WEBVTT - OMG: A Night at the Roxbury with Corin Nemec

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<v Speaker 1>It's nine o Gene Engine with Jenny Garth and Tory Spelling.

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<v Speaker 2>He played Derek Driscoll, the con artist on nine O

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<v Speaker 2>two and Oh he's here, Jen, I'm excited corn Nemic. Hello.

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<v Speaker 3>Hi. Can we just go.

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<v Speaker 1>Back in time. Let's rewind, because by the time you

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<v Speaker 1>joined nine o two and now you had already had

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<v Speaker 1>you already had a lot of success as an actor.

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<v Speaker 1>You'd already done seventy three episodes of Parker Lewis Can't Lose.

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<v Speaker 1>How did this happen? How did you get to the

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<v Speaker 1>role of Derek Driscoll, the criminal on nine two and

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<v Speaker 1>l Well.

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<v Speaker 3>I was desperate for money, No, Tiffany Amberthiessen's money.

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<v Speaker 1>No.

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<v Speaker 3>I honestly, it was it just popped up through my

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<v Speaker 3>agency at the time and they just called and asked

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<v Speaker 3>if I was available to, you know, to do the character.

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<v Speaker 3>I didn't know that it was that it had more

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<v Speaker 3>than one episode at that at the time, but uh uh,

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<v Speaker 3>you know, fortunately for me, I was available and it

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<v Speaker 3>worked out. I was uh uh, you know, I thank god.

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<v Speaker 3>I've always stayed very busy as as an actor, even

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<v Speaker 3>even at the present time. It's been it's been one

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<v Speaker 3>of the greatest blessings in my life for sure, besides

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<v Speaker 3>meeting my wonderful wife and uh, good job, thank you.

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<v Speaker 3>But so it was it was really exciting because uh,

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<v Speaker 3>you know nine O two one oh and and part

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<v Speaker 3>of Lewis they both launched at the same time, and

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<v Speaker 3>I was around a lot of you all. In fact,

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<v Speaker 3>you and I went to Israel together yea and which

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<v Speaker 3>was which was very interesting. It was the first time

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<v Speaker 3>I ever heard uh sirens in Tel Aviv for like

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<v Speaker 3>incoming scud missile attacks and I was like, wait a second,

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<v Speaker 3>am I even safe here?

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<v Speaker 1>But we had a fun time.

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<v Speaker 3>Who cares? Right right?

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<v Speaker 1>We had a good memory.

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<v Speaker 2>What about me?

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<v Speaker 1>We didn't want to go, You didn't.

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<v Speaker 2>Get to go. It's really hard for me not to

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<v Speaker 2>call you quirky because.

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<v Speaker 1>It's yeah, it is hard to not call you you sorry.

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<v Speaker 2>Because Brian and Green were best friends.

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<v Speaker 3>So we were very close and we still are. We

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<v Speaker 3>still are. We are good buddies.

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<v Speaker 2>So I got to see lot we can. I ask

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<v Speaker 2>the question, is this going to upset your wife? I

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<v Speaker 2>don't think so. It's like thirty years ago. Do you

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<v Speaker 2>remember ever kissing me once?

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<v Speaker 3>I do? I have that recollection. It's very vivid as

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<v Speaker 3>a matter of fact. Yes, yes, of course, howvid is

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<v Speaker 3>it and vivid enough to recall. Yes, yes, those those

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<v Speaker 3>were fun days. Back then it was you know, everybody

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<v Speaker 3>that was on television at that time. You know, it

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<v Speaker 3>was a much smaller world.

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<v Speaker 2>Yeah, that's all you who hung out with and that

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<v Speaker 2>was an absolute blast.

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<v Speaker 3>I think I think both you can agree that that

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<v Speaker 3>with the industry being so which might knit at that time,

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<v Speaker 3>you know there was, it was kind of a luxury

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<v Speaker 3>being at nowadays it's you. You can be on a

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<v Speaker 3>on a hit series, you know, on one of the

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<v Speaker 3>platforms like Paramount Plus or TV whatever. You can be

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<v Speaker 3>on like your your fourth season, fifth season, and nobody

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<v Speaker 3>will know who the hell you are out in the

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<v Speaker 3>real world except for people who watched that platform of course.

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<v Speaker 3>Alf Soda Pop Club.

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<v Speaker 2>Was like.

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<v Speaker 3>It was like the place to be, uh when you

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<v Speaker 3>were a young actor back day it was. But but yeah,

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<v Speaker 3>that was where everybody hung out. It was wild. I

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<v Speaker 3>have very vivid memories of being at that.

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<v Speaker 2>Place and at the different locations I had such as you,

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<v Speaker 2>but I like your friends, so I could never firt

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<v Speaker 2>with you. And then one night, no, it was me

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<v Speaker 2>and my friend Hammy and you and your friend and

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<v Speaker 2>we had just gone out to some like nightclub.

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<v Speaker 3>I think it was the Roxbury.

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<v Speaker 2>Was the Roxbury? Yeah, so far drive back and we

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<v Speaker 2>were staying at my parents' beach house which burned down

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<v Speaker 2>the fires in January, but we were staying there and

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<v Speaker 2>you guys like followed us back and the securities like

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<v Speaker 2>your friends are here, and we took a walk on

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<v Speaker 2>the beach and that's where it happened. And I'll never

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<v Speaker 2>forget it.

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<v Speaker 3>Yeah, yes, mission accomplished.

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<v Speaker 2>And then I was like, oh, Brian doesn't find out,

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<v Speaker 2>which is weird because Brian and I weren't dating, but

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<v Speaker 2>I still felt like it was me and Brian, like

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<v Speaker 2>you know the type of girls guys are like, it's

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<v Speaker 2>cool brown.

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<v Speaker 3>Yeah.

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<v Speaker 1>Anyway, I have to ask you a question. You were

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<v Speaker 1>nominated for an Emmy. Didn't you want it? Did you win?

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<v Speaker 1>Or were your nominated? Seventeen years old?

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<v Speaker 3>Well, I was actually while I was fourteen when I

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<v Speaker 3>did I know my first name is Steven. And then

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<v Speaker 3>obviously it took however long it took for it to

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<v Speaker 3>come out, it didn't come out until I was fifteen

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<v Speaker 3>late and then then sixteen when they did the actual

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<v Speaker 3>Emmy nominations for it. So when when uh, you know,

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<v Speaker 3>I was up against like Danny Glover and uh uh

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<v Speaker 3>Arma Assanti and whoever else it was. It was it

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<v Speaker 3>was a slew of of of of uh you know,

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<v Speaker 3>grown grown ass men. So it was. It was pretty incredible.

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<v Speaker 3>I think, if I recall correctly, I was the youngest

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<v Speaker 3>person to be nominated for an Emmy at that time

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<v Speaker 3>in that category, which was pretty cool. It was a drag.

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<v Speaker 3>I would have loved to have won it because the

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<v Speaker 3>real Stephen Stainer had had been hit by a drunk

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<v Speaker 3>driver on his motorcycle the night before the Emmys and

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<v Speaker 3>was killed. And and yeah, it was very tragic, and

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<v Speaker 3>I really really I didn't want to win for me.

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<v Speaker 3>I wanted to win so I could thank him and

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<v Speaker 3>and and honor him, uh you know, uh and and

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<v Speaker 3>and let the world know what a great guy he

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<v Speaker 3>turned out to be. And so it was, you know,

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<v Speaker 3>it was dually tragic that evening. It was a tough

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<v Speaker 3>evening actually, because he was on set quite a bit.

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<v Speaker 1>If that was the character you were playing, Yeah, yeah.

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<v Speaker 3>Yeah, I mean, what what a what a terrible he

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<v Speaker 3>lost his youth, you know, to a total pervert. And

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<v Speaker 3>uh and and the fact that he turned out so well,

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<v Speaker 3>you know, he was he was married, he had kids,

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<v Speaker 3>He wanted to become a police officer. He was doing

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<v Speaker 3>the police training thing and all of that, and and

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<v Speaker 3>it was his his goal in life to you know,

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<v Speaker 3>try to try to protect those he couldn't protect themselves.

