.360
<v Speaker 1>it's all bad. He gonna tell you about it when

0:25:18.359 --> 0:25:21.840
<v Speaker 1>you get there. So I'm like, oh shit, so this

0:25:21.920 --> 0:25:24.400
<v Speaker 1>is my first time going to really really sit down

0:25:24.440 --> 0:25:26.760
<v Speaker 1>and talk to him about about the record deal. So

0:25:26.800 --> 0:25:29.840
<v Speaker 1>he don't feel out. But there's msn't big Stown man.

0:25:29.880 --> 0:25:31.919
<v Speaker 1>They got hit to it with him, you know what

0:25:31.920 --> 0:25:35.160
<v Speaker 1>I'm saying, And uh, it was ugly. So when they

0:25:35.359 --> 0:25:37.520
<v Speaker 1>say that, I can assume that when they got into

0:25:37.560 --> 0:25:39.800
<v Speaker 1>it with him, they expected you to say fuck this

0:25:39.880 --> 0:25:42.720
<v Speaker 1>something not fucking with this nigga. Now they got into

0:25:42.760 --> 0:25:46.119
<v Speaker 1>it so cold. They forgot I was coming that day,

0:25:46.840 --> 0:25:48.639
<v Speaker 1>so they didn't even know. So I went up in

0:25:48.680 --> 0:25:52.240
<v Speaker 1>there and should like, so, what's happening. You're riding with

0:25:52.320 --> 0:25:54.840
<v Speaker 1>your homies? I said, first of all, what were we

0:25:55.000 --> 0:25:58.240
<v Speaker 1>talking about? Blah blah, this blah blah, and they told

0:25:58.240 --> 0:26:01.600
<v Speaker 1>me ran it down. I was like, for real. I

0:26:01.720 --> 0:26:03.920
<v Speaker 1>was like, dog, I'm gonna call I'm gonna call Big Style,

0:26:04.000 --> 0:26:05.919
<v Speaker 1>see what's going on with this? You know what I'm saying.

0:26:06.400 --> 0:26:09.320
<v Speaker 1>So I can't. I got back to the city. We

0:26:09.359 --> 0:26:12.600
<v Speaker 1>went over an house that was the home girl. Everybody

0:26:12.640 --> 0:26:15.240
<v Speaker 1>used to be over an housing on a buss bowl,

0:26:15.720 --> 0:26:18.200
<v Speaker 1>So you know, I pulled up to a biss boat.

0:26:19.240 --> 0:26:22.560
<v Speaker 1>As soon as I pulled up, Big Styles start cracking up.

0:26:23.840 --> 0:26:27.080
<v Speaker 1>I forgot your ass. What's going up there too? Oh shit?

0:26:27.840 --> 0:26:29.920
<v Speaker 1>Did they tell you what happened? I said, yeah, they

0:26:29.960 --> 0:26:33.680
<v Speaker 1>told me what happened. He said, he says Simon hot huh.

0:26:33.760 --> 0:26:37.320
<v Speaker 1>I was like, yeah, sure hotgg. He was like yeah, man,

0:26:37.920 --> 0:26:40.359
<v Speaker 1>you know we had we had some words. He said,

0:26:40.400 --> 0:26:43.000
<v Speaker 1>you know, it's all good. I was like, yeah, So

0:26:44.160 --> 0:26:46.240
<v Speaker 1>what y'all gonna do? He was like, man, we ain't

0:26:46.240 --> 0:26:50.439
<v Speaker 1>gonna do the dog Pound records over there. So I

0:26:50.600 --> 0:26:53.879
<v Speaker 1>was like, I ain't gonna do it. He's like nah.

0:26:53.960 --> 0:26:56.439
<v Speaker 1>I was like damn. I said, they want me to

0:26:56.480 --> 0:26:59.520
<v Speaker 1>come back up there though, and he was like, shit,

0:26:59.720 --> 0:27:01.840
<v Speaker 1>go up there, see what they're talking about. See if

0:27:01.840 --> 0:27:05.159
<v Speaker 1>they got some bread. So I went back and she

0:27:05.520 --> 0:27:09.400
<v Speaker 1>was like, hey, I can make you a movie star.

0:27:10.000 --> 0:27:13.359
<v Speaker 1>I could put you in get you Grammys, I can

0:27:13.440 --> 0:27:16.160
<v Speaker 1>have your billboards everywhere. I'm gonna have you on front

0:27:16.160 --> 0:27:19.160
<v Speaker 1>of magazines and all that. And I was like, hey,

0:27:19.240 --> 0:27:22.840
<v Speaker 1>let's do this. Because I had actually went and visited

0:27:22.920 --> 0:27:26.400
<v Speaker 1>Dre before. You know what I'm saying, I had said

0:27:26.480 --> 0:27:28.480
<v Speaker 1>with Dre for a minute, and Drey was working on

0:27:28.600 --> 0:27:32.040
<v Speaker 1>King T album, and you know what I'm saying, I

0:27:32.080 --> 0:27:34.040
<v Speaker 1>got on that album. I did a song with Dove

0:27:34.119 --> 0:27:39.960
<v Speaker 1>C and Bull Rock, and you know, I wanted to

0:27:40.000 --> 0:27:42.920
<v Speaker 1>go on Aftermath exactly. You know what I'm saying. I

0:27:42.960 --> 0:27:46.159
<v Speaker 1>was like, shit, doctor Dre. You know you know what

0:27:46.240 --> 0:27:48.159
<v Speaker 1>that stamp about. You know what I'm saying. So I

0:27:48.200 --> 0:27:51.399
<v Speaker 1>wanted to I wanted to be on Aftermath, but he

0:27:51.480 --> 0:27:55.120
<v Speaker 1>had just found him and he was like, yo, you know,

0:27:55.400 --> 0:27:58.199
<v Speaker 1>the basic premise of it was he gotta do the

0:27:58.280 --> 0:28:01.080
<v Speaker 1>King T Ship the m Ship and then we could

0:28:01.119 --> 0:28:03.840
<v Speaker 1>figure something out, you know after that. And then Sugar

0:28:03.920 --> 0:28:05.720
<v Speaker 1>was like, nig I got to check for you right here.

0:28:06.760 --> 0:28:08.440
<v Speaker 1>So I was just like, yo, you know what, I'm

0:28:08.440 --> 0:28:11.280
<v Speaker 1>a kid with a kid at this point, you know

0:28:11.320 --> 0:28:14.920
<v Speaker 1>what I'm saying. And I'm like, yo, I take this money,

0:28:15.720 --> 0:28:20.000
<v Speaker 1>I take this fans, but it's in your face, yeah, right,

0:28:21.040 --> 0:28:23.840
<v Speaker 1>like I ain't no talking, and you know we're gonna

0:28:23.840 --> 0:28:26.760
<v Speaker 1>see what's up. It makes a difference when the nigga

0:28:26.800 --> 0:28:30.280
<v Speaker 1>go there. It is right there there, it is right there.

0:28:30.720 --> 0:28:32.480
<v Speaker 1>He said, he said, you're gonna be able to kick

0:28:32.480 --> 0:28:35.199
<v Speaker 1>your feet up, and I was like, yo, you know what,

0:28:35.240 --> 0:28:37.480
<v Speaker 1>I gotta take it. And then you know, to me,

0:28:37.680 --> 0:28:41.200
<v Speaker 1>sug had an ear for talent, you know, what I mean.

0:28:41.240 --> 0:28:44.160
<v Speaker 1>He had an ear for talent. Anyway, Death Row was

0:28:44.280 --> 0:28:48.840
<v Speaker 1>a historic label on the West Coast, even though everybody

0:28:48.880 --> 0:28:53.720
<v Speaker 1>had departed in two podcasts passed away unfortunately. Um, it

0:28:53.760 --> 0:28:55.960
<v Speaker 1>felt like a challenge to me, like, yo, if we

0:28:56.000 --> 0:28:59.800
<v Speaker 1>can get this backpopping, you know my legacy of BC

0:29:00.080 --> 0:29:03.480
<v Speaker 1>minute and being concrete, you know what I'm saying. So

0:29:03.520 --> 0:29:06.080
<v Speaker 1>I just went on ahead and took the deal. And

0:29:06.480 --> 0:29:09.040
<v Speaker 1>I was on the road. Niggas gave me two Death

0:29:09.160 --> 0:29:11.760
<v Speaker 1>Row chains of platinum platinum one and a gold one,

0:29:12.480 --> 0:29:15.000
<v Speaker 1>you know what I'm saying. And next thing you know,

0:29:15.760 --> 0:29:19.400
<v Speaker 1>I'm driving around and bends his own spree whales, you

0:29:19.440 --> 0:29:22.320
<v Speaker 1>know what I'm saying, and hitting the studio track record

0:29:22.360 --> 0:29:25.239
<v Speaker 1>and we just recording recording with everybody, you know what

0:29:25.240 --> 0:29:28.280
<v Speaker 1>I mean, and making albums man. And it was crazy.

0:29:28.360 --> 0:29:30.160
<v Speaker 1>And because child was still locked up and then he

0:29:30.240 --> 0:29:33.160
<v Speaker 1>got out. Now I knew what this time, man, Like

0:29:33.240 --> 0:29:35.840
<v Speaker 1>I said, Alone, Beach is a real close knit city,

0:29:36.080 --> 0:29:39.880
<v Speaker 1>right are you? You know the situations that Snoop and

0:29:40.000 --> 0:29:42.280
<v Speaker 1>Dads and then went through when they first left the Row,

0:29:42.840 --> 0:29:45.840
<v Speaker 1>it was a whole bunch of shit cracking. Oh yeah,

0:29:45.840 --> 0:29:47.400
<v Speaker 1>did you ever get caught up in the middle of

0:29:47.400 --> 0:29:50.520
<v Speaker 1>all that stuff. Oh yeah, I got caught up in it,

0:29:50.800 --> 0:29:54.000
<v Speaker 1>you know what I'm saying, Like death Row had a

0:29:54.000 --> 0:29:58.080
<v Speaker 1>lot of ops. Oh yeah, a lot, you know what

0:29:58.160 --> 0:30:00.720
<v Speaker 1>I'm saying. And they wasn't trying. They hear none of

0:30:00.720 --> 0:30:03.600
<v Speaker 1>that old hey man, I'm just rapping over there. They

0:30:03.600 --> 0:30:06.000
<v Speaker 1>don't want to hear that shit, you know what I'm saying.

0:30:06.480 --> 0:30:09.280
<v Speaker 1>So you know, we got into it a lot, man.

0:30:09.320 --> 0:30:14.680
<v Speaker 1>We got no brawls, shootouts, you know what I'm saying.

0:30:14.760 --> 0:30:19.760
<v Speaker 1>Like niggas following me around lake woo them all, you

0:30:19.760 --> 0:30:21.680
<v Speaker 1>know what I mean, trying to get that chain off me,

0:30:22.560 --> 0:30:26.720
<v Speaker 1>you know what I'm saying. And niggas, niggas threating the

0:30:26.800 --> 0:30:29.720
<v Speaker 1>kidding that my kids. Thug behind that ship. Who got

0:30:29.760 --> 0:30:33.360
<v Speaker 1>that crazy though crazy it got it, got it shit

0:30:33.480 --> 0:30:38.000
<v Speaker 1>get crazy, man, especially when you not like you said,

0:30:38.080 --> 0:30:42.440
<v Speaker 1>I'm not affiliated, but when you associated it don't give

0:30:43.200 --> 0:30:46.600
<v Speaker 1>nigga you buy as well be. We don't give a fuck. Yeah,

0:30:46.640 --> 0:30:49.000
<v Speaker 1>we don't get. We don't. We don't get. And like

0:30:49.120 --> 0:30:52.720
<v Speaker 1>I telled, niggas in this ship, you could be cool

0:30:52.760 --> 0:30:55.680
<v Speaker 1>with everybody, but it's just motherfucker's who just don't give

0:30:55.720 --> 0:30:59.680
<v Speaker 1>a fuck. Fuck. Yeah, you don't care if he crooked

0:30:59.760 --> 0:31:02.600
<v Speaker 1>and he cool and he just wrapped in this ship.

0:31:02.840 --> 0:31:06.320
<v Speaker 1>This nigga got death roll chain though. Yeah, that means

0:31:06.120 --> 0:31:09.840
<v Speaker 1>it's own goal. The niggas don't give a foot, you

0:31:09.880 --> 0:31:12.960
<v Speaker 1>know what I'm saying. It's like the thing heel is

0:31:13.040 --> 0:31:18.720
<v Speaker 1>man with all this shit. Man, motherfucker's always try to

0:31:18.800 --> 0:31:22.320
<v Speaker 1>trag the street elements to some shit. Yeah, and I'm

0:31:22.320 --> 0:31:24.160
<v Speaker 1>gonna tell you something that this is something that a

0:31:24.160 --> 0:31:28.600
<v Speaker 1>lot of people learn. The horrid one gorillas belong in

0:31:28.640 --> 0:31:31.960
<v Speaker 1>the jungle. My nigga businessmen belong in the business in

0:31:32.000 --> 0:31:34.880
<v Speaker 1>the boardroom. You feel what I'm saying. Because the two

0:31:34.960 --> 0:31:38.600
<v Speaker 1>just don't mix, My nigga, the two just don't Master

0:31:38.680 --> 0:31:42.640
<v Speaker 1>Pete once told me, don't try to have one foot

0:31:42.640 --> 0:31:44.960
<v Speaker 1>in the streets and one foot in the music business.

0:31:45.040 --> 0:31:49.320
<v Speaker 1>They don't mix, though, put both feet in the music business. Yeah,

0:31:49.320 --> 0:31:56.200
<v Speaker 1>but it's unfortunate for you that the environment that we

0:31:56.400 --> 0:32:00.720
<v Speaker 1>grow up in and the associations that we they have had.

