1 00:00:00,120 --> 00:00:03,080 Speaker 1: It depends. That's Chris Brown and Bryce and Tiller. You're 2 00:00:03,120 --> 00:00:03,720 Speaker 1: a kiss FM. 3 00:00:04,080 --> 00:00:08,400 Speaker 2: B b Rexa looking stunning is here in the studio. 4 00:00:08,800 --> 00:00:12,920 Speaker 1: Here she is bd Rexa, but you're not. I get 5 00:00:12,960 --> 00:00:14,680 Speaker 1: really well, that's a vibe. 6 00:00:14,680 --> 00:00:17,639 Speaker 2: That's you saying. It's a throwback. It's a French era throwback. 7 00:00:17,680 --> 00:00:19,239 Speaker 3: You were saying, I was trying to go for Marie 8 00:00:19,239 --> 00:00:20,239 Speaker 3: Antoinette a little bit. 9 00:00:20,440 --> 00:00:20,960 Speaker 1: There you go. 10 00:00:21,120 --> 00:00:24,280 Speaker 2: I feel it, I see it. Great to have you, 11 00:00:24,320 --> 00:00:28,720 Speaker 2: Thanks for coming, welcome back. Now we're about to launch 12 00:00:28,720 --> 00:00:31,319 Speaker 2: into some new music from you, about to play cheek 13 00:00:31,320 --> 00:00:33,000 Speaker 2: a chek. And then you just were saying as we 14 00:00:33,000 --> 00:00:34,960 Speaker 2: were getting on the air that you're going to flood 15 00:00:35,040 --> 00:00:37,000 Speaker 2: us with new music. Let's just start there. We'll catch 16 00:00:37,040 --> 00:00:38,239 Speaker 2: up in a minute, but let's just start with the 17 00:00:38,240 --> 00:00:41,280 Speaker 2: flood of new music. You've got one single that came early. 18 00:00:41,320 --> 00:00:42,479 Speaker 2: We got a new single out. 19 00:00:42,400 --> 00:00:44,479 Speaker 3: Now every every couple of weeks, right. 20 00:00:44,400 --> 00:00:45,479 Speaker 1: So every couple of weeks is what you're doing. 21 00:00:45,600 --> 00:00:47,080 Speaker 3: Yeah, we wanted to do something different because I was 22 00:00:47,120 --> 00:00:50,640 Speaker 3: signed to a major label. Now I'm independent, which is 23 00:00:50,720 --> 00:00:53,440 Speaker 3: scary but fun. The reason why I love this is 24 00:00:53,479 --> 00:00:56,320 Speaker 3: because the traditional approach right not to get too boring 25 00:00:56,320 --> 00:00:59,520 Speaker 3: here with a major labels, you pick one song, push 26 00:00:59,760 --> 00:01:01,680 Speaker 3: every thing you can behind it, and then if the 27 00:01:01,680 --> 00:01:03,440 Speaker 3: world doesn't like it, what's the point? You know? So 28 00:01:03,520 --> 00:01:04,920 Speaker 3: to me, it's like I've been working on this project 29 00:01:04,920 --> 00:01:06,240 Speaker 3: for three years. I was like, we need to think 30 00:01:06,280 --> 00:01:07,960 Speaker 3: of a new approach. So we put out a super 31 00:01:08,000 --> 00:01:11,839 Speaker 3: cut online of twenty seconds, and we shot thirteen music 32 00:01:11,880 --> 00:01:15,520 Speaker 3: videos in three days visuals and every week we drop 33 00:01:15,560 --> 00:01:17,520 Speaker 3: a song. The week following we drop a video song 34 00:01:17,640 --> 00:01:20,600 Speaker 3: video song video. And now it's funny, I'm letting fans 35 00:01:20,680 --> 00:01:24,360 Speaker 3: vote online and you can't fake the numbers. Yeah, Like 36 00:01:24,400 --> 00:01:27,119 Speaker 3: they either love something or they don't. So certain songs 37 00:01:27,120 --> 00:01:31,440 Speaker 3: have been popping their heads up and I'm like, oh interesting, So. 38 00:01:31,680 --> 00:01:34,280 Speaker 2: Is it what you expected for that? Like you did 39 00:01:34,319 --> 00:01:36,679 Speaker 2: you anticipate the reaction or have you been surprised with 40 00:01:36,760 --> 00:01:37,120 Speaker 2: some things? 