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<v Speaker 3>And uh. And that was, you know, a beautiful, you know,

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<v Speaker 3>a beautiful outlook he had on life. So yeah, it

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<v Speaker 3>was that was wild to be nominated that age. The

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<v Speaker 3>Emmys were a blast as well. Uh, back then it

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<v Speaker 3>was it was fun to go to them, even if

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<v Speaker 3>I wasn't nominated. I went to them a couple of

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<v Speaker 3>times after that.

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<v Speaker 1>What a I mean, what a weird night. Yeah, that

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<v Speaker 1>mix of like exhilaration and excitement and happiness and yeah

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<v Speaker 1>and then.

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<v Speaker 3>That Yeah, I know, tell me about it.

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<v Speaker 1>Crazy timing, Yeah it was.

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<v Speaker 3>There was another mini series Simon Windsor did. It was

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<v Speaker 3>a Western one, Lonesome Dove Cleaned House that year, and

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<v Speaker 3>oddly enough a number of years later I worked on

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<v Speaker 3>a movie that Simon Winster directed called Operation Dumbo Drop

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<v Speaker 3>with Danny Glover, who he had worked with on Lonesome Dove.

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<v Speaker 3>And Radioda and Dennis Leary. That was that was a

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<v Speaker 3>blast that came full circle. Yeah, yeah, yeah, yeah. It's

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<v Speaker 3>funny how that works in the industry, how the industry

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<v Speaker 3>does signs. It always goes like, you know, in weird

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<v Speaker 3>circles like that, you know, you ended up working with

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<v Speaker 3>somebody that you met somewhere or you knew in this

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<v Speaker 3>project or whatever. It's it's very cool. It's it's again,

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<v Speaker 3>you know, it's just I can't I'm I'm never more

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<v Speaker 3>thankful in life than when I when I think about

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<v Speaker 3>the fact that I'm still a working actor in Hollywood

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<v Speaker 3>after starting in nineteen eighty six.

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<v Speaker 1>It is quite a vast career. You've had so many

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<v Speaker 1>different roles, drama, comedy, sci fi. Your character Jonas Quinn

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<v Speaker 1>in Stargate SG one Yes, was that one of one

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<v Speaker 1>of your most memorable?

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<v Speaker 3>For sure? I think, and you know, and you know,

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<v Speaker 3>in more modern times oddly enough, you know, that was

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<v Speaker 3>like two thousand and and four whatever when we shot that.

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<v Speaker 3>When I shot that, that the couple of seasons that

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<v Speaker 3>I was on, which is mind blowing right now to

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<v Speaker 3>think about. But what was what's really cool about that

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<v Speaker 3>is I was I was completely unaware that that these

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<v Speaker 3>comic con things go on and these big you know,

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<v Speaker 3>all the world, and there's there's these events that you

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<v Speaker 3>can you know, go to that they'll they'll pay you

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<v Speaker 3>handsomely to to to do an appearance at and all

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<v Speaker 3>of that. And I was so ignorant of any of that.

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<v Speaker 3>And suddenly I did that show and next thing I know,

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<v Speaker 3>I'm being like flown to Australia, Germany, Belgium, the UK,

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<v Speaker 3>you know, all over the world to you know, to

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<v Speaker 3>do these appearances for that character.

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<v Speaker 2>Will you hook me up with your person?

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<v Speaker 3>And uh and and and still even to this day,

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<v Speaker 3>I mean I I just got back from France and

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<v Speaker 3>the UK a couple of months ago doing appearances for

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<v Speaker 3>for Stargate as well as for Parker because Parker Lewis

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<v Speaker 3>was a huge phenomenon in France, and uh it, you know,

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<v Speaker 3>I still get brought over there to do appearances for

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<v Speaker 3>for Parker Lewis and we In fact, a few years back,

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<v Speaker 3>maybe four or five years ago, they flew over me

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<v Speaker 3>and half the cast for a big reunion uh you

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<v Speaker 3>know thing at one of their events in Paris. So

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<v Speaker 3>it was like me and and Troy Slayton who played Jerry,

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<v Speaker 3>and Billy Jane who played who played Mikey and Abraham

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<v Speaker 3>Ben Ruby who play Kobiac, and Maya Bruton who played Shelley,

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<v Speaker 3>my sister. They brought us all over there.

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<v Speaker 2>Do you guys all still keep in touch or was

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<v Speaker 2>that for some of you see each other in a while?

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<v Speaker 3>Yeah? Well I keep in touch with Troy uh and

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<v Speaker 3>aber Ham and Maya for the most part. And Tim

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<v Speaker 3>Stack a bit who played my dad on it. He's

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<v Speaker 3>hilarious when he did Son of the Beach A Son

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<v Speaker 3>of a Son of Son of Son of a Beach.

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<v Speaker 3>I think that was it. But that was such a

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<v Speaker 3>funny series. It was so good, great actor.

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<v Speaker 2>Parker Lewis can't Ley is. I loved that show. I

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<v Speaker 2>mean obviously new you in real life, but like as

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<v Speaker 2>a teen and like watching that show, it's just such

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<v Speaker 2>a good show.

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<v Speaker 3>Yeah, it was. You know, they did Long Dimon and

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<v Speaker 3>Clyde Phillips. They went and pitched a reboot at a

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<v Speaker 3>series with Sony TV, but unfortunately they didn't pick it up.

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<v Speaker 3>It was, you know, God blessed them. But I went

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<v Speaker 3>and met with them with Lawn about about doing a

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<v Speaker 3>reboot because I had a concept for it that I

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<v Speaker 3>thought would be really good, but I didn't get to

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<v Speaker 3>go in and pitch that that concept at all. They

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<v Speaker 3>had a different idea, which was Parker Lewis's kids and

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<v Speaker 3>Mikey's kids and all their kids were now, you know,

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<v Speaker 3>in high school together, and so you know, and and

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<v Speaker 3>it was sort of a similar show as the Earth one,

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<v Speaker 3>except with twice the amount of characters.

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<v Speaker 1>What was your what was your idea? Because that sounds

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<v Speaker 1>like the like typical, let's do a reboot.

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<v Speaker 3>Yeah, mine was. Mine was called Parker Lewis Can't Win.

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<v Speaker 3>And it was Parker as an adult, and his heyday

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<v Speaker 3>was in his high school years. And and miss Musso,

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<v Speaker 3>who was the principal, has now become the mayor of

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<v Speaker 3>Santo Domingo, and Lemmer, who was her little arch villain assistant,

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<v Speaker 3>has become the sheriff. And my my sister, Maya Shelley,

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<v Speaker 3>who hated me, was the local DA. And they thwarted

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<v Speaker 3>every plan I had to try and be successful in life,

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<v Speaker 3>you know. And so my my, my my years spent

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<v Speaker 3>being the man in high school were now over. Or

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<v Speaker 3>now everybody else, yeah, everybody else is successful around me,

0:12:03.720 --> 0:12:06.760
<v Speaker 3>and I'm like, what, you know, so trying to like

0:12:07.160 --> 0:12:10.040
<v Speaker 3>relive though still wearing the same shirts with the same hair,

0:12:10.120 --> 0:12:12.960
<v Speaker 3>but you know, now my forties or whatever, and they're like,

0:12:13.480 --> 0:12:15.840
<v Speaker 3>you know, and so that was kind of that was

0:12:15.880 --> 0:12:21.040
<v Speaker 3>like flipping the that is so good. Yes, yes, yeah,

0:12:21.040 --> 0:12:23.240
<v Speaker 3>I think it would have been funny. I had I

0:12:23.280 --> 0:12:26.400
<v Speaker 3>had a whole you know plan for you know, for

0:12:26.480 --> 0:12:27.000
<v Speaker 3>the show.

0:12:27.480 --> 0:12:29.760
<v Speaker 2>How many seasons was Parker Lewis Can't Lose On?

0:12:30.200 --> 0:12:33.439
<v Speaker 3>Well, we did seventy eight episodes, but only three seasons,

0:12:33.480 --> 0:12:36.240
<v Speaker 3>so we did some long seasons, but we were only

0:12:36.320 --> 0:12:39.679
<v Speaker 3>ten episodes away from the from the minimum for syndication,

0:12:39.760 --> 0:12:41.319
<v Speaker 3>which is like eighty eight episodes.

