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Speaker 1: Reveale.

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Speaker 2: Look at us now, timpt it.

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Speaker 1: Jesus?

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Speaker 3: Oh do you want to using?

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Speaker 4: Will be luck?

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Speaker 2: It's time to beg Oh yeah yeah, let's get fired

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Speaker 2: up the day after Christmas. You are watching this live.

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Speaker 2: It's Boxing Day in Canada and it's documentary day here

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Speaker 2: on Morning colmbat Friday, December twenty sixth of the twenty

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Speaker 2: five's Happy holidays to everybody. I don't care whether you're

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Speaker 2: celebrating the Christmas, the Kwansa or the Chinooka. In between,

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Speaker 2: Smokey Robinson, my name is Brian Campbell. You know me

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Speaker 2: from the Carford, Connecticut suburbs. That Alpha the guy, you

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Speaker 2: know what I mean. And then next to me live

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Speaker 2: in direct from Columbia for this very very very special

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Speaker 2: episode Morning Combat Documentary rewatch Director's Cut Part one. It's

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Speaker 2: Luke Franklin Thomas. Yes, Luke, you fired up for what?

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Speaker 1: No.

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Speaker 5: I never enjoyed doing these documentaries, although I admit they're

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Speaker 5: a charming part of MK's history. But here it is

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Speaker 5: I have to deal with both of you walking out

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Speaker 5: the door, as well as to watch your fucking art

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Speaker 5: projects on the way out the door.

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Speaker 2: Looks like you know, these dogs were like a nice,

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Speaker 2: you know, sprinkling of salt and pepper on what we did.

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Speaker 2: I'm like, no, this is what we did. This is

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Speaker 2: what we accomplished the show.

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Speaker 5: I've not seen these since they came out, so it's

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Speaker 5: been quite a long time for me.

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Speaker 2: I have like an a throw viewing of them every

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Speaker 2: month and a half, you know, just.

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Speaker 1: Just wow, you love these. I have not seen them

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Speaker 1: since they came out.

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Speaker 2: Luke in the space time continue them to be you know,

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Speaker 2: fair with the people. We are recording this before the

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Speaker 2: Christmas holiday, but it's airing afterwards. Would you guess that

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Speaker 2: the Tuckster had a phenomenal Christmas in South America?

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Speaker 5: Given how poor I am, she fucking better, you know

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Speaker 5: what I mean? But yes, I think she's gonna have

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Speaker 5: a phenomenal Christmas. You know, her in laws are gonna

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Speaker 5: spoil her. They do that every time, and nothing that's

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Speaker 5: even a good thing necessarily, But I'm just like, she's

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Speaker 5: not gonna go lacking.

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Speaker 2: All right, all right, all right? And also, before we

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Speaker 2: get into the business, you were telling us off camera

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Speaker 2: about a Colombian delicacy you had, which is hot chocolate

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Speaker 2: with cheese and cheese.

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Speaker 1: They don't do this everywhere.

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Speaker 5: I'm told they only do it in like the higher

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Speaker 5: mountain regions, which is where Bota is. They the cheese

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Speaker 5: is very mild. It's not like they're putting the chunks

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Speaker 5: of sharp cheddar in there. It's it's it's it's almost flavorless,

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Speaker 5: to be honest with you. But they put it in

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Speaker 5: the hot chocolate, and then they also put breads in there,

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Speaker 5: and they just let that shit soak and then they

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Speaker 5: eat it with a spoon. And I'm like most ninety

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Speaker 5: nine percent of Colombian food I actually really enjoy. I'm like,

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Speaker 5: this is the worst way to have hot chocolate imaginable.

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Speaker 5: I don't understand how this is superior to just drinking it. Listen, BC,

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Speaker 5: I'm not a post to dunkin of marshmallow or two, right.

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Speaker 1: I think you know, I'm an honest man. Yeah, I

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Speaker 1: get it. I get it.

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Speaker 5: But like you'll, here's some rock salt and cigarette butts

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Speaker 5: and just you know, oh, there's some lent in my pocket.

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Speaker 1: Throw that. It doesn't make the hot chocolate better. The

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Speaker 1: hotchocolate was good on its own. I don't get it.

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Speaker 2: All right, here you go. If you're wondering what is

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Speaker 2: this weird special episode we're delivering you. It is part

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Speaker 2: one of a two part series in which we look

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Speaker 2: back on the documentaries. Today will be.

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Speaker 6: Parts one through four.

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Speaker 2: Parts five through seven will come later on the BC

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Speaker 2: Victory Parade Tour. We're gonna have some fun with it.

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Speaker 2: They'll give you sort of a mystery signs Theater three thousand.

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Speaker 2: If you're old like us, you'll get that reference director's

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Speaker 2: cut of the inside. You want to get inside MK

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Speaker 2: all the way up to your elbow. Today is your

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Speaker 2: opportunity to do that. We'd like you to subscribe to

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Speaker 2: this program. We'd like you to follow it as Luke

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Speaker 2: takes down a little uh little die Coke there, little

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Speaker 2: Coke zero.

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Speaker 1: This is my Babyda gaciosa coco cola sero.

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Speaker 2: Yeah, yeah, yeah, that's great. Uh, you can subscribe. The

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Speaker 2: show's not dying, okay, just our marriage. But for now,

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Speaker 2: for now we may.

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Speaker 1: We made it. I tried to make it work. I'm

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Speaker 1: not the one. I'm not the one who's brightened the

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Speaker 1: John beer Levers motherfucker.

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Speaker 2: You always had a headache, you know what I mean,

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Speaker 2: every time I want the bang, you know what I mean?

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Speaker 2: It was, It was awful you can watch our extended

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Speaker 2: YouTube channels there as well. Mine's a little bit dormant

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Speaker 2: right now. I'm working on it. I'm working on I'm

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Speaker 2: talking to the legal department. I'm working on it.

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Speaker 1: All right.

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Speaker 2: Let's say hi to the third member of our team.

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Speaker 2: He'll be producing and directing today. He's a bong enthusiast.

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Speaker 2: He's the son of an Australian. It's Luke noseda of

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Speaker 2: the main card May Yeah.

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Speaker 1: What up, boys, How we doing? Got the nice little

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Speaker 1: three box for us today?

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Speaker 7: I mean, we're moving up in the just in time

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Speaker 7: for you to leave be we see we're moving up

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Speaker 7: in the place.

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Speaker 5: Yeah, I was gonna say, b see he's slowly inching

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Speaker 5: his way into your position here now.

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Speaker 1: Not really.

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Speaker 7: We're just using a different setup today for everyone at home.

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Speaker 7: And you know, I got the little nicer setup on this.

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Speaker 1: You know.

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Speaker 2: All right, we don't know what happened at the Nsita

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Speaker 2: family Christmas. We're hoping, you know, I hope.

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Speaker 7: I'm probably pretty hungover right now, that's all I gotta say.

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Speaker 2: So, all right, this guy loves bud light can but

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Speaker 2: that's the life he chooses, I guess. Quick reminder, if

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Speaker 2: you want to support the show. The best way to

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Speaker 2: do it is with our merchandise shop. Mornancombat dot shop

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Speaker 2: is the internet address.

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Speaker 1: Aren't we out of everything?

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Speaker 2: We sold out a posters I heard, which is phenomenal.

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Speaker 2: But you see it right there. Who's grifting better than MK?

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Speaker 2: The BC farewell sale fifty percent off anything with my

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Speaker 2: face on it. Remember, my final episode will be Monday,

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Speaker 2: January fifth in studio, so tune into that. This exclusive

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Speaker 2: sale will go to the end of January first, or

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Speaker 2: I'm sorry noon Eastern on January first. Uh so check

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Speaker 2: it out. Mix and match the colors, you know what

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Speaker 2: I'm talking about. We have December exclusive as well. The

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Speaker 2: Masters of the Universe setup sale there, Luke, I mean,

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Speaker 2: things are just flying. Look you should quite I think

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Speaker 2: we should just lie in. Next we'll say that you're

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Speaker 2: leaving the show. We'll make it seventy five percent off

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Speaker 2: to bring that value up, and then you know, we'll

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Speaker 2: just clean up.

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Speaker 1: I think if we are out of stuff, we can

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Speaker 1: just print more. But we definitely have been moving units

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Speaker 1: to a very like endormous degree.

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Speaker 2: Absolutely, we will be back Monday in our regular spot

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Speaker 2: as usual eleven am Eastern, as we I think we're

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Speaker 2: doing year end stuff. Whatever. We got a couple more

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Speaker 2: episodes to go in this relationship. Let's have fun with it. So,

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Speaker 2: Luke Thomas, I guess there's not much else to say

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Speaker 2: here as we set to begin the rewatch of documentaries

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Speaker 2: one through four. Maybe you could just set the stage

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Speaker 2: for us from this. The whole theme about these donks,

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Speaker 2: which was real life coming onto camera and for a

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Speaker 2: lot of these themes, was that, look to me, this

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Speaker 2: was the pride and joy of what we did for you. Reluctantly,

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Speaker 2: You're like, yeah, all right, I'll do it whatever. What

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Speaker 2: were your thoughts as we were heading into documentary number one,

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Speaker 2: coming out of the pandemic, going back to the studio

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Speaker 2: for the first time after.

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Speaker 5: COVID, I didn't realize that's what Documentary number one was

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Speaker 5: about it, I say, I didn't remember that until we

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Speaker 5: just rewatched it a little bit here before the show.

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Speaker 5: So when I tell you that I am mentally checked

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Speaker 5: out from these fucking things, I'm telling you I watched

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Speaker 5: them one time when they debuted, and I've never seen

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Speaker 5: them since. I think what you're gonna see, though, if

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Speaker 5: I recall from recording, was BC really leaning into the medium,

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Speaker 5: dare I say art form and me being highly reluctant

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Speaker 5: to ever engage in any of this frivolity.

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Speaker 1: And I think that's actually what made it work in

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Speaker 1: the end.

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Speaker 2: Yeah, I guess in a lot of ways it did.

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Speaker 2: Also last chance here, Luke Nocia, you joined our show

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Speaker 2: as a fan of it, which I love that backstory

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Speaker 2: when you became employed with Malca and started working with

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Speaker 2: Gaff on this show. Where were we in the doc layout?

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Speaker 7: I think five had just come out when I got hired,

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Speaker 7: so like quick a pit Like I'm talking half a

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Speaker 7: second appearances in six and seven, but I'm not in

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Speaker 7: any of the first five.

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Speaker 2: All right, I would have guessed you were there a

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Speaker 2: little bit earlier. So when these were getting released, what

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Speaker 2: was your thoughts?

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Speaker 7: I didn't probably start watching till the fifth because, and

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Speaker 7: I think this goes for a lot of fans, people

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Speaker 7: are die hard for the show, had no idea these existed,

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Speaker 7: and me being one of them, I used to watch

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Speaker 7: every episode, no idea the documentaries existed until I started

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Speaker 7: working out.

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Speaker 1: That's not surprising. They did not have shelf life. But

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Speaker 1: you know where we are, dude. But I feel like

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Speaker 1: everyone I've told to go back and watch it, loves it.

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Speaker 1: So I feel like this is but.

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Speaker 5: This is you know what's kind of this is what

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Speaker 5: blows my mind about these fucking things because prior to

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Speaker 5: doing MK, I did something and people bring up all

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Speaker 5: the time with me in person, I did a little

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Speaker 5: series called Luke Thomas's Pissed where I just yelled about shit.

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Speaker 2: Yeah, I loved it.

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Speaker 1: It was great, Okay, I had so I cannot tell

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Speaker 1: you how many people have come to me me like, dude,

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Speaker 1: I fucking love those I'm like, guys, the videos tanked.

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Speaker 1: How is that possible? How is that possible? No one

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Speaker 1: was watching? Oh that's not true. I mean a couple

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Speaker 1: of episodes did okay, but I actually end u quiting

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Speaker 1: because had too much shit going on.

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Speaker 5: But like, that's what kind of drive me nuts. These

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Speaker 5: these documentaries feel the same where it's like they didn't

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Speaker 5: like they weren't our biggest winners at the time, but

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Speaker 5: people talk about them.

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Speaker 2: I guess, yeah, those who know, they know it was

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Speaker 2: our So let's hit it. Episode number one. Documentary number

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Speaker 2: one returned the studio as we go back to the

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Speaker 2: bomb shelter in Jersey City, hit play let's hit it.

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Speaker 2: Let's do it.

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Speaker 1: I can't this morning combat.

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Speaker 2: Well, what do you think?

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Speaker 6: This was twenty twenty one.

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Speaker 2: We reveal now, Luke that you and I we're gonna.

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Speaker 1: You have age this week. Wednesday's show is our first.

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Speaker 1: Holy shit, I'm fall back at the pepper on that

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Speaker 1: bard shelter, sense the pandemic.

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Speaker 5: Basically, we are back, just for a brief time. I

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Speaker 5: thought it was gonna be twenty twenty one before we

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Speaker 5: got back there. Honestly, so twenty with the crew.

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Speaker 2: Shout out, okay, so late twenty twenty. Maybe turn on

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Speaker 2: that case.

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Speaker 1: This is November twenty twenty. The next time we no

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Speaker 1: see you.

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Speaker 2: To let me know that we did four documentary in

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Speaker 2: eight months to kick this series off, which is of combat.

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Speaker 6: Plenty of happy endings to come. Look, I am still

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Speaker 6: fired up.

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Speaker 2: Look at that hair. There's no gray hairs on that head. Wow.

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Speaker 1: This was the second set, not the first one.

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Speaker 2: Yeah, so the first one was the bomb shelter. Then

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Speaker 2: we transitioned into orchids of combat. I don't know if

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Speaker 2: we ever gave our new joint. Yeah, shout out to

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Speaker 2: seventy five Montgomery Street. It's still standing there. This was

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Speaker 2: pre Taco Bell in the basement too. They made Yeah, Yeah,

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Speaker 2: Latin Fauci. That was that was an older in Jersey.

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Speaker 5: Bryan and I are back in the Bomb Shelter because

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Speaker 5: there's a pay per view.

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Speaker 2: So the premise here, as Lucas explaining, was ultimately we're

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Speaker 2: gonna come back for the first time. Did we even

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Speaker 2: have a theme?

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Speaker 3: Looke?

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Speaker 2: Did we even did we even know what this point

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Speaker 2: that we were.

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Speaker 1: We're fucking talking. Let me hear this ship stuff. We're

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Speaker 1: doing some stuff for CBS Sports HQ, We're doing some stuff.

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Speaker 2: For all Right, Well, I guess we'll just play the.

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Speaker 5: Time as it relates to the Davis versus Santa Cruz.

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Speaker 5: Let's see press conference and weigh in Jesus and we

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Speaker 5: are turning back into a pumpkin just in time for Halloween.

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Speaker 6: Orkids of Combat.

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Speaker 1: We all called it the bomb Shelter, from.

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Speaker 2: The Armageddon Bomb Shelter to the bomb digging. It started

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Speaker 2: in the bomb Shelter. Now we're here, the nondescript Armageddon

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Speaker 2: bunker somewhere in the swamps of Jersey.

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Speaker 1: And then out of nowhere at some painting the past.

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Speaker 5: The point that the Robert Craft scandal continued to be funny.

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Speaker 5: Old continues to call it the Orchids of Combat.

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Speaker 1: No one ever called it that when we did our

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Speaker 1: last show in March, when a motherfucker on the planet

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Speaker 1: calling it that, not even him, And then you fast

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Speaker 1: forward one.

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Speaker 2: You know, the point of the show is to talk

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Speaker 2: over of sin known as Orchids of Combat.

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Speaker 1: That's the guy I have in my career too. I

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Speaker 1: just want to point out I spent the best years

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Speaker 1: of my on camera career fat as fuck.

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Speaker 2: You know, well that was post pandemic. We all, we

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Speaker 2: all put it on out there, you know, Jesus kill me.

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Speaker 2: Shout out to Jake von Amsterdam, the doctor.

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Speaker 1: Was this the photo shoot where we were sexually molested?

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Speaker 2: No, this is not the shoot with uh what was

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Speaker 2: that guy's name, Crup where Krupp was like, I need

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Speaker 2: you guys in the uh Downward Dog sixty nine, this shoe.

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Speaker 5: He wanted us to basically do his pictures for his

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Speaker 5: new comma Suture Book.

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Speaker 2: Yeah, we were reluctantly touching during this shoot. It was

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Speaker 2: very awkward.

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Speaker 1: I like, how I'm leaning like Trump?

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Speaker 2: This is the first face off done. I can't wait

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Speaker 2: till your redacted emails come out from uh from our

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Speaker 2: correspondence here.

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Speaker 6: I felt that he needed to sort of win that stair.

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Speaker 2: You know what I wanted more of looking back on these,

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Speaker 2: I wanted the staff to have their own like confessional

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Speaker 2: interviews more.

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Speaker 1: Often than this. They didn't want to do it.

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Speaker 2: They didn't want to. I had to fight them on this.

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Speaker 2: I wanted their government names in it. He's very three

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Speaker 2: round tough, but if you take him into life steep waters.

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Speaker 1: I think.

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Speaker 2: It is interesting how we evolved. You know, the first

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Speaker 2: two dogs are essentially documentaries are shot in one weekend.

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Speaker 2: I think by the time we got to what like

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Speaker 2: just grabbing like some weird documentaries, six, it was like

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Speaker 2: a full year and one.

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Speaker 4: Hell yeah, I still have that mug.

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Speaker 2: I still use it.

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Speaker 1: I don't have it.

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Speaker 2: I took it home.

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Speaker 1: Hoover six sne six seven.

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Speaker 6: It's a piece that I'm missing.

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Speaker 2: If you shot me right, it is there. It is

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Speaker 2: the piece. The resistance is.

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Speaker 6: What I'm all about, fucking fighting. It's all the same,

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Speaker 6: right when you get those two energies together.

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Speaker 2: Was Lampley before, Like, I.

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Speaker 1: Can't believe our motto and mascot were two guys with

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Speaker 1: dicks touch it's.

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Speaker 6: Really the spirit of this desk in what these two.

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Speaker 2: You remember when I when I got that framed and

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Speaker 2: a glass threm and I broke it on the way

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Speaker 2: to that New Year's Eve episode when I had COVID eighteen.

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Speaker 7: You remember that so.

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Speaker 2: Into the idea of Lady Sat that they nearly fucked

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Speaker 2: each other.

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Speaker 5: And we have arrived at the position where he can't

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Speaker 5: go five minutes without making some kind of inappropriate reference

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Speaker 5: to um sexual contact to well, you just can't get

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Speaker 5: through five seconds of conversation without going dicks dicks everywhere.

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Speaker 2: Dis I can't go into my phone around my family

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Speaker 2: without the fear of someone's dick of jumping out.

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Speaker 1: Would you say to some of.

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Speaker 8: The jokes you guys acting as married couple.

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Speaker 1: Yeah, that's pretty fair. We're going take a whiz, you know,

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Speaker 1: I'll say this if it is a marriage, it's full

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Speaker 1: of passion. Still we're still maybe in the honeymoon phase

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Speaker 1: of the whole thing, but everyone's pretty happen.

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Speaker 2: Do you miss the bomb shelters?

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Speaker 1: Yeah, we're so the days, you know, because we just

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Speaker 1: could do whatever we wanted.

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Speaker 2: Basically, it's good to hear you speak on this stream.

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Speaker 2: Look it went a long time with not saying a word.

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Speaker 2: I mean, maybe you misunderstood what this was supposed to

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Speaker 2: be about. You won't stop talking because that's what this

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Speaker 2: is supposed to be.

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Speaker 7: You guys are supposed to be talking over it if

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Speaker 7: people want to just watch the.

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Speaker 6: Stories behind it.

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Speaker 1: These are relatively new to me.

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Speaker 2: This feels like home when we get in here, from

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Speaker 2: the bomb shelter to the.

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Speaker 6: Bomb dignity, come back to orchids of combat.

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Speaker 1: Where all the end how dyed was your hair? Hair?

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Speaker 6: States has to be happy.

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Speaker 2: We're able to kind of just press pause on everything

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Speaker 2: else and focus here.

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Speaker 6: On what really matters.

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Speaker 2: I voted another man challenging another man to fight for

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Speaker 2: each other's honor.

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Speaker 1: I'm I forgot about this guy. That guy's the best blood.

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Speaker 2: That so I needed to have more of a shelf

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Speaker 2: life on our show.

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Speaker 1: Once after the power went off and then came back

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Speaker 1: on again. Ask me right now, do I think Lima's

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Speaker 1: top ten that age oil?

355
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Speaker 5: I think, oh the production issues, well, dude, I have

356
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Speaker 5: I honestly memory hold that.

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Speaker 1: Oh this fucking guy.

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Speaker 2: We are sort of, you know.

359
00:17:00,360 --> 00:17:03,440
Speaker 6: In the political sphere, like the Kennedys.

360
00:17:03,480 --> 00:17:06,399
Speaker 2: We have fresh ideas we're challenging the norm, we're challenging

361
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Speaker 2: the banking systems. Do you believe that the illuminati that

362
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Speaker 2: really runs this world, with the Rothschild family in the

363
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Speaker 2: in the European banks, that they're possibly reptilian as well?

364
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Speaker 2: Or look how far ahead I was on Jay is

365
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Speaker 2: a spirit I really haven't seen since Sirhan, Sirhan, Tim

366
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Speaker 2: James Baby, Oh dude, who edited this was this?

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Speaker 1: Jake bondy Amstrad.

368
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Speaker 2: Yeah, yeah, his baby. It's nice that you're just coming

369
00:17:35,320 --> 00:17:38,199
Speaker 2: up to speed on who created them and maybe watching

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Speaker 2: them for the first time.

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Speaker 1: Next to your audio system.

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Speaker 2: Again, the air conditioner has been turned off, so even

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Speaker 2: though it's ninety three degrees.

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Speaker 1: He's already this up.

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Speaker 5: I'm going to tell you that my parents have always

376
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Speaker 5: told me throughout my life, you're a loser and nothing

377
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Speaker 5: you do matters.

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Speaker 2: When it comes to the idea of ambushing something.

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Speaker 6: People think he built this.

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Speaker 1: This is great better on second watch?

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Speaker 6: Yeah, that really back to the future.

382
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Speaker 2: I don't know if you understand the uh we're going.

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Speaker 5: If it's Mystery Science theater, you got a little play

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Speaker 5: out at least a little bit BC.

385
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Speaker 6: Not gonna happen.

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Speaker 1: So oh, my god, I forgot about he had that

387
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Speaker 1: fucking music video too.

388
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Speaker 6: I don't mean to be conspiratory.

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Speaker 1: How many music videos does Pennington James have BC like four?

390
00:18:25,400 --> 00:18:28,080
Speaker 2: What? And one of them for S O T S

391
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Speaker 2: Song of the Summer And he rented a speedboat and

392
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Speaker 2: had drone shots. You know, I think he was all

393
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Speaker 2: in on that.

394
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Speaker 1: Wait, I don't think he rented that. I think that's

395
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Speaker 1: his real boat. Brandon shot.

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Speaker 2: He really thought he had created the Song of the Summer,

397
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Speaker 2: the esque and you know, I thought he had like

398
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Speaker 2: one or.

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Speaker 1: Two of these.

400
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Speaker 2: Oh No, Jay was all in on pen Ye making

401
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Speaker 2: it look easy.

402
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Speaker 1: Do you think this guy is still alive?

403
00:18:57,000 --> 00:18:58,119
Speaker 2: Yeah, Kelly's.

404
00:18:59,480 --> 00:19:01,560
Speaker 5: Ruth serve diaries that will be up in the morning.

405
00:19:01,600 --> 00:19:04,359
Speaker 5: I think I don't drink minimum to drink minimum, I

406
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Speaker 5: tried to order forties last night and they rejected me.

407
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Speaker 1: By the way, I was gonna have something ready for

408
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Speaker 1: your ass. Hell, yeah, I'm sorry. Real liquor. It's not

409
00:19:12,680 --> 00:19:15,560
Speaker 1: if you buy fucking Budweiser in a forty ounce bottle,

410
00:19:15,600 --> 00:19:18,320
Speaker 1: it's not. I'll die on this. Hell every time, Bryan Campbell,

411
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Speaker 1: you hate white.

412
00:19:18,960 --> 00:19:21,160
Speaker 2: You have You've consistently died on that head.

413
00:19:21,400 --> 00:19:24,679
Speaker 5: Why does liking actual malt liquor and understand the difference

414
00:19:24,680 --> 00:19:26,960
Speaker 5: beween that and beer make me hate whitey.

415
00:19:27,840 --> 00:19:30,520
Speaker 1: It's a good question. I could be the connection there. Yes,

416
00:19:30,520 --> 00:19:31,240
Speaker 1: that's a good question.

417
00:19:31,359 --> 00:19:33,520
Speaker 5: That's Brian Campbell. I'm Luke Thomas for everyone at Malta

418
00:19:33,560 --> 00:19:36,440
Speaker 5: and showtimes. My daughter took these glasses that I'm wearing

419
00:19:36,960 --> 00:19:38,919
Speaker 5: and then crumbled them up like a piece of paper

420
00:19:39,040 --> 00:19:42,000
Speaker 5: when she was about one or two, and I no

421
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Speaker 5: longer have thanks for watching and all your games.

422
00:19:44,920 --> 00:19:46,000
Speaker 2: Along with your dignity.

423
00:19:46,560 --> 00:19:48,320
Speaker 1: Yes, that's been well, that's been gold for a while.

424
00:19:48,680 --> 00:19:49,240
Speaker 1: Let's be honest.

425
00:19:49,840 --> 00:19:51,919
Speaker 2: Are you really trying to say you've only seen this

426
00:19:51,960 --> 00:19:52,520
Speaker 2: one time?

427
00:19:53,240 --> 00:19:57,359
Speaker 5: This is the second time I've seen this. I'm not kidding.

428
00:19:57,400 --> 00:19:59,200
Speaker 5: This is all basically brand new to me. I don't

429
00:19:59,200 --> 00:19:59,879
Speaker 5: remember any of this.

430
00:20:00,200 --> 00:20:03,240
Speaker 1: Apparently people like it when we booze and then say

431
00:20:03,240 --> 00:20:04,080
Speaker 1: things will later.

432
00:20:03,920 --> 00:20:06,159
Speaker 5: Regret, So we do. That's true's where we do that.

433
00:20:06,160 --> 00:20:10,119
Speaker 5: That is absolutely a true fact. People always ask me

434
00:20:10,119 --> 00:20:11,800
Speaker 5: to be seated. It's like, why can't you guys hang

435
00:20:11,840 --> 00:20:14,919
Speaker 5: around after like an MK today and then just do

436
00:20:14,960 --> 00:20:18,160
Speaker 5: a room service diary somewhere And it's like you want

437
00:20:18,200 --> 00:20:20,560
Speaker 5: to guys nearly fifty years old to just get a

438
00:20:20,600 --> 00:20:25,400
Speaker 5: hotel room and drink sadness together and then talk about

439
00:20:25,440 --> 00:20:27,280
Speaker 5: I'm not sure. I mean, it doesn't work exactly. There's

440
00:20:27,320 --> 00:20:29,640
Speaker 5: got to be a little bit of you know, yeah,

441
00:20:29,880 --> 00:20:30,760
Speaker 5: an atmosphere.

442
00:20:32,160 --> 00:20:35,120
Speaker 2: Yeah, I'm not gonna bang, just you know, just for fun, right,

443
00:20:35,160 --> 00:20:37,720
Speaker 2: like you gotta touch, you gotta peg it to something.

444
00:20:37,600 --> 00:20:42,439
Speaker 1: Right, dude. This liquor store was thorough but weird.

445
00:20:42,920 --> 00:20:45,240
Speaker 2: Yeah they had Kalo though. Shout out to Kalo.

446
00:20:45,200 --> 00:20:48,040
Speaker 7: Or are to go into this liquor store way like

447
00:20:48,320 --> 00:20:51,040
Speaker 7: five times a week, but only to get like regular drinks.

448
00:20:51,040 --> 00:20:52,920
Speaker 1: That was our spot back then shout out.

449
00:20:53,320 --> 00:20:55,000
Speaker 2: Hey, shout out to Menich who made.

450
00:20:56,480 --> 00:20:57,000
Speaker 1: Oh that's right.

451
00:20:57,040 --> 00:20:59,280
Speaker 2: That doesn't he live next door.

452
00:20:59,119 --> 00:21:02,040
Speaker 7: To this building in Really he did for years, but

453
00:21:02,080 --> 00:21:03,879
Speaker 7: he'd moved. He lives in Jersey City still, but not

454
00:21:03,920 --> 00:21:04,760
Speaker 7: down the road anymore.

455
00:21:05,000 --> 00:21:09,440
Speaker 2: Yeah, oh yeah, give me that old English. Oh yeah, Bob,

456
00:21:10,640 --> 00:21:11,240
Speaker 2: you shut.

457
00:21:11,040 --> 00:21:18,160
Speaker 5: Your pants wish Hello everybody it is I think I've

458
00:21:18,240 --> 00:21:18,719
Speaker 5: used it.

459
00:21:18,720 --> 00:21:20,800
Speaker 1: It's a different microphone here, it's gonna be you.

460
00:21:20,720 --> 00:21:22,520
Speaker 2: Got the clouds.

461
00:21:23,440 --> 00:21:25,520
Speaker 1: I like my Boo the Clown microphone. But that Jersey

462
00:21:25,640 --> 00:21:26,639
Speaker 1: City edition.

463
00:21:26,520 --> 00:21:29,200
Speaker 2: Well, probably so much COVID straight in there.

464
00:21:29,720 --> 00:21:32,200
Speaker 5: You know, if you look under my left eye during

465
00:21:32,240 --> 00:21:36,760
Speaker 5: the pandemic, like a skin tag grew underneath my eye.

466
00:21:36,800 --> 00:21:38,240
Speaker 1: I had to get that thing lasered off.

467
00:21:39,600 --> 00:21:43,879
Speaker 2: I've described your style as very masturbatory. Okay, you know

468
00:21:43,920 --> 00:21:48,280
Speaker 2: what his same stuff? I'm looking to.

469
00:21:48,400 --> 00:21:51,080
Speaker 1: Oh is my style masturbatory and yours is not.

470
00:21:52,359 --> 00:21:55,840
Speaker 2: You're very you know, one man takeover like a blind

471
00:21:55,880 --> 00:21:57,919
Speaker 2: man and an orgy. I want to feel around a

472
00:21:57,960 --> 00:22:02,160
Speaker 2: little bit in there. Okay, it takes a lot of effort, right,

473
00:22:02,760 --> 00:22:05,600
Speaker 2: show Malcolm is filming a documentary on our return to

474
00:22:05,680 --> 00:22:06,720
Speaker 2: the bomb shelters.

475
00:22:08,160 --> 00:22:11,040
Speaker 1: You know, you know, like we it was this, This

476
00:22:11,240 --> 00:22:14,879
Speaker 1: was all the same trip. Yes, yes, this was It

477
00:22:14,920 --> 00:22:16,760
Speaker 1: was like a long week or whatever, right.

478
00:22:16,960 --> 00:22:19,000
Speaker 2: Yeah, yeah, where we probably stayed for about.

479
00:22:18,760 --> 00:22:21,720
Speaker 1: Three nights at the Dude that Higat house. I love

480
00:22:21,760 --> 00:22:23,000
Speaker 1: that Hiatt House ride House.

481
00:22:23,080 --> 00:22:24,760
Speaker 2: Yeah, that's what I'm talking about. That was right on

482
00:22:24,840 --> 00:22:26,439
Speaker 2: the water overlooking.

483
00:22:26,520 --> 00:22:28,240
Speaker 1: The high House. Due that high house. Let me tell

484
00:22:28,240 --> 00:22:32,560
Speaker 1: about that hight house. What was What was so good

485
00:22:32,600 --> 00:22:35,320
Speaker 1: about it was they would give us rooms BC that

486
00:22:35,359 --> 00:22:38,560
Speaker 1: would legitimately be like really nice sweets, like it'd have a.

487
00:22:38,480 --> 00:22:41,520
Speaker 5: Little kitchen net a place to eat dinner. You know,

488
00:22:41,600 --> 00:22:43,919
Speaker 5: the bedroom would be walled off, you know it. It

489
00:22:43,960 --> 00:22:46,160
Speaker 5: was really nice. But then you'd walk in the hallways

490
00:22:46,240 --> 00:22:49,080
Speaker 5: and there would be a stabbing, just straight up Jersey City,

491
00:22:49,400 --> 00:22:51,919
Speaker 5: you know, and right like the hotel itself was essentially

492
00:22:52,000 --> 00:22:52,880
Speaker 5: located was by the.

493
00:22:52,840 --> 00:22:55,240
Speaker 1: Train, but they had a weird vibe to it.

494
00:22:55,320 --> 00:22:57,040
Speaker 2: A couple of times. You get that room with where

495
00:22:57,119 --> 00:22:59,000
Speaker 2: the whole wall is glass and you're looking at it

496
00:22:59,040 --> 00:23:01,400
Speaker 2: like the Empire staple, the in the in the Freedom

497
00:23:01,440 --> 00:23:02,399
Speaker 2: Tower and stuff. That was it.

498
00:23:02,560 --> 00:23:04,840
Speaker 1: That was oh, that's right. Well, I think you got

499
00:23:04,840 --> 00:23:06,280
Speaker 1: that one more than I ever got that one.

500
00:23:06,440 --> 00:23:08,520
Speaker 2: Yeah, they liked me there, telling me we're getting the

501
00:23:08,640 --> 00:23:10,520
Speaker 2: very best from Gravante Davis. You know he's going to

502
00:23:10,560 --> 00:23:13,000
Speaker 2: be dangerous from the opening bell in round one.

503
00:23:13,600 --> 00:23:18,000
Speaker 5: Completely, I completely forgot that. We came back in coordination

504
00:23:18,080 --> 00:23:20,159
Speaker 5: with the Tank Davis fight. But if you recall, was

505
00:23:20,200 --> 00:23:22,400
Speaker 5: a I know you've done this. See was a brutal

506
00:23:22,480 --> 00:23:26,480
Speaker 5: ass uppercut, knocking the guy out on one shot. But

507
00:23:26,600 --> 00:23:31,000
Speaker 5: I don't know when we're coming back.

508
00:23:32,040 --> 00:23:36,640
Speaker 2: Oh my god, see a future in which we're live Monday, Wednesday, Friday.

