1 00:00:16,600 --> 00:00:19,880 Speaker 1: Hello, and welcome to my favorite murder. 2 00:00:20,000 --> 00:00:23,120 Speaker 2: That's Georgia Hert Star. That's Karen Kilgariff, And we are 3 00:00:23,200 --> 00:00:25,040 Speaker 2: professional broadcasters. 4 00:00:26,000 --> 00:00:28,400 Speaker 1: Have you heard haven't you heard the word about us 5 00:00:28,440 --> 00:00:29,880 Speaker 1: and broadcasting. 6 00:00:29,360 --> 00:00:31,720 Speaker 2: The good word? Do you like that I'm and this 7 00:00:31,880 --> 00:00:35,040 Speaker 2: is just for the YouTube audience, wearing a shirt that 8 00:00:35,159 --> 00:00:37,519 Speaker 2: kind of looks like I might just be sitting here 9 00:00:37,520 --> 00:00:38,199 Speaker 2: with no shirt on. 10 00:00:38,280 --> 00:00:40,440 Speaker 1: Yeah, but also you're insanely tan. 11 00:00:40,880 --> 00:00:44,199 Speaker 2: Oh. Well, yeah, I'm just going outside. It's so hot outside. 12 00:00:45,440 --> 00:00:47,800 Speaker 2: I'm just going out by the pool and spending I mean, 13 00:00:47,840 --> 00:00:48,560 Speaker 2: for me, it is. 14 00:00:48,440 --> 00:00:51,360 Speaker 1: Like I don't remember having seen your arms in a 15 00:00:51,400 --> 00:00:54,040 Speaker 1: long time, and the tan as a fuck. It turns 16 00:00:54,040 --> 00:00:55,600 Speaker 1: out I knowed. 17 00:00:55,440 --> 00:00:58,320 Speaker 2: Is I should have first revealed my pale arms to 18 00:00:58,360 --> 00:01:01,600 Speaker 2: you and then had told you. Had I known? Listen, Yeah, 19 00:01:01,640 --> 00:01:04,399 Speaker 2: I'm gonna go out onto the patio this weekend and 20 00:01:04,560 --> 00:01:06,040 Speaker 2: really do some stuff. Be careful. 21 00:01:06,160 --> 00:01:10,119 Speaker 1: Now there's uv rays. I'd put fake tanner on. It's 22 00:01:10,160 --> 00:01:10,880 Speaker 1: a little orange. 23 00:01:11,080 --> 00:01:11,640 Speaker 2: Well, looks fine. 24 00:01:11,720 --> 00:01:14,040 Speaker 1: I'm like trying a bunch of them out for like tour. 25 00:01:14,000 --> 00:01:17,080 Speaker 2: Before tour, Like, so I don't look in stripes, see 26 00:01:17,080 --> 00:01:19,360 Speaker 2: which one is most natural? Yeah, what can. 27 00:01:19,200 --> 00:01:21,039 Speaker 1: You see from the stage, like, do I like orange? 28 00:01:21,280 --> 00:01:23,160 Speaker 2: Actually, you know what's funny about that is I have 29 00:01:23,240 --> 00:01:26,679 Speaker 2: a dress I tried on that is especially plunging neckline, 30 00:01:26,760 --> 00:01:28,320 Speaker 2: and I'm like, I think I'm gonna have to use 31 00:01:28,319 --> 00:01:31,360 Speaker 2: fake tanner on this part of my chest that's never 32 00:01:31,400 --> 00:01:35,039 Speaker 2: been seen by the outside world. Cleavage, the lower cleave 33 00:01:35,400 --> 00:01:38,800 Speaker 2: that has stayed indoors for ten years. 34 00:01:38,959 --> 00:01:40,480 Speaker 1: I mean, you have your own backyard, you have to 35 00:01:40,520 --> 00:01:43,240 Speaker 1: lay out topless. That's like one of the joys of 36 00:01:43,319 --> 00:01:44,320 Speaker 1: having your own backyard. 37 00:01:44,400 --> 00:01:47,400 Speaker 2: But one of the joys of the house that's next 38 00:01:47,400 --> 00:01:49,560 Speaker 2: to you being kind of a boll of you, is 39 00:01:49,600 --> 00:01:52,960 Speaker 2: that you just I would feel so self conscious the 40 00:01:52,960 --> 00:01:53,360 Speaker 2: whole time. 41 00:01:53,360 --> 00:01:57,600 Speaker 1: Hand those cities, fuck them, fuck them hall say you're welcome. 42 00:01:57,640 --> 00:02:02,440 Speaker 2: Motherfuckers, you're welcome. Just keep winking and finger gunsing up 43 00:02:02,480 --> 00:02:05,280 Speaker 2: at them. Why are you doing that? Yeah, that's right. 44 00:02:05,480 --> 00:02:10,520 Speaker 2: Put your tits away. Why is she doing that? Why 45 00:02:10,560 --> 00:02:12,400 Speaker 2: does she keep winking at us? Why does she have 46 00:02:12,440 --> 00:02:12,880 Speaker 2: her tits? 47 00:02:13,480 --> 00:02:15,360 Speaker 1: I'm speaking of touring and tits. 48 00:02:15,639 --> 00:02:17,640 Speaker 2: I guess no, what do you have to have? No, 49 00:02:17,639 --> 00:02:20,120 Speaker 2: that's a perfect sag, because get in there, we're. 50 00:02:19,960 --> 00:02:22,520 Speaker 1: Going on tour. I think the tan thing we should 51 00:02:22,520 --> 00:02:24,800 Speaker 1: say I could say, we should say, we might say 52 00:02:24,880 --> 00:02:26,760 Speaker 1: when this goes up, we'll be in Denver for the 53 00:02:26,960 --> 00:02:30,560 Speaker 1: first live show in eight six years, yeah. 54 00:02:30,480 --> 00:02:33,240 Speaker 2: Six or seven? Six or seven years. What's your number 55 00:02:33,280 --> 00:02:36,959 Speaker 2: one fear about that first night on stage in Denver? 56 00:02:37,480 --> 00:02:42,840 Speaker 1: God, there's just so many actually, there aren't any everything 57 00:02:42,919 --> 00:02:44,679 Speaker 1: leading up to what I'm terrified of, But once you 58 00:02:44,720 --> 00:02:47,400 Speaker 1: get up there, I'm like, we got this. It's that 59 00:02:47,520 --> 00:02:49,760 Speaker 1: thing of like I'm not nervous about how it's gonna go. 60 00:02:49,800 --> 00:02:51,600 Speaker 1: I think he's gonna go fucking great. Oh good, And 61 00:02:51,639 --> 00:02:54,120 Speaker 1: I'm just excited about that. Okay, great, Maybe like I 62 00:02:54,160 --> 00:02:55,760 Speaker 1: could trip on the way in, but even that would 63 00:02:55,760 --> 00:02:56,520 Speaker 1: be like kind of funny. 64 00:02:56,560 --> 00:02:57,480 Speaker 2: I think we've done that though. 65 00:02:57,520 --> 00:02:59,400 Speaker 1: Yeah, And so hopefully someone gets it on video and 66 00:02:59,400 --> 00:02:59,880 Speaker 1: it's fine. 67 00:03:00,080 --> 00:03:05,639 Speaker 2: Yes, content content, content, always, everything is content. I think 68 00:03:05,680 --> 00:03:08,760 Speaker 2: I just had that feeling of like you can't go back, 69 00:03:08,880 --> 00:03:11,120 Speaker 2: or like you can't recapture the old times. And I 70 00:03:11,160 --> 00:03:14,320 Speaker 2: loved the old times so much as you can you can. 71 00:03:14,720 --> 00:03:17,840 Speaker 1: Yeah, okay, why not, it's the same now, just just 72 00:03:17,960 --> 00:03:22,840 Speaker 1: time is different, true, true? And that bitch is linear? 73 00:03:23,160 --> 00:03:23,760 Speaker 1: Isn't linear? 74 00:03:24,000 --> 00:03:26,720 Speaker 2: That's right? Is not linear? Whose side are you on? 75 00:03:26,800 --> 00:03:30,120 Speaker 2: Georgia said time is not linear or mine based in 76 00:03:30,360 --> 00:03:32,840 Speaker 2: rooted in science, So that Denver's gonna go well or 77 00:03:32,880 --> 00:03:35,960 Speaker 2: Denver's gonna go terribly Denver, what if the best show 78 00:03:35,960 --> 00:03:38,440 Speaker 2: we ever did was the Bananas Show. We guessed it 79 00:03:38,480 --> 00:03:42,480 Speaker 2: on in Denver and truly we peaked. Yeah, I mean 80 00:03:42,520 --> 00:03:43,560 Speaker 2: it was amazing. 81 00:03:43,640 --> 00:03:46,120 Speaker 1: You should come to our live shows. There's some cities 82 00:03:46,240 --> 00:03:49,440 Speaker 1: that and some nights in certain cities that aren't selling out. 83 00:03:49,480 --> 00:03:52,760 Speaker 1: So we really disappointed in New San Diego and Diego. 84 00:03:52,840 --> 00:03:55,480 Speaker 2: Why got it together? We were there for you. 85 00:03:55,600 --> 00:03:57,520 Speaker 1: We were so there for you. We have great stories 86 00:03:57,520 --> 00:03:59,000 Speaker 1: from there too, or at least I do. 87 00:03:59,040 --> 00:04:02,520 Speaker 2: What that diorama was given to us in San Diego. 88 00:04:02,560 --> 00:04:03,920 Speaker 2: I can almost bet on it. 89 00:04:04,000 --> 00:04:05,080 Speaker 1: See, they used to love us. 90 00:04:05,240 --> 00:04:07,120 Speaker 2: I mean they would make us stock. I've made us stuff. 91 00:04:07,160 --> 00:04:10,640 Speaker 2: But here's a difference. Six years in time. They've taken 92 00:04:10,800 --> 00:04:13,520 Speaker 2: all of the money out of the normal person's hands 93 00:04:13,600 --> 00:04:16,320 Speaker 2: and stolen out a way. Okay, who has an extra 94 00:04:16,560 --> 00:04:18,279 Speaker 2: however much money this is to go? 95 00:04:18,640 --> 00:04:20,920 Speaker 1: Yeah, there's some exciting things going on at the live 96 00:04:20,960 --> 00:04:23,640 Speaker 1: shows that we can't talk about and won't talk about. 97 00:04:23,720 --> 00:04:27,640 Speaker 1: Refuse to talk about Salami wheel. There's gonna be so 98 00:04:27,640 --> 00:04:29,120 Speaker 1: you're gonna want to go. I think it's gonna be 99 00:04:29,360 --> 00:04:31,159 Speaker 1: a great tour and I'm looking forward to it, and 100 00:04:31,240 --> 00:04:32,360 Speaker 1: I'm looking forward to my tan. 101 00:04:32,680 --> 00:04:34,880 Speaker 2: Yeah, we're now in a tan contest, Georgia. You have 102 00:04:34,960 --> 00:04:35,960 Speaker 2: to beat this level. 103 00:04:36,040 --> 00:04:36,520 Speaker 1: Good luck. 104 00:04:36,880 --> 00:04:39,120 Speaker 2: There's a lot of freckles that might be visual. 105 00:04:39,200 --> 00:04:43,480 Speaker 1: It's very Italian tan. I can't achieve as a Eastern 106 00:04:43,520 --> 00:04:44,279 Speaker 1: European woman. 107 00:04:44,520 --> 00:04:46,960 Speaker 2: But you know, if you've ever gone to Circus Vargas, 108 00:04:46,960 --> 00:04:49,480 Speaker 2: then you're gonna love what's happening at our live shows. 109 00:04:49,520 --> 00:04:50,680 Speaker 2: So get over here. 110 00:04:50,800 --> 00:04:53,720 Speaker 1: Yes that's an old reference, but we need you the 111 00:04:54,240 --> 00:04:56,679 Speaker 1: over forties who know that reference. 112 00:04:56,800 --> 00:05:00,520 Speaker 2: Yes, that's right, Chen naxers in above, Circus Vargas, Circus Vargas, 113 00:05:00,600 --> 00:05:03,160 Speaker 2: fucking remember Circus, Remember, And it would just be like 114 00:05:03,200 --> 00:05:06,560 Speaker 2: a gigantic elephant and the commercial like their foot came 115 00:05:06,640 --> 00:05:07,360 Speaker 2: toward the camera. 116 00:05:07,520 --> 00:05:08,560 Speaker 1: You can't do that anymore. 117 00:05:08,640 --> 00:05:13,279 Speaker 2: You can't abuse the most beautiful, sensitive animal on the 118 00:05:13,279 --> 00:05:15,159 Speaker 2: planet anymore. It's for the best. 119 00:05:15,200 --> 00:05:17,320 Speaker 1: It's probably for the best, and that's why we're going 120 00:05:17,360 --> 00:05:20,680 Speaker 1: on tour. It's because you can abuse us, yes, as 121 00:05:20,800 --> 00:05:22,520 Speaker 1: much as you want, but leave the. 122 00:05:22,520 --> 00:05:25,200 Speaker 2: Elephants alone and we're not going to say it again. 123 00:05:25,279 --> 00:05:27,440 Speaker 1: No, we won't go to my favorite murder dot com 124 00:05:27,520 --> 00:05:28,400 Speaker 1: slash Live. 125 00:05:28,960 --> 00:05:32,400 Speaker 2: Get your tickets and find out if I think if 126 00:05:32,400 --> 00:05:34,600 Speaker 2: you go to my favorite murder dot com, it'll let 127 00:05:34,680 --> 00:05:37,360 Speaker 2: you know where to go for those tickets. Just in case. 128 00:05:37,360 --> 00:05:38,120 Speaker 1: But what if they don't know. 129 00:05:38,400 --> 00:05:40,719 Speaker 2: No, No, you're right, that's the exact address. But I'm 130 00:05:40,760 --> 00:05:43,080 Speaker 2: just saying I think that that landing page is going 131 00:05:43,160 --> 00:05:45,359 Speaker 2: to direct you as well. You don't have to remember it. No, 132 00:05:46,080 --> 00:05:48,839 Speaker 2: just in case. Should we do a little business about 133 00:05:48,839 --> 00:05:51,080 Speaker 2: our network? Sure, yeah, do it. 134 00:05:51,240 --> 00:05:54,200 Speaker 1: We have a podcast network. It's called Exactly Right Media. 135 00:05:54,279 --> 00:05:57,159 Speaker 2: There's some info. This is some very exciting breaking news 136 00:05:57,240 --> 00:06:00,479 Speaker 2: because everyone loves a Knicktery MFM an I made and 137 00:06:00,800 --> 00:06:04,880 Speaker 2: he is back with his brand new episode called crow Omen. 138 00:06:05,400 --> 00:06:07,640 Speaker 2: It's based on Georgia's story about finding a crow in 139 00:06:07,680 --> 00:06:11,839 Speaker 2: her pool from MFM episode forty four Cops of Trees. 140 00:06:12,360 --> 00:06:14,920 Speaker 2: And please, all you Day one listeners keep your eyes 141 00:06:14,960 --> 00:06:17,320 Speaker 2: out because there is a Vince cameo in this Nick 142 00:06:17,400 --> 00:06:18,000 Speaker 2: Terry video. 143 00:06:18,120 --> 00:06:21,200 Speaker 1: I love when there's an MFM animated Vince cameo because 144 00:06:21,320 --> 00:06:25,880 Speaker 1: Nick Terry gets Vince's beard and he's like a Calico 145 00:06:26,160 --> 00:06:27,760 Speaker 1: cat Beard. 146 00:06:27,600 --> 00:06:30,840 Speaker 2: And he gets it so spot on. Yes, I love it. 147 00:06:30,960 --> 00:06:33,560 Speaker 2: He's such a good artist. It's such a good episode. 148 00:06:33,600 --> 00:06:34,640 Speaker 2: Do you show up as a witch. 149 00:06:34,800 --> 00:06:36,880 Speaker 1: It's just like so fucking funny. 150 00:06:36,960 --> 00:06:39,880 Speaker 2: It has everything everything. I did have the idea the 151 00:06:39,920 --> 00:06:41,880 Speaker 2: other day where I was like, what if Nick Terry 152 00:06:42,480 --> 00:06:45,560 Speaker 2: made the before the show starts, let's all go to 153 00:06:45,640 --> 00:06:49,200 Speaker 2: the lobby video, but we make a new version of it. 154 00:06:49,279 --> 00:06:49,880 Speaker 2: I love that. 155 00:06:50,400 --> 00:06:53,280 Speaker 1: I was going to pitch up preview of like video 156 00:06:53,360 --> 00:06:55,480 Speaker 1: and shots and stuff like that of my favorite murder. 157 00:06:55,920 --> 00:06:58,480 Speaker 1: But Nick Terry, Yes, I get great. 158 00:06:58,320 --> 00:07:00,960 Speaker 2: Some sort of Nick Terry like yeah, oh my god. 159 00:07:01,000 --> 00:07:02,520 Speaker 2: And then we get him to do a spoof of 160 00:07:02,600 --> 00:07:06,719 Speaker 2: Nicole Kidman like heartbreak feels good in a place like 161 00:07:07,880 --> 00:07:09,720 Speaker 2: I mean, like we could just go to town and 162 00:07:09,760 --> 00:07:12,440 Speaker 2: be like, oh my god, big shows Kitman. 163 00:07:12,520 --> 00:07:14,440 Speaker 1: What are we talking about the way she was like 164 00:07:14,520 --> 00:07:16,880 Speaker 1: jumping for joy when she divorced, Like, I don't know 165 00:07:16,880 --> 00:07:19,040 Speaker 1: what which Nicole Kidman you're referring to the list. 166 00:07:19,080 --> 00:07:20,080 Speaker 2: That'd be really good. 167 00:07:20,600 --> 00:07:22,240 Speaker 1: That's good, Nick, we should do it now. 168 00:07:22,360 --> 00:07:25,360 Speaker 2: Nick, why isn't the red fue pull up? Pick up 169 00:07:25,360 --> 00:07:29,080 Speaker 2: that hot up phone? Ohone? Okay, while you're on YouTube. 170 00:07:29,080 --> 00:07:31,520 Speaker 1: We've also got full episodes of Buried Bones, This Podcast 171 00:07:31,520 --> 00:07:33,960 Speaker 1: Will Kill You, and My Favorite Murder. So go check 172 00:07:33,960 --> 00:07:36,640 Speaker 1: that out at YouTube dot com, slash exactly right Media, 173 00:07:36,880 --> 00:07:39,440 Speaker 1: please and thank you, and you go first this week, right, 174 00:07:39,480 --> 00:07:42,480 Speaker 1: I'm gonna do it. Okay, So for my story, we 175 00:07:42,520 --> 00:07:44,120 Speaker 1: are firmly in the nineteen nineties. 176 00:07:44,640 --> 00:07:47,480 Speaker 2: Oh your favorite, I mean released favorite. I did some 177 00:07:47,520 --> 00:07:48,360 Speaker 2: good work back then. 178 00:07:49,080 --> 00:07:51,760 Speaker 1: I feel it was the best of times and the 179 00:07:51,880 --> 00:07:54,600 Speaker 1: very very worst off you and twenty nine year old 180 00:07:54,640 --> 00:07:59,240 Speaker 1: Anne Marie Fahey was smart, vibrant, and she was going places. 181 00:07:59,400 --> 00:08:01,680 Speaker 1: But behind this she was caught up in a secret 182 00:08:01,720 --> 00:08:05,720 Speaker 1: relationship with a man who was respected and powerful, but 183 00:08:05,920 --> 00:08:10,120 Speaker 1: underneath he was hiding something dark, and his actions sent 184 00:08:10,200 --> 00:08:15,040 Speaker 1: shockwaves through multiple interconnected small communities in none other than Delaware. 185 00:08:15,640 --> 00:08:17,559 Speaker 1: We've ever done a story from Delaware before. 186 00:08:17,760 --> 00:08:19,720 Speaker 2: No, I honestly thought you're gonna say DC. 187 00:08:20,120 --> 00:08:22,680 Speaker 1: Yeah, it's because it sounds like Shander Levy. Yes it's not. 188 00:08:23,000 --> 00:08:25,600 Speaker 2: Yeah, but it totally has whispers of that. It's like 189 00:08:25,600 --> 00:08:27,160 Speaker 2: a parallel crime. 190 00:08:27,560 --> 00:08:31,840 Speaker 1: Yes, but no, Delaware, Delaware, DC's sister city. 191 00:08:31,920 --> 00:08:35,480 Speaker 2: Okay, this is bust through two thousand people are furious 192 00:08:35,480 --> 00:08:36,319 Speaker 2: that you just said that. 193 00:08:37,200 --> 00:08:39,160 Speaker 1: This isn't just a story of a missing woman. It's 194 00:08:39,160 --> 00:08:41,880 Speaker 1: a story about power corruption and how far someone will 195 00:08:41,920 --> 00:08:44,560 Speaker 1: go to protect their image. And we got so many 196 00:08:44,600 --> 00:08:47,720 Speaker 1: emails to our email account from Roderino's about this story. 197 00:08:47,760 --> 00:08:51,320 Speaker 1: Because Delaware is in this area, specifically in Wilmington, is 198 00:08:51,400 --> 00:08:54,200 Speaker 1: such a tight knit community. Someone said, like it's the 199 00:08:54,240 --> 00:08:57,120 Speaker 1: song for cheers, every it's the same thing. Everyone knows 200 00:08:57,160 --> 00:08:59,839 Speaker 1: your name, everyone knows everything, like everyone's up in each 201 00:08:59,840 --> 00:09:02,920 Speaker 1: other business. It's a little big city kind of a thing. Yeah, 202 00:09:02,960 --> 00:09:06,280 Speaker 1: so this is like everyone from Delaware's hometown, like what 203 00:09:06,360 --> 00:09:09,800 Speaker 1: got them into true crimes? And it's really heartbreaking. The 204 00:09:09,840 --> 00:09:13,000 Speaker 1: main source for this story is a book by Anne 205 00:09:13,080 --> 00:09:16,120 Speaker 1: Rule that's right, called and Never Let Her Go? 206 00:09:16,440 --> 00:09:19,240 Speaker 2: Do you sometimes get upset that we are psychically connected? 