WEBVTT - Cage w/ Marlyne Barrett

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<v Speaker 1>Of the law and order franchises. SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies. These episodes are based on.

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<v Speaker 3>These are our stories done done.

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<v Speaker 4>Hello, Wow, that sounded like we were singing.

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<v Speaker 2>Hi.

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<v Speaker 1>Welcome to That's Messed Up, an SVU podcast.

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<v Speaker 4>I'm one of your hosts, Kara Klink and I'm Liza Traeger.

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<v Speaker 2>We talk SVU true crime and you know, sometimes we

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<v Speaker 2>have guests, sometimes we don't.

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<v Speaker 4>But a constant is we do gab up top. We

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<v Speaker 4>catch up. What's going on? Bitch? What's that? Bitch?

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<v Speaker 2>What's your whole deal?

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<v Speaker 4>Not too much.

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<v Speaker 1>I'm you know, just dealing with Uh, I'm just doing

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<v Speaker 1>life stuff. I guess what am I doing? What is happening?

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<v Speaker 1>An explosive start. Yeah, well, you know, I never watch

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<v Speaker 1>anything because I never have time, so like I'm always like, yeah,

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<v Speaker 1>it's on my list, on my list. I did watch

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<v Speaker 1>this interesting documentary sort of true crime film on HBO

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<v Speaker 1>Max called They called him mostly harmless.

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<v Speaker 4>Have you heard of it?

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<v Speaker 5>No?

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<v Speaker 4>I have not.

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<v Speaker 1>So my friend Emily recommended it to my text threat

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<v Speaker 1>and was like, it's a really good look at sort

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<v Speaker 1>of Internet culture in a lot of ways around true crime,

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<v Speaker 1>and it's basically, without giving anything away, it's like, this

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<v Speaker 1>guy was found on the Appalachian Trail in a tent.

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<v Speaker 4>He was skin and bones. He was dead.

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<v Speaker 1>He was skin and bones. There was food in his tent,

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<v Speaker 1>there was money in his tent. He was not like

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<v Speaker 1>an indigent person, and no one could identify him, no

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<v Speaker 1>idea on him. No one had reported him missing that

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<v Speaker 1>they could find, and they could not find out.

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<v Speaker 4>Who he was.

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<v Speaker 1>And for two years, these internet sleuth groups like worked

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<v Speaker 1>to identify him. And it's like about the groups and

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<v Speaker 1>also what happens when they identify him.

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<v Speaker 4>It was really interesting.

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<v Speaker 2>Okay, well because the title makes it seem like he's harmful.

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<v Speaker 1>I'm not going to say anything. So I didn't even

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<v Speaker 1>really know this. On the Appalachian Trail, when you hike

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<v Speaker 1>it and maybe other big trails in the US, you

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<v Speaker 1>get trail names, so people could call you, you know, like

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<v Speaker 1>Susiq or whatever. Like people just have trail names. So

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<v Speaker 1>this guy's trail name was mostly Harmless, which is also

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<v Speaker 1>the name of a book in the Hitchhiker's Guide to

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<v Speaker 1>the Galaxy series.

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<v Speaker 4>So like when I told Jared what it was called.

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<v Speaker 1>He goes, well, I know where that name is from, obviously,

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<v Speaker 1>because he's like a door who reads. So the name

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<v Speaker 1>is interesting that that's his name. But I don't want

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<v Speaker 1>to give anything else away.

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<v Speaker 2>No, don't give anything away. I do want to watch it.

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<v Speaker 2>I'm very intrigued, and I'm kind of Bravo's been disappointing.

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<v Speaker 2>Is that what I say? I mean, I'm in the Summerhouse.

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<v Speaker 2>I'll always watch watch what happens, but like, I'm over

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<v Speaker 2>Potomac right now.

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<v Speaker 4>I'm so bored.

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<v Speaker 2>Below Deck I'm not interested in, and vander Pump I'm

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<v Speaker 2>not that into. I must watch this recent one because

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<v Speaker 2>Sheena is like so jealous of Arianna and I kind

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<v Speaker 2>of want to watch her talking about Dancing with the Stars,

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<v Speaker 2>but that's already three nights that are I'm not interested in.

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<v Speaker 4>It's kind of.

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<v Speaker 1>Wild, and everyone online keeps talking about how we're headed

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<v Speaker 1>into a Bravo desert like this coming spring, we've got

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<v Speaker 1>Dubai premiering, and there's just like not a lot else.

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<v Speaker 2>Maybe Jersey, but yeah, right now, it's just like Summerhouse.

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<v Speaker 2>And then once the reunions of Beverly Hills and Miami

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<v Speaker 2>and like, what.

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<v Speaker 4>The fuck Bravo Desert Baby, I don't know what to do.

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<v Speaker 2>We have drag race. I want to start succession. But

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<v Speaker 2>also I'm kind of like like, I've just been busier

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<v Speaker 2>in New York. There's just so much to do. I

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<v Speaker 2>have been watching less here. Yeah, but yeah, I don't know.

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<v Speaker 2>I don't know on YouTube. I mean, there's a New

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<v Speaker 2>Heights podcast that I obviously have to do. Jason Kelcey retired. Yeah,

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<v Speaker 2>of course I thought about you. Obviously I heard and

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<v Speaker 2>I listen. You know, I'm touched.

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<v Speaker 4>I like it.

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<v Speaker 2>I'm crying to forty minute speech. I don't think so,

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<v Speaker 2>I don't think so. Where did he give a forty

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<v Speaker 2>minute speech? That was his press conference for announcing his retirement.

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<v Speaker 2>Was a forty minute speech?

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<v Speaker 6>Wow?

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<v Speaker 4>And then I Arsley, what up? Arsley? Our listener? I

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<v Speaker 4>think it was her.

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<v Speaker 2>I'm pretty sure she wrote I love Jason Kelcey because

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<v Speaker 2>when he cries, he won't use a tissue. He wipes

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<v Speaker 2>his tat it was tears with a rag. I just

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<v Speaker 2>love that he uses a rag like me too. Yo,

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<v Speaker 2>It's like it's so funny, but he's you know, it's

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<v Speaker 2>he's emotional and he is very like eloquent, like he

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<v Speaker 2>is good at speaking. But forty minutes you it couldn't

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<v Speaker 2>be me. I wasn't watching. I watched a little tears,

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<v Speaker 2>I watched the hugs. I watched the moments, but like,

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<v Speaker 2>I cannot watch him think his like you know, athletic trainer.

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<v Speaker 2>I can't watch him talk about the defensive teams like

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<v Speaker 2>I just can't. But whatever, you know, I also have

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<v Speaker 2>a name drop. I have a personal name drop. Ooh yeah,

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<v Speaker 2>I was at a table with Gina gershawan excuse me, yeah,

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<v Speaker 2>at the essen l after party of Show Girl's Fame.

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<v Speaker 4>Yeah.

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<v Speaker 2>Yeah, yeah, it's a bad thing, babe. Yeah, came over

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<v Speaker 2>to our table with meat Brick and uh we got

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<v Speaker 2>to but I was sauced, so I really have no

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<v Speaker 2>more details. She was in front of me. Casey Musgraves

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<v Speaker 2>was next to me. You know who else I met.

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<v Speaker 2>But I wasn't as intimidated by him as I was

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<v Speaker 2>with Gina Gershan So I straight up went, I know you,

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<v Speaker 2>little boy, like I didn't even there was no worry.

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<v Speaker 4>He's a child.

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<v Speaker 2>He's in the wet, hot American Summer reboots Skyler Gazondo.

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<v Speaker 2>Oh born in nineteen ninety six. I'm not treating him

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<v Speaker 2>like a man.

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<v Speaker 4>Wait, but he's in Righteous Gemstones. Yes, that's what Julie.

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<v Speaker 4>She goes.

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<v Speaker 2>I love Righteous Empsones, can't wait for to come back.

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<v Speaker 2>But I know him from BookSmart the most. And he's

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<v Speaker 2>a twenty seven year old person. And you said, I

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<v Speaker 2>know you, little boy. Oh but I definitely like, I

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<v Speaker 2>wasn't intimidated by him. He seems like a child to me.

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<v Speaker 2>He's very youthful looking, like, yes, he doesn't look twenty

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<v Speaker 2>seven at all. You know, he's playing younger parts. He's

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<v Speaker 2>playing high school parts. He is, for sure, and he's

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<v Speaker 2>very good. He's very good in Righteous Jumpstones. He was

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<v Speaker 2>with his girlfriend and she was great. But I straight

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<v Speaker 2>up like, I think I grabbed it, like I was like,

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<v Speaker 2>I know y, Like I.

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<v Speaker 1>Was very excited. But he was really friendly and nice.

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<v Speaker 1>Oh and he was in Licorice Pizza. I remember that too. Yeah, yeah, yeah.

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<v Speaker 4>I just tried to watch that. It really well.

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<v Speaker 2>You didn't even tell me. Did you get to meet

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<v Speaker 2>Casey or no? No, But I regret it because we

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<v Speaker 2>did get to watch her sing. We watched her sing

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<v Speaker 2>the second song, and it felt amazing and just being

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<v Speaker 2>in the hallways backstage, it is very like theater camp vibes,

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<v Speaker 2>you know what I mean, It is like kind of thrilling.

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<v Speaker 2>But at the party, she was standing right next to us,

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<v Speaker 2>and I do wish, I just want you were awesome,

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<v Speaker 2>you know, I do, But I was. I was pretty

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<v Speaker 2>plaster because then I was like, Julia, what was I

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<v Speaker 2>saying to you? And she goes You kept just saying

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<v Speaker 2>I wish you spoke Russian and I didn't understand why,

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<v Speaker 2>and it was just so you could tell me that

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<v Speaker 2>she was behind us. But there must have been a

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<v Speaker 2>better way, and I got there should have been. Yeah, yeah,

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<v Speaker 2>I didn't.

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<v Speaker 4>I didn't follow through.

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<v Speaker 2>But five am party, you know, got to do a

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<v Speaker 2>little bodega run.

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<v Speaker 1>This is Saturday Night Live in case you don't know

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<v Speaker 1>what Lisa is referring to.

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<v Speaker 4>It was at the program of Saturday Night Live.

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<v Speaker 2>Yeah, just getting sauced as everyone's working and getting makeup,

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<v Speaker 2>just me and my bestie get hammered. It was really

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<v Speaker 2>fun to just like party and stay out all night

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<v Speaker 2>because I do love what is at dusk?

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<v Speaker 4>Dawn? I like Dawn. You like Dawn? Yeah?

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<v Speaker 2>I love don Yeah, yeah, yeah, yeah, the sun's not

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<v Speaker 2>fully out.

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<v Speaker 4>I like that.

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<v Speaker 1>On Sunday morning when I wake up, I always know

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<v Speaker 1>I'm getting like Dawn Cab video in my stories from Lisa.

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<v Speaker 4>That is it.

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<v Speaker 2>So that's my name drop, I guess for the week.

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<v Speaker 2>You know some legends all around.

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<v Speaker 1>Well, that's great. I'm glad you had a fun time.

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<v Speaker 1>I don't really have much else to report.

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<v Speaker 2>I also like I do treat anytime I get a

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<v Speaker 2>peek of the Chrysler building, I do act like it's

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<v Speaker 2>truly a SuperM like I act like King Kong is

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<v Speaker 2>on it. But every time I see it, I'm like, oh,

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<v Speaker 2>look at you turn it out and then so that's wow.

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<v Speaker 1>The Chrysler building has like no I would say maybe like,

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<v Speaker 1>oh that's nothing for you, doesn't really do anything for me.

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<v Speaker 4>Well, did you watch Season one Project Runway?

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<v Speaker 2>Yeah, Jay the winner, he made a dress inspired by

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<v Speaker 2>the Chrysler building.

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<v Speaker 4>Yes, you remember it.

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<v Speaker 1>I remember somebody making a dress inspired by the Chrysler building.

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<v Speaker 2>It was him, and that dress was so beautiful, and

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<v Speaker 2>I remember being so into it that it was just

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<v Speaker 2>like this thing.

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<v Speaker 4>Implanted in my brain.

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<v Speaker 2>And I do think the lights and everything are really pretty,

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<v Speaker 2>like the Circle, he top, what is it art deco?

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<v Speaker 4>But that is where it started. I would say to.

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<v Speaker 1>Be interesting project runway Okay, okay, because I don't think that.

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<v Speaker 1>I mean, the Empire State Building is ultimately kind of ugly.

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<v Speaker 1>I do like seeing thirty Rock because I worked there

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<v Speaker 1>and I loved the show, and you know, everything about

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<v Speaker 1>thirty Rock is like pretty hot to me. But it's

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<v Speaker 1>not as recognizable from like a bird's eye as like.

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<v Speaker 4>You know, the Chrysler Building.

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<v Speaker 2>No, but you know what, I do love and they

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<v Speaker 2>built a second one on driving like to and from Brooklyn,

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<v Speaker 2>like the freeway parts.

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<v Speaker 4>I don't know.

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<v Speaker 2>The stained glass water towers, those are like my favorite

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<v Speaker 2>things to see. Those really make me happy.

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<v Speaker 1>You have a tattoo of it, right, I just have

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<v Speaker 1>a random water tower?

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<v Speaker 4>But yeah, oh okay, it would have been crazy.

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<v Speaker 2>I didn't want to sit there for all those colored

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<v Speaker 2>boxes and the whole fun is the stained glass of

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<v Speaker 2>it all. And it's just like I didn't really I

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<v Speaker 2>didn't really see it.

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<v Speaker 6>Yeah.

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<v Speaker 1>My other friend has a stained glass tattoo of like

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<v Speaker 1>a lamp, and I think I'm merging your two tattoos

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<v Speaker 1>in my mind. Yeah, but I'm curious. I would like

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<v Speaker 1>to see that. Yeah, it's like a childhood lamp or something.

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<v Speaker 1>I'll have her send me a picture. All right, we

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<v Speaker 1>got to get started because we have like a jumbo

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<v Speaker 1>episode for you today.

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<v Speaker 2>I just wanted to shout out.

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<v Speaker 1>You know, we've got our merch shop live at that's

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<v Speaker 1>messed uplive dot com.

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<v Speaker 4>There's a link.

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<v Speaker 1>To shop, and we've got a few of the college

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<v Speaker 1>sweatshirts left. We do have new do you have children detective,

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<v Speaker 1>the t shirt, the mug, the tote, as well as

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<v Speaker 1>a few of the purple sweatshirts. We got the beanie,

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<v Speaker 1>the fanny pack. Guys, Lisa and I both use this

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<v Speaker 1>fucking fanny pack constantly. We've got more of them left.

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<v Speaker 2>I mean, I'm wearing our crop sweatshirt right now. I

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<v Speaker 2>only wear our merchant Really, I need help. I need help.

0:10:33.640 --> 0:10:35.280
<v Speaker 2>And today when I took a walk, I wore the

0:10:35.320 --> 0:10:38.480
<v Speaker 2>other purple sweatshirt. Yeah, but also thank you for reminding me.

0:10:38.559 --> 0:10:40.680
<v Speaker 2>I am on the road. So this weekend I will

0:10:40.679 --> 0:10:44.600
<v Speaker 2>be in Philadelphia. Hello, Jason Kelce, come on by, and

0:10:44.679 --> 0:10:48.440
<v Speaker 2>then I'm in Chicago, Nashville. Lots of fun coming up,

0:10:48.559 --> 0:10:51.079
<v Speaker 2>so please come see me. Glitter cheese.

0:10:51.240 --> 0:10:53.640
<v Speaker 1>Yeah, if you go to That's messed Up live dot com.

0:10:53.640 --> 0:10:55.360
<v Speaker 1>Also you can go to Lisa. The link that says

0:10:55.440 --> 0:10:57.920
<v Speaker 1>Lisa's website takes you to all of her road stuff.

0:10:58.280 --> 0:11:00.280
<v Speaker 1>And then, real quick, before we get started, I wanted

0:11:00.280 --> 0:11:02.880
<v Speaker 1>to give a shout out to our listener, Lindsey. Your

0:11:02.920 --> 0:11:05.439
<v Speaker 1>sister in law, Natalie told us that you have some

0:11:05.520 --> 0:11:07.560
<v Speaker 1>tough medical stuff going on right now, and we just

0:11:07.600 --> 0:11:10.720
<v Speaker 1>wanted to send you lots of love and strength and

0:11:10.760 --> 0:11:13.480
<v Speaker 1>support and thank you for listening to our pod and

0:11:13.720 --> 0:11:14.600
<v Speaker 1>being so awesome.

0:11:14.840 --> 0:11:17.720
<v Speaker 4>And yeah, that's that. On that, let's get started.

0:11:17.840 --> 0:11:29.720
<v Speaker 1>We have a great episode today. All right, today it's

0:11:29.960 --> 0:11:33.000
<v Speaker 1>raining where I am, it's dark, it's glooming. So we're

0:11:33.000 --> 0:11:37.000
<v Speaker 1>doing cage. Okay, we're doing season eight, episode eight. This

0:11:37.120 --> 0:11:39.120
<v Speaker 1>baby is from two thousand and six. This takes us

0:11:39.160 --> 0:11:42.520
<v Speaker 1>to a little period we call the Beck era. This

0:11:42.600 --> 0:11:44.800
<v Speaker 1>is the Danny Beck era. This is there is no

0:11:44.880 --> 0:11:46.160
<v Speaker 1>Benson in this episode.

0:11:46.240 --> 0:11:48.800
<v Speaker 2>I think this is our first Danny back episode. I

0:11:48.800 --> 0:11:51.000
<v Speaker 2>don't think I'm a mistaken. This is it like we

0:11:51.080 --> 0:11:53.800
<v Speaker 2>have avoided Danny Beck And the thing is Connie and

0:11:53.840 --> 0:11:56.920
<v Speaker 2>Nielsen is beloved, like this is no you know, like

0:11:57.000 --> 0:12:00.720
<v Speaker 2>no shade towards Connie, but like Bec's I don't know

0:12:00.760 --> 0:12:02.920
<v Speaker 2>who's worst, Becker Chester Lake. I don't know if I've

0:12:02.960 --> 0:12:07.360
<v Speaker 2>actually come to terms with that yet, have you No?

0:12:07.679 --> 0:12:10.840
<v Speaker 1>But I will say I think I hated her so

0:12:10.920 --> 0:12:13.200
<v Speaker 1>much at the time because whether or not you like

0:12:13.400 --> 0:12:16.560
<v Speaker 1>Ship Benson and Stabler, she's not Olivia, Like you just

0:12:16.640 --> 0:12:19.760
<v Speaker 1>didn't want her there, like when that was happening, and

0:12:19.840 --> 0:12:23.240
<v Speaker 1>so I remember really not liking her and not liking her,

0:12:23.280 --> 0:12:26.840
<v Speaker 1>but rewatching this episode for today, I was like, she's

0:12:26.880 --> 0:12:29.559
<v Speaker 1>not that bad, and what's crazy She's only.

0:12:29.360 --> 0:12:32.439
<v Speaker 4>In six episodes. I know, I thought she was in

0:12:32.480 --> 0:12:33.760
<v Speaker 4>like two seasons.

0:12:33.800 --> 0:12:36.080
<v Speaker 1>The way we hate on her and the way she's

0:12:36.120 --> 0:12:38.240
<v Speaker 1>like left a mark, I mean, you gotta give it

0:12:38.240 --> 0:12:38.520
<v Speaker 1>to her.

0:12:38.720 --> 0:12:40.120
<v Speaker 4>Like six episodes.

0:12:40.520 --> 0:12:42.080
<v Speaker 1>She caused a lot of hate and a lot of

0:12:42.080 --> 0:12:43.360
<v Speaker 1>people have a lot to say about her.

0:12:43.400 --> 0:12:45.080
<v Speaker 2>Also, I don't think that there would have been such

0:12:45.080 --> 0:12:48.079
<v Speaker 2>a visceral hey if like Stabler didn't want to fuck

0:12:48.200 --> 0:12:50.400
<v Speaker 2>her bones, you know what I mean? Yeah, And that

0:12:50.520 --> 0:12:53.200
<v Speaker 2>him and Kathy were on a break right as Olivia leaves,

0:12:53.200 --> 0:12:55.199
<v Speaker 2>so now he's gonna hook up with some bits, you

0:12:55.200 --> 0:12:55.679
<v Speaker 2>know what I mean?

0:12:55.840 --> 0:12:58.960
<v Speaker 1>Like right exactly, like they were toying with us. I'm

0:12:59.000 --> 0:13:02.120
<v Speaker 1>not a shipper, yeah at all. I think Olivia deserves

0:13:02.160 --> 0:13:06.480
<v Speaker 1>way better than Elliott. But it was still just like, ugh,

0:13:06.640 --> 0:13:08.959
<v Speaker 1>come on, because by season eight. If they fucked in

0:13:09.000 --> 0:13:11.320
<v Speaker 1>season eight, that would have been fine. Yeah, I wouldn't

0:13:11.320 --> 0:13:13.319
<v Speaker 1>have had the hate for him. And I also didn't

0:13:13.320 --> 0:13:16.280
<v Speaker 1>have that perspective exactly in two thousand and six, I

0:13:16.360 --> 0:13:18.320
<v Speaker 1>was like, maybe I would watch it, you know, like

0:13:18.440 --> 0:13:20.640
<v Speaker 1>I was like, I was fine with it. Now I

0:13:20.679 --> 0:13:22.840
<v Speaker 1>know Olivia deserves better. We don't know he leaves for

0:13:22.880 --> 0:13:24.439
<v Speaker 1>ten years, you know, we don't know any of that here.

0:13:24.520 --> 0:13:27.199
<v Speaker 2>But also if they did, it would have ruined the job,

0:13:27.280 --> 0:13:31.360
<v Speaker 2>like it would have ruined Yeah. Their goal is solving crimes,

0:13:31.480 --> 0:13:34.720
<v Speaker 2>and I feel them being in love ruined it. That's

0:13:34.760 --> 0:13:38.000
<v Speaker 2>why I am glad they waited for Caresian Rollins for

0:13:38.040 --> 0:13:38.559
<v Speaker 2>so long.

0:13:38.720 --> 0:13:40.400
<v Speaker 4>And it's a lawyer cop situation.

0:13:40.600 --> 0:13:41.040
<v Speaker 6>Yeah.

0:13:41.080 --> 0:13:44.920
<v Speaker 2>And now she's even in the you know, professor world,

0:13:44.960 --> 0:13:47.400
<v Speaker 2>so it's like, yes, you know, I feel like being

0:13:47.400 --> 0:13:49.760
<v Speaker 2>married on the job partners is a little match.

0:13:49.960 --> 0:13:52.400
<v Speaker 1>And now that you say that, I'm wondering if maybe

0:13:52.400 --> 0:13:55.439
<v Speaker 1>they created Beck to show people see how this won't work,

0:13:55.640 --> 0:13:58.240
<v Speaker 1>Like you see how this is too complicated, like it won't.

0:13:58.040 --> 0:14:03.439
<v Speaker 2>Work oo, Neil Bear, maybe you know Ricky Tricky, okay,

0:14:04.240 --> 0:14:07.440
<v Speaker 2>to show us out and work. Yeah, because even in

0:14:07.480 --> 0:14:12.560
<v Speaker 2>the lou Diamond Phillips, yes, a former guest, you know,

0:14:13.280 --> 0:14:15.080
<v Speaker 2>what's the guy's named Vincent or whatever.

0:14:15.200 --> 0:14:16.439
<v Speaker 4>But in that you know.

0:14:16.480 --> 0:14:20.520
<v Speaker 2>Like Gaetano, Yeah, Gaetana, like there's a hesitation because they

0:14:20.560 --> 0:14:22.840
<v Speaker 2>have a relationship and because of it, a boy dies.

0:14:22.920 --> 0:14:26.960
<v Speaker 4>So it's like if you're married, that's like so much right. Yeah.

0:14:27.280 --> 0:14:29.080
<v Speaker 4>So anyway, that's our dissertation.

0:14:29.280 --> 0:14:32.240
<v Speaker 1>That's our dissertation on whether you know love can work

0:14:32.280 --> 0:14:40.400
<v Speaker 1>at work in the law enforcement business. This episode is

0:14:40.800 --> 0:14:44.000
<v Speaker 1>it star studded. It's dark, and it's it's a good one.

0:14:44.000 --> 0:14:47.600
<v Speaker 1>So let's start off. The cold open is a van

0:14:47.760 --> 0:14:49.720
<v Speaker 1>driving through the city at night, and it is the

0:14:49.800 --> 0:14:51.000
<v Speaker 1>kind of van that I used to see in New

0:14:51.080 --> 0:14:52.640
<v Speaker 1>York City all the time and go, there's a kidnap

0:14:52.760 --> 0:14:54.520
<v Speaker 1>child in there. Like every time I see these like

0:14:54.600 --> 0:14:57.400
<v Speaker 1>dirty windowless vans, I'm like, oh God, who's in there?

0:14:57.600 --> 0:15:00.440
<v Speaker 1>I always look for like a hand or something, or

0:15:00.680 --> 0:15:02.840
<v Speaker 1>if there's even a little sliver of window, I'm like,

0:15:02.960 --> 0:15:05.920
<v Speaker 1>is there anybody in there? Because the show has warped

0:15:05.960 --> 0:15:07.680
<v Speaker 1>my brain. I don't know if you still have that feeling.

0:15:07.760 --> 0:15:10.280
<v Speaker 2>No, because it's suspicious because if you see one with

0:15:10.320 --> 0:15:13.080
<v Speaker 2>a ton of windows and seats, you go, that's a church. Yeah,

0:15:13.080 --> 0:15:17.320
<v Speaker 2>that's a volleyball team. Yeah, that's a summer camp field trip.

0:15:17.480 --> 0:15:21.400
<v Speaker 2>That's like whatever. If there's windows, and if it's a truck,

0:15:21.480 --> 0:15:24.320
<v Speaker 2>like there's other there's a minivan, like that is a

0:15:24.360 --> 0:15:28.080
<v Speaker 2>suspicious car and you're getting it on purpose? Yeah, like

0:15:28.400 --> 0:15:31.600
<v Speaker 2>you can't have anyone looking into that, and you need

0:15:31.680 --> 0:15:34.320
<v Speaker 2>all that space for what for what?

0:15:34.720 --> 0:15:37.080
<v Speaker 1>Well, like the guy in this episode rents it out

0:15:37.120 --> 0:15:40.280
<v Speaker 1>for like probably moving purposes and shit, because like I

0:15:40.280 --> 0:15:42.040
<v Speaker 1>don't know, you don't want to put like furniture or

0:15:42.240 --> 0:15:45.080
<v Speaker 1>tools into a van that's gonna have windows that where

0:15:45.160 --> 0:15:46.160
<v Speaker 1>they could smash.

0:15:46.240 --> 0:15:47.960
<v Speaker 4>I guess I'm Devil's advocating.

0:15:48.080 --> 0:15:51.680
<v Speaker 2>I don't know, bullshit, No, no, fuck that for what?

0:15:51.920 --> 0:15:53.800
<v Speaker 2>You would get a U haul for what? Yeah, you

0:15:53.840 --> 0:15:56.560
<v Speaker 2>would get a truck. There's no way, yeah yeah, and

0:15:57.480 --> 0:16:00.480
<v Speaker 2>yeah it is wild. It's like no window, I don't know,

0:16:00.560 --> 0:16:02.840
<v Speaker 2>like even a couple back windows. Like I just don't

0:16:02.920 --> 0:16:05.240
<v Speaker 2>like when it's like full white doors, full white sides.

0:16:05.280 --> 0:16:06.880
<v Speaker 4>I don't like it. You know what you're getting into.

0:16:06.960 --> 0:16:08.760
<v Speaker 2>If you're getting one of those cars that look like

0:16:08.800 --> 0:16:10.880
<v Speaker 2>a cop car, you know what you're doing to people.

0:16:11.240 --> 0:16:13.800
<v Speaker 2>If you're getting a Lamborghini, you know what you're portraying

0:16:13.800 --> 0:16:16.720
<v Speaker 2>to people, Like you are getting a car for a reason. Yeah,

0:16:16.840 --> 0:16:19.160
<v Speaker 2>if you have a truck, you're a hic or you're

0:16:19.200 --> 0:16:23.040
<v Speaker 2>a carpenter, like there are connotations to cars.

0:16:23.120 --> 0:16:23.320
<v Speaker 6>Yeah.

0:16:23.320 --> 0:16:27.560
<v Speaker 2>And you know, if you're getting a windowless, white long van,

0:16:28.120 --> 0:16:29.840
<v Speaker 2>we think there's a mattress and a woman tied up

0:16:29.840 --> 0:16:30.120
<v Speaker 2>in it.

0:16:30.160 --> 0:16:31.200
<v Speaker 4>That's it. Yeah.

0:16:31.240 --> 0:16:34.280
<v Speaker 1>And famously, my dad drove a Dodge Ram van four

0:16:34.440 --> 0:16:37.920
<v Speaker 1>years that he used for his furniture business but would

0:16:37.960 --> 0:16:39.880
<v Speaker 1>also pick us up in it, and sometimes the seats

0:16:39.880 --> 0:16:41.160
<v Speaker 1>weren't in it and he was like, just lean your

0:16:41.200 --> 0:16:42.040
<v Speaker 1>back against my seat.

0:16:42.040 --> 0:16:44.120
<v Speaker 4>We're fine, We're only going four miles, you know.

0:16:44.840 --> 0:16:46.800
<v Speaker 1>So that might have been your life, but it was

0:16:46.840 --> 0:16:50.480
<v Speaker 1>always super cool to have behind all the like Mercedes

0:16:50.480 --> 0:16:52.480
<v Speaker 1>and BMW's at my school for my dad to roll

0:16:52.560 --> 0:16:57.800
<v Speaker 1>up in like a bent up Ram van color red. Okay,

0:16:58.320 --> 0:17:02.320
<v Speaker 1>so my suspicions confirmed in this episode because two little

0:17:02.400 --> 0:17:04.680
<v Speaker 1>kids are in this fucking van and there's a little

0:17:04.720 --> 0:17:06.320
<v Speaker 1>boy who's being quiet.