509
00:23:36,920 --> 00:23:39,639
Speaker 1: A lot of people say, BC, that's crazy, that we

510
00:23:39,720 --> 00:23:42,080
Speaker 1: used to do three live shows a week.

511
00:23:41,920 --> 00:23:46,959
Speaker 2: Dude, a lot of sometimes there was a lot of

512
00:23:47,000 --> 00:23:49,440
Speaker 2: creativity to fill out those two hours every.

513
00:23:49,200 --> 00:23:53,439
Speaker 5: Episode I miss Okay, bet that was Someone asked me

514
00:23:53,480 --> 00:23:56,080
Speaker 5: what segment I missed the most from the show, and

515
00:23:56,119 --> 00:23:59,600
Speaker 5: it's well, the ARTSD interviews were fun. I'm not saying

516
00:23:59,600 --> 00:24:03,240
Speaker 5: that that interviews that we did with other people, but honestly,

517
00:24:03,880 --> 00:24:06,000
Speaker 5: High Court never got a chance to really get going.

518
00:24:06,400 --> 00:24:08,200
Speaker 1: Yeah, that's the one I wish we had a chance

519
00:24:08,200 --> 00:24:08,720
Speaker 1: to do more of.

520
00:24:09,040 --> 00:24:11,840
Speaker 2: I think episode two of High Court, the John and

521
00:24:11,960 --> 00:24:14,880
Speaker 2: Jones is he the goat debate? Is it might be peak?

522
00:24:15,000 --> 00:24:15,160
Speaker 1: Mk?

523
00:24:15,359 --> 00:24:18,399
Speaker 2: That might be the greatest moment of our was that.

524
00:24:18,400 --> 00:24:23,960
Speaker 1: That was my first day in studio was episode high Court. Yeah, first,

525
00:24:24,080 --> 00:24:26,399
Speaker 1: what did you What did you think of that episode?

526
00:24:26,720 --> 00:24:27,520
Speaker 1: I thought it was great.

527
00:24:27,640 --> 00:24:29,560
Speaker 7: You guys did a live show before it too, and

528
00:24:29,600 --> 00:24:32,359
Speaker 7: I it was just all surreal meeting you got it

529
00:24:32,400 --> 00:24:33,080
Speaker 7: was a cool moment.

530
00:24:34,760 --> 00:24:36,520
Speaker 2: Look, I think it was the high peak, the high

531
00:24:36,560 --> 00:24:38,760
Speaker 2: peak point for you me. Chuck was there and he

532
00:24:38,840 --> 00:24:42,040
Speaker 2: did great of just seeing that improv creativity, Like we

533
00:24:42,080 --> 00:24:44,840
Speaker 2: did not script a damn thing about that. Like it

534
00:24:44,960 --> 00:24:47,080
Speaker 2: was just like I didn't know I was doing that

535
00:24:47,080 --> 00:24:49,639
Speaker 2: British accident until we started, right, We're just like rolling

536
00:24:49,640 --> 00:24:51,479
Speaker 2: out the balls and it worked.

537
00:24:52,000 --> 00:24:54,600
Speaker 1: We had no rules, we just kind of I'm a

538
00:24:54,600 --> 00:24:56,240
Speaker 1: little bit more like And people are like.

539
00:24:56,240 --> 00:24:59,480
Speaker 2: Were you guys really that high during that episode? Important people?

540
00:24:59,680 --> 00:25:02,120
Speaker 2: I'm like, no, we were high, and that was the key,

541
00:25:02,160 --> 00:25:03,400
Speaker 2: you know, all right.

542
00:25:03,840 --> 00:25:06,919
Speaker 1: What Luke doesn't understand is that, oh, here we go.

543
00:25:06,920 --> 00:25:10,000
Speaker 6: If you don't season me correctly.

544
00:25:09,880 --> 00:25:12,360
Speaker 5: Yeah, this whole bit when you were like, I'm the sauce.

545
00:25:12,560 --> 00:25:15,440
Speaker 5: I mean, you know, the only reason I didn't dunk

546
00:25:15,480 --> 00:25:16,680
Speaker 5: harder on this was because.

547
00:25:17,880 --> 00:25:21,040
Speaker 2: She only look look at you. You're not even listening.

548
00:25:22,280 --> 00:25:24,240
Speaker 1: I just didn't want to hurt your feelings. But you know,

549
00:25:26,880 --> 00:25:27,520
Speaker 1: if it made you.

550
00:25:27,480 --> 00:25:30,520
Speaker 2: Happy, maybe it wasn't true, then it's true. Now the

551
00:25:30,560 --> 00:25:33,600
Speaker 2: sauce is the boss, Luke, Okay, you know what I mean?

552
00:25:33,680 --> 00:25:33,880
Speaker 1: Yeah?

553
00:25:34,080 --> 00:25:34,880
Speaker 2: How is it that I.

554
00:25:34,800 --> 00:25:37,600
Speaker 5: Managed to have a significantly wider audience than you.

555
00:25:37,480 --> 00:25:42,000
Speaker 2: By being Luke? Is it quality or quantity? Okay? What

556
00:25:42,040 --> 00:25:43,840
Speaker 2: if I told you both broke in the history of

557
00:25:43,840 --> 00:25:44,240
Speaker 2: my life?

558
00:25:44,280 --> 00:25:46,280
Speaker 6: You know, you know, for example, I was.

559
00:25:46,240 --> 00:25:48,280
Speaker 1: Like, well you still have that coffee monk.

560
00:25:49,000 --> 00:25:51,880
Speaker 2: Yes, I forgot the orange one. I forgot to bring

561
00:25:51,920 --> 00:25:53,439
Speaker 2: that home the last day of the studio. But I

562
00:25:53,480 --> 00:25:54,040
Speaker 2: have the other.

563
00:25:54,280 --> 00:25:59,000
Speaker 5: I don't think I have it, Dude, you need psychological counseling.

564
00:25:59,119 --> 00:25:59,320
Speaker 1: Way.

565
00:25:59,480 --> 00:26:00,000
Speaker 2: I want the orange.

566
00:26:00,200 --> 00:26:02,560
Speaker 7: I'm pretty sure yours is still there, Luke, because the

567
00:26:02,640 --> 00:26:03,840
Speaker 7: day I left, yours was.

568
00:26:03,840 --> 00:26:05,879
Speaker 1: Still there at the studio.

569
00:26:06,000 --> 00:26:07,720
Speaker 7: Yeah, I don't feel like why would anyone It said

570
00:26:07,720 --> 00:26:08,720
Speaker 7: your name on the bottom of it.

571
00:26:08,760 --> 00:26:10,680
Speaker 2: I don't think anyone would take actually knows this week,

572
00:26:10,800 --> 00:26:12,960
Speaker 2: Luke's like, oh, a little bit of little energy.

573
00:26:12,680 --> 00:26:15,840
Speaker 5: After you see did you ever wear that shirt? On

574
00:26:16,200 --> 00:26:17,040
Speaker 5: national television?

575
00:26:17,359 --> 00:26:19,720
Speaker 2: Yes? On Fox Regular Big Fox.

576
00:26:20,359 --> 00:26:22,399
Speaker 1: They said that at least they.

577
00:26:22,280 --> 00:26:23,080
Speaker 2: Were like, great jobs.

578
00:26:23,119 --> 00:26:23,400
Speaker 1: You look.

579
00:26:23,520 --> 00:26:26,719
Speaker 2: You look fantastic, Like it's actually made out of that

580
00:26:26,800 --> 00:26:29,199
Speaker 2: material where you could like sweat in it and you

581
00:26:29,200 --> 00:26:32,480
Speaker 2: wouldn't be and you could have used that in Cleveland

582
00:26:32,520 --> 00:26:37,920
Speaker 2: for documentary number five. I mean Luke Luke, Like we said,

583
00:26:38,000 --> 00:26:41,280
Speaker 2: Luke's style is very masturbratority, and.

584
00:26:41,240 --> 00:26:43,040
Speaker 1: I think you have the most master which wor style

585
00:26:43,080 --> 00:26:43,440
Speaker 1: I've ever.

586
00:26:43,480 --> 00:26:46,120
Speaker 2: He wants to have the control and when he has that,

587
00:26:47,440 --> 00:26:49,520
Speaker 2: there's no limit to the amount of stuff that comes

588
00:26:49,560 --> 00:26:49,879
Speaker 2: out of it.

589
00:26:50,119 --> 00:26:52,719
Speaker 1: But then the pair who cut the who cuts your

590
00:26:53,080 --> 00:26:54,439
Speaker 1: hair look at that fade.

591
00:26:56,119 --> 00:26:58,280
Speaker 2: That's the worst I've ever seen that.

592
00:26:58,680 --> 00:27:00,399
Speaker 1: I mean, don't get me wrong, I had bad pandemic

593
00:27:00,440 --> 00:27:01,080
Speaker 1: haircuts too.

594
00:27:01,119 --> 00:27:03,800
Speaker 2: I'm not actually I may have done that one. I

595
00:27:03,840 --> 00:27:04,600
Speaker 2: was doing my own.

596
00:27:04,480 --> 00:27:07,280
Speaker 5: Fademic I mean, look, I got the worst haircut too,

597
00:27:07,320 --> 00:27:07,880
Speaker 5: Mine's ass.

598
00:27:08,440 --> 00:27:10,200
Speaker 2: Yeah, but I didn't pay a hundred bucks from mine.

599
00:27:10,240 --> 00:27:11,120
Speaker 2: Well that's the difference.

600
00:27:11,200 --> 00:27:11,359
Speaker 7: You know.

601
00:27:12,000 --> 00:27:14,720
Speaker 1: I cannot believe how fat I was. This is insane.

602
00:27:15,359 --> 00:27:16,760
Speaker 1: The original conception.

603
00:27:16,400 --> 00:27:19,119
Speaker 2: I even had for the show that you told me

604
00:27:19,400 --> 00:27:22,840
Speaker 2: the true story you told me after Documentary two came

605
00:27:22,880 --> 00:27:25,480
Speaker 2: out and you watched it, that you'll never watch it

606
00:27:25,520 --> 00:27:28,080
Speaker 2: again if you don't ever want to see how fat.

607
00:27:28,760 --> 00:27:31,360
Speaker 1: It's probably true because this is terrible. I'm actually quite

608
00:27:31,400 --> 00:27:32,119
Speaker 1: embarrassed about it.

609
00:27:33,119 --> 00:27:35,800
Speaker 7: Well, if I got news for you, Documentary two is

610
00:27:35,920 --> 00:27:36,399
Speaker 7: up next.

611
00:27:36,520 --> 00:27:43,480
Speaker 1: Let's go. I mean, what can I do to be seen?

612
00:27:43,560 --> 00:27:45,720
Speaker 1: It is what it is. It's history, brothers, it is

613
00:27:45,760 --> 00:27:46,199
Speaker 1: what it is.

614
00:27:47,160 --> 00:27:49,680
Speaker 2: Luke, I would say, the theme of this first documentary

615
00:27:49,840 --> 00:27:52,800
Speaker 2: is there's two people that are hosting the show that

616
00:27:52,880 --> 00:27:55,720
Speaker 2: don't like each other, and one of them thinks no.

617
00:27:55,600 --> 00:27:58,840
Speaker 1: No no no no no no no no no no no, fully, utterly,

618
00:27:59,320 --> 00:28:04,560
Speaker 1: totally disagree you for some reason invented in your mind

619
00:28:04,800 --> 00:28:06,439
Speaker 1: reasons to have friction with me.

620
00:28:06,680 --> 00:28:10,439
Speaker 2: I did not have friction with you, but well, you

621
00:28:10,480 --> 00:28:12,280
Speaker 2: had friction with all of us. I just think you

622
00:28:12,280 --> 00:28:14,040
Speaker 2: didn't know about it.

623
00:28:16,920 --> 00:28:20,080
Speaker 5: You have imagined some kind of idea that you have

624
00:28:20,200 --> 00:28:23,080
Speaker 5: come along to save me, rather than realizing we both

625
00:28:23,119 --> 00:28:25,960
Speaker 5: can level up in our own unique ways. One, I

626
00:28:25,960 --> 00:28:29,280
Speaker 5: feel like that's true. That was I was definitely winning

627
00:28:29,280 --> 00:28:36,280
Speaker 5: this argument. I protect the look at this dope.

628
00:28:36,480 --> 00:28:38,320
Speaker 1: Hey, could you get thicker? Rims? Asshole?

629
00:28:39,200 --> 00:28:41,680
Speaker 2: Is like parading them all over What percentage of this

630
00:28:41,720 --> 00:28:43,800
Speaker 2: stuff is really on Twitter?

631
00:28:44,040 --> 00:28:45,040
Speaker 6: And you practice?

632
00:28:48,400 --> 00:28:52,000
Speaker 1: I don't know, I mean for this moment, right, this

633
00:28:52,040 --> 00:28:55,000
Speaker 1: is the problem, not the problem, but just it's not

634
00:28:55,040 --> 00:28:58,719
Speaker 1: a problem, but the the editorial vision of this is

635
00:28:58,800 --> 00:29:01,240
Speaker 1: so tied to your It's like have you seen this ship?

636
00:29:01,800 --> 00:29:06,800
Speaker 1: Like this is so tied to your creative expression that

637
00:29:06,920 --> 00:29:10,600
Speaker 1: I'm you're the one who takes There is obviously acroboating

638
00:29:10,640 --> 00:29:13,400
Speaker 1: on screen, but it was designed by you, Like this

639
00:29:13,440 --> 00:29:15,240
Speaker 1: is you living out your.

640
00:29:15,160 --> 00:29:19,120
Speaker 5: Deranged fantasies about what you thought the reality was. And

641
00:29:19,160 --> 00:29:20,960
Speaker 5: I'm just trying to act my way through it, you know,

642
00:29:22,720 --> 00:29:25,680
Speaker 5: And you consistently align yourself with the people is with me.

643
00:29:27,200 --> 00:29:30,720
Speaker 1: This is all true, doesn't mean you have to indulge

644
00:29:30,800 --> 00:29:31,600
Speaker 1: their every.

645
00:29:31,280 --> 00:29:40,040
Speaker 5: Whim also true. Our producer's messaging us right now being like,

646
00:29:40,520 --> 00:29:41,600
Speaker 5: I cannot even.

647
00:29:41,360 --> 00:29:43,640
Speaker 1: Begin to explain the budget that we used to have.

648
00:29:43,760 --> 00:29:45,760
Speaker 2: Man, we do pause and bring Matt Snyder on here

649
00:29:45,920 --> 00:29:46,880
Speaker 2: just for one second.

650
00:29:46,880 --> 00:29:48,360
Speaker 1: I don't know if you can come on screen or not.

651
00:29:48,520 --> 00:29:50,280
Speaker 2: Can you pause?

652
00:29:50,480 --> 00:29:52,480
Speaker 1: I could pause it, but we can't bring in Snyder

653
00:29:52,520 --> 00:29:53,240
Speaker 1: on on here.

654
00:29:53,760 --> 00:29:55,080
Speaker 2: You can't put him in the middle box.

655
00:29:55,520 --> 00:29:58,360
Speaker 5: I just want to say, first, just for the record,

656
00:29:58,520 --> 00:29:59,920
Speaker 5: just for the record, No, he doesn't want to come on.

657
00:30:00,600 --> 00:30:04,440
Speaker 5: Just for the record, BC, you agree. We we've never

658
00:30:04,520 --> 00:30:06,480
Speaker 5: had a budget like this, and I'm not saying Paramount

659
00:30:06,520 --> 00:30:08,280
Speaker 5: is not taking good care of you, but there's a

660
00:30:08,360 --> 00:30:11,280
Speaker 5: pretty good reason to believe we probably won't have a

661
00:30:11,280 --> 00:30:13,520
Speaker 5: budget like this.

662
00:30:13,520 --> 00:30:16,360
Speaker 2: Here's a special time that we thought was normal because

663
00:30:16,400 --> 00:30:18,840
Speaker 2: we plucked into the show where if we came up

664
00:30:18,880 --> 00:30:21,760
Speaker 2: with an idea the next day, the props would have

665
00:30:21,800 --> 00:30:24,960
Speaker 2: been bought to execute it, like it would be ready

666
00:30:25,000 --> 00:30:25,200
Speaker 2: to go.

667
00:30:25,320 --> 00:30:26,880
Speaker 1: It was just got what do you guys want to do?

668
00:30:26,960 --> 00:30:29,760
Speaker 1: We're like, uh, dumb shit. They're like let's do it.

669
00:30:30,080 --> 00:30:31,840
Speaker 2: Yeah, Snider, Snider, get in here.

670
00:30:31,920 --> 00:30:34,239
Speaker 1: Please, he can't, he doesn't want. Don't make don't make him.

671
00:30:34,240 --> 00:30:35,400
Speaker 1: Don't make them.

672
00:30:35,400 --> 00:30:36,560
Speaker 2: Put the cam on, Snyder.

673
00:30:36,560 --> 00:30:37,960
Speaker 1: I told him to put his camera on. If he

674
00:30:37,960 --> 00:30:39,360
Speaker 1: puts his camera and I can bring him.

675
00:30:39,240 --> 00:30:41,080
Speaker 2: In, all right, let's see if he's got the guts

676
00:30:41,120 --> 00:30:43,360
Speaker 2: to tell the real Oh yeah, let's go. Let's go.

677
00:30:43,520 --> 00:30:44,959
Speaker 7: Give me one second to do it. Give me one

678
00:30:45,000 --> 00:30:45,400
Speaker 7: second and do it.

679
00:30:45,440 --> 00:30:55,880
Speaker 2: Talk about sure extraordinary nephew of Redskins owner. It's Matthew. Uh.

680
00:30:55,920 --> 00:30:57,680
Speaker 2: He is, by the way, Luke, would you there?

681
00:30:57,680 --> 00:30:57,880
Speaker 1: He is.

682
00:30:57,920 --> 00:30:59,000
Speaker 6: There's Bett Snyder right there.

683
00:30:59,120 --> 00:31:01,960
Speaker 1: Yeah, I'm just trying to keep this moving.

684
00:31:01,960 --> 00:31:03,120
Speaker 8: I'm happy to talk BC.

685
00:31:03,280 --> 00:31:04,440
Speaker 1: I'm just trying to keep this moving.

686
00:31:04,440 --> 00:31:08,960
Speaker 2: We keep all right. You can press play on the doc. Matt,

687
00:31:09,400 --> 00:31:12,440
Speaker 2: you were the one who literally would craft the doc

688
00:31:12,520 --> 00:31:15,560
Speaker 2: storylines and then I would execute that. This is what

689
00:31:15,600 --> 00:31:17,200
Speaker 2: would it be, right, this is what it was.

690
00:31:17,520 --> 00:31:21,600
Speaker 9: We would craft these politically, you would execute, and then

691
00:31:21,760 --> 00:31:25,520
Speaker 9: Jake and I would go into a weird series of

692
00:31:25,560 --> 00:31:29,600
Speaker 9: mood boards and uh and just a full comprehensive edit

693
00:31:29,680 --> 00:31:34,080
Speaker 9: that would make everything exaggerated and with as many absurd

694
00:31:34,240 --> 00:31:36,000
Speaker 9: jokes and references as possible.

695
00:31:36,040 --> 00:31:40,000
Speaker 8: You see that more as we progress throughout the doc series.

696
00:31:40,040 --> 00:31:43,120
Speaker 8: You don't really like this one is so basic. I

697
00:31:43,120 --> 00:31:45,880
Speaker 8: felt like we really had like an exponential growth story.

698
00:31:45,880 --> 00:31:48,560
Speaker 1: Who we are. It's different. You don't get the same

699
00:31:48,680 --> 00:31:50,440
Speaker 1: kind of also, b C.

700
00:31:51,360 --> 00:31:54,160
Speaker 8: When we get to it Doc three, we made it

701
00:31:54,240 --> 00:31:55,920
Speaker 8: up on the fly in Puerto Rico, which was.

702
00:31:56,280 --> 00:31:58,760
Speaker 2: You were the coach star of DOC three. That was.

703
00:32:00,200 --> 00:32:01,480
Speaker 1: So is that Puerto Rico?

704
00:32:01,880 --> 00:32:04,520
Speaker 2: Yes, and Bellatore, I couldn't.

705
00:32:04,520 --> 00:32:09,840
Speaker 1: I couldn't go to that. I couldn't. I just from

706
00:32:09,920 --> 00:32:11,000
Speaker 1: my heart to you guys.

707
00:32:11,200 --> 00:32:13,480
Speaker 8: This this really is the story of and the growth

708
00:32:13,520 --> 00:32:13,880
Speaker 8: of man.

709
00:32:14,040 --> 00:32:20,080
Speaker 2: And I'm very proud of what we did doc.

710
00:32:20,240 --> 00:32:22,920
Speaker 1: I don't believe me that you haven't watched it. I

711
00:32:22,960 --> 00:32:25,960
Speaker 1: have not watched this. I could I swear on my daughter,

712
00:32:26,000 --> 00:32:27,200
Speaker 1: I've not seen this. I think.

713
00:32:31,480 --> 00:32:33,840
Speaker 2: Well, thank you, Matt. We'll bring you back if we

714
00:32:33,880 --> 00:32:35,800
Speaker 2: have a few questions. I appreciate your.

715
00:32:39,760 --> 00:32:42,520
Speaker 1: Yeah, you were hating on me this time, Thank you

716
00:32:42,600 --> 00:32:43,040
Speaker 1: very much.

717
00:32:43,320 --> 00:32:44,920
Speaker 2: You know I think I was. I was carving out

718
00:32:44,960 --> 00:32:45,840
Speaker 2: my own territory.

719
00:32:45,920 --> 00:32:47,720
Speaker 1: Look, you know what I mean by being a hater.

720
00:32:49,400 --> 00:32:50,440
Speaker 1: I know you're doing games.

721
00:32:51,760 --> 00:32:52,160
Speaker 6: Be nice.

722
00:32:54,760 --> 00:32:56,040
Speaker 1: Did I know your bitch ass.

723
00:32:56,120 --> 00:33:09,240
Speaker 6: So well, thank you, appreciate everyone. All right, Yeah, you

724
00:33:09,240 --> 00:33:11,960
Speaker 6: know we made good content this week, and they.

725
00:33:11,880 --> 00:33:13,920
Speaker 1: Put a taco bell in the lobby of this building.

726
00:33:14,080 --> 00:33:16,480
Speaker 2: Yes, it was the worst taco bell ever though it

727
00:33:16,520 --> 00:33:20,160
Speaker 2: was a terrible topic. I am Brian Campbell, Big Beige,

728
00:33:20,360 --> 00:33:24,920
Speaker 2: Big BBC. May all your ex lovers stay satisfied.

729
00:33:28,680 --> 00:33:31,239
Speaker 1: Such a dumb side of all right, that's the end

730
00:33:31,280 --> 00:33:31,680
Speaker 1: of one.

731
00:33:32,560 --> 00:33:35,840
Speaker 2: That's the whole documentary number one, which really just focused

732
00:33:35,880 --> 00:33:40,320
Speaker 2: on will this partnership stay together? They're at odds? But

733
00:33:40,360 --> 00:33:42,160
Speaker 2: I kind of feel like that was the theme again

734
00:33:42,200 --> 00:33:45,400
Speaker 2: for Donkeylentary number two, because we didn't have any other ideas, Like.

735
00:33:45,560 --> 00:33:48,160
Speaker 5: I don't understand why this is the theme, because what

736
00:33:48,200 --> 00:33:49,960
Speaker 5: else were we going to do that was better than

737
00:33:49,960 --> 00:33:52,680
Speaker 5: this at this time? I think you're right, Yeah, this

738
00:33:52,880 --> 00:33:55,840
Speaker 5: was the best opportunity both of us had by a

739
00:33:55,880 --> 00:33:56,880
Speaker 5: million miles.

740
00:33:57,200 --> 00:33:59,560
Speaker 2: No sdo when did this one air? How long after

741
00:33:59,600 --> 00:33:59,880
Speaker 2: the first?

742
00:34:00,640 --> 00:34:03,960
Speaker 7: So this one came out in March of twenty twenty one?

743
00:34:04,080 --> 00:34:07,080
Speaker 1: Okay, yeah, I got that. I got that. Uh was

744
00:34:07,120 --> 00:34:09,920
Speaker 1: it Jeffrey's Coffee? What was that called Gregory's Gregory's You

745
00:34:10,040 --> 00:34:10,800
Speaker 1: love them? Gregory?

746
00:34:10,800 --> 00:34:13,960
Speaker 5: I don't think it's gonna be another nine months. I

747
00:34:14,280 --> 00:34:16,279
Speaker 5: used to wear Jordan's before my feet got fucked up.

748
00:34:20,280 --> 00:34:21,960
Speaker 1: It was windy as balls outside.

749
00:34:22,120 --> 00:34:25,480
Speaker 2: Damn right, your favorite combat show. If it ain't this one,

750
00:34:25,520 --> 00:34:27,120
Speaker 2: it will be, It will be, will.

751
00:34:26,920 --> 00:34:30,000
Speaker 1: Be, it will be. Oh, turning all the lights on.

752
00:34:29,880 --> 00:34:31,879
Speaker 2: Jersey City, you're probably make it up my factory town,

753
00:34:33,320 --> 00:34:35,319
Speaker 2: you know. Look, there's still an argument that number two

754
00:34:35,360 --> 00:34:35,840
Speaker 2: is the best.

755
00:34:35,719 --> 00:34:37,720
Speaker 1: In the series. You think this one's the best.

756
00:34:38,160 --> 00:34:40,640
Speaker 2: It's either this one or the last one in my opinion.

757
00:34:40,880 --> 00:34:45,760
Speaker 1: Number seven, redemp, Shit, Wait, what what's number seven?

758
00:34:46,200 --> 00:34:48,359
Speaker 2: That's the one where we chronicle the full year. We

759
00:34:48,400 --> 00:34:50,600
Speaker 2: went to my hometown. We went to your house.

760
00:34:50,800 --> 00:34:53,680
Speaker 1: Oh, that one I've seen more than once. Yes, that

761
00:34:53,680 --> 00:34:54,600
Speaker 1: one I've seen more than one.

762
00:34:57,120 --> 00:34:59,400
Speaker 2: Wow, I missed that place because.

763
00:34:59,160 --> 00:34:59,960
Speaker 6: That was our ship whole.

764
00:35:00,400 --> 00:35:09,160
Speaker 1: That was our little playground. Dude. They used to bring

765
00:35:09,239 --> 00:35:12,080
Speaker 1: us food and coffee. Oh man, we had a glad.

766
00:35:12,719 --> 00:35:14,279
Speaker 2: Do you remember the first episode of the show. It

767
00:35:14,400 --> 00:35:16,720
Speaker 2: was a full catering job, and we're like, this is great.

768
00:35:16,920 --> 00:35:18,279
Speaker 2: We never saw that catering together.

769
00:35:18,480 --> 00:35:21,800
Speaker 1: That's just like a one time responsibilities from CBS Sports HQ.

770
00:35:21,800 --> 00:35:23,480
Speaker 2: Tout out to Courtney Courtney in the.

771
00:35:23,480 --> 00:35:26,680
Speaker 1: House roobservers diaries too. But the Crown Jewel will be

772
00:35:26,760 --> 00:35:29,440
Speaker 1: Saturday Night, a post fight show in the old bomb

773
00:35:29,440 --> 00:35:31,879
Speaker 1: shelter where we'll cover the fights right after they are over.

774
00:35:31,960 --> 00:35:32,920
Speaker 1: Which fight live?

775
00:35:33,320 --> 00:35:36,000
Speaker 2: We wait McGregor to Oh, that's this one.

776
00:35:36,280 --> 00:35:37,960
Speaker 1: The show's life so to speak.

777
00:35:39,120 --> 00:35:47,840
Speaker 2: Mmm, balls bonanza. Oh you got a plus in the

778
00:35:47,880 --> 00:35:50,319
Speaker 2: fact that you know I've got to carry Oh not yet,

779
00:35:50,360 --> 00:35:50,680
Speaker 2: not yet?

780
00:35:50,800 --> 00:35:52,399
Speaker 1: Yeah, I was gonna say, then we decided.

781
00:35:53,320 --> 00:35:55,680
Speaker 2: Trying to create content. Oh, BC, you know it's it's

782
00:35:55,719 --> 00:35:57,760
Speaker 2: not enough that you're just sitting there and talking.

783
00:35:57,800 --> 00:36:00,160
Speaker 1: You know, you know you're a die job.

784
00:36:00,360 --> 00:36:06,680
Speaker 2: This one is not ABC make and look easy.

785
00:36:08,360 --> 00:36:11,480
Speaker 6: Luke, you have so many followers, did you ever use

786
00:36:11,520 --> 00:36:15,200
Speaker 6: one of those mid No, the toilet is just a

787
00:36:15,239 --> 00:36:16,040
Speaker 6: hole on the floor.

788
00:36:17,920 --> 00:36:19,120
Speaker 2: I don't know if I can handle all of this

789
00:36:19,200 --> 00:36:22,000
Speaker 2: pressure to come out VC again, you know, beyond all

790
00:36:22,080 --> 00:36:24,480
Speaker 2: the time? Can you know carry this documentary?

791
00:36:24,600 --> 00:36:24,799
Speaker 1: Yeah?

792
00:36:24,800 --> 00:36:26,280
Speaker 5: I mean when the producers told us they were shooting

793
00:36:26,280 --> 00:36:28,640
Speaker 5: a documentary, I'm like, oh Jesus Christ, all.

794
00:36:28,560 --> 00:36:32,720
Speaker 2: Right, quick, plase quick, because this is the central tension

795
00:36:32,719 --> 00:36:36,040
Speaker 2: of DOC two and three to be fair, and parts

796
00:36:36,080 --> 00:36:39,440
Speaker 2: of four and actually all the way through five, Will

797
00:36:39,640 --> 00:36:43,600
Speaker 2: Luke play ball? This is real, right, Luke? Like them

798
00:36:43,680 --> 00:36:46,319
Speaker 2: coming to you saying, Hey, we're gonna like people think

799
00:36:46,400 --> 00:36:48,360
Speaker 2: maybe we set up an hour to shoot. We have

800
00:36:48,480 --> 00:36:50,080
Speaker 2: cameras the entire.

801
00:36:49,800 --> 00:36:51,600
Speaker 1: Time, follow the entire time. Now, what I will say

802
00:36:51,680 --> 00:36:54,560
Speaker 1: is a little bit phony is some of these testimonials

803
00:36:54,560 --> 00:36:56,960
Speaker 1: that BC and I are doing, those are a little

804
00:36:57,719 --> 00:37:01,080
Speaker 1: trumped up for fun. But if you're catching me on

805
00:37:01,280 --> 00:37:06,160
Speaker 1: set like this where they're roaming the real thing there, yeah, yeah,

806
00:37:06,160 --> 00:37:06,640
Speaker 1: I think you are.

807
00:37:06,680 --> 00:37:09,799
Speaker 2: And there's Tim, the backup cameraman for Jake. Shout out

808
00:37:09,840 --> 00:37:11,680
Speaker 2: to that guy. Can I be funny enough to carry

809
00:37:11,680 --> 00:37:13,759
Speaker 2: for both of us? Because Luke doesn't care about this shit,

810
00:37:14,840 --> 00:37:17,040
Speaker 2: Schnyder saying in our chat, the only people that like

811
00:37:17,080 --> 00:37:18,960
Speaker 2: the docs are me and Jason's going to be a

812
00:37:18,960 --> 00:37:22,000
Speaker 2: good doc or it's not. I'll tell you what I'm

813
00:37:22,000 --> 00:37:24,040
Speaker 2: gonna perform.

814
00:37:24,200 --> 00:37:25,440
Speaker 1: That's just how we do.

815
00:37:29,360 --> 00:37:31,440
Speaker 2: I'm gonna have to pause it right there, Luke, because

816
00:37:31,680 --> 00:37:34,040
Speaker 2: things are about to get a little spicy about what

817
00:37:34,120 --> 00:37:37,560
Speaker 2: My opinion of these docs and this show were spicy

818
00:37:37,680 --> 00:37:40,279
Speaker 2: enough that I had to call in our friends at Querevo. Yet,

819
00:37:41,320 --> 00:37:44,360
Speaker 2: so wait, you invented tequila. Yeah, shots fired, let's go,

820
00:37:44,560 --> 00:37:52,040
Speaker 2: Let's go. And of course this look back shots Fired

821
00:37:52,080 --> 00:37:53,799
Speaker 2: brought to you by Quervo. Now's a good time to

822
00:37:53,960 --> 00:37:58,160
Speaker 2: enjoy the tequila that invented tequila. Some have still said

823
00:37:58,200 --> 00:38:00,959
Speaker 2: to this day that this upcoming rant it's not only

824
00:38:01,000 --> 00:38:04,080
Speaker 2: true Luke Thomas, it's the greatest moment in documentary history.

825
00:38:04,120 --> 00:38:04,560
Speaker 2: Let's watch it.

826
00:38:06,560 --> 00:38:08,000
Speaker 4: This is okay?

827
00:38:08,040 --> 00:38:10,120
Speaker 1: Can we is.

828
00:38:10,120 --> 00:38:12,040
Speaker 2: Our a noun or a verb? Because I'm gonna verb,

829
00:38:12,080 --> 00:38:14,439
Speaker 2: but I'm gonna r all over this place, all right,

830
00:38:14,719 --> 00:38:17,239
Speaker 2: I'm gonna and and it's really gonna be up. Can

831
00:38:17,360 --> 00:38:19,920
Speaker 2: Luke bring something to the table for this?

832
00:38:20,160 --> 00:38:20,400
Speaker 1: I know?

833
00:38:20,640 --> 00:38:24,120
Speaker 2: And to get that out of him? Will it end

834
00:38:24,200 --> 00:38:25,440
Speaker 2: up driving us apart?

835
00:38:25,480 --> 00:38:27,319
Speaker 5: If he likes saying this dumb ship because it makes

836
00:38:27,360 --> 00:38:29,239
Speaker 5: him feel better, What am I gonna do senter and

837
00:38:29,320 --> 00:38:30,959
Speaker 5: hurt his feelings and make him do a bad job.

838
00:38:31,239 --> 00:38:34,200
Speaker 1: Just let him have his thing. And that's stand.

839
00:38:34,600 --> 00:38:36,520
Speaker 6: I guess you felt like his COVID test.

