WEBVTT - The Ridiculous Truth About Pirates, Chapter One: The Caribbean

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<v Speaker 1>Ridiculous History is a production of iHeartRadio. Welcome back to

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<v Speaker 1>the show, fellow Ridiculous Historians. Thank you, as always so

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<v Speaker 1>much for tuning in. That's our super producer, mister Max Williams.

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<v Speaker 2>Hello, I am here and in the room for a while.

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<v Speaker 2>He's sitting in a chair. We're all here together.

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<v Speaker 1>Yes, they call me Ben Bullen for tax purposes, and

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<v Speaker 1>that's mister Noel Brown. Did you do your taxes?

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<v Speaker 3>What's that done? Your taxes?

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<v Speaker 1>This a legal inquiry, yes it is. So we are

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<v Speaker 1>all answer to me, Dan if we are going to

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<v Speaker 1>you live, I don't from the I did do my taxes?

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<v Speaker 2>Get black bags? See if I care. I was just

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<v Speaker 2>trying to help you out.

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<v Speaker 1>All right, did you do your taxes?

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<v Speaker 3>Nope? All right, I did my taxes. In case we're wondering,

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<v Speaker 3>I did him in January. And we have a good boy.

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<v Speaker 1>We have a fourth person joining us today death long

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<v Speaker 1>time brother in arms, also a co creator of stuff

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<v Speaker 1>they don't want you to know. Fellow ridiculous historians. Let's

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<v Speaker 1>welcome the one and only mister Matt Frederick.

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<v Speaker 4>Hey, everybody, Matt the Voice Frederick, Matt the Private Privateers,

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<v Speaker 4>saving Private Ryan's private privateers.

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<v Speaker 3>Of our podcast.

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<v Speaker 1>Hey, hey, hey, that's a different one, as you can tell, folks.

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<v Speaker 1>Because we're talking about being good boys and paying our taxes.

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<v Speaker 1>We're leading into a an exploration that we couldn't imagine

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<v Speaker 1>occurring in a better environment. We are going to talk

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<v Speaker 1>about some of history's most ridiculous, obscure and strange pirates,

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<v Speaker 1>and we're doing it in the former home of Caribbean piracy.

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<v Speaker 3>It's true, it's a little it's a little different than

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<v Speaker 3>it once was.

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<v Speaker 2>It's they classed up the joy I don't know if

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<v Speaker 2>they used to have flamingo yoga.

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<v Speaker 5>In the pirate days.

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<v Speaker 3>But you know, here we are at Bahama.

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<v Speaker 1>At the lovely Baja Maar. We couldn't be more thrilled.

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<v Speaker 1>We've been here for a couple of days. We are in, guys, honestly,

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<v Speaker 1>a posh studio. I'm gonna say it. It's way better

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<v Speaker 1>than what we're used to.

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<v Speaker 2>It's well, you know, I mean, our individual homes typically

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<v Speaker 2>serve as our studios, so results may vary.

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<v Speaker 3>I like my situation. I hope you all like yours

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<v Speaker 3>as well.

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<v Speaker 2>This situation, though, however, involves a fish bowl type thing

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<v Speaker 2>where there are children and their families, just looking and

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<v Speaker 2>pointing at the at the odd men.

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<v Speaker 5>And just tried to make eye contact with the dad

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<v Speaker 5>just ice man, Come on, dad, man.

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<v Speaker 3>No, this is not how it works. I just want

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<v Speaker 3>in your natural environment, dude, let them observe you.

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<v Speaker 6>I want to meet that dad and to break the

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<v Speaker 6>metaphorical fourth wall here a little bit. What's different today

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<v Speaker 6>than it was from yesterday when we recording stuff that

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<v Speaker 6>I want you to know is that's on video today

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<v Speaker 6>is audio hanging on?

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<v Speaker 1>Well, we have.

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<v Speaker 6>Of the windows open, so there's a pathway that people

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<v Speaker 6>are walking down, and yesterday I just walked by like whatever.

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<v Speaker 6>Today they're just like.

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<v Speaker 1>Because today it's way easier to see.

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<v Speaker 3>That's right, the more of the foot traffic on that

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<v Speaker 3>side of the cube.

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<v Speaker 1>So you may hear us shout out people who are

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<v Speaker 1>walking by. A fellow visitors to Baja Mar. There are

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<v Speaker 1>a lot of very curious kids here. You may also

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<v Speaker 1>encounter a random guest because we had some folks walk

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<v Speaker 1>in as we're recording, likely shirtless, likely shirtless. It's a look,

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<v Speaker 1>it's a mood, it's a vibe. Guys. What say we

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<v Speaker 1>do it a listical style here and get into certain

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<v Speaker 1>stories of different pirates, often obscure that we have been

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<v Speaker 1>diving into over our past few days here.

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<v Speaker 2>At Baja cliff Diving. Even it was a false cliff,

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<v Speaker 2>but I did cliff dove.

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<v Speaker 1>I remember we were cliff cliff.

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<v Speaker 5>Yes, and then you go into a little cove of sorts.

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<v Speaker 5>What do you call that? A grotto?

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<v Speaker 3>Much like the Playboy mansion. Yes, a legend.

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<v Speaker 5>On the other side within said grotto, you can see

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<v Speaker 5>into this animal sanctuary that they've got set up in there.

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<v Speaker 5>You can see all kinds of sharks and turtles.

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<v Speaker 3>Tag not an ad.

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<v Speaker 1>Hashtag, kind of an hashtag, kind of a kind of

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<v Speaker 1>an ad.

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<v Speaker 5>I'm sorry, I was genuinely excited.

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<v Speaker 2>Because we are genuinely enthusiastic about this place. It's super

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<v Speaker 2>super fun. Definitely no ad required, to be honest, we're

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<v Speaker 2>just they put us up, and of course we're gonna

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<v Speaker 2>gush about the place.

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<v Speaker 3>It rules.

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<v Speaker 1>So, gentlemen, where should we begin? I guess we got

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<v Speaker 1>to talk about piracy in general. It's still a thing.

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<v Speaker 2>We should start close to home and then move our

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<v Speaker 2>way outward back to our other home.

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<v Speaker 1>Perhaps that's good, Yeah, and we can maybe end with

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<v Speaker 1>the world's most six cessful pirates.

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<v Speaker 3>Oh there we go. Okay, okay, like that.

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<v Speaker 2>When I say close to home, I mean close to

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<v Speaker 2>where we currently find ourselves at home, and then maybe

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<v Speaker 2>moving back towards the States.

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<v Speaker 1>Oh and everybody check out our episode. Did pirates have

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<v Speaker 1>a government from a few years back which also takes

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<v Speaker 1>place here?

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<v Speaker 3>It sure does.

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<v Speaker 2>And I don't know if we talked about this on

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<v Speaker 2>that episode, but I was doing a little digging. I

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<v Speaker 2>know we talked about the eye patch trick. It wasn't

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<v Speaker 2>necessarily that someone's eye had been removed by a parrot or.

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<v Speaker 3>A butter little.

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<v Speaker 2>It was about flipping the patch to the other side

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<v Speaker 2>if you needed to go down into the below decks,

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<v Speaker 2>and then that eye that had been blocked would be

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<v Speaker 2>pre acclimated to the darkness.

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<v Speaker 5>Beautiful, pretty cool.

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<v Speaker 2>And the peg legory of it all, Yes, that was

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<v Speaker 2>done by just some really industrious and thrifty woodworkers who

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<v Speaker 2>kind of figured out how to use their certain set

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<v Speaker 2>of skills to craft on the fly.

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<v Speaker 3>What's the word prosthetics?

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<v Speaker 5>Oh, I was thinking maybe you would put some kind

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<v Speaker 5>of divot or whole in the deck, you know, so

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<v Speaker 5>that you could really strap in.

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<v Speaker 1>Yeah, stability during waves and then just rock people. And

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<v Speaker 1>in a sword fight, you know, how is that guy

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<v Speaker 1>able to swing around so quickly?

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<v Speaker 2>Well, and speaking of the sword fights, of it all

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<v Speaker 2>been the the swashbuckling, you know, a golden age of

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<v Speaker 2>Hollywood pirates sword fights we know as being very precision

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<v Speaker 2>and fencing like not how it was. It was much

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<v Speaker 2>more cutthroat and slash and burn chaotic.

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<v Speaker 1>And also we know that pirates, some pirate crews were

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<v Speaker 1>actually really progressive for their time. We also know that

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<v Speaker 1>the line even let women hang out right right, though

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<v Speaker 1>in the West it was still sometimes considered bad luck.

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<v Speaker 1>We don't know if all the women were pirates, but

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<v Speaker 1>we'll get to that. We'll get to the comp we'll

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<v Speaker 1>get to some yes, we'll get to some feminism piracy.

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<v Speaker 1>They got workers comp there were democratic votes on the ship.

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<v Speaker 3>The Bauty was all split in equal shares.

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<v Speaker 1>There was like a pension plan, you know, for people

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<v Speaker 1>who were retiring or who were injured. But there are

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<v Speaker 1>also so many misconceptions about piracy in general. It's like

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<v Speaker 1>it's a really muddy gray line between murky Water, privateer

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<v Speaker 1>Murky Waters, or dark Waters. Did you guys ever see

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<v Speaker 1>that cartoon Dark Water.

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<v Speaker 5>Saw the movie dark Water.

