1 00:00:00,920 --> 00:00:04,040 Speaker 1: Hey everyone, it's me Josh and for this week's s 2 00:00:04,160 --> 00:00:08,000 Speaker 1: Y s K Selects, I've chosen how one Hit Wonders Work, 3 00:00:08,240 --> 00:00:12,200 Speaker 1: which originally published in March of two thousand and This 4 00:00:12,240 --> 00:00:15,120 Speaker 1: is the episode where we help heal the world by 5 00:00:15,200 --> 00:00:18,720 Speaker 1: pointing out that professional musicians who cracked the top forty 6 00:00:18,840 --> 00:00:21,840 Speaker 1: once in their careers still have feelings and don't much 7 00:00:21,840 --> 00:00:25,280 Speaker 1: appreciate being called one hit wonders. So maybe take that 8 00:00:25,440 --> 00:00:28,600 Speaker 1: little bit of advice and put in your pipe and 9 00:00:28,680 --> 00:00:33,240 Speaker 1: smoke it and and go for it from that point on. Enjoy. 10 00:00:37,720 --> 00:00:41,160 Speaker 1: Welcome to Stuff you Should Know from House Stuff Works 11 00:00:41,200 --> 00:00:50,360 Speaker 1: dot com. Hey, and welcome to the podcast. I'm Josh Clark. 12 00:00:50,479 --> 00:00:56,640 Speaker 1: There's Charles W. Chuck Bryant. Say something. Um, yeah, I 13 00:00:56,680 --> 00:00:58,880 Speaker 1: didn't even say say something funny. I just said say 14 00:00:58,960 --> 00:01:02,360 Speaker 1: something froze. Yeah, it's all right, man. That's good quality 15 00:01:02,360 --> 00:01:05,160 Speaker 1: in a broadcaster to freeze up on the air and 16 00:01:05,200 --> 00:01:10,360 Speaker 1: a professional talker. Yeah yeah, how you doing? Was? Um? 17 00:01:10,400 --> 00:01:13,480 Speaker 1: I'm good man, I'm This is a fun, goofy little 18 00:01:13,520 --> 00:01:15,120 Speaker 1: topic and we haven't done one like that in a while. 19 00:01:15,280 --> 00:01:17,800 Speaker 1: This is a fun article written by a guy named 20 00:01:17,840 --> 00:01:20,720 Speaker 1: Charles W. Bryant, a writer for the site. Yeah, I 21 00:01:20,760 --> 00:01:22,720 Speaker 1: will go ahead and say one thing I was disappointed 22 00:01:22,720 --> 00:01:24,440 Speaker 1: in in this article, and I would still like to 23 00:01:24,440 --> 00:01:28,360 Speaker 1: see someone tackle this in documentary style. Maybe is the 24 00:01:28,360 --> 00:01:32,800 Speaker 1: psychology of being a one hit wonder? Oh? Like what 25 00:01:32,880 --> 00:01:35,520 Speaker 1: it does to your psyche? Yeah? Is it better to 26 00:01:35,600 --> 00:01:38,399 Speaker 1: have that one hit and fade away and at least 27 00:01:38,440 --> 00:01:40,080 Speaker 1: you had that? Or is it better to have never? 28 00:01:40,760 --> 00:01:43,280 Speaker 1: You know? I just I would be real curious to 29 00:01:43,280 --> 00:01:46,039 Speaker 1: see a series of interviews with one hit wonders to see, 30 00:01:46,080 --> 00:01:48,920 Speaker 1: like how they feel about it. You're saying, is it 31 00:01:48,960 --> 00:01:51,080 Speaker 1: better to have hit and lost than never to have 32 00:01:51,160 --> 00:01:53,480 Speaker 1: hit at all? Exactly? And I couldn't really find anything 33 00:01:53,480 --> 00:01:55,320 Speaker 1: on that. So I'm sure there's one or two who 34 00:01:55,440 --> 00:01:57,720 Speaker 1: like listen to the podcast and if you do, right 35 00:01:57,760 --> 00:02:00,080 Speaker 1: in let us know how it is we're interested in 36 00:02:00,800 --> 00:02:08,440 Speaker 1: Blue Vega Yeah, um, the fake Loue Vega. So, Chuck, 37 00:02:08,480 --> 00:02:11,480 Speaker 1: I wanted to commend you for this article because you 38 00:02:11,840 --> 00:02:15,320 Speaker 1: really like this is a tough one for with how 39 00:02:15,400 --> 00:02:19,200 Speaker 1: stuff works articles, we typically take a topic that is, 40 00:02:19,560 --> 00:02:21,040 Speaker 1: you know, has a lot of research done on it, 41 00:02:21,120 --> 00:02:24,160 Speaker 1: it's very well defined, and then we deconstruct it. This 42 00:02:24,280 --> 00:02:27,120 Speaker 1: one is, like I looked on the Internet, and if 43 00:02:27,160 --> 00:02:29,799 Speaker 1: you type in one hit Wonder there is like zero 44 00:02:30,040 --> 00:02:33,240 Speaker 1: scholarly work done on it for good reason. Yeah well, 45 00:02:33,280 --> 00:02:35,080 Speaker 1: I mean it's interesting though too. Like you brought up 46 00:02:35,120 --> 00:02:37,160 Speaker 1: the psychology of being a one there shouldn't have been 47 00:02:37,160 --> 00:02:39,960 Speaker 1: anyone ever done a study like that. There is nothing. 48 00:02:40,040 --> 00:02:42,520 Speaker 1: It's all just lists. And I actually did find one 49 00:02:42,560 --> 00:02:46,120 Speaker 1: good website. It's called um one Hit Wonder central dot 50 00:02:46,200 --> 00:02:48,720 Speaker 1: com and they have everything and you can play like 51 00:02:48,840 --> 00:02:51,520 Speaker 1: every song they have it by year who the one 52 00:02:51,600 --> 00:02:54,079 Speaker 1: hit Wonder was from like the sixties to the two thousands, 53 00:02:54,240 --> 00:02:56,799 Speaker 1: maybe fifties. There are some of the greatest songs to me, 54 00:02:56,960 --> 00:02:58,840 Speaker 1: or some of the one hit Wonders. And I mean 55 00:02:58,919 --> 00:03:01,720 Speaker 1: that's the points, Like you know, one hit Wonder is 56 00:03:01,800 --> 00:03:04,239 Speaker 1: just something that everybody liked at one time. We just 57 00:03:04,320 --> 00:03:08,000 Speaker 1: didn't like whatever else they were making, right Yeah, um, 58 00:03:08,400 --> 00:03:11,639 Speaker 1: at least as a large collective group. Anyway, back to 59 00:03:11,760 --> 00:03:15,160 Speaker 1: me commending you, Um, you had to take something that 60 00:03:15,280 --> 00:03:18,200 Speaker 1: was really amorphous that everybody knew and we knew if 61 00:03:18,240 --> 00:03:21,960 Speaker 1: you got wrong, and whipping into shape like a definable shape, 62 00:03:22,120 --> 00:03:23,560 Speaker 1: and you got it right. I think you did a 63 00:03:23,600 --> 00:03:26,920 Speaker 1: great job. So, Um. The first