1 00:00:00,240 --> 00:00:05,480 Speaker 1: It's nine O gene Elengie with Jenny Garth and Tory Spelling. 2 00:00:09,800 --> 00:00:10,479 Speaker 2: Are you okay? 3 00:00:11,280 --> 00:00:18,240 Speaker 1: I'm excited. I'm so happy Brandon and Kelly belong together 4 00:00:18,320 --> 00:00:18,720 Speaker 1: and it's. 5 00:00:18,640 --> 00:00:22,720 Speaker 2: Taken forever, forever like this episode. 6 00:00:23,800 --> 00:00:27,840 Speaker 3: I have some real timeline issues with this episode too. Yeah, 7 00:00:27,880 --> 00:00:28,639 Speaker 3: we can get into that. 8 00:00:29,520 --> 00:00:32,280 Speaker 1: I'm excited. I want to hear all your problems because 9 00:00:32,880 --> 00:00:34,519 Speaker 1: I feel so happy right now, but. 10 00:00:35,000 --> 00:00:37,559 Speaker 3: Some of it might be me. I don't know. I 11 00:00:37,680 --> 00:00:38,479 Speaker 3: look at you guys. 12 00:00:38,880 --> 00:00:42,560 Speaker 1: Okay, Well, let's do it, because we're talking about Season seven, 13 00:00:42,600 --> 00:00:46,440 Speaker 1: episode twenty five, Heaven sent aired April ninth, nineteen ninety seven. 14 00:00:46,640 --> 00:00:49,680 Speaker 2: Synopsis. Brandon's friend from Texas is in town to promote 15 00:00:49,680 --> 00:00:52,280 Speaker 2: her book about angels, but ends up playing Cupid for Kelly. 16 00:00:52,360 --> 00:00:54,800 Speaker 2: Valerie's career as a Hollywood manager is cut short when 17 00:00:54,880 --> 00:00:58,720 Speaker 2: Rob's movie gets panned by critics. David is feeling lovey dovey, 18 00:00:58,760 --> 00:01:02,640 Speaker 2: Claire is feeling cranky, and Steve is feeling nagged. Meanwhile, 19 00:01:02,680 --> 00:01:05,760 Speaker 2: Tracy's time with Brandon is almost up after he and 20 00:01:05,840 --> 00:01:08,440 Speaker 2: Kelly Sharon moment made in rom com Heaven. 21 00:01:08,720 --> 00:01:12,440 Speaker 1: Directed by Auntson Williams. You guys pots. He directed this one. Yeah, 22 00:01:12,680 --> 00:01:15,800 Speaker 1: written by Larry Mullen and Phil Sabbath. 23 00:01:18,160 --> 00:01:21,640 Speaker 2: Okay, pretty good for two boys. Actually, can we start 24 00:01:21,680 --> 00:01:22,119 Speaker 2: with the end? 25 00:01:22,440 --> 00:01:23,399 Speaker 3: Is that just rude? 26 00:01:23,880 --> 00:01:24,240 Speaker 2: No? 27 00:01:24,480 --> 00:01:25,080 Speaker 1: I like it. 28 00:01:25,560 --> 00:01:28,160 Speaker 3: We just got to see Jenny watching the end live 29 00:01:28,800 --> 00:01:33,360 Speaker 3: and the end makes it like the end was pretty great. 30 00:01:34,040 --> 00:01:34,479 Speaker 4: I didn't. 31 00:01:35,240 --> 00:01:39,120 Speaker 1: Okay, Yeah, first of all, where's Tracy. Where's Maya? The 32 00:01:39,200 --> 00:01:40,520 Speaker 1: angel lady that's making this. 33 00:01:40,560 --> 00:01:43,400 Speaker 3: Show Alley in Town? Maya had to leave town. They 34 00:01:43,440 --> 00:01:45,440 Speaker 3: say that she's got called back to New York for 35 00:01:45,480 --> 00:01:46,360 Speaker 3: an important meeting. 36 00:01:46,560 --> 00:01:49,480 Speaker 1: I hate that because I love her. I love her character. 37 00:01:49,520 --> 00:01:50,920 Speaker 1: I want her to be on the show all the time. 38 00:01:51,120 --> 00:01:52,960 Speaker 2: So I got to say, when I first start watching 39 00:01:52,960 --> 00:01:54,880 Speaker 2: the episode, I was like, wait, did miss something? 40 00:01:56,280 --> 00:01:58,760 Speaker 1: I know? So I was like, wait are they Yeah? 41 00:01:58,760 --> 00:02:00,520 Speaker 1: And I thought, oh, is he gonna have an another 42 00:02:01,160 --> 00:02:04,000 Speaker 1: like love interest? Is she get back to just she 43 00:02:04,200 --> 00:02:05,440 Speaker 1: just but was just there. 44 00:02:05,520 --> 00:02:07,920 Speaker 2: There was no mention previously that she was coming to town. 45 00:02:08,040 --> 00:02:09,639 Speaker 2: I mean, I know, I know it's nine or two 46 00:02:09,680 --> 00:02:13,200 Speaker 2: and now, but the way she just appeared and then 47 00:02:13,240 --> 00:02:15,760 Speaker 2: at the end she's gone and disappeared and made me 48 00:02:15,800 --> 00:02:17,040 Speaker 2: think she's an angel. 49 00:02:17,720 --> 00:02:20,040 Speaker 1: Oh, I think you're right. 50 00:02:21,080 --> 00:02:23,000 Speaker 2: I mean not really, but was that the intention like 51 00:02:23,040 --> 00:02:24,880 Speaker 2: a little like week wink it was. 52 00:02:25,000 --> 00:02:25,960 Speaker 1: She was heaven sent. 53 00:02:26,600 --> 00:02:32,440 Speaker 3: They definitely made her more about you, Jenny, like meaning 54 00:02:32,800 --> 00:02:37,200 Speaker 3: uh they in looking back at that episode, they're really 55 00:02:37,440 --> 00:02:42,320 Speaker 3: like highlighting how much he was talking about you. There 56 00:02:42,360 --> 00:02:46,120 Speaker 3: they kind of squashed their sort of chemistry and romance 57 00:02:46,200 --> 00:02:48,280 Speaker 3: like that just went oblivion. 58 00:02:48,280 --> 00:02:50,519 Speaker 1: It's not like were they ever romantic. 59 00:02:51,000 --> 00:02:53,480 Speaker 3: They were they almost kissed or they yeah, they were. 60 00:02:54,160 --> 00:02:56,000 Speaker 1: I feel like they're just friends. 61 00:02:56,040 --> 00:02:58,639 Speaker 3: Like there was a thing, you guys, there was there 62 00:02:58,800 --> 00:03:01,320 Speaker 3: was at the bus. I think a lot thruffle. 63 00:03:01,360 --> 00:03:05,400 Speaker 1: Though there's always a thing with any woman that Brandon 64 00:03:05,440 --> 00:03:07,360 Speaker 1: ever meets. There's always like our big. 65 00:03:08,040 --> 00:03:10,519 Speaker 2: Of course, right, it's those eyes. 66 00:03:10,840 --> 00:03:12,840 Speaker 3: Tracy is just bitter party of. 67 00:03:13,080 --> 00:03:15,800 Speaker 1: Whoa bless her sweet little heart. I think she just 68 00:03:15,800 --> 00:03:18,320 Speaker 1: needs to have a cigarette break personally, I just wanted 69 00:03:18,440 --> 00:03:21,079 Speaker 1: to go and relax and to have a smoke or something, 70 00:03:21,120 --> 00:03:23,360 Speaker 1: whatever it takes, because she's so uptight. 71 00:03:24,080 --> 00:03:27,800 Speaker 3: Her hair is great though, she's a cute girl, but 72 00:03:28,360 --> 00:03:30,359 Speaker 3: she has really gotten just. 73 00:03:30,480 --> 00:03:34,880 Speaker 2: Two how she I know, which means it's time to go. 74 00:03:35,280 --> 00:03:36,320 Speaker 1: Yeah. 75 00:03:36,640 --> 00:03:39,520 Speaker 2: So woo wait, going back to Maya, So Brandon is 76 00:03:39,600 --> 00:03:43,680 Speaker 2: Maya's gart quote unquote Guardian angel and Maya is Kelly's 77 00:03:43,840 --> 00:03:44,720 Speaker 2: quote unquote gardian. 78 00:03:44,840 --> 00:03:47,839 Speaker 3: Oh I didn't get that, but good toy, Great, that's 79 00:03:47,840 --> 00:03:48,320 Speaker 3: what I think. 80 00:03:48,400 --> 00:03:54,160 Speaker 2: Good look at you with the brains today. I feel 81 00:03:54,160 --> 00:03:57,320 Speaker 2: like Kelly just like moves into uh classa Walsh for 82 00:03:57,360 --> 00:03:58,160 Speaker 2: this episode. 83 00:03:58,600 --> 00:04:00,640 Speaker 3: I love that they like call it new age when 84 00:04:00,680 --> 00:04:03,960 Speaker 3: now it's like it's just everything we do every day. 85 00:04:04,000 --> 00:04:07,720 Speaker 3: It's like meditate, like yeah, positive thin, talk. 86 00:04:07,600 --> 00:04:11,040 Speaker 1: To your angels. Yeah wait, but why was Tracy so 87 00:04:11,240 --> 00:04:16,480 Speaker 1: antiatt She's from California, she's from isn't she from central California? No? 88 00:04:16,560 --> 00:04:17,880 Speaker 2: Where is she from? 89 00:04:17,920 --> 00:04:19,599 Speaker 1: Is she her ranch or whatever? 