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<v Speaker 2>The one about that was the one about the the

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<v Speaker 2>teflon right, Yeah, there was a there was a super

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<v Speaker 2>fun hang yeah, yeah.

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<v Speaker 1>There was another one. We'll get into it later. Just

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<v Speaker 1>hit us up on Ridiculous Historians of Facebook if you

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<v Speaker 1>remember that obscure card, especially if you're an old I.

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<v Speaker 5>Sound familiar, man, but I like, I feel like I

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<v Speaker 5>can picture something in my mind of the art.

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<v Speaker 1>Yeah, yeah, yeah, yeah, yeah, it's it's very pirate coded,

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<v Speaker 1>as Noel would say, Uh, it's I don't know if

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<v Speaker 1>it holds up on rewatch, but it does bring us

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<v Speaker 1>to a question, what about.

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<v Speaker 3>Flight of Dragons though, yes, it does okay cool and

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<v Speaker 3>it is a ranking bass Yes, I love the rankings

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<v Speaker 3>in the back.

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<v Speaker 1>I'm surprised you haven't seen that.

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<v Speaker 3>I haven't. It seems like a bit of a deeper cut.

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<v Speaker 3>I don't know.

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<v Speaker 5>One guys, can we talk about New Providence Island, the

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<v Speaker 5>island on which we are sitting right now in the Bahamas,

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<v Speaker 5>the Big Island? I feel like that's kind of what

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<v Speaker 5>we're hinting at. The cool things in piracy at least, well,

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<v Speaker 5>there are a lot of interesting things, a lot of

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<v Speaker 5>horrific things that happened with piracy. But during the Golden Age,

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<v Speaker 5>like sixteen ninety seventeen twenty, that's when here in the

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<v Speaker 5>Bahamas there was a place that.

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<v Speaker 3>Was an intentional community.

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<v Speaker 5>Well it was completely bombarded and everybody left because this

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<v Speaker 5>place was destroyed, and then a lot of folks came

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<v Speaker 5>back and rebuilt everything and used it as a really

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<v Speaker 5>ange HQ.

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<v Speaker 3>It is like an HQ is also a bit of

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<v Speaker 3>a pirate utopia.

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<v Speaker 5>It's very strange because you're thinking about British or Spanish

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<v Speaker 5>rule back in the like colonial rule back in the day,

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<v Speaker 5>that is one of the big problems in the world.

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<v Speaker 5>And you're talking about a bunch of people who are

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<v Speaker 5>really good at ships, making ships go and functioning on

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<v Speaker 5>the seas, a lot of them in the Atlantic Ocean,

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<v Speaker 5>especially once we're talking about here and the freedom that

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<v Speaker 5>that represents, right, and then the freedom that the Bahamas

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<v Speaker 5>represented at that time when they created their own place,

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<v Speaker 5>like as we were saying, like a freeport, not freeport,

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<v Speaker 5>but like.

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<v Speaker 1>Episode of stuff. They don't want you to know.

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<v Speaker 5>Because Nasau, like now what is now Nasau was basically

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<v Speaker 5>what the place we're talking about, and I'm trying to

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<v Speaker 5>make a connection between the freedom of that that place

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<v Speaker 5>represented versus the colonialism, and how a lot of the

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<v Speaker 5>the pirateers began because they weren't getting paid right by

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<v Speaker 5>people who commissioned them to be on a ship to

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<v Speaker 5>go somewhere and do something.

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<v Speaker 1>To or or absolutely conscripted them, yes right and made

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<v Speaker 1>them in all function slaves and we'll get to like.

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<v Speaker 5>And they just decided we're not doing this anymore.

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<v Speaker 1>Yeah, And the colonial powers had their own pirate armies.

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<v Speaker 1>They just called them privateers and gave them little certain

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<v Speaker 1>that said what this guy does is fine.

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<v Speaker 2>And I'm sorry, man, I didn't mean to interrupt. The

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<v Speaker 2>privateer comment was not quite on base. You're more talking

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<v Speaker 2>about when they were conscripted to just run supplies and victuals.

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<v Speaker 5>Often often there's I think somebody you're going to be

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<v Speaker 5>talking about today, Noel, And that thing happened in particular

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<v Speaker 5>where a mutiny occurred because of the pay stopped and

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<v Speaker 5>they got stranded somewhere on a ship and they said, well,

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<v Speaker 5>I guess we're taking the ship so to jump in here.

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<v Speaker 6>Like I think Ben, we were talking about this maybe

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<v Speaker 6>two netsco that basically on every like long Spanish voyage,

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<v Speaker 6>you basically read about there's a mutiny at some point.

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<v Speaker 6>There is always a mutiny and all these things because

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<v Speaker 6>they stopped paying people.

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<v Speaker 1>They like, the food goes bad.

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<v Speaker 6>It goes bad for some reason. God grabs a bunch

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<v Speaker 6>of cows. No, they're not going to talk about enough

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<v Speaker 6>sourcing on that basil hood if you want to check

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<v Speaker 6>that one out. But there's always gonna overthrown because it

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<v Speaker 6>really sucked, and you know, there's these liberties will be

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<v Speaker 6>taken away because it's easy to you know, there's the

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<v Speaker 6>romanticized view of pirates where it's like all these people

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<v Speaker 6>weren't bad, they like the Pirates of the Caribbean view.

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<v Speaker 6>Then there's like the like pirates are bad, but they're

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<v Speaker 6>just terrible view, But it's like, you know, they were

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<v Speaker 6>rebelling against the system that was really bad.

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<v Speaker 2>No, the truth is somewhere in the middle, and of

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<v Speaker 2>course there's examples on both sides. But it's so interesting

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<v Speaker 2>to think about how a ship at sea really is

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<v Speaker 2>like its own little country, and a mutiny is really

0:11:17.720 --> 0:11:18.199
<v Speaker 2>kind of like.

0:11:18.200 --> 0:11:19.400
<v Speaker 3>Overthrowing the governments.

0:11:19.559 --> 0:11:22.280
<v Speaker 2>But it's a lot easier to do when you as

0:11:22.360 --> 0:11:25.600
<v Speaker 2>kind of like a bunch of your closest pals and

0:11:25.640 --> 0:11:27.839
<v Speaker 2>then the guy that you want to overthrow. It's a

0:11:27.840 --> 0:11:31.120
<v Speaker 2>little more functionally achievable goal on a ship. So that's

0:11:31.120 --> 0:11:33.000
<v Speaker 2>probably why it happened so much more than like, you know,

0:11:33.120 --> 0:11:34.840
<v Speaker 2>your average coup exactly.

0:11:34.880 --> 0:11:37.120
<v Speaker 1>And then we also know to be clear here, we're

0:11:37.120 --> 0:11:40.640
<v Speaker 1>primarily talking about piracy in the Caribbean, which is what

0:11:40.800 --> 0:11:43.959
<v Speaker 1>most Americans are going to be thinking about right when

0:11:44.000 --> 0:11:46.600
<v Speaker 1>you hear pirates, right, and a lot of that is

0:11:46.640 --> 0:11:49.600
<v Speaker 1>probably due to Johnny Depp, But we have to realize

0:11:49.600 --> 0:11:53.400
<v Speaker 1>that the colonial system, in a very real way, it

0:11:53.520 --> 0:11:57.920
<v Speaker 1>created the Caribbean piracy, right, because these folks were under

0:11:58.240 --> 0:12:02.720
<v Speaker 1>brutal class regimes. Uh, the punishments were incredibly harsh for

0:12:02.800 --> 0:12:06.319
<v Speaker 1>all kinds of things because the captains and the colonial

0:12:06.400 --> 0:12:10.200
<v Speaker 1>powers ruled through fear. So when we had when we

0:12:10.280 --> 0:12:14.640
<v Speaker 1>had people who say, were of darker skin tone, right,

0:12:14.920 --> 0:12:17.360
<v Speaker 1>they would never have a chance to advance in a

0:12:17.440 --> 0:12:20.840
<v Speaker 1>colonial operation at all. So why wouldn't you go somewhere else?

0:12:20.840 --> 0:12:24.440
<v Speaker 2>And to the point of the egalitarianism of the pirate world,

0:12:24.760 --> 0:12:27.760
<v Speaker 2>those folks would have been welcomed into the right, yeah.

0:12:27.800 --> 0:12:31.640
<v Speaker 1>Especially if they're treated as able bodied yeah, and if

0:12:31.679 --> 0:12:35.120
<v Speaker 1>not treated as equals treated less horribly fair enough.

0:12:35.120 --> 0:12:37.800
<v Speaker 3>See now I'm doing the romanticization again. It's easy to do.

0:12:37.960 --> 0:12:39.800
<v Speaker 3>But at the very least you're right then they were

0:12:40.040 --> 0:12:41.079
<v Speaker 3>allowed to exist.

0:12:41.280 --> 0:12:44.160
<v Speaker 1>They were allowed to exist. Which does it seem like

0:12:44.200 --> 0:12:46.000
<v Speaker 1>it's asking for that much? So I think we're a

0:12:46.240 --> 0:12:52.720
<v Speaker 1>low bar. We're gently becoming pro pirate because of the meritocracy.

0:12:52.840 --> 0:12:55.000
<v Speaker 5>I want to yes, I want to make one point.