0:17:06.080 --> 0:17:08.480
<v Speaker 2>And we're right, yeah at this point.

0:17:08.800 --> 0:17:11.120
<v Speaker 1>And then a little girl who is Elle Fanning, who

0:17:11.160 --> 0:17:13.600
<v Speaker 1>is singing some kind of like religious.

0:17:13.119 --> 0:17:15.439
<v Speaker 4>Song you know about you know, waiting in the waters

0:17:15.520 --> 0:17:16.240
<v Speaker 4>or something like that.

0:17:16.320 --> 0:17:19.680
<v Speaker 1>And then Elle Fanning is if You've been living under

0:17:19.680 --> 0:17:22.000
<v Speaker 1>a rock or something. She is the younger sister of Dakota,

0:17:22.160 --> 0:17:24.879
<v Speaker 1>both child actors. She got into the game playing the

0:17:24.920 --> 0:17:27.639
<v Speaker 1>younger version of her sister. She's twenty five years old

0:17:27.680 --> 0:17:31.719
<v Speaker 1>and has sixty five credits, So this girl works, works, works, Okay,

0:17:31.960 --> 0:17:34.000
<v Speaker 1>she's eight years old in this episode and it's like

0:17:34.000 --> 0:17:36.600
<v Speaker 1>her fifteenth credit. Her big things that she's in are

0:17:36.640 --> 0:17:38.919
<v Speaker 1>like The Great and The Girl from Plainville. Those are

0:17:38.920 --> 0:17:41.679
<v Speaker 1>two big things she's done lately. But I actually was

0:17:41.680 --> 0:17:43.040
<v Speaker 1>like racking my brain and was like, I don't know

0:17:43.040 --> 0:17:44.480
<v Speaker 1>if I've ever seen her in anything. And then I

0:17:44.520 --> 0:17:47.080
<v Speaker 1>remember Twentieth Century Women, which is a movie that I loved,

0:17:47.080 --> 0:17:48.240
<v Speaker 1>and she's a she's in that.

0:17:48.440 --> 0:17:51.320
<v Speaker 2>And I saw her walking down the street in Soho

0:17:51.480 --> 0:17:54.480
<v Speaker 2>with other women from her family, not Dakota.

0:17:54.720 --> 0:17:56.720
<v Speaker 4>I would have said that I.

0:17:56.640 --> 0:17:59.560
<v Speaker 1>Think that mother was a professional tennis player. When I

0:17:59.560 --> 0:18:01.720
<v Speaker 1>did a quick Wikipedia, it looked like a.

0:18:01.720 --> 0:18:05.200
<v Speaker 2>Mom aunt Grandma Elle like it looked cute. It was

0:18:05.240 --> 0:18:08.520
<v Speaker 2>around the holidays. They were walking to go into mu Meu.

0:18:09.200 --> 0:18:12.680
<v Speaker 1>A multi generational brunch and shopping trump. I love that, Yeah,

0:18:12.800 --> 0:18:14.679
<v Speaker 1>love it. But I wonder if she pays at Mumu

0:18:14.800 --> 0:18:17.400
<v Speaker 1>or not. Oh yeah, because she's like a product girlie, right,

0:18:17.800 --> 0:18:18.600
<v Speaker 1>she's their girl.

0:18:18.720 --> 0:18:19.400
<v Speaker 6>Yeah.

0:18:19.480 --> 0:18:22.280
<v Speaker 4>Does she just point or is she buying? I wonder.

0:18:22.680 --> 0:18:24.359
<v Speaker 4>I don't think she's buying.

0:18:24.480 --> 0:18:26.640
<v Speaker 1>Maybe she goes into look and then she tells her

0:18:26.640 --> 0:18:28.800
<v Speaker 1>rep like these I want these things. Have them sent

0:18:28.840 --> 0:18:31.680
<v Speaker 1>to my house, because I also doubt she's like wandering around.

0:18:31.440 --> 0:18:35.800
<v Speaker 2>With bad it was Christmas maybe they know, yeah, wandering around.

0:18:36.880 --> 0:18:37.280
<v Speaker 4>Yeah.

0:18:37.320 --> 0:18:40.000
<v Speaker 1>Anyway, she's a little cutie and she's singing to the

0:18:40.040 --> 0:18:42.080
<v Speaker 1>Lord in the back of this van and the driver

0:18:42.280 --> 0:18:44.560
<v Speaker 1>is like, come on, Mark, I can't hear you singing

0:18:44.600 --> 0:18:46.920
<v Speaker 1>the sweet Songs of Jesus and the kid the boy

0:18:47.000 --> 0:18:49.960
<v Speaker 1>glares at him and does not join in. El Fanning

0:18:50.040 --> 0:18:52.560
<v Speaker 1>has just about had it as well. She's like, I'm tired,

0:18:52.600 --> 0:18:54.520
<v Speaker 1>and the guy's like cape singing. She's like, but my

0:18:54.560 --> 0:18:56.920
<v Speaker 1>throat's sore. And he looks back to be like I'm

0:18:56.920 --> 0:18:59.160
<v Speaker 1>the boss, do what I say, And then At that moment,

0:18:59.200 --> 0:19:01.080
<v Speaker 1>we hear a woman's voice in the passenger seat, who

0:19:01.119 --> 0:19:04.160
<v Speaker 1>we do not see, scream watch out, and the van

0:19:04.400 --> 0:19:07.320
<v Speaker 1>swerves to avoid a truck. And then this fucking van

0:19:07.680 --> 0:19:10.639
<v Speaker 1>just drives off a goddamn bridge into the water, like

0:19:11.000 --> 0:19:13.040
<v Speaker 1>I don't know, there's no gates, there's no This thing

0:19:13.200 --> 0:19:16.240
<v Speaker 1>just drives an oops, a daisy turn of the wheel

0:19:16.400 --> 0:19:18.960
<v Speaker 1>just puts this van into either the Hudson or the

0:19:18.960 --> 0:19:20.960
<v Speaker 1>East River. I don't really know where they are. I

0:19:20.960 --> 0:19:22.560
<v Speaker 1>guess they're on the East River because they were on

0:19:22.600 --> 0:19:23.960
<v Speaker 1>their way to Brooklyn.

0:19:24.400 --> 0:19:26.000
<v Speaker 2>So it's terrifying.

0:19:26.080 --> 0:19:28.240
<v Speaker 1>I don't think anybody's like, that's not my biggest fear,

0:19:28.280 --> 0:19:31.320
<v Speaker 1>but being in a car, you know, that goes underwater.

0:19:30.960 --> 0:19:33.960
<v Speaker 4>Is one of my biggest fears. In fact, my friend.

0:19:33.680 --> 0:19:37.720
<v Speaker 1>Emily got us all the special tool that you can

0:19:37.880 --> 0:19:40.200
<v Speaker 1>use to crack the window of your windshield. She got

0:19:40.240 --> 0:19:43.639
<v Speaker 1>them forth for like Christmas or some random thing of

0:19:43.720 --> 0:19:46.040
<v Speaker 1>like a year ago, and I have it in my car.

0:19:46.400 --> 0:19:48.880
<v Speaker 1>It's like just this little thing that will like smash

0:19:48.920 --> 0:19:51.080
<v Speaker 1>the window for you if your car goes underwater.

0:19:51.840 --> 0:19:54.639
<v Speaker 4>So incredible. I would get one of those. Yeah, No,

0:19:54.760 --> 0:19:55.200
<v Speaker 4>it is.

0:19:55.119 --> 0:19:58.119
<v Speaker 2>Definitely a fear, but I was thinking, the only people

0:19:58.160 --> 0:19:59.800
<v Speaker 2>that might enjoy it if it's like if you want

0:19:59.800 --> 0:20:02.720
<v Speaker 2>to be spy, like if you want to be Jason Borne. Yeah,

0:20:02.720 --> 0:20:06.919
<v Speaker 2>like Jason Bourne's probably like I'll try that, you know, Houdini.

0:20:07.240 --> 0:20:09.280
<v Speaker 1>Yeah, every time we see it in a movie, I'm like,

0:20:09.359 --> 0:20:11.439
<v Speaker 1>roll your window down really quick, like roll your window

0:20:11.480 --> 0:20:13.480
<v Speaker 1>down really quick, swim out, like, But.

0:20:13.480 --> 0:20:15.960
<v Speaker 4>It is something I think about all the time.

0:20:16.119 --> 0:20:18.360
<v Speaker 2>Yet I love bridges and think they're beautiful, and more

0:20:18.440 --> 0:20:21.480
<v Speaker 2>terrified of tunnels because of a Celevester Stallone movie.

0:20:21.520 --> 0:20:25.320
<v Speaker 1>I believe, Oh yeah, yeah, tunnels are scary.

0:20:26.160 --> 0:20:28.840
<v Speaker 4>So they're in the water getting through this.

0:20:29.200 --> 0:20:29.639
<v Speaker 2>No we're not.

0:20:29.800 --> 0:20:31.760
<v Speaker 1>We're like not even to the credits. We're not even

0:20:31.800 --> 0:20:35.719
<v Speaker 1>remotely to the credits. So this is like v I

0:20:35.760 --> 0:20:38.000
<v Speaker 1>do have to get to a Taylor Swift soul cycle,

0:20:38.160 --> 0:20:40.960
<v Speaker 1>so yeah, we gotta kicking up the pace. So this

0:20:41.119 --> 0:20:43.639
<v Speaker 1>is so terrifying because the kids are screaming, and this

0:20:43.720 --> 0:20:46.200
<v Speaker 1>is where we notice that they are handcuffed into the van.

0:20:46.600 --> 0:20:48.000
<v Speaker 1>They are there's like a bar in front of them,

0:20:48.040 --> 0:20:50.119
<v Speaker 1>they're handcuffed to it, and we hear their screams as

0:20:50.160 --> 0:20:52.720
<v Speaker 1>the van slowly sinks into the water, and I just

0:20:52.760 --> 0:20:55.280
<v Speaker 1>wrote my nightmare in caps in my notes. So now

0:20:55.400 --> 0:20:58.200
<v Speaker 1>it's morning and we're watching this van get like pulled

0:20:58.240 --> 0:20:59.520
<v Speaker 1>out of the water windshield.

0:20:59.520 --> 0:20:59.960
<v Speaker 4>Is Shader.

0:21:00.400 --> 0:21:03.439
<v Speaker 1>Stabler shows up in his wrap around Oakley sunglasses and

0:21:03.480 --> 0:21:07.080
<v Speaker 1>asks Munch what's going on and the passengers, he says,

0:21:07.119 --> 0:21:10.439
<v Speaker 1>got out, but no sign of the driver, and it's like, okay,

0:21:10.440 --> 0:21:13.400
<v Speaker 1>thank god, the kids got out somehow. So Stabler's like, okay,

0:21:13.480 --> 0:21:15.280
<v Speaker 1>why is this ours? And Munch is like, look a

0:21:15.280 --> 0:21:17.639
<v Speaker 1>little closer, and then brings them over to Mark and

0:21:17.680 --> 0:21:19.840
<v Speaker 1>el Fanning, who are in the back of a cop

0:21:19.880 --> 0:21:24.240
<v Speaker 1>car wrapped in blankets. Munch shows him el Fanning's wrist

0:21:24.320 --> 0:21:27.280
<v Speaker 1>which has this like nasty bloody ligature mark on it

0:21:27.320 --> 0:21:29.800
<v Speaker 1>from the handcuffs, and then neither kid will say a word,

0:21:29.960 --> 0:21:31.520
<v Speaker 1>so obviously this is s for you.

0:21:31.720 --> 0:21:32.200
<v Speaker 4>Territory.

0:21:32.880 --> 0:21:35.560
<v Speaker 1>Iced Tea is now back at the van and shows

0:21:35.560 --> 0:21:37.879
<v Speaker 1>Stabler the source of the marks. They were obviously the

0:21:37.920 --> 0:21:40.560
<v Speaker 1>handcuffs were hanging off the bars. These kids were obviously handcuffed.

0:21:40.720 --> 0:21:43.919
<v Speaker 1>The driver must have freed them. And o'holleran is like

0:21:44.160 --> 0:21:46.040
<v Speaker 1>in the van and he's like, yeah, there were two people,

0:21:46.080 --> 0:21:49.480
<v Speaker 1>a woman with one shoe and a driver with no hair.

0:21:49.520 --> 0:21:51.520
<v Speaker 1>He's got like a two pay and a shoe, so

0:21:51.720 --> 0:21:54.760
<v Speaker 1>it's very it's very three stooges in this van right now.

0:21:55.960 --> 0:21:57.080
<v Speaker 4>Also, did you call him?

0:21:57.080 --> 0:21:57.199
<v Speaker 6>Oh?

0:21:57.320 --> 0:21:57.760
<v Speaker 4>Hollerin?

0:21:58.280 --> 0:21:58.560
<v Speaker 6>Did I?

0:21:58.760 --> 0:22:02.400
<v Speaker 4>Oh? My god, for holler O'Halleran is what I meant

0:22:02.440 --> 0:22:03.399
<v Speaker 4>to say. But thank you.

0:22:04.160 --> 0:22:06.320
<v Speaker 1>Stabler's like, we got to get those kids to talk,

0:22:06.400 --> 0:22:09.680
<v Speaker 1>and munch goes looks like somebody already has camera pans

0:22:09.720 --> 0:22:12.359
<v Speaker 1>over to find Danny Beck holding el Fanning.

0:22:12.400 --> 0:22:13.960
<v Speaker 4>They're just chatting the day away.

0:22:14.359 --> 0:22:16.520
<v Speaker 1>She's like, you know, all of a sudden, El Fanning

0:22:16.600 --> 0:22:19.240
<v Speaker 1>is doesn't even care a lick about that ligature mark

0:22:19.280 --> 0:22:19.680
<v Speaker 1>on her wrist.

0:22:19.720 --> 0:22:20.720
<v Speaker 4>She has a new best friend.

0:22:21.119 --> 0:22:25.080
<v Speaker 1>And remember they really zoom into Stabler's face when he

0:22:25.119 --> 0:22:27.439
<v Speaker 1>sees Beck, and you're like, and I remember that this

0:22:27.520 --> 0:22:30.440
<v Speaker 1>is the episode right after Underbelly, which is the episode

0:22:30.440 --> 0:22:32.959
<v Speaker 1>where Beck and Stabler have their little kiss moment. So

0:22:33.720 --> 0:22:35.280
<v Speaker 1>just to give you some background since we have not

0:22:35.280 --> 0:22:36.480
<v Speaker 1>covered Underbelly yet.

0:22:37.280 --> 0:22:38.360
<v Speaker 4>And then we're to the credits.

0:22:38.560 --> 0:22:41.320
<v Speaker 1>So top of act one, the gang is downloading Daddy

0:22:41.320 --> 0:22:43.760
<v Speaker 1>Craigan on what's going on. We find out El Fanning's

0:22:43.800 --> 0:22:46.040
<v Speaker 1>name is Eden. I will start calling her that instead

0:22:46.040 --> 0:22:49.080
<v Speaker 1>of el Fanning, we know the boy is Mark, the

0:22:49.160 --> 0:22:53.360
<v Speaker 1>van was registered to Frank hovis anything on Cinderella referring

0:22:53.359 --> 0:22:56.000
<v Speaker 1>to the lost shoe, And then sit Finn used as

0:22:56.000 --> 0:22:58.240
<v Speaker 1>a slur to suggest that maybe Frank dresses is a

0:22:58.240 --> 0:23:01.600
<v Speaker 1>woman on occasion one of these where the show doesn't hold.

0:23:01.480 --> 0:23:02.600
<v Speaker 4>Up, but you know they've changed.

0:23:02.920 --> 0:23:04.919
<v Speaker 1>But then Munch comes in with a toll booth photo

0:23:05.119 --> 0:23:07.960
<v Speaker 1>of the driver and the woman riding shotgun, and Craigan goes,

0:23:08.000 --> 0:23:09.840
<v Speaker 1>get these faces on the news and let's go talk

0:23:09.880 --> 0:23:12.480
<v Speaker 1>to the kids about it. So now Danny is in

0:23:12.520 --> 0:23:15.399
<v Speaker 1>the Little show Me Where the Bad Man Touched You

0:23:15.480 --> 0:23:18.679
<v Speaker 1>play room that they have on SVU where usually we

0:23:18.760 --> 0:23:22.200
<v Speaker 1>see you know, Benson or Stabler or somebody talking to

0:23:22.280 --> 0:23:24.960
<v Speaker 1>a little kid, And Danny's talking to Eden and she's like, yeah,

0:23:24.960 --> 0:23:27.640
<v Speaker 1>that woman is my mom. Her name is Alma. And

0:23:27.720 --> 0:23:30.240
<v Speaker 1>the driver she's like she just shrugs, and they're like,

0:23:30.240 --> 0:23:32.080
<v Speaker 1>and what about Mark. She's like, I never saw him

0:23:32.080 --> 0:23:34.960
<v Speaker 1>before last night. So she says, I do have a

0:23:35.000 --> 0:23:37.960
<v Speaker 1>sister named Rosemary, and shout out that is my mom's name.

0:23:38.160 --> 0:23:40.120
<v Speaker 1>She doesn't know what a podcast is, but shout out

0:23:40.119 --> 0:23:42.399
<v Speaker 1>mom to you. Then she pops the question to Danny,

0:23:42.440 --> 0:23:43.240
<v Speaker 1>can I live with you?

0:23:43.800 --> 0:23:44.440
<v Speaker 4>Like immediately?

0:23:44.480 --> 0:23:44.680
<v Speaker 6>Eat?

0:23:44.720 --> 0:23:46.120
<v Speaker 4>It is like I'm obsessed with you.

0:23:46.520 --> 0:23:49.879
<v Speaker 1>It's it's giving me a lot of Hayden Pantier in

0:23:49.920 --> 0:23:53.080
<v Speaker 1>the episode Abuse, how she's obsessed with Benson immediately and

0:23:53.160 --> 0:23:57.119
<v Speaker 1>like there's a lot of you know, attachment immediately. And

0:23:57.200 --> 0:23:58.960
<v Speaker 1>Danny's like, oh, I don't think it's so girl, and

0:23:59.119 --> 0:24:01.000
<v Speaker 1>Eden cuts to the chase, like why you don't like me?

0:24:01.119 --> 0:24:03.320
<v Speaker 1>And then Danny gives this like fakey, of course I

0:24:03.560 --> 0:24:06.760
<v Speaker 1>like you, but like she's not Olivia Benson with this, uh,

0:24:07.000 --> 0:24:09.679
<v Speaker 1>it's it seems a little harder for her. Sabler is

0:24:09.760 --> 0:24:13.280
<v Speaker 1>watching them through the glass. Cragan shows up and Stabler's like,

0:24:13.320 --> 0:24:15.119
<v Speaker 1>well the boy Mark won't say shit, he might not

0:24:15.160 --> 0:24:17.840
<v Speaker 1>even speak English, and Craigan tells him let's have Kwang

0:24:17.840 --> 0:24:20.680
<v Speaker 1>give it a shot. So then Craigan asked Stabler, how

0:24:20.760 --> 0:24:22.800
<v Speaker 1>is Danny doing? Do you see a future for her

0:24:22.840 --> 0:24:25.960
<v Speaker 1>here in SVU? And it's like, can SFU actually stand

0:24:25.960 --> 0:24:28.800
<v Speaker 1>to have another incredibly gorgeous female detective on staff?

0:24:28.840 --> 0:24:29.240
<v Speaker 4>I don't know.

0:24:29.840 --> 0:24:32.840
<v Speaker 1>Sabler says sure, and Craigan's like, oh, so you hate Olivia.

0:24:32.840 --> 0:24:35.000
<v Speaker 1>I never want to see her again. And Stabler's like,

0:24:35.400 --> 0:24:37.359
<v Speaker 1>since one is that up to me? Like, you know,

0:24:37.760 --> 0:24:40.640
<v Speaker 1>partner whatever, I don't know. He's like acting like too cool,

0:24:40.640 --> 0:24:43.080
<v Speaker 1>like he has no feelings about it. Munch and Finn

0:24:43.080 --> 0:24:45.920
<v Speaker 1>are trying to track down the van driver, Frank, and

0:24:45.960 --> 0:24:48.840
<v Speaker 1>they're talking to Frank's mom. She hasn't seen that dead

0:24:48.880 --> 0:24:51.440
<v Speaker 1>beat and yeas, and she doesn't give a shit about him,

0:24:51.600 --> 0:24:53.960
<v Speaker 1>no one. She never hears about him except when the

0:24:53.960 --> 0:24:55.639
<v Speaker 1>cops come to her house, and then she doesn't want

0:24:55.640 --> 0:24:56.320
<v Speaker 1>the neighbors talking.

0:24:56.400 --> 0:24:57.680
<v Speaker 4>She doesn't want the neighbors in her house.

0:24:58.040 --> 0:25:00.640
<v Speaker 1>So Finn pops in with some men's that he found

0:25:00.640 --> 0:25:04.159
<v Speaker 1>on the clothes line old school, and she goes, oh.

0:25:04.040 --> 0:25:06.040
<v Speaker 4>They must have fallen from a plane going into JFK.

0:25:06.200 --> 0:25:08.400
<v Speaker 1>I mean, this woman has a full excuse for everything,

0:25:08.480 --> 0:25:11.560
<v Speaker 1>and I really like her as a side character. They

0:25:11.600 --> 0:25:13.879
<v Speaker 1>bust into the house because they're like they do some

0:25:14.000 --> 0:25:15.480
<v Speaker 1>kind of shady police work. They're like, did I just

0:25:15.520 --> 0:25:18.240
<v Speaker 1>hear somebody inside? Don't worry, man will protect you. They

0:25:18.280 --> 0:25:20.720
<v Speaker 1>bust into the house, they open the closet and this

0:25:20.840 --> 0:25:23.720
<v Speaker 1>sad man is in the closet hiding with cleaning supplies

0:25:24.000 --> 0:25:24.640
<v Speaker 1>and the mom.

0:25:24.480 --> 0:25:26.880
<v Speaker 4>Goes, how did he get in there. Ye, she's amazing.

0:25:27.119 --> 0:25:27.720
<v Speaker 4>She's so good.

0:25:27.840 --> 0:25:30.439
<v Speaker 1>Frank goes give it up Ma Like, he's like, she

0:25:30.640 --> 0:25:33.440
<v Speaker 1>is winning an oscar And he's like the jig is up.

0:25:33.760 --> 0:25:36.159
<v Speaker 1>And he tells the cops, I save those kids. I

0:25:36.200 --> 0:25:38.600
<v Speaker 1>uncuff them, But I'm not the one that cuffed them

0:25:38.640 --> 0:25:41.080
<v Speaker 1>in the first place. Alma did that. She said if

0:25:41.200 --> 0:25:43.520
<v Speaker 1>she didn't, the kids would try to jump out. Alma

0:25:43.600 --> 0:25:45.359
<v Speaker 1>got out of the van, okay, but it seems like

0:25:45.400 --> 0:25:48.159
<v Speaker 1>didn't care about saving the kids. And he has no

0:25:48.160 --> 0:25:50.400
<v Speaker 1>connection to these kids. He rents out his van. Alma

0:25:50.520 --> 0:25:53.600
<v Speaker 1>hired him to drive them from Albany to Brooklyn. Cut

0:25:53.600 --> 0:25:56.160
<v Speaker 1>to Frank in a holding cell and he's like, can

0:25:56.240 --> 0:25:58.680
<v Speaker 1>I get my van back? It's my livelihood, and Finn

0:25:58.720 --> 0:26:01.120
<v Speaker 1>goes it's called evidence more. Here's a rug to keep

0:26:01.160 --> 0:26:03.240
<v Speaker 1>you warm, and then hands Frank the two pey that

0:26:03.240 --> 0:26:05.520
<v Speaker 1>they found in the van. It's a great moment, but

0:26:05.600 --> 0:26:08.720
<v Speaker 1>does a car ever work again after being submerged in water?

0:26:09.160 --> 0:26:13.720
<v Speaker 1>Like It's like, even if you just like replaced the windshield, Sir,

0:26:13.800 --> 0:26:15.320
<v Speaker 1>I think your van is gone. I don't think you

0:26:15.320 --> 0:26:16.800
<v Speaker 1>can just like put it in rice, you know what

0:26:16.800 --> 0:26:19.320
<v Speaker 1>I mean? Like I think the car is dead, and.

0:26:19.560 --> 0:26:21.719
<v Speaker 2>We find out Almah's last name is Cordoza.

0:26:21.920 --> 0:26:24.160
<v Speaker 1>But this guy has no address because she just kept

0:26:24.160 --> 0:26:25.760
<v Speaker 1>saying I'll tell you when we get close, and they

0:26:25.840 --> 0:26:28.800
<v Speaker 1>unfortunately hit the river before they got closed. And there's

0:26:28.840 --> 0:26:31.680
<v Speaker 1>no record of Eden or Mark anywhere in the Albany

0:26:31.720 --> 0:26:35.280
<v Speaker 1>area apparently, like no missing persons, school records or anything

0:26:35.320 --> 0:26:39.120
<v Speaker 1>like that. So Danny and Cragan joined Stabler to look

0:26:39.119 --> 0:26:42.960
<v Speaker 1>through the fish bowl at Mark's like non convo with Huang,

0:26:43.040 --> 0:26:45.439
<v Speaker 1>like the kid won't make eye contact, like Kuwang is

0:26:45.520 --> 0:26:47.600
<v Speaker 1>really trying hard. He's like trying to do a game.

0:26:47.600 --> 0:26:50.040
<v Speaker 1>He's drying a house. He asks Mark, like, why don't you.

0:26:50.040 --> 0:26:51.120
<v Speaker 2>Draw the people you live with?

0:26:51.400 --> 0:26:52.080
<v Speaker 4>Maybe a pet?

0:26:52.359 --> 0:26:54.359
<v Speaker 1>And Mark like grabs the pen and just scribbles it

0:26:54.359 --> 0:26:57.960
<v Speaker 1>out furiously. He is not into these psychological games. Then

0:26:58.040 --> 0:26:59.760
<v Speaker 1>Mark says shut up, and he does have an accent,

0:26:59.840 --> 0:27:02.560
<v Speaker 1>so you know, Stabler had mentioned that, like, you know,

0:27:02.600 --> 0:27:04.879
<v Speaker 1>he might not speak English, but he obviously no shut up.

0:27:05.200 --> 0:27:06.480
<v Speaker 4>And then he attacks Huong.

0:27:06.560 --> 0:27:09.040
<v Speaker 1>He goes Adam, knocks him back onto the floor from

0:27:09.040 --> 0:27:11.080
<v Speaker 1>his chair and just keeps telling him to shut up

0:27:11.080 --> 0:27:14.040
<v Speaker 1>over and over again. Beck and Stabler rush in and

0:27:14.200 --> 0:27:16.560
<v Speaker 1>if you've been to our live shows. You've seen this scene.

0:27:16.600 --> 0:27:18.840
<v Speaker 1>It's in a compilation I made of scenes where Elliott

0:27:18.880 --> 0:27:22.200
<v Speaker 1>Stabler gets his ass beat. They pull Mark off of

0:27:22.320 --> 0:27:26.399
<v Speaker 1>Huang and Beck suddenly knows immediately that this kid speaks French,

0:27:26.440 --> 0:27:28.439
<v Speaker 1>and she starts telling him to calm down in French.

0:27:28.560 --> 0:27:32.040
<v Speaker 2>Oh my god, this is off topic, but it reminded me.

0:27:32.119 --> 0:27:35.000
<v Speaker 2>You said a nod to the live shows. I was thinking,

0:27:35.920 --> 0:27:38.240
<v Speaker 2>so we have performed in Salt Lake City. We are

0:27:38.240 --> 0:27:42.680
<v Speaker 2>fascinated with Mormons. I was doing stand up in Phoenix

0:27:43.240 --> 0:27:47.520
<v Speaker 2>and there was a table of modern contemporary progressive Mormons,

0:27:47.520 --> 0:27:50.120
<v Speaker 2>but all in those little pajamas underneath. Wait, you can

0:27:50.200 --> 0:27:52.719
<v Speaker 2>see those No, of course, I asked them they were

0:27:52.760 --> 0:27:55.359
<v Speaker 2>wearing the garments. They were wearing the garments, but I

0:27:55.440 --> 0:27:57.960
<v Speaker 2>keep forgetting. Yeah, they're called garments. I like, you guys

0:27:57.960 --> 0:28:00.919
<v Speaker 2>were in the little pajamas, and they were. They're not

0:28:01.000 --> 0:28:02.960
<v Speaker 2>all the you know whatever, but they're into it. So

0:28:03.000 --> 0:28:06.800
<v Speaker 2>they're like contemporary but also still wearing the pajamas.

0:28:06.960 --> 0:28:08.040
<v Speaker 4>Yeah. Wow.

0:28:08.119 --> 0:28:10.640
<v Speaker 1>I wonder if the fashionable white hat lady from our

0:28:10.640 --> 0:28:12.480
<v Speaker 1>Salt Lake show where it was wearing the pajamas.

0:28:12.560 --> 0:28:15.240
<v Speaker 2>I doubt it, no, because she was wearing like skin

0:28:15.359 --> 0:28:15.960
<v Speaker 2>tight pants.

0:28:16.040 --> 0:28:18.840
<v Speaker 4>Yeah, her like tits were out. Yeah, she looks great.

0:28:19.200 --> 0:28:24.440
<v Speaker 2>They were a horny Mormon, yes, yes, but going on missions,

0:28:24.600 --> 0:28:26.480
<v Speaker 2>it is like the Lisa Barlow effect.

