WEBVTT - Under the Weather

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<v Speaker 1>From how Stuff works dot com. This is the stuff

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<v Speaker 1>of life. Welcome to the Stuff of Life. I'm your host,

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<v Speaker 1>Julie Douglas. The Earth is wrapped in an atmosphere that

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<v Speaker 1>weighs five point five quadrillion tons, and inside this atmosphere

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<v Speaker 1>the weather creates a crazy quilt of conditions. Consider that

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<v Speaker 1>in December a weather system over Texas delivered tornadoes and

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<v Speaker 1>floods to one part of the state, while the other

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<v Speaker 1>part of the state experienced record snowfall. To say that

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<v Speaker 1>the weather is unpredictable is to sum up our entire

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<v Speaker 1>existence and to personify weather in this way, well, that

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<v Speaker 1>is deeply entrenched in us. This is a mode of

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<v Speaker 1>thinking with a very strong ancient pedigree. I mean, we

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<v Speaker 1>have an extremely dominant predisposition to believe that weather events

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<v Speaker 1>are aimed at us, and often in reaction to our behavior.

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<v Speaker 1>I mean, look at all the people throughout history who

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<v Speaker 1>have thought that weather events are punishments for for sin.

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<v Speaker 1>If you did something wrong, the gods are going to

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<v Speaker 1>send a storm at you, Which is why we find

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<v Speaker 1>solace in charting the chaos that is the weather. I

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<v Speaker 1>was shipping forecast issued by the mess Office on behalf

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<v Speaker 1>of the Maritime and Coast Guard Agency at w O

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<v Speaker 1>one five on Wednesday September. They are wanting for gales

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<v Speaker 1>in Dover, White Portland, Plymouth. John P. Swaddle, a professor

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<v Speaker 1>of biology we talked to in an upcoming episode, fondly

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<v Speaker 1>remembers these BBC shipping forecasts. I can't do it now,

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<v Speaker 1>but when I was a kid, I could recite most

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<v Speaker 1>of the shipping forecast areas in order because they go

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<v Speaker 1>through them and almost a sort of sing song type

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<v Speaker 1>of way, and they're all called things like the forties

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<v Speaker 1>and stuff like that. And um, they go round the

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<v Speaker 1>coast basically clockwise, I think, um, And they'd say each

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<v Speaker 1>one of the shipping zones and then what the weather

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<v Speaker 1>would be like, and I just sort of rattled off.

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<v Speaker 1>And when I was a kid, I listened on the

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<v Speaker 1>radio because he used to come on basically after the

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<v Speaker 1>news at nine or ten o'clock in the evening, stuff

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<v Speaker 1>like that. These forecasts have been a tradition since the

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<v Speaker 1>nineteen twenties, when citizens of storm lashed coastal cities in

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<v Speaker 1>the UK settled in for the evening. The theme music

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<v Speaker 1>of the broadcast sailing by a serene backdrop for their

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<v Speaker 1>thoughts as they sussed out what the following day might

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<v Speaker 1>look like. This kind of weather prognosticating is one of

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<v Speaker 1>the oldest human activities and persists as a topic for discussion, dissection,

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<v Speaker 1>and even obsession. Good morning, It's March twelve, two thousand

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<v Speaker 1>and nine, and it's a Thursday here in l a

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<v Speaker 1>Mostly blue skies, some white clouds floating by muted golden sunshine,

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<v Speaker 1>very still, fifty two degrees fahrenheit eleven celsius. For a while,

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<v Speaker 1>film director day with Lynch gave weather reports for the

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<v Speaker 1>greater Los Angeles area. His Midwestern accent and the relatively

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<v Speaker 1>stable conditions of the southern California climate give a sense

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<v Speaker 1>of continuity that life might always be drenched in muted

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<v Speaker 1>golden sunlight. While his forecasts aren't exactly an American counterpart

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<v Speaker 1>to the UK shipping news, they do offer a sense

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<v Speaker 1>of order in the face of roiling chaos and confusion

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<v Speaker 1>that bubbles under the surface of the American experience. Whether

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<v Speaker 1>then becomes the metaphor for our existence, awe inspiring, unpredictable, mysterious,

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<v Speaker 1>something we consciously and unconsciously organize our lives around, even

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<v Speaker 1>coloring our emotions something author Lauren Redness Explorers and the

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<v Speaker 1>weather phenomenon the Doldrums. That word just struck me because

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<v Speaker 1>it's the doldrum seems to indicate a psychological phenomena as

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<v Speaker 1>much as the meteorological phenomena. The first let's take a

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<v Speaker 1>detour into the ways in which weather makes a dent

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<v Speaker 1>into our psyches. I'm Joe McCormick. I'm a writer and

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<v Speaker 1>host at How Stuff Works, and you can find me