41 00:01:37,240 --> 00:01:39,080 Speaker 3: Some of the songs, like one of the songs sad 42 00:01:39,160 --> 00:01:40,880 Speaker 3: girls like I loved it. I did it with Getta 43 00:01:41,480 --> 00:01:44,280 Speaker 3: And you know, we have like the brother sister situation 44 00:01:44,360 --> 00:01:47,080 Speaker 3: because after I'm good and hey Mama, it's like kind 45 00:01:47,080 --> 00:01:49,000 Speaker 3: of like, ah, like we got to like, do you know, 46 00:01:49,080 --> 00:01:52,080 Speaker 3: do this again? But that one has been surprising me. 47 00:01:52,080 --> 00:01:53,880 Speaker 3: Because I want to take that off off the album. 48 00:01:54,400 --> 00:01:57,240 Speaker 3: And people are loving that one. Okay, you know, but 49 00:01:57,320 --> 00:02:02,240 Speaker 3: New Religion I knew because it's the insomnia sample with Faithless, 50 00:02:02,560 --> 00:02:04,040 Speaker 3: so I knew that would be so people are kind 51 00:02:04,040 --> 00:02:04,480 Speaker 3: of freaking out. 52 00:02:05,160 --> 00:02:09,359 Speaker 1: They recognized that that's the only thing. This is a 53 00:02:09,400 --> 00:02:18,200 Speaker 1: real flavor to it. I got. Yeah, it's Albanian. 54 00:02:18,360 --> 00:02:19,880 Speaker 3: I put a little Albanian in there, you know, from 55 00:02:19,960 --> 00:02:20,280 Speaker 3: New York. 56 00:02:20,320 --> 00:02:24,200 Speaker 1: Albanian came exactly what louis. 57 00:02:26,960 --> 00:02:27,280 Speaker 2: It means. 58 00:02:27,280 --> 00:02:29,400 Speaker 3: Hay girl, hang girl, move those hips because you're like 59 00:02:29,400 --> 00:02:32,200 Speaker 3: an atomic bombs. 60 00:02:32,280 --> 00:02:32,800 Speaker 1: So cool. 61 00:02:33,680 --> 00:02:36,359 Speaker 2: I want to play that song. Okay, cute, I'm gonna 62 00:02:36,360 --> 00:02:37,920 Speaker 2: play that song coming up sec. Now. You were just 63 00:02:38,040 --> 00:02:39,959 Speaker 2: saying though when you got in here, oh my gosh, 64 00:02:40,800 --> 00:02:42,840 Speaker 2: that's not even your favorite of your favorites right now, 65 00:02:43,000 --> 00:02:45,880 Speaker 2: you have more favorites. And then you were talking about 66 00:02:45,919 --> 00:02:47,720 Speaker 2: somebody that worked on a verse for you. 67 00:02:47,880 --> 00:02:50,560 Speaker 3: Yeah, okay, it was just got I'm probably gonna get 68 00:02:50,600 --> 00:02:52,360 Speaker 3: in so much trouble for this, but I have to 69 00:02:52,400 --> 00:02:52,880 Speaker 3: say it. 70 00:02:53,480 --> 00:02:54,320 Speaker 1: And my. 71 00:02:55,800 --> 00:02:58,520 Speaker 3: Team is giving me the like, don't do this because 72 00:02:58,520 --> 00:02:59,960 Speaker 3: I haven't even like we haven't done like you know, 73 00:03:00,040 --> 00:03:01,600 Speaker 3: you do the song. We haven't done paperwork or whatever. 74 00:03:01,680 --> 00:03:02,960 Speaker 1: Probably get sued. It's fine whatever. 75 00:03:04,480 --> 00:03:06,520 Speaker 3: So I got a new lawyer. I got a new lawyer, 76 00:03:06,600 --> 00:03:09,000 Speaker 3: Jason Boiarski. I was sitting with him at dinner because 77 00:03:09,000 --> 00:03:10,720 Speaker 3: we went to Fashion Week last week in New York, 78 00:03:11,160 --> 00:03:12,880 Speaker 3: and I was like, you know, who just got out 79 00:03:12,919 --> 00:03:14,960 Speaker 3: of prison in fetti wop after nine years in prison. 