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Speaker 1: Kadarius Tony is back participating. We'll make a difference in

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Speaker 1: the super Bowl.

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Speaker 2: Goddamn right, goddamn right. I know what Kadarius Tony went

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Speaker 2: through to even get to this point. Not the super Bowl,

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Speaker 2: but what he went through to even get to this point.

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Speaker 3: Already.

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Speaker 2: Talk to Cadarius anyway, Yes, I talked to him.

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Speaker 3: I talked to him.

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Speaker 2: I know, think about what you went through in life

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Speaker 2: to get to this point. Nobody knows that story. Everybody

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Speaker 2: sees the finished product, right, Well, you got a book,

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Speaker 2: you got a book, you've been writing. You know what,

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Speaker 2: the book hasn't been going so well? You in the

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Speaker 2: middle of it, or you got a chance to close

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Speaker 2: that bitch out the right way, though, you gotta chance

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Speaker 2: to close that book out the right way. Things didn't

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Speaker 2: go the way you want to. I know what you

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Speaker 2: could do. I know what you could do when you

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Speaker 2: got confidence. I know what you could do with the

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Speaker 2: ball in your hands. You need to focus on one

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Speaker 2: thing in this one game. When the opportunities coming they

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Speaker 2: present themselves. Act like Kadarius Tony. Act like the Cadarius

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Speaker 2: Tony we used to seeing with a smile, having fun, sure,

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Speaker 2: shaking the juking.

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Speaker 3: Do what you do.

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Speaker 2: That's it just is another game. Pretend your little kid again.

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Speaker 2: Don't even think of it. Don't even think of it

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Speaker 2: as I'm in the Super Bowl. Envision yourself as a

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Speaker 2: little kid again, when you at your highest confidence, at

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Speaker 2: your highest peak of enjoying what you love to do

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Speaker 2: and what you've been doing all your life.

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Speaker 3: It's still football at the end of the day.

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Speaker 2: Go have fun, Go have fun.

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Speaker 1: Well, hopefully he had listen to what you had to say,

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Speaker 1: he was able to take it in and uh and

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Speaker 1: if he is fortunate enough to get him that field

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Speaker 1: on Sunday, he'll have an outstanding He'll be a great

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Speaker 1: representative of himself and what you expect him to be.

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Speaker 1: NFL dot Com says, Kyle Shanahan has the most steak

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Speaker 1: in the Super Bowl. Mahomes is second, pretty third. Excuse me,

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Speaker 1: who do you believe has the most stick stake at

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Speaker 1: the Super Bowl? And does Cayl need to win a

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Speaker 1: Super Bowl to prove he's a great head coach?

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Speaker 3: Yeah?

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Speaker 2: Most definitely, more definitely obviously two times Super Bowl champ. Mahomes,

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Speaker 2: There's there's no pressure on him. Andy Reid, there's no

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Speaker 2: pressure on him. Brock Purdy, he's mist irrelevant.

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Speaker 3: He will always have.

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Speaker 2: That the fall back on as a crutch if things

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Speaker 2: don't work out. But Kyle Shanahan, Kyle Shanahan has been

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Speaker 2: in the Super Bowl, uh three times now, one with

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Speaker 2: the Falcons and.

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Speaker 3: Two with him forty nine ers.

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Speaker 2: Yeah, two with the foot So obviously he is a

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Speaker 2: great coach because his resume in the regular season in

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Speaker 2: the postseason is up the park. All he needs is

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Speaker 2: to cherry on top.

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Speaker 3: He got the cupcake. He got the cupcake.

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Speaker 2: But let's put some sprinkles on that motherfucker. And you

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Speaker 2: know what the sprinkles are to finish the cupcake. It's

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Speaker 2: winning the Super Bowl. Now, the bad thing about it

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Speaker 2: is it ain't gonna come next week. It gonna come

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Speaker 2: at some point. But he does need to win one.

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Speaker 2: Does he really need to win one to solidify himself

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Speaker 2: as a great coach? No, because there are a lot

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Speaker 2: of great NFL players that have played this game and

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Speaker 2: never won a Super Bowl. Barry Sandler was great, Dann

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Speaker 2: Marino was great. Hell, even Ocho was great. I ain't

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Speaker 2: got no guy damn ring except this one right here.

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Speaker 2: But that doesn't take the fact of fact, the fact

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Speaker 2: the way that I was great at what I did.

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Speaker 2: But again, for the sake of the argument and what

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Speaker 2: we're talking about right now, winning the Super Bowl would

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Speaker 2: be the icing on the cake for Shanahan and that

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Speaker 2: family in general and being not just great players, but

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Speaker 2: great coaches in the NFL.

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Speaker 1: Right, I think the thing is he I mean, look,

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Speaker 1: can you imagine because that's Coach Belichick. Coach Belichick won

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Speaker 1: as a cold de coordinator as a DC, he won

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Speaker 1: two as a DC as the Giants, and now he

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Speaker 1: won six as a head coach. So I think when

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Speaker 1: you look at so that's what Kyle Shanahan could have had.

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Speaker 1: He could have had one as a coordinator and then

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Speaker 1: he moves up the ranks and now he's a head coach,

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Speaker 1: so that puts him in a very very exclusive company.

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Speaker 3: I think you.

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Speaker 1: Probably have to go back to maybe Lombardi and Landry.

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Speaker 1: I think they won one with the Giants. Maybe the

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Speaker 1: coach beat them in fifty eight. I don't know if

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Speaker 1: they won one. I think the Giants. I think the

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Speaker 1: coach beat them in fifty eight in what people call

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Speaker 1: the greatest game, the greatest game ever, the coach beat

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Speaker 1: the Giants in the fifty eight championship. Was that it

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Speaker 1: might have been the first game that was televised too,

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Speaker 1: that that was the Coats and the Giants, right, Yeah,

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Speaker 1: And if I'm not mistaken, it wasn't Landry and Lombardi

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Speaker 1: the the old the coordinators because coach Lombardi was an

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Speaker 1: OC and Coach Lander was a DC, if I'm not mistaken,

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Speaker 1: because they were because they hyped it up when they

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Speaker 1: played in the and the Ice Bowl in sixty seven.

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Speaker 1: I think that's when the sixty seven when the Packers

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Speaker 1: played the Cowboys, they were hyping it up. Okay, I

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Speaker 1: just you know, I just oh, ch'alle, you know, I

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Speaker 1: ain't have time to study for this. I didn't even

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Speaker 1: know this was coming up. And Ash, you're just so

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Speaker 1: upset with me. She's looking over here. Why'd you even

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Speaker 1: ask me? You already knew it. Yeah, but Lander, But

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Speaker 1: coach landr was the defensive coordinator. Coach Lombardi was the

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Speaker 1: O C for the Giants because remember I told you

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Speaker 1: that's why coach Landra had one three five to the

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Speaker 1: right and two four six eight to the left because

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Speaker 1: he was a d C and everything was flipped around.

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Speaker 3: His eyelide right right. Yeah, so the right where the

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Speaker 3: left and the left was right.

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Speaker 1: So that's why we had to learn it like it was,

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Speaker 1: and so things could have been a lot different. Couldn't

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Speaker 1: be a lot different if Kyle, because I think he's

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Speaker 1: one of the great offensive minds. I think he's one

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Speaker 1: of the great coaches in the NFL. And this definitely

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Speaker 1: puts you in a different light when you win that

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Speaker 1: championship and that's on your resume, super Bowl winning coach.

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Speaker 1: And to get there, I mean, you think about what

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Speaker 1: I mean he's gotten there with quarterbacks. That's not of

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Speaker 1: the greatest to pedigree. He got there with Jimmy Garoppolo.

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Speaker 1: Jimmy Garoppolo was a second round pick. People didn't think

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Speaker 1: much of him, even though he was in the second

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Speaker 1: round Rock Purty, mister relevant people. They are like, okay, yeah,

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Speaker 1: but how good is he? This is an opportunity for

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Speaker 1: him to ask answer a lot of questions. Kyle gets

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Speaker 1: to answer questions, Perty gets to answer a lot of questions.

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Speaker 1: I think for Mahmes what he has at State, now

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Speaker 1: he enters closer to Brady. I've won three football and

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Speaker 1: four years. The likely he's probably if they win it,

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Speaker 1: he's gonna be the MVP. Yeah, now you're telling Okay,

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Speaker 1: the only person that's in his sights is Tom Brady.

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Speaker 3: Yep, Yep, that's it. So I think for me, for me,

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Speaker 3: I like the way they have it righted.

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Speaker 1: I think Kyle does have the most to stay because

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Speaker 1: he's been here before, had an opportunity to up twenty

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Speaker 1: eight three. But at the end of the day, Oh Joe,

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Speaker 1: this is what you and I both know. Even as

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Speaker 1: an offense and defensive coordinator, the head coach can hear

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Speaker 1: everything that's going on. So if Dan and Quinn had

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Speaker 1: a problem with Kyle, you're throwing the football, you gonna

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Speaker 1: say hit that button, Hey, Kyle on this running now

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Speaker 1: let's take some of this time up the clock.

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Speaker 3: We're up twenty one three.

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Speaker 1: Because you do realize the more you throw it, the

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Speaker 1: more times you.

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Speaker 3: Put your send your quarterback in harm's way.

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Speaker 1: Somebody hit him in his back, somebody missing the block, right,

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Speaker 1: you throwing to get tipped to get picked at what happened?

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Speaker 1: Covin goes out, Freeman comes in, Freeman with the block. Boom,

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Speaker 1: I get hit my face out form of the ball.

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Speaker 1: Now all of a sudden, I've given New England new life.

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Speaker 1: Now I've given them momentum and didn't look back after that.

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Speaker 3: Yeah.

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Speaker 1: So jay Z accepts Doctor Dre's Global Global Impact Award

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Speaker 1: SHA's the Recording Academy for Never Given Beyonce Alcoholic, Never

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Speaker 1: Given Beyonce alpham of the Year. Jay Z us time

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Speaker 1: on stage to shout out his wife's thirty three Grammy

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Speaker 1: victories and questions why she hasn't won Grammy's highest honor.

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Speaker 1: Oh choe, what do you think about? Who?

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Speaker 2: Not?

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Speaker 3: Normally when when Hoole talks, people listen.

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Speaker 1: Now, I don't know how well the Academy is going

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Speaker 1: to take to this, because you're like, okay, you want

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Speaker 1: to try to show us up we ain't voting board

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Speaker 1: next year or the year of that either.

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Speaker 2: Well, you know what, that's what a husband does. That's

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Speaker 2: what a husband does. The resume, the accolades and everything

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Speaker 2: that Beyonce has done since sheet since she was a

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Speaker 2: little girl, based on to where she is now. Obviously

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Speaker 2: being the most decorated Grammy Award winning artist at some

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Speaker 2: point should have won the highest honor that they have, Yes,

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Speaker 2: the Grammys. The fact that she hasn't, I think is

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Speaker 2: a personal choice from someone that may have an issue

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Speaker 2: with her, whatever it may be, something may be going

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Speaker 2: on behind the scenes that we don't know about. I

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Speaker 2: think Beyonce is one that is known not to come

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Speaker 2: to certain award shows when things are said that that

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Speaker 2: don't sit well with her or sit well with the family.

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Speaker 1: And I think, jaz oh, you're not to cut you off.

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Speaker 1: Jay Z says, I don't want to embarrass this young lady.

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Speaker 1: But she has more Grammys than anyone and never one

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Speaker 1: Album of the Year. If I'm not mistaken, Beyonce has

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Speaker 1: thirty three Grammys, right, She's won thirty three wins. So

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Speaker 1: by even your own metrics, it doesn't make sense. It's

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Speaker 1: kind of the coach that has the most victories. It

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Speaker 1: doesn't have a Super Bowl win. But let me go

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Speaker 1: on think about that. The most Grammys are never one

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Speaker 1: album of the year. That doesn't work, Taylor Swift, just

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Speaker 1: one album of the year.

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Speaker 2: See they sometimes they're play writing. They're play writing your face. Now,

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Speaker 2: I am not as well verse and knowledgeable in the

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Speaker 2: music world, so I would love to get my expertise,

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Speaker 2: But just from the outside looking in. Being the most

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Speaker 2: decorated and winning the most Grammys but not having the

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Speaker 2: highest honor that they that they offer and can give

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Speaker 2: to an artist is something personal that I don't know about.

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Speaker 2: I know it's personal. Obviously it has to be between

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Speaker 2: whoever the powers that be that run the Grammys and

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Speaker 2: make the decisions on who wins.

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Speaker 3: And obviously jay Z.

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Speaker 2: Being the husband that he is, seeing that it's not

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Speaker 2: right and addressing it at the right time when it

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Speaker 2: matters most, he said what he needed to say.

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Speaker 3: Yeah, Ojo, look, I I mean I used to I

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Speaker 3: used to watch all the time, but I never understood

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Speaker 3: I thought and the way I thought, like most people, Well,

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Speaker 3: if you sell the most album, you got album of

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Speaker 3: the year, right, it doesn't work like that, o Jo

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Speaker 3: tell Herbie Ancock sold fifty thousand albums one year, and

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Speaker 3: I think he'd be in sync. He'd be in sync.

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Speaker 1: I'm like, how so it doesn't make sense that you

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Speaker 1: would think in most things, Oh Joe, if I score

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Speaker 1: the most points, guess what, I win the game.

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Speaker 3: If I score the most runs, I win the game.

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Speaker 1: If I catch the most if I catch the most powers,

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Speaker 1: if I'm in a fast contest, it doesn't go by

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Speaker 1: the number of fish.

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Speaker 3: It goes by the weight of the fish. But if

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Speaker 3: I have more weight, I'm gonna win.

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Speaker 1: So you would think in the Grammys, listen in the

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Speaker 1: same thing in the movie seeing in the Oscar, you think, well,

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Speaker 1: if I got a movie and that grows one billion,

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Speaker 1: how your movie do two hundred thousand and you win

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Speaker 1: Movie of the Year.

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Speaker 3: I think it's different.

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Speaker 2: And all that we do in life, those of you

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Speaker 2: that are in the chat that work in the corporate world,

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Speaker 2: those of us that are in football, in the sports world,

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Speaker 2: those that just in everyday life, there's one thing that

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Speaker 2: goes on and it's called politics. Yeah, And if you

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Speaker 2: know the game, and the game has always been the

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Speaker 2: game for a very long time, in understanding that maybe

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Speaker 2: at sometimes you go for a job interview and you qualified,

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Speaker 2: but they give it to someone else. That isn't politics.

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Speaker 2: It comes in all shapes, sizes and formed in all

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Speaker 2: different workplaces, even to the highest regards to what it is.

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Speaker 2: And that's all I can say it comes down to,

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Speaker 2: because again I am not that well knowledgeable when it

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Speaker 2: comes to the Grammys of the music world in general,

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Speaker 2: has to be something personal.

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Speaker 1: Well, I'm gonna put it like this here, Oh Joe, Look,

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Speaker 1: I ain't got no problem with Taylor Swift winning Album

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Speaker 1: of the Year. This ain't no situation where I'm finna

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Speaker 1: get up on my soapbox and pull a Kanye and

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Speaker 1: try to come take the Grammy out of Taylor's Swift hand.

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Speaker 1: Because if you think about it, she hadn't looked back

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Speaker 1: since then. Yeah, if you think about that moment, she

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Speaker 1: has not looked back since then.

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Speaker 2: She's been on the hell of her run.

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Speaker 3: Boy's been on.

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Speaker 2: The hell of her run since then.

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Speaker 1: Only the Kenya's run long and harder than she has.

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Speaker 3: Bad.

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Speaker 1: But look like I said, Oh Joe, I can't sit

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Speaker 1: here and says I know any Taylor Swift songs. I

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Speaker 1: think she's I mentally talented. I think she does a

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Speaker 1: great job. Her fan base. They rally behind her, just

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Speaker 1: like Babe Beyonce. That's not I mean, they call her that.

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Speaker 1: I'm gonna be respectful Beyonce. But at the end of

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Speaker 1: the day, it's hard, right, Uh, it's hard for me

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Speaker 1: to believe somebody got thirty three Grammys, So that means

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Speaker 1: she got one, two, three, four songs.

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Speaker 3: That's winning.

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Speaker 1: But you ain't got Album of the Year now, Mega

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Speaker 1: makes said so Joe, See, that's why you're losing me.

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Speaker 3: Now.

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Speaker 1: You tell me you liked my songs, but you don't

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Speaker 1: like the album. Now, even Beyonce should have won for Lemonade.

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Speaker 1: Even Adelle. One day you're saying, you know what, Beyonce,

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Speaker 1: you should have won this award that.

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Speaker 3: You notice what Adele? Did?

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Speaker 2: You see how she stood on ten she stood on

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Speaker 2: business and understanding. How y'all give me this knowing what

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Speaker 2: this woman has done the project, the visuals again, Lemonade,

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Speaker 2: I know you don't believe me. I help with the choreography.

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Speaker 2: I was behind that. So I felt it was crazy,

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Speaker 2: even with Adell being the great artist.

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Speaker 3: That she is.

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Speaker 2: Yes, the fact that she even stood up there and

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Speaker 2: acknowledge what Beyonce had done. That's how you know it's personal.

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Speaker 2: That's how you know it's personal. And I Taylor Swift

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Speaker 2: win a Grammy tonight for Album of the Years.

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Speaker 1: No hold on, Joe, No, no, no, yeah, I'm saying

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Speaker 1: people in the chap, said Shannon. Then you say, Taylor

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Speaker 1: Swift with better than Beyond, Say no, that's not.

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Speaker 3: What I said.

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Speaker 2: No, it's not what he said. Come on, man, why

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Speaker 2: y'all putting the words in his mouth? Come on, man,

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Speaker 2: y'all know what he said. And I stop playing that.

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Speaker 1: But he here's the thing, Oh Joe, if I don't

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Speaker 1: like what you say, how can I get it? If

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Speaker 1: I don't like what you say personally, how can I

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Speaker 1: fix it to get other people to not like what

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Speaker 1: you said? Maybe I add something or I take something

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Speaker 1: out right, and they don't provide context.

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Speaker 3: So a lot of people ran with.

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Speaker 1: Shannon Sharp says Taylor Swift is better than Beyonce. Shannon

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Speaker 1: Sharp says Taylor Swift is more talented than Beyond. Shannon

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Speaker 1: Sharp says, Taylor Swift is this generation Michael Jackson.

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Speaker 2: So instead of watching the clips when you can clearly

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Speaker 2: hear exactly what you said.

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Speaker 3: But o Joe.

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Speaker 1: For see, if I did that, then see now see,

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Speaker 1: people don't want the truth because if I told you

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Speaker 1: the truth, it would destroy your illusions.

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Speaker 3: So they don't want the truth.

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Speaker 1: Again, perception is a person's reality, but that doesn't make

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Speaker 1: it true. What you believe, O Joe is whatever your

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Speaker 1: perception is, that's your reality. But this just because that's

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Speaker 1: your reality, that doesn't make it true. Right, So people think, well,

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Speaker 1: my perception is true to you, but that doesn't make

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Speaker 1: it true.

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Speaker 2: So that's the world we live in.

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Speaker 3: I'm man.

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Speaker 1: Look, I've met Beyonce. I think she's unbelievable. She's a

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Speaker 1: immensely talented artist. She can sing, she can dance, she's

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Speaker 1: a great wife, she's a great mother. She's great and

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Speaker 1: it's hard for me to believe. And I'm not looking

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Speaker 1: at I'm not, like I said, I don't really know

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Speaker 1: enough of Academy. I used to watch the Grammy Award

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Speaker 1: and because you know, I wanted to see Michael and

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Speaker 1: I wanted to see all the artists perform. But it's

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Speaker 1: just hard for me to believe somebody that's won that

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Speaker 1: many individual Grammys doesn't have an Album of the Year.

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Speaker 2: You know, it's personal and in this Taylor Swift one day,

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Speaker 2: rightfully so because.

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Speaker 1: I think she got too She got two albums of

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Speaker 1: the year, doesn't she because I think she won album

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Speaker 1: of the year when when Ye walked his ass up

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Speaker 1: on stage you remember, walked up on stage again, in

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Speaker 1: no disrespect to you, Taylor Swift, but album of the

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Speaker 1: year should have should.

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Speaker 2: Have with it again, it's something personal that went on.

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Speaker 3: She has got four albums of the year.

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Speaker 2: Yeah, hey, listen, she has four and listen her latest

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Speaker 2: album with the Tailor, the Taylor Swift Effect, even it

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Speaker 2: even got a hold of me. So I had to

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Speaker 2: go and listen and hear what her music sounded like

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Speaker 2: because I was unfamiliar with it. I knew she was

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Speaker 2: the great artist in general, but I had to go

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Speaker 2: back and listen. And I even like some of the songs.

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Speaker 2: You know, I wish, I wish you would bad Blood.

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Speaker 2: She got one call out of the Wood. I like

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Speaker 2: Out of the Woods a little bit, but again that's

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Speaker 2: really not my genre of music that I enjoy, but

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Speaker 2: I did go check it out. So her winning album

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Speaker 2: of the Year this year, I understand. But Beyonce, based

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Speaker 2: on the resume and.

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Speaker 1: All those records being Renaissance, lemonade, all that. Come on,

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Speaker 1: Come on, y'all, y'all leto like we used to say

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Speaker 1: you could.

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Speaker 3: Yeah, it's personal.

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Speaker 1: And I don't know if you saw this Killer Mike

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Speaker 1: one three, I mean.

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Speaker 3: He want three of them? Yeah? Three? But why was

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Speaker 3: he arrested? Though?

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Speaker 1: Don't start me to line. I'm sure, I'm sure, I'm

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Speaker 1: sure to come out.

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Speaker 3: I hate that.

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Speaker 1: It's kind of like, as long as it's taken him

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Speaker 1: to win an individual Grammy. I think he's been on

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Speaker 1: some songs with the Outcast or something like that, and

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Speaker 1: he's one Grammy, but this was his night and unfortunately

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Speaker 1: it ends up like this. I hate that for uh,

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Speaker 1: Killer Mike. I know Killer Mike, and I know Michael

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Speaker 1: Bender and the Michael Bender has been great for the

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Speaker 1: city of Atlanta. He's given kids a vision to see

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Speaker 1: what you can become. He's so great for the city

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Speaker 1: of Atlanta. Try with voting and getting out and trying

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Speaker 1: to help young black men and women do better about themselves.

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Speaker 1: And I'm sure whatever transpired would come out. But I

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Speaker 1: just hate that this happened to kill er Mike tonight

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Speaker 1: on his night where this should have been a great

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Speaker 1: evening for him. Unfortunately it's marred and he got led

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Speaker 1: away in handcuffs.

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Speaker 2: You think it was something he might have said? Obviously

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Speaker 2: they don't.

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Speaker 3: They don't.

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Speaker 2: They don't take you to jail or put you in

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Speaker 2: handcuffs for the words. But obviously killer Mike being an

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Speaker 2: activist and standing tall on his bleas and what he bleeds,

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Speaker 2: and do you think it's something he might have said

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Speaker 2: to someone that's a part of the Grammys, that might

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Speaker 2: have had the power to say, you know what, I'm

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Speaker 2: not gonna deal with this to night. You know, please

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Speaker 2: take him out or escot him out of here.

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Speaker 3: Don't start be lying on Joe.

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Speaker 1: I would be speculating, and I have too much respect

401
00:20:03,160 --> 00:20:05,440
Speaker 1: for that man to speculate on what could have happened

402
00:20:05,480 --> 00:20:09,080
Speaker 1: or what possibly happened. So I'm gonna let the reports

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00:20:09,119 --> 00:20:13,080
Speaker 1: come out and and hopefully everything works out. Hopefully he's out.

404
00:20:13,119 --> 00:20:15,880
Speaker 1: This probably happened a couple of hours ago, so hopefully,

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00:20:16,320 --> 00:20:20,359
Speaker 1: uh Mayor Karen Bass Andre Dinkins, who's the mayor of Atlanta,

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Speaker 1: Hopefully they've they've they've come together and they've like, okay,

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00:20:23,920 --> 00:20:26,000
Speaker 1: found a way to get him out and let him

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Speaker 1: enjoy the rest of his evening. And so hopefully and

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Speaker 1: this situation, cooler heads prevail and we get to some

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Speaker 1: kind of resolution and uh uh, killer Mike is able

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Speaker 1: to enjoy the rest of his evening. But congratulations to

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Speaker 1: all the winners at the Grammars tonight. We know, oh

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Speaker 1: Joe and anything you do, everybody can win. So everybody

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Speaker 1: is not gonna be on the highest of highs like

415
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Speaker 1: those winners and somebody, you know, some people they might

416
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Speaker 1: not ever get nominated for a grammyar again, sometimes it's

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Speaker 1: your only opportunity.

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Speaker 3: It's like going to the super Bowl. Ohhow everybody ain't

419
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Speaker 3: gonna come.

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Speaker 1: Ain't gonna be Patrick mahome to come back, go back

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Speaker 1: fourth time in five years?

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00:21:05,240 --> 00:21:06,560
Speaker 3: Yeah, oh yeah.

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Speaker 1: And so all the winners, congratulations into the people that

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Speaker 1: didn't win. I don't like, you know, hopefully you guys

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Speaker 1: get an opportunity to come back and you'll feel what

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Speaker 1: the winners felt this year at a later day time.

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Speaker 1: So that's what I'm thinking, Stephen Walker said, UNKI Oho,

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Speaker 1: y'all realize y'all put twenty five five plus people from

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Speaker 1: the Grammar this content are better in my opinion. I mean,

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Speaker 1: they had some heavyweights Uh, that that was performing tonight. Uh,

431
00:21:37,520 --> 00:21:39,480
Speaker 1: but this is this is the academy that if you

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Speaker 1: and if you in recording, this is this is your night.