0:28:26.560 --> 0:28:26.960
<v Speaker 6>Maybe.

0:28:27.600 --> 0:28:30.240
<v Speaker 2>I asked them if they think Lisa Barlow is considered Mormon,

0:28:30.280 --> 0:28:31.680
<v Speaker 2>and they said, yes, it's a spectrum.

0:28:31.800 --> 0:28:34.440
<v Speaker 1>Okay, I didn't even I never heard the spectrum thing before.

0:28:34.480 --> 0:28:36.679
<v Speaker 1>That's usually not how a lot of religions act, you know.

0:28:36.880 --> 0:28:39.280
<v Speaker 4>Well, no, they're contemporary. They're coming to see us.

0:28:39.440 --> 0:28:44.440
<v Speaker 2>Yeah, okay, so I think we just think everyone that

0:28:44.480 --> 0:28:46.680
<v Speaker 2>listens to us is like godless or something.

0:28:47.040 --> 0:28:48.600
<v Speaker 4>But the Mormons are here.

0:28:48.640 --> 0:28:50.320
<v Speaker 2>Yeah, they're here. Thank you for being here.

0:28:53.640 --> 0:28:54.040
<v Speaker 4>Okay.

0:28:54.080 --> 0:28:58.160
<v Speaker 1>So Danny's telling him like call metois or whatever in French,

0:28:58.280 --> 0:29:01.520
<v Speaker 1>and Mark does the exact op. He grabs Huang's pen

0:29:01.680 --> 0:29:04.880
<v Speaker 1>off the table and stabs Stabler with it right in

0:29:04.880 --> 0:29:07.360
<v Speaker 1>the chest, Like this kid is strong, Stabler's ripped. He

0:29:07.440 --> 0:29:10.840
<v Speaker 1>just like breaks skin, stabs him puncture wound right there.

0:29:11.200 --> 0:29:13.280
<v Speaker 1>Then Beck goes, I got it, I got it, and

0:29:13.440 --> 0:29:15.800
<v Speaker 1>like comes over with some paper towels and pulls the

0:29:15.840 --> 0:29:19.040
<v Speaker 1>pen out, which, like any counselor in training could tell you,

0:29:19.120 --> 0:29:20.920
<v Speaker 1>is not how you treat a puncture wound, you're supposed

0:29:20.960 --> 0:29:23.640
<v Speaker 1>to like leave it in, stabilize it, and get somebody

0:29:23.640 --> 0:29:26.959
<v Speaker 1>medical attention, not like pull it out like it's gonna gush.

0:29:27.000 --> 0:29:28.840
<v Speaker 4>But anyway, and you're a professional.

0:29:28.920 --> 0:29:31.480
<v Speaker 1>Bit yes, Like I can't believe she didn't know that,

0:29:31.600 --> 0:29:33.320
<v Speaker 1>And she's like, are you gonna faint on me? And

0:29:33.360 --> 0:29:36.440
<v Speaker 1>Stabler looks all woozy and shit. So in the next scene,

0:29:36.520 --> 0:29:39.960
<v Speaker 1>Huang is helping to like clean Stabler's wound or something,

0:29:40.120 --> 0:29:43.440
<v Speaker 1>and Kragan's like, what's what this kid? And Huang's like, immediately,

0:29:43.520 --> 0:29:45.480
<v Speaker 1>won takes zero time to think about it. He goes,

0:29:45.680 --> 0:29:48.640
<v Speaker 1>I think it's reactive attachment disorder. Children deprived of love

0:29:48.640 --> 0:29:51.640
<v Speaker 1>and affection, particularly as infants, have trouble connecting with people.

0:29:52.040 --> 0:29:52.800
<v Speaker 4>And I did look it up.

0:29:52.840 --> 0:29:55.480
<v Speaker 1>The Mayo Clinic defines reactive attachment disorder as a rare

0:29:55.520 --> 0:29:57.840
<v Speaker 1>but serious condition in which an infant or young child

0:29:57.840 --> 0:30:01.640
<v Speaker 1>doesn't establish healthy attachments with parents or caregivers. And we

0:30:01.680 --> 0:30:03.720
<v Speaker 1>did talk about this in the Born Psycho about episode

0:30:03.720 --> 0:30:05.000
<v Speaker 1>a little bit, and we'll talk about it a little

0:30:05.040 --> 0:30:07.800
<v Speaker 1>bit more later. But Beck says, well, that doesn't sound

0:30:07.920 --> 0:30:10.320
<v Speaker 1>like Eden, and Huang's like, yeah, but hers could just

0:30:10.320 --> 0:30:13.040
<v Speaker 1>be manifesting in a different way like Mark withdraws and

0:30:13.200 --> 0:30:16.240
<v Speaker 1>Eden is another kind of a reactive attachment disorder where

0:30:16.240 --> 0:30:19.520
<v Speaker 1>she's indiscriminately affectionate, which I also wrote down reminds me

0:30:19.520 --> 0:30:21.840
<v Speaker 1>of what was happening in abuse with baby Hayden Pantier

0:30:22.200 --> 0:30:24.959
<v Speaker 1>because her rock star mom was just ignoring her all

0:30:25.000 --> 0:30:27.760
<v Speaker 1>the time, so she was forming crazy quick attachment bonds

0:30:27.760 --> 0:30:31.280
<v Speaker 1>with other people like Olivia Benson. So Beck thinks Mark

0:30:31.360 --> 0:30:34.400
<v Speaker 1>is probably from Haiti or West Africa. Huang says kids

0:30:34.440 --> 0:30:38.000
<v Speaker 1>adopted from abroad often have attachment disorders, which adoptive families

0:30:38.000 --> 0:30:40.760
<v Speaker 1>don't realize until they're living with them. And I have

0:30:40.840 --> 0:30:42.920
<v Speaker 1>read about this a lot and heard personal stories of

0:30:42.960 --> 0:30:45.920
<v Speaker 1>people happening with this with like kids from adopted from

0:30:45.960 --> 0:30:48.640
<v Speaker 1>Russia or Eastern European orphanages and stuff like that, where

0:30:48.680 --> 0:30:50.320
<v Speaker 1>they we've talked about it on the pod, like where

0:30:50.320 --> 0:30:53.800
<v Speaker 1>they just don't get touched or like you know, hugged

0:30:53.880 --> 0:30:55.000
<v Speaker 1>or skinned to skin.

0:30:55.120 --> 0:30:56.160
<v Speaker 4>That's like, what's all behind it?

0:30:56.200 --> 0:30:58.200
<v Speaker 1>I feel like, is just like kids needing a lot

0:30:58.200 --> 0:31:00.600
<v Speaker 1>of connection right of the wombs.

0:31:00.640 --> 0:31:03.080
<v Speaker 4>So the gang thinks maybe.

0:31:02.880 --> 0:31:05.320
<v Speaker 1>The kids were getting returned to their adoption agency from

0:31:05.360 --> 0:31:07.320
<v Speaker 1>their adoptive parents, and that's like why they were in

0:31:07.320 --> 0:31:08.479
<v Speaker 1>this van with this Almah.

0:31:08.520 --> 0:31:09.560
<v Speaker 4>They need to find Alma.

0:31:10.200 --> 0:31:12.120
<v Speaker 1>Much found a cab that picked up a woman at

0:31:12.160 --> 0:31:14.280
<v Speaker 1>four am near the river and took her to Brooklyn.

0:31:14.360 --> 0:31:16.360
<v Speaker 4>I mean was she's soaking wet with one shoe. Also,

0:31:16.640 --> 0:31:19.760
<v Speaker 4>I like that, how did you find out?

0:31:21.000 --> 0:31:23.120
<v Speaker 1>Munch and Finn are now knocking on the door to

0:31:23.160 --> 0:31:24.960
<v Speaker 1>the address where she was dropped off, but no one

0:31:25.000 --> 0:31:27.960
<v Speaker 1>is answering. Finn goes around kind of like the side

0:31:27.960 --> 0:31:30.000
<v Speaker 1>of the house and sees like this little sliver of

0:31:30.080 --> 0:31:32.720
<v Speaker 1>glass with like a sad stick figure, like a stick

0:31:32.720 --> 0:31:35.000
<v Speaker 1>figure with a sad face on it, a frownie face,

0:31:35.320 --> 0:31:37.520
<v Speaker 1>And for him, he's like, fuck, there's kids in there.

0:31:37.720 --> 0:31:40.440
<v Speaker 1>So he busts down the door with literally no effort.

0:31:40.680 --> 0:31:43.760
<v Speaker 1>The place looks abandoned, but there's fresh milk in the fridge,

0:31:44.080 --> 0:31:46.720
<v Speaker 1>there's mattresses on the floor, and Finn finds a teddy Bear.

0:31:46.920 --> 0:31:48.200
<v Speaker 4>So where them kids at?

0:31:48.280 --> 0:31:48.480
<v Speaker 5>You know?

0:31:48.880 --> 0:31:51.040
<v Speaker 4>So that's the end of act one. Act two.

0:31:51.640 --> 0:31:54.200
<v Speaker 1>Finn tells Kragan, it looks like dozens of kids have

0:31:54.280 --> 0:31:57.440
<v Speaker 1>been living here based on fingerprints and all this other stuff.

0:31:57.440 --> 0:32:00.400
<v Speaker 4>Probably hair samples or something. Ohal's there.

0:32:00.520 --> 0:32:03.920
<v Speaker 1>He finds a tape with the letters R R B

0:32:04.440 --> 0:32:07.360
<v Speaker 1>handwritten on it and a date from four days prior,

0:32:07.560 --> 0:32:09.640
<v Speaker 1>but it's been smashed. It's like a cassette tape and

0:32:09.680 --> 0:32:12.320
<v Speaker 1>it's been smashed, and Craigan's like, see if we can

0:32:12.360 --> 0:32:14.600
<v Speaker 1>clean it up. I want you guys to go canvas.

0:32:14.680 --> 0:32:16.400
<v Speaker 1>Let's find out who pays the bills on this place.

0:32:16.440 --> 0:32:18.800
<v Speaker 1>And where the hell is Beck? Everyone keeps asking where's Beck?

0:32:18.800 --> 0:32:19.360
<v Speaker 4>Where's Beck?

0:32:19.680 --> 0:32:22.520
<v Speaker 1>Cuts it back at the hospital with Stabler. Guess she

0:32:22.560 --> 0:32:25.280
<v Speaker 1>has her priorities. He's just buttoning up his shirt so

0:32:25.320 --> 0:32:27.160
<v Speaker 1>we can get a little bit of the chest, you know,

0:32:27.440 --> 0:32:29.680
<v Speaker 1>and he's waiting for his tet and a shot, and

0:32:29.800 --> 0:32:32.880
<v Speaker 1>she's just like really complimenting him, like I'm really impressed

0:32:32.920 --> 0:32:35.360
<v Speaker 1>you kept your cool with this pen stabbing thing. And

0:32:35.400 --> 0:32:38.360
<v Speaker 1>he's like, it's just adrenaline, babe, and she's like, still

0:32:38.400 --> 0:32:40.480
<v Speaker 1>it must have hurt. I couldn't have stayed that calm.

0:32:40.760 --> 0:32:43.960
<v Speaker 1>And then they have this like weirdly coded conversation about

0:32:44.040 --> 0:32:46.680
<v Speaker 1>right and wrong and then he holds her hand and

0:32:46.720 --> 0:32:50.240
<v Speaker 1>she goes elliott I and then they get interrupted. Boom

0:32:50.320 --> 0:32:54.440
<v Speaker 1>in walk Kathy and Kathleen's tabler. They're like, Elliott, we

0:32:54.440 --> 0:32:56.640
<v Speaker 1>heard you were stabbed. Craigan gave us the heads up

0:32:56.640 --> 0:32:59.880
<v Speaker 1>what's going on. He introduces Kathy to Danny has his

0:33:00.120 --> 0:33:02.920
<v Speaker 1>new partner, and Kathy's probably like are there not any

0:33:03.000 --> 0:33:04.840
<v Speaker 1>ugly cops they can partner you with? Like why is

0:33:04.840 --> 0:33:08.440
<v Speaker 1>it just like supermodel after supermodel? And Kathy goes, how

0:33:08.440 --> 0:33:11.040
<v Speaker 1>do you do? Which is very nineteen fifties to me.

0:33:11.080 --> 0:33:13.560
<v Speaker 1>I think it's funny she's talking like that, and they're like,

0:33:13.560 --> 0:33:16.360
<v Speaker 1>what happened to Olivia? And he's like she's which is

0:33:16.400 --> 0:33:18.400
<v Speaker 1>so rude to say right in front of the new partner,

0:33:18.640 --> 0:33:20.160
<v Speaker 1>like where's your old partner?

0:33:20.200 --> 0:33:20.760
<v Speaker 4>We liked her?

0:33:20.960 --> 0:33:24.440
<v Speaker 2>Yeah, but also they they haven't discussed this, I know,

0:33:24.560 --> 0:33:27.720
<v Speaker 2>but they're separated, right I know, but like, yeah, I

0:33:27.760 --> 0:33:30.400
<v Speaker 2>know she I wouldn't tell Kathleen like that's a big thing.

0:33:30.720 --> 0:33:33.959
<v Speaker 4>Yeah. But he's like, he's like, she's with the Feds.

0:33:34.040 --> 0:33:37.400
<v Speaker 1>Because if you will remember Infiltrated was two episodes ago,

0:33:37.840 --> 0:33:40.719
<v Speaker 1>and that is where Live goes into her persephone Jones,

0:33:40.840 --> 0:33:44.200
<v Speaker 1>you know, undercover persona with the Eco Terrorism Group.

0:33:44.280 --> 0:33:45.080
<v Speaker 4>Very important work.

0:33:45.520 --> 0:33:49.120
<v Speaker 1>Okay, So Beck takes this familiar invasion as an opportunity

0:33:49.160 --> 0:33:50.800
<v Speaker 1>to bounce. She's like, I gotta get out of here.

0:33:51.640 --> 0:33:54.400
<v Speaker 1>Kathleen is shading her dad for getting stabbed by a kid.

0:33:54.440 --> 0:33:58.440
<v Speaker 1>She's like, Dad, you're such a loser. And Beck gets

0:33:58.480 --> 0:34:01.960
<v Speaker 1>one last look at Taifler with his family through the

0:34:02.000 --> 0:34:05.120
<v Speaker 1>blinds on her way out. Now, Beck is at the

0:34:05.120 --> 0:34:07.600
<v Speaker 1>facility where Eden is staying. She's just doing the rounds

0:34:07.640 --> 0:34:10.520
<v Speaker 1>of the hospitals. Eden is asleep, passed out. There's a

0:34:10.560 --> 0:34:14.280
<v Speaker 1>CPS worker there named Lauren White. She's played by Linda Powell.

0:34:14.480 --> 0:34:19.120
<v Speaker 1>She's in six episode. She's also in Responsible and Locum

0:34:19.320 --> 0:34:21.440
<v Speaker 1>and Control like she's in a lot of classics.

0:34:21.440 --> 0:34:22.680
<v Speaker 4>This CPS worker.

0:34:23.280 --> 0:34:25.720
<v Speaker 1>She tells Beck that Mark is at a psych facility

0:34:25.719 --> 0:34:29.160
<v Speaker 1>and unfortunately had to be medicated. Beck is like, wow, well,

0:34:29.160 --> 0:34:31.040
<v Speaker 1>no one's going to take Mark now once they find

0:34:31.040 --> 0:34:33.399
<v Speaker 1>out that he stabbed a cop with a pen. And

0:34:33.440 --> 0:34:35.319
<v Speaker 1>then the two ladies chat about how easy it is

0:34:35.320 --> 0:34:37.640
<v Speaker 1>for kids to get swallowed up by the system. Families

0:34:37.680 --> 0:34:41.240
<v Speaker 1>move fast, bureaucracies don't. And then Beck gets a call

0:34:41.360 --> 0:34:44.280
<v Speaker 1>and it's Craign. So now she's back at the squad

0:34:44.400 --> 0:34:48.120
<v Speaker 1>and she's getting reprimanded. Okay, Daddy Craigs is pissed that

0:34:48.160 --> 0:34:50.360
<v Speaker 1>she went and checked on Stabler and the kids and

0:34:50.400 --> 0:34:52.440
<v Speaker 1>didn't do what he told her to do. She's like,

0:34:52.480 --> 0:34:54.680
<v Speaker 1>I'm sorry, I'll head over now, and it's like he's like,

0:34:54.719 --> 0:34:55.239
<v Speaker 1>it's too late.

0:34:55.280 --> 0:34:57.279
<v Speaker 4>CSU is finishing up. What the fuck does she think

0:34:57.320 --> 0:34:58.120
<v Speaker 4>she is? I know?

0:34:58.719 --> 0:35:01.160
<v Speaker 1>Sorry spoiler alert, the last you're going to see it, Beck,

0:35:01.320 --> 0:35:03.279
<v Speaker 1>So Craigan tells her we found out the house is

0:35:03.320 --> 0:35:06.200
<v Speaker 1>owned by the Ignacious Petty adoption agency Munch and Finn.

0:35:06.200 --> 0:35:09.120
<v Speaker 1>We'll talk to him tomorrow, the guy that runs the agency.

0:35:09.160 --> 0:35:11.160
<v Speaker 1>You and Stabler hit up ACS and find out if

0:35:11.160 --> 0:35:13.400
<v Speaker 1>they have any scoop on the sky. And she's like,

0:35:13.440 --> 0:35:15.960
<v Speaker 1>I'll go now, and Craigan's like, actually, bitch, you're gonna

0:35:15.960 --> 0:35:18.400
<v Speaker 1>go home and take a nap, and she does not listen.

0:35:18.560 --> 0:35:18.920
<v Speaker 4>Again.

0:35:19.400 --> 0:35:22.760
<v Speaker 1>We cut to her back at CPS, just fucking bitch,

0:35:22.760 --> 0:35:25.600
<v Speaker 1>slapping Craigan right in his face. And she walks in

0:35:25.640 --> 0:35:27.319
<v Speaker 1>and Lauren White is still there and she's like, it's

0:35:27.360 --> 0:35:30.160
<v Speaker 1>after midnight and she goes, what's the tea on Ignacious Petty?

0:35:30.200 --> 0:35:31.960
<v Speaker 1>Besides the fact that he sounds like a little boarding

0:35:31.960 --> 0:35:34.720
<v Speaker 1>school villain in an old British book about mischief or something,

0:35:35.200 --> 0:35:38.360
<v Speaker 1>and Lauren tells Danny that ACS terminated their contract with

0:35:38.400 --> 0:35:40.279
<v Speaker 1>Petty a year ago, like we used to work with him.

0:35:40.320 --> 0:35:42.040
<v Speaker 1>We cut his contract a year ago. He was one

0:35:42.040 --> 0:35:44.080
<v Speaker 1>of those bad foster agencies. I was telling you about

0:35:44.239 --> 0:35:47.480
<v Speaker 1>confident careless, only about the money. We pulled his license

0:35:47.520 --> 0:35:50.000
<v Speaker 1>and he went into the private adoption business, which doesn't

0:35:50.000 --> 0:35:53.480
<v Speaker 1>do adequate background checks. And it's so cool how unregulated

0:35:53.480 --> 0:35:58.439
<v Speaker 1>that is. So Lauren knows Alma Cordoza as well. She's like, yeah,

0:35:58.520 --> 0:36:01.840
<v Speaker 1>we fired her three years ago. Her childcare theories were extreme,

0:36:02.239 --> 0:36:04.400
<v Speaker 1>but she would never follow up, like she sounds like

0:36:04.480 --> 0:36:06.480
<v Speaker 1>just bad at the job. And then I heard she

0:36:06.560 --> 0:36:08.960
<v Speaker 1>was doing consulting for private adoption, and you know, Beck

0:36:09.000 --> 0:36:11.280
<v Speaker 1>puts it together like, oh, maybe with Petty, and Lauren's

0:36:11.320 --> 0:36:14.319
<v Speaker 1>like could be. So the next day, Munch and Finn

0:36:14.320 --> 0:36:17.160
<v Speaker 1>are talking to Ignacious Petty, which is truly such a

0:36:17.200 --> 0:36:20.360
<v Speaker 1>crazy name. He's a hero who brings little babies to

0:36:20.440 --> 0:36:22.799
<v Speaker 1>childless couples like a stork in his own mind. The

0:36:22.840 --> 0:36:25.799
<v Speaker 1>guy's like Alma Cordoza, that doesn't ring any bells, but

0:36:25.840 --> 0:36:27.759
<v Speaker 1>he does acknowledge the house in Brooklyn and says it's

0:36:27.800 --> 0:36:30.840
<v Speaker 1>where new adoptees and their parents can like chill for

0:36:30.880 --> 0:36:33.560
<v Speaker 1>a little bit after the adoption bond and it's cleared

0:36:33.600 --> 0:36:35.520
<v Speaker 1>out right now because he wants to sell it and

0:36:35.520 --> 0:36:37.520
<v Speaker 1>buy another one. So he's got excuses for like the

0:36:37.520 --> 0:36:39.920
<v Speaker 1>reason why this house looks like a full of like

0:36:40.000 --> 0:36:42.839
<v Speaker 1>flophouse that's just like had squatters in it. He doesn't

0:36:42.880 --> 0:36:45.400
<v Speaker 1>recognize the pictures of the children, and he still denies

0:36:45.480 --> 0:36:47.200
<v Speaker 1>knowing Almah when they show him a picture of her,

0:36:47.520 --> 0:36:48.840
<v Speaker 1>and Munch is like, well, then, why do you have

0:36:48.840 --> 0:36:50.360
<v Speaker 1>a picture of Almah on your wall?

0:36:50.480 --> 0:36:52.440
<v Speaker 4>And we like, look at his big wall. He's got

0:36:52.480 --> 0:36:53.520
<v Speaker 4>a picture of her right there.

0:36:53.680 --> 0:36:57.560
<v Speaker 2>Oh good. It's like, you're such an idiot, bro. Yeah,

0:36:57.560 --> 0:36:58.640
<v Speaker 2>I love this moment.

0:36:59.400 --> 0:37:00.000
<v Speaker 4>Yeah.

0:37:00.400 --> 0:37:03.839
<v Speaker 1>So Munch threatens to go through the records and this

0:37:03.920 --> 0:37:07.440
<v Speaker 1>guy's like, uh, well, my records are confidential.

0:37:07.719 --> 0:37:10.640
<v Speaker 2>You know what what Ramona Singer on Real Hostways in

0:37:10.680 --> 0:37:14.080
<v Speaker 2>New York, they showed a video over not inviting Sonya

0:37:14.120 --> 0:37:16.520
<v Speaker 2>to her birthday, like telling a woman like, don't invite

0:37:16.520 --> 0:37:19.080
<v Speaker 2>Sonya and then they're like, why did you do that?

0:37:19.120 --> 0:37:21.200
<v Speaker 2>And she denied it at the reunion, even though they

0:37:21.280 --> 0:37:23.480
<v Speaker 2>just watched a clip of her doing it. Yeah, so

0:37:23.480 --> 0:37:25.640
<v Speaker 2>I was about to say, it's like these moments where

0:37:25.680 --> 0:37:28.399
<v Speaker 2>you can't deny the evidence. It's like, what what, It's

0:37:28.440 --> 0:37:31.719
<v Speaker 2>like a cartoon moment, But then I remember, no, Ramona,

0:37:31.960 --> 0:37:33.800
<v Speaker 2>Ramona fought evidence. Yeah.

0:37:34.040 --> 0:37:36.439
<v Speaker 1>I think if you're a liar, also, like a habitual liar,

0:37:36.520 --> 0:37:38.800
<v Speaker 1>you just convince yourself of your own lives very quickly.

0:37:38.920 --> 0:37:40.480
<v Speaker 1>So you're like, no, no, I don't know her, like

0:37:40.520 --> 0:37:44.319
<v Speaker 1>and they're like oh yeah. Like so he's a full liar,

0:37:44.440 --> 0:37:47.799
<v Speaker 1>this man and doesn't seem like a good guy. And uh,

0:37:48.200 --> 0:37:50.000
<v Speaker 1>Munch is like, we're going to go through your records

0:37:50.000 --> 0:37:52.120
<v Speaker 1>and he's like, my records are confidential. Munch goes, we'll

0:37:52.120 --> 0:37:54.759
<v Speaker 1>get a subpoenut he's like, lol, my lawyers will crush you.

0:37:54.840 --> 0:37:57.840
<v Speaker 1>Bye bye now, like see you later. So Beck and

0:37:57.880 --> 0:38:01.080
<v Speaker 1>Stable are outside incognito and the because they're doing that

0:38:01.120 --> 0:38:04.080
<v Speaker 1>thing where they bait somebody and then tap their phone

0:38:04.080 --> 0:38:06.640
<v Speaker 1>to see who they'll call first. It's a classic Sview

0:38:06.880 --> 0:38:07.800
<v Speaker 1>procedural trophe.

0:38:08.200 --> 0:38:10.799
<v Speaker 2>Yeah, and then the criminal thinks they've really won. I mean,

0:38:11.200 --> 0:38:12.719
<v Speaker 2>this is a great episode.

0:38:12.800 --> 0:38:14.879
<v Speaker 1>It's like, if you're hiding something and the cops come

0:38:14.920 --> 0:38:17.200
<v Speaker 1>to you, do not call the person immediately. That's like

0:38:17.360 --> 0:38:19.759
<v Speaker 1>you're in cahootswith like because they're tapping your phone.

0:38:19.840 --> 0:38:21.680
<v Speaker 2>Yeah, because this is a sad episode because it's like,

0:38:21.760 --> 0:38:23.920
<v Speaker 2>you know, the kids in bloody handcuffs, but you know,

0:38:23.960 --> 0:38:26.799
<v Speaker 2>in a van, and obviously things are gonna get worse.

0:38:27.320 --> 0:38:30.360
<v Speaker 2>But a lot of great moments, a lot of great moments.

0:38:30.440 --> 0:38:32.799
<v Speaker 4>The two pey Like, I'm really Cage.

0:38:32.520 --> 0:38:34.479
<v Speaker 2>It's a good one. It's a really good one. Cage

0:38:34.520 --> 0:38:34.839
<v Speaker 2>who knew?

0:38:34.960 --> 0:38:35.000
<v Speaker 3>No.

0:38:35.080 --> 0:38:38.440
<v Speaker 2>I avoid watching it because it's Danny Beck. Like I

0:38:38.520 --> 0:38:41.400
<v Speaker 2>have seen the Danny Beck episodes, probably the least.

0:38:41.680 --> 0:38:45.080
<v Speaker 1>Yeah, I definitely have seen them all a couple of times.

0:38:45.120 --> 0:38:47.600
<v Speaker 4>Of course I'll skip over if it's possible.

0:38:48.200 --> 0:38:50.520
<v Speaker 1>So it turns out what he called was the Lydia Motel,

0:38:50.560 --> 0:38:52.719
<v Speaker 1>which we've heard of before. It's like it's supposed to

0:38:52.760 --> 0:38:54.479
<v Speaker 1>just be kind of like a CD hotel, and there's

0:38:54.480 --> 0:38:56.520
<v Speaker 1>been other like operations that have gone down there with

0:38:56.600 --> 0:38:58.919
<v Speaker 1>this s view and they all head over there, Munch

0:38:58.920 --> 0:39:01.160
<v Speaker 1>and Fin find all in a hotel room there.

0:39:01.200 --> 0:39:03.280
<v Speaker 4>They do the whole housekeeping.

0:39:02.840 --> 0:39:06.919
<v Speaker 1>Like we're here with room service, and in interrogation they've

0:39:06.920 --> 0:39:10.120
<v Speaker 1>got Almah now and she's explaining that she was bringing

0:39:10.120 --> 0:39:12.600
<v Speaker 1>the kids back from Albany because their adoptive parents didn't

0:39:12.600 --> 0:39:15.719
<v Speaker 1>want them anymore. So it's exactly what they suspected. Mark

0:39:15.800 --> 0:39:18.680
<v Speaker 1>was adopted from Haiti and Eden from Ohio. She was

0:39:18.719 --> 0:39:21.480
<v Speaker 1>going to leave them in Brooklyn until they found them

0:39:21.520 --> 0:39:24.399
<v Speaker 1>another home, but she said the accident was Frank's fault.

0:39:24.480 --> 0:39:26.560
<v Speaker 1>She panicked that the kids were going to drown, but

0:39:26.680 --> 0:39:28.600
<v Speaker 1>that She also insists that they were cuffed for their

0:39:28.640 --> 0:39:30.799
<v Speaker 1>own good and says she was trying to help them,

0:39:30.840 --> 0:39:33.319
<v Speaker 1>but never talks about how she didn't help them get

0:39:33.400 --> 0:39:36.880
<v Speaker 1>uncuffed or stay with them after they like drowned.

0:39:36.880 --> 0:39:39.760
<v Speaker 4>She clearly ran because she knew something she's doing is shady.

0:39:40.360 --> 0:39:42.520
<v Speaker 1>So on the other side of the glass, Stabler's like,

0:39:42.560 --> 0:39:44.960
<v Speaker 1>all right, let's shut this guy down, and Beca's like

0:39:45.040 --> 0:39:46.960
<v Speaker 1>sad that these kids are going to go to foster care,

0:39:47.400 --> 0:39:49.200
<v Speaker 1>and She's like, I just can't walk away from this.

0:39:49.800 --> 0:39:52.200
<v Speaker 1>So then Craigan's like, good, get your ass back to work.

0:39:52.200 --> 0:39:55.359
<v Speaker 1>That tape that O'Halloran found, we've got it. It's been resurrected.