thing you pointed out 64 00:03:27,040 --> 00:03:30,040 Speaker 1: was that no one is certain of the origin of 65 00:03:30,080 --> 00:03:32,720 Speaker 1: this phrase, that's right, but we figured out that it 66 00:03:32,840 --> 00:03:35,640 Speaker 1: was it first came in print. N right, Well, that's 67 00:03:35,680 --> 00:03:38,360 Speaker 1: what phrases dot org says, and I couldn't find anything 68 00:03:38,400 --> 00:03:41,960 Speaker 1: to dispute it. But a writer there wrote the sentence 69 00:03:42,040 --> 00:03:46,280 Speaker 1: in July seventy seven about abba instead of becoming what 70 00:03:46,360 --> 00:03:48,880 Speaker 1: everyone expected a one hit wonder, they soon had a 71 00:03:48,920 --> 00:03:53,200 Speaker 1: string of hits behind them. And although the website phrase 72 00:03:53,280 --> 00:03:55,360 Speaker 1: dot org does say it appears to have already been 73 00:03:56,000 --> 00:03:57,880 Speaker 1: a used phrase, but this is the first time they've 74 00:03:57,880 --> 00:04:00,600 Speaker 1: seen it in print, right, and and so, and there 75 00:04:00,600 --> 00:04:04,880 Speaker 1: actually is like a definition for one hit wonder, like 76 00:04:06,320 --> 00:04:08,880 Speaker 1: there's well a hit, I guess you can find a hit, 77 00:04:09,360 --> 00:04:11,800 Speaker 1: and then it's got to be on the because we're 78 00:04:11,840 --> 00:04:15,080 Speaker 1: so American centric, has to be on the billboard top 79 00:04:15,120 --> 00:04:18,200 Speaker 1: one and then specifically in the top forty to be 80 00:04:18,279 --> 00:04:21,800 Speaker 1: considered a hit. Right, Yeah, technically for like when most 81 00:04:21,839 --> 00:04:23,720 Speaker 1: people like there have been books written about one hit 82 00:04:23,760 --> 00:04:26,520 Speaker 1: wonders and that's usually what what they say. Okay, so 83 00:04:26,680 --> 00:04:28,640 Speaker 1: that wasn't just you or anything saying. And I thought 84 00:04:28,680 --> 00:04:30,920 Speaker 1: it was a great definition. No, it's a good definition, 85 00:04:31,000 --> 00:04:33,520 Speaker 1: but that's the generally held definition. But then that's where 86 00:04:33,560 --> 00:04:38,160 Speaker 1: it gets really blurry, as we're about to find out. Right, well, 87 00:04:38,400 --> 00:04:40,360 Speaker 1: in many ways, I mean, yeah, you make a point 88 00:04:40,440 --> 00:04:43,760 Speaker 1: that there's a lot of one hit wonders by that definition. 89 00:04:43,880 --> 00:04:48,720 Speaker 1: Who are legendary musicians like Jimi Hendrix one hit, Janis 90 00:04:48,800 --> 00:04:55,640 Speaker 1: Joplin one hit, Garth Brooks as Chris Gaines. Yeah, that's 91 00:04:55,960 --> 00:04:59,920 Speaker 1: this only Billboard hit. Yeah, this is only Billboard Top 92 00:05:00,080 --> 00:05:02,640 Speaker 1: forty hit. Yeah, but he had country hits. It just 93 00:05:03,000 --> 00:05:07,680 Speaker 1: lived on the country top ten. But yeah, as in 94 00:05:07,800 --> 00:05:11,120 Speaker 1: the mainstream top forty. His only hit was this Chris 95 00:05:11,240 --> 00:05:14,600 Speaker 1: Kaines with the haircut and the soul patch man that 96 00:05:14,760 --> 00:05:17,120 Speaker 1: was Yeah, I don't know what the song that was 97 00:05:17,200 --> 00:05:22,840 Speaker 1: even I don't need um Beck Yeah, the Dead, The Dead, 98 00:05:22,920 --> 00:05:26,520 Speaker 1: the White Stripes, lou Reid, Iggy Pop Divo, some like 99 00:05:26,839 --> 00:05:31,400 Speaker 1: iconic bands and musicians that have only had one hit. Um. 100 00:05:32,920 --> 00:05:35,280 Speaker 1: And then you've got artists who never had that hit 101 00:05:35,800 --> 00:05:39,320 Speaker 1: but are still considered one hit wonders. Because what you 102 00:05:39,480 --> 00:05:42,600 Speaker 1: end up realizing is, despite the definition of what a 103 00:05:42,680 --> 00:05:45,680 Speaker 1: hit is, a one hit wonder is something different. It's 104 00:05:45,720 --> 00:05:50,480 Speaker 1: just an artist and a song who captured something for 105 00:05:50,680 --> 00:05:53,240 Speaker 1: a moment in time. It doesn't matter if it was 106 00:05:53,279 --> 00:05:55,839 Speaker 1: a top for forty hit, right like you you say, 107 00:05:56,160 --> 00:05:59,680 Speaker 1: um Wallavoodoo's Mexican Radio. Absolutely it was not a top 108 00:05:59,760 --> 00:06:04,400 Speaker 1: forty hit. No, but that's definitely a hit in the zeitgeist. 109 00:06:04,440 --> 00:06:07,680 Speaker 1: Did you put it about? Who else? I'll melt with 110 00:06:07,760 --> 00:06:12,640 Speaker 1: you Modern English, the weather Girls, it's raining men, Like 111 00:06:12,760 --> 00:06:15,120 Speaker 1: you would say, all of these are definitely one hit wonders, 112 00:06:15,440 --> 00:06:17,320 Speaker 1: and none of them had top forty hits, right, So, 113 00:06:17,520 --> 00:06:21,400 Speaker 1: but sticking to the strict definition, um that I mean 114 00:06:21,480 --> 00:06:26,080 Speaker 1: that still works too, rite like the Penguins, Earth Angel. Yeah, 115 00:06:26,120 --> 00:06:29,400 Speaker 1: in the fifties, right, Um, in the sixties you had 116 00:06:29,760 --> 00:06:33,680 Speaker 1: um Summertime Blues by Blue Cheer, but they really spent 117 00:06:33,800 --> 00:06:36,320 Speaker 1: blue on like their one there, one thing there, one 118 00:06:36,400 --> 00:06:39,760 Speaker 1: shot was covered in blue Blue Cheer did Summertime Blues? 119 00:06:40,120 --> 00:06:44,480 Speaker 1: Green Tambourine? Remember that song? No, I didn't mean tambourine. 120 00:06:45,080 --> 00:06:49,880 Speaker 1: It was very like psychedelic No and the Lemon Pipers. 121 00:06:50,279 --> 00:06:52,000 Speaker 1: You know, it's one of those songs where sort of 122 00:06:52,080 --> 00:06:56,280 Speaker 1: like in the seventies, argents, hold your head up like 123 00:06:56,480 --> 00:07:00,560 Speaker 1: everybody knows that song. But I bet ninety nine people 124 00:07:00,600 --> 00:07:02,040 Speaker 1: out of a hundred I have never heard of the 125 00:07:02,080 --> 00:07:05,040 Speaker 1: band Argent. No, they probably think, oh, wasn't that the 126 00:07:05,080 --> 00:07:08,640 Speaker 1: guests who? Or wasn't that Joe Dirt? Or yes, that 127 00:07:09,360 --> 00:07:11,760 Speaker 1: was it? Yeah, I really I never saw that movie. 