0:32:01.720 --> 0:32:05.120
<v Speaker 1>You could go four fledge, nigga. I'm just yeah, and

0:32:05.240 --> 0:32:08.800
<v Speaker 1>still then niggas don't give a fuck. They don't care,

0:32:08.800 --> 0:32:12.760
<v Speaker 1>don't they don't care. You could be two feet in

0:32:12.960 --> 0:32:17.480
<v Speaker 1>business one hand, the god and whatever and niggas who

0:32:17.600 --> 0:32:23.160
<v Speaker 1>knew you from the fifth grade gonna be fucked that nigga. Yeah, yeah,

0:32:23.200 --> 0:32:24.920
<v Speaker 1>I went through a lot dog over there. I was

0:32:24.960 --> 0:32:27.360
<v Speaker 1>over there four years, you know what I'm saying, And

0:32:28.520 --> 0:32:30.880
<v Speaker 1>I went through a whole lot over there. But I

0:32:30.920 --> 0:32:38.280
<v Speaker 1>feel like, you know, that's whatever respect I got, It

0:32:38.440 --> 0:32:41.680
<v Speaker 1>came from being the only long beach nigga over there

0:32:41.680 --> 0:32:45.360
<v Speaker 1>and left and walking out, you know what I'm saying,

0:32:45.840 --> 0:32:49.760
<v Speaker 1>and never having no you know, oh should slap truck

0:32:49.960 --> 0:32:53.920
<v Speaker 1>or no, should did this? Or all of those horror stories,

0:32:53.960 --> 0:32:56.720
<v Speaker 1>no horror stories, none of that, you know what I'm saying,

0:32:57.040 --> 0:33:00.719
<v Speaker 1>And uh, you know that's just being I was just

0:33:00.760 --> 0:33:04.360
<v Speaker 1>always myself, dog like. I just never I never switched

0:33:04.440 --> 0:33:09.720
<v Speaker 1>up nothing. Yeah. So obviously all that stuff got resolved

0:33:09.760 --> 0:33:13.080
<v Speaker 1>because you've got great relationships with everybody now. Yeah, so

0:33:13.120 --> 0:33:16.600
<v Speaker 1>all that stuff resolved. Some people, some people gone, some

0:33:16.680 --> 0:33:20.200
<v Speaker 1>people on a permanent vacation. It's like, you know what

0:33:20.240 --> 0:33:24.160
<v Speaker 1>I'm saying, and some people is is, uh, you know,

0:33:24.960 --> 0:33:27.960
<v Speaker 1>we cordial again. I mean because I wasn't over there

0:33:27.960 --> 0:33:30.400
<v Speaker 1>trying to kick up no dust. I was over there

0:33:30.440 --> 0:33:33.440
<v Speaker 1>trying to make the greatest music I could make and

0:33:33.600 --> 0:33:36.720
<v Speaker 1>change my life with the music and do what I loved.

0:33:36.840 --> 0:33:39.080
<v Speaker 1>That's what I was. I dead for records trying to do.

0:33:39.600 --> 0:33:41.200
<v Speaker 1>You know what I'm saying. I wasn't over there for

0:33:41.240 --> 0:33:44.200
<v Speaker 1>the other ship. But the other ship, like Shoo told me,

0:33:44.240 --> 0:33:51.120
<v Speaker 1>He's like, it don't matter, It's gonna happen. Definitely, Yeah,

0:33:51.120 --> 0:33:54.280
<v Speaker 1>it's gonna happen. It's gonna happen. You know, Christally, when

0:33:54.320 --> 0:33:57.360
<v Speaker 1>you got the reputation for the label is known for

0:33:58.760 --> 0:34:02.440
<v Speaker 1>we known forgetting this shit. And it's not gonna change.

0:34:02.920 --> 0:34:05.160
<v Speaker 1>It ain't gonna change whether you come through the door,

0:34:05.360 --> 0:34:08.000
<v Speaker 1>then get and go somewhere else. And we signed a

0:34:08.080 --> 0:34:11.920
<v Speaker 1>new nigga. Long as you are attached to death raw,

0:34:12.120 --> 0:34:16.080
<v Speaker 1>it's gonna always come at you, period. So and I

0:34:16.160 --> 0:34:18.840
<v Speaker 1>learned a lot. So yeah, and that's cool, and you

0:34:18.880 --> 0:34:21.520
<v Speaker 1>got you know what I'm saying. It ultimately made your

0:34:21.600 --> 0:34:25.160
<v Speaker 1>name even bigger. Hell yeah, shit man, dog. We went

0:34:25.200 --> 0:34:27.000
<v Speaker 1>to New York, like when Shell got out, it was

0:34:27.040 --> 0:34:29.799
<v Speaker 1>really popping. You know what I'm saying. Shell got out

0:34:29.840 --> 0:34:33.160
<v Speaker 1>and got straight to it, you know what I mean. Billboards,

0:34:33.280 --> 0:34:36.600
<v Speaker 1>We did the double X sale magazine cover Rest in

0:34:36.640 --> 0:34:38.400
<v Speaker 1>Peace Left. I was on that cover, you know what

0:34:38.400 --> 0:34:40.640
<v Speaker 1>I mean. That was her last photo shoot. Johnathan Man,

0:34:40.680 --> 0:34:42.960
<v Speaker 1>you shot that. Shout out to him, you know what

0:34:43.000 --> 0:34:46.480
<v Speaker 1>I'm saying. We did everything every show you could think of,

0:34:46.600 --> 0:34:49.399
<v Speaker 1>Jimmy Kimmel, you know what I'm saying. All the way

0:34:49.440 --> 0:34:51.680
<v Speaker 1>to the East Coast. We was on Hot ninety seven.

0:34:51.680 --> 0:34:54.520
<v Speaker 1>They was bumping my new single all like all that,

0:34:54.680 --> 0:34:57.319
<v Speaker 1>and Shug would also allow me to sit in some

0:34:57.400 --> 0:34:59.440
<v Speaker 1>of these meetings sometimes, you know what I mean, when

0:34:59.440 --> 0:35:02.520
<v Speaker 1>he was talking to power players in the industry. So

0:35:02.640 --> 0:35:05.279
<v Speaker 1>I was learning about the game by just sitting there

0:35:05.280 --> 0:35:07.400
<v Speaker 1>soaking it up, you know what I'm saying. So it

0:35:07.480 --> 0:35:10.160
<v Speaker 1>wasn't all bad. It was. It wasn't all bad, you know.

0:35:10.320 --> 0:35:14.440
<v Speaker 1>But I feel like since he was kind of blackballed,

0:35:15.440 --> 0:35:19.120
<v Speaker 1>that we couldn't really put out no hits, you know

0:35:19.160 --> 0:35:24.200
<v Speaker 1>what I mean. And sometime hits make off all the negativity.

0:35:25.840 --> 0:35:29.680
<v Speaker 1>You overlooked the negativity because the hits is coming. But

0:35:29.840 --> 0:35:32.360
<v Speaker 1>if you ain't got no hits, then we're just looking

0:35:32.360 --> 0:35:34.959
<v Speaker 1>at all the bullshit that's going on and being like, Nigga,

0:35:35.000 --> 0:35:36.919
<v Speaker 1>this is some bullshit, you know what I'm saying. Because

0:35:36.960 --> 0:35:39.000
<v Speaker 1>we didn't have no we didn't have no way to

0:35:39.040 --> 0:35:42.600
<v Speaker 1>really distribute our ship. You know, he wasn't going for

0:35:42.640 --> 0:35:45.320
<v Speaker 1>the independent game. Should wanted to sell millions of records,

0:35:45.360 --> 0:35:48.560
<v Speaker 1>because that's what he was using. You know, I'm pretty

0:35:48.560 --> 0:35:50.879
<v Speaker 1>sure coming from the heights of he's came from Bow,

0:35:50.920 --> 0:35:53.040
<v Speaker 1>he wasn't trying to see nothing less than that. Yeah,

0:35:53.160 --> 0:35:56.160
<v Speaker 1>like he won and all that. When we went over there,

0:35:56.640 --> 0:35:59.160
<v Speaker 1>when they was doing projections and all that, he wasn't

0:35:59.200 --> 0:36:01.840
<v Speaker 1>feeling it what I'm saying, because he came from a

0:36:01.920 --> 0:36:05.280
<v Speaker 1>situation where he was used to selling millions and millions

0:36:05.280 --> 0:36:07.080
<v Speaker 1>of records, you know what I mean. And the game

0:36:07.200 --> 0:36:10.359
<v Speaker 1>was changing. He went in, he was like one or two,

0:36:10.840 --> 0:36:13.880
<v Speaker 1>you know, hip hop moguls. He came out, it was

0:36:13.920 --> 0:36:17.000
<v Speaker 1>full five and motherfucker's exactly. You know what I'm saying.

0:36:17.080 --> 0:36:20.080
<v Speaker 1>The game had changed up. Yeah, just that quick, man,

0:36:20.200 --> 0:36:25.600
<v Speaker 1>just that quick. Now. The Jarl was solve your situation amicably. Yeah.

0:36:26.320 --> 0:36:29.040
<v Speaker 1>We didn't see out when I when I left, you

0:36:29.040 --> 0:36:30.680
<v Speaker 1>know what I'm saying, I was like, it's time for

0:36:30.719 --> 0:36:33.400
<v Speaker 1>me to go because wasn't no music because decision or

0:36:33.520 --> 0:36:39.759
<v Speaker 1>was it a contract short decision? Well, the contract was up. Okay,

0:36:40.239 --> 0:36:42.400
<v Speaker 1>I did I did you know the four years. We

0:36:42.440 --> 0:36:45.360
<v Speaker 1>had a four year contract. I did the four year contract.

0:36:45.640 --> 0:36:49.080
<v Speaker 1>Contract was up. They wanted me to resign and I

0:36:49.200 --> 0:36:51.920
<v Speaker 1>was like, yo, you know what, I'm ready. I gotta bounce.

0:36:52.000 --> 0:36:54.319
<v Speaker 1>I need to put music out. Time is I can't

0:36:54.320 --> 0:36:56.920
<v Speaker 1>get this time back, you know what I'm saying. And

0:36:56.960 --> 0:37:01.120
<v Speaker 1>we was doing little shit like we did uh Dysfunctional Family,

0:37:01.200 --> 0:37:04.000
<v Speaker 1>Eddie Griffin, he had this movie. We did the whole soundtrack.

0:37:04.239 --> 0:37:07.080
<v Speaker 1>I helped co produce most of the whole damn soundtrack,

0:37:07.120 --> 0:37:08.200
<v Speaker 1>you know what I'm saying. We had a lot of

0:37:08.200 --> 0:37:12.719
<v Speaker 1>players on there. Murder Ink came into play murder inc.

0:37:12.800 --> 0:37:15.680
<v Speaker 1>EARV Gotti came in, was like, well, look he kind

0:37:15.680 --> 0:37:17.719
<v Speaker 1>of I think he kind of knew Sugars hands was

0:37:17.760 --> 0:37:20.440
<v Speaker 1>tied to a certain extent. So Herv was like, Yo,

0:37:20.600 --> 0:37:23.960
<v Speaker 1>we'll take Krook and you know, we'll put them up

0:37:24.440 --> 0:37:26.319
<v Speaker 1>where you need to be, you know what I'm saying.

0:37:26.320 --> 0:37:28.520
<v Speaker 1>So so you almost wanted them murdering. So it was

0:37:28.560 --> 0:37:31.200
<v Speaker 1>almost a death Row Murderinc On my album. Yeah, you

0:37:31.239 --> 0:37:33.680
<v Speaker 1>know what I'm saying. That's why I did the Baby

0:37:33.719 --> 0:37:36.200
<v Speaker 1>remix with a Shanty. You know, when she did the

0:37:36.200 --> 0:37:38.400
<v Speaker 1>Baby song and went number one, I did the remix

0:37:39.200 --> 0:37:41.920
<v Speaker 1>first time I was number one on them, one or

0:37:41.920 --> 0:37:45.480
<v Speaker 1>six apart. You know what I'm saying, And you know, er,

0:37:46.680 --> 0:37:50.000
<v Speaker 1>I gotta say this. You know, EARV kept it real.

0:37:51.320 --> 0:37:53.200
<v Speaker 1>Not too many people. A lot of people always was

0:37:53.239 --> 0:37:55.040
<v Speaker 1>talking to me in the industry like yeah, I do

0:37:55.120 --> 0:37:56.600
<v Speaker 1>this with you, I do that with you, and they

0:37:57.360 --> 0:37:59.200
<v Speaker 1>they go ghost you don't even see him no more,

0:37:59.239 --> 0:38:01.759
<v Speaker 1>or it's just Hollywood shit, like yeah, man, we gotta

0:38:01.800 --> 0:38:03.560
<v Speaker 1>make sure we do this. You know, just a lot

0:38:03.600 --> 0:38:06.839
<v Speaker 1>of Hollywood shit. But HERB was like, listen, you want

0:38:06.920 --> 0:38:11.759
<v Speaker 1>the hardest niggers I heard ever. I'm gonna make sure

0:38:11.800 --> 0:38:15.120
<v Speaker 1>your ship shake. He's like, we got the number one

0:38:15.160 --> 0:38:17.919
<v Speaker 1>record over here, you're getting on the remix. I left

0:38:17.920 --> 0:38:20.200
<v Speaker 1>the studio. I was like, hey, cool, that's what he's saying.

0:38:20.320 --> 0:38:23.759
<v Speaker 1>Next day, I was in the booth. Right after that,

0:38:24.040 --> 0:38:26.680
<v Speaker 1>I was at the at the video shoot. Right after that,

0:38:26.880 --> 0:38:29.799
<v Speaker 1>I was coming out on a shanty set. Why she

0:38:29.920 --> 0:38:33.279
<v Speaker 1>had thirty thousand people in the crowd rocking my verse.

