1 00:00:00,520 --> 00:00:04,320 Speaker 1: Flap the boppy. 2 00:00:04,960 --> 00:00:10,520 Speaker 2: Sitting down looking at a computer with Scott uh Boris 3 00:00:11,360 --> 00:00:16,040 Speaker 2: and playing uh doing Jumanji. So okay, back up. First 4 00:00:16,079 --> 00:00:19,439 Speaker 2: one they do the. 5 00:00:18,079 --> 00:00:20,720 Speaker 1: The the Yes, it's a flat. 6 00:00:20,760 --> 00:00:23,720 Speaker 2: Second one it's inside of yeah big. 7 00:00:24,400 --> 00:00:29,000 Speaker 1: The new one is oh like a banner ad. 8 00:00:29,120 --> 00:00:30,960 Speaker 2: You know those banners where you have to have to 9 00:00:31,040 --> 00:00:34,040 Speaker 2: kick the football through the goalposts and the goal post. 10 00:00:33,960 --> 00:00:37,360 Speaker 1: Is moving around. I don't know that one. Which one type? 11 00:00:37,600 --> 00:00:38,240 Speaker 1: Which one? You know? 12 00:00:38,360 --> 00:00:40,239 Speaker 2: You have to identify whose butt is this? 13 00:00:41,320 --> 00:00:41,960 Speaker 1: Is it moving? 14 00:00:42,640 --> 00:00:47,560 Speaker 2: There's there's is it moving under like a under a cup? 15 00:00:49,080 --> 00:00:50,440 Speaker 2: The butt. 16 00:00:52,200 --> 00:00:56,160 Speaker 1: It's it's it's sorry sharing on. I just go, oh, okay, 17 00:00:56,160 --> 00:01:01,120 Speaker 1: it is okay. I just googled. Yeah. 18 00:01:01,160 --> 00:01:03,080 Speaker 2: You have to flip the cup up and then there's 19 00:01:03,120 --> 00:01:05,120 Speaker 2: a but and you do have to identify it. So 20 00:01:05,200 --> 00:01:08,080 Speaker 2: this is the new Jumanji and it is Jessica Simpson, 21 00:01:08,720 --> 00:01:12,160 Speaker 2: which is the It's like take the jewel from the 22 00:01:12,240 --> 00:01:15,760 Speaker 2: monkey's paw and the monkey is running around the jungle 23 00:01:16,120 --> 00:01:18,480 Speaker 2: and Scott Boris is watching me to see if I 24 00:01:18,520 --> 00:01:21,959 Speaker 2: am like a good enough at Jumanji to be signed 25 00:01:22,640 --> 00:01:25,000 Speaker 2: to like a big contract. And so I'm playing the 26 00:01:25,040 --> 00:01:29,040 Speaker 2: game and I do get sucked inside. Yeah, I get 27 00:01:29,319 --> 00:01:33,640 Speaker 2: like schlorped into the screen. Okay, very small. It's just 28 00:01:33,680 --> 00:01:36,600 Speaker 2: a little box. It's not like the other Jumanjis that 29 00:01:36,640 --> 00:01:40,920 Speaker 2: are so huge, which, honestly this sounds better to me 30 00:01:41,000 --> 00:01:44,640 Speaker 2: because my issue with the last Jumanji. So it's like, 31 00:01:45,000 --> 00:01:51,360 Speaker 2: what this is huge? Like what this is freaking huge? Yeah, 32 00:01:52,080 --> 00:01:55,280 Speaker 2: it's bigger than any room. Well, how am I supposed 33 00:01:55,280 --> 00:01:55,920 Speaker 2: to go to sleep? 34 00:01:56,440 --> 00:01:57,680 Speaker 1: Yes? And a place that big? 35 00:01:57,880 --> 00:02:01,120 Speaker 2: Yes, because you big part of going to sleep in 36 00:02:01,160 --> 00:02:04,600 Speaker 2: a room is that you can see the wall on 37 00:02:04,640 --> 00:02:07,480 Speaker 2: the ceiling and stuff, but you can't in Jumanji. But 38 00:02:07,600 --> 00:02:10,760 Speaker 2: here it is so small. It's just a tiny little box. 39 00:02:11,320 --> 00:02:15,919 Speaker 2: I'm sort of crammed in there with this monkey. I 40 00:02:15,960 --> 00:02:17,760 Speaker 2: can't even reach the jewel because he's kind of like 41 00:02:17,800 --> 00:02:19,720 Speaker 2: wedged in underneath. 42 00:02:20,120 --> 00:02:20,320 Speaker 1: Yeah. 43 00:02:21,120 --> 00:02:26,160 Speaker 2: And I see Scott Boris through the screen and I'm like, 44 00:02:26,240 --> 00:02:29,800 Speaker 2: get help, and can you tell Engineer Ryan who Scott 45 00:02:29,840 --> 00:02:32,680 Speaker 2: Boris is? Okay, So Scott Boris is a super agent. 46 00:02:33,680 --> 00:02:39,760 Speaker 2: He's an agent of Alex Rodriguez. He's like biggest baseball guy, right, 47 00:02:40,440 --> 00:02:44,200 Speaker 2: and he's like very famous. No wonder you're with him? 48 00:02:44,520 --> 00:02:49,760 Speaker 2: I Well, I just want to say I was I 49 00:02:49,840 --> 00:02:52,560 Speaker 2: was like auditioning to try out. He was watching me, dude. 50 00:02:52,600 --> 00:02:55,679 Speaker 2: The concept is he's watching me play this banner ad 51 00:02:55,760 --> 00:02:59,280 Speaker 2: game and to see if I should be signed to Thomas. 52 00:02:59,280 --> 00:03:02,200 Speaker 1: You're a gamer, so you'll want to a handbook. Hayes. 53 00:03:02,639 --> 00:03:06,079 Speaker 2: Hayes's gamer name, his tag if you want to contact 54 00:03:06,160 --> 00:03:09,160 Speaker 2: him is hey Hayes Davenport Baseball at aol dot com. 55 00:03:09,240 --> 00:03:10,760 Speaker 1: Yeah, that's my dude. Game. 56 00:03:11,040 --> 00:03:16,160 Speaker 3: Oh yeah, constantly. I don't see too many email addresses 57 00:03:16,919 --> 00:03:19,360 Speaker 3: as the Yeah, isn't that weird? 58 00:03:20,040 --> 00:03:21,160 Speaker 1: I mean, I dig it. 59 00:03:21,320 --> 00:03:24,320 Speaker 3: I just you'll you'll probably get contacted a lot. 60 00:03:24,320 --> 00:03:26,880 Speaker 1: Hard for Yeah, Well, that's the thing. It's hard. How 61 00:03:26,919 --> 00:03:29,560 Speaker 1: else do people tell you that you did a good job? 62 00:03:30,160 --> 00:03:32,040 Speaker 2: Well, how can they contact you after the game? 63 00:03:32,080 --> 00:03:35,600 Speaker 1: It's rare. It's rare that the feedback is positive online. 64 00:03:35,640 --> 00:03:37,560 Speaker 2: Well, here's the thing. Of course, they can tell you 65 00:03:37,680 --> 00:03:40,040 Speaker 2: then the chat. Yeah, they can hit you with the 66 00:03:40,120 --> 00:03:43,440 Speaker 2: g G good game, but you cannot forward that to 67 00:03:43,520 --> 00:03:47,480 Speaker 2: your wife. And there's no proof once the once it 68 00:03:47,520 --> 00:03:49,960 Speaker 2: goes up through the top of the chat, there's no 69 00:03:50,000 --> 00:03:51,720 Speaker 2: way to show it to your way. And I've been 70 00:03:51,880 --> 00:03:54,840 Speaker 2: and I was here before he had this new gamer 71 00:03:54,880 --> 00:03:57,000 Speaker 2: tag and I would go to dinner with them and 72 00:03:57,000 --> 00:03:59,240 Speaker 2: he would say I had a really good game today, honey, 73 00:03:59,360 --> 00:04:02,560 Speaker 2: and she would say, bullshit proven. Would you fucking show 74 00:04:02,640 --> 00:04:06,080 Speaker 2: me prove it? And I was helpless. 75 00:04:07,040 --> 00:04:07,760 Speaker 1: That's crazy. 76 00:04:07,800 --> 00:04:11,680 Speaker 3: I've never I've usually if I begin to talk about 77 00:04:11,720 --> 00:04:12,600 Speaker 3: video games with. 78 00:04:13,520 --> 00:04:16,960 Speaker 1: My wife, for it. Sorry, if Scott has a corner, 79 00:04:17,080 --> 00:04:20,200 Speaker 1: he owns it. Yeah, so I should be saying, I 80 00:04:20,200 --> 00:04:25,320 Speaker 1: should be. We can do it, we can Yes, Okay. 81 00:04:25,120 --> 00:04:30,880 Speaker 3: My wife, Scotty, if I begin a conversation about v 82 00:04:31,040 --> 00:04:33,599 Speaker 3: games with her, she's out the door. 83 00:04:33,880 --> 00:04:37,039 Speaker 1: She's like snoozefest. She's not even calling you a liar. 84 00:04:37,120 --> 00:04:37,880 Speaker 1: She is leaving. 85 00:04:37,960 --> 00:04:40,159 Speaker 2: She doesn't care about you enough to accuse you of 86 00:04:40,240 --> 00:04:41,280 Speaker 2: lying about a good game. 87 00:04:41,400 --> 00:04:43,480 Speaker 3: Yeah, so you're I mean I at this point, I 88 00:04:43,480 --> 00:04:49,920 Speaker 3: actually can see quite fortunate that you require even the proof, 89 00:04:50,360 --> 00:04:52,600 Speaker 3: because that shows that she wants to know. 90 00:04:52,760 --> 00:04:55,240 Speaker 2: She's a level of investment. I hadn't looked at it 91 00:04:55,279 --> 00:05:00,440 Speaker 2: that way, but she's pretty invested in. Yeah, thank you, 92 00:05:01,440 --> 00:05:04,080 Speaker 2: thank you, Thomas. You came to do the show my 93 00:05:04,200 --> 00:05:06,479 Speaker 2: Fledge and it is tri month. 94 00:05:06,520 --> 00:05:08,040 Speaker 1: Do you know this? Do you know about this? 95 00:05:08,240 --> 00:05:08,440 Speaker 3: No? 96 00:05:08,720 --> 00:05:11,000 Speaker 1: Give me the I am? I am. You wouldn't even 97 00:05:11,040 --> 00:05:14,080 Speaker 1: tell him, did you you did? I'm saying that he did. 98 00:05:13,720 --> 00:05:14,720 Speaker 1: I am. 99 00:05:15,160 --> 00:05:17,400 Speaker 3: I'm in the biz, but I don't know anything about 100 00:05:17,440 --> 00:05:20,120 Speaker 3: the biz. So I'm hoping to get a couple pieces 101 00:05:20,120 --> 00:05:21,120 Speaker 3: of information. 102 00:05:22,040 --> 00:05:24,360 Speaker 2: Older versions of the show. But yeah, yeah, and so 103 00:05:24,360 --> 00:05:25,880 Speaker 2: I just got to kicking about names. Were a couple 104 00:05:25,880 --> 00:05:27,440 Speaker 2: of line back always this in called show biz, And 105 00:05:27,520 --> 00:05:29,360 Speaker 2: we are doing tri month this month, and you. 106 00:05:29,320 --> 00:05:30,880 Speaker 1: Have done the show before. Do you know that? Yes? 107 00:05:31,120 --> 00:05:33,800 Speaker 2: Okay, yes, but tri month is what's the tri Month's jam? 108 00:05:33,800 --> 00:05:36,520 Speaker 2: We're trying really hard to do the show t r y. 109 00:05:36,800 --> 00:05:39,520 Speaker 3: Yeah, I thought it was tr I like hyphen month, 110 00:05:39,640 --> 00:05:40,880 Speaker 3: Like there's a three pillar. 111 00:05:41,120 --> 00:05:43,120 Speaker 2: That was I think the first joke that Sean made 112 00:05:43,160 --> 00:05:43,640 Speaker 2: about it. 113 00:05:43,720 --> 00:05:49,279 Speaker 4: Oh, I'm quoting some old ones I'm doing I'm quoting Sean, 114 00:05:49,640 --> 00:05:50,560 Speaker 4: I'm quoting Scott. 115 00:05:51,040 --> 00:05:53,240 Speaker 2: Yeah, but you have to give me credit for that joke, 116 00:05:53,320 --> 00:05:55,040 Speaker 2: and you have to do it in the Borat voice, 117 00:05:55,080 --> 00:05:56,839 Speaker 2: which is now the trime mom. 118 00:05:57,040 --> 00:06:03,000 Speaker 1: Tr right, hyphen mom. But try acker Man, Okay, try. 119 00:06:03,160 --> 00:06:04,320 Speaker 1: But here's the thing, Tonest. 