90 00:04:19,960 --> 00:04:20,200 Speaker 2: Yeah? 91 00:04:20,240 --> 00:04:22,039 Speaker 3: I just don't think it mattered. If Maya was like 92 00:04:22,440 --> 00:04:25,120 Speaker 3: curing cancer, she was gonna be mad, like she is 93 00:04:25,200 --> 00:04:27,200 Speaker 3: just mad that Maya likes you. 94 00:04:28,240 --> 00:04:30,160 Speaker 2: It was too much though. They went too much with. 95 00:04:30,160 --> 00:04:33,960 Speaker 1: Her character with my wait with Tracy, Yeah, like. 96 00:04:33,880 --> 00:04:36,359 Speaker 2: It's it's like what the difference? We know what's coming, 97 00:04:36,400 --> 00:04:40,040 Speaker 2: but it's like she doesn't as we so like get crazy. 98 00:04:39,960 --> 00:04:41,120 Speaker 3: Like be happy. 99 00:04:41,279 --> 00:04:43,600 Speaker 1: Yeah I couldn't. If I was Brandon, I'd be like, look, 100 00:04:45,240 --> 00:04:47,719 Speaker 1: you are a downer. I need to be away from you. 101 00:04:47,960 --> 00:04:57,800 Speaker 3: Twenty two years old, like I forget it's actually nazes. 102 00:04:58,160 --> 00:05:00,280 Speaker 3: How you guys do not act twenty two And. 103 00:05:00,440 --> 00:05:05,039 Speaker 2: Speaking of babies, did you see one? Nope? But I 104 00:05:05,120 --> 00:05:08,000 Speaker 2: just can't stop looking there. I know I have to, 105 00:05:08,200 --> 00:05:10,080 Speaker 2: like I have to look at your belly even though 106 00:05:10,080 --> 00:05:10,840 Speaker 2: it's Wait, but. 107 00:05:10,839 --> 00:05:13,400 Speaker 1: Let's figure it out. Because this was aired in April 108 00:05:13,920 --> 00:05:16,400 Speaker 1: ninety seven, so that means when did we film it, 109 00:05:16,440 --> 00:05:17,560 Speaker 1: like two months prior? 110 00:05:18,480 --> 00:05:20,800 Speaker 2: Well, I always think there's six months prior, but you 111 00:05:20,800 --> 00:05:21,840 Speaker 2: always say two months. 112 00:05:22,040 --> 00:05:23,480 Speaker 3: I think it's not six. 113 00:05:23,480 --> 00:05:26,719 Speaker 1: Yeah, I feel like we were much closer to it. Yeah. Yeah, 114 00:05:26,760 --> 00:05:28,640 Speaker 1: it feels longer to you, but I get it. But 115 00:05:29,279 --> 00:05:32,080 Speaker 1: I think it'd probably be at least month and I 116 00:05:32,120 --> 00:05:34,599 Speaker 1: have to Yeah, so February, even if you have a 117 00:05:34,640 --> 00:05:39,119 Speaker 1: baby in the end of June, when do you start 118 00:05:39,160 --> 00:05:41,039 Speaker 1: showing you know, I don't do that. 119 00:05:41,760 --> 00:05:45,600 Speaker 3: February, March, April, May, June. Right now, you're about three or. 120 00:05:45,520 --> 00:05:49,720 Speaker 2: Four months, Nicle Bell. It was your first, so probably 121 00:05:49,839 --> 00:05:51,480 Speaker 2: not showing a lot yet with the first. 122 00:05:51,839 --> 00:05:56,840 Speaker 1: True, well, I did actually flow up full of pretty soon. 123 00:05:56,880 --> 00:05:58,880 Speaker 1: You will see all the parts on my face, like 124 00:05:58,920 --> 00:06:00,200 Speaker 1: spreading and getting. 125 00:06:00,480 --> 00:06:04,440 Speaker 2: She was beautiful. Don't understand that. Wait, you're starting with 126 00:06:04,440 --> 00:06:06,040 Speaker 2: the big bag, so already. 127 00:06:06,120 --> 00:06:09,520 Speaker 1: Yeah, and there was like the one like ditsy floral dress, 128 00:06:09,600 --> 00:06:12,920 Speaker 1: baby doll dress, always holding something in front of my stomach. 129 00:06:12,960 --> 00:06:15,360 Speaker 2: With that one, from now on you will always see 130 00:06:15,360 --> 00:06:16,960 Speaker 2: your holding something in front of her stomach. 131 00:06:17,880 --> 00:06:19,640 Speaker 1: But it's fun. It's the Bob. 132 00:06:19,800 --> 00:06:23,400 Speaker 3: We should make it a drinking game, like anytime Bob. 133 00:06:23,480 --> 00:06:25,880 Speaker 1: We called it Bob. I remember Jason called it Bob. 134 00:06:26,120 --> 00:06:27,960 Speaker 1: Jason and I were was like, what are we gonna 135 00:06:27,960 --> 00:06:33,359 Speaker 1: do about Bob? And because we just would forget about 136 00:06:33,360 --> 00:06:35,279 Speaker 1: it and then be all like, oh, wait, there's a 137 00:06:35,320 --> 00:06:37,839 Speaker 1: bulge under in the front of you. We need to 138 00:06:37,839 --> 00:06:43,600 Speaker 1: figure out not show that. Yeah, so we'll start we'll 139 00:06:43,640 --> 00:06:45,960 Speaker 1: start noticing her more and more or him. 140 00:06:46,000 --> 00:06:50,520 Speaker 3: Shall we get into my timeline issues or my uh 141 00:06:50,800 --> 00:06:52,000 Speaker 3: reporters don't act like that? 142 00:06:52,400 --> 00:06:56,159 Speaker 1: Rand Okay, wait, let's go timeline first, because that's okay, 143 00:06:56,560 --> 00:06:57,479 Speaker 1: that sounds terrible. 144 00:06:57,520 --> 00:07:03,560 Speaker 3: Am I to understand that Smith Jared whatever his name is, Rob. 145 00:07:04,000 --> 00:07:08,680 Speaker 2: The Star Rob Andrews literally got a script. 146 00:07:09,040 --> 00:07:12,480 Speaker 3: They changed the script. He made the movie, and two 147 00:07:12,520 --> 00:07:17,320 Speaker 3: weeks later it's out like what movie are we premiering? 148 00:07:17,920 --> 00:07:20,040 Speaker 1: Oh, because that's not the one that he already made. 149 00:07:20,400 --> 00:07:23,880 Speaker 2: That's what I thought but Amy saying it's not it's 150 00:07:23,920 --> 00:07:24,360 Speaker 2: the one. 151 00:07:24,760 --> 00:07:28,120 Speaker 3: Well, I don't know. I'm so confused because he's already 152 00:07:28,160 --> 00:07:33,000 Speaker 3: signed on for another movie. So is this his first 153 00:07:33,120 --> 00:07:37,240 Speaker 3: movie or is this that movie that that Valerie got 154 00:07:37,280 --> 00:07:39,000 Speaker 3: paid the ten thousand dollars. 155 00:07:39,400 --> 00:07:39,880 Speaker 1: I don't know. 156 00:07:40,120 --> 00:07:43,040 Speaker 2: It's the O G one right, it's I think it's. 157 00:07:42,880 --> 00:07:45,320 Speaker 1: The second one because they already did like those a 158 00:07:45,400 --> 00:07:46,280 Speaker 1: premiere premiere. 159 00:07:46,360 --> 00:07:48,000 Speaker 2: That's what I st The other one, man. 160 00:07:48,040 --> 00:07:50,880 Speaker 3: I feel like we're to believe. And let me tell 161 00:07:50,920 --> 00:07:54,000 Speaker 3: you back in nineteen ninety seven, I did that. He 162 00:07:54,080 --> 00:07:56,680 Speaker 3: got a script, changed the script, filmed the movie, and 163 00:07:56,720 --> 00:07:59,320 Speaker 3: it came out two weeks later, also premiere at the 164 00:07:59,320 --> 00:08:02,640 Speaker 3: will Turn. I've got some issues when there weren't really 165 00:08:02,680 --> 00:08:04,160 Speaker 3: premieres at the will Turned. 166 00:08:04,040 --> 00:08:06,280 Speaker 1: The music venue. 167 00:08:06,520 --> 00:08:09,720 Speaker 3: I've never had a movie screen go up there that 168 00:08:09,840 --> 00:08:10,280 Speaker 3: I know of. 169 00:08:10,760 --> 00:08:12,880 Speaker 1: I don't know. Okay, So, but I just want to 170 00:08:13,680 --> 00:08:16,440 Speaker 1: get maybe val could be my manager, because she's making 171 00:08:16,480 --> 00:08:20,040 Speaker 1: it happen for him, like he's getting him all the 172 00:08:20,040 --> 00:08:20,760 Speaker 1: big movies. 