0:39:55.400 --> 0:39:58.239
<v Speaker 1>It's back. We're gonna go listen to it. So we're

0:39:58.239 --> 0:40:01.520
<v Speaker 1>in O'Halloran's little, you know, his little lab, and the

0:40:01.560 --> 0:40:03.959
<v Speaker 1>tape was mostly smashed, but he was able to clean

0:40:04.040 --> 0:40:06.399
<v Speaker 1>up and recover two sections of it. It's very bad

0:40:06.440 --> 0:40:09.040
<v Speaker 1>sound quality, but you can clearly make out three adults

0:40:09.040 --> 0:40:11.719
<v Speaker 1>and a young girl and it's fucked up. It's like

0:40:11.760 --> 0:40:13.839
<v Speaker 1>a recording of these adults doing something to this girl

0:40:13.880 --> 0:40:16.120
<v Speaker 1>while she's yelling, I don't like it, I'm hot, you're

0:40:16.200 --> 0:40:16.640
<v Speaker 1>hurting me.

0:40:16.880 --> 0:40:18.440
<v Speaker 2>It's like you you don't love to hear it.

0:40:18.880 --> 0:40:21.320
<v Speaker 1>And the woman on the tape is like, trust us, baby,

0:40:21.400 --> 0:40:24.560
<v Speaker 1>and they call her Rose, and she says she can't

0:40:24.600 --> 0:40:28.040
<v Speaker 1>breathe and she's gasping, and it sounds like a therapy session.

0:40:28.280 --> 0:40:31.560
<v Speaker 4>Like Stable immediately knows what it is. It sounds like rebirthing.

0:40:31.680 --> 0:40:33.600
<v Speaker 1>He's like, yeah, they wrap you up and simulate your

0:40:33.640 --> 0:40:37.280
<v Speaker 1>berth again, like you know, and Beck goes, who cares?

0:40:37.280 --> 0:40:40.000
<v Speaker 1>What happened to this girl? And then there's a second

0:40:40.040 --> 0:40:42.960
<v Speaker 1>part to the tape where they realize Rose is it

0:40:43.080 --> 0:40:45.879
<v Speaker 1>moving like it's it's the end, closer to the end

0:40:45.880 --> 0:40:48.800
<v Speaker 1>of the tape, and they're like, okay, Rose, get up, honey,

0:40:48.800 --> 0:40:51.200
<v Speaker 1>and she's not moving and they notice she's thrown up

0:40:51.560 --> 0:40:54.000
<v Speaker 1>and she won't wake up, and it's like, fuck, they've

0:40:54.080 --> 0:40:56.600
<v Speaker 1>killed this girl and they've inadvertently like made a tape

0:40:56.640 --> 0:40:59.279
<v Speaker 1>of it. Like this is so wild, So they go

0:40:59.400 --> 0:41:01.120
<v Speaker 1>back to the house in Brooklyn where the tape was

0:41:01.120 --> 0:41:04.840
<v Speaker 1>originally found and where it was probably made. So Melinda

0:41:04.920 --> 0:41:07.200
<v Speaker 1>is there standing in a hole in the backyard where

0:41:07.440 --> 0:41:09.920
<v Speaker 1>sadly they have found the body of a female nine

0:41:09.960 --> 0:41:12.000
<v Speaker 1>year old and she's been dead only a few days.

0:41:12.320 --> 0:41:14.560
<v Speaker 1>And they show the body like covered with a blanket,

0:41:14.600 --> 0:41:16.279
<v Speaker 1>all this dirt on it, and then just like a

0:41:16.320 --> 0:41:19.960
<v Speaker 1>little like curl of blonde is like poking out from

0:41:20.040 --> 0:41:23.680
<v Speaker 1>underneath the blanket. So it's very sad. At the morgue,

0:41:23.800 --> 0:41:26.359
<v Speaker 1>Melinda is explaining that the cause of death is that

0:41:26.360 --> 0:41:29.400
<v Speaker 1>she's suffocated and aspirated on her own vomit. Plus she

0:41:29.400 --> 0:41:32.000
<v Speaker 1>has bruising on her rib cage and thighs, and it

0:41:32.040 --> 0:41:34.440
<v Speaker 1>looks like she was abused over a prolonged period, but

0:41:34.600 --> 0:41:38.160
<v Speaker 1>not sexually, so silver lining, I guess there's no hits

0:41:38.200 --> 0:41:41.760
<v Speaker 1>on her prints. Beck puts it together that Eden said

0:41:41.800 --> 0:41:43.799
<v Speaker 1>she had a sister named Rosemary, and there is a

0:41:43.840 --> 0:41:47.759
<v Speaker 1>resemblance between this little girl and Eden, so you know,

0:41:47.840 --> 0:41:51.160
<v Speaker 1>let's figure this out. So now Danny has Eden at

0:41:51.160 --> 0:41:55.279
<v Speaker 1>the morgue, to id the body. This seems so so

0:41:55.520 --> 0:41:58.160
<v Speaker 1>sad to do, Like this girl's already so traumatized, and

0:41:58.200 --> 0:42:00.960
<v Speaker 1>it's like, here, come id the body, your last family

0:42:01.000 --> 0:42:04.440
<v Speaker 1>member that you're in touch with. So they show her

0:42:04.960 --> 0:42:07.280
<v Speaker 1>the dead girl on a screen and she goes, that's Rosemary,

0:42:07.320 --> 0:42:08.040
<v Speaker 1>that's my sister.

0:42:08.160 --> 0:42:08.920
<v Speaker 4>It's so sad.

0:42:09.400 --> 0:42:11.680
<v Speaker 1>Melinda puts the sheet back over and she goes, no, wait,

0:42:11.800 --> 0:42:14.719
<v Speaker 1>I want to look. And so elde Fanning is so

0:42:14.840 --> 0:42:17.000
<v Speaker 1>good in this episode, Like she's eight years old and

0:42:17.040 --> 0:42:20.799
<v Speaker 1>she's really playing like you feel bad for her. She's

0:42:20.800 --> 0:42:23.360
<v Speaker 1>obviously had trauma, but she's creepy, you know, she like

0:42:23.440 --> 0:42:25.520
<v Speaker 1>wants to look at her dead sister while she talks,

0:42:25.600 --> 0:42:28.120
<v Speaker 1>you know. So then they're asking her more questions and

0:42:28.200 --> 0:42:29.799
<v Speaker 1>she's just kind of staring at the screen of her

0:42:29.840 --> 0:42:31.360
<v Speaker 1>dead sister and she's like, I.

0:42:31.360 --> 0:42:32.799
<v Speaker 4>Don't remember when I last saw her.

0:42:32.840 --> 0:42:34.600
<v Speaker 1>But she lived in a big house in the country

0:42:34.640 --> 0:42:36.520
<v Speaker 1>with Rita and Bud, and this is like the first

0:42:36.560 --> 0:42:39.480
<v Speaker 1>we've heard of Rita and Bud. She lived there too,

0:42:39.560 --> 0:42:41.000
<v Speaker 1>but I was very bad and I had to be

0:42:41.080 --> 0:42:43.920
<v Speaker 1>sent away to Alma. Rosemary wasn't so bad, so they

0:42:43.960 --> 0:42:46.120
<v Speaker 1>just put her in the cage. So what the fuck

0:42:46.160 --> 0:42:48.799
<v Speaker 1>is happening? What are we talking about? Munch and Finn

0:42:48.920 --> 0:42:52.200
<v Speaker 1>slap a picture of dead blue Rosemary in front of

0:42:52.239 --> 0:42:55.040
<v Speaker 1>Almah and she's like, who's that. They're like, it's Rosemary,

0:42:55.160 --> 0:42:58.000
<v Speaker 1>Eden's sister, and she goes, I wouldn't take Eden's word

0:42:58.040 --> 0:43:00.840
<v Speaker 1>for it. She doesn't really she's a liar. It's like, okay, girl,

0:43:00.920 --> 0:43:02.759
<v Speaker 1>you were really caught. You need to stop blaming an

0:43:02.760 --> 0:43:05.480
<v Speaker 1>eight year old for being a liar. And she's like

0:43:05.480 --> 0:43:07.880
<v Speaker 1>she doesn't understand the difference between truth and lies. And

0:43:07.920 --> 0:43:11.360
<v Speaker 1>they're like, well, DNA says that they're related, so try again,

0:43:11.400 --> 0:43:13.320
<v Speaker 1>and she's like, that doesn't mean they were adopted together.

0:43:13.440 --> 0:43:15.279
<v Speaker 1>She's saying, like it's basically possible that.

0:43:15.239 --> 0:43:16.280
<v Speaker 4>I don't know Rosemary.

0:43:16.320 --> 0:43:18.640
<v Speaker 1>I only know Eden because they might not have been

0:43:18.640 --> 0:43:22.720
<v Speaker 1>adopted together. Alma says she doesn't know Rita and Bud

0:43:22.960 --> 0:43:25.239
<v Speaker 1>and then they play the recording of rose and she

0:43:25.280 --> 0:43:27.680
<v Speaker 1>does not like hearing that recording and she's like, I

0:43:27.719 --> 0:43:29.840
<v Speaker 1>don't know anything, and they're like, look, you're fucked.

0:43:29.840 --> 0:43:31.000
<v Speaker 4>We've got you on kidnapping.

0:43:31.239 --> 0:43:33.600
<v Speaker 1>You're going away for a while, and you think they're

0:43:33.680 --> 0:43:36.319
<v Speaker 1>rough on child killers and men's prisons, women's prisons are

0:43:36.320 --> 0:43:39.279
<v Speaker 1>way worse. So Finn offers a little quid pro quo,

0:43:39.400 --> 0:43:42.359
<v Speaker 1>and Almah says, all right, listen, I don't know who

0:43:42.360 --> 0:43:44.000
<v Speaker 1>this girl is, but I do know one of the

0:43:44.080 --> 0:43:47.160
<v Speaker 1>voices on that tape, and it's a psychologist named doctor Reef.

0:43:47.880 --> 0:43:50.839
<v Speaker 1>So now we cut to doctor Reef's office and they

0:43:50.880 --> 0:43:53.759
<v Speaker 1>play him the tape and are like, yo, that's you, bro,

0:43:53.920 --> 0:43:56.359
<v Speaker 1>And he's like, what happened to the girl? And they're like, well,

0:43:56.360 --> 0:43:58.120
<v Speaker 1>you should know you were there, and he goes, actually,

0:43:58.120 --> 0:44:00.839
<v Speaker 1>I wasn't. I was on speakerphone, like back, you can

0:44:00.880 --> 0:44:02.879
<v Speaker 1>tell I'm not in the room. And he's like, I'm

0:44:02.880 --> 0:44:05.239
<v Speaker 1>not responsible for what happened. I was on the phone

0:44:05.280 --> 0:44:07.680
<v Speaker 1>for only ten minutes. I gave clear instructions. I told

0:44:07.719 --> 0:44:11.240
<v Speaker 1>him to tape it, and everything about this absolutely horrendous

0:44:11.280 --> 0:44:13.480
<v Speaker 1>torture session was on the up and up, according to

0:44:13.520 --> 0:44:15.920
<v Speaker 1>this man. And he says that these two have done

0:44:16.080 --> 0:44:18.880
<v Speaker 1>dozens of rebirthing sessions and that their names are Rita

0:44:18.920 --> 0:44:21.360
<v Speaker 1>and Bud Gabbler of Poughkeepsie.

0:44:20.760 --> 0:44:23.600
<v Speaker 4>New York, near Albany, the Keepsie home of Snookie.

0:44:24.280 --> 0:44:27.319
<v Speaker 1>Yeah, I was just looking at the word Poughkeepsie and

0:44:27.480 --> 0:44:29.880
<v Speaker 1>was like if you were like learning English as the

0:44:29.920 --> 0:44:33.040
<v Speaker 1>second language. Poughkeepsie's gotta fuck you up? Like that is

0:44:33.040 --> 0:44:36.279
<v Speaker 1>a whack ass word. It's like puff keep sot Like

0:44:36.320 --> 0:44:39.240
<v Speaker 1>what it's such a weird word. But it's where Vassar

0:44:39.440 --> 0:44:41.440
<v Speaker 1>is go Poughkeepsie. I've been there once, just to look

0:44:41.440 --> 0:44:46.320
<v Speaker 1>at vasser Stabler and Beck take the old Ford Taurus

0:44:46.480 --> 0:44:48.080
<v Speaker 1>on a road trip up to Poughkeepsie.

0:44:48.120 --> 0:44:51.719
<v Speaker 2>Well, and this guy, the guy doctor Reef, he is

0:44:52.239 --> 0:44:54.160
<v Speaker 2>the dad and in her shoes.

0:44:54.400 --> 0:44:57.279
<v Speaker 1>Oh a blind spot for me? I don't I haven't

0:44:57.280 --> 0:44:57.759
<v Speaker 1>seen that movie.

0:44:57.800 --> 0:44:59.640
<v Speaker 2>Way we got to watch in her shoes? I bet

0:44:59.680 --> 0:45:03.120
<v Speaker 2>you I bet you're gonna cry. Oh, okay, I'll watch it.

0:45:03.200 --> 0:45:03.600
<v Speaker 4>I'll watch it.

0:45:03.640 --> 0:45:05.640
<v Speaker 2>I would love to maybe not maybe, but I think

0:45:05.640 --> 0:45:06.359
<v Speaker 2>you're gonna cry.

0:45:06.360 --> 0:45:07.720
<v Speaker 4>Well, I love Tony Collette.

0:45:07.719 --> 0:45:11.680
<v Speaker 2>It's Tony Collette, right, Tony Collette, Cameron Diaz and brook

0:45:11.719 --> 0:45:14.640
<v Speaker 2>Smith brook Smith and the guy who looks like the

0:45:14.680 --> 0:45:15.400
<v Speaker 2>Scar Brothers.

0:45:15.480 --> 0:45:20.040
<v Speaker 1>Who isn't oh Mark fire scene, yeah, star studded.

0:45:20.120 --> 0:45:22.120
<v Speaker 4>I want to watch it. No, that's a total like weird,

0:45:22.239 --> 0:45:23.480
<v Speaker 4>like why haven't I seen that movie?

0:45:23.520 --> 0:45:26.120
<v Speaker 2>And there's other guys in it that you would like,

0:45:26.280 --> 0:45:28.360
<v Speaker 2>Hold on there's one other guy that I feel like

0:45:28.400 --> 0:45:30.759
<v Speaker 2>you would like. Yeah, it's Charley McLain. I'm so glad

0:45:30.800 --> 0:45:32.640
<v Speaker 2>I was right about that. Oh I love Shirley McLain.

0:45:32.920 --> 0:45:35.160
<v Speaker 2>Hell yeah, Oh, we talked to a guy that was

0:45:35.200 --> 0:45:36.280
<v Speaker 2>one of the bad guys.

0:45:36.680 --> 0:45:39.240
<v Speaker 4>Hold on, there's a bad guy. And in her Shoes

0:45:39.440 --> 0:45:40.480
<v Speaker 4>there's not a bad guy.

0:45:40.560 --> 0:45:43.720
<v Speaker 2>Oh there is, but it's like just like a tiny,

0:45:43.760 --> 0:45:45.719
<v Speaker 2>tiny little part. But we did have him on the

0:45:45.760 --> 0:45:48.600
<v Speaker 2>podcast because I asked about it. It was a small part,

0:45:48.600 --> 0:45:51.799
<v Speaker 2>but it was with Cameron Diaz. But Andy Powers, who

0:45:51.800 --> 0:45:54.919
<v Speaker 2>we had on one of your favorite guests, Vulnerable, one

0:45:54.920 --> 0:45:55.680
<v Speaker 2>of your favorite guys.

0:45:55.760 --> 0:45:56.919
<v Speaker 4>I did have a crush on him.

0:45:56.960 --> 0:46:02.040
<v Speaker 2>I did not, And he was oz and he humiliated

0:46:02.120 --> 0:46:04.520
<v Speaker 2>himself in front of Marishka and she was okay with it.

0:46:04.560 --> 0:46:06.279
<v Speaker 4>Do you remember. Yeah, he was great, he was great.

0:46:06.320 --> 0:46:06.640
<v Speaker 4>I loved it.

0:46:06.680 --> 0:46:09.279
<v Speaker 2>He was a great guess. But anyways, Inner Shoes is

0:46:09.320 --> 0:46:10.760
<v Speaker 2>also like an amazing movie.

0:46:10.960 --> 0:46:12.200
<v Speaker 4>Yeah, we'll watch it. We'll watch it.

0:46:12.280 --> 0:46:14.239
<v Speaker 2>I don't even know how we spiraled this out of

0:46:14.280 --> 0:46:15.480
<v Speaker 2>control because of that one man.

0:46:15.640 --> 0:46:18.000
<v Speaker 1>Because the guy that plays doctor Reef is I guess

0:46:18.040 --> 0:46:20.080
<v Speaker 1>in that movie, so I'll recognize him when I see it.

0:46:21.000 --> 0:46:23.400
<v Speaker 1>So Stabler and Beck take the old Ford tourists on

0:46:23.440 --> 0:46:25.960
<v Speaker 1>a road trip up to Poughkeepsie and they pull up.

0:46:26.480 --> 0:46:29.160
<v Speaker 1>The house looks really nice. There's kids playing outside, it's

0:46:29.200 --> 0:46:31.719
<v Speaker 1>like a sunny day. There's a couple kids in wheelchairs,

0:46:31.760 --> 0:46:35.360
<v Speaker 1>there's toys, like, it doesn't look like a sketchy farm

0:46:35.400 --> 0:46:37.919
<v Speaker 1>where you know kids are being mistreated, which we've seen

0:46:37.920 --> 0:46:38.719
<v Speaker 1>before on this show.

0:46:38.840 --> 0:46:39.359
<v Speaker 4>Yeah, I get.

0:46:39.400 --> 0:46:42.800
<v Speaker 2>I actually get all the farms that house children illegally

0:46:43.200 --> 0:46:43.720
<v Speaker 2>mixed steps.

0:46:43.719 --> 0:46:45.480
<v Speaker 1>Sometimes I do too, I do too, Like when I

0:46:45.480 --> 0:46:46.600
<v Speaker 1>got to this one, I go oh, I thought this

0:46:46.640 --> 0:46:48.479
<v Speaker 1>one was gonna look bad, but it's actually like, looks

0:46:48.480 --> 0:46:51.960
<v Speaker 1>really nice. And when we get there, Rita is none

0:46:52.000 --> 0:46:55.640
<v Speaker 1>other than character actress Margot Martindale, a former neighbor of

0:46:55.680 --> 0:46:57.400
<v Speaker 1>mine who I would see all over my neighborhood in

0:46:57.440 --> 0:46:59.960
<v Speaker 1>New York City and it was always so thrilling.

0:47:00.040 --> 0:47:01.920
<v Speaker 4>I was always like, it's Margot Martindelle.

0:47:01.960 --> 0:47:04.640
<v Speaker 1>It's cool she lives in New York. She was always

0:47:04.680 --> 0:47:06.239
<v Speaker 1>on the Upper Westide. I mean, so did Belzer. I

0:47:06.280 --> 0:47:07.520
<v Speaker 1>used to see Belzer all the time you lived.

0:47:07.560 --> 0:47:10.960
<v Speaker 2>But Bellzer film's here, but Margo, yeah, on film sets often.

0:47:11.000 --> 0:47:12.480
<v Speaker 4>So it's cool that she lives in New York.

0:47:12.760 --> 0:47:14.799
<v Speaker 1>Yeah, yeah, I feel like she's like probably when she's

0:47:14.840 --> 0:47:17.000
<v Speaker 1>not filming, she's theater though, right, she seems like a

0:47:17.040 --> 0:47:20.600
<v Speaker 1>real theater lady to me, like that, like that's where

0:47:20.600 --> 0:47:24.360
<v Speaker 1>her true love lies, you know. But Rita doesn't know

0:47:24.400 --> 0:47:27.080
<v Speaker 1>the girls in the picture or about the Brooklyn apartment

0:47:27.080 --> 0:47:30.480
<v Speaker 1>and is doing a huge like playing dumb game. Okay,

0:47:30.800 --> 0:47:32.879
<v Speaker 1>so they're like, we're gonna look around, and she's like, well,

0:47:33.280 --> 0:47:35.640
<v Speaker 1>like her husband's not there yet, Bud's not there. So

0:47:35.760 --> 0:47:38.640
<v Speaker 1>in the bedrooms, everything looks nice, like there's like nice

0:47:38.640 --> 0:47:42.320
<v Speaker 1>shelving beds, like everything looks like really, you know, well appointed,

0:47:42.719 --> 0:47:45.240
<v Speaker 1>Beck counted nine kids in the yard, but there's eleven

0:47:45.320 --> 0:47:47.960
<v Speaker 1>beds in the house, so one for Rosemary and who else.

0:47:48.400 --> 0:47:51.080
<v Speaker 1>Beck starts taking pictures of the room on a damn

0:47:51.200 --> 0:47:52.360
<v Speaker 1>palm pilot.

0:47:52.040 --> 0:47:52.759
<v Speaker 4>To show Eden.

0:47:53.000 --> 0:47:54.759
<v Speaker 1>It just takes you right back to two thousand and

0:47:54.800 --> 0:47:58.120
<v Speaker 1>six and back at the squad. Munch is showing eat

0:47:58.200 --> 0:48:01.040
<v Speaker 1>in the Picks and she points out where she used

0:48:01.040 --> 0:48:03.400
<v Speaker 1>to sleep until she was sent away to Almah and

0:48:03.440 --> 0:48:05.160
<v Speaker 1>they're like, and then what about Rosemary, word did she

0:48:05.200 --> 0:48:06.960
<v Speaker 1>sleep And they're like, no, she didn't sleep in the house.

0:48:07.000 --> 0:48:09.480
<v Speaker 1>She slept there, and they're like outside and then she goes,

0:48:09.520 --> 0:48:12.400
<v Speaker 1>no in the barn. So then cut back to the farm.

0:48:12.560 --> 0:48:15.360
<v Speaker 1>The music is swelling. Beck and Stabler are storming the barn.

0:48:15.880 --> 0:48:18.239
<v Speaker 1>They open one of the horse stalls and there's a

0:48:18.239 --> 0:48:20.560
<v Speaker 1>little boy in a cage in there, which you know,

0:48:21.080 --> 0:48:24.120
<v Speaker 1>drink for the name of the episode, but it's very jarring.

0:48:24.640 --> 0:48:27.040
<v Speaker 4>His name is Joe. He's been in there for two days.

0:48:27.440 --> 0:48:29.000
<v Speaker 1>He said he was bad, but he doesn't want to

0:48:29.000 --> 0:48:30.759
<v Speaker 1>get in troubles, so he doesn't even really want to

0:48:30.960 --> 0:48:31.920
<v Speaker 1>talk to the detector.

0:48:31.920 --> 0:48:34.719
<v Speaker 4>Get out. And then right at that moment, Bud comes

0:48:34.800 --> 0:48:36.800
<v Speaker 4>home and then he's.

0:48:36.640 --> 0:48:38.799
<v Speaker 1>Like, this is private property, and it's like, dude, the

0:48:38.920 --> 0:48:41.520
<v Speaker 1>jig could not be more up. Like there's a boy

0:48:41.520 --> 0:48:44.000
<v Speaker 1>in a cage. It's not private property anymore. Like it's

0:48:44.040 --> 0:48:46.239
<v Speaker 1>a crime scene. And he's like, the kid's in the

0:48:46.239 --> 0:48:48.720
<v Speaker 1>cage for his own good. And then they arrest his ass.

0:48:48.920 --> 0:48:51.600
<v Speaker 1>Rita's like he did nothing wrong, and it's like, ma'am,

0:48:51.640 --> 0:48:54.239
<v Speaker 1>come on. Stabler goes, hey, ladies, shut up and get

0:48:54.239 --> 0:48:57.600
<v Speaker 1>your ass out there. You're under arrest too. And I

0:48:57.600 --> 0:49:01.000
<v Speaker 1>would have loved to have asked Margot mark Dale about

0:49:01.160 --> 0:49:03.960
<v Speaker 1>like where being screamed at by Elliott Stabler ranks in

0:49:04.000 --> 0:49:06.520
<v Speaker 1>her illustrious career, like it must be towards the top,

0:49:06.640 --> 0:49:10.399
<v Speaker 1>like you know, she's so good. But Stabler gets Joe

0:49:10.440 --> 0:49:12.680
<v Speaker 1>out of the cage, he looks very afraid. It's it's

0:49:12.800 --> 0:49:16.160
<v Speaker 1>very sad. So now we've got bud and Rita, which

0:49:16.320 --> 0:49:18.120
<v Speaker 1>I keep saying butt and rita, and it really does

0:49:18.120 --> 0:49:20.040
<v Speaker 1>remind me of the bud Light straw barita, which I

0:49:20.080 --> 0:49:22.200
<v Speaker 1>did drink one of them at a Jay Z concert

0:49:22.239 --> 0:49:24.759
<v Speaker 1>in Brooklyn one time, so it is coming kind of

0:49:24.800 --> 0:49:25.320
<v Speaker 1>full circle.

0:49:25.400 --> 0:49:28.839
<v Speaker 2>There was definitely a summer where those were a big.

0:49:28.520 --> 0:49:32.520
<v Speaker 4>Part of my life. Yeah, yeah, strawberritas. Yeah, the way

0:49:32.560 --> 0:49:33.920
<v Speaker 4>they write it is really weird.

0:49:34.000 --> 0:49:37.440
<v Speaker 1>It's like straws one word, burr is one word, Rita's

0:49:37.440 --> 0:49:41.040
<v Speaker 1>one word. It's really wild. But you know, I love

0:49:41.080 --> 0:49:42.880
<v Speaker 1>sugary drinks, so those were right up my alley.

0:49:42.960 --> 0:49:46.239
<v Speaker 2>Bud reminds me of Hank Kazaria's character and Now and Then,

0:49:46.360 --> 0:49:48.560
<v Speaker 2>which I think is another one of your blind spots.

0:49:48.880 --> 0:49:51.160
<v Speaker 4>Another one that's on the list.

0:49:51.880 --> 0:49:55.160
<v Speaker 1>God, it's like I just watched HBO, so I've seen

0:49:55.200 --> 0:49:57.800
<v Speaker 1>like just one of the guys forty five times.

0:49:57.840 --> 0:50:01.000
<v Speaker 4>But then I've never seen some se Midal movies of

0:50:01.160 --> 0:50:03.839
<v Speaker 4>the time period. Well, I've never even heard of just

0:50:03.880 --> 0:50:05.680
<v Speaker 4>one of the guys. I've told you about it.

0:50:05.680 --> 0:50:06.960
<v Speaker 1>It's the one where the girl wants to go to

0:50:06.960 --> 0:50:08.799
<v Speaker 1>a better high school, so she dresses as a guy.

0:50:09.440 --> 0:50:11.040
<v Speaker 4>Yeah, and then she like falls in love with her

0:50:11.040 --> 0:50:11.439
<v Speaker 4>rest friend.

0:50:11.800 --> 0:50:15.160
<v Speaker 2>Okay, you talk about the cover she's holding the footballs over.

0:50:15.400 --> 0:50:17.720
<v Speaker 4>Yes, because the cover is the two volleyballs over her tits.

0:50:17.760 --> 0:50:20.120
<v Speaker 1>But but or like I'm trying to think, what's another

0:50:20.200 --> 0:50:22.360
<v Speaker 1>like My Blue Heaven, or like all these movies I

0:50:22.440 --> 0:50:24.680
<v Speaker 1>used to watch over and over and over again instead

0:50:24.719 --> 0:50:26.600
<v Speaker 1>of being like, how about this new one?

0:50:26.719 --> 0:50:29.239
<v Speaker 2>Yeah, but I still do that to this day. I

0:50:29.280 --> 0:50:32.799
<v Speaker 2>know it's like My Blue what not My Blue Heaven?

0:50:32.880 --> 0:50:33.759
<v Speaker 2>Have you ever seen that?

0:50:34.120 --> 0:50:34.920
<v Speaker 4>No, I'm googling it.

0:50:35.400 --> 0:50:41.480
<v Speaker 1>Oh my god, Steve Martin, Rick moranis Joan Cusack. It's

0:50:41.520 --> 0:50:42.920
<v Speaker 1>one of my favorite movies of all time. It's a

0:50:42.920 --> 0:50:44.879
<v Speaker 1>Clank Family classic. We have to watch it. Oh my god,

0:50:44.920 --> 0:50:46.880
<v Speaker 1>we have to watch Okay, you're watch Oh my god,

0:50:47.120 --> 0:50:47.879
<v Speaker 1>you really come.

0:50:48.800 --> 0:50:50.320
<v Speaker 2>I love My Blue Heaven.

0:50:50.480 --> 0:50:54.960
<v Speaker 1>It's so silly and Carol Deborah Rush, Oh yeah, it's

0:50:55.160 --> 0:50:56.120
<v Speaker 1>it's got a great cast.

0:50:56.760 --> 0:50:57.400
<v Speaker 4>Oh wow.

0:50:57.440 --> 0:51:01.680
<v Speaker 2>So a comedy about a government witness who gives Suburbia

0:51:01.800 --> 0:51:02.680
<v Speaker 2>a culture shock.

0:51:02.960 --> 0:51:06.400
<v Speaker 1>Okay, Yeah, Basically Steve Martin plays this like ridiculous gangster

0:51:06.640 --> 0:51:08.719
<v Speaker 1>type and they put him in witness protection like in

0:51:08.800 --> 0:51:10.840
<v Speaker 1>the Burbs, and he's got to act like he's normal

0:51:10.880 --> 0:51:14.680
<v Speaker 1>there and he can't do it. And it's really funny.

0:51:14.920 --> 0:51:19.120
<v Speaker 1>I mean, I'm giggling at just the description. So Okay,

0:51:19.360 --> 0:51:23.960
<v Speaker 1>bud Light Straberita is in interrogation and they are the

0:51:23.960 --> 0:51:26.240
<v Speaker 1>parents of the year. They're like, we love our kids,

0:51:26.560 --> 0:51:29.200
<v Speaker 1>we only put them in cages when nothing else worked.