128 00:07:12,360 --> 00:07:15,560 Speaker 1: What I never saw Joe Dirt? Oh man, such a 129 00:07:15,720 --> 00:07:20,120 Speaker 1: great like keep your Chin Up movie is so good. 130 00:07:20,760 --> 00:07:23,960 Speaker 1: Like I really can hate David Spade, you can hate 131 00:07:24,800 --> 00:07:27,960 Speaker 1: all of that kind of comedy, but that movie has 132 00:07:28,080 --> 00:07:31,160 Speaker 1: such like it's got heart. It's a cute movie. Well, 133 00:07:31,240 --> 00:07:33,800 Speaker 1: I had friends. It's on Netflix streaming. Yeah, I had 134 00:07:33,840 --> 00:07:35,080 Speaker 1: friends that worked on it. And that's where I have 135 00:07:35,160 --> 00:07:37,960 Speaker 1: my Gary Busey insider story. Oh yeah, yeah, I think 136 00:07:38,000 --> 00:07:39,600 Speaker 1: I told you. You know he was. He was supposed 137 00:07:39,600 --> 00:07:41,960 Speaker 1: to play the father and if you'll notice in the 138 00:07:42,000 --> 00:07:43,720 Speaker 1: film he does not play the father. No, it's done 139 00:07:43,760 --> 00:07:46,360 Speaker 1: by one Fred Ward. Yeah, so Gary Busey was on 140 00:07:46,440 --> 00:07:48,800 Speaker 1: set for a day and it didn't work out. He 141 00:07:48,880 --> 00:07:51,120 Speaker 1: made it. I could tell the whole story. He made 142 00:07:51,160 --> 00:07:55,440 Speaker 1: it into Black Sheep with Chris Farley and um David Spade. That. Yeah, 143 00:07:55,480 --> 00:07:57,040 Speaker 1: he was like the crazy guy who lived in a 144 00:07:57,080 --> 00:08:00,800 Speaker 1: school bus in the woods. It was the party was 145 00:08:00,840 --> 00:08:34,640 Speaker 1: born to play exactly. Please don't come to our office guy. Um. 146 00:08:35,200 --> 00:08:38,480 Speaker 1: All right, so that was the fifties, and that's generally 147 00:08:38,559 --> 00:08:41,679 Speaker 1: when the rock era in the fifties is when you 148 00:08:41,880 --> 00:08:44,000 Speaker 1: people say you can start talking about things like one 149 00:08:44,080 --> 00:08:46,360 Speaker 1: hit wonders, like not some guy who had one big 150 00:08:46,400 --> 00:08:49,720 Speaker 1: band hit in the nine although I'm sure they were there, 151 00:08:50,720 --> 00:08:53,680 Speaker 1: you know that's true. Uh. There has been one song 152 00:08:54,000 --> 00:08:56,760 Speaker 1: that was a one hit wonder for two bands, which 153 00:08:56,840 --> 00:09:00,320 Speaker 1: is interesting. Oh yeah, let's hear funky Town really yeah, 154 00:09:00,360 --> 00:09:03,920 Speaker 1: Lips Incorporated. And then I don't know if you remember 155 00:09:03,960 --> 00:09:07,920 Speaker 1: Pseudo Echo. They did a version of that in it 156 00:09:08,000 --> 00:09:10,640 Speaker 1: was a little more electric and upbeat, and that was 157 00:09:10,720 --> 00:09:14,640 Speaker 1: a bona fiight top forty hit as well. Seems can't 158 00:09:14,720 --> 00:09:17,079 Speaker 1: people couldn't get enough of Funky Town. I hope whoever 159 00:09:17,200 --> 00:09:21,839 Speaker 1: wrote that like really cast in Yeah, you know. So 160 00:09:23,040 --> 00:09:26,480 Speaker 1: the sixties all right, Now, the sixties was the Green 161 00:09:26,520 --> 00:09:31,600 Speaker 1: Tambourne seventies songs like Spirit in the Sky by Norman Greenbaum. 162 00:09:32,040 --> 00:09:34,680 Speaker 1: Yeah that's a good song. Uh it was an Apollo 163 00:09:34,800 --> 00:09:38,000 Speaker 1: thirteen one took over the line. I I literally wrote 164 00:09:38,160 --> 00:09:42,320 Speaker 1: shutter next to that, what like, oh you hate that song? 165 00:09:42,800 --> 00:09:46,400 Speaker 1: It's pretty bad. Brewer and Shipley and then Seasons in 166 00:09:46,480 --> 00:09:49,199 Speaker 1: the Sun, great song, Terry Jack's never heard of the Guy, 167 00:09:49,360 --> 00:09:53,560 Speaker 1: No No, No Revy, no ref Um. And you also 168 00:09:53,679 --> 00:09:55,960 Speaker 1: make the point that the seventies were lousy with disco 169 00:09:56,240 --> 00:09:59,240 Speaker 1: one hit wonders, And in our disco episode we talked 170 00:09:59,280 --> 00:10:01,440 Speaker 1: about why because it was all producer driven rather than 171 00:10:01,559 --> 00:10:03,959 Speaker 1: artists driven. Exactly. I didn't even bother to like list 172 00:10:04,040 --> 00:10:06,360 Speaker 1: any in here. You know, it's you can just name 173 00:10:06,360 --> 00:10:09,800 Speaker 1: a disco song and there you have. The eighties, of course, 174 00:10:09,840 --> 00:10:12,520 Speaker 1: you had bands like Soft Cells, Tainted Love and Oh Mickey, 175 00:10:12,559 --> 00:10:17,320 Speaker 1: You're So Fine, Tony Basil, Uh, I want Candy by 176 00:10:17,360 --> 00:10:23,400 Speaker 1: bow Ka. Remember what song I don't remember? Is that 177 00:10:23,440 --> 00:10:27,280 Speaker 1: who that? Yeah? Uh So the eighties was lousy with it, 178 00:10:27,320 --> 00:10:29,280 Speaker 1: but a lot of those songs are great songs, and 179 00:10:29,320 --> 00:10:33,320 Speaker 1: a lot of the artists in the eighties were popular 180 00:10:33,400 --> 00:10:36,280 Speaker 1: in other countries, yeah, and are known as one hit 181 00:10:36,320 --> 00:10:39,520 Speaker 1: wonders here in the US. Like I was reading an 182 00:10:39,679 --> 00:10:44,960 Speaker 1: article on I think Cracked maybe about one hit Wonders 183 00:10:45,000 --> 00:10:47,839 Speaker 1: and they were saying, like, Aha had take on Me, 184 00:10:48,559 --> 00:10:50,760 Speaker 1: which was a hit here in the United States, but 185 00:10:50,840 --> 00:10:52,839 Speaker 1: that was it. But they're like one of the top 186 00:10:52,920 --> 00:10:56,520 Speaker 1: fifty grossing bands of all time worldwide, yeah. Well, and 187 00:10:56,600 --> 00:10:59,880 Speaker 1: aha