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<v Speaker 1>on my other podcasts, Stuff to Blow your Mind and

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<v Speaker 1>Forward Thinking. I'm Holly for I am an editor and

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<v Speaker 1>I co host Stuff You Missed in History Class. I'm

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<v Speaker 1>Dylan Fagan and I'm the photo researcher here at How

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<v Speaker 1>Stuff Works. Um, and I have my hands and many

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<v Speaker 1>different pots around the office. Why there is so much

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<v Speaker 1>a part of the story of our existence that when

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<v Speaker 1>we step into an unfamiliar situation or maybe even a

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<v Speaker 1>slightly awkward one, like say an elevator, it is our

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<v Speaker 1>go to topic for discussion. I think it's the most

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<v Speaker 1>surface level conversation that you can start with with a stranger. UM,

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<v Speaker 1>And I don't mean that in a negative way. I

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<v Speaker 1>mean it and that it's a threat that ties us

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<v Speaker 1>all together, we all go outside, we all see what's

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<v Speaker 1>going on. You know, we I'll have that common experience um.

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<v Speaker 1>And it is cliche um, but it also could be

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<v Speaker 1>a door opener and icebreaker, um to get to know

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<v Speaker 1>someone a little better. You know. It could just be

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<v Speaker 1>for the elevator, or it could be jeeves hot day

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<v Speaker 1>out there, sure is, so what's your name? You know,

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<v Speaker 1>it's a jumping off point if you look at it optimistically,

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<v Speaker 1>It's how you start to get into somebody's head to

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<v Speaker 1>do the long con what's your name? And social Security number?

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<v Speaker 1>The weather ain't what it used to be when it

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<v Speaker 1>comes to safe topics, global warming, climate change. Weather is

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<v Speaker 1>clearly having a moment. Were close here tonight with more

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<v Speaker 1>unusual weather is in the grip of another descemb But

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<v Speaker 1>hate life is part of the wild weather and recent

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<v Speaker 1>wait forecast. There's a warning of more chaos a space.

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<v Speaker 1>Storms and floods continue to battle the southern United States.

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<v Speaker 1>Nobody that is living has ever seen anything like What

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<v Speaker 1>do you guys think about the names we have for

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<v Speaker 1>all these storms and weather events? Now? Is that? I mean? So,

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<v Speaker 1>we we've been naming hurricanes for a long time, but

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<v Speaker 1>now we've had these winter weather events that get names

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<v Speaker 1>in the media like Snowmageddon and snow apocalypse and the

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<v Speaker 1>polar vortex, which I guess is a different thing because

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<v Speaker 1>that's a real scientific term. But but you see these

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<v Speaker 1>come up in the media a lot. Is that is

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<v Speaker 1>that new or have we always been doing that? Well,

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<v Speaker 1>we haven't always been doing it because we didn't even

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<v Speaker 1>always have like a weather service that you know, worked

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<v Speaker 1>on these predictions. But I certainly think the I mean,

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<v Speaker 1>I don't remember storms when I was a kid in

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<v Speaker 1>the seventies and eighties having these cockamami like full on

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<v Speaker 1>drama with a musical stinger under them names right like mom,

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<v Speaker 1>this is the one, you guys, I don't know it's

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<v Speaker 1>the one. What this leads Holly two News on a

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<v Speaker 1>unified theory of weather sensationalism. I mean, I have this

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<v Speaker 1>whole thing completely separate from weather, where I feel like

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<v Speaker 1>there's this perpetual competition in that our news cycle and

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<v Speaker 1>the social media angle, where there's this perpetual competition to

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<v Speaker 1>be the cleverest and so people all want to come

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<v Speaker 1>up with the kicky name for everything that happens. And

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<v Speaker 1>that's where Snowmageddon comes from once in a generation storm,

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<v Speaker 1>a historic and deadly winter storm shuts down the southern

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<v Speaker 1>US that was so very scared outside. If I don't

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<v Speaker 1>get home to life hands, I'm like, I'm going to

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<v Speaker 1>freak out. State troopers sent in to rescue small children.

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<v Speaker 1>And it's like they can't just say we're having this

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<v Speaker 1>weather event. They're serious snow. There is a bad traffic

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<v Speaker 1>situation because everyone released every school at the same time,

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<v Speaker 1>and all offices shut down, and so all of these

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<v Speaker 1>people got trapped on the interstate. They can't say that

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<v Speaker 1>they have to go. And Hey, if we're going to

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<v Speaker 1>the trouble of giving weather systems dramatic names, we might

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<v Speaker 1>as well go one step further and saddle these systems

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<v Speaker 1>with the responsibility of our personal suffering. I feel like, um,

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<v Speaker 1>sometimes weather is like a scapegoat for your problems. I mean,

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<v Speaker 1>in my in my opinion. You know, when it's seventy

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<v Speaker 1>at Christmas and you you think like, well, that's that anno,

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<v Speaker 1>or that's climate change, or it's so cold, that's the

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<v Speaker 1>polar vortex. You know, whatever kind of weather phenomenon that

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<v Speaker 1>you're hearing about on the news. It gives you something

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<v Speaker 1>to blame for why things are abnormal. I should mention

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<v Speaker 1>that we all live in Atlanta, Georgia, also known as

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<v Speaker 1>Hot Atlanta. I want to pick up on something you said.