0:12:55.000 --> 0:12:59.800
<v Speaker 5>It's it's uncomfortable, it's it's unsettling, it's it's gross and sorry,

0:13:00.040 --> 0:13:02.240
<v Speaker 5>I know that I know what show them on. We

0:13:02.360 --> 0:13:04.920
<v Speaker 5>just have to point out in the in the writing,

0:13:05.480 --> 0:13:09.240
<v Speaker 5>there's there's a lot of reading that you can do

0:13:09.400 --> 0:13:12.679
<v Speaker 5>about quote wild women, which you will see. You will

0:13:12.679 --> 0:13:14.760
<v Speaker 5>see that phrase a lot when you're looking up the

0:13:14.800 --> 0:13:17.120
<v Speaker 5>history of pirates.

0:13:17.480 --> 0:13:20.360
<v Speaker 3>Well, well maybe I don't know.

0:13:22.160 --> 0:13:24.240
<v Speaker 5>What. Just want to point this out here because it's

0:13:24.320 --> 0:13:26.120
<v Speaker 5>just it's a truth of a truth of the thing.

0:13:26.160 --> 0:13:28.240
<v Speaker 5>We're talking about the different versions of pirates that you'll

0:13:28.280 --> 0:13:32.520
<v Speaker 5>read about and the way they are depicted there. There's

0:13:32.679 --> 0:13:38.400
<v Speaker 5>horrific s a happening across the board, but just I

0:13:38.440 --> 0:13:41.880
<v Speaker 5>mean on ships when you know a port was rated

0:13:42.520 --> 0:13:46.120
<v Speaker 5>everywhere that was happening, and it's just very much so

0:13:46.240 --> 0:13:48.440
<v Speaker 5>in the way you know we've spoken before, but I've

0:13:48.480 --> 0:13:50.679
<v Speaker 5>spoken with you guys before about vikings and the way

0:13:50.720 --> 0:13:53.840
<v Speaker 5>they're depicted, and you know, but there's all there's that

0:13:53.840 --> 0:13:57.000
<v Speaker 5>that gray area between the truths often, but there is

0:13:57.080 --> 0:14:01.240
<v Speaker 5>horrific stuff in almost every crew that I've read about it.

0:14:01.280 --> 0:14:04.560
<v Speaker 1>Yeah, there's no happy pirate squad, you know what I mean.

0:14:04.600 --> 0:14:08.240
<v Speaker 1>There's nobody who is like raiding a ship to bring hugs.

0:14:09.280 --> 0:14:11.800
<v Speaker 1>This isn't happening. This is a great setup, Matt, for

0:14:12.559 --> 0:14:15.079
<v Speaker 1>a story we'll get to later, because we did say

0:14:15.080 --> 0:14:17.680
<v Speaker 1>we're going to get into some feminism in piracy, which

0:14:17.840 --> 0:14:20.000
<v Speaker 1>I'm really excited about. This is going to be crazy,

0:14:20.240 --> 0:14:24.760
<v Speaker 1>but you know, it's your proposition there about starting closer

0:14:24.800 --> 0:14:27.120
<v Speaker 1>to the US centric view. Why do you kick it

0:14:27.160 --> 0:14:29.520
<v Speaker 1>with us on the on the is there a pirate

0:14:29.560 --> 0:14:32.280
<v Speaker 1>from the Caribbean that's really captured ry?

0:14:38.960 --> 0:14:40.280
<v Speaker 3>Oh, geez, put me on the spot.

0:14:40.320 --> 0:14:41.840
<v Speaker 2>Why don't you, Well, you know what, I will talk

0:14:41.880 --> 0:14:44.479
<v Speaker 2>about this guy because it actually is also very applicable

0:14:44.960 --> 0:14:49.720
<v Speaker 2>in terms of what we just discussed regarding the golden

0:14:49.760 --> 0:14:53.440
<v Speaker 2>age of piracy, and there was actually a thing that

0:14:53.600 --> 0:14:58.080
<v Speaker 2>happened where King George, the first kind of near the

0:14:58.200 --> 0:14:59.880
<v Speaker 2>end of that Golden Age that Matt was talking about

0:15:00.000 --> 0:15:03.320
<v Speaker 2>seventeen eighteen to seventeen. Seventeen seventeen to seventeen eighteen, he

0:15:03.360 --> 0:15:07.120
<v Speaker 2>passed something called the Acts of Grace, which essentially absolved

0:15:07.400 --> 0:15:10.880
<v Speaker 2>a lot of these pirates for their crimes in the

0:15:11.040 --> 0:15:14.400
<v Speaker 2>hopes that they would quit pirating. Yeah, but some of

0:15:14.440 --> 0:15:18.080
<v Speaker 2>them said, King George, you can take your pardon and

0:15:18.200 --> 0:15:20.160
<v Speaker 2>stick it where the sun don't shine.

0:15:20.240 --> 0:15:22.240
<v Speaker 6>Also to jump in here, I mean, Ben, I know

0:15:22.320 --> 0:15:25.280
<v Speaker 6>you were the swell, but so much of my knowledge

0:15:25.280 --> 0:15:27.080
<v Speaker 6>of this time of period it just comes from Assassin's

0:15:27.120 --> 0:15:30.920
<v Speaker 6>creed for a black Flag. They're showing up, you know,

0:15:31.640 --> 0:15:34.520
<v Speaker 6>is it Huntingford. We're going to get into him eventually,

0:15:34.600 --> 0:15:36.600
<v Speaker 6>but yeah, he's your friend. He portrays you and you

0:15:36.640 --> 0:15:37.480
<v Speaker 6>have to kill him later.

0:15:37.560 --> 0:15:39.640
<v Speaker 3>Oh so yeah, I've never played a one of those

0:15:39.680 --> 0:15:40.440
<v Speaker 3>games where it's it.

0:15:42.040 --> 0:15:43.400
<v Speaker 1>Start later in the franchise.

0:15:43.680 --> 0:15:46.200
<v Speaker 2>I start earlier in the fan like the Pirate One.

0:15:46.280 --> 0:15:46.880
<v Speaker 2>Don't start one?

0:15:47.160 --> 0:15:47.680
<v Speaker 1>Should I say?

0:15:47.720 --> 0:15:48.280
<v Speaker 3>The Pirate One?

0:15:48.320 --> 0:15:48.440
<v Speaker 1>Though?

0:15:48.480 --> 0:15:49.360
<v Speaker 3>Is that great.

0:15:50.960 --> 0:15:51.480
<v Speaker 1>Mechanics?

0:15:51.520 --> 0:15:53.520
<v Speaker 6>Well, they're going to re release it this year unless

0:15:53.520 --> 0:15:55.840
<v Speaker 6>they're not going to re releaate what. Yeah, Ubisov has been

0:15:55.920 --> 0:15:57.880
<v Speaker 6>haven't official announcement, but they've been working on a re

0:15:57.880 --> 0:16:01.800
<v Speaker 6>release or remastering of four. But they're also working on

0:16:01.840 --> 0:16:05.360
<v Speaker 6>a remastering of Prince Persia, which they canceled.

0:16:05.400 --> 0:16:08.640
<v Speaker 1>Because you have thoughts like going on now Srodingers.

0:16:08.880 --> 0:16:11.760
<v Speaker 2>That's funny though, because Ubisoft is kind of the King George,

0:16:11.840 --> 0:16:13.120
<v Speaker 2>the first of video.

0:16:12.840 --> 0:16:14.720
<v Speaker 3>Games in a lot of ways.

0:16:14.760 --> 0:16:17.520
<v Speaker 2>Because not to get too off the track here, but

0:16:17.840 --> 0:16:21.280
<v Speaker 2>we're all huge fans of clareub Scare Expedition thirty three,

0:16:21.600 --> 0:16:24.800
<v Speaker 2>which is what one could argue as close to an

0:16:24.840 --> 0:16:28.840
<v Speaker 2>indie game studio as might be able to generate what

0:16:29.040 --> 0:16:32.160
<v Speaker 2>feels like a triple A title like clareub Scare. And

0:16:32.200 --> 0:16:35.200
<v Speaker 2>it was made up from folks who pitched that to Ubisoft,

0:16:35.440 --> 0:16:39.000
<v Speaker 2>and he was continuously shot down and said, no, no, no,

0:16:39.040 --> 0:16:42.000
<v Speaker 2>that's too weird, it is never gonna fly, and literally

0:16:42.040 --> 0:16:44.280
<v Speaker 2>blew them out of the water when they started their

0:16:44.320 --> 0:16:45.880
<v Speaker 2>own company Sandfall, dude.

0:16:46.200 --> 0:16:48.320
<v Speaker 6>And by the way, I have my whole right arm

0:16:48.360 --> 0:16:52.200
<v Speaker 6>exposed facing Matt right now, who refuses to play claireub

0:16:52.240 --> 0:16:53.600
<v Speaker 6>Skire so he has to just stare at my.

0:16:55.040 --> 0:16:57.680
<v Speaker 1>You have to play it. With the audio we're getting on, I.

0:16:57.680 --> 0:16:59.720
<v Speaker 5>Would love it so much if it wasn't all, you know,

0:16:59.760 --> 0:17:04.840
<v Speaker 5>a generated I'm only kidding right now.