207 00:09:19,360 --> 00:09:21,920 Speaker 2: Because I do where always knew exactly who you were 208 00:09:21,920 --> 00:09:24,840 Speaker 2: about to say, Stephen King, I mean, there's no and 209 00:09:24,880 --> 00:09:27,280 Speaker 2: you're not some other author? Who else? 210 00:09:28,360 --> 00:09:30,080 Speaker 1: The rest of the sources going to be found in 211 00:09:30,080 --> 00:09:32,720 Speaker 1: the show notes. But also there is a two thousand 212 00:09:32,760 --> 00:09:36,160 Speaker 1: and one mini series about this case called and Never 213 00:09:36,240 --> 00:09:40,079 Speaker 1: Let Her Go, starring Mark Harmon as the main dude. 214 00:09:41,040 --> 00:09:42,640 Speaker 2: I bet she've seen it and. 215 00:09:42,600 --> 00:09:45,040 Speaker 1: MRC Carmon is like the buttoned up suit and tie, 216 00:09:45,160 --> 00:09:46,959 Speaker 1: older man, sexy, older man guy. 217 00:09:47,080 --> 00:09:50,280 Speaker 2: He's the sister of ncis yeah. And summer School, Oh 218 00:09:50,320 --> 00:09:53,640 Speaker 2: that's okay. Oh, summer School's full range on summer range. 219 00:09:53,800 --> 00:09:57,280 Speaker 1: And then the woman who plays Anne Marie Fahy is 220 00:09:57,600 --> 00:10:00,480 Speaker 1: the actress Catherine Morris, and I was like, who, and 221 00:10:00,480 --> 00:10:03,120 Speaker 1: then I look it up and she's like, she's in everything. 222 00:10:03,240 --> 00:10:05,160 Speaker 1: The show Cold Case. Did you ever watch that? 223 00:10:05,360 --> 00:10:05,840 Speaker 2: The blonde? 224 00:10:05,880 --> 00:10:07,560 Speaker 1: She is the main character in that. And I see 225 00:10:07,559 --> 00:10:09,320 Speaker 1: her face on a regular basis because every time I 226 00:10:09,360 --> 00:10:12,319 Speaker 1: google Cold Case to like, look at the Cold Case news, oh, 227 00:10:12,559 --> 00:10:14,880 Speaker 1: that fucking show comes up first, So I see her 228 00:10:14,880 --> 00:10:17,600 Speaker 1: face every day. Yes, and she's been in Murder she 229 00:10:17,640 --> 00:10:20,680 Speaker 1: wrote twice. She's been in Silk Stocking. She's been in 230 00:10:20,720 --> 00:10:23,720 Speaker 1: Death of a Cheerleader, that one for TV movie. So 231 00:10:23,800 --> 00:10:25,000 Speaker 1: like she's been in all the things. 232 00:10:25,120 --> 00:10:28,360 Speaker 2: She is the female Mark Harmon. Turns out they just 233 00:10:28,520 --> 00:10:30,599 Speaker 2: and then now it's two powers meeting. I have to 234 00:10:30,640 --> 00:10:33,719 Speaker 2: say this too. The second you said the disappearance of 235 00:10:33,760 --> 00:10:37,120 Speaker 2: Anne Marie Fayhey, the name Anne Marie Fayhee is such 236 00:10:37,160 --> 00:10:41,079 Speaker 2: a that's my cousin. That's my amory to me, being 237 00:10:41,120 --> 00:10:43,439 Speaker 2: irish sometimes feels like a small town because everyone has 238 00:10:43,480 --> 00:10:47,240 Speaker 2: the same lilt, the same thing, and you can kind 239 00:10:47,280 --> 00:10:50,319 Speaker 2: of like I can see her feel her. Yeah, yeah, 240 00:10:50,360 --> 00:10:51,280 Speaker 2: that's exactly right. 241 00:10:51,800 --> 00:10:54,800 Speaker 1: So we're gonna start on Saturday, June twenty ninth, nineteen 242 00:10:54,880 --> 00:10:58,080 Speaker 1: ninety six, and we're in Willington, Delaware, and a thirty 243 00:10:58,160 --> 00:11:00,480 Speaker 1: year old man named Mike Scanlon is supposed to have 244 00:11:00,520 --> 00:11:03,800 Speaker 1: dinner with his twenty nine year old girlfriend Anne Marie Fahey, 245 00:11:04,200 --> 00:11:07,199 Speaker 1: along with her brother Robert and his family, but Ann 246 00:11:07,240 --> 00:11:09,480 Speaker 1: Marie never shows up to meet Mike to head over 247 00:11:09,559 --> 00:11:12,840 Speaker 1: to dinner. Anne Marie works as the scheduling secretary for 248 00:11:12,880 --> 00:11:16,480 Speaker 1: the governor of Delaware, a Democrat named Thomas Carper. She's 249 00:11:16,520 --> 00:11:18,960 Speaker 1: worked for him since he was a congressman, and she 250 00:11:19,280 --> 00:11:23,880 Speaker 1: is like political and going places and really passionate about it. 251 00:11:24,080 --> 00:11:26,319 Speaker 1: I read this one little detail and like almost made 252 00:11:26,360 --> 00:11:30,000 Speaker 1: me cry. She keeps a collection of her rabby childhood 253 00:11:30,000 --> 00:11:32,880 Speaker 1: stuffed animals at her apartment and they all have women's 254 00:11:32,920 --> 00:11:35,719 Speaker 1: rights buttons pinned on their lapel, like pinned. 255 00:11:35,480 --> 00:11:37,719 Speaker 2: On them because that's like the generations, you know what 256 00:11:37,760 --> 00:11:39,719 Speaker 2: I mean. It's like, here's me as a kid. Then 257 00:11:39,760 --> 00:11:41,920 Speaker 2: here's me as like teenager getting older. 258 00:11:42,000 --> 00:11:43,280 Speaker 1: Here's what I'm passionate about. 259 00:11:43,320 --> 00:11:45,120 Speaker 2: And I'm a woman in the world and I to 260 00:11:45,200 --> 00:11:46,520 Speaker 2: understand what I'm up against. 261 00:11:46,640 --> 00:11:48,880 Speaker 1: Yeah, and it's just kind of like it's just I 262 00:11:48,960 --> 00:11:51,760 Speaker 1: see that person so well based on that one little detail. 263 00:11:51,880 --> 00:11:52,320 Speaker 2: Yeah, you know. 264 00:11:53,000 --> 00:11:55,120 Speaker 1: So, Anne Marie, who most people call Annie, is one 265 00:11:55,160 --> 00:11:57,880 Speaker 1: of six siblings and a close family, which is also 266 00:11:58,040 --> 00:12:01,800 Speaker 1: very involved in the tight knit Rish American community in Wilmington. 267 00:12:02,080 --> 00:12:04,720 Speaker 1: That's the thing there. I dated a guy from Wilmington, 268 00:12:04,960 --> 00:12:07,520 Speaker 1: and I don't know anything about it except they eat scrapple, 269 00:12:08,000 --> 00:12:09,679 Speaker 1: a lot scrapple. 270 00:12:09,760 --> 00:12:13,040 Speaker 2: Scrapple. Yeah, what's that like a nice hash with your eggs? 271 00:12:13,040 --> 00:12:16,600 Speaker 1: Absolutely no, it's like a spam toast. I'm gonna get 272 00:12:16,640 --> 00:12:17,400 Speaker 1: yelled at for this. 273 00:12:17,520 --> 00:12:19,920 Speaker 2: Spam toast, like avocado toast, but spam. 274 00:12:19,960 --> 00:12:22,480 Speaker 1: I think it's like spam, like a chopped up meat, 275 00:12:22,520 --> 00:12:23,520 Speaker 1: A lot of chopped up meat. 276 00:12:23,640 --> 00:12:26,760 Speaker 2: Let's like guess other even worse stuff so that people 277 00:12:26,800 --> 00:12:28,839 Speaker 2: get angry and angrier and write in more and more 278 00:12:28,880 --> 00:12:29,800 Speaker 2: about what scrapple is. 279 00:12:29,880 --> 00:12:31,280 Speaker 1: I think it's a cousin of spam. 280 00:12:31,679 --> 00:12:33,280 Speaker 2: Okay, correct me if I'm wrong. 281 00:12:33,440 --> 00:12:35,200 Speaker 1: I don't even need to say that. I know you 282 00:12:35,240 --> 00:12:38,240 Speaker 1: fucking will, and I appreciate it. Annie is the baby 283 00:12:38,240 --> 00:12:40,480 Speaker 1: of the family. She has four brothers and one sister, 284 00:12:40,559 --> 00:12:42,200 Speaker 1: so they're all a little older when she's born, so 285 00:12:42,240 --> 00:12:46,600 Speaker 1: of course he're super protective over little Annie. Annie's mother, Kathleen, 286 00:12:46,640 --> 00:12:48,560 Speaker 1: had died of lung cancer when she was only nine 287 00:12:48,640 --> 00:12:51,560 Speaker 1: years old, and her father, Robert, is never the same 288 00:12:51,600 --> 00:12:55,600 Speaker 1: after this. He struggles with alcoholism, he stops being able 289 00:12:55,640 --> 00:12:58,080 Speaker 1: to take care of the family. Some of the older kids, 290 00:12:58,240 --> 00:13:00,920 Speaker 1: who are now young adults at this point, step in 291 00:13:00,960 --> 00:13:03,600 Speaker 1: to take care of Annie, and they do their best 292 00:13:03,880 --> 00:13:06,560 Speaker 1: while they're putting themselves through school. Almost all of the 293 00:13:06,559 --> 00:13:09,400 Speaker 1: older Faihy kids work at a pub, the local pub 294 00:13:09,520 --> 00:13:13,160 Speaker 1: called O Friels, owned by their close family friends. So 295 00:13:13,240 --> 00:13:15,120 Speaker 1: it is small town small town. 296 00:13:15,320 --> 00:13:19,040 Speaker 2: Also, that's just the tragic. Mom dying of cancer when 297 00:13:19,080 --> 00:13:21,719 Speaker 2: you're nine years old is like the most painful. 298 00:13:21,320 --> 00:13:23,880 Speaker 1: Thing, absolutely, and then the dad loses it. It sounds 299 00:13:23,920 --> 00:13:26,440 Speaker 1: like he was not able to pull it together. He 300 00:13:26,520 --> 00:13:30,080 Speaker 1: finally loses the family home when Annie is fifteen, and 301 00:13:30,160 --> 00:13:32,600 Speaker 1: so he moves into an apartment and Annie, who's an 302 00:13:32,640 --> 00:13:35,280 Speaker 1: athlete and a great student, winds up living with the 303 00:13:35,280 --> 00:13:37,560 Speaker 1: family that she babysits for in order. 304 00:13:37,480 --> 00:13:39,400 Speaker 2: To stay in her high school oh, because she doesn't 305 00:13:39,440 --> 00:13:40,400 Speaker 2: want to be out of the district. 306 00:13:40,520 --> 00:13:42,560 Speaker 1: Yeah, And they adore her, they consider her part of 307 00:13:42,559 --> 00:13:45,840 Speaker 1: the family. But she's just not totally comfortable, you know, 308 00:13:46,280 --> 00:13:46,880 Speaker 1: living there. 309 00:13:47,040 --> 00:13:49,840 Speaker 2: She just feels weird. You're a guest your whole life totally. 310 00:13:49,880 --> 00:13:50,440 Speaker 2: That's awful. 311 00:13:50,480 --> 00:13:53,360 Speaker 1: Absolutely, And so that arrangement ends towards the end of 312 00:13:53,440 --> 00:13:56,440 Speaker 1: high school. And at that point Annie briefly moves back 313 00:13:56,440 --> 00:13:58,000 Speaker 1: in with her dad and then lives with her two 314 00:13:58,080 --> 00:14:01,199 Speaker 1: eldest brothers. She's also working in a restaurant and is 315 00:14:01,320 --> 00:14:05,120 Speaker 1: essentially like a self sufficient adult even though she's just seventeen. 316 00:14:05,360 --> 00:14:07,800 Speaker 2: It's like that take care of yourself because you have to. 317 00:14:08,040 --> 00:14:08,400 Speaker 2: You have to. 318 00:14:08,480 --> 00:14:11,520 Speaker 1: Yeah, And she actually fucking thrives and makes it. She 319 00:14:11,800 --> 00:14:14,880 Speaker 1: graduates from high school, goes on to college. She initially 320 00:14:14,920 --> 00:14:17,679 Speaker 1: flourishes in college and then struggles with depression and has 321 00:14:17,720 --> 00:14:20,280 Speaker 1: to take a break, but she gets therapy and graduates. 322 00:14:20,800 --> 00:14:25,000 Speaker 1: She does struggle with anorexia as well, as so many 323 00:14:25,200 --> 00:14:29,000 Speaker 1: young women do. The fay He kids bolstered by that 324 00:14:29,040 --> 00:14:31,360 Speaker 1: great community that the other part of had all managed 325 00:14:31,400 --> 00:14:34,160 Speaker 1: to do well in school, get good jobs, and generally 326 00:14:34,320 --> 00:14:36,600 Speaker 1: make nice lives for themselves. Like they beat the fucking 327 00:14:36,680 --> 00:14:38,840 Speaker 1: odds and they really it was great. 328 00:14:38,880 --> 00:14:41,040 Speaker 2: They really went for it, probably because they have community. 329 00:14:41,120 --> 00:14:44,560 Speaker 2: It sounds like it seems like it's a very helpful thing. Yeah, yeah, 330 00:14:44,720 --> 00:14:47,040 Speaker 2: it's big. Like there's a family that's like, please come 331 00:14:47,080 --> 00:14:49,040 Speaker 2: and live with us. Yeah, this is happening to you. 332 00:14:49,160 --> 00:14:51,840 Speaker 1: Or like having other adults to count on when you're 333 00:14:51,840 --> 00:14:53,960 Speaker 1: a kid who can't count on your parents is just 334 00:14:54,040 --> 00:14:56,440 Speaker 1: a huge part of it. Yeah, of like making it. 335 00:14:56,880 --> 00:14:59,280 Speaker 1: Back in nineteen ninety six, when Annie goes missing, it's 336 00:14:59,320 --> 00:15:03,000 Speaker 1: the last wee of Delaware's legislative session, so at first 337 00:15:03,000 --> 00:15:05,600 Speaker 1: Annie's brother and boyfriend think it's possible that she had 338 00:15:05,600 --> 00:15:07,800 Speaker 1: been caught up working late that she was supposed to 339 00:15:07,840 --> 00:15:10,120 Speaker 1: meet them for dinner. It's normal for staffers in the 340 00:15:10,120 --> 00:15:12,960 Speaker 1: Governor's office to spend the night working at crunch times 341 00:15:13,000 --> 00:15:15,960 Speaker 1: like this. But then at nine pm, Mike, the boyfriend 342 00:15:16,040 --> 00:15:19,680 Speaker 1: calls Annie's older sister, who's very concerned right off the bat, 343 00:15:19,840 --> 00:15:22,880 Speaker 1: and she starts calling Annie's friends, and one of the 344 00:15:22,920 --> 00:15:25,480 Speaker 1: friends who work with her says that she's not working late, 345 00:15:25,560 --> 00:15:28,320 Speaker 1: so she is just missing. And Mike had driven past 346 00:15:28,360 --> 00:15:30,400 Speaker 1: Annie's apartment earlier in the day before they were supposed 347 00:15:30,400 --> 00:15:32,280 Speaker 1: to meet to go to dinner and had seen her 348 00:15:32,360 --> 00:15:35,760 Speaker 1: car there, and it's still there, even though Annie isn't 349 00:15:35,760 --> 00:15:39,240 Speaker 1: picking up the phone in her apartment. Annie's landlady says 350 00:15:39,240 --> 00:15:41,240 Speaker 1: she hasn't seen her in the last two days. No 351 00:15:41,240 --> 00:15:44,320 Speaker 1: one's really talked to her. Basically, they realized no one's 352 00:15:44,400 --> 00:15:47,280 Speaker 1: heard from her since Thursday, the twenty seventh, and now 353 00:15:47,320 --> 00:15:50,640 Speaker 1: it's Saturday. So the landlady lets them into the apartment. 354 00:15:50,840 --> 00:15:53,960 Speaker 1: And it's really out of character the way her apartment 355 00:15:54,000 --> 00:15:56,440 Speaker 1: is left. It's really strange for her because she's very 356 00:15:56,760 --> 00:15:59,960 Speaker 1: neat and organized. She's so neat and organized that she 357 00:16:00,120 --> 00:16:03,360 Speaker 1: stacks her pennies so that each coin has Lincoln's profile 358 00:16:03,440 --> 00:16:06,920 Speaker 1: facing in the same direction, which I'm just picturing Vince 359 00:16:07,000 --> 00:16:09,640 Speaker 1: like he has to have his bills facing the same 360 00:16:09,680 --> 00:16:12,240 Speaker 1: way and in the right order, and he's really precise 361 00:16:12,280 --> 00:16:12,640 Speaker 1: about that. 362 00:16:12,800 --> 00:16:15,880 Speaker 2: Yeah, because when you are a child and you grew 363 00:16:15,920 --> 00:16:17,840 Speaker 2: up in this situation where things are out of your 364 00:16:17,880 --> 00:16:21,080 Speaker 2: control all of the time, you learn to get some 365 00:16:21,120 --> 00:16:23,120 Speaker 2: control in the places that you can get. 366 00:16:22,920 --> 00:16:27,160 Speaker 1: It totally, totally She also never lets trash sit in 367 00:16:27,160 --> 00:16:30,720 Speaker 1: her apartment, always taking smaller bags out whenever she leaves. 368 00:16:31,400 --> 00:16:34,160 Speaker 1: But when they get into her apartment today, there's rotting 369 00:16:34,200 --> 00:16:37,960 Speaker 1: produce all over the kitchen counters because she hadn't put 370 00:16:38,000 --> 00:16:40,080 Speaker 1: her food away, her groceries away in the kitchen, so 371 00:16:40,080 --> 00:16:42,160 Speaker 1: there's like a rotting smell, which is so not like her. 372 00:16:42,720 --> 00:16:45,960 Speaker 1: They also find leftovers from a restaurant in Philadelphia called 373 00:16:46,080 --> 00:16:50,040 Speaker 1: Panorama that are in the fridge. They don't look super old, 374 00:16:50,080 --> 00:16:53,440 Speaker 1: but they are dry, so they're not like super recent leftovers, 375 00:16:54,440 --> 00:16:56,440 Speaker 1: so they've definitely been sitting there for a few days. 376 00:16:56,640 --> 00:16:58,800 Speaker 1: Mike says he and Annie had not eaten there together. 377 00:16:59,040 --> 00:17:02,880 Speaker 1: Philadelphia is about forty minute drive from Wilmington. There's other 378 00:17:02,920 --> 00:17:05,800 Speaker 1: weird stuff in the kitchen. There's samples of prescription medications 379 00:17:05,800 --> 00:17:08,919 Speaker 1: scattered around and packages of food on the counter but 380 00:17:08,960 --> 00:17:11,840 Speaker 1: not put away. Annie's purse is also in the kitchen. 381 00:17:12,119 --> 00:17:14,480 Speaker 1: Her wallet is there with cash in it, but her 382 00:17:14,560 --> 00:17:16,359 Speaker 1: keys are missing. Her house and car keys are missing. 383 00:17:16,880 --> 00:17:21,080 Speaker 1: Other than that, the apartment looks mostly the way Annie 384 00:17:21,080 --> 00:17:23,640 Speaker 1: would leave it. A couple of small things are different. It's 385 00:17:23,680 --> 00:17:27,280 Speaker 1: a small apartment, modestly furnished, but decorated with Annie's little touches. 386 00:17:27,600 --> 00:17:29,880 Speaker 1: As I said, she keeps her stuffed animals with those 387 00:17:29,880 --> 00:17:33,760 Speaker 1: pins on them. So at midnight everyone's worried. Annie's sister 388 00:17:33,840 --> 00:17:37,080 Speaker 1: calls the police, and once they eventually get there, one 389 00:17:37,080 --> 00:17:40,359 Speaker 1: of Annie's friends mentions that she has unheard messages on 390 00:17:40,400 --> 00:17:42,399 Speaker 1: her answering machine. Or there's no cell phones, there's a 391 00:17:42,400 --> 00:17:45,400 Speaker 1: blinking answering machine. They listen to the messages, which are 392 00:17:45,440 --> 00:17:49,359 Speaker 1: almost entirely from everyone in the room, but all of 393 00:17:49,400 --> 00:17:52,720 Speaker 1: them are from Thursday afternoon on, so she hadn't listened 394 00:17:52,720 --> 00:17:55,399 Speaker 1: to them, which is very unlike Annie. She always listens 395 00:17:55,440 --> 00:17:58,560 Speaker 1: to her messages and calls right back. So Annie's sister 396 00:17:58,640 --> 00:18:01,479 Speaker 1: Catherine then shows the police something she had found before 397 00:18:01,520 --> 00:18:04,199 Speaker 1: the police arrived. She'd been looking through the letters and 398 00:18:04,240 --> 00:18:07,200 Speaker 1: cards in Annie's drawers and found a letter that ends 399 00:18:07,240 --> 00:18:09,280 Speaker 1: with quote, all I want to do is make you 400 00:18:09,359 --> 00:18:12,640 Speaker 1: happy and be with you. I love you end quote. 