840
00:38:37,520 --> 00:38:40,800
Speaker 1: The wow you want to look upho's actually pulling numbers

841
00:38:40,800 --> 00:38:43,560
Speaker 1: on the station in the channel. I'll let you know

842
00:38:43,560 --> 00:38:44,120
Speaker 1: what time it is.

843
00:38:44,440 --> 00:38:47,240
Speaker 2: Do you consider yourself an artists of quality dot quantity?

844
00:38:47,640 --> 00:38:49,000
Speaker 6: Do you consider yourself an artists.

845
00:38:54,120 --> 00:38:58,120
Speaker 2: Look, this is a growing bit of contention people. People, Hey, BC,

846
00:38:58,320 --> 00:39:00,000
Speaker 2: you got you know, you got jokes. You gotta stay

847
00:39:00,120 --> 00:39:02,799
Speaker 2: it's fun. But you're going back to the well too

848
00:39:02,880 --> 00:39:05,719
Speaker 2: much on this stick. You know, what is art? Are

849
00:39:05,760 --> 00:39:06,319
Speaker 2: we art?

850
00:39:06,880 --> 00:39:07,719
Speaker 1: Is art? Art?

851
00:39:07,800 --> 00:39:09,440
Speaker 2: You know we've heard that joke too much. But I

852
00:39:09,440 --> 00:39:11,480
Speaker 2: don't think it's a joke anymore as much as it's

853
00:39:11,480 --> 00:39:15,080
Speaker 2: a it's a realization. And I hope people realize this too.

854
00:39:15,160 --> 00:39:18,200
Speaker 2: That likes talking into a microphone, right, It's like I

855
00:39:18,239 --> 00:39:20,440
Speaker 2: watch a fight, I've got an opinion about it, and

856
00:39:20,480 --> 00:39:23,080
Speaker 2: I share it. What we are doing here at Morning Combat,

857
00:39:23,120 --> 00:39:26,560
Speaker 2: what I'm doing, Like Luke may have thought, we signed

858
00:39:26,640 --> 00:39:30,480
Speaker 2: up for a show that takes pretty good boxing and

859
00:39:30,640 --> 00:39:33,040
Speaker 2: MMA takes and a passion for what we do, but has.

860
00:39:33,200 --> 00:39:36,920
Speaker 10: Not construct corporate backing and show time in CBS and

861
00:39:37,000 --> 00:39:37,839
Speaker 10: Malka and all.

862
00:39:37,880 --> 00:39:39,520
Speaker 2: We're going to do the best talk show. It's not

863
00:39:39,600 --> 00:39:42,960
Speaker 2: a fucking talk show, all right. Like I'm sorry, Luke,

864
00:39:43,040 --> 00:39:45,239
Speaker 2: I might be using you. No, I am using you.

865
00:39:45,360 --> 00:39:47,719
Speaker 10: He's trying to please a large fan base, he's trying

866
00:39:47,719 --> 00:39:51,040
Speaker 10: to talk about sports. I'm painting fucking art out there.

867
00:39:51,400 --> 00:39:54,600
Speaker 2: One day the moment Luke realizes that he's a brush,

868
00:39:54,880 --> 00:39:57,200
Speaker 2: He's a piece of wood with bristles coming out of it.

869
00:39:57,280 --> 00:39:59,919
Speaker 10: And I'm taking him and I'm using him, and I'm

870
00:40:00,160 --> 00:40:05,440
Speaker 10: and i'm I'm I'm spraying that ship all over. And

871
00:40:05,520 --> 00:40:08,040
Speaker 10: the trained ones, the ones who get it, the ones

872
00:40:08,040 --> 00:40:08,440
Speaker 10: who know.

873
00:40:08,520 --> 00:40:11,080
Speaker 2: If you know that, you know that, you know they

874
00:40:11,120 --> 00:40:11,919
Speaker 2: watched this show.

875
00:40:12,080 --> 00:40:16,719
Speaker 10: They know what they watched Picasso, they watch Coltrane, they

876
00:40:16,800 --> 00:40:18,880
Speaker 10: watched Pastorius, not Oscar.

877
00:40:18,960 --> 00:40:21,799
Speaker 2: I'm talking about Jocko. I have not a goal to

878
00:40:21,800 --> 00:40:23,880
Speaker 2: get a hundred. You dont care about one hundred thousand.

879
00:40:24,719 --> 00:40:28,160
Speaker 2: This is art though, to me, Okay, I am an artist.

880
00:40:28,360 --> 00:40:31,160
Speaker 2: BC don't make it look easy. He makes it look easy, soul.

881
00:40:31,320 --> 00:40:33,640
Speaker 2: I just hope that when you watch an episode.

882
00:40:33,239 --> 00:40:34,200
Speaker 6: Of Morning Conment.

883
00:40:36,480 --> 00:40:38,200
Speaker 2: You get it. Luke's playing checkers.

884
00:40:38,239 --> 00:40:41,480
Speaker 10: This is another This is abstract. What is actually going

885
00:40:41,520 --> 00:40:43,520
Speaker 10: on in this show. I don't know if Showtime and

886
00:40:43,600 --> 00:40:46,040
Speaker 10: CBS know what they really have here, but what we

887
00:40:46,120 --> 00:40:49,200
Speaker 10: have here is art, and you can't there's no subscriber number,

888
00:40:49,239 --> 00:40:52,200
Speaker 10: there's no Twitter followers that can make that any more

889
00:40:52,239 --> 00:40:52,719
Speaker 10: than it is.

890
00:40:52,760 --> 00:40:54,319
Speaker 2: It's either art or it's not all right.

891
00:40:54,400 --> 00:40:58,200
Speaker 1: You know what I'm saying, do you feel good about that?

892
00:40:58,800 --> 00:41:00,640
Speaker 2: Look? I gotta stand by that. I mean, you know,

893
00:41:01,719 --> 00:41:05,759
Speaker 2: shots fired, But I have to say that like that

894
00:41:06,000 --> 00:41:09,360
Speaker 2: is sorry him, and that is to me the central

895
00:41:10,200 --> 00:41:14,360
Speaker 2: underlying truth of the show is it a combat sports

896
00:41:14,360 --> 00:41:17,320
Speaker 2: show where you and I paired our experience and personalities

897
00:41:17,360 --> 00:41:21,120
Speaker 2: and made chemistry and gave great takes. Yes, but this

898
00:41:21,360 --> 00:41:26,080
Speaker 2: was always going to be a canvas for my for

899
00:41:26,160 --> 00:41:30,960
Speaker 2: the only skills I truly have, the you know, stupid conversation.

900
00:41:31,160 --> 00:41:33,200
Speaker 2: This was gonna be the only chance to paint the

901
00:41:33,400 --> 00:41:38,600
Speaker 2: art of unnecessary uh nineties lyrics, shoutouts and uh pour

902
00:41:38,760 --> 00:41:42,319
Speaker 2: in you know, perfectly hidden dirty jokes. Luke, you were

903
00:41:42,400 --> 00:41:45,600
Speaker 2: the paint brush that I used to make art.

904
00:41:45,680 --> 00:41:47,359
Speaker 5: Okay, that's a true I think the rules are a little

905
00:41:47,360 --> 00:41:50,719
Speaker 5: bit reversed, But what I would say is certainly you

906
00:41:50,800 --> 00:41:55,200
Speaker 5: expanded the editorial vision from what it normally was to

907
00:41:55,600 --> 00:41:57,839
Speaker 5: something a little bit bigger, albeit for not a very

908
00:41:57,920 --> 00:41:59,879
Speaker 5: large audience, but nevertheless.

909
00:41:59,560 --> 00:42:02,760
Speaker 2: One that I will admit, since this show is about

910
00:42:02,800 --> 00:42:06,040
Speaker 2: reveals that a lot of my early bullshit on this

911
00:42:06,120 --> 00:42:11,719
Speaker 2: show was to try to compence, com coppen, compensate for

912
00:42:11,800 --> 00:42:14,760
Speaker 2: an insecurity I had regarding MMA, not that I hadn't

913
00:42:14,760 --> 00:42:17,239
Speaker 2: been watching since the early nineties. I'd been working in

914
00:42:17,520 --> 00:42:20,239
Speaker 2: high level MMA, you know, since twenty twelve. Like I've done,

915
00:42:20,239 --> 00:42:24,319
Speaker 2: I've been around, right, But like I wasn't known for

916
00:42:24,400 --> 00:42:27,720
Speaker 2: anything more than boxing through about this portion of my career.

917
00:42:27,760 --> 00:42:30,200
Speaker 2: I was working at CBS, I was covering the big fights.

918
00:42:30,640 --> 00:42:33,319
Speaker 2: But to me, I was like, I got to bring

919
00:42:33,400 --> 00:42:36,480
Speaker 2: something else to kind of keep up with you in

920
00:42:36,680 --> 00:42:39,400
Speaker 2: MMA in this so, I just thought a dick jokes

921
00:42:39,400 --> 00:42:40,879
Speaker 2: should work, you know, that should work.

922
00:42:42,320 --> 00:42:44,400
Speaker 1: Well. I appreciate that.

923
00:42:44,280 --> 00:42:46,560
Speaker 2: This was shots fired brought to you by Quervo. Now

924
00:42:46,680 --> 00:42:50,160
Speaker 2: was a good time to enjoy the tequila that invented tequila.

925
00:42:50,640 --> 00:42:52,600
Speaker 2: Back to documentary number two.

926
00:42:56,480 --> 00:42:58,400
Speaker 1: He's an artist in the same way he is a

927
00:42:58,440 --> 00:43:08,919
Speaker 1: sex icon. That's awesome. Luke gott talk real.

928
00:43:08,840 --> 00:43:12,520
Speaker 2: Quick and this is the beginning of Jay's exit.

929
00:43:15,560 --> 00:43:19,000
Speaker 1: Started until we are live. Did you hear that? He goes?

930
00:43:19,080 --> 00:43:21,640
Speaker 1: Luke talk for a bit and I go, Jay is

931
00:43:21,640 --> 00:43:27,040
Speaker 1: a failure by his milor around here. Oh I feel

932
00:43:27,080 --> 00:43:30,040
Speaker 1: good about that. Joe, stop, stop just started. You don't

933
00:43:30,040 --> 00:43:32,239
Speaker 1: need it, you don't need it. Please? Can we start?

934
00:43:32,560 --> 00:43:33,920
Speaker 1: We are pissing away views?

935
00:43:33,920 --> 00:43:38,080
Speaker 6: Please we are are kellying all the views.

936
00:43:39,040 --> 00:43:43,440
Speaker 1: What we are doing? Alright? Women promos? Oh back when

937
00:43:43,440 --> 00:43:44,959
Speaker 1: I had a little bit of I had a little

938
00:43:45,000 --> 00:43:51,320
Speaker 1: bit of uh what you would have called that? Uh anxiety?

939
00:43:51,360 --> 00:43:53,080
Speaker 1: A boy doing our the best job possible.

940
00:43:53,280 --> 00:43:56,120
Speaker 2: Yes, and I'll give you credit. Even when you were

941
00:43:56,320 --> 00:43:58,719
Speaker 2: the most pissed at me, you'd still sell a joke,

942
00:43:58,880 --> 00:44:01,280
Speaker 2: you know what I mean, if it penetrated, it's still

943
00:44:01,280 --> 00:44:01,640
Speaker 2: sell it.

944
00:44:01,640 --> 00:44:05,120
Speaker 1: Where are you coming from? Yeah, good question, Jay? Why

945
00:44:05,160 --> 00:44:06,000
Speaker 1: don't you figure it out?

946
00:44:06,480 --> 00:44:06,760
Speaker 6: Guys?

947
00:44:06,800 --> 00:44:08,799
Speaker 2: This was every episode Jay, I ever worked out with us,

948
00:44:08,920 --> 00:44:12,760
Speaker 2: this moment right here, This is every episode And notice

949
00:44:12,880 --> 00:44:14,640
Speaker 2: Jay never takes responsibility for it.

950
00:44:14,719 --> 00:44:16,520
Speaker 1: At hot freaking once.

951
00:44:25,840 --> 00:44:28,279
Speaker 5: That's Brian Campbell and Thomas from CNBA Sports. We'll see

952
00:44:28,320 --> 00:44:30,200
Speaker 5: you guys later until then, peace.

953
00:44:33,239 --> 00:44:34,759
Speaker 2: Look, you were a legit pissed right there.

954
00:44:37,200 --> 00:44:40,120
Speaker 1: You call it a ship chat? That's chat ever talked

955
00:44:40,840 --> 00:44:44,719
Speaker 1: thinking that? All right, I just have a brief conversation.

956
00:44:47,400 --> 00:44:48,960
Speaker 1: What did he say?

957
00:44:49,280 --> 00:44:52,360
Speaker 2: Let's just have a brief conversation. So it is the

958
00:44:52,400 --> 00:44:58,360
Speaker 2: ambient audio for like a hot minute. Look at my face, like, no,

959
00:44:58,520 --> 00:45:01,160
Speaker 2: no disrespect to you and your the origins you're feeling.

960
00:45:01,160 --> 00:45:03,239
Speaker 1: But what the fun day right, Well, not do that

961
00:45:03,280 --> 00:45:04,880
Speaker 1: for the next one. That'd be all right with you, guys.

962
00:45:05,600 --> 00:45:07,000
Speaker 8: Now we'll be good the rest of the week, you know,

963
00:45:07,040 --> 00:45:08,640
Speaker 8: Saturday night, Friday.

964
00:45:08,760 --> 00:45:10,360
Speaker 1: Do you do this on the post fight and I

965
00:45:10,360 --> 00:45:12,400
Speaker 1: will lose my ship? The good news I won't. Actually,

966
00:45:13,040 --> 00:45:15,520
Speaker 1: this is real from the other this is real.

967
00:45:16,960 --> 00:45:20,640
Speaker 2: This is absolutely real. You can't storyboard what's real.

968
00:45:20,760 --> 00:45:23,280
Speaker 7: The best is you being like, this better not happens Saturday.

969
00:45:23,280 --> 00:45:26,800
Speaker 7: He's like, I won't be here Saturday.

970
00:45:27,640 --> 00:45:31,320
Speaker 1: Here's Shay, here's ready. So we've got good news.

971
00:45:31,080 --> 00:45:33,160
Speaker 2: And bad news.

972
00:45:34,080 --> 00:45:37,040
Speaker 5: Here's here's the good news, great show, you did a

973
00:45:37,080 --> 00:45:41,520
Speaker 5: great job. The bad news is some kind of star

974
00:45:41,600 --> 00:45:44,560
Speaker 5: trek feed from the nearby TV came in and all

975
00:45:44,600 --> 00:45:46,440
Speaker 5: they can hear is you guys speaking kling on for

976
00:45:46,480 --> 00:45:47,440
Speaker 5: the first five minutes.

977
00:45:49,960 --> 00:45:51,719
Speaker 2: Feel like we should pause real quick right now because

978
00:45:51,719 --> 00:45:55,200
Speaker 2: there is a creation. Look a little rock, A little rock,

979
00:45:55,280 --> 00:45:57,880
Speaker 2: little rock. All right, I guess I won't tell it

980
00:45:57,960 --> 00:45:59,160
Speaker 2: inside story. I keep going.

981
00:45:59,200 --> 00:46:01,040
Speaker 1: We'll story as it goes.

982
00:46:02,440 --> 00:46:04,840
Speaker 2: You know, was this the right story? Make a second?

983
00:46:04,880 --> 00:46:07,920
Speaker 2: The documentary, So quick documentary.

984
00:46:09,400 --> 00:46:13,719
Speaker 1: Ran Campbell tell the story? Can you hear me? Can

985
00:46:13,760 --> 00:46:16,799
Speaker 1: nobody hear me? What the fuck? I could hear you, LT,

986
00:46:16,960 --> 00:46:18,799
Speaker 1: I think BC, Yeah, BC, can you hear us?

987
00:46:19,640 --> 00:46:20,960
Speaker 2: I can hear you. I'm just having a lot of

988
00:46:21,000 --> 00:46:21,640
Speaker 2: audio issues.

989
00:46:21,719 --> 00:46:24,719
Speaker 1: Yes, okay, because mama, shit's working. Do you want to

990
00:46:24,760 --> 00:46:25,560
Speaker 1: tell your story? BC?

991
00:46:26,600 --> 00:46:31,560
Speaker 2: Uh So look documentary number two that this was real.

992
00:46:31,719 --> 00:46:34,720
Speaker 2: Jay had a stretch where Jay was great. In the beginning,

993
00:46:35,280 --> 00:46:39,479
Speaker 2: Jay was really good. He created technological advancements for us.

994
00:46:39,640 --> 00:46:42,279
Speaker 2: He got us going in the pandemic. I think we

995
00:46:42,280 --> 00:46:44,279
Speaker 2: were like the top show during the pandemic, one of

996
00:46:44,320 --> 00:46:46,640
Speaker 2: the first ones that figured out how to go live

997
00:46:46,680 --> 00:46:50,040
Speaker 2: from home on the regular before everybody got on Zoom.

998
00:46:50,880 --> 00:46:53,560
Speaker 2: But this was a stretch where I created a monster

999
00:46:53,600 --> 00:46:56,239
Speaker 2: ELTI did. I not. I wanted Jay on camera more

1000
00:46:56,280 --> 00:47:00,279
Speaker 2: because off camera he's delightfully goofy and hilarious. He is

1001
00:47:00,400 --> 00:47:03,640
Speaker 2: Jay seriously off camera, Jay can't get out of his

1002
00:47:03,640 --> 00:47:07,080
Speaker 2: own way. He's hilarious. On camera, he freezes up. And

1003
00:47:07,120 --> 00:47:10,080
Speaker 2: I think the opportunity to be a playable character in

1004
00:47:10,120 --> 00:47:14,000
Speaker 2: this universe which I created poisoned his ability to direct

1005
00:47:14,080 --> 00:47:17,040
Speaker 2: the show. And this was a stretch of so many

1006
00:47:17,160 --> 00:47:20,319
Speaker 2: errors that he screwed this episode up so bad, and

1007
00:47:20,400 --> 00:47:22,880
Speaker 2: the thing that we filmed after it that Luke, I

1008
00:47:22,920 --> 00:47:25,239
Speaker 2: don't know if you remember this, but we had a

1009
00:47:25,280 --> 00:47:28,280
Speaker 2: conference call from our hotel, you and me in your room,

1010
00:47:28,880 --> 00:47:31,399
Speaker 2: with Jay's boss on the other end.

1011
00:47:32,880 --> 00:47:33,480
Speaker 1: Do you remember this?

1012
00:47:33,600 --> 00:47:35,640
Speaker 2: And I wanted the dock cameras to film it, but

1013
00:47:35,680 --> 00:47:36,600
Speaker 2: everybody said.

1014
00:47:36,400 --> 00:47:38,319
Speaker 1: No, I don't remember this.

1015
00:47:38,800 --> 00:47:42,279
Speaker 2: And Jay got suspended and pulled off of our show

1016
00:47:42,320 --> 00:47:43,239
Speaker 2: for like six months.

1017
00:47:43,280 --> 00:47:44,279
Speaker 1: So that's why I remember that.

1018
00:47:44,480 --> 00:47:45,800
Speaker 6: Documentary Number three.

1019
00:47:45,680 --> 00:47:47,799
Speaker 2: Was supposed to be us telling the real story about

1020
00:47:47,840 --> 00:47:50,160
Speaker 2: what happened to Jay, and then last minute we were

1021
00:47:50,160 --> 00:47:53,319
Speaker 2: told that we couldn't tell that story. But this is

1022
00:47:53,360 --> 00:47:55,359
Speaker 2: what was going on while we were filming this one

1023
00:47:55,440 --> 00:48:02,120
Speaker 2: right here, Cares. We're talking a lot about the McGregor

1024
00:48:02,200 --> 00:48:05,279
Speaker 2: Poorier rematch this this week, but the first fight that's

1025
00:48:05,360 --> 00:48:05,839
Speaker 2: us right now.

1026
00:48:06,920 --> 00:48:08,880
Speaker 1: I don't think so. I think it's been an asshole

1027
00:48:10,239 --> 00:48:10,840
Speaker 1: as an.

1028
00:48:10,640 --> 00:48:11,800
Speaker 6: Expert in sport.

1029
00:48:12,360 --> 00:48:14,440
Speaker 2: Looks to be fair, there were times I was an

1030
00:48:14,440 --> 00:48:17,560
Speaker 2: asshole filming these on purpose. It may not be, and

1031
00:48:17,600 --> 00:48:19,000
Speaker 2: I never knew you knew.

1032
00:48:20,320 --> 00:48:23,120
Speaker 5: You half the time behind the scenes, you were just

1033
00:48:23,239 --> 00:48:24,440
Speaker 5: trying to rage bait me.

1034
00:48:24,560 --> 00:48:28,640
Speaker 1: It's artistic, Jen, some kind of you know, we intention.

1035
00:48:28,800 --> 00:48:31,480
Speaker 2: Unless the real truths come out of all those bagels,

1036
00:48:31,520 --> 00:48:34,360
Speaker 2: what our intentions are in this show and what we're trying.

1037
00:48:34,080 --> 00:48:37,440
Speaker 1: To do Louisiana Hot Sauce sauce.

1038
00:48:37,640 --> 00:48:41,520
Speaker 2: He's doing a review of Dustin Pourrier's you know, barbecue sauce.

1039
00:48:41,400 --> 00:48:43,120
Speaker 1: That did better than any documentary.

1040
00:48:43,200 --> 00:48:45,160
Speaker 2: You know, Dustin will retweet us.

1041
00:48:45,600 --> 00:48:48,399
Speaker 1: I think it did two x better than the best documentary.

1042
00:48:48,440 --> 00:48:51,320
Speaker 2: To get so loose? You know, if I could I

1043
00:48:51,360 --> 00:48:53,600
Speaker 2: get the choke in from behind, probably, like you know,

1044
00:48:53,640 --> 00:48:56,200
Speaker 2: could I get the tap if I commit to that? Probably,

1045
00:48:56,239 --> 00:49:00,040
Speaker 2: you know, probably. But I just want him to know

1046
00:49:00,120 --> 00:49:02,719
Speaker 2: through this process that life is not as rich.

1047
00:49:05,480 --> 00:49:06,839
Speaker 1: Are you saying more dumb? Ship?

1048
00:49:07,760 --> 00:49:10,400
Speaker 2: This is this is way that was completely real business.

1049
00:49:10,680 --> 00:49:13,120
Speaker 2: I had a whole skip plan where I was gonna

1050
00:49:13,160 --> 00:49:15,160
Speaker 2: talk about you, and you legitimately walked in on it

1051
00:49:15,200 --> 00:49:15,760
Speaker 2: and got pissed.

1052
00:49:17,560 --> 00:49:18,239
Speaker 1: What were you saying?

1053
00:49:18,480 --> 00:49:21,680
Speaker 6: That's going on with the sauce.

1054
00:49:22,920 --> 00:49:25,440
Speaker 1: Review? I hate that ship? Is it good? Watch it?

1055
00:49:25,480 --> 00:49:26,480
Speaker 1: If I did this to him, he.

1056
00:49:26,560 --> 00:49:30,600
Speaker 2: Cried, yeah, watch you spilled all your luke.

1057
00:49:30,640 --> 00:49:35,600
Speaker 1: I thank you, that's funny. I forgot that, Jess. I

1058
00:49:35,640 --> 00:49:37,640
Speaker 1: forgot this ship. Oh Jesus.

1059
00:49:38,480 --> 00:49:40,480
Speaker 2: I don't mean food you eat on an airplane. I mean,

1060
00:49:40,520 --> 00:49:43,719
Speaker 2: like without any type of seasoning or sauce on it.

1061
00:49:43,800 --> 00:49:47,400
Speaker 1: Yeah, I know I'm white, but no, you like the sauce.

1062
00:49:48,600 --> 00:49:50,040
Speaker 2: I like you like it the sauce.

1063
00:49:50,120 --> 00:49:52,680
Speaker 1: Yeah, yes, I know you think you're the sauce but

1064
00:49:52,800 --> 00:49:55,360
Speaker 1: you're not. But yes I do like flavors.

1065
00:49:55,560 --> 00:49:58,120
Speaker 6: All right, pause real quick, go to the MK YouTube channel.

1066
00:49:59,040 --> 00:50:01,880
Speaker 2: That's real for you, you, Luke. This is an example

1067
00:50:01,920 --> 00:50:05,200
Speaker 2: of me completely playing up the storyline that we're executing,

1068
00:50:05,680 --> 00:50:09,000
Speaker 2: trying to bait you. What no, no, no, you falling

1069
00:50:09,040 --> 00:50:10,440
Speaker 2: for it, getting very upset.

1070
00:50:10,760 --> 00:50:13,200
Speaker 1: It is partly you doing that. It is partly you

1071
00:50:13,239 --> 00:50:14,960
Speaker 1: doing that. But what you understand is part of my

1072
00:50:15,160 --> 00:50:18,160
Speaker 1: rage such that I'm continued me like, I just I mean,

1073
00:50:18,239 --> 00:50:20,280
Speaker 1: he could you pause it in a less flattering image?

1074
00:50:20,280 --> 00:50:20,719
Speaker 1: My god?

1075
00:50:21,640 --> 00:50:24,520
Speaker 5: But but these are all oh my god, that's better.

1076
00:50:24,719 --> 00:50:27,160
Speaker 5: But the reality is what I also kind of objected

1077
00:50:27,160 --> 00:50:29,120
Speaker 5: to was the meta of it, where it's like, I

1078
00:50:29,200 --> 00:50:31,759
Speaker 5: know you're doing a bit, but I couldn't stand that

1079
00:50:31,840 --> 00:50:34,759
Speaker 5: the bit was constantly trying to just needle me.

1080
00:50:35,200 --> 00:50:37,080
Speaker 2: So the problem was we were getting the a throw

1081
00:50:37,239 --> 00:50:40,040
Speaker 2: whenever the dock cameras would be around for the entire time,

1082
00:50:40,320 --> 00:50:42,200
Speaker 2: so there would be times that I would fall so

1083
00:50:42,360 --> 00:50:46,120
Speaker 2: deep into character and like not have the sense to

1084
00:50:46,120 --> 00:50:48,040
Speaker 2: turn it off. And I remember one time you came in.

1085
00:50:48,239 --> 00:50:49,719
Speaker 2: We were doing like a four day shoot I think

1086
00:50:49,800 --> 00:50:53,480
Speaker 2: was during this shot during this weekend, and you came

1087
00:50:53,520 --> 00:50:55,600
Speaker 2: in and just screamed at me, and you're like, can

1088
00:50:55,600 --> 00:50:58,120
Speaker 2: I have one fucking morning off where you're not trying

1089
00:50:58,120 --> 00:51:00,000
Speaker 2: to get me pissed off? Like you just went off

1090
00:51:00,080 --> 00:51:00,480
Speaker 2: fond of me.

1091
00:51:00,880 --> 00:51:02,400
Speaker 1: Yeah, I mean that was tightly wound.

1092
00:51:02,719 --> 00:51:03,200
Speaker 2: Yeah, there we go.

1093
00:51:05,040 --> 00:51:06,320
Speaker 1: And then tell me who the sauce is.

1094
00:51:06,360 --> 00:51:08,880
Speaker 5: If he's the sauce, irom the kitchen, the plates, the

1095
00:51:08,920 --> 00:51:12,480
Speaker 5: cooking utensils, the gas coming into the car, the oven,

1096
00:51:13,800 --> 00:51:16,440
Speaker 5: let me ask all the people eating the napkins, the wine.

1097
00:51:16,680 --> 00:51:18,719
Speaker 2: Let me ask you a question about art. Do you

1098
00:51:18,760 --> 00:51:22,040
Speaker 2: think what Justin Bieber does with so many downloads and

1099
00:51:22,160 --> 00:51:25,200
Speaker 2: millions of followers? Do you think his music is art

1100
00:51:25,440 --> 00:51:27,920
Speaker 2: or do you think it's pop hollow bullshit?

1101
00:51:28,000 --> 00:51:30,240
Speaker 1: I think you don't understand that we are the sauce,

1102
00:51:30,280 --> 00:51:30,560
Speaker 1: not you.

1103
00:51:32,280 --> 00:51:34,279
Speaker 2: That's the truest thing you ever said that right there,

1104
00:51:34,440 --> 00:51:37,880
Speaker 2: that's the truest thing. I actually felt bad when I

1105
00:51:37,880 --> 00:51:40,560
Speaker 2: watched the doc back for the first time. I felt

1106
00:51:40,560 --> 00:51:41,560
Speaker 2: bad that I was winding you.

1107
00:51:41,560 --> 00:51:48,959
Speaker 1: Up Luke Okay, Jersey City where it says retail space.

1108
00:51:48,960 --> 00:51:51,080
Speaker 1: That's where they put Awkward Morning Combat. Not just to

1109
00:51:51,120 --> 00:51:53,240
Speaker 1: show today, but we're also hosting the wigns on showtime.

1110
00:51:53,400 --> 00:51:55,800
Speaker 2: We're gonna set the stage for that on the scales

1111
00:51:55,920 --> 00:51:58,279
Speaker 2: and then showing us as fat as possible too.

1112
00:52:00,040 --> 00:52:02,520
Speaker 1: This bringing this up in his right. The musical score

1113
00:52:02,640 --> 00:52:10,880
Speaker 1: to these is how was more fantastics? Not high? Because

1114
00:52:11,880 --> 00:52:12,560
Speaker 1: we're all trying.

1115
00:52:12,600 --> 00:52:17,399
Speaker 5: Everyone's tired, and shit is not working out the way

1116
00:52:17,480 --> 00:52:18,160
Speaker 5: it should be.

1117
00:52:18,360 --> 00:52:21,640
Speaker 6: Yesterday was not was not planned. This is not part of.

1118
00:52:21,560 --> 00:52:25,000
Speaker 2: A documentary there he is, Yeah, this is all real.

1119
00:52:25,160 --> 00:52:26,680
Speaker 2: You're not good at your job.

1120
00:52:26,800 --> 00:52:28,760
Speaker 5: Oh the way they eventually gave this job Tom Nietzche

1121
00:52:28,840 --> 00:52:31,560
Speaker 5: and it was infinitely better, almost immediate.

1122
00:52:31,239 --> 00:52:35,359
Speaker 2: Martie Schoenheimer with the Redskins, Richard Nixon. After this week,

1123
00:52:35,840 --> 00:52:37,520
Speaker 2: I don't know if I'll ever see j again. This

1124
00:52:37,680 --> 00:52:41,480
Speaker 2: is documenting a divorce. He said, we're good, We're good

1125
00:52:41,480 --> 00:52:41,680
Speaker 2: to go.

1126
00:52:41,840 --> 00:52:44,239
Speaker 7: The best was this implied that Jay did not work

1127
00:52:44,280 --> 00:52:47,160
Speaker 7: for Malca anymore. Meanwhile, he continued to work there for

1128
00:52:47,200 --> 00:52:48,200
Speaker 7: like four more years.

1129
00:52:48,840 --> 00:52:50,960
Speaker 5: Also, I gotta say BC would have this angle being like,

1130
00:52:51,000 --> 00:52:52,600
Speaker 5: you know, what it's going to be sad to lose

1131
00:52:52,680 --> 00:52:55,080
Speaker 5: j And I'm being like, I won't not even notice.

1132
00:52:54,880 --> 00:52:56,600
Speaker 6: If he's gone.

1133
00:52:57,000 --> 00:52:59,600
Speaker 2: He had screwed up again this morning so badly that

1134
00:53:00,040 --> 00:53:03,680
Speaker 2: on the scenes we were like, yes, push having a canopy.

1135
00:53:03,360 --> 00:53:06,120
Speaker 6: For my art if you were willing to squash our beef,

1136
00:53:06,280 --> 00:53:06,759
Speaker 6: I don't have.

1137
00:53:06,760 --> 00:53:07,239
Speaker 1: Beef with you.

1138
00:53:07,480 --> 00:53:10,520
Speaker 6: And see, you certainly don't have beef with me without

1139
00:53:10,520 --> 00:53:11,239
Speaker 6: the sauce on top.

1140
00:53:12,320 --> 00:53:15,200
Speaker 5: Here's a sauce in the same way that I mean

1141
00:53:15,280 --> 00:53:17,080
Speaker 5: that kid is what a stupid thing to say. He

1142
00:53:17,239 --> 00:53:20,480
Speaker 5: still has this weird thing where he thinks he's fucking

1143
00:53:20,600 --> 00:53:23,399
Speaker 5: Sam Cook in the Harlem in the nineteen sixties, showing

1144
00:53:23,480 --> 00:53:25,440
Speaker 5: up on stage after the opener and then coming in

1145
00:53:25,480 --> 00:53:30,839
Speaker 5: and bringing the house down. Okay, meanwhile, you know, I'd

1146
00:53:30,840 --> 00:53:32,480
Speaker 5: say a little bit more of the guy who cleaned

1147
00:53:32,520 --> 00:53:34,080
Speaker 5: up after Sam Cook was done.

1148
00:53:34,600 --> 00:53:36,480
Speaker 2: Is it creepy to keep your nails long?

1149
00:53:36,960 --> 00:53:38,719
Speaker 1: I don't believe that dogs enjoy.

1150
00:53:38,640 --> 00:53:39,400
Speaker 6: A good scratch?

1151
00:53:39,440 --> 00:53:40,080
Speaker 1: Is that creepy?

1152
00:53:40,560 --> 00:53:43,759
Speaker 2: I came here to art this week, all right? I

1153
00:53:43,760 --> 00:53:47,000
Speaker 2: don't know. This was the era when he used to episode.

1154
00:53:47,080 --> 00:53:47,920
Speaker 2: People don't realize that.

1155
00:53:48,000 --> 00:53:48,759
Speaker 1: No, I don't think so.

1156
00:53:49,239 --> 00:53:50,399
Speaker 2: Yeah, it was this was that.

1157
00:53:50,320 --> 00:53:54,239
Speaker 6: Era he looks happy.

1158
00:53:54,920 --> 00:53:59,200
Speaker 1: Yeah, a good point. There's one of the floor that's

1159
00:53:59,239 --> 00:54:05,720
Speaker 1: Ray Flores is brother? Right? Where are yes? Is miguel

1160
00:54:05,880 --> 00:54:08,280
Speaker 1: a bears fan in the same ways.

1161
00:54:08,160 --> 00:54:10,960
Speaker 2: Like not as aggressive as right, piss and then I'm

1162
00:54:11,000 --> 00:54:12,400
Speaker 2: ready to bang here.