falls into another weird category, which is a band 188 00:11:00,000 --> 00:11:01,760 Speaker 1: that's known as a one hit wonder who actually had 189 00:11:01,760 --> 00:11:05,000 Speaker 1: a quieter second hit. Oh really Yeah, they had a 190 00:11:05,080 --> 00:11:08,120 Speaker 1: song called the Sun Always Shines on TV that was 191 00:11:08,200 --> 00:11:10,600 Speaker 1: like a top twenty hit. I think, wow, I don't 192 00:11:10,640 --> 00:11:14,640 Speaker 1: remember that one. Nobody does. They're good though, now they're awesome. Um. 193 00:11:14,720 --> 00:11:17,880 Speaker 1: And then remember right, said Fred, I'm Too Sexy huge 194 00:11:17,920 --> 00:11:22,280 Speaker 1: in England. Yes, like there, I'm Too Sexy was actually 195 00:11:23,080 --> 00:11:25,200 Speaker 1: only hit number two in England. They had another one 196 00:11:25,240 --> 00:11:27,360 Speaker 1: that hit number one, but here in the States, Yeah, 197 00:11:27,559 --> 00:11:29,600 Speaker 1: I think it hit number one here. I think so too. 198 00:11:29,720 --> 00:11:31,760 Speaker 1: And then that was it for right, said Fred. Uh 199 00:11:31,880 --> 00:11:35,079 Speaker 1: the same with Frankie Goes to Hollywood and uh yeah, 200 00:11:35,200 --> 00:11:39,160 Speaker 1: they were really big in Europe. And Gary Newman, Yeah 201 00:11:39,280 --> 00:11:41,280 Speaker 1: that was a good song though. That song holds up 202 00:11:41,360 --> 00:11:43,719 Speaker 1: car back and listen to cars. Yeah, that dude was 203 00:11:43,920 --> 00:11:46,920 Speaker 1: a good musician. Well, and he was hugely popular and 204 00:11:47,000 --> 00:11:49,199 Speaker 1: still like tours today. Yeah, so he's he's one of 205 00:11:49,240 --> 00:11:51,360 Speaker 1: those guys that's like, please don't call me a one 206 00:11:51,440 --> 00:11:54,560 Speaker 1: hit wonder. I've had a long successful career. Look at 207 00:11:54,600 --> 00:11:58,640 Speaker 1: my house, you know it's a car. No, I think 208 00:11:58,720 --> 00:12:01,760 Speaker 1: it's like a mansion. He lives in his car. It's 209 00:12:01,760 --> 00:12:06,120 Speaker 1: pre feels safest, he can lock all his doors. Uh. 210 00:12:06,600 --> 00:12:10,439 Speaker 1: Falco and oh yeah Nina were really big in German 211 00:12:10,480 --> 00:12:13,319 Speaker 1: speaking countries. Yeah yeah, I can see that. But you 212 00:12:13,400 --> 00:12:17,480 Speaker 1: know had the ninety nine red balloons balloons and then 213 00:12:17,679 --> 00:12:21,559 Speaker 1: Falco's uh rock Me Off My dais Yeah, huge hit here. 214 00:12:23,120 --> 00:12:25,760 Speaker 1: It's like it didn't occur to my young brain that 215 00:12:25,960 --> 00:12:29,400 Speaker 1: that wasn't from the Amadeus soundtrack, because remember it came 216 00:12:29,440 --> 00:12:32,520 Speaker 1: out at about the same time as the movie, and um, 217 00:12:33,320 --> 00:12:35,880 Speaker 1: like I just thought it was part of the soundtrack, yeah, 218 00:12:35,920 --> 00:12:38,920 Speaker 1: the movie soundtrack. Well, the point with this though, is 219 00:12:39,000 --> 00:12:42,040 Speaker 1: that one hit wonder it's sort of a sort of 220 00:12:42,080 --> 00:12:45,080 Speaker 1: a derogatory term to throw on unearnest. So a lot 221 00:12:45,120 --> 00:12:49,200 Speaker 1: of these people are like in America, like you jerks, 222 00:12:49,679 --> 00:12:52,080 Speaker 1: I was huge in Europe or maybe some other country 223 00:12:52,720 --> 00:12:57,480 Speaker 1: and uh yeah, who cares so much for you? One 224 00:12:57,600 --> 00:13:02,920 Speaker 1: hit the nineties crash test Stummies, remember those dudes. Well 225 00:13:03,000 --> 00:13:07,280 Speaker 1: that was the song. Oh yeah, yeah, that's right, the Macarena, 226 00:13:07,360 --> 00:13:09,520 Speaker 1: even though I don't even like to count that. Um, 227 00:13:10,000 --> 00:13:13,319 Speaker 1: what about Faith No More's epic? Yeah, see that's a 228 00:13:13,360 --> 00:13:17,720 Speaker 1: band that hugely critically popular and had a big cult following. 229 00:13:18,400 --> 00:13:23,280 Speaker 1: But yeah, just the one hit, the epic. Yeah right, 230 00:13:24,320 --> 00:13:25,800 Speaker 1: you want it all, but you can't have it. That 231 00:13:25,920 --> 00:13:27,640 Speaker 1: was I remember hearing that song on the first time. 232 00:13:28,400 --> 00:13:30,520 Speaker 1: This is the coolest thing I've ever heard. Yeah, and 233 00:13:30,600 --> 00:13:33,920 Speaker 1: that lead singer, what's his name, Mike something, he's like 234 00:13:34,000 --> 00:13:37,960 Speaker 1: super respected. He's been another band like Mr. Bungle. Yeah. Yeah, yeah, 235 00:13:38,000 --> 00:13:41,040 Speaker 1: it's a big like has a big cult following and 236 00:13:41,120 --> 00:13:44,920 Speaker 1: not among cults even like among people who aren't in cults. 237 00:13:45,480 --> 00:13:48,079 Speaker 1: All right, So that's music. That's an overview. Yeah. You 238 00:13:48,160 --> 00:13:49,839 Speaker 1: make a really good point in this article that, like 239 00:13:50,000 --> 00:13:54,000 Speaker 1: one hit wonder, that derogatory term isn't just um aimed 240 00:13:54,040 --> 00:13:57,080 Speaker 1: at people only in the music industry, although that's where 241 00:13:57,160 --> 00:13:59,360 Speaker 1: the lion's share of it is. Yeah, but it shows 242 00:13:59,400 --> 00:14:01,760 Speaker 1: up in spot. You pointed out a couple of them, 243 00:14:01,880 --> 00:14:04,040 Speaker 1: a couple of instances. Yeah. Well, if you have one 244 00:14:04,120 --> 00:14:07,079 Speaker 1: hit in baseball, then you've been a complete and utter failure. 