0:38:34.480 --> 0:38:36.359
<v Speaker 1>You feel me like he kept it all the way

0:38:36.400 --> 0:38:39.960
<v Speaker 1>one hunting, you know what I mean. And I appreciated that,

0:38:40.239 --> 0:38:42.799
<v Speaker 1>you know what I mean. But when that case hit,

0:38:43.480 --> 0:38:46.440
<v Speaker 1>everything scattered remember when yeah, they got they got hit.

0:38:46.480 --> 0:38:50.600
<v Speaker 1>What they It's almost like that was a concerted effort

0:38:50.600 --> 0:38:53.680
<v Speaker 1>from law enforcement. Really the ship off, you know, the

0:38:53.719 --> 0:38:56.040
<v Speaker 1>three powerful black labels, because you gotta remember Rap a

0:38:56.080 --> 0:38:58.720
<v Speaker 1>Lot Records was involved in that. They didn't get cracked

0:38:58.719 --> 0:39:01.640
<v Speaker 1>like they're the cast d though they got sugar and

0:39:01.680 --> 0:39:05.560
<v Speaker 1>they got herb. Yeah, you know what I'm saying. Definitely yeah,

0:39:05.560 --> 0:39:07.880
<v Speaker 1>And it was like it was trippy man and being

0:39:07.960 --> 0:39:11.800
<v Speaker 1>you know, when I'm being on the road, they was

0:39:11.840 --> 0:39:16.400
<v Speaker 1>really trying to blackball. I would show up to concerts

0:39:16.840 --> 0:39:19.400
<v Speaker 1>by myself and they'd be like, nah, we can't let

0:39:19.440 --> 0:39:24.280
<v Speaker 1>you in. You know what I'm saying, Like as artists

0:39:24.280 --> 0:39:26.439
<v Speaker 1>here performing that said, if we let you in, they're

0:39:26.440 --> 0:39:29.360
<v Speaker 1>not performing. I ain't never even met did nothing to

0:39:29.440 --> 0:39:32.960
<v Speaker 1>these niggas well, you know what it was during that time, Crook.

0:39:33.080 --> 0:39:36.399
<v Speaker 1>I think the industry as a whole, because I think

0:39:36.440 --> 0:39:38.719
<v Speaker 1>everybody in this room heard about the mass whoopings that

0:39:38.880 --> 0:39:41.160
<v Speaker 1>was being passed out. I'm talking about grown niggas putting

0:39:41.200 --> 0:39:44.040
<v Speaker 1>their hands on other grown niggas, you know, not just

0:39:44.160 --> 0:39:47.360
<v Speaker 1>beat downs, but really defiling niggas. Man pissing on niggas

0:39:47.400 --> 0:39:50.000
<v Speaker 1>and you know, just all that shit come running up

0:39:50.000 --> 0:39:52.560
<v Speaker 1>in niggas cribs and all that just crazy stuff. Dog.

0:39:53.440 --> 0:39:55.160
<v Speaker 1>If they got to a time and I'm gonna tell

0:39:55.200 --> 0:39:57.759
<v Speaker 1>you some dog, I don't give a fuck how bad

0:39:57.800 --> 0:40:00.560
<v Speaker 1>and nigga think his reputation he was in the street, right,

0:40:01.040 --> 0:40:03.880
<v Speaker 1>it ain't no motherfucker batter than the federal government, my nigga.

0:40:05.040 --> 0:40:07.160
<v Speaker 1>But motherfuckers get tired of your ass and you think

0:40:07.160 --> 0:40:09.640
<v Speaker 1>you could walk around, you're putting your hands on motherfucker's

0:40:09.680 --> 0:40:12.360
<v Speaker 1>dog and doing all this crazy shit. After while, the

0:40:12.360 --> 0:40:14.839
<v Speaker 1>people with the pipical start going, U, we got something

0:40:14.880 --> 0:40:17.799
<v Speaker 1>for your ass, right, We're not alone it no more. Now,

0:40:17.840 --> 0:40:21.120
<v Speaker 1>I'll be telling you, since that time, you ain't heard

0:40:21.120 --> 0:40:23.239
<v Speaker 1>about no niggas running up in no labels like they

0:40:23.320 --> 0:40:25.120
<v Speaker 1>used to back then. That ship is not working. Dog.

0:40:25.160 --> 0:40:28.080
<v Speaker 1>You just can't force some motherfucker security. Yeah, they're not

0:40:28.160 --> 0:40:30.279
<v Speaker 1>letting motherfucker's in their buildings no more like that. That

0:40:30.360 --> 0:40:33.640
<v Speaker 1>shit stopped and they just changed that game. Man, that

0:40:33.840 --> 0:40:37.160
<v Speaker 1>that that behavior has changed the game because we weren't

0:40:37.200 --> 0:40:39.959
<v Speaker 1>taking that bullshit. Nigga's got tired of getting robbed. Because

0:40:39.960 --> 0:40:42.400
<v Speaker 1>I'm gonna tell you, dog, I'm gonna tell you like this,

0:40:42.560 --> 0:40:47.080
<v Speaker 1>Like I tell everybody else, Man, that small world that's

0:40:47.080 --> 0:40:51.080
<v Speaker 1>in the streets, that's really not reality. They live outside

0:40:51.080 --> 0:40:55.080
<v Speaker 1>the skibble with reality yields. Motherfucker's is getting niggas locked

0:40:55.080 --> 0:41:00.400
<v Speaker 1>the fuck up, dog Man, dog locked all the way up,

0:41:00.520 --> 0:41:05.200
<v Speaker 1>you know. And and and you know, after that ship,

0:41:05.400 --> 0:41:09.040
<v Speaker 1>I was seeing a noticeable difference in the industry, how

0:41:09.080 --> 0:41:12.000
<v Speaker 1>people was moving around, you know what I'm saying. With

0:41:12.040 --> 0:41:15.680
<v Speaker 1>the security, like A said, with the motherfucking you gotta

0:41:15.719 --> 0:41:18.160
<v Speaker 1>have a code to get inside the building. You gotta

0:41:18.239 --> 0:41:20.560
<v Speaker 1>have a key card to go up the elevator. Like

0:41:20.760 --> 0:41:24.000
<v Speaker 1>everything was changing. You can't just run up in them

0:41:24.000 --> 0:41:26.200
<v Speaker 1>offices talking all that shit no more, you know, because

0:41:26.239 --> 0:41:28.520
<v Speaker 1>it's not real healthy dog and only niggas bring that

0:41:28.560 --> 0:41:31.759
<v Speaker 1>type of ship. You don't never hear about no rock star.

0:41:31.920 --> 0:41:34.560
<v Speaker 1>Motherfucker's doing no crazy shit like that, you know what

0:41:34.600 --> 0:41:37.400
<v Speaker 1>I'm saying. They said they dispute in the boardroom and

0:41:37.440 --> 0:41:40.000
<v Speaker 1>the lawyer, you know, the courthouse man, because I mean,

0:41:40.040 --> 0:41:48.920
<v Speaker 1>you know, payola and all that wasn't really created by us. Well, yeah,

0:41:49.000 --> 0:41:54.319
<v Speaker 1>we talked about baseball bats. Yeah you know what I yeah,

0:41:54.560 --> 0:41:57.200
<v Speaker 1>it was going in play this check this out. They

0:41:57.280 --> 0:41:59.680
<v Speaker 1>was only coming with baseball batsto dog when that's not

0:41:59.719 --> 0:42:02.080
<v Speaker 1>a month he didn't work. Yeah, when the money didn't work,

0:42:02.080 --> 0:42:05.640
<v Speaker 1>you know, when the money coming with the mother shit. Yeah,

0:42:05.680 --> 0:42:07.799
<v Speaker 1>but you know because that's what I mean, you know

0:42:07.840 --> 0:42:11.319
<v Speaker 1>how to go, man, Like these niggas was in there. Man,

0:42:11.360 --> 0:42:13.600
<v Speaker 1>they trying to get this money off these spins. Man,

0:42:14.000 --> 0:42:17.360
<v Speaker 1>they weren't taking no for an answer. You know, industry

0:42:17.440 --> 0:42:19.200
<v Speaker 1>was on some gangster shit. If you asked me no,

0:42:19.360 --> 0:42:21.520
<v Speaker 1>let me ask you this and this. Because I'm trying

0:42:21.560 --> 0:42:24.000
<v Speaker 1>to like a speaking pass a lot of shit. So

0:42:25.200 --> 0:42:27.600
<v Speaker 1>when when is the last time you actually talked to Sugar? Like,

0:42:27.600 --> 0:42:28.960
<v Speaker 1>how did y'all leave it? Did you talk to him

0:42:29.000 --> 0:42:31.239
<v Speaker 1>after he got into the situation with Old Boy when

0:42:31.280 --> 0:42:33.839
<v Speaker 1>he ran the brother over? I talked to him right

0:42:33.840 --> 0:42:35.799
<v Speaker 1>before then. That was the last time I spoke to him.

0:42:35.800 --> 0:42:38.880
<v Speaker 1>I talked to him right before then. Um, I was

0:42:39.360 --> 0:42:42.080
<v Speaker 1>filming the show. I did this show called One Shot.

0:42:42.120 --> 0:42:46.040
<v Speaker 1>I created it for BT in twenty fifteen. UM. It

0:42:46.160 --> 0:42:49.799
<v Speaker 1>came out in twenty fifteen. UM. It was a It

0:42:49.920 --> 0:42:53.160
<v Speaker 1>was a platform that I built for independent artists. We

0:42:53.200 --> 0:42:56.000
<v Speaker 1>went around the world, went around America just trying to

0:42:56.000 --> 0:42:59.279
<v Speaker 1>find new rappers. Right, you know what I'm saying. And

0:42:59.280 --> 0:43:02.520
<v Speaker 1>then you know, whoever win the contest get a hundred

0:43:02.520 --> 0:43:05.359
<v Speaker 1>thousand dollars and an independent record deal. You know what

0:43:05.360 --> 0:43:08.440
<v Speaker 1>I'm saying. So I was in Miami shooting the Miami episode.

0:43:09.239 --> 0:43:11.560
<v Speaker 1>I had Callett. It was cracking, it was real, it

0:43:11.640 --> 0:43:14.680
<v Speaker 1>was real cool and um I had Swede hosting it

0:43:14.719 --> 0:43:18.040
<v Speaker 1>and all that shit. And I got a call and

0:43:18.120 --> 0:43:22.839
<v Speaker 1>was shug The should was like, yo, was hattening. I said,

0:43:22.880 --> 0:43:26.640
<v Speaker 1>oh man, I'm chilling. I'm in Miami. He's like, okay, okay, okay.

0:43:26.719 --> 0:43:28.399
<v Speaker 1>I thought you was out here. Man, I was gonna

0:43:28.400 --> 0:43:30.960
<v Speaker 1>ask you to do something. But you in Miami, Man,

0:43:31.000 --> 0:43:32.640
<v Speaker 1>what you're doing out there? I was like, oh man,

0:43:32.680 --> 0:43:34.359
<v Speaker 1>I'm just filming the show. You know what I'm saying,

0:43:34.440 --> 0:43:36.680
<v Speaker 1>Just doing my thing. He was like, A right, all right.

0:43:37.080 --> 0:43:39.399
<v Speaker 1>We had a little conversation, man, and left it at that.

0:43:39.800 --> 0:43:44.160
<v Speaker 1>But before then, you know, when I first left the

0:43:44.440 --> 0:43:48.759
<v Speaker 1>judge because they took they took me to court, The

0:43:48.840 --> 0:43:52.439
<v Speaker 1>label took me to court, and you know, try to say,

0:43:52.520 --> 0:43:54.879
<v Speaker 1>you know, I guess the legal department was like yo,

0:43:56.280 --> 0:43:58.160
<v Speaker 1>it was trying to stop me from being able to leave.

0:43:58.719 --> 0:44:00.680
<v Speaker 1>You know what I'm saying, so you old, some more

0:44:01.080 --> 0:44:03.440
<v Speaker 1>old old, some more records and all this kind of shit.

0:44:03.520 --> 0:44:07.200
<v Speaker 1>So I went to court and the craziest shit happened.

0:44:07.600 --> 0:44:09.600
<v Speaker 1>I already knew. I was like, oh shit, and they go,

0:44:09.640 --> 0:44:12.480
<v Speaker 1>I'm good. I walked in because I'll be you ever

0:44:12.560 --> 0:44:17.400
<v Speaker 1>believe in signs or something like that. So I walked

0:44:17.440 --> 0:44:21.239
<v Speaker 1>in and the judge name was Judge good Man, and

0:44:21.320 --> 0:44:24.040
<v Speaker 1>I looked at that shit. I was like, okay, And

0:44:24.080 --> 0:44:28.440
<v Speaker 1>then they were saying, you know, they sighed was saying that,

0:44:28.560 --> 0:44:31.239
<v Speaker 1>you know, I still owe some records and blah blah

0:44:31.239 --> 0:44:32.640
<v Speaker 1>blah blah blah, you know what I mean. And they

0:44:32.680 --> 0:44:35.120
<v Speaker 1>was trying to say that, you know, they had me

0:44:35.200 --> 0:44:37.920
<v Speaker 1>under a new contract, and I was like, yo, I

0:44:37.920 --> 0:44:40.600
<v Speaker 1>already knew. It's like impossible to prove because I believe

0:44:40.640 --> 0:44:43.000
<v Speaker 1>the FEDS had already raided the building at that point

0:44:43.040 --> 0:44:45.279
<v Speaker 1>and they had took all the paperwork away. So it

0:44:45.360 --> 0:44:47.279
<v Speaker 1>was like I couldn't even tell you know what I'm saying,

0:44:47.320 --> 0:44:49.600
<v Speaker 1>like they came in and took all the computers and

0:44:49.640 --> 0:44:53.080
<v Speaker 1>everything when they raided Death Row. But anyway, the judge

0:44:53.280 --> 0:44:58.760
<v Speaker 1>winked at me. I already knew. I was like Okay,

0:44:58.760 --> 0:45:01.960
<v Speaker 1>I'm good, you know what I'm saying. And he was like, Yo,

0:45:02.719 --> 0:45:05.359
<v Speaker 1>y'all gotta pay him back for his legal fees. Y'all

0:45:05.360 --> 0:45:07.960
<v Speaker 1>gotta pay him back for this. He put a business

0:45:08.080 --> 0:45:10.040
<v Speaker 1>gag order on him because he's like, I don't want

0:45:10.120 --> 0:45:14.120
<v Speaker 1>nobody going to Universal Warner soon. He's saying that this man,

0:45:14.560 --> 0:45:17.600
<v Speaker 1>it's still on y'all label to intimidate nobody in the

0:45:17.680 --> 0:45:20.560
<v Speaker 1>business from doing any worked with him. If I hear

0:45:20.600 --> 0:45:23.240
<v Speaker 1>about it, it's gonna be a quarter million dollars fine

0:45:23.320 --> 0:45:26.439
<v Speaker 1>on you. Like he just threw the whole shit at him,

0:45:26.880 --> 0:45:31.160
<v Speaker 1>and you know, shouldn't like that, you know what I'm saying.