0:17:05.119 --> 0:17:08.919
<v Speaker 2>The Proclamation for Suppressing of Pirates also known as the

0:17:08.960 --> 0:17:12.520
<v Speaker 2>Act of Grace, and it was it was not an

0:17:12.520 --> 0:17:15.080
<v Speaker 2>act of Parliament, but it was a royal proclamation that

0:17:15.160 --> 0:17:18.440
<v Speaker 2>King George the First of Britain issued on September fifth

0:17:18.480 --> 0:17:22.560
<v Speaker 2>of seventeen seventeen, promising a pardon for all acts of

0:17:22.600 --> 0:17:27.400
<v Speaker 2>piracy committed before the following January the fifth, to any

0:17:27.440 --> 0:17:30.879
<v Speaker 2>pirates who would be so bold as to surrender themselves

0:17:30.880 --> 0:17:34.760
<v Speaker 2>to the Crown, to a proper authority before said deadline.

0:17:35.400 --> 0:17:37.800
<v Speaker 3>And there were other, you know, caveats associated with that.

0:17:37.920 --> 0:17:40.959
<v Speaker 2>But we're talking about a dude named Charles Vain, who

0:17:41.280 --> 0:17:44.960
<v Speaker 2>I believe that's your your reference point with the game, right.

0:17:45.200 --> 0:17:48.240
<v Speaker 6>Uh no, but he is got you play as a

0:17:48.280 --> 0:17:50.920
<v Speaker 6>fictional pirate Edward Tenway. But Vain is one of the

0:17:50.960 --> 0:17:52.960
<v Speaker 6>guys you meet and you don't think very highly of Vain.

0:17:53.040 --> 0:17:54.359
<v Speaker 6>Vain has comes off as a real pill.

0:17:54.480 --> 0:17:56.320
<v Speaker 1>Well he was Benjamin Horney Golden.

0:17:56.480 --> 0:17:58.320
<v Speaker 6>Yeah, he's actually a kind of your mentor, and he's

0:17:58.400 --> 0:18:00.000
<v Speaker 6>kind of like a guy who portrays you.

0:18:00.040 --> 0:18:02.600
<v Speaker 1>Jim and Horny gold Yes, matt okay, okay, just with

0:18:02.720 --> 0:18:02.960
<v Speaker 1>an I.

0:18:03.920 --> 0:18:05.080
<v Speaker 3>That's a banger of a pirate.

0:18:06.400 --> 0:18:09.560
<v Speaker 5>For gold, we got vain and horny gold.

0:18:09.920 --> 0:18:13.679
<v Speaker 2>So here's a quote from Captain Charles Johnson from a

0:18:13.760 --> 0:18:16.920
<v Speaker 2>general History of the Pirates with a y because they

0:18:17.000 --> 0:18:20.720
<v Speaker 2>spelled things funny. Back then, all the pirates who were

0:18:20.760 --> 0:18:25.000
<v Speaker 2>found at this colony of rogues submitted and received certificates

0:18:25.000 --> 0:18:29.160
<v Speaker 2>of their pardon, except Captain Vaine and his crew, who,

0:18:29.240 --> 0:18:31.760
<v Speaker 2>as soon as they saw the men of War enter,

0:18:32.320 --> 0:18:36.160
<v Speaker 2>slipped their cable, set fire to a prize they had

0:18:36.160 --> 0:18:40.440
<v Speaker 2>in the harbor, and sailed out with their pirrishical colors flying,

0:18:40.800 --> 0:18:43.120
<v Speaker 2>firing at one of the men of war as they

0:18:43.160 --> 0:18:43.960
<v Speaker 2>went off.

0:18:44.080 --> 0:18:46.240
<v Speaker 3>Boy, King go off, they went off.

0:18:46.680 --> 0:18:50.200
<v Speaker 1>And folks, to be clear, Vain is to your point. No,

0:18:50.359 --> 0:18:56.080
<v Speaker 1>he's one of the people who looked at this offer, offer, this,

0:18:56.080 --> 0:18:59.679
<v Speaker 1>this olive branch from somebody that he totally freaking hated,

0:19:00.040 --> 0:19:03.000
<v Speaker 1>and he played along at first, and he said, oh, yeah, yeah,

0:19:03.040 --> 0:19:05.080
<v Speaker 1>you know me. I'm a I'm a good boy, I'm

0:19:05.080 --> 0:19:08.840
<v Speaker 1>an upstanding maritime dude. And they said, oh, right there

0:19:08.880 --> 0:19:11.240
<v Speaker 1>they were. The King's palled in for the uh. And

0:19:11.280 --> 0:19:14.919
<v Speaker 1>then just a few months afterwards, as he said, he.

0:19:15.160 --> 0:19:16.320
<v Speaker 3>Blew up the spot.

0:19:17.680 --> 0:19:20.960
<v Speaker 2>To maybe you know, unpack that kind of you know,

0:19:21.000 --> 0:19:23.600
<v Speaker 2>old timey quote I just read. He basically gave him

0:19:23.600 --> 0:19:26.480
<v Speaker 2>the finger, set a ship on fire, and fled with

0:19:26.560 --> 0:19:29.679
<v Speaker 2>his pirate flag flying, saying like, first of all, this

0:19:29.760 --> 0:19:34.840
<v Speaker 2>is important to note Vain was a Jacobite, okay, meaning

0:19:35.200 --> 0:19:39.360
<v Speaker 2>he was of the political ideology advocating for the restoration

0:19:39.440 --> 0:19:41.639
<v Speaker 2>of the senior line of the House of Stuart to

0:19:41.680 --> 0:19:46.480
<v Speaker 2>the British throne. So politically he was just absolutely opposed

0:19:46.680 --> 0:19:48.800
<v Speaker 2>to everything that the King stood for.

0:19:51.240 --> 0:19:54.520
<v Speaker 3>It was like exactly secretarian, you know, and that kind of.

0:19:54.440 --> 0:19:58.480
<v Speaker 2>Stuff, to the point where that probably informed his decision

0:19:58.560 --> 0:20:00.919
<v Speaker 2>to give said finger and set set fire.

0:20:01.280 --> 0:20:03.720
<v Speaker 3>Yeah, right on off into the sunset.

0:20:03.800 --> 0:20:04.720
<v Speaker 1>And his boys loved it.

0:20:05.119 --> 0:20:07.560
<v Speaker 3>Honest, his boys loved it. If I could jump in

0:20:07.600 --> 0:20:08.000
<v Speaker 3>real quick.

0:20:08.080 --> 0:20:10.840
<v Speaker 6>I think it's also important to understand on why the

0:20:10.920 --> 0:20:15.040
<v Speaker 6>king was doing this, because getting these pirates done was nice,

0:20:15.080 --> 0:20:17.520
<v Speaker 6>but there was still in need for privateers, at least

0:20:17.520 --> 0:20:19.719
<v Speaker 6>in their mind. And like Horni Gold, like you know,

0:20:19.960 --> 0:20:21.520
<v Speaker 6>is one of these guys who would have maintained he

0:20:21.640 --> 0:20:23.840
<v Speaker 6>was a privateier, not a pirate like they were, Like,

0:20:23.880 --> 0:20:26.480
<v Speaker 6>you know, we'll probably talk about this more later. What's

0:20:26.520 --> 0:20:28.840
<v Speaker 6>the line between a privateer and a pirate really?

0:20:29.400 --> 0:20:31.840
<v Speaker 2>So, yeah, but to your point earlier to Max, I mean,

0:20:31.880 --> 0:20:34.159
<v Speaker 2>and I think a couple of the other fellas made

0:20:34.200 --> 0:20:37.080
<v Speaker 2>this point as well. The reason they moved towards piracy

0:20:37.200 --> 0:20:40.680
<v Speaker 2>is because the privateering and or the version prior to that,

0:20:40.920 --> 0:20:42.080
<v Speaker 2>just wasn't paying the bills.

0:20:42.080 --> 0:20:45.880
<v Speaker 3>So basically the proposition here is come bend the knee

0:20:46.400 --> 0:20:46.840
<v Speaker 3>and then.

0:20:46.760 --> 0:20:49.240
<v Speaker 2>Go back to the old way where we are now

0:20:49.280 --> 0:20:52.760
<v Speaker 2>in charge of you again. And uh political you know,

0:20:53.080 --> 0:20:56.440
<v Speaker 2>differences aside, that just didn't seem like a particularly good

0:20:56.480 --> 0:20:57.440
<v Speaker 2>deal for for.

0:20:57.480 --> 0:20:59.720
<v Speaker 3>Mister vane Yes and his boys, the horn to.

0:20:59.720 --> 0:21:01.560
<v Speaker 6>Go got good because his whole thing was like, oh,

0:21:01.600 --> 0:21:03.280
<v Speaker 6>I will screw over all my friends I made here

0:21:03.320 --> 0:21:05.680
<v Speaker 6>in Nasut. Yeah, yeah, he's a real part.

0:21:05.760 --> 0:21:07.960
<v Speaker 2>But this they say, no honor among thieves, I think

0:21:07.960 --> 0:21:08.840
<v Speaker 2>that's a me snomer.

0:21:08.920 --> 0:21:09.399
<v Speaker 5>Well, this is.

0:21:09.560 --> 0:21:11.760
<v Speaker 1>It depends on the type of thievery. But this is

0:21:11.800 --> 0:21:14.320
<v Speaker 1>the kind of thing with privateers. We have to remember.