0:51:29.560 --> 0:51:32.479
<v Speaker 1>Joey was trying to hurt other kids, So we cut

0:51:32.480 --> 0:51:34.840
<v Speaker 1>to a kid in a wheelchair talking about how Joey

0:51:34.840 --> 0:51:37.200
<v Speaker 1>tried to push him down the basement stairs, which is

0:51:37.360 --> 0:51:39.840
<v Speaker 1>very savage to push any child down the stairs, but

0:51:39.920 --> 0:51:41.840
<v Speaker 1>especially one that's already in a wheelchair.

0:51:41.920 --> 0:51:44.320
<v Speaker 2>Yeah, because the wheelchair is going to cause some additional

0:51:44.400 --> 0:51:45.640
<v Speaker 2>damage flying down.

0:51:46.040 --> 0:51:49.400
<v Speaker 1>Yeah, And Rita said, you have to forgive Joey because

0:51:49.400 --> 0:51:52.439
<v Speaker 1>he's mixed up. And so I don't know, I can't

0:51:52.480 --> 0:51:54.160
<v Speaker 1>tell if this really happened or if the kid's been

0:51:54.160 --> 0:51:55.000
<v Speaker 1>put up to the story.

0:51:55.040 --> 0:51:55.759
<v Speaker 2>I really don't know.

0:51:56.320 --> 0:51:59.560
<v Speaker 1>Now we're back to Straberita stablers like, you guys are

0:51:59.600 --> 0:52:01.720
<v Speaker 1>just in a the money. You get eight thousand dollars

0:52:01.760 --> 0:52:04.120
<v Speaker 1>a month from Social services in Albany, and Bud's like,

0:52:04.719 --> 0:52:07.560
<v Speaker 1>we adopt handicapped children that no one else will touch,

0:52:07.680 --> 0:52:10.719
<v Speaker 1>and he says that costs money. So he's, you know,

0:52:10.760 --> 0:52:12.480
<v Speaker 1>saying the eight k a month is just to support

0:52:12.520 --> 0:52:14.879
<v Speaker 1>which I would say eight k a month no matter

0:52:14.880 --> 0:52:17.880
<v Speaker 1>where you live, to support nine to eleven children and

0:52:17.960 --> 0:52:20.319
<v Speaker 1>each other that you know, that's not exactly. I don't

0:52:20.360 --> 0:52:23.360
<v Speaker 1>think they're driving a rolls or anything. So now we

0:52:23.440 --> 0:52:25.720
<v Speaker 1>cut to Huang talking to this little girl named Ronda,

0:52:26.239 --> 0:52:29.759
<v Speaker 1>and they're like, did your parents beat you? And she's like, yes,

0:52:29.840 --> 0:52:32.400
<v Speaker 1>all the time with a shoe and then he goes,

0:52:32.880 --> 0:52:35.040
<v Speaker 1>did it ever stop? And she goes, yeah, when Bud

0:52:35.040 --> 0:52:37.719
<v Speaker 1>and Rita adopted me, they're nice. And then Huang is

0:52:37.719 --> 0:52:39.919
<v Speaker 1>really confused because he assumed the shoe beating was Bud

0:52:39.960 --> 0:52:42.879
<v Speaker 1>and Rita, but it was actually her Bio parents, I think,

0:52:42.960 --> 0:52:46.399
<v Speaker 1>and she loves Butt and Rita. So back to them.

0:52:47.040 --> 0:52:49.239
<v Speaker 1>Rita is denying knowing who Rose is. I don't know

0:52:49.239 --> 0:52:51.239
<v Speaker 1>who that is. And Beck is like, bitch, her name

0:52:51.280 --> 0:52:53.319
<v Speaker 1>is Rose, we found her in a hole in the

0:52:53.360 --> 0:52:54.680
<v Speaker 1>ground and you killed her.

0:52:55.120 --> 0:52:55.719
<v Speaker 4>Stop the whole.

0:52:55.760 --> 0:52:58.040
<v Speaker 1>I don't know her, Mariah thing. It's not happening, we know,

0:52:58.200 --> 0:53:00.959
<v Speaker 1>you know. And so like now Rita's ready to stop

0:53:00.960 --> 0:53:03.719
<v Speaker 1>the charade. Then Bud says, there's no record of a

0:53:03.719 --> 0:53:06.919
<v Speaker 1>girl named Rose living with us, and it's like, how

0:53:07.000 --> 0:53:07.640
<v Speaker 1>is that true?

0:53:07.680 --> 0:53:09.160
<v Speaker 4>Either? Like I just want to know how.

0:53:09.239 --> 0:53:10.560
<v Speaker 1>I guess it's like what they were talking about with

0:53:10.600 --> 0:53:13.239
<v Speaker 1>these bureaucracies and things move and these private adoptions can

0:53:13.280 --> 0:53:16.080
<v Speaker 1>be sketchy, but like, how is their zero record of

0:53:16.080 --> 0:53:17.160
<v Speaker 1>this girl living with them?

0:53:17.719 --> 0:53:18.760
<v Speaker 4>Like it's like did.

0:53:18.640 --> 0:53:21.200
<v Speaker 1>They destroy it after they killed her or did they

0:53:21.239 --> 0:53:22.920
<v Speaker 1>never get it because they thought they might kill it?

0:53:22.960 --> 0:53:25.319
<v Speaker 1>Like what why would you not have any record? And

0:53:25.360 --> 0:53:27.759
<v Speaker 1>then Rita is now ready to stop the charade. She's like,

0:53:27.880 --> 0:53:30.640
<v Speaker 1>everything we did we did out of love. And they're like,

0:53:30.719 --> 0:53:33.040
<v Speaker 1>those are your voices on the tape, admit it. And

0:53:33.080 --> 0:53:35.759
<v Speaker 1>then Bud's like, gimme a lawyer, So they lawyer up,

0:53:36.040 --> 0:53:39.480
<v Speaker 1>Staybler and back walk out, and Craigan and Novak are

0:53:39.520 --> 0:53:42.200
<v Speaker 1>standing there and they've got some bad news. The tape

0:53:42.239 --> 0:53:47.759
<v Speaker 1>is out apparently because this tape is edited, it's considered manipulated,

0:53:47.960 --> 0:53:50.680
<v Speaker 1>so it can't be used as evidence. There's no proof

0:53:50.719 --> 0:53:52.719
<v Speaker 1>it's a full and accurate account of what happened. The

0:53:52.719 --> 0:53:55.359
<v Speaker 1>defense could say in the missing section, an alien came

0:53:55.360 --> 0:53:58.640
<v Speaker 1>down and squashed her with a pumpkin, like obviously Novak's

0:53:58.640 --> 0:54:02.240
<v Speaker 1>being sarcastic, but you know, there's just there's no context

0:54:02.239 --> 0:54:05.000
<v Speaker 1>if it's just two separate clips, and there's no way

0:54:05.000 --> 0:54:06.839
<v Speaker 1>to connect that the girl in the yard is even

0:54:06.840 --> 0:54:09.400
<v Speaker 1>the girl on the tape, Like I guess besides voice,

0:54:09.400 --> 0:54:12.200
<v Speaker 1>i'd Casey fought for it, but the judge threw the

0:54:12.239 --> 0:54:14.640
<v Speaker 1>tape out and then and there's no record that Rose

0:54:14.680 --> 0:54:16.799
<v Speaker 1>ever lived with Button Rita, and all the other kids

0:54:16.840 --> 0:54:18.320
<v Speaker 1>say that Butt and Rita are great and they just

0:54:18.400 --> 0:54:20.480
<v Speaker 1>want to go home with them, which leaves us with Eden,

0:54:20.560 --> 0:54:22.880
<v Speaker 1>and Beck's like, no way, I'm not traumatizing her again,

0:54:23.400 --> 0:54:25.279
<v Speaker 1>and Novak is like, all right, well, I want to

0:54:25.280 --> 0:54:28.399
<v Speaker 1>put the speakerphone doctor on the stand, so let's get

0:54:28.480 --> 0:54:30.160
<v Speaker 1>him in his shoes and into court.

0:54:31.040 --> 0:54:33.400
<v Speaker 4>So now we're in court, and it looks.

0:54:33.160 --> 0:54:35.200
<v Speaker 1>Like Button Rita do know how to get away with

0:54:35.280 --> 0:54:39.480
<v Speaker 1>murder because they hired fucking Viola Davis as their defense attorney.

0:54:40.400 --> 0:54:43.960
<v Speaker 1>She is Donna Emmett and you know iconic defense attorney

0:54:43.960 --> 0:54:48.000
<v Speaker 1>on the show. She's been in seven episodes in seasons four, six, eight, nine,

0:54:48.040 --> 0:54:50.520
<v Speaker 1>and ten, So happy to see her. I'm also here

0:54:50.560 --> 0:54:52.200
<v Speaker 1>to say I love the movie Widows.

0:54:52.400 --> 0:54:52.839
<v Speaker 4>Loved it.

0:54:52.920 --> 0:54:55.400
<v Speaker 1>I think Viola Davis is the powerhouse and I loved Widows.

0:54:55.440 --> 0:54:57.680
<v Speaker 1>Not like it's her best work. It's just a fun one,

0:54:57.760 --> 0:54:59.279
<v Speaker 1>you know, And I think people try to shit on it,

0:54:59.320 --> 0:55:00.400
<v Speaker 1>and I'm here to say I love it.

0:55:00.920 --> 0:55:03.000
<v Speaker 2>So Doctor Reef is on the stand.

0:55:03.800 --> 0:55:07.120
<v Speaker 1>He is the psychologist that phoned into the you know,

0:55:07.280 --> 0:55:10.759
<v Speaker 1>exorcism or whatever, the rebirthing, and he's explaining how he

0:55:10.800 --> 0:55:13.759
<v Speaker 1>gave Butt and Rita advice on the rebirthing. So what

0:55:13.880 --> 0:55:17.160
<v Speaker 1>went wrong? And he goes they were arrogant. They heard

0:55:17.239 --> 0:55:19.480
<v Speaker 1>Rose crying for air and they believed it was working.

0:55:20.080 --> 0:55:23.120
<v Speaker 1>And so Casey sits down. Now it's Viola's shot. She

0:55:23.280 --> 0:55:25.400
<v Speaker 1>asks the doctor why he was helping them, and he

0:55:25.480 --> 0:55:28.239
<v Speaker 1>explains that but and Rita were scared of Rose. She

0:55:28.239 --> 0:55:31.600
<v Speaker 1>had attacked them twice with a knife, and some nights

0:55:31.600 --> 0:55:33.360
<v Speaker 1>they locked her in a room so that she wouldn't

0:55:33.400 --> 0:55:36.520
<v Speaker 1>hurt them. While they slept, so then Viola Davis says

0:55:36.560 --> 0:55:39.000
<v Speaker 1>she has records of their injuries, but Casey's like, bullshit,

0:55:39.040 --> 0:55:41.200
<v Speaker 1>why weren't they reported? And the doctor's like, well, they

0:55:41.200 --> 0:55:44.319
<v Speaker 1>didn't want Rose institutionalized. And Novak is like, well, too

0:55:44.360 --> 0:55:47.120
<v Speaker 1>fucking bad. She might be still alive if she was institutionalized.

0:55:47.480 --> 0:55:49.960
<v Speaker 1>And then the judge is like, settle down, Novak, and

0:55:50.800 --> 0:55:54.400
<v Speaker 1>Viola asks the doctor if and the doctor is Vincenzo

0:55:54.440 --> 0:55:55.720
<v Speaker 1>from It takes too just fyi.

0:55:56.520 --> 0:55:57.560
<v Speaker 4>Viola asks the.

0:55:57.520 --> 0:55:59.960
<v Speaker 1>Doctor are you familiar with the work of doctor tront

0:56:00.280 --> 0:56:02.600
<v Speaker 1>and he is, and she wants to play a video

0:56:02.640 --> 0:56:04.799
<v Speaker 1>of doctor Tronik's work to the jury so they can

0:56:04.880 --> 0:56:07.920
<v Speaker 1>understand the claim that the two adults could be threatened

0:56:07.920 --> 0:56:08.520
<v Speaker 1>by a child.

0:56:08.719 --> 0:56:11.120
<v Speaker 2>I don't really get how that works here.

0:56:11.200 --> 0:56:14.800
<v Speaker 1>The judge does allow it, and the video is portraying

0:56:14.840 --> 0:56:17.359
<v Speaker 1>a real thing. This is the still face experiment by

0:56:17.360 --> 0:56:19.680
<v Speaker 1>an actual doctor named doctor Tronic. It's a real thing,

0:56:20.160 --> 0:56:22.560
<v Speaker 1>and it shows a mother engaging with her baby, playing,

0:56:22.680 --> 0:56:24.880
<v Speaker 1>talking to the baby. The baby is happy, and then

0:56:24.920 --> 0:56:27.359
<v Speaker 1>the mother goes still. The mother just doesn't move, her face,

0:56:27.400 --> 0:56:29.560
<v Speaker 1>goes still, does not interact with the baby or give

0:56:29.600 --> 0:56:32.359
<v Speaker 1>any kind of lover affection or any reaction at all,

0:56:32.800 --> 0:56:35.440
<v Speaker 1>and just ignores the baby. The baby tries to engage,

0:56:35.480 --> 0:56:36.520
<v Speaker 1>tries to make contacts.

0:56:36.600 --> 0:56:40.279
<v Speaker 2>This reminds me of like a twenty twenty experiment, I know,

0:56:41.239 --> 0:56:43.520
<v Speaker 2>a guy like getting real with John Sassel.

0:56:43.840 --> 0:56:48.000
<v Speaker 4>What was do you remember I loved twenty twenty?

0:56:48.080 --> 0:56:51.360
<v Speaker 2>Like they would always trying to do something on a

0:56:51.400 --> 0:56:54.319
<v Speaker 2>two way mirror to show that, like a baby is.

0:56:54.280 --> 0:56:55.520
<v Speaker 4>Gonna eat the muffin or not?

0:56:55.920 --> 0:56:59.120
<v Speaker 1>Yeah yeah, yeah, like marshmallow experiments and shit with kids.

0:56:59.200 --> 0:56:59.680
<v Speaker 2>Yeah.

0:56:59.840 --> 0:57:02.239
<v Speaker 1>So I guess when they don't get a response from

0:57:02.280 --> 0:57:04.520
<v Speaker 1>the parent, the baby is left feeling very alone, and

0:57:04.560 --> 0:57:08.400
<v Speaker 1>eventually they pull back physically and then emotionally. I don't

0:57:08.400 --> 0:57:12.600
<v Speaker 1>really see how showing this baby you don't there's actually

0:57:12.640 --> 0:57:14.960
<v Speaker 1>like no proof that Rose grow up like that. There's

0:57:15.000 --> 0:57:17.720
<v Speaker 1>no like, where's the proof that that's what led her

0:57:17.760 --> 0:57:19.440
<v Speaker 1>to pull a knife on them twice? Like it just

0:57:19.880 --> 0:57:22.240
<v Speaker 1>there's a lot of disjointedness in this episode. I feel

0:57:22.240 --> 0:57:24.200
<v Speaker 1>with the plot no offense, Neil, if you're listening, we

0:57:24.240 --> 0:57:27.640
<v Speaker 1>love you. It just like isn't. Lots of stuff's not

0:57:27.680 --> 0:57:29.760
<v Speaker 1>making sense to me. But I'll get to more of

0:57:29.760 --> 0:57:33.280
<v Speaker 1>my questions later. So kids like Rose, he says, are

0:57:33.280 --> 0:57:35.040
<v Speaker 1>born to addicted or absent parents.

0:57:35.080 --> 0:57:36.600
<v Speaker 4>Again, do we know which one?

0:57:36.760 --> 0:57:41.000
<v Speaker 1>No, her natural affections were burnt out, and then instinct

0:57:41.040 --> 0:57:44.520
<v Speaker 1>becomes about survival. A lot of psychiatrists think these children

0:57:44.560 --> 0:57:47.200
<v Speaker 1>are untreatable. The question is do you put her into

0:57:47.200 --> 0:57:50.120
<v Speaker 1>an institution where she'll be medicated and catatonic, or do

0:57:50.160 --> 0:57:52.520
<v Speaker 1>you try to bring her back to life? And that's

0:57:52.560 --> 0:57:55.760
<v Speaker 1>what the rebirthing is supposed to do. So Casey gets

0:57:55.880 --> 0:57:58.200
<v Speaker 1>her chance on redirect and she goes, so, okay, are

0:57:58.200 --> 0:57:59.920
<v Speaker 1>we cool with it sitting on a kid till they

0:58:00.080 --> 0:58:01.880
<v Speaker 1>throw up and choke and die? And he goes no,

0:58:02.320 --> 0:58:04.200
<v Speaker 1>and what about burring them in a dirty blanket in

0:58:04.240 --> 0:58:04.800
<v Speaker 1>the backyard?

0:58:04.880 --> 0:58:05.280
<v Speaker 4>All good?

0:58:05.320 --> 0:58:07.600
<v Speaker 1>And he's like no, and then she's like Novak out.

0:58:07.800 --> 0:58:11.120
<v Speaker 1>So she gets her little redirect, but it still doesn't

0:58:11.160 --> 0:58:13.800
<v Speaker 1>look great. He doesn't look like a slam dunk against

0:58:13.840 --> 0:58:16.400
<v Speaker 1>Butt and Rita. So Novak walks out with Beck and

0:58:16.440 --> 0:58:18.320
<v Speaker 1>she's like, look, I really need you to use your

0:58:18.320 --> 0:58:20.840
<v Speaker 1>relationship with Eden to get her to tell the truth

0:58:20.880 --> 0:58:23.000
<v Speaker 1>about Butt and Rita. Like she's all we have. All

0:58:23.000 --> 0:58:26.760
<v Speaker 1>these other kids are either lying or they are actually

0:58:26.800 --> 0:58:27.520
<v Speaker 1>having a great time.

0:58:27.560 --> 0:58:28.040
<v Speaker 4>Who knows.

0:58:28.400 --> 0:58:31.400
<v Speaker 1>Maybe the really complacent kids who don't have behavior problems

0:58:31.520 --> 0:58:35.080
<v Speaker 1>are not getting abused. Maybe that's true, but that doesn't

0:58:35.120 --> 0:58:38.000
<v Speaker 1>mean anything in terms of their guilt. So Beck is

0:58:38.040 --> 0:58:40.280
<v Speaker 1>now talking to Eden and she's like, you're going to

0:58:40.360 --> 0:58:42.240
<v Speaker 1>have to tell the truth about Rita and Butt in court.

0:58:42.280 --> 0:58:44.440
<v Speaker 1>And she's like, Okay, they put a hose in my

0:58:44.480 --> 0:58:46.320
<v Speaker 1>mouth and turned it on until water came out of

0:58:46.320 --> 0:58:49.440
<v Speaker 1>my nose. But that doesn't seem like we're trying to

0:58:49.440 --> 0:58:52.680
<v Speaker 1>protect ourselves from your sociopathic behavior, you know, that seems

0:58:52.720 --> 0:58:55.560
<v Speaker 1>like just torturing kids. They're like, they took away Charlie's

0:58:55.560 --> 0:58:57.280
<v Speaker 1>wheelchair for two days so he had to crawl on

0:58:57.320 --> 0:58:59.320
<v Speaker 1>the floor. And they made Joe eat his own barf.

0:59:00.000 --> 0:59:03.040
<v Speaker 1>Oh it's bad, it's bad. It's not good. Like up

0:59:03.120 --> 0:59:05.840
<v Speaker 1>until now, I've been kind of like, oh, maybe poor

0:59:05.880 --> 0:59:08.520
<v Speaker 1>Margot Martindale is just like desperate because she can't handle

0:59:08.520 --> 0:59:08.880
<v Speaker 1>these kids.

0:59:08.880 --> 0:59:10.280
<v Speaker 2>She thinks are going to kill her in her sleep.

0:59:10.360 --> 0:59:12.440
<v Speaker 2>But no, they're bad people. Well, and you don't have

0:59:12.520 --> 0:59:14.760
<v Speaker 2>to adopt all these kids they're foster Like, you don't

0:59:14.800 --> 0:59:16.920
<v Speaker 2>have to, now, you know what I mean? You can

0:59:17.080 --> 0:59:20.320
<v Speaker 2>you can get half of them, Yeah, if that's too many.

0:59:20.120 --> 0:59:21.880
<v Speaker 4>It's right, you know.

0:59:23.240 --> 0:59:26.880
<v Speaker 2>So did you see them hurt Rose?

0:59:27.040 --> 0:59:30.560
<v Speaker 1>She asks Eden, and Eden says no, I never really

0:59:30.600 --> 0:59:33.520
<v Speaker 1>saw Rose because she was in the cage. And she's like, well,

0:59:33.560 --> 0:59:34.920
<v Speaker 1>how did you know about the cage and she said

0:59:34.960 --> 0:59:36.960
<v Speaker 1>because Rita showed it to me one time as a threat.

0:59:37.400 --> 0:59:39.600
<v Speaker 1>And they were like, well, what did you do to

0:59:39.640 --> 0:59:42.080
<v Speaker 1>get punished? And she said, I didn't finish my food.

0:59:42.200 --> 0:59:44.520
<v Speaker 1>So it's like they're not even doing crazy shit, but

0:59:44.960 --> 0:59:46.600
<v Speaker 1>you know, it's it's just so sad.

0:59:46.640 --> 0:59:48.840
<v Speaker 2>It's like, not finishing your food? What are we talking about?

0:59:48.960 --> 0:59:52.080
<v Speaker 4>So she's scared that butd and Rita will be in court.

0:59:52.200 --> 0:59:53.960
<v Speaker 1>She's like, they come here to visit the other kids

0:59:54.000 --> 0:59:55.520
<v Speaker 1>and they give me mean looks, like they look like

0:59:55.520 --> 0:59:57.440
<v Speaker 1>they want to kill me too, and Beca's like, I'll

0:59:57.480 --> 0:59:59.800
<v Speaker 1>protect you, and she goes all right. Eden knows her

0:59:59.840 --> 1:00:02.120
<v Speaker 1>f bargaining chip. She goes, I'll do it if I

1:00:02.120 --> 1:00:04.320
<v Speaker 1>can stay with you, and Beck is like, girl, that's

1:00:04.360 --> 1:00:06.760
<v Speaker 1>not gonna work out, and she's like please, please, please,

1:00:06.840 --> 1:00:08.680
<v Speaker 1>Like she's like, but.

1:00:08.760 --> 1:00:10.920
<v Speaker 4>Just while I'm in court, just during my court stuff,

1:00:10.920 --> 1:00:11.400
<v Speaker 4>can I come.

1:00:11.320 --> 1:00:11.760
<v Speaker 2>Live with you?

1:00:11.840 --> 1:00:14.000
<v Speaker 1>And I guess they just allow kids to go home

1:00:14.000 --> 1:00:16.600
<v Speaker 1>with any cop if they're beautiful. And now we're at

1:00:16.680 --> 1:00:19.400
<v Speaker 1>Beck's apartment and she's setting up a sofa bed for Eden.

1:00:19.680 --> 1:00:22.160
<v Speaker 1>We're about to do a sleepover. Eden's like, do you

1:00:22.160 --> 1:00:24.400
<v Speaker 1>have a husband? And She's like, oh, he died, and

1:00:24.440 --> 1:00:26.600
<v Speaker 1>then she tucks her in. They have a cute little

1:00:26.680 --> 1:00:28.920
<v Speaker 1>like tickling moment, tucks her in really tight, and it's

1:00:28.960 --> 1:00:30.800
<v Speaker 1>like they do have a cute little dynamic these two.

1:00:30.840 --> 1:00:33.840
<v Speaker 1>And I like to see this traumatized child have you know,

1:00:33.840 --> 1:00:35.960
<v Speaker 1>a little light in her eyes for a second. But

1:00:36.280 --> 1:00:38.360
<v Speaker 1>the next thing we see is Beck waking up in

1:00:38.360 --> 1:00:40.600
<v Speaker 1>the middle of the night, just like sensing something, and

1:00:40.800 --> 1:00:43.880
<v Speaker 1>Eden is standing over her, going, I can't sleep, like

1:00:44.040 --> 1:00:47.040
<v Speaker 1>just eyes kind of like zongked, like a little bit zombish.

1:00:47.200 --> 1:00:50.120
<v Speaker 1>And then the couch behind her in the living room

1:00:50.200 --> 1:00:52.920
<v Speaker 1>is fully on fire, like Beck's living room is a blaze,

1:00:53.320 --> 1:00:56.120
<v Speaker 1>and Eden is staring at the flames like children of

1:00:56.160 --> 1:00:59.200
<v Speaker 1>the Corn style, just like staring at them. So Beck

1:00:59.240 --> 1:01:02.800
<v Speaker 1>grabs a fireisher and Eden in one arm, fire extinguisher

1:01:02.840 --> 1:01:04.120
<v Speaker 1>in the other. I don't know how to even use

1:01:04.120 --> 1:01:06.160
<v Speaker 1>a fire distinguisher with both my hands, but this woman's

1:01:06.200 --> 1:01:09.840
<v Speaker 1>doing it single handedly, and Eden is screaming, let me go.

1:01:10.400 --> 1:01:13.360
<v Speaker 1>I want to die, like screaming, screaming. So it's wild

1:01:13.480 --> 1:01:16.280
<v Speaker 1>because this is all you wanted, was this sleepover. So

1:01:16.600 --> 1:01:18.560
<v Speaker 1>we don't really know why you're, you know, torching the

1:01:18.600 --> 1:01:21.480
<v Speaker 1>opportunity for it to even last a second night. So

1:01:21.680 --> 1:01:24.040
<v Speaker 1>in the hospital, Beck is like, why did you do this?

1:01:24.120 --> 1:01:26.800
<v Speaker 1>And she's like, so you'd never leave me, So okay,

1:01:26.800 --> 1:01:29.920
<v Speaker 1>now we have her mental rationale of a traumatized eight

1:01:29.960 --> 1:01:32.440
<v Speaker 1>year old why she was set this fire. And Danny's like,

1:01:32.440 --> 1:01:34.280
<v Speaker 1>but you could have killed us both, and she goes,

1:01:34.320 --> 1:01:37.840
<v Speaker 1>then we'd be together. So she's hyper on the other

1:01:38.000 --> 1:01:40.880
<v Speaker 1>side of connection from what Mark was, which was like

1:01:40.960 --> 1:01:45.040
<v Speaker 1>totally not not participating. So Stabler shows up at the

1:01:45.040 --> 1:01:48.800
<v Speaker 1>hospital room window. Beck says I'm sorry and leaves, and

1:01:48.960 --> 1:01:51.080
<v Speaker 1>Eden's like, where are you going, Danny? And then she's

1:01:51.120 --> 1:01:53.440
<v Speaker 1>so sad she like puts her head back on the pillow,

1:01:53.480 --> 1:01:55.560
<v Speaker 1>like she knows she kind of like fucked up this

1:01:55.640 --> 1:01:58.960
<v Speaker 1>chance set this little relationship with this adult that she trusted.

1:01:59.400 --> 1:02:01.640
<v Speaker 1>And Stable tells Beck that the jury found Butt and

1:02:01.720 --> 1:02:04.680
<v Speaker 1>Rita guilty of criminally negligent homicide and they'll get a

1:02:04.720 --> 1:02:08.960
<v Speaker 1>max of two years, which is wild. Danny is having

1:02:09.000 --> 1:02:11.640
<v Speaker 1>a breakdown about how depressing this all is. She's like,

1:02:11.680 --> 1:02:14.520
<v Speaker 1>I'm a fixer. I can't fix Eden. I thought I could.

1:02:14.960 --> 1:02:16.800
<v Speaker 1>And then she asked Stabler, how do you keep doing

1:02:16.840 --> 1:02:18.760
<v Speaker 1>this job? And he's like, because I have to, and

1:02:18.760 --> 1:02:22.360
<v Speaker 1>she's like, why we don't make a difference, and he goes, Danny,

1:02:22.440 --> 1:02:25.200
<v Speaker 1>you can do this, and she goes, are you asking

1:02:25.200 --> 1:02:28.520
<v Speaker 1>me to say? And he says, Danny, I can't, Like

1:02:28.560 --> 1:02:30.200
<v Speaker 1>you have to do this for you, not for me.

1:02:30.720 --> 1:02:33.640
<v Speaker 1>And then she realizes like, oh, I'm getting caught up here,

1:02:33.680 --> 1:02:36.400
<v Speaker 1>like I'm not going to stay in this unit where

1:02:36.400 --> 1:02:38.680
<v Speaker 1>I clearly am not really cut out for the work

1:02:38.720 --> 1:02:40.320
<v Speaker 1>because I take it home too much and I'm too

1:02:40.480 --> 1:02:43.600
<v Speaker 1>like attached to it and for this guy that I

1:02:43.680 --> 1:02:46.160
<v Speaker 1>kissed one time, that maybe I'm looking for a replacement

1:02:46.160 --> 1:02:48.920
<v Speaker 1>for my dead husband. So she goes yeah, and then

1:02:48.960 --> 1:02:52.160
<v Speaker 1>she goes by Elliot and Elliot looks kind of shook

1:02:52.200 --> 1:02:54.480
<v Speaker 1>as he just watches her walk down the hallway. And

1:02:54.520 --> 1:03:00.439
<v Speaker 1>that's a series wrap on Danny Beck, and that's stick

1:03:00.480 --> 1:03:02.760
<v Speaker 1>Wolf Baby, and that's the last we see of little

1:03:02.920 --> 1:03:05.360
<v Speaker 1>miss Beck until I saw her, Until I saw her

1:03:05.400 --> 1:03:06.440
<v Speaker 1>as Wonder Woman's mom.

1:03:06.480 --> 1:03:09.840
<v Speaker 2>I never saw her again. Yeah, this was a great episode.

1:03:09.920 --> 1:03:12.640
<v Speaker 2>I should stop avoiding watching it. I always just get

1:03:12.720 --> 1:03:13.200
<v Speaker 2>so sad.