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<v Speaker 1>They're about it being seventy on Christmas, because I always

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<v Speaker 1>have this feeling that. I mean, I like nice warm weather.

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<v Speaker 1>I like nice sunny days when it's warm out, and

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<v Speaker 1>especially when it's nice in the winter when it's otherwise

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<v Speaker 1>been cold. But I hate it when it's hot on Christmas.

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<v Speaker 1>And it's frequently hot on Christmas around here, and it's

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<v Speaker 1>just awful. It just feels like it ruins the holiday,

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<v Speaker 1>ruins the spirit of it. It's not really Christmas because

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<v Speaker 1>you're sweating. It's just gross and you hate it. And

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<v Speaker 1>I think it's weird that we give that kind of uh,

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<v Speaker 1>we give that kind of emotional power and association between

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<v Speaker 1>certain feelings or events and how it's supposed to be outside. Yeah,

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<v Speaker 1>I mean if it's hot during December, I refused to

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<v Speaker 1>wear shorts because they're Christmas lights. You know, it's like,

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<v Speaker 1>it just ruins the holiday feeling. When it's seventy outside

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<v Speaker 1>and you see a dude and flip flops, You're like, no, No,

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<v Speaker 1>that's not that's not what I'm used to. That doesn't

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<v Speaker 1>fit this ideal in my head that I have from

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<v Speaker 1>you know, television and movies and when I was a kid,

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<v Speaker 1>and I remember it's knowing I have to confess that

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<v Speaker 1>hot Christmas isn't my thing either. I tend to think

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<v Speaker 1>of winters is time to symbolically fold into yourself. So yeah,

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<v Speaker 1>you know it just it's getting darker out earlier, and

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<v Speaker 1>it's sort of this time to just mentally hibernate or

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<v Speaker 1>you know that feels safest to me in the winter, Like, yes,

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<v Speaker 1>this is okay. I'm going to be depressed, probably because

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<v Speaker 1>I always am over Christmas. And I also get angry

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<v Speaker 1>when it's seventy degrees on Christmas because that just feels

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<v Speaker 1>like it's underscoring all the weirdness that is an attention

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<v Speaker 1>and stress that is Christmas. See now I feel guilty

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<v Speaker 1>because when it's seventy on Christmas, I feel like it's

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<v Speaker 1>a gift to me and everyone else is apparently miserable.

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<v Speaker 1>You've done the human sacrifice that made that happen, and

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<v Speaker 1>now Julie and I are just having to stew and

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<v Speaker 1>feel betrayed. I didn't think about that. I think you

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<v Speaker 1>caught something interesting there. Um, Like when it's seventy on Christmas,

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<v Speaker 1>it just adds the unpredictability and the tension and the

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<v Speaker 1>weirdness that is getting together like that. It adds a

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<v Speaker 1>certain weird level of anxiety here. Whether is disrupting the

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<v Speaker 1>narrative that our Western culture has told us about how

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<v Speaker 1>Christmas should be, but it goes deeper than that, Whether

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<v Speaker 1>it can actually shape our moods. I think it's interesting that, um,

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<v Speaker 1>looking at like a five or seven day forecast on

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<v Speaker 1>your phone for me personally, can determine what my mood

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<v Speaker 1>is going to be, Like I can already predetermine how

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<v Speaker 1>I'm going to feel that day, like, oh gosh, just

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<v Speaker 1>gonna be cold and rainy on Sunday. That's going to

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<v Speaker 1>be awful, you know, or it's gonna be it's gonna

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<v Speaker 1>be really nice on Monday. I'm really excited about that.

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<v Speaker 1>That's gonna make Monday better. Like it can. It can

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<v Speaker 1>drag you down or it can pull you up. I hate, hate, hate, hate,

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<v Speaker 1>hate being cold so much. I have winter rage disorder,

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<v Speaker 1>not a real disorder when I made up, but people

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<v Speaker 1>often think I'm like citing a doctor. When I say no,

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<v Speaker 1>I went to rage disorder. Bring it on. I'll wear

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<v Speaker 1>red and green shorts in the winter. I don't care

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<v Speaker 1>if I need my holiday fix. I would rather be

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<v Speaker 1>on fire than be cold. I live in the South

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<v Speaker 1>for a reason. Bring on seventy degree Christmas. All of