1163
00:54:13,160 --> 00:54:14,359
Speaker 1: We're gonna bang on the air.

1164
00:54:15,840 --> 00:54:18,560
Speaker 2: We're gonna We're gonna have sex on the air.

1165
00:54:20,960 --> 00:54:24,919
Speaker 1: Oh, God is slimming because I got to keep brother.

1166
00:54:25,000 --> 00:54:30,520
Speaker 1: I have destroyed this so many times.

1167
00:54:30,920 --> 00:54:32,759
Speaker 2: I shut that toilet down, the left one a lot

1168
00:54:32,800 --> 00:54:33,200
Speaker 2: of times.

1169
00:54:33,440 --> 00:54:35,000
Speaker 1: I cannot tell you how many times you can see it.

1170
00:54:35,000 --> 00:54:38,400
Speaker 5: So this is one of those bathrooms where the lights

1171
00:54:38,440 --> 00:54:42,279
Speaker 5: inside our emotion sensor. Yes, uh, And I can't say

1172
00:54:42,320 --> 00:54:44,200
Speaker 5: I would take dumps so long it'd be pitched.

1173
00:54:44,000 --> 00:54:45,600
Speaker 1: Black by the time I have to clean up.

1174
00:54:46,320 --> 00:54:46,719
Speaker 2: Been there.

1175
00:54:47,600 --> 00:54:50,000
Speaker 7: In fairness, the timer was like three minutes, so it

1176
00:54:50,000 --> 00:54:50,640
Speaker 7: went black.

1177
00:54:50,480 --> 00:54:52,359
Speaker 1: Anytime you took a shot. Okay, all right. I thought

1178
00:54:52,400 --> 00:54:55,000
Speaker 1: it was just me, you know, just lingering on the promote.

1179
00:54:55,760 --> 00:54:57,959
Speaker 2: Okay, that's a true story. We got Mediterranean for lunch

1180
00:54:58,040 --> 00:55:01,399
Speaker 2: that day. That toilet over after I after I tried

1181
00:55:01,400 --> 00:55:03,520
Speaker 2: to flush it, and I just avoided the chance of

1182
00:55:03,520 --> 00:55:04,200
Speaker 2: the rest of the day.

1183
00:55:04,680 --> 00:55:09,120
Speaker 6: Yes, thank you. Thank you very much.

1184
00:55:09,520 --> 00:55:10,680
Speaker 2: Morning combat time.

1185
00:55:11,680 --> 00:55:13,279
Speaker 6: Usually the prep for the show.

1186
00:55:13,360 --> 00:55:19,480
Speaker 2: I usually yeah, yeah, Usually I don't do much, you know,

1187
00:55:19,960 --> 00:55:24,200
Speaker 2: I don't actually usually shower at wow. You know, you

1188
00:55:24,239 --> 00:55:25,960
Speaker 2: know this happens in my house a lot, and I'm

1189
00:55:25,960 --> 00:55:28,920
Speaker 2: always my wife. That's water, it's just water. It's probably

1190
00:55:28,920 --> 00:55:34,200
Speaker 2: not water, definitely not water. That's your's like life has

1191
00:55:34,280 --> 00:55:37,239
Speaker 2: won a fist fight with your dreams, and that is

1192
00:55:37,320 --> 00:55:38,879
Speaker 2: really deep if you think about that.

1193
00:55:39,000 --> 00:55:42,680
Speaker 1: Life has won a fist fight with your dreams.

1194
00:55:42,680 --> 00:55:45,239
Speaker 2: That's the lyrics to the Luke and BC make it

1195
00:55:45,280 --> 00:55:47,600
Speaker 2: look easy song. Look with the shitting blood.

1196
00:55:48,120 --> 00:55:49,719
Speaker 1: There's gas fifteen seconds.

1197
00:55:49,920 --> 00:55:51,759
Speaker 8: You're not listening, all right, Brian coming to you in

1198
00:55:51,880 --> 00:55:53,360
Speaker 8: five four.

1199
00:55:53,760 --> 00:56:02,200
Speaker 2: Three two Buggery Buggery dons is Friday, January twenty second,

1200
00:56:02,239 --> 00:56:09,640
Speaker 2: twenty twenty one book Buggery Combat Thanks, audio is.

1201
00:56:09,640 --> 00:56:11,760
Speaker 1: Good, We're good? Oh yeah, man, he's check the control

1202
00:56:11,800 --> 00:56:14,200
Speaker 1: replacement for the show in person. I don't care how

1203
00:56:14,200 --> 00:56:15,360
Speaker 1: many zoom calls we do.

1204
00:56:15,880 --> 00:56:17,920
Speaker 5: I don't care how many Skype interviews we do. I

1205
00:56:17,920 --> 00:56:19,680
Speaker 5: don't care about any of that stuff. But there's no

1206
00:56:19,719 --> 00:56:20,400
Speaker 5: substitute for this.

1207
00:56:20,480 --> 00:56:23,000
Speaker 2: These are the pre from you look for. As much

1208
00:56:23,000 --> 00:56:25,960
Speaker 2: as you brag about your subscriber base. Do you realize how.

1209
00:56:25,880 --> 00:56:29,239
Speaker 5: I only brag about it when you're like, I'm the sauce, Like,

1210
00:56:29,360 --> 00:56:30,440
Speaker 5: what fucking sauce.

1211
00:56:30,239 --> 00:56:35,000
Speaker 1: Is that bitch? The docs orchids of combat Jay tugs

1212
00:56:35,080 --> 00:56:39,239
Speaker 1: tips can have a hug? Are we in Lithuania?

1213
00:56:39,680 --> 00:56:43,880
Speaker 2: This did Jay buck up so bad yesterday? Secretly to

1214
00:56:43,880 --> 00:56:46,799
Speaker 2: bring Luke and I back together. That's a mind fuck.

1215
00:56:46,920 --> 00:56:49,439
Speaker 2: There's two things Luke sends into my Instagram DMS big

1216
00:56:49,480 --> 00:56:53,320
Speaker 2: booty latinas or pictures of corpse George corps grinder with

1217
00:56:53,400 --> 00:56:53,880
Speaker 2: his family.

1218
00:56:54,000 --> 00:56:56,839
Speaker 1: Yes, being a very nice father, big way that verse.

1219
00:56:57,000 --> 00:56:58,560
Speaker 1: You got a choice. He was tall. You can let

1220
00:56:58,600 --> 00:57:00,359
Speaker 1: it plit you up, you can let it get Yeah,

1221
00:57:00,840 --> 00:57:01,600
Speaker 1: we're doing the latter.

1222
00:57:01,640 --> 00:57:04,040
Speaker 2: I think we did come together after Jay screwed the

1223
00:57:04,080 --> 00:57:04,759
Speaker 2: whole thing up and we.

1224
00:57:04,760 --> 00:57:06,879
Speaker 1: Got you with pasta sauce on the deck there.

1225
00:57:07,440 --> 00:57:10,400
Speaker 2: We are not the enemies. People think we are fully executed.

1226
00:57:10,440 --> 00:57:13,080
Speaker 2: The sauce Luke, I will pour it over both of

1227
00:57:13,160 --> 00:57:15,719
Speaker 2: us right now, Okay, all right, all right, we have.

1228
00:57:15,760 --> 00:57:19,080
Speaker 5: To do room service diaries tonight, the post fight show

1229
00:57:19,200 --> 00:57:21,240
Speaker 5: tomorrow right after the main event.

1230
00:57:21,720 --> 00:57:23,960
Speaker 1: You got to be here, and that was the one

1231
00:57:23,960 --> 00:57:24,240
Speaker 1: where I.

1232
00:57:24,240 --> 00:57:36,240
Speaker 2: Did the reaction when smoked him. Dude, that was our

1233
00:57:36,280 --> 00:57:37,520
Speaker 2: son guy. What was that guy's name?

1234
00:57:38,400 --> 00:57:39,040
Speaker 1: He was.

1235
00:57:40,440 --> 00:57:46,320
Speaker 6: Noble the documentaries, that was but I think Nolan or Noble.

1236
00:57:46,440 --> 00:57:48,840
Speaker 1: His name was Nolan, but he liked to be called noble.

1237
00:57:50,440 --> 00:57:51,720
Speaker 1: I like to be called chocolate.

1238
00:57:53,560 --> 00:57:55,480
Speaker 5: I've been trying to tell you this, and I don't

1239
00:57:55,520 --> 00:57:57,240
Speaker 5: know why this has been an issue for you.

1240
00:57:58,160 --> 00:58:01,960
Speaker 2: Luke and I are are, I guess adverse serial by nature,

1241
00:58:01,960 --> 00:58:05,840
Speaker 2: and that's it's an element of the chemistry that makes

1242
00:58:05,880 --> 00:58:07,000
Speaker 2: this experiment work.

1243
00:58:07,760 --> 00:58:09,160
Speaker 5: I just want to point out, like we never had

1244
00:58:09,200 --> 00:58:11,720
Speaker 5: to do any of this. You chose to take us

1245
00:58:11,720 --> 00:58:12,440
Speaker 5: in this direction.

1246
00:58:13,000 --> 00:58:15,240
Speaker 6: Did you ever think he'd be editorially married to a

1247
00:58:15,240 --> 00:58:15,800
Speaker 6: man like me?

1248
00:58:16,040 --> 00:58:20,440
Speaker 1: No, Bryan thinks that because I play more of a

1249
00:58:20,480 --> 00:58:23,840
Speaker 1: straight man, not in terms of sexual orientation. In terms

1250
00:58:23,880 --> 00:58:26,160
Speaker 1: of a comedy.

1251
00:58:25,800 --> 00:58:29,880
Speaker 2: Would you give that as the Why would you put

1252
00:58:29,880 --> 00:58:31,120
Speaker 2: that out there as a disclaimer.

1253
00:58:31,320 --> 00:58:33,160
Speaker 5: So I'm trying to explain this for a it's a

1254
00:58:33,200 --> 00:58:35,040
Speaker 5: comedy context, not anything else.

1255
00:58:35,080 --> 00:58:36,440
Speaker 6: Actually, like not, we don't bet.

1256
00:58:36,520 --> 00:58:38,480
Speaker 5: Strength of the partnership, and then the strength of the

1257
00:58:38,480 --> 00:58:42,240
Speaker 5: partnership is the duo having their best work lifting each

1258
00:58:42,280 --> 00:58:42,760
Speaker 5: other up.

1259
00:58:43,040 --> 00:58:44,880
Speaker 2: Like Luke, the big thing for me on this week,

1260
00:58:44,920 --> 00:58:47,760
Speaker 2: on this trip, was to prove to you, to prove.

1261
00:58:47,680 --> 00:58:49,920
Speaker 6: To everybody that that art can be a verb.

1262
00:58:50,320 --> 00:58:50,520
Speaker 1: Right.

1263
00:58:51,080 --> 00:58:53,760
Speaker 2: I brought up to him, you know, the injured legacy

1264
00:58:53,760 --> 00:58:57,480
Speaker 2: of one of our forefathers, James Buchanan, the only American president.

1265
00:58:57,800 --> 00:59:00,680
Speaker 1: This is incredible editing by Amsterdam after say it was.

1266
00:59:00,640 --> 00:59:04,960
Speaker 2: A bachelor and that's great that guy, but he's still

1267
00:59:05,000 --> 00:59:07,400
Speaker 2: a footnote in our country's history. And you know, Luke

1268
00:59:07,440 --> 00:59:10,280
Speaker 2: can be the straight guy all he wants, and I

1269
00:59:10,320 --> 00:59:12,480
Speaker 2: hope that he realizes it's okay in front of a

1270
00:59:12,520 --> 00:59:16,680
Speaker 2: camera to release yourself. I was comparing you to James Buchanan.

1271
00:59:16,720 --> 00:59:18,320
Speaker 2: I was saying you should come out like him and

1272
00:59:18,400 --> 00:59:20,720
Speaker 2: be more of your fun self on camera.

1273
00:59:30,880 --> 00:59:36,919
Speaker 1: Okay, Yeah, dude, that's my ship right there, that's my life.

1274
00:59:36,960 --> 00:59:39,919
Speaker 6: You do kind of have a soul, a kind heart.

1275
00:59:42,040 --> 00:59:45,040
Speaker 2: It's only knew you like I knew you, and I

1276
00:59:45,040 --> 00:59:48,880
Speaker 2: don't even really know you exactly. The flip of the script,

1277
00:59:48,920 --> 00:59:52,640
Speaker 2: the real life runnings over into the into the scripted reality.

1278
00:59:53,520 --> 00:59:55,280
Speaker 1: It's so dry, it's so great.

1279
00:59:55,320 --> 00:59:57,480
Speaker 2: It has brought us together. And I like that while

1280
00:59:57,480 --> 00:59:59,320
Speaker 2: we would film the Snyder and I would just keep

1281
00:59:59,400 --> 01:00:04,000
Speaker 2: updating the narrative, Luke, updating the storyline. We would manipulated.

1282
01:00:11,680 --> 01:00:13,720
Speaker 2: I was you don't mess.

1283
01:00:13,920 --> 01:00:15,160
Speaker 1: You were doing something with shot.

1284
01:00:17,640 --> 01:00:19,360
Speaker 2: It was like you and I had already done like

1285
01:00:19,400 --> 01:00:21,320
Speaker 2: three of them, so they had the schedule shot.

1286
01:00:22,200 --> 01:00:22,400
Speaker 1: We go.

1287
01:00:23,840 --> 01:00:26,200
Speaker 5: Hi everyone, This is Room Service Diary is Jersey City

1288
01:00:26,320 --> 01:00:28,280
Speaker 5: edition two point zero that was in Jersey City.

1289
01:00:28,400 --> 01:00:32,520
Speaker 1: As I'm joined by my trusty Steed and uh a Steed,

1290
01:00:32,640 --> 01:00:34,919
Speaker 1: I don't even know horse. Yeah, you're like a horse.

1291
01:00:34,960 --> 01:00:36,560
Speaker 1: You're like a horse that is laying that needs to

1292
01:00:36,600 --> 01:00:42,680
Speaker 1: be put to death. This is this is Are you serious?

1293
01:00:42,720 --> 01:00:44,200
Speaker 2: You've never watched these Backluke?

1294
01:00:44,840 --> 01:00:47,160
Speaker 1: I promise, I promise, I have not seen them since

1295
01:00:47,200 --> 01:00:48,800
Speaker 1: they came out. You know what the deal is? Get

1296
01:00:48,840 --> 01:00:50,920
Speaker 1: the video, thumbs up, hit subscribe. This is the podcast.

1297
01:00:51,360 --> 01:00:52,200
Speaker 2: I don't even understand that.

1298
01:00:52,280 --> 01:00:54,080
Speaker 5: How you can then say things we're gonna regret and

1299
01:00:54,200 --> 01:00:56,080
Speaker 5: get fired for later on in life, but for right

1300
01:00:56,120 --> 01:00:56,680
Speaker 5: now we're not going.

1301
01:00:56,680 --> 01:00:58,000
Speaker 1: It's amazing we never got fired for you.

1302
01:00:58,120 --> 01:01:00,280
Speaker 2: This ship's a few times.

1303
01:01:00,320 --> 01:01:02,760
Speaker 1: I probably, Oh, I would never run for office.

1304
01:01:02,920 --> 01:01:05,280
Speaker 5: You kidding? You have to like fundraise and glad hand.

1305
01:01:05,520 --> 01:01:09,040
Speaker 5: I can barely stand at you. You're my best friend. Yeah,

1306
01:01:09,080 --> 01:01:09,440
Speaker 5: that's right.

1307
01:01:09,920 --> 01:01:11,720
Speaker 2: I mean when you shoot on belitor that time, I

1308
01:01:11,760 --> 01:01:16,600
Speaker 2: thought we were losing our job to be very trobably inside.

1309
01:01:17,040 --> 01:01:19,920
Speaker 1: You know, when it comes to you, it's it's the

1310
01:01:20,040 --> 01:01:22,680
Speaker 1: Lithuanian father.

1311
01:01:22,880 --> 01:01:24,280
Speaker 2: Please come over here so we can kiss.

1312
01:01:25,520 --> 01:01:25,680
Speaker 1: Luke.

1313
01:01:25,800 --> 01:01:28,800
Speaker 2: Likely you are not my father, but uh yeah, that's

1314
01:01:28,840 --> 01:01:31,240
Speaker 2: when I revealed the French Canadian tradition of fathers and

1315
01:01:31,320 --> 01:01:33,320
Speaker 2: sons kissing on the lips lived out of love.

1316
01:01:34,680 --> 01:01:37,040
Speaker 1: I don't think that's real. Is that real? It is real? Yeah?

1317
01:01:38,240 --> 01:01:46,960
Speaker 1: It is? Okay, fight day preparations, Yep, Luke was too hungover.

1318
01:01:49,240 --> 01:01:51,520
Speaker 2: Yeah, it's a real text right there.

1319
01:01:53,360 --> 01:01:55,919
Speaker 1: Wow, holy ship. Yeah, you know what. I just didn't

1320
01:01:55,920 --> 01:01:57,480
Speaker 1: want to do anything with them. I think I just lied.

1321
01:01:58,200 --> 01:01:58,760
Speaker 1: You did lie.

1322
01:01:58,960 --> 01:02:01,200
Speaker 2: They came to me and they're like, Luke won't do anything.

1323
01:02:01,320 --> 01:02:03,440
Speaker 2: So I was like, come over my room, we'll do

1324
01:02:04,040 --> 01:02:06,480
Speaker 2: and I Luke, I got real deep in the a

1325
01:02:06,640 --> 01:02:07,479
Speaker 2: throw for this scene.

1326
01:02:08,000 --> 01:02:09,600
Speaker 1: There's no you were high as fuck here?

1327
01:02:09,960 --> 01:02:16,680
Speaker 2: Oh yeah, pillow. Okay, Hey guys, you want to you

1328
01:02:16,720 --> 01:02:16,920
Speaker 2: want to?

1329
01:02:16,960 --> 01:02:17,200
Speaker 1: Dude?

1330
01:02:17,240 --> 01:02:17,520
Speaker 6: This is.

1331
01:02:19,560 --> 01:02:22,240
Speaker 5: This is why when you say my style is masturbatory,

1332
01:02:22,320 --> 01:02:26,120
Speaker 5: I'm like, dude, this entire thing is like a slow

1333
01:02:26,600 --> 01:02:29,280
Speaker 5: tug over and over again.

1334
01:02:29,440 --> 01:02:29,960
Speaker 8: I had to.

1335
01:02:30,200 --> 01:02:32,840
Speaker 1: You wouldn't, You wouldn't, but you had to.

1336
01:02:33,040 --> 01:02:37,360
Speaker 2: Bitch you lives. I had to. There was the live

1337
01:02:37,480 --> 01:02:37,720
Speaker 2: for this.

1338
01:02:38,360 --> 01:02:40,480
Speaker 1: You live for this. This is the this is If

1339
01:02:40,520 --> 01:02:42,160
Speaker 1: you could do anything the rest of your life, it'd

1340
01:02:42,160 --> 01:02:42,320
Speaker 1: be this.

1341
01:02:44,480 --> 01:02:46,200
Speaker 2: This is really the centerpiece of it.

1342
01:02:46,600 --> 01:02:49,120
Speaker 1: You kept acting like you know, oh, I've got to

1343
01:02:49,160 --> 01:02:52,000
Speaker 1: carry the load here. You love to do that.

1344
01:02:52,680 --> 01:02:54,720
Speaker 2: Just reheat the stuff. It's really easy. You don't know

1345
01:02:55,080 --> 01:02:56,160
Speaker 2: no issue.

1346
01:02:56,320 --> 01:02:58,360
Speaker 1: Look at these rooms that games man, they were nice.

1347
01:02:58,880 --> 01:03:01,920
Speaker 2: Sports Q studio over here, A little bit of a

1348
01:03:02,000 --> 01:03:05,760
Speaker 2: snack Barluke told me gotta bring a mask, doctor Luke Fauci.

1349
01:03:05,880 --> 01:03:07,160
Speaker 6: So we got that going on here.

1350
01:03:07,360 --> 01:03:09,040
Speaker 1: It's the heartbeat of the room.

1351
01:03:09,280 --> 01:03:11,320
Speaker 2: I told the people in the hotel, don't send one

1352
01:03:11,360 --> 01:03:13,240
Speaker 2: of these because I have never known what this is for.

1353
01:03:13,480 --> 01:03:14,840
Speaker 1: You put your luggage on that.

1354
01:03:15,160 --> 01:03:17,200
Speaker 2: We've got a television, a little bit of a swivel action.

1355
01:03:17,400 --> 01:03:21,120
Speaker 1: I love that television. Swill. I love that thing.

1356
01:03:21,240 --> 01:03:24,040
Speaker 2: I miss a program, a show, anything. I guess you

1357
01:03:24,120 --> 01:03:26,840
Speaker 2: could call this the bedroom. You know, this is where

1358
01:03:26,880 --> 01:03:29,720
Speaker 2: the magic happens. Nothing magical over here. This is the

1359
01:03:29,800 --> 01:03:35,520
Speaker 2: skyline of Jersey City, and it's less than impressive. I

1360
01:03:35,560 --> 01:03:38,000
Speaker 2: come from a you were legit hungover and orderly.

1361
01:03:39,000 --> 01:03:40,760
Speaker 1: I think I was hungover, but I don't think I

1362
01:03:40,880 --> 01:03:43,040
Speaker 1: was so hungover that I couldn't do anything, you know

1363
01:03:43,080 --> 01:03:45,800
Speaker 1: what I mean. I just think I lied. And I

1364
01:03:45,880 --> 01:03:47,560
Speaker 1: was like, now I let that motherfucker do it, you know.

1365
01:03:47,840 --> 01:03:49,360
Speaker 2: And they were like, should I put the real text

1366
01:03:49,440 --> 01:03:49,680
Speaker 2: in there?

1367
01:03:49,720 --> 01:03:51,160
Speaker 6: He'll be pissed. I was like, yeah, put it in.

1368
01:03:51,320 --> 01:03:53,480
Speaker 1: Put in. I was a little pissed, but I couldn't.

1369
01:03:53,480 --> 01:03:56,280
Speaker 1: I could because I bailed. I basically had no right

1370
01:03:56,360 --> 01:03:59,120
Speaker 1: to complain, you know, ahead of a fight. And uh

1371
01:04:00,240 --> 01:04:04,160
Speaker 1: and you know, why are you wearing a camp like

1372
01:04:04,240 --> 01:04:05,440
Speaker 1: a like a beanie?

1373
01:04:05,600 --> 01:04:08,320
Speaker 2: They feel because I'm showing them how I prep they

1374
01:04:09,200 --> 01:04:11,600
Speaker 2: have a chance like a real athlete. This is all

1375
01:04:11,640 --> 01:04:14,240
Speaker 2: improvised in the moment. It's stupid, Luke, but that's all

1376
01:04:14,320 --> 01:04:16,480
Speaker 2: we had me the same thing. This is a chance

1377
01:04:16,560 --> 01:04:18,320
Speaker 2: to grow the brand, right, This is why we're here

1378
01:04:18,400 --> 01:04:19,880
Speaker 2: for MK. You know, we want to we want a

1379
01:04:19,920 --> 01:04:22,120
Speaker 2: little balls bonanza, if you know what that means. We

1380
01:04:22,200 --> 01:04:24,960
Speaker 2: want to really grow this thing. So this is this

1381
01:04:25,160 --> 01:04:27,040
Speaker 2: is the right the right setting to do that. You know,

1382
01:04:27,120 --> 01:04:28,920
Speaker 2: I get my mind ready here, but I get my

1383
01:04:29,000 --> 01:04:30,040
Speaker 2: body ready over here.

1384
01:04:30,200 --> 01:04:34,240
Speaker 1: You know, look at that footwork.

1385
01:04:34,920 --> 01:04:37,040
Speaker 2: So look the reason why I said balls bonanza so

1386
01:04:37,120 --> 01:04:39,040
Speaker 2: many times during this because Snyder and I came up

1387
01:04:39,040 --> 01:04:41,160
Speaker 2: with an idea where we would have a keyword, a

1388
01:04:41,280 --> 01:04:44,160
Speaker 2: special phrase that I would keep trying to fit in

1389
01:04:44,880 --> 01:04:46,640
Speaker 2: to get you to the point where you're like, why

1390
01:04:46,720 --> 01:04:49,040
Speaker 2: the fuck do you keep saying this? It was a

1391
01:04:49,120 --> 01:04:52,440
Speaker 2: bit that never really went anywhere. I probably stretched for

1392
01:04:52,560 --> 01:04:53,520
Speaker 2: fifteen minutes.

1393
01:04:53,280 --> 01:04:55,480
Speaker 5: On Yeah, once again, you spent the first three years

1394
01:04:55,520 --> 01:05:00,760
Speaker 5: of our lives together trolling and rage babington, then using

1395
01:05:01,120 --> 01:05:04,040
Speaker 5: any success you would have in doing so as a

1396
01:05:04,120 --> 01:05:08,200
Speaker 5: way to castigate me as you know, argumentative and mean.

1397
01:05:08,360 --> 01:05:10,360
Speaker 2: Well, I mean I didn't have to work that hard

1398
01:05:10,400 --> 01:05:12,880
Speaker 2: for that to be fair. Look, but uh yes, to

1399
01:05:13,000 --> 01:05:17,760
Speaker 2: create content, Yes, it's hard to be a deep rooted inspiration.

1400
01:05:17,840 --> 01:05:19,960
Speaker 5: You're like the FBI at jan six, you were one

1401
01:05:20,000 --> 01:05:22,200
Speaker 5: of the agitators. Among the agitators.

1402
01:05:25,320 --> 01:05:27,720
Speaker 1: By the way, this is where did you get that feather?

1403
01:05:28,840 --> 01:05:31,000
Speaker 2: They found it and they bought me that paint call

1404
01:05:31,200 --> 01:05:34,760
Speaker 2: oh my God. And that's how I got painting my

1405
01:05:34,840 --> 01:05:36,160
Speaker 2: psychedelic paintings at home.

1406
01:05:36,240 --> 01:05:37,000
Speaker 1: Because of the.

1407
01:05:37,120 --> 01:05:40,560
Speaker 2: Power napp the keep the really the oven that that

1408
01:05:40,760 --> 01:05:43,320
Speaker 2: stews off the formula for that.

1409
01:05:43,480 --> 01:05:46,360
Speaker 1: That's actually a wild tidbit. You never really got into

1410
01:05:46,400 --> 01:05:47,200
Speaker 1: painting before that.

1411
01:05:48,440 --> 01:05:50,120
Speaker 2: Before that's you know, I was messing around. I was like,

1412
01:05:50,160 --> 01:05:52,080
Speaker 2: it's kind of fun. Let me try so that.

1413
01:05:52,920 --> 01:05:55,400
Speaker 1: Since that day is when you really leaned into all

1414
01:05:55,440 --> 01:05:56,080
Speaker 1: the suffusition.

1415
01:05:57,840 --> 01:06:00,960
Speaker 2: Maybe currosyle as a true our teeth.

1416
01:06:02,320 --> 01:06:02,760
Speaker 1: Coroso.

1417
01:06:04,160 --> 01:06:06,160
Speaker 2: But you know that was the joke. Look, I mean

1418
01:06:06,200 --> 01:06:07,960
Speaker 2: these are all planning jokes, you know what I mean.

1419
01:06:12,840 --> 01:06:15,280
Speaker 2: By the way, quick, Paul, no, let keep it going.

1420
01:06:16,320 --> 01:06:19,440
Speaker 2: That whole scene when I'm painting, Jake was like, we

1421
01:06:19,560 --> 01:06:23,280
Speaker 2: need more footage. So they were like families looking at

1422
01:06:23,320 --> 01:06:25,600
Speaker 2: that Christmas tree, standing out looking at the thing. And

1423
01:06:25,680 --> 01:06:28,600
Speaker 2: I just started dancing around in that boxing rope like

1424
01:06:29,040 --> 01:06:31,320
Speaker 2: right in front of them, like doing parawets and stuff,

1425
01:06:31,840 --> 01:06:33,840
Speaker 2: and that stuff never made it any for final letter.

1426
01:06:33,880 --> 01:06:36,040
Speaker 2: We gotta be ready. He has a journalist as a watcher,

1427
01:06:36,520 --> 01:06:37,200
Speaker 2: as an analyst.

1428
01:06:37,240 --> 01:06:40,120
Speaker 1: You gotta be ready. I've been more of a is

1429
01:06:40,160 --> 01:06:43,480
Speaker 1: the Moose still hosting on CBS Sport show.

1430
01:06:44,040 --> 01:06:46,600
Speaker 2: You know, sorry, I'm having I do want to tap

1431
01:06:46,680 --> 01:06:48,080
Speaker 2: that ash, you know what I'm saying.

1432
01:06:48,160 --> 01:06:49,760
Speaker 1: I don't know what you're saying let me know when

1433
01:06:49,760 --> 01:06:54,080
Speaker 1: your back talk can ask and afterwards is the moose?

1434
01:06:54,200 --> 01:06:56,320
Speaker 1: Is Joe still hosting CBS Sports issue?

1435
01:06:56,960 --> 01:06:57,160
Speaker 3: Yeah?

1436
01:06:57,320 --> 01:06:59,360
Speaker 2: Great hair of that guy. Yeah he's still there. Both

1437
01:06:59,400 --> 01:07:01,240
Speaker 2: words beginning of the bee here, can we fill in

1438
01:07:01,280 --> 01:07:04,280
Speaker 2: the baket places bonanza.

1439
01:07:04,720 --> 01:07:05,960
Speaker 1: That's the goal. The goal is to get to.

1440
01:07:07,960 --> 01:07:10,440
Speaker 5: I see you just shoehorning it in and expect just

1441
01:07:10,480 --> 01:07:13,040
Speaker 5: look at you, Look at how much you just designed

1442
01:07:13,120 --> 01:07:13,960
Speaker 5: to needle meat.

1443
01:07:14,520 --> 01:07:16,680
Speaker 2: Well it's Snyder too. We were a too man team.

1444
01:07:17,040 --> 01:07:20,120
Speaker 1: Yeah, okay, Snyder's you know, listen, he has his own

1445
01:07:20,200 --> 01:07:22,360
Speaker 1: cross to bear on this one. But you are the

1446
01:07:22,440 --> 01:07:23,200
Speaker 1: ring leader of this.

1447
01:07:29,080 --> 01:07:31,600
Speaker 2: So we are essentially what we did a live stream

1448
01:07:31,680 --> 01:07:32,520
Speaker 2: for this pay per viewer.

1449
01:07:33,240 --> 01:07:37,040
Speaker 1: No, so I think what happened was the documentary cameras

1450
01:07:37,080 --> 01:07:40,760
Speaker 1: were rolling during the fights themselves, and we went live

1451
01:07:40,960 --> 01:07:41,840
Speaker 1: after the main event.

1452
01:07:41,960 --> 01:07:42,840
Speaker 2: That's right, that's right.

1453
01:07:43,160 --> 01:07:44,920
Speaker 1: There's gaff shouts to gaff legend.

1454
01:07:45,560 --> 01:07:48,560
Speaker 2: Yes, yes, this is all real.

1455
01:07:50,800 --> 01:07:52,360
Speaker 1: Connor will get up, it doesn't matter.

1456
01:07:53,600 --> 01:07:58,160
Speaker 5: It's nice, right, Hark another check right, Hork Connor's round right, yeah,

1457
01:07:58,680 --> 01:07:59,560
Speaker 5: just still more damage.

1458
01:08:00,240 --> 01:08:02,080
Speaker 2: I think I was doing a live chat for CBS,

1459
01:08:02,160 --> 01:08:03,440
Speaker 2: so I couldn't talk hard.

1460
01:08:04,680 --> 01:08:06,600
Speaker 1: She's getting torn up by those let kicks and telling

1461
01:08:06,640 --> 01:08:15,160
Speaker 1: you Connor's legs like ship. Here we go. What a moment.

1462
01:08:19,760 --> 01:08:22,200
Speaker 1: I couldn't believe it, dude, I was so I'm blown away.

1463
01:08:22,600 --> 01:08:24,640
Speaker 2: Gotta pull the pants up. There we go, there we go.

1464
01:08:28,680 --> 01:08:30,639
Speaker 1: Yeah, that one lives. That one lives.

1465
01:08:35,000 --> 01:08:40,479
Speaker 2: Okay, look at Anach doing the NKGE interviews. M oh right,

1466
01:08:40,640 --> 01:08:42,920
Speaker 2: they met off in their big title fight. We've never

1467
01:08:43,040 --> 01:08:44,479
Speaker 2: seen anyone do exactly.

1468
01:08:44,640 --> 01:08:45,680
Speaker 1: You were upstairs doing this.

1469
01:08:46,240 --> 01:08:48,599
Speaker 2: Yeah, we did live. H I joined you in problem.

1470
01:08:48,880 --> 01:08:50,519
Speaker 1: That's right. You would do. You would go live on

1471
01:08:50,600 --> 01:08:52,479
Speaker 1: CBS Sports h Q, and I would go live on

1472
01:08:52,560 --> 01:08:54,240
Speaker 1: the YouTube and then you could join me. That's right.

1473
01:08:54,400 --> 01:08:57,320
Speaker 1: You f C two fifty seven post fight show.

1474
01:08:57,479 --> 01:08:58,920
Speaker 5: All right, So we're gonna cut to the wide here.

1475
01:09:00,200 --> 01:09:02,800
Speaker 5: Therea is Brian Campbell. Let's go to the wide here

1476
01:09:02,840 --> 01:09:07,440
Speaker 5: if we can run. Warrier was invested in the right psychology.

1477
01:09:07,520 --> 01:09:09,640
Speaker 5: What nobody does that on top of the world is

1478
01:09:09,840 --> 01:09:12,400
Speaker 5: fucking I was insane. That's what inactivity will.

1479
01:09:12,320 --> 01:09:14,120
Speaker 1: Do was a smart operation.

1480
01:09:14,439 --> 01:09:16,920
Speaker 2: This is not a historic night, but this will be

1481
01:09:16,960 --> 01:09:17,680
Speaker 2: a memorable night.

1482
01:09:17,800 --> 01:09:23,200
Speaker 1: May all of your games be loyal, be loyal. That

1483
01:09:23,360 --> 01:09:24,040
Speaker 1: was a great show.