1:03:13.320 --> 1:03:15.600
<v Speaker 1>But I guess it is kind of like, like I guess,

1:03:15.640 --> 1:03:18.240
<v Speaker 1>it's just like there's a lot of like whys in

1:03:18.280 --> 1:03:21.240
<v Speaker 1>this episode, like yeah, if you have this sketchy lady,

1:03:21.320 --> 1:03:23.720
<v Speaker 1>that'll just take the kids back to other adoption places,

1:03:24.480 --> 1:03:26.800
<v Speaker 1>just do that. Like I don't know, it just felt

1:03:26.840 --> 1:03:28.560
<v Speaker 1>like there was just a lot of holes in it

1:03:28.600 --> 1:03:31.160
<v Speaker 1>of like the why to me, like I wasn't really understanding,

1:03:31.160 --> 1:03:32.160
<v Speaker 1>but you.

1:03:32.080 --> 1:03:35.480
<v Speaker 4>Know, Gonsikos, that's why. Yeah. All right, well I have

1:03:35.640 --> 1:03:36.560
<v Speaker 4>some bad news for you.

1:03:37.240 --> 1:03:49.600
<v Speaker 2>Two crimes that are very close to the episode. Okay, So,

1:03:49.720 --> 1:03:53.919
<v Speaker 2>like I said, there are two crimes. The first one

1:03:54.440 --> 1:03:59.360
<v Speaker 2>is about Candace Newmaker. Candace was ten years old when

1:03:59.360 --> 1:04:02.920
<v Speaker 2>she died on April nineteenth, two thousand and This is

1:04:03.040 --> 1:04:07.200
<v Speaker 2>one day after a therapy session at a clinic in Evergreen, Colorado.

1:04:07.920 --> 1:04:12.520
<v Speaker 2>She was being treated for reactive detachment disorder aka the

1:04:12.560 --> 1:04:16.760
<v Speaker 2>inability to form loving relationships because of early trauma. Obviously,

1:04:16.800 --> 1:04:21.840
<v Speaker 2>we've talked about it, and the diagnosis multiplied a bunch,

1:04:22.200 --> 1:04:25.960
<v Speaker 2>and Kara mentioned this because of adoptions from Eastern European

1:04:26.160 --> 1:04:29.400
<v Speaker 2>countries and all these orphans were arrived in nineteen eighty

1:04:29.480 --> 1:04:33.360
<v Speaker 2>nine and they were traumatized as fuck, and uh yeah,

1:04:33.560 --> 1:04:35.880
<v Speaker 2>so and you know, till this day, Russia doesn't allow

1:04:36.080 --> 1:04:39.760
<v Speaker 2>you know, the US to adopt, Yeah, because people are wild.

1:04:39.960 --> 1:04:42.600
<v Speaker 1>Yeah, And we did, like, if you're wondering, like, why

1:04:42.640 --> 1:04:45.120
<v Speaker 1>does this sound familiar? I touched on this briefly when

1:04:45.160 --> 1:04:47.240
<v Speaker 1>we covered Born Psychopath, but Lisa has done more of

1:04:47.280 --> 1:04:49.360
<v Speaker 1>a deep dive, so I'm interested to hear more.

1:04:49.480 --> 1:04:53.680
<v Speaker 2>Yeah, so hopefully not too much overlap. But so basically

1:04:53.760 --> 1:04:56.320
<v Speaker 2>what happened to Candace was she was wrapped in a

1:04:56.360 --> 1:05:00.200
<v Speaker 2>sheep to simulate a womb while four adults pushed up

1:05:00.200 --> 1:05:02.760
<v Speaker 2>against her with pillows and all this shit, and this

1:05:02.880 --> 1:05:05.840
<v Speaker 2>is the worst. Their hope was that she was going

1:05:05.880 --> 1:05:10.240
<v Speaker 2>to emerge reborn to bond with her adoptive mother, Jean Newmaker.

1:05:10.560 --> 1:05:13.720
<v Speaker 2>So her biological mother lost custody of her in North

1:05:13.760 --> 1:05:18.520
<v Speaker 2>Carolina over issues with neglect, and she was having difficulty

1:05:18.680 --> 1:05:21.880
<v Speaker 2>forming a love bond with this adoptive mother. And for me,

1:05:21.960 --> 1:05:24.040
<v Speaker 2>it's like be patient, you dumb bitch, Like what are

1:05:24.040 --> 1:05:26.320
<v Speaker 2>you talking about? You know what I mean? Like, yeah,

1:05:26.400 --> 1:05:29.080
<v Speaker 2>she's gone through trauma. You're just a random woman. Like,

1:05:29.160 --> 1:05:32.600
<v Speaker 2>I don't know what you like. The expectations on how

1:05:32.680 --> 1:05:34.080
<v Speaker 2>a child's going to reac I don't know.

1:05:34.120 --> 1:05:35.040
<v Speaker 4>It just bothers me.

1:05:35.480 --> 1:05:37.720
<v Speaker 2>So Candace became a ward of the state at age

1:05:37.760 --> 1:05:41.080
<v Speaker 2>five after being taken from her birth mother twice, and

1:05:41.120 --> 1:05:44.240
<v Speaker 2>the North Carolina records are sealed, but what the La

1:05:44.360 --> 1:05:47.840
<v Speaker 2>Times did figure out was she had an angry father,

1:05:48.000 --> 1:05:52.520
<v Speaker 2>a troubled mother, constant moves, domestic disturbance, calls, poverty, and

1:05:52.560 --> 1:05:55.560
<v Speaker 2>then her parents separated. So that's like kind of the

1:05:55.640 --> 1:05:58.480
<v Speaker 2>general vibe without being able to get into the records

1:05:59.040 --> 1:06:03.440
<v Speaker 2>on Candace, but this Gene Newmaker woman, it was just

1:06:03.520 --> 1:06:07.680
<v Speaker 2>her dream to give and receive love. She was forty two, single,

1:06:07.800 --> 1:06:10.280
<v Speaker 2>living alone, and she adopted a six year old girl.

1:06:10.760 --> 1:06:12.880
<v Speaker 2>But she did not get what she wanted from Candace.

1:06:13.800 --> 1:06:17.040
<v Speaker 2>And this is where it's fucked, Like she adopted a

1:06:17.120 --> 1:06:19.920
<v Speaker 2>child for herself, but I guess that's what you did.

1:06:20.000 --> 1:06:22.840
<v Speaker 2>I don't know, but it's like, fuck you. You know,

1:06:22.920 --> 1:06:26.080
<v Speaker 2>that's like a lot of expectations on a kid. Now.

1:06:26.360 --> 1:06:30.480
<v Speaker 2>For four years, she did try a lot of other therapies, medications, doctors,

1:06:30.560 --> 1:06:33.480
<v Speaker 2>like in North Carolina, she was doing tons of stuff

1:06:33.680 --> 1:06:36.640
<v Speaker 2>before she turned to this remote town thirty miles west

1:06:36.640 --> 1:06:41.120
<v Speaker 2>of Denver called Evergreen, and like, was this really for

1:06:41.240 --> 1:06:43.720
<v Speaker 2>Candace or was this for the mother who longed to

1:06:43.760 --> 1:06:48.160
<v Speaker 2>be hugged? So this attachment disorder thing is often suggested,

1:06:48.320 --> 1:06:51.120
<v Speaker 2>but maybe it's not. Like maybe it's just parents being

1:06:51.160 --> 1:06:54.640
<v Speaker 2>too strict, or they have poor child wearing skills or

1:06:54.880 --> 1:06:58.520
<v Speaker 2>hold unreasonable expectations, or they just don't match well with

1:06:58.560 --> 1:06:59.120
<v Speaker 2>their kids.

1:06:59.120 --> 1:07:00.640
<v Speaker 4>It doesn't mean that the ca it has like a

1:07:00.680 --> 1:07:01.680
<v Speaker 4>full blown issue.

1:07:01.760 --> 1:07:03.880
<v Speaker 2>So there are people who do not believe in this

1:07:03.920 --> 1:07:07.840
<v Speaker 2>attachment disorder at all and think like, maybe you're just

1:07:07.880 --> 1:07:08.800
<v Speaker 2>a shitty parent.

1:07:09.040 --> 1:07:11.360
<v Speaker 4>So that's just something to add.

1:07:11.440 --> 1:07:14.080
<v Speaker 1>I also just like, don't I'm not a psychologist. I

1:07:14.080 --> 1:07:17.240
<v Speaker 1>don't know about the attachment disorder, but like the rebirthing,

1:07:17.440 --> 1:07:21.560
<v Speaker 1>it's like I could see like an adult being into

1:07:21.600 --> 1:07:23.920
<v Speaker 1>this kind of thing, because you can, like adults can

1:07:24.040 --> 1:07:26.760
<v Speaker 1>kind of like you know, people do all kinds of

1:07:26.800 --> 1:07:29.080
<v Speaker 1>woo woo shit where it's like I'm being reborn, But like,

1:07:29.800 --> 1:07:32.680
<v Speaker 1>how does a ten year old that's being squashed feel reborn?

1:07:32.720 --> 1:07:35.080
<v Speaker 1>Like they don't understand birth really as a concept.

1:07:35.160 --> 1:07:35.680
<v Speaker 4>Like they don't.

1:07:36.080 --> 1:07:38.600
<v Speaker 1>Why would that change suddenly, why would they come out

1:07:38.640 --> 1:07:40.240
<v Speaker 1>and feel different from a squash?

1:07:40.360 --> 1:07:42.080
<v Speaker 2>Oh, I don't this doesn't even make sense with that.

1:07:42.200 --> 1:07:44.360
<v Speaker 2>This makes no sense, Like, it doesn't make sense to me.

1:07:44.480 --> 1:07:45.960
<v Speaker 1>It would make sense to me to do that to

1:07:46.080 --> 1:07:48.960
<v Speaker 1>like an adult or somebody that had more like could

1:07:49.040 --> 1:07:51.520
<v Speaker 1>be like, Okay, I am in my mother's womb, I

1:07:51.560 --> 1:07:54.040
<v Speaker 1>am rebeing born, Like yeah, if you can, if you

1:07:54.040 --> 1:07:56.880
<v Speaker 1>can like sort of be older. But for like a child,

1:07:57.400 --> 1:08:00.440
<v Speaker 1>this doesn't I don't get it. They're like someone hurting me.

1:08:00.520 --> 1:08:01.400
<v Speaker 4>No, it seems like abuse.

1:08:01.440 --> 1:08:04.560
<v Speaker 2>I'm sure the kid is like yeah, yeah, like the

1:08:04.600 --> 1:08:06.840
<v Speaker 2>pains is over, Like yeah, that's why you don't hate

1:08:06.840 --> 1:08:07.960
<v Speaker 2>your kids, because they don't get it.

1:08:08.080 --> 1:08:11.240
<v Speaker 4>Yeah, like kids don't get things. It's a baby brain.

1:08:11.520 --> 1:08:14.080
<v Speaker 4>I don't know. It's it's really fucked up. It gets

1:08:14.160 --> 1:08:16.879
<v Speaker 4>more fucked up. So whatever.

1:08:17.080 --> 1:08:21.040
<v Speaker 2>So this Evergreen Place, it's the epicenter of therapy for

1:08:21.120 --> 1:08:25.799
<v Speaker 2>reactive attachment disorder. There's fourteen attachment therapists with six clinics

1:08:25.800 --> 1:08:29.719
<v Speaker 2>in a town of only eight thousand people RAD okay,

1:08:29.760 --> 1:08:33.040
<v Speaker 2>and this RAD situation is described often as kids. So

1:08:33.560 --> 1:08:37.679
<v Speaker 2>here's just more details on this. The disorder. It means

1:08:37.920 --> 1:08:41.720
<v Speaker 2>like they're really charming on the outside born psychopath definitely,

1:08:42.320 --> 1:08:44.920
<v Speaker 2>but they're terrors on the inside behind closed doors. So

1:08:44.960 --> 1:08:48.680
<v Speaker 2>they're manipulative kids. They know how to resist, defy, and

1:08:48.720 --> 1:08:51.400
<v Speaker 2>they want to maintain control. That is their number one goal.

1:08:51.920 --> 1:08:54.680
<v Speaker 2>And these parents get none of the good stuff, and

1:08:54.720 --> 1:08:57.960
<v Speaker 2>it's just like violent outburst emotional outbursts. So it's like,

1:08:58.400 --> 1:09:00.559
<v Speaker 2>you know, there's ups and downs with parenthood, and they're saying,

1:09:00.720 --> 1:09:03.000
<v Speaker 2>like a lot of these kinds of parents, they only

1:09:03.040 --> 1:09:07.520
<v Speaker 2>get the bad with no positive things. I mean, yeah,

1:09:07.600 --> 1:09:10.160
<v Speaker 2>So this isolates the parents and it makes them feel

1:09:10.160 --> 1:09:13.240
<v Speaker 2>like they're the problem. Maybe they are, and they're just

1:09:13.280 --> 1:09:16.920
<v Speaker 2>seeking validation in a way because these parents feel so isolated.

1:09:16.960 --> 1:09:19.599
<v Speaker 2>I do feel like these I mean, these therapists aren't

1:09:19.600 --> 1:09:21.720
<v Speaker 2>even real therapists. I can't wait to get into it.

1:09:21.800 --> 1:09:25.120
<v Speaker 2>But you know, these parents just feel so fucking alone.

1:09:25.120 --> 1:09:26.439
<v Speaker 2>They don't know what to do, and they just want

1:09:26.439 --> 1:09:28.439
<v Speaker 2>to be validated that something is wrong with their kid.

1:09:28.760 --> 1:09:31.599
<v Speaker 2>They want an acknowledgment that there's a problem with their child.

1:09:31.640 --> 1:09:34.760
<v Speaker 2>They want a name for it. So this town and

1:09:34.800 --> 1:09:38.000
<v Speaker 2>these therapists did this for Gene when she found out

1:09:38.040 --> 1:09:40.760
<v Speaker 2>about rad all the symptoms hit, you know, inability for

1:09:40.800 --> 1:09:43.879
<v Speaker 2>affection and love. There was lack of eye contact, extreme

1:09:43.920 --> 1:09:46.600
<v Speaker 2>defiance and anger extreme. But like, doesn't the kid have

1:09:46.640 --> 1:09:49.720
<v Speaker 2>a right to be angry? Their life sucks, you know

1:09:49.760 --> 1:09:51.519
<v Speaker 2>what I mean? They were a views and now some

1:09:52.040 --> 1:09:57.719
<v Speaker 2>woman is like, hug me. Extreme control problems, manipulative, yeah, charm,

1:09:57.840 --> 1:10:00.560
<v Speaker 2>lack of conscious. Once she saw all the traits, she

1:10:00.640 --> 1:10:03.479
<v Speaker 2>found a bonanza online. That's not my word, that was

1:10:03.560 --> 1:10:06.759
<v Speaker 2>in the article bonanza, but I thought.

1:10:06.600 --> 1:10:07.120
<v Speaker 4>I'd use it.

1:10:07.640 --> 1:10:11.120
<v Speaker 2>She found websites, discussion groups, chatrooms, links, clinics, you know,

1:10:11.200 --> 1:10:14.600
<v Speaker 2>other parents that related to her parents who made the

1:10:14.680 --> 1:10:19.160
<v Speaker 2>journey to Evergreen. And the creator of this Evergreen place

1:10:19.280 --> 1:10:23.120
<v Speaker 2>is Foster Kline, a child psychiatrist in the early nineteen seventies.

1:10:23.160 --> 1:10:25.840
<v Speaker 2>He came up with this notion of attachment disorder. What

1:10:25.880 --> 1:10:29.680
<v Speaker 2>he called it was rage and reduction therapy. So basically,

1:10:29.720 --> 1:10:32.479
<v Speaker 2>you get these kids raged up, you goat them, you

1:10:32.560 --> 1:10:36.320
<v Speaker 2>confront them. You physically, like, none of this sounds good. Yeah,

1:10:36.479 --> 1:10:39.599
<v Speaker 2>you physically restrain the kids. You pin them down, you

1:10:39.720 --> 1:10:43.639
<v Speaker 2>rub knuckles into their ribs. You get them in a rage.

1:10:43.680 --> 1:10:46.840
<v Speaker 2>And the goal was to outpower the powerful and to

1:10:46.960 --> 1:10:51.400
<v Speaker 2>force psychological engagement and surrender when a child would rather

1:10:51.479 --> 1:10:54.760
<v Speaker 2>withdraw or retain control. What I don't even know what

1:10:54.800 --> 1:10:58.240
<v Speaker 2>I just said. I hope you boys understood it. So basically,

1:10:58.400 --> 1:11:00.559
<v Speaker 2>it's like raging up a kid and then they get

1:11:00.560 --> 1:11:03.160
<v Speaker 2>it all out and then they surrender, and then they

1:11:03.200 --> 1:11:05.599
<v Speaker 2>give love and cradle in the arms of someone after

1:11:05.640 --> 1:11:06.120
<v Speaker 2>you beat.

1:11:05.960 --> 1:11:06.559
<v Speaker 4>The shit out of them.

1:11:06.640 --> 1:11:10.800
<v Speaker 2>Jesus Klein called it the joy of surrender. And also

1:11:10.920 --> 1:11:14.280
<v Speaker 2>no hard proof this method works, no legitimate research to

1:11:14.320 --> 1:11:18.280
<v Speaker 2>its effects. It's just a catch all phrase and everything

1:11:18.360 --> 1:11:22.280
<v Speaker 2>is based on anecdotal and vague information. And soon therapists

1:11:22.280 --> 1:11:25.080
<v Speaker 2>some with doctorates and la times is clear to state

1:11:26.040 --> 1:11:29.559
<v Speaker 2>most only had master's degrees, which is hard. I respect

1:11:29.560 --> 1:11:32.000
<v Speaker 2>a master's degree, but like you know, I went to

1:11:32.040 --> 1:11:33.639
<v Speaker 2>a therapist who wasn't a real one.

1:11:33.760 --> 1:11:36.040
<v Speaker 4>She helped me, but whatever.

1:11:36.200 --> 1:11:39.400
<v Speaker 2>So some of these people just had master's degrees and

1:11:39.439 --> 1:11:41.200
<v Speaker 2>they all head to Evergreen.

1:11:40.720 --> 1:11:41.559
<v Speaker 4>For this training.

1:11:42.000 --> 1:11:45.880
<v Speaker 2>By nineteen eighty seven, though, this reactive attachment disorder was

1:11:45.960 --> 1:11:51.200
<v Speaker 2>recognized by the Diagnostic Statistical Manual of Mental Disorders. So

1:11:51.320 --> 1:11:53.280
<v Speaker 2>I was born in nineteen eighty seven if you care.

1:11:53.800 --> 1:11:56.240
<v Speaker 2>So Connall Walkins is a well known expert on attachment

1:11:56.280 --> 1:12:01.080
<v Speaker 2>disorders and is very controversial. Also, even the well known

1:12:01.160 --> 1:12:04.800
<v Speaker 2>she is not licensed or credited in Colorado wherever Green is,

1:12:05.160 --> 1:12:08.040
<v Speaker 2>yet people view her as the godmother of attachment therapy.

1:12:08.439 --> 1:12:11.120
<v Speaker 2>So if she's the godmother of something without any license,

1:12:11.240 --> 1:12:12.719
<v Speaker 2>then your thing is not real.

1:12:13.400 --> 1:12:14.479
<v Speaker 4>Sorry.

1:12:14.680 --> 1:12:18.679
<v Speaker 2>Julie Ponder is another person involved in this crime, and

1:12:18.880 --> 1:12:22.160
<v Speaker 2>she was a California licensed marriage and family therapist with

1:12:22.200 --> 1:12:25.800
<v Speaker 2>two master's degrees, but no credentials in Colorado. And this

1:12:25.920 --> 1:12:29.280
<v Speaker 2>also Colorado allows you to practice about credentials and a

1:12:29.280 --> 1:12:31.480
<v Speaker 2>lot of people do it because I guess with liability

1:12:31.520 --> 1:12:34.879
<v Speaker 2>and stuff, if you're not accredited, then you have less

1:12:35.520 --> 1:12:37.000
<v Speaker 2>doctor responsibility or.

1:12:36.920 --> 1:12:37.920
<v Speaker 4>Something shady like that.

1:12:38.640 --> 1:12:42.080
<v Speaker 2>But yeah, and then Brittaalin since Saint Clair, she was

1:12:42.120 --> 1:12:46.640
<v Speaker 2>the office manager at the time. Jack Dudley McDaniel was

1:12:46.640 --> 1:12:49.040
<v Speaker 2>Brita's fiance and he was being paid as an intern.

1:12:49.439 --> 1:12:51.479
<v Speaker 2>And then there were two assistants in the room, so

1:12:51.560 --> 1:12:56.400
<v Speaker 2>it was Britta, Jack the mom, Julie Ponder, and Connell Watkins.

1:12:56.400 --> 1:12:58.879
<v Speaker 4>They were all there for Candace's murder.

1:12:59.240 --> 1:13:03.080
<v Speaker 2>Now this what she cast other issues before Canvas in

1:13:03.160 --> 1:13:05.840
<v Speaker 2>nineteen eighty eight. Klein and Watkins and another therapist to

1:13:05.840 --> 1:13:07.879
<v Speaker 2>a treatment on an eleven year old boy from Florida,

1:13:08.240 --> 1:13:10.360
<v Speaker 2>and days later he ran away reported that he had

1:13:10.360 --> 1:13:12.960
<v Speaker 2>been abused, and then the sheriff's deputies seized the files

1:13:13.000 --> 1:13:16.200
<v Speaker 2>the videotape and the tape began to circulate and this

1:13:16.400 --> 1:13:20.360
<v Speaker 2>ended in a complaint against Klein, which led Kleine having

1:13:20.360 --> 1:13:23.360
<v Speaker 2>to agree to no longer participate in rage reduction therapy

1:13:23.360 --> 1:13:25.920
<v Speaker 2>and he moved to Northern Idaho and remains there as

1:13:25.960 --> 1:13:27.520
<v Speaker 2>an advocate but not a practitioner.

1:13:28.400 --> 1:13:30.280
<v Speaker 4>Or he's dead. I mean, I don't know.

1:13:31.520 --> 1:13:35.240
<v Speaker 2>Yeah, I didn't look into him, honestly, but he disappeared

1:13:35.320 --> 1:13:36.679
<v Speaker 2>into Idaho dead or alive?

1:13:36.720 --> 1:13:38.679
<v Speaker 4>Who cares so anyways, but don't.

1:13:39.160 --> 1:13:43.800
<v Speaker 2>But Watkins did not stop after this case, and the

1:13:43.840 --> 1:13:46.840
<v Speaker 2>integrity of the therapy did get her. Other people didn't

1:13:46.880 --> 1:13:49.840
<v Speaker 2>agree and wanted to chill out on this aggressive nature

1:13:49.840 --> 1:13:53.120
<v Speaker 2>of therapy, but Watkins was like, fuck no, I love

1:13:53.200 --> 1:13:55.479
<v Speaker 2>this and opened her own clinic in nineteen ninety two.

1:13:56.120 --> 1:14:01.240
<v Speaker 2>So January twenty two thousand, new Maker signs a contract

1:14:01.320 --> 1:14:06.080
<v Speaker 2>with Watkins and associates for a two week intensive therapy

1:14:06.120 --> 1:14:08.040
<v Speaker 2>program that costs seven thousand dollars.

1:14:08.320 --> 1:14:10.640
<v Speaker 1>The mom signs the contract for Kandass to do for

1:14:10.760 --> 1:14:11.799
<v Speaker 1>seven thousand dollars.

1:14:12.120 --> 1:14:12.680
<v Speaker 6>Gosh.

1:14:12.760 --> 1:14:14.880
<v Speaker 2>So she showed up there on April tenth for a

1:14:14.920 --> 1:14:18.120
<v Speaker 2>two week intensive therapy program, and then April nineteenth is

1:14:18.160 --> 1:14:20.080
<v Speaker 2>when a frantic call was made to nine one one.

1:14:20.760 --> 1:14:23.479
<v Speaker 2>When the authorities arrived, they found Candace lying face up

1:14:23.479 --> 1:14:27.040
<v Speaker 2>on the floor and new Maker was performing CPR. Larry

1:14:27.200 --> 1:14:31.160
<v Speaker 2>Frey was the paramedic and said to the La Times

1:14:31.400 --> 1:14:33.679
<v Speaker 2>that he knelt to examine the girl and she was blue,

1:14:34.200 --> 1:14:36.880
<v Speaker 2>cool to the touch, without a pulse or breath. Her

1:14:36.960 --> 1:14:39.599
<v Speaker 2>pupils were fixed and dilated, and her eyes were full

1:14:39.640 --> 1:14:40.320
<v Speaker 2>of red spots.

1:14:40.360 --> 1:14:42.479
<v Speaker 1>So she must have been dead for a while. So

1:14:42.680 --> 1:14:46.040
<v Speaker 1>was like, was the CPR just like performative? That's so creepy.

1:14:46.560 --> 1:14:47.320
<v Speaker 4>Oh yeah.

1:14:47.360 --> 1:14:51.960
<v Speaker 2>They called nine one like a half hour after they

1:14:52.000 --> 1:14:56.920
<v Speaker 2>realized what was happening. The corner ruled Candace died of exphyxiation.

1:14:57.840 --> 1:15:00.799
<v Speaker 2>So this girl straight up died begging for her life

1:15:01.040 --> 1:15:04.400
<v Speaker 2>while wrapped in a flannel sheet during a rebirthing therapy session.

1:15:05.320 --> 1:15:07.840
<v Speaker 2>The defense tried to argue other factors might have caused

1:15:07.840 --> 1:15:10.519
<v Speaker 2>her death, like medications or an undetected heart condition. Go

1:15:10.600 --> 1:15:13.479
<v Speaker 2>fuck yourself. There was a videotape. There was a seventy

1:15:13.520 --> 1:15:16.920
<v Speaker 2>minute session as evidence, a fucking videotape of it, and

1:15:16.960 --> 1:15:20.200
<v Speaker 2>it was the prosecutor's centerpiece for their case. And you

1:15:20.200 --> 1:15:22.080
<v Speaker 2>could hear on the tape this girl is pleading for

1:15:22.120 --> 1:15:25.519
<v Speaker 2>her life and saying she could not breathe. Candace is leading,

1:15:25.560 --> 1:15:28.120
<v Speaker 2>I'm going to die. One of the therapists has heard responding,

1:15:28.160 --> 1:15:31.280
<v Speaker 2>scream for your life, and one therapist said she must

1:15:31.320 --> 1:15:34.439
<v Speaker 2>die to be reborn. Candace is heard responding, you mean

1:15:34.479 --> 1:15:36.679
<v Speaker 2>like you want me to die for real, and ponder goes,

1:15:36.760 --> 1:15:39.559
<v Speaker 2>uh huh good. And that's according to the New York Times.

1:15:39.560 --> 1:15:42.400
<v Speaker 2>And Candace more than ten times on this tape said

1:15:42.439 --> 1:15:44.800
<v Speaker 2>that she was dying. Seven times is heard saying she

1:15:44.880 --> 1:15:47.960
<v Speaker 2>was vomiting. The adults just kept putting pressure on this child.

1:15:48.040 --> 1:15:50.400
<v Speaker 2>The four adults together weighed six hundred and seventy three

1:15:50.400 --> 1:15:52.839
<v Speaker 2>pounds and Candace weighs seventy pounds.

1:15:52.880 --> 1:15:53.639
<v Speaker 4>So what the fuck?

1:15:53.720 --> 1:15:57.400
<v Speaker 2>Oh my god, this is so horrific.

1:15:57.040 --> 1:15:57.799
<v Speaker 4>It's awful.

1:15:57.880 --> 1:16:00.640
<v Speaker 2>And at forty minutes, new maker asked, baby, do you

1:16:00.680 --> 1:16:04.000
<v Speaker 2>want to be born? And then, according to the LA Times,

1:16:04.080 --> 1:16:06.000
<v Speaker 2>Candace's final word was a faint no.

1:16:06.680 --> 1:16:07.400
<v Speaker 4>And this ponder.

1:16:07.439 --> 1:16:11.080
<v Speaker 2>Bitch is heard saying quitter, quitter, quitter, quit, quit, quit quit,

1:16:11.160 --> 1:16:14.080
<v Speaker 2>She's a quitter. Oh my god, And that's the New

1:16:14.120 --> 1:16:17.880
<v Speaker 2>York Times. And this is all just because this adoptive

1:16:17.880 --> 1:16:21.120
<v Speaker 2>mother wanted attention from this child who was clearly traumatized,

1:16:21.560 --> 1:16:24.200
<v Speaker 2>like a neglected child didn't give an adoptive mother the

1:16:24.240 --> 1:16:31.680
<v Speaker 2>love that she wanted, and like, what the fuck? Okay,

1:16:31.880 --> 1:16:34.639
<v Speaker 2>So Watkins to investigators, said they didn't take the girls,

1:16:34.680 --> 1:16:39.280
<v Speaker 2>please seriously. Jack McDaniel said that they thought Candace was

1:16:39.280 --> 1:16:43.320
<v Speaker 2>trying to manipulate the situation a ten year old, so

1:16:43.360 --> 1:16:45.800
<v Speaker 2>they fucking tortured her and they didn't unwrap her for

1:16:45.840 --> 1:16:49.080
<v Speaker 2>another thirty minutes. And then finally the adoptive mother, who

1:16:49.160 --> 1:16:52.960
<v Speaker 2>was a nurse practitioner at Duke University Hospital. So this

1:16:53.000 --> 1:16:55.760
<v Speaker 2>person is also in the medical profession, like, how are

1:16:55.760 --> 1:16:57.960
<v Speaker 2>you allowing this to happen? It makes no fucking sense.