0:21:14.720 --> 0:21:18.879
<v Speaker 1>It's a really crappy commission gig because they're saying you

0:21:18.920 --> 0:21:20.919
<v Speaker 1>can do what you want as long as you do

0:21:21.000 --> 0:21:22.840
<v Speaker 1>it to this group, like as long as you attack

0:21:22.920 --> 0:21:25.320
<v Speaker 1>the Spanish or you know, as long as you attack

0:21:25.359 --> 0:21:27.640
<v Speaker 1>the British, you're fine and you can kind of take

0:21:27.680 --> 0:21:30.240
<v Speaker 1>what you want from there. But we're not like giving

0:21:30.280 --> 0:21:34.400
<v Speaker 1>you health insurance. We're not giving you workmen's comprehension. It's

0:21:34.400 --> 0:21:36.600
<v Speaker 1>a contract gig, and we can end it at any time.

0:21:36.640 --> 0:21:39.240
<v Speaker 2>It's a good example of like seizing the means of

0:21:39.280 --> 0:21:42.480
<v Speaker 2>production kind of stuff, where it's like I don't need

0:21:42.520 --> 0:21:46.440
<v Speaker 2>you and your your grace proclamation. I don't need the

0:21:46.920 --> 0:21:49.239
<v Speaker 2>pittance that you're gonna throw me for the work that

0:21:49.320 --> 0:21:53.360
<v Speaker 2>I can go out and grab and do myself. Granted,

0:21:53.400 --> 0:21:55.000
<v Speaker 2>there is something to be said and an argument to

0:21:55.000 --> 0:21:57.480
<v Speaker 2>be made of having regular gigs and not having to

0:21:57.600 --> 0:21:59.960
<v Speaker 2>like always hustle and find the next you.

0:21:59.880 --> 0:22:02.960
<v Speaker 1>Know, shout out to everybody to not go shout out

0:22:02.960 --> 0:22:03.440
<v Speaker 1>to our fellows.

0:22:03.480 --> 0:22:05.920
<v Speaker 5>We're gonna say it sounds like a gig economy, isn't

0:22:05.960 --> 0:22:08.159
<v Speaker 5>Isn't that the way to go? Like we've advanced so

0:22:08.320 --> 0:22:11.159
<v Speaker 5>far since then, and we've decided the gig economy is

0:22:11.200 --> 0:22:12.680
<v Speaker 5>the thing that works the best for.

0:22:12.680 --> 0:22:18.600
<v Speaker 2>Everything that's right this calculation, This is a rig economy.

0:22:19.520 --> 0:22:21.320
<v Speaker 1>I'm doing ship jokes.

0:22:21.520 --> 0:22:24.040
<v Speaker 5>Got it, and it works on so many levels.

0:22:24.359 --> 0:22:28.280
<v Speaker 6>Nice work, Bet, I interjected the bad joke drum here annually.

0:22:28.440 --> 0:22:30.720
<v Speaker 1>Thank you, thank you, you are the bad joke drum

0:22:30.720 --> 0:22:31.679
<v Speaker 1>of my heart. Max.

0:22:32.119 --> 0:22:35.120
<v Speaker 2>So not a lot is known about Charles Vane's early

0:22:35.160 --> 0:22:37.119
<v Speaker 2>life other than the fact that he was a sailor.

0:22:37.600 --> 0:22:42.000
<v Speaker 2>He is from Port Royal, probably wasn't born there.

0:22:42.760 --> 0:22:44.520
<v Speaker 5>Forgive me is port Royal, Jamaica.

0:22:44.680 --> 0:22:48.200
<v Speaker 2>I believe it's in uh, yeah, I think it is.

0:22:48.320 --> 0:22:51.840
<v Speaker 2>That's correct. And he is thought to have been born

0:22:51.920 --> 0:22:55.639
<v Speaker 2>around sixteen ninety, probably in England, but he operated in

0:22:55.640 --> 0:22:58.840
<v Speaker 2>Port Royal and again likely wasn't born there. He was,

0:22:59.000 --> 0:23:03.159
<v Speaker 2>as I'd said, a big spokesperson for the Jacobite cause

0:23:03.520 --> 0:23:06.919
<v Speaker 2>he served as a privateer under Henry Jennings and in

0:23:06.960 --> 0:23:12.120
<v Speaker 2>seventeen sixteen this position helped him to knock over a

0:23:12.200 --> 0:23:16.360
<v Speaker 2>Spanish galleon that had sunk off the coast of Florida

0:23:16.400 --> 0:23:20.080
<v Speaker 2>in a storm and collect all of the sunken literal

0:23:20.119 --> 0:23:23.959
<v Speaker 2>sunken treasure you know therein That's when he really started

0:23:23.960 --> 0:23:28.639
<v Speaker 2>hanging out right here around Nasau and then where we

0:23:28.680 --> 0:23:33.639
<v Speaker 2>now sit, had a super super posh lifestyle and became

0:23:33.760 --> 0:23:40.879
<v Speaker 2>an incredibly successful pirate, capturing merchant vessels from places as

0:23:40.920 --> 0:23:45.159
<v Speaker 2>far flung as Hispanola to New York and just shout

0:23:45.160 --> 0:23:49.200
<v Speaker 2>out to Wayne Savage and his website the Golden Age

0:23:49.240 --> 0:23:53.080
<v Speaker 2>of Piracy, getting some really good information from that. So

0:23:53.200 --> 0:23:55.439
<v Speaker 2>let's go really quickly into the deal with the pardon,

0:23:55.840 --> 0:23:57.800
<v Speaker 2>and I'm just going to read really quickly from Wayne's writing,

0:23:57.800 --> 0:23:59.479
<v Speaker 2>because I think he does a great job somemming this up.

0:24:00.000 --> 0:24:02.040
<v Speaker 2>It really came into his own as a pirate when

0:24:02.040 --> 0:24:04.480
<v Speaker 2>the news of the King's pardon reached Nassau. Being one

0:24:04.520 --> 0:24:08.240
<v Speaker 2>of those who refuse clemency, he was disgusted when more

0:24:08.280 --> 0:24:13.320
<v Speaker 2>than half of the pirates, including his mentor Jennings, accepted it.

0:24:13.560 --> 0:24:16.119
<v Speaker 2>This is like a bad look as far as he

0:24:16.200 --> 0:24:18.879
<v Speaker 2>was concerned. This was people like you know, denying their

0:24:19.040 --> 0:24:22.159
<v Speaker 2>their pirate pirate ways and bending the knee again to

0:24:22.160 --> 0:24:24.840
<v Speaker 2>the people they were rebelling against in the first place.

0:24:26.520 --> 0:24:29.679
<v Speaker 2>Many others who rejected it were doing so on political,

0:24:30.200 --> 0:24:36.640
<v Speaker 2>politically motivated grounds because they were also Jacobites. So he then,

0:24:37.080 --> 0:24:39.879
<v Speaker 2>after doing the thing you know that I described in

0:24:39.880 --> 0:24:43.400
<v Speaker 2>that quote, reached out to a lot of other Jacobites

0:24:43.400 --> 0:24:45.520
<v Speaker 2>and a lot of people who supported his cause and

0:24:45.640 --> 0:24:51.200
<v Speaker 2>started to amass more crew members for his operation on

0:24:51.280 --> 0:24:56.000
<v Speaker 2>February seventeen eighteen in rather the HMS Phoenix, which was

0:24:56.000 --> 0:24:59.400
<v Speaker 2>a British ship captained by a guy named Vincent. Pierce

0:24:59.720 --> 0:25:05.200
<v Speaker 2>got to Nasau and he was kind of welcomed by.

0:25:05.080 --> 0:25:06.560
<v Speaker 3>The the local folks.

0:25:07.080 --> 0:25:09.399
<v Speaker 2>And that is when Pierce, he was kind of like

0:25:09.440 --> 0:25:13.520
<v Speaker 2>the the Jean Valjean and Javert kind of situation. He's

0:25:13.560 --> 0:25:18.520
<v Speaker 2>the Javert to Vain's Jean Valjean started to uh aggressively

0:25:18.640 --> 0:25:22.760
<v Speaker 2>pursue capture of this you know, escaped pirate who was

0:25:22.880 --> 0:25:26.960
<v Speaker 2>flouting the very generous clemency offered by the king.

0:25:33.600 --> 0:25:36.080
<v Speaker 1>Oh we also have to point out too, I'm loving

0:25:36.119 --> 0:25:41.879
<v Speaker 1>this story. Vain was even among other pirates, infamous for

0:25:42.000 --> 0:25:45.600
<v Speaker 1>his cruelty. Really yeah, yeah, he was a hard gum.

0:25:46.240 --> 0:25:49.199
<v Speaker 1>Yeah he was not like we're we just want to

0:25:49.200 --> 0:25:51.120
<v Speaker 1>make sure you don't think we're painting him in too

0:25:51.200 --> 0:25:52.040
<v Speaker 1>heroic a light.

0:25:52.200 --> 0:25:56.479
<v Speaker 2>No, I'm not trying to. It's mainly just interesting the dynamics.

0:25:55.800 --> 0:25:59.200
<v Speaker 1>Of the whole dynamics politics and because it's not financial

0:25:59.280 --> 0:26:00.920
<v Speaker 1>for him, it's first it is personal.

0:26:00.960 --> 0:26:04.200
<v Speaker 3>That's and then sometimes that's what makes the most dangerous characters.

0:26:04.040 --> 0:26:05.840
<v Speaker 1>Because you can rationalize whatever you're doing.

0:26:06.000 --> 0:26:08.280
<v Speaker 5>Do you have one example of that, just so I understand,

0:26:08.320 --> 0:26:10.480
<v Speaker 5>Like what we're talking about is cruelty. Yeah, and I

0:26:10.520 --> 0:26:12.480
<v Speaker 5>don't want to go They were darker.