1484
01:09:25,360 --> 01:09:25,479
Speaker 2: Uh.

1485
01:09:25,800 --> 01:09:31,240
Speaker 1: He was sixteen thousand viewers, sixteen concurrent viewers.

1486
01:09:31,720 --> 01:09:33,559
Speaker 6: Time, and the only time I went down was when

1487
01:09:33,720 --> 01:09:34,800
Speaker 6: you was he started.

1488
01:09:35,320 --> 01:09:38,880
Speaker 1: Which is which happens all the time. Dude, we fucking

1489
01:09:39,360 --> 01:09:41,000
Speaker 1: killed that. That's what I wanted.

1490
01:09:41,200 --> 01:09:41,519
Speaker 6: This will be.

1491
01:09:41,640 --> 01:09:43,479
Speaker 2: Yeah, you were very focused. You were all over me

1492
01:09:43,560 --> 01:09:45,960
Speaker 2: to tweet the links out. You were like, we can

1493
01:09:46,080 --> 01:09:46,479
Speaker 2: crush this.

1494
01:09:46,720 --> 01:09:46,920
Speaker 1: Dude.

1495
01:09:46,960 --> 01:09:49,960
Speaker 5: It makes a difference, all the little details, all the

1496
01:09:50,040 --> 01:09:50,719
Speaker 5: little details.

1497
01:09:50,840 --> 01:09:52,880
Speaker 1: Look at me and explain to your putting you on

1498
01:09:53,120 --> 01:09:55,320
Speaker 1: game with you. I'm sorry.

1499
01:09:55,520 --> 01:09:58,880
Speaker 2: In life you need hear me in that foxhole you

1500
01:09:59,000 --> 01:10:02,920
Speaker 2: can trust and you check. Chuck Luke is not necessarily

1501
01:10:03,560 --> 01:10:09,080
Speaker 2: just a entity of Twitter followers and YouTube describers that

1502
01:10:09,080 --> 01:10:10,840
Speaker 2: have to you went through those pinks.

1503
01:10:11,080 --> 01:10:14,160
Speaker 1: Then every hour when I realized when I stopped drinking,

1504
01:10:14,320 --> 01:10:16,559
Speaker 1: all of my digestive problems basically went away.

1505
01:10:16,560 --> 01:10:18,400
Speaker 2: Ways, he was that, but he's also a friend. I

1506
01:10:18,520 --> 01:10:19,080
Speaker 2: love that guy.

1507
01:10:19,320 --> 01:10:24,080
Speaker 1: That's real time traffic right there, shot in the roofs Okay,

1508
01:10:24,160 --> 01:10:27,200
Speaker 1: so our our is already right now, can't hear me?

1509
01:10:27,439 --> 01:10:28,920
Speaker 1: Says mine's working at eighty seven K.

1510
01:10:29,880 --> 01:10:32,800
Speaker 2: Yeah, it's all crunchy, but you can hear like every other.

1511
01:10:35,680 --> 01:10:38,120
Speaker 1: And it just got done, so we we we're definitely

1512
01:10:38,160 --> 01:10:42,120
Speaker 1: going to hit probably one fifty, may even hit two.

1513
01:10:42,280 --> 01:10:42,960
Speaker 2: That's a wink.

1514
01:10:43,160 --> 01:10:44,519
Speaker 1: That's a huge win.

1515
01:10:45,200 --> 01:10:47,000
Speaker 2: This was key, and I think this week Luke and

1516
01:10:47,080 --> 01:10:50,720
Speaker 2: I realized we need each other more than we need

1517
01:10:50,840 --> 01:10:53,680
Speaker 2: to compete against each other. And that may be the

1518
01:10:53,840 --> 01:10:56,600
Speaker 2: enduring theme of the second trip back to the bombshelter.

1519
01:11:05,360 --> 01:11:10,160
Speaker 2: All right, quick pause, because this is the great ending here. Look,

1520
01:11:10,280 --> 01:11:12,560
Speaker 2: that's real, that whole thing right there, because I was

1521
01:11:12,640 --> 01:11:15,599
Speaker 2: adversarial that whole week to execute the storyline. But then

1522
01:11:15,680 --> 01:11:17,479
Speaker 2: we teamed up and we crushed it, and you were

1523
01:11:17,520 --> 01:11:20,120
Speaker 2: so happy about the numbers that that interview I gave

1524
01:11:20,160 --> 01:11:23,280
Speaker 2: where I was like, maybe we are stronger and better together.

1525
01:11:23,800 --> 01:11:26,680
Speaker 2: That actually worked. Your spell worked on me.

1526
01:11:26,880 --> 01:11:30,000
Speaker 5: This is all I've you're looking at all I've ever

1527
01:11:30,160 --> 01:11:33,439
Speaker 5: wanted to do. I just wanted to dive into fighting,

1528
01:11:34,040 --> 01:11:36,200
Speaker 5: try to understand as many parts of it as I could,

1529
01:11:36,560 --> 01:11:39,080
Speaker 5: watch it, enjoy it, and then talk about it with people.

1530
01:11:39,160 --> 01:11:39,720
Speaker 1: This is all.

1531
01:11:40,400 --> 01:11:42,360
Speaker 5: This is all I've ever wanted to do, and apparently

1532
01:11:42,439 --> 01:11:45,200
Speaker 5: that's very difficult to find except for you know, situations

1533
01:11:45,280 --> 01:11:48,360
Speaker 5: like this. But this is all I've ever wanted to do.

1534
01:11:48,880 --> 01:11:50,760
Speaker 2: As we lean into the ending here, there's gonna be

1535
01:11:50,760 --> 01:11:52,680
Speaker 2: a music video. Do you remember that guy is? I

1536
01:11:52,760 --> 01:11:57,600
Speaker 2: think his name was Damon, Damien or Dez. He was

1537
01:11:57,680 --> 01:12:00,679
Speaker 2: from the UK and he sent us that that song

1538
01:12:00,960 --> 01:12:03,800
Speaker 2: and we put it to a montage of you and

1539
01:12:03,960 --> 01:12:07,920
Speaker 2: me like rediscovering our love for each other for storylineer.

1540
01:12:07,560 --> 01:12:09,760
Speaker 1: I don't know, I don't remember this all right, hip play,

1541
01:12:09,840 --> 01:12:11,720
Speaker 1: We'll get this one to combat is not only back

1542
01:12:11,720 --> 01:12:14,040
Speaker 1: in the bomb shelter BC. This is our first Monday

1543
01:12:14,160 --> 01:12:16,880
Speaker 1: show back here I think since the beginning of the pandemic. Yeah.

1544
01:12:16,920 --> 01:12:20,040
Speaker 2: Look it's McGregor porier recap and looking ahead to what

1545
01:12:20,160 --> 01:12:23,000
Speaker 2: happens next afterwards. I fire we stayed the whole weekend Monday.

1546
01:12:23,560 --> 01:12:25,599
Speaker 1: I'm ready for it at eleven am in the East,

1547
01:12:25,600 --> 01:12:28,320
Speaker 1: still miss it. I'm tired. I'm very tired.

1548
01:12:28,560 --> 01:12:30,080
Speaker 5: But I will tell you I was actually kind of

1549
01:12:30,080 --> 01:12:32,800
Speaker 5: looking for a w heading into this whole experience, and

1550
01:12:32,880 --> 01:12:36,240
Speaker 5: we need hell a big push of content that netted

1551
01:12:36,479 --> 01:12:38,519
Speaker 5: new viewers and got some big numbers.

1552
01:12:38,520 --> 01:12:40,439
Speaker 1: And that's exactly what we got this week with everything

1553
01:12:40,520 --> 01:12:42,080
Speaker 1: go to plan. I don't know about that, but it went.

1554
01:12:42,360 --> 01:12:44,680
Speaker 1: It went well. It was It was actually pretty fruit

1555
01:12:44,680 --> 01:12:46,920
Speaker 1: full weekend to be quiet candid with you. DC. Can

1556
01:12:46,960 --> 01:12:47,519
Speaker 1: we get the lotion?

1557
01:12:48,040 --> 01:12:50,760
Speaker 6: Yeah yeah, somebody get this Jerkins off here, please, I'm

1558
01:12:50,800 --> 01:12:51,640
Speaker 6: not this is not.

1559
01:12:51,680 --> 01:12:52,479
Speaker 2: Mind putting there me.

1560
01:12:52,680 --> 01:12:56,120
Speaker 1: Okay, you better just wash your hands and boiling water.

1561
01:12:57,960 --> 01:13:01,720
Speaker 5: It is Monday, January twenty fifth, twenty twenty one, and

1562
01:13:01,840 --> 01:13:04,360
Speaker 5: it's time Dignity Donks for Morning Combat.

1563
01:13:04,400 --> 01:13:07,000
Speaker 1: We got some new people almost five years past this point.

1564
01:13:07,479 --> 01:13:12,160
Speaker 2: Morning Combat Documentary two point zero, The Redemption, you know,

1565
01:13:12,240 --> 01:13:15,600
Speaker 2: like a rekindling of love. If my art can indirectly

1566
01:13:16,040 --> 01:13:19,200
Speaker 2: cause this much love and this much of a of

1567
01:13:19,320 --> 01:13:23,000
Speaker 2: a new dawn to this show, then you know, we

1568
01:13:23,080 --> 01:13:25,400
Speaker 2: talked about making art affirm this week, I'm gonna are

1569
01:13:25,640 --> 01:13:26,800
Speaker 2: all over this.

1570
01:13:27,360 --> 01:13:29,040
Speaker 1: Here we go, going back to the same jokes. Now.

1571
01:13:29,240 --> 01:13:31,640
Speaker 2: It's crazy, it was wild, it was reckless, but it

1572
01:13:31,800 --> 01:13:32,240
Speaker 2: was art.

1573
01:13:33,479 --> 01:13:37,360
Speaker 1: I liked it overall. Pretty good guys, a little weird,

1574
01:13:38,000 --> 01:13:38,719
Speaker 1: especially Brian.

1575
01:13:39,120 --> 01:13:42,560
Speaker 6: They're just consistently energetic, happy.

1576
01:13:42,520 --> 01:13:44,200
Speaker 1: Kind of guys do it for lunch.

1577
01:13:44,720 --> 01:13:47,600
Speaker 2: We figured out Ash there is a spark there, you know,

1578
01:13:47,680 --> 01:13:55,080
Speaker 2: maybe it was I think there's still a place like

1579
01:13:55,280 --> 01:13:57,599
Speaker 2: long term and in the MK universe for this guy.

1580
01:13:57,680 --> 01:13:59,760
Speaker 2: But you know, he can he can't be sleeping in

1581
01:13:59,800 --> 01:14:02,400
Speaker 2: the between us anymore. If that's the you know, and

1582
01:14:02,640 --> 01:14:06,040
Speaker 2: he got you've fallen back in love with me this week,

1583
01:14:06,160 --> 01:14:06,840
Speaker 2: and I can.

1584
01:14:06,760 --> 01:14:09,760
Speaker 1: Really appreciate that. I with you. Thank you. I just

1585
01:14:09,840 --> 01:14:11,200
Speaker 1: wish to have a sexless marriage.

1586
01:14:11,200 --> 01:14:16,360
Speaker 5: Welcome to all the new subscribers and until next time,

1587
01:14:16,760 --> 01:14:17,439
Speaker 5: all of your games.

1588
01:14:17,439 --> 01:14:19,400
Speaker 2: I'm glad we document this because this is us really

1589
01:14:19,479 --> 01:14:21,200
Speaker 2: building the brand in the emotions.

1590
01:14:21,479 --> 01:14:22,639
Speaker 1: Yeah, you're looking at it right there.

1591
01:14:23,680 --> 01:14:24,080
Speaker 6: We did it.

1592
01:14:25,000 --> 01:14:26,800
Speaker 1: I legitately have to ship my brains out.

1593
01:14:29,000 --> 01:14:30,720
Speaker 2: That's how you ended every broadcast.

1594
01:14:30,880 --> 01:14:32,760
Speaker 1: By the way, it's usually true. Usually at the end

1595
01:14:32,760 --> 01:14:38,920
Speaker 1: of like a two hour sash, I gotta good dance.

1596
01:14:39,360 --> 01:14:40,000
Speaker 2: Oh, here we go.

1597
01:14:40,520 --> 01:14:43,840
Speaker 1: If I asked you to dance, have you ever heard

1598
01:14:43,880 --> 01:14:45,719
Speaker 1: a more tone death singer in your life?

1599
01:14:45,800 --> 01:14:49,840
Speaker 2: No, he nailed this. Dame O, that's the guy, dame O.

1600
01:14:50,000 --> 01:14:50,639
Speaker 2: That guy's the best.

1601
01:14:51,680 --> 01:14:56,320
Speaker 1: Oh. I thought this was Jay Holloway. All right, Well,

1602
01:14:56,360 --> 01:14:57,320
Speaker 1: then I regret saying it.

1603
01:14:57,680 --> 01:14:59,479
Speaker 6: He said in the song as a fan sub but

1604
01:14:59,520 --> 01:14:59,880
Speaker 6: we took it.

1605
01:15:00,000 --> 01:15:01,479
Speaker 2: I stuck it in here at the end of the

1606
01:15:01,560 --> 01:15:02,839
Speaker 2: dog why.

1607
01:15:04,800 --> 01:15:07,640
Speaker 6: I can be your co host baby?

1608
01:15:10,240 --> 01:15:10,320
Speaker 2: Oh?

1609
01:15:10,360 --> 01:15:12,200
Speaker 5: Because I had already gone on Rogan at this point

1610
01:15:13,160 --> 01:15:15,000
Speaker 5: and I'd already referred to you as co host.

1611
01:15:15,280 --> 01:15:19,719
Speaker 1: Yes, yes, that was October twenty twenty.

1612
01:15:23,520 --> 01:15:27,000
Speaker 6: They can't take my saucoy.

1613
01:15:27,720 --> 01:15:35,200
Speaker 1: This is stupid. Kay, damn, this is the editing on.

1614
01:15:35,360 --> 01:15:36,960
Speaker 1: This is tremendous.

1615
01:15:38,400 --> 01:15:44,479
Speaker 2: Then produojay, what a painting right there? Uh funny, that

1616
01:15:44,600 --> 01:15:44,880
Speaker 2: was real.

1617
01:15:46,479 --> 01:15:48,000
Speaker 1: Look at you jacking off some angel.

1618
01:15:48,479 --> 01:15:48,719
Speaker 4: Yeah.

1619
01:15:48,880 --> 01:15:52,880
Speaker 2: Wow, that is documentary number two two down? Do we

1620
01:15:52,920 --> 01:15:54,679
Speaker 2: have two to go in this episode? Wow?

1621
01:15:55,200 --> 01:15:57,040
Speaker 1: Let me go. But I got shit I gotta do.

1622
01:15:57,280 --> 01:15:59,320
Speaker 2: Yeah. Luke's got a life down there since the south

1623
01:15:59,360 --> 01:16:02,240
Speaker 2: of the border in Columbia. Hey, now's a good time

1624
01:16:02,320 --> 01:16:05,639
Speaker 2: to remember, by the way, folks, where Tequila's story truly began,

1625
01:16:05,760 --> 01:16:09,600
Speaker 2: because back in seventeen ninety five, Quervo invented tequila, and

1626
01:16:09,680 --> 01:16:12,080
Speaker 2: since then all Cuervo has been doing staying true to

1627
01:16:12,320 --> 01:16:16,800
Speaker 2: its roots, same family, same land, same passion. Two hundred

1628
01:16:16,800 --> 01:16:19,560
Speaker 2: and thirty years later, Cuervo is still right here and

1629
01:16:19,680 --> 01:16:24,400
Speaker 2: every pore in every margarita, in every celebration. So enjoy

1630
01:16:24,520 --> 01:16:27,720
Speaker 2: the tequila that started at all Quervo, the tequila that

1631
01:16:27,960 --> 01:16:33,519
Speaker 2: invented tequila. Proximoquervo dot com. Please drink responsibly, all right, Luke,

1632
01:16:33,600 --> 01:16:36,560
Speaker 2: let's set the stage here for doc number three, it

1633
01:16:36,720 --> 01:16:40,760
Speaker 2: was supposed to be us covering a weekend still at

1634
01:16:40,800 --> 01:16:43,519
Speaker 2: the tail end of the pandemic at the Mohegan Sun

1635
01:16:44,280 --> 01:16:50,880
Speaker 2: covering Belator. But as you may recall, Ashley got COVID unvaccinated.

1636
01:16:51,800 --> 01:16:54,400
Speaker 2: We had a choice of either staying there for a

1637
01:16:54,439 --> 01:16:57,400
Speaker 2: week or leaving, so we left, and then we didn't

1638
01:16:57,479 --> 01:16:59,599
Speaker 2: know how to finish the docs. So Matt had an

1639
01:16:59,600 --> 01:17:02,280
Speaker 2: idea of just bringing cameras with us to when I

1640
01:17:02,360 --> 01:17:04,960
Speaker 2: went to Puerto Rico to interview logan Paul ahead of

1641
01:17:05,000 --> 01:17:10,040
Speaker 2: the Mayweather fight. So this is called abrasive and abstract.

1642
01:17:10,160 --> 01:17:12,880
Speaker 2: Some people think it's the redheaded step child of the

1643
01:17:12,960 --> 01:17:15,360
Speaker 2: doc series. Some like Matt and I.

1644
01:17:15,800 --> 01:17:17,639
Speaker 1: Yeah, why don't you carry the show here, saus Let's

1645
01:17:17,640 --> 01:17:18,080
Speaker 1: see how it go.

1646
01:17:18,200 --> 01:17:19,439
Speaker 6: Your form of art.

1647
01:17:19,560 --> 01:17:20,080
Speaker 2: Let's watch it.

1648
01:17:20,160 --> 01:17:21,280
Speaker 6: Here we go, Here we go.

1649
01:17:25,200 --> 01:17:27,120
Speaker 2: Look, this is the doc where you had the least

1650
01:17:27,360 --> 01:17:31,160
Speaker 2: interest and the least airtime.

1651
01:17:31,880 --> 01:17:37,640
Speaker 5: Here in Uncasville, Connecticut. Two uns watching Uncasville. We're here

1652
01:17:37,680 --> 01:17:40,599
Speaker 5: for Belot War two fifty eighth. Yeah, we're doing coverage.

1653
01:17:42,040 --> 01:17:47,400
Speaker 2: Shout out to Tim. So they didn't tell us that

1654
01:17:47,520 --> 01:17:51,800
Speaker 2: Jay was back. Can you remember this? Yeah, So we

1655
01:17:51,880 --> 01:17:55,320
Speaker 2: also filmed uh, two thirds of a documentary the other

1656
01:17:55,479 --> 01:17:57,519
Speaker 2: the other week in Belatore. You know, I'm not supposed

1657
01:17:57,520 --> 01:17:58,880
Speaker 2: to be wearing this stupid T shirt that is not

1658
01:17:59,680 --> 01:18:01,600
Speaker 2: in this from a member of our crew. Ended up

1659
01:18:01,640 --> 01:18:06,200
Speaker 2: being in close contact with someone who tested positives.

1660
01:18:05,120 --> 01:18:07,080
Speaker 5: And by the way, like this is not me, you know,

1661
01:18:07,280 --> 01:18:09,320
Speaker 5: cracking down on stuff. There was like a whole There

1662
01:18:09,360 --> 01:18:12,040
Speaker 5: was like a dude whose job it was right. He

1663
01:18:12,160 --> 01:18:17,080
Speaker 5: was like the COVID protocol enforcer. And if you weren't

1664
01:18:17,120 --> 01:18:19,880
Speaker 5: like wearing your mask at all times or whatever.

1665
01:18:21,280 --> 01:18:23,720
Speaker 2: Trouble, he'd like check the restaurants at night to make

1666
01:18:23,760 --> 01:18:24,320
Speaker 2: sure nobody was.

1667
01:18:25,000 --> 01:18:30,040
Speaker 1: It was crazy. Do you remember this is a.

1668
01:18:30,000 --> 01:18:30,840
Speaker 6: Pretty loaded card.

1669
01:18:30,920 --> 01:18:35,640
Speaker 2: It was Sergio Pettis against uh, the guy with the

1670
01:18:35,720 --> 01:18:37,720
Speaker 2: weed farm, you know what I'm talking about, the Gladiator

1671
01:18:37,840 --> 01:18:43,040
Speaker 2: and we wanted to yeah one Arletta, the Spaniard, the Spaniard,

1672
01:18:43,120 --> 01:18:45,880
Speaker 2: that's you prefer the arena. Anthony Johnson was.

1673
01:18:47,360 --> 01:18:49,599
Speaker 1: If we could basically a fruit flies, you might think

1674
01:18:49,600 --> 01:18:50,639
Speaker 1: we're in the car a market.

1675
01:18:54,600 --> 01:18:55,160
Speaker 2: That was real.

1676
01:18:55,920 --> 01:18:56,679
Speaker 6: That was real.

1677
01:18:57,000 --> 01:18:59,720
Speaker 1: There was flies, so many fruit flies at the mo

1678
01:19:00,040 --> 01:19:00,280
Speaker 1: of so.

1679
01:19:02,400 --> 01:19:02,920
Speaker 6: Welcome back.

1680
01:19:05,520 --> 01:19:08,920
Speaker 1: I'm such a hater. It's it's unbelievable.

1681
01:19:12,040 --> 01:19:16,479
Speaker 2: I love that that uh that Pennington James's actual music

1682
01:19:16,600 --> 01:19:17,320
Speaker 2: video got in here?

1683
01:19:17,439 --> 01:19:20,080
Speaker 1: Dude? Where is a drive by shooter when you need one?

1684
01:19:22,000 --> 01:19:24,080
Speaker 2: That's my fattest moment. The Doc three is my.

1685
01:19:25,760 --> 01:19:28,639
Speaker 5: I'm fat as I'm just I can't believe I wasted

1686
01:19:28,760 --> 01:19:30,799
Speaker 5: my best years on camera looking so terrible.

1687
01:19:30,920 --> 01:19:33,040
Speaker 1: But done is done?

1688
01:19:33,600 --> 01:19:34,040
Speaker 6: How pale?

1689
01:19:34,160 --> 01:19:37,839
Speaker 2: My my underneck is below the beard. It's just fattest.

1690
01:19:39,720 --> 01:19:43,639
Speaker 6: It's It's very stepan. If you know where I'm going

1691
01:19:43,720 --> 01:19:43,920
Speaker 6: with this.

1692
01:19:44,320 --> 01:19:46,640
Speaker 5: He's like one of those dudes who couldn't type of

1693
01:19:46,680 --> 01:19:48,800
Speaker 5: sounds of a million typos, but knows how to do it,

1694
01:19:49,040 --> 01:19:50,160
Speaker 5: like Linux or something.

1695
01:19:50,520 --> 01:19:52,439
Speaker 1: You're like, Oh, that's cool, that's it.

1696
01:19:52,880 --> 01:19:55,840
Speaker 6: It's a precarious situation. Is just in time for the

1697
01:19:55,880 --> 01:19:56,360
Speaker 6: third doc?

1698
01:19:57,760 --> 01:19:58,360
Speaker 4: This is up?

1699
01:19:59,400 --> 01:20:00,639
Speaker 1: What's up with that laser PC?

1700
01:20:01,520 --> 01:20:01,680
Speaker 4: Yeah?

1701
01:20:01,680 --> 01:20:03,599
Speaker 2: I have some fashion choices in the pandemic.

1702
01:20:03,760 --> 01:20:07,200
Speaker 6: Yeah, I've seen imagine it knocking to.

1703
01:20:10,680 --> 01:20:20,240
Speaker 1: Listen to how tone deaf Jay is? Oh yeah, so,

1704
01:20:21,040 --> 01:20:23,280
Speaker 1: can I be honest, I've never seen this. I don't

1705
01:20:23,320 --> 01:20:26,200
Speaker 1: think you didn't even watch Doc three once. It was

1706
01:20:26,400 --> 01:20:28,360
Speaker 1: just you on camera and you're not the sauce. I

1707
01:20:28,479 --> 01:20:30,080
Speaker 1: realized pretty quickly before you.

1708
01:20:30,160 --> 01:20:32,840
Speaker 2: Guys, I know a lot of questions. There's a lot

1709
01:20:32,880 --> 01:20:37,040
Speaker 2: of incomplete storylines here that go beyond the COVID mishappen.

1710
01:20:37,360 --> 01:20:38,720
Speaker 2: We have no idea what we were doing on those

1711
01:20:38,800 --> 01:20:41,880
Speaker 2: doc Why is Jay back? We haven't explained that ship.

1712
01:20:41,920 --> 01:20:44,960
Speaker 2: Where's the producer? Bring on the producer here? We had

1713
01:20:45,040 --> 01:20:48,280
Speaker 2: so many of these storylines unfulfilled. Why did Jay let

1714
01:20:48,439 --> 01:20:51,280
Speaker 2: go in the first place? Why is he back? We're

1715
01:20:51,320 --> 01:20:52,800
Speaker 2: not going to show any of the footage we have

1716
01:20:52,960 --> 01:20:54,559
Speaker 2: of him dropping the ball again that week.

1717
01:20:55,760 --> 01:20:58,200
Speaker 8: These are questions that I also share with you, Brian,

1718
01:20:58,400 --> 01:20:59,960
Speaker 8: and well, first of all, I should be asking you

1719
01:21:00,160 --> 01:21:01,360
Speaker 8: the questions that you're kind.

1720
01:21:01,240 --> 01:21:04,120
Speaker 2: Of Look, can we come clean? Welcolm Legal said, we

1721
01:21:04,160 --> 01:21:06,280
Speaker 2: couldn't tell the to the true Jay stories, so we

1722
01:21:06,360 --> 01:21:08,600
Speaker 2: had to pull up from the dock. Now the Dorado,

1723
01:21:08,720 --> 01:21:11,080
Speaker 2: it's like it's kind of a factory town vibes, to

1724
01:21:11,120 --> 01:21:13,840
Speaker 2: be honest with you, there's like power lines and HR

1725
01:21:14,040 --> 01:21:15,840
Speaker 2: was like, you can't, you can't stuff?

1726
01:21:16,320 --> 01:21:17,920
Speaker 1: Are you on Puerto Rico?

1727
01:21:18,200 --> 01:21:22,560
Speaker 2: But I was watching the Yeah, this is like a

1728
01:21:22,680 --> 01:21:25,160
Speaker 2: movie sequel. There's no storylines, there's no hooks, there's no

1729
01:21:25,240 --> 01:21:26,040
Speaker 2: connective tissue.

1730
01:21:26,080 --> 01:21:28,320
Speaker 1: It's just there's just a lot of Jay our producers

1731
01:21:28,360 --> 01:21:29,879
Speaker 1: saying things about.

1732
01:21:29,640 --> 01:21:32,360
Speaker 8: Puerto Rico and personally explain there are certain.

1733
01:21:32,240 --> 01:21:33,320
Speaker 1: Things that I do not share.

1734
01:21:33,439 --> 01:21:35,360
Speaker 8: But I kind of forget where we are in the

1735
01:21:35,439 --> 01:21:37,960
Speaker 8: dock too, and how I've only seen the rough myself.

1736
01:21:38,000 --> 01:21:40,200
Speaker 8: I know, we watched it last night together. There was

1737
01:21:40,439 --> 01:21:43,320
Speaker 8: there was the COVID storyline of how our shoot isn't.

1738
01:21:43,160 --> 01:21:44,920
Speaker 1: Jake Paul in Puerto Rico is like a teck dog.

1739
01:21:45,720 --> 01:21:47,720
Speaker 2: Yeah, if you live if you're an American, Systen, you

1740
01:21:47,800 --> 01:21:50,400
Speaker 2: live there half twelve months right here, can get on

1741
01:21:50,520 --> 01:21:52,520
Speaker 2: site in almost tax exempt.

1742
01:21:52,280 --> 01:21:55,439
Speaker 8: Sometow she gets put on up, but Luke is not here,

1743
01:21:55,960 --> 01:21:56,760
Speaker 8: so maybe it works.

1744
01:21:57,640 --> 01:21:57,800
Speaker 10: You know.

1745
01:21:58,200 --> 01:22:00,760
Speaker 2: Jay was let go of the show, I think. But

1746
01:22:00,880 --> 01:22:01,960
Speaker 2: we never told the audience.

1747
01:22:02,040 --> 01:22:03,439
Speaker 6: We never gave them the clock.

1748
01:22:03,560 --> 01:22:05,519
Speaker 2: And I'm still upset about that Snyder, that we didn't

1749
01:22:05,520 --> 01:22:09,160
Speaker 2: get to tell the What were they afraid? He knows

1750
01:22:09,240 --> 01:22:11,160
Speaker 2: what happened and we were making fun of him on camera.

1751
01:22:11,360 --> 01:22:13,040
Speaker 2: If somebody's got COVID and then we're back home.

1752
01:22:13,120 --> 01:22:13,680
Speaker 1: I don't like.

1753
01:22:14,160 --> 01:22:16,599
Speaker 2: There were a lot of hopes and dreams, in ways

1754
01:22:16,640 --> 01:22:18,880
Speaker 2: and means for this doc that never never seen the

1755
01:22:18,920 --> 01:22:19,320
Speaker 2: light of the day.

1756
01:22:19,360 --> 01:22:21,200
Speaker 6: In fact, this this this much do we might just

1757
01:22:21,240 --> 01:22:21,439
Speaker 6: want to.

1758
01:22:21,400 --> 01:22:26,720
Speaker 1: Shove this idea, yo, you could tell how bad this is.

1759
01:22:28,080 --> 01:22:31,960
Speaker 2: Yeah, that was literally where we're waiting on Logan Paul's

1760
01:22:32,000 --> 01:22:34,120
Speaker 2: workout to end and there, and they just turned on

1761
01:22:34,160 --> 01:22:36,240
Speaker 2: the dock cams and go make content.

1762
01:22:36,680 --> 01:22:37,040
Speaker 1: That's what we.

1763
01:22:38,600 --> 01:22:41,800
Speaker 6: Again, don't don't script it. If any James TikTok, they

1764
01:22:41,800 --> 01:22:44,320
Speaker 6: didn't take like part one of the documentary series we

1765
01:22:44,439 --> 01:22:45,120
Speaker 6: got lucky.

1766
01:22:45,080 --> 01:22:47,920
Speaker 1: Dude, you need psychological counseling way more than I.

1767
01:22:48,200 --> 01:22:49,479
Speaker 2: I spent a lot of time with you in the

1768
01:22:49,560 --> 01:22:53,960
Speaker 2: last few days and it turned out that contention between

1769
01:22:54,040 --> 01:22:56,040
Speaker 2: us and Doc one it was gold and it was accidental,

1770
01:22:56,120 --> 01:22:58,160
Speaker 2: but it was Gold and Doc two. You know, there

1771
01:22:58,280 --> 01:23:00,800
Speaker 2: was a lot of pressure knowing that Luke he wasn't

1772
01:23:00,800 --> 01:23:04,320
Speaker 2: going to perform under really any circumstance. True, like the sauce.

1773
01:23:04,439 --> 01:23:07,000
Speaker 1: Yeah, yes, I know you think you're the sauce, but

1774
01:23:07,120 --> 01:23:07,360
Speaker 1: you're not.

1775
01:23:09,560 --> 01:23:11,559
Speaker 6: I mean, if we won, there was a good chance

1776
01:23:11,600 --> 01:23:21,400
Speaker 6: he would he would be rock hard with emotion. Luke

1777
01:23:21,439 --> 01:23:23,200
Speaker 6: wouldn't play ball. And it turned out, you know what,

1778
01:23:23,680 --> 01:23:24,040
Speaker 6: he didn't.

1779
01:23:24,080 --> 01:23:26,080
Speaker 1: He didn't show up and I only watched like five

1780
01:23:26,120 --> 01:23:28,200
Speaker 1: minutes of the second one. I'm actually the worst person

1781
01:23:28,320 --> 01:23:29,000
Speaker 1: to ask about this.

1782
01:23:29,240 --> 01:23:32,960
Speaker 2: Do you remember, Oh, you weren't lying apparently, Yeah, I told.

1783
01:23:32,800 --> 01:23:33,879
Speaker 1: You three in Chicago.

1784
01:23:34,040 --> 01:23:35,599
Speaker 6: Remember how that game ended?

1785
01:23:36,080 --> 01:23:39,000
Speaker 2: Okay, Jordan's gone, we need to hear all right, the

1786
01:23:39,080 --> 01:23:40,880
Speaker 2: Canadian fella out walking through that door.

1787
01:23:41,800 --> 01:23:44,240
Speaker 6: This doc was it was Luke's time to shine.

1788
01:23:44,240 --> 01:23:46,840
Speaker 1: I think in the second is that a reference to yes,

1789
01:23:47,320 --> 01:23:49,040
Speaker 1: try to eat motherfuck piece? You know what I'm saying.

1790
01:23:49,240 --> 01:23:51,200
Speaker 2: It was chance because he was starting to get some

1791
01:23:51,280 --> 01:23:54,599
Speaker 2: showtime gigs once in a while, So I was building

1792
01:23:54,720 --> 01:23:57,240
Speaker 2: the storyline that would have ultimately be in Doc four

1793
01:23:57,360 --> 01:23:59,439
Speaker 2: where he was calming and we had a fight to

1794
01:23:59,479 --> 01:24:02,160
Speaker 2: keep our if it did with one point eight seconds

1795
01:24:02,280 --> 01:24:04,600
Speaker 2: left to go, Oh, Phil's not going to run the

1796
01:24:04,640 --> 01:24:06,800
Speaker 2: play for you, So why don't you go out there

1797
01:24:06,840 --> 01:24:07,519
Speaker 2: instead a screen?

1798
01:24:07,720 --> 01:24:09,479
Speaker 6: Why don't you be the DCA? No, no, oh, it's

1799
01:24:09,800 --> 01:24:11,760
Speaker 6: you know, take the ball and run it. You're out

1800
01:24:11,800 --> 01:24:14,439
Speaker 6: of this dock. So you know, you know, coach, that

1801
01:24:14,600 --> 01:24:16,400
Speaker 6: artist the waiter.

1802
01:24:16,280 --> 01:24:19,560
Speaker 2: Tony Kuk coach did the game winner, and he was

1803
01:24:19,640 --> 01:24:22,120
Speaker 2: like balls bonanza right.

1804
01:24:23,479 --> 01:24:26,840
Speaker 1: Well, I didn't even notice. I didn't. I didn't want that.