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Speaker 2: This is the biggest and brightest. So this is also

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Speaker 2: those who play the game the right way. If you

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Speaker 2: if if you know what I'm talking about. This is

436
00:21:55,720 --> 00:21:58,360
Speaker 2: for those artists who play the game the right way.

437
00:21:59,080 --> 00:22:00,000
Speaker 3: Oh Joe, Well, think you about it.

438
00:22:00,320 --> 00:22:02,680
Speaker 2: You got to play their game. You got to play

439
00:22:02,680 --> 00:22:05,480
Speaker 2: their game, and you play their game, then that's where

440
00:22:06,359 --> 00:22:09,440
Speaker 2: the accolades and the wars come from. I don't think

441
00:22:09,520 --> 00:22:13,840
Speaker 2: Beyonce is one of those that's going to bend on

442
00:22:14,040 --> 00:22:17,240
Speaker 2: me to play your game. I'm gonna do it my way.

443
00:22:17,920 --> 00:22:20,080
Speaker 2: I'm gonna do it my way. And I think that

444
00:22:20,240 --> 00:22:21,960
Speaker 2: is one of the problems, and one of the issues

445
00:22:22,320 --> 00:22:24,000
Speaker 2: is the fact that she chooses not to play what

446
00:22:24,080 --> 00:22:27,800
Speaker 2: every game that you should play as an artist, and

447
00:22:28,040 --> 00:22:30,080
Speaker 2: they are making her pay for it. That's the only

448
00:22:30,119 --> 00:22:32,960
Speaker 2: thing I can think of for her to be as

449
00:22:33,040 --> 00:22:36,760
Speaker 2: decorated as she is and not have an album the year. Yes,

450
00:22:37,040 --> 00:22:38,280
Speaker 2: that's how you want to that's how you want to

451
00:22:38,320 --> 00:22:38,760
Speaker 2: do us.

452
00:22:38,920 --> 00:22:41,280
Speaker 1: Okay, Well, because I think all the grace I think

453
00:22:41,280 --> 00:22:42,959
Speaker 1: when you look at all the grace. You look at

454
00:22:43,000 --> 00:22:46,479
Speaker 1: Whitney and I think Mariah, and I think Aretha, and

455
00:22:46,520 --> 00:22:48,800
Speaker 1: I think I think that's the kind of the kind

456
00:22:48,840 --> 00:22:51,560
Speaker 1: of company that we hold beyond s in right, And

457
00:22:51,560 --> 00:23:00,879
Speaker 1: if I'm not mistaken all three, all those women, Aretha, Whitney, Uh, Mariah,

458
00:23:01,000 --> 00:23:02,680
Speaker 1: I think, if I'm not mistaken, all of them with

459
00:23:02,760 --> 00:23:05,080
Speaker 1: one album of a year, I feel very comfortable in

460
00:23:05,119 --> 00:23:08,240
Speaker 1: saying all of those artists have one album of the year.

461
00:23:08,520 --> 00:23:11,919
Speaker 1: And I think when we hold Beyonce in that in

462
00:23:12,000 --> 00:23:18,120
Speaker 1: that in that regard and she doesn't have one, Yeah,

463
00:23:19,200 --> 00:23:19,720
Speaker 1: it's tough.

464
00:23:20,359 --> 00:23:23,359
Speaker 2: But the funny thing about it, even without her winning one,

465
00:23:23,520 --> 00:23:28,160
Speaker 2: even without her winning album of the year, her work,

466
00:23:28,560 --> 00:23:33,080
Speaker 2: her artistry, her visuals, her music will still.

467
00:23:32,840 --> 00:23:36,040
Speaker 3: Always rain one. Maria doesn't have an Album of the year,

468
00:23:36,600 --> 00:23:42,720
Speaker 3: Whitney and Reefa does, right, Yeah, I mean still she would.

469
00:23:42,760 --> 00:23:45,280
Speaker 2: Beyonce would reign supreme regardless in the eyes of her

470
00:23:45,359 --> 00:23:47,440
Speaker 2: fans and those in the music industries.

471
00:23:48,200 --> 00:23:51,119
Speaker 1: Whitney didn't win for that, Excuse me, Maria didn't win

472
00:23:51,160 --> 00:23:55,119
Speaker 1: from vision on what the album yeah, no, no, No

473
00:23:55,440 --> 00:23:57,840
Speaker 1: Vision of Love, that one that came out in nineteen ninety.

474
00:23:59,200 --> 00:24:05,040
Speaker 3: It was a good one. What vision of love? Hey? Right,

475
00:24:05,160 --> 00:24:06,199
Speaker 3: Marigan sing that.

476
00:24:08,880 --> 00:24:11,520
Speaker 2: Mariah got one of the five one of the five

477
00:24:11,560 --> 00:24:15,480
Speaker 2: greatest voices of all time at that?

478
00:24:16,359 --> 00:24:17,000
Speaker 3: Huh.

479
00:24:17,160 --> 00:24:18,840
Speaker 1: I won't fight you on that, Okay, okay, I was

480
00:24:18,880 --> 00:24:22,919
Speaker 1: just making a show now. Yeah, oh yeah, well marak

481
00:24:23,119 --> 00:24:26,000
Speaker 1: Mariah can sing or she could.

482
00:24:26,160 --> 00:24:30,240
Speaker 3: She could blow boy, she got she got her prime

483
00:24:30,359 --> 00:24:33,399
Speaker 3: Whitney and you know, you know the queens old Wreatha,

484
00:24:33,760 --> 00:24:34,720
Speaker 3: you know, Wreatha blow to.

485
00:24:34,880 --> 00:24:37,000
Speaker 2: Now, yeah, she could blow Celine Dion.

486
00:24:37,880 --> 00:24:44,600
Speaker 3: Y'all you mentioned mariahlen.

487
00:24:42,960 --> 00:24:45,040
Speaker 2: Got to be for Remember, I think we we had

488
00:24:45,040 --> 00:24:48,440
Speaker 2: an episode. We talked about this a while ago. Christina Aguilera,

489
00:24:48,560 --> 00:24:50,240
Speaker 2: I'm talking about I'm talking about range.

490
00:24:52,040 --> 00:24:55,960
Speaker 3: She can go in side Stephanie, Stephanie Mills.

491
00:24:55,680 --> 00:24:59,080
Speaker 2: Stephanie Mills. Listen, Christina Aguilera, seems like she's six or eight.

492
00:24:59,440 --> 00:25:05,000
Speaker 3: Yeah, Ariana Grindy got a voice too, try to. I ain't.

493
00:25:07,400 --> 00:25:09,600
Speaker 1: Damn Marie thing with al mother year. So but y'all say,

494
00:25:09,640 --> 00:25:12,480
Speaker 1: you in great company? Baby, Yeah see, I mean you

495
00:25:12,600 --> 00:25:15,960
Speaker 1: in great company. If Mariah and a Rethink got one,

496
00:25:17,840 --> 00:25:19,960
Speaker 1: I think I definitely think she's very deserving.

497
00:25:20,600 --> 00:25:24,040
Speaker 2: Yeah, they all are.

498
00:25:23,560 --> 00:25:25,200
Speaker 3: They all are deserving.

499
00:25:25,200 --> 00:25:28,760
Speaker 2: If you understand what goes into the process before the

500
00:25:28,760 --> 00:25:31,840
Speaker 2: finished product that we as fans get and the work

501
00:25:31,880 --> 00:25:34,320
Speaker 2: that they got to put in. Yeah, they're all deserving.

502
00:25:34,840 --> 00:25:37,000
Speaker 1: That's what makes it so hard, oh Joe, is that

503
00:25:38,000 --> 00:25:40,879
Speaker 1: we played a sport and we know what we see.

504
00:25:41,359 --> 00:25:44,720
Speaker 1: For me, I did, it was hard for me and

505
00:25:44,720 --> 00:25:46,440
Speaker 1: people like, well, man, why you take it so hard?

506
00:25:46,640 --> 00:25:49,119
Speaker 1: Because I know what I put in. See, I can't

507
00:25:49,160 --> 00:25:52,239
Speaker 1: be mad at results that I didn't get for the

508
00:25:52,280 --> 00:25:55,200
Speaker 1: work that I didn't put in right, See, that's why

509
00:25:55,240 --> 00:25:58,240
Speaker 1: it hurts. See, if it doesn't hurt you to lose,

510
00:25:58,800 --> 00:26:00,000
Speaker 1: you ain't put enough work in there.

511
00:26:00,440 --> 00:26:03,000
Speaker 3: You ain't put it up, mark in it. Yeah you didn't.

512
00:26:03,840 --> 00:26:06,280
Speaker 3: You didn't sacrifice nearly enough. What you want to tell them?

513
00:26:08,680 --> 00:26:11,280
Speaker 1: Oh Lauren Hill? Oh yeah, well she was her first album,

514
00:26:11,320 --> 00:26:14,240
Speaker 1: The mis Education of Lauren Hill. I mean she was

515
00:26:14,320 --> 00:26:17,119
Speaker 1: what seven? She won seven Grammars that night because I

516
00:26:17,119 --> 00:26:18,280
Speaker 1: think she got eight total.

517
00:26:19,359 --> 00:26:22,960
Speaker 2: But album Education of Lauren Hill? Yeah, never a no

518
00:26:23,119 --> 00:26:26,640
Speaker 2: skip album. It ain't too many no skip albums. Nah, Nah,

519
00:26:26,280 --> 00:26:30,080
Speaker 2: that's not classic. That when when you talk about classics,

520
00:26:30,720 --> 00:26:33,359
Speaker 2: that education miss the mis Education of Lauren Hill is

521
00:26:33,400 --> 00:26:34,119
Speaker 2: a classic.

522
00:26:34,480 --> 00:26:37,240
Speaker 3: Yes, oh man, she was.

523
00:26:37,359 --> 00:26:40,440
Speaker 1: She was nominated for ten and one five, including the

524
00:26:40,440 --> 00:26:41,920
Speaker 1: album and yeah yeah, but I don't know who else you.

525
00:26:42,040 --> 00:26:45,320
Speaker 1: I mean, I don't remember back then, but Lauren Hill

526
00:26:45,359 --> 00:26:46,520
Speaker 1: that mis education.

527
00:26:46,440 --> 00:26:50,880
Speaker 2: Was unbelievable, unbelievable.

528
00:26:53,359 --> 00:26:56,159
Speaker 1: And if she actually really reading some of the names

529
00:26:56,160 --> 00:26:59,800
Speaker 1: that won Tracy, if I'm not mistaken, I think Tracy

530
00:27:00,000 --> 00:27:02,000
Speaker 1: I have been performed tonight. You got a fans car

531
00:27:02,080 --> 00:27:03,280
Speaker 1: that used to be my favorite, that was one of

532
00:27:03,280 --> 00:27:06,879
Speaker 1: my favorite don't.

533
00:27:06,760 --> 00:27:07,439
Speaker 3: Say no more of it.

534
00:27:09,960 --> 00:27:13,119
Speaker 1: Uh yeah, there have been There have been some outstanding

535
00:27:13,160 --> 00:27:16,600
Speaker 1: performances at the Grammars. Like I said, I look, this

536
00:27:16,720 --> 00:27:19,159
Speaker 1: is not me standing on my soapbox. Congratulations to all

537
00:27:19,200 --> 00:27:22,399
Speaker 1: the winners. Uh, congratulations of Taylor, who won a fourth

538
00:27:22,440 --> 00:27:26,240
Speaker 1: Album of the Year beyond say I know uh, and

539
00:27:26,320 --> 00:27:28,880
Speaker 1: you know it's it's kind of hard because unless you've

540
00:27:28,920 --> 00:27:31,920
Speaker 1: been through something, it's hard to tell somebody what they're

541
00:27:31,920 --> 00:27:35,199
Speaker 1: going through, you know, you know, you try to tell somebody,

542
00:27:35,240 --> 00:27:37,120
Speaker 1: you know, you know, I was in the Super Bowl,

543
00:27:37,119 --> 00:27:39,040
Speaker 1: otchu and I won all three of them. How do

544
00:27:39,160 --> 00:27:42,280
Speaker 1: I can sold someone? How how do I tell someone? Hey, man,

545
00:27:42,320 --> 00:27:44,960
Speaker 1: you you'll get them to bro. That's not a regular

546
00:27:45,000 --> 00:27:48,800
Speaker 1: season game. I mean, you got to run the gauntlet.

547
00:27:48,800 --> 00:27:53,440
Speaker 1: You're no guarantee you're gonna be back. Yeah, no, that's

548
00:27:53,480 --> 00:27:56,719
Speaker 1: not that's not Okay. We're in week four. Hey bro,

549
00:27:56,840 --> 00:27:59,040
Speaker 1: Hey y'all, Hey, good luck. Hey, I see I see

550
00:27:59,080 --> 00:28:01,359
Speaker 1: you down the road. Okay, we're gonna play week five

551
00:28:02,160 --> 00:28:04,360
Speaker 1: super Bow. The super bout doesn't work.

552
00:28:04,280 --> 00:28:05,000
Speaker 3: Like that, right.

553
00:28:05,760 --> 00:28:08,800
Speaker 1: A lot of people that's that's gone and haven't never

554
00:28:08,840 --> 00:28:16,879
Speaker 1: made it back. Oh Joe, I know, I noticed you

555
00:28:16,920 --> 00:28:18,480
Speaker 1: saw my method of transportation.

556
00:28:18,800 --> 00:28:21,240
Speaker 2: Come on, come on, man, you ain't. You ain't moving

557
00:28:21,320 --> 00:28:21,520
Speaker 2: right now?

558
00:28:21,600 --> 00:28:25,119
Speaker 1: So you said, I flew private and we talked about

559
00:28:25,119 --> 00:28:30,560
Speaker 1: being financial financially conscious. This is unacceptable and I will

560
00:28:30,560 --> 00:28:33,280
Speaker 1: address this tomorrow. Yeah, oh Joe, let me tell you

561
00:28:33,280 --> 00:28:35,040
Speaker 1: what first. Let me tell you what my method.

562
00:28:34,840 --> 00:28:37,399
Speaker 2: Of hold on, hold on, hold on, don't start here,

563
00:28:37,440 --> 00:28:39,200
Speaker 2: hold on, hold on. Let me grab a red bull

564
00:28:39,240 --> 00:28:40,640
Speaker 2: because I need some wings for this ship.

565
00:28:43,320 --> 00:28:43,400
Speaker 3: Oh.

566
00:28:43,480 --> 00:28:46,040
Speaker 1: Joe behating on me, y'all. May y'all know Joe behating

567
00:28:46,080 --> 00:28:54,040
Speaker 1: on me? This Apple music thing popped up, Jordan mancho

568
00:28:54,120 --> 00:28:55,800
Speaker 1: behaving on me. You know what I'm saying. I guess

569
00:28:55,840 --> 00:28:58,200
Speaker 1: you wanted me to take great high of trailways or something,

570
00:28:58,920 --> 00:29:01,440
Speaker 1: and you are I mean I'm just you know, I'm

571
00:29:01,440 --> 00:29:03,560
Speaker 1: just trying to get the point A to point B

572
00:29:04,240 --> 00:29:06,320
Speaker 1: as fast and as safe as possible.

573
00:29:06,880 --> 00:29:09,560
Speaker 2: Okay, come on, now, go ahead and say say say,

574
00:29:09,600 --> 00:29:13,360
Speaker 2: say your little piece on. Why again yet again you

575
00:29:13,480 --> 00:29:18,080
Speaker 2: out there spending unnecessarily unnecessarily when there are other ways

576
00:29:18,120 --> 00:29:19,040
Speaker 2: to get where you need to.

577
00:29:19,040 --> 00:29:19,480
Speaker 3: Go to.

578
00:29:21,480 --> 00:29:24,080
Speaker 1: Go ahead, Oh, Joe, I had to get there, and

579
00:29:24,720 --> 00:29:27,080
Speaker 1: I had to get there and back. Now let me

580
00:29:27,120 --> 00:29:30,080
Speaker 1: tell you about my method of transportation. I happened to

581
00:29:30,120 --> 00:29:35,120
Speaker 1: be flying a citation ten. The citation ten is trying

582
00:29:35,120 --> 00:29:38,680
Speaker 1: to stuart I wouldn't. I wouldn't stut on you. But

583
00:29:38,760 --> 00:29:41,160
Speaker 1: I'm just trying to tell yo, Joe, I flew a

584
00:29:41,200 --> 00:29:42,120
Speaker 1: citation ten.

585
00:29:42,520 --> 00:29:42,760
Speaker 3: Okay.

586
00:29:42,920 --> 00:29:47,720
Speaker 1: Just the fastest non military plane fly has a max

587
00:29:47,760 --> 00:29:51,160
Speaker 1: speed of seven hundred and twenty miles an hour. So

588
00:29:52,040 --> 00:29:53,800
Speaker 1: I mean, I think I think it said a speed

589
00:29:53,840 --> 00:29:56,080
Speaker 1: record Jordan. What did he say they went from La

590
00:29:56,240 --> 00:29:58,240
Speaker 1: to Fort Laudadell or Whether Vegas to Fort Lott of

591
00:29:58,240 --> 00:30:01,520
Speaker 1: Delle in three hours and fourteen minutes. I think they

592
00:30:01,560 --> 00:30:04,600
Speaker 1: said they went from Las Vegas to Fort Lauderdale in

593
00:30:04,680 --> 00:30:07,120
Speaker 1: three hours and fourteen minutes. Now, I don't know if

594
00:30:07,120 --> 00:30:09,000
Speaker 1: anybody has ever been on the plane from Vegas to

595
00:30:09,080 --> 00:30:09,760
Speaker 1: Port Lottadale.

596
00:30:10,360 --> 00:30:14,280
Speaker 3: But that's booking. I mean, that's humping. Yeah, it's booking.

597
00:30:14,320 --> 00:30:16,360
Speaker 2: The only citation I know about is when I park

598
00:30:16,400 --> 00:30:18,400
Speaker 2: in the wrong spot. You know, you parked by a hydrant,

599
00:30:18,600 --> 00:30:20,600
Speaker 2: or you park outside of the line, or you meet

600
00:30:20,600 --> 00:30:22,600
Speaker 2: it run out and you get a citation. That's the

601
00:30:22,640 --> 00:30:25,120
Speaker 2: only citation I know about, and the only citation I

602
00:30:25,120 --> 00:30:26,680
Speaker 2: will ever acknowledge.

603
00:30:26,800 --> 00:30:31,440
Speaker 3: But go ahead, and so you know your boy, you

604
00:30:31,520 --> 00:30:34,080
Speaker 3: know your boy, do it, big thing, doing it? Well,

605
00:30:35,160 --> 00:30:35,440
Speaker 3: do it?

606
00:30:35,640 --> 00:30:37,600
Speaker 1: And you know I saw you on there in my

607
00:30:37,720 --> 00:30:40,440
Speaker 1: mention yesterday, jockety jockety jockety jacket meet.

608
00:30:42,560 --> 00:30:45,800
Speaker 2: It didn't make any sense to me because you had

609
00:30:45,840 --> 00:30:47,480
Speaker 2: you had to go to LA. You had to go

610
00:30:47,560 --> 00:30:49,240
Speaker 2: to La to for a lot of theale. Right, No,

611
00:30:49,440 --> 00:30:51,360
Speaker 2: I had to go to Dallas. I was in Dallas.

612
00:30:51,760 --> 00:30:53,640
Speaker 2: Oh so you went to LA to Dallas.

613
00:30:53,920 --> 00:30:55,520
Speaker 1: Yeah, I would I Actually I flew out of the

614
00:30:55,560 --> 00:30:57,520
Speaker 1: private airport. I flew out of Van Eys.

615
00:30:57,840 --> 00:30:59,040
Speaker 3: Why would you fly to Van Ays?

616
00:30:59,080 --> 00:31:02,000
Speaker 2: And they got airport right lax that has American Delta, Spirit,

617
00:31:03,080 --> 00:31:07,920
Speaker 2: Southwest Jet, Blue, uh Frontier that at all they all

618
00:31:08,080 --> 00:31:11,000
Speaker 2: they all have flights at a great adequate price. That

619
00:31:11,040 --> 00:31:12,640
Speaker 2: would have been good for you. That can get you

620
00:31:12,880 --> 00:31:15,040
Speaker 2: from LA to Dallas. But you had to get on

621
00:31:15,080 --> 00:31:19,320
Speaker 2: the Citation ten because they can travel at miles up

622
00:31:19,360 --> 00:31:21,080
Speaker 2: to seven hundred miles an hour, and they got you

623
00:31:21,120 --> 00:31:22,880
Speaker 2: there in three hours and forty five minutes when you

624
00:31:22,920 --> 00:31:23,240
Speaker 2: could have.

625
00:31:25,920 --> 00:31:28,560
Speaker 3: How long it took? Just about.

626
00:31:29,960 --> 00:31:32,280
Speaker 1: The polo came back there, says mister Sharp. We're cruising

627
00:31:32,280 --> 00:31:33,640
Speaker 1: at about seven hundred miles an hour?

628
00:31:34,120 --> 00:31:39,400
Speaker 3: Is everything? Okay? You need anything either? We got snacks

629
00:31:39,440 --> 00:31:42,200
Speaker 3: up there for you know, they had water, they had solda,

630
00:31:42,280 --> 00:31:43,920
Speaker 3: they had all the snacks. We need that.

631
00:31:44,080 --> 00:31:45,640
Speaker 2: Yeah, yeah, they got they got that. They got there

632
00:31:45,680 --> 00:31:48,720
Speaker 2: on the regular domestic airlines. Whoa, whoa, they got them

633
00:31:48,760 --> 00:31:51,600
Speaker 2: on the regular airlines too. We got they got snacks, Jeff,

634
00:31:51,640 --> 00:31:52,320
Speaker 2: who got TV?

635
00:31:53,280 --> 00:31:56,160
Speaker 3: I had to get from Poorty to point B. Yeah

636
00:31:56,200 --> 00:31:57,760
Speaker 3: you got from point A to point B.

637
00:31:58,080 --> 00:32:04,680
Speaker 2: But you you did it at a emonomedy huh.

638
00:32:03,240 --> 00:32:05,480
Speaker 3: Economically know you did? How much was it?

639
00:32:05,480 --> 00:32:06,840
Speaker 2: I don't want to, I don't mean to be your

640
00:32:06,840 --> 00:32:08,880
Speaker 2: personal business. How much was it to get from point

641
00:32:08,880 --> 00:32:09,400
Speaker 2: A to point B?

642
00:32:11,160 --> 00:32:11,360
Speaker 3: Man?

643
00:32:11,440 --> 00:32:13,320
Speaker 1: Oh, Joe, you know you don't tell if you have

644
00:32:13,400 --> 00:32:15,480
Speaker 1: to ask how much some call you can't afford it.

645
00:32:15,880 --> 00:32:17,440
Speaker 3: You don't go into the Berken store.

646
00:32:17,640 --> 00:32:20,080
Speaker 1: You didn't ask when you bought railed that Burken bag,

647
00:32:20,320 --> 00:32:21,920
Speaker 1: You ain't ask them how much it costs.

648
00:32:22,280 --> 00:32:23,720
Speaker 3: Now you're over there pocket watching.

649
00:32:24,080 --> 00:32:25,040
Speaker 2: I ain't pocket watching.

650
00:32:25,120 --> 00:32:25,720
Speaker 3: I just want to know.

651
00:32:25,800 --> 00:32:28,680
Speaker 2: You just said you you you You made an economic

652
00:32:28,760 --> 00:32:31,400
Speaker 2: decision and it was for you that you did not.

653
00:32:31,960 --> 00:32:34,640
Speaker 2: You know, you can't be listen. We are an example.

654
00:32:35,680 --> 00:32:37,880
Speaker 2: We are an example for the young people. We are

655
00:32:37,920 --> 00:32:41,120
Speaker 2: an example for the older people. We are an example

656
00:32:41,320 --> 00:32:44,280
Speaker 2: for people that have watched our show that are here

657
00:32:44,320 --> 00:32:50,440
Speaker 2: to learn to better themselves and be financially conscious and

658
00:32:50,480 --> 00:32:53,520
Speaker 2: their decision making in the economy that we are in.

659
00:32:53,840 --> 00:32:58,000
Speaker 2: If you are making rash decisions like getting on a

660
00:32:58,000 --> 00:32:59,880
Speaker 2: citation tim because you want to give him point A

661
00:33:00,360 --> 00:33:05,480
Speaker 2: to point B on a private shit at thirty two

662
00:33:05,480 --> 00:33:08,880
Speaker 2: thousand feet going cruising at sell one hundred minds, that

663
00:33:08,920 --> 00:33:11,920
Speaker 2: doesn't send the right message to the people that follow us.

664
00:33:12,160 --> 00:33:15,600
Speaker 3: And it's all we have to align in our core

665
00:33:15,720 --> 00:33:17,000
Speaker 3: values for this year to work.

666
00:33:17,440 --> 00:33:20,200
Speaker 2: We have to stay on one accord and right now

667
00:33:20,240 --> 00:33:22,920
Speaker 2: you on your own track and for us to get

668
00:33:22,960 --> 00:33:24,680
Speaker 2: what we're trying to get to if we're trying to

669
00:33:24,680 --> 00:33:26,680
Speaker 2: be here, we got to be.

670
00:33:26,840 --> 00:33:27,320
Speaker 3: It got to be.

671
00:33:27,400 --> 00:33:29,840
Speaker 2: Even have you ever flown from when you go from

672
00:33:29,840 --> 00:33:31,840
Speaker 2: point B, when you go from point A to point B.

673
00:33:32,280 --> 00:33:35,000
Speaker 2: I need you to align with me in that area

674
00:33:35,040 --> 00:33:36,000
Speaker 2: when it comes to spending.

675
00:33:36,760 --> 00:33:38,520
Speaker 3: That ain't o Joe. But see here's the thing though,

676
00:33:38,560 --> 00:33:38,880
Speaker 3: O Joe.