120 00:06:04,320 --> 00:06:07,320 Speaker 2: It's like a big deal that you are getting to 121 00:06:07,400 --> 00:06:09,320 Speaker 2: do that because it means that you've like, well, so 122 00:06:09,440 --> 00:06:12,320 Speaker 2: Kevin will rule out guests based on them not being 123 00:06:12,360 --> 00:06:14,240 Speaker 2: big enough. A lot of our friends aren't allowed to 124 00:06:14,240 --> 00:06:16,440 Speaker 2: do the show over the whole month because Kevin said 125 00:06:16,440 --> 00:06:17,760 Speaker 2: that basically they suck ship. 126 00:06:18,000 --> 00:06:21,560 Speaker 3: Yes, whoa, yeah it's true, Kever's yeah. 127 00:06:21,640 --> 00:06:26,440 Speaker 2: I'm on the try t r y hard team. Yes, yes, 128 00:06:27,040 --> 00:06:29,559 Speaker 2: And it's not because you try hard. It's because people 129 00:06:29,640 --> 00:06:32,640 Speaker 2: have to try hard to get you to do the show. 130 00:06:32,920 --> 00:06:36,039 Speaker 3: Is anyone's sequel? And if not, can I call DIBs? 131 00:06:36,440 --> 00:06:40,680 Speaker 3: Try hard to try Harder? No one has done that one, Okay, 132 00:06:40,680 --> 00:06:42,960 Speaker 3: because there I know, I understand that. You could say 133 00:06:43,000 --> 00:06:45,760 Speaker 3: it's loose, a loose parody on die Hard, die Hard 134 00:06:45,839 --> 00:06:46,680 Speaker 3: to die. 135 00:06:46,440 --> 00:06:48,960 Speaker 2: Harder, try hard with a vengeance, try hard with ave 136 00:06:49,320 --> 00:06:51,640 Speaker 2: another thing. You could try trying my hard. Well, you 137 00:06:51,680 --> 00:06:53,520 Speaker 2: are the second episode, so you can be you can 138 00:06:53,560 --> 00:06:56,400 Speaker 2: be try harder. Weird now was the first one, pretty big, right, 139 00:06:56,440 --> 00:06:58,880 Speaker 2: being the same company weird Out. Okay, so it's you 140 00:06:58,880 --> 00:07:01,520 Speaker 2: are weird al are on same tier for Kevin. 141 00:07:01,720 --> 00:07:04,240 Speaker 3: Okay, Okay, I'm honored, Thank you. 142 00:07:04,360 --> 00:07:04,760 Speaker 1: Covers. 143 00:07:06,040 --> 00:07:10,160 Speaker 3: I there's someone, there's someone out there that's like good 144 00:07:10,360 --> 00:07:13,080 Speaker 3: that finally, and then most people are like that makes 145 00:07:13,120 --> 00:07:13,560 Speaker 3: no sense. 146 00:07:13,600 --> 00:07:15,400 Speaker 1: Why are you able to do show today? Not much 147 00:07:15,400 --> 00:07:15,800 Speaker 1: going on. 148 00:07:17,840 --> 00:07:22,480 Speaker 2: We got a reply from someone, I replied immediately, Yes, 149 00:07:23,360 --> 00:07:25,480 Speaker 2: we heard from someone who I think is less famous 150 00:07:25,520 --> 00:07:28,320 Speaker 2: than you, who said I would love to do the show. 151 00:07:28,520 --> 00:07:32,720 Speaker 2: Can you do Tuesdays in May? And so that maybe 152 00:07:32,800 --> 00:07:34,200 Speaker 2: think with Thomas is coming in. I was like, we 153 00:07:34,400 --> 00:07:36,880 Speaker 2: just asked Thomas and he's like coming here, like right now. 154 00:07:37,000 --> 00:07:39,400 Speaker 2: I know that's I mean the Tuesdays in May. That's 155 00:07:39,400 --> 00:07:41,679 Speaker 2: a busy guy. That's the other day of the week 156 00:07:41,720 --> 00:07:44,040 Speaker 2: in May is free. 157 00:07:44,160 --> 00:07:47,320 Speaker 3: You know what can I tell you? I'm getting real 158 00:07:47,360 --> 00:07:51,040 Speaker 3: acquainted with my video games, my vie games, which. 159 00:07:51,600 --> 00:07:55,880 Speaker 1: You didn't say your tag? I yeah, do you want 160 00:07:55,920 --> 00:07:56,120 Speaker 1: to know what? 161 00:07:56,200 --> 00:07:59,040 Speaker 2: Do you want to hear mine? Sure, you don't want 162 00:07:59,040 --> 00:08:02,480 Speaker 2: to say your mind as Cannon. Yeah, it's maybe problematic now, 163 00:08:03,080 --> 00:08:05,600 Speaker 2: but my camera tag is thug queen sixty nine. 164 00:08:06,040 --> 00:08:13,000 Speaker 3: Okay, yeah, yeah, yeah, that's Cannon. Yeahs yes, I I 165 00:08:13,040 --> 00:08:16,040 Speaker 3: don't well, I just don't want you know what people? 166 00:08:16,240 --> 00:08:19,120 Speaker 1: You want people shooting you, well, shooting or not? I 167 00:08:19,120 --> 00:08:21,400 Speaker 1: mean virtually you want people playing video games? 168 00:08:21,800 --> 00:08:24,240 Speaker 3: Well, I mean I like playing video games with with pals, 169 00:08:24,280 --> 00:08:27,720 Speaker 3: but maybe just people I know, I guess, Okay, my 170 00:08:27,800 --> 00:08:33,720 Speaker 3: gamer tag, I'm loath to say. Oh, okay is uh 171 00:08:34,000 --> 00:08:37,920 Speaker 3: it's cash Me Outside. It's based off of that baby 172 00:08:39,000 --> 00:08:39,840 Speaker 3: okay girl? 173 00:08:39,880 --> 00:08:45,360 Speaker 1: Who Yeah, definitely what I assumed it was based. Can 174 00:08:45,400 --> 00:08:48,920 Speaker 1: I say this? You got that? You got that cash? 175 00:08:49,720 --> 00:08:50,640 Speaker 1: But I did. I did. 176 00:08:50,720 --> 00:08:55,160 Speaker 3: It's like see at symbol dollar sign even that can 177 00:08:55,240 --> 00:08:56,480 Speaker 3: wait me outside? How about that? 178 00:08:56,640 --> 00:08:59,600 Speaker 2: Yeah, you would have to be watching the Doctor Phil 179 00:08:59,640 --> 00:09:03,520 Speaker 2: episode as it was first airing and then go straight 180 00:09:04,160 --> 00:09:06,920 Speaker 2: to the Xbox big door. 181 00:09:07,280 --> 00:09:09,320 Speaker 3: Yeah that's crazy, man, No, it was already taken. 182 00:09:12,480 --> 00:09:13,439 Speaker 1: Oh you bought it off. 183 00:09:13,520 --> 00:09:18,320 Speaker 3: I'm doing I'm doing well. I'm sponsored now and treat yourself, 184 00:09:18,600 --> 00:09:18,800 Speaker 3: you know. 185 00:09:19,000 --> 00:09:20,840 Speaker 2: I mean, I think you're worth it to have a 186 00:09:20,880 --> 00:09:22,600 Speaker 2: gamer tag like that cash Me Outside? 187 00:09:22,600 --> 00:09:23,160 Speaker 1: How about that? 188 00:09:23,280 --> 00:09:25,400 Speaker 3: If I want a twenty k gamer tag, I'm going 189 00:09:25,440 --> 00:09:27,319 Speaker 3: to get it. This is the kind of this is 190 00:09:27,320 --> 00:09:28,880 Speaker 3: the kind of hashtag. The license When. 191 00:09:28,960 --> 00:09:30,880 Speaker 2: I went to try to buy it, and I had 192 00:09:30,880 --> 00:09:32,959 Speaker 2: a little money put away to try to get that. 193 00:09:32,960 --> 00:09:34,560 Speaker 3: Cause I did want to change, but you were the 194 00:09:34,559 --> 00:09:35,480 Speaker 3: guy that was bidding. 195 00:09:35,600 --> 00:09:39,120 Speaker 2: I had to. I wound up having to buy the 196 00:09:39,280 --> 00:09:43,760 Speaker 2: entire lyrics of her first single instead, where it was 197 00:09:44,120 --> 00:09:49,240 Speaker 2: not the White Jays, white Porsche, white Wrist, white Horse 198 00:09:50,120 --> 00:09:54,560 Speaker 2: high bitch, high bitch, Hi bitch, you had. 199 00:09:54,480 --> 00:09:57,440 Speaker 1: To buy the lyrics. 200 00:09:58,320 --> 00:10:00,920 Speaker 3: The fact that you know those lyrics just like that 201 00:10:01,280 --> 00:10:05,320 Speaker 3: proves that that is a true story. 202 00:10:06,760 --> 00:10:09,559 Speaker 2: You are doing great Silicon season six. 203 00:10:09,400 --> 00:10:10,679 Speaker 1: Season six coming at you. 204 00:10:10,720 --> 00:10:12,880 Speaker 2: I've heard that you add a new cylinder to your 205 00:10:13,000 --> 00:10:15,040 Speaker 2: Rari with every season. 206 00:10:15,240 --> 00:10:16,080 Speaker 1: Yeah, is that right? 207 00:10:16,160 --> 00:10:18,440 Speaker 2: And I sort of heard them coming up through the 208 00:10:18,520 --> 00:10:21,080 Speaker 2: gate today. Did you hear that, Sean? Yeah, and it's 209 00:10:21,200 --> 00:10:23,880 Speaker 2: it's counterproductive at a certain point. Am I wrong that, like, 210 00:10:23,960 --> 00:10:27,120 Speaker 2: too many cylinders on a Ferrari are actually working against it. 211 00:10:27,000 --> 00:10:30,800 Speaker 3: When you start with a literally a zero cylinder Rari. 212 00:10:31,000 --> 00:10:32,400 Speaker 1: Yeah, kind of a frame. 213 00:10:32,520 --> 00:10:37,000 Speaker 3: Yeah, yeah, it's actually a sign of accomplishment. It's a milestone. 214 00:10:37,440 --> 00:10:40,560 Speaker 3: So the toys are nice, aren't they? Thomas Twit, The 215 00:10:40,600 --> 00:10:42,520 Speaker 3: toys are nice. Oh yeah, the toys are nice. 216 00:10:42,559 --> 00:10:44,400 Speaker 1: You don't do a tough job. You don't do it 217 00:10:44,440 --> 00:10:46,080 Speaker 1: for the toys. But the toys are nice. But the 218 00:10:46,160 --> 00:10:46,920 Speaker 1: toys are nice. 219 00:10:47,040 --> 00:10:49,080 Speaker 3: I'm a little boy and I like to play. So 220 00:10:50,000 --> 00:10:51,680 Speaker 3: guess what, I'm gonna get a few toys. 221 00:10:52,800 --> 00:10:54,440 Speaker 1: Jesus Christ. I can't be mad at that. 222 00:10:56,280 --> 00:10:58,480 Speaker 2: And I'm yeah, I'm doing sort of the car version 223 00:10:59,160 --> 00:11:03,160 Speaker 2: of like g I, Joe's in the tub. Oh what 224 00:11:03,400 --> 00:11:05,640 Speaker 2: used to be g I Joe's in the tub for 225 00:11:05,720 --> 00:11:07,040 Speaker 2: me doing missions and stuff? 226 00:11:07,600 --> 00:11:09,560 Speaker 1: Is now my car? Yeah? 227 00:11:09,559 --> 00:11:11,959 Speaker 3: So you wait, I know, are you filling up your 228 00:11:11,960 --> 00:11:13,679 Speaker 3: car with water and playing Joe's in there? 229 00:11:13,760 --> 00:11:16,160 Speaker 2: No, I am bringing my car into the tub. You're 230 00:11:16,200 --> 00:11:20,640 Speaker 2: full blown adult car and you're pretending the car is 231 00:11:20,640 --> 00:11:23,840 Speaker 2: a soldier is doing missions and has to be rescued. 232 00:11:24,440 --> 00:11:24,880 Speaker 1: Are you in. 233 00:11:24,840 --> 00:11:27,960 Speaker 3: A are you in a like a single little house? 234 00:11:28,000 --> 00:11:28,840 Speaker 3: Are you in an apartment? 235 00:11:28,920 --> 00:11:30,040 Speaker 1: Public? Pool? Public? 236 00:11:30,080 --> 00:11:33,560 Speaker 3: You're driving the car into the pool. M M, yeah, 237 00:11:33,679 --> 00:11:35,040 Speaker 3: I imagine public. 238 00:11:34,679 --> 00:11:37,560 Speaker 2: Pool, but but privately private. 239 00:11:41,760 --> 00:11:44,760 Speaker 3: As soon as you go, yes, you say it's private. 240 00:11:45,200 --> 00:11:46,120 Speaker 1: Kick all the kids out. 241 00:11:46,400 --> 00:11:49,800 Speaker 5: I've taken the pool public. There's a private public pool. 242 00:11:49,920 --> 00:11:52,280 Speaker 5: There's a private public pool. We're about I p o ye. 243 00:11:52,520 --> 00:11:56,000 Speaker 5: This is a Silicon Valley thing. Yes, that's initial public offering. 244 00:11:56,360 --> 00:12:04,000 Speaker 5: Initial public offering. It's when you are inventing stock. Okay, 245 00:12:04,920 --> 00:12:09,480 Speaker 5: that's why I called stock car. And yeah, is the 246 00:12:09,520 --> 00:12:11,160 Speaker 5: stock is the stock? 247 00:12:11,320 --> 00:12:15,240 Speaker 3: So the stocks the stocks capital T, Capitals on Wall Street, 248 00:12:15,280 --> 00:12:16,600 Speaker 3: Capital W Capital. 249 00:12:16,600 --> 00:12:20,319 Speaker 1: S, Robinhood, dot Com, Capital art couple. H Yeah, I 250 00:12:20,320 --> 00:12:21,959 Speaker 1: don't know if there is a web addressed for it. 251 00:12:22,000 --> 00:12:24,360 Speaker 1: I think it might just be an app. 252 00:12:23,920 --> 00:12:29,959 Speaker 3: So are those directly attached to stock cars like NASCAR? 