1805
01:24:27,080 --> 01:24:29,880
Speaker 7: That's been the best part is noticing now how often

1806
01:24:29,960 --> 01:24:30,599
Speaker 7: he says.

1807
01:24:30,640 --> 01:24:33,200
Speaker 6: He's turning on Luke. We we learned in that second

1808
01:24:33,280 --> 01:24:38,720
Speaker 6: dock we are better together forever. Trefor never met her.

1809
01:24:39,040 --> 01:24:40,320
Speaker 6: I think it's smart this time.

1810
01:24:40,520 --> 01:24:42,719
Speaker 2: That's a combination of saved by the bellt and skits

1811
01:24:42,720 --> 01:24:47,600
Speaker 2: and bits put together right there. I never picked up

1812
01:24:47,600 --> 01:24:50,759
Speaker 2: on it, you know, Uncasville, Connecticut, but also a chance,

1813
01:24:52,240 --> 01:24:54,800
Speaker 2: you know, artistically to experiment a bit.

1814
01:24:57,600 --> 01:25:02,120
Speaker 1: This is so bad, Jesus, there's nothing happening here.

1815
01:25:03,400 --> 01:25:04,879
Speaker 6: We'll give you the full package.

1816
01:25:05,880 --> 01:25:08,240
Speaker 2: Yeah, I worked hard to give you something here, all right.

1817
01:25:08,439 --> 01:25:15,360
Speaker 2: I worked hard. Snider worked hard. You're on the wide

1818
01:25:15,400 --> 01:25:23,559
Speaker 2: camera in five four three two one. To be fair,

1819
01:25:23,600 --> 01:25:25,879
Speaker 2: anytime we did Belt or stuff, our numbers takes.

1820
01:25:26,240 --> 01:25:28,639
Speaker 1: To be fair. Yeah, there was no saving that brand.

1821
01:25:30,320 --> 01:25:31,840
Speaker 5: This is why when it's like, you know, oh, I

1822
01:25:31,880 --> 01:25:34,200
Speaker 5: mean they never wanted to Beltore, never wanted to go

1823
01:25:34,280 --> 01:25:35,280
Speaker 5: to show time.

1824
01:25:35,640 --> 01:25:39,360
Speaker 1: They wanted to stay on CBS Sports Net. But I'm like,

1825
01:25:39,479 --> 01:25:40,240
Speaker 1: it wouldn't have mattered.

1826
01:25:40,640 --> 01:25:43,680
Speaker 2: Right next to the top, this is a loaded card, though.

1827
01:25:43,720 --> 01:25:44,960
Speaker 2: I was kind of mad we didn't get to watch.

1828
01:25:45,400 --> 01:25:47,320
Speaker 1: Yeah, I mean the problem was not that Belt didn't

1829
01:25:47,360 --> 01:25:53,679
Speaker 1: have some quality fighters. It's that no non UFC brands

1830
01:25:53,760 --> 01:25:54,200
Speaker 1: can serve of.

1831
01:25:56,280 --> 01:25:58,840
Speaker 2: Look, you're much thinner between Docs two and three.

1832
01:25:59,600 --> 01:26:02,000
Speaker 1: I definitely so. I lost a bunch of weight later

1833
01:26:02,120 --> 01:26:05,559
Speaker 1: I lost seventy five pounds. No, no, sorry, that's wrong.

1834
01:26:05,640 --> 01:26:10,240
Speaker 1: What am I saying? I lost forty five sunds, which

1835
01:26:10,320 --> 01:26:11,680
Speaker 1: is a lot, But I don't think I lost it all.

1836
01:26:11,760 --> 01:26:14,639
Speaker 1: By this point, I'm never going to watch Jay Dance.

1837
01:26:15,800 --> 01:26:18,400
Speaker 1: You know the Wheel? Dude? When was the last time

1838
01:26:18,479 --> 01:26:20,799
Speaker 1: we did the Wheel London?

1839
01:26:23,840 --> 01:26:25,840
Speaker 7: We did at that time in Jersey City when Luke

1840
01:26:25,880 --> 01:26:28,000
Speaker 7: had to call in sick last minute BC and you

1841
01:26:28,439 --> 01:26:30,719
Speaker 7: you interviewed the staff, you put all of our names

1842
01:26:30,760 --> 01:26:30,920
Speaker 7: on it.

1843
01:26:30,920 --> 01:26:33,160
Speaker 1: I feel like that we're going to be back here.

1844
01:26:33,240 --> 01:26:34,920
Speaker 1: Logan story will be with us. But he's only the

1845
01:26:34,960 --> 01:26:38,840
Speaker 1: first of many. We have an entire show going to

1846
01:26:38,880 --> 01:26:40,360
Speaker 1: be here. Wow l r P.

1847
01:26:42,200 --> 01:26:43,360
Speaker 2: That that savage.

1848
01:26:43,439 --> 01:26:43,880
Speaker 6: I love that.

1849
01:26:44,240 --> 01:26:45,600
Speaker 1: So come back here in about an hour and a

1850
01:26:45,600 --> 01:26:46,280
Speaker 1: half hour and forty.

1851
01:26:46,479 --> 01:26:48,600
Speaker 2: This is also when Josh Thompson turned heel on us.

1852
01:26:48,680 --> 01:26:51,679
Speaker 1: You remember this, right, Luke turn heel on you. Yeah.

1853
01:26:59,200 --> 01:27:01,519
Speaker 2: Matt Snyder describes us as a fever dream to get

1854
01:27:01,560 --> 01:27:03,719
Speaker 2: the court documents. I'm not going to get the unanswered secrets.

1855
01:27:03,720 --> 01:27:05,800
Speaker 2: I mean, remember that season in the Fresh Prince of

1856
01:27:05,840 --> 01:27:07,519
Speaker 2: bel Air where suddenly there's just a new mom. But

1857
01:27:07,600 --> 01:27:09,880
Speaker 2: you know, while we're here, do you see that tree?

1858
01:27:10,400 --> 01:27:11,680
Speaker 6: Can you guys come with me over here.

1859
01:27:13,120 --> 01:27:19,439
Speaker 2: I'm immunized, Just so you know, by the way Ashley

1860
01:27:19,439 --> 01:27:25,439
Speaker 2: still works out that that's that's that's the stroke of genius.

1861
01:27:25,520 --> 01:27:29,000
Speaker 1: That's the this is I mean again the balls on.

1862
01:27:29,200 --> 01:27:34,880
Speaker 1: You ever accused me of having a masturbatory style.

1863
01:27:34,720 --> 01:27:37,080
Speaker 2: Abstract Doc three, here's the engine I had to save

1864
01:27:37,200 --> 01:27:38,839
Speaker 2: the doc. Look all right, it's.

1865
01:27:39,280 --> 01:27:40,519
Speaker 1: Bad news you didn't.

1866
01:27:41,640 --> 01:27:43,519
Speaker 2: It turned out it was like when a band puts

1867
01:27:43,560 --> 01:27:45,200
Speaker 2: out there like a rock band, but then they put

1868
01:27:45,240 --> 01:27:47,040
Speaker 2: out a country album and no one gets it and

1869
01:27:47,080 --> 01:27:47,680
Speaker 2: no one likes it.

1870
01:27:47,760 --> 01:27:51,000
Speaker 6: That's what Doc three is, experimentation.

1871
01:27:51,240 --> 01:27:53,120
Speaker 1: You need to the theme of this should have been

1872
01:27:53,240 --> 01:27:55,000
Speaker 1: that the sauce can't carry the solo.

1873
01:27:55,520 --> 01:27:58,080
Speaker 2: That'sould have been if you would have helped out, we

1874
01:27:58,160 --> 01:27:59,600
Speaker 2: could have made that the storyline.

1875
01:27:59,640 --> 01:28:01,760
Speaker 1: You know that that is a fair point. I just thought,

1876
01:28:01,800 --> 01:28:02,360
Speaker 1: help get.

1877
01:28:02,280 --> 01:28:05,400
Speaker 6: Sent to hell by somebody for the sake of the art.

1878
01:28:05,920 --> 01:28:07,840
Speaker 2: That's also true in the history of the show. Look,

1879
01:28:07,920 --> 01:28:10,280
Speaker 2: I'll walk directly into oncoming traffic for the show.

1880
01:28:10,400 --> 01:28:12,599
Speaker 5: That is also true that the truth is a Belt

1881
01:28:13,400 --> 01:28:16,200
Speaker 5: eight Live fighter interview logan story.

1882
01:28:17,120 --> 01:28:19,960
Speaker 2: This guy grown up in Roslind, South Dakota, must have

1883
01:28:20,040 --> 01:28:20,599
Speaker 2: cleaned up.

1884
01:28:20,560 --> 01:28:26,200
Speaker 1: On Friday nights. This guy, how many fighters did we interview?

1885
01:28:26,280 --> 01:28:28,280
Speaker 1: Being like yo? How many chicks going on? Did you

1886
01:28:28,479 --> 01:28:30,599
Speaker 1: fucking fan know? This one?

1887
01:28:30,760 --> 01:28:32,920
Speaker 2: Lorenz luck and Legit called me out for not being

1888
01:28:32,960 --> 01:28:36,720
Speaker 2: in the Beltore rankings. All right, cowboy, what do you.

1889
01:28:36,760 --> 01:28:37,160
Speaker 7: Call for me?

1890
01:28:37,720 --> 01:28:39,360
Speaker 6: So if you know the answer is why I asked you?

1891
01:28:41,320 --> 01:28:42,519
Speaker 2: How are you just twenty years old?

1892
01:28:43,680 --> 01:28:44,280
Speaker 1: You're twenty two?

1893
01:28:44,520 --> 01:28:48,360
Speaker 2: You're a busy man. Brother, Hold on, talk, we love it.

1894
01:28:48,479 --> 01:28:50,040
Speaker 2: Why don't you just ask him about his DMS?

1895
01:28:50,040 --> 01:28:55,679
Speaker 1: Why don't we just go right to that point? No, okay,

1896
01:28:55,800 --> 01:28:58,040
Speaker 1: this part is unbelievably cool.

1897
01:28:58,920 --> 01:29:03,439
Speaker 2: Look at those pans. Wow, oh yeah, the captain.

1898
01:29:06,439 --> 01:29:07,960
Speaker 6: That's that dude who brawled with Rumble.

1899
01:29:08,000 --> 01:29:09,640
Speaker 2: He was a fill in for m v P.

1900
01:29:09,920 --> 01:29:19,760
Speaker 5: Nice guy. There's one letta but tricky Rumble l I

1901
01:29:21,240 --> 01:29:22,519
Speaker 5: introduction so much.

1902
01:29:23,479 --> 01:29:24,200
Speaker 1: Just put your seat up.

1903
01:29:24,760 --> 01:29:25,960
Speaker 2: I come from a factory town.

1904
01:29:26,080 --> 01:29:28,400
Speaker 1: The that's on the right hand side of the chair.

1905
01:29:29,160 --> 01:29:31,519
Speaker 1: You got so much toilet, Just put your seat up.

1906
01:29:31,640 --> 01:29:36,439
Speaker 1: It's gonna be Sergio pet He's not around you know.

1907
01:29:38,920 --> 01:29:42,720
Speaker 1: Oh ship, there you go. Boy, you did catch a

1908
01:29:42,800 --> 01:29:45,240
Speaker 1: lot of Yes, I.

1909
01:29:45,280 --> 01:29:48,360
Speaker 2: Forgot about all this ship and you never got my back.

1910
01:29:49,680 --> 01:29:53,040
Speaker 5: No you aren't. You deserved it. Well, no it's not true.

1911
01:29:53,439 --> 01:29:56,040
Speaker 5: Half the smoke you got you didn't deserve. But because

1912
01:29:56,080 --> 01:29:59,080
Speaker 5: you had to antagonized me so much, I was unwilling

1913
01:29:59,200 --> 01:29:59,640
Speaker 5: to save you.

1914
01:30:00,040 --> 01:30:03,200
Speaker 2: And he can speak to Aaron Pico's horse. The size

1915
01:30:03,240 --> 01:30:09,280
Speaker 2: of that dong, I mean has enormous. We're still doing

1916
01:30:09,360 --> 01:30:10,240
Speaker 2: that bit back then.

1917
01:30:10,439 --> 01:30:13,639
Speaker 1: Yeah, I just gonna say five years running talking about

1918
01:30:13,680 --> 01:30:22,120
Speaker 1: Pico's horses get fired. There's cubs wants and cubs like

1919
01:30:22,120 --> 01:30:22,720
Speaker 1: I don't give them.

1920
01:30:23,880 --> 01:30:26,479
Speaker 2: Remember we saw t J. Dillishaw in the hallway and

1921
01:30:26,560 --> 01:30:34,519
Speaker 2: he like, I wasn't there. You saw you saw, Yeah, luc,

1922
01:30:34,720 --> 01:30:36,439
Speaker 2: I'm fat in this one. Didn't have a good history

1923
01:30:36,520 --> 01:30:39,080
Speaker 2: this week of getting my back or protecting me or

1924
01:30:39,120 --> 01:30:41,960
Speaker 2: this brand when when given the chance. But yeah, Luke,

1925
01:30:42,120 --> 01:30:43,640
Speaker 2: you know I was ready. I was ready for war.

1926
01:30:43,800 --> 01:30:46,160
Speaker 1: You earned you earned a little bit of that.

1927
01:30:46,320 --> 01:30:49,000
Speaker 2: It doesn't have to be violent, right, it can be healing.

1928
01:30:49,520 --> 01:30:51,880
Speaker 2: But there's different kinds of it, and I think this

1929
01:30:52,040 --> 01:30:59,920
Speaker 2: week get it messy, dude. He really went in there

1930
01:31:00,200 --> 01:31:03,680
Speaker 2: when Jay was taking a dumb I mean, watch, Jay

1931
01:31:03,760 --> 01:31:06,360
Speaker 2: wasn't going to wash his hands. Watch and he's like,

1932
01:31:06,439 --> 01:31:07,559
Speaker 2: oh wait, the camera's here.

1933
01:31:07,800 --> 01:31:17,640
Speaker 1: Yes, Cochino dirt bag. It's so good, dude. If you

1934
01:31:17,680 --> 01:31:21,320
Speaker 1: don't wash your hands after going number two, you're an animal. Yeah.

1935
01:31:21,760 --> 01:31:24,320
Speaker 6: Look at this right here, I mean this is incredible. Yeah.

1936
01:31:26,080 --> 01:31:29,040
Speaker 2: J Dillashaw is like, hell no, he had the Mohican sign.

1937
01:31:28,920 --> 01:31:29,880
Speaker 6: And the thing that they got here.

1938
01:31:29,880 --> 01:31:31,000
Speaker 1: I don't know if you guys know about this.

1939
01:31:31,320 --> 01:31:33,200
Speaker 6: A lot of people been telling me they got like

1940
01:31:33,280 --> 01:31:34,679
Speaker 6: this artisan coffee shop.

1941
01:31:36,800 --> 01:31:39,240
Speaker 2: I'm looking forward to walking there, wondering if they sort

1942
01:31:39,280 --> 01:31:41,280
Speaker 2: of see something in me that we don't even have

1943
01:31:41,360 --> 01:31:41,960
Speaker 2: to communicate.

1944
01:31:41,960 --> 01:31:43,720
Speaker 6: It's just like, yep, that's what I want.

1945
01:31:45,520 --> 01:31:48,439
Speaker 2: Yeah, they just know my order. They just read my mind. Look,

1946
01:31:48,520 --> 01:31:50,439
Speaker 2: you were angry that they asked to follow you to

1947
01:31:50,520 --> 01:31:52,280
Speaker 2: the gym with a camera. I remember this.

1948
01:31:54,160 --> 01:31:56,120
Speaker 1: Because I felt so insecure about the way I look

1949
01:31:56,439 --> 01:31:57,280
Speaker 1: draw my order.

1950
01:31:57,200 --> 01:31:59,000
Speaker 6: Here because it's wild, right, it's wild?

1951
01:32:01,160 --> 01:32:05,439
Speaker 1: All right? Did he leave them? Can you leave now?

1952
01:32:05,560 --> 01:32:07,040
Speaker 1: Is that what I said? Yeah?

1953
01:32:12,040 --> 01:32:15,240
Speaker 2: You know what Mohegan Sun is not trashy, No, it's

1954
01:32:15,320 --> 01:32:18,800
Speaker 2: it's it's very nice it's fine. It would be a

1955
01:32:18,920 --> 01:32:20,400
Speaker 2: higher end Vegas hotel.

1956
01:32:20,200 --> 01:32:23,519
Speaker 1: Right, yeah, something like that.

1957
01:32:23,720 --> 01:32:27,599
Speaker 2: Yeah, this guy is fantastic, a fantastic, great work.

1958
01:32:27,640 --> 01:32:28,679
Speaker 1: Guess there's the captain.

1959
01:32:28,880 --> 01:32:29,640
Speaker 2: It's entertainment.

1960
01:32:29,720 --> 01:32:32,559
Speaker 6: Okay, entertainment, that's what I'm saying.

1961
01:32:32,560 --> 01:32:33,519
Speaker 4: It sports entertainment.

1962
01:32:33,920 --> 01:32:36,280
Speaker 6: This guy knows. I can't even listen to his words

1963
01:32:36,280 --> 01:32:36,799
Speaker 6: while he's.

1964
01:32:36,640 --> 01:32:37,479
Speaker 2: Wearing those glasses.

1965
01:32:37,640 --> 01:32:38,599
Speaker 6: I'm missing a skull.

1966
01:32:38,920 --> 01:32:40,799
Speaker 2: One of my guys sat and I got a skull.

1967
01:32:41,600 --> 01:32:42,960
Speaker 1: He does have a skull in the middle of the

1968
01:32:43,000 --> 01:32:45,720
Speaker 1: classes of that. He tall.

1969
01:32:45,800 --> 01:32:47,519
Speaker 6: He's got a lot of art inside of him though.

1970
01:32:47,520 --> 01:32:48,439
Speaker 2: He's very artistic.

1971
01:32:48,560 --> 01:32:50,040
Speaker 1: I like that. He's very artistic.

1972
01:32:52,000 --> 01:32:55,639
Speaker 2: He's got a bag mask that was Leandro Higo's mask.

1973
01:32:59,800 --> 01:33:00,360
Speaker 2: I'm me, could you.

1974
01:33:00,520 --> 01:33:03,599
Speaker 1: I can't believe they made four They made four more

1975
01:33:03,680 --> 01:33:04,040
Speaker 1: after this.

1976
01:33:06,400 --> 01:33:07,960
Speaker 2: This was the low moment of the Dogs.

1977
01:33:09,240 --> 01:33:09,439
Speaker 1: Yeah.

1978
01:33:09,680 --> 01:33:11,439
Speaker 2: You know, he's been is this ship thing almost over

1979
01:33:11,640 --> 01:33:14,639
Speaker 2: us in his life to express that art. And while

1980
01:33:14,760 --> 01:33:18,439
Speaker 2: he's painting, you know, somebody does a Major League Baseball

1981
01:33:18,479 --> 01:33:20,439
Speaker 2: prank and sets a hot foot on him and lights

1982
01:33:20,479 --> 01:33:24,519
Speaker 2: his his Locosh Thompson time, Yeah, that was there was

1983
01:33:24,560 --> 01:33:26,360
Speaker 2: a little bit of that going on with Josh Thompson.

1984
01:33:27,880 --> 01:33:29,760
Speaker 2: By the way, we we get along great. I love

1985
01:33:29,880 --> 01:33:33,280
Speaker 2: Josh Thompson, but came out like it was World War three.

1986
01:33:33,360 --> 01:33:38,840
Speaker 6: And besides, I mean it is just like like, look.

1987
01:33:38,680 --> 01:33:43,720
Speaker 1: At me, look at you. You're big John's like they

1988
01:33:43,760 --> 01:33:45,799
Speaker 1: all got horse cocks because horses.

1989
01:33:46,520 --> 01:33:47,640
Speaker 6: I'm trying to act like you're not.

1990
01:33:52,240 --> 01:33:54,559
Speaker 1: It's him in these wheels. I like how he's trying

1991
01:33:54,600 --> 01:33:56,200
Speaker 1: to one up you on the victum.

1992
01:33:56,000 --> 01:33:58,200
Speaker 2: Together at the movie. He gets some arena and this

1993
01:33:58,439 --> 01:34:02,880
Speaker 2: is Big John McCarthy. Josh Thompson of the Weighing In Podcast.

1994
01:34:03,560 --> 01:34:06,519
Speaker 2: He was a firecracker. He's a fighter, he's a punk.

1995
01:34:06,760 --> 01:34:09,160
Speaker 2: We knew that coming in. He completes my sentences.

1996
01:34:10,479 --> 01:34:12,320
Speaker 1: I don't know. I have to speak in the little

1997
01:34:12,400 --> 01:34:15,679
Speaker 1: kid terms so you get it. But I understand that. Wow,

1998
01:34:15,760 --> 01:34:16,400
Speaker 1: he did go hard.

1999
01:34:17,160 --> 01:34:19,680
Speaker 6: It didn't stop room and just clean up.

2000
01:34:19,680 --> 01:34:21,519
Speaker 2: I happened to, you know, maybe break the story this

2001
01:34:21,640 --> 01:34:23,559
Speaker 2: week and really put it to the forefront while.

2002
01:34:23,439 --> 01:34:24,759
Speaker 1: You put yourself on the back anymore.

2003
01:34:24,880 --> 01:34:25,280
Speaker 2: I'm one guy.

2004
01:34:25,400 --> 01:34:26,960
Speaker 1: Yeah, you got your one guy that probably messed it

2005
01:34:26,960 --> 01:34:27,280
Speaker 1: all up.

2006
01:34:29,439 --> 01:34:30,719
Speaker 2: Was he a little bit of a villain?

2007
01:34:30,880 --> 01:34:31,040
Speaker 1: Yes?

2008
01:34:31,520 --> 01:34:32,840
Speaker 2: Did he understand my art?

2009
01:34:33,000 --> 01:34:33,040
Speaker 7: No?

2010
01:34:34,280 --> 01:34:37,679
Speaker 2: But uh, you know, unscheduled foot on fire. I still

2011
01:34:37,720 --> 01:34:40,760
Speaker 2: stomped it out. I still finished the job. You guys

2012
01:34:40,880 --> 01:34:41,760
Speaker 2: now have gone.

2013
01:34:41,920 --> 01:34:44,320
Speaker 1: I was also somehow balder during the pandemic.

2014
01:34:44,360 --> 01:34:48,360
Speaker 2: I have all time a former world champion to just

2015
01:34:48,880 --> 01:34:52,880
Speaker 2: with the keyboard Warriors. You're in the podcast slash media game, and.

2016
01:34:53,200 --> 01:34:54,839
Speaker 1: I'm barely talking through any.

2017
01:34:54,680 --> 01:34:56,960
Speaker 2: Of the casualty of the art, if you will. But

2018
01:34:57,080 --> 01:34:58,920
Speaker 2: I still think we saw you could have defended me.

2019
01:34:59,720 --> 01:35:03,719
Speaker 2: The hell programs have the best analysis. Yeah, we can't

2020
01:35:03,760 --> 01:35:05,840
Speaker 2: stay here, ludes, all right, all right, the fruit flies

2021
01:35:05,840 --> 01:35:08,840
Speaker 2: are driving us out postfight show after belachor two fifty eight,

2022
01:35:09,080 --> 01:35:13,000
Speaker 2: follow us below, like and subscribe whatever. I don't care,

2023
01:35:13,080 --> 01:35:15,920
Speaker 2: Like Luke Thomas often says me, all your ex lovers

2024
01:35:16,520 --> 01:35:21,200
Speaker 2: stay says, I never said that. By the way, Thompson

2025
01:35:21,280 --> 01:35:23,560
Speaker 2: came up right when the cameras turned off, looked me

2026
01:35:23,600 --> 01:35:25,200
Speaker 2: in the eye like you wanted to fight, and was like,

2027
01:35:25,320 --> 01:35:29,040
Speaker 2: what's up now? Okay, true story, good story. Yeah, so

2028
01:35:29,120 --> 01:35:31,360
Speaker 2: I thought we were at odds. But then the next

2029
01:35:31,439 --> 01:35:33,759
Speaker 2: time I saw him he was so cool. Was me, Okay,

2030
01:35:34,280 --> 01:35:36,439
Speaker 2: use me all you want. Just at the end of

2031
01:35:36,479 --> 01:35:39,080
Speaker 2: the day, let's make this story make sense. Why, like,

2032
01:35:39,360 --> 01:35:40,920
Speaker 2: do I have to go to court to release the

2033
01:35:40,960 --> 01:35:42,840
Speaker 2: records of why Jay is no longer with this show.

2034
01:35:45,520 --> 01:35:47,840
Speaker 2: We really dropped the ball, not not telling that story

2035
01:35:47,920 --> 01:35:53,280
Speaker 2: full circle at all. It's it's fine. I think the

2036
01:35:53,400 --> 01:35:55,160
Speaker 2: worst part of the doc is that what you asked

2037
01:35:55,200 --> 01:35:57,280
Speaker 2: me was when Luke didn't get my back when he

2038
01:35:57,960 --> 01:36:00,680
Speaker 2: like we have already had a third man the marriage bed.

2039
01:36:00,800 --> 01:36:02,840
Speaker 1: You saw himnock number one and it.

2040
01:36:02,960 --> 01:36:04,240
Speaker 6: Was Jay and we got him out.

2041
01:36:04,439 --> 01:36:07,200
Speaker 2: Well, not only is he back in, certainly Josh Thompson's

2042
01:36:07,240 --> 01:36:10,080
Speaker 2: in the middle of my marriage and I don't see Luke.

2043
01:36:10,880 --> 01:36:12,599
Speaker 2: You know, we must protect this house.

2044
01:36:12,640 --> 01:36:14,000
Speaker 6: I don't see that spirit come out.

2045
01:36:14,600 --> 01:36:16,719
Speaker 1: We thought I was at that point. I was ready

2046
01:36:16,720 --> 01:36:18,280
Speaker 1: to let you haring. I wouldn't do that now.

2047
01:36:18,400 --> 01:36:24,120
Speaker 2: But so you know, Doc three not a success. Are

2048
01:36:24,280 --> 01:36:27,040
Speaker 2: our worst watch I think like maybe eighteen thousand years

2049
01:36:27,080 --> 01:36:29,200
Speaker 2: for COVID. But we were supposed to be here and

2050
01:36:29,240 --> 01:36:31,040
Speaker 2: then we just told no, go home and go home.

2051
01:36:31,080 --> 01:36:33,840
Speaker 1: There there's Tristan plotting his next murder.

2052
01:36:38,280 --> 01:36:40,320
Speaker 2: Remember we were told that employee was going to be

2053
01:36:40,520 --> 01:36:43,839
Speaker 2: in proposed to his wife to his growth from starting

2054
01:36:43,920 --> 01:36:45,439
Speaker 2: to finish finish the job.

2055
01:36:46,080 --> 01:36:46,840
Speaker 6: We didn't get to do that.

2056
01:36:47,040 --> 01:36:50,439
Speaker 5: We had a staff member who they popped for Rona

2057
01:36:50,479 --> 01:36:52,280
Speaker 5: on Friday. Now, the good news is that just about

2058
01:36:52,280 --> 01:36:54,719
Speaker 5: everybody who works on that show, including me and BC

2059
01:36:55,000 --> 01:36:57,640
Speaker 5: and a lot of the staff, are all double or

2060
01:36:57,680 --> 01:36:58,799
Speaker 5: at least single vaxed.

2061
01:36:59,000 --> 01:37:01,160
Speaker 1: So I think in the in that's the back of God.

2062
01:37:03,160 --> 01:37:05,200
Speaker 2: We were gonna try some things. We were gonna take chances.

2063
01:37:05,240 --> 01:37:07,759
Speaker 2: We were gonna bring cameras next to the slot machines

2064
01:37:07,760 --> 01:37:10,599
Speaker 2: and see what happens next. Again, it's real life though.

2065
01:37:11,520 --> 01:37:12,120
Speaker 1: Play the slot.

2066
01:37:12,400 --> 01:37:14,040
Speaker 2: I was looking for that. Yeah, we had a lot

2067
01:37:14,080 --> 01:37:18,880
Speaker 2: of plans. We left two days early. Next if Josh

2068
01:37:18,960 --> 01:37:21,840
Speaker 2: wants to be a recurring enemy, you wouldn't have a

2069
01:37:21,960 --> 01:37:26,960
Speaker 2: Marcia Clark without Oh j right, I'll keep touching with them.

2070
01:37:27,400 --> 01:37:29,680
Speaker 2: You know, this isn't the last time we'll see each

2071
01:37:29,680 --> 01:37:31,320
Speaker 2: other in in the podcast circle.

2072
01:37:31,520 --> 01:37:33,880
Speaker 6: So have a minute to go, so we do have.

2073
01:37:35,040 --> 01:37:37,200
Speaker 2: I was there to see some guy propose.

2074
01:37:36,840 --> 01:37:39,040
Speaker 1: And wow, he was really aggressive with you.

2075
01:37:39,320 --> 01:37:42,639
Speaker 2: Yeah right, because we gave that analysis about m VP

2076
01:37:42,760 --> 01:37:50,320
Speaker 2: and having not coming not really the interest out there. Yes,

2077
01:37:50,360 --> 01:37:53,040
Speaker 2: there there's some art going on here inside this banner.

2078
01:37:54,479 --> 01:37:56,800
Speaker 2: Bell m M a banner all right.

2079
01:37:56,880 --> 01:38:01,800
Speaker 1: In hindsight, when he sounds like that, Stephen hawking robot voice.

2080
01:38:02,479 --> 01:38:08,240
Speaker 1: You know, it's like, uh, he's got the art that

2081
01:38:08,320 --> 01:38:08,600
Speaker 1: whole bit.

2082
01:38:11,600 --> 01:38:12,040
Speaker 6: Doc three.

2083
01:38:12,760 --> 01:38:15,280
Speaker 5: I didn't understand the narrative flow or if there even

2084
01:38:15,439 --> 01:38:17,040
Speaker 5: was one, and maybe there doesn't need to be one.

2085
01:38:17,080 --> 01:38:18,840
Speaker 1: I don't really know. I mean, I'm not being hugely

2086
01:38:18,920 --> 01:38:20,120
Speaker 1: invested in the projects.

2087
01:38:20,640 --> 01:38:23,800
Speaker 6: But yeah, you know, stuff this doc is is is

2088
01:38:25,000 --> 01:38:25,600
Speaker 6: what could it be?

2089
01:38:26,560 --> 01:38:29,000
Speaker 1: What? What? What will this be? I'm already getting tired

2090
01:38:29,040 --> 01:38:29,360
Speaker 1: of these.

2091
01:38:29,439 --> 01:38:37,080
Speaker 2: It's incomplete. That's Doc three, Luke, we all.

2092
01:38:36,960 --> 01:38:38,599
Speaker 1: Want and got that one's over all right?

2093
01:38:38,680 --> 01:38:42,040
Speaker 7: Just roll into four because I go to Miami and

2094
01:38:42,320 --> 01:38:45,360
Speaker 7: just let this thirty seconds left of what's going on?

2095
01:38:45,560 --> 01:38:48,160
Speaker 2: All right? I want shot, but I will just rolla

2096
01:38:48,600 --> 01:38:51,840
Speaker 2: I want I want your hat, I got your hat,

2097
01:38:51,880 --> 01:38:54,720
Speaker 2: all right. I want all that ship in Miami. I

2098
01:38:54,960 --> 01:38:57,360
Speaker 2: want to take our talents to South Beach.

2099
01:38:57,439 --> 01:38:57,679
Speaker 1: Okay.

2100
01:38:57,960 --> 01:39:01,320
Speaker 2: I want MK and Miami okay. And you want a

2101
01:39:01,320 --> 01:39:04,360
Speaker 2: ship show for Doc four? You think the unfinished DOC

2102
01:39:04,439 --> 01:39:08,080
Speaker 2: three was abrasive and abstract and experimental. Doc four we

2103
01:39:08,160 --> 01:39:10,479
Speaker 2: take the clothes off, all right, we go to the beach, baby,

2104
01:39:10,560 --> 01:39:14,560
Speaker 2: we find out what's really of all right? Here we

2105
01:39:14,680 --> 01:39:17,080
Speaker 2: go what year's DOC four? Along album? We should just

2106
01:39:17,160 --> 01:39:17,839
Speaker 2: go to Miami.

2107
01:39:18,479 --> 01:39:22,080
Speaker 1: This is August of twenty twenty one. It came out

2108
01:39:22,080 --> 01:39:22,479
Speaker 1: in August.

2109
01:39:23,280 --> 01:39:25,080
Speaker 2: It's a lot of docks in a short amount of time.

2110
01:39:26,640 --> 01:39:32,560
Speaker 1: They put us in a sick hotel, the Aventura No A.

2111
01:39:34,320 --> 01:39:35,640
Speaker 1: Was this that they just showed it? What was it

2112
01:39:35,720 --> 01:39:36,600
Speaker 1: called to J. W.

2113
01:39:36,800 --> 01:39:39,960
Speaker 2: Turnberry Barry, Yeah, a lot of things to think about

2114
01:39:40,000 --> 01:39:42,560
Speaker 2: in this doc I think this is the dock that

2115
01:39:42,680 --> 01:39:45,840
Speaker 2: took us to the future, to the next level. This

2116
01:39:46,000 --> 01:39:47,759
Speaker 2: set up the best ones that would.

2117
01:39:47,560 --> 01:39:50,840
Speaker 6: Falling of the end, the beginning of the final run.

2118
01:39:51,240 --> 01:39:57,120
Speaker 1: Dude, this was the showtime budget during this was insane, incomprehensible.

2119
01:39:58,160 --> 01:40:00,439
Speaker 2: So somebody came up with the idea of the Rasachi

2120
01:40:00,560 --> 01:40:03,560
Speaker 2: robes the VERSACEI mansion. Those robes were seven hundred and

2121
01:40:03,560 --> 01:40:04,960
Speaker 2: fifty dollars each, Luke, and they're.

2122
01:40:04,760 --> 01:40:06,439
Speaker 1: Like yeah, no, no, no, no, no, they were more

2123
01:40:06,479 --> 01:40:09,000
Speaker 1: than that. They were they were almost thirteen hundred each.