173 00:08:20,880 --> 00:08:24,720 Speaker 3: He's the manager. I mean, it's also why. 174 00:08:24,520 --> 00:08:26,640 Speaker 1: Would he say you could be my manager? She has 175 00:08:26,680 --> 00:08:28,400 Speaker 1: no idea how to be a manager. 176 00:08:28,920 --> 00:08:30,960 Speaker 3: It's ridiculous. 177 00:08:31,240 --> 00:08:32,720 Speaker 2: Well, good news is it's. 178 00:08:32,559 --> 00:08:36,839 Speaker 3: Over and no actor. Let me ask you to actors, 179 00:08:37,320 --> 00:08:40,400 Speaker 3: if your performance got praised, even if they said the 180 00:08:40,440 --> 00:08:42,960 Speaker 3: movie was a stinker, would you quit Hollywood? 181 00:08:43,200 --> 00:08:49,440 Speaker 1: No, I'd be stoked. No, would you No, You'd be 182 00:08:49,440 --> 00:08:50,920 Speaker 1: happy that you got good reviews. 183 00:08:51,000 --> 00:08:52,480 Speaker 2: Right, what's he going to do? Now? 184 00:08:53,200 --> 00:08:56,240 Speaker 1: He's gonna be chairs with her? Some wood in the 185 00:08:56,440 --> 00:08:57,800 Speaker 1: in the woods sex. 186 00:08:58,440 --> 00:09:00,520 Speaker 3: Every ass Valerie? Would you love if I was a 187 00:09:00,520 --> 00:09:03,199 Speaker 3: carpenter and I was thinking to myself, Yeah, I would. 188 00:09:03,520 --> 00:09:05,240 Speaker 1: Yeah, I kind of love you a lot more. 189 00:09:05,360 --> 00:09:08,360 Speaker 3: Actually, yeah, like, yeah, I sure would. 190 00:09:08,600 --> 00:09:12,400 Speaker 2: I want to talk about her kissing him in this episode. 191 00:09:12,840 --> 00:09:14,080 Speaker 1: Wait the goodbye kiss? 192 00:09:14,360 --> 00:09:18,120 Speaker 2: No, no, no, no, all the kiss the kisses from 193 00:09:18,160 --> 00:09:22,160 Speaker 2: the first scene that they kiss. Is it me? Or 194 00:09:22,200 --> 00:09:25,800 Speaker 2: did I see her do some tricky kissing hack that 195 00:09:25,840 --> 00:09:28,640 Speaker 2: I've never seen before where she opened her mouth but 196 00:09:28,679 --> 00:09:31,120 Speaker 2: then closed it when she got to her lip his lips, 197 00:09:31,440 --> 00:09:34,040 Speaker 2: so it looked like she was engaging in open mouth kissing, 198 00:09:34,080 --> 00:09:38,480 Speaker 2: but she was not. In the rest of the episode, 199 00:09:38,600 --> 00:09:41,480 Speaker 2: every time she kissed him, she's turning in the air 200 00:09:41,559 --> 00:09:44,760 Speaker 2: right now, you were saying, she. 201 00:09:44,800 --> 00:09:46,800 Speaker 1: Was like, oh, oh, I'm gonna kiss you. 202 00:09:47,320 --> 00:09:49,560 Speaker 2: She would open her mouth a little bit and close it, 203 00:09:49,640 --> 00:09:51,640 Speaker 2: open a little bit and close it. And then she 204 00:09:51,760 --> 00:09:54,720 Speaker 2: never opened her mouth when she touched his lips. 205 00:09:54,840 --> 00:09:58,040 Speaker 1: No, I feel like there was they didn't enjoy the kisses. 206 00:09:58,080 --> 00:10:02,800 Speaker 2: Maybe oh I saw him open his mouth the entire episode. 207 00:10:02,920 --> 00:10:05,600 Speaker 2: She like did the fairy tale smooch. 208 00:10:05,840 --> 00:10:08,080 Speaker 3: It is interesting you're bringing up the kisses because I 209 00:10:08,160 --> 00:10:13,040 Speaker 3: definitely thought Jenny's kiss with Jason was way better than 210 00:10:13,080 --> 00:10:15,559 Speaker 3: everyone else's kisses in the whole episode. 211 00:10:15,640 --> 00:10:17,679 Speaker 2: I was like, well, yeah, John and David had a 212 00:10:17,720 --> 00:10:18,439 Speaker 2: pretty good one. 213 00:10:18,920 --> 00:10:22,480 Speaker 1: Yes, but it's only that way because you've been waiting 214 00:10:22,520 --> 00:10:25,960 Speaker 1: for Kelly and Brandon to kiss. So maybe so you 215 00:10:26,000 --> 00:10:27,000 Speaker 1: were just like all in. 216 00:10:27,280 --> 00:10:30,640 Speaker 2: But it's real, is what she's also saying. Real as 217 00:10:30,679 --> 00:10:36,280 Speaker 2: a Kelly and Brandon kissing. It's real and passionate. I 218 00:10:36,280 --> 00:10:39,280 Speaker 2: don't know foul and him kissing, I thought, I don't know. 219 00:10:39,320 --> 00:10:41,160 Speaker 2: I think I keep telling you guys, there was something 220 00:10:41,240 --> 00:10:42,160 Speaker 2: there that didn't Well. 221 00:10:42,160 --> 00:10:45,000 Speaker 1: Maybe also she knows that this is his last episode, right, 222 00:10:45,000 --> 00:10:45,839 Speaker 1: It's like she knows. 223 00:10:45,960 --> 00:10:47,800 Speaker 2: I think she like working with him or didn't have 224 00:10:47,920 --> 00:10:48,800 Speaker 2: chemistry or something. 225 00:10:48,880 --> 00:10:50,440 Speaker 3: Otherwise, why do we get rid of him so quick? 226 00:10:50,440 --> 00:10:53,080 Speaker 3: And have you ever been sad and lean against a door. 227 00:10:53,160 --> 00:10:55,040 Speaker 3: No one does that. I feel like no one does that. 228 00:10:55,559 --> 00:10:57,440 Speaker 2: Maybe in a TV movie I might have done it 229 00:10:57,440 --> 00:10:59,560 Speaker 2: once and then slouched to the ground and cried. 230 00:10:59,720 --> 00:11:02,200 Speaker 1: Yeah, they always make you do that lean against the 231 00:11:02,280 --> 00:11:03,000 Speaker 1: door move. 232 00:11:03,160 --> 00:11:06,480 Speaker 3: It's so weird. It's like, I mean, I've cried, and 233 00:11:06,520 --> 00:11:08,120 Speaker 3: like you just get in your bed and cry, like 234 00:11:08,160 --> 00:11:09,480 Speaker 3: you don't like lean against the door? 235 00:11:09,600 --> 00:11:11,720 Speaker 1: Life never so true, so true. 236 00:11:12,000 --> 00:11:14,199 Speaker 2: But we have good lighting and Cameron, you do. 237 00:11:15,600 --> 00:11:16,840 Speaker 3: Truth the lighting. 238 00:11:25,080 --> 00:11:25,640 Speaker 1: Hey h. 239 00:11:25,760 --> 00:11:29,040 Speaker 4: Jenna Ashkwitz and Kevin McHale hosts up and that's what 240 00:11:29,080 --> 00:11:30,199 Speaker 4: you really miss podcasts. 241 00:11:30,360 --> 00:11:32,920 Speaker 5: You joined us as we relive the magic of McKinley 242 00:11:32,960 --> 00:11:36,280 Speaker 5: High by watching all six seasons of Glee, and now 243 00:11:36,360 --> 00:11:37,880 Speaker 5: we're keeping the music going. 244 00:11:38,080 --> 00:11:40,640 Speaker 4: But this time we're stepping outside the choir room and 245 00:11:40,679 --> 00:11:43,640 Speaker 4: diving into some of the most iconic musicals. 246 00:11:43,160 --> 00:11:47,560 Speaker 5: Ever think Rocky, Horror Picture Show, Grease, Hairspray, West Side Story, 247 00:11:47,679 --> 00:11:50,920 Speaker 5: Moulin Rouge, Wicked, and of course, high school musical. 248 00:11:51,080 --> 00:11:56,040 Speaker 4: We'll also celebrate unforgettable musical TV projects like Smash Nashville, 249 00:11:56,040 --> 00:11:59,040 Speaker 4: Crazy Ex Girlfriend, plus those surprise musical episodes of shows 250 00:11:59,080 --> 00:12:02,400 Speaker 4: you already love, like Grey's Anatomie Riverdale and The Flash, 251 00:12:02,559 --> 00:12:05,160 Speaker 4: And don't worry, We'll still have plenty of Glee sur 252 00:12:05,240 --> 00:12:06,160 Speaker 4: prizes along the way. 253 00:12:06,240 --> 00:12:08,040 Speaker 6: So if you're a fan of musicals on the big 254 00:12:08,080 --> 00:12:10,920 Speaker 6: screen or on TV or anywhere in between, join us 255 00:12:10,920 --> 00:12:13,599 Speaker 6: every week as we break down the songs, the stories, 256 00:12:13,679 --> 00:12:16,400 Speaker 6: and the magic that made us fall in love with 257 00:12:16,559 --> 00:12:18,040 Speaker 6: musicals in the first place. 