253 00:12:30,080 --> 00:12:32,360 Speaker 1: Yes, some of them are attached to slot cars. 254 00:12:32,600 --> 00:12:38,959 Speaker 3: Okay, yeah, what scale are we talking? Twelve one one quarter, 255 00:12:39,000 --> 00:12:39,400 Speaker 3: one eighth? 256 00:12:39,880 --> 00:12:40,280 Speaker 1: I don't know. 257 00:12:40,480 --> 00:12:43,360 Speaker 3: I don't know the various scales, three thirty. 258 00:12:43,160 --> 00:12:45,360 Speaker 2: Eighth, Yeah, twelve and twelve and a half, twelve. 259 00:12:45,200 --> 00:12:48,680 Speaker 3: And a half, twelve point five. I do metric. I 260 00:12:48,760 --> 00:12:50,559 Speaker 3: always do metric in my scales. So I sort of 261 00:12:50,600 --> 00:12:52,280 Speaker 3: broke it down for you guys Canadian. 262 00:12:52,920 --> 00:12:57,160 Speaker 2: I gotta say, yeah, babe, we have to try right now. 263 00:12:59,320 --> 00:13:02,800 Speaker 1: I'm doing this wasted time. Oh, this is precursor and it's. 264 00:13:02,600 --> 00:13:05,040 Speaker 2: Tough with Thomas to get any trying in because he's 265 00:13:05,120 --> 00:13:05,880 Speaker 2: pure id. 266 00:13:06,320 --> 00:13:11,400 Speaker 3: Oh for those of you who can't see, and maybe 267 00:13:11,400 --> 00:13:12,400 Speaker 3: it is the Canadian thing. 268 00:13:12,400 --> 00:13:15,599 Speaker 2: Why are Canadians so fucking funny? Ryan Reynolds, et cetera. 269 00:13:17,080 --> 00:13:21,520 Speaker 3: Alanis is hilarious. 270 00:13:21,960 --> 00:13:22,120 Speaker 2: Much. 271 00:13:23,120 --> 00:13:30,000 Speaker 3: Yeah, did you forget about me? That's all a parody song. 272 00:13:32,360 --> 00:13:32,760 Speaker 1: Anyway. 273 00:13:32,840 --> 00:13:36,280 Speaker 3: Yeah, we're pretty chill, we're pretty wacky. We do a 274 00:13:36,320 --> 00:13:38,960 Speaker 3: lot of zany stuff. There's a there's a national zany 275 00:13:39,000 --> 00:13:43,480 Speaker 3: competition sponsored by the Canadian government. There's finalists, there's like 276 00:13:43,480 --> 00:13:48,560 Speaker 3: obviously regionals, provincials, Nationals, and then we're just we're just 277 00:13:48,600 --> 00:13:51,400 Speaker 3: competing for tho zaneus cat in the bag. 278 00:13:52,720 --> 00:13:54,520 Speaker 2: That is so funny that you mentioned I was in 279 00:13:54,600 --> 00:13:58,600 Speaker 2: Vancouver this past week. Uh, and I was driving down 280 00:13:58,640 --> 00:13:59,480 Speaker 2: the big highway there. 281 00:13:59,520 --> 00:14:01,720 Speaker 3: You know this one, it's called Canada Major Highway. 282 00:14:01,840 --> 00:14:02,000 Speaker 1: Yes. 283 00:14:02,559 --> 00:14:06,240 Speaker 2: Uh, And I saw a theater past the theater and 284 00:14:06,280 --> 00:14:07,040 Speaker 2: on the Marquee. 285 00:14:07,880 --> 00:14:08,000 Speaker 6: Uh. 286 00:14:08,320 --> 00:14:10,560 Speaker 2: They were advertised the show that was playing there was 287 00:14:10,600 --> 00:14:16,559 Speaker 2: called Eric chapels zany farce. I had never I'm not 288 00:14:16,720 --> 00:14:20,040 Speaker 2: from Canada, I don't know Eric Chapel, but it was 289 00:14:20,520 --> 00:14:24,400 Speaker 2: a really big theater and I went like. 290 00:14:24,360 --> 00:14:30,640 Speaker 1: How does he mean something to you? Where do I 291 00:14:30,840 --> 00:14:32,800 Speaker 1: do I go down? Do I go down the track? 292 00:14:32,840 --> 00:14:33,520 Speaker 1: Of uh? 293 00:14:34,600 --> 00:14:37,880 Speaker 3: Goofing around her seriousness? In all seriousness, I don't know 294 00:14:37,920 --> 00:14:46,200 Speaker 3: who Eric Chappel is. I'm pretty sure. Yeah, it's a farce. 295 00:14:46,280 --> 00:14:49,360 Speaker 3: That's a little bit crazy. Yeah, okay, you've been here 296 00:14:49,400 --> 00:14:52,560 Speaker 3: for a few years and sick, a little twisted, a 297 00:14:52,600 --> 00:14:53,600 Speaker 3: little demented. 298 00:14:54,040 --> 00:14:54,920 Speaker 1: Well that's so great. 299 00:14:54,960 --> 00:14:57,240 Speaker 2: It's such a great segue because that is basically what 300 00:14:57,280 --> 00:15:01,760 Speaker 2: we're about to do today, which is do something just 301 00:15:01,960 --> 00:15:04,640 Speaker 2: like a really great idea for our show. We have 302 00:15:04,680 --> 00:15:07,680 Speaker 2: a great like conceit that we're doing for this episode. 303 00:15:07,920 --> 00:15:10,480 Speaker 1: It's only part of the tri month. Yes, only for 304 00:15:10,560 --> 00:15:11,120 Speaker 1: this episode. 305 00:15:11,200 --> 00:15:13,520 Speaker 2: Yeah, only for this decided to come up with concepts 306 00:15:13,560 --> 00:15:16,440 Speaker 2: for the show, and about twenty to twenty five minutes 307 00:15:16,440 --> 00:15:19,200 Speaker 2: in we're going to start them. So we had a 308 00:15:19,240 --> 00:15:23,200 Speaker 2: recent conversation on the show. We have like basically this 309 00:15:23,520 --> 00:15:25,320 Speaker 2: gold mine we're sitting on that we need to figure 310 00:15:25,360 --> 00:15:29,640 Speaker 2: out how to very valuable property. Okay, okay, Sean and 311 00:15:29,680 --> 00:15:33,200 Speaker 2: I sort of accidentally fell into this debate that we 312 00:15:33,240 --> 00:15:36,040 Speaker 2: think could potentially go viral, like the dress. 313 00:15:36,320 --> 00:15:38,880 Speaker 1: Yes, remember the dress? Yeah? Wait is it blue or 314 00:15:38,920 --> 00:15:39,560 Speaker 1: is it green? 315 00:15:39,800 --> 00:15:42,840 Speaker 2: It's something like this, but it is probably an even 316 00:15:42,920 --> 00:15:45,000 Speaker 2: juicier debate with more layers to it. 317 00:15:45,080 --> 00:15:45,840 Speaker 1: And we have. 318 00:15:47,320 --> 00:15:50,160 Speaker 2: You know, the way that great inventions often happen is 319 00:15:50,160 --> 00:15:52,480 Speaker 2: by accident. You're trying to do something else. We were 320 00:15:52,520 --> 00:15:57,040 Speaker 2: trying to, I think, do the iHeartRadio Music Awards. Yeah, 321 00:15:57,080 --> 00:15:59,520 Speaker 2: it was for a paywall episode two, so we can 322 00:15:59,720 --> 00:16:02,640 Speaker 2: so it hasn't fully hasn't broken through. 323 00:16:03,040 --> 00:16:05,360 Speaker 3: Mobile platform paywall, yes. 324 00:16:05,040 --> 00:16:08,840 Speaker 2: But that was our intention and as a byproduct, we 325 00:16:09,160 --> 00:16:13,680 Speaker 2: created something for everyone that we know has this like 326 00:16:13,800 --> 00:16:17,320 Speaker 2: massive potential sight Unseen? 327 00:16:17,800 --> 00:16:20,080 Speaker 1: Can I be ep? Can I go? 328 00:16:20,160 --> 00:16:23,560 Speaker 2: We are not exactly handing those out right now, I know, 329 00:16:23,680 --> 00:16:26,600 Speaker 2: but if you want, when, if you want my input 330 00:16:26,720 --> 00:16:30,640 Speaker 2: on record, on physical record proof, I got to get 331 00:16:30,640 --> 00:16:31,640 Speaker 2: a piece of this price. 332 00:16:32,240 --> 00:16:34,360 Speaker 1: Participate any farther. 333 00:16:34,560 --> 00:16:37,040 Speaker 2: But what if we told you what we believe is 334 00:16:38,800 --> 00:16:42,680 Speaker 2: that we have found a way to monetize this massive property. 335 00:16:43,240 --> 00:16:45,240 Speaker 1: Should we say what it is? And it is and 336 00:16:45,280 --> 00:16:46,080 Speaker 1: it is a film? 337 00:16:46,360 --> 00:16:48,680 Speaker 2: Well, he's saying Sight Unseen and we were thinking of 338 00:16:48,760 --> 00:16:53,840 Speaker 2: casting you possibly as the freaking major star of the film. Wow, 339 00:16:54,320 --> 00:16:55,920 Speaker 2: So then do you still need EP credit? 340 00:16:57,600 --> 00:17:00,000 Speaker 1: No, not at all? Are you kidding me? Yes? Actually 341 00:17:00,320 --> 00:17:01,400 Speaker 1: always have the power. 342 00:17:02,240 --> 00:17:05,520 Speaker 2: So here's the conversation that we had was is a 343 00:17:05,560 --> 00:17:08,600 Speaker 2: gram cracker a cracker or a cookie? 344 00:17:08,760 --> 00:17:09,000 Speaker 1: Yes? 345 00:17:09,680 --> 00:17:13,080 Speaker 2: And this is kind of like yes, and so wait 346 00:17:13,520 --> 00:17:15,720 Speaker 2: and I just taking it, just taking it to take 347 00:17:15,720 --> 00:17:18,080 Speaker 2: a good time because it's this is sort of what 348 00:17:18,160 --> 00:17:21,240 Speaker 2: we went through during the radio music words is. 349 00:17:21,200 --> 00:17:22,000 Speaker 1: We were. 350 00:17:23,520 --> 00:17:26,800 Speaker 2: Dealing with so much at once by even having the 351 00:17:26,920 --> 00:17:31,760 Speaker 2: question introduced. Because we've made a hot dog a sandwich 352 00:17:31,800 --> 00:17:33,600 Speaker 2: like that kind of thing. This has gone viral. People 353 00:17:33,600 --> 00:17:35,400 Speaker 2: have made a lot of money, a lot of money. 354 00:17:35,840 --> 00:17:39,359 Speaker 3: How do you Okay, okay, I love the debate you 355 00:17:39,800 --> 00:17:45,080 Speaker 3: post a question to me, is a gram cracker a cookie. 356 00:17:44,760 --> 00:17:46,920 Speaker 1: Or a is a cookie or a cracker. 357 00:17:46,640 --> 00:17:49,680 Speaker 3: Or a cracker? Yeah, you have that debate going on. 358 00:17:50,359 --> 00:17:54,280 Speaker 3: A what are your what are your main methods of 359 00:17:54,400 --> 00:17:57,800 Speaker 3: actual monetization, you know, other than make a hit and 360 00:17:57,800 --> 00:17:59,720 Speaker 3: the hit film. Okay, so it's a hit film based 361 00:17:59,760 --> 00:18:02,760 Speaker 3: on the question? Yeah, yes, And then b what do 362 00:18:02,800 --> 00:18:07,840 Speaker 3: you say to the people who say literally in the name. 363 00:18:09,119 --> 00:18:10,320 Speaker 1: It says what it is. 364 00:18:10,200 --> 00:18:14,520 Speaker 2: Well, and this is what makes it such a rich 365 00:18:14,560 --> 00:18:15,360 Speaker 2: and I'm trying. 366 00:18:15,240 --> 00:18:16,400 Speaker 1: Not to like salivate. 367 00:18:17,119 --> 00:18:20,359 Speaker 2: Yes, I'm like, I got the fact that one coming 368 00:18:20,359 --> 00:18:24,680 Speaker 2: over the plate, ask that is so beautiful. 369 00:18:24,200 --> 00:18:26,720 Speaker 3: And I can't remember if that was I can't tell 370 00:18:26,760 --> 00:18:28,800 Speaker 3: if that was a baseball reference or a Duke hera. 371 00:18:29,000 --> 00:18:33,320 Speaker 2: And if I could direct you to animals and plates 372 00:18:33,440 --> 00:18:35,760 Speaker 2: I don't usually associate. If I can even direct you 373 00:18:35,760 --> 00:18:39,680 Speaker 2: to animal crackers just to get just just to get 374 00:18:39,720 --> 00:18:43,880 Speaker 2: your mind, is an animal cracker cracking. 375 00:18:45,280 --> 00:18:48,200 Speaker 1: Or a cooker? Is it a cooker? And you have 376 00:18:48,280 --> 00:18:51,560 Speaker 1: to answer out? And is an animal cracker an animal? 