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Speaker 1: And it's Drink's Mother Podcasts. A legendary queen's rapper. He's

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Speaker 1: like your boy in He's a Miami hippop pioneer. D

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Speaker 1: j e fn Together they drink it up with some

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Speaker 1: of the biggest players in the most professional unprofessional podcast

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Speaker 1: and you're number one source for drunk drinks New year Z.

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Speaker 1: That's time for Drink Champs. Drink Up Mother, Drink Champs.

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Speaker 1: Army what Up? It's your boy. Dj e fn on

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Speaker 1: behalf of myself and Nori and the whole Drink Champs

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Speaker 1: team want to thank you for your continued support. Whether

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Speaker 1: you listen to us on your favorite audio platforms, watch

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Speaker 1: us on YouTube, or watch just Revolt TV, or do

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Speaker 1: all of the above, we can't thank you enough. This

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Speaker 1: week we celebrate our two year anniversary doing Drink Champs.

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Speaker 1: In our short time, we have reached a lot of

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Speaker 1: milestones as well brought podcasting to a whole new audience.

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Speaker 1: We've also had the opportunity to speak to artists we

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Speaker 1: consider to be serious legends and pioneers of our culture.

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Speaker 1: Coming soon, we have shows from the likes of Kid

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Speaker 1: and Play, Prose of the Fuji's basketball legend, Matt Barnes

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Speaker 1: and a lot more. To celebrate our two year anniversary,

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Speaker 1: we decided to bring back some moments from our very

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Speaker 1: first shows. So let's just get right into it. Has

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Speaker 1: Let's go Scott. I was so gassed because the first

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Speaker 1: ship he said was Cellois. Scots met me, though he

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Speaker 1: was like, I'm not sureto rican him a story with me.

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Speaker 1: How caught him? He was at the Porto Rican Parade

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Speaker 1: and I've seen him this is the first time, and

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Speaker 1: I helped him up. It was like thousands of niggas

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Speaker 1: around me and helped them up. I don't remembering Tsunamia.

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Speaker 1: So I helped the nigga up and I was like, Yo,

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Speaker 1: what's up, nigga? Yo, we funk with you. Nigga was right,

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Speaker 1: and then uh, but what he wants me to get

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Speaker 1: that is he always said he's Spanish, but he'd be

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Speaker 1: with black niggas and he looked black, so we never

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Speaker 1: totally believed, you know what I'm saying. So one day

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Speaker 1: I'm at Chicago and the nigga called me up. He's like, Yo,

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Speaker 1: you gotta show a House of Blues. I said yeah,

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Speaker 1: he said, Yo, my my family want to come to

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Speaker 1: the show. So I'm like, I ain't no question nor

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Speaker 1: stand at the hotel. I'm in the hotel. Tell the

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Speaker 1: niggas meet me in the lobby. I meet him. Nigga

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Speaker 1: come over with the Guaya better some gray Road and

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Speaker 1: Nigga was like, hey, Joe, I'm like, what this Bobby

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Speaker 1: you got through side? I was like, what the fuck

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Speaker 1: is might? I'm looking at the real Puerto Ricans came

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Speaker 1: in Chicago, right, that was crazy. That was very funny, man,

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Speaker 1: that was very funny. It was crazy. So so so

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Speaker 1: let me ask you something right at all? All the

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Speaker 1: thing about you is what people don't understand about you

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Speaker 1: is you're actually a lyricist. M like you make party records.

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Speaker 1: But even in your party record, like I told us,

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Speaker 1: I said, Joe is one of my top friends of

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Speaker 1: all time. But when it comes time to do a

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Speaker 1: feature for me, he's like the worst list. But not

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Speaker 1: because he's not gonna do it, is he takes his

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Speaker 1: time with something like actually do like I know you

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Speaker 1: never dissed me, Like you're my brother, Like you know

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Speaker 1: what I'm saying, I ate in your crib, my crib

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Speaker 1: all the time with our families. You're my brother. So

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Speaker 1: it's not, but you're like, do you think you're perfectionists?

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Speaker 1: Definitely a perfectionist with everything. Sometimes you know the way

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Speaker 1: ship move nowadays, Um, niggas get mad at how I

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Speaker 1: am because I like to roll it out right, you

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Speaker 1: know what I'm saying, And that's key to a lot

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Speaker 1: of ship. Maybe I'm wrong, maybe I'm right. Maybe I

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Speaker 1: ain't the smartest nigger, but I want to make sure

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Speaker 1: ship gets it's bucked for his money with everything we do.

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Speaker 1: You know what I'm saying, Like, um, with these young

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Speaker 1: kids I'm working with right now that the first sniggers

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Speaker 1: I sunk. Within years they got fired and I'm still like, yo,

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Speaker 1: we need more. We need more because you can't make

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Speaker 1: the first impression twice and then wrap wise. I ain't

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Speaker 1: gonna lie to you. No matter who I wrap with,

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Speaker 1: I try to take their head off. It's just a fact.

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Speaker 1: I gotta go in and you know, you invite me,

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Speaker 1: and it's very scared because fat jokers. People probably probably

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Speaker 1: don't think he's the best rapper in the world. But

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Speaker 1: hold on, I'm just saying. People probably don't think I'm

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Speaker 1: the best rapper in the world, but I'm like the

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Speaker 1: Mexican nigga you don't want to fight in the Boston,

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Speaker 1: but he's not going down. He's a hell of a fight.

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Speaker 1: Like he's one of the niggas that you know you're

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Speaker 1: scared to fight. You're scared to fight him because you

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Speaker 1: know he's gonna go. You're gonna have to kill his

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Speaker 1: nigger in the ring, you know what I'm saying. So

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Speaker 1: that's how it is with RAPS because when you invite

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Speaker 1: me to it, you know, and the worst nigga was punned.

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Speaker 1: You know what I'm saying, what pub was going for

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Speaker 1: nigga's heads since pun died. Who was like a person

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Speaker 1: that you did a record with and you was like, man,

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Speaker 1: let me be on my best, best best everybody, everybody.

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Speaker 1: I'll tell my son that. But it's not just one person, everybody, everybody.

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Speaker 1: Every time I go into booth. All right, let me

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Speaker 1: tell you a secret. I'll tell you in front of

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Speaker 1: the whole world that I never told nobody, the whole world,

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Speaker 1: for the whole world listening, thank you very much. Every

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Speaker 1: night my whole career, every night I got in the

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Speaker 1: studio till this night. You know, I never know if

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Speaker 1: I'm gonna die when I leave the studio. So when

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Speaker 1: I do my work in the studio, I go the

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Speaker 1: hardest I could go in history when I work on

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Speaker 1: my music, because if I die, no, that's the only

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Speaker 1: thing that's gonna remind people for years and years, twenty

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Speaker 1: thirty years later that I put it down. Now, if

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Speaker 1: you want to say, fat job, if you want me

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Speaker 1: to tell you how I really feel, I feel like

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Speaker 1: I'm one of the most underrated rappers of all time,

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Speaker 1: and that's why I'm been in the game this long

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Speaker 1: and i still make music. And every time, like every time,

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Speaker 1: I'm like a little kid waiting for his far on Christmas.

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Speaker 1: I'm waiting for niggas to finally give it up. And

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Speaker 1: they act like his luck. Then you've been in the

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Speaker 1: game for twenty years, they act like this luck that

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Speaker 1: you put out ten fifteen top number five records in

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Speaker 1: the world. So Willin's they act like this ship like

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Speaker 1: you know, he's just a lucky nigga. You understand what

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Speaker 1: I'm saying, But it takes it takes, you know, dedication

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Speaker 1: to that. So like with this album with Remy, I'm

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Speaker 1: spitting my asshole and I'm like, ill, maybe this time

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Speaker 1: they're finally listen to me like, you know, because right

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Speaker 1: now it's a little different from me. I'm a little older,

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Speaker 1: you know what I'm saying, I'm a veteran. Uh. The

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Speaker 1: young niggas don't look at me as a threat no more.

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Speaker 1: I'm not saying physically. They just don't look at me

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Speaker 1: as like I'm their competition. So now they're able to say,

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Speaker 1: you're my nigga, we love your ship. You know, you're

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Speaker 1: a vat fun with you nigga. You a legend. Before

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Speaker 1: it was more like they were scared to tell me

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Speaker 1: that because they felt like we were still competing. The

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Speaker 1: thing they don't know is that we really still would

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Speaker 1: make noise back. I love that act, love the album

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Speaker 1: we got. We competed so on this album right here,

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Speaker 1: I'm spitting my ass off so that maybe just maybe

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Speaker 1: niggas could look and listen to this album and be

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Speaker 1: like this naked crazy. Let's let me ask you one more.

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Speaker 1: What's the one record that a producer played for you

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Speaker 1: and you didn't funk with? Oh You're crazy? And the

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Speaker 1: record that just you just said, Yanna, you fucked up

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Speaker 1: up my thing? When you know I put it out

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Speaker 1: there that I could have signed him and them six times. No, no, no,

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Speaker 1: I've never heard this story. You gotta get out give

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Speaker 1: it to us. It's out there. Point at point when

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Speaker 1: I went to Eminem, we went. We was having then

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Speaker 1: the one day he was like, yo Joe, crack. You know,

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Speaker 1: I gave you my demo six times. I said, what

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Speaker 1: this is? After he's he high? Remember I didn't remember

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Speaker 1: where before before, So the nigga turned to run. He

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Speaker 1: was like, I gave it to you, and how can

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Speaker 1: I be down? I gave it to you, Jack the Rapper.

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Speaker 1: I gave it to you in that land. I gave

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Speaker 1: it to you in Jersey when I was with the Outsiders,

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Speaker 1: I gave it. He knew every time he gave me

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Speaker 1: his demo, and I was like, Jesus Christ, I could

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Speaker 1: have had him. And then but the record. I sat

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Speaker 1: in the house for Saloon Remy and Uh and he

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Speaker 1: made Fuji La for me, the Fuji La and then

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Speaker 1: and I sat. He made it for me in this

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Speaker 1: living room and I was there with him for hours

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Speaker 1: and then he was like, yo Joe. Like a week later,

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Speaker 1: he was like, yo Joe, you um you want this record?

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Speaker 1: And I was like, no, I'm good. He was like,

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Speaker 1: you want this record. I was like, no, I'm good,

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Speaker 1: and then it was fuji la. My record was I

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Speaker 1: got another one bigger than that I'm gonna give. Let

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Speaker 1: me just tell you because I have the same exact story.

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Speaker 1: Track Masters was in the studio with me and they

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Speaker 1: made that y'all y'all, and I was like, yog. I

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Speaker 1: told him I didn't even want it, but I was still, man,

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Speaker 1: you probably wanted to vombit. I'm gonna tell you my story.

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Speaker 1: See Scott Storch of me. Our chemistry was like if

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Speaker 1: I knew what I knew now, then I probably would

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Speaker 1: have been the richest nigger in the world. Because I

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Speaker 1: worked with Scott Storch five times. All five songs went

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Speaker 1: number one in America. It's just the bottom line. Every

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Speaker 1: time I sat down with the nigger, we made the

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Speaker 1: number one. Right. If I knew that now, I would

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Speaker 1: have had fifties songs with Scott. Story at that time,

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Speaker 1: I would have all, indeed, I want another left him.

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Speaker 1: I would have been on the nigga, breathing on the nigga, like, Yo, Scott,

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Speaker 1: let's do another one, you know, Scott, let's do a nothing. Right.