0:12:41.520 --> 0:12:43.439
<v Speaker 2>Why didn't they do it? They could have done it?

0:12:43.559 --> 0:12:45.920
<v Speaker 3>Well, you know, the big problem was is that I

0:12:45.960 --> 0:12:48.319
<v Speaker 3>don't know if you recall that they they sold Fox

0:12:48.440 --> 0:12:52.640
<v Speaker 3>to you know, Ruper Murdoch Company whatever. They sold Fox

0:12:52.679 --> 0:12:55.360
<v Speaker 3>TV and kept Fox News. They sold Fox TV to

0:12:55.600 --> 0:12:59.480
<v Speaker 3>two years into our show, and the new executives when

0:12:59.520 --> 0:13:02.800
<v Speaker 3>they came on, they looked at because our show was

0:13:03.000 --> 0:13:06.080
<v Speaker 3>very costly. We were as expensive as nine o two

0:13:06.080 --> 0:13:08.280
<v Speaker 3>one oh and we were a half hour comedy, you know,

0:13:08.360 --> 0:13:11.040
<v Speaker 3>with a smaller cast. But it was very expensive to

0:13:11.080 --> 0:13:14.320
<v Speaker 3>make that show, and they and and our ratings obviously

0:13:14.400 --> 0:13:17.120
<v Speaker 3>weren't quite as good as y'all's, you know, And so

0:13:17.200 --> 0:13:18.920
<v Speaker 3>they were they were trying to make sense out of

0:13:18.920 --> 0:13:22.520
<v Speaker 3>the budget, and they thought the new execution that came on, Yeah,

0:13:22.559 --> 0:13:25.680
<v Speaker 3>the new executives who were hired on were like, well,

0:13:25.760 --> 0:13:27.680
<v Speaker 3>what we need to do is make Parker Lewis more

0:13:27.720 --> 0:13:29.800
<v Speaker 3>like nine oh two and oh but a comedy version

0:13:29.840 --> 0:13:33.280
<v Speaker 3>of it. So our third season they changed the entire

0:13:33.360 --> 0:13:36.840
<v Speaker 3>dynamics of the show. The shooting style, the clothing style,

0:13:36.960 --> 0:13:41.160
<v Speaker 3>all of that was was was altered. No, yeah, really heavily.

0:13:41.600 --> 0:13:44.720
<v Speaker 3>So our third season just didn't have the pizazz and

0:13:44.800 --> 0:13:47.880
<v Speaker 3>the and the outrageousness that our first two seasons had.

0:13:47.920 --> 0:13:50.040
<v Speaker 3>And that was sort of the nail, you know, the

0:13:50.360 --> 0:13:52.800
<v Speaker 3>nail in our coffin. Unfortunately, if they had just left

0:13:52.840 --> 0:13:55.000
<v Speaker 3>it alone, we I'm sure that we would have gone

0:13:55.040 --> 0:13:58.480
<v Speaker 3>at least four or five seasons with it. But but

0:13:58.600 --> 0:14:00.960
<v Speaker 3>they didn't. They just they just let a good thing.

0:14:00.880 --> 0:14:03.960
<v Speaker 2>Lie, changing of the card, that's what happened.

0:14:05.720 --> 0:14:08.200
<v Speaker 3>Yes, they always think they know better than the previous people,

0:14:08.240 --> 0:14:12.520
<v Speaker 3>which yeah, necessarily true. Sometimes it is, yes.

0:14:12.320 --> 0:14:15.200
<v Speaker 1>Yes, sometimes it helps, but yeah.

0:14:15.400 --> 0:14:16.600
<v Speaker 3>Well, if you had to.

0:14:16.520 --> 0:14:18.840
<v Speaker 1>Go back and say, what was your favorite character you

0:14:18.920 --> 0:14:22.280
<v Speaker 1>played thus far in your career, what would you which

0:14:22.280 --> 0:14:23.080
<v Speaker 1>one would you pick?

0:14:23.360 --> 0:14:26.200
<v Speaker 3>I have a couple of them. One of them is

0:14:26.240 --> 0:14:28.560
<v Speaker 3>definitely my favorite because it was my first time getting

0:14:28.560 --> 0:14:32.200
<v Speaker 3>to really, really do do a true character role. And

0:14:32.240 --> 0:14:35.640
<v Speaker 3>that was in the original Stephen King mini series, The Stand,

0:14:36.040 --> 0:14:38.240
<v Speaker 3>when I got to play this character Harold Louder, who

0:14:38.360 --> 0:14:42.600
<v Speaker 3>was a pivotal character in the overall mini series and

0:14:42.720 --> 0:14:45.120
<v Speaker 3>uh and also had the biggest arc. He went from

0:14:45.120 --> 0:14:50.600
<v Speaker 3>being this this really you know, introverted nerdy guy to

0:14:50.920 --> 0:14:56.040
<v Speaker 3>becoming this sort of like extrovert villain, you know. And

0:14:56.040 --> 0:14:58.080
<v Speaker 3>and it was that it was the first time in

0:14:58.120 --> 0:15:01.840
<v Speaker 3>my career as an actor to really get to break

0:15:01.880 --> 0:15:04.600
<v Speaker 3>the mold of what I was generally cast as, and

0:15:05.800 --> 0:15:08.000
<v Speaker 3>that opened me up to a lot of other roles

0:15:08.080 --> 0:15:13.640
<v Speaker 3>later on after that, getting to play villain characters that

0:15:13.920 --> 0:15:15.880
<v Speaker 3>I never would have gotten to play. I don't think

0:15:15.920 --> 0:15:18.200
<v Speaker 3>if I hadn't done The Stand.

0:15:19.000 --> 0:15:22.760
<v Speaker 2>Guy's a question. I'm a huge Stephen King fan. I

0:15:22.800 --> 0:15:27.600
<v Speaker 2>heard he's really hands on. Was he with the production well.

0:15:27.640 --> 0:15:30.640
<v Speaker 3>In his later ones? Yeah, yes, I had to audition

0:15:30.720 --> 0:15:33.520
<v Speaker 3>for him for he and Mick Garris for that role.

0:15:33.560 --> 0:15:38.000
<v Speaker 3>And I read the character description is like this really overweight,

0:15:38.600 --> 0:15:41.280
<v Speaker 3>you know, nerdy guy with greasy hair and dandriff and

0:15:41.320 --> 0:15:45.240
<v Speaker 3>all of that. And and I'm sitting there going I'm

0:15:45.280 --> 0:15:47.080
<v Speaker 3>not going to get this part, you know. But I

0:15:47.560 --> 0:15:52.560
<v Speaker 3>understood that the character very well. And it turns out that,

0:15:52.760 --> 0:15:55.760
<v Speaker 3>fortunately for me, Mick Garris had really liked me for

0:15:56.080 --> 0:15:59.200
<v Speaker 3>another movie called Sleepwalkers that he had directed. I love

0:15:59.240 --> 0:16:03.400
<v Speaker 3>that movie out, yeah, and I didn't get the role

0:16:03.440 --> 0:16:05.680
<v Speaker 3>in it, but he really liked my audition that I did,

0:16:05.680 --> 0:16:07.840
<v Speaker 3>and he was telling Stephen King that I was the

0:16:07.920 --> 0:16:11.680
<v Speaker 3>right guy to play this character of Harold Louder that

0:16:11.680 --> 0:16:14.720
<v Speaker 3>doesn't hurt, yeah, yeah, And Stephen King was looking at

0:16:14.760 --> 0:16:16.960
<v Speaker 3>my head shot though, going no, he's not. He's not

0:16:17.040 --> 0:16:19.360
<v Speaker 3>the right guy. Look at this guy. But they had

0:16:19.360 --> 0:16:23.560
<v Speaker 3>tried casting somebody who physically fit the description of the character,

0:16:23.920 --> 0:16:27.640
<v Speaker 3>and Mick Garris told me that they they auditioned in

0:16:27.960 --> 0:16:32.720
<v Speaker 3>La New York, Chicago, San Francisco, even Miami, trying to

0:16:32.800 --> 0:16:35.800
<v Speaker 3>find that, you know, the person that fit the exact

0:16:35.800 --> 0:16:39.360
<v Speaker 3>description of the character that Stephen was in love with him.