0:45:31.200 --> 0:45:35.399
<v Speaker 1>He didn't like that, man, And and I was like,

0:45:36.160 --> 0:45:38.920
<v Speaker 1>I gotta go talk to this nigga man because people

0:45:38.960 --> 0:45:44.080
<v Speaker 1>were saying stuff like like man should said wawawa, I

0:45:44.080 --> 0:45:46.759
<v Speaker 1>anna work? You know what I'm saying. So I was

0:45:46.800 --> 0:45:50.400
<v Speaker 1>on sunset one night when my god brother Jim get him,

0:45:50.440 --> 0:45:53.960
<v Speaker 1>and uh, I see should stand outside with like four

0:45:54.040 --> 0:45:56.440
<v Speaker 1>or five dudes. It was just me and Jim, But

0:45:56.480 --> 0:45:58.839
<v Speaker 1>I was like, dog, let's swoop up on him real quick,

0:46:00.320 --> 0:46:04.919
<v Speaker 1>jumped out, sure what was happening? Oh crook, come here, man?

0:46:05.000 --> 0:46:08.520
<v Speaker 1>I say, yo, what's going down. He was like, oh,

0:46:08.560 --> 0:46:10.600
<v Speaker 1>he said some things right. I ain't gonna say what

0:46:10.640 --> 0:46:12.640
<v Speaker 1>he said, but he said some things, and I said

0:46:12.680 --> 0:46:16.960
<v Speaker 1>some things right, and he started laughing. He said, that's

0:46:16.960 --> 0:46:19.520
<v Speaker 1>why I always fucked with you, because you crazy as

0:46:19.520 --> 0:46:23.440
<v Speaker 1>a motherfucker. And I was like, man, you know, niggas

0:46:23.440 --> 0:46:25.560
<v Speaker 1>just trying to do his business. You know what I'm saying,

0:46:25.560 --> 0:46:30.520
<v Speaker 1>That's just what it is. And after that we shook hands, right,

0:46:30.680 --> 0:46:34.200
<v Speaker 1>and it wasn't no more. Nothing was a gray area

0:46:34.320 --> 0:46:36.120
<v Speaker 1>no more. After that, you know what I mean, I

0:46:36.239 --> 0:46:38.919
<v Speaker 1>start seeing him at parties. You know, I go holler

0:46:38.960 --> 0:46:40.960
<v Speaker 1>at him for a second, you know, go do my thing.

0:46:42.800 --> 0:46:45.360
<v Speaker 1>And you know, he had called me when I signed

0:46:45.400 --> 0:46:49.439
<v Speaker 1>The Shady and he hit me up. He was like, listen,

0:46:49.440 --> 0:46:51.320
<v Speaker 1>I'm glad you with the white boy. That's what he

0:46:51.400 --> 0:46:53.000
<v Speaker 1>called him. You know, he's I'm glad you with the

0:46:53.040 --> 0:46:56.319
<v Speaker 1>white boy because he understand lyricism. He was like, he

0:46:56.440 --> 0:46:58.960
<v Speaker 1>understand lyricism. You know, a lot of these these record

0:46:59.000 --> 0:47:01.080
<v Speaker 1>labels they don't know what to do with a real lyricist.

0:47:01.160 --> 0:47:03.279
<v Speaker 1>But I feel like Eminem know what to do with

0:47:03.360 --> 0:47:06.680
<v Speaker 1>a real lyricist. You know what it's funny that you

0:47:06.760 --> 0:47:09.840
<v Speaker 1>go into this situation now with Shady because then that

0:47:10.040 --> 0:47:13.520
<v Speaker 1>was the formation. You guys have formed Slaughterhouse by this time, right,

0:47:14.040 --> 0:47:17.319
<v Speaker 1>you guys formed Slaughterhouse by this time. It was a

0:47:17.360 --> 0:47:20.040
<v Speaker 1>lot of excitement and a lot of anticipation around that.

0:47:21.160 --> 0:47:25.040
<v Speaker 1>How did that get blown in this array? How did

0:47:25.040 --> 0:47:29.560
<v Speaker 1>it get blown into this array? Not being on the

0:47:29.600 --> 0:47:33.080
<v Speaker 1>same page, you know what I'm saying, Like, we wasn't

0:47:33.160 --> 0:47:36.440
<v Speaker 1>the four dudes who was in the trenches with each other, right,

0:47:37.000 --> 0:47:40.560
<v Speaker 1>you know what I mean? And or Nigga Sambox niggas.

0:47:41.000 --> 0:47:43.239
<v Speaker 1>You know what I'm saying. We was put together. We

0:47:43.320 --> 0:47:46.720
<v Speaker 1>came together, the fans put us together. We was We

0:47:46.760 --> 0:47:50.200
<v Speaker 1>was taking advantage of the internet, bro, That's what it was.

0:47:50.480 --> 0:47:52.480
<v Speaker 1>I figured out a way to really pop off on

0:47:52.520 --> 0:47:55.919
<v Speaker 1>the internet. Joe figured out a way. Royce figured out

0:47:55.920 --> 0:47:57.719
<v Speaker 1>that Joel. So when we came together and did that

0:47:57.800 --> 0:48:01.080
<v Speaker 1>one song, the Internet crash and it was like, oh shit,

0:48:01.200 --> 0:48:02.840
<v Speaker 1>let's do another one. I flew to New York. We

0:48:02.880 --> 0:48:05.080
<v Speaker 1>did another one. And then when I was in New York,

0:48:05.080 --> 0:48:06.680
<v Speaker 1>they was like, Yo, let's just do a group. We

0:48:06.719 --> 0:48:09.640
<v Speaker 1>did a group. We went on E one. But the

0:48:09.719 --> 0:48:12.080
<v Speaker 1>first album E one really didn't think that we was

0:48:12.120 --> 0:48:14.920
<v Speaker 1>gonna mount to nothing. They like, all these lyrical miracle

0:48:14.960 --> 0:48:18.080
<v Speaker 1>niggas ain't gonna do nothing. So they ain't really press

0:48:18.160 --> 0:48:20.799
<v Speaker 1>up much many copies, you know what I'm saying. That's

0:48:20.800 --> 0:48:23.080
<v Speaker 1>back when there was pressed the CDs and we sold

0:48:23.120 --> 0:48:25.640
<v Speaker 1>out in the first two hours, you know what I'm saying.

0:48:25.760 --> 0:48:28.640
<v Speaker 1>And then they was like damn. They was like, yo,

0:48:28.960 --> 0:48:31.840
<v Speaker 1>can y'all resign? We had a one album deal with them,

0:48:31.880 --> 0:48:33.719
<v Speaker 1>and we was like, hell no, y'all didn't even believe

0:48:33.719 --> 0:48:35.960
<v Speaker 1>in us. Why would we resign with y'all, you know

0:48:35.960 --> 0:48:40.120
<v Speaker 1>what I'm saying. So we took off, got got with shady,

0:48:40.160 --> 0:48:43.239
<v Speaker 1>you know what I'm saying, and uh, it was it was.

0:48:43.360 --> 0:48:48.520
<v Speaker 1>It was pretty cool. But that's when it started unraveling

0:48:49.880 --> 0:48:57.240
<v Speaker 1>our specific well, I mean, I'm gonna just speak freely,

0:48:57.719 --> 0:48:59.680
<v Speaker 1>you know what I'm saying, Please do. I mean, that's

0:48:59.719 --> 0:49:06.360
<v Speaker 1>where we Joe Joe, but Joe Button, he my experiences

0:49:06.400 --> 0:49:09.840
<v Speaker 1>were dealing with him. He's not a good person, Okay,

0:49:10.040 --> 0:49:14.160
<v Speaker 1>you know what I'm saying. And that kept splashing on

0:49:14.320 --> 0:49:18.200
<v Speaker 1>to the to the group. Now everybody was we was

0:49:18.239 --> 0:49:22.719
<v Speaker 1>all making certain mistakes. I was drinking heavy, you know,

0:49:22.760 --> 0:49:24.480
<v Speaker 1>what I'm saying. I was drinking, I was, I was

0:49:24.560 --> 0:49:28.040
<v Speaker 1>turning up, you know what I'm saying. So sometimes, but

0:49:28.080 --> 0:49:30.279
<v Speaker 1>I knew how to do my job even when I

0:49:30.360 --> 0:49:32.520
<v Speaker 1>was you know what I'm saying getting fucked up. I

0:49:32.600 --> 0:49:34.760
<v Speaker 1>knew how to do my job. But at the same time,

0:49:34.920 --> 0:49:37.239
<v Speaker 1>who want the nigga to be drunk all the goddamn time?

0:49:37.800 --> 0:49:40.800
<v Speaker 1>So that's my that's me hold myself accountable for for

0:49:40.800 --> 0:49:45.719
<v Speaker 1>for my actions and Slarter House, you know what I'm saying. Um,

0:49:45.880 --> 0:49:49.160
<v Speaker 1>Joe was doing deal side deals, deals we didn't know about.

0:49:49.800 --> 0:49:55.040
<v Speaker 1>I mean shit, it was just side deals from himself

0:49:55.160 --> 0:49:57.280
<v Speaker 1>or the group for herself, you know what I'm saying.

0:49:57.920 --> 0:50:00.439
<v Speaker 1>And you know, and and and other than I don't

0:50:00.440 --> 0:50:02.080
<v Speaker 1>even care about that kind of shit because we all

0:50:02.080 --> 0:50:04.520
<v Speaker 1>got a hustle and grind it. We just me and

0:50:04.640 --> 0:50:06.399
<v Speaker 1>him don't mix. He don't fuck with me. I don't

0:50:06.440 --> 0:50:09.319
<v Speaker 1>fuck with him, you know what I'm saying. And it's

0:50:09.360 --> 0:50:13.439
<v Speaker 1>like somebody that knew him told me, hey, whatever you do,

0:50:13.440 --> 0:50:15.920
<v Speaker 1>don't let Joe be Joe. And I ain't know what

0:50:15.960 --> 0:50:18.520
<v Speaker 1>that meant because I was I just met him, and

0:50:18.560 --> 0:50:20.960
<v Speaker 1>he was like, you're gonna find out, And I found out,

0:50:21.600 --> 0:50:24.120
<v Speaker 1>you know what I'm saying. So it became a situation

0:50:24.160 --> 0:50:28.160
<v Speaker 1>where I was like, you know what, I got off

0:50:28.200 --> 0:50:32.000
<v Speaker 1>liquor because it wasn't serving me, it wasn't giving me

0:50:32.000 --> 0:50:34.759
<v Speaker 1>any benefits, no positive benefits. I was catching ails on

0:50:34.800 --> 0:50:41.040
<v Speaker 1>that ship, you know, DUIs jail, you know, cussing, motherfucker's out.

0:50:41.080 --> 0:50:43.080
<v Speaker 1>I shouldn't have been getting into shit. I shouldn't have

0:50:43.120 --> 0:50:45.279
<v Speaker 1>been getting into all that type of shit. I got

0:50:45.360 --> 0:50:46.960
<v Speaker 1>rid of that. I moved that out of my life.

0:50:47.239 --> 0:50:49.360
<v Speaker 1>So I'm like, you know what, I gotta move this

0:50:49.400 --> 0:50:51.919
<v Speaker 1>shit out of my life, you know what I'm saying,

0:50:51.960 --> 0:50:56.759
<v Speaker 1>Because this this ain't even it, you know, so you

0:50:56.840 --> 0:51:01.480
<v Speaker 1>gotta manu. Yeah, you have to. You gotta let it go.