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<v Speaker 1>us have, at one time or another, take him weather

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<v Speaker 1>personally and shaking our fist to the sky. Some even

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<v Speaker 1>feel like they could control the weather. We did an

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<v Speaker 1>episode once on Crown Prince Sotto of Korea who was

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<v Speaker 1>suffering with some very real mental illness, and he thought

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<v Speaker 1>his clothing choices would affect the weather. Uh, which kind

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<v Speaker 1>of He was already dealing with a lot of stuff

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<v Speaker 1>and he was prone to fits of violence. But he

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<v Speaker 1>really felt the burden of that that, you know, if

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<v Speaker 1>he wore color X or robe at Y on a

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<v Speaker 1>certain day, it could potentially impact the entire world. And

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<v Speaker 1>that's a lot to carry on your shoulders. So in

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<v Speaker 1>a in a lighter way, thinking that the weather is

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<v Speaker 1>mirroring us, does that happen to you or you like

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<v Speaker 1>I made it rain with my sadness. There wasn't there

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<v Speaker 1>a Georgia governor who there was a drought in the

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<v Speaker 1>nineties and he put He's like said, Okay, we're going

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<v Speaker 1>to pray for rain. Ask and you shall receive. Just

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<v Speaker 1>one day after, Georgia Governor sunny Ford let a prayer

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<v Speaker 1>service for rain on the steps of the state capital.

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<v Speaker 1>The rain fell. It sounded and felt pretty good last night. Here,

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<v Speaker 1>I have to tell you, we do believe in miracles.

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<v Speaker 1>We do believe that you are the miracle Creator, the

0:13:17.679 --> 0:13:21.360
<v Speaker 1>creator that established the water and the land and the

0:13:21.520 --> 0:13:28.000
<v Speaker 1>air and even us. God, we need you, we need rain.

0:13:28.640 --> 0:13:33.160
<v Speaker 1>So it's I mean, it's still in some form continues today. Um,

0:13:33.360 --> 0:13:36.800
<v Speaker 1>this feeling that you can influence the weather based on

0:13:37.360 --> 0:13:43.400
<v Speaker 1>an action or clothing or mindset. This influence is an

0:13:43.480 --> 0:13:46.920
<v Speaker 1>ancient idea that we just can't seem to quit. Weather

0:13:46.960 --> 0:13:51.280
<v Speaker 1>patterns that change over the seasons are definitely a cycle,

0:13:52.120 --> 0:13:55.480
<v Speaker 1>and you can see it happen in real time, and

0:13:55.520 --> 0:13:58.439
<v Speaker 1>that that is certainly reflected in ancient beliefs too, because

0:13:58.520 --> 0:14:01.640
<v Speaker 1>lots of ancient gods are seasonal gods. You know that

0:14:01.800 --> 0:14:05.760
<v Speaker 1>their mythologies are derived from the seasonal changes. So you

0:14:05.800 --> 0:14:09.040
<v Speaker 1>have gods that are killed and then reborn in the

0:14:09.080 --> 0:14:11.840
<v Speaker 1>same way that your harvest. You know all the plants

0:14:11.880 --> 0:14:14.360
<v Speaker 1>are killed by the winter and then reborn in spring,

0:14:17.040 --> 0:14:20.120
<v Speaker 1>But whether the elements are the realms of gods or mortals,

0:14:20.600 --> 0:14:23.280
<v Speaker 1>it all comes back to the sense that it's just

0:14:23.560 --> 0:14:28.680
<v Speaker 1>deeply personal. My great grandmother was still in her seventies

0:14:28.680 --> 0:14:30.240
<v Speaker 1>when I was growing up, and she would be the

0:14:30.240 --> 0:14:32.560
<v Speaker 1>one to pick me up from school in the afternoons,

0:14:33.320 --> 0:14:36.760
<v Speaker 1>and uh usually on sunny days, I would go outside

0:14:36.760 --> 0:14:39.320
<v Speaker 1>once I got home and play basketball for hours until

0:14:39.360 --> 0:14:41.800
<v Speaker 1>my parents could pick me up. But on rainy days.

0:14:42.480 --> 0:14:45.720
<v Speaker 1>My grandmother was a great cook, and she would always

0:14:45.760 --> 0:14:49.320
<v Speaker 1>have either leftovers or something she'd just made. And because

0:14:49.320 --> 0:14:51.720
<v Speaker 1>she came from a time where food was scarce and

0:14:52.440 --> 0:14:55.560
<v Speaker 1>their way of showing love was cooking, um, she always

0:14:55.560 --> 0:14:58.520
<v Speaker 1>wanted me to eat when I got home. She didn't

0:14:58.560 --> 0:15:00.880
<v Speaker 1>have cable. She had this little black and white TV

0:15:01.480 --> 0:15:05.560
<v Speaker 1>and it got PBS, and I remember at three o'clock