245 00:14:07,600 --> 00:14:09,439 Speaker 1: But a couple of guys have had one hit and 246 00:14:09,480 --> 00:14:11,400 Speaker 1: that one hit was a home run, which is pretty cool, 247 00:14:11,440 --> 00:14:13,679 Speaker 1: which is pretty interesting. Who was that? There was a 248 00:14:13,720 --> 00:14:18,959 Speaker 1: guy named um Chris Jellic whose name I recognize for 249 00:14:19,080 --> 00:14:22,200 Speaker 1: some reason, and I don't follow the Mets or anything, 250 00:14:22,280 --> 00:14:24,480 Speaker 1: but I guess I just saw that that bit of 251 00:14:24,560 --> 00:14:26,400 Speaker 1: trivia before that he had one hit and it was 252 00:14:26,440 --> 00:14:29,080 Speaker 1: a home run. Yeah. Maybe. So there's a guy who 253 00:14:29,160 --> 00:14:33,800 Speaker 1: didn't have a hit UM named Eddie Goodell, but he 254 00:14:33,920 --> 00:14:37,160 Speaker 1: had one plate appearance in a nineteen fifty one game 255 00:14:37,320 --> 00:14:41,120 Speaker 1: for the Yankees, and he was a little person and 256 00:14:41,200 --> 00:14:43,600 Speaker 1: they put him in against the St. Louis Browns and 257 00:14:43,920 --> 00:14:50,720 Speaker 1: he drew four consecutive um uh balls and got a walk. Yeah, 258 00:14:50,800 --> 00:14:53,160 Speaker 1: and his jerseys in the Hall of Fame, and it's 259 00:14:54,960 --> 00:14:56,280 Speaker 1: you can't see me doing this right now, and I'm 260 00:14:56,360 --> 00:15:00,880 Speaker 1: rubbing my face. His number was one eight really, but 261 00:15:01,040 --> 00:15:02,560 Speaker 1: he was I guess you could say a one hit 262 00:15:02,640 --> 00:15:06,040 Speaker 1: sports wonder. It was kind of a fun story until then. Yeah. Yeah, 263 00:15:06,280 --> 00:15:08,000 Speaker 1: but I mean that's that was his JM. That's what 264 00:15:08,120 --> 00:15:10,480 Speaker 1: he got paid for, and that's I mean, he was 265 00:15:10,600 --> 00:15:13,400 Speaker 1: aware that he was a little person. So money off 266 00:15:13,440 --> 00:15:15,840 Speaker 1: of what about the art world, design world. There's a 267 00:15:15,920 --> 00:15:21,000 Speaker 1: very famous person, Harvey Belle, who has the perfect name 268 00:15:21,040 --> 00:15:23,640 Speaker 1: for what he did. Why is it the perfect name, 269 00:15:23,960 --> 00:15:26,840 Speaker 1: Harvey bell It sounds like the creator of the smiley face. Yeah, 270 00:15:26,880 --> 00:15:29,800 Speaker 1: the iconic seventy smiley face. He created that as a 271 00:15:30,440 --> 00:15:34,160 Speaker 1: marketing campaign, UM kind it sounded like an internal um 272 00:15:34,720 --> 00:15:40,920 Speaker 1: morale campaign for State UH Mutual Life Assurance company UM 273 00:15:41,480 --> 00:15:43,880 Speaker 1: and it took off. I don't know if the company 274 00:15:43,960 --> 00:15:45,760 Speaker 1: made the money or what, but he was paid two 275 00:15:46,560 --> 00:15:51,160 Speaker 1: bucks for it. And he never had another artistic hit. 276 00:15:51,600 --> 00:15:53,720 Speaker 1: And I looked to see if there were any other 277 00:15:53,840 --> 00:15:55,880 Speaker 1: artists who were considered one hit wonder. I found some, 278 00:15:56,040 --> 00:15:58,160 Speaker 1: but I didn't recognize any of them. I did recognize 279 00:15:58,200 --> 00:16:02,240 Speaker 1: one Grant would the painter of American Gothic. Oh, yeah, 280 00:16:02,600 --> 00:16:05,400 Speaker 1: he painted that, and it was He won all sorts 281 00:16:05,440 --> 00:16:08,600 Speaker 1: of prizes, became like this, like caused celeb like all 282 00:16:08,720 --> 00:16:12,240 Speaker 1: over the art world, and the media started digging into 283 00:16:12,360 --> 00:16:16,040 Speaker 1: his life and realized that he was a middle aged 284 00:16:16,080 --> 00:16:18,240 Speaker 1: bachelor who lived at home with his mother and sister 285 00:16:18,880 --> 00:16:20,840 Speaker 1: and like wanted to know more about that, and all 286 00:16:20,840 --> 00:16:22,760 Speaker 1: of a sudden, he like just really couldn't handle the 287 00:16:23,680 --> 00:16:26,440 Speaker 1: the limelight. And it's it's a pretty sad story. I 288 00:16:26,480 --> 00:16:28,720 Speaker 1: think I read an article about it on Mental Flaws. 289 00:16:29,320 --> 00:16:31,440 Speaker 1: It was worth reading. So he never painted again, or 290 00:16:31,880 --> 00:16:33,720 Speaker 1: I don't think he ever kind of went for the 291 00:16:33,760 --> 00:16:36,120 Speaker 1: gusto if he didn't just stop painting altogether. I don't 292 00:16:36,120 --> 00:16:38,080 Speaker 1: remember the end of the article. Well, the art world 293 00:16:38,080 --> 00:16:40,920 Speaker 1: certainly has a lot of people famous, super famous for 294 00:16:40,960 --> 00:16:43,400 Speaker 1: a single painting, but they may have been, you know, 295 00:16:43,640 --> 00:16:48,160 Speaker 1: very revered in other areas like faith. No more to 296 00:16:48,320 --> 00:16:50,800 Speaker 1: the Faith, no more of the art world. I told 297 00:16:50,840 --> 00:16:52,800 Speaker 1: just all the scream this last trip to New York. 298 00:16:52,960 --> 00:16:55,880 Speaker 1: Oh yeah, and you're like, man, yeah, this was like 299 00:16:56,840 --> 00:16:59,640 Speaker 1: I can't see what you're talking. I mean, like you 300 00:16:59,760 --> 00:17:02,440 Speaker 1: bill something like that up in your head, see it everywhere, 301 00:17:02,440 --> 00:17:04,200 Speaker 1: and then just to see the real one. It's either 302 00:17:04,240 --> 00:17:06,200 Speaker 1: going to go one of two ways. You're gonna be 303 00:17:06,320 --> 00:17:10,920 Speaker 1: underwhelmed or amazed. You know, I completely agree. And that's 304 00:17:11,000 --> 00:17:13,560 Speaker 1: been my uh, that's been what's happened to me with art, 305 00:17:14,200 --> 00:17:15,639 Speaker 1: because you know how I feel about art. I know 306 00:17:15,720 --> 00:17:18,720 Speaker 1: how you feel about art. I love it. Uh. What 307 00:17:18,800 --> 00:17:23,160 Speaker 1: about books? Yeah? Um, To Kill a Mockingbird. Yeah, that's 308 00:17:23,160 --> 00:17:27,200 Speaker 1: the one most often cited as the one hit wonder 309 00:17:27,280 --> 00:17:30,680 Speaker 1: because Harperle wrote one book. That's some one of those 310 00:17:30,800 --> 00:17:33,480 Speaker 1: rare ones where I actually think the movie is better 311 00:17:33,560 --> 00:17:36,359 Speaker 1: than the book, and I love the book. It's one 312 00:17:36,400 --> 00:17:38,800 Speaker 1: of my favorite books of all time. And I hadn't 313 00:17:38,840 --> 00:17:40,399 Speaker 1: read it in a while, and I went back and 314 00:17:40,520 --> 00:17:42,760 Speaker 1: read it, and then I watched the movie shortly after. 