677
00:33:38,960 --> 00:33:41,000
Speaker 1: You know you got that big ol' house in Miami,

678
00:33:41,480 --> 00:33:42,320
Speaker 1: and you got all that.

679
00:33:42,720 --> 00:33:43,680
Speaker 3: Oh Joe, I ain't got that.

680
00:33:46,040 --> 00:33:48,640
Speaker 1: I don't be spending no money like that.

681
00:33:48,640 --> 00:33:50,560
Speaker 2: That's the second time you've been on the private Jane

682
00:33:50,560 --> 00:33:51,880
Speaker 2: and private plane this.

683
00:33:51,920 --> 00:34:03,600
Speaker 4: Year when I ain't count Hey, yeah, I was out there.

684
00:34:03,840 --> 00:34:07,200
Speaker 3: Hey, hold on, how many times you've been on there? Jordan?

685
00:34:07,200 --> 00:34:09,680
Speaker 3: How many times? How many time we've been on the flag?

686
00:34:09,800 --> 00:34:12,919
Speaker 1: Okay, we flew back from we flew from We flew

687
00:34:12,920 --> 00:34:21,440
Speaker 1: from Colorado to New York. We flew from North Carolina, Jordan.

688
00:34:21,480 --> 00:34:22,080
Speaker 1: We where did we go?

689
00:34:22,160 --> 00:34:22,399
Speaker 3: Jordan?

690
00:34:22,400 --> 00:34:26,280
Speaker 1: We been? We went to Colorado on one.

691
00:34:27,920 --> 00:34:29,840
Speaker 2: Now do you understand did you add up? Did you

692
00:34:29,840 --> 00:34:32,640
Speaker 2: add up what that costs? Did you did you add them?

693
00:34:32,680 --> 00:34:34,399
Speaker 2: I mean, have you ever sat back and just got

694
00:34:34,440 --> 00:34:37,480
Speaker 2: to calculated out and added up with it costs and

695
00:34:37,560 --> 00:34:40,759
Speaker 2: compare it to if you flew domestic with ash and

696
00:34:40,800 --> 00:34:43,000
Speaker 2: with Jordan and understand how much money you could have

697
00:34:43,040 --> 00:34:46,400
Speaker 2: saved regards to what you have coming in, regardless.

698
00:34:45,920 --> 00:34:47,640
Speaker 1: To all the blessings, I ain't got no money coming

699
00:34:47,680 --> 00:34:49,799
Speaker 1: in yet, No, Joe, I'm trying. I'm out here, you know,

700
00:34:50,320 --> 00:34:53,319
Speaker 1: pounding on doors and trying to get advertisers and sponsors

701
00:34:53,520 --> 00:34:56,560
Speaker 1: and so sometimes I have to take the private jet

702
00:34:56,760 --> 00:34:59,319
Speaker 1: to try to drum up money for nightcap. But since

703
00:34:59,360 --> 00:35:02,120
Speaker 1: you can't see, you told me I shouldn't be doing that. Yo,

704
00:35:02,239 --> 00:35:03,040
Speaker 1: what WHOA?

705
00:35:03,080 --> 00:35:05,399
Speaker 2: If you need to drum up money for nightcap, then

706
00:35:05,440 --> 00:35:08,440
Speaker 2: we need to be making those type of economical decisions

707
00:35:08,440 --> 00:35:10,560
Speaker 2: and not spending money before the money come in.

708
00:35:11,239 --> 00:35:12,840
Speaker 3: What are we doing? You do?

709
00:35:13,040 --> 00:35:15,319
Speaker 1: First of all, you do realize, like when I spend money,

710
00:35:15,440 --> 00:35:17,160
Speaker 1: it ain't not GAMP money, is my money.

711
00:35:17,719 --> 00:35:19,799
Speaker 3: Yeah, that's the point I'm trying to make.

712
00:35:20,080 --> 00:35:21,640
Speaker 2: Don't spend your money.

713
00:35:21,960 --> 00:35:24,400
Speaker 1: But you know what, after you mentioned that I'm going

714
00:35:24,440 --> 00:35:27,359
Speaker 1: to start spending our money on private Yes, it's not.

715
00:35:27,960 --> 00:35:29,719
Speaker 2: No no no no no no no no no no no.

716
00:35:30,760 --> 00:35:34,320
Speaker 2: We're gonna do from that. We're gonna do from this

717
00:35:34,440 --> 00:35:37,160
Speaker 2: point on this is twenty twenty four. Let's leave all

718
00:35:37,200 --> 00:35:39,719
Speaker 2: the stunning and the flying private, leave that back in

719
00:35:39,800 --> 00:35:42,400
Speaker 2: twenty twenty three. We have to be an example for

720
00:35:42,520 --> 00:35:44,520
Speaker 2: the people. The people are watching us, They're watching how

721
00:35:44,600 --> 00:35:47,719
Speaker 2: we move, people are watching how I move. I stay

722
00:35:47,880 --> 00:35:49,959
Speaker 2: on brand with who I've been for the past twenty

723
00:35:49,960 --> 00:35:51,040
Speaker 2: two For.

724
00:35:51,160 --> 00:35:53,799
Speaker 3: Me, spir it ain't on brand for me. They see

725
00:35:53,840 --> 00:35:54,439
Speaker 3: how I roll.

726
00:35:57,160 --> 00:36:00,120
Speaker 2: See thirteen a exit row plenty leg room for you.

727
00:36:00,200 --> 00:36:02,319
Speaker 2: It gets you from point A to point B under

728
00:36:02,320 --> 00:36:03,000
Speaker 2: one hundred dollars.

729
00:36:03,600 --> 00:36:05,279
Speaker 3: I don't know. I had a whole seat, whole rope

730
00:36:05,280 --> 00:36:08,279
Speaker 3: by myself. Oh what what seat you had? Jordan? You

731
00:36:08,400 --> 00:36:10,600
Speaker 3: know what? The three people on the plamee me Jordan, uh,

732
00:36:11,400 --> 00:36:12,680
Speaker 3: one of my hamlets.

733
00:36:12,280 --> 00:36:14,560
Speaker 2: And you know, and sometimes on spirit sometimes it's only

734
00:36:14,640 --> 00:36:15,520
Speaker 2: three or four on mind too.

735
00:36:15,600 --> 00:36:17,600
Speaker 1: I don't blame because everybody else. Hell no, it is

736
00:36:17,719 --> 00:36:19,359
Speaker 1: my time to go. I ain't getting on here.

737
00:36:19,920 --> 00:36:22,640
Speaker 2: Nah, he y'all here, y'all, yeah, everybody got everybody got

738
00:36:22,760 --> 00:36:24,880
Speaker 2: jokes man, It's okay, all right.

739
00:36:25,000 --> 00:36:27,160
Speaker 1: Oh yo, you know what I'm saying, Oh Joe, I

740
00:36:27,280 --> 00:36:29,480
Speaker 1: remember when I was like, I used to fly coach.

741
00:36:29,520 --> 00:36:31,560
Speaker 1: I hadn't flown coach in a very long time. But

742
00:36:31,640 --> 00:36:33,920
Speaker 1: I remember walking by. Its like, man, one day, I'm

743
00:36:33,920 --> 00:36:37,600
Speaker 1: gonna be up here. I'm gonna sit up here. And

744
00:36:37,680 --> 00:36:39,680
Speaker 1: I remember the first time I bought a first class ticket.

745
00:36:39,719 --> 00:36:41,880
Speaker 1: I told my sister. She's like, boy, you spent all

746
00:36:41,920 --> 00:36:42,239
Speaker 1: that money.

747
00:36:42,280 --> 00:36:42,799
Speaker 3: I said, yep.

748
00:36:44,920 --> 00:36:48,520
Speaker 1: And guess where my sister fly first class? All the

749
00:36:48,640 --> 00:36:51,839
Speaker 1: kids first class, my mom first class. You never put

750
00:36:51,880 --> 00:36:59,520
Speaker 1: my mom in the back. Hell, now I think about it.

751
00:36:59,560 --> 00:37:01,040
Speaker 1: I think we I have a don't know. We got

752
00:37:01,080 --> 00:37:03,040
Speaker 1: another flight. I think we got another flight from Atlanta

753
00:37:03,080 --> 00:37:03,920
Speaker 1: to India, Indy.

754
00:37:04,440 --> 00:37:10,000
Speaker 3: Oh, hold on, you know.

755
00:37:10,239 --> 00:37:12,200
Speaker 2: So you know my my grandma always to say, man,

756
00:37:13,640 --> 00:37:14,840
Speaker 2: all here, make a soft.

757
00:37:14,760 --> 00:37:20,759
Speaker 3: Ass, let me live. I'm letting them. I'm letting you no, no, no, no.

758
00:37:21,000 --> 00:37:23,080
Speaker 3: If you want to live, let's live. Let's live.

759
00:37:23,239 --> 00:37:25,960
Speaker 2: Let's open up Parandora's Box and some other areas of

760
00:37:26,040 --> 00:37:28,479
Speaker 2: your life, not when it comes to flying private. Okay,

761
00:37:28,480 --> 00:37:30,800
Speaker 2: I'll tell you to listen. Open up the areas of

762
00:37:30,920 --> 00:37:34,239
Speaker 2: dealing with women, right, all of them. Give everybody a chance.

763
00:37:34,520 --> 00:37:36,600
Speaker 2: Let's how about trying to whip cream. How about let's

764
00:37:36,640 --> 00:37:38,440
Speaker 2: start eating ass. How about let's start there?

765
00:37:39,280 --> 00:37:44,200
Speaker 3: He no, what you want to live? Right?

766
00:37:44,400 --> 00:37:47,279
Speaker 2: How about we start sucking some toads, start sucking some toe.

767
00:37:47,320 --> 00:37:48,239
Speaker 2: Get you some whipped cream.

768
00:37:48,520 --> 00:37:50,560
Speaker 3: You got a publics. We know you ain't la.

769
00:37:50,640 --> 00:37:55,080
Speaker 2: What's y'all got, y'all got, y'all got routs. Get you

770
00:37:55,200 --> 00:37:58,879
Speaker 2: some whip cream and try some new ship, blindfolder, put

771
00:37:58,920 --> 00:38:02,480
Speaker 2: some in, put on some handcut, put that cuff up.

772
00:38:02,560 --> 00:38:03,759
Speaker 3: Now I came up.

773
00:38:03,800 --> 00:38:08,799
Speaker 2: Okay, you about living got private CrIV Let's listen.

774
00:38:10,200 --> 00:38:13,640
Speaker 3: Huh I said that out loud? What you said? I said?

775
00:38:13,719 --> 00:38:18,480
Speaker 1: Zip tize, Oh, zip tize? Yeah, oh Joe, I tell

776
00:38:18,480 --> 00:38:19,279
Speaker 1: you what I'm gonna do with Joe.

777
00:38:19,520 --> 00:38:21,840
Speaker 3: I tell you what the first one that Let me

778
00:38:21,920 --> 00:38:28,040
Speaker 3: put some old off, some more ox tailed gravy. Let

779
00:38:28,080 --> 00:38:29,839
Speaker 3: me pull that down your back. Yeah.

780
00:38:30,040 --> 00:38:32,919
Speaker 1: Let me put some old neck ball, neckball, graateful mother

781
00:38:33,000 --> 00:38:37,440
Speaker 1: fry chicken or pork chop on your toes, count your

782
00:38:37,480 --> 00:38:37,879
Speaker 1: boy head.

783
00:38:38,239 --> 00:38:43,360
Speaker 2: Now now we're talking. Now that's a living Yeah, do

784
00:38:43,440 --> 00:38:45,719
Speaker 2: that right now. Yeah, that's what I'm talking about.

785
00:38:45,760 --> 00:38:47,960
Speaker 1: Now, let me get some good old brown somebody good

786
00:38:47,960 --> 00:38:50,520
Speaker 1: old brown, or some more red eyed gravy and pulling

787
00:38:50,600 --> 00:38:51,239
Speaker 1: down your back.

788
00:38:51,680 --> 00:38:51,879
Speaker 3: Yeah.

789
00:38:52,040 --> 00:38:55,359
Speaker 2: See that that's perfect. See now, now you you're taking

790
00:38:55,440 --> 00:39:02,480
Speaker 2: things that you're familiar with. Things that you like, like, yeah, bingo,

791
00:39:02,960 --> 00:39:06,080
Speaker 2: So you you take that. You take those ingredients and

792
00:39:06,160 --> 00:39:08,839
Speaker 2: then you add them on the toes or you add

793
00:39:08,920 --> 00:39:10,920
Speaker 2: them to the okay, to the rectum area.

794
00:39:11,160 --> 00:39:14,239
Speaker 3: You feel me, go to work. Take another shout of there,

795
00:39:16,200 --> 00:39:31,920
Speaker 3: m lord bad maybe trying to live. We're gonna if

796
00:39:31,960 --> 00:39:33,080
Speaker 3: you want to live, we're gonna live.

797
00:39:33,400 --> 00:39:35,919
Speaker 2: But it ain't gonna it ain't gonna cost twenty thirty,

798
00:39:36,000 --> 00:39:38,560
Speaker 2: forty and fifty thousand, but we're gonna live. You're gonna enjoy,

799
00:39:38,560 --> 00:39:41,680
Speaker 2: We're gonna be. We're gonna enjoy ourselves. That's what we're

800
00:39:41,680 --> 00:39:41,960
Speaker 2: gonna do.

801
00:39:43,239 --> 00:39:44,920
Speaker 3: Yeah, that's what I mean.

802
00:39:45,360 --> 00:39:47,720
Speaker 1: That situation. You have to have six in my backyard.

803
00:39:47,760 --> 00:39:50,600
Speaker 1: You if the mess up my bed with no gravy, no, right, I.

804
00:39:50,760 --> 00:39:51,680
Speaker 3: Told you where the dude?

805
00:39:51,719 --> 00:39:53,360
Speaker 2: You get the shower curtain from target?

806
00:39:53,680 --> 00:39:55,359
Speaker 3: Man, ain't no wman, go let you pull no, let

807
00:39:55,440 --> 00:39:58,440
Speaker 3: you pull no oxtail gravy down her back? Yes she

808
00:39:58,600 --> 00:40:04,160
Speaker 3: will man. Man, they into that man. Yes, you ain't

809
00:40:04,200 --> 00:40:08,200
Speaker 3: see fifty shades of grade. Man. They look. They talked

810
00:40:08,200 --> 00:40:10,360
Speaker 3: about chocolate and stuff like that from fund.

811
00:40:10,760 --> 00:40:16,640
Speaker 2: Man they're talking about. But it's a new breed out here.

812
00:40:17,719 --> 00:40:19,880
Speaker 2: There's a new breed out here man and everything.

813
00:40:21,040 --> 00:40:21,800
Speaker 3: Yeah. Everything.

814
00:40:21,920 --> 00:40:24,319
Speaker 2: Listen, it's a different world. So you got you got

815
00:40:24,440 --> 00:40:27,239
Speaker 2: to do things different because they don't seen it all. Now,

816
00:40:27,760 --> 00:40:30,239
Speaker 2: you know, everything is magnified because of social media. So

817
00:40:30,280 --> 00:40:32,920
Speaker 2: they didn't seen everything, and you got to come with

818
00:40:33,040 --> 00:40:35,480
Speaker 2: some different, come in there with some, with some ma

819
00:40:36,239 --> 00:40:37,759
Speaker 2: I'll cover that thing with a power with.

820
00:40:39,320 --> 00:40:42,520
Speaker 3: Mother fried boat job. Yes, with the most mother fried

821
00:40:42,600 --> 00:40:45,520
Speaker 3: poak chops for the back. Yeah, they dipper right in it.

822
00:40:46,080 --> 00:40:49,720
Speaker 1: No, that's the only thing I'm gonna eat that bedroom,

823
00:40:49,760 --> 00:40:51,200
Speaker 1: the mother fried folk chop.

824
00:40:51,440 --> 00:40:52,719
Speaker 2: No, no, no, no, no, no, no no no no.

825
00:40:53,719 --> 00:40:56,360
Speaker 2: You gotta add that. You gotta add that. Combine it together.

826
00:40:57,239 --> 00:40:59,399
Speaker 2: Now you're living. Ah.

827
00:41:00,239 --> 00:41:02,200
Speaker 1: You know what, I better ride giving the most mother

828
00:41:02,280 --> 00:41:07,080
Speaker 1: fried Charleston, the more the arts tails and getting them.

829
00:41:07,040 --> 00:41:11,759
Speaker 3: Divers in me. What what you take it to work?

830
00:41:12,239 --> 00:41:15,719
Speaker 2: You could ride it like a PBR bull. Ride it

831
00:41:15,800 --> 00:41:21,279
Speaker 2: like a PBR bull. Yeah, I tell you, no, lie,

832
00:41:21,320 --> 00:41:23,359
Speaker 2: I lie for you before I lie to you. I'm

833
00:41:23,440 --> 00:41:26,560
Speaker 2: telling you they already know now with shake getting them diamonds.

834
00:41:27,080 --> 00:41:29,239
Speaker 2: I'm anna riding like a school in Mexico. You know,

835
00:41:29,400 --> 00:41:31,879
Speaker 2: you know everybody on school, you know what I'm saying everybody.

836
00:41:31,600 --> 00:41:33,960
Speaker 3: On schools in Mexico. I get them divers on me.

837
00:41:34,080 --> 00:41:38,560
Speaker 3: Now you better stop playing with no shape. I'm just

838
00:41:38,640 --> 00:41:42,799
Speaker 3: saying a school in Mexico. You know everybody on school

839
00:41:42,960 --> 00:41:43,360
Speaker 3: in Mexico.

840
00:41:43,760 --> 00:41:45,399
Speaker 2: You should you should have said the school in DR

841
00:41:45,440 --> 00:41:47,920
Speaker 2: because you d R. You know everybody everybody in the

842
00:41:48,000 --> 00:41:49,319
Speaker 2: DR is on the school. That's a good one.

843
00:41:49,320 --> 00:41:49,640
Speaker 3: I like that.

844
00:41:49,920 --> 00:41:52,000
Speaker 1: I ain't never been to the DR, but I but

845
00:41:52,120 --> 00:41:57,920
Speaker 1: I've seen some of the women from the DR. Yeah,

846
00:41:59,320 --> 00:42:01,480
Speaker 1: real sleep, because all went real to get there. She

847
00:42:01,880 --> 00:42:03,400
Speaker 1: always woke up. She just woke up.

848
00:42:06,160 --> 00:42:07,120
Speaker 3: Oh she went back to sleep.

849
00:42:08,440 --> 00:42:09,520
Speaker 2: Oh man, that was a good one.

850
00:42:09,560 --> 00:42:10,160
Speaker 3: That was a good one.

851
00:42:10,600 --> 00:42:12,840
Speaker 1: Hey press blay Boy said, oh, if you want to

852
00:42:12,880 --> 00:42:14,320
Speaker 1: be a part of the My High Club, then the

853
00:42:14,440 --> 00:42:16,680
Speaker 1: plane gott to be in the air, not just stay

854
00:42:16,719 --> 00:42:19,320
Speaker 1: on the runway. It would be the mile Away Club.

855
00:42:19,640 --> 00:42:21,960
Speaker 1: Addressing what you said of the podcast.

856
00:42:22,520 --> 00:42:25,359
Speaker 3: You know what, Yeah, you're right? So how long hold

857
00:42:25,400 --> 00:42:27,840
Speaker 3: on chat? How long do I have to be in

858
00:42:27,960 --> 00:42:28,279
Speaker 3: the air?

859
00:42:29,920 --> 00:42:31,640
Speaker 1: I mean, so what if we don't get to a

860
00:42:31,680 --> 00:42:33,839
Speaker 1: comfortable attitude of thirty two thousand feet?

861
00:42:34,600 --> 00:42:36,879
Speaker 3: What if we just get up there like ten thousand feet?

862
00:42:37,320 --> 00:42:39,480
Speaker 3: The boy, the air is the air, cause you know

863
00:42:39,520 --> 00:42:39,880
Speaker 3: what I'm.

864
00:42:39,719 --> 00:42:43,200
Speaker 1: Saying, Oh Joe our ad, the landing gear won't even

865
00:42:43,200 --> 00:42:44,960
Speaker 1: be up in the plane. You out a plane, you

866
00:42:45,000 --> 00:42:46,759
Speaker 1: know where they get up and the landing gear comes up,

867
00:42:46,760 --> 00:42:49,319
Speaker 1: poles up under the plane. The time will never get

868
00:42:49,400 --> 00:42:51,719
Speaker 1: up under them. You know what, when you think about it,

869
00:42:51,800 --> 00:42:55,799
Speaker 1: you talk about air. Michael Jordan nickname was was air Jordan? Right, yeah, okay, yeah,

870
00:42:56,000 --> 00:42:58,840
Speaker 1: And the highest he in how high is it? The

871
00:42:58,960 --> 00:43:02,520
Speaker 1: NBA rim ten feet, ten feet, ten left feet something

872
00:43:02,560 --> 00:43:02,680
Speaker 1: like that.

873
00:43:02,840 --> 00:43:05,000
Speaker 2: Ten feet for ship. As long as you ten feet

874
00:43:05,040 --> 00:43:08,120
Speaker 2: there and you've got action going on horizontally and vertically.

875
00:43:08,760 --> 00:43:09,600
Speaker 2: That's the air up there.

876
00:43:10,760 --> 00:43:12,120
Speaker 1: But you ain't got it. But I ain't got to

877
00:43:12,160 --> 00:43:13,520
Speaker 1: do all the other stuff. I ain't got to do

878
00:43:13,560 --> 00:43:15,160
Speaker 1: all the other stuff that you was talking about, like

879
00:43:15,239 --> 00:43:17,680
Speaker 1: eating deers and eating that. No, No, that that's that's

880
00:43:17,760 --> 00:43:19,839
Speaker 1: for That's that's on the ground. Yeah, that's there.

881
00:43:19,920 --> 00:43:20,560
Speaker 2: That's on the ground.

882
00:43:20,640 --> 00:43:24,759
Speaker 3: That that stuff like that, which best describes you?

883
00:43:24,920 --> 00:43:28,200
Speaker 1: I'm asking, I'm asking if we're asking our chat which

884
00:43:28,320 --> 00:43:33,160
Speaker 1: best describes you flying spirit whipped cream using or flying

885
00:43:33,280 --> 00:43:34,640
Speaker 1: private diamond popping?

886
00:43:35,080 --> 00:43:35,600
Speaker 3: We got another?

887
00:43:37,560 --> 00:43:43,480
Speaker 1: Yeah, yeah, so that that's what we got out with

888
00:43:43,560 --> 00:43:47,959
Speaker 1: yoke which best described you flying spirit whipped cream using

889
00:43:48,400 --> 00:43:50,600
Speaker 1: or flying private diamond popping.

890
00:43:50,880 --> 00:43:54,239
Speaker 2: Night before y'all vote, Let's think about longevity. Now, let's

891
00:43:54,280 --> 00:43:57,200
Speaker 2: just think about longevity and and think about the situations

892
00:43:57,200 --> 00:44:01,160
Speaker 2: that we're in. Let's be economically respond before we vote.

893
00:44:01,200 --> 00:44:06,040
Speaker 2: I just saw it, Okay, Chad, Let's be economically responsible.

894
00:44:06,080 --> 00:44:07,320
Speaker 2: Think about the bread.

895
00:44:09,160 --> 00:44:14,440
Speaker 3: Don't be trying to sway the vote. What best describes them? Right?

896
00:44:14,640 --> 00:44:16,160
Speaker 3: So what best describes in? Was?

897
00:44:16,320 --> 00:44:19,320
Speaker 2: I need for them to vote realistically based.

898
00:44:19,080 --> 00:44:20,920
Speaker 3: On don't that we're all in.

899
00:44:21,360 --> 00:44:25,080
Speaker 1: That doesn't describe them. You just man be cause somebody

900
00:44:25,200 --> 00:44:27,480
Speaker 1: might be my more my spirit animal than you.

901
00:44:28,239 --> 00:44:29,560
Speaker 3: Nah? I am, I am.

902
00:44:29,680 --> 00:44:32,400
Speaker 2: I am a testament of the spirit animal and the

903
00:44:32,560 --> 00:44:35,239
Speaker 2: in the in the in the dictionary the definition of

904
00:44:35,320 --> 00:44:36,840
Speaker 2: spirit animal, there's a picture of me.

905
00:44:38,960 --> 00:44:42,160
Speaker 1: Mm hmm, yeah, oh, Joe, I was. I was thinking

906
00:44:42,160 --> 00:44:43,839
Speaker 1: about you the whole why I said. I told Jordan

907
00:44:43,880 --> 00:44:46,840
Speaker 1: said George, I don't think we should post that. But

908
00:44:46,960 --> 00:44:49,279
Speaker 1: George say, gonna be mad. We don't let him know

909
00:44:49,360 --> 00:44:50,600
Speaker 1: that we were big pimping.

910
00:44:51,200 --> 00:44:55,000
Speaker 2: Nah, that was totally unnecessary, totally you don't need to

911
00:44:55,040 --> 00:44:58,200
Speaker 2: do that because when I fly tomorrow, I'm getting on

912
00:44:58,239 --> 00:45:00,279
Speaker 2: a plane to go to Philly for work do side

913
00:45:00,280 --> 00:45:03,240
Speaker 2: the NFL. I'm gonna be right back in my exit

914
00:45:03,400 --> 00:45:05,680
Speaker 2: row because I can get from point A to point

915
00:45:05,719 --> 00:45:08,399
Speaker 2: B in a cost efficient way.

916
00:45:09,120 --> 00:45:13,120
Speaker 3: Y'all y'all not going to the super Bowl. Yeah, we leave,

917
00:45:13,360 --> 00:45:14,560
Speaker 3: matter of fact. This is what we do.