258 00:12:18,360 --> 00:12:20,840 Speaker 4: Listen to and That's What You Really Miss podcasts on 259 00:12:20,880 --> 00:12:24,760 Speaker 4: the iHeartRadio app, Apple Podcasts or wherever you get your podcasts. 260 00:12:29,120 --> 00:12:31,160 Speaker 3: Should we talk about the reporters. 261 00:12:32,840 --> 00:12:34,679 Speaker 2: About the reporters than us, I think so. 262 00:12:34,880 --> 00:12:37,360 Speaker 3: Because no reporter is going to ever be like, your 263 00:12:37,480 --> 00:12:40,240 Speaker 3: movie sucked? What do you have to say about it? Like, 264 00:12:40,360 --> 00:12:43,079 Speaker 3: I've been to some real duds, and we're still like, oh, 265 00:12:43,160 --> 00:12:45,240 Speaker 3: it's great, it was great. It was great. Yeah. Oh, 266 00:12:45,400 --> 00:12:48,840 Speaker 3: And they're like harassing him, your movies horrible? What do 267 00:12:48,880 --> 00:12:51,600 Speaker 3: you think? And then he says something and they like actually, 268 00:12:52,040 --> 00:12:54,720 Speaker 3: then that lady chimes in it was terrible. 269 00:12:55,280 --> 00:12:59,000 Speaker 1: Wait, but maybe in the nineties it was more like 270 00:12:59,080 --> 00:13:00,600 Speaker 1: that than nineties. 271 00:13:00,720 --> 00:13:03,720 Speaker 2: You were there for it wasn't I don't remember. 272 00:13:04,200 --> 00:13:06,640 Speaker 3: I think people were nicer in the nineties. 273 00:13:06,360 --> 00:13:09,720 Speaker 2: You do, I think maybe, yeah, they weren't even as 274 00:13:09,760 --> 00:13:10,559 Speaker 2: intrusive them. 275 00:13:11,040 --> 00:13:14,719 Speaker 3: Yeah, no reporter is going to be like, you'd be fired. 276 00:13:14,480 --> 00:13:18,320 Speaker 2: Right, because keep in mind, like all the agencies and 277 00:13:18,360 --> 00:13:21,720 Speaker 2: all the pr firms, they have other clients. So if 278 00:13:21,760 --> 00:13:24,800 Speaker 2: you're a reporter working for a station, you're not gonna 279 00:13:24,840 --> 00:13:28,000 Speaker 2: want to challenge that because no one will work with 280 00:13:28,040 --> 00:13:30,880 Speaker 2: you again. And she'll be right. So you're right, you're right. 281 00:13:31,120 --> 00:13:33,839 Speaker 1: You're right. It was over dramatized. 282 00:13:34,559 --> 00:13:38,240 Speaker 2: I felt I felt like she was like Larryer Phil's 283 00:13:38,280 --> 00:13:40,440 Speaker 2: friend or something that wrote this, and so they gave 284 00:13:40,480 --> 00:13:42,720 Speaker 2: her a lot of punch. Yeah, yeah, yeah. 285 00:13:42,880 --> 00:13:45,280 Speaker 3: People were real gussied up at that premiere too. 286 00:13:45,840 --> 00:13:49,320 Speaker 1: Gussied Yeah, Val had a black dress but with like 287 00:13:49,360 --> 00:13:51,480 Speaker 1: the shawl over her shoulders. 288 00:13:51,880 --> 00:13:57,240 Speaker 2: Gussie's the lost word. I like that word. Actors were goods. 289 00:13:57,640 --> 00:13:59,760 Speaker 3: I do think that was the Wiltern though those stairs 290 00:13:59,800 --> 00:14:02,720 Speaker 3: come down. I feel like that was at the Wiltern. 291 00:14:02,760 --> 00:14:05,559 Speaker 3: With those big stairs coming down, that makes me think 292 00:14:05,600 --> 00:14:07,760 Speaker 3: that is the Wiltern. I'm trying to recomplish, you. 293 00:14:07,720 --> 00:14:09,600 Speaker 1: Know, I want to see that again right now. 294 00:14:09,520 --> 00:14:11,079 Speaker 3: And like, why would they show the outside of the 295 00:14:11,120 --> 00:14:14,040 Speaker 3: Wiltern and then shoot it inside somewhere else. 296 00:14:14,240 --> 00:14:18,040 Speaker 2: No, they wouldn't they must have. Yeah. 297 00:14:18,080 --> 00:14:22,200 Speaker 1: Wow, okay, so well he's leaving. I just can you 298 00:14:22,280 --> 00:14:24,960 Speaker 1: just be clear with me, Is this last episode he 299 00:14:25,000 --> 00:14:26,560 Speaker 1: moves back to wherever he came from. 300 00:14:26,720 --> 00:14:30,160 Speaker 2: Yeah, he's gone and going to Sex and the City 301 00:14:30,240 --> 00:14:32,280 Speaker 2: very soon. Yeah. 302 00:14:32,360 --> 00:14:38,400 Speaker 1: Oh lucky hen lucky guy. Okay, yeah, I'm seeing that. 303 00:14:38,560 --> 00:14:41,520 Speaker 1: You're right, that probably is the inside of the Wiltern. Oh, 304 00:14:41,600 --> 00:14:44,680 Speaker 1: absolutely with that ceiling. Yeah. When's the last time you 305 00:14:44,680 --> 00:14:45,480 Speaker 1: went to the Wiltern. 306 00:14:46,320 --> 00:14:50,440 Speaker 3: Oh gosh, I was at the Wiltern. I'm picturing myself 307 00:14:50,480 --> 00:14:54,920 Speaker 3: at the Wiltern pre pandemic. I went to see something there. 308 00:14:55,360 --> 00:14:57,720 Speaker 1: Yeah, I know, I've been there for a live in music. 309 00:14:58,160 --> 00:14:58,840 Speaker 3: It's music. 310 00:14:59,480 --> 00:15:01,320 Speaker 1: I can't remember what was it. 311 00:15:02,920 --> 00:15:05,200 Speaker 3: I think I was standing, which I don't care for. 312 00:15:05,800 --> 00:15:09,560 Speaker 1: No, have you reached that point when you go see 313 00:15:09,680 --> 00:15:10,840 Speaker 1: music you're a sitter now? 314 00:15:11,240 --> 00:15:14,680 Speaker 3: Yeah? I'm like, Amy, I see I I on that, Like, 315 00:15:14,920 --> 00:15:17,040 Speaker 3: can I have a chair please? I went to this 316 00:15:17,120 --> 00:15:21,360 Speaker 3: synchronized swimming thing the other night, which was great, by 317 00:15:21,400 --> 00:15:24,560 Speaker 3: the way, Yeah right, not gonna lie, But had I 318 00:15:24,600 --> 00:15:27,120 Speaker 3: had a chair, I would have been like. There was bleachers, 319 00:15:27,120 --> 00:15:29,200 Speaker 3: but it was packed so packed I had to stand. 320 00:15:29,240 --> 00:15:31,600 Speaker 3: Standing room only was. 321 00:15:31,600 --> 00:15:33,440 Speaker 1: This for one of your nieces or something. 322 00:15:33,600 --> 00:15:35,600 Speaker 3: It was. My friend was like, hey, I want to 323 00:15:35,600 --> 00:15:38,320 Speaker 3: come to this synchronized swimming thing, and I was like, 324 00:15:38,880 --> 00:15:42,640 Speaker 3: you said I was, I literally wrote back, I do. 325 00:15:42,720 --> 00:15:44,960 Speaker 1: This is unusual. I don't I don't know who you're 326 00:15:45,000 --> 00:15:48,800 Speaker 1: becoming amy who wouldn't go to that. I feel like 327 00:15:48,800 --> 00:15:51,600 Speaker 1: I don't know you anymore, like Esther Williams, like it. 328 00:15:51,480 --> 00:15:54,160 Speaker 3: Was it was kids. It was just wasn't my kids, 329 00:15:54,200 --> 00:15:59,680 Speaker 3: but it was like kids from six to twenty. The 330 00:16:00,160 --> 00:16:02,280 Speaker 3: month that creeped me out was the dads jumped in 331 00:16:02,360 --> 00:16:03,920 Speaker 3: at one point, and I did not like that. 332 00:16:04,040 --> 00:16:04,880 Speaker 2: Jumped in the water. 333 00:16:05,720 --> 00:16:08,240 Speaker 3: Yeah, there were pink tutu's. I did not care for 334 00:16:08,280 --> 00:16:11,880 Speaker 3: that part. It made like a very professional performance, a 335 00:16:11,920 --> 00:16:16,160 Speaker 3: little bit like ooh, yeah, the dads jumped in twice. 336 00:16:16,280 --> 00:16:17,160 Speaker 3: I did not like that. 337 00:16:17,680 --> 00:16:18,880 Speaker 1: They thought it would be funny. 338 00:16:19,120 --> 00:16:21,680 Speaker 3: They definitely thought it would be funny, and it was. 339 00:16:22,360 --> 00:16:23,960 Speaker 3: Some people thought it was funny. I just was like, 340 00:16:24,040 --> 00:16:31,040 Speaker 3: oh no, amazing though they had lights and like effects 341 00:16:31,120 --> 00:16:35,440 Speaker 3: and fog and like this. It was crazy. 