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Speaker 1: So I come and I made um uh um, what

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Speaker 1: is it? Um candy shot? I made that be do

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Speaker 1: do do do do do do And then and he

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Speaker 1: was going out way. He was going out way with

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Speaker 1: uh with with uh with with little Kim. So the

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Speaker 1: way I make beats with with with with with with

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Speaker 1: Scott's he could play whatever. So I would tell him

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Speaker 1: boom boomping and pam boom boomping and pam boom. That's

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Speaker 1: how I made mean back boom boom boom. He just

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Speaker 1: did whatever I said, like I could damn their beat

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Speaker 1: box it and he played. So we made candy shot.

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Speaker 1: The crazy ship is I don't want my wife to

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Speaker 1: uh to kill me. But we had little Kim up

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Speaker 1: in there moving him and there we was doing the

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Speaker 1: beat to this pitch. She was doing a little yo.

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Speaker 1: It gotta be more Arabic, we gotta do. We got

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Speaker 1: a little Kim up in there doing a Arabic dac ship.

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Speaker 1: So then the nigga. Now, I'm gonna keep it a

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Speaker 1: buck with y'all nobody. I don't even know if I

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Speaker 1: can keep it too much a buck. But what I

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Speaker 1: can say is we did it like that was right

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Speaker 1: after lean back. It would have been a jamongous head

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Speaker 1: and some of my niggas and my crew convinced me

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Speaker 1: not to do it. It was like, you know, sounds

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Speaker 1: like me back, you keep going with Scott starts. I

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Speaker 1: should have been like, yeah, nigga, every time my fun

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Speaker 1: would have his number one, NA my son do this one,

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Speaker 1: and I picked the other ship. I know you've been

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Speaker 1: searching for someone instead of that ship. So Scott might

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Speaker 1: have called me. I'm gonna tell you, I'm gonna keep

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Speaker 1: it about. Scott called me maybe fifty times in a row.

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Speaker 1: I had no bet for fifty cents, so I had

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Speaker 1: no beef for him at the time. You know that

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Speaker 1: was my next question called me, let's just say forty times.

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Speaker 1: You sure you don't want that beat? Everybody says they

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Speaker 1: hit Joe fifty centers in the here right now. He

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Speaker 1: wants to pay me whatever on earth for this ship.

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Speaker 1: Are you sure, Joe? I won't give him the beat? Joe,

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Speaker 1: this is your beat? Like he would not stop calling, like,

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Speaker 1: are you sure Joe you don't want this ship? I'm like, no,

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Speaker 1: I don't want yo, Joe, like it was just O

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Speaker 1: D And I was like no, no, no, I'm good.

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Speaker 1: That ship was like number one in the universe after

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Speaker 1: it was you know, he told you, he told you

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Speaker 1: before he didn't give up the song. I told him,

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Speaker 1: I ain't want it. You know what I'm saying, My artist,

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Speaker 1: I wish I would have signed, would have to be

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Speaker 1: hands down for a round like I don't. I don't.

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Speaker 1: I can't tell you that. For Arell told me to

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Speaker 1: sign him, but he said, could you shop my beats?

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Speaker 1: The real story, I went to break. I went to

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Speaker 1: bring him to see Nas. At the time, me and

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Speaker 1: Nas was mad cool like Nas. He didn't know how

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Speaker 1: to roll like so he was. He did not have

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Speaker 1: rolled a block. I don't neither. I wrote the worst

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Speaker 1: blunts in the world. But we're gonna smoke. Don't judge me,

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Speaker 1: you know what I'm saying. So curved. Yeah, I'm at

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Speaker 1: pregnant blunts ship, you know, uncircumcised ship. You know what

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Speaker 1: I mean. But um, so he asked me to um

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Speaker 1: to shop it. So I went bring it to Nas

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Speaker 1: and he made um oh baby you want me, Oh baby,

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Speaker 1: you want me. I wanted that be so bad, he said,

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Speaker 1: After you heard it, he said, I made it for Nas.

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Speaker 1: I said, damn, I'm not a hater. He's my brother.

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Speaker 1: I bring it to nas uh. He actually played it.

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Speaker 1: Nas loved it in the studio. As soon as he left,

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Speaker 1: I said, Yo, why your man shirts? You know, I

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Speaker 1: was discouraged because I was like, I know that, like

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Speaker 1: this wasn't like we made super dumb dope. We got

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Speaker 1: them in the country, like this thing is doing way worse.

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Speaker 1: But he was the first one though, So yeah, so

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Speaker 1: and that would be my that would be my um,

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Speaker 1: you know because again for Chad rob Walker, they never

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Speaker 1: said sign me and they said shop my beats. So

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Speaker 1: to me, you know me and you will fall from

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Speaker 1: from the same tree where we helped a lot of

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Speaker 1: people get recognition, get in the game and all we

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Speaker 1: wanted to TV. Sat slept on my couch to meet

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Speaker 1: with we college. But he also we was yeah a

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Speaker 1: little bit what in New York City he washed my drawers.

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Speaker 1: I mean, I'm like I was from right at the time.

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Speaker 1: Let me let me that's my brother, That's what. It's true.

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Speaker 1: He had little he's not doing that. He come on that.

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Speaker 1: He's a good guy. Let's leave the shows. You the

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Speaker 1: progression great, you gotta listen. True, it's true, It's true.

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Speaker 1: It's true. It's not just facing. It is no y

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Speaker 1: what you're talking like this? He floors. Also, he also

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Speaker 1: sorts you general fat. Joe's not co sign. It's nothing

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Speaker 1: brought me a He's my brother. He knows. That's just

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Speaker 1: you know, it's true. It's true. You got it all.

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Speaker 1: Guys got it all. Say you said it? Stop crazy, Yo,

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Speaker 1: you gotta yo. I already don't like me anyways, come on,

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Speaker 1: I don't think. But he's my god brother. You know,

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Speaker 1: we got a lot of piece of ship, piece of ship. Brothers,

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Speaker 1: you got a lot of You got a lot of people.

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Speaker 1: That got a lot of people because you like you're

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Speaker 1: not kind. It's like whatever, It's still families got to

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Speaker 1: find that the you gotta find the good in people negative.

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Speaker 1: That's what my father used to say. My father used

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Speaker 1: to say, when you see people, see the good in

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Speaker 1: them first, and then you see the bad. Yeah, you know,

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Speaker 1: I got an uncle. He lies a lot like he's

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Speaker 1: a pathological line. Not too drunk. Before the session, you

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Speaker 1: was at this video when when puff Oh yeah, when

285
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Speaker 1: I got when I got mad? Yeah, you got mad?

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Speaker 1: You want to beat up Puff daddy? And now you

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00:17:49,720 --> 00:17:55,960
Speaker 1: vote let's make some money. But you can't phone or

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00:17:57,960 --> 00:17:59,840
Speaker 1: let me, let me just see who would you get

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Speaker 1: the ship? Stop this? You know, Micho smacked the shut out,

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Speaker 1: stop me right now, star, We can't tell story. I

291
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Speaker 1: thought we was telling storm moment. Listen, Oh it don't

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00:18:25,840 --> 00:18:29,440
Speaker 1: hurt no more. Shout out the kids, A great guys, kids.

293
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Speaker 1: A guy got the ship and it don't sound right.

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Speaker 1: And the nigga was on the go cart a half

295
00:18:42,200 --> 00:18:44,639
Speaker 1: hour later like nothing happened, and I was like, yo,

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Speaker 1: this is crazy. I ain't never seen no ship like this.

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Speaker 1: And they, you know, they swapped him off the trailer

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Speaker 1: that was cracked. But yeah, you brought up the video day.

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Speaker 1: You brought up the video day. Man like me finish.

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Speaker 1: I listen, I'm like, who kids, that's a good thing.

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Speaker 1: But it stopped, all right. I forgot what the point

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00:19:09,040 --> 00:19:10,520
Speaker 1: I was making up for the visage, all right, I

303
00:19:10,600 --> 00:19:16,359
Speaker 1: got it. Rule was so big at this time. The

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Speaker 1: same thing. Now I ain't got it against who like

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Speaker 1: whoa he's a great guy, all right, but listen, this

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Speaker 1: is how big Rule was. Right. It was like, yeah,

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Speaker 1: you can't let norm me and job Rule drink right.

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Speaker 1: I've read mad remember, I've read Lamborghinis. Yeah, said look,

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Speaker 1: because you're driving, you can't you can't drink. I'm like,

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Speaker 1: all right, cool, no doubt. This is my video. By

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Speaker 1: the way, I wouldn't rule trailer. Listen, every bottom in

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Speaker 1: the fucking world, Remy Martin, I'm like, I know the

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Speaker 1: budget is on me. Now. I didn't feel with hype Winds.

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Speaker 1: Hype Winds, don't court me. I'll tell you this story.

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Speaker 1: But I'm like, that's how big rule was dep Jam

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Speaker 1: wouldn't tell that nigga no for nothing. He'd be like, Yo,

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Speaker 1: I need to din. They have coffee at the bomba

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Speaker 1: the mom and do it for this nigga. I'm gonna

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Speaker 1: take some ill ship. We used to tell Nicks. I said, listen,

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Speaker 1: I like to get high. Yes, you did so. I

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Speaker 1: need like fifty to a hundred thousands and drug budget.

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Speaker 1: I just you know they didn't give it to me.

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Speaker 1: They give me drug budget. I gotta, I gotta, I

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Speaker 1: gotta tell this nigger right. I had little Stewis. Listen,

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Speaker 1: he's the heavyweight champion of the world. Right, Lennox Lewis

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Speaker 1: come to the joint, He'll come through the murder. Ain't

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Speaker 1: niggers around Lennox Lewis and save tas fu my nigga.

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Speaker 1: Lets coming in the video shoot. He's coolest, a great

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00:21:21,440 --> 00:21:24,600
Speaker 1: to meet you. I'm like, yo, I'm bigger. I left

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Speaker 1: this nigger with the murder ain't niggers. For like fifteen seconds,

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Speaker 1: Lewis like I gotta leave. I'm like, what's in my name?

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Speaker 1: Still like, we came together? What do you mean you remember?

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00:21:38,960 --> 00:21:46,200
Speaker 1: Ran him all my videos? You ran him when he

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00:21:46,280 --> 00:21:48,280
Speaker 1: first got to the video shoot, Lina, he said, do

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00:21:48,320 --> 00:21:50,800
Speaker 1: you think I didn't see you? Yeah, he's in the

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00:21:50,880 --> 00:21:55,640
Speaker 1: audience cheering for rock Man. I didn't know it. That's

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00:21:55,640 --> 00:22:01,200
Speaker 1: how we started. Yeah, nig gonna knock you out. So

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00:22:01,400 --> 00:22:09,240
Speaker 1: now he's, yeah, this is a foul has never answered

339
00:22:09,280 --> 00:22:16,960
Speaker 1: my goal since the dude he's not York guys game

340
00:22:17,040 --> 00:22:19,520
Speaker 1: up on me. But I'm over there. I don't know

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00:22:19,720 --> 00:22:24,080
Speaker 1: what I'm doing. So after that he said, yeah, but

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00:22:24,280 --> 00:22:26,480
Speaker 1: you see what I did to him? Right, I'm talking

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Speaker 1: about rock Right, he's not rocking on the funk out.

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00:22:29,119 --> 00:22:32,199
Speaker 1: I was right there ringside. So now rock one, let

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00:22:32,240 --> 00:22:34,639
Speaker 1: me say the instrument personal with you. We had we

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Speaker 1: had we had Jay had some ill crib about Miami

347
00:22:38,160 --> 00:22:40,680
Speaker 1: and ships we over there, and the crib and ship

348
00:22:40,840 --> 00:22:45,840
Speaker 1: me Jay stop over we play Lewis. I didn't threaten him.