918
00:45:14,760 --> 00:45:17,440
Speaker 2: We film and then I get back on a plane

919
00:45:17,680 --> 00:45:19,720
Speaker 2: as soon as we finish filming and go from Philly

920
00:45:19,800 --> 00:45:22,120
Speaker 2: straight to Vegas. So I get to Vegas Tuesday.

921
00:45:22,840 --> 00:45:25,200
Speaker 3: But I'm saying, why you, I mean, why y'all didn't

922
00:45:25,239 --> 00:45:27,880
Speaker 3: just film the show from Vegas. I don't know.

923
00:45:28,080 --> 00:45:30,480
Speaker 2: I asked that I try. I fought for us to

924
00:45:30,560 --> 00:45:33,120
Speaker 2: film the show in Vegas, so obviously we would have

925
00:45:33,120 --> 00:45:34,799
Speaker 2: already been there by now. I would have probably had

926
00:45:34,800 --> 00:45:37,239
Speaker 2: to fly out, but they chose to.

927
00:45:37,760 --> 00:45:39,319
Speaker 3: Film a.

928
00:45:41,000 --> 00:45:43,600
Speaker 2: Tomorrow, No, Tuesday. Tuesday morning, we film, and then right

929
00:45:43,640 --> 00:45:46,200
Speaker 2: after the show, I get on the flight to Vegas.

930
00:45:46,640 --> 00:45:49,440
Speaker 1: Okay, yeah, well I get there. I'll get that too,

931
00:45:49,600 --> 00:45:55,560
Speaker 1: just to know myself. Oh, cho, what did the votes say?

932
00:45:55,560 --> 00:45:56,200
Speaker 1: Where where we at?

933
00:45:56,280 --> 00:45:57,040
Speaker 3: What the votes?

934
00:45:57,080 --> 00:46:00,320
Speaker 1: What best described you? Flying spirit whipped cream using a

935
00:46:00,520 --> 00:46:02,480
Speaker 1: flying private diamond poppet.

936
00:46:03,920 --> 00:46:05,360
Speaker 3: It's fifty to fifty, right, now with yo.

937
00:46:05,480 --> 00:46:08,279
Speaker 2: See see that's that's that's that's why I love That's

938
00:46:08,280 --> 00:46:09,120
Speaker 2: why I love America.

939
00:46:09,760 --> 00:46:11,600
Speaker 3: That's why I love America. That's why I love y'all.

940
00:46:11,640 --> 00:46:12,080
Speaker 3: In the chat.

941
00:46:12,200 --> 00:46:16,080
Speaker 2: Those are you in the chat being realistic and understand understanding.

942
00:46:16,560 --> 00:46:19,319
Speaker 2: You know, to live, you live to see another day.

943
00:46:20,360 --> 00:46:23,200
Speaker 2: You save your money for a rainy day cause you

944
00:46:23,280 --> 00:46:23,560
Speaker 2: never know.

945
00:46:23,680 --> 00:46:26,480
Speaker 3: Sometimes you never know, you know, or you want to live.

946
00:46:26,520 --> 00:46:28,240
Speaker 3: I want to, you know, fly private.

947
00:46:28,760 --> 00:46:32,800
Speaker 2: That's twenty thirty forty fifty thousand man round trip. H

948
00:46:33,480 --> 00:46:34,759
Speaker 2: You don't have to do that when you get a

949
00:46:34,800 --> 00:46:37,200
Speaker 2: ticket for one hundred and eighty dollars one hundred eighty

950
00:46:37,200 --> 00:46:37,960
Speaker 2: to get you we need to go.

951
00:46:40,200 --> 00:46:44,239
Speaker 1: You gotta you know, just you know, let me ask

952
00:46:44,280 --> 00:46:48,160
Speaker 1: you a question if money, If money wasn't the problem, right,

953
00:46:48,440 --> 00:46:51,000
Speaker 1: if they said o Jo instead of flying Spirit, we

954
00:46:51,080 --> 00:46:53,080
Speaker 1: got a private jet. So if the NFL said, Ojo,

955
00:46:53,440 --> 00:46:55,279
Speaker 1: we don't want you to fly Spirit because you might

956
00:46:55,320 --> 00:46:58,200
Speaker 1: get delayed, there might be something transfired. We're gonna send

957
00:46:58,239 --> 00:47:00,640
Speaker 1: a plot private jet for you, would you still fly

958
00:47:00,960 --> 00:47:05,600
Speaker 1: a Spirit? That's so off brand for me, just ask

959
00:47:05,680 --> 00:47:07,640
Speaker 1: you a question. That's all brand man.

960
00:47:07,800 --> 00:47:10,879
Speaker 3: Well sucking toes and and the other holes off brand

961
00:47:10,960 --> 00:47:14,080
Speaker 3: for me? No, it ain't. Yeah, it is gonna tell

962
00:47:14,080 --> 00:47:15,160
Speaker 3: me what's brand for me.

963
00:47:15,680 --> 00:47:17,239
Speaker 2: I'm just telling you where you need to be. Though

964
00:47:17,800 --> 00:47:19,560
Speaker 2: it might be might be off brand for you, but

965
00:47:19,640 --> 00:47:21,600
Speaker 2: you need to do something different, something different.

966
00:47:21,960 --> 00:47:25,520
Speaker 3: I do, do something different. No, you need no, I'm

967
00:47:25,600 --> 00:47:27,200
Speaker 3: telling you, man, you need to hear. You need to

968
00:47:27,640 --> 00:47:27,920
Speaker 3: you need.

969
00:47:28,040 --> 00:47:30,440
Speaker 2: You need to be like the black Christian Gray. You

970
00:47:30,560 --> 00:47:31,719
Speaker 2: know you saw Gray.

971
00:47:31,800 --> 00:47:36,800
Speaker 3: You need to have a back door, the yard, guess house,

972
00:47:36,880 --> 00:47:39,040
Speaker 3: pool house. That's different.

973
00:47:39,719 --> 00:47:40,719
Speaker 2: Nah, Ain't that ain't enough?

974
00:47:41,400 --> 00:47:41,920
Speaker 3: That ain't enough.

975
00:47:42,000 --> 00:47:44,480
Speaker 2: You need to throw ingredients in there. You need to

976
00:47:44,560 --> 00:47:46,400
Speaker 2: have some seasoning. You know when your cook food. You

977
00:47:46,440 --> 00:47:49,239
Speaker 2: know your cook food, you as seating them for flavor. Yeah,

978
00:47:49,680 --> 00:47:51,799
Speaker 2: you could be at all them different locations in your house,

979
00:47:52,040 --> 00:47:54,120
Speaker 2: but you need to add some ingredients to that to

980
00:47:54,200 --> 00:47:55,080
Speaker 2: add some flavor.

981
00:47:55,360 --> 00:48:00,840
Speaker 3: Well, what about what about the Amazon guy almost caught me? Okay?

982
00:48:00,920 --> 00:48:05,960
Speaker 3: I like that. You know he saw me. He was

983
00:48:06,040 --> 00:48:11,680
Speaker 3: dropping off a package and so was I. Yeah, I

984
00:48:11,920 --> 00:48:15,200
Speaker 3: like that one has a good one. We were both

985
00:48:15,239 --> 00:48:17,400
Speaker 3: dropping off something. Yeah, that was a good one. I

986
00:48:17,600 --> 00:48:19,839
Speaker 3: like that. That was a good playing bad see y'all

987
00:48:19,920 --> 00:48:22,880
Speaker 3: been y'all be goddamn that haven't doing it out. I

988
00:48:22,920 --> 00:48:25,719
Speaker 3: ain't like that. I ain't like that. Hey, that was

989
00:48:25,760 --> 00:48:27,000
Speaker 3: a good one. I like that idea.

990
00:48:29,120 --> 00:48:32,200
Speaker 1: Lebron is saying, oh, Jo, you like a Zebra crale?

991
00:48:32,400 --> 00:48:37,279
Speaker 1: What that hack in Jersey you got on? That's a

992
00:48:37,400 --> 00:48:39,320
Speaker 1: name of Jersey. Whose Namemar playing for?

993
00:48:39,440 --> 00:48:42,800
Speaker 2: When he wore that Jersey Santos team in Brazil, he

994
00:48:42,920 --> 00:48:44,520
Speaker 2: was Yeah, he was much younger. I think maybe maybe

995
00:48:44,640 --> 00:48:46,000
Speaker 2: eighteen by eighteen seventeen.

996
00:48:50,760 --> 00:48:53,200
Speaker 1: You like them, guys, I'm trying to say, were you

997
00:48:53,320 --> 00:48:55,319
Speaker 1: in the league, o Joe, Were you in the league

998
00:48:55,800 --> 00:48:57,680
Speaker 1: when everybody was getting them throwback jerseys?

999
00:48:57,760 --> 00:49:01,760
Speaker 3: The NFL, MLB, all the throwback and it was real baggy?

1000
00:49:02,040 --> 00:49:04,080
Speaker 3: Yeah yeah, yeah, yeah, yeah, yeah yeah yeah, And I

1001
00:49:04,120 --> 00:49:08,759
Speaker 3: got so many of them. Dad on Jersey, Yeah yeah.

1002
00:49:11,239 --> 00:49:13,879
Speaker 3: People in the chat don't know who maybe how do it? Okay?

1003
00:49:13,920 --> 00:49:16,359
Speaker 2: You know what, everybody's not a soccer fan in the chat,

1004
00:49:16,600 --> 00:49:19,600
Speaker 2: but this is named mar Junian Jersey Santos, a team

1005
00:49:19,680 --> 00:49:22,040
Speaker 2: in Brazil that he played for. And I know I

1006
00:49:22,080 --> 00:49:23,680
Speaker 2: look like beetle juice. I know I look like I

1007
00:49:23,760 --> 00:49:26,680
Speaker 2: work at foot locker. But let's be respectful of one

1008
00:49:26,719 --> 00:49:30,480
Speaker 2: of the greatest soccer players to ever grace the pitch. Okay,

1009
00:49:30,560 --> 00:49:30,840
Speaker 2: thank you.

1010
00:49:32,440 --> 00:49:35,279
Speaker 1: Chatting? Oh chatting? Oh, what would you say? Is the

1011
00:49:35,360 --> 00:49:38,839
Speaker 1: most underrated thing about yourselves? And the most underrated thing

1012
00:49:38,920 --> 00:49:44,719
Speaker 1: is about Hello? What is the most underrated thing about yourselves?

1013
00:49:44,840 --> 00:49:47,160
Speaker 1: And the most underrated thing about your self?

1014
00:49:48,040 --> 00:49:52,840
Speaker 3: Is that? Right? Ash? You're right there, right, Well you

1015
00:49:52,920 --> 00:49:57,200
Speaker 3: were underrated twice? Oh okay, Oh okay.

1016
00:49:57,320 --> 00:49:59,759
Speaker 1: I think they're saying, what's the most underrated thing about

1017
00:49:59,800 --> 00:50:02,319
Speaker 1: you and the most overrated thing about yourselves? I think

1018
00:50:02,400 --> 00:50:04,520
Speaker 1: that's kind of where they're going. And why can't I

1019
00:50:04,600 --> 00:50:07,120
Speaker 1: purchase tickets to the Vegas show? Dylan, let me start

1020
00:50:07,160 --> 00:50:11,920
Speaker 1: with that first one first, that last question you asked first,

1021
00:50:13,040 --> 00:50:16,600
Speaker 1: because they're sold out. I'm sorry. They went very very

1022
00:50:16,920 --> 00:50:19,319
Speaker 1: they went very very fast. I think we sold out

1023
00:50:19,360 --> 00:50:21,880
Speaker 1: none of thirty minutes. And so there's gonna be a

1024
00:50:21,920 --> 00:50:24,480
Speaker 1: lot of people in Vegas, and people wanted to see us.

1025
00:50:24,520 --> 00:50:27,120
Speaker 1: It's our first live show, and people are looking forward

1026
00:50:27,160 --> 00:50:29,520
Speaker 1: to seeing Oh Shoe and myself do a live show

1027
00:50:29,600 --> 00:50:30,960
Speaker 1: and be a part of that experience.

1028
00:50:31,000 --> 00:50:33,080
Speaker 3: And so we want to thank all those that were

1029
00:50:33,120 --> 00:50:34,240
Speaker 3: able to purchase tickets.

1030
00:50:34,440 --> 00:50:38,040
Speaker 1: We greatly appreciate our fan base, and we'll see how

1031
00:50:38,160 --> 00:50:42,600
Speaker 1: this go because of this goals, well, we're probably gonna

1032
00:50:42,600 --> 00:50:46,680
Speaker 1: be looking to do more shows this offseason and maybe

1033
00:50:46,800 --> 00:50:49,800
Speaker 1: during the season at events, and so we got to

1034
00:50:49,800 --> 00:50:50,400
Speaker 1: see how this is.

1035
00:50:50,400 --> 00:50:51,160
Speaker 3: Gonna go first.

1036
00:50:51,600 --> 00:50:55,840
Speaker 1: But I'm sorry Dylan Dealer that you're unable to purchase

1037
00:50:55,880 --> 00:50:58,520
Speaker 1: tickets now, Oh shoe, What would you say is the

1038
00:50:58,560 --> 00:51:01,799
Speaker 1: most underrated thing about you and the most overrated thing

1039
00:51:01,840 --> 00:51:02,160
Speaker 1: about you?

1040
00:51:02,520 --> 00:51:04,200
Speaker 2: I think one of the most underrated things about me

1041
00:51:04,360 --> 00:51:09,160
Speaker 2: is my ability to stay true to myself, regardless to

1042
00:51:09,480 --> 00:51:12,520
Speaker 2: the environment that I'm in, obviously when I was younger,

1043
00:51:12,600 --> 00:51:15,040
Speaker 2: obviously from Miami. When you think about Miami, you think

1044
00:51:15,040 --> 00:51:18,800
Speaker 2: about flashy, you think about stunt, you think about nice cars, jewelry,

1045
00:51:20,520 --> 00:51:22,880
Speaker 2: looking the part all the time. And I think the

1046
00:51:22,960 --> 00:51:26,720
Speaker 2: most underrated thing about me is I've always stuck to myself.

1047
00:51:26,880 --> 00:51:29,320
Speaker 2: I've stuck to my standards, my core values and what

1048
00:51:29,400 --> 00:51:32,239
Speaker 2: I believe in, and refused to change to fit in

1049
00:51:32,960 --> 00:51:35,719
Speaker 2: based on circumstance or my surroundings. And I think that's

1050
00:51:36,040 --> 00:51:38,680
Speaker 2: one of the issues very that many many people have

1051
00:51:39,480 --> 00:51:43,240
Speaker 2: is they always try to appease and appeal to others

1052
00:51:43,280 --> 00:51:46,600
Speaker 2: that really don't matter, and doing things that's unnecessary to

1053
00:51:46,760 --> 00:51:52,399
Speaker 2: impress those that really don't care anyway, And I think

1054
00:51:52,440 --> 00:51:54,560
Speaker 2: that's one of the most underrated things about me, my

1055
00:51:54,640 --> 00:51:59,160
Speaker 2: ability to remain on core with who I am regardless

1056
00:51:59,480 --> 00:52:01,080
Speaker 2: no matter what everyone else is doing.

1057
00:52:01,640 --> 00:52:04,759
Speaker 3: What's the most overrated thing about you? Most overrated thing

1058
00:52:04,800 --> 00:52:05,160
Speaker 3: about me.

1059
00:52:09,760 --> 00:52:11,799
Speaker 2: Will probably be my confidence in thinking I could beat

1060
00:52:11,840 --> 00:52:14,759
Speaker 2: everybody in everything, no matter what the sport is, no

1061
00:52:14,840 --> 00:52:19,400
Speaker 2: matter what. Yeah, yeah, it's very overrated because there there

1062
00:52:19,400 --> 00:52:21,480
Speaker 2: are very few things that I'm good at, but I

1063
00:52:21,600 --> 00:52:25,600
Speaker 2: believe I'm the greatest at everything there is and in

1064
00:52:25,800 --> 00:52:27,480
Speaker 2: order and you will have to prove to me that

1065
00:52:27,560 --> 00:52:29,840
Speaker 2: you're better than me at whatever it is too and

1066
00:52:30,000 --> 00:52:31,840
Speaker 2: until you prove to me you're better than me in something,

1067
00:52:32,200 --> 00:52:35,560
Speaker 2: I totally highly believe that I can do it, and

1068
00:52:35,680 --> 00:52:38,520
Speaker 2: that that's probably very much overrated for me, because you

1069
00:52:38,600 --> 00:52:42,920
Speaker 2: gotta you gotta, you gotta really sit me down and

1070
00:52:43,040 --> 00:52:46,080
Speaker 2: whatever it may be that we're competing at to show

1071
00:52:46,120 --> 00:52:49,160
Speaker 2: me that you better. But if you haven't, I feel

1072
00:52:49,200 --> 00:52:49,759
Speaker 2: I'm better than you.

1073
00:52:50,400 --> 00:52:58,120
Speaker 1: I don't know what am I overrated at, because look

1074
00:52:58,200 --> 00:53:01,000
Speaker 1: I don't, Oh Joe, I'm a firm belief I don't

1075
00:53:01,040 --> 00:53:01,720
Speaker 1: know everything.

1076
00:53:02,040 --> 00:53:04,680
Speaker 3: I know a little bit about everything but what I know,

1077
00:53:05,239 --> 00:53:07,920
Speaker 3: I know a whole lot about right right, right, right right.

1078
00:53:08,080 --> 00:53:08,640
Speaker 3: I think.

1079
00:53:11,040 --> 00:53:14,480
Speaker 1: I think because people see me on television and they

1080
00:53:14,560 --> 00:53:18,040
Speaker 1: see how outgoing I am, they think I'm outgoing in

1081
00:53:18,120 --> 00:53:24,960
Speaker 1: real life, and I'm not. I'm an introvert. We're, oh, Joe,

1082
00:53:25,080 --> 00:53:27,000
Speaker 1: I'm sitting in the true We're at the hotel. Joan

1083
00:53:27,040 --> 00:53:29,320
Speaker 1: could attest to this. So I'm sitting in the hotel

1084
00:53:30,760 --> 00:53:33,600
Speaker 1: and the guy don't tap on the window. He works

1085
00:53:33,680 --> 00:53:37,719
Speaker 1: at the hotel. He doesn't tap on the window. And

1086
00:53:37,840 --> 00:53:40,200
Speaker 1: I'm leaning like this here. He just opens the door,

1087
00:53:43,200 --> 00:53:46,040
Speaker 1: he says. I know, I'm not supposed I'm not supposed

1088
00:53:46,080 --> 00:53:49,360
Speaker 1: to ask for pictures because I could get fired.

1089
00:53:49,719 --> 00:53:53,280
Speaker 3: But I gotta get this selfie. Not tap on the window.

1090
00:53:53,680 --> 00:53:55,720
Speaker 1: Hey, mister Sharp, you mind if I take a selfie

1091
00:53:55,880 --> 00:53:59,440
Speaker 1: with you? I hate when people do that. Yeah, Oh,

1092
00:54:00,640 --> 00:54:03,920
Speaker 1: I'm gonna get this picture. Really, you're not gonna ask,

1093
00:54:04,000 --> 00:54:06,040
Speaker 1: mister Sharp. You're not gonna say Shannon. You're not gonna

1094
00:54:06,040 --> 00:54:08,000
Speaker 1: say Oh, You're not gonna say, Shay, do you mind

1095
00:54:08,040 --> 00:54:10,000
Speaker 1: taking a picture with me? You're gonna say, I got

1096
00:54:10,160 --> 00:54:12,320
Speaker 1: to take a picture with you, and then you're gonna

1097
00:54:12,320 --> 00:54:12,879
Speaker 1: open the door.

1098
00:54:12,920 --> 00:54:13,919
Speaker 3: You just open the door.

1099
00:54:14,640 --> 00:54:18,439
Speaker 1: You don't tap on the winnow, you just open the door. Now,

1100
00:54:18,960 --> 00:54:20,800
Speaker 1: if somebody go back and tell you're superior and you

1101
00:54:20,880 --> 00:54:25,840
Speaker 1: get fired, they roam you. You told me you're not

1102
00:54:26,000 --> 00:54:28,759
Speaker 1: supposed to do this. You told me you can lose

1103
00:54:28,800 --> 00:54:31,279
Speaker 1: your job, but you did it anyway to get it.

1104
00:54:33,840 --> 00:54:34,040
Speaker 3: Yeah.

1105
00:54:34,080 --> 00:54:36,640
Speaker 2: You different from me, Usten. I don't know how many

1106
00:54:36,680 --> 00:54:39,080
Speaker 2: people in the chat have met me in person, but

1107
00:54:39,400 --> 00:54:42,200
Speaker 2: people come up. Will you ask me for a picture? Man,

1108
00:54:42,239 --> 00:54:45,800
Speaker 2: I'm I'm hugging and well. I act and treat people

1109
00:54:46,360 --> 00:54:50,040
Speaker 2: like I have known them thirty years. Every time anywhere

1110
00:54:50,080 --> 00:54:53,480
Speaker 2: I'm at airport, it don't matter I'm meeting lunch. Yes,

1111
00:54:53,840 --> 00:54:57,400
Speaker 2: I'm different. I'm my personality is exactly how it was

1112
00:54:57,480 --> 00:54:59,000
Speaker 2: on the field. If you, if any of you in

1113
00:54:59,080 --> 00:55:01,239
Speaker 2: the chat have met me in person, you already know

1114
00:55:01,280 --> 00:55:03,240
Speaker 2: who I am, and I'm out going.

1115
00:55:03,880 --> 00:55:05,240
Speaker 3: I make you feel like I've.

1116
00:55:05,080 --> 00:55:08,480
Speaker 2: Known you forever, because, for one, it's already hard for

1117
00:55:08,560 --> 00:55:11,120
Speaker 2: people to approach us as it is, so I want

1118
00:55:11,480 --> 00:55:12,160
Speaker 2: your first time.

1119
00:55:13,640 --> 00:55:16,239
Speaker 1: If you're approaching a manner, O Joe, you can't come

1120
00:55:16,360 --> 00:55:20,640
Speaker 1: up there and be disrespectful and think, well you know, no, no, no,

1121
00:55:20,840 --> 00:55:23,279
Speaker 1: you're not gonna tell me I'm gonna or speak a

1122
00:55:23,320 --> 00:55:25,440
Speaker 1: phone in my face. Hey, I just called my I

1123
00:55:25,560 --> 00:55:27,440
Speaker 1: just called my mom. I just called my sister. And

1124
00:55:27,520 --> 00:55:30,040
Speaker 1: I want you to say hello on FaceTime. No, No,

1125
00:55:30,160 --> 00:55:30,960
Speaker 1: you're not gonna do that.

1126
00:55:31,160 --> 00:55:33,120
Speaker 2: Yeah, I'm I'm gonna do it though, Okay, yeah, you

1127
00:55:33,320 --> 00:55:33,800
Speaker 2: you different.

1128
00:55:33,960 --> 00:55:34,600
Speaker 3: I'm not like that.

1129
00:55:34,760 --> 00:55:36,719
Speaker 2: I'm gonna be getting on phones and all.

1130
00:55:36,880 --> 00:55:38,279
Speaker 3: Man. Yeah, I don't know.

1131
00:55:38,360 --> 00:55:41,200
Speaker 1: It's just you got You just can't stick a phone

1132
00:55:41,200 --> 00:55:42,800
Speaker 1: in my face and say I'm on the phone with

1133
00:55:42,800 --> 00:55:45,960
Speaker 1: my mom, say hello. Whatever happened to say? Hey, I'm

1134
00:55:46,000 --> 00:55:48,000
Speaker 1: on the phone. Would you mind saying hello to my mom?

1135
00:55:48,239 --> 00:55:51,640
Speaker 1: Whatever happened to say it? Please and asking nicely instead

1136
00:55:51,640 --> 00:55:53,719
Speaker 1: of standing just sticking the phone in somebody's face, say

1137
00:55:53,719 --> 00:55:55,080
Speaker 1: I'm on the phone with my mom, say hello.

1138
00:55:55,560 --> 00:55:59,799
Speaker 2: So their delivery is wrong with you? Yeah, see yeah,

1139
00:56:00,040 --> 00:56:00,600
Speaker 2: yeah it is.

1140
00:56:00,680 --> 00:56:02,279
Speaker 3: But I'm one. I'm one. That's now.

1141
00:56:02,320 --> 00:56:04,640
Speaker 2: I've never been like that. For one, it's already hard

1142
00:56:04,680 --> 00:56:07,640
Speaker 2: for people to approach us anyway because of how we

1143
00:56:07,800 --> 00:56:10,759
Speaker 2: react at times or bad examples that they've been through.

1144
00:56:10,800 --> 00:56:13,080
Speaker 2: When it comes to through athletes are people that are

1145
00:56:13,160 --> 00:56:16,080
Speaker 2: fans of them. So the fact that people I'm not

1146
00:56:16,280 --> 00:56:20,120
Speaker 2: in public much so when I am I'm ready, I'm loaded,

1147
00:56:20,400 --> 00:56:22,160
Speaker 2: and I'm gonna acting like I know your as thirty

1148
00:56:22,239 --> 00:56:26,000
Speaker 2: motherfucker years and were hugging and what dapping up? And

1149
00:56:26,360 --> 00:56:29,400
Speaker 2: I'm acting like I ain't seeing a long time just

1150
00:56:29,520 --> 00:56:32,480
Speaker 2: so if I never see it does not come with

1151
00:56:32,560 --> 00:56:35,839
Speaker 2: the territory. It does not come with the territory. Being

1152
00:56:36,080 --> 00:56:38,480
Speaker 2: rude to someone does not come with the territory.