401 00:18:13,040 --> 00:18:16,960 Speaker 1: It's not signed, but it's on a letter head that 402 00:18:17,119 --> 00:18:20,439 Speaker 1: says from the desk of Thomas Capano. So that is 403 00:18:20,920 --> 00:18:25,480 Speaker 1: here is Mark Harmon right? Okay, the name Tom Capano 404 00:18:25,680 --> 00:18:28,040 Speaker 1: is familiar to Kathleen, the sister she knows of him. 405 00:18:28,280 --> 00:18:31,840 Speaker 1: He's a prominent lawyer and political advisor from a prominent 406 00:18:31,840 --> 00:18:35,800 Speaker 1: real estate family. But she's weirded out by this letter, obviously, 407 00:18:35,840 --> 00:18:38,840 Speaker 1: both because of the way it ends and because she, Kathleen, 408 00:18:38,960 --> 00:18:42,000 Speaker 1: is briefly mentioned in it. So it's a long letter 409 00:18:42,000 --> 00:18:45,000 Speaker 1: that talks about Annie's family with a lot of familiarity, 410 00:18:45,080 --> 00:18:47,159 Speaker 1: as if he and Annie have talked a lot, and 411 00:18:47,200 --> 00:18:49,919 Speaker 1: she's never even heard of like this dude in relation 412 00:18:50,000 --> 00:18:50,439 Speaker 1: to Annie. 413 00:18:50,520 --> 00:18:51,880 Speaker 2: Right, she doesn't know him personally. 414 00:18:52,040 --> 00:18:55,119 Speaker 1: Yeah, Tom is very involved in politics. He's worked as 415 00:18:55,160 --> 00:18:58,040 Speaker 1: a legal counsel for a previous governor, not the one 416 00:18:58,080 --> 00:19:01,920 Speaker 1: Annie worked for, and is a political consultant. Tom's father 417 00:19:02,160 --> 00:19:04,680 Speaker 1: is a very successful real estate developer, and Tom's a 418 00:19:04,760 --> 00:19:09,199 Speaker 1: very successful lawyer. But he has three younger brothers, Louis, Joey, 419 00:19:09,200 --> 00:19:13,040 Speaker 1: and Jerry, and none of them are nearly as buttoned 420 00:19:13,119 --> 00:19:15,880 Speaker 1: up and professional as Tom seemingly is. They've all been 421 00:19:15,920 --> 00:19:18,560 Speaker 1: involved in various degrees of crime in their personal lives 422 00:19:18,560 --> 00:19:22,199 Speaker 1: and professional lives. Jerry, as Anne Rule puts it, quote, 423 00:19:22,320 --> 00:19:25,560 Speaker 1: seem to care for nothing but guns, shark fishing, big 424 00:19:25,600 --> 00:19:28,399 Speaker 1: game hunting, and girls with big hair and clothes that 425 00:19:28,440 --> 00:19:30,800 Speaker 1: fit like a second skin end quote. 426 00:19:31,480 --> 00:19:33,600 Speaker 2: That's an rule for you. She's going to say it. 427 00:19:34,080 --> 00:19:36,719 Speaker 2: She's not going to spare anyone's feelings. Can you imagine 428 00:19:36,720 --> 00:19:40,280 Speaker 2: if that was, like, your big interest is shark fishing? No, 429 00:19:40,720 --> 00:19:43,159 Speaker 2: leave them alone, get away from big games. 430 00:19:43,240 --> 00:19:46,040 Speaker 1: Not it with the elephants and the sharks. So Louie 431 00:19:46,080 --> 00:19:48,200 Speaker 1: and Joey, two of the brothers work in the family 432 00:19:48,240 --> 00:19:52,479 Speaker 1: real estate development business. Jerry is the loosest canon he 433 00:19:52,520 --> 00:19:55,359 Speaker 1: can't be in an office setting and me neither, and 434 00:19:55,480 --> 00:19:58,399 Speaker 1: starts a landscaping business and has a lot of client 435 00:19:58,480 --> 00:20:02,399 Speaker 1: overlap with his brothers. Tom also has an older sister, Marian, 436 00:20:02,480 --> 00:20:06,320 Speaker 1: who's played by Olympia Ducaucus Buckin' legend my favorite, such 437 00:20:06,320 --> 00:20:09,560 Speaker 1: a legend, and she's completely excluded from the family business. 438 00:20:10,240 --> 00:20:12,679 Speaker 1: She's supposed to get into allowance from her brothers, but 439 00:20:12,800 --> 00:20:16,320 Speaker 1: they just always fight instead. All this to say Tom 440 00:20:16,359 --> 00:20:18,840 Speaker 1: has a very good reputation, but his family does not. 441 00:20:20,000 --> 00:20:22,640 Speaker 1: When Tom and Annie meet in nineteen ninety three, three 442 00:20:22,720 --> 00:20:25,760 Speaker 1: years before her disappearance, he's about forty three and she 443 00:20:25,920 --> 00:20:29,520 Speaker 1: is about twenty six. This is years before she meets Mike, 444 00:20:29,560 --> 00:20:32,399 Speaker 1: her new boyfriend. Tom is married at the time and 445 00:20:32,440 --> 00:20:36,040 Speaker 1: has four daughters, not great, but he also has a 446 00:20:36,080 --> 00:20:40,160 Speaker 1: mistress named Debbie who he's been seeing for years. Annie 447 00:20:40,200 --> 00:20:42,560 Speaker 1: and Tom meet at a political fundraiser and have a 448 00:20:42,600 --> 00:20:45,680 Speaker 1: lot of people in common, including those close family friends 449 00:20:45,720 --> 00:20:48,479 Speaker 1: who own the pub, because they're also very involved in 450 00:20:48,520 --> 00:20:51,600 Speaker 1: local politics. So they kind of just meet and click. 451 00:20:52,000 --> 00:20:56,800 Speaker 1: And they're both from big Delaware families, from adjacent immigrant communities. 452 00:20:56,920 --> 00:20:59,359 Speaker 1: She's Irish and he's Italian, and it's just like this 453 00:20:59,680 --> 00:21:01,400 Speaker 1: in Deer community, so they kind of. 454 00:21:01,359 --> 00:21:04,200 Speaker 2: You can hear the accordium music playing in the background. 455 00:21:04,280 --> 00:21:06,960 Speaker 1: Yes, So Annie and Tom have a work lunch together 456 00:21:07,000 --> 00:21:09,919 Speaker 1: after they meet, but quickly after that they start having 457 00:21:10,040 --> 00:21:13,120 Speaker 1: dinner dates. Annie and her friends are all just starting out, 458 00:21:13,200 --> 00:21:16,040 Speaker 1: not making much money, and Tom takes her to nice 459 00:21:16,080 --> 00:21:19,240 Speaker 1: restaurants gives her that access to the kind of life 460 00:21:19,280 --> 00:21:22,440 Speaker 1: she hasn't been able to have before. Yeah, you know, grooming, 461 00:21:23,119 --> 00:21:23,960 Speaker 1: that's what they call it. 462 00:21:24,119 --> 00:21:24,560 Speaker 2: Yeah. 463 00:21:24,800 --> 00:21:26,600 Speaker 1: For the next couple of years, Tom and Annie are 464 00:21:26,640 --> 00:21:29,240 Speaker 1: sort of on and off again, and in between Annie 465 00:21:29,320 --> 00:21:32,480 Speaker 1: dates other people. During this whole period, Annie struggles with 466 00:21:32,520 --> 00:21:36,639 Speaker 1: her mental health, particularly with her anorexia, and she experiences 467 00:21:36,680 --> 00:21:39,439 Speaker 1: a huge setback when her psychologist is killed in a 468 00:21:39,480 --> 00:21:44,439 Speaker 1: drunk driving accident. Yeah, it takes Annie a while to 469 00:21:44,440 --> 00:21:46,800 Speaker 1: find a new one, and in this period she leans 470 00:21:46,840 --> 00:21:50,200 Speaker 1: on Tom a lot more. All this time, she writes 471 00:21:50,200 --> 00:21:53,320 Speaker 1: in a diary documenting her relationship with Tom and other 472 00:21:53,359 --> 00:21:56,080 Speaker 1: things going on in her life. By nineteen ninety five, 473 00:21:56,119 --> 00:21:58,560 Speaker 1: when she's twenty eight, she confides in her work friend 474 00:21:58,640 --> 00:22:01,720 Speaker 1: Jill that Tom seems like he's trying to control her. 475 00:22:02,520 --> 00:22:04,359 Speaker 1: I mean, you know, he's in his late forties, and 476 00:22:05,240 --> 00:22:07,280 Speaker 1: he's a professional, and he's married and he has children. 477 00:22:07,680 --> 00:22:10,280 Speaker 1: It's just that thing that you can picture that happens 478 00:22:10,280 --> 00:22:11,240 Speaker 1: all the fucking time. 479 00:22:11,200 --> 00:22:13,440 Speaker 2: Right, because it's like that is part of why he's 480 00:22:13,520 --> 00:22:16,600 Speaker 2: doing it. You know, he's showing himself. But then he can't. 481 00:22:17,240 --> 00:22:19,680 Speaker 2: He has to control her because if she steps out 482 00:22:19,680 --> 00:22:21,959 Speaker 2: a line for one second, he's got all these things 483 00:22:22,480 --> 00:22:22,920 Speaker 2: at risk. 484 00:22:22,960 --> 00:22:24,080 Speaker 1: A lot of things could go wrong. 485 00:22:24,920 --> 00:22:27,439 Speaker 2: That's not in no way am I saying that he 486 00:22:27,520 --> 00:22:30,479 Speaker 2: was right for them. It's disgusting and weird. So he's 487 00:22:30,480 --> 00:22:31,800 Speaker 2: starting to try to control her. 488 00:22:31,880 --> 00:22:34,040 Speaker 1: He makes her interview for a job being a personal 489 00:22:34,080 --> 00:22:38,600 Speaker 1: assistant to his brother Louis, the sleazy real estate developer, 490 00:22:38,840 --> 00:22:40,679 Speaker 1: and it's clear that Tom just wants to keep Annie 491 00:22:40,680 --> 00:22:43,840 Speaker 1: close and under his control. Thankfully, Annie doesn't take the job, 492 00:22:44,440 --> 00:22:47,240 Speaker 1: but Tom tries to control how she dresses. He tries 493 00:22:47,280 --> 00:22:50,160 Speaker 1: to isolate her from her friends and becomes upset when 494 00:22:50,200 --> 00:22:53,000 Speaker 1: he thinks she's spending too much time with them. It's 495 00:22:53,040 --> 00:22:56,240 Speaker 1: all just it's textbook control abuse. 496 00:22:56,480 --> 00:22:58,679 Speaker 2: Why are all the boyfriends that are so terrible the 497 00:22:58,680 --> 00:23:01,800 Speaker 2: ones that have like sick girlfriends. It's like, can you 498 00:23:01,920 --> 00:23:04,440 Speaker 2: just do this to one person and then hang it up? 499 00:23:05,240 --> 00:23:08,240 Speaker 2: Get yourself a therapist, seriously, Jesus. 500 00:23:08,600 --> 00:23:10,760 Speaker 1: He also repeatedly tells her that they should end the 501 00:23:10,800 --> 00:23:13,440 Speaker 1: relationship and then abruptly changes his mind. And there are 502 00:23:13,440 --> 00:23:15,639 Speaker 1: times when Annie also tries to end a relationship, but 503 00:23:15,680 --> 00:23:19,480 Speaker 1: he always guilds her into changing her mind. Around this time, 504 00:23:19,520 --> 00:23:22,520 Speaker 1: in September of nineteen ninety five, Tom and his wife separate. 505 00:23:22,800 --> 00:23:23,879 Speaker 2: But this is also. 506 00:23:23,600 --> 00:23:27,520 Speaker 1: When Annie meets Mike, and it's actually the governor of 507 00:23:27,560 --> 00:23:30,040 Speaker 1: Delaware who sets the two of them up, which is like, 508 00:23:30,560 --> 00:23:33,080 Speaker 1: you legally have to get married now. The governor of 509 00:23:33,119 --> 00:23:36,399 Speaker 1: Delaware is like, hey, I got a nice guy for you. 510 00:23:37,119 --> 00:23:40,119 Speaker 2: Have you ever seen or heard of the Governor of Delaware? No, 511 00:23:40,240 --> 00:23:43,760 Speaker 2: because he's they're not real. I don't think they're real. 512 00:23:44,160 --> 00:23:46,200 Speaker 1: Mike is kind and he you know, he's the same 513 00:23:46,240 --> 00:23:50,119 Speaker 1: age as Annie, and they start seriously dating in October. 514 00:23:50,200 --> 00:23:52,920 Speaker 1: And at this same time, Tom is telling both Annie 515 00:23:52,960 --> 00:23:55,760 Speaker 1: and his other mistress that he has left his wife 516 00:23:55,800 --> 00:23:59,080 Speaker 1: for them. Okay, you know, got it. The women don't 517 00:23:59,080 --> 00:24:02,160 Speaker 1: know about each other. Annie tells Tom she's seeing someone 518 00:24:02,200 --> 00:24:04,359 Speaker 1: and wants to break it off, and Tom starts calling 519 00:24:04,400 --> 00:24:07,880 Speaker 1: her twenty times a day. He threatens to tell Mike, 520 00:24:07,960 --> 00:24:10,160 Speaker 1: the new boyfriend, about their relationship, even though it seems 521 00:24:10,200 --> 00:24:13,120 Speaker 1: like they're not really seeing each other anymore. On one occasion, 522 00:24:13,160 --> 00:24:16,119 Speaker 1: he bursts into her apartment and gathers every item he's. 523 00:24:16,000 --> 00:24:16,760 Speaker 2: Up given to her. 524 00:24:17,119 --> 00:24:20,440 Speaker 1: And at this point, in addition to promising to Mary Debbie, 525 00:24:20,480 --> 00:24:23,800 Speaker 1: the mistress who predates Annie, Tom is also having a 526 00:24:23,800 --> 00:24:27,320 Speaker 1: different affair with a woman from work, surprising to nobody. 527 00:24:27,560 --> 00:24:31,359 Speaker 1: So he's just fucking mound total three now because the 528 00:24:31,359 --> 00:24:31,960 Speaker 1: wife has. 529 00:24:32,200 --> 00:24:34,800 Speaker 2: The wife was probably like enough already, Yeah. 530 00:24:34,640 --> 00:24:37,280 Speaker 1: Right, So Spring goes better for Annie. She finds a 531 00:24:37,320 --> 00:24:40,359 Speaker 1: new therapist, she keeps seeing Mike, and Tom seems to 532 00:24:40,359 --> 00:24:43,840 Speaker 1: be busy with his multiple other women. He's mostly leading 533 00:24:43,880 --> 00:24:46,320 Speaker 1: Annie alone, but at the end of April, he turns 534 00:24:46,400 --> 00:24:48,840 Speaker 1: up again, sending a ton of emails from his work 535 00:24:48,840 --> 00:24:52,040 Speaker 1: email to her. He starts out by a listening sympathy 536 00:24:52,320 --> 00:24:54,959 Speaker 1: by talking about one of his daughter's health issues, and 537 00:24:55,080 --> 00:24:57,719 Speaker 1: soon he's sending little jokes. He just kind of reels 538 00:24:57,720 --> 00:25:01,320 Speaker 1: her back in offering to pay for a new windshield 539 00:25:01,440 --> 00:25:04,359 Speaker 1: that crack that she needs help with and is stressed 540 00:25:04,400 --> 00:25:06,600 Speaker 1: about just doing those things. 541 00:25:06,720 --> 00:25:10,760 Speaker 2: Yeah, just like White nighting right wherever he can exactly. 542 00:25:11,280 --> 00:25:13,440 Speaker 1: And despite progress in therapy, and he's at a point 543 00:25:13,440 --> 00:25:16,159 Speaker 1: where she's really struggling with her eating disorder. And on 544 00:25:16,280 --> 00:25:19,720 Speaker 1: June twelfth, about two weeks before her disappearance, she faints 545 00:25:19,760 --> 00:25:23,359 Speaker 1: at work. I've done that, Mike. The boyfriend is aware 546 00:25:23,359 --> 00:25:25,639 Speaker 1: of her history of anorexia, but she still doesn't want 547 00:25:25,720 --> 00:25:28,200 Speaker 1: him to know how bad it is at the moment. 548 00:25:28,400 --> 00:25:31,080 Speaker 1: I've totally done that before. Where I used to have 549 00:25:31,119 --> 00:25:35,240 Speaker 1: an eating disorder, I don't anymore. In my faint Yeah. 550 00:25:34,640 --> 00:25:38,080 Speaker 2: Yeah, Well, Also that's talk about a control issue that's 551 00:25:38,160 --> 00:25:41,639 Speaker 2: like eating disorders totally. So it's kind of, you know, 552 00:25:41,960 --> 00:25:44,159 Speaker 2: it's like bad to worse for her because it's like 553 00:25:44,240 --> 00:25:46,520 Speaker 2: she already has this issue. Yeah, and then the people 554 00:25:46,560 --> 00:25:50,159 Speaker 2: that she has in her life, right, aren't the people 555 00:25:50,200 --> 00:25:52,720 Speaker 2: that you want helping you in that home? Absolutely? 556 00:25:52,800 --> 00:25:55,560 Speaker 1: And so she's too like embarrassed to tell her new 557 00:25:55,600 --> 00:25:58,200 Speaker 1: boyfriend that this is going on right now, and so 558 00:25:58,240 --> 00:26:00,760 Speaker 1: she calls Tom. He knows all about it, he's been 559 00:26:00,760 --> 00:26:03,639 Speaker 1: there for years, and he picks up the phone and 560 00:26:03,680 --> 00:26:07,000 Speaker 1: he drives her home after she thinks so Tom interprets 561 00:26:07,040 --> 00:26:10,720 Speaker 1: this as Annie choosing him over Mike, so he keeps 562 00:26:10,760 --> 00:26:13,800 Speaker 1: contacting her after this. He offers to buy her things, 563 00:26:14,240 --> 00:26:16,280 Speaker 1: she keeps saying no. He offers to get the cracked 564 00:26:16,280 --> 00:26:20,320 Speaker 1: windshield fixed, and she refuses, and she does so very 565 00:26:20,320 --> 00:26:23,640 Speaker 1: politely in emails, but she's still firmly refusing to accept 566 00:26:23,720 --> 00:26:26,920 Speaker 1: anything from him, like it wasn't an invitation to come 567 00:26:26,920 --> 00:26:29,680 Speaker 1: back in her life. Then at the end of June, 568 00:26:29,720 --> 00:26:32,520 Speaker 1: he invites her out to dinner with him on the 569 00:26:32,560 --> 00:26:35,879 Speaker 1: Thursday night that she was last seen. Annie doesn't reply 570 00:26:36,040 --> 00:26:37,960 Speaker 1: in the email, so if she does accept, it seems 571 00:26:37,960 --> 00:26:40,399 Speaker 1: like she did so over the phone, so there's no 572 00:26:40,520 --> 00:26:42,879 Speaker 1: record of it, and she doesn't tell anyone about the 573 00:26:42,920 --> 00:26:44,880 Speaker 1: invitation or whether or not she accepted it. 574 00:26:44,920 --> 00:26:48,480 Speaker 2: I hate that we've talked about that scenario before, where 575 00:26:48,520 --> 00:26:50,679 Speaker 2: you kind of paint yourself into this corner of no 576 00:26:50,680 --> 00:26:54,280 Speaker 2: one knows where you are because you think, well, for 577 00:26:54,320 --> 00:26:57,600 Speaker 2: whatever reason that you think that, it's I hate that. Yeah, 578 00:26:57,880 --> 00:26:59,479 Speaker 2: just tell someone. 579 00:27:00,640 --> 00:27:03,920 Speaker 1: So with Annie missing, her close friends confirmed the relationship 580 00:27:04,080 --> 00:27:06,439 Speaker 1: with Tom to the police and tell them that Annie 581 00:27:06,480 --> 00:27:10,080 Speaker 1: had complained about him being controlling. There's more correspondence from 582 00:27:10,119 --> 00:27:15,280 Speaker 1: Tom on his firm stationery. Annie had her detailed diary 583 00:27:15,280 --> 00:27:17,920 Speaker 1: as well that lays out the whole story of their relationship. 