342 00:16:36,280 --> 00:16:38,560 Speaker 1: Yeah. I didn't even know that was a thing, Like 343 00:16:38,760 --> 00:16:41,360 Speaker 1: it is synchronized swimming making a big comeback. 344 00:16:41,440 --> 00:16:43,960 Speaker 3: I don't know. I think it's like these kids, it's 345 00:16:43,960 --> 00:16:47,400 Speaker 3: like their summer activity. There's a hundred of them, so 346 00:16:47,560 --> 00:16:50,000 Speaker 3: them we're in junior Olympics. This is no joke. 347 00:16:50,840 --> 00:16:53,880 Speaker 1: Yeah, that's gotta be hard to do. First of all, 348 00:16:53,920 --> 00:16:55,000 Speaker 1: just to wear that nose. 349 00:16:54,800 --> 00:16:57,160 Speaker 3: Clip, Oh my gosh, I would be out at that. 350 00:16:57,400 --> 00:17:01,280 Speaker 1: I could that, I'd be like, no, that was that. 351 00:17:01,520 --> 00:17:03,800 Speaker 3: I thought about that and said that's a no for me. 352 00:17:04,359 --> 00:17:07,119 Speaker 2: I couldn't wear myting on my You wouldn't want to 353 00:17:07,160 --> 00:17:09,760 Speaker 2: wear the like swimon. You know, it stresses me out 354 00:17:09,760 --> 00:17:11,600 Speaker 2: even putting my hair back, but having it in a 355 00:17:11,640 --> 00:17:13,920 Speaker 2: swim bonnet, I would like, that'd be it. 356 00:17:15,320 --> 00:17:17,840 Speaker 1: No, that's just wait, wait wait tour. That's just way 357 00:17:17,880 --> 00:17:18,280 Speaker 1: too much. 358 00:17:18,359 --> 00:17:19,960 Speaker 2: This not this. 359 00:17:23,440 --> 00:17:26,400 Speaker 1: One time. I don't even remember where we were when 360 00:17:26,440 --> 00:17:28,480 Speaker 1: this happened, but it happened on a number of occasions 361 00:17:28,480 --> 00:17:31,800 Speaker 1: where you were like, oh, whoa, I am seeing way 362 00:17:31,840 --> 00:17:35,280 Speaker 1: too much of this. She's referring to me, I'm seeing 363 00:17:35,320 --> 00:17:37,440 Speaker 1: way too much of this and not enough of this, 364 00:17:41,160 --> 00:17:43,800 Speaker 1: meaning I don't want to see so much of your face. 365 00:17:45,680 --> 00:17:47,560 Speaker 3: It eve a nice face. 366 00:17:49,240 --> 00:17:50,920 Speaker 1: Now I'm always like, oh my god, I gotta put 367 00:17:50,960 --> 00:17:52,600 Speaker 1: my hair down. I gotta solve in it. There's too 368 00:17:52,680 --> 00:17:53,200 Speaker 1: much face. 369 00:17:53,520 --> 00:17:58,320 Speaker 2: That is not how it went. That's it, don't I 370 00:17:58,400 --> 00:18:00,520 Speaker 2: always tell you I'm seeing too much much of this, 371 00:18:00,760 --> 00:18:02,720 Speaker 2: and you tell me you're seeing too much of this. 372 00:18:04,359 --> 00:18:07,920 Speaker 1: Wait, no, that's it. That's it. I say, oh, I'm 373 00:18:07,960 --> 00:18:09,560 Speaker 1: seeing too much of this, too. 374 00:18:09,440 --> 00:18:11,679 Speaker 2: Much of her teeth, And she says she's seeing too 375 00:18:11,760 --> 00:18:12,680 Speaker 2: much in my face. 376 00:18:15,119 --> 00:18:19,040 Speaker 1: Oh god, the true friends can be like, your teeth 377 00:18:19,040 --> 00:18:20,560 Speaker 1: are way too big for me right now. 378 00:18:20,880 --> 00:18:25,359 Speaker 2: You can't handle it too much? Oh god. 379 00:18:25,560 --> 00:18:27,240 Speaker 1: Fuck. Anyway, back to the show, we. 380 00:18:27,200 --> 00:18:28,679 Speaker 3: Talk about Claire and Steve. 381 00:18:29,080 --> 00:18:31,680 Speaker 1: I just want to cut to her hair at the end. 382 00:18:31,960 --> 00:18:33,639 Speaker 3: It was sassing it up. I did not lie. I 383 00:18:33,640 --> 00:18:35,679 Speaker 3: did not love that black dress though, the one that 384 00:18:35,720 --> 00:18:37,240 Speaker 3: Steve was all giddy about. 385 00:18:37,280 --> 00:18:40,119 Speaker 2: I was like her hair stressed me out of them? 386 00:18:40,359 --> 00:18:43,280 Speaker 1: Was that like a did she was that a wig? 387 00:18:43,400 --> 00:18:43,679 Speaker 1: Did she? 388 00:18:44,480 --> 00:18:47,399 Speaker 2: What happened? That was like a finger in the socket moment? 389 00:18:47,680 --> 00:18:50,600 Speaker 3: Her hair was fine for me, It was the It 390 00:18:50,680 --> 00:18:51,640 Speaker 3: was the attitude. 391 00:18:52,160 --> 00:18:54,760 Speaker 2: Oh, I couldn't see past the hair. I didn't even 392 00:18:54,880 --> 00:18:55,159 Speaker 2: see that. 393 00:18:55,160 --> 00:18:57,160 Speaker 1: I don't even know what they said. But did they kiss? 394 00:18:57,160 --> 00:18:58,280 Speaker 2: I have no idea. 395 00:18:58,400 --> 00:19:01,439 Speaker 3: Yes, they have that romantic kiss with the flowers guys. 396 00:19:01,760 --> 00:19:04,840 Speaker 3: They have nothing to do with those two people other 397 00:19:04,920 --> 00:19:10,280 Speaker 3: than have them fight in every episode. It is actually ridiculous. 398 00:19:10,480 --> 00:19:15,000 Speaker 3: And her blaming him for her computer problem was so dumb. 399 00:19:15,440 --> 00:19:18,800 Speaker 3: And then he stayed a Hawaii to fix the computer, 400 00:19:19,000 --> 00:19:20,040 Speaker 3: which also well. 401 00:19:20,280 --> 00:19:24,000 Speaker 1: He couldn't have figured that out. But what would that 402 00:19:24,160 --> 00:19:27,159 Speaker 1: happen back then when you had those big things, the box, 403 00:19:27,280 --> 00:19:30,560 Speaker 1: the gigabytes, whatever that thing is, and you put liquid 404 00:19:30,600 --> 00:19:32,280 Speaker 1: in it, would it actually smoke like that? 405 00:19:32,680 --> 00:19:35,280 Speaker 2: I don't think so No, I don't know. 406 00:19:35,720 --> 00:19:37,480 Speaker 3: I mean, I've dropped my phone in a toilet. Has 407 00:19:37,480 --> 00:19:38,200 Speaker 3: nobody done that? 408 00:19:39,000 --> 00:19:39,560 Speaker 1: I've done that? 409 00:19:39,720 --> 00:19:39,840 Speaker 2: Oh? 410 00:19:39,960 --> 00:19:43,879 Speaker 3: Yeah, everybody's done that. Yeah, I poured a potty I 411 00:19:43,920 --> 00:19:46,000 Speaker 3: had to reach in a soa. 412 00:19:46,600 --> 00:19:49,200 Speaker 1: I'm sick of him. I'm sorry, I'm sick of it. 413 00:19:49,359 --> 00:19:51,800 Speaker 1: Wait but okay, so you're sick of them? How much 414 00:19:51,840 --> 00:19:52,480 Speaker 1: more is. 415 00:19:52,400 --> 00:19:54,560 Speaker 3: There just till the end of the season? 416 00:19:55,560 --> 00:19:58,399 Speaker 1: So how much more is the episode? We on? 417 00:20:00,119 --> 00:20:00,479 Speaker 2: Episode? 418 00:20:00,560 --> 00:20:03,200 Speaker 3: We got seven more? 419 00:20:01,760 --> 00:20:05,960 Speaker 1: Like, oh my god, there will be through season seven? 420 00:20:06,080 --> 00:20:07,919 Speaker 2: Would you say ten more with Claire? 421 00:20:08,560 --> 00:20:09,639 Speaker 3: Seven seven? 422 00:20:09,840 --> 00:20:12,359 Speaker 2: I think you said seven more episodes? Ten more with Claire. 423 00:20:12,400 --> 00:20:14,320 Speaker 3: I get why she left because she's like, I'm not 424 00:20:14,520 --> 00:20:15,920 Speaker 3: doing anything right. 