1:16:58.479 --> 1:17:01.160
<v Speaker 2>So she screamed, oh no, oh god, she's dead. Look

1:17:01.200 --> 1:17:04.519
<v Speaker 2>at her canvas, Candace, And this is in the Times,

1:17:04.800 --> 1:17:06.640
<v Speaker 2>the New York Times. And she was not dead, but

1:17:06.680 --> 1:17:08.640
<v Speaker 2>she was unconscious without a pulse and then died the

1:17:08.680 --> 1:17:12.280
<v Speaker 2>next day. And then Watkins had the fucking like balls

1:17:12.320 --> 1:17:15.040
<v Speaker 2>to afterwards be like, we don't know why this happened.

1:17:15.400 --> 1:17:17.680
<v Speaker 2>We could never have caused this little girl's death. And

1:17:17.720 --> 1:17:19.840
<v Speaker 2>it's like, but we have the tape. This is the

1:17:19.880 --> 1:17:22.760
<v Speaker 2>Remonta singer of this case. April two thousand and one,

1:17:22.840 --> 1:17:25.559
<v Speaker 2>the two therapists were convicted of reckless child abuse. After

1:17:25.560 --> 1:17:28.880
<v Speaker 2>the jury deliberated for about five hours. When the verdict

1:17:29.040 --> 1:17:32.200
<v Speaker 2>was read, Julie Ponder stared straight ahead, closed her eyes

1:17:32.200 --> 1:17:35.559
<v Speaker 2>and fought tears. Connall Watkins showed little emotion, like this

1:17:35.640 --> 1:17:37.840
<v Speaker 2>is a psychopath. This is like a cult leader, you

1:17:37.920 --> 1:17:40.400
<v Speaker 2>know what I mean? Like, yeah, I feel we talk

1:17:40.439 --> 1:17:42.519
<v Speaker 2>about cults a lot. It's usually men and they're just

1:17:42.560 --> 1:17:44.439
<v Speaker 2>like trying to fuck you know, the youth, and like

1:17:44.479 --> 1:17:48.680
<v Speaker 2>do weird things. And I think this is a jonestown,

1:17:48.720 --> 1:17:51.719
<v Speaker 2>Like this is a cult person killer, you know. Watkins

1:17:51.760 --> 1:17:56.400
<v Speaker 2>was also convicted of unlawfully practicing psychotherapy, criminal impersonation, and

1:17:56.400 --> 1:17:59.599
<v Speaker 2>obtaining a signature by deception. The grandmother of the child

1:17:59.600 --> 1:18:02.040
<v Speaker 2>cried and hug those around her after the verdict was read,

1:18:02.439 --> 1:18:05.559
<v Speaker 2>and this happened in the Jefferson County District Court. They

1:18:05.560 --> 1:18:08.639
<v Speaker 2>were each sentenced to sixteen years in prison in June

1:18:08.640 --> 1:18:12.599
<v Speaker 2>two thousand and one, so they could have received the max,

1:18:12.600 --> 1:18:15.719
<v Speaker 2>which would have been forty eight years, but the judge,

1:18:15.760 --> 1:18:20.479
<v Speaker 2>some lady named Jane Tidball of the same Jefferson County district,

1:18:20.560 --> 1:18:23.960
<v Speaker 2>gave the minimum because, quote, they didn't intend to harm

1:18:24.000 --> 1:18:26.640
<v Speaker 2>the girl. What like, even if I don't plan on

1:18:26.720 --> 1:18:29.160
<v Speaker 2>hurting someone, if they plead for forty minutes to please

1:18:29.200 --> 1:18:33.400
<v Speaker 2>stop and they were screaming and vomiting, your intent is

1:18:33.439 --> 1:18:35.960
<v Speaker 2>to her. The quote in the New York Times from

1:18:35.960 --> 1:18:39.320
<v Speaker 2>the judge is the crime itself was horrifying. However, there

1:18:39.360 --> 1:18:42.320
<v Speaker 2>was no evidence of the trial that the defendant wanted

1:18:42.320 --> 1:18:45.439
<v Speaker 2>to harm Kansas. I don't get that. Oh my god,

1:18:45.760 --> 1:18:48.439
<v Speaker 2>I disagree. I think they should still be in prison.

1:18:49.360 --> 1:18:53.519
<v Speaker 2>So British Saint Clair and this Jack McDaniel, the assistant therapist,

1:18:53.520 --> 1:18:57.280
<v Speaker 2>people whatever there, they were given ten years probation and

1:18:57.360 --> 1:18:59.479
<v Speaker 2>one thousand hours of community service.

1:18:59.560 --> 1:19:00.920
<v Speaker 4>I think they should have gone to jail.

1:19:01.560 --> 1:19:04.240
<v Speaker 2>The mom who was there for the therapy, she was

1:19:04.320 --> 1:19:07.880
<v Speaker 2>tried on charges of criminally negligent child abuse resulting in

1:19:08.120 --> 1:19:11.840
<v Speaker 2>death initially, but then was given immunity to testify in

1:19:11.880 --> 1:19:15.320
<v Speaker 2>the case against the therapist, but then also In another report,

1:19:15.400 --> 1:19:17.439
<v Speaker 2>it said in October two thousand and one, she did

1:19:17.479 --> 1:19:20.920
<v Speaker 2>agree to plead guilty to child abuse in exchange for

1:19:21.040 --> 1:19:24.080
<v Speaker 2>no jail time and promised that her conviction will be

1:19:24.120 --> 1:19:27.200
<v Speaker 2>expunged if she commits no crimes in the next four years.

1:19:27.520 --> 1:19:30.240
<v Speaker 2>So I'm not really sure if everything was dropped or

1:19:30.320 --> 1:19:32.760
<v Speaker 2>she did have to plead guilty and not catch it. Like,

1:19:32.800 --> 1:19:36.040
<v Speaker 2>I'm not really sure those conflicting reports in the sources. Yeah,

1:19:36.520 --> 1:19:39.800
<v Speaker 2>and it seems like it's hard to understand. I mean,

1:19:39.840 --> 1:19:43.160
<v Speaker 2>I don't believe in this, but it's like in theory,

1:19:43.200 --> 1:19:47.000
<v Speaker 2>this devoted like carrying, educated woman, just like a nurse

1:19:47.200 --> 1:19:51.360
<v Speaker 2>at Duke University Hospital decided to entrust her daughter to

1:19:51.840 --> 1:19:54.920
<v Speaker 2>four strangers in some remote house in Colorado.

1:19:55.439 --> 1:19:55.960
<v Speaker 4>I don't get it.

1:19:56.040 --> 1:20:00.800
<v Speaker 2>Yeah, and like stand there and watch as unlicensed alternative

1:20:01.000 --> 1:20:04.360
<v Speaker 2>weirdos do this to a ten year old. Following the trial,

1:20:04.400 --> 1:20:08.320
<v Speaker 2>Governor Bill Owen signed a law outlining rebirthing therapy in Colorado,

1:20:08.400 --> 1:20:09.639
<v Speaker 2>and it's called Candace's Law.

1:20:09.960 --> 1:20:13.080
<v Speaker 1>I think you just see a lot of crazy stuff

1:20:13.200 --> 1:20:16.599
<v Speaker 1>like this when people feel desperate, like and that's when

1:20:16.640 --> 1:20:19.480
<v Speaker 1>the grift comes in. That's when a lot of grifters

1:20:19.560 --> 1:20:22.280
<v Speaker 1>find the most desperate people and are like, trust me

1:20:22.320 --> 1:20:25.120
<v Speaker 1>with this therapy, seven thousand dollars will fix your little

1:20:25.120 --> 1:20:27.880
<v Speaker 1>baby up. You know, Like, unfortunately, I think this mom

1:20:28.000 --> 1:20:31.120
<v Speaker 1>felt I also think she acted very selfishly, but I

1:20:31.160 --> 1:20:33.880
<v Speaker 1>think that she probably felt like, you know, wasn't really

1:20:33.960 --> 1:20:37.160
<v Speaker 1>caring about accreditation and was like, this is my last

1:20:37.200 --> 1:20:40.240
<v Speaker 1>resort or something, and it's so fucking sad. That's such

1:20:40.240 --> 1:20:42.479
<v Speaker 1>a horrible story. But what's the next one. I bet

1:20:42.479 --> 1:20:43.320
<v Speaker 1>it's really upbeat.

1:20:43.479 --> 1:20:46.679
<v Speaker 2>This is the case of Michael and Cheryl Gravel.

1:20:47.680 --> 1:20:49.080
<v Speaker 4>I think it's probably Gravel.

1:20:49.240 --> 1:20:53.599
<v Speaker 2>Yeah, but we're gonna call him Gravel. They're fucking dirt.

1:20:54.160 --> 1:20:56.200
<v Speaker 2>This is a notorious story. It became known as the

1:20:56.240 --> 1:21:02.440
<v Speaker 2>Caged Kids, according to NPR, So we got to trust them. Wakeman, Ohio,

1:21:02.600 --> 1:21:04.799
<v Speaker 2>is a town of one thousand people about fifty miles

1:21:04.840 --> 1:21:05.720
<v Speaker 2>west of Cleveland.

1:21:05.880 --> 1:21:08.719
<v Speaker 1>They even do like a little nod to this because

1:21:08.720 --> 1:21:11.480
<v Speaker 1>they say Eden's from Ohio and Rosemary.

1:21:11.520 --> 1:21:15.840
<v Speaker 2>Kneel Bear so time of the crime two thousand and five. Okay,

1:21:15.920 --> 1:21:19.320
<v Speaker 2>so this couple, they moved to this place in nineteen

1:21:19.400 --> 1:21:22.960
<v Speaker 2>ninety two and immediately started adopting children after their kids

1:21:22.960 --> 1:21:25.720
<v Speaker 2>grew up. When a story is this salacious. There's all

1:21:25.760 --> 1:21:28.360
<v Speaker 2>these articles saying the same thing, and like, you know,

1:21:28.720 --> 1:21:32.600
<v Speaker 2>a friend passed in December and immediately there were all

1:21:32.680 --> 1:21:35.120
<v Speaker 2>these news stories and none of the stuff was real,

1:21:35.280 --> 1:21:37.200
<v Speaker 2>like yeah, not on of it, but there was just

1:21:37.240 --> 1:21:43.559
<v Speaker 2>mistakes made and like people took information without verifying it.

1:21:44.120 --> 1:21:47.200
<v Speaker 2>And so now when like cases like this happened and

1:21:47.240 --> 1:21:50.800
<v Speaker 2>those initial stories, it's kind of like, how do we

1:21:50.800 --> 1:21:51.759
<v Speaker 2>even trust the news?

1:21:51.840 --> 1:21:54.280
<v Speaker 1>It's crazy because they have the ability to go back

1:21:54.320 --> 1:21:57.439
<v Speaker 1>and change them. Like in newspaper days and magazine only days,

1:21:57.520 --> 1:21:59.599
<v Speaker 1>you couldn't change the story once it was out in print.

1:21:59.640 --> 1:22:02.080
<v Speaker 1>You can easily go onto a website and change a

1:22:02.120 --> 1:22:03.200
<v Speaker 1>fuck up now, and I think a lot of.

1:22:03.200 --> 1:22:05.320
<v Speaker 4>People just don't and that shit just lives on the

1:22:05.320 --> 1:22:05.960
<v Speaker 4>internet forever.

1:22:06.200 --> 1:22:08.479
<v Speaker 2>Yeah, because it got wild because here it says like, oh,

1:22:08.479 --> 1:22:10.840
<v Speaker 2>the older kids left, like some of the older their

1:22:10.840 --> 1:22:15.120
<v Speaker 2>bio kids were there, like there's just different things. And

1:22:15.120 --> 1:22:17.439
<v Speaker 2>then it would say eleven total and then it was

1:22:17.479 --> 1:22:19.519
<v Speaker 2>no eleven adopted and it was like, what the fuck

1:22:19.600 --> 1:22:20.439
<v Speaker 2>is going on here?

1:22:20.680 --> 1:22:20.920
<v Speaker 5>You now?

1:22:21.200 --> 1:22:24.920
<v Speaker 2>But you know, I did the best, but so yeah,

1:22:24.920 --> 1:22:27.160
<v Speaker 2>they were like empty nesters, I guess, and decided to

1:22:27.200 --> 1:22:28.880
<v Speaker 2>adopt a bunch of kids. So that was like in

1:22:28.920 --> 1:22:31.280
<v Speaker 2>nineteen eighty two. The time of like the rest and

1:22:31.320 --> 1:22:33.160
<v Speaker 2>all this coming to light and the crimes was two

1:22:33.200 --> 1:22:37.000
<v Speaker 2>thousand and five. So yeah, basically, they adopted a bunch

1:22:37.000 --> 1:22:40.000
<v Speaker 2>of kids and kept them in cages. Two bio kids

1:22:40.040 --> 1:22:42.880
<v Speaker 2>and then from other marriages. They didn't have kids together,

1:22:44.040 --> 1:22:47.360
<v Speaker 2>so like Brady Bunch style, but you know, twisted. So

1:22:47.520 --> 1:22:50.559
<v Speaker 2>and those kids were living in an abusive environment but

1:22:50.680 --> 1:22:55.599
<v Speaker 2>avoided abuse and neglect that the adopted children did. So

1:22:56.120 --> 1:23:00.080
<v Speaker 2>eleven adopted children ages one to fourteen, and they they

1:23:00.120 --> 1:23:04.960
<v Speaker 2>all had conditions ranging from autism to HIV to fas

1:23:05.000 --> 1:23:10.639
<v Speaker 2>Down syndrome, Pika attachment disorders. So you know, eleven kids

1:23:10.680 --> 1:23:15.400
<v Speaker 2>with special needs. That's for special people. Only special people

1:23:15.479 --> 1:23:18.600
<v Speaker 2>can handle something like that. Michael and Sharon were not

1:23:18.720 --> 1:23:21.160
<v Speaker 2>those people, you know what I mean? Yeah, only the

1:23:21.200 --> 1:23:24.280
<v Speaker 2>New York Post wrote this. This is not written anywhere.

1:23:24.439 --> 1:23:27.839
<v Speaker 2>There's no photos, so I don't know, but it says

1:23:28.000 --> 1:23:30.320
<v Speaker 2>that all the kids were black and yet the parents

1:23:30.320 --> 1:23:33.720
<v Speaker 2>were white. And this might lead to the big part

1:23:33.760 --> 1:23:36.160
<v Speaker 2>where the city did not care sooner. Yeah, and why

1:23:36.240 --> 1:23:38.600
<v Speaker 2>no one checked on these people and why these psychopaths

1:23:38.600 --> 1:23:41.439
<v Speaker 2>were able to adopt eleven fucking kids and not be

1:23:41.520 --> 1:23:44.320
<v Speaker 2>watched over and let kids be in cages for as

1:23:44.320 --> 1:23:44.920
<v Speaker 2>long as they were.

1:23:45.200 --> 1:23:46.160
<v Speaker 4>Yeah, but it's not.

1:23:46.080 --> 1:23:50.000
<v Speaker 2>Written anywhere else, and it's like, but it's important to

1:23:50.240 --> 1:23:52.639
<v Speaker 2>under I don't know. But it's also the Post. Can

1:23:52.640 --> 1:23:54.960
<v Speaker 2>we even trust the New York Post? But why would

1:23:55.000 --> 1:23:58.120
<v Speaker 2>they lie about the kids race? Yeah, it just adds

1:23:58.160 --> 1:24:00.400
<v Speaker 2>a thing because you'll see, like the neglect that really

1:24:00.400 --> 1:24:03.880
<v Speaker 2>happened with the city and these children, and I just wonder.

1:24:04.120 --> 1:24:07.439
<v Speaker 2>So the kids were sleeping in cages. They were stacked

1:24:07.479 --> 1:24:09.000
<v Speaker 2>on top of each other in a bedroom on the

1:24:09.000 --> 1:24:10.080
<v Speaker 2>second floor of the house.

1:24:10.520 --> 1:24:11.639
<v Speaker 4>Each cage was three.

1:24:11.520 --> 1:24:14.000
<v Speaker 2>And a half feet tall and painted in primary colors,

1:24:14.080 --> 1:24:15.800
<v Speaker 2>so a lot of these kids couldn't even stand in

1:24:15.840 --> 1:24:19.200
<v Speaker 2>these cages. They were rigged with alarms and if they

1:24:19.200 --> 1:24:21.040
<v Speaker 2>were open, and one had a dresser in front of

1:24:21.040 --> 1:24:23.400
<v Speaker 2>it as well. No pillows, no blankets, just thin masks.

1:24:23.400 --> 1:24:27.000
<v Speaker 2>Oh my god. And the cops raided their home September

1:24:27.040 --> 1:24:29.040
<v Speaker 2>two thousand and five after receiving a tip.

1:24:29.520 --> 1:24:30.479
<v Speaker 4>We don't know who the tip is.

1:24:30.600 --> 1:24:33.040
<v Speaker 2>Investigators said the room smelled of urine when they showed

1:24:33.120 --> 1:24:35.960
<v Speaker 2>up with a warrant. Also, two of adoptive kids' names

1:24:35.960 --> 1:24:38.519
<v Speaker 2>were named Sharon and Michael, So they named their adoptive

1:24:38.560 --> 1:24:42.000
<v Speaker 2>children after themselves. That's a red flag. Yeah, they shouldn't

1:24:42.000 --> 1:24:44.000
<v Speaker 2>have been able to adopt another child after that, like

1:24:44.160 --> 1:24:47.160
<v Speaker 2>change their names. Oh my gosh. Yeah, And Sharon and

1:24:47.240 --> 1:24:49.439
<v Speaker 2>Michael were the only two kids that were documented ever

1:24:49.479 --> 1:24:50.200
<v Speaker 2>going to school.

1:24:50.240 --> 1:24:51.240
<v Speaker 4>The rest of them did not.

1:24:52.200 --> 1:24:55.880
<v Speaker 2>Neighbors said the kids looked well fed, there were tons

1:24:55.880 --> 1:24:58.360
<v Speaker 2>of toys, and they were polite and well dressed kids.

1:24:59.120 --> 1:25:01.799
<v Speaker 2>So from the outside, maybe there was like a different facade.

1:25:01.840 --> 1:25:05.080
<v Speaker 2>But also other witnesses at the Gravel's trial testified to

1:25:05.120 --> 1:25:08.679
<v Speaker 2>other abuse like shoving the children's heads into a toilet

1:25:08.680 --> 1:25:12.080
<v Speaker 2>and flushing it, beating them with sticks and boards, and

1:25:12.479 --> 1:25:15.200
<v Speaker 2>hosing them off outside the house in the winter. And

1:25:15.240 --> 1:25:17.479
<v Speaker 2>the biological kids spoke out to the news Harold in

1:25:17.479 --> 1:25:19.400
<v Speaker 2>two thousand and six saying that they were treated like

1:25:19.479 --> 1:25:23.000
<v Speaker 2>borders after the death of their mother. So I guess

1:25:23.040 --> 1:25:25.280
<v Speaker 2>those are like the dad's kids. The mom died and

1:25:25.320 --> 1:25:29.840
<v Speaker 2>then like a Cinderella situation occurred. Also, reports showed that

1:25:29.880 --> 1:25:33.040
<v Speaker 2>Sharon's biological daughter was sexually molested for two years by

1:25:33.040 --> 1:25:37.120
<v Speaker 2>Sharon's previous husband, and then the ex husband was convicted

1:25:37.160 --> 1:25:39.320
<v Speaker 2>and sent to prison, but she allowed him to move

1:25:39.360 --> 1:25:42.559
<v Speaker 2>back with her and her daughter after his release, which

1:25:42.560 --> 1:25:45.439
<v Speaker 2>proves what a dumb bitch she is. And then another

1:25:45.479 --> 1:25:47.360
<v Speaker 2>added layer at all this is in two thousand and one,

1:25:47.400 --> 1:25:50.519
<v Speaker 2>there are court papers where Sharon requested a separation and

1:25:50.600 --> 1:25:52.920
<v Speaker 2>wanted custody of the eight children at the time because

1:25:52.960 --> 1:25:56.000
<v Speaker 2>of her husband's physical mistreatment of the children. So after

1:25:56.040 --> 1:25:58.200
<v Speaker 2>that though, they were able to adopt three more kids.

1:25:58.439 --> 1:26:01.320
<v Speaker 2>What Michael told the rude that he felt he was

1:26:01.360 --> 1:26:05.479
<v Speaker 2>being led by the Lord. Of course, they lost custody

1:26:05.479 --> 1:26:07.360
<v Speaker 2>of the kids after all. This came out in September

1:26:07.400 --> 1:26:09.439
<v Speaker 2>two thousand and five, and then they were convicted December

1:26:09.479 --> 1:26:12.000
<v Speaker 2>two thousand and six. After the arrest, the children were

1:26:12.000 --> 1:26:15.120
<v Speaker 2>put into four separate foster homes. And with these there's

1:26:15.160 --> 1:26:18.320
<v Speaker 2>always an excuse like they took absolutely no accountability.

1:26:18.400 --> 1:26:20.800
<v Speaker 4>Obviously they were just like no, no, no, like.

1:26:20.880 --> 1:26:22.680
<v Speaker 2>But my thing is like, did they actually believe what

1:26:22.720 --> 1:26:24.840
<v Speaker 2>they were saying or they just psycho liars? Either way,

1:26:24.880 --> 1:26:27.200
<v Speaker 2>I don't care. They're evil. They said they had to

1:26:27.200 --> 1:26:29.800
<v Speaker 2>put these kids in enclosed beds for their safety so

1:26:29.840 --> 1:26:32.400
<v Speaker 2>they didn't wander at night. She also said that the

1:26:32.400 --> 1:26:37.880
<v Speaker 2>psychiatrists actually recommended for the kids to sleep in cages. Also, like,

1:26:38.040 --> 1:26:42.640
<v Speaker 2>because of the disorders, traditional methods of behavior control were unsuccessful,

1:26:43.120 --> 1:26:44.719
<v Speaker 2>and it's like, yeah, again, you don't have to adopt

1:26:44.760 --> 1:26:45.519
<v Speaker 2>eleven kids.

1:26:46.040 --> 1:26:47.519
<v Speaker 4>So December two thousand and six.

1:26:47.400 --> 1:26:50.240
<v Speaker 2>The couple were found guilty of four fellonyccounts of child

1:26:50.280 --> 1:26:53.720
<v Speaker 2>and dangering, two misdemeanor counts of child and dangering, and

1:26:53.800 --> 1:26:57.080
<v Speaker 2>five misdemeanor counts of child abuse. They were acquitted of

1:26:57.080 --> 1:26:59.800
<v Speaker 2>thirteen other charges. The max they were facing, though, is

1:26:59.800 --> 1:27:03.120
<v Speaker 2>one to five years in prison, which is confusing, and

1:27:03.120 --> 1:27:06.120
<v Speaker 2>then the max fine is ten grand for each felony count.

1:27:06.280 --> 1:27:09.240
<v Speaker 2>But yeah, they only got two years, kind of like

1:27:09.600 --> 1:27:12.599
<v Speaker 2>in the episode, so they only got Yeah, they only

1:27:12.600 --> 1:27:15.120
<v Speaker 2>got two years for abusing eleven kids with special needs?

1:27:15.160 --> 1:27:17.960
<v Speaker 2>Again does race play? Like it's hard not to think

1:27:18.000 --> 1:27:18.799
<v Speaker 2>about that element.

1:27:19.240 --> 1:27:19.880
<v Speaker 4>And I wouldn't have.

1:27:19.840 --> 1:27:21.559
<v Speaker 2>Even known it if I didn't, if we didn't have

1:27:21.640 --> 1:27:23.639
<v Speaker 2>kind of a sick fascination with the New York Posts

1:27:23.880 --> 1:27:26.639
<v Speaker 2>because it's not really a respected news source. But now

1:27:26.640 --> 1:27:30.640
<v Speaker 2>I don't respect any news sources. What is shocking but

1:27:30.840 --> 1:27:34.559
<v Speaker 2>not shocking is the judge let them remain free on

1:27:34.720 --> 1:27:39.200
<v Speaker 2>bond during the appeal process because the judge said Ohio

1:27:39.320 --> 1:27:42.559
<v Speaker 2>child abuse laws are not clear on what constitutes abuse.

1:27:43.040 --> 1:27:45.599
<v Speaker 2>In two thousand and nine, the Ohio Supreme Court rejected

1:27:45.600 --> 1:27:48.599
<v Speaker 2>their appeal finally, which said that their search and seizure

1:27:48.680 --> 1:27:52.040
<v Speaker 2>rights were violated and they finally went to jail. They

1:27:52.080 --> 1:27:54.040
<v Speaker 2>also said they couldn't get a fair trial because the

1:27:54.040 --> 1:27:57.000
<v Speaker 2>picture of the cages were sent to the media. It's like, yeah,

1:27:57.000 --> 1:28:00.000
<v Speaker 2>we don't like the cages. Yeah, Like, no matter where

1:28:00.200 --> 1:28:02.400
<v Speaker 2>they were shown, we wouldn't have been into the cages.

1:28:02.439 --> 1:28:04.559
<v Speaker 1>If you can alarm a cage, why can't you alarm

1:28:04.560 --> 1:28:06.600
<v Speaker 1>a bedroom, Like, why can't you alarma a bedroom? If

1:28:06.600 --> 1:28:08.759
<v Speaker 1>you're worried they're gonna wander, put them in a bedroom

1:28:08.920 --> 1:28:11.200
<v Speaker 1>and make there be some kind of alarm that wakes

1:28:11.240 --> 1:28:12.439
<v Speaker 1>you up if they try to get out at night.

1:28:12.439 --> 1:28:13.960
<v Speaker 1>I mean there's tons of shit people put like little

1:28:14.000 --> 1:28:17.679
<v Speaker 1>whiffle balls over the fucking door handles so kids can't

1:28:17.680 --> 1:28:17.960
<v Speaker 1>get out.

1:28:18.000 --> 1:28:18.840
<v Speaker 4>There's plenty of ways you.

1:28:18.840 --> 1:28:20.599
<v Speaker 1>Can keep your kids from getting out of their bedroom,

1:28:20.760 --> 1:28:23.200
<v Speaker 1>but they involved letting them sleep with a blanket and

1:28:23.400 --> 1:28:26.040
<v Speaker 1>you know, like have a pillow, Yeah, and not be

1:28:26.080 --> 1:28:27.280
<v Speaker 1>in a cage.

1:28:27.360 --> 1:28:29.800
<v Speaker 2>In two thousand and nine, two of the teams sued

1:28:29.840 --> 1:28:34.160
<v Speaker 2>the couple and the caseworkers. That's who I am, That's

1:28:34.200 --> 1:28:37.120
<v Speaker 2>who I wanted to Yeah, that's who arranged the adoptions.

1:28:37.120 --> 1:28:39.559
<v Speaker 2>The suit was also against Hamilton County Department of Job

1:28:39.560 --> 1:28:42.519
<v Speaker 2>and Family Services in Cincinnati. The suit is like they

1:28:42.520 --> 1:28:44.479
<v Speaker 2>were unfit to be parents and should never have gotten

1:28:44.520 --> 1:28:47.559
<v Speaker 2>custody of the children. In twenty ten, two more children

1:28:47.600 --> 1:28:51.000
<v Speaker 2>decided to file a lawsuit against Colin Myers and Fairhaven

1:28:51.080 --> 1:28:54.920
<v Speaker 2>Counseling Ink, which performed an adoptive assessment of the Gravels

1:28:55.000 --> 1:28:58.280
<v Speaker 2>before fully approving them to serve as adoptive parents. The

1:28:58.360 --> 1:29:01.000
<v Speaker 2>couple was released from prison and tooy eleven, both at

1:29:01.040 --> 1:29:04.759
<v Speaker 2>sixty two years of age. She divorced him and changed

1:29:04.760 --> 1:29:08.400
<v Speaker 2>her name to Sharon Curtis Tipperman, and after the release,

1:29:08.439 --> 1:29:11.519
<v Speaker 2>she tried to get guardianship of her sick mother for

1:29:12.240 --> 1:29:16.519
<v Speaker 2>the mom's wealth. Okay, my god, so the lawsuit. In

1:29:16.520 --> 1:29:18.599
<v Speaker 2>twenty ten, the victims reached a one point two million

1:29:18.640 --> 1:29:23.760
<v Speaker 2>dollar settlement with Ohio's a Huron County. Finally, in twenty fourteen,

1:29:24.040 --> 1:29:27.200
<v Speaker 2>eleven of the victims reached a two million dollar settlement

1:29:27.240 --> 1:29:30.559
<v Speaker 2>with Ohio's Start county. In both these settlement cases, the

1:29:30.560 --> 1:29:34.320
<v Speaker 2>attorneys argue the county's authorities failed to adequately investigate you know,

1:29:34.520 --> 1:29:36.400
<v Speaker 2>gravels before placing the children in the home.

1:29:36.560 --> 1:29:37.320
<v Speaker 4>Duh.

1:29:37.479 --> 1:29:40.320
<v Speaker 2>Because of this case, Ohio decided to change up their

1:29:40.360 --> 1:29:42.639
<v Speaker 2>adopted rules and you're not allowed to adopt more than

1:29:42.640 --> 1:29:47.679
<v Speaker 2>five children without a thorough investigation. Sure, Ohio, But why

1:29:47.760 --> 1:29:51.320
<v Speaker 2>wasn't that part of the initial plans.

1:29:51.920 --> 1:29:54.080
<v Speaker 1>But it's also like what does the number have to

1:29:54.120 --> 1:29:56.040
<v Speaker 1>do with it? I mean, like you could be pretty

1:29:56.040 --> 1:29:57.320
<v Speaker 1>you could be keeping four kids in.

1:29:57.280 --> 1:30:00.840
<v Speaker 2>Cages, but that's okay, Like, you know, but I don't

1:30:00.840 --> 1:30:02.519
<v Speaker 2>think you should be able to adopt that many kids.