584 00:27:18,520 --> 00:27:20,679 Speaker 1: One of the most recent entries talks about breaking it 585 00:27:20,720 --> 00:27:23,880 Speaker 1: off and says, quote, I finally have brought closure to 586 00:27:23,880 --> 00:27:30,200 Speaker 1: Tom Capano. What a controlling, manipulative, insecure, jealous maniac end quote. 587 00:27:30,320 --> 00:27:31,240 Speaker 2: Oh yeah. 588 00:27:31,960 --> 00:27:34,160 Speaker 1: So now the police are trying to confirm with Annie 589 00:27:34,200 --> 00:27:36,920 Speaker 1: went to dinner with Tom on that Thursday, June twenty seventh, 590 00:27:37,000 --> 00:27:39,600 Speaker 1: last time she was seen. It seems that way because 591 00:27:39,840 --> 00:27:43,360 Speaker 1: of the leftovers that were from the Philadelphia restaurant in 592 00:27:43,400 --> 00:27:46,480 Speaker 1: her fridge. It's a place they had gone to before together. 593 00:27:47,040 --> 00:27:49,840 Speaker 1: Tom had told his longtime mistress Debbie that he had 594 00:27:49,880 --> 00:27:52,920 Speaker 1: plans in Philadelphia that evening, but that he would probably 595 00:27:52,960 --> 00:27:54,760 Speaker 1: be done by nine p thirty. So it seems like 596 00:27:54,800 --> 00:27:56,760 Speaker 1: the plans were with Annie and then he was going 597 00:27:56,800 --> 00:27:59,480 Speaker 1: to go to his mistress's house. At three thirty am 598 00:27:59,520 --> 00:28:03,000 Speaker 1: on Sunday morning, the thirtieth, two detectives knock on Tom's door. 599 00:28:03,560 --> 00:28:06,080 Speaker 1: Tom says he's aware that Annie is missing. He tells 600 00:28:06,119 --> 00:28:07,840 Speaker 1: the police that the last time he saw her was 601 00:28:07,840 --> 00:28:10,399 Speaker 1: that Thursday night. Confirms they went to dinner and that 602 00:28:10,480 --> 00:28:13,280 Speaker 1: he drove her, that they stopped briefly at his apartment 603 00:28:13,359 --> 00:28:15,399 Speaker 1: to pick up some groceries he had bought for Annie, 604 00:28:15,480 --> 00:28:17,639 Speaker 1: and then went back to her apartment. He says he 605 00:28:17,720 --> 00:28:20,399 Speaker 1: put the grocery bag down on the counter, gave her 606 00:28:20,440 --> 00:28:23,159 Speaker 1: another gift, and used the bathroom and left and that 607 00:28:23,280 --> 00:28:24,639 Speaker 1: was the last time he saw her was when he 608 00:28:24,680 --> 00:28:27,159 Speaker 1: left her at the apartment. The detective asked if they 609 00:28:27,160 --> 00:28:28,679 Speaker 1: can look around the house, but Tom says that his 610 00:28:28,760 --> 00:28:31,520 Speaker 1: daughters are asleep upstairs and doesn't want them to get 611 00:28:31,640 --> 00:28:34,720 Speaker 1: scared and refuses to let them in. And they don't 612 00:28:34,800 --> 00:28:38,000 Speaker 1: have a warrant, and so they come back the next morning, 613 00:28:38,080 --> 00:28:40,960 Speaker 1: and so who knows what evidence they would have found 614 00:28:41,080 --> 00:28:43,120 Speaker 1: if they had insisted on coming in or had a warrant. 615 00:28:43,640 --> 00:28:45,200 Speaker 1: And when they do come back at ten am, Tom 616 00:28:45,240 --> 00:28:48,120 Speaker 1: isn't there. They finally track him down. He takes them 617 00:28:48,160 --> 00:28:50,200 Speaker 1: back to the house to look around for not doing 618 00:28:50,200 --> 00:28:53,280 Speaker 1: a full search, but the house looks very clean. 619 00:28:53,440 --> 00:28:54,200 Speaker 2: It is what they say. 620 00:28:55,160 --> 00:28:57,760 Speaker 1: The detectives are bracing for an uphill battle and for 621 00:28:57,800 --> 00:29:01,320 Speaker 1: a publicity. Tom is a well known and well respected 622 00:29:01,360 --> 00:29:04,520 Speaker 1: lawyer with a lot of connections. His brothers are known 623 00:29:04,560 --> 00:29:06,400 Speaker 1: to be in trouble with the law from time to time, 624 00:29:06,800 --> 00:29:10,280 Speaker 1: but not Tom. So everyone is pretty shocked about this. Actually, 625 00:29:10,320 --> 00:29:12,520 Speaker 1: there's some ritorinos who wrote in that said their dads 626 00:29:12,640 --> 00:29:15,000 Speaker 1: used to like hang out with him, like in groups 627 00:29:15,000 --> 00:29:18,560 Speaker 1: with him sometimes, and everyone was very surprised that he 628 00:29:18,680 --> 00:29:19,400 Speaker 1: was implicated. 629 00:29:19,600 --> 00:29:21,400 Speaker 2: Okay, you know, he's the good. 630 00:29:21,200 --> 00:29:24,120 Speaker 1: Boy right on the outside. He kept a shit together well. 631 00:29:24,160 --> 00:29:26,800 Speaker 2: And also that's the ultimate position to be in, because 632 00:29:26,840 --> 00:29:28,800 Speaker 2: if you're the one that gets your homework done and 633 00:29:28,800 --> 00:29:31,240 Speaker 2: goes to school and becomes a lawyer, and then you 634 00:29:31,320 --> 00:29:35,200 Speaker 2: have these kind of like dirt baggy brothers to a degree, 635 00:29:35,240 --> 00:29:37,920 Speaker 2: we don't know these people, but you always look good 636 00:29:37,920 --> 00:29:40,200 Speaker 2: no matter what, and you can always make yourself look 637 00:29:40,200 --> 00:29:44,640 Speaker 2: good because you're just playing that you're playing your position essentially, right. 638 00:29:45,120 --> 00:29:47,080 Speaker 1: So at this point, the Fay He siblings are all 639 00:29:47,120 --> 00:29:49,600 Speaker 1: working hard to get Annie's disappearance out to the press, 640 00:29:50,160 --> 00:29:52,360 Speaker 1: and she's on the front page of all the local newspapers. 641 00:29:52,360 --> 00:29:54,520 Speaker 1: It becomes a huge story because stuff like this does 642 00:29:54,600 --> 00:29:58,800 Speaker 1: not happen in Wilmington or in Delaware at all. Of Friels, 643 00:29:58,840 --> 00:30:01,680 Speaker 1: the pub that was the hub the Faihe's community, hangs 644 00:30:01,720 --> 00:30:04,400 Speaker 1: a banner with a photo of Annie advertising a ten 645 00:30:04,440 --> 00:30:08,000 Speaker 1: thousand dollars reward for information leading to her recovery, which 646 00:30:08,040 --> 00:30:11,640 Speaker 1: in today's money ten thousand dollars this is eighty seven 647 00:30:11,880 --> 00:30:15,720 Speaker 1: ninety six, ninety six. Yeah, it's less than you think 648 00:30:15,720 --> 00:30:17,959 Speaker 1: it would be twenty eight thousand. 649 00:30:18,080 --> 00:30:18,760 Speaker 2: That's a way less. 650 00:30:18,760 --> 00:30:23,440 Speaker 1: Bipontroda I know. Annie's therapist comes forward and tells police 651 00:30:23,480 --> 00:30:27,440 Speaker 1: that she's worried that Tom has abducted Annie, because Annie 652 00:30:27,480 --> 00:30:30,760 Speaker 1: had brought this up as something she worried about in therapy, 653 00:30:31,360 --> 00:30:34,480 Speaker 1: him abducting her. She was specifically worried that Tom would 654 00:30:34,520 --> 00:30:37,080 Speaker 1: hire people to do it. They discussed this at their 655 00:30:37,200 --> 00:30:40,760 Speaker 1: very last session before Annie disappeared, and she said that 656 00:30:40,840 --> 00:30:43,800 Speaker 1: she urged Annie to report him to the Attorney General's office. 657 00:30:44,200 --> 00:30:46,920 Speaker 1: Some people believe that Annie did threaten him that night 658 00:30:46,960 --> 00:30:49,920 Speaker 1: to do that, and that is what maybe set Tom off. 659 00:30:50,040 --> 00:30:53,760 Speaker 2: Yeah, that would make sense. Yeah, I mean that's horrifying, 660 00:30:53,760 --> 00:30:55,560 Speaker 2: and it just makes me think of every that's like 661 00:30:55,640 --> 00:30:57,360 Speaker 2: every part of law and order when they go to 662 00:30:57,400 --> 00:30:59,120 Speaker 2: the therapist and they're like I can't tell you, and 663 00:30:59,120 --> 00:31:02,080 Speaker 2: they're like, so one could be dead. It's like to 664 00:31:02,160 --> 00:31:05,720 Speaker 2: get that therapist, who I'm sure was very motivated to 665 00:31:05,760 --> 00:31:07,640 Speaker 2: be like, I need to tell you what the last 666 00:31:07,640 --> 00:31:10,320 Speaker 2: thing she told me, right, because it's exactly what's happening 667 00:31:10,360 --> 00:31:11,640 Speaker 2: right now. Horrifying. 668 00:31:12,840 --> 00:31:15,360 Speaker 1: As investigators learned more about Tom, they learned that he's 669 00:31:15,440 --> 00:31:18,680 Speaker 1: had other affairs and has a history of becoming threatening 670 00:31:18,760 --> 00:31:21,800 Speaker 1: and possessive. In one case, in the late seventies, long 671 00:31:21,840 --> 00:31:25,000 Speaker 1: before Annie, he'd been having an affair with an engaged 672 00:31:25,040 --> 00:31:27,680 Speaker 1: woman while he was newly married. He showed up at 673 00:31:27,720 --> 00:31:31,000 Speaker 1: her bachelorette party and at the wedding and wrote her 674 00:31:31,040 --> 00:31:34,800 Speaker 1: obsessive letters for months. So he was just unhinged. 675 00:31:34,840 --> 00:31:38,360 Speaker 2: Yeah, he couldn't stop. Well again because it's control, right, 676 00:31:38,400 --> 00:31:39,160 Speaker 2: he's like a stalker. 677 00:31:39,800 --> 00:31:42,000 Speaker 1: Then he tried to hire a man to beat her 678 00:31:42,120 --> 00:31:45,000 Speaker 1: up or hit her with a car, specifically requesting these 679 00:31:45,040 --> 00:31:47,200 Speaker 1: two things, but the man who tried to hire, went 680 00:31:47,240 --> 00:31:50,440 Speaker 1: to the FBI with tapes of Tom's phone calls. 681 00:31:50,680 --> 00:31:54,400 Speaker 2: I love when hit men do that. It's not that common, 682 00:31:54,480 --> 00:31:56,520 Speaker 2: I don't think, but like every once in a while 683 00:31:56,520 --> 00:31:57,320 Speaker 2: they'll be like, you know. 684 00:31:57,360 --> 00:32:00,360 Speaker 1: What this is, this is against my KHOTO con and 685 00:32:00,400 --> 00:32:02,680 Speaker 1: I'm a hit man, and like who the fuck are you? 686 00:32:02,960 --> 00:32:06,840 Speaker 2: Yeah, it's terrifying, but also just that ideas like hiring 687 00:32:06,880 --> 00:32:11,320 Speaker 2: someone to hit them with a car. Yeah, disgusting, it's awful. 688 00:32:11,960 --> 00:32:15,040 Speaker 1: But authorities essentially at that time give Tom a slap 689 00:32:15,040 --> 00:32:16,920 Speaker 1: on the wrist and send him on his way. 690 00:32:17,040 --> 00:32:17,760 Speaker 2: Wow. I know. 691 00:32:18,480 --> 00:32:21,120 Speaker 1: The FBI is called into Annie's case at the personal 692 00:32:21,240 --> 00:32:25,520 Speaker 1: request of Governor Carper, who's Annie's boss, and in July 693 00:32:25,680 --> 00:32:27,880 Speaker 1: they do an extensive search of Tom's house. They find 694 00:32:27,880 --> 00:32:30,760 Speaker 1: out that Tom had replaced this is just like textbook, 695 00:32:30,960 --> 00:32:33,360 Speaker 1: replace the carpet and the sofa in his living room 696 00:32:33,400 --> 00:32:34,680 Speaker 1: the weekend Annie disappeared. 697 00:32:35,320 --> 00:32:37,760 Speaker 2: Oh my god. He also had gone to a. 698 00:32:37,720 --> 00:32:41,320 Speaker 1: Drugstore and bought a cleaning product with this fucking name 699 00:32:41,560 --> 00:32:44,760 Speaker 1: that is just are you ready for this. It's called 700 00:32:44,840 --> 00:32:46,600 Speaker 1: Carbona Blood and Milk remover. 701 00:32:47,040 --> 00:32:51,120 Speaker 2: Oh sir, that's a confession. Yeah. At the Ace Hardware 702 00:32:51,240 --> 00:32:52,600 Speaker 2: but why milk? Carbona. 703 00:32:52,640 --> 00:32:54,480 Speaker 1: I want to ask the Carbona family, like, can you 704 00:32:54,520 --> 00:32:55,160 Speaker 1: just do blood? 705 00:32:55,280 --> 00:32:57,640 Speaker 2: I wonder if milk stinks? And even when you get 706 00:32:57,680 --> 00:32:59,959 Speaker 2: it up, like it still keeps stinking. If it's in there, 707 00:33:00,240 --> 00:33:02,400 Speaker 2: you're a farm girl. There, a farm girl, And I've 708 00:33:02,440 --> 00:33:05,560 Speaker 2: dropped many a latte in my car, so. 709 00:33:06,920 --> 00:33:09,040 Speaker 1: Lates, samel in the carts sour. 710 00:33:09,440 --> 00:33:11,840 Speaker 2: You're just like it's fine. I like vanilla lattes. And 711 00:33:11,880 --> 00:33:14,520 Speaker 2: then like a week later, like, why does everything turn 712 00:33:14,560 --> 00:33:15,320 Speaker 2: out this way? 713 00:33:15,480 --> 00:33:18,440 Speaker 1: You explained? Sorry, Carbona family, don't at me. I get 714 00:33:18,520 --> 00:33:19,600 Speaker 1: you now They're. 715 00:33:19,320 --> 00:33:25,040 Speaker 2: Like this, do you understand what milk is like? In cope? Well, blood, milk, blood, 716 00:33:25,160 --> 00:33:26,040 Speaker 2: it's all in there. 717 00:33:27,560 --> 00:33:29,840 Speaker 1: The search also turns up bloodstains on the woodwork in 718 00:33:29,880 --> 00:33:33,040 Speaker 1: the living room and on a radiator and on the 719 00:33:33,240 --> 00:33:36,480 Speaker 1: door of a laundry closet like blood and you're a yeah. 720 00:33:36,440 --> 00:33:39,640 Speaker 2: So when the cops knocked, he was standing there, right. 721 00:33:40,000 --> 00:33:41,760 Speaker 2: If they had just walked in and looked at that room, 722 00:33:41,800 --> 00:33:42,840 Speaker 2: something might have been there. 723 00:33:42,960 --> 00:33:45,400 Speaker 1: Yeah, And they didn't have a warrant, but they could 724 00:33:45,400 --> 00:33:48,120 Speaker 1: have maybe gotten one. But also he was political, so 725 00:33:48,200 --> 00:33:50,120 Speaker 1: maybe it would have been impossible. Who knows, you know, 726 00:33:50,200 --> 00:33:53,120 Speaker 1: it's just a missed opportunity. But they don't have a 727 00:33:53,160 --> 00:33:57,400 Speaker 1: body to match the blood to, right because Annie is missing. 728 00:33:58,040 --> 00:34:01,640 Speaker 1: So the agents learned that Annie donated blood very regularly, 729 00:34:02,560 --> 00:34:06,400 Speaker 1: they locate they track down her last donation right before 730 00:34:06,440 --> 00:34:10,120 Speaker 1: it gets shipped overseas to test it. Wow, and the 731 00:34:10,239 --> 00:34:12,120 Speaker 1: nick of time and the blood is found to be 732 00:34:12,160 --> 00:34:15,200 Speaker 1: a match. That is some detective. 733 00:34:15,040 --> 00:34:19,440 Speaker 2: Work, right and also fully makes up for having to 734 00:34:19,480 --> 00:34:21,480 Speaker 2: stand at that doorway not do anything that might have 735 00:34:21,520 --> 00:34:23,719 Speaker 2: been the FBI and then that might have been But 736 00:34:23,960 --> 00:34:28,440 Speaker 2: thank god, yes, because also that kind of thing, if 737 00:34:28,440 --> 00:34:31,839 Speaker 2: it is that overt and horrible of a murder where 738 00:34:31,840 --> 00:34:33,640 Speaker 2: he just killed her in his living room because he 739 00:34:33,719 --> 00:34:35,320 Speaker 2: was angry or said everywhere. 740 00:34:36,719 --> 00:34:40,080 Speaker 1: Yeah, but there's no body. And at the time it 741 00:34:40,160 --> 00:34:44,080 Speaker 1: is very rare for anyone to be arrested, for anyone 742 00:34:44,120 --> 00:34:47,480 Speaker 1: to be tried for murder without a body nineteen ninety six. 743 00:34:48,280 --> 00:34:50,440 Speaker 1: But around this same time when they find all this 744 00:34:50,719 --> 00:34:55,440 Speaker 1: evidence of blood, Tom's brother Jerry Tom and Jerry is 745 00:34:55,560 --> 00:34:58,880 Speaker 1: arrested on drug and weapons charges. And you know what 746 00:34:59,000 --> 00:35:05,279 Speaker 1: happens to like regular criminals, they snitchit exactly. So he's like, 747 00:35:05,680 --> 00:35:08,799 Speaker 1: I'll cooperate with you. To get a better case on 748 00:35:08,880 --> 00:35:12,120 Speaker 1: the shit that I'm in trouble with and essentially completely 749 00:35:12,160 --> 00:35:15,640 Speaker 1: throws his brother under the bus. Oh wow, completely rats 750 00:35:15,640 --> 00:35:16,239 Speaker 1: his brother out. 751 00:35:16,440 --> 00:35:16,840 Speaker 2: Wow. 752 00:35:17,160 --> 00:35:20,160 Speaker 1: Louie, one of Tom's older brothers, also winds up cooperating, 753 00:35:20,280 --> 00:35:23,680 Speaker 1: so Jerry and Louie tell police that Tom did kill 754 00:35:23,719 --> 00:35:26,480 Speaker 1: Annie at his own house and that he put her 755 00:35:26,520 --> 00:35:29,800 Speaker 1: body in a fishing cooler the day after she was 756 00:35:29,840 --> 00:35:33,279 Speaker 1: last seen. Tom and Jerry used Jerry's boat to go 757 00:35:33,520 --> 00:35:37,239 Speaker 1: about seventy miles off the coast of Stone Harbor, but 758 00:35:37,320 --> 00:35:40,279 Speaker 1: then the cooler wouldn't sink, so instead they wrapped two 759 00:35:40,360 --> 00:35:44,200 Speaker 1: anchors around Annie's body and let her sink into the Atlantic, 760 00:35:44,239 --> 00:35:46,359 Speaker 1: and then they threw the empty cooler into the water. 761 00:35:46,560 --> 00:35:49,560 Speaker 1: And when the story's made public, two fishermen come forward 762 00:35:50,239 --> 00:35:53,600 Speaker 1: saying they had found a cooler in the ocean like 763 00:35:53,640 --> 00:35:57,279 Speaker 1: the one described off the Jersey shore and they had 764 00:35:57,360 --> 00:35:59,160 Speaker 1: used it to store fish. But the cooler is found 765 00:35:59,160 --> 00:36:02,200 Speaker 1: to match the one described, coroborating his story. 766 00:36:02,360 --> 00:36:05,000 Speaker 2: I'm pretty sure, and I could be wrong with all 767 00:36:05,040 --> 00:36:06,880 Speaker 2: the things we've looked at over the years, but I'm 768 00:36:06,920 --> 00:36:10,040 Speaker 2: pretty sure. I've seen the clip of those fishermen who 769 00:36:10,120 --> 00:36:13,200 Speaker 2: talked to the news. Yeah, because they found that. Because 770 00:36:13,200 --> 00:36:15,640 Speaker 2: it's like they show it like a floating out here 771 00:36:15,800 --> 00:36:18,000 Speaker 2: right in the middle of it whatever. And it is 772 00:36:18,040 --> 00:36:22,640 Speaker 2: so disturbing, Like this idea where there are people, as 773 00:36:22,680 --> 00:36:25,279 Speaker 2: we know in this world that if they want you gone, 774 00:36:25,320 --> 00:36:27,400 Speaker 2: you're gone because they know how to do it and 775 00:36:27,400 --> 00:36:28,920 Speaker 2: they know those kinds of details. 