0:51:01.560 --> 0:51:03.480
<v Speaker 1>And it's like to stress you the fuck out when

0:51:03.520 --> 0:51:06.040
<v Speaker 1>you're trying to figure out, you know, the next move,

0:51:06.560 --> 0:51:09.839
<v Speaker 1>when the next move is just fuck the motherfucker. I

0:51:09.880 --> 0:51:12.600
<v Speaker 1>can't mix with that motherfuckers. So it's best for me

0:51:12.640 --> 0:51:15.759
<v Speaker 1>to just not even deal with it. Yeah, and I'm

0:51:15.800 --> 0:51:18.440
<v Speaker 1>not even like, you know, I'm not angry. I let

0:51:18.440 --> 0:51:21.359
<v Speaker 1>the anger go, because when you're angry, it's like you're

0:51:21.400 --> 0:51:24.800
<v Speaker 1>picking up a sharp knife to stab somebody. But you

0:51:24.920 --> 0:51:27.879
<v Speaker 1>picked up the wrong end and cut yourself. Yeah all

0:51:27.920 --> 0:51:29.960
<v Speaker 1>the time, you know what I'm saying. So I don't

0:51:30.080 --> 0:51:33.480
<v Speaker 1>harbor no anger, you know what I mean for the situation,

0:51:33.719 --> 0:51:36.920
<v Speaker 1>no more. I let that all go. But it was

0:51:37.160 --> 0:51:39.520
<v Speaker 1>it was just one of those things to where you know,

0:51:39.680 --> 0:51:42.799
<v Speaker 1>Royce didn't want to do the three man group, just me,

0:51:43.040 --> 0:51:48.400
<v Speaker 1>him and Joel when when Joe said he retired, he

0:51:48.520 --> 0:51:52.560
<v Speaker 1>was bent on trying to bring Joe out of retirement

0:51:52.640 --> 0:51:54.520
<v Speaker 1>and doing the four man group. But we just got

0:51:54.520 --> 0:51:56.920
<v Speaker 1>to the point where me as a person growing and

0:51:57.040 --> 0:51:59.600
<v Speaker 1>trying to trying to be the best version of myself,

0:51:59.640 --> 0:52:03.920
<v Speaker 1>I can no longer stand next to that guy. I'm saying,

0:52:03.960 --> 0:52:06.359
<v Speaker 1>I feel that and not see you guys have had

0:52:06.400 --> 0:52:12.279
<v Speaker 1>some dialogue. Yeah, and wouldn't you on this show? Yeah?

0:52:12.520 --> 0:52:14.880
<v Speaker 1>The thing to pull up, y'all was on the pull up.

0:52:15.920 --> 0:52:18.920
<v Speaker 1>What happened? But that that episode, like Zapp must have

0:52:18.920 --> 0:52:25.680
<v Speaker 1>missed something. That episode disappeared. That episode disappeared, you know

0:52:25.960 --> 0:52:28.600
<v Speaker 1>that that shit disappeared. I feel like it was a

0:52:28.640 --> 0:52:31.320
<v Speaker 1>good business move for him to make that that episode

0:52:31.360 --> 0:52:35.799
<v Speaker 1>go away because the conversation. I don't think the conversation

0:52:35.880 --> 0:52:37.960
<v Speaker 1>went the way him and his team wanted it. To go.

0:52:39.440 --> 0:52:42.560
<v Speaker 1>So it was a good business move for just flushing

0:52:42.600 --> 0:52:44.960
<v Speaker 1>down the stupid scrap that you know what I'm saying.

0:52:45.719 --> 0:52:51.840
<v Speaker 1>But you know, um, Slaughterhouse could have impacted the culture.

0:52:52.120 --> 0:52:54.960
<v Speaker 1>Were some dudes who knew how to rap very well.

0:52:56.760 --> 0:52:59.759
<v Speaker 1>But we didn't. We didn't impact or move nothing in

0:52:59.760 --> 0:53:02.640
<v Speaker 1>the ulture like we could have because we didn't grow

0:53:02.680 --> 0:53:04.960
<v Speaker 1>to that space ship. Now right now, you'll look at

0:53:05.040 --> 0:53:08.320
<v Speaker 1>Royce and Royce would be doing things for mental health.

0:53:08.800 --> 0:53:11.839
<v Speaker 1>He'll be trying to help you know, independent artists come

0:53:11.920 --> 0:53:14.560
<v Speaker 1>up in this community. He's doing things to try to

0:53:14.600 --> 0:53:17.600
<v Speaker 1>impact the culture now as a as a you know,

0:53:17.640 --> 0:53:21.200
<v Speaker 1>as he's grown over the years, as he's maturing, you

0:53:21.239 --> 0:53:23.399
<v Speaker 1>see what I'm saying. Slaughter House didn't get a chance

0:53:23.400 --> 0:53:27.600
<v Speaker 1>to mature, be a brand and impact the culture. Yeah,

0:53:27.600 --> 0:53:29.719
<v Speaker 1>because there was a hell of an opportunity though. Yeah,

0:53:29.719 --> 0:53:31.399
<v Speaker 1>it was a hell of an opportunity that we had

0:53:31.440 --> 0:53:33.879
<v Speaker 1>the potential to do that We could have put our

0:53:33.920 --> 0:53:36.840
<v Speaker 1>people on you know what I'm saying, put people in position.

0:53:37.400 --> 0:53:42.200
<v Speaker 1>We had an enormous opportunity to just to do whatever

0:53:42.239 --> 0:53:45.120
<v Speaker 1>we want to do, and we didn't do it. We

0:53:45.239 --> 0:53:48.520
<v Speaker 1>just got to the phase of Megan Records touring the

0:53:48.560 --> 0:53:52.640
<v Speaker 1>world and rapping like a motherfucker that was supposed to

0:53:52.800 --> 0:53:56.960
<v Speaker 1>change into something more dynamic, the more meaningful. Yeah, because

0:53:56.960 --> 0:54:00.640
<v Speaker 1>you had a contingent of guys who were like amongst

0:54:00.680 --> 0:54:03.840
<v Speaker 1>the best rappers on the planet though, right amongst the

0:54:03.840 --> 0:54:05.839
<v Speaker 1>most lyrical guys on the planet. And I was looking

0:54:05.840 --> 0:54:08.759
<v Speaker 1>forward to really seeing that flourish and come to fruition. Yeah,

0:54:08.800 --> 0:54:11.359
<v Speaker 1>I was too. I tried to get it to crack off. Man,

0:54:11.400 --> 0:54:13.920
<v Speaker 1>I was going and having meetings, flying to Detroit, flying

0:54:13.960 --> 0:54:17.000
<v Speaker 1>to New York. I was trying to but I feel like,

0:54:17.080 --> 0:54:21.440
<v Speaker 1>you know, the universe was like, why you keep trying this.

0:54:22.280 --> 0:54:24.960
<v Speaker 1>We're trying to tell you they ain't gonna work for you. Yea.

0:54:25.040 --> 0:54:27.160
<v Speaker 1>The universe would definitely pull your ass in the right

0:54:27.200 --> 0:54:29.799
<v Speaker 1>direction when you were allowing Yeah, Doug, it's like you

0:54:29.800 --> 0:54:32.040
<v Speaker 1>you you you do it too much now, you know

0:54:32.040 --> 0:54:36.400
<v Speaker 1>what I'm saying. And I felt like, you know, once

0:54:36.440 --> 0:54:42.040
<v Speaker 1>I feel like you disrespecting me, it's no more making music,

0:54:43.800 --> 0:54:47.120
<v Speaker 1>you know what I mean. I'm good, So you don't

0:54:47.160 --> 0:54:50.759
<v Speaker 1>want to with you, so you feel disrespectful, disrespect coming

0:54:50.840 --> 0:54:55.239
<v Speaker 1>in at a certain point. Absolutely absolutely when I man,

0:54:55.320 --> 0:54:57.960
<v Speaker 1>I mean, listen, they say Okay, it's just a phone call.

0:54:58.200 --> 0:55:00.160
<v Speaker 1>To me, it's more than a phone call. If I

0:55:00.360 --> 0:55:03.520
<v Speaker 1>if I come to the table with a seven figure deal,

0:55:04.360 --> 0:55:07.640
<v Speaker 1>you know what I'm saying. And you don't even have

0:55:08.719 --> 0:55:11.000
<v Speaker 1>the respect for me to return my phone call. And

0:55:11.000 --> 0:55:14.640
<v Speaker 1>we got seven figures on the table, and you think

0:55:14.640 --> 0:55:17.200
<v Speaker 1>it's funny because see, they always say that I was

0:55:17.280 --> 0:55:20.359
<v Speaker 1>always doing a deal. O this nigga crook, always doing

0:55:20.360 --> 0:55:23.040
<v Speaker 1>a deal. That's the fucking way that I survived this game.

0:55:24.320 --> 0:55:26.319
<v Speaker 1>You know what I'm saying. I don't got top ten

0:55:26.440 --> 0:55:30.080
<v Speaker 1>hits and all that type of ship. I've been hustling

0:55:30.440 --> 0:55:32.880
<v Speaker 1>my whole time. I gotta keep making the money. I

0:55:32.920 --> 0:55:36.839
<v Speaker 1>gotta keep keep making shift flip. Like you said, I

0:55:36.880 --> 0:55:41.000
<v Speaker 1>can't rely on y'all reputation me for me how to

0:55:41.040 --> 0:55:44.440
<v Speaker 1>do something. My way of surviving in this game is

0:55:44.840 --> 0:55:49.000
<v Speaker 1>I gotta keep making connections and shit, some niggas want

0:55:49.040 --> 0:55:53.080
<v Speaker 1>you to just ride out on you. Let's just what

0:55:53.120 --> 0:55:57.279
<v Speaker 1>the fuck is that phone on my ear on the

0:55:57.360 --> 0:56:00.560
<v Speaker 1>tour bus? What y'all need? Y'all need some murder? A right? Cool?

0:56:00.640 --> 0:56:03.279
<v Speaker 1>That's coming? What's going on over here? Oh? You want

0:56:03.280 --> 0:56:05.080
<v Speaker 1>a verse from Royal? All right? Cool? Royce. They just

0:56:05.120 --> 0:56:06.800
<v Speaker 1>they go on a verse. He got them to money

0:56:07.000 --> 0:56:09.600
<v Speaker 1>and Yo, I'm doing that type of shit, you know

0:56:09.640 --> 0:56:12.520
<v Speaker 1>what I'm saying. And so when I brought the money

0:56:12.560 --> 0:56:15.480
<v Speaker 1>to the table, it was really it was really something

0:56:15.719 --> 0:56:18.359
<v Speaker 1>to test everything out. The money was real, the deal

0:56:18.480 --> 0:56:21.080
<v Speaker 1>was real, or my MoMA, they had the money rating

0:56:21.080 --> 0:56:24.799
<v Speaker 1>for us, you know what I'm saying. But Joe was like,

0:56:24.920 --> 0:56:26.560
<v Speaker 1>I'm not calling it. I ain't talking to him. He

0:56:26.600 --> 0:56:28.800
<v Speaker 1>kept seeing Royce at me, and I start getting frustrated

0:56:28.800 --> 0:56:30.520
<v Speaker 1>because I'm like just a grown man. He needed to

0:56:30.520 --> 0:56:32.879
<v Speaker 1>get on the phone with me because if he because

0:56:32.880 --> 0:56:34.279
<v Speaker 1>he didn't want to do the deal. If you don't

0:56:34.320 --> 0:56:36.680
<v Speaker 1>want to do the deal, tell me why, Maybe maybe

0:56:36.719 --> 0:56:38.680
<v Speaker 1>I could fucking go in there and get you what

0:56:38.760 --> 0:56:40.520
<v Speaker 1>you want. You want more money because you got a

0:56:40.560 --> 0:56:43.160
<v Speaker 1>popping podcast. All right, We're gonna get you more money

0:56:43.200 --> 0:56:46.160
<v Speaker 1>because you got a popping podcast. You know what I'm saying.

0:56:46.440 --> 0:56:49.279
<v Speaker 1>What you need, you feel me? But he wouldn't even

0:56:49.360 --> 0:56:52.720
<v Speaker 1>get on the phone with me, and I started feeling

0:56:52.760 --> 0:56:56.400
<v Speaker 1>like Royce was enabling that disrespect by calling me and

0:56:56.480 --> 0:56:59.319
<v Speaker 1>calling me and being the middleman. Quit enabling that guy

0:57:00.280 --> 0:57:01.960
<v Speaker 1>until I got to jump on the phone on his

0:57:02.000 --> 0:57:05.000
<v Speaker 1>own phone, hand to his own business. You know what

0:57:05.040 --> 0:57:08.040
<v Speaker 1>I'm saying, because I so. It just became to the

0:57:08.080 --> 0:57:09.960
<v Speaker 1>point where I was like, you know what, I got

0:57:09.960 --> 0:57:12.320
<v Speaker 1>a whole lot of love for Royce, but I gotta

0:57:12.360 --> 0:57:16.440
<v Speaker 1>move away from this situation because that was the final

0:57:16.480 --> 0:57:19.000
<v Speaker 1>strong I was like dog And it ended up being

0:57:19.040 --> 0:57:24.520
<v Speaker 1>a blessing that I did not do it. Because after

0:57:24.560 --> 0:57:27.200
<v Speaker 1>I made The Rise and Fall, a Slaughterhouse album with

0:57:27.320 --> 0:57:33.000
<v Speaker 1>Joel Ortiz, more information started coming out and people was like, Okay,

0:57:33.040 --> 0:57:35.320
<v Speaker 1>this happened, and that happened. You didn't know that this happened.

0:57:35.360 --> 0:57:38.400
<v Speaker 1>You didn't know this deal. You wasn't part of this deal.

0:57:38.640 --> 0:57:41.080
<v Speaker 1>You didn't like all the people that was in the

0:57:41.120 --> 0:57:45.120
<v Speaker 1>Slaughterhouse universe that was doing business with Slaughterhouse. They start

0:57:45.200 --> 0:57:48.560
<v Speaker 1>revealing things to me that I never even knew. So

0:57:48.680 --> 0:57:53.400
<v Speaker 1>I was already getting bad treatment without even fucking knowing it.

0:57:54.200 --> 0:57:56.680
<v Speaker 1>You feel me. So it was like, you know what,

0:57:56.760 --> 0:57:59.600
<v Speaker 1>this was a good thing. It helped my mental health

0:57:59.640 --> 0:58:04.600
<v Speaker 1>a whole lot. I felt stress free after we you know, said, yo,

0:58:04.640 --> 0:58:06.960
<v Speaker 1>it's a ramp on this. You know what I'm saying.

0:58:07.240 --> 0:58:10.640
<v Speaker 1>Me and Joel jumped into booth. We put out two albums.