80 00:03:15,000 --> 00:03:17,799 Speaker 3: I'm like, twenty sixteen is having this whole like you guys, yeah, 81 00:03:17,800 --> 00:03:20,480 Speaker 3: you seeing that, like twenty sixteen is back better than ever. 82 00:03:20,560 --> 00:03:22,720 Speaker 3: Everybody's like being nostalgic about it. I'm like, it would 83 00:03:22,720 --> 00:03:24,840 Speaker 3: be so fun to do a song with him. He's 84 00:03:24,840 --> 00:03:27,160 Speaker 3: like interesting, He's like, I'm his lawyer and I'm the 85 00:03:27,160 --> 00:03:27,799 Speaker 3: reason why he got. 86 00:03:27,760 --> 00:03:31,040 Speaker 1: Out of jail earlier. No way, no, yes. 87 00:03:30,919 --> 00:03:32,639 Speaker 3: So I sent him a song like two three days ago. 88 00:03:32,680 --> 00:03:35,600 Speaker 3: I literally just got it in like this morning, and 89 00:03:35,680 --> 00:03:38,080 Speaker 3: it is he still has the song like he's cause 90 00:03:38,080 --> 00:03:39,640 Speaker 3: you don't know, like you're like, ah, he's been gone 91 00:03:39,640 --> 00:03:42,080 Speaker 3: for nine years, no fire, like I keep se now, 92 00:03:42,120 --> 00:03:43,800 Speaker 3: I'm like, you guys, should we switch the order and 93 00:03:43,800 --> 00:03:44,200 Speaker 3: put it like? 94 00:03:44,280 --> 00:03:45,400 Speaker 1: It's so good? 95 00:03:45,600 --> 00:03:47,440 Speaker 2: I feel an energy and I see a fire though 96 00:03:47,440 --> 00:03:49,720 Speaker 2: that I have not seen. I mean, you're obviously very 97 00:03:49,800 --> 00:03:50,840 Speaker 2: very happy with what you decided. 98 00:03:51,000 --> 00:03:53,040 Speaker 3: Am I talking too fast? Because my mom's been listening 99 00:03:53,040 --> 00:03:55,160 Speaker 3: to my interviews and she's like, you need to take 100 00:03:55,200 --> 00:03:55,760 Speaker 3: a deep breath. 101 00:03:56,240 --> 00:03:56,520 Speaker 2: Fire. 102 00:03:56,640 --> 00:03:59,000 Speaker 1: Mom's amazing. She's like, you need to take a deep 103 00:03:59,040 --> 00:03:59,720 Speaker 1: breath too. 104 00:04:00,320 --> 00:04:02,600 Speaker 2: I was like, okay, all right, well let's take a 105 00:04:02,600 --> 00:04:04,840 Speaker 2: deep breath. We'll come back. I'm playing ch chk in just. 106 00:04:04,760 --> 00:04:06,800 Speaker 1: The second here. Bb Rexa is with us this. 107 00:04:06,760 --> 00:04:11,360 Speaker 2: Morning, and the album's using Dirty Blonde dir Dirty Blonde album. 108 00:04:11,560 --> 00:04:15,920 Speaker 1: All right, let's get into it next. Hang on kiss 109 00:04:17,600 --> 00:04:18,360 Speaker 1: dirty Blonde. 110 00:04:20,279 --> 00:04:24,880 Speaker 3: Thanks for playing it, Ryan. It's I know it's not 111 00:04:25,000 --> 00:04:27,880 Speaker 3: like a radio radio song, like it's different, but I 112 00:04:27,880 --> 00:04:29,320 Speaker 3: wanted to whatever, but. 113 00:04:29,279 --> 00:04:32,279 Speaker 2: It definitely stands out. And also I'm embarrassed that I 114 00:04:32,440 --> 00:04:34,800 Speaker 2: move so much to it, Like I am embarrassed about min. 115 00:04:34,960 --> 00:04:37,880 Speaker 1: You couldn't control it. I couldn't control it. Well, what 116 00:04:37,960 --> 00:04:38,560 Speaker 1: will be next? 117 00:04:38,560 --> 00:04:38,840 Speaker 3: All right? 