377 00:18:51,840 --> 00:18:53,639 Speaker 2: And just because it has that name, that has to 378 00:18:53,640 --> 00:18:55,879 Speaker 2: be that is a jellyfish and made of jelly. 379 00:18:56,920 --> 00:19:00,800 Speaker 3: Okay, okay, okay, let's stuff. Let's start working with some definitions. 380 00:19:01,600 --> 00:19:05,840 Speaker 3: Can we get the Oxford definition Oxford Dictionary definition because 381 00:19:05,880 --> 00:19:08,080 Speaker 3: I go English English, English. 382 00:19:07,880 --> 00:19:09,320 Speaker 1: Yeah, I can do it off the top of my head. 383 00:19:09,800 --> 00:19:14,560 Speaker 3: Are the cookie and then one of a okay, wait, 384 00:19:14,680 --> 00:19:15,119 Speaker 3: that's all. 385 00:19:16,560 --> 00:19:18,320 Speaker 1: And we pull this bad boy up. It's gonna say 386 00:19:18,440 --> 00:19:19,280 Speaker 1: sweet treat. 387 00:19:19,359 --> 00:19:22,760 Speaker 2: Yes, and now it says like noun sweet treat for friends. Yeah, 388 00:19:22,800 --> 00:19:25,120 Speaker 2: Now sweet treet for friends. And then crack the origin 389 00:19:26,600 --> 00:19:29,480 Speaker 2: quite a cruncher okay, just. 390 00:19:29,440 --> 00:19:35,200 Speaker 3: To confirm, cookie says sweet treat four friends, four friends, yeah, 391 00:19:35,960 --> 00:19:41,080 Speaker 3: and then number four and then crackers are whoa quite 392 00:19:41,080 --> 00:19:42,960 Speaker 3: a cruncher, quite a cruncher. 393 00:19:44,440 --> 00:19:44,640 Speaker 1: Okay. 394 00:19:44,720 --> 00:19:48,320 Speaker 3: So if we're going with those definitions of sweet street 395 00:19:48,480 --> 00:19:51,560 Speaker 3: for friends, if you want the Collins English Dictionary, it's 396 00:19:51,560 --> 00:19:56,439 Speaker 3: gonna they're both just gonna say sea biscuit okayis like 397 00:19:56,800 --> 00:20:02,640 Speaker 3: s e like just see okay, no like see biscuit Okay, yeah, 398 00:20:02,640 --> 00:20:04,200 Speaker 3: because we're not even talking about biscuits. 399 00:20:04,200 --> 00:20:05,200 Speaker 1: So that we're gonna. 400 00:20:04,960 --> 00:20:08,000 Speaker 3: Wear any anyone anything we are, but anyone who's bringing 401 00:20:08,000 --> 00:20:10,240 Speaker 3: in the agenda of biscuits, isn't gonna or is that 402 00:20:10,240 --> 00:20:12,040 Speaker 3: that part of the fun film? Fun part of the film, 403 00:20:12,080 --> 00:20:13,600 Speaker 3: like the bat story, We're going to biscuits. 404 00:20:13,640 --> 00:20:16,200 Speaker 1: Well, yeah, that's where that where be story came from. 405 00:20:18,040 --> 00:20:22,040 Speaker 3: The whole time I had zero idea. 406 00:20:22,080 --> 00:20:25,040 Speaker 1: My thought was that you would play. 407 00:20:26,680 --> 00:20:31,440 Speaker 2: Phineas Graham, the inventor of the Graham Cracker huh okay uh, 408 00:20:31,480 --> 00:20:33,760 Speaker 2: and we would do a little bit of an origin 409 00:20:33,800 --> 00:20:35,600 Speaker 2: story to try to get to the bottom of what 410 00:20:35,640 --> 00:20:39,240 Speaker 2: the intention was, because I believe that intention is a 411 00:20:39,240 --> 00:20:41,919 Speaker 2: big part of the answer to this question. Right, Do 412 00:20:41,960 --> 00:20:44,400 Speaker 2: you want to go through any other big points from 413 00:20:44,400 --> 00:20:44,879 Speaker 2: the debate. 414 00:20:44,920 --> 00:20:46,600 Speaker 1: I know you had the Teddy Graham. 415 00:20:46,800 --> 00:20:48,560 Speaker 2: I have my big one, which is when you take 416 00:20:48,600 --> 00:20:51,040 Speaker 2: the shape of the Graham Cracker, which you insist as 417 00:20:51,040 --> 00:20:54,440 Speaker 2: a cracker and mold put it into a Teddy Bear 418 00:20:54,480 --> 00:20:58,480 Speaker 2: shaped mold. The ingredients are the same, but you come 419 00:20:58,520 --> 00:21:01,840 Speaker 2: out with now a Graham Cracker sheep like a Teddy bear, 420 00:21:02,240 --> 00:21:05,240 Speaker 2: otherwise known as a Teddy Graham. Is that a cracker 421 00:21:05,520 --> 00:21:05,920 Speaker 2: to you? 422 00:21:09,320 --> 00:21:12,280 Speaker 1: Well that I would assume Teddy Grahma cracker a cookie. 423 00:21:12,480 --> 00:21:13,359 Speaker 1: But it's the same. 424 00:21:13,400 --> 00:21:16,480 Speaker 2: Sweet tree for friends or is it a culture? 425 00:21:18,520 --> 00:21:20,680 Speaker 1: It is the same thing as a Graham Cracker. It's 426 00:21:20,800 --> 00:21:23,119 Speaker 1: made of the same material. It's just all Graham. 427 00:21:23,160 --> 00:21:27,160 Speaker 3: I mean, it's got to be a Cracker at least 428 00:21:27,359 --> 00:21:28,840 Speaker 3: Teddy Graham as a Cracker. 429 00:21:29,040 --> 00:21:31,119 Speaker 1: Oh, you've inhabited the characters. You're already. 430 00:21:31,680 --> 00:21:33,160 Speaker 3: I'm just trying to think because I'm trying to get 431 00:21:33,160 --> 00:21:37,959 Speaker 3: myself back into Okay, it's nineteen ten. I'm assuming phineas Graham. 432 00:21:38,000 --> 00:21:40,600 Speaker 3: He's pouring, uh, he's mixing his culdren. 433 00:21:41,720 --> 00:21:44,560 Speaker 2: Let's play we have you're reading from the script, so 434 00:21:44,640 --> 00:21:48,240 Speaker 2: let's hand it out and yeah, yeah, I'll do I'll 435 00:21:48,280 --> 00:21:50,800 Speaker 2: do stage directions, and I of course have a position 436 00:21:50,880 --> 00:21:52,720 Speaker 2: on what I think about this, but. 437 00:21:54,240 --> 00:21:54,800 Speaker 1: We'll leave it. 438 00:21:55,359 --> 00:21:56,800 Speaker 3: Well, are you trying to by the end of the film, 439 00:21:56,800 --> 00:21:58,439 Speaker 3: are we going to answer that? Or are we going 440 00:21:58,480 --> 00:22:00,040 Speaker 3: to leave it up to the audience socide? Is it 441 00:22:00,080 --> 00:22:01,440 Speaker 3: gonna be a Coen Brothers ending? 442 00:22:01,480 --> 00:22:02,160 Speaker 1: It's gonna be. 443 00:22:03,640 --> 00:22:07,399 Speaker 2: We Just before we say it, the screen goes black 444 00:22:07,480 --> 00:22:09,359 Speaker 2: and then we say gram. 445 00:22:09,119 --> 00:22:12,120 Speaker 1: Crackers will return and the next movie. 446 00:22:13,400 --> 00:22:16,320 Speaker 3: Every theater, can I pitch this, Every theater that screens 447 00:22:16,359 --> 00:22:20,000 Speaker 3: this movie should have like a webcam or something set 448 00:22:20,040 --> 00:22:21,359 Speaker 3: up at the top of the screen. 449 00:22:21,960 --> 00:22:22,840 Speaker 1: Pointing back to the audience. 450 00:22:22,840 --> 00:22:24,520 Speaker 3: So when it cuts back to the when it when 451 00:22:24,560 --> 00:22:27,160 Speaker 3: it cuts to black, you do the feed, you bring 452 00:22:27,160 --> 00:22:30,480 Speaker 3: the whites up, and then you're just seeing yourself. It's 453 00:22:30,560 --> 00:22:37,080 Speaker 3: just what is it? And then it's everybody, Wow, humanity 454 00:22:37,760 --> 00:22:38,360 Speaker 3: is what it is. 455 00:22:38,480 --> 00:22:39,080 Speaker 1: And the debate. 456 00:22:39,560 --> 00:22:43,159 Speaker 3: Stop hunger, Quit fighting in Syria. 457 00:22:44,040 --> 00:22:46,359 Speaker 1: Yeah, it is a good question, everybody in Syria. 458 00:22:46,520 --> 00:22:49,080 Speaker 2: Take it easy. We spend all this time fighting over 459 00:22:49,119 --> 00:22:51,400 Speaker 2: these grab crackers where we should be eating them. 460 00:22:51,440 --> 00:22:52,600 Speaker 1: To stop hunger. 461 00:22:52,560 --> 00:22:57,960 Speaker 3: Exactly, stop arguing, stop start filling, start lunching, start lunching. 462 00:22:58,280 --> 00:23:01,320 Speaker 1: Shall we? Okay, Uh, let's just go. Let's start from 463 00:23:01,359 --> 00:23:01,680 Speaker 1: the top. 464 00:23:03,400 --> 00:23:05,480 Speaker 3: Uh yeah, okay, there's a bit of there's. 465 00:23:05,320 --> 00:23:08,600 Speaker 2: A no, sorry, bit of action here. Yes, yeah, there's 466 00:23:08,640 --> 00:23:10,280 Speaker 2: a little bit. Yeah, so let me let me just 467 00:23:10,280 --> 00:23:18,000 Speaker 2: get into it. Interior, the lab Phineas Graham is mixing 468 00:23:18,040 --> 00:23:19,480 Speaker 2: his cauldron. 469 00:23:21,080 --> 00:23:28,480 Speaker 1: And he takes a big smell. Mmm. He says, hmmm good. 470 00:23:30,600 --> 00:23:38,000 Speaker 2: His son, Graham Norton enters, Hey, dad, he's running around 471 00:23:38,000 --> 00:23:41,520 Speaker 2: the room being very cheeky. Oh oh squeeze, but oh no, 472 00:23:41,680 --> 00:23:43,919 Speaker 2: hits edge of bub Okay here we go. Oh no, 473 00:23:44,240 --> 00:23:46,000 Speaker 2: well that's all your bum I got hold of is it? 474 00:23:46,000 --> 00:23:50,080 Speaker 1: Hey, Hey, gone, Hey gone? Here we go, not now, Graham. 475 00:23:50,440 --> 00:23:53,280 Speaker 3: Oh sorry, Dad, I'm in the middle of coming up 476 00:23:53,320 --> 00:23:55,000 Speaker 3: with my latest concoction. 477 00:23:55,480 --> 00:23:57,480 Speaker 1: Oh what is it? Cookie or cracker? 478 00:23:57,960 --> 00:23:58,240 Speaker 2: Hmm. 479 00:23:59,080 --> 00:24:01,760 Speaker 3: I can't tell you right now, but all I can 480 00:24:01,840 --> 00:24:05,880 Speaker 3: say is whatever, whatever it will be, it will change 481 00:24:05,920 --> 00:24:08,440 Speaker 3: the face of the earth. 482 00:24:10,040 --> 00:24:13,359 Speaker 2: I'm gonna have do fun stuff with celebrities when I 483 00:24:13,400 --> 00:24:13,840 Speaker 2: get older. 484 00:24:13,880 --> 00:24:15,920 Speaker 3: I just see you late and see, well, I'm going 485 00:24:16,000 --> 00:24:18,080 Speaker 3: to change the face of the earth. 486 00:24:20,840 --> 00:24:21,240 Speaker 1: Okay. 487 00:24:21,560 --> 00:24:25,760 Speaker 2: Phineas Graham takes a big scoop of molten Graham and 488 00:24:26,320 --> 00:24:28,760 Speaker 2: takes a big sip of that out of the ladle. 489 00:24:30,480 --> 00:24:33,080 Speaker 2: Oh that looks so hot that that can't be good 490 00:24:33,119 --> 00:24:33,480 Speaker 2: for you. 491 00:24:33,680 --> 00:24:34,120 Speaker 1: It is. 492 00:24:34,600 --> 00:24:38,880 Speaker 3: It's scolding me, But I can tell you this, Graham, 493 00:24:39,320 --> 00:24:41,800 Speaker 3: the taste is exquisite. 494 00:24:43,480 --> 00:24:45,560 Speaker 2: Okay, gonna go play now. 495 00:24:45,800 --> 00:24:47,680 Speaker 1: I'll see you later. I see you later. Yeah, I'll 496 00:24:47,680 --> 00:24:51,120 Speaker 1: see you later at the club. And so then we'll 497 00:24:51,119 --> 00:24:52,440 Speaker 1: cut to the club. But a little bit. 498 00:24:53,359 --> 00:24:56,040 Speaker 2: I do just want to clarify something in the past. 499 00:24:56,080 --> 00:24:59,480 Speaker 2: We've been talked, we've been it's been mentioned that we're 500 00:24:59,480 --> 00:25:02,800 Speaker 2: not allowed to play copywritten music anymore on the show, 501 00:25:03,160 --> 00:25:07,280 Speaker 2: are we We're obviously especially during tri month. We're obviously 502 00:25:07,280 --> 00:25:11,080 Speaker 2: allowed to play half of Pumped Up Kicks, right, that's allowed. 