0:58:10.840 --> 0:58:14.040
<v Speaker 1>We got an EP coming out and it probably like

0:58:14.120 --> 0:58:17.360
<v Speaker 1>a next Friday, so it's like we're back recording, having

0:58:17.400 --> 0:58:19.480
<v Speaker 1>fun with each other, you know what I'm saying. And

0:58:20.600 --> 0:58:23.280
<v Speaker 1>it was just one of those life life lessons. Dog

0:58:23.400 --> 0:58:25.000
<v Speaker 1>is just a life lesson, you know what I mean.

0:58:25.080 --> 0:58:28.640
<v Speaker 1>And it's you know, I wish I wish Royce all

0:58:28.640 --> 0:58:30.360
<v Speaker 1>the success in the world, you know what I mean.

0:58:30.480 --> 0:58:32.280
<v Speaker 1>And I don't want no harm to come to Joe.

0:58:32.320 --> 0:58:34.760
<v Speaker 1>I ran into Joe if I wanted to take off

0:58:34.760 --> 0:58:37.400
<v Speaker 1>on them, Joe, I had the perfect opportunity. I ran

0:58:37.480 --> 0:58:40.000
<v Speaker 1>into him in Jersey at the hotel, you know what

0:58:40.040 --> 0:58:43.160
<v Speaker 1>I'm saying. After all this shit, we sat down and talked.

0:58:43.360 --> 0:58:46.120
<v Speaker 1>My main message I wanted to tell him was get

0:58:46.120 --> 0:58:49.000
<v Speaker 1>back to your boy maul Man because what happened with

0:58:49.080 --> 0:58:50.840
<v Speaker 1>him and Mall I just didn't like that, you know

0:58:50.880 --> 0:58:52.600
<v Speaker 1>what I'm saying. And I'm like, ma, I saw what

0:58:52.760 --> 0:58:55.919
<v Speaker 1>Maul did for you. I saw how Maul had Joe back.

0:58:56.000 --> 0:58:58.400
<v Speaker 1>I saw how he was in the trenches with you.

0:58:58.960 --> 0:59:02.680
<v Speaker 1>So for that thing unravel, how to unravel and what happened,

0:59:03.520 --> 0:59:06.640
<v Speaker 1>you need to make that right with mam Man. You

0:59:06.760 --> 0:59:08.720
<v Speaker 1>need to make that right with mom, So you know,

0:59:08.880 --> 0:59:10.880
<v Speaker 1>I mean, I told him how it felt. I got

0:59:10.920 --> 0:59:16.360
<v Speaker 1>my bars off, like, Yo, my nigga, y'all niggas, y'all

0:59:16.360 --> 0:59:21.040
<v Speaker 1>thought sh was funny. Y'all was disrespecting. I get uncomfortable

0:59:21.080 --> 0:59:25.440
<v Speaker 1>with niggas is disrespecting me. Yeah, yeah, don't you know

0:59:25.480 --> 0:59:28.040
<v Speaker 1>what I'm saying, like the fun with funny niggas. Yeah,

0:59:28.400 --> 0:59:31.320
<v Speaker 1>just just letting me know from the gate so we

0:59:31.360 --> 0:59:33.760
<v Speaker 1>can just cut it. Don't be phony with me and

0:59:33.840 --> 0:59:37.520
<v Speaker 1>come into the studio and recording this shit. Just just

0:59:37.640 --> 0:59:39.439
<v Speaker 1>kick it off from the gate. Then we ain't gonna

0:59:39.440 --> 0:59:41.560
<v Speaker 1>have no animosity in the future. And I can go

0:59:41.560 --> 0:59:44.080
<v Speaker 1>ahead and do what I gotta do. But some niggas

0:59:44.120 --> 0:59:46.280
<v Speaker 1>want to play you sometimes and they want to test

0:59:46.320 --> 0:59:49.600
<v Speaker 1>your manhood, but test to see what you about period,

0:59:50.000 --> 0:59:53.440
<v Speaker 1>because you know, you want to stand up nigga for yourself,

0:59:53.480 --> 0:59:55.840
<v Speaker 1>that's what that be. And some niggas just don't like

0:59:56.000 --> 0:59:59.120
<v Speaker 1>that ship. And then I say, we all come from

0:59:59.160 --> 1:00:01.280
<v Speaker 1>the same ship because we all trying to eat together

1:00:01.360 --> 1:00:03.680
<v Speaker 1>and get it in. But it's just some niggas who

1:00:03.680 --> 1:00:06.640
<v Speaker 1>feel like they just above you. Don't give a fuck. Yeah,

1:00:06.680 --> 1:00:10.200
<v Speaker 1>I'm just you get me when you gotta dicking balls

1:00:10.320 --> 1:00:13.000
<v Speaker 1>just like me, nigga. But some niggas just feel like,

1:00:13.160 --> 1:00:16.960
<v Speaker 1>because my pocket book might be a bit little bit bigger,

1:00:17.360 --> 1:00:19.680
<v Speaker 1>that they should get more respect or whatever. And I

1:00:19.720 --> 1:00:22.240
<v Speaker 1>have to tell niggas all the time, money don't buy

1:00:22.320 --> 1:00:26.000
<v Speaker 1>you respect, motherfucker. Yeah never you get now where we

1:00:26.080 --> 1:00:28.520
<v Speaker 1>come from, at least you give no none at all

1:00:28.800 --> 1:00:31.000
<v Speaker 1>where we come from. It don't give a fuck. You

1:00:31.000 --> 1:00:33.240
<v Speaker 1>could have been the biggest dog dealer in the hood,

1:00:33.480 --> 1:00:35.600
<v Speaker 1>all the low lows and everything, and there'd be a

1:00:35.680 --> 1:00:37.680
<v Speaker 1>nigga around the corner who ain't got ship to come

1:00:37.680 --> 1:00:43.040
<v Speaker 1>along and pop your motherfucking ass. That I'm looking at

1:00:43.120 --> 1:00:45.280
<v Speaker 1>niggas content of their character, you know what I'm saying.

1:00:45.320 --> 1:00:47.560
<v Speaker 1>That's when I'm looking at I'm just looking at the

1:00:47.560 --> 1:00:50.080
<v Speaker 1>content of the character. It sounds like somewhere along the

1:00:50.080 --> 1:00:53.240
<v Speaker 1>way you got real personal dog. And you know, when

1:00:53.280 --> 1:00:57.400
<v Speaker 1>you impacting other people's livelihoods, he can't. It already has

1:00:57.400 --> 1:00:59.400
<v Speaker 1>a tendency to have that funny feeling to it. It's

1:00:59.400 --> 1:01:04.240
<v Speaker 1>already touch you situation. But when somebody purposely doing that, dog, well,

1:01:04.240 --> 1:01:07.720
<v Speaker 1>that's what I'm saying, dog like you know, it just

1:01:07.800 --> 1:01:10.880
<v Speaker 1>was one of them situations and I mean it was

1:01:10.920 --> 1:01:13.720
<v Speaker 1>good while it lasted, you know, but all good things

1:01:13.760 --> 1:01:16.040
<v Speaker 1>must come to an end, and all bad things must

1:01:16.360 --> 1:01:18.800
<v Speaker 1>definitely come to an end. Well you know what man saying.

1:01:18.840 --> 1:01:20.680
<v Speaker 1>So that was one of them bad things that just

1:01:20.760 --> 1:01:26.080
<v Speaker 1>needed to happen. And she don't last forever. She gonna

1:01:26.080 --> 1:01:29.280
<v Speaker 1>come to an end. Eventually, everything comes to an every

1:01:29.360 --> 1:01:32.360
<v Speaker 1>everything and ship came la, whether it's good or bad.

1:01:32.560 --> 1:01:36.080
<v Speaker 1>One of these days it's gonna be time to sh

1:01:36.600 --> 1:01:40.000
<v Speaker 1>and do something else. If that show, that show called,

1:01:40.160 --> 1:01:42.720
<v Speaker 1>you know, and even sometimes when some ship gets bigger,

1:01:42.720 --> 1:01:45.720
<v Speaker 1>it evolves and the different ship. Then stuff happens though,

1:01:45.840 --> 1:01:50.000
<v Speaker 1>especially entertainment, dog, Yeah, especially entertainment. Man. But I want

1:01:50.000 --> 1:01:52.520
<v Speaker 1>to kick this off to some more positive stuff dog,

1:01:52.720 --> 1:01:54.640
<v Speaker 1>because you've got a lot of positive shit going on.

1:01:54.800 --> 1:01:57.920
<v Speaker 1>Congratulations on that final drop that you just did or

1:01:57.960 --> 1:02:00.280
<v Speaker 1>it up good looking, man looking, And if I don't

1:02:00.320 --> 1:02:03.360
<v Speaker 1>drop that, you just did it man, and you have

1:02:03.520 --> 1:02:06.720
<v Speaker 1>an incredible podcast man, who I'm proud to say. Man,

1:02:06.840 --> 1:02:10.720
<v Speaker 1>you know we're doing some business amazing things together, me

1:02:10.760 --> 1:02:14.040
<v Speaker 1>and you and my boy Chris Moral over at law Speakers. Yeah,

1:02:14.080 --> 1:02:17.080
<v Speaker 1>we're doing something to make it big man. Let's talk

1:02:17.120 --> 1:02:19.160
<v Speaker 1>about that because you one of the only guys I

1:02:19.280 --> 1:02:21.080
<v Speaker 1>know they was able to get the Eminem sit down

1:02:21.800 --> 1:02:25.000
<v Speaker 1>and then Depth Eminem sit Down. Yeah, it was dope,

1:02:25.400 --> 1:02:28.160
<v Speaker 1>and they used they used the piece of that conversation

1:02:28.200 --> 1:02:31.400
<v Speaker 1>that I have with himinem Um on the program when

1:02:31.440 --> 1:02:33.680
<v Speaker 1>he was inducted to the Rocket Roll. How I saw that,

1:02:33.720 --> 1:02:38.760
<v Speaker 1>Congratulations on that man. That that really made me feel

1:02:38.800 --> 1:02:41.520
<v Speaker 1>cool because I know that a lot of my ship

1:02:41.720 --> 1:02:45.240
<v Speaker 1>ain't clickbait, and you know, it's kind of hard to

1:02:45.240 --> 1:02:48.840
<v Speaker 1>compete with all these niggas that's out here gossiping talking shit.

1:02:49.080 --> 1:02:52.320
<v Speaker 1>Oh believe me, I knew you know what I'm saying, um,

1:02:52.360 --> 1:02:55.040
<v Speaker 1>So you know, to see it rise to that level,

1:02:55.200 --> 1:02:57.120
<v Speaker 1>let me know that I was doing the right thing.

1:02:57.200 --> 1:03:01.240
<v Speaker 1>But yeah, man, Crook's corner. Like I started, I started

1:03:01.280 --> 1:03:04.040
<v Speaker 1>off with COB Radio. I had CB Radio with DJ

1:03:04.200 --> 1:03:07.120
<v Speaker 1>Ski before a podcast to start blowing up, before the

1:03:07.200 --> 1:03:12.400
<v Speaker 1>podcast game blew up. I had COB Radio and I

1:03:12.440 --> 1:03:14.280
<v Speaker 1>did that for like a year and I liked it,

1:03:14.280 --> 1:03:17.000
<v Speaker 1>but it was too much. I was doing music, I

1:03:17.080 --> 1:03:19.880
<v Speaker 1>was touring, I had smarterhouses. This commitment. Sure, it was

1:03:19.880 --> 1:03:21.240
<v Speaker 1>a whole lot of shit. So I was like, you

1:03:21.280 --> 1:03:23.240
<v Speaker 1>know what, I'm gonna put that down for now. But

1:03:23.320 --> 1:03:25.720
<v Speaker 1>when I came back with Crook's Corner, I was just

1:03:25.760 --> 1:03:28.160
<v Speaker 1>at the crib one day and I was like, damn, man,

1:03:28.200 --> 1:03:30.120
<v Speaker 1>I need to talk to people about what I love.

1:03:30.200 --> 1:03:32.880
<v Speaker 1>I love this hip hop shit. Let's talk about rap.

1:03:32.920 --> 1:03:35.320
<v Speaker 1>So I just start getting on my ig and talk

1:03:35.360 --> 1:03:37.160
<v Speaker 1>it to everybody in the room. I don't care if

1:03:37.160 --> 1:03:39.240
<v Speaker 1>it was a hundred people, two hundred people. And we

1:03:39.360 --> 1:03:41.680
<v Speaker 1>just started talking about rap music and hip hop and

1:03:41.720 --> 1:03:44.040
<v Speaker 1>all that shit. And I let them come on my

1:03:44.120 --> 1:03:46.560
<v Speaker 1>live and we'll just have a discussion. And I called

1:03:46.560 --> 1:03:50.640
<v Speaker 1>it Crook's Corner, and then that elevated to go on

1:03:50.760 --> 1:03:54.760
<v Speaker 1>U Hip Hop DX. You know what I'm saying, and

1:03:54.880 --> 1:03:58.800
<v Speaker 1>doing Crooks Corner over there visually with you know, interviewing people,

1:03:58.880 --> 1:04:03.040
<v Speaker 1>you know, E forty, Jermaine dupri you know what I mean,

1:04:03.120 --> 1:04:05.520
<v Speaker 1>all these people. And then you know, when I left

1:04:05.600 --> 1:04:09.800
<v Speaker 1>DX and did it myself, it kept on getting bigger

1:04:09.800 --> 1:04:12.560
<v Speaker 1>and bigger, you know what I'm saying. So I ended up,

1:04:12.600 --> 1:04:14.640
<v Speaker 1>you know, with the Snoop interview. Then I ended up

1:04:14.680 --> 1:04:18.400
<v Speaker 1>with the Marshall interview. Sauce M was out here because

1:04:18.480 --> 1:04:21.560
<v Speaker 1>for fifty he was doing something with fifty, and you know,

1:04:22.160 --> 1:04:24.280
<v Speaker 1>he was like, Yo, I'm being in town. Let's sit

1:04:24.320 --> 1:04:25.919
<v Speaker 1>down or let's do this, you know what I'm saying.