349
00:22:45,880 --> 00:22:48,920
Speaker 1: Were playing guns, so Tyson's gonna kill him. Rock Mom

350
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Speaker 1: comes through this had his belts wait wait, just let

351
00:22:54,280 --> 00:23:04,840
Speaker 1: side stop stop belt's and two niggs carried the ship

352
00:23:04,960 --> 00:23:08,000
Speaker 1: the kids that we do you know, Ja and David.

353
00:23:08,160 --> 00:23:15,879
Speaker 1: He's just clowning stick class got the bound for now

354
00:23:16,040 --> 00:23:18,320
Speaker 1: Nickings and taking pizzas of the bounds. Get onto the

355
00:23:18,320 --> 00:23:21,240
Speaker 1: stud So we're playing guts. So now we're fucking with

356
00:23:21,400 --> 00:23:23,280
Speaker 1: Rock model on the strip that we fun put over

357
00:23:23,920 --> 00:23:26,000
Speaker 1: this before you got knocked out after right, this is

358
00:23:26,080 --> 00:23:28,640
Speaker 1: after he won the first time, and now we got

359
00:23:28,720 --> 00:23:30,440
Speaker 1: to fight, you know what I'm saying. So now I'm

360
00:23:30,480 --> 00:23:32,800
Speaker 1: rooting for Rock because I'm Nott the nigger. You know

361
00:23:32,800 --> 00:23:36,800
Speaker 1: what I'm saying. Nigga, I'm like, he made a believe

362
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Speaker 1: out of me. Somebody gonna do this and do that

363
00:23:39,040 --> 00:23:41,560
Speaker 1: to the nigga and all this up. Ships take to

364
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Speaker 1: the video. So now we get to the video shoot

365
00:23:44,280 --> 00:23:46,399
Speaker 1: at right, So now we get to the video shoot.

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Speaker 1: Sees fucking Lynx Lytics comes to me with the bullshit

367
00:23:51,240 --> 00:23:53,600
Speaker 1: up to you. Yeah, like yeah, I see you doing

368
00:23:53,840 --> 00:23:55,840
Speaker 1: I said, yeah, Nick, I think he's gonna knock you out.

369
00:23:56,080 --> 00:23:58,040
Speaker 1: So the analytics is where you see what I did

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Speaker 1: to him? Right? What am I supposed to say to that?

371
00:24:01,560 --> 00:24:06,200
Speaker 1: Nor gonna fuck you up? That's all I can say that.

372
00:24:06,440 --> 00:24:09,639
Speaker 1: I said yes and yeah, she gonna fuck you up.

373
00:24:10,040 --> 00:24:12,359
Speaker 1: I said, you may got that one with Mike go for.

374
00:24:12,480 --> 00:24:15,080
Speaker 1: You should have seen this nigga face. Nigga like it

375
00:24:15,200 --> 00:24:18,359
Speaker 1: was all good. Like I walkome to this day like

376
00:24:18,600 --> 00:24:24,080
Speaker 1: something man, little ex, I'll be right back. I'll come back.

377
00:24:24,240 --> 00:24:29,679
Speaker 1: This is like I have to go. I'm like, what's like, Yo,

378
00:24:30,200 --> 00:24:36,159
Speaker 1: these guys they took to me wrong. I'm like, what

379
00:24:37,000 --> 00:24:44,840
Speaker 1: thinking this? My people? Litings is my friend now and

380
00:24:44,880 --> 00:24:47,920
Speaker 1: I wasn't doing Mike Tyson story. Mike, this is the

381
00:24:48,800 --> 00:24:51,960
Speaker 1: first time I met Mike. You know, I was drunk

382
00:24:52,040 --> 00:24:55,639
Speaker 1: and ship you know the first time I met him.

383
00:24:55,640 --> 00:24:57,720
Speaker 1: But I used to get so fucking hot and you

384
00:24:57,840 --> 00:25:01,639
Speaker 1: got me one time in club bed. We started we

385
00:25:01,920 --> 00:25:04,600
Speaker 1: ended up. We started off with hard link and we

386
00:25:04,880 --> 00:25:09,560
Speaker 1: ended up with wine. Up. Yeah, I threw up always,

387
00:25:10,520 --> 00:25:15,520
Speaker 1: I threw up. I'm still throwing up, Snicky, We're gonna

388
00:25:15,560 --> 00:25:20,800
Speaker 1: drink this wine. We ended up with wine. That ship

389
00:25:21,040 --> 00:25:25,760
Speaker 1: killed me. I see the name of Mike Tyson. I'm

390
00:25:25,840 --> 00:25:28,480
Speaker 1: in the nick Mike, like your Mike, you're fucking up

391
00:25:28,560 --> 00:25:32,760
Speaker 1: your career. You do this is what you do? Rule?

392
00:25:32,960 --> 00:25:36,200
Speaker 1: This just a fend boxes like on your off time.

393
00:25:38,000 --> 00:25:39,879
Speaker 1: It felt it felt offensive when you just say we

394
00:25:39,960 --> 00:25:44,320
Speaker 1: have encourage. You know what I'm saying, it's motivation. Look

395
00:25:44,359 --> 00:25:50,240
Speaker 1: what louis that's right, but he probably had an extra motivation,

396
00:25:50,359 --> 00:25:53,399
Speaker 1: you know on New York. By doing that like that

397
00:25:53,560 --> 00:25:56,520
Speaker 1: was the reverse psychology that didn't work. I wanted Mike

398
00:25:56,600 --> 00:25:59,200
Speaker 1: to win, yeah, and he got funked up. That was

399
00:25:59,359 --> 00:26:03,040
Speaker 1: my fault in the ring. You told him mikeel suck

400
00:26:03,119 --> 00:26:09,040
Speaker 1: you up, and he was my friend. Maybe he was.

401
00:26:10,400 --> 00:26:12,919
Speaker 1: You su that all up with me? Bru A good

402
00:26:12,960 --> 00:26:21,920
Speaker 1: guy last I still was now now now kiss. I

403
00:26:22,040 --> 00:26:28,240
Speaker 1: heard Style say on say one day that Tyson was

404
00:26:28,320 --> 00:26:32,359
Speaker 1: fucking with Eve like he was messing with up, and

405
00:26:32,520 --> 00:26:35,119
Speaker 1: y'all thought, y'all was gonna have to get it in

406
00:26:35,280 --> 00:26:40,080
Speaker 1: on Tyson. He spoke so story. He spoke for himself

407
00:26:40,160 --> 00:26:45,119
Speaker 1: because I wasn't touching Mike. Mike told Eve Eve, I

408
00:26:45,320 --> 00:26:49,080
Speaker 1: fucked a ship out of you burst. I was on

409
00:26:49,200 --> 00:26:59,639
Speaker 1: the shore. He went to Basha was even Vega so

410
00:27:00,080 --> 00:27:05,000
Speaker 1: la and now y'all, y'all, y'all, evel you got like

411
00:27:05,440 --> 00:27:08,320
Speaker 1: is us in general and I might have been there

412
00:27:08,440 --> 00:27:13,640
Speaker 1: so weird, but we want a red copy. Okay, only

413
00:27:13,680 --> 00:27:17,280
Speaker 1: the artists. Okay. All I heard was Mike say, I

414
00:27:17,480 --> 00:27:23,920
Speaker 1: fun this ship out of you me. Holy what I'm

415
00:27:23,960 --> 00:27:27,600
Speaker 1: saying that a regular Joe Schmoll his head would have

416
00:27:27,680 --> 00:27:36,399
Speaker 1: been on. Mike Eve, you got a whole that we know,

417
00:27:36,640 --> 00:27:40,800
Speaker 1: Mike a little crazy. That's something that's gonna get the old.

418
00:27:44,400 --> 00:27:46,240
Speaker 1: Let me tell you something. We was in Philly one times,

419
00:27:46,280 --> 00:27:50,880
Speaker 1: in Philly one times and I was battling like ten

420
00:27:51,040 --> 00:27:55,240
Speaker 1: Philly niggas in the lobby. This is not that used

421
00:27:55,240 --> 00:27:58,160
Speaker 1: to be mandatory. If you're going to manage, you gotta

422
00:27:58,240 --> 00:28:01,639
Speaker 1: fe But this time it's not platinum, j'all rule, This

423
00:28:01,800 --> 00:28:03,720
Speaker 1: is cash money clear on this is this is a

424
00:28:06,040 --> 00:28:12,080
Speaker 1: free pre no yo, what do you do? Y do it?

425
00:28:13,560 --> 00:28:18,159
Speaker 1: I'm in the battling like ten niggas Dutch speed. You

426
00:28:18,240 --> 00:28:24,000
Speaker 1: ain't bat niggers told you up. I got a nory

427
00:28:24,119 --> 00:28:34,520
Speaker 1: story eating. I'm eating these niggas food. Nigga Eve comes down. Okay,

428
00:28:35,800 --> 00:28:39,000
Speaker 1: all my niggas is up staying beans bleak, come on

429
00:28:39,080 --> 00:28:41,360
Speaker 1: way my niggas, is that nigger come help with nigger.

430
00:28:42,000 --> 00:28:45,240
Speaker 1: Eve comes down, nig nigga. It's the pit bull in

431
00:28:45,280 --> 00:28:51,160
Speaker 1: the stre you see we're in on these yo. It

432
00:28:51,280 --> 00:28:55,440
Speaker 1: was crazy. But back then, see and no don't know

433
00:28:55,560 --> 00:28:57,360
Speaker 1: the y'all rule from back then. Let me tell you

434
00:28:57,760 --> 00:29:00,280
Speaker 1: you know it. Once I got with with dog with

435
00:29:00,600 --> 00:29:05,240
Speaker 1: with X jumping in the pit, nigga jumping in the pit, nigga, nigga.

436
00:29:05,280 --> 00:29:07,440
Speaker 1: We used to go because I used to battle lay

437
00:29:07,560 --> 00:29:17,400
Speaker 1: that for our podcasters, jumping in back, confront, just going

438
00:29:17,800 --> 00:29:20,520
Speaker 1: at it, ticks on yourself and all that because nigga,

439
00:29:20,880 --> 00:29:26,080
Speaker 1: you know what I'm saying, I learned that from you

440
00:29:26,120 --> 00:29:29,120
Speaker 1: know what I'm saying from from action, y'all juice in there.

441
00:29:29,320 --> 00:29:31,400
Speaker 1: So I used to battle niggas in my hood. But

442
00:29:32,280 --> 00:29:33,600
Speaker 1: that was in my hood. I used to be eating

443
00:29:34,240 --> 00:29:36,280
Speaker 1: so so God he was like, you think you're nice,

444
00:29:37,000 --> 00:29:40,760
Speaker 1: I'm gonna bring you with other niggas. Oh another. So

445
00:29:40,880 --> 00:29:44,040
Speaker 1: he brought me around, y'all, He brought me around, changing them,

446
00:29:44,080 --> 00:29:45,360
Speaker 1: you know what I'm saying. And I was like, yeah,

447
00:29:45,640 --> 00:29:48,320
Speaker 1: niggas get what I get business, you know what I'm saying.