0:15:05.800 --> 0:15:09.000
<v Speaker 1>it was Mr. Rogers, but at three thirty it was

0:15:09.160 --> 0:15:12.000
<v Speaker 1>The Joy Painting with Bob Ross. And I would sit

0:15:12.080 --> 0:15:15.040
<v Speaker 1>there and she would have made macaroni and cheese and

0:15:15.080 --> 0:15:18.480
<v Speaker 1>green beans and turkey, and I'd sit there and I

0:15:18.520 --> 0:15:22.120
<v Speaker 1>would watch Bob Ross as the rain fell, and in

0:15:22.320 --> 0:15:26.440
<v Speaker 1>my mind. That is just like a blanket wrapped around me.

0:15:26.600 --> 0:15:30.960
<v Speaker 1>It's the warmest memory I can think of from my childhood.

0:15:38.200 --> 0:15:41.320
<v Speaker 1>Rain is the most emotionally evocative weather event that there

0:15:41.440 --> 0:15:45.320
<v Speaker 1>is in movies. It's a handy signifier for a heightened

0:15:45.320 --> 0:15:49.680
<v Speaker 1>emotional state, whether it's a melancholy character staring out of

0:15:49.720 --> 0:15:54.760
<v Speaker 1>a rain splattered window or a couple kissing under a deluge,

0:15:55.320 --> 0:15:59.680
<v Speaker 1>you know, just completely oblivious to everyone else and bursting

0:16:00.040 --> 0:16:03.680
<v Speaker 1>under their desire for each other. That is how effective

0:16:03.720 --> 0:16:07.440
<v Speaker 1>of a metaphor. Rain is. So much so it's rainbow

0:16:07.480 --> 0:16:10.080
<v Speaker 1>producing abilities. That moment when we get to briefly see

0:16:10.120 --> 0:16:14.400
<v Speaker 1>white light split part into its brilliant component colors. That

0:16:14.520 --> 0:16:19.080
<v Speaker 1>moment of a rainbow could even inspire a book. I

0:16:19.160 --> 0:16:23.160
<v Speaker 1>had finished my previous book, Radioactive, and m I was

0:16:23.360 --> 0:16:25.320
<v Speaker 1>chatting with a friend and we were actually taking a

0:16:25.360 --> 0:16:28.160
<v Speaker 1>walk one day one of those days where the weather

0:16:28.280 --> 0:16:31.560
<v Speaker 1>changed really rapidly where it rained and then I think

0:16:31.600 --> 0:16:33.680
<v Speaker 1>it even hailed and the sun came out and there

0:16:33.720 --> 0:16:36.680
<v Speaker 1>was a terrific rainbow, and you know, kind of as

0:16:36.720 --> 0:16:40.080
<v Speaker 1>a joke, I said, um, you know, I'm really burnt

0:16:40.120 --> 0:16:42.040
<v Speaker 1>out the book I just finished, which for which I

0:16:42.080 --> 0:16:45.320
<v Speaker 1>had to learn a lot of physics, and I'm not

0:16:45.480 --> 0:16:48.160
<v Speaker 1>a physitist by any stretch, and so I just thought

0:16:48.440 --> 0:16:50.880
<v Speaker 1>my next book could be out clouds and Rainbows. As

0:16:50.920 --> 0:16:55.960
<v Speaker 1>I heard myself say this, I realized that I wasn't kidding.

0:16:56.440 --> 0:17:00.360
<v Speaker 1>And this spectacular panorama of this guy that you take

0:17:00.360 --> 0:17:02.800
<v Speaker 1>for grant duties give me such an interesting ech other

0:17:02.960 --> 0:17:06.040
<v Speaker 1>because it's hidden in plain sight. Lauren Redness is the

0:17:06.080 --> 0:17:09.080
<v Speaker 1>author of three books. She's been a Guggenheim Fellow and

0:17:09.280 --> 0:17:12.880
<v Speaker 1>Artist in Residence of the American Museum of Natural History,

0:17:12.960 --> 0:17:16.159
<v Speaker 1>and a finalist for the National Book Award. She teaches

0:17:16.200 --> 0:17:19.600
<v Speaker 1>at Parsons the New School for Design. Her newest book,

0:17:19.880 --> 0:17:23.240
<v Speaker 1>Thunder and Lightning, Weather Past, Present, and Future, is an

0:17:23.240 --> 0:17:28.480
<v Speaker 1>exploration of and meditation on the ways that humans cower, celebrate,

0:17:28.600 --> 0:17:32.120
<v Speaker 1>profit from, and even try to control the weather. Her

0:17:32.160 --> 0:17:36.440
<v Speaker 1>accompanying illustrations stir the senses that we associate with those

0:17:36.440 --> 0:17:40.640
<v Speaker 1>elements of weather. The opening chapter, titled Chaos, spells out

0:17:40.640 --> 0:17:43.280
<v Speaker 1>the ground rules for the book with a story about

0:17:43.320 --> 0:17:46.280
<v Speaker 1>a cemetery. So my mother in law told me this story.