0:16:39.360 --> 0:16:42.440
<v Speaker 3>They just didn't find anybody, thank god. So when I

0:16:42.480 --> 0:16:45.280
<v Speaker 3>went in there and auditioned for it, I mean before

0:16:45.280 --> 0:16:47.200
<v Speaker 3>I walked out of the room, I could they were

0:16:47.200 --> 0:16:50.160
<v Speaker 3>back there having their little quiet discussion. And it was

0:16:50.200 --> 0:16:53.120
<v Speaker 3>one of those rare moments when by the time it

0:16:53.160 --> 0:16:56.160
<v Speaker 3>was back when we still had answering machines. But by

0:16:56.200 --> 0:16:59.120
<v Speaker 3>the time I left that audition and got home, there

0:16:59.200 --> 0:17:01.240
<v Speaker 3>was a message for my agent saying that I had

0:17:01.280 --> 0:17:05.320
<v Speaker 3>booked the job. Yeah. I was like, that's crazy. Because

0:17:05.400 --> 0:17:08.040
<v Speaker 3>I walked out there, I felt good about it, but

0:17:08.080 --> 0:17:10.560
<v Speaker 3>I thought they were whispering, like Stephen King was going,

0:17:10.680 --> 0:17:12.720
<v Speaker 3>I told you this guy doesn't Eric, I'm not gonna

0:17:12.800 --> 0:17:14.320
<v Speaker 3>you know what I mean. I was like, oh, well,

0:17:14.320 --> 0:17:15.120
<v Speaker 3>there goes that one.

0:17:15.160 --> 0:17:17.680
<v Speaker 2>But I love stories like that.

0:17:18.680 --> 0:17:19.400
<v Speaker 3>Yeah, it was great.

0:17:19.560 --> 0:17:21.720
<v Speaker 2>They didn't want to see you because visually that's not

0:17:21.840 --> 0:17:23.919
<v Speaker 2>what he saw. But you came in and he was like,

0:17:23.960 --> 0:17:24.879
<v Speaker 2>he is the character.

0:17:24.920 --> 0:17:27.000
<v Speaker 1>Wait, did you like play yourself down? Did you do

0:17:27.040 --> 0:17:30.040
<v Speaker 1>anything to your physic to alter your appearance when you

0:17:30.040 --> 0:17:30.480
<v Speaker 1>went in there.

0:17:30.880 --> 0:17:32.960
<v Speaker 3>I mean, I you know, I just I just put

0:17:33.240 --> 0:17:33.840
<v Speaker 3>like Gid.

0:17:33.640 --> 0:17:35.239
<v Speaker 1>In shower for a few weeks or what.

0:17:36.240 --> 0:17:38.639
<v Speaker 3>Yeah, Oh god, that would have been something there. I

0:17:39.040 --> 0:17:41.280
<v Speaker 3>have some funny audition stories where I went too far,

0:17:41.359 --> 0:17:41.680
<v Speaker 3>I can.

0:17:41.600 --> 0:17:43.680
<v Speaker 2>Tell you that really tell us one.

0:17:44.240 --> 0:17:47.840
<v Speaker 3>Oh gosh, well I had two of them. I had

0:17:47.920 --> 0:17:51.440
<v Speaker 3>one where I was. There was in Teluca Lake. There

0:17:51.080 --> 0:17:53.280
<v Speaker 3>were where I had I had a house there. And

0:17:54.000 --> 0:17:57.520
<v Speaker 3>up the street was this this store that sold all

0:17:57.560 --> 0:18:00.520
<v Speaker 3>of the makeup and special effects stuff for the movie industry.

0:18:00.560 --> 0:18:01.840
<v Speaker 3>I forget what it was called, but it was this

0:18:01.960 --> 0:18:06.000
<v Speaker 3>massive store. No, I don't think that was it. It was.

0:18:06.080 --> 0:18:09.359
<v Speaker 3>It was something like, you know, like Cinema Secrets or something. Yes,

0:18:10.600 --> 0:18:12.920
<v Speaker 3>And uh so I used to go in there and

0:18:12.960 --> 0:18:15.000
<v Speaker 3>you know, and just kind of just browse and check

0:18:15.040 --> 0:18:17.240
<v Speaker 3>things out. And they had they had this whole collection

0:18:17.320 --> 0:18:21.520
<v Speaker 3>of mustaches, you know, these really really awesome mustaches, and

0:18:21.560 --> 0:18:23.639
<v Speaker 3>I couldn't grow. Look, I still can't grow a mustach.

0:18:23.680 --> 0:18:25.040
<v Speaker 3>I don't know what this thing is doing on my

0:18:25.080 --> 0:18:25.680
<v Speaker 3>face right now.

0:18:25.880 --> 0:18:27.080
<v Speaker 2>It's cute.

0:18:27.920 --> 0:18:31.560
<v Speaker 3>So I'm actually growing it out for a part I'm

0:18:31.600 --> 0:18:32.680
<v Speaker 3>supposed to play next year.

0:18:32.760 --> 0:18:35.320
<v Speaker 1>But you've got you got a long lead.

0:18:35.440 --> 0:18:37.840
<v Speaker 2>Next year's not next year. It's like, whoa, it's gonna

0:18:37.840 --> 0:18:38.440
<v Speaker 2>take you that long.

0:18:38.480 --> 0:18:41.480
<v Speaker 3>But we're there. This is already like a month and

0:18:41.520 --> 0:18:46.040
<v Speaker 3>a half. Okay, But yeah, so I so they had

0:18:46.080 --> 0:18:48.600
<v Speaker 3>all these mustaches, and I was like, wow, these mustaches.

0:18:48.640 --> 0:18:51.199
<v Speaker 3>Look at the characters I could play, you know. And

0:18:51.240 --> 0:18:53.879
<v Speaker 3>so I bought like, I don't know, like four or

0:18:53.880 --> 0:18:56.760
<v Speaker 3>five of these different mustaches, like the one that goes

0:18:56.800 --> 0:18:59.160
<v Speaker 3>out like that, a big bushy one, some other, all

0:18:59.160 --> 0:19:02.760
<v Speaker 3>these different mustache And I had this audition for this

0:19:02.840 --> 0:19:06.760
<v Speaker 3>World War two mini series or film or something, and

0:19:07.440 --> 0:19:09.879
<v Speaker 3>I was like a captain of like a B fifty

0:19:10.000 --> 0:19:13.560
<v Speaker 3>bomber pot you know, bomber uh. And I thought, Wow,

0:19:13.720 --> 0:19:17.119
<v Speaker 3>this is a perfect audition for one of these mustaches. So,

0:19:18.000 --> 0:19:20.879
<v Speaker 3>you know, I applied this ridiculous mustache and had.

0:19:20.720 --> 0:19:22.720
<v Speaker 2>The handle bars we now.

0:19:22.920 --> 0:19:24.840
<v Speaker 3>Not handlebars, but kind of just like went out to

0:19:24.880 --> 0:19:26.960
<v Speaker 3>a little point, you know what I mean, or like

0:19:26.960 --> 0:19:30.679
<v Speaker 3>the evil villain mustache, you know, but it felt like

0:19:30.840 --> 0:19:34.040
<v Speaker 3>nineteen forties to me. This mustache did dusterally do?

0:19:34.240 --> 0:19:35.800
<v Speaker 2>Right? Is something? Yeah?

0:19:35.840 --> 0:19:38.040
<v Speaker 3>So I put this thing on and I went in

0:19:38.119 --> 0:19:42.240
<v Speaker 3>and I did my audition and uh, my my agent

0:19:42.359 --> 0:19:46.360
<v Speaker 3>to my agent calls and goes, accorn, did you did

0:19:46.359 --> 0:19:48.679
<v Speaker 3>you put a mustache on for this audition? And I

0:19:48.680 --> 0:19:50.119
<v Speaker 3>was like, yeah, I did. Did they like it? And

0:19:50.119 --> 0:19:54.080
<v Speaker 3>They're like, no, they didn't like it. No, absolutely not.