1153
00:56:38,800 --> 00:56:42,120
Speaker 1: I understand that I'm that I'm a public figure, and

1154
00:56:42,239 --> 00:56:45,480
Speaker 1: I'm okay with that, But you being rude, You telling

1155
00:56:45,560 --> 00:56:47,879
Speaker 1: me I'm gonna take a picture, You telling me I'm

1156
00:56:47,880 --> 00:56:50,279
Speaker 1: gonna sign an autograph, You telling me I'm on the

1157
00:56:50,320 --> 00:56:53,080
Speaker 1: phone with someone and say hello. That does not come

1158
00:56:53,160 --> 00:56:56,320
Speaker 1: with the territory. Y'all full of cock cock and you

1159
00:56:56,480 --> 00:56:58,719
Speaker 1: normally gonna get shot. Says no, I'm not gonna do

1160
00:56:58,800 --> 00:57:00,880
Speaker 1: it right, be respectful of me.

1161
00:57:01,320 --> 00:57:03,399
Speaker 2: I think nobody, nobody's ever approached me like that though.

1162
00:57:04,160 --> 00:57:07,399
Speaker 3: But I'm just telling you, I'm not saying I got

1163
00:57:09,000 --> 00:57:09,200
Speaker 3: like that.

1164
00:57:09,440 --> 00:57:14,400
Speaker 1: And yes, every time, that's what people don't say. Please,

1165
00:57:14,760 --> 00:57:17,520
Speaker 1: people don't say may I. People tell me what I'm

1166
00:57:17,560 --> 00:57:19,880
Speaker 1: gonna do. You're gonna take a picture with me? Or

1167
00:57:19,880 --> 00:57:20,960
Speaker 1: I would get this picture.

1168
00:57:21,280 --> 00:57:23,560
Speaker 2: Yeah, ain't, ain't. I ain't never experienced that. I ain't

1169
00:57:23,560 --> 00:57:24,280
Speaker 2: never experienced that.

1170
00:57:25,120 --> 00:57:27,240
Speaker 3: Yeah, yeah, I ain't never experienced that.

1171
00:57:28,520 --> 00:57:30,760
Speaker 1: After that, bro, I mean I said what I said.

1172
00:57:30,800 --> 00:57:33,720
Speaker 1: Whatever happened to please? Whatever happens to say, mister seo,

1173
00:57:33,880 --> 00:57:36,840
Speaker 1: could I have an autoground? Whatever happened is that? You're

1174
00:57:36,880 --> 00:57:38,760
Speaker 1: gonna tell me. I'm gonna give you an autoground. You're

1175
00:57:38,800 --> 00:57:41,400
Speaker 1: gonna tell me, I'm gonna take a picture, right, You're just.

1176
00:57:41,400 --> 00:57:45,640
Speaker 3: Gonna put the phone. I'm you on the phone. Ooh, mama,

1177
00:57:45,720 --> 00:57:46,720
Speaker 3: cass who just walked by?

1178
00:57:46,920 --> 00:57:48,960
Speaker 1: Hey, say hello to my mom, or say hello to

1179
00:57:49,040 --> 00:57:51,200
Speaker 1: my husband, say hello to my boyfriend Mussel.

1180
00:57:51,920 --> 00:57:54,120
Speaker 3: Come on, now, you're not gonna ask me nicely. You

1181
00:57:54,320 --> 00:57:55,080
Speaker 3: just gonna tell me.

1182
00:57:55,800 --> 00:57:59,040
Speaker 2: Some people do that scenario the way you just said

1183
00:57:59,080 --> 00:58:01,680
Speaker 2: it now some time times. Some people have done that before.

1184
00:58:02,040 --> 00:58:04,120
Speaker 2: And I get right on the phone. Why the funk

1185
00:58:04,160 --> 00:58:06,160
Speaker 2: you ain't out here with us? Why you ain't out here?

1186
00:58:06,160 --> 00:58:06,680
Speaker 3: Where you at?

1187
00:58:06,960 --> 00:58:09,040
Speaker 2: We out here having fun? You at home with me?

1188
00:58:09,240 --> 00:58:09,560
Speaker 3: I don't know.

1189
00:58:09,640 --> 00:58:10,400
Speaker 2: It is just weird.

1190
00:58:10,480 --> 00:58:13,240
Speaker 3: I just you know, I just I don't know.

1191
00:58:13,600 --> 00:58:17,000
Speaker 2: Like the chance of me seeing the people again is slimming.

1192
00:58:17,080 --> 00:58:17,240
Speaker 1: None.

1193
00:58:17,280 --> 00:58:19,440
Speaker 2: I just want that one time they do me me

1194
00:58:19,760 --> 00:58:22,240
Speaker 2: to be everlasting. So if I never see them again.

1195
00:58:22,960 --> 00:58:23,480
Speaker 3: Want to be fun.

1196
00:58:23,520 --> 00:58:28,800
Speaker 1: It'll be fun for both of us. Well you hell,

1197
00:58:28,960 --> 00:58:32,120
Speaker 1: I mean, I go, I go, I go to a store. Hey,

1198
00:58:32,440 --> 00:58:34,880
Speaker 1: I don't say where is this? I said, could you

1199
00:58:34,960 --> 00:58:36,320
Speaker 1: tell me what I such and such as?

1200
00:58:36,360 --> 00:58:36,560
Speaker 3: Though?

1201
00:58:36,840 --> 00:58:39,880
Speaker 1: Can you tell me where I can find this? Do

1202
00:58:40,000 --> 00:58:43,000
Speaker 1: you know what such and such is? I ask in

1203
00:58:43,080 --> 00:58:46,320
Speaker 1: a nice presentable manner. I don't say, Hey, where's the

1204
00:58:46,560 --> 00:58:47,920
Speaker 1: what hole is the paper towels on?

1205
00:58:48,520 --> 00:58:48,640
Speaker 2: Uh?

1206
00:58:48,960 --> 00:58:53,080
Speaker 3: Where where is the where's the night quel? I don't

1207
00:58:53,120 --> 00:58:53,320
Speaker 3: do that.

1208
00:58:54,320 --> 00:58:57,520
Speaker 2: Yeah, yeah, I say you you you're different. Remember we

1209
00:58:57,600 --> 00:58:59,600
Speaker 2: had the conversation as well, this is how you know

1210
00:58:59,640 --> 00:59:03,000
Speaker 2: I'm a little bit more lenient and really don't mind

1211
00:59:03,320 --> 00:59:05,760
Speaker 2: or really care about people's approach. Remember how we talked

1212
00:59:05,760 --> 00:59:08,720
Speaker 2: about how tip everywhere I go? Yeah, And some people

1213
00:59:08,800 --> 00:59:10,720
Speaker 2: in the chat were asking, well, what happened if the

1214
00:59:10,760 --> 00:59:13,120
Speaker 2: service is bad? Listen, I already know what you had

1215
00:59:13,120 --> 00:59:15,040
Speaker 2: to deal with throughout the day based on a number

1216
00:59:15,040 --> 00:59:16,680
Speaker 2: of people. You've had to deal with the people who

1217
00:59:16,680 --> 00:59:20,240
Speaker 2: are entitlement, the egos, people being rude people, and the

1218
00:59:20,920 --> 00:59:24,880
Speaker 2: disrespectful I'm coming in I'm tipping the same way regardless

1219
00:59:24,880 --> 00:59:28,000
Speaker 2: of service. So it's kind of like the same instance

1220
00:59:28,080 --> 00:59:30,440
Speaker 2: here with people's approach when wanting to ask for a

1221
00:59:30,520 --> 00:59:31,400
Speaker 2: picture and autograph.

1222
00:59:31,760 --> 00:59:32,520
Speaker 3: I don't care about that.

1223
00:59:33,400 --> 00:59:35,360
Speaker 2: I'm gonna make sure you get whatever it is you're

1224
00:59:35,360 --> 00:59:37,120
Speaker 2: asking for, and I'm going to pretend I know you

1225
00:59:37,240 --> 00:59:38,560
Speaker 2: asked for a long time and it let you go

1226
00:59:38,720 --> 00:59:39,120
Speaker 2: by today.

1227
00:59:39,360 --> 00:59:41,760
Speaker 3: Can I ask your question? Is just weird? Can ask

1228
00:59:41,800 --> 00:59:43,880
Speaker 3: your question? Yes, sir, our fans.

1229
00:59:43,640 --> 00:59:45,400
Speaker 1: Won't be the only ones allowed to have a bad day.

1230
00:59:45,480 --> 00:59:47,040
Speaker 1: Are you allowed to have a bad day? Am I

1231
00:59:47,120 --> 00:59:48,120
Speaker 1: allowed to have a bad day?

1232
00:59:48,320 --> 00:59:48,520
Speaker 3: Yeah?

1233
00:59:48,560 --> 00:59:50,400
Speaker 2: But when I'm when I'm in public, even if I

1234
00:59:50,480 --> 00:59:53,280
Speaker 2: am having a bad day, I asked that regards to

1235
00:59:53,320 --> 00:59:55,560
Speaker 2: what I'm going through, I ask it, I'm asking.

1236
00:59:55,560 --> 00:59:57,880
Speaker 3: It's like me, it's like you, you don't get to

1237
00:59:57,920 --> 00:59:59,480
Speaker 3: be true, you don't get to be true to yourself.

1238
00:59:59,560 --> 01:00:00,320
Speaker 3: Huh yeah. Win.

1239
01:00:00,360 --> 01:00:02,480
Speaker 2: I'm by myself with them, by myself. But when I'm

1240
01:00:02,480 --> 01:00:05,200
Speaker 2: out in public, I got I got to put it on.

1241
01:00:05,600 --> 01:00:07,400
Speaker 2: So if we're having a bad day, right when you're playing,

1242
01:00:07,400 --> 01:00:09,440
Speaker 2: when you're playing for the Broncos, if you're having a

1243
01:00:09,480 --> 01:00:12,000
Speaker 2: bad day in your personal life, once you touch that

1244
01:00:12,080 --> 01:00:13,560
Speaker 2: field what happens, No.

1245
01:00:14,400 --> 01:00:17,320
Speaker 3: For me, all else is gone all the most part.

1246
01:00:17,960 --> 01:00:20,360
Speaker 1: Honestly, yes, sir, if I'm trying to if I'm gonna

1247
01:00:20,360 --> 01:00:22,440
Speaker 1: have a bad day, I don't try to come in

1248
01:00:22,480 --> 01:00:24,280
Speaker 1: contact with people. I try to just stay at home

1249
01:00:25,000 --> 01:00:27,720
Speaker 1: till it's subside. And even if I'm having a bad day.

1250
01:00:28,160 --> 01:00:29,520
Speaker 1: What I don't like is disrespect.

1251
01:00:29,880 --> 01:00:30,600
Speaker 3: Okay, I got you.

1252
01:00:31,040 --> 01:00:32,800
Speaker 1: I don't think I'm asking too much for you to

1253
01:00:32,920 --> 01:00:35,320
Speaker 1: ask me. May I take a picture. I don't think

1254
01:00:35,360 --> 01:00:37,240
Speaker 1: i'm asking too much. May I have an auto graph?

1255
01:00:37,360 --> 01:00:39,000
Speaker 1: You're gonna tell me? Oh, you're gonna sign this at

1256
01:00:39,000 --> 01:00:39,320
Speaker 1: the graph?

1257
01:00:39,800 --> 01:00:44,200
Speaker 3: Really think I am. I'm a granddaddy. You're gonna tell

1258
01:00:44,240 --> 01:00:45,400
Speaker 3: me what I'm gonna do, right.

1259
01:00:45,440 --> 01:00:47,840
Speaker 2: I never experienced anyone approaching me.

1260
01:00:48,040 --> 01:00:50,240
Speaker 1: Like that though, Like, well, I got what I got.

1261
01:00:50,560 --> 01:00:53,000
Speaker 1: Normally when I travel Jordan ash with me, they can

1262
01:00:53,040 --> 01:00:57,920
Speaker 1: attest to it. So I'm not making this up. No,

1263
01:00:58,760 --> 01:01:00,840
Speaker 1: I just believe that you can be respectful. You can

1264
01:01:00,920 --> 01:01:04,000
Speaker 1: ask in a respectful manner. You can ask can I

1265
01:01:04,040 --> 01:01:05,920
Speaker 1: have an autograph? May I take a picture?

1266
01:01:07,240 --> 01:01:07,439
Speaker 3: Yeah?

1267
01:01:08,040 --> 01:01:11,000
Speaker 1: Okay, I wouldn't. I wouldn't normally ask this, but it's

1268
01:01:11,040 --> 01:01:14,680
Speaker 1: my mom's birthday? Would you mind telling a happy birthday? Okay,

1269
01:01:15,120 --> 01:01:17,520
Speaker 1: I'm ninety five percent of the time if I'm not

1270
01:01:17,600 --> 01:01:21,280
Speaker 1: in a hurry, I got you. Yeah, but you gonna

1271
01:01:21,280 --> 01:01:27,200
Speaker 1: tell me your mom on the phone, say hi, my son. Really,

1272
01:01:28,600 --> 01:01:30,480
Speaker 1: I mean the fly the flight attendants, I mean, look,

1273
01:01:30,520 --> 01:01:32,920
Speaker 1: I don't I don't really bother nobody. The flight attendants

1274
01:01:33,040 --> 01:01:35,360
Speaker 1: come by, Miss sharply. I don't normally ask this, but

1275
01:01:35,480 --> 01:01:37,680
Speaker 1: do you mind signing an autograph for me?

1276
01:01:38,200 --> 01:01:38,480
Speaker 3: Sure?

1277
01:01:39,240 --> 01:01:41,680
Speaker 1: As long as you do it, because if they see

1278
01:01:41,720 --> 01:01:44,160
Speaker 1: you hand me a piece of paper, not everybody else

1279
01:01:44,240 --> 01:01:46,520
Speaker 1: on going on an autograph. So what I'll do, I'll

1280
01:01:46,560 --> 01:01:50,040
Speaker 1: get up, I'll go to the galley. Hey, they normally

1281
01:01:50,120 --> 01:01:52,840
Speaker 1: have my they don't printing my ticket out. So I

1282
01:01:53,000 --> 01:01:56,000
Speaker 1: signed the ticket or you if you might have taken

1283
01:01:56,000 --> 01:01:58,000
Speaker 1: a picture. It'll mean so much for my son. I

1284
01:01:58,120 --> 01:01:58,880
Speaker 1: really appreciate it.

1285
01:01:59,280 --> 01:02:02,320
Speaker 3: Cool. My husband, Oh, he's not gonna believe who's on

1286
01:02:02,440 --> 01:02:02,840
Speaker 3: my flight.

1287
01:02:03,120 --> 01:02:05,280
Speaker 1: But such and such was on my flight last last

1288
01:02:05,320 --> 01:02:07,280
Speaker 1: week or two weeks ago, and I took a picture

1289
01:02:07,320 --> 01:02:07,600
Speaker 1: with him.

1290
01:02:07,800 --> 01:02:12,000
Speaker 3: Sure, no problem. I just believe that there's a way

1291
01:02:12,080 --> 01:02:14,400
Speaker 3: that we can get a lot of things done. Yeah,

1292
01:02:15,840 --> 01:02:23,600
Speaker 3: that's just me. Yeah, t t stay on, Yeah, he

1293
01:02:23,720 --> 01:02:24,080
Speaker 3: stay on.

1294
01:02:25,520 --> 01:02:27,600
Speaker 2: I'm a little I'm a little different in these situations though.

1295
01:02:28,080 --> 01:02:30,280
Speaker 3: I tell you what, your palette is overrated?

1296
01:02:31,160 --> 01:02:31,320
Speaker 2: Oh?

1297
01:02:31,960 --> 01:02:35,040
Speaker 3: Ash, really Ash, really.

1298
01:02:36,280 --> 01:02:39,840
Speaker 1: Ash talking about my palette is overrated. You look here,

1299
01:02:40,560 --> 01:02:43,880
Speaker 1: Ash is part gator because you made it thing and

1300
01:02:43,960 --> 01:02:45,000
Speaker 1: it don't bother stomach.

1301
01:02:45,240 --> 01:02:45,560
Speaker 3: You know what?

1302
01:02:45,720 --> 01:02:49,680
Speaker 1: Gator even thing they found They found gators with batteries. Uh,

1303
01:02:50,120 --> 01:02:53,360
Speaker 1: dog chains, they found they found all kinds of things

1304
01:02:53,600 --> 01:02:54,560
Speaker 1: in a gator' stomach.

1305
01:02:54,960 --> 01:02:55,520
Speaker 3: That's Ash.

1306
01:02:55,920 --> 01:02:58,240
Speaker 2: I think that's my stomach too, But nothing, nothing bothers me.

1307
01:02:59,280 --> 01:03:00,600
Speaker 3: Oh Joe, we got thing up.

1308
01:03:01,080 --> 01:03:03,960
Speaker 1: If you can only add two toppings, and I don't

1309
01:03:03,960 --> 01:03:05,680
Speaker 1: know if you eat hot dogs, I haven't had a

1310
01:03:05,720 --> 01:03:06,120
Speaker 1: hot dog.

1311
01:03:06,360 --> 01:03:08,200
Speaker 2: I love hot dog? What you talking about, man? I

1312
01:03:08,280 --> 01:03:10,680
Speaker 2: used to eat beanie weenies with growing up. You talking

1313
01:03:10,680 --> 01:03:15,000
Speaker 2: about if you can add two toppings to a hot dog?

1314
01:03:15,360 --> 01:03:19,520
Speaker 3: What do you adding? Relation? Relation? Ketchup? Or maybe maybe

1315
01:03:19,600 --> 01:03:20,400
Speaker 3: ketchup it mustard?

1316
01:03:20,760 --> 01:03:23,760
Speaker 1: See now see up, Joe. We finally three on something.

1317
01:03:24,280 --> 01:03:27,080
Speaker 1: I haven't eaten a hot dog and oh my god,

1318
01:03:27,200 --> 01:03:28,120
Speaker 1: two thousand and four.

1319
01:03:29,520 --> 01:03:34,840
Speaker 3: But if what you're doing and that when I ate

1320
01:03:34,880 --> 01:03:36,720
Speaker 3: a hot dog, then it was like a Hebrew national.

1321
01:03:36,760 --> 01:03:37,360
Speaker 3: I don't know.

1322
01:03:37,920 --> 01:03:41,400
Speaker 2: Yeah, this, I eat hot dog unlessen they they make

1323
01:03:41,480 --> 01:03:43,160
Speaker 2: fun of us. They make fun of us, do they?

1324
01:03:43,240 --> 01:03:43,400
Speaker 4: You know?

1325
01:03:43,520 --> 01:03:45,560
Speaker 2: And all of a sudden they call them glizzies, And oh,

1326
01:03:45,600 --> 01:03:48,960
Speaker 2: you're eating a hot dog? You a glizzy? God? Yes, yeah,

1327
01:03:48,960 --> 01:03:50,720
Speaker 2: I meant my hot dog. I don't care what y'all

1328
01:03:50,760 --> 01:03:53,160
Speaker 2: talking about. All this new stuff y'all got going on today.

1329
01:03:53,400 --> 01:03:55,840
Speaker 2: I mean hot dogs. My grandma used to pack me

1330
01:03:56,640 --> 01:03:59,280
Speaker 2: hot dogs cut up in a little sandwich bag.

1331
01:03:59,720 --> 01:04:02,040
Speaker 3: Yeah, for lunch going to school. I'm still gonna eat

1332
01:04:02,040 --> 01:04:02,880
Speaker 3: my hot dog. Yeah.

1333
01:04:02,960 --> 01:04:05,880
Speaker 1: Yeah, but everything, but you know what, yes, you're right,

1334
01:04:05,960 --> 01:04:09,280
Speaker 1: o Joe, because everything now, everything is meant with a

1335
01:04:09,400 --> 01:04:10,560
Speaker 1: sexual connotation.

1336
01:04:11,120 --> 01:04:13,280
Speaker 3: You and I talking about a man? Uh?

1337
01:04:13,640 --> 01:04:17,520
Speaker 1: Man, you a coaching was riding my back palls up

1338
01:04:18,160 --> 01:04:20,200
Speaker 1: and man, you you can't even say anything. But not

1339
01:04:20,320 --> 01:04:24,880
Speaker 1: everybody tell about pay Look y'all y'all playing these games man,

1340
01:04:24,920 --> 01:04:26,520
Speaker 1: And I told I was saying to myself, saying, you

1341
01:04:26,560 --> 01:04:28,920
Speaker 1: know what, O Joe, I'm gonna talk freely. And if

1342
01:04:28,960 --> 01:04:30,920
Speaker 1: somebody want to say, pauls up and all that stuff,

1343
01:04:30,960 --> 01:04:32,560
Speaker 1: y'all say that. But I'm a grand now, I don't.

1344
01:04:32,600 --> 01:04:34,320
Speaker 1: I ain't playing them I'm not playing that game no

1345
01:04:34,400 --> 01:04:37,840
Speaker 1: more so. Almost I almost speak how I speak when

1346
01:04:37,880 --> 01:04:40,560
Speaker 1: I'm in my own confines. That's because most of the

1347
01:04:40,640 --> 01:04:43,320
Speaker 1: time we do it anyway. But for me, like I said,

1348
01:04:43,360 --> 01:04:45,280
Speaker 1: I haven't eaten a hot dog in twenty plus in

1349
01:04:45,320 --> 01:04:49,320
Speaker 1: twenty plus years. But if I only could only add

1350
01:04:49,360 --> 01:04:51,560
Speaker 1: two things, I'm mad and catch up in really.

1351
01:04:51,520 --> 01:04:53,920
Speaker 2: Also okay, okay, you're right on the same page.

1352
01:04:54,240 --> 01:04:58,000
Speaker 3: Yeah, ask me about she or let me see. Can

1353
01:04:58,080 --> 01:05:00,640
Speaker 3: I can I order? Can I U? Can I put

1354
01:05:00,760 --> 01:05:09,800
Speaker 3: like hallopenos chili all that this girl put.

1355
01:05:09,960 --> 01:05:13,200
Speaker 1: This girl putting mayonnaise on the hot dog? Who putting

1356
01:05:13,320 --> 01:05:14,600
Speaker 1: mayonnaise on the hot dog?

1357
01:05:14,920 --> 01:05:21,840
Speaker 3: Mayonnaise? Yes, that's what the hold on? She WoT hallopenos onions,

1358
01:05:22,240 --> 01:05:25,240
Speaker 3: mayonnaise and ketch up. Yeah, it's not even a hot

1359
01:05:25,280 --> 01:05:25,600
Speaker 3: dog of that.

1360
01:05:25,720 --> 01:05:28,520
Speaker 1: My stomach hurt, my stomach bubbling, and I'm talking about it.

1361
01:05:28,560 --> 01:05:29,800
Speaker 1: I ain't even made it right.

1362
01:05:29,920 --> 01:05:32,960
Speaker 2: Yeah, that's that's that's too much. That's too much that

1363
01:05:33,720 --> 01:05:35,320
Speaker 2: that's taken away from the hot dogs.

1364
01:05:35,680 --> 01:05:41,360
Speaker 3: See the bullgive ass be eating? Yeah, it just had

1365
01:05:41,400 --> 01:05:41,760
Speaker 3: a nerd.

1366
01:05:42,040 --> 01:05:44,560
Speaker 1: She but she knows what the order to make sure

1367
01:05:44,640 --> 01:05:49,480
Speaker 1: Jordan's I don't ask for anything, so she ordered with, oh, yeah,

1368
01:05:49,640 --> 01:05:53,760
Speaker 1: she already knows anything with onions, anything with garlic, anything

1369
01:05:53,800 --> 01:05:54,880
Speaker 1: with hallopenos.

1370
01:05:55,440 --> 01:05:55,919
Speaker 3: You good.

1371
01:05:56,480 --> 01:05:59,560
Speaker 2: Yeah, listen, listen how I went to I went to

1372
01:05:59,600 --> 01:06:01,760
Speaker 2: the Philly game is most of the time when them

1373
01:06:01,800 --> 01:06:04,120
Speaker 2: in Philly, you know them boys, man, they don't play

1374
01:06:04,160 --> 01:06:05,840
Speaker 2: in the Philly Well, they make fun of you, boy

1375
01:06:05,920 --> 01:06:07,959
Speaker 2: eating the goddamn hot dogs. What would you you canna

1376
01:06:07,960 --> 01:06:09,880
Speaker 2: eat that glzzy like that? You would eat the whole

1377
01:06:09,920 --> 01:06:13,680
Speaker 2: thing with your hand, Yeah, the whole thing. I watched

1378
01:06:13,720 --> 01:06:16,600
Speaker 2: him bead hit seventy eating hot dog, you know, fellas

1379
01:06:16,600 --> 01:06:18,360
Speaker 2: sitting next to me making him funny. But you fin

1380
01:06:18,600 --> 01:06:19,960
Speaker 2: you really even eat that? You ain't gonna break it

1381
01:06:20,000 --> 01:06:23,360
Speaker 2: in half or nothing? No, I'm fine when I was

1382
01:06:23,400 --> 01:06:24,520
Speaker 2: a little kid, hold.

1383
01:06:24,360 --> 01:06:26,520
Speaker 3: On breaking the half? How what they think you are?

1384
01:06:26,680 --> 01:06:26,919
Speaker 2: Five?

1385
01:06:27,360 --> 01:06:27,920
Speaker 3: No? They want me.

1386
01:06:28,080 --> 01:06:30,320
Speaker 2: They want me to united you eat skittles one by one.

1387
01:06:30,400 --> 01:06:32,000
Speaker 2: They want me to break the hot dog in half

1388
01:06:32,080 --> 01:06:32,720
Speaker 2: and eat it like that.

1389
01:06:32,880 --> 01:06:33,040
Speaker 3: Bet.

1390
01:06:33,120 --> 01:06:35,040
Speaker 1: I bet you look like a damn food breaking a

1391
01:06:35,080 --> 01:06:38,120
Speaker 1: hot dog and half brown as man got a hot

1392
01:06:38,200 --> 01:06:39,439
Speaker 1: dog and he broken the half.

1393
01:06:39,800 --> 01:06:39,960
Speaker 3: Man.