0:17:46.760 --> 0:17:49.520
<v Speaker 1>She was a minister in New Hampshire and she heard

0:17:49.520 --> 0:17:51.800
<v Speaker 1>about a town not too far away from her where

0:17:51.800 --> 0:17:55.560
<v Speaker 1>a friend of hersage of pasture and the floodwaters from

0:17:55.640 --> 0:17:59.600
<v Speaker 1>Hurricane Irene had unearthed the grades from the cemetery. And

0:17:59.640 --> 0:18:04.359
<v Speaker 1>I was so struck by that that idea that you know,

0:18:04.440 --> 0:18:07.359
<v Speaker 1>this very most basic premise, you know, you die, you

0:18:07.400 --> 0:18:11.439
<v Speaker 1>are buried, even whether can even up end that basic

0:18:11.480 --> 0:18:14.520
<v Speaker 1>assumption about life. So I wanted to start with that

0:18:14.680 --> 0:18:18.320
<v Speaker 1>kind of unrattling and then through the book try to

0:18:18.359 --> 0:18:27.040
<v Speaker 1>put the pieces back together. That weather disabuses us of

0:18:27.119 --> 0:18:31.040
<v Speaker 1>the sense of continuity. Instability makes it that much more

0:18:31.119 --> 0:18:34.640
<v Speaker 1>important for us to track and predict. And to that end,

0:18:34.960 --> 0:18:38.639
<v Speaker 1>The Old Farmer's Almanac has been predicting the weather since

0:18:38.720 --> 0:18:43.639
<v Speaker 1>sevent founder and editor Robert B. Thomas came up with

0:18:43.720 --> 0:18:48.480
<v Speaker 1>a secret forecasting formula. So the Old Farm of Dominac is,

0:18:48.920 --> 0:18:52.639
<v Speaker 1>you know this publication that's been around since before George

0:18:52.640 --> 0:18:56.359
<v Speaker 1>Washington was president. It's predates electric light. It's one of

0:18:56.400 --> 0:19:00.320
<v Speaker 1>the very first books that a colonial American fami might

0:19:00.359 --> 0:19:03.240
<v Speaker 1>have had in their home. The way that they predict

0:19:03.280 --> 0:19:06.600
<v Speaker 1>weather is using a sacred formula that child in a

0:19:06.680 --> 0:19:11.160
<v Speaker 1>black box, which they have at their headquarters in New Hampshire.

0:19:12.119 --> 0:19:16.360
<v Speaker 1>This mysterious black tin box is the stuff of weather legend.

0:19:16.840 --> 0:19:19.280
<v Speaker 1>It's been passed down from editor to editor, and it

0:19:19.400 --> 0:19:23.160
<v Speaker 1>was thought that that person, and that person alone would

0:19:23.200 --> 0:19:26.000
<v Speaker 1>set eyes on it. I was talking to m. Judge

0:19:26.000 --> 0:19:28.520
<v Speaker 1>and Hale, who was editor of the Almanac for many,

0:19:28.520 --> 0:19:30.720
<v Speaker 1>many years, and I asked him, I said, you know,

0:19:30.760 --> 0:19:33.600
<v Speaker 1>have have you ever seen this black box? And he

0:19:33.680 --> 0:19:36.960
<v Speaker 1>said casualist could be Oh, yeah, here it is. You

0:19:37.040 --> 0:19:39.480
<v Speaker 1>can look at it. And he picked it up off

0:19:39.480 --> 0:19:41.280
<v Speaker 1>the phone and handed it to me, and I was

0:19:41.440 --> 0:19:51.119
<v Speaker 1>just stunned. In thunder and lightning. Lauren documents this moment

0:19:51.560 --> 0:19:55.000
<v Speaker 1>describing the black box is quote dusty. It was black

0:19:55.080 --> 0:19:58.119
<v Speaker 1>with gold trim, about the size of a tackle box

0:19:58.240 --> 0:20:01.040
<v Speaker 1>or a makeshift coffer that might use for cash at

0:20:01.040 --> 0:20:04.520
<v Speaker 1>a big sale. The lock was open. Inside were a

0:20:04.560 --> 0:20:08.639
<v Speaker 1>few leathery spiral notebooks, two keys with clover shaped heads

0:20:08.680 --> 0:20:12.000
<v Speaker 1>held together on a jumbo paper clip. There were a

0:20:12.080 --> 0:20:17.200
<v Speaker 1>number of loose documents, some type, some handwritten, and one envelope.