0:19:54.080 --> 0:19:56.159
<v Speaker 3>They couldn't they. In fact, they couldn't even watch your audition.

0:19:56.280 --> 0:19:59.200
<v Speaker 3>They just kept staring at this ridiculous thing on your face.

0:19:59.320 --> 0:19:59.760
<v Speaker 2>Oh man.

0:20:00.040 --> 0:20:02.679
<v Speaker 3>And and I want to get back in and do it,

0:20:02.720 --> 0:20:05.560
<v Speaker 3>but take it off. I'm like, no, no, no, they've

0:20:05.600 --> 0:20:06.280
<v Speaker 3>moved on from you.

0:20:09.160 --> 0:20:09.760
<v Speaker 1>That's the best.

0:20:09.840 --> 0:20:13.240
<v Speaker 2>That's the best. That's good in auditions. Winter props too much.

0:20:13.680 --> 0:20:17.679
<v Speaker 3>Yeah, well, the second one is even worse. I was

0:20:17.720 --> 0:20:21.679
<v Speaker 3>auditioning for some Vietnam miniseries or something, and uh, my

0:20:21.840 --> 0:20:24.920
<v Speaker 3>character was like the captain of his platoon or whatever,

0:20:25.000 --> 0:20:27.520
<v Speaker 3>and and he and in his in his hoot, in

0:20:27.560 --> 0:20:30.600
<v Speaker 3>his hangout spot, he had a pet monkey that that

0:20:30.600 --> 0:20:34.520
<v Speaker 3>that that his his guys had adopted. And this monkey

0:20:34.920 --> 0:20:38.399
<v Speaker 3>was wore a little army outfit. Yeah. I have this

0:20:38.520 --> 0:20:41.439
<v Speaker 3>whole scene with this monkey where I'm like talking to

0:20:41.440 --> 0:20:44.479
<v Speaker 3>the monkey, I'm holding the monkey, I'm doing this, you know.

0:20:44.600 --> 0:20:45.960
<v Speaker 3>And so I'm like, well, how do I do this

0:20:46.119 --> 0:20:48.440
<v Speaker 3>scene without like a real monkey? Like, it doesn't make

0:20:48.440 --> 0:20:51.919
<v Speaker 3>any sense. So I went to Toys r US and

0:20:52.640 --> 0:20:53.560
<v Speaker 3>sell real monkeys.

0:20:53.600 --> 0:20:55.680
<v Speaker 2>There you got like a round up monkey.

0:20:56.560 --> 0:20:58.199
<v Speaker 3>I went to the doll section and I was like,

0:20:58.320 --> 0:21:00.640
<v Speaker 3>just just in case, and I and I and I'm

0:21:00.640 --> 0:21:03.960
<v Speaker 3>walking through and there's this little monkey that's in in

0:21:04.080 --> 0:21:06.720
<v Speaker 3>like a Safari outfit that looked kind of like an

0:21:06.880 --> 0:21:09.240
<v Speaker 3>army outfit. So I took the hat off of it,

0:21:09.320 --> 0:21:10.879
<v Speaker 3>you know, and I was like, I thought it was

0:21:10.880 --> 0:21:12.679
<v Speaker 3>like destiny. I was like, I'm destined to get this

0:21:12.760 --> 0:21:15.520
<v Speaker 3>part because I found this monkey. It toys r Us

0:21:16.040 --> 0:21:18.520
<v Speaker 3>and it's the exactly it's like wearing practically the outfit

0:21:18.560 --> 0:21:21.640
<v Speaker 3>they describe and in the show. So I go into

0:21:21.720 --> 0:21:23.840
<v Speaker 3>the audition. I've got it into my backpack, so I

0:21:23.840 --> 0:21:26.639
<v Speaker 3>don't like, you know, like show everybody right off the

0:21:26.640 --> 0:21:29.440
<v Speaker 3>bat when I walk in and I do the first scene,

0:21:29.440 --> 0:21:31.400
<v Speaker 3>which is like a shorter scene, and then I get

0:21:31.440 --> 0:21:33.679
<v Speaker 3>to the big scene with the monkey, and I unzit

0:21:33.760 --> 0:21:36.480
<v Speaker 3>my backpack and I pulled the little stuffed monkey out

0:21:37.040 --> 0:21:40.080
<v Speaker 3>and I could literally, I mean it was like somebody

0:21:40.240 --> 0:21:42.320
<v Speaker 3>sucked all the air out of the room, you know

0:21:42.359 --> 0:21:43.720
<v Speaker 3>what I mean. It was one of those moments where

0:21:43.760 --> 0:21:46.800
<v Speaker 3>I was like, Okay, this was probably a bad choice,

0:21:47.440 --> 0:21:50.880
<v Speaker 3>but did you just go with it? So I went

0:21:50.960 --> 0:21:52.840
<v Speaker 3>with it. I did the whole scene. I was talking

0:21:52.880 --> 0:21:54.879
<v Speaker 3>to the monkey, I was doing the little you know,

0:21:55.080 --> 0:21:57.240
<v Speaker 3>tickling a little bit, all the all the stuff with

0:21:57.280 --> 0:21:59.560
<v Speaker 3>the monkey, and and it was it was my same

0:21:59.600 --> 0:22:02.360
<v Speaker 3>agent for the other thing too. I was probably later on,

0:22:02.640 --> 0:22:06.040
<v Speaker 3>but but you know, so I do the audition and

0:22:06.080 --> 0:22:08.480
<v Speaker 3>I leave and everything, and I'm like, you know, I

0:22:08.520 --> 0:22:10.439
<v Speaker 3>felt good about it. I was like, you know, I mean,

0:22:10.840 --> 0:22:12.240
<v Speaker 3>I know it was weird, but what am I going

0:22:12.320 --> 0:22:14.040
<v Speaker 3>to do? They're the ones who wrote the scene.

0:22:14.320 --> 0:22:14.679
<v Speaker 1>Yeah.

0:22:14.760 --> 0:22:16.840
<v Speaker 3>So I get home and sure enough, my agent Calle

0:22:17.040 --> 0:22:19.600
<v Speaker 3>is like, did you you take a stuffed monkey into

0:22:19.640 --> 0:22:21.560
<v Speaker 3>the audition with you? I'm like, yeah, but I wasn't

0:22:21.560 --> 0:22:24.639
<v Speaker 3>wearing a mustache, this sign this, you know. I figure,

0:22:25.160 --> 0:22:27.680
<v Speaker 3>oh my god, you are so I didn't get the part.

0:22:29.520 --> 0:22:32.000
<v Speaker 1>Sorry about that. The things we do, the things you

0:22:32.280 --> 0:22:34.240
<v Speaker 1>remember you being this funny when.

0:22:34.080 --> 0:22:37.160
<v Speaker 3>We were kids, I was hilarious.

0:22:37.240 --> 0:22:39.680
<v Speaker 1>Dam yeah, he's always been funny.

0:22:39.920 --> 0:22:43.680
<v Speaker 3>Yes, it was something else.

0:22:56.480 --> 0:22:59.920
<v Speaker 1>It was just such a fun just get for us

0:23:00.080 --> 0:23:02.479
<v Speaker 1>to have you on our show. I remember that. I

0:23:02.520 --> 0:23:05.160
<v Speaker 1>just remember the vibe. Everybody was so happy you were there.

0:23:05.760 --> 0:23:08.040
<v Speaker 1>It was like more fun than we were already having

0:23:08.080 --> 0:23:08.800
<v Speaker 1>when you were around.

0:23:09.480 --> 0:23:12.679
<v Speaker 3>Well, I know that, you know, I'm my my acting

0:23:13.000 --> 0:23:16.520
<v Speaker 3>you know, I've always studied acting in acting classes since

0:23:16.560 --> 0:23:19.600
<v Speaker 3>I was eleven years old. And then even even during

0:23:19.640 --> 0:23:24.600
<v Speaker 3>Parker Lewis, I was I was studying with. Of course

0:23:24.640 --> 0:23:26.680
<v Speaker 3>his name is gonna slip my mind right now. He

0:23:27.119 --> 0:23:33.000
<v Speaker 3>was like this this big method acting teacher in Santa Monica,

0:23:33.600 --> 0:23:34.320
<v Speaker 3>Larry Moss.