1394
01:06:40,040 --> 01:06:43,800
Speaker 2: Listen, you there's a certain way eating hot dogs, or

1395
01:06:43,880 --> 01:06:47,080
Speaker 2: glizzies as they call them, is frowned upon because of

1396
01:06:48,160 --> 01:06:51,000
Speaker 2: who I just the times with this, the era we're

1397
01:06:51,040 --> 01:06:53,160
Speaker 2: in now, with their every everything is just.

1398
01:06:54,040 --> 01:06:55,480
Speaker 1: What if I were to eat hot if I were

1399
01:06:55,520 --> 01:06:57,560
Speaker 1: to eating hot dogs, I'm gonna eat a hot dog.

1400
01:06:57,920 --> 01:06:59,000
Speaker 2: Listen, that's what I'm gonna do.

1401
01:06:59,320 --> 01:06:59,919
Speaker 3: I ain't mine.

1402
01:07:00,080 --> 01:07:02,920
Speaker 2: I'm watching b God damn seventy and had a hot.

1403
01:07:04,400 --> 01:07:07,480
Speaker 3: Seventy. If I'm hungry, I'm gonna order hot dog. I

1404
01:07:07,520 --> 01:07:08,640
Speaker 3: don't put ketchup on it.

1405
01:07:09,120 --> 01:07:11,480
Speaker 1: Well normally, why I said, they bring it till you already,

1406
01:07:11,640 --> 01:07:13,160
Speaker 1: When they bring it to you in the package, and

1407
01:07:13,240 --> 01:07:14,600
Speaker 1: I'm gonna put it on there, I'm gonna eat it.

1408
01:07:15,560 --> 01:07:17,160
Speaker 2: And I ain't my hot dog right there. I raise

1409
01:07:17,240 --> 01:07:18,520
Speaker 2: my hot dog right now in front of everybody.

1410
01:07:18,600 --> 01:07:19,920
Speaker 3: But you know I don't care. This's me now, you

1411
01:07:20,000 --> 01:07:21,440
Speaker 3: know I don't care. I don't care. You can say

1412
01:07:21,480 --> 01:07:21,880
Speaker 3: what you want.

1413
01:07:22,080 --> 01:07:26,360
Speaker 1: I see ocho. People have gotten too concerned what other

1414
01:07:26,400 --> 01:07:31,680
Speaker 1: people think. That's the problem. Everybody's leaving for somebody else.

1415
01:07:31,960 --> 01:07:33,960
Speaker 1: I won't do what I want to do because of

1416
01:07:34,040 --> 01:07:35,320
Speaker 1: what somebody else might think.

1417
01:07:35,840 --> 01:07:39,000
Speaker 3: Yeah, yeah, that's part of my So let me mask

1418
01:07:39,000 --> 01:07:39,400
Speaker 3: your question.

1419
01:07:40,040 --> 01:07:42,680
Speaker 1: Them people that's gonna judge you for eating a hot dog,

1420
01:07:42,920 --> 01:07:44,680
Speaker 1: or they're gonna judge you for what you have on

1421
01:07:45,000 --> 01:07:46,560
Speaker 1: you tell me what bill are they paying?

1422
01:07:47,800 --> 01:07:52,840
Speaker 2: Come on, that's bars That was filthy to say it again?

1423
01:07:52,880 --> 01:07:53,320
Speaker 3: Say it again.

1424
01:07:53,960 --> 01:07:57,120
Speaker 1: What are they putting on your table? What car they

1425
01:07:57,200 --> 01:08:01,600
Speaker 1: helping you? Put gas in? What mortgage? What least whatever?

1426
01:08:01,720 --> 01:08:05,840
Speaker 1: What are they helping you do? And you conform to

1427
01:08:05,960 --> 01:08:08,200
Speaker 1: what they're saying. I wouldn't need that, and then you

1428
01:08:08,320 --> 01:08:08,919
Speaker 1: put it down.

1429
01:08:09,480 --> 01:08:10,560
Speaker 3: Come on, come on faster.

1430
01:08:10,760 --> 01:08:12,760
Speaker 1: As a matter of fact, I might start back eating

1431
01:08:13,120 --> 01:08:15,640
Speaker 1: mofo hot dog? Can y'all don't dictating nothing with you're

1432
01:08:15,640 --> 01:08:18,080
Speaker 1: on a shop? Eat what he says, a nothing?

1433
01:08:18,680 --> 01:08:19,120
Speaker 3: Come on that.

1434
01:08:24,479 --> 01:08:28,920
Speaker 1: Here's the thing, oh Joe, and and and I heard

1435
01:08:29,439 --> 01:08:32,200
Speaker 1: Tom little Sworder say this many many years ago. He says,

1436
01:08:33,479 --> 01:08:36,679
Speaker 1: fifty percent of the people don't care that you're having problems.

1437
01:08:37,160 --> 01:08:40,720
Speaker 1: The other fifty percent glad that you are. So why

1438
01:08:40,760 --> 01:08:44,120
Speaker 1: am I gonna concern myself? You ain't paying me, you

1439
01:08:44,200 --> 01:08:46,719
Speaker 1: ain't putting no food on my table, you're not helping,

1440
01:08:46,840 --> 01:08:47,960
Speaker 1: you're not doing anything.

1441
01:08:48,280 --> 01:08:51,160
Speaker 3: But I'm gonna let you dictate what I do.

1442
01:08:53,520 --> 01:08:58,360
Speaker 1: Really, that's that's just us, that's our community. Yeah, I mean,

1443
01:08:59,000 --> 01:09:02,760
Speaker 1: you think the other communities, and they wonder why you

1444
01:09:02,840 --> 01:09:05,320
Speaker 1: think other communities trying to come up with something that's

1445
01:09:05,360 --> 01:09:06,400
Speaker 1: trying to be snide?

1446
01:09:06,680 --> 01:09:09,320
Speaker 3: Oh you gay? Oh you this you think other communities

1447
01:09:09,360 --> 01:09:10,160
Speaker 3: coming up with stuff like that.

1448
01:09:10,680 --> 01:09:13,040
Speaker 1: See we coming up with words that don't put no

1449
01:09:13,160 --> 01:09:15,599
Speaker 1: money in your pocket or no food on your table.

1450
01:09:16,000 --> 01:09:19,080
Speaker 3: But you slick. That joke is eating a glisi. He

1451
01:09:19,200 --> 01:09:21,960
Speaker 3: puts must that they catch up on it, Glizzi and

1452
01:09:22,160 --> 01:09:23,960
Speaker 3: you broke. Oh oh.

1453
01:09:25,640 --> 01:09:30,720
Speaker 1: Oh you And for all your partners living. Ain't no

1454
01:09:30,920 --> 01:09:34,120
Speaker 1: grown man that's got a wife for doing something good,

1455
01:09:34,360 --> 01:09:38,280
Speaker 1: saying foolishness. It's all these young boy that ain't got nothing.

1456
01:09:39,160 --> 01:09:43,880
Speaker 1: Come on now, still running in and out of mama's house.

1457
01:09:44,320 --> 01:09:54,439
Speaker 1: You ain't got your own past. Come on now, but that,

1458
01:09:54,560 --> 01:09:56,960
Speaker 1: but that, but that cool that came up with a

1459
01:09:57,040 --> 01:09:57,439
Speaker 1: new word.

1460
01:09:57,960 --> 01:10:01,000
Speaker 3: Yeah, I'm a what you make for that new word?

1461
01:10:02,439 --> 01:10:05,240
Speaker 2: Listens the times be in and I'm really good at

1462
01:10:05,280 --> 01:10:12,080
Speaker 2: doing one thing, sticking to what I do always. I'm

1463
01:10:12,080 --> 01:10:15,400
Speaker 2: gonna eat them hot dogs in public, right in front

1464
01:10:15,400 --> 01:10:17,439
Speaker 2: of you, same way I did back in the eighties.

1465
01:10:17,560 --> 01:10:20,519
Speaker 2: I ain't never changing, Lizzy Gobbler. Yeah, that's me, that's me.

1466
01:10:20,640 --> 01:10:21,760
Speaker 3: That's me. That's me. I mean.

1467
01:10:24,040 --> 01:10:25,960
Speaker 2: Throw some ketchup, through some ketchup and realise on that

1468
01:10:26,040 --> 01:10:26,400
Speaker 2: bits too.

1469
01:10:27,800 --> 01:10:30,479
Speaker 1: I don't eat hot dogs. I mean, anybody that's been

1470
01:10:30,520 --> 01:10:33,240
Speaker 1: around me will tell you I've never seen anything like

1471
01:10:33,280 --> 01:10:34,960
Speaker 1: I said. I think the last time I had a

1472
01:10:35,040 --> 01:10:41,200
Speaker 1: cookout was probably two thousand and four where I retired,

1473
01:10:42,200 --> 01:10:44,400
Speaker 1: and you know, I would used to throw parties back

1474
01:10:44,439 --> 01:10:47,960
Speaker 1: in my hometown. I invited everybody to come. Crab legs.

1475
01:10:47,960 --> 01:10:50,000
Speaker 1: I have like one hundred and twenty pounds of crab legs,

1476
01:10:50,400 --> 01:10:55,680
Speaker 1: twenty prows of shrimp, all the you know, steaks, hot dogs, hamburgers,

1477
01:10:56,280 --> 01:10:59,200
Speaker 1: all the liquor you could drink whatever. They you know, man,

1478
01:10:59,280 --> 01:11:01,560
Speaker 1: you know my sister woud have deeper bring you know,

1479
01:11:01,880 --> 01:11:06,559
Speaker 1: sweeping uh, potato salad, baked beans or whatever whatever.

1480
01:11:07,160 --> 01:11:09,439
Speaker 3: And that was two thousand and four. I ate them.

1481
01:11:09,479 --> 01:11:12,560
Speaker 1: I had a Hebrew Nationale. I mean, you know I

1482
01:11:12,640 --> 01:11:14,800
Speaker 1: brought you know, I brought those, but I brought we

1483
01:11:14,920 --> 01:11:19,880
Speaker 1: had probably three hundred hot dogs. But I hadn't had

1484
01:11:19,920 --> 01:11:21,360
Speaker 1: a hot dog since then. And I've been to a

1485
01:11:21,439 --> 01:11:25,479
Speaker 1: lot of events, you know, I've been to a football games,

1486
01:11:25,560 --> 01:11:27,240
Speaker 1: been in the sweets, and they have them.

1487
01:11:27,680 --> 01:11:29,519
Speaker 3: I'm not I don't I don't. I don't eat them.

1488
01:11:29,720 --> 01:11:31,920
Speaker 1: I ate enough of them growing up, because I remember

1489
01:11:31,920 --> 01:11:33,280
Speaker 1: we used to get the hot dogs. They come fit

1490
01:11:33,400 --> 01:11:35,200
Speaker 1: in a pack and they were pink and they had

1491
01:11:35,280 --> 01:11:38,639
Speaker 1: the casing still on them. Yeah, And I was like, man,

1492
01:11:39,000 --> 01:11:41,479
Speaker 1: you know, yeah, when I get older, I ain't gonna

1493
01:11:41,479 --> 01:11:42,519
Speaker 1: have to eat these hot dogs.

1494
01:11:42,840 --> 01:11:45,000
Speaker 3: And if I wanted you, you know what I'm saying, don't, Joe.

1495
01:11:45,080 --> 01:11:47,479
Speaker 3: If I wanted you, I could like buy in a saucy,

1496
01:11:47,600 --> 01:11:51,200
Speaker 3: just like potted meat and spam. I'm like, and man,

1497
01:11:51,280 --> 01:11:55,040
Speaker 3: you know, I'm eating this now because I have to,

1498
01:11:55,880 --> 01:11:57,560
Speaker 3: But one day I'm not gonna have to.

1499
01:11:58,320 --> 01:12:00,559
Speaker 1: But man, I'm not finishing lett No how to dictate

1500
01:12:00,640 --> 01:12:02,200
Speaker 1: what the hell I eat when I eat it out

1501
01:12:02,240 --> 01:12:02,719
Speaker 1: in public?

1502
01:12:03,080 --> 01:12:04,839
Speaker 3: I eat what I eat. I eat fast.

1503
01:12:05,520 --> 01:12:08,240
Speaker 1: Anybody else, any female that's ever been around me while

1504
01:12:08,240 --> 01:12:13,320
Speaker 1: I ate, Hey, eat, you gonna be eating by yourself.

1505
01:12:14,479 --> 01:12:17,439
Speaker 3: Because I'm I like it though. It's fun. It's fun.

1506
01:12:17,479 --> 01:12:18,040
Speaker 3: It's fun to me.

1507
01:12:18,120 --> 01:12:20,640
Speaker 2: I like. I like the pauses and uh and a

1508
01:12:21,280 --> 01:12:23,559
Speaker 2: glizzy and just all the little sayings that they have today.

1509
01:12:23,880 --> 01:12:24,479
Speaker 2: Everybody does.

1510
01:12:24,760 --> 01:12:27,680
Speaker 3: It's it's funny to me. I do it sometime just

1511
01:12:27,920 --> 01:12:28,880
Speaker 3: to be a part of.

1512
01:12:28,880 --> 01:12:31,599
Speaker 2: It, but I still stick to to I truly am,

1513
01:12:31,920 --> 01:12:35,080
Speaker 2: but this night I indulge in the fund sometimes as well,

1514
01:12:35,439 --> 01:12:36,599
Speaker 2: just just to buy him because that's.

1515
01:12:36,479 --> 01:12:38,719
Speaker 3: What you finna get me, because I I've been.

1516
01:12:41,320 --> 01:12:44,960
Speaker 1: Yeah. Yeah, I mean I I had a girl, a girlfriend.

1517
01:12:45,040 --> 01:12:47,639
Speaker 1: She would fix my plate. Yeah, and by the time

1518
01:12:47,760 --> 01:12:52,080
Speaker 1: she fixed her inside down, you fil in the trash.

1519
01:12:52,479 --> 01:12:53,120
Speaker 3: You would finish on.

1520
01:12:53,320 --> 01:12:56,960
Speaker 1: She was like, well, damn, shure you gonna maybe eat

1521
01:12:57,000 --> 01:13:00,360
Speaker 1: by myself. I'm sitting there, I'm sitting there watching eating

1522
01:13:00,400 --> 01:13:00,879
Speaker 1: by myself.

1523
01:13:01,200 --> 01:13:03,280
Speaker 3: Yeah. I said, you better fix yours first.

1524
01:13:04,640 --> 01:13:06,800
Speaker 1: You better fix your plate first, sit it down, and

1525
01:13:06,840 --> 01:13:08,920
Speaker 1: then fix my because you fixed my plate first.

1526
01:13:09,400 --> 01:13:11,800
Speaker 3: Yeah. Oh, you you're supposed to wait.

1527
01:13:11,840 --> 01:13:13,320
Speaker 2: You you're supposed to wait for her to sit down,

1528
01:13:13,360 --> 01:13:14,800
Speaker 2: and y'all start eating at the same time.

1529
01:13:16,920 --> 01:13:18,599
Speaker 3: My see, they thought I was lying.

1530
01:13:19,320 --> 01:13:22,680
Speaker 1: My sister said, when we ate, we didn't talk at

1531
01:13:22,720 --> 01:13:27,200
Speaker 1: the table, right, you got up from the table, you

1532
01:13:27,240 --> 01:13:29,400
Speaker 1: went into the living room, or you went outside.

1533
01:13:30,680 --> 01:13:32,639
Speaker 3: It wasn't no talking. So we was eating.

1534
01:13:33,360 --> 01:13:35,640
Speaker 1: So I eat my I would eat, and plus if

1535
01:13:35,680 --> 01:13:38,240
Speaker 1: you want, I mean, I wanted to get seconds, so

1536
01:13:38,400 --> 01:13:40,240
Speaker 1: I had to finish what was on my plate. It

1537
01:13:40,400 --> 01:13:44,240
Speaker 1: wasn't though like, give me some more. You couldn't get

1538
01:13:44,280 --> 01:13:48,599
Speaker 1: more food until your plate was clean. So I eat fast.

1539
01:13:48,800 --> 01:13:52,840
Speaker 1: So my sister, my sister, My sister would fix my plate.

1540
01:13:53,280 --> 01:13:56,160
Speaker 1: Like I said, the relationship the different, the dichotomy between

1541
01:13:56,160 --> 01:13:58,080
Speaker 1: my sister and brother. My sister's more like my mom.

1542
01:13:58,640 --> 01:14:00,600
Speaker 1: My brother's more like my dad because they were in

1543
01:14:00,720 --> 01:14:03,040
Speaker 1: charge of raising me. So my sister would fix my plate.

1544
01:14:03,960 --> 01:14:07,080
Speaker 1: My sister would fix my plate by the time she

1545
01:14:07,240 --> 01:14:16,120
Speaker 1: sat down. I want some more, my sister, but she had,

1546
01:14:16,200 --> 01:14:18,759
Speaker 1: she had, she fixed me some more. So I've always

1547
01:14:18,840 --> 01:14:23,840
Speaker 1: been a fast either always, but no I'm not. I'm

1548
01:14:23,880 --> 01:14:24,760
Speaker 1: not a hot dog guy.

1549
01:14:24,880 --> 01:14:26,599
Speaker 3: But each his own.

1550
01:14:26,760 --> 01:14:29,879
Speaker 2: That is that that that ain't my thing. I mean everything,

1551
01:14:30,840 --> 01:14:32,400
Speaker 2: h I mean everything.

1552
01:14:32,600 --> 01:14:32,840
Speaker 3: I know.

1553
01:14:33,520 --> 01:14:38,760
Speaker 2: I know you something, Yeah, get up and walk away

1554
01:14:38,800 --> 01:14:41,599
Speaker 2: once you're doing Hey, that's that's what you do with Yeah,

1555
01:14:41,640 --> 01:14:44,000
Speaker 2: that's that's my Sometimes that's the best thing to eat.

1556
01:14:44,360 --> 01:14:48,439
Speaker 3: Mhm h m hmm. I heard what you doing. I'm

1557
01:14:48,479 --> 01:14:51,080
Speaker 3: telling you what I know. Mm hmmm. I'm telling you

1558
01:14:51,200 --> 01:14:54,080
Speaker 3: what I know. You gotta be careful about you even

1559
01:14:54,200 --> 01:14:56,160
Speaker 3: up to believe once some but never die. But go

1560
01:14:56,200 --> 01:14:58,360
Speaker 3: ahead on had it ain't ain't nothing wrong with that.

1561
01:14:58,560 --> 01:14:59,280
Speaker 3: I told you what to do.

1562
01:14:59,400 --> 01:15:03,519
Speaker 2: Now, don't listen. Now, listen this period. Don't stop, none

1563
01:15:03,560 --> 01:15:06,200
Speaker 2: but a sentence, stop me in my track.

1564
01:15:07,560 --> 01:15:11,080
Speaker 3: You don't. Hey, oh Joe, you do it that time

1565
01:15:11,120 --> 01:15:14,880
Speaker 3: of the month. Is that time? Time to end the conversation. No,

1566
01:15:15,000 --> 01:15:17,960
Speaker 3: it ain't. I see you next week. It's time to go.

1567
01:15:18,120 --> 01:15:19,479
Speaker 2: Get I told you what to do. Not get that

1568
01:15:19,600 --> 01:15:20,760
Speaker 2: towel and fold it three times.

1569
01:15:20,800 --> 01:15:23,000
Speaker 3: Oh Joe, you don't wait it all this time. Get

1570
01:15:23,040 --> 01:15:24,360
Speaker 3: that towel and fold it three times.

1571
01:15:24,560 --> 01:15:26,559
Speaker 1: And the first time and the first and the first time.

1572
01:15:26,800 --> 01:15:28,640
Speaker 1: Oh Joe, you want the first time you intimate with

1573
01:15:28,720 --> 01:15:30,160
Speaker 1: a woman her to be on a cycle.

1574
01:15:30,439 --> 01:15:32,320
Speaker 2: And I wrong with that, and I wrong with that.

1575
01:15:32,360 --> 01:15:33,880
Speaker 3: I told you, I told your period.

1576
01:15:33,920 --> 01:15:35,080
Speaker 2: Don't stop. Nothing but a sentence.

1577
01:15:35,560 --> 01:15:39,400
Speaker 1: I I mean my college girlfriend the first time we

1578
01:15:39,520 --> 01:15:41,519
Speaker 1: about to have sex, she said, shut up on.

1579
01:15:43,360 --> 01:15:46,880
Speaker 3: She called it a monthly. I'm on my monthly, right,

1580
01:15:47,880 --> 01:15:54,920
Speaker 3: I said, Okay, I wait, y'all. I waited. I waited

1581
01:15:54,960 --> 01:15:57,680
Speaker 3: three weeks tomorrow and you promise, but you will.

1582
01:15:58,320 --> 01:16:00,360
Speaker 2: Could have happened to you, something could have happen that

1583
01:16:00,640 --> 01:16:02,400
Speaker 2: ain't passing up an opportunity.

1584
01:16:02,439 --> 01:16:05,160
Speaker 3: Passed it up, not me.

1585
01:16:06,120 --> 01:16:08,040
Speaker 1: She toldbout I wouldn't do it number spot in this morning?

1586
01:16:08,120 --> 01:16:13,680
Speaker 1: Will I wait till it ain't no most spots? Hey?

1587
01:16:14,400 --> 01:16:14,760
Speaker 3: Mm hmm?

1588
01:16:15,439 --> 01:16:15,560
Speaker 4: Was that?

1589
01:16:15,640 --> 01:16:17,840
Speaker 3: What's that woman named in the one hundred and one?

1590
01:16:17,920 --> 01:16:21,559
Speaker 3: Damn basis the lady leah?

1591
01:16:21,840 --> 01:16:21,960
Speaker 4: Uh?

1592
01:16:22,120 --> 01:16:26,120
Speaker 3: The bill? What's the name Corella? Yeah? I don't like

1593
01:16:26,200 --> 01:16:29,880
Speaker 3: those spots now, I wait, you're nasty, O.

1594
01:16:30,000 --> 01:16:31,599
Speaker 2: Joe, ain't listen.

1595
01:16:31,840 --> 01:16:32,439
Speaker 3: You ain't listening.

1596
01:16:32,920 --> 01:16:34,439
Speaker 2: One thing about it is human nature. I told you,

1597
01:16:34,479 --> 01:16:36,880
Speaker 2: and I'll tell you agetting that who part? What it

1598
01:16:36,960 --> 01:16:37,519
Speaker 2: Moses part?

1599
01:16:38,720 --> 01:16:40,599
Speaker 3: Mm hmm? What did Moses part?

1600
01:16:41,000 --> 01:16:41,400
Speaker 2: He used?

1601
01:16:41,479 --> 01:16:45,720
Speaker 3: He used a sphere? Yeah, he used the spear where

1602
01:16:45,720 --> 01:16:52,760
Speaker 3: you could use your baby arm. No, no, no, hell

1603
01:16:53,160 --> 01:16:53,640
Speaker 3: you got you got.

1604
01:16:53,720 --> 01:16:54,760
Speaker 2: You got a part of the Red Sea.

1605
01:16:54,840 --> 01:16:56,360
Speaker 3: Baby. Sometimes that's what you gotta do.

1606
01:16:57,880 --> 01:17:01,519
Speaker 1: Well, you go ahead and do it. Oh, Joe, real friend.

1607
01:17:01,840 --> 01:17:03,719
Speaker 1: The doctor donated five hundred.

1608
01:17:04,000 --> 01:17:11,240
Speaker 3: Hey Doc, what's up, Doc? Rep. Let's unpack those bags.

1609
01:17:11,320 --> 01:17:19,519
Speaker 3: It's time for something new. Hey, come here, baby, doc.

1610
01:17:19,720 --> 01:17:22,320
Speaker 3: Doc came back. She told she she's trying to get

1611
01:17:22,360 --> 01:17:25,800
Speaker 3: on the unpack them bags. Hut them bag down.

1612
01:17:26,360 --> 01:17:28,880
Speaker 2: Yeah, put them bag down. So that means Doc been

1613
01:17:28,960 --> 01:17:30,720
Speaker 2: listening to the show the whole time. Because we talked

1614
01:17:30,760 --> 01:17:32,760
Speaker 2: about unpacking bags early in the show.

1615
01:17:34,200 --> 01:17:34,760
Speaker 3: How you doing?

1616
01:17:34,880 --> 01:17:37,880
Speaker 2: Since I appreciate you, I'm glad you're still here. Matter

1617
01:17:37,920 --> 01:17:40,080
Speaker 2: of fact, you got to come to Vegas. If you

1618
01:17:40,160 --> 01:17:42,040
Speaker 2: come to Vegas, you got to come by the last social.

1619
01:17:42,120 --> 01:17:44,040
Speaker 2: You and Shannon get meet and I kind of break

1620
01:17:44,080 --> 01:17:46,240
Speaker 2: the ice because he kind of shot. He kind of shot.

1621
01:17:46,320 --> 01:17:48,559
Speaker 2: But I'm we're gonna work on him. We're gonna get

1622
01:17:48,600 --> 01:17:50,519
Speaker 2: him together. Now, we're gonna get look at it.

1623
01:18:01,479 --> 01:18:01,960
Speaker 3: I got.

1624
01:18:03,800 --> 01:18:06,439
Speaker 1: Nikki Grant said, y'all thought I was doing too much

1625
01:18:06,479 --> 01:18:08,439
Speaker 1: when I said Shannon could talk me out of my pantings,

1626
01:18:08,680 --> 01:18:11,200
Speaker 1: But I was being honest. You're an amazing speaker, and

1627
01:18:11,240 --> 01:18:14,559
Speaker 1: it's because of your past. You're passionate and genuine. Whatever

1628
01:18:14,640 --> 01:18:17,320
Speaker 1: you do, I'm with you ten toes down. See that

1629
01:18:17,479 --> 01:18:19,599
Speaker 1: what IM talking about, Niga. Now that's what I'm talking about, nigg.