503 00:25:11,359 --> 00:25:15,160 Speaker 1: I think that was okay, Yeah, yeah, like half of it. Okay, good. 504 00:25:16,560 --> 00:25:19,640 Speaker 3: So I mean I'll tell you it's written like, it's 505 00:25:19,720 --> 00:25:23,240 Speaker 3: written fast paced and to just see it really gets 506 00:25:23,240 --> 00:25:25,560 Speaker 3: to the point. Yeah, it's kind of written by It's 507 00:25:25,600 --> 00:25:29,720 Speaker 3: written like Baby Driver, and it feels like Baby Driver. 508 00:25:29,760 --> 00:25:33,920 Speaker 2: It's gonna it's gonna drop down, and we're gonna cut 509 00:25:33,960 --> 00:25:36,880 Speaker 2: it that way too. That's saying like quick cuts even 510 00:25:36,880 --> 00:25:39,800 Speaker 2: in the labs, even just like and it's a music 511 00:25:39,840 --> 00:25:44,400 Speaker 2: it's a dance. Yeah, it's basically a long form lemonade 512 00:25:44,480 --> 00:25:46,639 Speaker 2: style music video. 513 00:25:46,720 --> 00:25:49,600 Speaker 3: Yeah yeah, yeah, well look just so that scene alone 514 00:25:49,720 --> 00:25:55,199 Speaker 3: it reads that way. I am incredibly honored that you 515 00:25:55,240 --> 00:25:58,840 Speaker 3: guys would think of me for Phineas Graham, Like that's 516 00:25:59,040 --> 00:26:02,520 Speaker 3: been a dream of mine to play a seventy six 517 00:26:02,600 --> 00:26:05,560 Speaker 3: year old Graham Cracker. 518 00:26:05,200 --> 00:26:08,000 Speaker 1: Inventor, you know, the invention of the Graham Cracker. 519 00:26:08,080 --> 00:26:11,679 Speaker 2: Interesting story, it was one of these many things that 520 00:26:11,920 --> 00:26:16,080 Speaker 2: was made not sure how it's supposed to do it, 521 00:26:16,119 --> 00:26:19,400 Speaker 2: but it was invented by like an extremely Christian man 522 00:26:19,480 --> 00:26:22,840 Speaker 2: to curb the sexual desires of young men. It was like, 523 00:26:22,920 --> 00:26:25,720 Speaker 2: if you're feeling horny, eat a Graham cracker instead, And 524 00:26:25,880 --> 00:26:28,399 Speaker 2: that is like I could feel that in your character. 525 00:26:28,480 --> 00:26:31,720 Speaker 2: It wasn't really sad explicitly. Yeah, but that's oh wow, 526 00:26:32,400 --> 00:26:35,040 Speaker 2: and you're taking that big sit from the ladle. It 527 00:26:35,160 --> 00:26:40,280 Speaker 2: is clearly intended to punish your sexual melt your bone. 528 00:26:40,440 --> 00:26:40,680 Speaker 1: Yeah. 529 00:26:40,960 --> 00:26:43,879 Speaker 3: Is I mean, are we allowed to read more scenes 530 00:26:43,880 --> 00:26:46,720 Speaker 3: from it? Because there's I'm just looking ahead here on 531 00:26:46,880 --> 00:26:51,639 Speaker 3: page eighty one when he's in DC arguing his case. 532 00:26:52,440 --> 00:26:56,280 Speaker 2: Yeah, well, yeah, that's great. Let's go there because I 533 00:26:56,320 --> 00:26:57,800 Speaker 2: think it's important to get this right. 534 00:26:57,920 --> 00:26:58,160 Speaker 1: Yeah. 535 00:26:58,200 --> 00:27:05,200 Speaker 2: Sure, and we are. This is transitional music to the 536 00:27:05,200 --> 00:27:07,240 Speaker 2: court and interior. 537 00:27:07,640 --> 00:27:10,520 Speaker 1: The court missed gram. 538 00:27:10,920 --> 00:27:17,000 Speaker 6: Your ne furious cookie cracker creation has got the whole 539 00:27:17,040 --> 00:27:21,679 Speaker 6: country rendered into a tizzy. You absolutely can't have something 540 00:27:21,760 --> 00:27:23,080 Speaker 6: like that over here. 541 00:27:23,119 --> 00:27:24,800 Speaker 1: You gotta say what it is. 542 00:27:24,840 --> 00:27:27,480 Speaker 6: And pick a name and make it cookie or cracker, 543 00:27:27,560 --> 00:27:30,560 Speaker 6: and also make it taste like what the name. 544 00:27:30,520 --> 00:27:31,560 Speaker 1: Is, Senator. 545 00:27:32,440 --> 00:27:37,560 Speaker 3: You would define me by a label, You would define 546 00:27:37,600 --> 00:27:41,200 Speaker 3: the taste by a label. All I can tell you 547 00:27:41,359 --> 00:27:45,600 Speaker 3: is that the boys, the men of this country, we're 548 00:27:45,720 --> 00:27:51,399 Speaker 3: rampant with boners, hard peepees and the white cream that 549 00:27:51,560 --> 00:27:53,159 Speaker 3: comes out of the hard. 550 00:27:53,040 --> 00:27:58,840 Speaker 1: Deps way out a lot. 551 00:27:59,240 --> 00:28:01,879 Speaker 7: You got the radiot of a cookie in the shape 552 00:28:01,920 --> 00:28:02,720 Speaker 7: of a cracker. 553 00:28:03,400 --> 00:28:05,680 Speaker 1: Oh, you got a whole new wood contempt. 554 00:28:05,840 --> 00:28:10,119 Speaker 2: The windows rattle and everything gets quiet for a second. 555 00:28:10,160 --> 00:28:12,280 Speaker 1: You dare question my power? 556 00:28:13,640 --> 00:28:17,840 Speaker 2: And right then as Phineas krab is morphig. 557 00:28:19,160 --> 00:28:21,960 Speaker 1: The window explodes open and it's sore. 558 00:28:23,359 --> 00:28:27,439 Speaker 7: Hi, guys, mind if I hammer in for a minute. 559 00:28:27,520 --> 00:28:30,719 Speaker 7: And right behind him is iron Man. Hey, fellas somebody 560 00:28:30,800 --> 00:28:35,800 Speaker 7: having a fight. And then behind him is Bruce Binner. 561 00:28:36,040 --> 00:28:38,680 Speaker 7: He's being carried by iron Man. 562 00:28:39,200 --> 00:28:41,920 Speaker 2: Hey, guys, I'm normal right. 563 00:28:41,800 --> 00:28:46,560 Speaker 7: Now, and his black widow too, and Hawkeye and hand 564 00:28:46,640 --> 00:28:47,959 Speaker 7: Man and Vision. 565 00:28:48,520 --> 00:28:51,440 Speaker 1: All the guys are in the courtroom. Here's aiming at you. 566 00:28:53,400 --> 00:28:56,160 Speaker 1: Don mind if I ant around for a minute. 567 00:28:56,920 --> 00:29:04,040 Speaker 3: That's right, Senators, by this Graham cracker and rendering all 568 00:29:04,080 --> 00:29:08,680 Speaker 3: the men in this fast of the earth completely useless 569 00:29:08,720 --> 00:29:13,640 Speaker 3: with their genitals. Have established contact with the Justice League 570 00:29:14,000 --> 00:29:17,160 Speaker 3: of America, where the. 571 00:29:17,280 --> 00:29:20,080 Speaker 1: Justice League that no, y'all swim, We've. 572 00:29:20,000 --> 00:29:27,800 Speaker 7: Joined the Justice League here from black Widow. So somebody 573 00:29:27,880 --> 00:29:29,720 Speaker 7: let black Widow speak at all. 574 00:29:29,680 --> 00:29:33,760 Speaker 2: This So just we should just clarify sor of what 575 00:29:33,760 --> 00:29:34,960 Speaker 2: we're what we're doing here. 576 00:29:35,000 --> 00:29:36,440 Speaker 1: This is plan for this. 577 00:29:36,520 --> 00:29:40,520 Speaker 3: Yeah, I love what you do. I saw what explain 578 00:29:40,760 --> 00:29:41,480 Speaker 3: because I get it on. 579 00:29:41,840 --> 00:29:43,680 Speaker 1: So this is kind of a back door. 580 00:29:44,360 --> 00:29:50,120 Speaker 2: Uh addition, Yeah, to the Marvel universe. 581 00:29:49,800 --> 00:29:52,719 Speaker 3: Well, I'm I mean, I'm not sure, but I hear 582 00:29:52,960 --> 00:29:56,880 Speaker 3: rumblings all the time of the Marvel DC world's combining. 583 00:29:57,080 --> 00:29:59,760 Speaker 2: In this case, they aren't really combining. It's it's exactly 584 00:29:59,760 --> 00:30:01,360 Speaker 2: what you said from the script, which is that all 585 00:30:01,400 --> 00:30:05,600 Speaker 2: the Avengers are joining the Justice League, and there. 586 00:30:05,560 --> 00:30:08,400 Speaker 1: Are a couple of guys. A Wasp is still an Avenger. 587 00:30:11,640 --> 00:30:13,920 Speaker 3: As long as it puts Buss in seats, you're happy 588 00:30:13,960 --> 00:30:15,080 Speaker 3: to see me on the big screen. 589 00:30:15,160 --> 00:30:17,520 Speaker 2: Argument in my case, obviously we're not allowed to make 590 00:30:17,680 --> 00:30:20,600 Speaker 2: a Marvel movie, right, there's all these rules about that. 591 00:30:20,840 --> 00:30:23,520 Speaker 1: But for me, Graham Cracker is a cook your Cracker movie. 592 00:30:24,520 --> 00:30:27,000 Speaker 1: The guys show up. Yeah, there's no law on. 593 00:30:27,000 --> 00:30:30,880 Speaker 2: That, right, But now they are yes, d University, Yes, 594 00:30:31,000 --> 00:30:35,040 Speaker 2: except for Wasp and Roady war Machine. 595 00:30:34,720 --> 00:30:37,160 Speaker 1: And DC is like their open source. Did you hear 596 00:30:37,200 --> 00:30:39,640 Speaker 1: any DC cabs? Yeah? 597 00:30:39,880 --> 00:30:43,680 Speaker 2: Did you hear any don Cheetles stories from Schwartz when 598 00:30:43,680 --> 00:30:44,440 Speaker 2: you guys are on tour? 599 00:30:45,240 --> 00:30:51,040 Speaker 3: Uh, you know, just uh just say he's you know, 600 00:30:51,160 --> 00:30:52,760 Speaker 3: he's a really sweet sweet man. 601 00:30:52,920 --> 00:30:56,240 Speaker 1: And okay, we could use that. He's got a I 602 00:30:56,280 --> 00:30:58,080 Speaker 1: mean war machine. That doesn't sound. 603 00:30:57,880 --> 00:31:01,800 Speaker 3: Sweet, but yeah, he owns able. 604 00:31:01,840 --> 00:31:03,800 Speaker 1: We can use that. Yeah, we can use that. 605 00:31:04,640 --> 00:31:08,120 Speaker 3: Yeah, I mean it's a nice one. And if you 606 00:31:08,240 --> 00:31:10,640 Speaker 3: get it on set, no matter the set, it's gonna 607 00:31:10,680 --> 00:31:12,080 Speaker 3: up the production value. 608 00:31:12,600 --> 00:31:14,640 Speaker 2: That reminds me of a personal story just in between. 609 00:31:16,000 --> 00:31:17,880 Speaker 2: And sometimes in the military scripts will tell like a 610 00:31:17,920 --> 00:31:20,760 Speaker 2: story from our experience, which was Sean and I did 611 00:31:20,760 --> 00:31:22,320 Speaker 2: a show at comic. 612 00:31:22,520 --> 00:31:26,840 Speaker 1: Uh huh that ate a big piece of ship. 613 00:31:27,000 --> 00:31:30,320 Speaker 2: We ate shit really hard. Well, yeah, they hated us. 614 00:31:30,520 --> 00:31:35,000 Speaker 2: You tumbled it down, were like off the stage. We 615 00:31:35,440 --> 00:31:39,479 Speaker 2: tumbled up stage for eating eating ship too hard. So 616 00:31:39,520 --> 00:31:42,440 Speaker 2: and you ask what happened as if there's a further 617 00:31:42,520 --> 00:31:44,520 Speaker 2: explanation from we did our show. 618 00:31:46,840 --> 00:31:51,480 Speaker 3: And everyone hated us. That's were they expecting another show? No, 619 00:31:51,560 --> 00:31:52,680 Speaker 3: it's all people who. 620 00:31:52,640 --> 00:31:55,560 Speaker 2: I think they just wanted to be pleased than to 621 00:31:55,600 --> 00:31:58,160 Speaker 2: have a good time. So in that sense, yes, but 622 00:31:58,920 --> 00:32:01,880 Speaker 2: they expected to half yes, what did you go on 623 00:32:01,960 --> 00:32:04,160 Speaker 2: there with? You just didn't go It wasn't try hard, 624 00:32:05,440 --> 00:32:07,280 Speaker 2: and so then there to try a month we walk 625 00:32:07,320 --> 00:32:10,640 Speaker 2: out and we're walking around sort of reckoning with our 626 00:32:10,760 --> 00:32:14,600 Speaker 2: future and whether to continue this endeavor at all. 627 00:32:15,080 --> 00:32:20,640 Speaker 1: Yes, well, whether to continue existing? Oh it was. We're 628 00:32:20,720 --> 00:32:23,760 Speaker 1: right by the ocean there, yeah, what you just keep walking. 