1:04:25.960 --> 1:04:28.160
<v Speaker 1>So I was like cool because I know he don't

1:04:28.200 --> 1:04:30.520
<v Speaker 1>give a lot of people interviews. Oh yeah, for sure,

1:04:30.640 --> 1:04:34.400
<v Speaker 1>I'm saying, I haven't never seen an Eminem interview. Yeah,

1:04:34.520 --> 1:04:36.920
<v Speaker 1>they you know, he don't give a lot of interviews.

1:04:37.320 --> 1:04:42.000
<v Speaker 1>So he felt real comfortable because we just talked tip hop.

1:04:42.320 --> 1:04:44.560
<v Speaker 1>You know what I'm saying. It's like, Yo, he's just

1:04:44.600 --> 1:04:47.280
<v Speaker 1>gonna talk some rap. We did it a record one

1:04:47.360 --> 1:04:52.160
<v Speaker 1>that's you know, Doctor Dre Studio, and you know it

1:04:52.200 --> 1:04:54.160
<v Speaker 1>was a dope thing. His fans says, one of the

1:04:54.200 --> 1:04:57.680
<v Speaker 1>best Eminem interviews they ever seen, And that's I'm looking

1:04:57.720 --> 1:05:01.160
<v Speaker 1>for that kind of stuff because I'm artist and I'm

1:05:01.200 --> 1:05:03.360
<v Speaker 1>not trying to come into this space like yeah, I'm

1:05:03.360 --> 1:05:06.800
<v Speaker 1>a music journalist. I'm not. You know, I'm coming into

1:05:06.840 --> 1:05:09.240
<v Speaker 1>this space as somebody who love hip hop, and like,

1:05:09.320 --> 1:05:14.280
<v Speaker 1>there's a fan first, and then that makes motherfucker's comfortable

1:05:14.320 --> 1:05:16.600
<v Speaker 1>with you because they know it's going to just be

1:05:16.680 --> 1:05:21.400
<v Speaker 1>a straight up conversation about about shit that's just straight up.

1:05:21.640 --> 1:05:23.600
<v Speaker 1>You know, I ain't gotta worry about no curve balls.

1:05:23.600 --> 1:05:26.400
<v Speaker 1>I ain't gotta worry about no hidding agendas, none of that. R.

1:05:26.680 --> 1:05:29.160
<v Speaker 1>This is a nigga like me who's a fan of

1:05:29.280 --> 1:05:31.680
<v Speaker 1>hip hop, and we're gonna get up here and talk

1:05:31.720 --> 1:05:34.320
<v Speaker 1>about some hip hop and how far back and what's

1:05:34.360 --> 1:05:37.000
<v Speaker 1>your love and when you got into it? And and

1:05:37.560 --> 1:05:41.760
<v Speaker 1>that makes a motherfucker like him probably comfortable, especially knowing

1:05:41.880 --> 1:05:44.240
<v Speaker 1>you and dealing with you and knowing that you're just

1:05:44.320 --> 1:05:47.680
<v Speaker 1>not the typical motherfucking rap journalist type of shit. You

1:05:47.760 --> 1:05:51.320
<v Speaker 1>feel absolutely bro. Yeah, he was in there having a blast, man.

1:05:51.760 --> 1:05:53.360
<v Speaker 1>You know what I'm saying. We was bringing up all

1:05:53.360 --> 1:05:56.320
<v Speaker 1>the old school shit. He's rapping trench lyrics and everything.

1:05:56.440 --> 1:05:59.560
<v Speaker 1>You know what I'm saying. It's just like that's that's

1:05:59.600 --> 1:06:01.720
<v Speaker 1>the vibe that I like to bring to the table. Man.

1:06:01.760 --> 1:06:04.560
<v Speaker 1>So you know, I'm happy that we're partnering up and

1:06:04.840 --> 1:06:06.640
<v Speaker 1>we're about to do We're about to bring it back,

1:06:06.640 --> 1:06:09.600
<v Speaker 1>even even man, they don't even know what's going down. Dog,

1:06:09.640 --> 1:06:12.920
<v Speaker 1>it's about to go crazy. We're about to go crazy. Yeah,

1:06:13.000 --> 1:06:16.720
<v Speaker 1>we are about to man do some amazing things. Man. Well, man,

1:06:17.040 --> 1:06:19.080
<v Speaker 1>like they say y'all good things. We just say that

1:06:19.160 --> 1:06:21.680
<v Speaker 1>everything wants come to an end at some point in. Yeah,

1:06:21.680 --> 1:06:23.240
<v Speaker 1>at some point, I'd love to sit here because we

1:06:23.520 --> 1:06:25.640
<v Speaker 1>around and sit here. Dog, we wunna be going another

1:06:25.640 --> 1:06:27.800
<v Speaker 1>two or three hours. Oh yeah, all the time. I

1:06:27.800 --> 1:06:30.560
<v Speaker 1>already know you know, I appreciate you coming to sit

1:06:30.600 --> 1:06:35.280
<v Speaker 1>down with us, man, and everybody. Makes sure. Man, if

1:06:35.280 --> 1:06:37.600
<v Speaker 1>you're not doing it already, make sure y'all go follow

1:06:38.160 --> 1:06:42.720
<v Speaker 1>Fruck's Twitter. Fuck that has one of the most twitters

1:06:42.760 --> 1:06:45.040
<v Speaker 1>I've ever seen. Dog. I think you and Glasses Malone

1:06:45.160 --> 1:06:47.240
<v Speaker 1>is the most Twitter and motherfuckers I've never seen in

1:06:47.280 --> 1:06:50.760
<v Speaker 1>my life. Yeah, hey, man, that's what it's here for.

1:06:51.480 --> 1:06:53.360
<v Speaker 1>You know what I'm saying. Like, listen, man, I tell

1:06:53.400 --> 1:06:55.720
<v Speaker 1>all my homies that that's in the music industry. Don't

1:06:55.760 --> 1:06:58.160
<v Speaker 1>be that person that come around with your hand out.

1:06:58.760 --> 1:07:01.280
<v Speaker 1>You know what I'm saying. Don't be that person that

1:07:01.400 --> 1:07:03.520
<v Speaker 1>only every time I see you you want something for

1:07:03.640 --> 1:07:06.480
<v Speaker 1>me exactly. That's what you're doing as an artist if

1:07:06.480 --> 1:07:09.040
<v Speaker 1>you're not talking to the people. You know what I'm saying,

1:07:09.480 --> 1:07:11.600
<v Speaker 1>Talk to the people. Don't just go on Twitter where

1:07:11.640 --> 1:07:14.000
<v Speaker 1>you were gonna want them to download your single, buy

1:07:14.080 --> 1:07:16.680
<v Speaker 1>your merch and all that. Go talk to him on

1:07:16.720 --> 1:07:19.960
<v Speaker 1>a regular basis, create a community and that's what we did.

1:07:20.000 --> 1:07:22.959
<v Speaker 1>We created a community on Twitter, the rap connoisseurs. Shout

1:07:22.960 --> 1:07:25.040
<v Speaker 1>out to the rap connoisseurs, you know what I'm saying,

1:07:25.360 --> 1:07:28.440
<v Speaker 1>And we just talk rap every single day. And you

1:07:28.480 --> 1:07:30.480
<v Speaker 1>know what I mean, we have all of the questions,

1:07:30.480 --> 1:07:34.280
<v Speaker 1>the crazy questions, and everybody jump in. Man, you just

1:07:34.400 --> 1:07:37.000
<v Speaker 1>you don't ever know a senator might jump into the

1:07:37.040 --> 1:07:39.920
<v Speaker 1>conversation real quick, you know what I mean, because they

1:07:40.000 --> 1:07:43.760
<v Speaker 1>just let like that. So that's Crooking and Thriago, you

1:07:43.760 --> 1:07:45.600
<v Speaker 1>know what I mean. Hit me at Crooking and Thriago.

1:07:45.760 --> 1:07:47.680
<v Speaker 1>You know what I mean. We could talk rapp all day.

1:07:47.800 --> 1:07:50.080
<v Speaker 1>That's what we do. Hit me on Facebook, King Crooked,

1:07:50.280 --> 1:07:56.720
<v Speaker 1>ig King Crooked everywhere. Discord Chris Corner, if you're on Discord,

1:07:56.840 --> 1:07:58.960
<v Speaker 1>Chris Corner, you know what I mean, come in. We

1:07:59.080 --> 1:08:01.520
<v Speaker 1>get real busy in there because we got some secret

1:08:01.640 --> 1:08:04.560
<v Speaker 1>rooms in Discord where we could really talk that talk.

1:08:04.600 --> 1:08:06.840
<v Speaker 1>You know what I'm saying. That nobody ain't all you

1:08:06.880 --> 1:08:09.680
<v Speaker 1>know what I mean, that real exclusive shit. So yeah,

1:08:09.920 --> 1:08:11.760
<v Speaker 1>hit me on there, man, and just come fuck with

1:08:11.840 --> 1:08:13.960
<v Speaker 1>me Facebook all that shit. You know what I'm saying. Yeah,

1:08:14.040 --> 1:08:16.040
<v Speaker 1>for sure, and go get that and go support that

1:08:16.120 --> 1:08:18.240
<v Speaker 1>final and they I just saw you just drop some

1:08:18.240 --> 1:08:21.439
<v Speaker 1>ship too, didn't you. I didn't drop ship, but I'll

1:08:21.439 --> 1:08:23.880
<v Speaker 1>be seeing all kinds of new ship coming out. I'm

1:08:23.880 --> 1:08:28.320
<v Speaker 1>working on ship right now. You know. Um, I'll just

1:08:28.400 --> 1:08:31.759
<v Speaker 1>be doing shit, man. I still got a love for studio.

1:08:32.080 --> 1:08:34.920
<v Speaker 1>I still got love for writing shit like that, So

1:08:35.680 --> 1:08:38.599
<v Speaker 1>I don't still love hearing. Yeah, I'll still be trying

1:08:38.600 --> 1:08:41.720
<v Speaker 1>to create. I'm working on some ship right now. My

1:08:41.760 --> 1:08:45.360
<v Speaker 1>boy robbed T over there mixing down, so I might

1:08:45.439 --> 1:08:47.600
<v Speaker 1>have a project or two in the works. You know

1:08:47.600 --> 1:08:50.040
<v Speaker 1>what I'm saying. It's just a love of hip hop.

1:08:50.120 --> 1:08:52.599
<v Speaker 1>Like you said, it's just the love it and it

1:08:52.600 --> 1:08:55.439
<v Speaker 1>ain't really about you know. You know, everybody gets in

1:08:55.439 --> 1:08:59.080
<v Speaker 1>this ship to make money, right, but where it starts

1:08:59.160 --> 1:09:00.760
<v Speaker 1>is you gotta have the love and the heart for

1:09:00.880 --> 1:09:02.840
<v Speaker 1>it first, you know what I'm saying. And that's how

1:09:02.880 --> 1:09:05.439
<v Speaker 1>I'm able to sustain and able to still be able

1:09:05.439 --> 1:09:07.720
<v Speaker 1>to go in the studio and do shit, listen to

1:09:07.760 --> 1:09:10.479
<v Speaker 1>new artists and listen to you know what's happening, because

1:09:11.560 --> 1:09:13.400
<v Speaker 1>it's just in the heart. You know what I'm saying.

1:09:13.960 --> 1:09:16.639
<v Speaker 1>Ain't always about trying to check the dollars, just trying

1:09:16.680 --> 1:09:18.320
<v Speaker 1>to do something. You love, you know what I feel.

1:09:18.479 --> 1:09:21.719
<v Speaker 1>That's why we're sitting here right now. Hey, dog, while

1:09:21.760 --> 1:09:26.559
<v Speaker 1>we're here, I gotta say it bro the West Coast,

1:09:26.800 --> 1:09:32.519
<v Speaker 1>right we talk about Chronic album, we talk about Doggie Style.

1:09:33.640 --> 1:09:35.880
<v Speaker 1>You know what I'm saying When we're talking about some

1:09:35.920 --> 1:09:39.439
<v Speaker 1>of the staple albums to ever come out of the

1:09:39.479 --> 1:09:42.120
<v Speaker 1>West Coast Man Music to Drive By, It's one of

1:09:42.160 --> 1:09:46.839
<v Speaker 1>them albums, period, point fucking blank. It's one of those

1:09:46.920 --> 1:09:49.640
<v Speaker 1>albums that you gotta mention in the same breath with.

1:09:49.840 --> 1:09:52.400
<v Speaker 1>Nobody does it better. Nobody could do it better DC.

1:09:53.240 --> 1:09:55.960
<v Speaker 1>You know what I'm saying. Like I said, Chronic, Doggie Style,

1:09:56.040 --> 1:09:57.680
<v Speaker 1>all that shit, you know what I mean? Like that

1:09:57.760 --> 1:10:02.640
<v Speaker 1>motherfuckers shifted to the game? Music is so classic? Is

1:10:02.800 --> 1:10:06.920
<v Speaker 1>it aged perfectly? You could play that ship right now

1:10:07.040 --> 1:10:09.759
<v Speaker 1>and that shit sounds great, you know what I'm saying?

1:10:09.840 --> 1:10:14.200
<v Speaker 1>Like Unknown and slipping you and all man Man listened, though.

1:10:14.439 --> 1:10:17.400
<v Speaker 1>I mean, I've been ryding. I'm gonna have my little

1:10:17.400 --> 1:10:20.439
<v Speaker 1>fan moment. I don't give a fuck. I've been ryding

1:10:20.520 --> 1:10:27.400
<v Speaker 1>with CMW since motherfucking uh most wanted punk rolling folk?

1:10:27.680 --> 1:10:33.440
<v Speaker 1>Who's that playing all that up? The rhymes too funky?