1630
01:18:19,600 --> 01:18:23,479
Speaker 1: I appreciate that. I really appreciate that. Nick, Nikki been

1631
01:18:23,520 --> 01:18:25,040
Speaker 1: one of the loss You've been one of the day

1632
01:18:25,120 --> 01:18:25,960
Speaker 1: one from the jump.

1633
01:18:26,680 --> 01:18:31,040
Speaker 3: Hey man, hey, hold on man, what real call it?

1634
01:18:31,080 --> 01:18:33,040
Speaker 3: In fact? Pray real you at the back there talking.

1635
01:18:32,920 --> 01:18:36,320
Speaker 2: Come on in pray Hey boy, you just look like

1636
01:18:36,400 --> 01:18:38,599
Speaker 2: what's the name of the fire heart beats do acting

1637
01:18:38,680 --> 01:18:39,760
Speaker 2: shy in the corner like that.

1638
01:18:42,920 --> 01:18:44,000
Speaker 3: But you ain't say nothing about that.

1639
01:18:45,160 --> 01:18:48,840
Speaker 1: What wyn't you still one of them hotels rods Reil

1640
01:18:48,920 --> 01:18:53,880
Speaker 1: got on Masaci. That is he still I don't that's

1641
01:18:53,880 --> 01:18:57,439
Speaker 1: her ship, That's what I'm saying. Spending all that good

1642
01:18:57,479 --> 01:18:58,360
Speaker 1: money on Asachi.

1643
01:18:58,760 --> 01:19:01,360
Speaker 2: Yeah, but I got three hotel towels, three sizes of

1644
01:19:01,479 --> 01:19:04,479
Speaker 2: medium law to excel, and then I got the slippers too.

1645
01:19:06,360 --> 01:19:09,479
Speaker 3: Oh yeah, I mean robes, yeah, robes, Yeah, yeah, I

1646
01:19:09,600 --> 01:19:10,599
Speaker 3: take all that. You see.

1647
01:19:10,640 --> 01:19:12,679
Speaker 2: If I'm paying for a room, I'm leaving with something.

1648
01:19:13,400 --> 01:19:15,439
Speaker 2: You saw you saw with Denzel told Jamie Fox in

1649
01:19:15,479 --> 01:19:18,840
Speaker 2: the interview, I did, I'm leaving here with something, and

1650
01:19:19,000 --> 01:19:22,040
Speaker 2: for me it's the hotel tower, robes and the robes

1651
01:19:22,200 --> 01:19:22,919
Speaker 2: every time.

1652
01:19:24,320 --> 01:19:26,120
Speaker 3: King Souvan.

1653
01:19:28,000 --> 01:19:32,400
Speaker 1: Hotel my bad m O Joe, why didn't they renew

1654
01:19:32,520 --> 01:19:33,840
Speaker 1: rail show on Netflix?

1655
01:19:34,120 --> 01:19:36,840
Speaker 3: Asking for wife? Oh that's a good question.

1656
01:19:37,640 --> 01:19:40,439
Speaker 2: You know, I have no idea that those that I don't.

1657
01:19:40,439 --> 01:19:43,200
Speaker 2: I don't understand how that stuff works. She's doing another

1658
01:19:43,240 --> 01:19:46,000
Speaker 2: show right now that she's uh in the process us the.

1659
01:19:46,000 --> 01:19:49,080
Speaker 3: Reality show, O Joe, we gonna get us the reality show. Oh,

1660
01:19:49,160 --> 01:19:50,200
Speaker 3: I'm not supposed to say nothing.

1661
01:19:50,520 --> 01:19:52,360
Speaker 2: Oh my bad, my bad for me and you.

1662
01:19:53,080 --> 01:19:55,120
Speaker 3: Yeah yeah yeah, we need to do that. We need

1663
01:19:55,160 --> 01:19:56,000
Speaker 3: to my bad bad.

1664
01:19:57,439 --> 01:19:59,120
Speaker 2: Yeah yeah yeah yeah yeah yeah yeah.

1665
01:19:59,560 --> 01:20:02,640
Speaker 3: Oh jo Hell Real to come back. She come, want

1666
01:20:02,640 --> 01:20:03,280
Speaker 3: to ask you a question?

1667
01:20:03,400 --> 01:20:08,120
Speaker 1: Real what they want to ask Real, Real gonna be well,

1668
01:20:08,160 --> 01:20:10,320
Speaker 1: gonna be wanting u uh royalties.

1669
01:20:10,320 --> 01:20:13,040
Speaker 3: Oh jel, you keep breaking reil in. That's what I'm

1670
01:20:13,040 --> 01:20:21,680
Speaker 3: saying that when I get they want to know. I

1671
01:20:21,760 --> 01:20:23,599
Speaker 3: guess people already know about your show Real.

1672
01:20:24,640 --> 01:20:27,240
Speaker 5: I mean it was number one for about two weeks

1673
01:20:27,280 --> 01:20:31,639
Speaker 5: on Netflix, and it's and it and it took it off.

1674
01:20:33,000 --> 01:20:34,360
Speaker 2: Yeah, it didn't get renewed.

1675
01:20:34,960 --> 01:20:36,440
Speaker 3: Oh but that was the first.

1676
01:20:39,000 --> 01:20:44,040
Speaker 5: Black female brokerage to break into the Netflix industry with

1677
01:20:44,200 --> 01:20:45,280
Speaker 5: a real estate brokerach.

1678
01:20:45,960 --> 01:20:49,400
Speaker 3: Oh okay, that was all real. You're real.

1679
01:20:50,800 --> 01:20:53,439
Speaker 2: And she thanks you slick right. She's trying to get

1680
01:20:53,479 --> 01:20:55,880
Speaker 2: on a live show with us. I damn Vegas.

1681
01:20:58,080 --> 01:21:04,639
Speaker 3: Real, you're trying to get on live No support there

1682
01:21:04,680 --> 01:21:04,840
Speaker 3: you go.

1683
01:21:05,000 --> 01:21:08,439
Speaker 1: That's what I'm talking about. Real, be support. Everybody need

1684
01:21:08,520 --> 01:21:09,759
Speaker 1: a strong support system.

1685
01:21:10,080 --> 01:21:12,559
Speaker 2: We do we you know what, and go away. Before

1686
01:21:12,600 --> 01:21:14,560
Speaker 2: you get a support system. The foundation got to be

1687
01:21:14,640 --> 01:21:18,360
Speaker 2: solid now, yeah, looking foundation shaky. It supports them, You're

1688
01:21:18,360 --> 01:21:19,639
Speaker 2: supports them gonna fall through.

1689
01:21:19,920 --> 01:21:21,960
Speaker 1: I'm looking at you, ohoe. You looking for a strong

1690
01:21:22,040 --> 01:21:24,479
Speaker 1: support system. I'm looking for a strong back. We both

1691
01:21:24,560 --> 01:21:25,439
Speaker 1: live for something strong.

1692
01:21:25,520 --> 01:21:26,639
Speaker 3: Yeah, yeah, we do that. Listen.

1693
01:21:26,720 --> 01:21:28,840
Speaker 2: That's why the doc right there for you. Now, that's

1694
01:21:28,880 --> 01:21:29,960
Speaker 2: why the doc right there for you.

1695
01:21:30,240 --> 01:21:30,400
Speaker 3: Huh.

1696
01:21:30,479 --> 01:21:31,800
Speaker 2: She could work on you from head to toe.

1697
01:21:32,320 --> 01:21:36,679
Speaker 3: Huh what I'm looking for? Yeah, she got let that doc.

1698
01:21:36,760 --> 01:21:39,040
Speaker 3: I know you're listening. We'll see you in Vegas. Honey.

1699
01:21:39,800 --> 01:21:41,479
Speaker 2: If you ain't got no ticket, you could take mine.

1700
01:21:42,280 --> 01:21:44,400
Speaker 1: That would like the brass ad that would I'd love it.

1701
01:21:44,520 --> 01:21:57,719
Speaker 1: Bold uh King, Suvian King, Suvian. What's up up at Ocho?

1702
01:21:57,880 --> 01:22:01,599
Speaker 1: I'm from Hawkinsville, Georgia, and I could I could? Could

1703
01:22:01,640 --> 01:22:05,160
Speaker 1: y'all shout me out? Brian and my family, Vanessa and

1704
01:22:05,240 --> 01:22:09,320
Speaker 1: our one year old son, Cameron. Much appreciated. What's up, Brian,

1705
01:22:09,479 --> 01:22:13,400
Speaker 1: Vanessa and Cameron. Guys, I really appreciate you guys watching.

1706
01:22:13,479 --> 01:22:15,360
Speaker 1: That really means a lot that you're staying up this

1707
01:22:15,520 --> 01:22:19,720
Speaker 1: time of night, especially in Hawkinsville, Georgia. That's in that's

1708
01:22:19,880 --> 01:22:23,519
Speaker 1: uh in Georgia. That's probably about probably about I think Hawkysville,

1709
01:22:23,560 --> 01:22:25,240
Speaker 1: about an hour and a half two hours from Atlanta.

1710
01:22:25,680 --> 01:22:28,360
Speaker 3: So I see what time it is here, so I

1711
01:22:28,439 --> 01:22:29,439
Speaker 3: know what time it is there.

1712
01:22:29,800 --> 01:22:33,479
Speaker 1: So a, guys, we really appreciate the support and shout

1713
01:22:33,520 --> 01:22:35,800
Speaker 1: out to Brian Vanessa and their one year old son

1714
01:22:35,960 --> 01:22:43,000
Speaker 1: Cameron much much appreciated. Bro, that's what's up, mirandask oh

1715
01:22:43,080 --> 01:22:45,719
Speaker 1: your ap preacher. We love you more than words can express.

1716
01:22:45,800 --> 01:22:48,240
Speaker 1: Thank you for always keeping it real. What do you

1717
01:22:48,360 --> 01:22:49,120
Speaker 1: keep it real about?

1718
01:22:49,280 --> 01:22:52,600
Speaker 3: Miranda? I love y'all, I love you, I appreciate you.

1719
01:22:53,479 --> 01:22:53,880
Speaker 3: I love you.

1720
01:22:54,080 --> 01:22:56,000
Speaker 2: Matter of fact, when you mind me holler that man, man,

1721
01:22:56,040 --> 01:22:58,640
Speaker 2: we go have lunch at Tussy this sub uh.

1722
01:22:58,840 --> 01:22:59,640
Speaker 3: Doctor Frankie L.

1723
01:22:59,760 --> 01:23:03,320
Speaker 1: Bellamy asked, hey, unkin Ocho, how do y'all feel about

1724
01:23:03,320 --> 01:23:07,160
Speaker 1: the passing of Carl Weathers? What specific memories or moments

1725
01:23:07,720 --> 01:23:11,760
Speaker 1: do you, guys cherish from Carl Weathers performances? Love you guys,

1726
01:23:11,920 --> 01:23:15,040
Speaker 1: keep grinding well. Obviously, most people probably remember him from

1727
01:23:15,120 --> 01:23:18,760
Speaker 1: Rocky Rockyollo Creed now people that I don't know if

1728
01:23:18,760 --> 01:23:21,640
Speaker 1: they know this, but he uh the Raiders, So I

1729
01:23:21,760 --> 01:23:22,760
Speaker 1: used to see him early on.

1730
01:23:23,240 --> 01:23:25,640
Speaker 2: I just to see him all all the time at

1731
01:23:25,680 --> 01:23:28,080
Speaker 2: the Raiders at the Raider game when they were in

1732
01:23:28,160 --> 01:23:33,400
Speaker 2: the colon. Wasn't Carl Weathers in Predator to yes? Yeah, yeah,

1733
01:23:34,240 --> 01:23:38,680
Speaker 2: mm hmm oh man yep. So I mean that the

1734
01:23:38,880 --> 01:23:42,680
Speaker 2: Apollo creed the way he could talk and and and

1735
01:23:42,920 --> 01:23:46,599
Speaker 2: and and do what he did. Uh, he was amazing.

1736
01:23:46,880 --> 01:23:50,160
Speaker 2: So shout prayers up for him, rest in peace, call

1737
01:23:50,680 --> 01:23:54,600
Speaker 2: until his family. Hopefully Gods give you the strength the

1738
01:23:54,680 --> 01:23:58,240
Speaker 2: guid that is in the understanding in your most troubled times.

1739
01:23:58,520 --> 01:24:03,439
Speaker 3: Damn Ricky Banks.

1740
01:24:03,240 --> 01:24:05,719
Speaker 1: Say, Uhkino Joe, I had a girl that got away,

1741
01:24:06,960 --> 01:24:09,280
Speaker 1: got away, and it was all my fault. I made

1742
01:24:09,360 --> 01:24:12,080
Speaker 1: bad choices. She gave me four different chances to change,

1743
01:24:12,439 --> 01:24:15,160
Speaker 1: but now I changed too late. It's been a year since,

1744
01:24:15,200 --> 01:24:18,200
Speaker 1: and I pray and have faith that I one ed

1745
01:24:18,200 --> 01:24:21,320
Speaker 1: to have another chance, But people tell me I shouldn't bro.

1746
01:24:23,920 --> 01:24:27,000
Speaker 1: The longer you stay apart from someone, the harder it

1747
01:24:27,160 --> 01:24:30,960
Speaker 1: is to come up, because you both become very different

1748
01:24:31,040 --> 01:24:32,960
Speaker 1: people than when you were last together.

1749
01:24:35,040 --> 01:24:35,320
Speaker 3: And so.

1750
01:24:37,760 --> 01:24:41,559
Speaker 1: Look, I mean, hey, j Lo and being Aflet got

1751
01:24:41,680 --> 01:24:45,960
Speaker 1: back together, so anything is possible. It is, it is,

1752
01:24:46,560 --> 01:24:49,240
Speaker 1: But I don't think you should probably stop living your

1753
01:24:49,360 --> 01:24:53,080
Speaker 1: life hoping and thinking and praying and if it's meant

1754
01:24:53,120 --> 01:24:55,479
Speaker 1: to be, it's going to be, but you got to

1755
01:24:55,520 --> 01:24:59,439
Speaker 1: live your life as if it's not going to happen.

1756
01:25:00,040 --> 01:25:03,560
Speaker 2: There's also this heartbreaking that too, because I remember I

1757
01:25:03,680 --> 01:25:06,240
Speaker 2: never forget back. In nineteen ninety two, I had a

1758
01:25:06,280 --> 01:25:08,320
Speaker 2: woman I was. I was seeing it at the time,

1759
01:25:08,439 --> 01:25:11,439
Speaker 2: and you know, I happened to be. I think I

1760
01:25:11,560 --> 01:25:13,560
Speaker 2: might have been might have been her first, you know,

1761
01:25:13,760 --> 01:25:17,519
Speaker 2: based on her reactions doing encounters, I probably was her first.

1762
01:25:18,200 --> 01:25:21,880
Speaker 2: And you know, I wasn't moving right and she left

1763
01:25:21,960 --> 01:25:24,200
Speaker 2: me and I tried to I tried to get her back,

1764
01:25:24,240 --> 01:25:26,880
Speaker 2: and I just remember, you know what, it's like, Okay,

1765
01:25:27,240 --> 01:25:29,400
Speaker 2: my opportunities are getting a little better, and she started

1766
01:25:29,479 --> 01:25:33,040
Speaker 2: she's starting to, uh to feel a kid again, like

1767
01:25:33,160 --> 01:25:35,400
Speaker 2: it like like it used to be. And I just remember,

1768
01:25:36,080 --> 01:25:38,560
Speaker 2: you know, and when she came back, you know, it

1769
01:25:38,640 --> 01:25:41,240
Speaker 2: kind of hurt my heart because you know, when it

1770
01:25:41,360 --> 01:25:43,599
Speaker 2: used to come time to do it, she wasn't she wasn't.

1771
01:25:43,439 --> 01:25:44,360
Speaker 3: Running like she used to.

1772
01:25:45,280 --> 01:25:47,920
Speaker 2: Oh yeah, she wasn't running like she used to. So

1773
01:25:48,000 --> 01:25:48,920
Speaker 2: it kind of kind of hurt my.

1774
01:25:48,920 --> 01:25:49,559
Speaker 3: Heart a little bit.

1775
01:25:51,479 --> 01:25:53,840
Speaker 2: Yeah, a couple of Yeah, there was a few times.

1776
01:25:53,840 --> 01:25:56,080
Speaker 2: There was a few times you know, she hit me

1777
01:25:56,160 --> 01:25:57,679
Speaker 2: with the I ain't never heard her say this before.

1778
01:25:57,960 --> 01:26:01,479
Speaker 2: You know what, She's like, go deeper?

1779
01:26:01,920 --> 01:26:05,080
Speaker 3: What? Yeah, she told me.

1780
01:26:05,160 --> 01:26:07,200
Speaker 2: She told me to go deeper, and I was ran

1781
01:26:07,240 --> 01:26:12,600
Speaker 2: out of meat, you know. And after that, anybody that

1782
01:26:12,800 --> 01:26:14,679
Speaker 2: left me, I never tried to get him back because

1783
01:26:14,680 --> 01:26:16,000
Speaker 2: I never want to feel that pain again.

1784
01:26:16,720 --> 01:26:20,160
Speaker 3: Oh yeah, yeah, that was pain I was at first.

1785
01:26:20,240 --> 01:26:22,000
Speaker 2: You know, boy, she would running up the head boy

1786
01:26:22,040 --> 01:26:24,720
Speaker 2: when we first met, boy, yeah, you left. She left

1787
01:26:24,760 --> 01:26:26,320
Speaker 2: about two months and I went back to go get it.

1788
01:26:26,360 --> 01:26:27,800
Speaker 2: I said, I got to go get her because I

1789
01:26:27,920 --> 01:26:31,080
Speaker 2: missed what I had. You know, boy, when she came back,

1790
01:26:31,160 --> 01:26:32,920
Speaker 2: uncle just won the same. I don't know what happened

1791
01:26:33,880 --> 01:26:35,800
Speaker 2: or like throwing her hey, like throwing a hot dog

1792
01:26:35,840 --> 01:26:36,559
Speaker 2: in all the way, broy?

1793
01:26:36,640 --> 01:26:39,000
Speaker 3: Yeah, oh oh did that hurt? Yeah, that's tough.

1794
01:26:39,400 --> 01:26:42,879
Speaker 1: I mean it's hard to look. It's hard to imagine.

1795
01:26:43,160 --> 01:26:46,439
Speaker 1: But you know, when you meet someone, they've been with someone,

1796
01:26:47,000 --> 01:26:49,559
Speaker 1: but it ain't the same when you with that person

1797
01:26:49,680 --> 01:26:51,679
Speaker 1: and you try to get back with him, Yeah.

1798
01:26:51,520 --> 01:26:52,200
Speaker 3: It wont the same.

1799
01:26:52,720 --> 01:26:53,360
Speaker 2: It won the same.

1800
01:26:54,080 --> 01:26:58,240
Speaker 3: Boy. You can hear echoing that motherfucker. Hey, yeah, yeah,

1801
01:26:58,280 --> 01:27:00,960
Speaker 3: you know, I don't know what happened, bro. Put your

1802
01:27:01,000 --> 01:27:05,479
Speaker 3: hands into the clap. Yeah you could. You could add

1803
01:27:05,520 --> 01:27:09,519
Speaker 3: a whole symphony in that motherfucker that. But yeah, it's

1804
01:27:09,600 --> 01:27:10,920
Speaker 3: tough with it when it happens like that.

1805
01:27:13,240 --> 01:27:16,240
Speaker 2: Well, that's paying the man. You know, I'm about you,

1806
01:27:16,400 --> 01:27:19,439
Speaker 2: I'm about I was funk, I'm about I was at

1807
01:27:19,479 --> 01:27:20,120
Speaker 2: my pelvis.

1808
01:27:20,200 --> 01:27:25,160
Speaker 3: Boy, you hear me, my jo and she doesn't? You

1809
01:27:25,360 --> 01:27:29,120
Speaker 3: just played run out of meat. I already know you

1810
01:27:29,360 --> 01:27:30,519
Speaker 3: run out of meat. Talk about go.

1811
01:27:30,640 --> 01:27:35,120
Speaker 2: Deeper, bitch, What that's all I got what you're talking about?

1812
01:27:35,720 --> 01:27:40,000
Speaker 3: Yeah, yeah, I mean mine. You think about how this

1813
01:27:40,120 --> 01:27:40,639
Speaker 3: made me feel.

1814
01:27:40,680 --> 01:27:43,559
Speaker 2: Now I'm in high school now, it's ninety four.

1815
01:27:44,600 --> 01:27:45,679
Speaker 3: It's nineteen ninety four.

1816
01:27:45,800 --> 01:27:48,000
Speaker 2: Man, I was never the same by anybody left me

1817
01:27:48,120 --> 01:27:52,400
Speaker 2: after that. You know, go ahead and go ahead, go

1818
01:27:52,479 --> 01:27:54,679
Speaker 2: ahead by your business. I'm good because ain't no telling

1819
01:27:54,720 --> 01:27:57,800
Speaker 2: what you're gonna run into. Ain't I telling what you're

1820
01:27:57,800 --> 01:27:59,920
Speaker 2: gonna run into? You know, then back in the day,

1821
01:28:00,120 --> 01:28:02,160
Speaker 2: not you know, we all wasn't blessed.

1822
01:28:02,160 --> 01:28:02,800
Speaker 3: You know, I don't know.

1823
01:28:02,880 --> 01:28:04,400
Speaker 2: I don't know what God was doing when it came

1824
01:28:04,479 --> 01:28:06,200
Speaker 2: to taying to passing them things out.

1825
01:28:06,280 --> 01:28:10,439
Speaker 3: But you asked your halving a meet.

1826
01:28:14,360 --> 01:28:16,400
Speaker 2: Listen, we listen, We family so I could be honest.

1827
01:28:16,439 --> 01:28:18,719
Speaker 2: You know, ship, I ain't.

1828
01:28:20,360 --> 01:28:21,479
Speaker 3: Ship rough over every boy.

1829
01:28:30,040 --> 01:28:32,760
Speaker 1: Lady Ray asked in honor the anniversary of the best

1830
01:28:32,800 --> 01:28:34,639
Speaker 1: Super Bowl halftime show of all time?

1831
01:28:35,360 --> 01:28:37,559
Speaker 3: What are your top five print songs?

1832
01:28:39,840 --> 01:28:41,040
Speaker 2: Purple Rain is number one?

1833
01:28:41,600 --> 01:28:42,519
Speaker 3: Okay, Purple Rain.

1834
01:28:42,840 --> 01:28:45,960
Speaker 2: Purple Rain is number one, coming hell of high Water.

1835
01:28:53,200 --> 01:28:55,760
Speaker 3: A Door is number two. A door is number two

1836
01:28:55,800 --> 01:28:57,759
Speaker 3: for me, damn.

1837
01:29:02,520 --> 01:29:09,160
Speaker 1: Sometimes it sols in April for me Erotic City, and

1838
01:29:09,880 --> 01:29:10,280
Speaker 1: I like it.

1839
01:29:10,360 --> 01:29:12,439
Speaker 3: I like this look. I love let's go crazy, and

1840
01:29:12,520 --> 01:29:15,120
Speaker 3: I love the fans. Let's go crazy. That's a good one.

1841
01:29:15,600 --> 01:29:18,479
Speaker 3: I love that, you know. I love diamonds and pearls,

1842
01:29:20,560 --> 01:29:23,639
Speaker 3: when doves cry, When doves cry, I don't know why.

1843
01:29:23,680 --> 01:29:30,960
Speaker 3: I bad? Oh bad? And you know what else? I

1844
01:29:31,160 --> 01:29:38,120
Speaker 3: like insatiable? Hey, Prince got some hiss boy? Man? Does

1845
01:29:38,200 --> 01:29:44,679
Speaker 3: he Prince under the under the cherry moony raspberry beat?

1846
01:29:45,120 --> 01:29:46,160
Speaker 2: Hey, I would die for you.

1847
01:29:47,240 --> 01:29:51,559
Speaker 1: Pink corvette, the little red Corvette, not pink corny, real

1848
01:29:51,640 --> 01:29:52,439
Speaker 1: little red corvette.

1849
01:29:52,520 --> 01:29:53,240
Speaker 3: He had another one?

1850
01:29:53,360 --> 01:30:00,400
Speaker 2: Uh, boys, boy, Prince got some good this boy.

1851
01:30:01,600 --> 01:30:02,360
Speaker 3: That's a legend.

1852
01:30:02,400 --> 01:30:06,560
Speaker 1: Pink cashmere. He's looking for a code of pink cashmere.

1853
01:30:07,320 --> 01:30:07,920
Speaker 1: What's the uh?

1854
01:30:15,320 --> 01:30:15,840
Speaker 3: Oh man?

1855
01:30:16,160 --> 01:30:16,200
Speaker 2: You.

1856
01:30:16,640 --> 01:30:22,920
Speaker 3: Oh uh the beautiful ones, yeah you got you got

1857
01:30:22,960 --> 01:30:28,519
Speaker 3: the bread fanatic? Yeah, bad. I don't remember some of

1858
01:30:28,560 --> 01:30:32,599
Speaker 3: the main songs. No, Joe, I go way back.

1859
01:30:33,120 --> 01:30:34,040
Speaker 2: I can't remember him like that.

1860
01:30:35,800 --> 01:30:41,080
Speaker 3: Uh do we crying? Do we lie?

1861
01:30:41,640 --> 01:30:41,800
Speaker 2: Muh?

1862
01:30:42,760 --> 01:30:50,200
Speaker 3: I lie awaking my boudoir. I think of you, joe

1863
01:30:50,680 --> 01:30:51,960
Speaker 3: y'all got me going back and I.