0:23:34.480 --> 0:23:34.760
<v Speaker 2>Larry.

0:23:35.040 --> 0:23:37.560
<v Speaker 3>I was studying with Larry Moss, and like he's all

0:23:37.960 --> 0:23:39.560
<v Speaker 3>method and all that. And that's when I started doing

0:23:39.560 --> 0:23:42.240
<v Speaker 3>all this weird stuff with the mustache and the monkeys

0:23:42.240 --> 0:23:43.919
<v Speaker 3>and all this stuff, because I was all, you know,

0:23:44.040 --> 0:23:45.960
<v Speaker 3>heady into the whole method thing, like I got to go,

0:23:46.160 --> 0:23:48.119
<v Speaker 3>I gotta go extra far for the you know, for

0:23:48.200 --> 0:23:50.679
<v Speaker 3>the job and for the character and all that. And uh.

0:23:51.400 --> 0:23:53.800
<v Speaker 3>But then I ended up studying with a guy named

0:23:53.840 --> 0:23:57.520
<v Speaker 3>Manutupo after you know, like in the in the early nineties,

0:23:57.560 --> 0:24:01.640
<v Speaker 3>around ninety four Une nine, for after Parker Lewis canceled,

0:24:01.640 --> 0:24:05.680
<v Speaker 3>and and uh he had he was the exact opposite

0:24:05.680 --> 0:24:07.880
<v Speaker 3>of the method. He was like had this whole really

0:24:07.920 --> 0:24:11.880
<v Speaker 3>really unique way of approaching creating a character, which which

0:24:11.880 --> 0:24:16.720
<v Speaker 3>I absolutely loved. And but uh, I forget where I

0:24:16.760 --> 0:24:17.480
<v Speaker 3>was going with this.

0:24:17.960 --> 0:24:20.399
<v Speaker 1>What do you use now? I'm curious when you like,

0:24:20.440 --> 0:24:22.000
<v Speaker 1>when you go in for a new role, like what

0:24:22.320 --> 0:24:24.240
<v Speaker 1>are you going with method? Are you going with.

0:24:24.400 --> 0:24:27.960
<v Speaker 3>No, it's not method. Well, his you know, Monotupo's technique

0:24:28.040 --> 0:24:30.280
<v Speaker 3>was called the New Era acting technique, and it was

0:24:30.359 --> 0:24:35.320
<v Speaker 3>kind of like a creationist way of approaching acting, where

0:24:35.880 --> 0:24:39.800
<v Speaker 3>you know, where the character has to be one believed

0:24:39.800 --> 0:24:41.880
<v Speaker 3>and so you're not drawing from your own life. You're

0:24:42.160 --> 0:24:45.879
<v Speaker 3>creating a really detailed backstory of the character's life. So

0:24:46.200 --> 0:24:48.680
<v Speaker 3>all the stuff that's not written in the script that

0:24:48.960 --> 0:24:51.159
<v Speaker 3>that that you create a character. Oh, that's what I

0:24:51.160 --> 0:24:53.160
<v Speaker 3>was getting. It was the props and all of that.

0:24:53.240 --> 0:24:57.000
<v Speaker 3>But uh so, but you know, always working with props

0:24:57.080 --> 0:24:58.719
<v Speaker 3>was a big thing to me. So, I mean, I

0:24:58.760 --> 0:25:00.040
<v Speaker 3>know when I did note in too, and oh, I

0:25:00.160 --> 0:25:01.919
<v Speaker 3>was like, I need a coffee cup. I need some

0:25:01.960 --> 0:25:03.400
<v Speaker 3>coffee in it. I need to you know what I mean,

0:25:03.800 --> 0:25:05.560
<v Speaker 3>I need a pan, you know. So I'm like trying to,

0:25:05.600 --> 0:25:08.480
<v Speaker 3>you know, just like crush some type of reality into

0:25:08.880 --> 0:25:12.919
<v Speaker 3>into the scene work and stuff. And yeah. Yeah, Well,

0:25:13.000 --> 0:25:15.840
<v Speaker 3>in fact, on on on Stargate, I ended up being

0:25:15.920 --> 0:25:20.000
<v Speaker 3>banned from props. Uh after like after like eight episodes

0:25:20.119 --> 0:25:24.160
<v Speaker 3>or so. My character was from another planet and I thought, Okay, well,

0:25:24.240 --> 0:25:26.359
<v Speaker 3>now he's here on Earth, what's he going to be

0:25:26.520 --> 0:25:28.760
<v Speaker 3>interested in Well, it's gonna be like the food thing

0:25:28.840 --> 0:25:31.160
<v Speaker 3>is going to be a major, you know factor for him.

0:25:31.280 --> 0:25:34.639
<v Speaker 3>So all these different scenes I would introduce, you know,

0:25:34.800 --> 0:25:36.840
<v Speaker 3>like like we did one scene where me and one

0:25:36.840 --> 0:25:38.520
<v Speaker 3>of the characters are in a space ship and outer

0:25:38.600 --> 0:25:40.760
<v Speaker 3>space and it's like a five and a half page

0:25:40.800 --> 0:25:43.920
<v Speaker 3>scene of dialogue and we're just sitting there staring out

0:25:43.920 --> 0:25:46.240
<v Speaker 3>at space talking and I'm like, this is just this

0:25:46.359 --> 0:25:48.560
<v Speaker 3>scene is going to kill me, you know. And I

0:25:48.600 --> 0:25:51.960
<v Speaker 3>was by the craft service table pacing around, going Okay,

0:25:51.960 --> 0:25:53.439
<v Speaker 3>what can I do with this scene? What can I

0:25:53.480 --> 0:25:55.320
<v Speaker 3>bring to it that, you know, so it's not too

0:25:55.359 --> 0:25:58.080
<v Speaker 3>aliens sitting in space having a conversation. And I look

0:25:58.080 --> 0:25:59.880
<v Speaker 3>over and there's a big fruit display there and I'm

0:25:59.880 --> 0:26:02.679
<v Speaker 3>like a banana, a freaking banana and out of space.

0:26:02.720 --> 0:26:04.640
<v Speaker 3>So I'm sitting there talking. I pull out a banana.

0:26:04.640 --> 0:26:06.879
<v Speaker 3>I eat the banana. At the end, I realized, oh,

0:26:06.920 --> 0:26:09.000
<v Speaker 3>I didn't offer the other actor a banana, so I

0:26:09.040 --> 0:26:12.080
<v Speaker 3>pull out another banana. I'm like, without changing any dialogue,

0:26:12.119 --> 0:26:15.280
<v Speaker 3>just all silent, you know, behaviors and uh. And the

0:26:15.359 --> 0:26:20.800
<v Speaker 3>director was U was David DeLuise, dom Deluize's son, and

0:26:20.920 --> 0:26:22.600
<v Speaker 3>uh and it was great that he was the director

0:26:22.600 --> 0:26:24.720
<v Speaker 3>because he he I was trying to I was pitching

0:26:24.760 --> 0:26:26.520
<v Speaker 3>him this thing. You know, I got this idea, got

0:26:26.560 --> 0:26:28.520
<v Speaker 3>a banana, banana and out of space and everything like that.

0:26:28.520 --> 0:26:30.760
<v Speaker 3>And He's like, h a banana and out of space.

0:26:30.880 --> 0:26:33.240
<v Speaker 3>I like it, And so it's stuck in there. And

0:26:33.280 --> 0:26:36.720
<v Speaker 3>it actually a big thing, yeah, a big thing for

0:26:36.800 --> 0:26:39.800
<v Speaker 3>the fans. You know, Jonas's banana. There was actually a

0:26:39.800 --> 0:26:43.080
<v Speaker 3>whole group of fans back in like two thousand uh

0:26:43.160 --> 0:26:45.840
<v Speaker 3>five and six at the at the conventions over in

0:26:45.880 --> 0:26:47.640
<v Speaker 3>the UK. I used to do that would wear these

0:26:47.880 --> 0:26:50.320
<v Speaker 3>these brown robes with a big hoodie thing on it.