448
00:29:48,360 --> 00:29:50,080
Speaker 1: And that's and that's how it was. You know what

449
00:29:50,080 --> 00:29:53,120
Speaker 1: I'm saying. So Me and ex useduld go around gotta

450
00:29:53,160 --> 00:29:56,040
Speaker 1: you got. He was motherfucker. He used to bring nig's

451
00:29:56,080 --> 00:29:58,560
Speaker 1: video shoots, so we go like video shoot and he'd

452
00:29:58,600 --> 00:30:02,600
Speaker 1: be like, yo, niggas getting intermission is a cipher, let's

453
00:30:02,600 --> 00:30:09,680
Speaker 1: go and being going your battle. It was back in

454
00:30:09,720 --> 00:30:15,120
Speaker 1: the days. It wasn't your camp and whoever he was

455
00:30:15,160 --> 00:30:20,840
Speaker 1: with dogs cipher. It was called the site. But it

456
00:30:21,080 --> 00:30:26,400
Speaker 1: was for long it was egos. It's always egos involved,

457
00:30:26,440 --> 00:30:28,080
Speaker 1: you know I'm saying. Yeah, we was letting niggas know.

458
00:30:28,160 --> 00:30:30,440
Speaker 1: We don't know niggas coming nigga. You know what I'm saying.

459
00:30:30,480 --> 00:30:34,000
Speaker 1: You have a battle X me, you have a battle

460
00:30:34,200 --> 00:30:38,520
Speaker 1: x nah, you have a battle of style. Na shake

461
00:30:39,080 --> 00:30:43,040
Speaker 1: nat when you battle and you don't battle your own niggas.

462
00:30:43,160 --> 00:30:46,160
Speaker 1: You're gonna battle of nicke. I mean like internally, but

463
00:30:46,360 --> 00:30:51,400
Speaker 1: but it wasn't you have a battle feeding the battle

464
00:30:51,440 --> 00:31:05,240
Speaker 1: Pom five. We could we killed that. No, let me

465
00:31:05,320 --> 00:31:08,000
Speaker 1: tell you something. It's an unwritten rule for m c's

466
00:31:08,080 --> 00:31:09,760
Speaker 1: nigga with niggas get on the mic with each other.

467
00:31:09,840 --> 00:31:13,400
Speaker 1: Nig I'm trying to kill you just know that we

468
00:31:13,480 --> 00:31:16,360
Speaker 1: all know that. You know what I'm saying, He's aiming

469
00:31:16,400 --> 00:31:20,360
Speaker 1: to make a hit. Yeah, it's still competitive nature. So

470
00:31:20,800 --> 00:31:22,560
Speaker 1: I used to tell my niggas that all the times.

471
00:31:23,560 --> 00:31:24,840
Speaker 1: I used to try to let them know, like Nick,

472
00:31:25,000 --> 00:31:26,960
Speaker 1: let me tell you something, get on this joint with me.

473
00:31:27,920 --> 00:31:31,400
Speaker 1: You tying, so you better do the same than me.

474
00:31:31,680 --> 00:31:33,480
Speaker 1: But I just trying to bring the best essence. But

475
00:31:33,680 --> 00:31:35,200
Speaker 1: let him know, you know what I'm saying, like because

476
00:31:35,280 --> 00:31:37,040
Speaker 1: because that's what I was about, and I'm wanting to

477
00:31:37,080 --> 00:31:39,280
Speaker 1: get I want to hurt. You know what I'm saying.

478
00:31:40,800 --> 00:31:45,960
Speaker 1: You know, this was very interesting. I want to stop,

479
00:31:46,000 --> 00:31:50,640
Speaker 1: but I don't. We gotta stop. We gotta stop telling ante.

480
00:31:50,720 --> 00:31:54,040
Speaker 1: I got to go until somebody got listen, you know,

481
00:31:55,880 --> 00:32:00,080
Speaker 1: and we're going out after this man. We're going and

482
00:32:01,400 --> 00:32:03,320
Speaker 1: now no, no, no, let me ask that. Let me

483
00:32:03,400 --> 00:32:07,480
Speaker 1: ask that Overseas country you got on smash that you

484
00:32:07,720 --> 00:32:10,760
Speaker 1: you know every time you go there, this is your ship.

485
00:32:11,400 --> 00:32:14,360
Speaker 1: You know, niggers out there, and what is it gotta

486
00:32:14,400 --> 00:32:17,200
Speaker 1: be uk for me? I'm strong and bunched, and I'm

487
00:32:17,240 --> 00:32:22,840
Speaker 1: strong and south wicked wicked poops actually went over there

488
00:32:22,880 --> 00:32:26,520
Speaker 1: and conquered land pools, did like two to three years

489
00:32:26,600 --> 00:32:32,440
Speaker 1: in London. So when you say that Steplocks, no Poops engineer,

490
00:32:32,800 --> 00:32:37,880
Speaker 1: producer and you hear all the mixtapes, drop that ship, Pops. Yeah,

491
00:32:38,080 --> 00:32:40,840
Speaker 1: Poops went to l A and work on some movies

492
00:32:40,920 --> 00:32:47,120
Speaker 1: with wood Um Harris London for two years. So we

493
00:32:47,280 --> 00:32:50,120
Speaker 1: got foundations. Shout out to my brother Brad over there,

494
00:32:50,200 --> 00:32:52,320
Speaker 1: I got a lot of I got deep Block Europe

495
00:32:52,480 --> 00:32:57,320
Speaker 1: actually got artists over there, young ads, Arrow bigger, I

496
00:32:57,400 --> 00:33:00,680
Speaker 1: got a few houtists, so you know strong and London real.

497
00:33:01,800 --> 00:33:06,880
Speaker 1: Let's pick up Brixton right now. Listen, how did you

498
00:33:07,000 --> 00:33:10,280
Speaker 1: lock Down're not clapping for you know, they must know

499
00:33:10,400 --> 00:33:12,960
Speaker 1: what they just want in on that piso. It's not

500
00:33:13,080 --> 00:33:15,360
Speaker 1: a clapp thing right there. We can't clapp for you.

501
00:33:15,720 --> 00:33:18,200
Speaker 1: But how did you lock down Brazil? How did that?

502
00:33:19,000 --> 00:33:21,880
Speaker 1: Like you just go to Brazil at one point frequently,

503
00:33:22,360 --> 00:33:27,840
Speaker 1: like like I go to Miami to Brazil. Tooked me

504
00:33:27,920 --> 00:33:32,760
Speaker 1: up with them, like like sifteen years ago, bring no,

505
00:33:35,560 --> 00:33:37,480
Speaker 1: let's do an album release for you and you't gonna

506
00:33:37,560 --> 00:33:44,200
Speaker 1: drop album. Listen, Brazil is nice, yes, I know, Brazil's

507
00:33:44,240 --> 00:33:46,320
Speaker 1: like over there. I just want to go with you,

508
00:33:46,840 --> 00:33:50,200
Speaker 1: my dad see your concert, Pops, on the coffee company.

509
00:33:50,280 --> 00:33:53,400
Speaker 1: He be in Brazil a few times a month. We're

510
00:33:53,400 --> 00:33:56,400
Speaker 1: gonna try this again. And I don't think anybody learned

511
00:33:56,400 --> 00:33:58,120
Speaker 1: these words from the last time we talked about them.

512
00:33:58,160 --> 00:34:02,000
Speaker 1: But remember the words anger er cassis, you know, if

513
00:34:02,040 --> 00:34:05,479
Speaker 1: that's the way, I still don't think I'm saying it right, opulent. Well,

514
00:34:05,480 --> 00:34:07,680
Speaker 1: if you're not familiar with those wine terms, which I'm

515
00:34:07,760 --> 00:34:13,200
Speaker 1: definitely not, congratulations, you're just like me and Nori. I

516
00:34:13,239 --> 00:34:15,360
Speaker 1: don't care if if a wine club or a critic

517
00:34:15,400 --> 00:34:19,160
Speaker 1: babylon about her focus nous and I'm still saying that wrong.

518
00:34:20,160 --> 00:34:21,879
Speaker 1: I just want to know, does it taste good? Does

519
00:34:21,880 --> 00:34:24,520
Speaker 1: it get me nice? You know, does it look good

520
00:34:24,560 --> 00:34:27,919
Speaker 1: in the glass? Lucky for us, we found First Leaf.

521
00:34:28,160 --> 00:34:31,240
Speaker 1: It's the only wine club that's based on your taste buds.

522
00:34:31,880 --> 00:34:35,319
Speaker 1: We just received our first First Leaf order, and these

523
00:34:35,360 --> 00:34:39,439
Speaker 1: are some amazing wines. Incredible wines. I mean, Nori would

524
00:34:39,480 --> 00:34:43,120
Speaker 1: tell him he got some ill stuff. Customize your First

525
00:34:43,239 --> 00:34:47,520
Speaker 1: Leaf order by selecting the color, wine regions, and frequencies

526
00:34:47,560 --> 00:34:50,799
Speaker 1: of your wine shipments. First Leaf then creates an introductory

527
00:34:50,880 --> 00:34:54,640
Speaker 1: three packs of wine to get you started. I mean

528
00:34:55,200 --> 00:34:58,160
Speaker 1: the ones that I got right up my alley. And

529
00:34:58,400 --> 00:35:00,640
Speaker 1: I'm telling you don't even drink wine just like that.

530
00:35:00,920 --> 00:35:04,400
Speaker 1: My lady loves wine. But if it tastes you know,

531
00:35:04,440 --> 00:35:07,080
Speaker 1: if there's a certain taste in the wine, I'm messing

532
00:35:07,160 --> 00:35:09,279
Speaker 1: with it. And and I definitely, I definitely fox with

533
00:35:09,320 --> 00:35:13,160
Speaker 1: these wines. With the First Leaves Introductory Pack, you'll get

534
00:35:13,280 --> 00:35:16,879
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535
00:35:16,960 --> 00:35:20,760
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536
00:35:20,800 --> 00:35:24,400
Speaker 1: dollars each, if not more. When your bottles arrived, rate

537
00:35:24,480 --> 00:35:27,920
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538
00:35:28,880 --> 00:35:31,880
Speaker 1: The more wines you rate, the better your recommendations will be.

539
00:35:32,680 --> 00:35:35,319
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540
00:35:35,400 --> 00:35:39,680
Speaker 1: eliminates the middleman and works directly with the world's foremost

541
00:35:39,760 --> 00:35:44,440
Speaker 1: wineries in France, Italy and Napa Valley. First Leaf is

542
00:35:44,880 --> 00:35:47,200
Speaker 1: my new favorite and no reason new favorite way to

543
00:35:47,360 --> 00:35:50,960
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544
00:35:51,040 --> 00:35:54,760
Speaker 1: of introductory wine for fifteen dollars, go to try first

545
00:35:54,920 --> 00:35:59,320
Speaker 1: Leaf dot com forward slash champs. That's three bottles of

546
00:35:59,400 --> 00:36:03,560
Speaker 1: wine for only fifteen dollars at try first Leaf dot

547
00:36:03,640 --> 00:36:09,000
Speaker 1: com forward slash champs. Experience first Leaf today at try

548
00:36:09,760 --> 00:36:13,600
Speaker 1: that's t r y first Leaf dot Com, Forward Slash,

549
00:36:13,960 --> 00:36:22,480
Speaker 1: Champs c h A m p S. There's noise in

550
00:36:22,520 --> 00:36:27,560
Speaker 1: the background. That's how you know it's live, baby, That's

551
00:36:27,600 --> 00:36:30,120
Speaker 1: how you know it's not. He was the first dude

552
00:36:30,200 --> 00:36:32,279
Speaker 1: to drop two albums that both were in platinum in

553
00:36:32,360 --> 00:36:35,680
Speaker 1: the same year. How the fund did that happen? Bring

554
00:36:35,760 --> 00:36:38,160
Speaker 1: us do that? All? Right? Well, what happened was um

555
00:36:39,120 --> 00:36:41,960
Speaker 1: by the time I got my tale, I felt like

556
00:36:42,000 --> 00:36:45,400
Speaker 1: I was vindicated. I was like, guess, finally, that's a

557
00:36:45,440 --> 00:36:48,279
Speaker 1: big word. Finally. Yeah, I felt like it was old

558
00:36:48,320 --> 00:36:50,839
Speaker 1: to me, big mistake in my hand. But that's another story.