776 00:36:28,960 --> 00:36:33,680 Speaker 1: It's awful, I imagine. The case goes to trial October 777 00:36:33,680 --> 00:36:36,000 Speaker 1: of nineteen ninety eight. In court, Tom tells a different 778 00:36:36,000 --> 00:36:39,280 Speaker 1: story than anyone's ever heard before. His brothers have ratted 779 00:36:39,320 --> 00:36:41,880 Speaker 1: him out. He kind of can't fight that, so he 780 00:36:41,960 --> 00:36:45,160 Speaker 1: confirms that he brought Annie to his house after dropping 781 00:36:45,200 --> 00:36:46,600 Speaker 1: the gift and groceries at her house. 782 00:36:46,680 --> 00:36:48,439 Speaker 2: Wait, can I guess she did something to him? 783 00:36:48,640 --> 00:36:53,000 Speaker 1: Even worse, the mistress did it. Her name is Debbie. 784 00:36:53,000 --> 00:36:55,360 Speaker 1: I'm not saying her last name because it's just such bullshit. 785 00:36:55,880 --> 00:36:59,480 Speaker 1: He's saying that. Debbie shows up, discovers them together, she's 786 00:36:59,600 --> 00:37:02,240 Speaker 1: up set. There's a scuffle and Debbie has a gun 787 00:37:03,000 --> 00:37:06,000 Speaker 1: and he grabs Debbie's arm and the gun goes off. 788 00:37:06,719 --> 00:37:09,800 Speaker 1: That's what he says happened. He admits to hiding Annie's 789 00:37:09,840 --> 00:37:13,520 Speaker 1: body and claims Debbie helped him do it. Debbie testifies too, 790 00:37:14,080 --> 00:37:16,879 Speaker 1: and she vehemently denies being at his house that night, 791 00:37:17,400 --> 00:37:19,359 Speaker 1: although she does say one time Tom had asked her 792 00:37:19,360 --> 00:37:21,760 Speaker 1: to buy a handgun in her name, and she did. 793 00:37:22,160 --> 00:37:24,200 Speaker 1: She says she gave it to him and never saw 794 00:37:24,200 --> 00:37:26,520 Speaker 1: it again. So all she does is fucking point the 795 00:37:26,520 --> 00:37:28,280 Speaker 1: finger that he actually has a gun. 796 00:37:28,320 --> 00:37:31,959 Speaker 2: Well, she better because she was like, oh no, here's 797 00:37:31,960 --> 00:37:33,880 Speaker 2: who I'm gonna throw under the bus. And she's like 798 00:37:34,239 --> 00:37:37,680 Speaker 2: the one person that actually loved you, that thought this 799 00:37:37,840 --> 00:37:40,080 Speaker 2: was all real and now is finding out you have, 800 00:37:40,760 --> 00:37:43,520 Speaker 2: you know, all these other mistresses and whatever, and you're 801 00:37:43,520 --> 00:37:45,799 Speaker 2: gonna blame me. I have shit on you, bro, just 802 00:37:45,840 --> 00:37:50,000 Speaker 2: like when does it? It's craven fucking Mark Harmon. 803 00:37:51,280 --> 00:37:53,600 Speaker 1: Tom is sound guilty at first degree murder, and it's 804 00:37:53,640 --> 00:37:56,080 Speaker 1: the first time in Delaware history that someone is convicted 805 00:37:56,120 --> 00:37:58,640 Speaker 1: of murder in the absence of a body or a 806 00:37:58,760 --> 00:38:00,879 Speaker 1: murder weapon, so they don't have either, but they're still 807 00:38:00,880 --> 00:38:03,800 Speaker 1: able to convict her. At first, Tom is sentenced to death, 808 00:38:03,960 --> 00:38:06,400 Speaker 1: but on one of his appeals, the death sentence is 809 00:38:06,440 --> 00:38:09,320 Speaker 1: overturned since it had been decided by a jury verdict 810 00:38:09,320 --> 00:38:13,560 Speaker 1: that was not unanimous. He is sentenced to life in prison. Instead, 811 00:38:13,640 --> 00:38:16,720 Speaker 1: he appeals several more times, and his conviction is affirmed 812 00:38:16,760 --> 00:38:19,600 Speaker 1: each time. Tom dies in prison at the age of 813 00:38:19,640 --> 00:38:23,920 Speaker 1: sixty one in twenty eleven of heart failure. Annie is 814 00:38:23,960 --> 00:38:26,759 Speaker 1: remembered as a bright light in the Wilmington community and 815 00:38:27,000 --> 00:38:30,520 Speaker 1: in brandy Wine Park there's a bench dedicated to her memory. 816 00:38:30,920 --> 00:38:33,600 Speaker 1: O'friel's pub, where all the fay He kids worked and 817 00:38:33,640 --> 00:38:36,520 Speaker 1: where Annie first met Mike closes in two thousand and one, 818 00:38:37,560 --> 00:38:40,600 Speaker 1: but until it does, the banner with Annie's picture advertising 819 00:38:40,600 --> 00:38:44,320 Speaker 1: the reward for information leading to her return remains hanging. 820 00:38:44,440 --> 00:38:45,239 Speaker 2: Oh that kills me. 821 00:38:45,560 --> 00:38:49,200 Speaker 1: And I think there's so many murderinos that started with 822 00:38:49,280 --> 00:38:51,640 Speaker 1: this case from Delaware, so many people wrote them. 823 00:38:51,719 --> 00:38:54,439 Speaker 2: Yeah, I mean, it's just oh they kept a sign, 824 00:38:54,680 --> 00:38:54,960 Speaker 2: I know. 825 00:38:56,200 --> 00:38:58,600 Speaker 1: And that is the story of the murder of Anne 826 00:38:58,600 --> 00:39:04,600 Speaker 1: Marie fahe Loss. Yeah horrible, Yeah, always. 827 00:39:04,120 --> 00:39:11,800 Speaker 2: But I mean always, but man, this one. Yeah, okay, 828 00:39:11,960 --> 00:39:13,760 Speaker 2: I'm going to turn it around. Are you ready? 829 00:39:13,840 --> 00:39:14,920 Speaker 1: I'm so fucking ready. 830 00:39:15,000 --> 00:39:19,719 Speaker 2: Okay, because I was tough. Yeah, but there are good 831 00:39:19,719 --> 00:39:23,080 Speaker 2: things that happened in the world. Remember when I'll tell 832 00:39:23,120 --> 00:39:26,719 Speaker 2: you there's a Twitter account called Historic Videos, but then 833 00:39:26,760 --> 00:39:29,839 Speaker 2: the handle is history and memes and so that's I 834 00:39:29,880 --> 00:39:34,719 Speaker 2: saw this reddit nice three paragraph tweet, and I was like, 835 00:39:34,760 --> 00:39:36,600 Speaker 2: I've never heard this story, and I think other people 836 00:39:36,640 --> 00:39:39,560 Speaker 2: should know this story, and especially you and I. You 837 00:39:39,640 --> 00:39:42,400 Speaker 2: being a native of La, me being a longtime citizen. 838 00:39:43,040 --> 00:39:45,919 Speaker 2: If you live in LA or you watch the Kardashians, 839 00:39:45,920 --> 00:39:48,799 Speaker 2: you know what a big part of the culture here 840 00:39:49,000 --> 00:39:54,080 Speaker 2: Armenians are. It's apparently the largest concentration of Armenians outside 841 00:39:54,080 --> 00:39:57,480 Speaker 2: of Armenia is in Glendale, which is a suburb of 842 00:39:57,640 --> 00:40:01,160 Speaker 2: LA And so when I I started reading this, I 843 00:40:01,200 --> 00:40:03,400 Speaker 2: was like, oh, well, this is great. There's lots of 844 00:40:03,400 --> 00:40:06,000 Speaker 2: people who are going to like this story. So if 845 00:40:06,040 --> 00:40:10,320 Speaker 2: you don't know, Armenia is a small, landlocked country about 846 00:40:10,320 --> 00:40:13,440 Speaker 2: the size of Maryland. I would wonder how it competes 847 00:40:13,480 --> 00:40:17,239 Speaker 2: with Delaware, but don't know anything about our states. It's 848 00:40:17,280 --> 00:40:20,320 Speaker 2: a beautiful country and it's actually filled with beautiful lakes 849 00:40:20,320 --> 00:40:24,920 Speaker 2: and waterfalls and mineral springs. But the history in Armenia 850 00:40:24,960 --> 00:40:28,680 Speaker 2: is incredibly heavy. In nineteen fifteen, toward the end of 851 00:40:28,719 --> 00:40:32,879 Speaker 2: the Ottoman Empire, around one point five million Armenians were 852 00:40:33,000 --> 00:40:37,399 Speaker 2: murdered in a devastating state sanctioned genocide, which is why 853 00:40:37,440 --> 00:40:41,560 Speaker 2: there are so many Armenian immigrants in La So the 854 00:40:41,560 --> 00:40:43,360 Speaker 2: story I'm about to tell you it takes place sixty 855 00:40:43,440 --> 00:40:48,319 Speaker 2: years after that, when Armenia is under Soviet rule. It 856 00:40:48,400 --> 00:40:51,000 Speaker 2: is a late September evening in nineteen seventy six, the 857 00:40:51,040 --> 00:40:54,160 Speaker 2: workdays coming to an end, and dozens of Communers are 858 00:40:54,160 --> 00:40:57,759 Speaker 2: making their way across Urevon, which is the capital of 859 00:40:57,880 --> 00:41:00,719 Speaker 2: Armenia and the largest city in the whole country. It's 860 00:41:00,760 --> 00:41:03,520 Speaker 2: a typical rush hour, but it's interrupted by the sound 861 00:41:03,640 --> 00:41:08,080 Speaker 2: of screeching metal and then a big crashing boom, and 862 00:41:08,239 --> 00:41:12,520 Speaker 2: people scream in terror as they watch a packed trolleybus 863 00:41:13,200 --> 00:41:18,480 Speaker 2: veer off its tracks along Lake Yerevon, a huge reservoir 864 00:41:18,480 --> 00:41:22,759 Speaker 2: in the city. Later on, they'll say that per investigation, 865 00:41:22,880 --> 00:41:26,760 Speaker 2: the driver was speeding, but witnesses will actually come forward 866 00:41:26,840 --> 00:41:28,640 Speaker 2: and report that he had been trying to prevent a 867 00:41:28,680 --> 00:41:33,080 Speaker 2: pickpocket from leaving the trolleybus, and so he refused to 868 00:41:33,200 --> 00:41:37,200 Speaker 2: break to let that person off, and then he was 869 00:41:37,320 --> 00:41:39,520 Speaker 2: hit over the head with a metal bar and knocked out. 870 00:41:40,200 --> 00:41:43,480 Speaker 2: So then the trolleybus not only didn't break, but kept speeding, 871 00:41:44,200 --> 00:41:47,680 Speaker 2: and it flies over a curb and then slams nose 872 00:41:47,719 --> 00:41:51,360 Speaker 2: first into the concrete perimeter that runs around the reservoir. 873 00:41:51,960 --> 00:41:54,760 Speaker 2: It flips a few times and then it rolls into 874 00:41:54,840 --> 00:41:59,480 Speaker 2: Lake Yerevon and there are nearly one hundred people school kids, 875 00:41:59,520 --> 00:42:05,360 Speaker 2: factory workers, housewives, retirees that are trapped inside and seconds 876 00:42:05,400 --> 00:42:09,080 Speaker 2: from drowning in this very cold lakewater. But they are 877 00:42:09,080 --> 00:42:14,680 Speaker 2: not helpless because one particularly capable bystander immediately springs into action. 878 00:42:15,960 --> 00:42:19,120 Speaker 2: Kind of this is the story of a truly heroic 879 00:42:19,360 --> 00:42:23,640 Speaker 2: Armenian athlete named Chavarge Kara Petyon. Yes, have you heard 880 00:42:23,640 --> 00:42:23,839 Speaker 2: of this? 881 00:42:24,120 --> 00:42:26,239 Speaker 1: I've read it in the same style that you found 882 00:42:26,320 --> 00:42:31,359 Speaker 1: it in on like random hontry. Interesting history, right, Yes. 883 00:42:31,480 --> 00:42:34,680 Speaker 2: So the main source used in today's story is a 884 00:42:34,719 --> 00:42:38,239 Speaker 2: twenty fourteen grant Land article by a writer named Karl 885 00:42:38,320 --> 00:42:42,000 Speaker 2: Schrek entitled The Plunge, and the rest of the sources 886 00:42:42,000 --> 00:42:44,319 Speaker 2: are on our show notes. So we're going to go 887 00:42:44,360 --> 00:42:47,640 Speaker 2: back twenty years before the crash I just described to 888 00:42:47,920 --> 00:42:52,560 Speaker 2: nineteen fifty three, when Chavarsh was born into a working 889 00:42:52,600 --> 00:42:56,120 Speaker 2: class Armenian family. His path in life is more or 890 00:42:56,200 --> 00:43:00,480 Speaker 2: less decided for him because his father, Vladimir has dreams 891 00:43:00,480 --> 00:43:05,600 Speaker 2: for his three sons, chavarche Como and anatolely of them 892 00:43:05,680 --> 00:43:09,960 Speaker 2: all becoming world class athletes. It's a partially strategic dream 893 00:43:10,040 --> 00:43:12,200 Speaker 2: that he has because excelling in sports is one of 894 00:43:12,280 --> 00:43:17,319 Speaker 2: the few ways Armenians, especially those from humble backgrounds, can 895 00:43:17,360 --> 00:43:20,879 Speaker 2: have any kind of upward mobility without drawing too much 896 00:43:20,960 --> 00:43:24,439 Speaker 2: attention from Soviet authorities. Sure, so it's like a way 897 00:43:24,440 --> 00:43:28,400 Speaker 2: to get ahead. So Vladimir sciences boys up for gymnastics 898 00:43:28,560 --> 00:43:33,080 Speaker 2: under an incredibly accomplished Armenian athlete and Olympic gold medalist 899 00:43:33,239 --> 00:43:38,680 Speaker 2: named Albert Azarian. Immediately, Chavar shows a ton of potential. 900 00:43:39,160 --> 00:43:42,839 Speaker 2: He's said to have a quote commanding build, quick reflexes, 901 00:43:43,200 --> 00:43:49,120 Speaker 2: and relentless ambition. It's the commanding build that really, I 902 00:43:49,160 --> 00:43:52,080 Speaker 2: think has gotten you so funny. Definitely a lot of this, 903 00:43:52,880 --> 00:43:56,479 Speaker 2: a lot of muscle muscle flexing. But even with such 904 00:43:56,600 --> 00:43:59,799 Speaker 2: raw talent, Chavar's coaches don't think he can make a 905 00:44:00,239 --> 00:44:04,719 Speaker 2: out of gymnastics because he begins training when he's a 906 00:44:04,719 --> 00:44:08,400 Speaker 2: little too old in a sport where competitors peek in 907 00:44:08,440 --> 00:44:10,920 Speaker 2: their early teens and he's like in his mid teens. 908 00:44:11,440 --> 00:44:14,720 Speaker 2: But nobody wants to see him leave competitive sports because 909 00:44:14,800 --> 00:44:18,360 Speaker 2: he's so kind of such a natural, so one coach 910 00:44:18,600 --> 00:44:22,320 Speaker 2: suggests he pivots to swimming, and this is out of 911 00:44:22,400 --> 00:44:27,520 Speaker 2: left field. As reporter Carl Schrek explains in twenty fourteen quote, 912 00:44:27,840 --> 00:44:30,640 Speaker 2: Armenia is not a nation of swimmers. The country is 913 00:44:30,680 --> 00:44:33,359 Speaker 2: home to just a handful of public pools. A few 914 00:44:33,400 --> 00:44:36,400 Speaker 2: of Armenia's lakes and rivers are suitable for swimming. The 915 00:44:36,480 --> 00:44:39,719 Speaker 2: president of the Armenia and Swimming Federation estimates that only 916 00:44:39,800 --> 00:44:43,160 Speaker 2: thirty percent of the population knows how to swim wow, 917 00:44:43,280 --> 00:44:46,840 Speaker 2: a figure he says has changed little since Soviet times. 918 00:44:46,840 --> 00:44:49,279 Speaker 1: Interesting, I guess if you're landlocked, right, you're not like. 919 00:44:49,440 --> 00:44:52,240 Speaker 2: Maybe they do a little more like standing around and 920 00:44:52,360 --> 00:44:54,880 Speaker 2: splashing the water up onto themselves in a lake or 921 00:44:54,920 --> 00:44:58,040 Speaker 2: a stream. Always nice, But no, they won't get their 922 00:44:58,040 --> 00:45:00,759 Speaker 2: face wet like my mom at blue when she would 923 00:45:00,800 --> 00:45:04,480 Speaker 2: be like always worrying about her hair and maga. But 924 00:45:04,640 --> 00:45:07,680 Speaker 2: Chavarsh commits himself to the sport, and he eventually joins 925 00:45:07,719 --> 00:45:12,319 Speaker 2: a league dedicated to developing professional Soviet swimmers, and sure enough, 926 00:45:12,560 --> 00:45:17,560 Speaker 2: Chavarche is good. He's particularly fast in backstroke and freestyle events, 927 00:45:17,920 --> 00:45:19,880 Speaker 2: and he quickly earns a reputation for being one of 928 00:45:19,960 --> 00:45:23,800 Speaker 2: Armenia's most promising young swimmers, but over the next several 929 00:45:23,880 --> 00:45:26,880 Speaker 2: years he starts to lag behind the other swimmers in 930 00:45:26,960 --> 00:45:30,120 Speaker 2: his age group. It's said that he's as he grows older, 931 00:45:30,160 --> 00:45:33,239 Speaker 2: he becomes less flexible, and he just starts having a 932 00:45:33,239 --> 00:45:36,960 Speaker 2: hard time nailing down his stroke technique and that slows 933 00:45:37,040 --> 00:45:40,560 Speaker 2: him down. And then, at just seventeen years old, Chavarche 934 00:45:40,640 --> 00:45:44,160 Speaker 2: is dropped from his swimming league. Of course, this is 935 00:45:44,200 --> 00:45:47,240 Speaker 2: a huge gut punch for him. His dreams of becoming 936 00:45:47,239 --> 00:45:50,000 Speaker 2: a champion swimmer are gone. So he hits a bar 937 00:45:50,120 --> 00:45:53,480 Speaker 2: that night with a fellow swimmer, presumably to drown of sorrows. 938 00:45:53,920 --> 00:45:58,360 Speaker 2: But that same friend happens to be recruiting athletes for 939 00:45:58,520 --> 00:46:01,520 Speaker 2: a finn swimming team. Hmm, know what that is? Luckily 940 00:46:01,600 --> 00:46:04,080 Speaker 2: there's a paragraph right under here that will tell you 941 00:46:04,719 --> 00:46:06,920 Speaker 2: fin swimming is pretty much what it sounds like. It's 942 00:46:06,960 --> 00:46:09,920 Speaker 2: an event where competitors race one another with fins dropped 943 00:46:09,920 --> 00:46:13,240 Speaker 2: to their feet. It might be two fins like scuba divers, 944 00:46:13,760 --> 00:46:16,040 Speaker 2: like they wear, or it could be what's called a 945 00:46:16,120 --> 00:46:19,759 Speaker 2: quote monofin, which is one big single fin like a 946 00:46:19,800 --> 00:46:22,280 Speaker 2: mermaid that you're playing mermaid in the pool. 947 00:46:22,600 --> 00:46:24,719 Speaker 1: I was picturing, like, why would they put a shark 948 00:46:24,760 --> 00:46:29,120 Speaker 1: fin to look like Yeah. 949 00:46:28,200 --> 00:46:30,760 Speaker 2: And then they chum the waters. It's really strange. 950 00:46:30,760 --> 00:46:32,200 Speaker 1: It's roleplay. Don't worry about it. 951 00:46:32,280 --> 00:46:36,000 Speaker 2: Yeah, it's shark roleplay. So shavarsh is interested and he 952 00:46:36,040 --> 00:46:38,319 Speaker 2: doesn't feel like he has any time to waste. So 953 00:46:38,440 --> 00:46:40,840 Speaker 2: even though he was drinking a combination of vodka and 954 00:46:40,880 --> 00:46:44,640 Speaker 2: beer all afternoon, he says, quote, I took a taxi home, 955 00:46:44,760 --> 00:46:47,320 Speaker 2: rested up a bit, and came back for my first workout. 956 00:46:47,400 --> 00:46:50,640 Speaker 1: Okay, he's when you're seventeen, man, you can do fucking anything. 