425 00:20:16,119 --> 00:20:17,399 Speaker 2: If you're not going to write anything for me. 426 00:20:17,680 --> 00:20:19,560 Speaker 3: I'm just annoying. And I don't know why they're not 427 00:20:19,560 --> 00:20:23,000 Speaker 3: writing anything. Maybe they just cannot think of it. I 428 00:20:23,000 --> 00:20:26,720 Speaker 3: don't know, seven years of a show, it might get hard. 429 00:20:27,119 --> 00:20:29,879 Speaker 1: Could you, yeah, could you think of something for Claire 430 00:20:29,920 --> 00:20:32,520 Speaker 1: and Steve to do? As a writer, what would you 431 00:20:32,600 --> 00:20:33,320 Speaker 1: have them do? 432 00:20:33,520 --> 00:20:37,920 Speaker 2: I feel like their blockage is not Claire, it's Steve. Okay, 433 00:20:37,960 --> 00:20:43,639 Speaker 2: why because I think, in their opinion, not that. Wait, 434 00:20:43,760 --> 00:20:46,560 Speaker 2: I got to tread Light Layer. I don't know. As 435 00:20:46,600 --> 00:20:50,080 Speaker 2: a romantic lead. Steve has been not written as that 436 00:20:50,119 --> 00:20:54,240 Speaker 2: for seven seasons, and when he does have his moments, 437 00:20:54,359 --> 00:20:56,680 Speaker 2: I don't know, it's kind of one note a little bit. 438 00:20:56,800 --> 00:21:00,280 Speaker 2: So perhaps they're not sure what to do in a 439 00:21:00,440 --> 00:21:01,200 Speaker 2: romantic schitution. 440 00:21:01,200 --> 00:21:04,000 Speaker 3: It would have gone harder on them living together trying 441 00:21:04,040 --> 00:21:04,440 Speaker 3: that mane. 442 00:21:04,480 --> 00:21:06,240 Speaker 1: That would have been fun to see anything, that would 443 00:21:06,240 --> 00:21:06,560 Speaker 1: have been. 444 00:21:06,480 --> 00:21:09,119 Speaker 2: Something that would have been cute, like odd couple. But 445 00:21:09,119 --> 00:21:10,800 Speaker 2: then they would have beat that over the head, and. 446 00:21:10,840 --> 00:21:12,879 Speaker 1: Yeah, they would have been fighting and making up and 447 00:21:12,880 --> 00:21:13,920 Speaker 1: fighting and making up. 448 00:21:14,080 --> 00:21:17,320 Speaker 3: I don't know why I find them so irritating when 449 00:21:18,560 --> 00:21:21,560 Speaker 3: they're just giving you two more to do. I mean, 450 00:21:21,560 --> 00:21:24,840 Speaker 3: it's far fetched. And crazy like hostage and you know, 451 00:21:25,000 --> 00:21:28,359 Speaker 3: drug addict and kidnapped and I adopted a kid for 452 00:21:28,400 --> 00:21:31,000 Speaker 3: two days and all that. But at least it's something. 453 00:21:30,920 --> 00:21:33,359 Speaker 2: Because that was the thing the nineties, women in peril, 454 00:21:33,440 --> 00:21:35,359 Speaker 2: like it was never men in peril. 455 00:21:36,280 --> 00:21:39,400 Speaker 3: I just also think, look, not to be an ass. 456 00:21:39,640 --> 00:21:43,200 Speaker 3: They're going to give you two the storyline. She's down 457 00:21:43,320 --> 00:21:48,040 Speaker 3: further right, literally, think about it. It's you two. Tiffany's 458 00:21:48,040 --> 00:21:51,920 Speaker 3: going to get the better storyline than Kathleen. So they're 459 00:21:51,960 --> 00:21:53,480 Speaker 3: just out. They don't have anything. 460 00:21:53,520 --> 00:21:56,959 Speaker 1: But who's been there longer, the character of Claire or 461 00:21:56,960 --> 00:21:58,240 Speaker 1: the character of val. 462 00:21:58,280 --> 00:21:59,240 Speaker 2: Ooh good question. 463 00:21:59,760 --> 00:22:00,720 Speaker 3: No, let's see. 464 00:22:00,800 --> 00:22:03,439 Speaker 2: I think I think Claire Claire. 465 00:22:03,480 --> 00:22:06,320 Speaker 3: I think too, because she was there when Brenda was 466 00:22:06,359 --> 00:22:08,080 Speaker 3: there freshman year of college. 467 00:22:08,400 --> 00:22:10,120 Speaker 2: Oh yeah, maybe not then yeah. 468 00:22:09,960 --> 00:22:12,160 Speaker 3: Yeah, remember she was in high school and she loved 469 00:22:12,520 --> 00:22:13,240 Speaker 3: right right. 470 00:22:13,840 --> 00:22:16,040 Speaker 1: But they've given Claire good fun things to do with 471 00:22:16,080 --> 00:22:18,359 Speaker 1: her mom with the prince, not her mom. 472 00:22:18,440 --> 00:22:19,920 Speaker 3: Her mom is not not with. 473 00:22:19,800 --> 00:22:22,000 Speaker 1: Us, no I know, but like with the loss of 474 00:22:22,040 --> 00:22:25,280 Speaker 1: her mom. Oh sorry, seeing her character deal with all 475 00:22:25,280 --> 00:22:26,120 Speaker 1: that stuff. 476 00:22:26,520 --> 00:22:28,439 Speaker 3: She was kind of more fun when she was nuts. 477 00:22:28,760 --> 00:22:33,639 Speaker 1: Oh yeah, when she was like yeah, yeah, it psycho 478 00:22:33,760 --> 00:22:34,840 Speaker 1: Claire I like that. 479 00:22:34,720 --> 00:22:36,439 Speaker 2: Part, but I feel like they're hitting a wall with 480 00:22:36,600 --> 00:22:38,080 Speaker 2: Valerie too a little bit. 481 00:22:39,119 --> 00:22:42,920 Speaker 3: It's like repetitive, repetitive, right day, three weeks right. 482 00:22:43,520 --> 00:22:48,200 Speaker 2: I don't know, sorry to say right for some fresh 483 00:22:48,240 --> 00:22:53,200 Speaker 2: blood Kelly and Brandon. That's the first Blood. But it's 484 00:22:53,200 --> 00:22:56,800 Speaker 2: been so long that it's like it feels like the 485 00:22:56,840 --> 00:22:57,639 Speaker 2: first time again. 486 00:22:58,600 --> 00:23:02,800 Speaker 1: She feels like the first Isn't that a song like 487 00:23:02,880 --> 00:23:07,080 Speaker 1: the very first? Sorry, guys, that was really bad on 488 00:23:07,119 --> 00:23:09,719 Speaker 1: your ears. I apologize to the world. 489 00:23:22,200 --> 00:23:23,960 Speaker 2: Okay, should we get David and Donna? 490 00:23:23,960 --> 00:23:26,679 Speaker 1: And David is really trying to surprise Donna. 491 00:23:28,040 --> 00:23:28,639 Speaker 3: Yeah. 492 00:23:28,720 --> 00:23:31,680 Speaker 1: I like this because it shows, you know, a young 493 00:23:31,800 --> 00:23:37,359 Speaker 1: boys like realization that hey, I can do more in 494 00:23:37,400 --> 00:23:41,439 Speaker 1: this relationship, like I need to show up, which is 495 00:23:41,560 --> 00:23:44,639 Speaker 1: him maturing. I think it's cool to see. 496 00:23:44,960 --> 00:23:46,919 Speaker 2: You're right And I couldn't figure out. I was like, 497 00:23:47,080 --> 00:23:49,600 Speaker 2: did I miss it? Isn't their anniversary? What is it? 498 00:23:50,000 --> 00:23:52,080 Speaker 2: That was really cute the first time he told her 499 00:23:52,119 --> 00:23:53,800 Speaker 2: he loved her. It's the anniversary of that. 500 00:23:54,440 --> 00:23:57,560 Speaker 3: The whole thing was quite cute. Yeah, although he was 501 00:23:57,800 --> 00:24:01,920 Speaker 3: very rude to Nat with his bad and also, wow, 502 00:24:02,160 --> 00:24:03,480 Speaker 3: he got so worked up. 503 00:24:03,960 --> 00:24:06,320 Speaker 1: I was like, why are you breathing so deeply. It's 504 00:24:06,440 --> 00:24:07,400 Speaker 1: just a hamburger. 505 00:24:09,359 --> 00:24:11,600 Speaker 2: But they did that on purpose, so we would think like, oh, 506 00:24:11,760 --> 00:24:17,120 Speaker 2: is he getting mentally unstable again? Right at that moment 507 00:24:17,160 --> 00:24:18,440 Speaker 2: where she's like, I feel. 508 00:24:18,160 --> 00:24:21,040 Speaker 1: Like okay, So we're seeing that this is this is 509 00:24:22,400 --> 00:24:29,080 Speaker 1: David healthy mentally. Well so is he just the guy 510 00:24:29,160 --> 00:24:31,919 Speaker 1: that can't handle stress ever? Like whether he's on the 511 00:24:31,960 --> 00:24:34,880 Speaker 1: drugs or not on the drugs, this is just his personality, 512 00:24:34,920 --> 00:24:37,480 Speaker 1: like he something an obstacle and he just kind of 513 00:24:37,480 --> 00:24:38,600 Speaker 1: full blown panics. 514 00:24:38,880 --> 00:24:42,560 Speaker 3: That's interesting. He gets kind of spicy when he's just 515 00:24:42,560 --> 00:24:46,720 Speaker 3: trying to learn how to saute something. 