559
00:36:51,040 --> 00:36:54,560
Speaker 1: But Um, an offer was made to me that if

560
00:36:54,600 --> 00:36:56,480
Speaker 1: I could after I drop my first album, offer was

561
00:36:56,520 --> 00:36:58,279
Speaker 1: made to me, then if I was able to um

562
00:36:59,040 --> 00:37:01,799
Speaker 1: drop another album or recording the albums in thirty eight,

563
00:37:01,960 --> 00:37:05,400
Speaker 1: there get a million dollars. It's the first time I

564
00:37:05,400 --> 00:37:10,600
Speaker 1: happened to bellion correct. Oh yeah, yeah, yeah, first house

565
00:37:10,800 --> 00:37:13,319
Speaker 1: for the millions. That's I didn't have a name by

566
00:37:13,360 --> 00:37:16,840
Speaker 1: it and alum the same Now, what was the first album?

567
00:37:16,880 --> 00:37:18,560
Speaker 1: Wasn't name of it? Again? It's dark and hell us

568
00:37:18,600 --> 00:37:23,120
Speaker 1: Hot and then um it wasn't he us Hot Blood

569
00:37:23,280 --> 00:37:26,040
Speaker 1: my Blood. Then there was X Got Nigga's like What's

570
00:37:26,120 --> 00:37:30,480
Speaker 1: next and getting great priscient grand but that being but

571
00:37:30,560 --> 00:37:33,920
Speaker 1: you was on rough House before that, I got signed

572
00:37:34,000 --> 00:37:39,759
Speaker 1: a single rough Houselandia. That's that's history, right, Yeah, was

573
00:37:39,800 --> 00:37:44,200
Speaker 1: like in the eighties. Eighties that was that was mid

574
00:37:44,320 --> 00:37:47,640
Speaker 1: nightties House Sick was rough House Columbia. After you dropped

575
00:37:47,640 --> 00:37:52,800
Speaker 1: two platforms. Let's just say comb that before I dropped

576
00:37:54,440 --> 00:37:59,040
Speaker 1: rough House Columbia. They think they they dropped the ball

577
00:38:00,160 --> 00:38:02,360
Speaker 1: if they had ax, but they they signed me as

578
00:38:02,360 --> 00:38:05,160
Speaker 1: a tach writer, designed me for one single. After we

579
00:38:05,239 --> 00:38:07,359
Speaker 1: put the single out and it had a little, uh,

580
00:38:07,640 --> 00:38:09,640
Speaker 1: you know, a little momentum, a little little push, and

581
00:38:10,280 --> 00:38:12,920
Speaker 1: they they they they picked it up but didn't put

582
00:38:12,960 --> 00:38:16,320
Speaker 1: any behind it. Okay, okay, cool. Let me tell you.

583
00:38:16,440 --> 00:38:18,160
Speaker 1: I know what I'm capable of. I know what I'm

584
00:38:18,160 --> 00:38:21,120
Speaker 1: gonna do, and then I'm glad. I bought the lots

585
00:38:21,280 --> 00:38:24,200
Speaker 1: to rough Pridus you locked the lots. I bought a

586
00:38:24,200 --> 00:38:26,240
Speaker 1: lot of sub friders. I bought either of rough products.

587
00:38:26,360 --> 00:38:30,160
Speaker 1: It's like drag Dag. They met and I kind of

588
00:38:30,239 --> 00:38:33,440
Speaker 1: co signers. I signed this release, neame this and dragged

589
00:38:33,440 --> 00:38:38,319
Speaker 1: from yer d from the bron Okay, okay, so tm

590
00:38:38,440 --> 00:38:40,480
Speaker 1: X we got tm X in the building. I'm so

591
00:38:40,600 --> 00:38:42,719
Speaker 1: thankful because you know what the crazy ship is. You

592
00:38:42,800 --> 00:38:44,000
Speaker 1: know what I had to tell X. I had to

593
00:38:44,040 --> 00:38:46,480
Speaker 1: keep it real with X. I said, your ex the

594
00:38:46,560 --> 00:38:48,879
Speaker 1: inmates is really running the building. Because last time somebody

595
00:38:48,920 --> 00:38:50,840
Speaker 1: told you that want to build it, it was just

596
00:38:51,200 --> 00:38:53,480
Speaker 1: grateful for the way you first. Yes, the last time

597
00:38:53,719 --> 00:38:57,399
Speaker 1: someone told me it makes running the building, it makes wasn't.

598
00:38:57,400 --> 00:38:59,520
Speaker 1: Really that was on Righting Island with him, so you

599
00:38:59,560 --> 00:39:04,040
Speaker 1: didn't know, not you for sure? No mind him, I wasn't.

600
00:39:04,640 --> 00:39:08,560
Speaker 1: I don't even have ever been the racks na, Na,

601
00:39:09,160 --> 00:39:11,000
Speaker 1: I don't even on the one he bought. But I'll

602
00:39:11,040 --> 00:39:14,000
Speaker 1: talk to you about it. Yeah, no, no fact to

603
00:39:14,000 --> 00:39:16,480
Speaker 1: get to the story in Arizona and the Arizona one.

604
00:39:16,560 --> 00:39:19,680
Speaker 1: Now listen, let me just tell you. So you want

605
00:39:19,680 --> 00:39:23,880
Speaker 1: to tell the story, there's so many levels Stunn, so

606
00:39:24,040 --> 00:39:27,960
Speaker 1: many levels of that a stormy. But yeah, first the

607
00:39:28,040 --> 00:39:32,239
Speaker 1: first part about it, so you know, typically when they

608
00:39:32,320 --> 00:39:34,600
Speaker 1: jumped on the front with it, just dope. So you know,

609
00:39:34,840 --> 00:39:36,520
Speaker 1: we all we all jumped on the foll minute. Then

610
00:39:36,560 --> 00:39:42,080
Speaker 1: we go and I'm like, wait, wait, of course you

611
00:39:42,120 --> 00:39:44,279
Speaker 1: can't here because you know in this dumb lab, I

612
00:39:44,440 --> 00:39:46,279
Speaker 1: tasted him he gets away from because he was like

613
00:39:46,480 --> 00:39:48,279
Speaker 1: mad part. I thought he was gonna go half a

614
00:39:48,320 --> 00:39:51,960
Speaker 1: block and turned around and I think we was at

615
00:39:52,280 --> 00:39:55,120
Speaker 1: um between you stop signs, just like at least a mile,

616
00:39:55,600 --> 00:39:59,799
Speaker 1: but like he'll stop. Maybe he's gonna stop TV joint. Yeah,

617
00:40:00,080 --> 00:40:06,080
Speaker 1: and the smallest, the smallest was five hundreds, five hundreds,

618
00:40:06,239 --> 00:40:09,399
Speaker 1: so that was the smallest in me. All ships was fast. Yeah.

619
00:40:09,719 --> 00:40:13,239
Speaker 1: They get dipped off yo when he came out, because

620
00:40:13,280 --> 00:40:17,719
Speaker 1: there was like at this is the stormy Yeah, people

621
00:40:17,760 --> 00:40:19,759
Speaker 1: shooting the movie. I was shooting the movie and the

622
00:40:19,840 --> 00:40:24,399
Speaker 1: horror movie. Yeah, the horrid movie. Yeah, uh fast purious. Yeah.

623
00:40:24,400 --> 00:40:26,480
Speaker 1: I brought all them to that school and it's the

624
00:40:26,520 --> 00:40:29,239
Speaker 1: crazies on him right there. You know, I said the

625
00:40:29,280 --> 00:40:31,640
Speaker 1: fight in my house. I bight in my house. I

626
00:40:31,719 --> 00:40:34,080
Speaker 1: got the pool in the backyard. Family kids out there.

627
00:40:34,600 --> 00:40:38,080
Speaker 1: So his men, Yo, get a boy. The pool takes

628
00:40:38,160 --> 00:40:40,680
Speaker 1: these pins, so they got the thongs on. They get

629
00:40:40,840 --> 00:40:45,879
Speaker 1: the white dude with the motherfucker long jumping like people

630
00:40:45,880 --> 00:40:55,799
Speaker 1: are shooting the movie with people watch you got henny, yo,

631
00:40:55,840 --> 00:40:58,040
Speaker 1: but acts let me just tell you that day right yo,

632
00:40:58,120 --> 00:41:00,360
Speaker 1: you was getting to me in the movie at that time. Yeah,

633
00:41:00,920 --> 00:41:03,560
Speaker 1: and when when when you called me, you said, I said,

634
00:41:03,600 --> 00:41:05,520
Speaker 1: you said you an Afrozona, you gotta come to you.

635
00:41:06,360 --> 00:41:09,040
Speaker 1: And then and then I said, people a little while

636
00:41:09,080 --> 00:41:12,959
Speaker 1: away was a two songs yeah yeah, yeah, two hours

637
00:41:13,000 --> 00:41:15,040
Speaker 1: away too. And you know, let me to a song

638
00:41:15,920 --> 00:41:21,759
Speaker 1: some people. Yeah right there. Wait that's a different God,

639
00:41:23,480 --> 00:41:27,279
Speaker 1: let's get it. And X took here all my people. Listen,

640
00:41:27,680 --> 00:41:30,440
Speaker 1: all my people. X took care of every well, this

641
00:41:30,600 --> 00:41:33,520
Speaker 1: same thing, all that everything. Man just cooking because it's

642
00:41:33,560 --> 00:41:36,879
Speaker 1: the funny ship though, So don't stick home. My home girl,

643
00:41:37,840 --> 00:41:39,279
Speaker 1: ohome girl. She was like, you know what I'm saying,

644
00:41:39,320 --> 00:41:41,120
Speaker 1: like that I grew up with him. She's from the hood,

645
00:41:41,719 --> 00:41:43,840
Speaker 1: so we in the house is this family environment. So

646
00:41:43,920 --> 00:41:45,919
Speaker 1: she gets the wiping on him, but the nipples sits

647
00:41:45,960 --> 00:41:49,640
Speaker 1: down by hawaist man the hands little because you know

648
00:41:49,680 --> 00:41:51,120
Speaker 1: when nobody was part of it, like we get a

649
00:41:51,120 --> 00:41:53,600
Speaker 1: family vinment to the north like like like I think

650
00:41:53,640 --> 00:41:56,359
Speaker 1: you kind of a there was a family linment. Nothing

651
00:41:56,400 --> 00:42:00,399
Speaker 1: just like a bit of that. We are gonna yeah,

652
00:42:00,400 --> 00:42:04,759
Speaker 1: I'm on that's home girl was like like she like

653
00:42:04,920 --> 00:42:15,120
Speaker 1: he was like, no, you Auntie. The crazy ship and

654
00:42:15,280 --> 00:42:17,759
Speaker 1: she was younger than both of us. But where is he?