315 00:17:42,800 --> 00:17:45,000 Speaker 1: I was like, holy cow, the movies better than the book. Yeah, 316 00:17:45,240 --> 00:17:47,399 Speaker 1: Gregory Peck, I mean yeah, talk about one of the 317 00:17:47,440 --> 00:17:50,880 Speaker 1: best casting. But every like, all of those actors were amazing, 318 00:17:51,280 --> 00:17:53,840 Speaker 1: every single one of them. Yeah, Yeah, that's good stuff. 319 00:17:54,320 --> 00:17:57,240 Speaker 1: She wrote, um the one book, and she worked on 320 00:17:57,400 --> 00:17:59,240 Speaker 1: a second for a while, called The Long Good Vibe, 321 00:17:59,280 --> 00:18:01,600 Speaker 1: but shelved it. Than in the nineteen eighties, she started 322 00:18:01,640 --> 00:18:04,680 Speaker 1: another book and never finished that one either, And I 323 00:18:04,760 --> 00:18:08,760 Speaker 1: guess she just procrastinated. I think she just I don't know. 324 00:18:09,520 --> 00:18:11,320 Speaker 1: I don't know if anyone has an answer why she 325 00:18:11,400 --> 00:18:15,760 Speaker 1: never wrote again. Same with the Sallenger, Yeah, Catching the Rye. 326 00:18:15,840 --> 00:18:18,040 Speaker 1: That was it, except he wrote short stories too, but 327 00:18:18,160 --> 00:18:21,080 Speaker 1: I mean he never published another novel. Yeah, And I 328 00:18:21,160 --> 00:18:25,000 Speaker 1: will never know. And John Kennedy tool sure, Confederacy of 329 00:18:25,119 --> 00:18:27,480 Speaker 1: Dunce is how often do you think about that book 330 00:18:28,760 --> 00:18:34,280 Speaker 1: just in your normal life? How, I don't know, almost never, maybe, yeah, 331 00:18:34,320 --> 00:18:36,080 Speaker 1: a couple of times a year. Maybe when it's like 332 00:18:36,160 --> 00:18:39,639 Speaker 1: a movie you'll be in the works. That never happens 333 00:18:39,840 --> 00:18:43,639 Speaker 1: I was thinking about that movie or that book yesterday 334 00:18:44,480 --> 00:18:47,680 Speaker 1: and I hadn't read this article yet. Have you read it? No? Yeah, 335 00:18:47,720 --> 00:18:49,680 Speaker 1: it's good. It's like I think a lot of people 336 00:18:49,720 --> 00:18:52,439 Speaker 1: have these expectations because it's known as this like genius 337 00:18:52,480 --> 00:18:55,560 Speaker 1: work after this guy committed suicide, and it is really good. 338 00:18:56,240 --> 00:18:58,560 Speaker 1: But um, I don't think it's like one of the 339 00:18:58,600 --> 00:19:00,960 Speaker 1: greatest books of all time or anything. Yeah, so what 340 00:19:01,000 --> 00:19:03,680 Speaker 1: happened to him? Do you know? No? I I just 341 00:19:04,160 --> 00:19:06,000 Speaker 1: I've never read the book. I don't know much about it. 342 00:19:06,080 --> 00:19:08,680 Speaker 1: I know it's kind of like a wacky Southern gothic Yeah, yeah, 343 00:19:08,880 --> 00:19:11,600 Speaker 1: um kind of novel I lived with his aunts, I think, 344 00:19:11,720 --> 00:19:14,560 Speaker 1: or something like yeah, this crazy character in Louisiana that 345 00:19:15,040 --> 00:19:17,960 Speaker 1: It's always grabbed my attention because it's just like a 346 00:19:18,040 --> 00:19:21,320 Speaker 1: perfect title. And then the guy's name is perfect as well, 347 00:19:21,840 --> 00:19:26,600 Speaker 1: John Kennedy Tool or the character his the author got you. Well, 348 00:19:26,640 --> 00:19:30,560 Speaker 1: he killed himself. He was clearly now suffered some sort 349 00:19:30,600 --> 00:19:34,320 Speaker 1: of mental illness and um could not get published, and 350 00:19:34,640 --> 00:19:39,640 Speaker 1: that drove him to eventually commit suicide in nineteen nine, 351 00:19:40,080 --> 00:19:41,840 Speaker 1: and his mother made it her life's work to get 352 00:19:41,880 --> 00:19:46,120 Speaker 1: it published and did so. And then his second book 353 00:19:46,160 --> 00:19:48,280 Speaker 1: was published in the on Bible I think in six 354 00:19:48,320 --> 00:19:50,040 Speaker 1: and that was made into a movie. So he's not 355 00:19:50,080 --> 00:19:53,560 Speaker 1: a one hit wonder then, well Neon Bible wasn't a 356 00:19:53,600 --> 00:19:57,159 Speaker 1: huge hit. But but yeah, I would say he's a 357 00:19:57,200 --> 00:20:02,080 Speaker 1: one hit wonder. Um. And you also bring up movies too, man, Yeah, 358 00:20:02,160 --> 00:20:05,000 Speaker 1: and on books again, Sylvia Plath is on here for 359 00:20:05,040 --> 00:20:07,160 Speaker 1: the bell Jar. I kind of wish I hadn't put 360 00:20:07,160 --> 00:20:09,240 Speaker 1: that in here because she was a well known poet. 361 00:20:09,400 --> 00:20:11,920 Speaker 1: That's why I hadn't mentioned it, you know. But she 362 00:20:12,000 --> 00:20:14,399 Speaker 1: did write the one book and then would she do 363 00:20:14,480 --> 00:20:16,400 Speaker 1: stick her head in the oven or something. I don't 364 00:20:16,480 --> 00:20:19,919 Speaker 1: know how she killed herself. I think Virginia Wolf drowned herself, right, 365 00:20:20,720 --> 00:20:24,440 Speaker 1: Sylvia Plath herself on herself? I think did she That 366 00:20:24,600 --> 00:20:27,480 Speaker 1: sounds right. I can't remember that scene in Wonder Boys 367 00:20:27,520 --> 00:20:31,800 Speaker 1: where Toby McGuire rattles off the famous celebrity suicides. It 368 00:20:31,920 --> 00:20:34,520 Speaker 1: was really great. That was a great movie. Joseph Heller 369 00:20:34,560 --> 00:20:38,280 Speaker 1: with Catch twenty two. Yeah, that's certainly a one hit wonder. Um. 370 00:20:38,560 --> 00:20:43,560 Speaker 1: So yeah, movies, um, I mean there more directors and 371 00:20:43,640 --> 00:20:46,160 Speaker 1: actors that you could even mention that had one hit. 372 00:20:46,640 --> 