0:20:17.440 --> 0:20:24.040
<v Speaker 1>This one envelope that was stamped confidential confidential. So I

0:20:24.119 --> 0:20:27.920
<v Speaker 1>opened it up and they began to fade through this

0:20:28.359 --> 0:20:32.160
<v Speaker 1>system for predicting weather, and it read like a riddle.

0:20:39.920 --> 0:20:42.520
<v Speaker 1>Laura was given permission to copy the formula and share

0:20:42.560 --> 0:20:46.160
<v Speaker 1>it with Greg Carbon, a meteorologist from the National Oceanic

0:20:46.160 --> 0:20:50.400
<v Speaker 1>and Atmospheric Administration. He said to me, the meteorologist, well,

0:20:50.400 --> 0:20:54.400
<v Speaker 1>it's rather hard to follow, and it's a beautiful and document.

0:20:54.440 --> 0:20:57.800
<v Speaker 1>It's you know, all about the moon cycles in the atmosphere,

0:20:57.840 --> 0:21:01.240
<v Speaker 1>in the solar system and suns. And what struck me,

0:21:01.280 --> 0:21:05.240
<v Speaker 1>why is that actually to read this secret formula, to

0:21:05.320 --> 0:21:09.439
<v Speaker 1>have the mystery unveiled, actually did nothing to destroy the

0:21:09.480 --> 0:21:14.280
<v Speaker 1>mystery itself, because whether it is endlessly unpredictable and no

0:21:14.480 --> 0:21:18.560
<v Speaker 1>formula can give us a key, and in fact reading

0:21:18.960 --> 0:21:21.840
<v Speaker 1>this document I could I had that sense of a

0:21:21.960 --> 0:21:27.280
<v Speaker 1>mystery only deaconed because the mystery of weather forecasting is

0:21:27.280 --> 0:21:29.920
<v Speaker 1>bigger than the old farmer's almanac, and weather prediction will

0:21:30.080 --> 0:21:33.800
<v Speaker 1>always no matter how our science advances, it always seems

0:21:33.840 --> 0:21:40.760
<v Speaker 1>to be just beyond our grasp, just beyond our grasp,

0:21:40.960 --> 0:21:45.040
<v Speaker 1>and yet directly influencing us. As Lauren explains in her

0:21:45.160 --> 0:21:49.280
<v Speaker 1>chapter on wind, specifically with the example of long distance

0:21:49.280 --> 0:21:53.159
<v Speaker 1>swimmer Diana and Nayad, who in planned to swim from

0:21:53.240 --> 0:21:56.800
<v Speaker 1>Cuba to Florida for three straight days and nights of

0:21:56.760 --> 0:21:59.879
<v Speaker 1>a feat that would require a little or no wind.

0:22:03.720 --> 0:22:06.480
<v Speaker 1>I read something about Diana and Nyad preparing for her

0:22:06.640 --> 0:22:10.359
<v Speaker 1>long distance swims, in particular from Cuba to Florida, and

0:22:10.400 --> 0:22:14.600
<v Speaker 1>how she waited for a windless pocket of weather um

0:22:14.640 --> 0:22:17.640
<v Speaker 1>which she referred to as a dull drums. She connected

0:22:17.640 --> 0:22:22.520
<v Speaker 1>weather to climate and to these grand metaphysical questions. She

0:22:22.640 --> 0:22:25.240
<v Speaker 1>talked to me about some of the thoughts that led

0:22:25.280 --> 0:22:28.800
<v Speaker 1>her mind as she swims for days out on the

0:22:28.880 --> 0:22:31.480
<v Speaker 1>open ocean. And she said, she said to me, it's

0:22:31.480 --> 0:22:33.960
<v Speaker 1>a very small planet. I'm thinking about the melting of

0:22:33.960 --> 0:22:37.080
<v Speaker 1>the polar ice caps. Where are we in the universe?

0:22:37.320 --> 0:22:39.960
<v Speaker 1>Will the Earth last forever? Will the human race last forever?

0:22:40.000 --> 0:22:43.320
<v Speaker 1>And you can just picture her, this tiny, tiny body

0:22:43.840 --> 0:22:47.600
<v Speaker 1>in this vast, vast ocean, you know. And she says

0:22:47.720 --> 0:22:50.080
<v Speaker 1>that she pictures all the animals swimming beneath her, and

0:22:50.160 --> 0:22:55.200
<v Speaker 1>she can see the stars sparkling above her while waiting

0:22:55.240 --> 0:22:57.840
<v Speaker 1>for the easterly winds to change. In Key West, a

0:22:57.960 --> 0:23:01.440
<v Speaker 1>sailor took Diana out on the deck. Kay. She says,

0:23:01.480 --> 0:23:04.240
<v Speaker 1>can you taste something gritty in your mouth? And so Diana,

0:23:04.359 --> 0:23:06.680
<v Speaker 1>you know, he says, we're all standing there with our

0:23:06.720 --> 0:23:08.879
<v Speaker 1>tongue is hanging out, and she says she does. She

0:23:08.920 --> 0:23:11.359
<v Speaker 1>tastes something gritty, so she just assumes that she fault.