655
00:42:18,800 --> 00:42:25,239
Speaker 1: That was you cooking up with the nipples down the yo, Yo,

656
00:42:25,640 --> 00:42:27,440
Speaker 1: it was a pleasure to have you there. No, man,

657
00:42:27,520 --> 00:42:29,200
Speaker 1: let me tell you something, DMX, you most one of

658
00:42:29,280 --> 00:42:32,600
Speaker 1: the most influential people in hip hop. You had you

659
00:42:32,680 --> 00:42:35,839
Speaker 1: had you, you change the norm. You know from two

660
00:42:35,960 --> 00:42:38,359
Speaker 1: albums in the year. There's not a lot of people

661
00:42:38,400 --> 00:42:41,520
Speaker 1: that could do that after you, before you, between you,

662
00:42:41,719 --> 00:42:44,640
Speaker 1: not credible ones. And we appreciate you for sharing the

663
00:42:44,719 --> 00:42:49,799
Speaker 1: drink Chance Podcast were assured that we were affended over

664
00:42:49,880 --> 00:42:55,840
Speaker 1: that slapped it on. Yeah, and you're hit my red trunks,

665
00:42:56,000 --> 00:42:59,360
Speaker 1: you got the red Timberland. We're keeping it real, flushing

666
00:42:59,640 --> 00:43:02,520
Speaker 1: your food, your blood. So listen, let me ask you

667
00:43:02,880 --> 00:43:08,320
Speaker 1: blood of my blood? Oh? Get down? Like what so

668
00:43:08,480 --> 00:43:10,640
Speaker 1: everybody thought you was blood at one point? Are you

669
00:43:10,719 --> 00:43:15,279
Speaker 1: getting affiliate or you knew to fifty fifty? Are you

670
00:43:15,360 --> 00:43:20,120
Speaker 1: getting you can do whatever you want? No, no, no

671
00:43:21,880 --> 00:43:24,279
Speaker 1: bloods I got, I got, I got, I got the

672
00:43:24,360 --> 00:43:26,720
Speaker 1: homies I'm seeing on the blood like the Whome Boys

673
00:43:26,760 --> 00:43:32,680
Speaker 1: with quick real real niggas, with the kid real niggas kids. Tho, No,

674
00:43:33,040 --> 00:43:35,880
Speaker 1: I'm not married to one side. One side the other.

675
00:43:36,120 --> 00:43:39,800
Speaker 1: But but you're the dog, right dog? And and and

676
00:43:40,320 --> 00:43:44,759
Speaker 1: what everything I did naturally dog red but all that

677
00:43:45,560 --> 00:43:48,000
Speaker 1: it would look like but it wasn't leading that way.

678
00:43:48,680 --> 00:43:55,040
Speaker 1: It was leaning like I mean, I never like that

679
00:43:55,160 --> 00:43:57,040
Speaker 1: got into it like that. And then I gotta ask

680
00:43:57,080 --> 00:43:59,560
Speaker 1: you the same question we asked everybody, who was your

681
00:43:59,640 --> 00:44:04,279
Speaker 1: favorite CEO? You've been You've been on ceo ceo like that,

682
00:44:04,440 --> 00:44:06,759
Speaker 1: you had your back, they had your bell, money, you

683
00:44:06,840 --> 00:44:11,600
Speaker 1: know whatever ceo that you was, the signs, it's the

684
00:44:11,680 --> 00:44:16,640
Speaker 1: one um whoever you want to add, it's okay. I

685
00:44:16,719 --> 00:44:26,719
Speaker 1: got to say, what's the work ship? Leo? No, you

686
00:44:26,760 --> 00:44:29,760
Speaker 1: know what we call al? You call Ali Ali Ali.

687
00:44:31,160 --> 00:44:33,279
Speaker 1: He doesn't want the name. But this, this is a

688
00:44:33,400 --> 00:44:36,440
Speaker 1: lot of people don't understand. The top three people at

689
00:44:36,480 --> 00:44:40,560
Speaker 1: Depth Champ had lied in their name. I don't know

690
00:44:40,600 --> 00:44:45,279
Speaker 1: where this is going. People. It was Lee or which

691
00:44:45,320 --> 00:44:49,799
Speaker 1: is spelled l y or liar going um June Lee

692
00:44:50,560 --> 00:44:57,120
Speaker 1: j U, l I eight live or Kevin lives. People,

693
00:44:57,239 --> 00:45:02,120
Speaker 1: this makes noise? What did you get out of what

694
00:45:02,360 --> 00:45:05,640
Speaker 1: is telling you? I just told you the top three

695
00:45:05,719 --> 00:45:07,920
Speaker 1: people had lie in their name. But but but this

696
00:45:08,080 --> 00:45:10,759
Speaker 1: is what bothered me because because Leo came to our

697
00:45:10,840 --> 00:45:15,400
Speaker 1: studio thursdyk pro. I mean we find the city and

698
00:45:17,400 --> 00:45:21,880
Speaker 1: Yonkers and my draw was still wide shut. This is

699
00:45:21,920 --> 00:45:23,880
Speaker 1: when you got signed. I heard about the story. This

700
00:45:24,000 --> 00:45:26,640
Speaker 1: is when he knew he was signed me. My draw

701
00:45:26,760 --> 00:45:29,480
Speaker 1: was wide shut, and the lobster God signed first to

702
00:45:29,640 --> 00:45:33,640
Speaker 1: Buff and d from from from my Vince Darren men.

703
00:45:33,960 --> 00:45:36,279
Speaker 1: He bought me, give me the puff. And one thing

704
00:45:36,320 --> 00:45:39,200
Speaker 1: I respected about Puff, one thing I respect about him

705
00:45:39,239 --> 00:45:41,880
Speaker 1: and real ship is that at least he told me

706
00:45:42,040 --> 00:45:45,560
Speaker 1: to my face what he felt. And when when D

707
00:45:45,760 --> 00:45:47,759
Speaker 1: told puppets to Yo, if you liked the lots, you

708
00:45:47,840 --> 00:45:51,440
Speaker 1: gonna love thats and I spent or whatever, and he

709
00:45:51,560 --> 00:45:56,360
Speaker 1: was like, uh, his voice too, he's not margetable. M

710
00:45:57,320 --> 00:46:00,120
Speaker 1: I didn't like it, but I had to respect. They

711
00:46:00,239 --> 00:46:05,000
Speaker 1: funked up. Let's make some noise and Pa hold hold on.

712
00:46:05,520 --> 00:46:07,160
Speaker 1: He came right behind and trying to clean up. So

713
00:46:07,840 --> 00:46:09,680
Speaker 1: maybe three weeks later when when they found out I

714
00:46:09,680 --> 00:46:12,600
Speaker 1: was getta signed. But that's like, yo, i'll lace your pockets.

715
00:46:13,680 --> 00:46:16,200
Speaker 1: I'll doubt what they gave you anilation pockets. I'm like, no,

716
00:46:16,719 --> 00:46:20,840
Speaker 1: not only because if you didn't see that, I was

717
00:46:20,960 --> 00:46:23,960
Speaker 1: playing to tell you that one point maybe three weeks

718
00:46:24,000 --> 00:46:27,360
Speaker 1: after I got signed up chain because like, yo, laser pockets,

719
00:46:27,640 --> 00:46:30,120
Speaker 1: I'll double they gave you anilation podcasts. I'm like, now

720
00:46:30,200 --> 00:46:33,320
Speaker 1: I'm cool. So it's a leg you know story, you

721
00:46:33,440 --> 00:46:37,480
Speaker 1: know I said, but it's it's a it's a I

722
00:46:37,640 --> 00:46:41,000
Speaker 1: respect that about Paul right right. I mean because I

723
00:46:41,360 --> 00:46:43,680
Speaker 1: go to a lot of motherfuckers. They they see you

724
00:46:43,760 --> 00:46:47,320
Speaker 1: in a wild goose. They they won't tell you today

725
00:46:48,840 --> 00:46:52,480
Speaker 1: the industry. Back then, he told me to my face,

726
00:46:52,640 --> 00:46:55,040
Speaker 1: she said, you know what your voice to you, You're

727
00:46:55,040 --> 00:46:58,080
Speaker 1: not marketable. So at least he was will this in

728
00:46:58,200 --> 00:46:59,759
Speaker 1: my mind when I think, what I think he's saying

729
00:46:59,840 --> 00:47:03,840
Speaker 1: is work on this, so actually constructive criticism. It's a

730
00:47:03,960 --> 00:47:07,160
Speaker 1: famous story that said that when you and jay Z battle,

731
00:47:07,440 --> 00:47:11,439
Speaker 1: right because this this battle happened right correct, a couple

732
00:47:11,480 --> 00:47:13,719
Speaker 1: of times, a couple of times ours. It wasn't just once.

733
00:47:14,600 --> 00:47:20,080
Speaker 1: So when you were one of the people so that

734
00:47:20,600 --> 00:47:24,000
Speaker 1: they said that big Als saddle, do you remember big

735
00:47:24,080 --> 00:47:30,319
Speaker 1: Al being there? Vaguely? No, I can't say not at all.

736
00:47:30,480 --> 00:47:33,440
Speaker 1: I know big El No, big El, I'm a but

737
00:47:33,520 --> 00:47:36,560
Speaker 1: she was trying to take jay Z. But it was

738
00:47:36,680 --> 00:47:40,320
Speaker 1: it was re fighters had Halam nights right, there was

739
00:47:42,000 --> 00:47:48,200
Speaker 1: the Project Billy right dead found um um um and

740
00:47:50,120 --> 00:47:54,840
Speaker 1: Jay Crewe was original player, original player before day was

741
00:47:56,880 --> 00:48:01,719
Speaker 1: Hawaiian super Ship. So they was, it was there, it

742
00:48:01,800 --> 00:48:04,920
Speaker 1: was there battles you battle him during here like I

743
00:48:05,040 --> 00:48:09,040
Speaker 1: was a big gun on on on and he was

744
00:48:09,080 --> 00:48:11,319
Speaker 1: a big gun with him and it wasn't Rocket Feller

745
00:48:11,400 --> 00:48:16,920
Speaker 1: was original original with the group. Oh wow, so it

746
00:48:17,040 --> 00:48:20,759
Speaker 1: was no Rocketeller, rocket Damn Dasher then Jameson but then

747
00:48:20,960 --> 00:48:24,440
Speaker 1: um um you know their whole clue that origin whatever.

748
00:48:25,760 --> 00:48:33,000
Speaker 1: So peterges Hawaiian. So yeah, that Hawaiian SOPHI nigga right, okay,

749
00:48:34,480 --> 00:48:37,600
Speaker 1: and what so let's just get let's get come up,

750
00:48:37,880 --> 00:48:41,720
Speaker 1: we'll get respectful. Who Okay, I never lost the battle.

751
00:48:41,760 --> 00:48:50,120
Speaker 1: I never fix never lost the battle. Yo yo. I'm

752
00:48:50,120 --> 00:48:53,400
Speaker 1: a battle rapper. I'm a battle rapper. I'm a battle rapper.