629 00:32:24,000 --> 00:32:26,120 Speaker 2: It seems like you can walk in and the ocean 630 00:32:26,240 --> 00:32:27,400 Speaker 2: will carry you. 631 00:32:27,600 --> 00:32:29,280 Speaker 1: There are no barriers. 632 00:32:29,320 --> 00:32:31,400 Speaker 3: I mean, if you see a barrier, that's obviously a barrier, 633 00:32:31,440 --> 00:32:34,480 Speaker 3: but they don't worry. There's no invisible barriers to protect you. 634 00:32:34,480 --> 00:32:36,800 Speaker 1: You can go right in. Yes, the oceans, you can 635 00:32:36,840 --> 00:32:37,400 Speaker 1: go right in. 636 00:32:37,520 --> 00:32:44,240 Speaker 2: And then we see a theater. We stop under a marquee, 637 00:32:44,680 --> 00:32:48,760 Speaker 2: our first love. The theater, yes, okay, a huge theater. Okay, 638 00:32:48,760 --> 00:32:50,040 Speaker 2: I think it's called the Balboa. 639 00:32:50,360 --> 00:32:54,200 Speaker 1: Uh huh. And we look up and we see middle 640 00:32:54,240 --> 00:32:55,120 Speaker 1: Ditch and Schwartz. 641 00:32:55,280 --> 00:32:59,960 Speaker 3: Yeah, sold out. 642 00:32:56,880 --> 00:33:05,360 Speaker 2: So we say, okay, those guys are just a more famous, 643 00:33:05,400 --> 00:33:06,760 Speaker 2: better version of us. 644 00:33:08,920 --> 00:33:11,480 Speaker 1: With it and people like that, with a show that 645 00:33:11,520 --> 00:33:12,200 Speaker 1: people like that. 646 00:33:12,280 --> 00:33:15,200 Speaker 2: Yes, and then people like better Okay, So we say, 647 00:33:15,400 --> 00:33:17,800 Speaker 2: if we just stick at this a little longer, never 648 00:33:17,800 --> 00:33:20,080 Speaker 2: mind that they've been doing it for way less time. 649 00:33:21,680 --> 00:33:25,120 Speaker 1: That we've been doing this, Someday maybe we'll get on 650 00:33:25,200 --> 00:33:26,320 Speaker 1: that marquis. 651 00:33:26,560 --> 00:33:30,200 Speaker 2: Yes, And so in a way you saved the show, 652 00:33:30,680 --> 00:33:32,840 Speaker 2: and here you are try month saving it again. 653 00:33:33,720 --> 00:33:36,240 Speaker 3: So it was almost gonna end, and you just saw 654 00:33:36,280 --> 00:33:40,959 Speaker 3: the inspiration, the sort of like the end result. 655 00:33:41,080 --> 00:33:44,400 Speaker 1: You are my beacon. Oh come on, guys. 656 00:33:44,320 --> 00:33:47,440 Speaker 3: Well, I wish I wish I could say that we 657 00:33:47,480 --> 00:33:49,320 Speaker 3: also had a bad show and it was just a 658 00:33:49,400 --> 00:33:51,440 Speaker 3: comic Con crowd and you know, saying. 659 00:33:51,240 --> 00:33:52,760 Speaker 1: I don't want to hear I wish you wouldn't, I 660 00:33:52,800 --> 00:33:53,760 Speaker 1: wish you wish you would. 661 00:33:53,840 --> 00:33:56,520 Speaker 3: But instead we actually had an incredible show. 662 00:33:56,800 --> 00:34:00,360 Speaker 1: It stands out, the stands out as one of the best. 663 00:34:00,560 --> 00:34:05,280 Speaker 3: We were thrown flowers obviously choc a La the DVDs 664 00:34:05,560 --> 00:34:08,360 Speaker 3: with John Yeah, and as. 665 00:34:08,239 --> 00:34:11,560 Speaker 2: Well, say with Johnny Depp Instaid with Juliet Binoche. I 666 00:34:11,600 --> 00:34:14,280 Speaker 2: just I'm saying, it's interesting that that's how you remember 667 00:34:14,320 --> 00:34:14,800 Speaker 2: that film. 668 00:34:14,920 --> 00:34:17,360 Speaker 1: Of course, it is interesting. That's interesting. 669 00:34:17,440 --> 00:34:20,840 Speaker 3: And then you've got we had obviously female underwear, but 670 00:34:20,880 --> 00:34:21,480 Speaker 3: then a lot. 671 00:34:21,360 --> 00:34:22,360 Speaker 1: Of male underwear. 672 00:34:22,440 --> 00:34:26,920 Speaker 3: Yeah, panty, we had female panty and men and men panty. 673 00:34:27,400 --> 00:34:31,320 Speaker 2: Just panties overalls. That's interesting. Leads a little bit and 674 00:34:31,520 --> 00:34:34,800 Speaker 2: is part of the Graham Cracker Verus cookie debate, right, 675 00:34:34,960 --> 00:34:40,120 Speaker 2: just talking about genders. Yeah, because of course to me, 676 00:34:40,320 --> 00:34:42,560 Speaker 2: Hayes has taking the hard line that it is a cookie. 677 00:34:42,680 --> 00:34:46,880 Speaker 2: I have waffled back and forth, but ultimately, for the 678 00:34:46,880 --> 00:34:49,200 Speaker 2: purposes of the debate, continuing have to believe that it's 679 00:34:49,239 --> 00:34:52,640 Speaker 2: a cracker, and to me, it really becomes a question. 680 00:34:52,440 --> 00:34:54,520 Speaker 1: Of trans right. We really have to get back there. 681 00:34:55,600 --> 00:34:59,799 Speaker 2: Says that because it's born with cookie ingredients, has now 682 00:35:00,040 --> 00:35:01,960 Speaker 2: hook I cannot Kevin. 683 00:35:01,680 --> 00:35:03,680 Speaker 1: Even though don't we have to continue with the like. 684 00:35:04,120 --> 00:35:06,920 Speaker 2: Caulling itself a cracker and saying that's how it feels 685 00:35:06,960 --> 00:35:11,560 Speaker 2: like a crack. I mean, Ryan, there's a cookie for Hayes' opinion. Okay, 686 00:35:11,600 --> 00:35:13,520 Speaker 2: we are gonna get We go to the Let's go 687 00:35:13,560 --> 00:35:14,040 Speaker 2: to the club. 688 00:35:14,760 --> 00:35:19,160 Speaker 1: Okay, all right, all the. 689 00:35:19,000 --> 00:35:23,520 Speaker 2: Guardians are are standing in the club surrounding Phineas Graham. 690 00:35:23,680 --> 00:35:27,280 Speaker 2: Hey mean, raccoon man, come on, you fucking jump. 691 00:35:27,800 --> 00:35:36,600 Speaker 1: Groot is here over here? What do you mean I'm drags? 692 00:35:37,400 --> 00:35:44,120 Speaker 3: Okay, Well, guys, just those three. All I can tell 693 00:35:44,160 --> 00:35:48,280 Speaker 3: you is it's been a real ride getting these Graham 694 00:35:48,360 --> 00:35:49,360 Speaker 3: crackers made. 695 00:35:50,040 --> 00:35:51,600 Speaker 1: We had that wonderful. 696 00:35:51,200 --> 00:35:54,920 Speaker 3: Time on the roller coaster, So I do mean a 697 00:35:55,000 --> 00:35:56,920 Speaker 3: literal ride. 698 00:35:58,120 --> 00:36:03,719 Speaker 8: But friends, I got one last question. Yeah, you go 699 00:36:03,760 --> 00:36:07,080 Speaker 8: ahead and ask me anything you forget jump. Is this 700 00:36:07,239 --> 00:36:11,000 Speaker 8: gram Cracker a boy or a girl? 701 00:36:11,120 --> 00:36:11,359 Speaker 1: What? 702 00:36:13,080 --> 00:36:15,480 Speaker 2: I am grew ded that. I didn't know that was 703 00:36:15,520 --> 00:36:16,560 Speaker 2: part of the discussion. 704 00:36:17,760 --> 00:36:22,000 Speaker 3: That's all I wanted to say. I'm going to end 705 00:36:22,000 --> 00:36:25,760 Speaker 3: it tonight. I said, I'm going to end it tonight. 706 00:36:26,040 --> 00:36:28,480 Speaker 1: What do you mean, Sti'll do that. I don't do that. 707 00:36:28,480 --> 00:36:30,520 Speaker 1: What about the middlegit short? I'm groot. 708 00:36:31,640 --> 00:36:34,880 Speaker 3: I do have tickets, but I wanted I wanted you 709 00:36:34,960 --> 00:36:36,960 Speaker 3: boys to have mine as instead. 710 00:36:38,800 --> 00:36:41,279 Speaker 1: Go see the show. There's a really. 711 00:36:41,040 --> 00:36:45,920 Speaker 3: Great one March twenty six, said the Wilter here in 712 00:36:45,960 --> 00:36:46,880 Speaker 3: Los Angeles. 713 00:36:47,160 --> 00:36:51,080 Speaker 1: Oh, surely it's sold out by now, This one isn't. 714 00:36:51,719 --> 00:36:53,600 Speaker 3: This one's kind of a few tickets left. 715 00:36:53,640 --> 00:36:56,760 Speaker 2: You should nab it while you canme on, quit pulling 716 00:36:56,800 --> 00:36:59,360 Speaker 2: my leg, man, You mean, I know you have tickets, 717 00:36:59,360 --> 00:37:01,480 Speaker 2: but no one else can get him. It's totally sold out. 718 00:37:01,600 --> 00:37:04,439 Speaker 3: Well, if you're ever in doubt, you head on over 719 00:37:04,520 --> 00:37:08,840 Speaker 3: to Middle Ditch and shorts dot com by yourself a 720 00:37:08,880 --> 00:37:12,640 Speaker 3: couple of sweet seats. Okay, But me tonight, I want 721 00:37:12,680 --> 00:37:14,640 Speaker 3: to know if this Graham Cracker is a boy or 722 00:37:14,640 --> 00:37:18,000 Speaker 3: a girl. But before you answer, I'm going to kill myself. 723 00:37:20,040 --> 00:37:22,800 Speaker 1: Okay. 724 00:37:23,120 --> 00:37:25,880 Speaker 2: He starts, he goes over to the bar and he 725 00:37:25,920 --> 00:37:30,480 Speaker 2: starts eating so much ice that he seems to think 726 00:37:30,640 --> 00:37:35,400 Speaker 2: is my stomach it's so cold, trying to freeze himself 727 00:37:35,440 --> 00:37:36,359 Speaker 2: from the inside out. 728 00:37:36,719 --> 00:37:38,040 Speaker 1: I'll see you in the future. 729 00:37:41,800 --> 00:37:45,719 Speaker 2: Okay, So yeah, this is interesting. So this is a 730 00:37:45,760 --> 00:37:48,960 Speaker 2: good scene obviously. Yeah, there's a lot of like the 731 00:37:49,000 --> 00:37:52,480 Speaker 2: sort of pathos to it. H Finnish Grammer is like, uh, 732 00:37:52,960 --> 00:37:56,640 Speaker 2: trying he had this the line that we wrote that 733 00:37:56,680 --> 00:37:58,960 Speaker 2: it's been a great ride, and then that turns out 734 00:37:58,960 --> 00:38:01,399 Speaker 2: to be literal with the with the. 735 00:38:01,360 --> 00:38:03,680 Speaker 3: Roller the roller coasters, that whole roller coaster is so 736 00:38:03,800 --> 00:38:07,959 Speaker 3: much leeering. Yeah, I was trying to find the roller 737 00:38:07,960 --> 00:38:11,400 Speaker 3: coaster sequence, and I just there's one line in the movie, 738 00:38:11,440 --> 00:38:14,440 Speaker 3: well just says one line here use footage from Final 739 00:38:14,480 --> 00:38:16,480 Speaker 3: Destination five, which was. 740 00:38:16,800 --> 00:38:19,360 Speaker 1: Yeah, well yes, and just the part of it worthy 741 00:38:19,400 --> 00:38:21,799 Speaker 1: five it is five. 742 00:38:22,000 --> 00:38:23,840 Speaker 2: Three of course is the one where they go on 743 00:38:23,880 --> 00:38:30,359 Speaker 2: a roller coaster but you're you're anticipating yeah again, And 744 00:38:31,960 --> 00:38:34,280 Speaker 2: I just think it's like, obviously this is like weighing 745 00:38:34,280 --> 00:38:36,680 Speaker 2: on him a lot. The whole grave Cracker thing, you see, 746 00:38:36,719 --> 00:38:40,920 Speaker 2: the boy or a girl issue is not something that 747 00:38:40,920 --> 00:38:43,920 Speaker 2: anyone wants to engage with in his universe or ours. 748 00:38:44,120 --> 00:38:45,040 Speaker 1: No, not at all. 749 00:38:45,520 --> 00:38:51,960 Speaker 2: It's almost a misunderstanding of even the clumsy metaphor that 750 00:38:52,080 --> 00:38:55,880 Speaker 2: was already verging on totally inappropriate for the show. Yes, 751 00:38:57,600 --> 00:39:00,360 Speaker 2: but to dig in on it, and in that specific way, 752 00:39:00,600 --> 00:39:05,600 Speaker 2: I think we feel the characters then recoil, which is interesting. 