957 00:46:50,800 --> 00:46:53,759 Speaker 2: Yeah. And also there's part of it that's like, I 958 00:46:53,840 --> 00:46:57,560 Speaker 2: gotta do this for my entire future. It's not a hobby. Okay, 959 00:46:57,600 --> 00:47:00,759 Speaker 2: fair enough. So even for a sea into athlete like 960 00:47:00,840 --> 00:47:03,239 Speaker 2: chiavarch who's been training in gyms and pools since he 961 00:47:03,280 --> 00:47:06,560 Speaker 2: was a little kid, finn swimming workouts are next level, 962 00:47:07,640 --> 00:47:09,640 Speaker 2: and many of them happen outside of the pool, and 963 00:47:09,680 --> 00:47:13,600 Speaker 2: they're geared at body conditioning. To paint a picture, chavarses 964 00:47:13,640 --> 00:47:17,520 Speaker 2: training might and tail, running upwards of eighteen miles around 965 00:47:17,560 --> 00:47:20,680 Speaker 2: town with a backpack filled with sand strapped to his back. 966 00:47:22,480 --> 00:47:25,520 Speaker 2: It's the og weighted best. Yes, and here's the og 967 00:47:25,719 --> 00:47:28,440 Speaker 2: or weighted vest. He also might run around with a 968 00:47:28,440 --> 00:47:29,480 Speaker 2: fellow swimmer on his. 969 00:47:29,480 --> 00:47:36,520 Speaker 1: Shoulders waited best Steve, Steve, the weighted best, chicken fighting, 970 00:47:36,760 --> 00:47:38,720 Speaker 1: it's all classic training. 971 00:47:39,440 --> 00:47:42,440 Speaker 2: He also climbs hills on his arms. 972 00:47:42,760 --> 00:47:44,840 Speaker 1: Oh fuck army crawling up a hill. 973 00:47:44,800 --> 00:47:48,320 Speaker 2: Oh wheelbarrow style, as a teammate holds his leg cute 974 00:47:48,680 --> 00:47:50,880 Speaker 2: so he has to there. So they're just trying to 975 00:47:50,880 --> 00:47:53,640 Speaker 2: make It's kind of like Rocky when he fights the 976 00:47:53,760 --> 00:47:56,760 Speaker 2: Russian guy, where it's like the workout is insane. 977 00:47:56,360 --> 00:47:57,720 Speaker 1: But the Russian guy is the pool. 978 00:47:57,840 --> 00:48:02,239 Speaker 2: That's the pool is fighting him. Chavarsh also becomes known 979 00:48:02,239 --> 00:48:04,440 Speaker 2: as the guy who jogs with ski boots attached to 980 00:48:04,480 --> 00:48:07,520 Speaker 2: big planks of wood around his neighborhood to strengthen his 981 00:48:07,600 --> 00:48:10,439 Speaker 2: ankles and feet. Okay, he's in it, he's showing off. 982 00:48:10,840 --> 00:48:14,160 Speaker 2: He's eighteen at this point, seventeen eighteen. One of the 983 00:48:14,160 --> 00:48:17,520 Speaker 2: most important skills that Chavarsh develops in this training is 984 00:48:17,600 --> 00:48:21,319 Speaker 2: breath control. In thin swimming, competitors might use snorkels for 985 00:48:21,400 --> 00:48:24,680 Speaker 2: longer distance races, but in sprints, they typically hold their 986 00:48:24,680 --> 00:48:29,040 Speaker 2: breath the entire time. So according to experts. You can 987 00:48:29,080 --> 00:48:32,040 Speaker 2: safely hold your breath for around a minute. Some people 988 00:48:32,080 --> 00:48:35,600 Speaker 2: can go longer, but then you're getting into dangerous territory 989 00:48:35,640 --> 00:48:37,920 Speaker 2: where you can actually damage your heart in your brain. 990 00:48:38,760 --> 00:48:40,919 Speaker 2: So we don't have an exact number for how long 991 00:48:41,040 --> 00:48:44,280 Speaker 2: Chavarche could hold his breath. We know it's several minutes, 992 00:48:44,320 --> 00:48:47,480 Speaker 2: which is pretty unbelievable. Do not try this at home? 993 00:48:47,600 --> 00:48:50,080 Speaker 1: No, I swear I saw recently, like the record just 994 00:48:50,120 --> 00:48:52,560 Speaker 1: got broken for the longest breath holding. 995 00:48:52,800 --> 00:48:55,520 Speaker 2: Yeah, like some sort of a deep free swim dive 996 00:48:55,680 --> 00:48:56,120 Speaker 2: or something. 997 00:48:56,200 --> 00:48:58,000 Speaker 1: Are you a scientists and you know a lot about it? 998 00:48:58,080 --> 00:49:00,520 Speaker 1: Right in at my favorite murder dot comment tells everything 999 00:49:00,560 --> 00:49:01,520 Speaker 1: about breath holding. 1000 00:49:01,600 --> 00:49:03,560 Speaker 2: I know because I thought there's some people could do 1001 00:49:03,680 --> 00:49:05,360 Speaker 2: like three minutes, yeah or something. 1002 00:49:05,440 --> 00:49:08,480 Speaker 1: But then like I swear recently it was like five minutes, 1003 00:49:08,520 --> 00:49:11,000 Speaker 1: but that doesn't sound right. And then like the damage, 1004 00:49:11,040 --> 00:49:11,480 Speaker 1: that's like. 1005 00:49:11,680 --> 00:49:13,839 Speaker 2: The damage unless it just pops you right into being 1006 00:49:13,880 --> 00:49:16,600 Speaker 2: a mermaid. You found an article where it's thirty minutes, 1007 00:49:16,920 --> 00:49:19,959 Speaker 2: forty minutes, no zero. 1008 00:49:20,560 --> 00:49:22,440 Speaker 1: You need to hear we need what do we need 1009 00:49:22,480 --> 00:49:25,960 Speaker 1: breath doctors to tell us all about it? Jesus for 1010 00:49:26,040 --> 00:49:26,480 Speaker 1: a MINIESO. 1011 00:49:26,600 --> 00:49:29,400 Speaker 2: My favorite murder also because you're a midsection super wide 1012 00:49:29,440 --> 00:49:31,320 Speaker 2: if you can hold your breath for half an hour 1013 00:49:31,400 --> 00:49:36,000 Speaker 2: for fish. Okay, love to discuss breath holding further murdering 1014 00:49:36,040 --> 00:49:38,080 Speaker 2: as if you would please engage. 1015 00:49:37,840 --> 00:49:40,640 Speaker 1: Someone at home is like my time to shine. Finally, 1016 00:49:41,280 --> 00:49:46,160 Speaker 1: I've written you ten hometowns of actual true crime, and now. 1017 00:49:46,200 --> 00:49:48,160 Speaker 2: It's my cousin's TV who used to hold his breath 1018 00:49:48,160 --> 00:49:51,080 Speaker 2: to make himself pass out so that he wouldn't be 1019 00:49:51,080 --> 00:49:54,320 Speaker 2: in trouble with my aunt. Okay, so all of this 1020 00:49:54,400 --> 00:49:57,520 Speaker 2: strength training and breath training pays off big time because 1021 00:49:57,880 --> 00:50:02,200 Speaker 2: Chavarsh becomes an excellent in swimmer. He rips through pools 1022 00:50:02,239 --> 00:50:05,240 Speaker 2: like a torpedo and he rarely has to surface because 1023 00:50:05,280 --> 00:50:08,279 Speaker 2: he can hold his breath for so long. That long 1024 00:50:08,560 --> 00:50:11,080 Speaker 2: thirty fucking minutes I mean. But also I wonder if 1025 00:50:11,200 --> 00:50:14,319 Speaker 2: one minute wasn't just a mistype of Maren's and it 1026 00:50:14,360 --> 00:50:16,520 Speaker 2: was supposed to be like fifteen or something, because one 1027 00:50:16,560 --> 00:50:19,600 Speaker 2: minute is I feel like we could do that, no brag. 1028 00:50:20,120 --> 00:50:22,640 Speaker 1: Okay, give me a week and maybe, yeah, we'd have to. 1029 00:50:22,560 --> 00:50:24,640 Speaker 2: Do some exercise. We have to get some bags of 1030 00:50:24,680 --> 00:50:28,280 Speaker 2: sand vest for you, Steve, I got Steve the waited 1031 00:50:28,360 --> 00:50:31,200 Speaker 2: Vest get up there. So, at just nineteen years old, 1032 00:50:31,360 --> 00:50:34,759 Speaker 2: chavarche fulfills a childhood dream. He competes on behalf of 1033 00:50:34,800 --> 00:50:38,319 Speaker 2: the Soviet Union in the nineteen seventy two European Championship 1034 00:50:38,320 --> 00:50:41,960 Speaker 2: Games in Moscow, and he walks away with gold medals 1035 00:50:42,000 --> 00:50:44,800 Speaker 2: in the fifty and one hundred meter finn swimming sprints 1036 00:50:45,320 --> 00:50:50,160 Speaker 2: and all the glory he could hold. A Soviet magazine writes, quote, 1037 00:50:50,360 --> 00:50:52,600 Speaker 2: it's safe to say we'll see this young athlete from 1038 00:50:52,680 --> 00:50:57,200 Speaker 2: Armenia at many more major championships. And chavage does finn 1039 00:50:57,200 --> 00:50:59,200 Speaker 2: swim as part of the Soviet team in the next 1040 00:50:59,239 --> 00:51:03,080 Speaker 2: two European Championships seventy three and seventy four. He sets 1041 00:51:03,080 --> 00:51:06,160 Speaker 2: world records and takes home a total of eight gold medals. 1042 00:51:06,520 --> 00:51:08,640 Speaker 2: But at this high point in his career, when he's 1043 00:51:08,680 --> 00:51:12,600 Speaker 2: only in his early twenties, he's inexplicably dropped by the 1044 00:51:12,640 --> 00:51:16,520 Speaker 2: Soviet team. No yeah, the reason why is a mystery 1045 00:51:16,600 --> 00:51:20,719 Speaker 2: even today. Chavarsh's best guess is that Soviet sports officials 1046 00:51:20,760 --> 00:51:24,880 Speaker 2: wanted to showcase more Russian athletes for sure on the team, 1047 00:51:25,239 --> 00:51:27,640 Speaker 2: but Shavarsha has gotten used to having the carpet pulled 1048 00:51:27,680 --> 00:51:31,400 Speaker 2: from underneath him. Competitive sports are his life and livelihood, 1049 00:51:31,440 --> 00:51:34,040 Speaker 2: so again he refuses to give up. He figures that 1050 00:51:34,080 --> 00:51:37,520 Speaker 2: his best move is to practice harder than ever has before, 1051 00:51:37,680 --> 00:51:40,960 Speaker 2: until he's so singularly impressive in the pool that the 1052 00:51:41,000 --> 00:51:43,640 Speaker 2: Soviets can't help but bring him back to the team. 1053 00:51:44,400 --> 00:51:49,320 Speaker 2: And that's what chavar Karapetyan was doing on September sixteenth, 1054 00:51:49,400 --> 00:51:52,800 Speaker 2: nineteen seventy six, the day of the trolleybus crash. 1055 00:51:52,880 --> 00:51:53,960 Speaker 1: Gottle's forgot about it. 1056 00:51:54,080 --> 00:51:56,880 Speaker 2: He is now twenty three years old, running near the 1057 00:51:56,920 --> 00:52:00,680 Speaker 2: reservoir on another one of his grueling training sessions, and 1058 00:52:00,719 --> 00:52:05,320 Speaker 2: he had already run thirteen miles with forty five pounds 1059 00:52:05,320 --> 00:52:08,120 Speaker 2: of sand strapped to his back in a backpack, which. 1060 00:52:08,040 --> 00:52:10,600 Speaker 1: In today's money is like three marathons. 1061 00:52:10,680 --> 00:52:12,600 Speaker 2: I mean that much sand for me would be like 1062 00:52:12,600 --> 00:52:15,000 Speaker 2: three hundred pounds of sand, Like, I can't lift this, 1063 00:52:15,160 --> 00:52:17,560 Speaker 2: And I don't know why you're being so unresented. Seriously. 1064 00:52:17,800 --> 00:52:21,719 Speaker 2: He's joined by his brother Como, who's also a competitive 1065 00:52:21,760 --> 00:52:26,320 Speaker 2: athlete in swimming and other events. So Chavarche and Como 1066 00:52:26,640 --> 00:52:29,239 Speaker 2: hear this crash of the trolleybus as it flies off 1067 00:52:29,280 --> 00:52:32,600 Speaker 2: its tracks into the lake, and before Chavarche can even 1068 00:52:32,640 --> 00:52:35,520 Speaker 2: figure out what he's doing, he finds himself running in 1069 00:52:35,560 --> 00:52:39,120 Speaker 2: the direction of the explosion. Como rushes after him. The 1070 00:52:39,160 --> 00:52:43,080 Speaker 2: trolleybus hits the lake bed and sinks quickly, kicking up 1071 00:52:43,120 --> 00:52:45,840 Speaker 2: a cloud of heavy silt, and it ends up resting 1072 00:52:45,880 --> 00:52:51,040 Speaker 2: about fifteen feet underwater. Chavarsh, acting purely on impulse and adrenaline, 1073 00:52:51,200 --> 00:52:54,280 Speaker 2: rushes down to the lake, strips to his underwear, throws 1074 00:52:54,280 --> 00:52:57,759 Speaker 2: off his backpack, and jumps into the water. Years later, 1075 00:52:57,800 --> 00:53:00,840 Speaker 2: his brother Kamo will tell writer Carl Schwak that quote. 1076 00:53:00,920 --> 00:53:03,880 Speaker 2: To this day, I ask myself if I had sprinted 1077 00:53:03,880 --> 00:53:06,480 Speaker 2: to the scene and hadn't seen Chavarsh in the water, 1078 00:53:06,880 --> 00:53:09,880 Speaker 2: would I have jumped in? The answer is always the same, 1079 00:53:10,440 --> 00:53:14,600 Speaker 2: fifty to fifty, fifty to fifty. Maybe I think that's 1080 00:53:14,680 --> 00:53:15,760 Speaker 2: really honest. 1081 00:53:15,880 --> 00:53:18,960 Speaker 1: Yeah, my first instinct wasn't to save people completely. 1082 00:53:19,120 --> 00:53:22,040 Speaker 2: That's what a big deal what my brother did, which 1083 00:53:22,080 --> 00:53:25,160 Speaker 2: is really cool, generous, generous. It's autumn and Armenia, so 1084 00:53:25,239 --> 00:53:28,719 Speaker 2: it's cold outside and the water's freezing. On top of that, 1085 00:53:29,080 --> 00:53:33,640 Speaker 2: Lake Yerevan is polluted. This reservoir is not a place 1086 00:53:33,680 --> 00:53:37,520 Speaker 2: where most people would willingly swim at all, but the 1087 00:53:37,560 --> 00:53:40,040 Speaker 2: brothers aren't thinking about that. They can see the trolley 1088 00:53:40,120 --> 00:53:42,560 Speaker 2: pole sticking out of the lake, so they know where 1089 00:53:42,600 --> 00:53:46,200 Speaker 2: the trolleybus is underwater. So they dive down and they 1090 00:53:46,200 --> 00:53:49,759 Speaker 2: start circling it looking for some sort of entrance that 1091 00:53:49,800 --> 00:53:53,080 Speaker 2: they can pull people out of. But all the windows 1092 00:53:53,120 --> 00:53:55,960 Speaker 2: and doors are shut, none of them are broken. Only 1093 00:53:56,000 --> 00:53:58,600 Speaker 2: seconds have passed since the crash, but already, of course, 1094 00:53:58,640 --> 00:54:00,920 Speaker 2: time is running out, and the brothers come back up 1095 00:54:00,960 --> 00:54:04,080 Speaker 2: for air. Chavarsh instruks Kamo to stay at the surface 1096 00:54:04,400 --> 00:54:07,640 Speaker 2: while he goes back under. He figures Kamo will be safer, 1097 00:54:07,960 --> 00:54:11,240 Speaker 2: but he can also call for help if Chavarsh himself 1098 00:54:11,360 --> 00:54:13,560 Speaker 2: gets stuck or runs out of energy and needs to 1099 00:54:13,560 --> 00:54:17,000 Speaker 2: be rescued. Then he dives back down to the trolley bus, 1100 00:54:17,040 --> 00:54:20,040 Speaker 2: and despite all the silt making the water murky, he 1101 00:54:20,239 --> 00:54:23,640 Speaker 2: somehow manages to find the back window. And when he does, 1102 00:54:24,080 --> 00:54:27,400 Speaker 2: he quote brought his legs to his chest and thrust 1103 00:54:27,400 --> 00:54:30,040 Speaker 2: his left leg through the window with what he describes 1104 00:54:30,080 --> 00:54:31,640 Speaker 2: as quote a karate kick. 1105 00:54:32,160 --> 00:54:34,960 Speaker 1: And imagine being in there and like through the silt. 1106 00:54:35,000 --> 00:54:38,800 Speaker 1: Suddenly you see this probably handsome fucking guy. 1107 00:54:39,040 --> 00:54:42,280 Speaker 2: You want to see Yeah, oh, he's very handsome. 1108 00:54:43,480 --> 00:54:47,880 Speaker 1: It's coming to save the day in the water. It's like, Hi, Hi, 1109 00:54:48,280 --> 00:54:48,880 Speaker 1: he's cute. 1110 00:54:48,960 --> 00:54:50,960 Speaker 2: Hi, how are you? I'd love to save you in 1111 00:54:51,040 --> 00:54:53,359 Speaker 2: my small bathing suit. I would love that too, and 1112 00:54:53,400 --> 00:54:56,080 Speaker 2: my beefy chest set a beef. That's a man that's 1113 00:54:56,120 --> 00:55:00,279 Speaker 2: been running around with weights on his body. Yeah, save 1114 00:55:00,360 --> 00:55:03,319 Speaker 2: the day. And then that what a fase, sweet little face, 1115 00:55:03,440 --> 00:55:06,760 Speaker 2: what a fase? Yeah? So it's a howt gy kicking 1116 00:55:06,760 --> 00:55:10,400 Speaker 2: in the window. Hell yeah, hell yes, So this kick works, 1117 00:55:10,560 --> 00:55:14,680 Speaker 2: he breaks in. He also slices his leg in the process, 1118 00:55:14,680 --> 00:55:17,360 Speaker 2: just part of it, so he has this huge gash 1119 00:55:17,360 --> 00:55:20,040 Speaker 2: on his leg. But he's now created a six foot 1120 00:55:20,040 --> 00:55:24,239 Speaker 2: wide opening in this trolleybus window without being able to 1121 00:55:24,239 --> 00:55:28,160 Speaker 2: really see. He starts feeling around for bodies before pulling 1122 00:55:28,200 --> 00:55:31,719 Speaker 2: someone through the window and then surfacing with them. Chavarsh 1123 00:55:31,960 --> 00:55:35,560 Speaker 2: hands that survivor over to his brother, who now is 1124 00:55:35,600 --> 00:55:38,200 Speaker 2: able to bring them to some first responders who have 1125 00:55:38,440 --> 00:55:42,200 Speaker 2: just rode out on kayaks, and then Chavarsh immediately heads 1126 00:55:42,239 --> 00:55:45,839 Speaker 2: back down. He moves unbelievably fast for someone who has 1127 00:55:45,920 --> 00:55:50,480 Speaker 2: just run thirteen miles with forty five pounds of sandstota. 1128 00:55:49,719 --> 00:55:52,200 Speaker 1: Or like not at all, like he moves fast for 1129 00:55:52,360 --> 00:55:54,040 Speaker 1: a person, just for just for. 1130 00:55:54,040 --> 00:55:56,400 Speaker 2: One of us. So he swims back down to the 1131 00:55:56,440 --> 00:55:59,720 Speaker 2: opening and grabs another person, brings them up to his brother, 1132 00:56:00,080 --> 00:56:04,000 Speaker 2: goes back down, grabs another, and so on. He then realizes, 1133 00:56:04,080 --> 00:56:06,520 Speaker 2: when he first comes up out of that area, he 1134 00:56:06,560 --> 00:56:09,239 Speaker 2: can swim above the roof and then push off from 1135 00:56:09,320 --> 00:56:12,960 Speaker 2: the roof and basically launch himself up to the surface 1136 00:56:13,160 --> 00:56:15,920 Speaker 2: way faster, so he starts doing it that way. He 1137 00:56:16,000 --> 00:56:19,000 Speaker 2: also pulled the glass of that six foot window out 1138 00:56:19,040 --> 00:56:21,880 Speaker 2: by hand, so he made it so that no one 1139 00:56:21,920 --> 00:56:24,359 Speaker 2: else would cut themselves the way he cut himself. Oh 1140 00:56:24,480 --> 00:56:26,759 Speaker 2: my god. So now there's a crowd gathered to watch 1141 00:56:26,800 --> 00:56:29,279 Speaker 2: this Harrying rescue mission play out, and one of the 1142 00:56:29,320 --> 00:56:32,400 Speaker 2: men in the crowd is Shavarsha's father, Vladimir, who was 1143 00:56:32,440 --> 00:56:34,960 Speaker 2: also coincidentally just in the area when the trolley bus 1144 00:56:35,000 --> 00:56:38,240 Speaker 2: went into the lake. He is so stunned to realize 1145 00:56:38,239 --> 00:56:40,560 Speaker 2: that the men in the water are his two sons. 1146 00:56:40,760 --> 00:56:43,560 Speaker 2: He later says, quote, I thought to myself, it's a 1147 00:56:43,560 --> 00:56:48,279 Speaker 2: good thing I made sure they learned how to swim. Yeah. Sorry, Yeah, 1148 00:56:48,320 --> 00:56:53,000 Speaker 2: I love Armenian style. They're so like they don't get 1149 00:56:53,080 --> 00:56:57,960 Speaker 2: riled up. Yea they're not extra, No, they're real. True. 1150 00:56:58,560 --> 00:57:03,080 Speaker 2: He's not like boys, he's not bragging. He's just like, Wow, 1151 00:57:03,200 --> 00:57:07,359 Speaker 2: thank god we got those swim lessons going. Vladimir will 1152 00:57:07,400 --> 00:57:10,600 Speaker 2: later recall how tense and anxious these onlookers were. Of course, 1153 00:57:10,640 --> 00:57:14,040 Speaker 2: they have no idea who Chavarsh actually is. At one point, 1154 00:57:14,120 --> 00:57:17,200 Speaker 2: he doesn't resurface after a minute or two, and there 1155 00:57:17,280 --> 00:57:19,880 Speaker 2: is a palpable feeling in the crowd that he might 1156 00:57:19,920 --> 00:57:23,640 Speaker 2: have drowned mid rescue. Vladimir says, quote when he finally 1157 00:57:23,640 --> 00:57:26,280 Speaker 2: came up, there was a massive communal sigh of relief. 