1864
01:30:53,439 --> 01:30:56,960
Speaker 2: Go with breath hard yeah that I would die for

1865
01:30:57,040 --> 01:31:03,840
Speaker 2: you be rocking though, Oh yeah, I'm told yes, yes,

1866
01:31:05,439 --> 01:31:06,320
Speaker 2: And that's throw back.

1867
01:31:06,760 --> 01:31:07,439
Speaker 3: What's that song?

1868
01:31:10,880 --> 01:31:12,960
Speaker 1: Oh, man, Prince, I can't think of that song off

1869
01:31:13,000 --> 01:31:16,160
Speaker 1: the top of my head. And saved my life. Uh well,

1870
01:31:16,200 --> 01:31:17,760
Speaker 1: your controversy was another one.

1871
01:31:19,479 --> 01:31:24,920
Speaker 3: Oh yeah, darling nicky, darling nicky.

1872
01:31:26,160 --> 01:31:27,800
Speaker 2: Some some of these, some of these I would have

1873
01:31:27,880 --> 01:31:29,920
Speaker 2: to actually hear. I would have to hear and and

1874
01:31:30,040 --> 01:31:32,320
Speaker 2: be like, oh that's it. I just don't know the

1875
01:31:32,840 --> 01:31:34,360
Speaker 2: actual titles of some of the songs.

1876
01:31:35,200 --> 01:31:47,320
Speaker 3: What they got up here? What? Uh? Computer Blue? I

1877
01:31:47,400 --> 01:31:47,920
Speaker 3: gotta hear it.

1878
01:31:49,960 --> 01:31:54,400
Speaker 1: Mm hm oh the Ballad of Dorothy Parker Darthy was

1879
01:31:54,439 --> 01:31:56,400
Speaker 1: a waitress or the problem not you worked the night?

1880
01:31:56,560 --> 01:31:59,600
Speaker 1: Yep A dishwater blonde, tall and fine. She got a

1881
01:31:59,640 --> 01:32:05,639
Speaker 1: lot of earlier year, we've been talking fighting with lovers past.

1882
01:32:06,040 --> 01:32:08,599
Speaker 1: She said she needed someone with a quicker wit than mind.

1883
01:32:09,040 --> 01:32:13,439
Speaker 1: Dorothy was fast. Damn you know what I d I ordered,

1884
01:32:13,479 --> 01:32:17,960
Speaker 1: I said, love, let me get a fruit context she laughed.

1885
01:32:18,640 --> 01:32:21,880
Speaker 3: She said, sounds like a real man to me. Do

1886
01:32:22,000 --> 01:32:25,599
Speaker 3: you want to? I said, I'm cool, but I'm leaving

1887
01:32:25,640 --> 01:32:28,720
Speaker 3: my pants? Yo, yo, don't you when it come to

1888
01:32:28,840 --> 01:32:33,920
Speaker 3: that dude? Come on now? Ah bad bad please?

1889
01:32:34,840 --> 01:32:34,960
Speaker 4: Uh?

1890
01:32:35,080 --> 01:32:36,560
Speaker 3: Insatiable, scandalous?

1891
01:32:37,280 --> 01:32:37,400
Speaker 2: Uh?

1892
01:32:38,479 --> 01:32:48,080
Speaker 3: What's that one? International lover scandalis? Mmm mm hm hmm. Man,

1893
01:32:48,120 --> 01:32:49,840
Speaker 3: that was that dude?

1894
01:32:49,920 --> 01:32:54,680
Speaker 1: That dude a he added, going yes, because not only

1895
01:32:54,760 --> 01:32:58,479
Speaker 1: could he sing and entertain, he played the instruments, all of.

1896
01:32:58,560 --> 01:33:00,880
Speaker 2: Them, all of them.

1897
01:33:02,320 --> 01:33:05,559
Speaker 3: Mm hmm, all of them. Legend.

1898
01:33:07,400 --> 01:33:11,439
Speaker 1: Uh what do you say? What's the name of the song?

1899
01:33:11,560 --> 01:33:17,800
Speaker 1: It was another song about he was in class? What's

1900
01:33:17,800 --> 01:33:22,680
Speaker 1: the name of us? Ah Man, I can't think of it?

1901
01:33:22,960 --> 01:33:24,040
Speaker 3: Oh, I love the one.

1902
01:33:26,240 --> 01:33:27,120
Speaker 2: Diamonds and Pearls?

1903
01:33:27,760 --> 01:33:29,680
Speaker 3: Well, do I love diamonds and pearls? But he did.

1904
01:33:32,080 --> 01:33:33,280
Speaker 3: He did the original song.

1905
01:33:33,360 --> 01:33:38,479
Speaker 1: He did the original soundtrack for Batman, the first one

1906
01:33:38,560 --> 01:33:39,680
Speaker 1: became out nineteen eighty nine.

1907
01:33:39,760 --> 01:33:43,040
Speaker 3: Yes, he did. Oh, okay, okay, I already I definitely

1908
01:33:43,040 --> 01:33:52,640
Speaker 3: don't remember that, yeah, dimon everything. What's the name of is?

1909
01:33:52,720 --> 01:33:52,760
Speaker 4: So?

1910
01:33:53,160 --> 01:33:55,559
Speaker 3: It's driving me crazy? Oh you actually, I gotta find

1911
01:33:55,600 --> 01:34:08,760
Speaker 3: the name of the song. It was a Yes, the

1912
01:34:08,840 --> 01:34:10,280
Speaker 3: most beautiful girl in the world.

1913
01:34:11,800 --> 01:34:15,800
Speaker 1: Maybe what you're saying, you got to look if I

1914
01:34:15,960 --> 01:34:20,000
Speaker 1: was your girlfriend, get off twenty three positions in a

1915
01:34:20,080 --> 01:34:21,000
Speaker 1: one night stay.

1916
01:34:22,120 --> 01:34:29,080
Speaker 3: Damn in a one night stand? Prince A prince started

1917
01:34:29,200 --> 01:34:29,400
Speaker 3: with me.

1918
01:34:29,640 --> 01:34:37,559
Speaker 2: Man, you remember that night? Get off twenty three positions

1919
01:34:37,600 --> 01:34:40,799
Speaker 2: in a one night stand. But something happened.

1920
01:34:40,880 --> 01:34:43,160
Speaker 3: Oh what's that one sign of the times?

1921
01:34:44,680 --> 01:34:51,360
Speaker 2: Yeah, I don't know that one brou oh till you

1922
01:34:51,400 --> 01:34:51,680
Speaker 2: don't know?

1923
01:34:51,800 --> 01:34:53,519
Speaker 3: That was? Oh, pop life.

1924
01:34:54,080 --> 01:34:57,439
Speaker 2: I know all the songs, I don't know that titles.

1925
01:34:57,479 --> 01:34:59,920
Speaker 2: But once she wants to start playing and be like, oh, okay,

1926
01:35:00,120 --> 01:35:03,400
Speaker 2: that's what it is. What you're putting in your nose?

1927
01:35:05,400 --> 01:35:06,439
Speaker 2: Is that with all your money?

1928
01:35:09,280 --> 01:35:15,559
Speaker 3: Yes, starfishing, coffee, tarfish and coffee, doll fish and coffee, maple,

1929
01:35:15,640 --> 01:35:21,200
Speaker 3: sirp and jam, butterscotch, Klauds and the side order him

1930
01:35:21,840 --> 01:35:22,240
Speaker 3: mm hmm.

1931
01:35:23,320 --> 01:35:27,040
Speaker 2: Okay, man, that's that's what I'm listening to on my

1932
01:35:27,120 --> 01:35:29,920
Speaker 2: flight tomorrow. I'm going back. I'm going I'm going back

1933
01:35:29,920 --> 01:35:32,519
Speaker 2: to Prince and do me baby like you've never done before.

1934
01:35:33,240 --> 01:35:38,000
Speaker 2: That's what she and there singing, uh uh.

1935
01:35:39,800 --> 01:35:41,080
Speaker 3: Lady Ray we named by Fish.

1936
01:35:41,160 --> 01:35:44,120
Speaker 1: I means it would be virtually impossible because I was

1937
01:35:44,200 --> 01:35:48,919
Speaker 1: such a big, big fan of Prince and Michael Jackson.

1938
01:35:51,960 --> 01:35:54,800
Speaker 1: And then I know you this before your time. But

1939
01:35:54,920 --> 01:35:59,360
Speaker 1: when Wallam came out, and then with George Michael, they.

1940
01:35:59,320 --> 01:36:01,920
Speaker 2: Came Michael, Man, I know about George Michael.

1941
01:36:02,000 --> 01:36:04,080
Speaker 3: Not come on now. Well, actually he was with a duo.

1942
01:36:04,200 --> 01:36:06,160
Speaker 1: It was a duo called there was a group called

1943
01:36:06,160 --> 01:36:10,320
Speaker 1: Wayam George Yes, and then he went he went on

1944
01:36:10,400 --> 01:36:13,799
Speaker 1: his own, and so James the MVP said.

1945
01:36:13,600 --> 01:36:16,160
Speaker 3: Oh, what was it like to play Shannon Sharp in America?

1946
01:36:16,280 --> 01:36:20,840
Speaker 1: Dad, Well, when they brought it to me, o Joe,

1947
01:36:21,840 --> 01:36:23,760
Speaker 1: I mean, it was gonna be me, or it's gonna

1948
01:36:23,800 --> 01:36:26,720
Speaker 1: have JB Smooth to be me. I was like, man,

1949
01:36:26,800 --> 01:36:28,600
Speaker 1: this is an opportunity I can't refuse. I say, my

1950
01:36:28,760 --> 01:36:31,720
Speaker 1: kids a great kids. One day, see their dad did

1951
01:36:31,760 --> 01:36:35,040
Speaker 1: a voice sover for a character. Said man, I'm jumping

1952
01:36:35,120 --> 01:36:35,320
Speaker 1: at this.

1953
01:36:35,920 --> 01:36:38,920
Speaker 3: Oh yeah you got to yeah? I said, oh absolutely,

1954
01:36:38,960 --> 01:36:39,640
Speaker 3: I'm playing at this.

1955
01:36:43,200 --> 01:36:49,080
Speaker 1: George Michael, Yes, big germ seven or six? Uh, you

1956
01:36:49,240 --> 01:36:51,120
Speaker 1: have you called the checked on your boy. Ray Lewis

1957
01:36:51,439 --> 01:36:53,760
Speaker 1: Fave got a little heated during the Pro Bowl. I

1958
01:36:53,880 --> 01:36:57,519
Speaker 1: know he's still mad. Uh I'm talking about I'm taking

1959
01:36:57,600 --> 01:36:58,840
Speaker 1: my ball and I'm going home.

1960
01:36:58,960 --> 01:36:59,160
Speaker 3: Man.

1961
01:37:00,160 --> 01:37:04,280
Speaker 1: No, I haven't talked to him. I didn't watch the

1962
01:37:04,360 --> 01:37:06,679
Speaker 1: Pro Bowl. It's not the Pro Bowl anymore.

1963
01:37:06,680 --> 01:37:07,479
Speaker 3: I get it. I get it.

1964
01:37:07,560 --> 01:37:10,200
Speaker 1: The NFL wanted to keep something going, and I'm glad

1965
01:37:10,320 --> 01:37:12,800
Speaker 1: guys to get to get this to the resume. But

1966
01:37:13,640 --> 01:37:15,960
Speaker 1: I can't get down with this old joke because it

1967
01:37:16,040 --> 01:37:19,439
Speaker 1: can be done. We tackled football is still tackling, no joke.

1968
01:37:19,960 --> 01:37:20,600
Speaker 3: Yeah it is.

1969
01:37:20,800 --> 01:37:24,040
Speaker 2: But you know, obviously the product and what the players

1970
01:37:24,080 --> 01:37:27,120
Speaker 2: have been putting on the field as of late, I

1971
01:37:27,200 --> 01:37:29,800
Speaker 2: think to get more out of them, to make sure

1972
01:37:30,120 --> 01:37:33,240
Speaker 2: to prevent injury, I think going this route, especially the

1973
01:37:33,360 --> 01:37:35,800
Speaker 2: times that we're in now, trying to protect the players

1974
01:37:35,920 --> 01:37:38,760
Speaker 2: or players not wanting to risk getting themselves hurt being

1975
01:37:38,840 --> 01:37:41,240
Speaker 2: in the Pro Bowl, especially those that are on a

1976
01:37:41,360 --> 01:37:45,479
Speaker 2: contract year or have deals coming up this offseason, I

1977
01:37:45,600 --> 01:37:48,240
Speaker 2: think this is the route that is good for them now.

1978
01:37:48,320 --> 01:37:49,760
Speaker 2: One of the things I think that they can do

1979
01:37:49,960 --> 01:37:54,400
Speaker 2: to improve the Pro Bowl and get a little bit

1980
01:37:54,439 --> 01:37:58,920
Speaker 2: more excitement out of it is. I think it would

1981
01:37:58,920 --> 01:38:03,880
Speaker 2: be nice to have a ass versus present player Pro Bowl, AFC, NFC.

1982
01:38:04,680 --> 01:38:07,599
Speaker 3: Do what, just have some fun, Just have some fun.

1983
01:38:08,400 --> 01:38:10,400
Speaker 3: So what past president you think'll be able to go

1984
01:38:10,479 --> 01:38:10,800
Speaker 3: out there?

1985
01:38:11,120 --> 01:38:13,960
Speaker 2: Some some former players I'm talking about. We ain't trying

1986
01:38:14,000 --> 01:38:15,719
Speaker 2: to go all out and now, you know, go crazy.

1987
01:38:15,760 --> 01:38:17,559
Speaker 2: I'm just I just think, just think of just think

1988
01:38:17,560 --> 01:38:20,120
Speaker 2: about the formatt in general. Think about some of the

1989
01:38:20,160 --> 01:38:22,720
Speaker 2: players of the past that might be or no, it's

1990
01:38:22,760 --> 01:38:24,640
Speaker 2: coming and can get in some type of shape. You

1991
01:38:24,680 --> 01:38:27,320
Speaker 2: don't have to be elite ready to go, you know, run,

1992
01:38:27,760 --> 01:38:29,320
Speaker 2: go crazy. But I'm just saying I think it would

1993
01:38:29,320 --> 01:38:33,400
Speaker 2: be fun to have past players go against the present

1994
01:38:33,479 --> 01:38:36,479
Speaker 2: players in a in a Pro Bowl for Matten flag football.

1995
01:38:36,600 --> 01:38:38,240
Speaker 2: I think it would just be fun because to be

1996
01:38:38,439 --> 01:38:41,280
Speaker 2: being able to have two errors cross pass like that

1997
01:38:41,520 --> 01:38:44,160
Speaker 2: where would never ever happen. It's impossible for it to

1998
01:38:44,240 --> 01:38:46,680
Speaker 2: happen unless you're playing Madden. But to be able to

1999
01:38:46,720 --> 01:38:49,160
Speaker 2: bring that to life and bring it to fruition it

2000
01:38:49,280 --> 01:38:51,800
Speaker 2: having the past and present face each other at their

2001
01:38:51,840 --> 01:38:54,880
Speaker 2: respective positions, I think that would be fucking awesome. I

2002
01:38:54,920 --> 01:38:56,280
Speaker 2: think it would be fun, and I think the fans

2003
01:38:56,280 --> 01:38:56,920
Speaker 2: would enjoy that.

2004
01:38:57,960 --> 01:39:01,040
Speaker 1: Josha Merol is our last question, Oh Joe, why are

2005
01:39:01,040 --> 01:39:03,240
Speaker 1: you asking them folks who are stuff at the CBS.

2006
01:39:03,600 --> 01:39:05,559
Speaker 3: They got like ten hours and you only buying one

2007
01:39:05,640 --> 01:39:13,360
Speaker 3: thing them diamonds. That's a good one. Yeah man, Yeah, John,

2008
01:39:13,400 --> 01:39:15,600
Speaker 3: You know you had a fool of them. Why they

2009
01:39:15,640 --> 01:39:17,920
Speaker 3: feeling that prescription? You know they be feeling that script?

2010
01:39:19,160 --> 01:39:20,040
Speaker 3: Now what you're spaying?

2011
01:39:21,880 --> 01:39:25,160
Speaker 2: That's how I get the cigar smell out? Oh, I

2012
01:39:25,280 --> 01:39:27,880
Speaker 2: opened the window, get it out. Then I sprayed this

2013
01:39:28,160 --> 01:39:31,160
Speaker 2: inside the ac vent and turned and turned the ac

2014
01:39:31,320 --> 01:39:35,040
Speaker 2: on and then the whole everything smelled like the for

2015
01:39:35,120 --> 01:39:37,200
Speaker 2: breeze long quick.

2016
01:39:40,400 --> 01:39:42,760
Speaker 1: I want to thank you guys for joining us. This

2017
01:39:43,000 --> 01:39:45,679
Speaker 1: was the Oh yeah, oh John, I want to show

2018
01:39:45,760 --> 01:39:47,200
Speaker 1: this my guy.

2019
01:39:47,520 --> 01:39:51,280
Speaker 3: Look at this? Is it? Helldo?

2020
01:39:51,680 --> 01:39:52,920
Speaker 1: Let me get this out the way so we could

2021
01:39:52,960 --> 01:39:59,479
Speaker 1: light it up, my guy? Uh, the art of a giant.

2022
01:40:00,280 --> 01:40:03,080
Speaker 1: Andrew Shavers Now anytime I have like a moment. He

2023
01:40:03,439 --> 01:40:05,920
Speaker 1: did one of these for me with Skip when I

2024
01:40:06,000 --> 01:40:09,120
Speaker 1: was undisputed, and Skip gave me the gold, and so

2025
01:40:09,280 --> 01:40:11,680
Speaker 1: he did one of these and he said I want

2026
01:40:11,720 --> 01:40:14,000
Speaker 1: to I want to do a picture for you. For you,

2027
01:40:14,439 --> 01:40:16,760
Speaker 1: I said, hey, bro knock yourself out. He said, I

2028
01:40:16,840 --> 01:40:19,120
Speaker 1: got this for you. So he sent me this today.

2029
01:40:19,360 --> 01:40:22,360
Speaker 1: Look at this, Andrew, good, look it out.

2030
01:40:22,560 --> 01:40:23,320
Speaker 3: And this is what he does.

2031
01:40:23,400 --> 01:40:26,400
Speaker 1: He does it on newspapers. It's me and cat and

2032
01:40:27,000 --> 01:40:30,240
Speaker 1: he is like, uh, the cat, and he got me

2033
01:40:30,280 --> 01:40:31,680
Speaker 1: a T shirt I'm gonna wear Jack. I think I

2034
01:40:31,720 --> 01:40:35,960
Speaker 1: bought a T shirt on Nightcap. But this is unbeliever

2035
01:40:35,960 --> 01:40:38,680
Speaker 1: It's kind of it's like this, but this is unbelievable.

2036
01:40:38,720 --> 01:40:41,800
Speaker 1: This is Andrew Shavers, the art of the Giant, Art

2037
01:40:41,840 --> 01:40:45,080
Speaker 1: of a giant. And so, guys, if you're looking for

2038
01:40:45,200 --> 01:40:49,240
Speaker 1: some artwork, email is seventy seven at gmail dot com.

2039
01:40:49,840 --> 01:40:54,040
Speaker 1: His website is ww dot arc offa giant dot com

2040
01:40:55,080 --> 01:41:01,960
Speaker 1: Arc Underscore of Underscore, a underscore giant Andrew. That's loved that, bro.

2041
01:41:02,280 --> 01:41:05,800
Speaker 1: I appreciate this man. That's unbelievable. Great job like it.

2042
01:41:06,320 --> 01:41:08,679
Speaker 3: Hey, matter of fact? You know what? Matter of fact?

2043
01:41:11,000 --> 01:41:12,360
Speaker 3: When is that? When is our next show?

2044
01:41:12,400 --> 01:41:13,840
Speaker 2: Our next show is a live show?

2045
01:41:13,960 --> 01:41:18,599
Speaker 3: Right tomorrow? Oh we're going tomorrow. Yeah, okay, okay, okay, okay.

2046
01:41:19,280 --> 01:41:23,200
Speaker 3: I was just making sure Joe. I know they're gonna

2047
01:41:23,200 --> 01:41:26,439
Speaker 3: get these easy, but either I usual bad. I love these.

2048
01:41:27,080 --> 01:41:29,120
Speaker 3: I don't know what the hell of miss. I know

2049
01:41:29,200 --> 01:41:29,960
Speaker 3: there's some Jordans.

2050
01:41:30,920 --> 01:41:34,559
Speaker 2: Yeah, man, you can't even hoop though, you be having

2051
01:41:34,600 --> 01:41:36,599
Speaker 2: all these Jordans that in case shoot no basketball.

2052
01:41:36,600 --> 01:41:38,120
Speaker 3: I could back in the day. Ohjo, You're right, I

2053
01:41:38,160 --> 01:41:41,760
Speaker 3: can't no more. I mean, listen, I used to. I

2054
01:41:41,880 --> 01:41:42,920
Speaker 3: used to know how to ride a bike.

2055
01:41:42,960 --> 01:41:45,040
Speaker 2: I'm sure if if somebody put a bike in front

2056
01:41:45,040 --> 01:41:46,120
Speaker 2: of me, I know how to get on that bitch

2057
01:41:46,160 --> 01:41:46,559
Speaker 2: and ride.

2058
01:41:46,720 --> 01:41:50,040
Speaker 3: Oh. I haven't shot a basketball in probably thirty years. Yeah,

2059
01:41:50,040 --> 01:41:51,439
Speaker 3: a lot of things that thirty year.

2060
01:41:51,520 --> 01:41:52,760
Speaker 2: But I guarantee you I can still do it.

2061
01:41:53,960 --> 01:41:56,240
Speaker 1: I did what I tell you what I'm good at. Yeah,

2062
01:41:56,280 --> 01:41:58,240
Speaker 1: I tell you what I'm better. Not gonna do a

2063
01:41:58,320 --> 01:42:00,479
Speaker 1: whole lot, but I guarantee you gonna do that.

2064
01:42:01,280 --> 01:42:02,800
Speaker 3: And truth be told.

2065
01:42:03,320 --> 01:42:08,360
Speaker 2: Now, Hey, everybody in the chat, I know y'all can

2066
01:42:08,400 --> 01:42:08,640
Speaker 2: see this.

2067
01:42:08,760 --> 01:42:10,519
Speaker 3: I love you. You know I love you. You know

2068
01:42:10,600 --> 01:42:16,320
Speaker 3: if I mentioned guys, that's what that's how subscribe. That's

2069
01:42:16,439 --> 01:42:18,439
Speaker 3: that's our goal. We gotta get hold on. So let

2070
01:42:18,439 --> 01:42:19,920
Speaker 3: me see what we are. We gotta hit that million.

2071
01:42:20,400 --> 01:42:24,080
Speaker 1: We're where we're at nine to sixty seven. Please make

2072
01:42:24,120 --> 01:42:26,559
Speaker 1: sure we gave two thousand and the chat. We gotta

2073
01:42:26,560 --> 01:42:29,240
Speaker 1: get on the ball. So we got Monday, Tuesday, Wednesday, Thursday,

2074
01:42:29,400 --> 01:42:33,479
Speaker 1: so basically we got we got four days. Guys, we

2075
01:42:33,560 --> 01:42:34,719
Speaker 1: gotta we gotta get on the push.

2076
01:42:34,920 --> 01:42:36,120
Speaker 3: We go. We gotta get on the push.

2077
01:42:36,200 --> 01:42:40,559
Speaker 1: Guys, tell family, friends, loved ones, go work to Nightcap,

2078
01:42:40,920 --> 01:42:45,679
Speaker 1: stay your ball working. Yes, go subscribe to Nightcap. We greatly,

2079
01:42:45,760 --> 01:42:48,479
Speaker 1: greatly appreciate it. Please make sure you hit that light button,

2080
01:42:48,800 --> 01:42:52,720
Speaker 1: hit the subscribe button, and make sure you follow the

2081
01:42:52,880 --> 01:42:56,639
Speaker 1: Nightcap podcast feed. You can get it through Club Shame Shape,

2082
01:42:56,800 --> 01:43:00,599
Speaker 1: but Nightcap has its own podcast feed. We all pinche

2083
01:43:00,760 --> 01:43:03,639
Speaker 1: by Laportier at the top of the chat. Super Bowl

2084
01:43:03,720 --> 01:43:06,960
Speaker 1: party is a week away, Valentine's Day shortly after that,

2085
01:43:07,479 --> 01:43:10,560
Speaker 1: Saint Patrick's Day, or I'm sure someone has a Valentine's

2086
01:43:10,600 --> 01:43:13,760
Speaker 1: in between Valentine's Day or birth excuse me, birthday in

2087
01:43:13,880 --> 01:43:16,360
Speaker 1: between those days. Make sure you go out and get

2088
01:43:16,360 --> 01:43:20,840
Speaker 1: yourself a bottle or that bottle for someone special. You'll

2089
01:43:20,880 --> 01:43:24,160
Speaker 1: thank me later. Oh, j O, Joe, thank you, thank

2090
01:43:24,240 --> 01:43:26,400
Speaker 1: you so much for joining us. I know you had

2091
01:43:26,439 --> 01:43:28,200
Speaker 1: a busit day to day, you got a visit day tomorrow,

2092
01:43:28,240 --> 01:43:30,760
Speaker 1: but we look forward to seeing you. I'm your favorite unk.

2093
01:43:30,840 --> 01:43:34,720
Speaker 1: Shannon Sharp He's your favorite Number eighty five rock Runner, Extraordinary.

2094
01:43:35,040 --> 01:43:37,640
Speaker 3: The man is like running on clouds.

2095
01:43:38,400 --> 01:43:43,320
Speaker 1: Bingals Legend, Liberty Cities, fight Us, Chad o Cho, Senko Johnson.

2096
01:43:43,560 --> 01:43:45,719
Speaker 3: We'll see you tomorrow. I love y'all.