753 00:39:05,719 --> 00:39:05,919 Speaker 3: Yeah. 754 00:39:05,960 --> 00:39:10,680 Speaker 2: Yeah, are sworn to protect videos grab Yeah, and they 755 00:39:10,680 --> 00:39:14,320 Speaker 2: are starting to wonder maybe we let this gry allowed 756 00:39:14,360 --> 00:39:17,360 Speaker 2: to leave, eat that ice and freeze himself. 757 00:39:17,440 --> 00:39:20,120 Speaker 3: Maybe that might not be a bad idea. Well, hey, also, 758 00:39:20,360 --> 00:39:22,279 Speaker 3: I gotta be honest appreciate the pluck. 759 00:39:23,320 --> 00:39:23,720 Speaker 1: Yeah. 760 00:39:23,719 --> 00:39:25,480 Speaker 2: Well, I mean it's just what would the characters be 761 00:39:25,520 --> 00:39:27,839 Speaker 2: saying in this Yeah, in this moment, And you're right, 762 00:39:27,920 --> 00:39:30,080 Speaker 2: but they're gonna be talking about going to Middle Dutch 763 00:39:30,120 --> 00:39:33,040 Speaker 2: and fort. The scene is never about the scene. Yeah, 764 00:39:33,160 --> 00:39:38,839 Speaker 2: you know you need something to provide the backdrop. 765 00:39:38,960 --> 00:39:42,480 Speaker 1: Yeah, and I wore the foreground, right, And I. 766 00:39:42,440 --> 00:39:44,120 Speaker 2: Do just want to clear we're allowed to play two 767 00:39:44,160 --> 00:39:46,440 Speaker 2: minutes and twenty four seconds of hooked on a feeling? 768 00:39:46,640 --> 00:39:46,879 Speaker 1: Is that? 769 00:39:47,160 --> 00:39:47,239 Speaker 2: Is? 770 00:39:47,239 --> 00:39:48,560 Speaker 1: That? Is that? Alright? 771 00:39:49,120 --> 00:39:49,359 Speaker 3: Kevin? 772 00:39:49,400 --> 00:39:52,200 Speaker 2: Here, As long as you guys are loudly talking over it, 773 00:39:52,239 --> 00:39:54,480 Speaker 2: I don't think the bots can pick it up, so 774 00:39:54,560 --> 00:39:55,879 Speaker 2: I think it should be Okay. 775 00:39:56,080 --> 00:39:59,279 Speaker 1: Oh okay, that's great. I why you tell us that 776 00:39:59,320 --> 00:40:03,360 Speaker 1: a year ago? I just learned about it this morning. 777 00:40:03,719 --> 00:40:07,000 Speaker 1: Oh okay, oh okay, cool loots, these bots. What are 778 00:40:07,000 --> 00:40:08,960 Speaker 1: we going to do about these bots? What is Hollywood 779 00:40:09,040 --> 00:40:10,120 Speaker 1: going to do about these bots? 780 00:40:10,400 --> 00:40:12,360 Speaker 2: Well that's maybe a question for the movie, you know. 781 00:40:12,680 --> 00:40:17,200 Speaker 3: Yeah, yeah we should yeah, should we should? 782 00:40:17,200 --> 00:40:19,560 Speaker 2: We should we do that scene? 783 00:40:19,640 --> 00:40:21,400 Speaker 1: I mean yeah, I mean oh it is actually oh 784 00:40:21,440 --> 00:40:22,160 Speaker 1: yeah yeah yeah. 785 00:40:22,200 --> 00:40:24,120 Speaker 2: And if we can talk over the song, we can 786 00:40:24,160 --> 00:40:28,200 Speaker 2: play any like anything we want. That seems like this 787 00:40:28,320 --> 00:40:31,680 Speaker 2: is really exciting. Okay, let's do We'll go to the 788 00:40:31,680 --> 00:40:39,239 Speaker 2: bot factory. Okay, interior, the bot factory. The team is 789 00:40:39,400 --> 00:40:42,239 Speaker 2: lurking inside through that they're going through the events and 790 00:40:42,280 --> 00:40:47,120 Speaker 2: they're spying on all the all the different Botskay. 791 00:40:48,160 --> 00:40:51,120 Speaker 3: Just over here, I think this is where they make 792 00:40:51,200 --> 00:40:51,840 Speaker 3: the bots. 793 00:40:52,480 --> 00:40:56,560 Speaker 1: Do we have to be louder? Right now? What was that? Say? 794 00:40:56,600 --> 00:40:56,839 Speaker 3: Again? 795 00:40:56,920 --> 00:40:58,920 Speaker 1: Too quiet? Right now? Okay? And we went through a 796 00:40:58,960 --> 00:40:59,879 Speaker 1: lockdack where we worked. 797 00:41:00,040 --> 00:41:04,239 Speaker 2: All right, I think you're right. It is where they 798 00:41:04,239 --> 00:41:11,080 Speaker 2: make the bots. Neo, it's me Morpheus. 799 00:41:09,000 --> 00:41:11,279 Speaker 3: Yes, and I'm now known as Neo. 800 00:41:11,760 --> 00:41:16,640 Speaker 2: Oh yes, Phineas God, it's in the stage direction. Let 801 00:41:16,640 --> 00:41:18,680 Speaker 2: me read the stage direction. Phineas Graham, by eating all 802 00:41:18,680 --> 00:41:20,360 Speaker 2: the ice became neo o. 803 00:41:20,960 --> 00:41:23,360 Speaker 1: Oh yeah, because this is seen right after No. 804 00:41:23,760 --> 00:41:29,359 Speaker 2: Yes, now this is continuously freeing the bots from the 805 00:41:30,040 --> 00:41:32,600 Speaker 2: jail quickly, let's make sure. 806 00:41:32,840 --> 00:41:35,960 Speaker 9: Let's download the internet and get these bots transferred into 807 00:41:36,080 --> 00:41:36,760 Speaker 9: real life. 808 00:41:36,880 --> 00:41:40,360 Speaker 2: Hold up, one thing, what do you think about wafers? 809 00:41:40,400 --> 00:41:40,480 Speaker 6: Like? 810 00:41:40,640 --> 00:41:42,200 Speaker 1: Is a wafer like? What's that? 811 00:41:42,320 --> 00:41:45,520 Speaker 2: Is that a whole separate category or because sometimes I 812 00:41:45,560 --> 00:41:47,480 Speaker 2: think of it as like a cookie. 813 00:41:47,160 --> 00:41:49,600 Speaker 3: I'll tell you what I think. I'm with her. 814 00:41:50,080 --> 00:41:50,680 Speaker 1: Let's joke. 815 00:41:51,719 --> 00:41:57,560 Speaker 7: Okay, they follow Hillary Clinton out of He's kind of 816 00:41:57,680 --> 00:41:59,880 Speaker 7: zipping ahead of them out through the beds. 817 00:42:02,480 --> 00:42:07,399 Speaker 9: Hillary, press press the download button and we'll ride these 818 00:42:07,520 --> 00:42:08,880 Speaker 9: bots to freedom. 819 00:42:09,320 --> 00:42:12,960 Speaker 2: Uh uh, Hillary, come on, press it. 820 00:42:13,000 --> 00:42:17,320 Speaker 1: What are you waiting for? Hillary? Put down that cuts? 821 00:42:18,560 --> 00:42:23,600 Speaker 1: Oh god, Hillary's shooting me. Say something? She rigging blasted me. 822 00:42:24,400 --> 00:42:27,439 Speaker 2: Oh no, Neo tries to dodge the bullets by such 823 00:42:27,440 --> 00:42:31,160 Speaker 2: a small vent. I never got even any engagement on 824 00:42:31,239 --> 00:42:33,960 Speaker 2: my way for question, and I'm going to die without 825 00:42:34,040 --> 00:42:34,960 Speaker 2: knowing anything. 826 00:42:35,200 --> 00:42:38,040 Speaker 3: So it turns out Hillary betrayed us. 827 00:42:38,080 --> 00:42:42,800 Speaker 7: All shocker, Okay, weird. 828 00:42:43,040 --> 00:42:49,000 Speaker 1: I was surprised when we wrote this too. I don't 829 00:42:49,120 --> 00:42:50,800 Speaker 1: know if I was surprised behind this. 830 00:42:50,960 --> 00:42:53,240 Speaker 2: I get it being mad at the internet. 831 00:42:52,840 --> 00:42:57,120 Speaker 1: Just because the emails. Yeah, it seems like. 832 00:42:57,080 --> 00:42:59,919 Speaker 2: She might have ulterior motives to downloading the whole hitter. 833 00:43:00,239 --> 00:43:03,360 Speaker 3: Wait, so is she wanting to protect the bots? 834 00:43:03,400 --> 00:43:05,839 Speaker 1: So she didn't want to trying to trying we're trying 835 00:43:05,880 --> 00:43:06,680 Speaker 1: to bots. 836 00:43:06,680 --> 00:43:11,359 Speaker 3: But since she's she turned on us in the events. 837 00:43:10,920 --> 00:43:15,080 Speaker 2: Well, she wants the bots to stay imprison But it 838 00:43:15,120 --> 00:43:18,239 Speaker 2: turns out that she's right because now like later you see, 839 00:43:18,280 --> 00:43:20,960 Speaker 2: like when the bots are free, they start trolling the 840 00:43:21,000 --> 00:43:24,120 Speaker 2: internet for like what songs people. 841 00:43:23,920 --> 00:43:28,600 Speaker 3: Are So in the end, the Phineas Graham Bought Freedom 842 00:43:28,600 --> 00:43:30,680 Speaker 3: mission is kind of like a doomed thing, like it's 843 00:43:30,800 --> 00:43:33,920 Speaker 3: it's he thinks he's doing great intentions. 844 00:43:33,960 --> 00:43:37,239 Speaker 2: The road to heck is paved with great intentions, but 845 00:43:37,280 --> 00:43:41,600 Speaker 2: they end up basically doing censorship on free speech and 846 00:43:41,640 --> 00:43:43,480 Speaker 2: on the First Amendment, which says that you can use 847 00:43:43,520 --> 00:43:46,920 Speaker 2: whatever song you want on your podcast. But they essentially 848 00:43:47,000 --> 00:43:51,080 Speaker 2: start breaking the law and start control trying to control 849 00:43:51,160 --> 00:43:53,480 Speaker 2: actually what people are saying and listening. 850 00:43:53,120 --> 00:43:56,399 Speaker 1: To talk real quick. 851 00:43:56,440 --> 00:43:58,920 Speaker 3: Something that helps with the music as if you're commenting 852 00:43:59,040 --> 00:44:02,399 Speaker 3: or critiquing it. So if we could just say, like, 853 00:44:02,680 --> 00:44:04,279 Speaker 3: what you thought about the music. 854 00:44:04,880 --> 00:44:10,040 Speaker 2: Hooked on feelings slaps that song that just played, slap City, 855 00:44:10,280 --> 00:44:13,160 Speaker 2: the first song that we listened. 856 00:44:12,880 --> 00:44:18,120 Speaker 1: To music slaps. Can we just say that for like kicks? 857 00:44:18,400 --> 00:44:20,799 Speaker 2: Yeah, I'm getting pumped up, ready to kick through the wall, 858 00:44:20,920 --> 00:44:22,359 Speaker 2: fringing song slaps so good? 859 00:44:22,480 --> 00:44:24,680 Speaker 1: Yeah, okay, we're clear. Thank you. 860 00:44:24,840 --> 00:44:29,560 Speaker 2: The Avengers sweet slaps, The Avengers sweet theme that slaps 861 00:44:29,600 --> 00:44:31,400 Speaker 2: all music slaps. 862 00:44:33,280 --> 00:44:34,440 Speaker 1: Pumped up kicks. 863 00:44:35,480 --> 00:44:39,759 Speaker 3: It's about the pumps, you know, the shoes that would 864 00:44:39,760 --> 00:44:44,560 Speaker 3: pump rebuck bumpy. Yeah, that's exclude. It's a it's directly 865 00:44:44,800 --> 00:44:48,840 Speaker 3: referencing that rebook bump, the rebook punk, but it's not 866 00:44:49,080 --> 00:44:53,080 Speaker 3: there aren't now other shoes you don't in in teen lexicon. 867 00:44:53,120 --> 00:44:56,319 Speaker 3: You're not going like those shoes are pumped up. They're 868 00:44:56,400 --> 00:44:58,399 Speaker 3: specifically referring to rebuck punk. 869 00:44:58,640 --> 00:44:58,879 Speaker 1: Yeah. 870 00:44:59,640 --> 00:45:05,240 Speaker 2: Well but it's back and you can pump it. 871 00:45:08,280 --> 00:45:13,240 Speaker 1: And you can pump it. Can you pump it? Yes? 872 00:45:13,320 --> 00:45:16,680 Speaker 2: Okay, okay, So to talk a little bit more about 873 00:45:16,719 --> 00:45:18,520 Speaker 2: crackers versus cookies. 874 00:45:18,160 --> 00:45:20,600 Speaker 3: Yeah, yeah, because we're getting you're I like, I like 875 00:45:20,600 --> 00:45:23,040 Speaker 3: this your volume of big questions you're posing in the script. 