753
00:48:53,719 --> 00:48:55,239
Speaker 1: And there was a guy that you were like the

754
00:48:55,280 --> 00:48:58,520
Speaker 1: battle right now if you looked at though, were life

755
00:48:58,560 --> 00:49:00,920
Speaker 1: the battle. Yeah, like you said, no one I like

756
00:49:01,080 --> 00:49:03,320
Speaker 1: the battm because there's a lot of rappers I don't like,

757
00:49:04,239 --> 00:49:08,480
Speaker 1: but I ain't. I ain't gonna cut their head off. No,

758
00:49:08,600 --> 00:49:12,560
Speaker 1: I don't really him, but I ain't gonna ain't gonna

759
00:49:12,560 --> 00:49:15,640
Speaker 1: blow the spot because now I have a platform where

760
00:49:15,840 --> 00:49:19,320
Speaker 1: it might be hurtful to what they're doing, and it

761
00:49:19,400 --> 00:49:21,960
Speaker 1: might seem like I ain't mad at I'm not mad

762
00:49:21,960 --> 00:49:24,759
Speaker 1: at wad niggas getting money. Yeah, I'm not mad at

763
00:49:24,800 --> 00:49:27,520
Speaker 1: whack niggas getting when there's a lot of whack ass

764
00:49:27,640 --> 00:49:29,799
Speaker 1: fucking rappers out there, But I ain't gonna put them

765
00:49:29,840 --> 00:49:32,239
Speaker 1: all as because you know what, they have fans and

766
00:49:33,239 --> 00:49:35,400
Speaker 1: when when you look at the big picture, it's like

767
00:49:35,680 --> 00:49:39,560
Speaker 1: if if there's one rapper right that that has a

768
00:49:39,920 --> 00:49:44,680
Speaker 1: hit record wherever, then he's gonna employ uh five of

769
00:49:44,760 --> 00:49:50,879
Speaker 1: his friends and right that's at least seven people from

770
00:49:50,960 --> 00:49:53,799
Speaker 1: the hood for that. That's that's that that they don't

771
00:49:53,840 --> 00:49:57,120
Speaker 1: have to worry about hustling or do whatever I'm stealing

772
00:49:57,239 --> 00:50:01,280
Speaker 1: or this. There's at least that many people that's removed

773
00:50:01,600 --> 00:50:04,640
Speaker 1: from the struggle. So it's it's a blessing. I look

774
00:50:04,680 --> 00:50:08,000
Speaker 1: at like like God did that for them. God did

775
00:50:08,080 --> 00:50:10,200
Speaker 1: that for them. Whether they recognize it or not, that's

776
00:50:10,239 --> 00:50:12,560
Speaker 1: that's it don't matter. But but but they're in a

777
00:50:12,640 --> 00:50:14,560
Speaker 1: better place and they're able to help others and they

778
00:50:14,640 --> 00:50:19,040
Speaker 1: inspire people. So that's why my eye. If you're successful,

779
00:50:19,239 --> 00:50:22,279
Speaker 1: it's been cool. I mean, I don't want to take

780
00:50:22,280 --> 00:50:24,520
Speaker 1: over the whole market. I don't want to take over

781
00:50:24,560 --> 00:50:27,000
Speaker 1: the whole market. And he walked in the dark from

782
00:50:27,000 --> 00:50:29,000
Speaker 1: my steps to guide it. No matter how thought my

783
00:50:29,080 --> 00:50:31,360
Speaker 1: path gets, I lighted. I ain't never been ashamed of

784
00:50:31,360 --> 00:50:33,440
Speaker 1: the pain. Can't hide it. Yeah, the road, it's not

785
00:50:33,600 --> 00:50:36,080
Speaker 1: what I decided to ride it step carefully, Eve, but

786
00:50:36,200 --> 00:50:38,279
Speaker 1: half of me he walked reckless. Leave. That's just the

787
00:50:38,360 --> 00:50:41,320
Speaker 1: extra me. Captain Pop like extra CEO. But he sounds

788
00:50:41,360 --> 00:50:43,239
Speaker 1: just thank you him be just an extra me. But

789
00:50:44,560 --> 00:50:48,880
Speaker 1: I'm gonna keep it real. Joe Schmall who just started

790
00:50:49,040 --> 00:50:52,239
Speaker 1: stopped working from the crab house and he want to

791
00:50:52,280 --> 00:50:55,879
Speaker 1: start rhyming. He just do Bible off the Dad. That's

792
00:50:55,920 --> 00:51:00,120
Speaker 1: his first ship. You want to give him respect. But

793
00:51:00,200 --> 00:51:02,920
Speaker 1: at the same time, when he don't understand the record,

794
00:51:03,280 --> 00:51:08,320
Speaker 1: it's hard. It's hard to continue. Now, you got the

795
00:51:09,200 --> 00:51:17,640
Speaker 1: you got the adapt me. No, everybody, this is the

796
00:51:17,719 --> 00:51:20,759
Speaker 1: first time I'm actually saying it. So I've been we

797
00:51:20,960 --> 00:51:24,640
Speaker 1: are from a different era. If you don't wake up

798
00:51:24,719 --> 00:51:29,240
Speaker 1: tomorrow morning, realized that we don't wake up the next morning.

799
00:51:30,120 --> 00:51:43,640
Speaker 1: Behind talk people now it's not a the integrity level

800
00:51:43,880 --> 00:51:50,360
Speaker 1: of artists, the loyalty of artists, the business mind frame

801
00:51:50,520 --> 00:51:54,040
Speaker 1: that they treat the niggles. It's so, what are you

802
00:51:54,160 --> 00:51:59,279
Speaker 1: gonna sit there and say, well, in my day, you

803
00:51:59,400 --> 00:52:02,920
Speaker 1: can't do that no more. Now it's about now, it's

804
00:52:02,960 --> 00:52:08,560
Speaker 1: about you're hustler. Right when when? When? When? When? When

805
00:52:08,680 --> 00:52:12,719
Speaker 1: niggas was smoking regular weed and then creep came out

806
00:52:13,400 --> 00:52:18,279
Speaker 1: creepy and then hydro and then and then it went

807
00:52:18,400 --> 00:52:23,000
Speaker 1: to Christian when it was are you still selling seeds

808
00:52:23,080 --> 00:52:25,839
Speaker 1: with sticks? Or are you gonna switch your fucking hustle

809
00:52:25,880 --> 00:52:27,320
Speaker 1: and get the funk out club? Then do what you

810
00:52:27,400 --> 00:52:33,160
Speaker 1: gotta do. Niggas ain't niggas ain't selling tap selling. I'm

811
00:52:33,200 --> 00:52:36,680
Speaker 1: gonna go get CDs and I'm gonna sell CDs. Niggas Okay,

812
00:52:36,760 --> 00:52:42,320
Speaker 1: Now it's uh uh what is it? Downloads? Right? The

813
00:52:42,400 --> 00:52:46,480
Speaker 1: fucking I Tunes ship Okay, niggas selling it was blackstop

814
00:52:46,520 --> 00:52:51,120
Speaker 1: now it's that screams screams Now. It was if a

815
00:52:51,239 --> 00:52:54,399
Speaker 1: nigga play your record one time, you get paid. That's

816
00:52:54,440 --> 00:52:57,920
Speaker 1: the avenue that we They just made it so easy

817
00:52:58,040 --> 00:53:01,000
Speaker 1: from us for us. If we take out old mentality,

818
00:53:01,600 --> 00:53:05,800
Speaker 1: are fucking crack ways are crack mentality and put it

819
00:53:05,920 --> 00:53:11,160
Speaker 1: to the digital role. It's fucking easy, bro. But you

820
00:53:11,360 --> 00:53:16,480
Speaker 1: get there. You get the idea young the nerds to work.

821
00:53:16,680 --> 00:53:18,839
Speaker 1: They want to do that for the phrases are you're

822
00:53:18,840 --> 00:53:21,360
Speaker 1: gonna feel it when a young nigger recreate Bible on

823
00:53:21,480 --> 00:53:24,200
Speaker 1: the dash and you get nothing out of that's cool.

824
00:53:24,360 --> 00:53:27,239
Speaker 1: I can trip. I know this is no. I don't

825
00:53:27,280 --> 00:53:29,480
Speaker 1: want nothing that I want about the money. I want

826
00:53:29,560 --> 00:53:34,680
Speaker 1: your affect or you know what it's about that supposed

827
00:53:34,680 --> 00:53:37,399
Speaker 1: to Hold on, let me say this, I say something.

828
00:53:37,480 --> 00:53:42,919
Speaker 1: Goddamn you know. You know what affected me was when

829
00:53:42,960 --> 00:53:45,880
Speaker 1: I sink the brother who did it and he didn't

830
00:53:45,920 --> 00:53:52,520
Speaker 1: even know who I was. But it bother you. I

831
00:53:52,640 --> 00:53:54,960
Speaker 1: know it, you know. And I ain't tripping because they

832
00:53:56,840 --> 00:54:00,399
Speaker 1: That's when I go back to tell you at these

833
00:54:00,440 --> 00:54:05,960
Speaker 1: little niggas called us o geez. But listen, listen, hold

834
00:54:06,000 --> 00:54:09,840
Speaker 1: on a second coupalking right, they call us o gez

835
00:54:09,840 --> 00:54:13,480
Speaker 1: because right now before, back in the days, you're o geez.

836
00:54:13,960 --> 00:54:20,080
Speaker 1: You respected. These little niggas gonna be soaked. No, but

837
00:54:20,200 --> 00:54:29,920
Speaker 1: they're not listening. Hold on, but he just said he started.

838
00:54:30,480 --> 00:54:33,480
Speaker 1: It's a spark that started that just kept that's my

839
00:54:33,600 --> 00:54:37,759
Speaker 1: little cousin, right. Imagine my little cousin to box, right,

840
00:54:37,880 --> 00:54:41,320
Speaker 1: and he was nice in boxing and chill, chill, listen.

841
00:54:41,480 --> 00:54:47,360
Speaker 1: And I shot the police right on. He's listen listen,

842
00:54:48,200 --> 00:54:52,160
Speaker 1: and he can box. And I shot the police just

843
00:54:52,239 --> 00:54:55,160
Speaker 1: because he can box. And he never shot me. See,

844
00:54:55,360 --> 00:54:58,080
Speaker 1: he never saw me shoot the police. He don't think

845
00:54:58,120 --> 00:55:01,640
Speaker 1: you could whip his big cousin. Ad. So that's going

846
00:55:01,719 --> 00:55:10,239
Speaker 1: to tell you that these little stiff I don't know

847
00:55:10,360 --> 00:55:17,320
Speaker 1: where where at this time getting together. No, no, we

848
00:55:17,520 --> 00:55:22,840
Speaker 1: we called it. We called it. We called it. Don't

849
00:55:22,880 --> 00:55:31,399
Speaker 1: play the shot, sorry, play listen, don't play. I'm sitting

850
00:55:31,440 --> 00:55:37,319
Speaker 1: at the till with no look, don play the shot.

851
00:55:37,760 --> 00:55:42,480
Speaker 1: Want to take my first self Look, we gotta ni

852
00:55:42,680 --> 00:55:45,000
Speaker 1: that take us take it for you know, I want

853
00:55:45,000 --> 00:55:48,920
Speaker 1: to take my first selfie, my first selfie and out

854
00:55:49,040 --> 00:55:52,319
Speaker 1: rather rather you got you gotta take with some motherfucking

855
00:55:52,400 --> 00:55:58,640
Speaker 1: gangsters right the first time the component Hold on, it's

856
00:55:58,640 --> 00:56:02,360
Speaker 1: a video, you know. No, I'm just gonna take aure, Okay.

857
00:56:03,040 --> 00:56:05,160
Speaker 1: My first the only song, the first song I ever

858
00:56:05,239 --> 00:56:08,839
Speaker 1: put out was on his mixtape, mixtape Goddamn It makes

859
00:56:08,880 --> 00:56:13,919
Speaker 1: a noise for fit for being a mixtape kid, because

860
00:56:13,920 --> 00:56:20,440
Speaker 1: I gotta take a peepiece. Yeah, I ain't gonna lie.