2124
01:40:09,600 --> 01:40:12,320
Speaker 1: Are you sure? I'm one hundred percent positive. I looked

2125
01:40:12,320 --> 01:40:16,599
Speaker 1: it up and they let they just let us walk

2126
01:40:16,640 --> 01:40:20,400
Speaker 1: out with him and yeah, see even Snyder said he

2127
01:40:20,479 --> 01:40:23,080
Speaker 1: thinks there were one k b each. Back then, Wow,

2128
01:40:23,320 --> 01:40:26,000
Speaker 1: what the showtip was just like throw it on the car.

2129
01:40:29,920 --> 01:40:32,240
Speaker 2: Look, what do you as about Doc four anything?

2130
01:40:32,479 --> 01:40:36,200
Speaker 1: So this was the first time I think we really

2131
01:40:36,280 --> 01:40:38,360
Speaker 1: had fun on the road, like in a sustained way.

2132
01:40:38,840 --> 01:40:41,120
Speaker 1: Yeah you're going. And we didn't care about the fight

2133
01:40:41,160 --> 01:40:42,479
Speaker 1: because it was a stupid ass may with a fight.

2134
01:40:42,520 --> 01:40:44,479
Speaker 1: But we got to do this thing at the Versace mansion.

2135
01:40:45,640 --> 01:40:48,200
Speaker 1: I'll just be honest, I thought to myself quite foolishly

2136
01:40:48,280 --> 01:40:50,000
Speaker 1: now looking back on and I was like, wow, man,

2137
01:40:50,000 --> 01:40:53,280
Speaker 1: we really graduated something after but it turned out I've

2138
01:40:53,320 --> 01:40:56,680
Speaker 1: turned back into a pumpkin sense then. Nevertheless, this was

2139
01:40:56,800 --> 01:41:00,280
Speaker 1: just a lot of frivolity in a good way, you know,

2140
01:41:01,040 --> 01:41:05,040
Speaker 1: sure clean, making cheese, getting my dick sucked.

2141
01:41:06,560 --> 01:41:11,200
Speaker 6: We are in greater Miami. The deadbeat poets the philosophers used.

2142
01:41:11,040 --> 01:41:15,760
Speaker 2: To say when in God, those sunglasses don't fit my face.

2143
01:41:16,080 --> 01:41:19,439
Speaker 1: No they don't. Those are two keys. Those were my kids.

2144
01:41:19,439 --> 01:41:20,760
Speaker 2: I think I grabbed them on the way up.

2145
01:41:21,080 --> 01:41:27,720
Speaker 5: That was the dirtiest car I'd ever seen, and it

2146
01:41:27,840 --> 01:41:30,280
Speaker 5: was hot. It was hot at this mansion, but they

2147
01:41:30,320 --> 01:41:32,759
Speaker 5: had a fan over us and the and the robes

2148
01:41:32,880 --> 01:41:33,519
Speaker 5: kind of worked.

2149
01:41:35,560 --> 01:41:37,400
Speaker 2: It was so hot in those robes. Dude, We're so

2150
01:41:37,520 --> 01:41:39,559
Speaker 2: dumb for not putting shorts a T shirt on, already

2151
01:41:40,000 --> 01:41:41,280
Speaker 2: sliding right into.

2152
01:41:41,120 --> 01:41:43,120
Speaker 6: What Miami is and what it offers.

2153
01:41:44,360 --> 01:41:47,160
Speaker 1: The smoke. There's logan, Paul, there's Mayweather. Oh this is

2154
01:41:47,240 --> 01:41:48,839
Speaker 1: where you challenged Mayweather.

2155
01:41:49,600 --> 01:41:52,240
Speaker 2: Yeah, for the sake of the art, the sweat at

2156
01:41:52,280 --> 01:41:54,439
Speaker 2: all for the city. By the way, I think that's

2157
01:41:54,439 --> 01:41:57,160
Speaker 2: our most watched clip to this day, Mayweather sending me

2158
01:41:57,240 --> 01:41:57,479
Speaker 2: to help.

2159
01:41:59,160 --> 01:42:01,200
Speaker 1: Well maybe, but I thought was where he said fight

2160
01:42:01,320 --> 01:42:05,320
Speaker 1: McGregor again. He's easy work. And the headline on the

2161
01:42:05,439 --> 01:42:08,280
Speaker 1: on the on the video was like Mayweather calls for

2162
01:42:08,439 --> 01:42:09,680
Speaker 1: McGregor rematch.

2163
01:42:09,560 --> 01:42:10,240
Speaker 4: Got it, got it.

2164
01:42:18,960 --> 01:42:22,439
Speaker 1: Live from the mansion. Dude, we would thrive in these

2165
01:42:22,479 --> 01:42:25,920
Speaker 1: setups due Paul media availability.

2166
01:42:26,160 --> 01:42:28,680
Speaker 6: They want to put me in a ver man Right.

2167
01:42:30,400 --> 01:42:31,800
Speaker 5: I'm just gonna be honest with you. I don't think

2168
01:42:31,880 --> 01:42:33,800
Speaker 5: I'll ever get a chance to do anything like this

2169
01:42:33,960 --> 01:42:38,519
Speaker 5: ever again, right, not unless you believe, don't I don't believe.

2170
01:42:39,840 --> 01:42:45,599
Speaker 2: Well that solves that. Yeah, Okay, Ryan, a little John

2171
01:42:45,640 --> 01:42:46,479
Speaker 2: Lennon vibe coming off.

2172
01:42:46,960 --> 01:42:48,960
Speaker 1: But you know what, shouts to Bed for letting us

2173
01:42:49,040 --> 01:42:50,280
Speaker 1: do cool ass ship.

2174
01:42:50,800 --> 01:42:52,759
Speaker 2: Yeah, because this was pretty It was pretty awesome.

2175
01:42:53,120 --> 01:42:55,040
Speaker 1: This was fun, man like happy.

2176
01:42:56,080 --> 01:42:56,240
Speaker 2: Yeah.

2177
01:42:56,280 --> 01:42:57,760
Speaker 1: See, I remember being happier about this.

2178
01:42:58,160 --> 01:43:00,320
Speaker 2: Yeah, you remember you you said straight up you gonna

2179
01:43:00,320 --> 01:43:01,880
Speaker 2: You're gonna play, You're gonna do it, You're gonna.

2180
01:43:01,960 --> 01:43:04,559
Speaker 1: Oh this where Jared Hurt didn't even recognize my fucking tattoo.

2181
01:43:04,600 --> 01:43:08,519
Speaker 1: I was so pissed he doesn't even recognize it. I

2182
01:43:08,640 --> 01:43:10,439
Speaker 1: was like, dude, how the fuck do you not know this?

2183
01:43:13,880 --> 01:43:17,960
Speaker 1: I'm already on the merchant a heart. Yeah, that was

2184
01:43:18,080 --> 01:43:22,519
Speaker 1: that was truth. Yes, he thought was like, it's the

2185
01:43:22,600 --> 01:43:24,400
Speaker 1: Maryland flag. I'm like, no, the fuck is it? And

2186
01:43:24,479 --> 01:43:25,439
Speaker 1: this is over? How about that?

2187
01:43:26,240 --> 01:43:28,720
Speaker 6: Miami as hot as balls hot?

2188
01:43:29,200 --> 01:43:32,559
Speaker 1: It was hot. I think we've reached like the Runners high.

2189
01:43:32,439 --> 01:43:34,880
Speaker 2: Where it just it really was the most amount of

2190
01:43:34,960 --> 01:43:37,920
Speaker 2: sweat I've had a non athletic situation in my life's

2191
01:43:37,920 --> 01:43:39,120
Speaker 2: systory and viewers.

2192
01:43:38,840 --> 01:43:41,120
Speaker 6: On YouTube can't be wrong, and I think we hit

2193
01:43:41,160 --> 01:43:41,880
Speaker 6: a home run.

2194
01:43:42,400 --> 01:43:44,360
Speaker 2: Versace Robes at the Versace Mansion.

2195
01:43:46,040 --> 01:43:48,960
Speaker 6: You have to ask yourself, did the unfortunate turn though

2196
01:43:49,000 --> 01:43:50,439
Speaker 6: with Mayweather? Is that a negative?

2197
01:43:50,800 --> 01:43:51,439
Speaker 1: Can? I be honest?

2198
01:43:51,520 --> 01:43:54,120
Speaker 5: Like more than regular MK shows, maybe doing ship like

2199
01:43:54,160 --> 01:43:58,080
Speaker 5: this was my favorite thing because it was hard, but

2200
01:43:58,160 --> 01:43:59,760
Speaker 5: once you were done, you were done, And you know

2201
01:43:59,760 --> 01:44:01,040
Speaker 5: what I mean, Like, I don't know there was.

2202
01:44:02,240 --> 01:44:04,719
Speaker 1: It felt like a completion of of a moment.

2203
01:44:05,680 --> 01:44:07,519
Speaker 2: I love that we didn't we never knew who was

2204
01:44:07,560 --> 01:44:08,640
Speaker 2: coming next, you know.

2205
01:44:08,760 --> 01:44:10,400
Speaker 1: Like they would tell us in your ear and then

2206
01:44:10,520 --> 01:44:11,240
Speaker 1: just change it. Yeah.

2207
01:44:12,320 --> 01:44:12,720
Speaker 7: So I.

2208
01:44:19,600 --> 01:44:22,360
Speaker 1: Was carrying a dumb and dumber interview.

2209
01:44:22,080 --> 01:44:23,600
Speaker 6: And I think we all win because of that.

2210
01:44:25,320 --> 01:44:28,559
Speaker 1: Yeah, give me another, John Courtney.

2211
01:44:28,560 --> 01:44:30,479
Speaker 2: I want to see way Paul Williams against you. But

2212
01:44:30,520 --> 01:44:32,160
Speaker 2: you can't have it all. Okay, you can't have it all.

2213
01:44:33,000 --> 01:44:36,000
Speaker 6: It could have happened hot foot Josh Thompson's style.

2214
01:44:36,960 --> 01:44:39,360
Speaker 1: Mostly, I didn't jump in there because I didn't know

2215
01:44:39,479 --> 01:44:40,880
Speaker 1: how to argue either position.

2216
01:44:43,000 --> 01:44:45,920
Speaker 2: I mean, like I ultimately was was complimenting him, but

2217
01:44:46,000 --> 01:44:47,760
Speaker 2: I knew he would take the bait of thinking I

2218
01:44:47,920 --> 01:44:49,120
Speaker 2: was criticizing his resume.

2219
01:44:49,479 --> 01:44:51,760
Speaker 1: The truth is BC like I didn't know enough about

2220
01:44:51,880 --> 01:44:52,599
Speaker 1: Mayweather's career.

2221
01:44:52,640 --> 01:44:54,160
Speaker 5: I mean, I'd covered parts of me with his career,

2222
01:44:54,240 --> 01:44:56,880
Speaker 5: but the part you were kind of describing was a

2223
01:44:56,960 --> 01:44:58,080
Speaker 5: little before my time.

2224
01:44:58,640 --> 01:45:04,840
Speaker 1: Yeah. Yeah, this was a great resort, dude. This was

2225
01:45:05,680 --> 01:45:10,760
Speaker 1: one of the best trips we ever took. What the

2226
01:45:10,880 --> 01:45:11,599
Speaker 1: fuck are you doing?

2227
01:45:12,040 --> 01:45:13,000
Speaker 6: We got to pull something out of there.

2228
01:45:13,040 --> 01:45:15,280
Speaker 2: It's like part of the dock, right, have I completely

2229
01:45:15,360 --> 01:45:19,000
Speaker 2: sold out the documentary, you know, living footage of us

2230
01:45:19,080 --> 01:45:20,320
Speaker 2: in mid sellout.

2231
01:45:21,680 --> 01:45:23,479
Speaker 6: Getting less fat by the docks.

2232
01:45:23,560 --> 01:45:27,720
Speaker 1: Yes, I noticed that mean not so much, although I

2233
01:45:27,800 --> 01:45:29,640
Speaker 1: was lifting weights a lot by this point. I think

2234
01:45:30,640 --> 01:45:32,920
Speaker 1: Brian Day, Yeah, there's there's the guy that has made

2235
01:45:33,000 --> 01:45:37,160
Speaker 1: all of MK possible. That's the guy. That's him, That's

2236
01:45:37,200 --> 01:45:39,680
Speaker 1: the man. This is great, you know.

2237
01:45:39,880 --> 01:45:41,920
Speaker 6: You know I still didn't finish Godfather. I think it's

2238
01:45:41,920 --> 01:45:42,880
Speaker 6: the only time he was in the dog.

2239
01:45:43,600 --> 01:45:47,040
Speaker 2: That's always the ring and uh, you know, talk about

2240
01:45:47,040 --> 01:45:47,360
Speaker 2: the future.

2241
01:45:47,360 --> 01:45:48,280
Speaker 6: Hopefully no one gets whack.

2242
01:45:48,280 --> 01:45:48,840
Speaker 1: I'm like your.

2243
01:45:48,800 --> 01:45:52,160
Speaker 6: Idea of bibbs for the kids, like tang morning.

2244
01:45:51,960 --> 01:45:52,720
Speaker 1: Combat is all right.

2245
01:45:52,720 --> 01:45:55,680
Speaker 2: There is a scandal associated with this dock that we

2246
01:45:55,800 --> 01:45:58,920
Speaker 2: filmed a lot of Jay footage of him like playing

2247
01:45:58,960 --> 01:46:02,479
Speaker 2: the piano, and because Jay was really pushing his videos

2248
01:46:02,520 --> 01:46:07,320
Speaker 2: at this time, and then Jake mysteriously lost all the Jake,

2249
01:46:07,560 --> 01:46:09,519
Speaker 2: all the Jay Aaron footage when it came time to

2250
01:46:09,560 --> 01:46:12,240
Speaker 2: put the doc together. You remember this, all right, let's see.

2251
01:46:16,479 --> 01:46:18,800
Speaker 2: You know, I don't know where opiately it leaves, you know,

2252
01:46:18,960 --> 01:46:21,000
Speaker 2: so I gotta once again, we didn't know he was

2253
01:46:21,000 --> 01:46:23,639
Speaker 2: going to be working on this, showed up it seems

2254
01:46:23,640 --> 01:46:25,960
Speaker 2: like I do. We have to make a hear and

2255
01:46:26,160 --> 01:46:28,000
Speaker 2: you have to subpoenat you to find out what's going on.

2256
01:46:28,200 --> 01:46:29,120
Speaker 6: It was Jake back this week.

2257
01:46:29,120 --> 01:46:31,679
Speaker 2: We're gonna I don't even know the script.

2258
01:46:31,760 --> 01:46:34,040
Speaker 6: Yeah, you just give us one of these.

2259
01:46:38,720 --> 01:46:40,360
Speaker 2: Pennington ja out today.

2260
01:46:40,479 --> 01:46:45,479
Speaker 1: Check it out? Oh fuck you. All the places nobody

2261
01:46:45,520 --> 01:46:50,719
Speaker 1: wants to hear that ship. There's our There's Intrepid Mikey.

2262
01:46:51,120 --> 01:46:52,479
Speaker 2: Yeah, Mikey. We love Mikey.

2263
01:46:52,640 --> 01:46:54,920
Speaker 6: This new Pennington James video.

2264
01:46:55,120 --> 01:46:57,519
Speaker 1: I mean see you would indulge him with this ship,

2265
01:46:57,600 --> 01:46:57,800
Speaker 1: not me.

2266
01:46:58,479 --> 01:47:06,360
Speaker 2: Yes, Wow, you are salty when you came into this restaurant, Luke,

2267
01:47:06,400 --> 01:47:09,040
Speaker 2: you were angry. Luke's hartmenting with.

2268
01:47:09,120 --> 01:47:10,040
Speaker 1: His art in a weird way.

2269
01:47:10,120 --> 01:47:12,400
Speaker 6: And it goes way deeper than the pink panther pants.

2270
01:47:12,880 --> 01:47:13,720
Speaker 1: Let me move a little bit.

2271
01:47:14,360 --> 01:47:16,560
Speaker 6: So this represents like Miami's.

2272
01:47:16,720 --> 01:47:19,360
Speaker 1: Oh this guy had insane tattoos. I remember this now

2273
01:47:19,439 --> 01:47:20,280
Speaker 1: Docs two and three.

2274
01:47:20,360 --> 01:47:23,000
Speaker 6: Did he lament the lack of FaceTime?

2275
01:47:25,640 --> 01:47:30,120
Speaker 1: I didn't care at all. I never thought twice about it.

2276
01:47:31,640 --> 01:47:32,400
Speaker 1: I don't care if he lives.

2277
01:47:32,439 --> 01:47:32,840
Speaker 4: He does.

2278
01:47:35,720 --> 01:47:39,080
Speaker 6: He's trying to, you know, really, he's trying to.

2279
01:47:39,120 --> 01:47:40,600
Speaker 1: You know, we can is he is?

2280
01:47:40,640 --> 01:47:43,440
Speaker 6: He the Simon Cowell of tattoo critiques.

2281
01:47:43,479 --> 01:47:48,360
Speaker 1: Maybe look at this Baffoon's tattoo cartoon character.

2282
01:47:48,479 --> 01:47:54,320
Speaker 2: That's Jake from Impovers Country on your Leg's nothing more

2283
01:47:54,640 --> 01:47:56,000
Speaker 2: regretful in life.

2284
01:47:56,680 --> 01:47:59,000
Speaker 1: That's a better that's a better joke than you realize.

2285
01:47:59,160 --> 01:48:01,120
Speaker 6: Spoiled left because you forgot to put them in.

2286
01:48:01,200 --> 01:48:03,559
Speaker 2: Look have you worn the pink panther pants again?

2287
01:48:03,880 --> 01:48:08,559
Speaker 1: That's no, because they're too big now. But yes, they're

2288
01:48:08,600 --> 01:48:09,680
Speaker 1: too big. I donated them.

2289
01:48:13,640 --> 01:48:14,120
Speaker 6: Where were we?

2290
01:48:19,280 --> 01:48:20,240
Speaker 2: Mart, Turnberry?

2291
01:48:20,280 --> 01:48:24,519
Speaker 1: What a place that's that? Hotel was so nice Friday morning.

2292
01:48:24,560 --> 01:48:27,639
Speaker 6: I got an interesting opportunity, they said, one BC Autu.

2293
01:48:27,960 --> 01:48:31,120
Speaker 1: That's right. You were hosting the presser, right, yeah, the

2294
01:48:31,200 --> 01:48:32,759
Speaker 1: undercard press, the undercard pressure.

2295
01:48:32,760 --> 01:48:36,240
Speaker 2: That's right, all right, undercard press conference about to start.

2296
01:48:36,280 --> 01:48:37,280
Speaker 2: Oh we got some big names.

2297
01:48:37,320 --> 01:48:37,559
Speaker 1: Okay.

2298
01:48:38,040 --> 01:48:40,160
Speaker 6: Uh, these are the people supporting Floyd and Logan.

2299
01:48:40,200 --> 01:48:42,040
Speaker 2: You want, By the way, that's a haircut I gave myself,

2300
01:48:42,160 --> 01:48:45,040
Speaker 2: not a good Fade, not a good Johnson. You want

2301
01:48:45,080 --> 01:48:47,800
Speaker 2: Ocho himself number eighty five in your score book.

2302
01:48:48,080 --> 01:48:53,080
Speaker 5: You see there's a Colombian fashion store called Ocho Cinco,

2303
01:48:53,960 --> 01:48:55,439
Speaker 5: which of course is not eighty five.

2304
01:48:55,600 --> 01:48:59,120
Speaker 1: That's eight five. Yeah, but there is one here called that.

2305
01:49:00,000 --> 01:49:01,639
Speaker 1: I took a picture of it the under.

2306
01:49:03,160 --> 01:49:07,519
Speaker 6: For Mewether Paul putting on the big boy clothes and

2307
01:49:07,760 --> 01:49:09,479
Speaker 6: you know, hide the rash the best we can.

2308
01:49:09,720 --> 01:49:11,080
Speaker 1: Yeah, dude, what's up with that haircut?

2309
01:49:12,439 --> 01:49:12,679
Speaker 4: Yeah?

2310
01:49:13,000 --> 01:49:15,240
Speaker 2: It was, It wasn't good. Then I got that rash,

2311
01:49:15,880 --> 01:49:18,360
Speaker 2: that poison ivy rash from weed whack in right before

2312
01:49:18,360 --> 01:49:18,880
Speaker 2: I left there.

2313
01:49:20,000 --> 01:49:23,320
Speaker 6: Yeah, poison ivy because I did weed whack for ninety

2314
01:49:23,400 --> 01:49:24,519
Speaker 6: minutes before I got on the plane.

2315
01:49:24,520 --> 01:49:25,280
Speaker 1: You look like ship.

2316
01:49:26,000 --> 01:49:26,760
Speaker 2: Yeah, that's true.

2317
01:49:26,800 --> 01:49:27,439
Speaker 1: That's true.

2318
01:49:27,479 --> 01:49:28,920
Speaker 6: There's poison ivy there. You're gonna get it. You know

2319
01:49:28,920 --> 01:49:31,120
Speaker 6: you're gonna you'll shoot your eye out right. I did

2320
01:49:31,200 --> 01:49:32,599
Speaker 6: get a prescription of pregnant zone.

2321
01:49:32,600 --> 01:49:33,280
Speaker 1: It's a steroid.

2322
01:49:33,400 --> 01:49:34,799
Speaker 6: It's an emotional hand grenade.

2323
01:49:35,000 --> 01:49:37,280
Speaker 1: When I when I, oh, you got the steroid, you

2324
01:49:37,320 --> 01:49:38,120
Speaker 1: got the pregnant zone.

2325
01:49:38,240 --> 01:49:41,440
Speaker 2: Yep, but it made it really messes with me emotionally.

2326
01:49:43,080 --> 01:49:44,880
Speaker 2: I just used it to fuel the dock.

2327
01:49:45,000 --> 01:49:45,200
Speaker 1: Really.

2328
01:49:45,320 --> 01:49:47,160
Speaker 2: You know, he's well known. He's number eighty five in

2329
01:49:47,240 --> 01:49:50,400
Speaker 2: your score books, number one in your heart though. Sweet

2330
01:49:50,439 --> 01:49:56,880
Speaker 2: feet himself, Chad Johnson, Ocho Cinco great success. People are

2331
01:49:57,360 --> 01:49:59,200
Speaker 2: tuning in to if you catch that fade or you're

2332
01:49:59,240 --> 01:49:59,559
Speaker 2: the one.

2333
01:49:59,479 --> 01:50:01,760
Speaker 1: That opt him one time walking we were like, we

2334
01:50:01,840 --> 01:50:05,800
Speaker 1: were like Chad ole just Sinko was friendly that times.

2335
01:50:05,600 --> 01:50:09,080
Speaker 2: You know, yeah, sending out the questions, fielding the answers,

2336
01:50:09,200 --> 01:50:11,479
Speaker 2: keeping it moving. But dude, these weekends were great.

2337
01:50:11,560 --> 01:50:15,000
Speaker 1: Man. We are the best fucking work days of my life.

2338
01:50:15,320 --> 01:50:15,519
Speaker 4: Yeah.

2339
01:50:16,120 --> 01:50:17,880
Speaker 2: They worked our face off.

2340
01:50:18,240 --> 01:50:20,240
Speaker 1: Yeah yeah, who cares? Who cares?

2341
01:50:23,040 --> 01:50:25,439
Speaker 2: That's a real bad home fade. I gave good Lord

2342
01:50:25,560 --> 01:50:26,280
Speaker 2: at the end of the day.

2343
01:50:27,680 --> 01:50:27,960
Speaker 1: Money.

2344
01:50:29,040 --> 01:50:32,320
Speaker 5: My man's got that flow by nineteen ninety seven, vibe going, Yeah,

2345
01:50:32,360 --> 01:50:33,599
Speaker 5: I think I think.

2346
01:50:33,479 --> 01:50:35,960
Speaker 2: I got fatter of this dock. Actually here, maybe I'm

2347
01:50:35,960 --> 01:50:37,599
Speaker 2: still coming down from my peak.

2348
01:50:38,000 --> 01:50:39,880
Speaker 5: I think you wore definitely coming downloaded by this point.

2349
01:50:44,080 --> 01:50:48,719
Speaker 5: Is this the thing we did that launched your career

2350
01:50:49,040 --> 01:50:50,800
Speaker 5: on the Fighter and the Kids sub reddit?

2351
01:50:52,040 --> 01:50:53,679
Speaker 2: It did coincide that weekend?

2352
01:50:53,760 --> 01:50:57,000
Speaker 1: Yes, tell them what you did to introduce Chad Johnson.

2353
01:50:57,040 --> 01:50:58,880
Speaker 2: How it was also hot as ship in that room

2354
01:50:58,960 --> 01:51:00,439
Speaker 2: and he was standing sitting next to me. I was

2355
01:51:00,479 --> 01:51:01,920
Speaker 2: at the podium, and it was a lead into the

2356
01:51:02,000 --> 01:51:03,880
Speaker 2: next question, and I just basically said, you know, for

2357
01:51:04,000 --> 01:51:07,360
Speaker 2: a guy who's known for for catching passes for a living,

2358
01:51:07,400 --> 01:51:09,960
Speaker 2: we're gonna find out whether uh he's gonna catch that

2359
01:51:10,040 --> 01:51:13,280
Speaker 2: fade on today or he's gonna be the one delivering it.

2360
01:51:13,400 --> 01:51:16,519
Speaker 1: And uh, you know, okay, BC will go for ship

2361
01:51:16,640 --> 01:51:17,920
Speaker 1: like that, and that was one of the things I

2362
01:51:18,040 --> 01:51:21,679
Speaker 1: love with value. You will say some out of pocket

2363
01:51:21,720 --> 01:51:24,040
Speaker 1: ship like that, huge real Madrid fan and I know

2364
01:51:24,160 --> 01:51:25,400
Speaker 1: you are you know anything for the brand.

2365
01:51:26,520 --> 01:51:29,200
Speaker 2: I'm I'm more of a Napoli fan, but was a

2366
01:51:29,320 --> 01:51:31,439
Speaker 2: fan of Christian who was there because we were Yeah,

2367
01:51:31,520 --> 01:51:33,519
Speaker 2: bandwagon jumper Johnny is.

2368
01:51:33,560 --> 01:51:35,880
Speaker 1: Luke, you are a Oh I am from Washington, d C.

2369
01:51:36,040 --> 01:51:38,040
Speaker 1: But I whether I love it, I love it. But

2370
01:51:38,160 --> 01:51:40,439
Speaker 1: I went to Uh, I went to college in Virginia.

2371
01:51:40,479 --> 01:51:43,559
Speaker 1: Where in Virginia are you from, sir? I'm from Frankon County,

2372
01:51:43,640 --> 01:51:47,719
Speaker 1: Virginia aka the moontime capital. But you know I reside.

2373
01:51:48,000 --> 01:51:50,080
Speaker 1: Do you know that as the moon track capp Well,

2374
01:51:50,120 --> 01:51:52,760
Speaker 1: I didn't hear what place. He said. The trash talk

2375
01:51:52,840 --> 01:51:54,000
Speaker 1: between them insane.

2376
01:51:54,520 --> 01:51:56,120
Speaker 2: He's gotten good. It's got me fired up coming like

2377
01:51:56,320 --> 01:51:57,720
Speaker 2: I'm a little itchy, like I have a rash, like

2378
01:51:57,760 --> 01:51:58,920
Speaker 2: I have poison ivy on my neck.

2379
01:51:58,960 --> 01:52:00,800
Speaker 1: It's like you do have and ivy on your neck?

2380
01:52:06,040 --> 01:52:11,360
Speaker 1: Oh yeah, there's bd is there too.

2381
01:52:13,000 --> 01:52:14,599
Speaker 6: This is when Shop was still a showtime.

2382
01:52:14,640 --> 01:52:16,519
Speaker 1: You can say, that's right.

2383
01:52:19,800 --> 01:52:21,639
Speaker 2: Look at Mikey trying to push him into the shop.

2384
01:52:22,040 --> 01:52:25,080
Speaker 1: This is the moment that apparently I didn't know this

2385
01:52:25,240 --> 01:52:28,320
Speaker 1: until much later after the fact. What was the micy thing?

2386
01:52:28,400 --> 01:52:30,320
Speaker 1: Why was Mikey's trying to push him out?

2387
01:52:30,439 --> 01:52:32,320
Speaker 2: You're trying to push him with shop weigh too much.

2388
01:52:32,479 --> 01:52:33,800
Speaker 2: So I've just got up and walked in.

2389
01:52:34,360 --> 01:52:36,439
Speaker 1: I thought was sensational, and I told you as much.

2390
01:52:36,800 --> 01:52:38,840
Speaker 5: Oh, because he's put out those workout videos where some

2391
01:52:38,960 --> 01:52:40,360
Speaker 5: of them were good and some of them were a

2392
01:52:40,400 --> 01:52:40,920
Speaker 5: little champion.

2393
01:52:41,880 --> 01:52:42,639
Speaker 1: So he's a big star.

2394
01:52:42,840 --> 01:52:44,360
Speaker 6: I'm not joking what I said on the air. We

2395
01:52:44,720 --> 01:52:46,479
Speaker 6: he's got the level of a brand in terms of

2396
01:52:46,600 --> 01:52:47,920
Speaker 6: followers and name.

2397
01:52:48,160 --> 01:52:50,760
Speaker 2: It's true, dream about it, morning combat, but you know,

2398
01:52:50,800 --> 01:52:52,840
Speaker 2: above the yard and being critically successful.

2399
01:52:53,240 --> 01:52:54,880
Speaker 5: Don't put me in these fucking director chairs, and I

2400
01:52:54,920 --> 01:52:57,360
Speaker 5: won't look like a goddamn polar bear riding a tricycle

2401
01:52:57,400 --> 01:52:57,640
Speaker 5: for far.

2402
01:52:57,720 --> 01:52:59,679
Speaker 2: There was a lot of chat online about your pink pants.

2403
01:53:00,120 --> 01:53:00,680
Speaker 2: What you want, man?

2404
01:53:02,040 --> 01:53:03,519
Speaker 6: So I looked at brand of the guy I respect.

2405
01:53:03,960 --> 01:53:07,400
Speaker 2: I'm just dunking on you, but I looked at it as.

2406
01:53:07,800 --> 01:53:09,920
Speaker 6: I respect your materials so much I want to use

2407
01:53:09,960 --> 01:53:10,280
Speaker 6: it on you.

2408
01:53:11,080 --> 01:53:13,479
Speaker 2: This guy he pays for That's that's some good ship

2409
01:53:13,680 --> 01:53:15,880
Speaker 2: right there. You think Brendan Slade more as a Division

2410
01:53:15,920 --> 01:53:18,880
Speaker 2: one college football player or a UFC fighter, Which one

2411
01:53:19,000 --> 01:53:19,880
Speaker 2: makes you want to ship more?

2412
01:53:20,080 --> 01:53:20,679
Speaker 1: It was the difference.

2413
01:53:22,040 --> 01:53:25,880
Speaker 2: This was a long time coming to them against each other.

2414
01:53:25,920 --> 01:53:28,000
Speaker 2: And just see what kind of sparks and magic.

2415
01:53:27,760 --> 01:53:32,000
Speaker 1: I'm hard tomorrow to so folks know it'll be this trio,

2416
01:53:33,280 --> 01:53:33,920
Speaker 1: the hard rock.

2417
01:53:34,040 --> 01:53:35,240
Speaker 2: We got to reunite that trio.

2418
01:53:35,680 --> 01:53:37,559
Speaker 1: I mean, that's just I don't think that's happening.

2419
01:53:37,640 --> 01:53:39,280
Speaker 2: Bro's talent on talent.

2420
01:53:39,880 --> 01:53:44,040
Speaker 1: This is where I called it the basketball Yes, yes,

2421
01:53:44,160 --> 01:53:47,559
Speaker 1: it was this the one. Yes, what's the question?

2422
01:53:48,760 --> 01:53:50,320
Speaker 2: And this is where Snyder and I came up with

2423
01:53:50,439 --> 01:53:53,840
Speaker 2: the storyline that I could justify all those jokes to

2424
01:53:53,960 --> 01:53:57,080
Speaker 2: shop because I was jealous that he was entering our

2425
01:53:57,160 --> 01:54:00,639
Speaker 2: marriage and you were having you were being too by buddy.

2426
01:54:00,439 --> 01:54:02,040
Speaker 6: Was actually I don't get it. I don't so I

2427
01:54:02,160 --> 01:54:07,760
Speaker 6: was really executed. Goes to show you the man of

2428
01:54:07,840 --> 01:54:08,920
Speaker 6: all time, the ones.

2429
01:54:08,760 --> 01:54:11,200
Speaker 2: That are on top of the billboard chart, no, the

2430
01:54:11,320 --> 01:54:14,360
Speaker 2: ones who consistently stick to their brand.

2431
01:54:14,880 --> 01:54:19,160
Speaker 6: And that's why you have to understand, no good. What

2432
01:54:19,680 --> 01:54:22,040
Speaker 6: was the question reveal ducks.

2433
01:54:21,920 --> 01:54:23,760
Speaker 2: That you know we are in this Oh? Yeah, he

2434
01:54:23,800 --> 01:54:24,960
Speaker 2: had his own documentary crew.

2435
01:54:24,960 --> 01:54:25,960
Speaker 1: Remember that it has.

2436
01:54:27,439 --> 01:54:29,519
Speaker 2: Yeah, we thought he copied off of the docks that

2437
01:54:29,600 --> 01:54:31,320
Speaker 2: we were doing, so he started putting out docs on

2438
01:54:31,400 --> 01:54:32,040
Speaker 2: his trips.

2439
01:54:33,120 --> 01:54:35,840
Speaker 1: I don't remember that that suit.

2440
01:54:36,320 --> 01:54:39,240
Speaker 6: It looks nice. You wear that, so long enough, we'll

2441
01:54:39,240 --> 01:54:39,960
Speaker 6: get sweaty in there.

2442
01:54:41,360 --> 01:54:42,080
Speaker 1: You're heat up.

2443
01:54:46,160 --> 01:54:48,400
Speaker 2: Real life, real life.

2444
01:54:48,480 --> 01:54:48,760
Speaker 1: Baby.