118 00:04:39,040 --> 00:04:41,320 Speaker 1: This is out now and then comes to visual what 119 00:04:41,360 --> 00:04:45,280 Speaker 1: will be next? Whatever the fans vote for, So whatever 120 00:04:45,279 --> 00:04:45,719 Speaker 1: they vote for. 121 00:04:45,960 --> 00:04:47,640 Speaker 3: I think I think it's new religion, but I don't know. 122 00:04:47,640 --> 00:04:48,960 Speaker 3: It wasn't supposed to be new religion. 123 00:04:49,000 --> 00:04:50,560 Speaker 1: But I don't know. It could change it could it 124 00:04:50,560 --> 00:04:51,719 Speaker 1: could fluctuate. 125 00:04:52,080 --> 00:04:54,479 Speaker 3: Depending like we're really watching, like all the algorithms, the 126 00:04:54,640 --> 00:04:55,400 Speaker 3: likes and the shares. 127 00:04:55,520 --> 00:04:59,080 Speaker 1: I love this rollout. It's so unique and it's genius. 128 00:04:58,640 --> 00:05:01,120 Speaker 3: Instead of like forcing something that people's throats like, let 129 00:05:01,200 --> 00:05:03,960 Speaker 3: them pick what they like, right, Ryan, You're. 130 00:05:03,839 --> 00:05:05,960 Speaker 1: In charge, Yes, you're in charge. I like it. 131 00:05:06,000 --> 00:05:07,719 Speaker 2: I've not seen this energy for me. I've known you 132 00:05:07,760 --> 00:05:09,280 Speaker 2: a long time. I've not seen this energy. 133 00:05:09,600 --> 00:05:10,000 Speaker 1: Thank God. 134 00:05:10,040 --> 00:05:15,200 Speaker 3: I've been working so hard, so much therapy. 135 00:05:15,279 --> 00:05:16,880 Speaker 1: I have therapists. There's a song. 136 00:05:17,160 --> 00:05:18,720 Speaker 3: I have a song real quick, I have a song 137 00:05:18,720 --> 00:05:21,960 Speaker 3: about my therapist. And it's like I told her, I said, look, Molly, 138 00:05:22,400 --> 00:05:24,720 Speaker 3: I said, there's a song about you in my album. 139 00:05:24,760 --> 00:05:27,680 Speaker 3: But please don't take it personal because I'm like, I'm like, 140 00:05:27,720 --> 00:05:30,479 Speaker 3: I'm like the lyric is like I'm trying to stop 141 00:05:30,480 --> 00:05:32,320 Speaker 3: myself from reaching out again for the thousand times. But 142 00:05:32,320 --> 00:05:33,680 Speaker 3: I know that I'm messed up in my mind. I 143 00:05:33,680 --> 00:05:35,960 Speaker 3: talk to my therapists like a billion times and that 144 00:05:35,960 --> 00:05:39,159 Speaker 3: that the B word is overpaid and my anxiety. And 145 00:05:39,200 --> 00:05:41,880 Speaker 3: she's like, she's like, honestly, she's like, you're not wrong. 146 00:05:45,000 --> 00:05:46,720 Speaker 3: So I got the clearance for her. So I didn't 147 00:05:46,720 --> 00:05:47,360 Speaker 3: want to lose her. 148 00:05:48,760 --> 00:05:49,320 Speaker 1: Every Tuesday. 149 00:05:49,320 --> 00:05:50,760 Speaker 3: I gotta talk to Molly ten Am. 150 00:05:50,880 --> 00:05:52,520 Speaker 1: It was for the for the song, just for the song, 151 00:05:52,880 --> 00:05:53,880 Speaker 1: some edge for the song. Molly. 152 00:05:54,000 --> 00:05:56,840 Speaker 2: Yeah, all right, let's check it out. Is out new 153 00:05:56,920 --> 00:05:59,320 Speaker 2: music coming you vote on that. Dirty Blonde is out 154 00:05:59,320 --> 00:06:01,400 Speaker 2: in June. It is bb REX. So great to see you. 155 00:06:01,480 --> 00:06:04,719 Speaker 1: Thank you, Ryan Sanding. Guys, I love you oo. 156 00:06:05,320 --> 00:06:06,160 Speaker 3: That was phenomenal