00:20:50,800 Speaker 1: But legit, super super hits people like Michael. Is it 373 00:20:50,920 --> 00:20:54,440 Speaker 1: Chimino or Semino? Semino? I think, although if it's if 374 00:20:54,480 --> 00:20:58,399 Speaker 1: you're speaking in the Italian, it would be Chimino. Uh. 375 00:20:58,520 --> 00:21:01,200 Speaker 1: He did The Deer Hunter, of course, one Best Picture 376 00:21:01,359 --> 00:21:05,280 Speaker 1: and four other Academy Awards. Did he huh? Did he maw? 377 00:21:06,600 --> 00:21:08,120 Speaker 1: That's what they tell him when they were like making 378 00:21:08,200 --> 00:21:11,040 Speaker 1: him play Russian Roulette? Did he Yeah, except they probably 379 00:21:11,080 --> 00:21:14,800 Speaker 1: scream it. Yeah. Yeah, that scene was so intense. I 380 00:21:14,880 --> 00:21:17,600 Speaker 1: saw that very young, really young to be seeing that 381 00:21:17,680 --> 00:21:21,679 Speaker 1: movie in retrospect, like it made an impression on you. Yeah, huge? Um. 382 00:21:22,520 --> 00:21:26,639 Speaker 1: But yeah. He famously made Heaven's Gate um as his 383 00:21:26,720 --> 00:21:30,560 Speaker 1: follow up, which was one of the notorious disasters, along 384 00:21:30,560 --> 00:21:34,359 Speaker 1: with Ishtar. Wasn't like water World? Was skate War in 385 00:21:34,440 --> 00:21:38,280 Speaker 1: Baby Movie too? Or is that Heaven Can Wait? He 386 00:21:38,400 --> 00:21:41,720 Speaker 1: was in Heaven Can Wait and Ishtar? So what about Heavens? 387 00:21:42,200 --> 00:21:43,960 Speaker 1: What was that about? Yeah? I think it was a 388 00:21:44,040 --> 00:21:48,159 Speaker 1: Western if I'm not mistaken. Yeah, and it was just 389 00:21:48,280 --> 00:21:51,520 Speaker 1: a notorious failure and a very expensive one. And then 390 00:21:51,880 --> 00:21:55,000 Speaker 1: Tomino never He made a few other movies, but you 391 00:21:55,080 --> 00:21:56,560 Speaker 1: haven't heard of many of them. He did Year of 392 00:21:56,600 --> 00:21:59,200 Speaker 1: the Dragon was like with Mickey Rourke, which the only 393 00:21:59,280 --> 00:22:01,560 Speaker 1: other like notable movie that was supposed to be a 394 00:22:01,600 --> 00:22:03,479 Speaker 1: good one. Yeah, but it was far from a hit, 395 00:22:04,080 --> 00:22:06,679 Speaker 1: you know what I'm saying. And then my favorite, uh, 396 00:22:07,440 --> 00:22:10,440 Speaker 1: Steve Gordon, one of my favorite movies of all time. 397 00:22:10,640 --> 00:22:13,200 Speaker 1: I have not seen it. You didn't see Arthur. Not 398 00:22:13,400 --> 00:22:15,800 Speaker 1: only have I not seen the original Arthur, I haven't 399 00:22:15,800 --> 00:22:19,280 Speaker 1: seen the remake that includes our friend Hodgeman as a 400 00:22:19,320 --> 00:22:22,000 Speaker 1: candy store manager believer. That was terrible, by the way, 401 00:22:22,280 --> 00:22:25,719 Speaker 1: not Hodgman's bit, not Hodgment was great, but the remake 402 00:22:25,840 --> 00:22:29,040 Speaker 1: was really bad. And it was so sad because Arthur 403 00:22:29,720 --> 00:22:31,800 Speaker 1: is one of the movies that I hold very very 404 00:22:31,880 --> 00:22:35,280 Speaker 1: dear to me. And Steve Gordon wrote and directed it 405 00:22:35,359 --> 00:22:37,440 Speaker 1: and then died afterwards. It was the only movie he 406 00:22:37,480 --> 00:22:39,800 Speaker 1: ever made by his own hand. No. I think he 407 00:22:40,000 --> 00:22:42,960 Speaker 1: had a heart attack or something and died young but 408 00:22:43,520 --> 00:22:47,639 Speaker 1: young ish. Uh. And it was just so like it 409 00:22:47,840 --> 00:22:51,600 Speaker 1: was a gut wrenching experience watching the remake for me. 410 00:22:52,000 --> 00:22:54,280 Speaker 1: Why did you watch it? Like? For example, I think 411 00:22:54,320 --> 00:22:56,520 Speaker 1: Red Dawn is one of my favorite movies of all time. 412 00:22:56,680 --> 00:22:58,399 Speaker 1: There's not a chance that I will ever see the 413 00:22:58,480 --> 00:23:00,399 Speaker 1: remaker of Red Dawn. Well, I'm not either, and I 414 00:23:00,520 --> 00:23:04,520 Speaker 1: learned after Arthur. So that's the one that taught you 415 00:23:04,560 --> 00:23:06,800 Speaker 1: the lesson. Yeah, I'm not gonna watch anything that was 416 00:23:06,840 --> 00:23:10,080 Speaker 1: really precious to me if they rebooted or remake it again, 417 00:23:10,320 --> 00:23:13,600 Speaker 1: never again. It sounds like Hodgeman tell you a valuable lesson. Yeah, 418 00:23:13,640 --> 00:23:15,280 Speaker 1: And I like Russell Brand, you know, And I thought, 419 00:23:15,920 --> 00:23:18,480 Speaker 1: you know, they made Helen Mire and John Gilgod's character 420 00:23:19,200 --> 00:23:21,040 Speaker 1: and was just enough of a spin when I was like, well, 421 00:23:21,080 --> 00:23:24,800 Speaker 1: that's could be interesting. But then everything about the movie 422 00:23:24,960 --> 00:23:29,240 Speaker 1: was just some new little spin to make it different. 423 00:23:30,000 --> 00:23:32,320 Speaker 1: And it was like, hey, let's make the man a woman. 424 00:23:32,440 --> 00:23:36,399 Speaker 1: Let's make the the white guy Puerto Rican, you know, 425 00:23:36,720 --> 00:23:39,680 Speaker 1: and it was like Louis Guzman. It was just it 426 00:23:39,880 --> 00:23:47,040 Speaker 1: was bad, so bad. Yeah, well that's it for Arthur. Yeah. Um, 427 00:23:47,320 --> 00:23:49,399 Speaker 1: if you want to learn more about Arthur, you can 428 00:23:49,560 --> 00:23:51,760 Speaker 1: type that word in this service part. Isn't that what 429 00:23:51,880 --> 00:23:56,000 Speaker 1: this podcast is about? I forgot Arthur. One hit wonders more, 430 00:23:56,119 --> 00:23:58,480 Speaker 1: that's what it was. You should read this article by Chuck. 431 00:23:58,560 --> 00:24:00,560 Speaker 1: It's a good one. Um. You can tell one hit 432 00:24:00,680 --> 00:24:03,640 Speaker 1: wonders in the search bar how stuff works dot Com 433 00:24:03,960 --> 00:24:08,200 Speaker 1: and it will bring up this article. Again. Uh, commendable article, 434 00:24:08,480 --> 00:24:11,120 Speaker 1: thanks sir, uh and I said commendable. So it's time 435 00:24:11,200 --> 00:24:32,119 Speaker 1: for word from our sponsors. Just start sky so much start. 