516 00:24:47,520 --> 00:24:48,000 Speaker 2: I don't know. 517 00:24:48,200 --> 00:24:48,840 Speaker 3: Good question. 518 00:24:48,960 --> 00:24:52,520 Speaker 1: Wait, but where did he I was I was walking 519 00:24:52,640 --> 00:24:55,800 Speaker 1: with my computer and something fell. But I didn't see 520 00:24:55,920 --> 00:24:58,200 Speaker 1: the dinner. So he had you come to the peapad. 521 00:24:59,440 --> 00:25:01,359 Speaker 2: Yes, and I tried to take pictures but I didn't 522 00:25:01,359 --> 00:25:04,200 Speaker 2: get that out. Like that was so cute, the lit 523 00:25:04,800 --> 00:25:06,680 Speaker 2: peach and then the dinner out. 524 00:25:06,960 --> 00:25:09,359 Speaker 1: Oh and he prepared the food? 525 00:25:09,800 --> 00:25:13,720 Speaker 2: Would he prepare a cornish game pen stuffed with uh 526 00:25:14,359 --> 00:25:18,680 Speaker 2: rice and mushrooms? You remember this long grain rice and mushrooms. 527 00:25:18,920 --> 00:25:21,000 Speaker 2: You know I like food, and so of course I 528 00:25:21,040 --> 00:25:25,840 Speaker 2: remembered this dealel and vegetables on the side and scalloped potatoes. 529 00:25:26,119 --> 00:25:26,800 Speaker 1: Did you eat it? 530 00:25:27,480 --> 00:25:28,040 Speaker 2: Probably not? 531 00:25:28,160 --> 00:25:29,080 Speaker 1: Nope. 532 00:25:29,520 --> 00:25:31,680 Speaker 2: I was disappointed that it was in the peepad though, 533 00:25:32,000 --> 00:25:34,280 Speaker 2: I was like, where'd you want it? 534 00:25:34,720 --> 00:25:36,760 Speaker 1: On the beach with some twinkle lights? 535 00:25:36,800 --> 00:25:39,639 Speaker 2: And now you got to wait to the proposal for that? 536 00:25:40,600 --> 00:25:45,280 Speaker 1: Oh okay, and that's it. That's I mean, so we're 537 00:25:45,680 --> 00:25:49,560 Speaker 1: at some point between in the next seven episodes, Tracy's 538 00:25:49,600 --> 00:25:52,880 Speaker 1: going to Oh sorry, sorry, You're going to lose that. 539 00:25:52,880 --> 00:25:54,640 Speaker 1: That's going to be a big deal. I think that's 540 00:25:54,680 --> 00:26:00,000 Speaker 1: at the end though, isn't it. But Tracy's leaving, yeah, 541 00:25:59,720 --> 00:26:05,040 Speaker 1: and Claire's leaving. So two major players are gonna be leaving. 542 00:26:07,119 --> 00:26:11,960 Speaker 1: What will happen? Who fills the I guess I should 543 00:26:12,000 --> 00:26:14,360 Speaker 1: just like take it one step at a time. I'm 544 00:26:14,359 --> 00:26:15,520 Speaker 1: getting in over my head. 545 00:26:16,320 --> 00:26:17,040 Speaker 2: Yeah. 546 00:26:17,280 --> 00:26:19,360 Speaker 1: Do you think this is how the writers felt when 547 00:26:19,359 --> 00:26:23,320 Speaker 1: they were like, wait, what are we gonna do? Yeah? 548 00:26:23,560 --> 00:26:26,960 Speaker 2: I do. Oh no, you guys. 549 00:26:27,160 --> 00:26:28,840 Speaker 1: You know it's got to be hard to run a 550 00:26:28,920 --> 00:26:35,320 Speaker 1: show for seven seasons now and come up with fresh ideas. 551 00:26:36,080 --> 00:26:40,560 Speaker 2: Yeah, but that's like talking about life, Like imagine this 552 00:26:40,600 --> 00:26:43,320 Speaker 2: is real life, and like, let's say seven years have 553 00:26:43,359 --> 00:26:47,040 Speaker 2: gone by like things still happen to us. Yep, you know, 554 00:26:47,280 --> 00:26:50,320 Speaker 2: life keeps on going. So to run out of storylines 555 00:26:50,320 --> 00:26:53,760 Speaker 2: for characters that are like real life characters now, like 556 00:26:53,800 --> 00:26:55,960 Speaker 2: we know them really well, the public knows them, Like, 557 00:26:56,240 --> 00:26:57,159 Speaker 2: I think that's odd. 558 00:26:57,920 --> 00:27:00,520 Speaker 1: Yeah, I mean, as I was just thinking, like if 559 00:27:00,560 --> 00:27:02,320 Speaker 1: I was in that writer's room, like I would have 560 00:27:02,400 --> 00:27:07,320 Speaker 1: like journey maps for each of the characters and just 561 00:27:07,400 --> 00:27:09,560 Speaker 1: take it from there instead of coming up with like 562 00:27:09,800 --> 00:27:13,119 Speaker 1: weird things for them to do out of nowhere, but 563 00:27:13,240 --> 00:27:15,800 Speaker 1: really take a look at, like what's the actual evolution 564 00:27:15,960 --> 00:27:17,760 Speaker 1: of a person's life at this stage. 565 00:27:17,880 --> 00:27:21,800 Speaker 2: That's that's more interesting, And I'm pretty sure that never happened. 566 00:27:22,760 --> 00:27:26,960 Speaker 1: Wait, Lorangel said, Tracy is in the next episode and 567 00:27:27,000 --> 00:27:30,280 Speaker 1: then she's back. Okay, so the next episode is apparently 568 00:27:30,320 --> 00:27:33,879 Speaker 1: Tracy's last episode, and then she's back for the first 569 00:27:33,920 --> 00:27:35,600 Speaker 1: two episodes of season eight. 570 00:27:36,119 --> 00:27:39,639 Speaker 2: This I knew, she goes, Yeah, she's in Hawaii with us. 571 00:27:40,280 --> 00:27:42,679 Speaker 3: I forgot this completely. 572 00:27:44,000 --> 00:27:46,600 Speaker 1: She got my ticket to Hawaii, I know. 573 00:27:47,960 --> 00:27:51,080 Speaker 2: Yeah, we had it to do over again. Weren't fun to 574 00:27:51,119 --> 00:27:53,840 Speaker 2: be in Hawaii together? Yeah? 575 00:27:54,400 --> 00:27:55,000 Speaker 1: I'd like that. 576 00:27:55,600 --> 00:27:56,840 Speaker 2: What was the Brady Bunch one? 577 00:27:57,040 --> 00:27:58,240 Speaker 1: Oh with a tiki doll? 578 00:28:00,200 --> 00:28:02,120 Speaker 3: Price surfing. 579 00:28:02,560 --> 00:28:05,160 Speaker 1: Can Amy, can you make the sound effect whenever they 580 00:28:05,160 --> 00:28:07,560 Speaker 1: saw the tiki doll or the spider? 581 00:28:07,640 --> 00:28:07,800 Speaker 2: Oh? 582 00:28:07,840 --> 00:28:11,800 Speaker 3: I cannot, But I do know what you're talking about. 583 00:28:11,800 --> 00:28:16,760 Speaker 3: Like it's like foreshadowing. Oh, Greg's gonna crash on his surfboard. 584 00:28:16,840 --> 00:28:19,760 Speaker 1: Now, Amy, don't get us started. I feel like we 585 00:28:19,840 --> 00:28:23,320 Speaker 1: could just talk about the Brady Bunch so much more 586 00:28:23,720 --> 00:28:28,960 Speaker 1: excitedly than this episode of the ha Why episode The 587 00:28:28,960 --> 00:28:30,120 Speaker 1: Brady Bunch with everything. 588 00:28:31,880 --> 00:28:34,000 Speaker 2: Okay, you guys, so we're gonna leave you on this. 589 00:28:34,000 --> 00:28:38,960 Speaker 2: This episode ends with what we've all wanted forever, Brandon 590 00:28:39,040 --> 00:28:43,280 Speaker 2: and Kelly kissing, but then they part, he says sorry, 591 00:28:43,520 --> 00:28:45,560 Speaker 2: they walk away. He looks back. 592 00:28:45,760 --> 00:28:47,920 Speaker 1: She looked back? 593 00:28:48,160 --> 00:28:48,520 Speaker 4: She did? 594 00:28:49,000 --> 00:28:49,560 Speaker 1: I thought, so? 595 00:28:50,440 --> 00:28:53,160 Speaker 2: You sure? I think they just didn't look back at 596 00:28:53,160 --> 00:28:54,400 Speaker 2: the same time. Is this correct? 597 00:28:54,520 --> 00:28:57,160 Speaker 1: You know that always happens. They show one looking back 598 00:28:57,240 --> 00:29:00,320 Speaker 1: and then the other looks back looks away. Oh okay, 599 00:29:00,360 --> 00:29:03,880 Speaker 1: I'm seeing David in his cute little outfit. Now, wow, 600 00:29:03,960 --> 00:29:06,160 Speaker 1: he really did do it up with a lady for. 601 00:29:06,280 --> 00:29:09,040 Speaker 3: The point with the umbrella too. 602 00:29:08,520 --> 00:29:11,280 Speaker 2: Would that being called a dinner jacket, the white one 603 00:29:11,280 --> 00:29:12,040 Speaker 2: that's not a tux? 604 00:29:12,400 --> 00:29:13,640 Speaker 3: I thought he was wearing a tux. 605 00:29:14,360 --> 00:29:16,040 Speaker 2: I thought they used to call it a dinner jacket 606 00:29:16,040 --> 00:29:19,520 Speaker 2: if it was a white tuxwe. 