1:10:33.720 --> 1:10:36.280
<v Speaker 1>That's the whole thing. So my whole thing is this man,

1:10:36.760 --> 1:10:40.200
<v Speaker 1>we only West. I got Chris Corner. That's a rap

1:10:40.320 --> 1:10:46.000
<v Speaker 1>media platform. I'm gonna really start introducing these people out

1:10:46.040 --> 1:10:49.639
<v Speaker 1>there in the culture to the ship that really made

1:10:49.720 --> 1:10:52.320
<v Speaker 1>me who I am. You know what I'm saying on

1:10:52.320 --> 1:10:55.080
<v Speaker 1>that microphone. You know what I'm saying. And the ship

1:10:55.520 --> 1:11:02.519
<v Speaker 1>that moved our coast tremendously that sometimes is not mentioned. Yeah, definitely.

1:11:02.960 --> 1:11:05.599
<v Speaker 1>And and I want to say, you know, coming from

1:11:05.600 --> 1:11:08.800
<v Speaker 1>your generation, it's a little younger than minds. A lot

1:11:08.840 --> 1:11:13.760
<v Speaker 1>of people think we as older artists, don't accept the

1:11:13.920 --> 1:11:19.280
<v Speaker 1>younger generation, and it's far from the truth. When people

1:11:19.439 --> 1:11:27.439
<v Speaker 1>recognize what we had to endure as artists coming out,

1:11:27.760 --> 1:11:32.120
<v Speaker 1>you give me. They didn't want shit like they especially

1:11:32.200 --> 1:11:37.280
<v Speaker 1>didn't want the nwas and the cmws. It was hard

1:11:37.320 --> 1:11:42.200
<v Speaker 1>for us to get recognition, especially following the footsteps of

1:11:42.840 --> 1:11:46.519
<v Speaker 1>you know, those originals from the East. You know, the

1:11:47.320 --> 1:11:52.000
<v Speaker 1>Grandmaster Flashes and krs's and the public enemies and you

1:11:52.040 --> 1:11:55.479
<v Speaker 1>know the just ices and those type of motherfuckers that

1:11:55.880 --> 1:12:02.400
<v Speaker 1>set the foundation show going way back, way back. We

1:12:04.240 --> 1:12:07.479
<v Speaker 1>grew up on what we knew on the West coast.

1:12:07.960 --> 1:12:11.320
<v Speaker 1>Get me and for a lot of us youngsters. You know,

1:12:11.840 --> 1:12:15.800
<v Speaker 1>we knew hard times. You know, we knew police brutality,

1:12:15.920 --> 1:12:21.280
<v Speaker 1>we knew homies getting killed, we knew you know, strawberry bitches,

1:12:21.400 --> 1:12:25.160
<v Speaker 1>fucking different niggas from the neighborhood, setting niggas up. You know,

1:12:25.520 --> 1:12:28.880
<v Speaker 1>we went through that depression hit me, so it's what

1:12:28.920 --> 1:12:32.200
<v Speaker 1>we spoke on. So a lot of niggas didn't recognize

1:12:32.320 --> 1:12:38.760
<v Speaker 1>us for being true mcs. And that's why that was crazy,

1:12:38.840 --> 1:12:42.160
<v Speaker 1>because we have y'allways hard y'all was man, listen, dog

1:12:42.400 --> 1:12:44.519
<v Speaker 1>and and and when I came in, I had to

1:12:44.560 --> 1:12:48.559
<v Speaker 1>continue that fight because a lot of times when I

1:12:48.600 --> 1:12:50.280
<v Speaker 1>was on the East, they'd be like, yeah, man, you

1:12:50.360 --> 1:12:52.080
<v Speaker 1>got bars. You don't rap like you from the West.

1:12:52.120 --> 1:12:54.839
<v Speaker 1>I'll be like, no, I do rap like a from Definitely,

1:12:54.920 --> 1:12:58.880
<v Speaker 1>y'all just haven't heard the West. And because we had

1:12:58.920 --> 1:13:04.639
<v Speaker 1>so much diverse, we had so much diversity, and you know,

1:13:05.200 --> 1:13:09.880
<v Speaker 1>you always had that respected pen. I mean even like

1:13:09.920 --> 1:13:14.120
<v Speaker 1>you was in cream video, right. Yeah, So when I

1:13:14.160 --> 1:13:19.160
<v Speaker 1>saw that, that's when I said, they get it. Oh yeah,

1:13:19.200 --> 1:13:21.720
<v Speaker 1>definitely they get it. You know what I'm saying. I've

1:13:21.760 --> 1:13:24.519
<v Speaker 1>always been a true fan of East Coast rap. And

1:13:24.560 --> 1:13:28.280
<v Speaker 1>then uh just going back and just trying to solidify

1:13:28.520 --> 1:13:32.320
<v Speaker 1>West Coast ship with niggas. I build reputations with dudes

1:13:32.400 --> 1:13:36.400
<v Speaker 1>like Premo and and Nas and Buster and Tratch and

1:13:36.760 --> 1:13:38.960
<v Speaker 1>so I used to get respect going out there a lot.

1:13:39.120 --> 1:13:42.439
<v Speaker 1>So it enabled me to blend in and and just

1:13:42.840 --> 1:13:45.519
<v Speaker 1>niggas were just hitting me eight plus you ask it.

1:13:45.560 --> 1:13:48.240
<v Speaker 1>Plus you had some of the loops before they even

1:13:48.280 --> 1:13:52.040
<v Speaker 1>touched them. Yes, just get that part. That part definitely, yeah,

1:13:52.280 --> 1:13:54.559
<v Speaker 1>that part, you know what I'm saying, Like I know,

1:13:54.680 --> 1:13:58.800
<v Speaker 1>I know y'all was digging it in print. Slip was dead.

1:13:59.040 --> 1:14:01.519
<v Speaker 1>We wanted to be different, Yeah, you know, the average

1:14:01.560 --> 1:14:04.240
<v Speaker 1>regular sounds. So that's where that came from. With all

1:14:04.240 --> 1:14:06.160
<v Speaker 1>the shit that this nigga got, you know, was still

1:14:06.200 --> 1:14:10.840
<v Speaker 1>my favorite shit. Ill no, this is my favorite ship.

1:14:11.120 --> 1:14:14.400
<v Speaker 1>Pussy's so good that I can't even feel it, but

1:14:14.520 --> 1:14:17.920
<v Speaker 1>I'm still killing. That was my ship right there, the

1:14:18.080 --> 1:14:21.400
<v Speaker 1>three with that ship, ride down the three with that

1:14:21.479 --> 1:14:24.080
<v Speaker 1>ship right there, like because he made you feel like

1:14:24.120 --> 1:14:27.080
<v Speaker 1>you was in Compton, like you was just rolling around.

1:14:27.080 --> 1:14:29.880
<v Speaker 1>And that's what I just talked for the average nigga

1:14:30.360 --> 1:14:34.000
<v Speaker 1>because unlike other I don't know, I don't want to

1:14:34.000 --> 1:14:36.960
<v Speaker 1>speak on other artists. But like other I was in

1:14:37.040 --> 1:14:40.519
<v Speaker 1>the fucking streets every day. Yeah I was. I was

1:14:40.560 --> 1:14:42.640
<v Speaker 1>in the streets every day. And even though I was

1:14:42.720 --> 1:14:46.240
<v Speaker 1>rapping and making videos and going on shows and touring,

1:14:47.160 --> 1:14:51.559
<v Speaker 1>you know, I still represented Compton as hard as I could.

1:14:51.600 --> 1:14:54.559
<v Speaker 1>So I was in the streets like fuck it, you know,

1:14:54.680 --> 1:14:59.519
<v Speaker 1>no security, no bodyguards, just just the homies, no riders

1:14:59.520 --> 1:15:02.880
<v Speaker 1>and fuck getting hanging on the block. And that's where

1:15:02.880 --> 1:15:07.760
<v Speaker 1>I got my motherfucking tales from the hood, so to speaking,

1:15:07.840 --> 1:15:10.600
<v Speaker 1>that experience, but you had you could have said it

1:15:10.640 --> 1:15:15.080
<v Speaker 1>in any kind of way. The style your star wars fresh.

1:15:15.720 --> 1:15:18.160
<v Speaker 1>I just wanted to be different than and did because,

1:15:18.240 --> 1:15:20.479
<v Speaker 1>like I said, when you're listening to rap, you're hearing

1:15:20.600 --> 1:15:24.000
<v Speaker 1>everybody's styles and everybody this and that, and I just

1:15:24.040 --> 1:15:27.760
<v Speaker 1>felt like I wanted to represent my section in a

1:15:27.840 --> 1:15:31.080
<v Speaker 1>different way. And then the thing was too bro. And

1:15:31.200 --> 1:15:32.920
<v Speaker 1>this is what always talking about last week in a

1:15:32.960 --> 1:15:36.960
<v Speaker 1>parking lot. You don't you never really wrapped over phone.

1:15:37.400 --> 1:15:41.640
<v Speaker 1>Your ship was more of you've noticed that. I was

1:15:41.680 --> 1:15:44.280
<v Speaker 1>more of a storyteller like I didn't. But as far

1:15:44.320 --> 1:15:50.120
<v Speaker 1>as the fun after the West was heavily yeah, I did.

1:15:50.200 --> 1:15:53.360
<v Speaker 1>Like like you said, slip with digging the crates for shit.

1:15:53.520 --> 1:15:57.160
<v Speaker 1>So we wanted to We wanted those sounds that was

1:15:58.240 --> 1:16:01.960
<v Speaker 1>different from what you would typically here coming from a

1:16:02.040 --> 1:16:05.800
<v Speaker 1>West Coast artist at that time, you know, everybody was

1:16:05.880 --> 1:16:13.559
<v Speaker 1>really Parliament, Funkadlis, George Clinton, uh Zap. Everything was Boo

1:16:13.880 --> 1:16:16.680
<v Speaker 1>Shop Shop. You know. That was kind of like the

1:16:16.840 --> 1:16:21.640
<v Speaker 1>just the one two for the West Coast. He was

1:16:21.680 --> 1:16:24.479
<v Speaker 1>just a musical dude. And like you said, Slip was

1:16:24.479 --> 1:16:26.360
<v Speaker 1>the type of dude when we would go on tour

1:16:26.520 --> 1:16:29.640
<v Speaker 1>places he would always find record stores and go to

1:16:29.760 --> 1:16:33.719
<v Speaker 1>different stores and he would just fiddle. He would fiddle, fiddle,

1:16:33.760 --> 1:16:37.839
<v Speaker 1>fiddle and find some of the craziest fucking album covers

1:16:37.880 --> 1:16:40.160
<v Speaker 1>and pull it out and just look at it and

1:16:40.240 --> 1:16:43.800
<v Speaker 1>be like, I'm gonna find something on this. And that

1:16:43.920 --> 1:16:47.360
<v Speaker 1>was him. He was a motherfucking chop king like a motherfucker.

1:16:47.520 --> 1:16:49.760
<v Speaker 1>But you know what, though, dog, we kept our heart

1:16:49.960 --> 1:16:52.120
<v Speaker 1>and we still do. We keep we keep close to

1:16:52.160 --> 1:16:54.479
<v Speaker 1>the heartbeat of hip hop, you know what I'm saying.

1:16:54.520 --> 1:16:56.519
<v Speaker 1>And I think that that's the reason why we're able

1:16:56.560 --> 1:17:00.000
<v Speaker 1>to still sit here. I'm two decades plus in myself

1:17:00.120 --> 1:17:01.680
<v Speaker 1>right now, you know what I'm saying, And it's like

1:17:02.840 --> 1:17:04.920
<v Speaker 1>stay close to the heartbeat of hip hop, man, And

1:17:05.000 --> 1:17:08.120
<v Speaker 1>that's what we do. Dog. And that's crazy, man, you

1:17:08.160 --> 1:17:10.519
<v Speaker 1>know because shout out Chill. You know, I didn't had

1:17:10.520 --> 1:17:14.360
<v Speaker 1>these conversations with Chill all night, you know what I'm saying, Man,

1:17:14.560 --> 1:17:19.800
<v Speaker 1>Like y'all niggas crafted us and then we said, all right,

1:17:20.600 --> 1:17:23.760
<v Speaker 1>they did that. Now we gotta be different, definitely, you

1:17:23.800 --> 1:17:28.000
<v Speaker 1>know what I'm saying. But we talking the same shit,

1:17:28.520 --> 1:17:31.559
<v Speaker 1>just in different ways, you know what I'm saying. Like

1:17:31.720 --> 1:17:34.080
<v Speaker 1>our stories. You know, we got a lot in comment,

1:17:34.520 --> 1:17:36.400
<v Speaker 1>you know what I mean. But when you grow up

1:17:36.400 --> 1:17:39.559
<v Speaker 1>in this motherfucker, man, everything is gonna be the same.

1:17:39.960 --> 1:17:42.920
<v Speaker 1>It might be told through different eyes, but shit, we

1:17:42.960 --> 1:17:45.920
<v Speaker 1>all came from the block, and we all experienced and

1:17:46.120 --> 1:17:49.800
<v Speaker 1>seeing what happens on the fucking block, whether you're claiming it,

1:17:49.960 --> 1:17:53.560
<v Speaker 1>banging it, or you're just living there and see the experiences.

1:17:53.880 --> 1:17:57.880
<v Speaker 1>So it's just the evolution of what I saw and

1:17:58.080 --> 1:18:03.639
<v Speaker 1>now you seeing and then the youngsters that's there right now, basice.

1:18:03.800 --> 1:18:07.320
<v Speaker 1>But shit, it's the same motherfucking block. Man, It's the

1:18:07.400 --> 1:18:13.160
<v Speaker 1>same same game, different players the same block. Yeah, y'all

1:18:13.200 --> 1:18:16.800
<v Speaker 1>get ready, you're gonna do something, man, Let's go that's

1:18:16.840 --> 1:18:18.800
<v Speaker 1>what the deals, and we out of here.