2445
01:54:57,200 --> 01:54:59,920
Speaker 2: That was the August That was the Fight Night Man

2446
01:55:00,120 --> 01:55:02,480
Speaker 2: event and I wanted to preview it to end the show,

2447
01:55:02,520 --> 01:55:05,000
Speaker 2: and you were like, really, Augusto Sakai, we're gonna talk

2448
01:55:05,000 --> 01:55:05,600
Speaker 2: about that. Shoot.

2449
01:55:06,840 --> 01:55:10,800
Speaker 11: Luke and Brendan have a dynamic that's different than Luken BC.

2450
01:55:11,440 --> 01:55:14,560
Speaker 11: I'm not jealous of it, but it's something. It's something,

2451
01:55:15,120 --> 01:55:17,200
Speaker 11: there's you know, there's energy there when those two are together.

2452
01:55:17,400 --> 01:55:19,200
Speaker 5: The one thing is to go back look for the video.

2453
01:55:19,240 --> 01:55:21,320
Speaker 5: When you pull the bar, it actually makes the noise.

2454
01:55:21,360 --> 01:55:24,320
Speaker 5: It clanks, that's true. I remember that he just yanks

2455
01:55:24,400 --> 01:55:27,480
Speaker 5: the bar and you have to sit into the bar

2456
01:55:27,840 --> 01:55:30,600
Speaker 5: such that when you stand there's already tension in it.

2457
01:55:30,680 --> 01:55:32,839
Speaker 5: So when you pull on the bar, if it clanks,

2458
01:55:32,880 --> 01:55:35,200
Speaker 5: you don't have appropriate tension before.

2459
01:55:35,000 --> 01:55:37,440
Speaker 1: You pull, you have to pull into the ball.

2460
01:55:37,600 --> 01:55:43,160
Speaker 2: Yes, totally, yes, yeah, his technique was blockbuster. But yeah,

2461
01:55:43,400 --> 01:55:44,640
Speaker 2: but here you go.

2462
01:55:45,720 --> 01:55:47,000
Speaker 6: Who am I when that happens?

2463
01:55:49,040 --> 01:55:49,920
Speaker 1: My insecure? Am I?

2464
01:55:50,040 --> 01:55:51,880
Speaker 6: The am I the third wheel in that group?

2465
01:55:52,320 --> 01:55:53,480
Speaker 2: Look at this method act?

2466
01:55:55,440 --> 01:55:57,960
Speaker 6: Maybe maybe that's not where I belong.

2467
01:55:57,720 --> 01:56:00,760
Speaker 1: To yesterday, we can stop.

2468
01:56:04,480 --> 01:56:04,640
Speaker 4: On me.

2469
01:56:05,240 --> 01:56:07,400
Speaker 1: I guarantee. Here's what just happened. He said a bunch

2470
01:56:07,480 --> 01:56:11,400
Speaker 1: of dumb ship about I'm fucking arding, I'm hoardy morning,

2471
01:56:12,000 --> 01:56:13,720
Speaker 1: and then he goes, look at Luke. He's not being

2472
01:56:13,760 --> 01:56:16,600
Speaker 1: loyal because I'm talking to Brandon. Something just something, irredeemably

2473
01:56:16,720 --> 01:56:17,440
Speaker 1: stupid dude.

2474
01:56:17,480 --> 01:56:19,520
Speaker 2: And I caught him, which is why when I caught him,

2475
01:56:20,600 --> 01:56:22,600
Speaker 2: that played so perfect into the storyline.

2476
01:56:22,920 --> 01:56:24,920
Speaker 6: You were just pissed, but it was perfect.

2477
01:56:24,760 --> 01:56:26,840
Speaker 8: Actually a storyline that the two of you guys are

2478
01:56:27,200 --> 01:56:29,400
Speaker 8: being a bonding and being friends. And then he was

2479
01:56:29,520 --> 01:56:31,440
Speaker 8: left to the side wondering what was going on.

2480
01:56:31,600 --> 01:56:37,880
Speaker 6: He's the storyline. Know this method acting? I call it living.

2481
01:56:37,960 --> 01:56:41,560
Speaker 1: You know, I called his second profight. It's a second

2482
01:56:41,600 --> 01:56:46,640
Speaker 1: prof We should do a oral. That is true. I

2483
01:56:46,720 --> 01:56:48,480
Speaker 1: just call I, he thought.

2484
01:56:48,520 --> 01:56:51,560
Speaker 5: A guy at the Patriot Center on the campus of

2485
01:56:52,520 --> 01:56:55,200
Speaker 5: George Mason University who was a local guy who wrestled

2486
01:56:55,200 --> 01:56:56,800
Speaker 5: there before and was older.

2487
01:56:59,560 --> 01:57:06,520
Speaker 1: Huh the u w C, the old Warriors, what a shot, dude.

2488
01:57:06,520 --> 01:57:08,800
Speaker 1: There was a golf club out the side of your window.

2489
01:57:08,840 --> 01:57:12,920
Speaker 1: I mean this that club? Was that that? There's the

2490
01:57:12,960 --> 01:57:13,360
Speaker 1: hard rock?

2491
01:57:13,480 --> 01:57:17,320
Speaker 2: Yeah, for the This was the longest weekend of our careers.

2492
01:57:17,360 --> 01:57:18,720
Speaker 2: You remember that fight with Sunday Night.

2493
01:57:19,920 --> 01:57:22,000
Speaker 1: Forgot about that. I forgot about that.

2494
01:57:22,480 --> 01:57:24,400
Speaker 2: This is when you put the serious face on it.

2495
01:57:27,560 --> 01:57:33,440
Speaker 1: Oh God, sweating like a whore.

2496
01:57:37,080 --> 01:57:39,760
Speaker 2: Trick Daddy played during You remember that trick Daddy?

2497
01:57:39,800 --> 01:57:41,680
Speaker 1: Who was I mean, if you thought I was fat

2498
01:57:41,760 --> 01:57:45,200
Speaker 1: during this Trick Daddy was so fat platform.

2499
01:57:44,880 --> 01:57:45,960
Speaker 6: And a big opportunity.

2500
01:57:46,000 --> 01:57:48,240
Speaker 1: And we get to, you know, we get to was

2501
01:57:48,280 --> 01:57:50,720
Speaker 1: it my imagination? PC or the weigh ins not full?

2502
01:57:52,160 --> 01:57:54,120
Speaker 2: No, no one really cared to be fair.

2503
01:57:56,400 --> 01:57:59,280
Speaker 1: There he is, there was trick. There's Matt Barnes where

2504
01:57:59,280 --> 01:58:01,440
Speaker 1: I'm saying, you know the basketball.

2505
01:58:01,280 --> 01:58:02,680
Speaker 2: You played the basketball.

2506
01:58:06,240 --> 01:58:08,960
Speaker 1: This editing is sensational, and.

2507
01:58:09,040 --> 01:58:12,080
Speaker 2: Logan can laugh into the cameras on All Access all week.

2508
01:58:12,360 --> 01:58:14,720
Speaker 2: When they face off, it's real, when they throw punches.

2509
01:58:14,440 --> 01:58:15,560
Speaker 6: It's it's real.

2510
01:58:15,960 --> 01:58:18,640
Speaker 1: I think Logan's gotten bigger since then, right.

2511
01:58:18,680 --> 01:58:21,600
Speaker 2: Yeah, yeah, go for for w W life he's got.

2512
01:58:21,840 --> 01:58:23,280
Speaker 1: Yeah, right, I'm gonna get it done.

2513
01:58:23,280 --> 01:58:23,680
Speaker 6: It's a fight.

2514
01:58:23,760 --> 01:58:26,360
Speaker 2: Anything happened, it's not ready, that's all I got. This

2515
01:58:26,440 --> 01:58:26,960
Speaker 2: fight sucked.

2516
01:58:27,400 --> 01:58:29,600
Speaker 5: These guys, these Paul bros. Have been telling the world

2517
01:58:30,280 --> 01:58:32,280
Speaker 5: they're gonna do a bunch of ship that they never do.

2518
01:58:32,440 --> 01:58:33,520
Speaker 5: But they keep getting rich.

2519
01:58:34,040 --> 01:58:35,920
Speaker 2: But respect Champ, best of luck on Sunday.

2520
01:58:37,280 --> 01:58:38,600
Speaker 1: I'm looking forward to nine to eleven.

2521
01:58:44,520 --> 01:58:46,840
Speaker 2: I think I called them BAPA on air tuning in.

2522
01:58:47,080 --> 01:58:49,840
Speaker 1: This has been one hell of a week. We got

2523
01:58:49,880 --> 01:58:53,160
Speaker 1: Trick Daddy. We had Trick Trick Daddy. He didn't play trickle.

2524
01:58:53,200 --> 01:58:54,920
Speaker 1: Love the kids though he didn't, but I felt like,

2525
01:58:55,240 --> 01:58:56,520
Speaker 1: you know, you got to grate them on a curve.

2526
01:58:56,720 --> 01:58:58,720
Speaker 1: It's fine. I got what I was looking for out

2527
01:58:58,720 --> 01:58:59,280
Speaker 1: of Trick Daddy.

2528
01:58:59,280 --> 01:59:00,960
Speaker 2: Don't talk about his fig You're talking about cur You

2529
01:59:00,960 --> 01:59:03,080
Speaker 2: think Shop handed off the baton to us in this event.

2530
01:59:04,200 --> 01:59:06,560
Speaker 1: Yeah, he wasn't trying to stomp I mean, he was

2531
01:59:06,640 --> 01:59:09,520
Speaker 1: not trying to stomp on us during this podcast. Well

2532
01:59:09,680 --> 01:59:11,960
Speaker 1: enough famous people this week, we got to get out

2533
01:59:11,960 --> 01:59:14,120
Speaker 1: of here for Brendon Shop. That's Brian Campbell. I'm Luke Thomas,

2534
01:59:14,160 --> 01:59:15,760
Speaker 1: We thank you guys so much for watching. We'll see

2535
01:59:15,840 --> 01:59:24,960
Speaker 1: you tomorrow at the fights. Oh yeah, hey, what's up man?

2536
01:59:26,800 --> 01:59:28,760
Speaker 2: Any reason why I'm in the m M A media dude?

2537
01:59:28,800 --> 01:59:29,560
Speaker 2: There's Mike Isaac.

2538
01:59:29,600 --> 01:59:30,120
Speaker 6: You know that dude.

2539
01:59:30,760 --> 01:59:34,320
Speaker 1: I know you always Mike, Mike super fan.

2540
01:59:34,360 --> 01:59:35,920
Speaker 4: I kind of say whatever about yourself, and I'm like

2541
01:59:35,920 --> 01:59:37,600
Speaker 4: wrong to tell you a lot of people and mad

2542
01:59:37,680 --> 01:59:38,080
Speaker 4: because of you.

2543
01:59:38,400 --> 01:59:39,960
Speaker 1: And then I got into boxing because of you too,

2544
01:59:40,000 --> 01:59:42,600
Speaker 1: because once I was like, wow, look at that. What

2545
01:59:42,680 --> 01:59:44,640
Speaker 1: a nice guy man breakout.

2546
01:59:46,760 --> 01:59:48,480
Speaker 2: That was a great one liner. I was like, yeah,

2547
01:59:48,520 --> 01:59:50,000
Speaker 2: you got into dick jokes because of me. He was

2548
01:59:50,040 --> 01:59:51,080
Speaker 2: like no, I was already do that.

2549
01:59:51,320 --> 01:59:52,280
Speaker 1: Okay, what is one person?

2550
01:59:58,440 --> 01:59:58,960
Speaker 3: Oh yeah?

2551
02:00:00,040 --> 02:00:02,200
Speaker 2: And then this is the moll met Luke the.

2552
02:00:02,320 --> 02:00:03,480
Speaker 1: More lifted weights together.

2553
02:00:03,880 --> 02:00:06,080
Speaker 2: Yeah, but we had to wait forty five minutes because

2554
02:00:06,120 --> 02:00:09,480
Speaker 2: you took a near hour long shit right when we

2555
02:00:09,520 --> 02:00:11,120
Speaker 2: were supposed to start. Do you not remember this?

2556
02:00:11,680 --> 02:00:17,160
Speaker 1: So you I I would take a dump, and then

2557
02:00:17,200 --> 02:00:18,800
Speaker 1: a second dump, and then a third.

2558
02:00:19,280 --> 02:00:22,400
Speaker 2: After birth, you came back forty five minutes later, as

2559
02:00:22,480 --> 02:00:23,840
Speaker 2: Jake and I were just sitting there waiting.

2560
02:00:26,440 --> 02:00:28,440
Speaker 5: Hell, yeah, bro, this is what two dudes are doing.

2561
02:00:29,240 --> 02:00:31,120
Speaker 5: So I hadn't lost the weight here, but I was

2562
02:00:31,160 --> 02:00:33,360
Speaker 5: definitely more in the gym. I was starting the weight

2563
02:00:33,440 --> 02:00:34,120
Speaker 5: loss process.

2564
02:00:34,200 --> 02:00:38,200
Speaker 2: You know, it may look good now, but you guys

2565
02:00:38,280 --> 02:00:40,200
Speaker 2: don't know. It's we had a pause our workout for

2566
02:00:40,240 --> 02:00:42,240
Speaker 2: forty five minutes and we could go terrible.

2567
02:00:41,960 --> 02:00:42,760
Speaker 6: Porcelain over.

2568
02:00:44,240 --> 02:00:48,440
Speaker 1: Described as an unbelievable ship attack. You have to hinge

2569
02:00:48,520 --> 02:00:50,200
Speaker 1: at the hip. There is a difference.

2570
02:00:51,200 --> 02:00:54,160
Speaker 2: Oh and then you turned into like instructor rather than friends.

2571
02:00:53,960 --> 02:00:55,240
Speaker 1: Because your form is terrible.

2572
02:00:55,720 --> 02:00:56,760
Speaker 2: I don't think it was that bad.

2573
02:00:56,840 --> 02:01:10,600
Speaker 1: You know, he actually never looked like miss labeling. I

2574
02:01:10,680 --> 02:01:13,320
Speaker 1: think that's you know, for a hotel gym, it was

2575
02:01:13,320 --> 02:01:20,800
Speaker 1: pretty nice. Also, I can't wear shoes like that anymore. Yeah,

2576
02:01:20,840 --> 02:01:22,040
Speaker 1: you need toast spacers, Luke.

2577
02:01:22,120 --> 02:01:29,520
Speaker 2: Let's be honest. Coming the main event, Floyd Money, they

2578
02:01:29,600 --> 02:01:32,240
Speaker 2: got a good crowd, but you remember it rained rained.

2579
02:01:32,960 --> 02:01:36,760
Speaker 1: Someone someone cracked my phone that night. Some lady with

2580
02:01:36,880 --> 02:01:39,160
Speaker 1: high heels just stepped right on my phone after it

2581
02:01:39,200 --> 02:01:40,280
Speaker 1: fell out of my pocket.

2582
02:01:41,320 --> 02:01:44,600
Speaker 2: You remember Snyder was showed up drunk to this shot. Yeah,

2583
02:01:44,640 --> 02:01:45,640
Speaker 2: I remember that Snyder.

2584
02:01:45,840 --> 02:01:46,640
Speaker 6: Where we are right now?

2585
02:01:47,320 --> 02:01:49,760
Speaker 1: This I got.

2586
02:01:49,960 --> 02:01:51,760
Speaker 2: I actually was pissed because he didn't give a damn

2587
02:01:51,760 --> 02:01:52,600
Speaker 2: about our coverage.

2588
02:01:53,200 --> 02:01:53,680
Speaker 1: These guys.

2589
02:01:53,720 --> 02:01:54,880
Speaker 5: I don't know if it was this night or the

2590
02:01:55,000 --> 02:01:58,560
Speaker 5: night before, but they all went out partying, uh and

2591
02:01:58,720 --> 02:02:01,080
Speaker 5: clubbing basically till the next morning.

2592
02:02:01,480 --> 02:02:02,760
Speaker 6: Yeah, I interviews.

2593
02:02:02,800 --> 02:02:04,840
Speaker 2: Yeah, him and Mitch Compstein were out there all. Wrap

2594
02:02:04,960 --> 02:02:06,800
Speaker 2: up with my short recap, send it, and then we

2595
02:02:06,840 --> 02:02:07,640
Speaker 2: can go right up here.

2596
02:02:07,720 --> 02:02:11,080
Speaker 6: These guys are gonna have to be already Doc four.

2597
02:02:11,200 --> 02:02:14,560
Speaker 2: We were gonna go to the beach metaphorically, physically literally

2598
02:02:15,040 --> 02:02:20,000
Speaker 2: and and come beare. But wow, what I do know, though,

2599
02:02:20,120 --> 02:02:22,040
Speaker 2: I really wish these could have continued. Look, we got

2600
02:02:22,160 --> 02:02:23,480
Speaker 2: to get that London one before.

2601
02:02:24,040 --> 02:02:24,720
Speaker 6: Is it gonna happen?

2602
02:02:25,200 --> 02:02:25,840
Speaker 1: Right here? Looks good?

2603
02:02:25,920 --> 02:02:27,640
Speaker 6: Right here, looks good? Talk to him if you're like.

2604
02:02:29,120 --> 02:02:31,120
Speaker 1: But maybe I wish I had the kind of career

2605
02:02:31,240 --> 02:02:35,320
Speaker 1: right now where I could like blithely disregardless, you know

2606
02:02:35,360 --> 02:02:35,760
Speaker 1: what I mean.

2607
02:02:41,440 --> 02:02:43,840
Speaker 6: You know, the animals are dangerous when they're hurt.

2608
02:02:44,560 --> 02:02:46,200
Speaker 2: You know, I'm a bit hurt this week being in

2609
02:02:46,280 --> 02:02:48,800
Speaker 2: some of these crossfires that were maybe self induced. But

2610
02:02:48,880 --> 02:02:51,320
Speaker 2: also all right, maybe this was a little master for Turby.

2611
02:02:52,800 --> 02:02:55,480
Speaker 1: Yeah, this is your style much more than it is mine.

2612
02:02:55,480 --> 02:02:57,520
Speaker 1: I hate to inform you of this and what we're after.

2613
02:02:58,920 --> 02:03:00,760
Speaker 2: You know, it's what needed to be done to fill time.

2614
02:03:00,840 --> 02:03:01,840
Speaker 1: To be fair, I agree with that.

2615
02:03:04,000 --> 02:03:05,640
Speaker 2: What an awful fight, you know.

2616
02:03:05,720 --> 02:03:07,800
Speaker 1: I remember about this fight at BC was that Mayweather

2617
02:03:07,880 --> 02:03:10,920
Speaker 1: basically landed whenever he wanted, but he just couldn't hurt

2618
02:03:10,960 --> 02:03:12,800
Speaker 1: the guy because he was so much bigger, and.

2619
02:03:13,040 --> 02:03:15,720
Speaker 2: He apparently got hurt by some jabs from Logan's. Remember

2620
02:03:15,720 --> 02:03:16,960
Speaker 2: after the fight, he was like, I'm never.

2621
02:03:16,920 --> 02:03:17,560
Speaker 1: Doing this again.

2622
02:03:19,680 --> 02:03:22,760
Speaker 6: I was promised fun. Our doc's gonna be a lot

2623
02:03:22,760 --> 02:03:23,320
Speaker 6: more exciting than that.

2624
02:03:23,920 --> 02:03:24,360
Speaker 1: Our docs.

2625
02:03:25,640 --> 02:03:28,080
Speaker 6: This doc that you're watching right now, it's probably really good.

2626
02:03:28,120 --> 02:03:30,000
Speaker 1: It's better than that fight. It was pretty good.

2627
02:03:32,240 --> 02:03:34,600
Speaker 5: I'm fucking done. I'm done. I'm done with his ship.

2628
02:03:34,800 --> 02:03:36,800
Speaker 5: I had a great time Miami. It's a really nice city.

2629
02:03:36,840 --> 02:03:38,280
Speaker 5: I want to get the fuck out of here.

2630
02:03:38,360 --> 02:03:40,120
Speaker 1: Thank you. Yeah, we were We were done.

2631
02:03:40,200 --> 02:03:41,360
Speaker 2: That was a long weekend.

2632
02:03:41,560 --> 02:03:43,000
Speaker 1: I had a great time. I mean, I was so

2633
02:03:43,120 --> 02:03:44,680
Speaker 1: tired by this point, but I had a good time.

2634
02:03:48,480 --> 02:03:49,800
Speaker 1: A few weeks later.

2635
02:03:50,760 --> 02:03:54,760
Speaker 2: Oh yeah, look at this McGregor, poy a three.

2636
02:03:56,800 --> 02:03:58,640
Speaker 1: Dude. We used to have good times.

2637
02:03:58,760 --> 02:04:02,080
Speaker 2: Jesus, good gracious ass is bodacious.

2638
02:04:02,120 --> 02:04:05,560
Speaker 6: It's Friday, July ninth, twenty twenty one, And.

2639
02:04:06,040 --> 02:04:08,080
Speaker 2: That was the weekend of me putting that shoe, that

2640
02:04:08,520 --> 02:04:10,880
Speaker 2: that black shoe die in my hair, Lucia.

2641
02:04:11,080 --> 02:04:13,920
Speaker 5: We invited Aljabn Sterling to join us on this broadcast

2642
02:04:14,040 --> 02:04:16,919
Speaker 5: and he only agreed to phone in and then didn't agree.

2643
02:04:16,720 --> 02:04:17,240
Speaker 1: To that later.

2644
02:04:17,400 --> 02:04:19,400
Speaker 2: Watching it day at work gets me through the day.

2645
02:04:19,400 --> 02:04:20,600
Speaker 2: And I appreciate everything you guys do.

2646
02:04:20,720 --> 02:04:23,600
Speaker 7: I like MK because Luke Thomas keeps Brian Campbell.

2647
02:04:23,280 --> 02:04:27,800
Speaker 5: And check clear these Yeah, fuck you BC. That guy's

2648
02:04:27,840 --> 02:04:29,160
Speaker 5: shoe had aids.

2649
02:04:28,880 --> 02:04:31,640
Speaker 2: In it, So that's Timy. He still has that shoe.

2650
02:04:31,640 --> 02:04:34,520
Speaker 2: The last time I talked to him over VM, I

2651
02:04:34,640 --> 02:04:37,000
Speaker 2: wanted that shoe to be in our studio for life.

2652
02:04:38,680 --> 02:04:40,960
Speaker 1: That shoe. And I did this before you right, I

2653
02:04:41,000 --> 02:04:41,680
Speaker 1: think you did? Yeah.

2654
02:04:42,120 --> 02:04:44,560
Speaker 2: After This was a legit moment, dude. This this live

2655
02:04:44,640 --> 02:04:46,680
Speaker 2: show here in front of like fifty people was a moment.

2656
02:04:46,760 --> 02:04:47,400
Speaker 2: They went nuts.

2657
02:04:47,680 --> 02:04:47,920
Speaker 4: You see.

2658
02:04:48,040 --> 02:04:50,560
Speaker 1: I used to have a career, Damian the Donk. I

2659
02:04:50,640 --> 02:04:54,520
Speaker 1: was super nervous, but knowing that my man BC has

2660
02:04:54,560 --> 02:04:57,360
Speaker 1: gone through the prist remember him with the scary Yeah

2661
02:04:57,400 --> 02:05:00,440
Speaker 1: he's got the girl hanging yeah he I mean that

2662
02:05:00,560 --> 02:05:02,960
Speaker 1: was just fucking weird. I went in there, got.

2663
02:05:02,880 --> 02:05:06,400
Speaker 2: Her done, sent an MK, and it's a wrap, snip snip,

2664
02:05:06,480 --> 02:05:09,240
Speaker 2: I'll get a k this chest. He did get an

2665
02:05:09,280 --> 02:05:10,640
Speaker 2: m k tat that that weekend.

2666
02:05:11,640 --> 02:05:12,720
Speaker 1: This guy brought me sausage.

2667
02:05:13,200 --> 02:05:14,600
Speaker 2: Yeah that's Aaron from Washington.

2668
02:05:14,720 --> 02:05:20,200
Speaker 1: Yeah, I hate it too. By the way, he definitely ejaculated.

2669
02:05:20,240 --> 02:05:21,480
Speaker 2: And there's no question.

2670
02:05:22,880 --> 02:05:25,840
Speaker 1: This man's ejaculate years guys much you pull it up there.

2671
02:05:29,840 --> 02:05:34,320
Speaker 3: Hell yeah, mixed between fight analysis and great entertainment.

2672
02:05:34,400 --> 02:05:38,440
Speaker 1: So keep it up, guys, go joby. Look at this

2673
02:05:39,280 --> 02:05:40,680
Speaker 1: happy two year anniversary.

2674
02:05:40,760 --> 02:05:41,200
Speaker 6: Thank you all.

2675
02:05:41,320 --> 02:05:45,200
Speaker 2: Wow two years on top of the world.

2676
02:05:45,480 --> 02:05:54,280
Speaker 1: We had a fucking show. That was a great fucking day.

2677
02:05:54,920 --> 02:05:55,480
Speaker 1: Wow Man.

2678
02:05:56,480 --> 02:05:59,320
Speaker 2: Documentary four one through four in the Books, Part one

2679
02:05:59,440 --> 02:06:03,480
Speaker 2: in the Book of this rewatch director's cut Behind the Scenes,

2680
02:06:03,520 --> 02:06:05,680
Speaker 2: Long Island. Look, what's your takeaway here from Docs one

2681
02:06:05,760 --> 02:06:06,120
Speaker 2: through four?

2682
02:06:06,480 --> 02:06:08,560
Speaker 7: It was great reminiscing. Good to see all the old

2683
02:06:08,640 --> 02:06:11,120
Speaker 7: maulk of people in there. And I'm looking forward to

2684
02:06:11,200 --> 02:06:14,000
Speaker 7: the next few because again I make a one second

2685
02:06:14,080 --> 02:06:16,160
Speaker 7: cameo and you know I was there for those filmings.

2686
02:06:16,200 --> 02:06:18,480
Speaker 7: At least it'll feel good to reminisce on those a

2687
02:06:18,480 --> 02:06:19,040
Speaker 7: little bit more.

2688
02:06:19,120 --> 02:06:21,720
Speaker 2: So. You'll be watching part two next week. Okay, we'll

2689
02:06:21,720 --> 02:06:25,080
Speaker 2: get that knocked out for you lt you look either exhausted,

2690
02:06:25,160 --> 02:06:27,200
Speaker 2: maybe you have to shit, or maybe you're looking back.

2691
02:06:28,080 --> 02:06:29,680
Speaker 2: The Showtime era was something special.

2692
02:06:29,920 --> 02:06:31,680
Speaker 5: Yeah, I'll just say, I'm really glad I got an

2693
02:06:31,680 --> 02:06:34,600
Speaker 5: opportunity in life to do something like that. I don't

2694
02:06:34,600 --> 02:06:36,440
Speaker 5: think I'll ever get a chance or anything like that again,

2695
02:06:37,200 --> 02:06:39,680
Speaker 5: So it's nice to go back and see that.

2696
02:06:40,160 --> 02:06:42,480
Speaker 1: Some people will even never even get those opportunities. BC

2697
02:06:42,880 --> 02:06:46,120
Speaker 1: and I did and that was great. That was great.

2698
02:06:46,440 --> 02:06:46,920
Speaker 1: Glad we did.

2699
02:06:47,240 --> 02:06:49,280
Speaker 2: Your career is not over, these opportunities.

2700
02:06:49,280 --> 02:06:53,320
Speaker 1: I don't think my career is over, but I things change,

2701
02:06:53,480 --> 02:06:55,440
Speaker 1: or in sports media, I'll never get a chance to

2702
02:06:55,520 --> 02:06:59,280
Speaker 1: that again. Maybe in something else, but not that things change.

2703
02:07:00,840 --> 02:07:01,320
Speaker 1: That's true.

2704
02:07:01,440 --> 02:07:04,440
Speaker 2: But one of them multi camera guys, one of them,

2705
02:07:04,560 --> 02:07:08,000
Speaker 2: malka cameraman, could end up being a boss in five years.

2706
02:07:08,120 --> 02:07:10,120
Speaker 2: And then they're like, oh, remember that show we used

2707
02:07:10,120 --> 02:07:12,360
Speaker 2: to do, We should bring that back on TV.

2708
02:07:12,680 --> 02:07:15,600
Speaker 1: All right, could happen. I'm not going to count on it,

2709
02:07:15,760 --> 02:07:19,120
Speaker 1: but uh, it's not the point. The point is that

2710
02:07:19,280 --> 02:07:21,120
Speaker 1: was great. That was great. I'm really glad I got

2711
02:07:21,160 --> 02:07:23,160
Speaker 1: a chance to do that. That was great. That was great.

2712
02:07:23,200 --> 02:07:24,720
Speaker 2: I wish we were a little thinner.

2713
02:07:24,480 --> 02:07:25,880
Speaker 1: But you know it is what it is. Yeah, it

2714
02:07:25,960 --> 02:07:28,200
Speaker 1: is quite regrettable that I spent all this time looking

2715
02:07:28,320 --> 02:07:29,280
Speaker 1: like a fucking heifer.

2716
02:07:29,440 --> 02:07:33,360
Speaker 2: But uh, people always like, was there the groupies? And

2717
02:07:33,440 --> 02:07:34,360
Speaker 2: omkay no, there's no.

2718
02:07:34,840 --> 02:07:34,880
Speaker 3: No.

2719
02:07:36,040 --> 02:07:38,600
Speaker 1: Well unless you mean straight dudes who did not want

2720
02:07:38,640 --> 02:07:40,000
Speaker 1: to have sex with us but did want to be

2721
02:07:40,240 --> 02:07:42,320
Speaker 1: around us, then we did have groupies in that sense.

2722
02:07:42,440 --> 02:07:45,800
Speaker 2: We're scouting our organs, our internal organs out aggressively, no.

2723
02:07:45,920 --> 02:07:48,920
Speaker 1: Question, Eat my ejaculate, sal chica, please thank you. Yeah.

2724
02:07:49,280 --> 02:07:52,240
Speaker 2: I'd like to thank Matt Snyder, our fine producer who's

2725
02:07:52,280 --> 02:07:55,200
Speaker 2: been with us since day one, for joining us today,

2726
02:07:55,320 --> 02:07:58,760
Speaker 2: for being such a fighter behind the scenes to make

2727
02:07:58,840 --> 02:08:02,480
Speaker 2: these documentaries. And they're weird, but they are us and

2728
02:08:02,560 --> 02:08:04,760
Speaker 2: they'll be there for life. Paramount didn't take them away

2729
02:08:04,800 --> 02:08:06,800
Speaker 2: from us like they did every other episode we ever did.

2730
02:08:06,880 --> 02:08:11,680
Speaker 1: Luke, thank god. You know, I'm glad that MK history

2731
02:08:11,840 --> 02:08:13,440
Speaker 1: to a degree was able to be preserved through some

2732
02:08:13,520 --> 02:08:13,960
Speaker 1: of the stuff.

2733
02:08:14,040 --> 02:08:19,880
Speaker 2: So yeah, all right, Happy holidays, Boxing Day, Christmas, Kwonso

2734
02:08:19,960 --> 02:08:22,520
Speaker 2: whatever you're celebrating, we hope you guys are doing great.

2735
02:08:22,560 --> 02:08:24,680
Speaker 2: We hope you enjoyed this. Part two is next week,

2736
02:08:25,040 --> 02:08:28,600
Speaker 2: and don't forget Monday. January fifth, full the last time

2737
02:08:28,760 --> 02:08:33,600
Speaker 2: for now BC and LT saying goodbye. MK will continue.

2738
02:08:33,880 --> 02:08:37,040
Speaker 2: You can follow the show, you can like it. It's

2739
02:08:37,120 --> 02:08:39,200
Speaker 2: gonna go on in a big way here, so let's

2740
02:08:39,280 --> 02:08:41,680
Speaker 2: let's get excited about that. You can subscribe to our

2741
02:08:41,720 --> 02:08:45,200
Speaker 2: YouTube channels, Long Island, Luke, I'm sure people can tune

2742
02:08:45,200 --> 02:08:48,040
Speaker 2: into the main card minute and watch more prop Quiz.

2743
02:08:47,840 --> 02:08:50,080
Speaker 1: Right, yeah, we have an episode of prop Quiz dropping

2744
02:08:50,160 --> 02:08:51,840
Speaker 1: in and let me do some math here. I don't know.

2745
02:08:51,960 --> 02:08:56,040
Speaker 1: Twenty minutes it's Dennis from Submission Radio taking on Aaron Bronstetter,

2746
02:08:56,160 --> 02:08:56,920
Speaker 1: So tune into.

2747
02:08:57,040 --> 02:08:59,680
Speaker 2: That's a great matchup, Dennis.

2748
02:09:00,560 --> 02:09:01,280
Speaker 1: I love that guy.

2749
02:09:01,920 --> 02:09:04,520
Speaker 2: Great guy, got a great package. Yeah, there we go.

2750
02:09:04,680 --> 02:09:07,840
Speaker 2: All right, thank you for everybody watching. If you want

2751
02:09:07,840 --> 02:09:10,040
Speaker 2: to support the show, please go to Morning Combat Dot

2752
02:09:10,320 --> 02:09:14,400
Speaker 2: Shop right now. Fifty percent off whatever's left if BC's

2753
02:09:14,480 --> 02:09:18,400
Speaker 2: face on it, it's half off, Mix and match your callers,

2754
02:09:18,480 --> 02:09:21,960
Speaker 2: get our December exclusive, Get some presents for the next

2755
02:09:22,040 --> 02:09:25,640
Speaker 2: holiday for your peeps, Morning Combat Dot Shop, Luke Thomas,

2756
02:09:25,800 --> 02:09:29,880
Speaker 2: enjoy the rest of your time in Columbia and we'll

2757
02:09:29,960 --> 02:09:33,600
Speaker 2: be back on Monday Live and Direct eleven am. Probably

2758
02:09:33,960 --> 02:09:36,440
Speaker 2: looking at the year that was maybe looking back on

2759
02:09:36,520 --> 02:09:39,920
Speaker 2: our predictions and where we went wrong, Let's do it

2760
02:09:40,840 --> 02:09:44,680
Speaker 2: all right. For Luke Thomas, Matt Snyder, the fantastic Luke

2761
02:09:44,760 --> 02:09:47,680
Speaker 2: Nocita on BC, Thank you so much for being part

2762
02:09:47,720 --> 02:09:52,240
Speaker 2: of this journey. It's still going MK forever, MK for life.

2763
02:09:52,480 --> 02:09:52,800
Speaker 4: We are