861
00:56:20,520 --> 00:56:24,560
Speaker 1: Let's get your phone together. Your phone, your phone, your

862
00:56:24,600 --> 00:56:30,960
Speaker 1: phone disappointed me just now. This is my nigga, This

863
00:56:31,040 --> 00:56:33,160
Speaker 1: is my nigga. Gun Play, your play still got a

864
00:56:33,239 --> 00:56:37,879
Speaker 1: drunk the phone. You know you're legal, right, you gonna

865
00:56:37,880 --> 00:56:41,640
Speaker 1: take a video? Tell gun Play he's legal. He's still

866
00:56:41,680 --> 00:56:45,160
Speaker 1: gotta trap phone. We're gonna fix it. We're gonna fix

867
00:56:45,280 --> 00:56:51,520
Speaker 1: this play listen good players loved in Queens. We loved him.

868
00:56:52,280 --> 00:56:55,560
Speaker 1: So before we sign out, I would like I would

869
00:56:55,600 --> 00:56:58,239
Speaker 1: like to I would like to thank I would like

870
00:56:58,360 --> 00:57:01,279
Speaker 1: to thank Bone for coming through, and I like to

871
00:57:01,360 --> 00:57:08,160
Speaker 1: thank gum Play for coming through. Yeah, New York. Guess

872
00:57:08,239 --> 00:57:12,239
Speaker 1: what I was also like to thank God. Never never

873
00:57:12,360 --> 00:57:17,120
Speaker 1: know some motherfucker, man, I ain't play. Couldn't this ship

874
00:57:17,160 --> 00:57:20,240
Speaker 1: with a better nigga I play? I appreciate you, dog.

875
00:57:21,760 --> 00:57:25,320
Speaker 1: We found niggas we put gun playing compona together is

876
00:57:25,560 --> 00:57:27,360
Speaker 1: problem for the rest of the So if they catch

877
00:57:27,400 --> 00:57:30,160
Speaker 1: your body, man, it's off't even know. Like, if they

878
00:57:30,200 --> 00:57:33,640
Speaker 1: hang out and catch your body, it's just ain't you

879
00:57:33,760 --> 00:57:39,560
Speaker 1: ain't never been there, ain't explain that never niggas ups

880
00:57:39,600 --> 00:57:44,959
Speaker 1: and downs, real life ship music, come play give me five.

881
00:57:45,280 --> 00:57:48,480
Speaker 1: We had niggas on here before, but you said something

882
00:57:48,600 --> 00:57:56,680
Speaker 1: that it's different. You said you wanted to free staff. Yeah,

883
00:57:57,920 --> 00:58:06,520
Speaker 1: even know my styling free and like expensive mantun play s.

884
00:58:06,720 --> 00:58:08,560
Speaker 1: We're not gonna kick no win ship and we're gonna

885
00:58:09,360 --> 00:58:13,840
Speaker 1: time before we do anything. We heard the loving hip

886
00:58:13,880 --> 00:58:18,160
Speaker 1: hop is on you. It's just it's just true. Get

887
00:58:18,200 --> 00:58:21,960
Speaker 1: that bag, It's just true drum rule. They love you.

888
00:58:22,720 --> 00:58:29,280
Speaker 1: But what I heard they love what. They don't let them.

889
00:58:29,400 --> 00:58:38,120
Speaker 1: They don't let the real niggazine. That's gonna be a problem. Niggas. Listen,

890
00:58:40,360 --> 00:58:45,200
Speaker 1: listen if they pick it, if they pick it, do it. Yeah,

891
00:58:45,280 --> 00:58:48,560
Speaker 1: I'm all right, look at me. I ain't doing it

892
00:58:48,640 --> 00:58:56,200
Speaker 1: for them. I ain't saying listen, you do combat. If

893
00:58:56,320 --> 00:59:02,120
Speaker 1: they beg you do it. The slide right be right

894
00:59:02,160 --> 00:59:06,919
Speaker 1: behind you. You know, we know you better record dat.

895
00:59:07,000 --> 00:59:11,320
Speaker 1: You know we're gonna have on the show. But but yeah,

896
00:59:11,320 --> 00:59:15,520
Speaker 1: it's okay you spell drink. It's okay. He's used to drink.

897
00:59:15,880 --> 00:59:21,120
Speaker 1: But you you want you listen, so you're gonna spit

898
00:59:21,200 --> 00:59:24,360
Speaker 1: this to in this out, all right, But I'm I'm

899
00:59:24,360 --> 00:59:28,479
Speaker 1: gonna be the first you know, I don't even you're first.

900
00:59:30,400 --> 00:59:32,560
Speaker 1: But but poems say I can't look at my phone,

901
00:59:32,600 --> 00:59:37,040
Speaker 1: so I said a fucking so look, I need my mother.

902
00:59:37,200 --> 00:59:43,000
Speaker 1: I got a motherfucking forty cow and acre chilling with

903
00:59:43,120 --> 00:59:50,360
Speaker 1: my nigga EF fan pointy norik ain't hold on, hold on,

904
00:59:50,720 --> 00:59:54,760
Speaker 1: hold on, I'll be scrapped. Nah them niggas. I don't

905
00:59:54,800 --> 00:59:59,680
Speaker 1: see no friend, my nigga. This is motherfucking triple C,

906
01:00:00,320 --> 01:00:05,000
Speaker 1: M M G n C N hold on, I ain't

907
01:00:05,080 --> 01:00:14,440
Speaker 1: done my nigga. I'm wrapping, yeah, and my school nigga

908
01:00:15,160 --> 01:00:19,000
Speaker 1: ship nigga knife never though it's enough of cold, I'll

909
01:00:19,040 --> 01:00:24,280
Speaker 1: be on the crief. Nigga's nobody nigga G replisite three

910
01:00:24,800 --> 01:00:30,280
Speaker 1: letters MMG yeah, three letters yeah, Triple C CAAs City Nigga.

911
01:00:30,720 --> 01:00:34,520
Speaker 1: Great fucking bread nigga. What's going down, bitch? Gi me in.

912
01:00:35,240 --> 01:00:38,360
Speaker 1: You didn't give me bread, I'll be sucking pimping. I

913
01:00:43,440 --> 01:00:45,120
Speaker 1: told you, actually, I just I got. I gave you

914
01:00:45,200 --> 01:00:48,160
Speaker 1: got five. I just I just spelt the whole drunk

915
01:00:48,240 --> 01:00:54,280
Speaker 1: on my lap. But you got the DJ. I'm killing

916
01:00:54,280 --> 01:01:09,479
Speaker 1: around day. Shout out yo gun black Yo, you gotta

917
01:01:09,600 --> 01:01:12,120
Speaker 1: rob you o G And he has the sooner be

918
01:01:12,280 --> 01:01:16,640
Speaker 1: o g you already O straight my home though you

919
01:01:16,720 --> 01:01:24,480
Speaker 1: know what, hold on, let me go. I gotta I

920
01:01:24,560 --> 01:01:27,360
Speaker 1: gotta give your fire bars because me and come play

921
01:01:27,600 --> 01:01:32,720
Speaker 1: we said we was going in the game, going to

922
01:01:32,920 --> 01:01:35,200
Speaker 1: hang him out to dry. I'm going to go in.

923
01:01:35,640 --> 01:01:42,480
Speaker 1: Oh oh, see the jack on the run way, seeing

924
01:01:42,560 --> 01:01:45,840
Speaker 1: that and gun play. What you're gonna do when the Sunday,

925
01:01:46,880 --> 01:01:49,520
Speaker 1: you're gonna run and you're gonna hire front They click

926
01:01:49,960 --> 01:01:54,920
Speaker 1: and g douged out. That's the ship a fan, everybody know,

927
01:01:55,240 --> 01:02:01,120
Speaker 1: that's the fan thinking never ran nigga busting jacks. I'm

928
01:02:01,240 --> 01:02:04,120
Speaker 1: funking with the gun play see and then triple ce

929
01:02:04,440 --> 01:02:09,800
Speaker 1: jets on the runway. You're gonna see the six Sunday. Huh,

930
01:02:10,320 --> 01:02:13,800
Speaker 1: you're gonna see this ship one Nigga's coming. That your

931
01:02:13,920 --> 01:02:17,720
Speaker 1: cruel to you. That one shot for the motherfucking that's

932
01:02:17,720 --> 01:02:22,919
Speaker 1: a check. I'm chilling them and my fucking y'all still

933
01:02:23,040 --> 01:02:26,960
Speaker 1: got the numbers on the Yeah, y'all. No, he told me, nigga,

934
01:02:27,080 --> 01:02:30,000
Speaker 1: don't play do If you don't move, mamma, move, they're

935
01:02:30,000 --> 01:02:33,720
Speaker 1: gonna do. We say, I got a party tonight at

936
01:02:33,760 --> 01:02:37,160
Speaker 1: the w your best winning and she's gonna take a

937
01:02:37,440 --> 01:02:42,320
Speaker 1: w that's me, motherfucker gun play. There's double true. I

938
01:02:42,320 --> 01:02:54,040
Speaker 1: don't give a fuck nigga trouble. Let's just focus on

939
01:02:55,520 --> 01:03:12,960
Speaker 1: the podcast. Take joining us. We'll be back next week.

940
01:03:13,040 --> 01:03:20,960
Speaker 1: You motherfuckers. It's going down. We don't get drunk, you

941
01:03:21,000 --> 01:03:26,120
Speaker 1: can get drunk about. Take the picture you've been listening

942
01:03:26,160 --> 01:03:28,960
Speaker 1: to the drink Champs podcast. Drink Champs is a weekly

943
01:03:29,000 --> 01:03:31,440
Speaker 1: podcast created by d j e F and n O

944
01:03:31,600 --> 01:03:34,200
Speaker 1: r E. And it's produced by d J e F

945
01:03:34,560 --> 01:03:38,640
Speaker 1: and n R E sound engineered by Hazardous Sounds. You

946
01:03:38,680 --> 01:03:41,720
Speaker 1: can also watch us on Revolt TV every Thursday night

947
01:03:41,800 --> 01:03:44,560
Speaker 1: at ten pm Eastern, as well as online six days

948
01:03:44,600 --> 01:03:48,320
Speaker 1: following the TV premiere of an episode. Schedule may vary

949
01:03:48,360 --> 01:03:52,800
Speaker 1: depending on special releases or off weeks. For everything drink Champs,

950
01:03:52,800 --> 01:03:56,200
Speaker 1: including drink Champs merch powered by eight nine Clothing. Log

951
01:03:56,360 --> 01:04:00,440
Speaker 1: onto drink champs dot com. Follow us on Twitter, Facebook

952
01:04:00,480 --> 01:04:04,240
Speaker 1: and Instagram at drink Champs. Follow d J e f

953
01:04:04,360 --> 01:04:07,200
Speaker 1: N at Who's Crazy on Instagram at d j e

954
01:04:07,360 --> 01:04:10,480
Speaker 1: F n on Facebook and Twitter, and follow Nori at

955
01:04:10,520 --> 01:04:14,480
Speaker 1: the Real Noriega on Instagram at Noriega on Twitter and Facebook.

956
01:04:15,360 --> 01:04:18,600
Speaker 1: Look out for new podcasts coming out under our podcast network.

957
01:04:19,000 --> 01:04:22,560
Speaker 1: Also be sure to subscribe, rate and comment on iTunes

958
01:04:22,600 --> 01:04:26,560
Speaker 1: and everywhere else our podcast is available. We also post

959
01:04:26,640 --> 01:04:30,520
Speaker 1: audio on SoundCloud and YouTube, so search us, find us, subscribe,

960
01:04:30,800 --> 01:04:33,520
Speaker 1: like in comment there as well. Thank you to our

961
01:04:33,600 --> 01:04:36,520
Speaker 1: drink Champs Army for continued support, and if you're new

962
01:04:36,560 --> 01:04:38,440
Speaker 1: to the Army, thanks for joining the family.