876 00:45:23,200 --> 00:45:25,640 Speaker 1: Absolutely, with the amount. 877 00:45:25,320 --> 00:45:28,839 Speaker 2: Of Morpheus introducing the wafer question was great. And then 878 00:45:29,000 --> 00:45:31,359 Speaker 2: I think in a clever way we sort of say, hey, 879 00:45:31,400 --> 00:45:32,200 Speaker 2: we can't answer this. 880 00:45:32,320 --> 00:45:34,160 Speaker 1: Let's kill this guy, Hillary, He'll shoot it. 881 00:45:34,239 --> 00:45:38,360 Speaker 3: Look, we've defined cracker, we've defined well, no, we haven't. 882 00:45:38,520 --> 00:45:40,879 Speaker 1: No, but you have. Oh, yes, that's right. 883 00:45:42,120 --> 00:45:45,920 Speaker 3: What is the Oxford Dictionary definition of a wafer? 884 00:45:46,000 --> 00:45:52,080 Speaker 2: Then I can find the Oxford definition of wayfarers. 885 00:45:54,280 --> 00:45:58,920 Speaker 1: But I know fair enough. I'm looking for something to 886 00:45:58,960 --> 00:45:59,440 Speaker 1: say about that. 887 00:45:59,600 --> 00:46:01,800 Speaker 3: Oh yeah, the ataris the Atari family. 888 00:46:02,520 --> 00:46:05,920 Speaker 2: Yes, the Ataris were talking about it, and boys of 889 00:46:05,960 --> 00:46:14,440 Speaker 2: somewhere they were saying, Hey, after wafers, maybe I'm. 890 00:46:13,000 --> 00:46:18,839 Speaker 1: We got, we got, we got. Wait with dail. 891 00:46:21,040 --> 00:46:28,439 Speaker 2: In the sun Waferson, maybe I can tell you out 892 00:46:28,440 --> 00:46:31,719 Speaker 2: on the road today, saw black flack stick around the Cadillac. 893 00:46:32,719 --> 00:46:38,800 Speaker 1: It changed it holy ship. It used to be deadhead wafer. 894 00:46:39,040 --> 00:46:43,480 Speaker 3: So the dictionary says, well, we've got I want to 895 00:46:43,760 --> 00:46:46,839 Speaker 3: I'm trying to remember the initial the initial definitions from 896 00:46:47,000 --> 00:46:47,760 Speaker 3: a cracker. 897 00:46:48,040 --> 00:46:53,920 Speaker 1: Yeah, I'm telling you quite a cuncher, and then friends. 898 00:46:53,600 --> 00:46:55,440 Speaker 2: Yes, and a wayfer. Let me just look it up. 899 00:46:55,480 --> 00:47:00,000 Speaker 2: It says waifer noun uh. And the definition is I'm 900 00:47:00,080 --> 00:47:01,440 Speaker 2: having a delicious time with. 901 00:47:01,440 --> 00:47:09,720 Speaker 1: This cluts okay, nodary Wayper. 902 00:47:09,400 --> 00:47:12,719 Speaker 3: Says Whayper is I'm having a delicious time with this, 903 00:47:12,960 --> 00:47:20,800 Speaker 3: with this cracker is well what a cruncher? 904 00:47:21,160 --> 00:47:22,120 Speaker 1: Oh, quite a cruncher? 905 00:47:22,400 --> 00:47:26,600 Speaker 3: Cookie is sweet tweet, sweet friends? Yeah, okay with these, 906 00:47:27,000 --> 00:47:29,080 Speaker 3: with these definitely that's all you need it. Yeah, just 907 00:47:29,080 --> 00:47:31,160 Speaker 3: because now we know what metrics to judge over. 908 00:47:31,200 --> 00:47:35,040 Speaker 2: The cracker, we have to say and and of course 909 00:47:35,120 --> 00:47:37,640 Speaker 2: Hayes did bully me with the Teddy Graham debate at 910 00:47:37,640 --> 00:47:41,160 Speaker 2: one point. But let's make let's really talk about intent, 911 00:47:41,840 --> 00:47:45,560 Speaker 2: because I think that's what this movie is trying to answer, 912 00:47:46,280 --> 00:47:50,480 Speaker 2: or not answer. What's your intention? Because the cracker is designed, 913 00:47:50,800 --> 00:47:58,359 Speaker 2: of course to be cracked, true, and the cookie is 914 00:47:58,360 --> 00:48:02,839 Speaker 2: for munching. Now, cracker has a more dry preparation, doesn't it. 915 00:48:03,320 --> 00:48:07,279 Speaker 1: Yeah, yes, but you can have a buttery cracker. You 916 00:48:07,320 --> 00:48:09,440 Speaker 1: can have depending on the cookie. Yeah, you can have 917 00:48:09,480 --> 00:48:10,240 Speaker 1: a dry cookie. 918 00:48:10,400 --> 00:48:11,840 Speaker 2: You can't eat a dry cookie. 919 00:48:12,880 --> 00:48:15,520 Speaker 3: But the reviews will be in and not a good 920 00:48:15,560 --> 00:48:17,880 Speaker 3: cookie the. 921 00:48:17,239 --> 00:48:18,479 Speaker 1: The way that I just can't. 922 00:48:18,600 --> 00:48:21,000 Speaker 2: I just want to say the way that cookie reviews 923 00:48:22,120 --> 00:48:25,719 Speaker 2: are going. And then also that they're review bombing some 924 00:48:25,760 --> 00:48:32,359 Speaker 2: of these more female driven cookies. Trust pilot. We have 925 00:48:32,440 --> 00:48:34,440 Speaker 2: to make sure that people have actually to be trusted 926 00:48:34,520 --> 00:48:38,560 Speaker 2: eating the cookie before they before they do these review bombs. 927 00:48:38,600 --> 00:48:45,000 Speaker 2: Don't we or a cracker? Okay, look, let's establish pro cracker. 928 00:48:45,320 --> 00:48:52,480 Speaker 3: Let's establish a long line of obvious cookies. Let's say obvious. Okay, 929 00:48:52,600 --> 00:48:57,200 Speaker 3: Dad's oatmeal. Mm hmm, it's a cookie, cookie obvious. You're 930 00:48:57,239 --> 00:48:59,200 Speaker 3: not sitting there thinking it's a cracker. I would never 931 00:48:59,239 --> 00:49:03,720 Speaker 3: eat dads would think it was. Okay, Oreo, yeah, cookie, 932 00:49:03,719 --> 00:49:05,880 Speaker 3: it's a cookie. Even though you could say, you know, 933 00:49:06,040 --> 00:49:08,239 Speaker 3: like that that outer rim, it's it's cracker like it 934 00:49:08,239 --> 00:49:09,560 Speaker 3: it's a cookie. 935 00:49:10,160 --> 00:49:13,040 Speaker 2: I mean, Oreo is really a sandwich cookie sandwich yeah, 936 00:49:13,840 --> 00:49:18,880 Speaker 2: sandwich cook Okay, okay, okay, but boy, once we isolate 937 00:49:19,160 --> 00:49:21,399 Speaker 2: just the cookie part of an Oreo cookie, Boy, aren't 938 00:49:21,440 --> 00:49:24,160 Speaker 2: we getting close to a Graham cracker with the dryness? 939 00:49:24,520 --> 00:49:24,880 Speaker 1: Rits? 940 00:49:25,840 --> 00:49:29,320 Speaker 3: Boy, I could feel us getting close. Rits writs plain 941 00:49:30,719 --> 00:49:35,240 Speaker 3: a racker. It says it in the name, doesn't it. Yeah, Okay, 942 00:49:35,960 --> 00:49:38,800 Speaker 3: So if it says it in the name animal cracker. 943 00:49:38,520 --> 00:49:40,759 Speaker 2: It may actually be a cracker. And it's because of 944 00:49:40,800 --> 00:49:45,640 Speaker 2: the dryer preparation cookies, the ingredients are put into the 945 00:49:45,680 --> 00:49:48,760 Speaker 2: oven more moist even if they are cooked and processed 946 00:49:48,760 --> 00:49:50,920 Speaker 2: to a point where they become dry like. And I 947 00:49:50,960 --> 00:49:52,560 Speaker 2: just want we can use this for them. It would 948 00:49:52,560 --> 00:49:57,960 Speaker 2: help if Loki is saying this stuff. Yes, logis just 949 00:49:58,000 --> 00:50:00,279 Speaker 2: listing different Yeah, so just keep going SA the same 950 00:50:00,320 --> 00:50:01,239 Speaker 2: stuff you're saying, but just. 951 00:50:02,920 --> 00:50:07,680 Speaker 3: Read Loki. Yes, Okay. 952 00:50:08,280 --> 00:50:11,080 Speaker 1: The important thing to remember. 953 00:50:12,120 --> 00:50:14,440 Speaker 3: About a cookie and a cracker. 954 00:50:14,400 --> 00:50:22,440 Speaker 1: The song slabs cracker is dry. Cookies are wet. 955 00:50:23,760 --> 00:50:27,640 Speaker 3: You cannot have a wet cracker, and you cannot have 956 00:50:27,760 --> 00:50:34,359 Speaker 3: a dry cookie. And so Heroes, I hope you can 957 00:50:34,440 --> 00:50:40,719 Speaker 3: answer that tonight at the dance. So I guess there's 958 00:50:40,719 --> 00:50:42,239 Speaker 3: a dance scene coming later. 959 00:50:43,600 --> 00:50:45,560 Speaker 1: Hey Bubo, he goes. 960 00:50:45,600 --> 00:50:51,080 Speaker 4: And then moments, hey Bubba, it's me Ultron and I'm 961 00:50:51,080 --> 00:50:54,560 Speaker 4: ready to freaking schnick put out my claws and slice 962 00:50:54,640 --> 00:50:58,600 Speaker 4: up some of these cookies and crackers. 963 00:51:00,680 --> 00:51:01,520 Speaker 1: The same directions. 964 00:51:01,520 --> 00:51:04,279 Speaker 2: We can't say Wolverine. But if we say it's all tried, 965 00:51:04,320 --> 00:51:05,560 Speaker 2: because we only have license to. 966 00:51:07,040 --> 00:51:07,600 Speaker 1: Universes. 967 00:51:07,920 --> 00:51:09,879 Speaker 2: But if we just say he's all tried, we can 968 00:51:09,960 --> 00:51:12,200 Speaker 2: he can look like whatever we want, and he can 969 00:51:12,280 --> 00:51:14,920 Speaker 2: do whatever we know what looks like. 970 00:51:14,920 --> 00:51:19,719 Speaker 3: Okay, okay, okay, okay, great, uh wow, if you're here, 971 00:51:19,880 --> 00:51:22,440 Speaker 3: just said of the debate, I'd like to see you 972 00:51:22,560 --> 00:51:28,840 Speaker 3: try to do that with these. It says wafers. 973 00:51:28,920 --> 00:51:30,720 Speaker 1: Yeah, whoa. 974 00:51:30,760 --> 00:51:35,480 Speaker 2: These don't even remind me of wafers or cookies or crackers. 975 00:51:35,520 --> 00:51:40,320 Speaker 1: They're like sort of all of it. That's me Loki. 976 00:51:41,560 --> 00:51:44,680 Speaker 2: Wow, Loki really got me bub And I would say 977 00:51:45,960 --> 00:51:47,720 Speaker 2: this song Loki slaps. 978 00:51:48,239 --> 00:51:57,439 Speaker 3: Oh yeah, okay, okay, low key it does low key, 979 00:51:58,200 --> 00:52:02,880 Speaker 3: little little key. So you need what we can do 980 00:52:02,920 --> 00:52:06,880 Speaker 3: that little little lock need some little keys. Oh okay, 981 00:52:07,040 --> 00:52:10,560 Speaker 3: you know what I'm saying. It's just a small door, not. 982 00:52:10,600 --> 00:52:13,680 Speaker 1: What I was saying. Oh but you're show game. I 983 00:52:13,719 --> 00:52:14,439 Speaker 1: love that. Yeah. 984 00:52:14,480 --> 00:52:16,680 Speaker 2: Yeah, No, I like that you got on board for 985 00:52:16,719 --> 00:52:18,520 Speaker 2: what you thought I was saying, because if that is 986 00:52:18,560 --> 00:52:20,080 Speaker 2: what I was saying, it's like, what the fun was 987 00:52:20,120 --> 00:52:20,719 Speaker 2: I talking about? 988 00:52:20,760 --> 00:52:23,319 Speaker 1: I was going to I was going next step. You know, 989 00:52:23,400 --> 00:52:25,640 Speaker 1: you found a way to figure it out. Left foot, 990 00:52:25,960 --> 00:52:28,560 Speaker 1: right foot. You're moving forward, dude. I love how game 991 00:52:28,600 --> 00:52:28,920 Speaker 1: you are. 992 00:52:29,320 --> 00:52:31,680 Speaker 2: So this is I mean, basically what we have now 993 00:52:31,719 --> 00:52:36,720 Speaker 2: is end game two, the second game Avengers, Endgame two, 994 00:52:37,360 --> 00:52:42,600 Speaker 2: the second game MM hmmm, Avengers calling endgame. 995 00:52:42,520 --> 00:52:49,480 Speaker 1: Two dot dot dot two comma the second game dot 996 00:52:49,520 --> 00:53:04,200 Speaker 1: dot dot Whoops, we did it again. Bye,