1158 00:57:27,000 --> 00:57:29,919 Speaker 2: I'm holding my breath right now, I know. So down below, 1159 00:57:30,000 --> 00:57:32,680 Speaker 2: Chavarsh is still moving very fast, with no time to 1160 00:57:32,720 --> 00:57:35,320 Speaker 2: be diligent or to think about what he's doing. At 1161 00:57:35,320 --> 00:57:37,840 Speaker 2: one point, he grabs what he thinks is a person, 1162 00:57:38,400 --> 00:57:42,080 Speaker 2: but realizes upon surfacing that it's a seat cushion. Oh no, 1163 00:57:42,520 --> 00:57:44,720 Speaker 2: it paints him very much, and he will later say, 1164 00:57:44,800 --> 00:57:49,120 Speaker 2: quote that cost one life. Oh, only a few minutes 1165 00:57:49,160 --> 00:57:52,040 Speaker 2: have passed since this bus actually went into the water, 1166 00:57:52,160 --> 00:57:54,960 Speaker 2: and Chavarsh has already pulled dozens of bodies through that 1167 00:57:55,000 --> 00:57:58,040 Speaker 2: one broken window. We don't know the exact number, but 1168 00:57:58,080 --> 00:58:02,680 Speaker 2: It's estimated that he saves around twenty people while I'm drowning. 1169 00:58:02,840 --> 00:58:07,280 Speaker 2: Holy shit, twenty people one guy. But as precious seconds passed, 1170 00:58:07,600 --> 00:58:11,840 Speaker 2: Chavarsh realizes there are no survivors left. So in addition 1171 00:58:11,880 --> 00:58:14,760 Speaker 2: to the twenty people he saves, he recovers the bodies 1172 00:58:14,880 --> 00:58:16,480 Speaker 2: of around fifteen victim. 1173 00:58:16,560 --> 00:58:18,600 Speaker 1: He keeps doing it even though it's hopeless. 1174 00:58:18,880 --> 00:58:22,600 Speaker 2: Oh yeah, he winds down his rescue mission, but he 1175 00:58:22,640 --> 00:58:26,080 Speaker 2: doesn't rest cranes have just arrived at Lake Yerevan to 1176 00:58:26,520 --> 00:58:29,200 Speaker 2: lift the trolley bus out of the water, basically to 1177 00:58:29,240 --> 00:58:31,840 Speaker 2: get the rest of the bodies up out of the water. 1178 00:58:32,320 --> 00:58:35,080 Speaker 2: But the crane operators need to figure out how to 1179 00:58:35,160 --> 00:58:38,160 Speaker 2: wrap the crane's cables around the trolley to get it out. 1180 00:58:38,760 --> 00:58:41,800 Speaker 2: It's a dangerous job, but Chavarsh and his brother Kamo 1181 00:58:41,920 --> 00:58:42,240 Speaker 2: do it. 1182 00:58:42,280 --> 00:58:43,560 Speaker 1: No, you guys have done enough. 1183 00:58:43,800 --> 00:58:46,520 Speaker 2: They're like, don't anybody else get in this water? Yeah, 1184 00:58:46,600 --> 00:58:49,480 Speaker 2: let it just be us. Basically, Chavarch has to take 1185 00:58:49,520 --> 00:58:52,440 Speaker 2: a crow bar underwater, break out more windows, and then 1186 00:58:52,560 --> 00:58:57,160 Speaker 2: thread the cables through those broken windows by swimming through 1187 00:58:57,240 --> 00:59:00,680 Speaker 2: them through the cab of the trolley bus where there's 1188 00:59:00,720 --> 00:59:04,600 Speaker 2: like bodies yep, And they kind of can't see, and 1189 00:59:04,920 --> 00:59:07,640 Speaker 2: I'm sure he didn't clear out the broken glass. I mean, 1190 00:59:07,640 --> 00:59:10,800 Speaker 2: it's just he's doing it himself, and ultimately he's successful. 1191 00:59:10,800 --> 00:59:12,760 Speaker 2: The cranes are able to lift the trolley bus from 1192 00:59:12,800 --> 00:59:16,760 Speaker 2: the water, and the rest of the victims' bodies are recovered. 1193 00:59:17,320 --> 00:59:19,919 Speaker 2: When Chavarsh's finally about to get out of the lake, 1194 00:59:20,560 --> 00:59:23,880 Speaker 2: all of this exertion has taken a real toll on him, 1195 00:59:24,000 --> 00:59:27,880 Speaker 2: plus the polluted water. His legs starts shaking, his vision 1196 00:59:27,920 --> 00:59:31,280 Speaker 2: gets spotty, so his father, Vladimir takes him home and 1197 00:59:31,440 --> 00:59:34,880 Speaker 2: urges him to rest, but Chavarsha's condition gets worse. His 1198 00:59:34,920 --> 00:59:39,120 Speaker 2: fever spikes at one hundred and four degrees. He gets delirious. 1199 00:59:39,280 --> 00:59:40,680 Speaker 2: He starts convulsing. 1200 00:59:40,320 --> 00:59:43,040 Speaker 1: Because he's got that cut and then the pollution went in. 1201 00:59:43,080 --> 00:59:47,240 Speaker 2: It yes, horrifying, and also the sheer trauma of what 1202 00:59:47,400 --> 00:59:51,880 Speaker 2: he basically got himself into and then had to continue doing. 1203 00:59:53,040 --> 00:59:56,360 Speaker 2: That's just him by himself, with those with both survivors, 1204 00:59:56,360 --> 01:00:00,480 Speaker 2: but then bodies, that's too much, okay, So so he's 1205 01:00:00,480 --> 01:00:02,840 Speaker 2: taken to the hospital where he's diagnosed with a severe 1206 01:00:02,880 --> 01:00:06,320 Speaker 2: case of pneumonia. He's pumped with the antibiotics and he 1207 01:00:06,400 --> 01:00:08,680 Speaker 2: has to spend the next three weeks confined to a 1208 01:00:08,720 --> 01:00:12,160 Speaker 2: hospital bed. Years later, one of Shavarsh's doctors will talk 1209 01:00:12,200 --> 01:00:15,560 Speaker 2: about how close of a call this was, and they'll say, 1210 01:00:15,640 --> 01:00:17,840 Speaker 2: quote to be honest, I was surprised that we were 1211 01:00:17,840 --> 01:00:21,240 Speaker 2: able to save his life from that infection. It was 1212 01:00:21,520 --> 01:00:24,520 Speaker 2: the healthy system of an athlete that fought, and after 1213 01:00:24,600 --> 01:00:27,000 Speaker 2: he fought for the lives of others, God now gave 1214 01:00:27,080 --> 01:00:30,920 Speaker 2: him the strength to fight for his own life. So 1215 01:00:31,320 --> 01:00:33,280 Speaker 2: all of this happens, and he goes to the hospital. 1216 01:00:33,280 --> 01:00:35,800 Speaker 2: He's basically in the hospital for about a month, and 1217 01:00:35,960 --> 01:00:39,400 Speaker 2: essentially the people that were there and watched it happen 1218 01:00:39,560 --> 01:00:42,600 Speaker 2: know about it, and so Bath gets talked about. But 1219 01:00:42,880 --> 01:00:46,880 Speaker 2: most people in Yerevan don't know about the trolleybus accident, 1220 01:00:47,280 --> 01:00:50,720 Speaker 2: and they certainly don't know about Chavarsh's heroic response to it, 1221 01:00:51,280 --> 01:00:54,880 Speaker 2: although the local government has given him and Commo forty 1222 01:00:54,920 --> 01:00:58,440 Speaker 2: eight roubles the equivalent of a quarter of the typical 1223 01:00:58,480 --> 01:01:01,480 Speaker 2: monthly wage at the time, and that's all they get. 1224 01:01:01,800 --> 01:01:04,760 Speaker 2: Even though it's an incredible newsworthy story, no out let's 1225 01:01:04,800 --> 01:01:09,360 Speaker 2: pick it up. It seems very intentional because it's basically 1226 01:01:09,480 --> 01:01:13,160 Speaker 2: about a tragic infrastructure failure, and the Soviets don't want 1227 01:01:13,200 --> 01:01:17,120 Speaker 2: people hearing about that. Even the official report that documents 1228 01:01:17,160 --> 01:01:21,880 Speaker 2: the Trolleybush crash is classified. But Chavarsh didn't do it 1229 01:01:21,920 --> 01:01:25,160 Speaker 2: for attention or for glory. And actually when he marries 1230 01:01:25,200 --> 01:01:29,360 Speaker 2: his wife Nelly later on, he never tells her about 1231 01:01:29,440 --> 01:01:37,120 Speaker 2: what he tells me, Oh my god, dude, I earned it. 1232 01:01:38,040 --> 01:01:42,320 Speaker 2: Chavarsh feels like he has more pressing concerns. He's supposed 1233 01:01:42,360 --> 01:01:44,800 Speaker 2: to be working on his big comeback for the finn 1234 01:01:44,800 --> 01:01:47,280 Speaker 2: swimming team. You did it. 1235 01:01:48,120 --> 01:01:48,960 Speaker 1: That was your comeback. 1236 01:01:49,040 --> 01:01:52,080 Speaker 2: I mean yeah, just three weeks after leaving the hospital, 1237 01:01:52,320 --> 01:01:54,920 Speaker 2: he goes back to training. So he's in the hospital 1238 01:01:54,920 --> 01:01:57,439 Speaker 2: for almost a month. That's insane. Basically takes a month 1239 01:01:57,440 --> 01:02:00,400 Speaker 2: of like getting his strength back, and now he's back. Well, 1240 01:02:00,440 --> 01:02:02,920 Speaker 2: it was much harder for him at that point. He says, quote, 1241 01:02:03,080 --> 01:02:06,080 Speaker 2: when I started heavy training, I couldn't handle it. Mucus 1242 01:02:06,200 --> 01:02:08,520 Speaker 2: was coming up from my lungs. I was coughing all 1243 01:02:08,560 --> 01:02:08,960 Speaker 2: the time. 1244 01:02:09,120 --> 01:02:12,720 Speaker 1: You had pneumonia, yeah, like less than a month ago. 1245 01:02:12,920 --> 01:02:17,280 Speaker 2: Put the sand back down, buddy. Chavarsh also finds himself 1246 01:02:17,320 --> 01:02:19,840 Speaker 2: getting very tense when he has to be in water. 1247 01:02:19,920 --> 01:02:24,000 Speaker 2: Oh shit, which is understandable because of the trauma, but 1248 01:02:24,080 --> 01:02:26,160 Speaker 2: he is so eager to prove himself to the Soviet 1249 01:02:26,240 --> 01:02:30,000 Speaker 2: sports officials. He pushes through all of that fear and 1250 01:02:30,040 --> 01:02:32,640 Speaker 2: pain and trauma, and just a few months later, in 1251 01:02:32,680 --> 01:02:35,480 Speaker 2: the spring of nineteen seventy seven, he makes it to 1252 01:02:35,560 --> 01:02:41,560 Speaker 2: the Soviet Championship Games once again, this time in Baku. Azerbajan, 1253 01:02:42,280 --> 01:02:45,920 Speaker 2: your favorite country. I love it there as your Bajon 1254 01:02:46,440 --> 01:02:49,960 Speaker 2: was the reference country at the first writing job I 1255 01:02:50,000 --> 01:02:53,360 Speaker 2: ever had. Somebody very smart and funny made that reference, 1256 01:02:53,640 --> 01:02:56,040 Speaker 2: and then I was just like, that's a country, so 1257 01:02:56,120 --> 01:02:58,040 Speaker 2: now you know, like you really really know that way, 1258 01:02:58,040 --> 01:03:00,680 Speaker 2: I really know it. Got it? Yeah, I would never 1259 01:03:00,720 --> 01:03:02,680 Speaker 2: reference it because I don't know anything about it and 1260 01:03:02,720 --> 01:03:06,080 Speaker 2: I can't pronounce it except that the nineteen seventy seven 1261 01:03:06,120 --> 01:03:10,320 Speaker 2: Soviet Championship Games were there, so always known, which I've 1262 01:03:10,320 --> 01:03:13,760 Speaker 2: always known because I'm a big fan of Soviet Championship Games. 1263 01:03:13,880 --> 01:03:17,760 Speaker 2: Chavarsh is up against powerhouse Soviet swimmers. Two of his 1264 01:03:17,840 --> 01:03:21,640 Speaker 2: competitors have set world records, but he's here on a 1265 01:03:21,640 --> 01:03:24,480 Speaker 2: mission to prove himself to be the best finn swimmer 1266 01:03:24,480 --> 01:03:27,680 Speaker 2: in the USSR, and when he hears the starting gunfire, 1267 01:03:28,240 --> 01:03:30,560 Speaker 2: he leaps from the platform, he dives into the water, 1268 01:03:30,720 --> 01:03:33,880 Speaker 2: and as he puts it, quote, I swam to the death. 1269 01:03:34,120 --> 01:03:38,200 Speaker 2: I never raced so angry before. And in this race, 1270 01:03:38,280 --> 01:03:41,200 Speaker 2: the now twenty four year old Chavarche sets a new 1271 01:03:41,280 --> 01:03:42,160 Speaker 2: world record. 1272 01:03:42,280 --> 01:03:45,120 Speaker 1: Damn, I said, swim angry. That's the way we're learning. 1273 01:03:45,080 --> 01:03:48,000 Speaker 2: Swim angry. Baby, gotta do it, get in there and 1274 01:03:48,080 --> 01:03:51,800 Speaker 2: really want it. Later that year, at the European Championship Games, 1275 01:03:52,080 --> 01:03:56,160 Speaker 2: he'll win four more medals, three silvers and a gold. 1276 01:03:56,440 --> 01:03:59,400 Speaker 2: Almost no one in the crowd has any idea that 1277 01:03:59,520 --> 01:04:03,160 Speaker 2: less than a year before, this champion almost died saving 1278 01:04:03,200 --> 01:04:07,120 Speaker 2: the lives of twenty people. It's not until the early 1279 01:04:07,200 --> 01:04:11,120 Speaker 2: eighties when a reporter named Sergei Leskov, covering a swimming 1280 01:04:11,160 --> 01:04:15,480 Speaker 2: competition in Moscow, hears about champion Armenian finn swimmer who 1281 01:04:15,680 --> 01:04:19,760 Speaker 2: once quietly saved twenty people in Yerevan. And when serge 1282 01:04:20,160 --> 01:04:23,200 Speaker 2: brings this story back to his editor, he's immediately sent 1283 01:04:23,200 --> 01:04:25,520 Speaker 2: to Armenia to get the whole story and cover it all. 1284 01:04:26,360 --> 01:04:29,280 Speaker 2: As Carl Shrek writes in his I just realized that 1285 01:04:29,360 --> 01:04:32,480 Speaker 2: Carl Shrek's last name is Shrek. You just realized that, Yeah, 1286 01:04:32,640 --> 01:04:34,400 Speaker 2: I'm just reading it because it's spelt with a C. 1287 01:04:35,800 --> 01:04:38,480 Speaker 1: I've been hearing Shrek the whole time. 1288 01:04:39,120 --> 01:04:41,600 Speaker 2: He's just got a very light green complexion. 1289 01:04:41,640 --> 01:04:42,760 Speaker 1: I was thinking of the first time he said. I 1290 01:04:42,760 --> 01:04:44,880 Speaker 1: was like, ah, that had to suck. That moment that 1291 01:04:44,880 --> 01:04:45,720 Speaker 1: that movie came out. 1292 01:04:46,360 --> 01:04:49,480 Speaker 2: Just was like, oh no, oh no, it's me, Carl Shrek. 1293 01:04:49,560 --> 01:04:50,920 Speaker 1: Yeah forever. 1294 01:04:51,760 --> 01:04:56,040 Speaker 2: Will you marry me, Princess? No sounds good, Carl Shrek, 1295 01:04:56,120 --> 01:05:02,400 Speaker 2: please write in if you're good looking. Okay, So this 1296 01:05:02,520 --> 01:05:06,760 Speaker 2: writer who wrote the piece for Grantland the Plunge, Carl Schrek, 1297 01:05:06,840 --> 01:05:10,680 Speaker 2: says quote, it's unclear why local authorities decided to hand 1298 01:05:10,720 --> 01:05:14,200 Speaker 2: over documents about the accident to Leskov after keeping it 1299 01:05:14,280 --> 01:05:17,480 Speaker 2: quiet for so long. Perhaps they feared repercussions from Moscow 1300 01:05:17,520 --> 01:05:21,440 Speaker 2: if they stonewalled a leading national papers attempt to publish 1301 01:05:21,440 --> 01:05:26,520 Speaker 2: an ideologically sound lionization of a Soviet athlete. So maybe 1302 01:05:26,520 --> 01:05:31,080 Speaker 2: it's like, now Chavarsh has legitimized himself in the story. 1303 01:05:30,840 --> 01:05:33,600 Speaker 1: He's earned the right to brag about the thing he did. 1304 01:05:33,840 --> 01:05:38,280 Speaker 2: Yeah, got it? Yeah, regardless. In October of nineteen eighty two, 1305 01:05:38,520 --> 01:05:41,520 Speaker 2: the story runs in this one Soviet newspaper under the 1306 01:05:41,560 --> 01:05:46,760 Speaker 2: headline quote a champions underwater battle. Mind you, it implies 1307 01:05:46,760 --> 01:05:51,000 Speaker 2: that Chavarche saved everyone on the trolleybus, which I think 1308 01:05:51,040 --> 01:05:54,680 Speaker 2: that happens in stories like that, and it also does 1309 01:05:54,720 --> 01:05:58,840 Speaker 2: not list the names of the victims. But this amazing 1310 01:05:58,960 --> 01:06:03,560 Speaker 2: Armenian hero is finally getting his long overdue recognition. So 1311 01:06:03,640 --> 01:06:07,120 Speaker 2: word spreads throughout the USSR, and one year later, in 1312 01:06:07,200 --> 01:06:09,800 Speaker 2: nineteen eighty three, the most prominent newspaper in the Soviet 1313 01:06:09,840 --> 01:06:13,600 Speaker 2: Union picks up this story and spotlights Chavarsh in a 1314 01:06:13,680 --> 01:06:16,720 Speaker 2: lengthy article. It has a very wide reach and from 1315 01:06:16,760 --> 01:06:20,000 Speaker 2: many of the people Chavarch has saved. This is the 1316 01:06:20,000 --> 01:06:23,960 Speaker 2: first time they've ever learned his name, because like, yeah, 1317 01:06:24,000 --> 01:06:26,560 Speaker 2: it all went under wraps totally. So they were like, 1318 01:06:26,600 --> 01:06:29,000 Speaker 2: a guy got me out. All these other people died 1319 01:06:29,120 --> 01:06:31,760 Speaker 2: and we don't know who he is. And they find 1320 01:06:31,760 --> 01:06:35,360 Speaker 2: out not only he's him, but he's like this gold 1321 01:06:35,400 --> 01:06:36,400 Speaker 2: medal winning swimmer. 1322 01:06:36,560 --> 01:06:36,960 Speaker 1: Totally. 1323 01:06:37,080 --> 01:06:40,200 Speaker 2: Oh. This is also the first time Chavarsh's wife, Nelly, 1324 01:06:40,640 --> 01:06:43,880 Speaker 2: learns about her husband saving twenty lives. 1325 01:06:43,920 --> 01:06:46,280 Speaker 1: Hey, honey, how do you think that went? I read 1326 01:06:46,280 --> 01:06:50,560 Speaker 1: the newspaper today. Is there something that you've been meaning 1327 01:06:50,640 --> 01:06:50,880 Speaker 1: to be? 1328 01:06:50,960 --> 01:06:54,400 Speaker 2: Like? Tell me whatever you need, whatever you need or 1329 01:06:54,440 --> 01:06:56,960 Speaker 2: want to communicate to me, or not communicate to me, 1330 01:06:57,440 --> 01:07:00,000 Speaker 2: do it because you're so hot. Never speak to me again. 