436 00:24:34,119 --> 00:24:39,720 Speaker 1: Oh now it's time for listener mail. Josh, I'm gonna 437 00:24:39,760 --> 00:24:41,840 Speaker 1: call this. Uh, we're gonna give this guy's wife a 438 00:24:41,920 --> 00:24:46,640 Speaker 1: tongue my shoe. Oh jeez, what you do? Let's see, dudes. 439 00:24:46,680 --> 00:24:49,400 Speaker 1: Have been an avid listener since shortly after its inception. 440 00:24:49,520 --> 00:24:51,760 Speaker 1: I'm a huge fan, especially enjoy listening to it while 441 00:24:51,760 --> 00:24:54,480 Speaker 1: I'm stressed out. That always a soues my nerves stack 442 00:24:54,480 --> 00:24:56,800 Speaker 1: here of your bander. Over the years, I've tried to 443 00:24:56,800 --> 00:25:00,840 Speaker 1: convince my now wife Elizabeth to listen. Oh I know this. Unfortunately, 444 00:25:00,920 --> 00:25:03,800 Speaker 1: she's always insists that you two are stoners and that 445 00:25:03,960 --> 00:25:07,880 Speaker 1: you're retty repartee is contrived, this is so far off. 446 00:25:08,520 --> 00:25:10,399 Speaker 1: She makes me change over to this American Life or 447 00:25:10,480 --> 00:25:14,040 Speaker 1: Radio Lab great shows. What's your podcast? I download to 448 00:25:14,080 --> 00:25:17,160 Speaker 1: fill the time between stuff you should know releases. I've 449 00:25:17,200 --> 00:25:20,680 Speaker 1: repeatedly informed her that you guys are not stoners. You've 450 00:25:20,680 --> 00:25:23,760 Speaker 1: done frequent podcasts on the l effects of drugs, and 451 00:25:23,880 --> 00:25:28,239 Speaker 1: this is not convinced her. Still listen within the when 452 00:25:28,280 --> 00:25:30,560 Speaker 1: you read letters during listener mail about couples who enjoy 453 00:25:30,680 --> 00:25:34,560 Speaker 1: listening together. That's so sad. I know, if I'm not mistaken, 454 00:25:34,640 --> 00:25:38,240 Speaker 1: one pair even became engaged during a listener mail segment. Yeah, 455 00:25:38,280 --> 00:25:41,639 Speaker 1: we don't know about that yet. I'm not vouching for that. Um. 456 00:25:41,920 --> 00:25:44,639 Speaker 1: It recently struck me that perhaps if you were to 457 00:25:44,640 --> 00:25:46,680 Speaker 1: give Elizabeth a shout out at the end of the show, 458 00:25:47,400 --> 00:25:49,680 Speaker 1: she might be impressed enough to become a fan as well. 459 00:25:50,080 --> 00:25:52,320 Speaker 1: You could say hi to Elizabeth at the end of 460 00:25:52,359 --> 00:25:55,440 Speaker 1: the show, you'd be contributing to my marital blitz. So 461 00:25:55,720 --> 00:25:58,800 Speaker 1: wait a second, way second, you realize what's going on here. 462 00:25:59,160 --> 00:26:02,919 Speaker 1: We're being manipulated, Yeah, to to say hey to somebody 463 00:26:03,040 --> 00:26:06,000 Speaker 1: who doesn't even like us. I know. I feel like 464 00:26:06,119 --> 00:26:08,440 Speaker 1: there should be some money exchanged for this. Well, no, 465 00:26:08,720 --> 00:26:10,720 Speaker 1: I feel instead of saying hi to Elizabeth, she needs 466 00:26:10,720 --> 00:26:16,760 Speaker 1: to get a tongue lashing for these baseless accusations of 467 00:26:16,920 --> 00:26:20,920 Speaker 1: us sitting around like in a garage, smoking marijuana, marijuana 468 00:26:21,040 --> 00:26:24,800 Speaker 1: and just like talking. Yeah, it's bs. That's someone who's 469 00:26:24,840 --> 00:26:27,280 Speaker 1: never listened to the show. We have banter. We might 470 00:26:27,359 --> 00:26:29,880 Speaker 1: go off on tangents and we might say, like five 471 00:26:29,960 --> 00:26:32,800 Speaker 1: million times in a sentence. But we're not sitting around 472 00:26:32,840 --> 00:26:35,879 Speaker 1: smoking weed just rambling. Yeah, we're just relaxed. A lot 473 00:26:35,920 --> 00:26:43,000 Speaker 1: of work goes into the show. So Elizabeth mellow out. Dude, Yeah, seriously, 474 00:26:43,080 --> 00:26:49,719 Speaker 1: maybe you need to go in the garage. Not so anyway, 475 00:26:50,119 --> 00:26:52,200 Speaker 1: this guy is a neurologist and he said to alien 476 00:26:52,240 --> 00:26:56,760 Speaker 1: hand syndrome part struck close to his heart. Awesome, And Devin, 477 00:26:57,080 --> 00:27:00,320 Speaker 1: if this doesn't do it, then Elizabeth can just listen 478 00:27:00,359 --> 00:27:02,320 Speaker 1: to this American Life and Radio Life. Let her hang 479 00:27:02,359 --> 00:27:04,919 Speaker 1: out with our glass. And I'm sorry for your marriage 480 00:27:05,000 --> 00:27:07,439 Speaker 1: because it is clearly, clearly headed in the wrong direction. 481 00:27:07,520 --> 00:27:10,439 Speaker 1: I think we had her until just that last sence 482 00:27:10,560 --> 00:27:14,320 Speaker 1: right there. No, she's great on Churchill Pill. Tune in. UM, 483 00:27:14,480 --> 00:27:17,520 Speaker 1: we'll find out. Let us know, Devin, will you if 484 00:27:17,560 --> 00:27:21,479 Speaker 1: you want us to say something specific to somebody you know? Um, 485 00:27:22,160 --> 00:27:24,359 Speaker 1: we very well might do it if you ask it. 486 00:27:24,480 --> 00:27:27,959 Speaker 1: Might we have before? Um. You can tweet to us 487 00:27:28,080 --> 00:27:30,600 Speaker 1: at s Y s K podcast. You can join us 488 00:27:30,600 --> 00:27:32,520 Speaker 1: on Facebook dot com, so list Stuff you Should Know. 489 00:27:32,960 --> 00:27:35,359 Speaker 1: You can send us an email to Stuff Podcasts at 490 00:27:35,400 --> 00:27:38,000 Speaker 1: Discovery dot com, and you can always find us at 491 00:27:38,040 --> 00:27:41,160 Speaker 1: our home on the internet. Stuff you Should Know dot 492 00:27:41,240 --> 00:27:48,880 Speaker 1: Com For more on this and thousands of other topics. 493 00:27:49,000 --> 00:27:50,480 Speaker 1: Does it, How stuff works? Dot com