0:26:50.440 --> 0:26:52.719
<v Speaker 3>It said OJB on the back and it was the

0:26:52.840 --> 0:26:55.960
<v Speaker 3>Order of Jonas's Banana. And it was this whole whole

0:26:56.000 --> 0:26:59.359
<v Speaker 3>group of really strange nerdy type that would walk around

0:26:59.359 --> 0:27:02.040
<v Speaker 3>in these things and they look like Jawas basically. But

0:27:02.840 --> 0:27:05.560
<v Speaker 3>and I was like, you know, Order of Jonas's Bananas

0:27:05.560 --> 0:27:07.560
<v Speaker 3>sounds a little phallic. I don't know if you really

0:27:07.640 --> 0:27:10.200
<v Speaker 3>want to roll with this one, but okay. And people

0:27:10.240 --> 0:27:12.960
<v Speaker 3>will bring me bananas to sign, like autographed bananas.

0:27:13.000 --> 0:27:15.520
<v Speaker 2>I'm like, you don't, that's wild all because you saw

0:27:15.560 --> 0:27:19.200
<v Speaker 2>it in a fruit bowl. Oh my gosh. See.

0:27:19.640 --> 0:27:23.119
<v Speaker 3>Yes, So I introduced you know, quite a number of

0:27:23.200 --> 0:27:27.400
<v Speaker 3>different things in different scenes. And around episode six or so,

0:27:27.520 --> 0:27:31.280
<v Speaker 3>six or seven, I we had this big scene in

0:27:31.320 --> 0:27:34.280
<v Speaker 3>the boardroom. It's like, you know, shit has hit the fan.

0:27:34.320 --> 0:27:35.920
<v Speaker 3>They're trying to figure out how they're going to save

0:27:35.960 --> 0:27:38.560
<v Speaker 3>the world, all this stuff. There's like twelve people in

0:27:38.560 --> 0:27:41.320
<v Speaker 3>the scene, and I have like one line of dialogue

0:27:41.320 --> 0:27:42.919
<v Speaker 3>like near the end of the scene where I come

0:27:43.000 --> 0:27:45.639
<v Speaker 3>up with, you know, like the solution to you know,

0:27:45.680 --> 0:27:48.600
<v Speaker 3>whatever the problem is. But I have no other dialogue

0:27:48.640 --> 0:27:51.919
<v Speaker 3>in the whole scene. And again, the damn fruit baskets. Right.

0:27:52.280 --> 0:27:54.480
<v Speaker 3>So I'm standing there at this table and they have

0:27:54.800 --> 0:27:58.000
<v Speaker 3>in the scene they have this big fruit basket, you know,

0:27:58.359 --> 0:28:01.760
<v Speaker 3>fruit display and all this uf that that people, you know,

0:28:01.840 --> 0:28:05.080
<v Speaker 3>need to snack on. And and so I decide, well,

0:28:05.080 --> 0:28:07.359
<v Speaker 3>in the beginning of the scene, I'll start peeling this orange,

0:28:07.840 --> 0:28:09.800
<v Speaker 3>you know, and I'll be peeling the orange throughout the scene,

0:28:09.800 --> 0:28:11.440
<v Speaker 3>and when they finally get to my line of dialogue,

0:28:11.440 --> 0:28:13.560
<v Speaker 3>I'll be like eating, you know, my bite of orange,

0:28:13.600 --> 0:28:16.840
<v Speaker 3>you know, like crush realities here. And it went over fine.

0:28:16.880 --> 0:28:19.600
<v Speaker 3>Nobody said anything, but when they got into the editing room.

0:28:20.080 --> 0:28:21.720
<v Speaker 3>Every time they would cut to one of the wide

0:28:21.720 --> 0:28:23.800
<v Speaker 3>shots or whatever, all you see is me over there

0:28:23.840 --> 0:28:27.440
<v Speaker 3>peeling this bright orange. They're just like, and you're completely

0:28:27.440 --> 0:28:28.680
<v Speaker 3>out of the scene. Now You're like, what is he

0:28:28.840 --> 0:28:30.720
<v Speaker 3>doing back there?

0:28:30.520 --> 0:28:34.119
<v Speaker 1>You're you're basically upstaging everyone with your orange.

0:28:33.760 --> 0:28:36.600
<v Speaker 3>One hundred percent upstaging everybody with my orange. And that

0:28:36.720 --> 0:28:38.840
<v Speaker 3>was the point when the writer producers were like, Corn,

0:28:39.360 --> 0:28:41.040
<v Speaker 3>we love what you're doing, but if it's not in

0:28:41.080 --> 0:28:42.760
<v Speaker 3>the script, you're not allowed to do it anymore.

0:28:45.880 --> 0:28:48.800
<v Speaker 1>My god, you need to be you need to be

0:28:48.920 --> 0:28:51.160
<v Speaker 1>kept in the you know, you need to.

0:28:51.120 --> 0:28:53.400
<v Speaker 2>Have some security. I can't win.

0:28:54.960 --> 0:28:56.080
<v Speaker 3>Totally totally.

0:28:56.560 --> 0:29:00.440
<v Speaker 2>One last question, do you still do your grooffin the art?

0:29:01.080 --> 0:29:04.560
<v Speaker 3>I do absolutely, Yeah, yeah, yeah, one hundred percent. I've

0:29:04.640 --> 0:29:07.920
<v Speaker 3>never I mean, I've never really stopped ever. I was

0:29:08.120 --> 0:29:13.960
<v Speaker 3>very prolific up until the whole COVID thing when a

0:29:13.960 --> 0:29:16.280
<v Speaker 3>lot of my traveling went went under and all of that.

0:29:16.360 --> 0:29:18.920
<v Speaker 3>But I would take advantage of all of these events

0:29:18.960 --> 0:29:21.280
<v Speaker 3>that I would do all over the all over the world,

0:29:21.320 --> 0:29:23.360
<v Speaker 3>and I would extend my stay a little bit. I

0:29:23.600 --> 0:29:27.880
<v Speaker 3>really got into street art heavily as well, Like stencil art,

0:29:28.040 --> 0:29:31.320
<v Speaker 3>and what's called like poster art. The nickname for it

0:29:31.360 --> 0:29:33.120
<v Speaker 3>is wheat paste art. But it's when you when you

0:29:33.160 --> 0:29:37.560
<v Speaker 3>do like a graphic or stencyl type poster and all

0:29:37.600 --> 0:29:39.720
<v Speaker 3>painted and then you go and glue it up someplace

0:29:39.760 --> 0:29:42.080
<v Speaker 3>and all of that and uh and then the sticker stuff.

0:29:42.120 --> 0:29:44.080
<v Speaker 3>So I would anywhere I would travel, I would just

0:29:44.120 --> 0:29:46.000
<v Speaker 3>take my kit with me. I'd stay a few extra

0:29:46.080 --> 0:29:47.880
<v Speaker 3>days and I'd go around and put up my street

0:29:47.920 --> 0:29:50.120
<v Speaker 3>art and do all that, or or I'd hook up

0:29:50.160 --> 0:29:53.360
<v Speaker 3>with another graffiti artist and uh, and I'd go and paint,

0:29:53.560 --> 0:29:56.960
<v Speaker 3>you know, a legal wall or sometimes in illegal one,

0:29:57.120 --> 0:30:01.520
<v Speaker 3>but mostly legal walls, and uh, you know. And even

0:30:01.800 --> 0:30:03.960
<v Speaker 3>now I do more mural type stuff. I've done some

0:30:04.040 --> 0:30:06.400
<v Speaker 3>murals in La too that are still there on Melrose

0:30:06.440 --> 0:30:11.160
<v Speaker 3>in the back alleys at pos Poser's Punk rock Store.

0:30:11.360 --> 0:30:13.320
<v Speaker 3>On the back side of that, there's a big painting

0:30:13.400 --> 0:30:17.080
<v Speaker 3>I did of sid Vicious that's still there, and a

0:30:17.120 --> 0:30:18.440
<v Speaker 3>couple other paintings back there.

0:30:18.600 --> 0:30:19.880
<v Speaker 2>What year did you do that?