0:26:13.240 --> 0:26:17.399
<v Speaker 1>Not just They wouldn't just beat, uh, they wouldn't just

0:26:17.480 --> 0:26:20.440
<v Speaker 1>beat other sailors when they were raiding ships. They would

0:26:20.480 --> 0:26:22.880
<v Speaker 1>capture them and sometimes not even try to ransom them.

0:26:23.000 --> 0:26:26.359
<v Speaker 1>They would just torture them for long periods of time,

0:26:26.760 --> 0:26:30.720
<v Speaker 1>and then they would also, uh, I think this is

0:26:30.760 --> 0:26:32.960
<v Speaker 1>the right guy. They would go really hard on one

0:26:33.040 --> 0:26:36.240
<v Speaker 1>dude to make him an example to the other sailors

0:26:36.359 --> 0:26:40.119
<v Speaker 1>so that they would willingly give up all their values valuables,

0:26:40.359 --> 0:26:43.240
<v Speaker 1>and then they would also beat those guys. Geez.

0:26:43.720 --> 0:26:44.120
<v Speaker 5>Okay.

0:26:44.280 --> 0:26:47.320
<v Speaker 1>So it's like somebody is gonna try to mug you

0:26:47.359 --> 0:26:50.080
<v Speaker 1>with a baseball bat, give your wallet and you do,

0:26:50.280 --> 0:26:53.680
<v Speaker 1>and they say, okay, now I'm gonna beat Yeah.

0:26:53.720 --> 0:26:54.520
<v Speaker 5>They got your stuff.

0:26:54.640 --> 0:26:58.240
<v Speaker 3>Now it's real, real gangster. Yeah, Dan is a good

0:26:58.680 --> 0:26:58.960
<v Speaker 3>of the.

0:26:58.920 --> 0:27:02.800
<v Speaker 5>Seas as a palate cleanser. Between that and the next

0:27:02.800 --> 0:27:05.320
<v Speaker 5>pirate we talked about, I want to clarify something from

0:27:05.320 --> 0:27:07.119
<v Speaker 5>my own mind. I think you guys might know better

0:27:07.160 --> 0:27:11.960
<v Speaker 5>than I. The ships that many pirates would use were

0:27:11.960 --> 0:27:18.600
<v Speaker 5>often smaller, right than the schooners or okay, so they're there,

0:27:19.400 --> 0:27:22.639
<v Speaker 5>they don't, they don't. Just for me the complete layman here,

0:27:22.800 --> 0:27:25.960
<v Speaker 5>not like the huge bricates exactly, or a galleon or

0:27:25.960 --> 0:27:28.600
<v Speaker 5>one of these huge ships that maybe the Spanish Armado

0:27:28.640 --> 0:27:31.600
<v Speaker 5>would have or another you know, British force.

0:27:31.800 --> 0:27:34.280
<v Speaker 1>Always there were some chonky boys, but most of them

0:27:34.320 --> 0:27:36.120
<v Speaker 1>to jump in more sloops and schooners.

0:27:36.320 --> 0:27:40.000
<v Speaker 6>The big steption would be like Edward teaches Queen Anne's Pravans,

0:27:40.040 --> 0:27:40.440
<v Speaker 6>which was.

0:27:40.359 --> 0:27:40.920
<v Speaker 5>A man of war.

0:27:41.440 --> 0:27:44.560
<v Speaker 3>Oh wow, that's like the huge that's bigger than a freak.

0:27:44.640 --> 0:27:46.879
<v Speaker 6>But yeah, this is obviously black Beard, but that was

0:27:46.920 --> 0:27:49.480
<v Speaker 6>like his prize was capturing that. But yeah, most people

0:27:49.480 --> 0:27:51.919
<v Speaker 6>had small agile chef.

0:27:51.920 --> 0:27:55.160
<v Speaker 1>Yeah, because they could out maneuver the bigger guys, and

0:27:55.520 --> 0:27:57.200
<v Speaker 1>they were also easier to steal.

0:27:57.320 --> 0:27:59.920
<v Speaker 2>It's like those gangs of a dirt bike in eight

0:28:00.040 --> 0:28:04.480
<v Speaker 2>TV riders that we see around Atlantic Chase. They there's

0:28:04.480 --> 0:28:07.760
<v Speaker 2>no way they can ever because the zip off through

0:28:07.760 --> 0:28:08.320
<v Speaker 2>a neighborhood.

0:28:08.400 --> 0:28:10.080
<v Speaker 5>Well, and the point I wanted to get to with

0:28:10.160 --> 0:28:12.880
<v Speaker 5>all of that was that's one of the reasons Nasau

0:28:13.080 --> 0:28:15.800
<v Speaker 5>was so important and such a good place to go,

0:28:16.000 --> 0:28:19.640
<v Speaker 5>because those smaller ships can get into this area much

0:28:19.640 --> 0:28:22.320
<v Speaker 5>more safely and come in closer to land.

0:28:22.400 --> 0:28:25.080
<v Speaker 2>Well, and dude, the wind man, think about that. If

0:28:25.080 --> 0:28:27.680
<v Speaker 2>you were a smaller ship, you can harness that wind,

0:28:27.720 --> 0:28:31.560
<v Speaker 2>if you're a skilled sailor and zip and go super suent.

0:28:31.560 --> 0:28:32.879
<v Speaker 2>It's crazy windy around here.

0:28:34.560 --> 0:28:38.200
<v Speaker 1>There's another there's another point there that has always fascinated

0:28:38.240 --> 0:28:41.720
<v Speaker 1>me historically. You guys, when we talk about sea serpents.

0:28:41.760 --> 0:28:43.840
<v Speaker 1>This is a tangent, but we talked about sea serpents

0:28:44.200 --> 0:28:46.760
<v Speaker 1>or sea monsters, sea creatures of the deep. You know,

0:28:46.960 --> 0:28:49.240
<v Speaker 1>you see all those woodcuts of them swallowing up a

0:28:49.280 --> 0:28:53.760
<v Speaker 1>ship entire. We have to remember is that's not necessarily

0:28:53.800 --> 0:28:57.440
<v Speaker 1>as implausible as it sounds for really big octopus or

0:28:57.440 --> 0:28:59.400
<v Speaker 1>a squid to attack a ship like that.

0:28:59.320 --> 0:29:02.080
<v Speaker 3>David Joe Jazz, because.

0:29:01.920 --> 0:29:04.920
<v Speaker 1>In reality they are so much smaller than they're portrayed

0:29:04.960 --> 0:29:08.120
<v Speaker 1>in fiction. Right, if you go on an accurate reproduction

0:29:08.200 --> 0:29:11.080
<v Speaker 1>of one of those ships, you're going to think, oh,

0:29:11.480 --> 0:29:14.160
<v Speaker 1>it's not the size of the sea monster, it's the

0:29:14.200 --> 0:29:15.040
<v Speaker 1>size of the ship.

0:29:15.160 --> 0:29:16.760
<v Speaker 5>The interesting that's what.

0:29:17.200 --> 0:29:21.959
<v Speaker 1>Yeah, that's what makes a difference. The ocean's great fascinating

0:29:22.000 --> 0:29:22.880
<v Speaker 1>facts because.

0:29:22.640 --> 0:29:26.720
<v Speaker 5>The tactics of a pirrating ship is to come along,

0:29:26.840 --> 0:29:30.560
<v Speaker 5>to find its way alongside, sneak up basically to a

0:29:30.640 --> 0:29:33.160
<v Speaker 5>larger ship, and get part of the crew on board,

0:29:33.240 --> 0:29:34.160
<v Speaker 5>right because we're.

0:29:34.040 --> 0:29:37.280
<v Speaker 1>Not talking smaller boats under cover of night.

0:29:37.200 --> 0:29:40.880
<v Speaker 5>Because we're not talking about naval combat off way. But

0:29:40.920 --> 0:29:42.320
<v Speaker 5>if you play like Black.

0:29:42.080 --> 0:29:43.800
<v Speaker 1>Flag, you got broadside people.

0:29:43.880 --> 0:29:46.320
<v Speaker 5>It's well it's the broadsiding, but it's all about upgrading

0:29:46.360 --> 0:29:48.320
<v Speaker 5>your cannons and all these other things. And I wonder

0:29:48.360 --> 0:29:52.000
<v Speaker 5>how much of that actually played into the form of

0:29:52.080 --> 0:29:54.240
<v Speaker 5>pirrating that truly existed, maybe.

0:29:53.960 --> 0:29:56.880
<v Speaker 1>At the state level role, so you would have something

0:29:56.920 --> 0:30:00.520
<v Speaker 1>that's essentially like a BattleMech. You know the size of

0:30:00.560 --> 0:30:06.400
<v Speaker 1>your flags, right, Yeah, those guys have all these tremendous

0:30:06.400 --> 0:30:09.440
<v Speaker 1>capabilities if you stay still long enough for them to

0:30:09.560 --> 0:30:13.080
<v Speaker 1>get to you. Right. So if you if you see

0:30:13.120 --> 0:30:17.680
<v Speaker 1>them turning and facing the can instward, you you might

0:30:17.760 --> 0:30:19.880
<v Speaker 1>have to wait for a while, right to get your

0:30:19.920 --> 0:30:20.400
<v Speaker 1>ass kicked.