607 00:29:18,920 --> 00:29:20,480 Speaker 3: This is a great question because he was wearing a 608 00:29:20,520 --> 00:29:23,400 Speaker 3: bow tie though, right felt like a tux chasin's. 609 00:29:23,440 --> 00:29:25,560 Speaker 1: I think that's something that people at chasins would wear 610 00:29:25,560 --> 00:29:26,480 Speaker 1: when they like. 611 00:29:26,760 --> 00:29:29,320 Speaker 2: Serve you, serve you. Yeah, so I just looked up 612 00:29:29,360 --> 00:29:32,680 Speaker 2: and a dinner jacket is another way of saying a 613 00:29:32,720 --> 00:29:35,120 Speaker 2: tuxedo jacket formal evening jacket. 614 00:29:35,680 --> 00:29:38,120 Speaker 1: Wait, I'm watching the Kelly Brannon scene again, so I 615 00:29:38,160 --> 00:29:39,720 Speaker 1: can see if they. 616 00:29:39,400 --> 00:29:40,840 Speaker 2: If I want to know, if you want if you 617 00:29:40,880 --> 00:29:41,600 Speaker 2: look back. 618 00:29:41,720 --> 00:29:46,680 Speaker 1: Yeah, he gives her his jacket. It's such a sweetheart. 619 00:29:47,640 --> 00:29:49,640 Speaker 1: It's happening that I can't watch it. 620 00:29:49,880 --> 00:29:54,360 Speaker 3: Cute. That whole thing was super cute. And you look 621 00:29:54,440 --> 00:29:56,520 Speaker 3: back and then he looks back, and. 622 00:29:56,440 --> 00:29:58,120 Speaker 2: So she does look back. Do you look back? 623 00:29:58,360 --> 00:30:02,360 Speaker 3: Yeah, she looked back. Think before he looked back. 624 00:30:02,600 --> 00:30:06,200 Speaker 1: They part ways. Wait, they pause. She looks back, Okay, 625 00:30:06,560 --> 00:30:10,480 Speaker 1: turns he looks back. Yep, turns just. 626 00:30:10,480 --> 00:30:11,000 Speaker 2: Not the same. 627 00:30:11,040 --> 00:30:11,280 Speaker 3: Ada. 628 00:30:12,080 --> 00:30:14,240 Speaker 2: I'm just gonna keep this John Hughes moment going for 629 00:30:14,880 --> 00:30:15,520 Speaker 2: a little longer. 630 00:30:15,960 --> 00:30:18,080 Speaker 1: Well, what did what do you guys give this episode? 631 00:30:18,600 --> 00:30:19,840 Speaker 1: If you had to rate it. 632 00:30:20,440 --> 00:30:22,719 Speaker 2: I'm sorry you guys, we're gonna have to give two 633 00:30:22,880 --> 00:30:27,000 Speaker 2: ratings because we're going I could do it minus that scene. 634 00:30:27,240 --> 00:30:30,560 Speaker 3: Yeah, with the scene ten, without the scene eight. 635 00:30:31,280 --> 00:30:33,320 Speaker 1: Yeah, I guess it was. I feel like it was 636 00:30:33,360 --> 00:30:37,680 Speaker 1: a ten. But well, I gotta say, if like I 637 00:30:37,800 --> 00:30:41,040 Speaker 1: was home in the middle of America or maybe even 638 00:30:41,320 --> 00:30:45,120 Speaker 1: somewhere in Denmark watching those I don't know, and they 639 00:30:45,120 --> 00:30:48,440 Speaker 1: were having a movie premiere, I would be so like, Wow, 640 00:30:48,480 --> 00:30:49,320 Speaker 1: this is so cool. 641 00:30:49,920 --> 00:30:52,560 Speaker 3: It's not a bad episode at all. Maybe it's an 642 00:30:52,840 --> 00:30:54,000 Speaker 3: eight point five and a ten. 643 00:30:54,560 --> 00:30:57,920 Speaker 2: Yeah, I say eight and then ten for the kiss. 644 00:30:58,160 --> 00:31:03,400 Speaker 1: So Donna, you're getting ramped up, you're getting ready, Oh 645 00:31:03,840 --> 00:31:04,680 Speaker 1: like you're falling. 646 00:31:06,760 --> 00:31:08,400 Speaker 2: I don't want to talk about it. I don't want 647 00:31:08,400 --> 00:31:13,360 Speaker 2: to talk about it. Why, oh no, Because once it's gone, 648 00:31:13,400 --> 00:31:15,600 Speaker 2: it's gone. I'll feel sad. 649 00:31:15,840 --> 00:31:17,640 Speaker 1: You'll feel sad when Donna loses her. 650 00:31:17,600 --> 00:31:21,840 Speaker 2: Be kind of yeah, like a big part of her identity. 651 00:31:21,880 --> 00:31:24,280 Speaker 2: I'm happy for her and she's in love. 652 00:31:24,360 --> 00:31:27,920 Speaker 1: But yeah, well, at least she gives it up to 653 00:31:27,960 --> 00:31:30,520 Speaker 1: the person that they end up marrying, because that is 654 00:31:30,560 --> 00:31:31,760 Speaker 1: not usually. 655 00:31:31,560 --> 00:31:34,080 Speaker 2: The case, is true? Sadly, are you really going to 656 00:31:34,120 --> 00:31:37,880 Speaker 2: move to New York. No, I don't think, so, Kelly says. 657 00:31:38,000 --> 00:31:40,360 Speaker 1: I think she's just throwing spaghetti at the wall, trying 658 00:31:40,360 --> 00:31:42,280 Speaker 1: to figure out what the heck she should do with 659 00:31:42,320 --> 00:31:45,640 Speaker 1: her life at this point, because she really has no life. 660 00:31:46,400 --> 00:31:47,719 Speaker 1: What is she doing? Nothing? 661 00:31:48,360 --> 00:31:50,400 Speaker 2: She's gonna get her masters in psychology. 662 00:31:50,760 --> 00:31:53,280 Speaker 1: But I don't understand how we go. We wait for 663 00:31:53,320 --> 00:31:55,960 Speaker 1: this long, for this whole Brandon Kelly moment, and then 664 00:31:56,040 --> 00:32:00,520 Speaker 1: now I just flash forward to she's with the lawyer 665 00:32:00,760 --> 00:32:02,760 Speaker 1: with Matt Derning and turning at law Like, when does 666 00:32:02,800 --> 00:32:03,320 Speaker 1: that happen? 667 00:32:03,680 --> 00:32:06,280 Speaker 2: Well? I just slash forward and Noah's coming on the 668 00:32:06,280 --> 00:32:09,680 Speaker 2: show next season. So Donna is going to be with him, 669 00:32:09,720 --> 00:32:13,240 Speaker 2: not David what right after she gives it up? No, 670 00:32:13,360 --> 00:32:17,760 Speaker 2: Valerie's going to be with him? First with date with Noah? Huh? 671 00:32:18,480 --> 00:32:19,240 Speaker 2: So confused. 672 00:32:19,400 --> 00:32:22,280 Speaker 1: It's so there's so many Swiss and turns still to 673 00:32:22,320 --> 00:32:24,240 Speaker 1: be had in season eight, nine and ten. 674 00:32:24,600 --> 00:32:25,920 Speaker 2: Janet's coming season eight. 675 00:32:26,480 --> 00:32:28,160 Speaker 1: Oh I hope, so I think so? 676 00:32:28,720 --> 00:32:31,040 Speaker 2: Well, little paper action. 677 00:32:31,320 --> 00:32:34,800 Speaker 1: Uh huh, Okay, Well, there's still so many fun things coming. 678 00:32:34,840 --> 00:32:37,960 Speaker 1: You'll see. You'll see, guys. What's the next episode right, 679 00:32:38,720 --> 00:32:43,000 Speaker 1: Season seven, episode twenty six, which is next week? People, 680 00:32:43,760 --> 00:32:49,400 Speaker 1: the long, goodbye long Please? Is that not? Please? Don't 681 00:32:49,440 --> 00:32:50,320 Speaker 1: let that be about. 682 00:32:50,040 --> 00:32:52,320 Speaker 2: Tracy, you know it is it is. 683 00:32:52,480 --> 00:32:54,000 Speaker 1: I just guessed, well. 684 00:32:54,200 --> 00:32:56,720 Speaker 2: You just kissed him, so he's gonna break up with 685 00:32:56,800 --> 00:32:57,560 Speaker 2: her next week? 686 00:32:57,720 --> 00:33:00,400 Speaker 1: Oh? Why does it be a long goodbye? I know? 687 00:33:00,440 --> 00:33:02,960 Speaker 2: I don't want to Just back a bag and let's 688 00:33:03,000 --> 00:33:04,280 Speaker 2: go hit the road track. 689 00:33:04,440 --> 00:33:07,960 Speaker 1: Yep, all right, everybody, Uh, that's it. Do your homework 690 00:33:08,040 --> 00:33:11,200 Speaker 1: watch next week's episode. Love You by