0:30:20.160 --> 0:30:23.560
<v Speaker 3>Oh, that was probably like twenty sixteen or so.

0:30:24.080 --> 0:30:27.040
<v Speaker 1>Oh gosh, everybody go, look, yeah, we're gonna be hunting

0:30:27.080 --> 0:30:27.480
<v Speaker 1>that down.

0:30:27.560 --> 0:30:29.800
<v Speaker 2>Yeah, take your pictures in front of it guys.

0:30:29.480 --> 0:30:31.400
<v Speaker 1>With robes and bananas, They're going to be looking for me.

0:30:31.800 --> 0:30:36.080
<v Speaker 3>Yes, But I just did one recently that won Best

0:30:36.120 --> 0:30:39.000
<v Speaker 3>New Mural in Tampa Bay at a coffee shop that's

0:30:39.040 --> 0:30:41.920
<v Speaker 3>here in my area called bell Air Coffee. I did

0:30:42.480 --> 0:30:46.040
<v Speaker 3>a big, huge coffee plantation mural on the side of

0:30:46.080 --> 0:30:48.920
<v Speaker 3>the of their building, and then and then another one

0:30:48.960 --> 0:30:52.880
<v Speaker 3>of like an old coffee farmer drinking an espresso and

0:30:54.200 --> 0:30:56.480
<v Speaker 3>it turned out really awesome. It's cool. The pictures are

0:30:56.520 --> 0:31:00.200
<v Speaker 3>on my Instagram. I am corn Nymic on Instagram if

0:31:00.240 --> 0:31:02.880
<v Speaker 3>anybody wants to scroll down and find them, or I

0:31:02.920 --> 0:31:05.920
<v Speaker 3>have my graffiti Instagram site which is at the one

0:31:06.000 --> 0:31:09.640
<v Speaker 3>six nine THHG one six and nine. If anybody's wait,

0:31:09.640 --> 0:31:14.160
<v Speaker 3>wait at what it's at V one six nine THHG

0:31:14.480 --> 0:31:16.400
<v Speaker 3>and then the numbers one six and nine D one

0:31:16.440 --> 0:31:20.840
<v Speaker 3>six nine is my graffiti? Did you get that, lucky? Well,

0:31:21.280 --> 0:31:23.880
<v Speaker 3>My my graffiti name is Pike one six nine and

0:31:24.000 --> 0:31:27.000
<v Speaker 3>one six nine was my art room at North Hollywood

0:31:27.080 --> 0:31:28.959
<v Speaker 3>High That was where they where we did our art

0:31:28.960 --> 0:31:30.240
<v Speaker 3>class and I was in there with a bunch of

0:31:30.280 --> 0:31:33.000
<v Speaker 3>other graffiti artists, and so I chose that as my

0:31:33.120 --> 0:31:36.120
<v Speaker 3>kind of because back in the in New York, a

0:31:36.160 --> 0:31:38.480
<v Speaker 3>lot of a lot of graffiti artists would use their

0:31:38.520 --> 0:31:41.200
<v Speaker 3>street that they lived on or whatever to signify like

0:31:41.280 --> 0:31:44.160
<v Speaker 3>where they were from, like Tacky one, three eight or whatever,

0:31:44.200 --> 0:31:46.440
<v Speaker 3>and they'd have their and I was like, like, I

0:31:46.480 --> 0:31:49.120
<v Speaker 3>need a number, you know, But I didn't live on

0:31:49.160 --> 0:31:50.600
<v Speaker 3>a numbered street or anything.

0:31:50.840 --> 0:31:53.040
<v Speaker 2>Were you and Brian the same class?

0:31:53.360 --> 0:31:55.000
<v Speaker 3>We weren't in the same class. We were at North

0:31:55.040 --> 0:31:58.720
<v Speaker 3>Hollywood High together though, but I I left. I'm like

0:31:58.760 --> 0:31:59.600
<v Speaker 3>a year and a half.

0:31:59.440 --> 0:32:02.479
<v Speaker 2>Older than him, but he both went there.

0:32:02.520 --> 0:32:05.040
<v Speaker 3>Yeah, yeah, yes, we went there. But I left in

0:32:05.760 --> 0:32:09.040
<v Speaker 3>eleventh grade and went over to Excelsior School, which was,

0:32:09.520 --> 0:32:13.680
<v Speaker 3>you know, like the school for ornery working.

0:32:13.400 --> 0:32:16.000
<v Speaker 2>Actors to get it done the actors.

0:32:16.280 --> 0:32:18.160
<v Speaker 3>Yep, yeah, I mean I was at that school with

0:32:18.200 --> 0:32:19.160
<v Speaker 3>the I mean what.

0:32:19.120 --> 0:32:21.360
<v Speaker 2>It was that school in Lese, right.

0:32:21.800 --> 0:32:24.080
<v Speaker 3>I can't remember the other one, but I went at

0:32:24.080 --> 0:32:27.600
<v Speaker 3>that one. I was there with like Christina Applegate, balls Argetti,

0:32:28.080 --> 0:32:31.120
<v Speaker 3>Seth Benzer from crazy Town unfortunately passed away. It's very sad,

0:32:31.160 --> 0:32:35.200
<v Speaker 3>and Sleigh Moonfry and Mili Joviovic and Jenny Lewis and

0:32:35.760 --> 0:32:39.760
<v Speaker 3>crew and Johnny Whitworth and I mean this the list

0:32:39.840 --> 0:32:42.960
<v Speaker 3>goes on and on, Ernie Rays Junior, a whole bunch

0:32:43.040 --> 0:32:47.400
<v Speaker 3>of folks. It was. It was a hilarious experience. We'd

0:32:47.400 --> 0:32:49.800
<v Speaker 3>only go to school from I think it was like

0:32:49.880 --> 0:32:53.160
<v Speaker 3>eight forty five to twelve noon every day. This one

0:32:53.160 --> 0:32:55.640
<v Speaker 3>teacher named mister Van who was an avid surfer, and

0:32:55.680 --> 0:32:57.959
<v Speaker 3>he would lock the principles out of his room and

0:32:58.080 --> 0:33:00.440
<v Speaker 3>change his clock if there was a big surf that day,

0:33:00.440 --> 0:33:03.720
<v Speaker 3>and he'd leave. He'd leave school like forty five minutes early.

0:33:04.480 --> 0:33:07.080
<v Speaker 1>He's gotta he's got to get to the waves. That's

0:33:07.080 --> 0:33:08.800
<v Speaker 1>what happens in California with the people.

0:33:09.440 --> 0:33:12.160
<v Speaker 3>They have to get to the ocean totally.

0:33:12.960 --> 0:33:15.560
<v Speaker 1>You are so multi fascinated.

0:33:16.800 --> 0:33:20.320
<v Speaker 2>Is that the right word? Multis fascinating?

0:33:20.400 --> 0:33:22.800
<v Speaker 3>I'll take fascinated either one. Right.

0:33:23.480 --> 0:33:26.360
<v Speaker 1>Such an interesting career you've had and just so many

0:33:26.640 --> 0:33:29.000
<v Speaker 1>you know, just like you were the nineties guy.

0:33:29.360 --> 0:33:31.280
<v Speaker 3>It was fun, Yeah, the guy.

0:33:32.920 --> 0:33:34.440
<v Speaker 1>And it was just such a thrill to have you

0:33:34.440 --> 0:33:37.080
<v Speaker 1>on our show. And I know that we both love

0:33:37.120 --> 0:33:37.600
<v Speaker 1>getting to know.

0:33:37.680 --> 0:33:39.040
<v Speaker 2>It's excited to see you and.

0:33:39.120 --> 0:33:41.840
<v Speaker 3>Catch Yes, it's great to see both of you again too.

0:33:41.960 --> 0:33:44.360
<v Speaker 3>It's so cool. I love it. It's it brings back

0:33:44.400 --> 0:33:46.840
<v Speaker 3>a lot of memories, so.

0:33:46.720 --> 0:33:47.280
<v Speaker 2>Great to see you.

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<v Speaker 1>Thank you so much for coming on with us today.

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<v Speaker 3>It's my pleasure you too.