0:30:20.440 --> 0:30:22.240
<v Speaker 3>Absolutely to jump in with more Black Flag.

0:30:22.360 --> 0:30:24.360
<v Speaker 6>There are at the end of Black Flag for like

0:30:25.040 --> 0:30:27.160
<v Speaker 6>boss level ship fight, and if you try just fight

0:30:27.200 --> 0:30:29.120
<v Speaker 6>them as traditional, you're gonna get your ass kicked every

0:30:29.160 --> 0:30:30.719
<v Speaker 6>time because there's so much more powerful that you can

0:30:30.760 --> 0:30:33.200
<v Speaker 6>make your own ship. But so yeah, being nimble and

0:30:33.200 --> 0:30:35.000
<v Speaker 6>fast and a lot of those fights nestics are usually

0:30:35.000 --> 0:30:38.600
<v Speaker 6>against really large ships at bend point, they take forever

0:30:38.800 --> 0:30:39.640
<v Speaker 6>to turn.

0:30:39.760 --> 0:30:42.160
<v Speaker 5>Yes, but once they fire, you're dead. Yeah.

0:30:42.240 --> 0:30:46.080
<v Speaker 1>Yeah, It's kind of like getting in a fight with

0:30:46.200 --> 0:30:48.920
<v Speaker 1>a sumo wrestler, you know what I mean, Like, just

0:30:48.960 --> 0:30:50.480
<v Speaker 1>don't let them get to you.

0:30:50.480 --> 0:30:51.600
<v Speaker 3>No, you gotta sweep the leg.

0:30:51.760 --> 0:30:54.640
<v Speaker 6>And to know previous part about Charles Vaine, when they

0:30:54.680 --> 0:30:57.160
<v Speaker 6>got them all on Nassau, they had them blockaded into

0:30:57.240 --> 0:31:00.560
<v Speaker 6>Nassau with all those massive ships. It's like, yeah, those

0:31:00.600 --> 0:31:02.640
<v Speaker 6>fast little ships can't really do much in that case.

0:31:02.720 --> 0:31:05.880
<v Speaker 1>It's a wildfire, right, as long as those big ships

0:31:05.880 --> 0:31:07.320
<v Speaker 1>are able to stay supplied.

0:31:08.120 --> 0:31:15.760
<v Speaker 5>But blockade. I swear I heard that about history here, Matt.

0:31:16.280 --> 0:31:22.800
<v Speaker 1>Let's get it straight. Hey, uh riddles, this what happens?

0:31:22.880 --> 0:31:25.200
<v Speaker 2>Well, I will get to that in two point five seconds.

0:31:25.240 --> 0:31:26.760
<v Speaker 2>I just want to add I just there was a

0:31:26.880 --> 0:31:30.400
<v Speaker 2>detail that I left out. When Vain decided to flee

0:31:30.440 --> 0:31:34.760
<v Speaker 2>the coup after being offered that pardon, What essentially happened

0:31:34.840 --> 0:31:38.480
<v Speaker 2>was an envoy came to Nasau, you know, bearing the

0:31:38.520 --> 0:31:41.720
<v Speaker 2>papers that would represent you know that pardon make it official.

0:31:42.120 --> 0:31:45.239
<v Speaker 2>And not only did Vane you know, reject it and

0:31:45.280 --> 0:31:46.480
<v Speaker 2>set a ship on fire.

0:31:46.600 --> 0:31:50.040
<v Speaker 3>This guy's name was Rogers. He sailed the flaming ship

0:31:50.160 --> 0:31:52.320
<v Speaker 3>directly at rogers fleet.

0:31:52.160 --> 0:31:55.760
<v Speaker 2>And created a diversion that he then used to peace

0:31:55.800 --> 0:31:56.160
<v Speaker 2>on out.

0:31:56.320 --> 0:32:00.040
<v Speaker 3>Wow, black flag, I know.

0:32:01.200 --> 0:32:04.920
<v Speaker 1>That was Woods Rogers And the thing is the templar. Yeah,

0:32:05.840 --> 0:32:09.960
<v Speaker 1>the game, the game, definitely in the game in real life.

0:32:10.000 --> 0:32:15.160
<v Speaker 1>Who knows, but I nol I believe that that crazy

0:32:15.200 --> 0:32:19.120
<v Speaker 1>move to turn a ship into a fire ship. It

0:32:19.120 --> 0:32:22.760
<v Speaker 1>it didn't destroy this other guy's ships, right, It didn't

0:32:22.760 --> 0:32:25.840
<v Speaker 1>destroy Rogers's fleet, but it gave him the opportunity.

0:32:25.920 --> 0:32:26.560
<v Speaker 5>Yeah, just a.

0:32:26.440 --> 0:32:31.240
<v Speaker 2>Distraction, total, very very expert god teared diversion just to

0:32:31.320 --> 0:32:32.120
<v Speaker 2>get out of there.

0:32:32.480 --> 0:32:34.800
<v Speaker 1>Okay, all right, what happens next.

0:32:34.720 --> 0:32:35.880
<v Speaker 3>Well, a lot of things happen.

0:32:35.920 --> 0:32:38.840
<v Speaker 2>He pirates around, you know, for for for a while,

0:32:38.880 --> 0:32:42.479
<v Speaker 2>he massed quite a bit of wealth, of course, and

0:32:42.520 --> 0:32:45.920
<v Speaker 2>then eventually, as as is typically the case with folks

0:32:46.320 --> 0:32:50.160
<v Speaker 2>flouting the law so openly like that, it eventually catches

0:32:50.240 --> 0:32:52.120
<v Speaker 2>up with them, and it caught up with him in

0:32:52.240 --> 0:32:55.840
<v Speaker 2>pretty epic fashion in the form of an absolutely cut

0:32:56.040 --> 0:33:01.080
<v Speaker 2>scene worthy twist where he essentially is run from the authorities.

0:33:01.120 --> 0:33:05.120
<v Speaker 2>He shipwrecks on an island, he has to. He gets

0:33:05.160 --> 0:33:07.840
<v Speaker 2>rescued from the island and then like gets aboard another

0:33:07.920 --> 0:33:11.160
<v Speaker 2>vessel where he takes on a false identity for a

0:33:11.200 --> 0:33:13.880
<v Speaker 2>while and get in get in situations.

0:33:13.960 --> 0:33:16.160
<v Speaker 3>And he sure did so.

0:33:16.320 --> 0:33:19.080
<v Speaker 2>In February of seventeen nineteen, he got caught in a

0:33:19.160 --> 0:33:22.600
<v Speaker 2>hurricane the Bay Islands, got shipwrecked on a literal uncharted

0:33:22.880 --> 0:33:25.520
<v Speaker 2>and basically I mean, for all intents and purposes of

0:33:25.520 --> 0:33:29.360
<v Speaker 2>what we know, uninhabited island. The rest of the crew

0:33:29.560 --> 0:33:33.760
<v Speaker 2>died during this shipwreck. He was only able to survive

0:33:33.960 --> 0:33:38.680
<v Speaker 2>because of some kindly turtle hunters who didn't necessarily live there,

0:33:38.720 --> 0:33:41.000
<v Speaker 2>but this is an island they knew about, and he

0:33:41.400 --> 0:33:43.960
<v Speaker 2>was able to bart her for supplies or just you know,

0:33:44.040 --> 0:33:47.120
<v Speaker 2>appeal to the kindness of strangers. Eventually, what I was

0:33:47.200 --> 0:33:49.840
<v Speaker 2>kind of describing a minute ago, a merchant ship arrived

0:33:49.840 --> 0:33:52.680
<v Speaker 2>and it was piloted by an ex pirate named Holford.

0:33:52.960 --> 0:33:55.239
<v Speaker 3>He didn't trust Vane, so he did not offer him

0:33:55.280 --> 0:33:57.040
<v Speaker 3>a lift. In fact, he told him that he was

0:33:57.080 --> 0:33:58.680
<v Speaker 3>going to leave him there and that if he was

0:33:58.720 --> 0:34:00.840
<v Speaker 3>still there when he came back in a month's time,

0:34:01.160 --> 0:34:02.840
<v Speaker 3>he would he would give him a ride, but not

0:34:02.960 --> 0:34:04.400
<v Speaker 3>to freedom to the gallows.

0:34:04.560 --> 0:34:07.240
<v Speaker 1>Okay, So he's like, I'll give you a pass because

0:34:07.240 --> 0:34:09.279
<v Speaker 1>we both were in the game, but if I see

0:34:09.280 --> 0:34:11.880
<v Speaker 1>you again, you're gonna face justice.

0:34:12.480 --> 0:34:16.239
<v Speaker 3>Correct. Another English ship eventually arrived in order to get

0:34:16.239 --> 0:34:19.880
<v Speaker 3>fresh water. That's when Vain attempted to blend in with

0:34:19.960 --> 0:34:22.920
<v Speaker 3>the crew using a fake name and a bit of

0:34:22.920 --> 0:34:23.560
<v Speaker 3>a disguise.

0:34:23.760 --> 0:34:25.279
<v Speaker 1>It's me Nigel, nonpirate.

0:34:25.360 --> 0:34:25.760
<v Speaker 3>Correct.