0:23:11.600 --> 0:23:14.040
<v Speaker 1>You know, that makes sense. There they are on the

0:23:14.160 --> 0:23:17.040
<v Speaker 1>edge of the water, but no, her friend tells her

0:23:17.119 --> 0:23:20.320
<v Speaker 1>that this is actually sand from the Sahara that's blown

0:23:20.440 --> 0:23:25.800
<v Speaker 1>over clear from Africa across the Atlantic. And it just

0:23:25.920 --> 0:23:29.879
<v Speaker 1>struck me that idea, these tiny tiny stecks of cross ocean,

0:23:29.920 --> 0:23:32.560
<v Speaker 1>almost like you know, a butterfly making it some migrations,

0:23:33.000 --> 0:23:36.080
<v Speaker 1>tiny speck of sand that made it from Africa all

0:23:36.119 --> 0:23:39.439
<v Speaker 1>the way to the east coast of America. This moment

0:23:39.480 --> 0:23:42.879
<v Speaker 1>crystallizes the link between ourselves and the rest of the world,

0:23:43.359 --> 0:23:47.399
<v Speaker 1>removing a sense of distance. Time kind of collapses because

0:23:47.400 --> 0:23:49.520
<v Speaker 1>like when did that wind blow over the Sahara And

0:23:49.960 --> 0:24:01.160
<v Speaker 1>suddenly the globe seems particularly small. When we talk about nature,

0:24:01.280 --> 0:24:03.560
<v Speaker 1>we tend to think of all the things that we

0:24:03.640 --> 0:24:08.919
<v Speaker 1>can see, trees, flowers, animals, and insects. But at its court,

0:24:09.080 --> 0:24:12.919
<v Speaker 1>nature is the unseen, the forces that come together to

0:24:13.080 --> 0:24:17.040
<v Speaker 1>allow our very existence in the first place. Think of

0:24:17.080 --> 0:24:21.480
<v Speaker 1>the Sun's radiation beating down, driving life cycles, warming and

0:24:21.520 --> 0:24:26.160
<v Speaker 1>cooling molecules until they become air movement. Then wind than gals.

0:24:27.200 --> 0:24:31.360
<v Speaker 1>Nature then is weather, and weather is brutal and riotous,

0:24:31.760 --> 0:24:35.000
<v Speaker 1>but it also contains its own kind of symmetry and

0:24:35.119 --> 0:24:37.840
<v Speaker 1>breathtaking beauty, the same kind of beauty that we gape

0:24:37.840 --> 0:24:41.280
<v Speaker 1>at when we wonder about our existence. Where we are

0:24:41.320 --> 0:24:44.680
<v Speaker 1>all under the weather, and now it's time to memory,

0:24:44.720 --> 0:24:46.760
<v Speaker 1>definitely on behalf of all of us here at Broadcasting

0:24:46.800 --> 0:24:50.640
<v Speaker 1>House in London to shore. Very safe and peaceful night,

0:24:51.440 --> 0:25:01.200
<v Speaker 1>Good hind. The Stuff of Life is written and co

0:25:01.400 --> 0:25:05.159
<v Speaker 1>produced by me Julie Douglas. Original music and sound design

0:25:05.280 --> 0:25:09.080
<v Speaker 1>is by co producer Noel Brown, and editorial oversight is

0:25:09.160 --> 0:25:14.040
<v Speaker 1>provided by Head of Production Jerry Rowland. Thank you to

0:25:14.119 --> 0:25:17.520
<v Speaker 1>Lauren Redness for discussing thunder and lightning, weather past, present

0:25:17.560 --> 0:25:20.359
<v Speaker 1>and future. You can learn more about her work at

0:25:20.440 --> 0:25:23.680
<v Speaker 1>Lauren Redness dot com. And thank you to Holly Fry,

0:25:24.000 --> 0:25:27.320
<v Speaker 1>Dylan Fagan and Joe McCormick for sharing your thoughts on

0:25:27.400 --> 0:25:30.440
<v Speaker 1>the emotional life of weather. If you like what we

0:25:30.520 --> 0:25:32.440
<v Speaker 1>do here at The Stuff of Life, visit us on

0:25:32.640 --> 0:25:36.000
<v Speaker 1>Facebook and Twitter, and please consider supporting the show by

0:25:36.080 --> 0:25:39.640
<v Speaker 1>reviewing us on iTunes. In the meantime, email us at

0:25:39.920 --> 0:25:42.680
<v Speaker 1>the Stuff of Life at How Stuff Works dot com