1331 01:07:00,280 --> 01:07:03,800 Speaker 2: Smokes cigarettes in the Pavilions parking lot all day long. 1332 01:07:04,840 --> 01:07:09,320 Speaker 2: About a month after that article runs, the USSR awards 1333 01:07:09,400 --> 01:07:14,240 Speaker 2: Chavarche the first of many medals recognizing his courage, and 1334 01:07:14,280 --> 01:07:18,720 Speaker 2: over time he becomes a verifiable legend across the region. Finally, 1335 01:07:19,000 --> 01:07:21,520 Speaker 2: the press allows him, or the you know, the powers 1336 01:07:21,520 --> 01:07:23,840 Speaker 2: that be, allow him to get this credit that he 1337 01:07:24,120 --> 01:07:27,120 Speaker 2: so rightly deserves. But he's not going to stop there, 1338 01:07:27,760 --> 01:07:32,120 Speaker 2: because ten years after the trolleybus accident in nineteen eighty five, 1339 01:07:32,680 --> 01:07:36,200 Speaker 2: a fire breaks out at a year Van arena and 1340 01:07:36,320 --> 01:07:40,240 Speaker 2: Chevarche bursts into the burning building, shoulder to shoulder with 1341 01:07:40,360 --> 01:07:45,160 Speaker 2: the firefighters helping to look for survivors. Is he innaespeedo? 1342 01:07:45,480 --> 01:07:48,720 Speaker 2: I mean, because how would he's got one fin on 1343 01:07:48,800 --> 01:07:51,880 Speaker 2: his back? We don't know much more about the details 1344 01:07:51,880 --> 01:07:54,640 Speaker 2: of that scenario. We just know that he went in. 1345 01:07:55,120 --> 01:07:59,040 Speaker 2: He suffers burns in the process, but afterwards he will 1346 01:07:59,080 --> 01:08:02,640 Speaker 2: nonchalantly say, quote, anyone can find himself in a place 1347 01:08:02,680 --> 01:08:05,840 Speaker 2: where somebody needs help, and more than once to the 1348 01:08:05,880 --> 01:08:08,320 Speaker 2: main thing is to remember what makes you human. 1349 01:08:09,600 --> 01:08:10,080 Speaker 1: Amazing. 1350 01:08:10,200 --> 01:08:12,720 Speaker 2: He's like, I'm fine with whatever kinds of rescues I 1351 01:08:12,760 --> 01:08:16,920 Speaker 2: have to do. Chavarsh becomes such an important cultural figure 1352 01:08:17,240 --> 01:08:21,320 Speaker 2: that during the twenty fourteen Winter Games in Sochi, he 1353 01:08:21,640 --> 01:08:24,679 Speaker 2: was asked to carry the Olympic torch into the Kremlin. 1354 01:08:25,560 --> 01:08:28,920 Speaker 2: And you might remember him doing it because on his 1355 01:08:29,520 --> 01:08:32,479 Speaker 2: last leg of the journey, the flame kept going out 1356 01:08:32,520 --> 01:08:35,080 Speaker 2: while he was running, and at one point he actually 1357 01:08:35,120 --> 01:08:37,559 Speaker 2: stopped and asked the security guard to re light it 1358 01:08:37,600 --> 01:08:42,320 Speaker 2: with the zippo. That's our boy, dude. 1359 01:08:42,439 --> 01:08:44,080 Speaker 1: He's like, I can get things done. 1360 01:08:44,200 --> 01:08:46,840 Speaker 2: He's like, what's going on? But also I kind of 1361 01:08:46,920 --> 01:08:50,759 Speaker 2: remember that guy and being like everybody else was looked 1362 01:08:50,880 --> 01:08:54,280 Speaker 2: like a run, looked like whatever, and Chavarge looks like 1363 01:08:54,920 --> 01:08:58,280 Speaker 2: older guy running. At that point, he was probably in 1364 01:08:58,320 --> 01:09:01,840 Speaker 2: his sixties, I think, so today's Chavarge is around seventy 1365 01:09:01,920 --> 01:09:05,040 Speaker 2: years old. He lives in Moscow, and while many years 1366 01:09:05,040 --> 01:09:08,160 Speaker 2: have passed since he dove into the reservoir, he has 1367 01:09:08,200 --> 01:09:12,320 Speaker 2: since become quite the entrepreneur. Shortly after moving to Moscow, 1368 01:09:12,360 --> 01:09:15,040 Speaker 2: he opened a shoe repair shop. It did so well 1369 01:09:15,040 --> 01:09:20,200 Speaker 2: that over the years he opened several more businesses including restaurants, clothing, 1370 01:09:20,360 --> 01:09:24,320 Speaker 2: and grocery stores. Damn, I mean just doing it. Yeah, 1371 01:09:24,360 --> 01:09:26,559 Speaker 2: And I wonder if it's because people are like that 1372 01:09:26,560 --> 01:09:28,960 Speaker 2: guy's great. I want to get my shoes totally from 1373 01:09:29,000 --> 01:09:31,280 Speaker 2: that guy. I trust that guy. Yeah, I'd like to 1374 01:09:31,320 --> 01:09:33,439 Speaker 2: just go talk to him a little bit. In his 1375 01:09:33,520 --> 01:09:36,760 Speaker 2: twenty fourteen grant Land piece, Carl Shrek asked about the 1376 01:09:36,880 --> 01:09:40,679 Speaker 2: night that made Chavarge a legend, and what Chavarge says 1377 01:09:40,720 --> 01:09:44,479 Speaker 2: about it is simply quote, there was no other choice. 1378 01:09:44,800 --> 01:09:46,920 Speaker 2: I knew that it wouldn't be right if the world's 1379 01:09:46,960 --> 01:09:49,920 Speaker 2: fastest underwater swimmer was there and didn't even try to 1380 01:09:49,960 --> 01:09:53,759 Speaker 2: help nature and humanity would have judged me. God probably 1381 01:09:53,800 --> 01:09:56,400 Speaker 2: would have judged me. And that's the story of Armenian 1382 01:09:56,479 --> 01:10:03,400 Speaker 2: hero Chavarg Karrapetyan. Wow, damn, a good one. It's a 1383 01:10:03,439 --> 01:10:09,679 Speaker 2: good one, right, Yeah, a disaster, a hero like Yeah, 1384 01:10:09,680 --> 01:10:13,719 Speaker 2: that was good, a backup humility people that aren't doing 1385 01:10:13,760 --> 01:10:16,360 Speaker 2: it for the glory. Yeah, his brother is he? Okay? 1386 01:10:17,000 --> 01:10:19,320 Speaker 1: I mean did he get any fucking cred It doesn't 1387 01:10:19,320 --> 01:10:24,280 Speaker 1: sound like that, and the younger siblings never get the fucking. 1388 01:10:24,200 --> 01:10:25,880 Speaker 2: You stay over there, yeah, I mean, just. 1389 01:10:25,880 --> 01:10:27,559 Speaker 1: Stay over there and I'll hand you the people. 1390 01:10:29,960 --> 01:10:30,240 Speaker 3: Wow. 1391 01:10:30,439 --> 01:10:33,839 Speaker 1: Good episode, a great episode, and a couple honking horays. 1392 01:10:33,840 --> 01:10:46,240 Speaker 1: At the end, we're back with another honking horay, presented 1393 01:10:46,280 --> 01:10:46,879 Speaker 1: by Hyundai. 1394 01:10:46,920 --> 01:10:50,920 Speaker 2: We're so excited to be doing your horays and in 1395 01:10:51,160 --> 01:10:52,559 Speaker 2: the Ionic fives right. 1396 01:10:52,600 --> 01:10:54,760 Speaker 1: What a combination you want to go for as sure 1397 01:10:55,840 --> 01:10:58,760 Speaker 1: can't contain my excitement listening to you ladies talk about 1398 01:10:58,840 --> 01:11:00,240 Speaker 1: TV weather people. 1399 01:11:01,280 --> 01:11:04,080 Speaker 2: Nor should you yet get out here and hooray it 1400 01:11:04,160 --> 01:11:06,720 Speaker 2: up as a weather reino. I was beaming with pride. 1401 01:11:06,840 --> 01:11:09,439 Speaker 1: You ladies were with me through the worst breakup of 1402 01:11:09,479 --> 01:11:12,560 Speaker 1: my life and now I'm getting married to the loml 1403 01:11:13,000 --> 01:11:13,760 Speaker 1: love of mine. 1404 01:11:13,880 --> 01:11:16,759 Speaker 2: Oh and it's okay, good, good, hooray for science and love. 1405 01:11:17,720 --> 01:11:20,800 Speaker 1: Felicia calms at and that's on Instagram. 1406 01:11:20,960 --> 01:11:26,720 Speaker 2: Congratulations Felicia. Congratulations Weatherinos. The weather Reinos are behind us. 1407 01:11:26,800 --> 01:11:29,720 Speaker 2: Who no, okay, this says hooray from New Zealand. It's 1408 01:11:29,720 --> 01:11:33,639 Speaker 2: an email. Dear MFM. Been a faithful listener since twenty sixteen, 1409 01:11:33,880 --> 01:11:36,040 Speaker 2: which is the same year that I met my partner, 1410 01:11:36,280 --> 01:11:38,600 Speaker 2: So you can never stop podcasting because that's how we 1411 01:11:38,680 --> 01:11:41,599 Speaker 2: keep track of how long we've been together. My horay 1412 01:11:41,640 --> 01:11:44,240 Speaker 2: is that I was misled about teenagers. I have two 1413 01:11:44,280 --> 01:11:46,960 Speaker 2: of them coming up to eighteen and sixteen years old 1414 01:11:46,960 --> 01:11:49,960 Speaker 2: in August, a boy and a girl, respectively. That I 1415 01:11:50,000 --> 01:11:52,440 Speaker 2: love the bones of them as a given, but expecting 1416 01:11:52,479 --> 01:11:55,800 Speaker 2: their teenage years to be sullen, smelly, ornery and unpleasant 1417 01:11:56,120 --> 01:11:59,360 Speaker 2: was a complete misdirect. Instead, I find that I'm living 1418 01:11:59,360 --> 01:12:03,639 Speaker 2: with two smarts, funny, curious, andsightful, independent, affectionate young people. 1419 01:12:04,120 --> 01:12:06,760 Speaker 2: They are fiercely loyal, roast me daily in ways that 1420 01:12:06,800 --> 01:12:09,920 Speaker 2: I can only admire, and constantly make me see things 1421 01:12:09,960 --> 01:12:12,960 Speaker 2: from a different perspective. Their friends are a gas. I 1422 01:12:12,960 --> 01:12:15,400 Speaker 2: get to listen to new music, so I've never said 1423 01:12:15,479 --> 01:12:18,479 Speaker 2: kids these days don't know what music. It is a 1424 01:12:18,520 --> 01:12:21,080 Speaker 2: phrase that indicates your readiness to be checked into a 1425 01:12:21,120 --> 01:12:24,679 Speaker 2: home for the elderly, because because they get into retro 1426 01:12:24,800 --> 01:12:28,439 Speaker 2: as well, I get to relive my own teenagehood by 1427 01:12:28,479 --> 01:12:31,400 Speaker 2: listening to everything from guns n' Roses to TLC in 1428 01:12:31,439 --> 01:12:35,120 Speaker 2: the car that was like MTV in nineteen ninety seven. 1429 01:12:35,720 --> 01:12:38,120 Speaker 2: Of course, there are challenges, but I certainly did not 1430 01:12:38,240 --> 01:12:41,639 Speaker 2: expect the sheer joy of having teenagers in my life 1431 01:12:42,280 --> 01:12:47,880 Speaker 2: stay sexy and sing along to November Rain Rashni from 1432 01:12:48,320 --> 01:12:50,719 Speaker 2: out a Roa, New Zealand. 1433 01:12:51,439 --> 01:12:57,440 Speaker 3: Wow, teenagers, someone cool stepping up and saying give teenagers 1434 01:12:57,439 --> 01:13:02,639 Speaker 3: a break. Finally, finally, Okay, this is an email says hooray, 1435 01:13:02,800 --> 01:13:05,640 Speaker 3: my daughter is completing her first week being back at 1436 01:13:05,640 --> 01:13:10,640 Speaker 3: school after having a two kilogram tumor removed from her chest. 1437 01:13:10,920 --> 01:13:11,240 Speaker 2: Wow. 1438 01:13:11,280 --> 01:13:13,759 Speaker 1: She's six years old and is a murderino in the making. 1439 01:13:14,439 --> 01:13:17,479 Speaker 1: She's been through two ten hour surgeries and has maintained 1440 01:13:17,479 --> 01:13:20,839 Speaker 1: her sunny disposition with just the right amount of sass. 1441 01:13:21,160 --> 01:13:23,639 Speaker 1: And that says to her brother when he couldn't find something, well, 1442 01:13:23,680 --> 01:13:25,519 Speaker 1: how about looking for it with your eyes open? 1443 01:13:25,680 --> 01:13:28,679 Speaker 2: Oh damn. Hurrah to the. 1444 01:13:28,680 --> 01:13:32,599 Speaker 1: Nhs UK and the amazing staff at the Bristol Children's Hospital. 1445 01:13:32,880 --> 01:13:38,559 Speaker 1: From Rachel she her and B six ball of joy XO. 1446 01:13:39,880 --> 01:13:45,240 Speaker 2: Stay strown B and to everybody at the Bristol Children's Hospital. 1447 01:13:45,400 --> 01:13:50,240 Speaker 2: Man just doing the Lord's work. Okay, here's an email 1448 01:13:50,479 --> 01:13:52,920 Speaker 2: and it just says I just turned in my final 1449 01:13:53,000 --> 01:13:56,679 Speaker 2: capstone for my master's. I don't know what. Of course, 1450 01:13:56,680 --> 01:13:59,320 Speaker 2: we don't know. I'm a teacher and I decided to 1451 01:13:59,320 --> 01:14:02,480 Speaker 2: get my master's in film analysis to teach film analysis. 1452 01:14:02,640 --> 01:14:07,720 Speaker 2: One day. My capstone paper maybe it's like the the 1453 01:14:08,360 --> 01:14:12,400 Speaker 2: It's a thesis in a different country. That's what we'll say. 1454 01:14:12,439 --> 01:14:15,879 Speaker 2: It is my capstone paper, which was sixty pages discussed 1455 01:14:15,880 --> 01:14:18,960 Speaker 2: the psychology of horror films. While the paper was fun 1456 01:14:18,960 --> 01:14:20,920 Speaker 2: to write, I'm so happy to be done with it. 1457 01:14:21,200 --> 01:14:25,160 Speaker 2: Hooray for never having to write an academic paper again. Justine, 1458 01:14:25,520 --> 01:14:29,000 Speaker 2: sixty pages, congratulations, Justin. You did it, you did, and 1459 01:14:29,040 --> 01:14:32,320 Speaker 2: you did it without AI hopefully. I mean, we don't 1460 01:14:32,360 --> 01:14:35,800 Speaker 2: know you, Justine, what are you doing? Okay, here's what 1461 01:14:36,200 --> 01:14:40,080 Speaker 2: this one says. Hooray for Pedro Pascal. 1462 01:14:40,520 --> 01:14:43,240 Speaker 1: I mean, hey, it could just start and end there. 1463 01:14:43,360 --> 01:14:46,599 Speaker 1: But seeing as the entire world has simultaneously fallen deeply 1464 01:14:46,640 --> 01:14:48,720 Speaker 1: in love with this man, it feels important to note 1465 01:14:48,760 --> 01:14:51,120 Speaker 1: the glimmer of hope I feel in so many of us, 1466 01:14:51,160 --> 01:14:54,240 Speaker 1: all genders, devoting all of our parasocial desires to a 1467 01:14:54,280 --> 01:14:58,360 Speaker 1: man who challenges every function of toxic masculinity in our culture. 1468 01:14:58,960 --> 01:15:01,000 Speaker 1: If all of us can love man who is hell 1469 01:15:01,040 --> 01:15:04,320 Speaker 1: bent on protecting our trans community, is resisting systems of 1470 01:15:04,320 --> 01:15:08,040 Speaker 1: oppression on the daily, is constantly being lovingly snuggled by 1471 01:15:08,040 --> 01:15:10,720 Speaker 1: other healthy, handsome men in his life, and is the 1472 01:15:10,760 --> 01:15:17,080 Speaker 1: living embodiment of a human cinnamon role. I think that 1473 01:15:17,160 --> 01:15:20,760 Speaker 1: speaks to the changing zeitgeist for how we define sexiness 1474 01:15:20,760 --> 01:15:24,800 Speaker 1: and healthy masculinity. Yay for Pedro of Mescal being all 1475 01:15:24,840 --> 01:15:28,080 Speaker 1: of our daddies, and hooray. 1476 01:15:27,760 --> 01:15:28,719 Speaker 2: For those arms. 1477 01:15:29,320 --> 01:15:32,360 Speaker 1: Dang, stay sexy and keep loving the pedros of the 1478 01:15:32,400 --> 01:15:34,560 Speaker 1: world at Lauren. 1479 01:15:34,360 --> 01:15:38,200 Speaker 2: Oscopy, Lauren, I think that the comparison that he is 1480 01:15:38,200 --> 01:15:40,519 Speaker 2: a human cinnamon role is one of the most perfect 1481 01:15:40,560 --> 01:15:43,320 Speaker 2: things I've ever heard. He is all of our daddies. 1482 01:15:43,479 --> 01:15:45,840 Speaker 2: What big good are you? Oh my gosh, I'm a 1483 01:15:45,920 --> 01:15:51,559 Speaker 2: Danish literally Danish. Okay, well I have a celebrity one too. 1484 01:15:51,920 --> 01:15:54,000 Speaker 2: This was from the email, and it just says, I 1485 01:15:54,200 --> 01:15:57,360 Speaker 2: just passed Michelle Buteaux on the street. I said nothing 1486 01:15:57,560 --> 01:16:00,519 Speaker 2: because as a native New Yorker, I just let people people. 1487 01:16:01,040 --> 01:16:03,519 Speaker 2: But I may have gazed at her longingly for half 1488 01:16:03,560 --> 01:16:06,880 Speaker 2: a beat, and then it just says hooray period. And 1489 01:16:06,920 --> 01:16:09,040 Speaker 2: then there's an asterisk at the end of I just 1490 01:16:09,120 --> 01:16:12,320 Speaker 2: let people be people, And then down here the asterisk 1491 01:16:12,320 --> 01:16:14,680 Speaker 2: says this rule does not apply to any and all 1492 01:16:14,760 --> 01:16:21,479 Speaker 2: possible Pedro Pascal sightings. So good, And that was from 1493 01:16:21,520 --> 01:16:24,280 Speaker 2: Amy Elizabeth Bravo. Oh my god, she's like the one 1494 01:16:24,320 --> 01:16:27,200 Speaker 2: He's the one person. Yeah that She's like, I can 1495 01:16:27,240 --> 01:16:29,640 Speaker 2: mob you. We're not going to break this rule for 1496 01:16:29,760 --> 01:16:33,320 Speaker 2: Michelle Buteau, but we're definitely breaking it when that guy 1497 01:16:33,439 --> 01:16:36,000 Speaker 2: rolls up. All Pedro Pascal bets are off. First you 1498 01:16:36,040 --> 01:16:39,360 Speaker 2: smell a cinnamon and you're like, what is that? There's 1499 01:16:39,360 --> 01:16:42,479 Speaker 2: someone nearby? Thank you guys for listening to these honking horays. 1500 01:16:42,520 --> 01:16:45,880 Speaker 1: Thank you Hyundai for sponsoring these honking horays. 1501 01:16:45,960 --> 01:16:48,559 Speaker 2: Thank you Hyundai, and thank you to Pedro Pascal. Especially, 1502 01:16:48,800 --> 01:16:51,439 Speaker 2: thank you to all Sinnmon rolls everywhere. Stay sexy and 1503 01:16:51,520 --> 01:16:52,760 Speaker 2: don't get murdered. 1504 01:16:53,360 --> 01:17:01,600 Speaker 1: Today, Elvis, do you want a cookie? 1505 01:17:03,200 --> 01:17:04,919 Speaker 2: This has been an exactly right production. 1506 01:17:05,040 --> 01:17:07,719 Speaker 1: Our senior producers are Alejandra Keck and Molly Smith. 1507 01:17:07,840 --> 01:17:10,920 Speaker 2: Our editor is Aristotle os Vedo. This episode was mixed 1508 01:17:10,920 --> 01:17:15,000 Speaker 2: by Leona Squalacci. Our researchers are Maaron McGlashan and Ali Elkin. 1509 01:17:15,120 --> 01:17:18,160 Speaker 1: Email your homecounts to My Favorite Murder at gmail dot com. 1510 01:17:18,160 --> 01:17:20,639 Speaker 2: Follow the show on Instagram at My Favorite Murder. 1511 01:17:20,680 --> 01:17:23,400 Speaker 1: Listen to My Favorite Murder on the iHeartRadio app, Apple 1512 01:17:23,439 --> 01:17:26,160 Speaker 1: Podcasts or wherever you get your podcasts. 1513 01:17:25,600 --> 01:17:28,080 Speaker 2: And now you can watch us on exactly Right's YouTube page. 1514 01:17:28,160 --> 01:17:31,160 Speaker 2: While you're there, please like and subscribe. Good byebye,