0:34:26.200 --> 0:34:29.640
<v Speaker 2>He Eventually Colford catches up with that crew, who is

0:34:29.680 --> 0:34:34.320
<v Speaker 2>an associate of the captain of this new merchant vessel

0:34:34.360 --> 0:34:36.640
<v Speaker 2>that Vain is now basically stowing away on for a

0:34:36.640 --> 0:34:41.520
<v Speaker 2>intensive purposes, and he then turns him in narks him out.

0:34:42.040 --> 0:34:45.640
<v Speaker 2>He gets tried and hanged in March of seventeen twenty

0:34:45.640 --> 0:34:50.240
<v Speaker 2>one at Gallows Point. Full circle back there in Port Royal,

0:34:51.200 --> 0:34:56.000
<v Speaker 2>his lifeless corpse was hung in chains on the small

0:34:56.040 --> 0:34:59.719
<v Speaker 2>island off of a gun k near the port near

0:34:59.719 --> 0:35:03.480
<v Speaker 2>the co and this really represented kind of making an

0:35:03.480 --> 0:35:06.560
<v Speaker 2>example of him, and many people looked at it as

0:35:07.360 --> 0:35:10.800
<v Speaker 2>a very important visual cue signaling the end.

0:35:11.120 --> 0:35:13.480
<v Speaker 3>Of the golden the golden age of piracy.

0:35:13.719 --> 0:35:17.399
<v Speaker 1>Yeah, and uh, you know that's how you play the game.

0:35:17.440 --> 0:35:21.120
<v Speaker 1>I guess, uh it's it's a larger than life tail.

0:35:21.200 --> 0:35:24.040
<v Speaker 1>I think we've been pretty honest about the uh the

0:35:24.280 --> 0:35:28.120
<v Speaker 1>darker parts of it. But uh no, after after all this,

0:35:28.200 --> 0:35:30.360
<v Speaker 1>what do you think, man, You're gonna do some piracy

0:35:30.400 --> 0:35:30.640
<v Speaker 1>with me?

0:35:30.760 --> 0:35:32.000
<v Speaker 3>I'm gonna go to the water park.

0:35:32.400 --> 0:35:34.600
<v Speaker 1>Okay, if that's euphemism for piracy, I know.

0:35:35.400 --> 0:35:38.520
<v Speaker 3>They may have a pirate themed ride and I'm gladly

0:35:39.080 --> 0:35:39.400
<v Speaker 3>enjoy it.

0:35:40.320 --> 0:35:43.319
<v Speaker 1>And so, folks, we can't thank you again enough for

0:35:43.400 --> 0:35:48.400
<v Speaker 1>tuning in enjoining us in an auditory way here at Bahamar.

0:35:48.640 --> 0:35:50.960
<v Speaker 2>We're doing an intentional two parter. We all brought some

0:35:51.000 --> 0:35:52.799
<v Speaker 2>really fun stories. That one ended up being a little

0:35:52.800 --> 0:35:54.920
<v Speaker 2>beefier than we expected. So when we come back with

0:35:54.960 --> 0:35:57.399
<v Speaker 2>part two, I think we might have two more for you.

0:35:57.640 --> 0:36:00.719
<v Speaker 1>And of course, big big thanks to mister Max Free

0:36:00.760 --> 0:36:06.760
<v Speaker 1>Train Williams. Huge thanks to ours returning special guest Matt Frederick. Matt,

0:36:06.840 --> 0:36:07.960
<v Speaker 1>what's on your mind? Man?

0:36:08.480 --> 0:36:13.319
<v Speaker 5>Who is that creeping in our phones? It's Max and

0:36:13.320 --> 0:36:16.760
<v Speaker 5>he's got the knowledge, Max, Max Mac.

0:36:16.880 --> 0:36:17.960
<v Speaker 1>Just for you, here it come.

0:36:18.480 --> 0:36:19.600
<v Speaker 5>It's back the.

0:36:21.840 --> 0:36:24.160
<v Speaker 1>Matt. My favorite part of that song Thank You Again

0:36:24.680 --> 0:36:29.040
<v Speaker 1>is the SI at the end, just because it's like

0:36:29.120 --> 0:36:31.560
<v Speaker 1>it seems like a release of something almost sexual.

0:36:33.120 --> 0:36:36.120
<v Speaker 3>He's dreaming. Yes, I think we have nine versions of

0:36:36.840 --> 0:36:39.880
<v Speaker 3>That's great. I never asked for one.

0:36:40.160 --> 0:36:42.759
<v Speaker 6>They asked Matt to record one line for me.

0:36:42.840 --> 0:36:46.600
<v Speaker 2>And Matt and Dylan Man going above and beyond. Shout

0:36:46.640 --> 0:36:50.000
<v Speaker 2>out to Dylan the Tennessee palp Vegans who's always.

0:36:49.760 --> 0:36:51.920
<v Speaker 3>Rocking the rude bekas over on stuff they don't want

0:36:51.960 --> 0:36:52.200
<v Speaker 3>you to know.

0:36:52.239 --> 0:36:54.359
<v Speaker 2>If you don't know what I'm talking about, do get

0:36:54.400 --> 0:36:57.000
<v Speaker 2>you to a podcast platform of choice and check out

0:36:57.000 --> 0:36:59.719
<v Speaker 2>our weekly listener mail episodes where you get a new

0:36:59.800 --> 0:37:02.120
<v Speaker 2>root to beg a jingle to me about every yepp.

0:37:01.960 --> 0:37:03.680
<v Speaker 5>And if you're behind on the root of Begas, I

0:37:03.719 --> 0:37:06.360
<v Speaker 5>think the plan very soon is to make an oops

0:37:06.400 --> 0:37:09.200
<v Speaker 5>All Roota Bega is at least special.

0:37:10.120 --> 0:37:12.399
<v Speaker 1>And in the meantime you could also check out our

0:37:12.440 --> 0:37:15.440
<v Speaker 1>parent company, IGU. If you love this trippy stuff. We

0:37:15.480 --> 0:37:20.239
<v Speaker 1>have a whoops All Illumination Global Unlimited episode. I'm miss

0:37:20.239 --> 0:37:22.359
<v Speaker 1>making those, you guys, we should We should get back

0:37:22.400 --> 0:37:25.719
<v Speaker 1>to those before IGU puts out a puts out a

0:37:25.719 --> 0:37:29.239
<v Speaker 1>call to end our podcast piracy. What do we think?

0:37:29.800 --> 0:37:32.320
<v Speaker 5>Yes, yeah, always, always more.

0:37:32.520 --> 0:37:35.319
<v Speaker 1>And always more reminds us the rest of the Thank yous.

0:37:36.200 --> 0:37:40.040
<v Speaker 1>Big shout out to Max's biological brother Alex Williams, our

0:37:40.080 --> 0:37:43.240
<v Speaker 1>brother in podcast arms, who composed this bang and bop.

0:37:44.160 --> 0:37:47.839
<v Speaker 1>Big reluctant shout out to a guy who totally would

0:37:47.880 --> 0:37:51.440
<v Speaker 1>have worked for the British colonial powers, our own East

0:37:51.480 --> 0:37:58.319
<v Speaker 1>India Company, villain rogue and impressionist at the Renaissance Fair,

0:37:58.760 --> 0:38:00.080
<v Speaker 1>Jonathan Strict.

0:38:00.120 --> 0:38:02.960
<v Speaker 2>To do a bit of a paper things aka the

0:38:03.120 --> 0:38:06.560
<v Speaker 2>Admiral was Roger's sort.

0:38:06.960 --> 0:38:10.560
<v Speaker 1>Yeah yeah, oh good callback and big thanks to the eavest Jeffcoat.

0:38:10.600 --> 0:38:13.200
<v Speaker 1>Big thanks to Christopher hasiotis well snol.

0:38:13.400 --> 0:38:16.680
<v Speaker 5>Can I shout out the kind of haggard looking dove.

0:38:16.960 --> 0:38:17.960
<v Speaker 5>There's like some really n.

0:38:19.520 --> 0:38:21.200
<v Speaker 3>And the sanctuary.

0:38:21.400 --> 0:38:24.560
<v Speaker 1>No no, no, no, no no, you can't rain those birds in, dude.

0:38:24.600 --> 0:38:26.359
<v Speaker 5>If you go in the sanctuary, they will give you

0:38:26.440 --> 0:38:29.160
<v Speaker 5>a tiny little stick that has some bird seed on it,

0:38:29.320 --> 0:38:31.719
<v Speaker 5>and the little birds will land on the stick and

0:38:31.800 --> 0:38:34.480
<v Speaker 5>hang out with you for a while, and it's glorious.

0:38:34.960 --> 0:38:38.200
<v Speaker 1>And speaking of glorious, we're going to return to uh,

0:38:38.400 --> 0:38:41.359
<v Speaker 1>the glory days of piracy in a way that's not

0:38:41.440 --> 0:38:45.520
<v Speaker 1>often reported in Western history books, So tune in later

0:38:45.640 --> 0:38:47.640
<v Speaker 1>this week. In the meantime, we got to go catch

0:38:47.680 --> 0:38:49.200
<v Speaker 1>some sun and some turtles.

0:38:49.760 --> 0:38:50.920
<v Speaker 3>We'll see you next time, folks.

0:38:57.800 --> 0:38:59.920
<v Speaker 2>For more podcasts from My Heart Radio, visit the eye

0:39:00.000 --> 0:39:02.840
<v Speaker 2>Heart Radio app, Apple Podcasts, or wherever you listen to

0:39:02.920 --> 0:39:03.840
<v Speaker 2>your favorite shows.