1:30:02.560 --> 1:30:04.639
<v Speaker 4>But I don't. I know, it's crazy.

1:30:04.680 --> 1:30:07.880
<v Speaker 1>Well because to me then it feels like you are

1:30:08.040 --> 1:30:12.240
<v Speaker 1>doing it for the checks, another kid whatever, throw another

1:30:12.280 --> 1:30:14.280
<v Speaker 1>kid into a bedroom with another kid and like get

1:30:14.320 --> 1:30:16.360
<v Speaker 1>more money. Yeah, like I do think people are then

1:30:16.400 --> 1:30:18.519
<v Speaker 1>doing it for like because it's like a business. Then

1:30:19.240 --> 1:30:22.000
<v Speaker 1>you know, so I see that. But then you know

1:30:22.120 --> 1:30:25.480
<v Speaker 1>Delilah the radio show host, she adopted a ton of kids.

1:30:25.720 --> 1:30:33.200
<v Speaker 1>Well yeah, she's she's like a weirdo Christian lady. Yeah, Delah, Hi, Liz,

1:30:33.200 --> 1:30:35.080
<v Speaker 1>I'm so glad you talked about this case today.

1:30:37.320 --> 1:30:38.400
<v Speaker 4>I was so good.

1:30:38.840 --> 1:30:41.240
<v Speaker 1>Okay, well, both of those crimes are horrific. Thank you

1:30:41.320 --> 1:30:44.559
<v Speaker 1>for doing the research. We do have an amazing guest

1:30:44.600 --> 1:30:46.439
<v Speaker 1>today and you guys are gonna love her, So just

1:30:46.439 --> 1:30:57.520
<v Speaker 1>don't go anywhere. Our guests this week you might recognize

1:30:57.560 --> 1:31:00.759
<v Speaker 1>from HBO's The Wire, a little show on that channel,

1:31:01.080 --> 1:31:04.400
<v Speaker 1>or the show Damages, a personal favorite of mine. But

1:31:04.680 --> 1:31:08.200
<v Speaker 1>most likely you know her from appearing in over one

1:31:08.280 --> 1:31:11.800
<v Speaker 1>hundred and sixty episodes of the NBC drama also from

1:31:11.840 --> 1:31:15.280
<v Speaker 1>the Dick Wolf Universe Chicago Med as head charge nurse

1:31:15.439 --> 1:31:16.400
<v Speaker 1>Maggie Lockwood.

1:31:16.520 --> 1:31:17.639
<v Speaker 2>But today you know.

1:31:17.680 --> 1:31:21.360
<v Speaker 1>Her from the episode Cage as Alma Cordoza. Please enjoy

1:31:21.360 --> 1:31:23.519
<v Speaker 1>our chat with the wonderful Marlene Barrett.

1:31:24.240 --> 1:31:28.800
<v Speaker 7>Hello, Hi Marlene, thank you so much for being here. Ooh,

1:31:28.840 --> 1:31:34.759
<v Speaker 7>look at that. You're a first guest with effects. What's happening?

1:31:35.439 --> 1:31:37.600
<v Speaker 6>I think so? I think so, but don't ask me

1:31:37.640 --> 1:31:38.800
<v Speaker 6>how I did it. I don't know how.

1:31:40.120 --> 1:31:43.160
<v Speaker 2>Well, no, because it happened. Uh, Marlene had the thumbs up,

1:31:43.160 --> 1:31:45.160
<v Speaker 2>come up? Remember that happened when we were facetiming. You're like,

1:31:45.200 --> 1:31:46.800
<v Speaker 2>how did that happen? And I said I don't know.

1:31:46.880 --> 1:31:47.960
<v Speaker 2>It just happened with her too.

1:31:48.479 --> 1:31:51.000
<v Speaker 1>Yeah, it's like for corporate meetings where you can like

1:31:51.160 --> 1:31:52.920
<v Speaker 1>raise your hand or something.

1:31:53.720 --> 1:31:54.200
<v Speaker 4>I don't know.

1:31:54.640 --> 1:31:56.760
<v Speaker 1>I'm actually figuring out how to do I'm looking at

1:31:56.800 --> 1:32:02.160
<v Speaker 1>how to do it right now. But yeah, yeah, corporate America, Marlene.

1:32:02.840 --> 1:32:05.720
<v Speaker 1>This is huge for us because I feel like we're

1:32:05.760 --> 1:32:11.240
<v Speaker 1>talking to a like Dick Wolf Royalty right now. At

1:32:11.320 --> 1:32:14.719
<v Speaker 1>least as IMDb says, you are the longest running cast

1:32:14.720 --> 1:32:15.920
<v Speaker 1>member on Chicago Med.

1:32:15.920 --> 1:32:17.920
<v Speaker 4>You have the most episodes on Chicago Med.

1:32:18.200 --> 1:32:20.479
<v Speaker 6>Well, actually, correction, there is.

1:32:21.920 --> 1:32:26.840
<v Speaker 5>Doctor Charles and Goodwin who have been there longer than me.

1:32:27.800 --> 1:32:33.000
<v Speaker 1>No, we gotta tell IMDb because they got number baby.

1:32:34.240 --> 1:32:39.960
<v Speaker 5>Because who plays Sharon Goodwin has fourteen years over.

1:32:39.920 --> 1:32:40.720
<v Speaker 6>On Law and Order?

1:32:41.400 --> 1:32:45.160
<v Speaker 1>Yes, yes, but on Chicago Med, a Pathos even a

1:32:45.200 --> 1:32:46.400
<v Speaker 1>few episodes behind you.

1:32:46.720 --> 1:32:49.680
<v Speaker 2>Like when you look at the Chicago Med, you have

1:32:49.720 --> 1:32:52.040
<v Speaker 2>one sixty seven and she has won sixty six.

1:32:52.120 --> 1:32:53.240
<v Speaker 4>Maybe she took a day off.

1:32:55.840 --> 1:32:58.280
<v Speaker 1>Well, what I love is that you are a person

1:32:58.320 --> 1:33:00.759
<v Speaker 1>that doesn't look at your own IMDb and that's really important.

1:33:01.200 --> 1:33:02.120
<v Speaker 4>Yeh don't.

1:33:02.360 --> 1:33:06.519
<v Speaker 6>I don't. I don't. I don't know why. I just don't.

1:33:06.600 --> 1:33:09.800
<v Speaker 2>Well, not only are you in full SVW Glory and

1:33:09.880 --> 1:33:12.240
<v Speaker 2>so many different shows. We're gonna talk about Cage, but

1:33:12.800 --> 1:33:14.120
<v Speaker 2>we love the episode Night.

1:33:14.680 --> 1:33:16.720
<v Speaker 4>You are so good in it. I can't believe we're

1:33:16.760 --> 1:33:17.320
<v Speaker 4>talking to you.

1:33:17.479 --> 1:33:21.080
<v Speaker 2>Yes, Oh, come on, that's such an emotional scene and

1:33:21.160 --> 1:33:24.679
<v Speaker 2>it's stuck with both of us and I can't believe

1:33:24.680 --> 1:33:24.920
<v Speaker 2>it's you.

1:33:25.080 --> 1:33:27.920
<v Speaker 1>We Actually, we haven't covered that episode on the podcast

1:33:27.960 --> 1:33:30.120
<v Speaker 1>because we do it at live shows because it's not

1:33:30.240 --> 1:33:32.800
<v Speaker 1>based on a true crime per se. But it's like

1:33:32.840 --> 1:33:34.880
<v Speaker 1>one of our favorites to do at the live show.

1:33:35.280 --> 1:33:38.000
<v Speaker 1>Nice and it's Yeah. When I was looking at the

1:33:38.280 --> 1:33:39.920
<v Speaker 1>I was like, oh my god, she's also a knight.

1:33:40.080 --> 1:33:40.360
<v Speaker 6>Wow.

1:33:40.520 --> 1:33:43.800
<v Speaker 2>I was shooting that one with Benson Stabler and then

1:33:43.840 --> 1:33:45.519
<v Speaker 2>having to be so emotional, and.

1:33:45.640 --> 1:33:48.040
<v Speaker 5>You know, I'll say that, you know, outside of the

1:33:48.040 --> 1:33:50.160
<v Speaker 5>fact that yes, I'm a Wolf Universe, but I think

1:33:50.160 --> 1:33:54.439
<v Speaker 5>I became a Wolf Universe junkie when I worked with them.

1:33:54.840 --> 1:34:00.519
<v Speaker 6>Yeah, because one, you know, sex crime is stuff like that.

1:34:00.640 --> 1:34:02.519
<v Speaker 5>I feel like I carried guns behind my back all

1:34:02.520 --> 1:34:03.240
<v Speaker 5>the time and I'm.

1:34:03.120 --> 1:34:06.759
<v Speaker 6>Like, I wish she would, you know, That's how I feel.

1:34:07.800 --> 1:34:08.600
<v Speaker 4>But when I was.

1:34:08.600 --> 1:34:12.559
<v Speaker 5>Shooting with them, Marishka created an atmosphere that made me go,

1:34:12.720 --> 1:34:14.959
<v Speaker 5>when I grow up, I want to be like her. Wow,

1:34:15.160 --> 1:34:17.800
<v Speaker 5>because I remember being so nervous because I'm like, I'm

1:34:17.840 --> 1:34:20.920
<v Speaker 5>such a fan and I got on the show and

1:34:20.960 --> 1:34:22.760
<v Speaker 5>I was like yeah, yeah, yeah, but then you're like,

1:34:23.160 --> 1:34:25.280
<v Speaker 5>oh man, the craft, I have to focus, I have

1:34:25.320 --> 1:34:25.840
<v Speaker 5>to get there.

1:34:26.040 --> 1:34:28.640
<v Speaker 6>But I was so excited that it took a lot

1:34:28.840 --> 1:34:32.960
<v Speaker 6>and she did this thing. She had the entire atmosphere just.

1:34:33.000 --> 1:34:39.240
<v Speaker 5>Nobody, just chill out, quiet, and right away it just

1:34:39.400 --> 1:34:43.680
<v Speaker 5>sunk in goof Yeah, you know, I really believe that

1:34:43.720 --> 1:34:46.880
<v Speaker 5>when you're around her, she pulls out of you. This

1:34:47.120 --> 1:34:51.320
<v Speaker 5>film performance, it was just so safe because I you know,

1:34:51.360 --> 1:34:54.479
<v Speaker 5>when you do these shows, when they portray like these

1:34:54.600 --> 1:34:57.880
<v Speaker 5>truly gruesome crimes that could happen to women, They're like,

1:34:57.880 --> 1:35:00.200
<v Speaker 5>I want to do justice to the women that I've

1:35:00.200 --> 1:35:01.680
<v Speaker 5>gone through crazy stuff like that.

1:35:02.320 --> 1:35:04.880
<v Speaker 6>So, I mean, I loved it and I became.

1:35:04.920 --> 1:35:06.840
<v Speaker 5>Addicted to the Wolf universe because of it.

1:35:07.000 --> 1:35:07.560
<v Speaker 6>Yeah.

1:35:07.600 --> 1:35:11.160
<v Speaker 5>You know they yell cut, You're like, yeah, the action,

1:35:11.280 --> 1:35:12.720
<v Speaker 5>You're like, oh, you know.

1:35:14.040 --> 1:35:17.880
<v Speaker 2>So after that, though, did you have to keep auditioning

1:35:18.000 --> 1:35:20.360
<v Speaker 2>or did they just keep calling you or a mix

1:35:20.439 --> 1:35:20.880
<v Speaker 2>of both.

1:35:21.040 --> 1:35:22.640
<v Speaker 6>It depends, you know, I auditioned.

1:35:22.720 --> 1:35:24.960
<v Speaker 5>I did the Law and Order Wolf universe that way,

1:35:25.000 --> 1:35:28.120
<v Speaker 5>but I also did Conviction with them, yeah, which is

1:35:28.400 --> 1:35:31.599
<v Speaker 5>another show that they had. On that show, I had

1:35:31.600 --> 1:35:34.040
<v Speaker 5>a great time too, but I didn't audition for that.

1:35:34.560 --> 1:35:37.360
<v Speaker 5>And I also did Try by Jury, which was a

1:35:37.479 --> 1:35:40.800
<v Speaker 5>Law and Order that only had a one season run,

1:35:41.280 --> 1:35:44.679
<v Speaker 5>and I remember on that one we did a true

1:35:44.680 --> 1:35:45.439
<v Speaker 5>crime too.

1:35:45.720 --> 1:35:48.439
<v Speaker 2>Yeah, that was bb Newarth was leading exactly.

1:35:48.840 --> 1:35:52.320
<v Speaker 5>Yeah. And Clark the British actor who did Cabaret with

1:35:52.320 --> 1:35:55.559
<v Speaker 5>her back in the day, Okay, yeah, yeah, yeah, huge

1:35:55.800 --> 1:35:59.360
<v Speaker 5>actor who's also been in John Wick, the first John

1:35:59.400 --> 1:36:01.599
<v Speaker 5>Wick I believe, no, the second one.

1:36:02.000 --> 1:36:02.920
<v Speaker 6>I think it's the first one.

1:36:02.920 --> 1:36:04.920
<v Speaker 4>I haven't seen that yet. I gotta see it.

1:36:05.320 --> 1:36:05.920
<v Speaker 6>You should see it.

1:36:05.960 --> 1:36:07.960
<v Speaker 5>You should see it because Clark is in John Wick

1:36:07.960 --> 1:36:10.559
<v Speaker 5>and John Wick. He gets killed by you know, the

1:36:10.600 --> 1:36:13.559
<v Speaker 5>actress with the black hair that comes in and john

1:36:13.600 --> 1:36:16.000
<v Speaker 5>Wick catches her because she comes into john Wick's room

1:36:16.240 --> 1:36:19.000
<v Speaker 5>and tries to kill John Wick. And John Wick is like,

1:36:19.439 --> 1:36:21.600
<v Speaker 5>no way, sexy lady, you're not getting me.

1:36:22.400 --> 1:36:23.080
<v Speaker 6>Remember that one.

1:36:23.640 --> 1:36:26.320
<v Speaker 2>Wait, you're a big fan. You love movies and TV.

1:36:26.479 --> 1:36:30.400
<v Speaker 2>Obviously I'm a junkie. Yeah, I'm a junkie.

1:36:30.479 --> 1:36:32.120
<v Speaker 6>Yeah too, like not a little bit.

1:36:32.200 --> 1:36:34.000
<v Speaker 4>What are your comfort shows?

1:36:34.600 --> 1:36:38.120
<v Speaker 5>Comfort shows like just play the background while I'm cooking?

1:36:38.520 --> 1:36:41.799
<v Speaker 6>Yeah, old school on in Order, the first generation?

1:36:42.280 --> 1:36:44.200
<v Speaker 4>Yeah, Sam Waterston.

1:36:44.320 --> 1:36:49.040
<v Speaker 5>Yes, first generation. Even before Sam Waterston. The other guy

1:36:49.560 --> 1:36:52.240
<v Speaker 5>I don't even know, Jesse Martin and I did an

1:36:52.240 --> 1:36:55.360
<v Speaker 5>episode with him, and I remember I had to cry

1:36:55.360 --> 1:36:58.040
<v Speaker 5>in for that guy. I remember going, I'm not gonna

1:36:58.080 --> 1:37:00.200
<v Speaker 5>cry because you're too sexy for me to cry. I'm

1:37:00.240 --> 1:37:03.160
<v Speaker 5>from and I was single at the time, and I

1:37:03.240 --> 1:37:06.120
<v Speaker 5>was like, should I get a deep how deep should

1:37:06.160 --> 1:37:10.200
<v Speaker 5>I go? Nothing happens, so move along whatever.

1:37:10.320 --> 1:37:12.720
<v Speaker 1>But so Lawn and Order Original was your first like

1:37:12.840 --> 1:37:16.240
<v Speaker 1>foray into the that was like your first role on

1:37:16.320 --> 1:37:18.720
<v Speaker 1>Dick Wolf stuff, right, I think according to this, like

1:37:18.800 --> 1:37:20.799
<v Speaker 1>around five or something, right.

1:37:20.680 --> 1:37:23.519
<v Speaker 6>First role, Yes, straight out of school.

1:37:23.840 --> 1:37:28.400
<v Speaker 5>But more importantly, my parents learn how to speak English

1:37:28.520 --> 1:37:31.799
<v Speaker 5>with some deep wolf stuff like he'll street blues.

1:37:32.479 --> 1:37:33.080
<v Speaker 4>Oh wow.

1:37:33.280 --> 1:37:36.559
<v Speaker 5>My parents are immigrant from Haiti and he'll street blues

1:37:36.600 --> 1:37:39.200
<v Speaker 5>like my dad's trying to shape his mouth, like trying

1:37:39.200 --> 1:37:40.880
<v Speaker 5>to say the things like they are so you can

1:37:40.920 --> 1:37:41.680
<v Speaker 5>sound American.

1:37:42.120 --> 1:37:43.120
<v Speaker 4>Oh my gosh.

1:37:43.280 --> 1:37:45.680
<v Speaker 2>I was born in the former Soviet Union and I

1:37:45.760 --> 1:37:47.320
<v Speaker 2>learned the English watching Baywatch.

1:37:47.400 --> 1:37:47.920
<v Speaker 4>That was like.

1:37:51.479 --> 1:37:52.000
<v Speaker 6>Who else?

1:37:52.600 --> 1:37:55.440
<v Speaker 4>Who else we teach you because you grew up in Chicago.

1:37:55.560 --> 1:37:57.479
<v Speaker 2>But then you've got a little bit of a valley girl.

1:38:00.760 --> 1:38:01.600
<v Speaker 6>That's hilarious.

1:38:01.800 --> 1:38:03.000
<v Speaker 4>Yeah, something I have accents.

1:38:03.120 --> 1:38:05.559
<v Speaker 2>So are you in Chicago and you're filming obviously because

1:38:05.560 --> 1:38:06.360
<v Speaker 2>I'm for stokey.

1:38:07.080 --> 1:38:08.240
<v Speaker 6>Oh you are nice.

1:38:08.520 --> 1:38:11.519
<v Speaker 4>Yeah, So I really loved Chicago.

1:38:11.600 --> 1:38:14.160
<v Speaker 2>We had Stephen Weber on our podcast and we did

1:38:14.240 --> 1:38:17.120
<v Speaker 2>fall in love with him, one of your cast Smkes Weber.

1:38:18.000 --> 1:38:19.280
<v Speaker 6>I was shooting with him yesterday.

1:38:19.520 --> 1:38:20.759
<v Speaker 4>Yeah, we became smitten.

1:38:21.000 --> 1:38:23.200
<v Speaker 2>Yeah, tell him, we say, hi, we love him.

1:38:23.600 --> 1:38:25.639
<v Speaker 6>Mister sexy, isn't he Yeah?

1:38:25.640 --> 1:38:26.000
<v Speaker 5>He is.

1:38:26.240 --> 1:38:27.320
<v Speaker 4>He really got us.

1:38:27.360 --> 1:38:29.799
<v Speaker 1>We invited him to come see our live show in Chicago,

1:38:29.880 --> 1:38:31.720
<v Speaker 1>but he had an early call time, so you know

1:38:31.760 --> 1:38:32.879
<v Speaker 1>he puts the work first.

1:38:33.280 --> 1:38:36.360
<v Speaker 6>Stephen Webbers just love that man.

1:38:36.760 --> 1:38:37.719
<v Speaker 4>Yeah, he's the best.

1:38:37.760 --> 1:38:39.479
<v Speaker 6>He's off his rocker.

1:38:41.280 --> 1:38:43.480
<v Speaker 5>Well, let me just say this, you talk about knowledge,

1:38:43.600 --> 1:38:45.760
<v Speaker 5>Stephen Weber will give you a list of movies that

1:38:45.800 --> 1:38:46.519
<v Speaker 5>you need to watch.

1:38:46.640 --> 1:38:50.559
<v Speaker 6>And he starts in nineteen forty five, Steve, Stephen, do

1:38:50.680 --> 1:38:53.400
<v Speaker 6>they even have like these movies on dvd? I don't

1:38:53.400 --> 1:38:55.400
<v Speaker 6>even have a DVD player anymore? Like, where am I

1:38:55.400 --> 1:38:56.559
<v Speaker 6>going to find these things.

1:38:56.880 --> 1:38:59.799
<v Speaker 2>Kara's husband is like that, that's her husband. He watches

1:38:59.840 --> 1:39:02.599
<v Speaker 2>like horror movies. We still have a DVD player. He's

1:39:02.640 --> 1:39:05.559
<v Speaker 2>into old, old stuff. It's like a weird men thing.

1:39:05.680 --> 1:39:06.120
<v Speaker 4>I don't know.

1:39:06.160 --> 1:39:08.240
<v Speaker 1>Maybe I'm sure there's women out there who love old stuff,

1:39:08.240 --> 1:39:09.559
<v Speaker 1>but I haven't met that many of them.

1:39:09.680 --> 1:39:11.439
<v Speaker 5>I just got a list, so I just want you

1:39:11.439 --> 1:39:13.720
<v Speaker 5>to get to know about that.

1:39:13.720 --> 1:39:16.320
<v Speaker 1>That's interesting that you mentioned that your parents are immigrants

1:39:16.320 --> 1:39:18.559
<v Speaker 1>from Haiti, because I went on your Instagram and I

1:39:18.560 --> 1:39:20.720
<v Speaker 1>saw you giving an interview in full French, and I

1:39:20.800 --> 1:39:22.320
<v Speaker 1>was like, where is she from?

1:39:22.400 --> 1:39:24.599
<v Speaker 2>Like it's just like fully fluent at French.

1:39:24.920 --> 1:39:27.400
<v Speaker 1>But what's what's weird is that one of the little

1:39:27.400 --> 1:39:29.800
<v Speaker 1>boys from cage is from Haiti as well, and it's

1:39:29.960 --> 1:39:32.040
<v Speaker 1>and like one of the detectives is speaking French to him.

1:39:32.640 --> 1:39:33.080
<v Speaker 4>You know that?

1:39:33.800 --> 1:39:34.559
<v Speaker 2>Do I remember that?

1:39:34.920 --> 1:39:36.599
<v Speaker 1>I don't know how much you worked with the two

1:39:36.640 --> 1:39:38.599
<v Speaker 1>little kids, like Elle Fanning and the little boy.

1:39:38.760 --> 1:39:41.320
<v Speaker 5>It's a little bit with Elle, yeah, and then I

1:39:41.360 --> 1:39:42.960
<v Speaker 5>worked with Wonder Woman's mama.

1:39:43.080 --> 1:39:48.600
<v Speaker 1>Oh okay, Annie Nielsen, Annie Nielsen, that's her. So she

1:39:48.960 --> 1:39:51.720
<v Speaker 1>speaks French to the little boy and he freaks out

1:39:51.720 --> 1:39:54.559
<v Speaker 1>and he stabs Stabler with a pen in the chest

1:39:54.600 --> 1:39:57.160
<v Speaker 1>and she's telling him in French, calm down, Calm down, man.

1:39:57.240 --> 1:39:59.520
<v Speaker 4>I don't remember that. Yeah, he stabs stablir.

1:39:59.720 --> 1:39:59.920
<v Speaker 5>Miss.

1:40:00.000 --> 1:40:02.320
<v Speaker 1>It's an opportunity for you to have like some you know,

1:40:02.720 --> 1:40:04.160
<v Speaker 1>speak some French with this little kid.

1:40:04.200 --> 1:40:04.920
<v Speaker 4>It would have been great.

1:40:05.400 --> 1:40:07.360
<v Speaker 5>We talked about this, you know, not long ago when

1:40:07.960 --> 1:40:10.320
<v Speaker 5>I saw Dick said, Marlet you speak French.

1:40:10.320 --> 1:40:12.519
<v Speaker 6>Why don't we ever put any French in your stuff?

1:40:12.800 --> 1:40:15.240
<v Speaker 5>And I'm like, well, we already established her as a

1:40:15.320 --> 1:40:17.040
<v Speaker 5>Chicagoan that comes from down south.

1:40:17.400 --> 1:40:19.360
<v Speaker 6>We can't go there, Dick, it doesn't work.

1:40:19.479 --> 1:40:22.040
<v Speaker 1>Suddenly she had a semester abroad in Paris and she

1:40:22.120 --> 1:40:25.000
<v Speaker 1>speaks French's.

1:40:23.800 --> 1:40:25.960
<v Speaker 6>Back with a gar song and I'm like, no, Dick,

1:40:26.040 --> 1:40:26.639
<v Speaker 6>it doesn't work.

1:40:26.680 --> 1:40:27.360
<v Speaker 4>It doesn't work.

1:40:27.560 --> 1:40:29.840
<v Speaker 5>We did do something though, where we put it in

1:40:30.680 --> 1:40:32.519
<v Speaker 5>last season when I came back and I had a

1:40:32.600 --> 1:40:35.360
<v Speaker 5>date with my husband and I went on vacation and

1:40:35.640 --> 1:40:38.679
<v Speaker 5>came back with French accent or French something for two minutes.

1:40:38.720 --> 1:40:41.360
<v Speaker 5>But that was about it. But I didn't work with

1:40:41.520 --> 1:40:45.080
<v Speaker 5>that boy, but I worked with Elle. And first of all,

1:40:45.120 --> 1:40:47.519
<v Speaker 5>let me just say that it was clear where she

1:40:47.600 --> 1:40:51.960
<v Speaker 5>was going, Wow, Yeah, moneyball, moneyball all day long.

1:40:52.040 --> 1:40:52.280
<v Speaker 7>Wow.

1:40:52.640 --> 1:40:56.000
<v Speaker 5>And I first want to say that work ethic was clear,

1:40:56.640 --> 1:40:59.040
<v Speaker 5>So you knew that this little girl was so focused

1:40:59.040 --> 1:41:02.479
<v Speaker 5>that if she maintained it and did get caught up

1:41:02.520 --> 1:41:04.320
<v Speaker 5>in nonsense, she was gonna go far.

1:41:04.600 --> 1:41:06.880
<v Speaker 6>And as we can tell, she has maintained it.

1:41:07.360 --> 1:41:08.800
<v Speaker 5>And she had this thing. I remember she had this.

1:41:09.040 --> 1:41:10.600
<v Speaker 5>We had this conversation together and she was there with

1:41:10.640 --> 1:41:12.360
<v Speaker 5>Grandma and Grandma.

1:41:12.080 --> 1:41:12.759
<v Speaker 6>Had an accent.

1:41:13.680 --> 1:41:17.360
<v Speaker 5>She was like that and she was beautiful. So she

1:41:17.520 --> 1:41:21.360
<v Speaker 5>came in and she was like, well, my sister has.

1:41:21.200 --> 1:41:23.840
<v Speaker 6>A phone, and I don't have a phone yet, but.

1:41:23.760 --> 1:41:25.720
<v Speaker 5>My sister has a phone, and when I grow up,

1:41:25.720 --> 1:41:26.800
<v Speaker 5>I'm going to have a phone too.

1:41:27.160 --> 1:41:28.000
<v Speaker 6>That's what she said to me.

1:41:28.560 --> 1:41:31.800
<v Speaker 5>And I was like, she's talking about Dakota, Like, yeah,

1:41:31.840 --> 1:41:33.440
<v Speaker 5>you're just allowed to have a phone.

1:41:34.360 --> 1:41:36.439
<v Speaker 6>If I was a man on fire, I would ask

1:41:36.439 --> 1:41:37.520
<v Speaker 6>for a phone after.

1:41:37.520 --> 1:41:39.719
<v Speaker 4>Oh my gosh, give me my phone.

1:41:40.040 --> 1:41:42.880
<v Speaker 6>And I'm sitting there going incredible.

1:41:43.560 --> 1:41:47.440
<v Speaker 5>And she was so humble, she was so family orientated,

1:41:48.200 --> 1:41:49.360
<v Speaker 5>and she played.

1:41:49.080 --> 1:41:50.519
<v Speaker 6>A psycle path and that thing.

1:41:51.439 --> 1:41:54.479
<v Speaker 5>Mean, while they're like Alma Coldoza is like crazy and

1:41:54.520 --> 1:41:55.759
<v Speaker 5>I'm like I'm crazy.

1:41:56.560 --> 1:41:59.640
<v Speaker 2>How about children up the corner over here. Yes, she was,

1:42:00.000 --> 1:42:02.280
<v Speaker 2>Allan said, because she you know, burned the thing and

1:42:02.320 --> 1:42:04.559
<v Speaker 2>she was just screaming I want to die and kicking

1:42:04.600 --> 1:42:07.320
<v Speaker 2>and Connie Nielsen I was like, wow, it's how did

1:42:07.360 --> 1:42:08.160
<v Speaker 2>that not affect her?

1:42:08.680 --> 1:42:09.000
<v Speaker 3>Yeah?

1:42:09.040 --> 1:42:12.000
<v Speaker 6>Ah, she was. They would y'all cut and that girl

1:42:12.080 --> 1:42:14.639
<v Speaker 6>was just out wow action.

1:42:15.880 --> 1:42:18.080
<v Speaker 5>It was like you focus, you know, because when you

1:42:18.680 --> 1:42:21.679
<v Speaker 5>I think when you perform as an actor, your ability

1:42:21.760 --> 1:42:24.599
<v Speaker 5>to focus and to concentrate, but at the same time

1:42:24.760 --> 1:42:27.519
<v Speaker 5>just stay connected with how many people are out there

1:42:27.560 --> 1:42:28.720
<v Speaker 5>just working.

1:42:28.400 --> 1:42:30.400
<v Speaker 6>With you to capture what you're shooting.

1:42:30.760 --> 1:42:33.920
<v Speaker 5>Yeah, so it's like this duality of your dancing with

1:42:33.960 --> 1:42:36.679
<v Speaker 5>the camera, but at the same time you're so focused

1:42:36.680 --> 1:42:39.439
<v Speaker 5>that it's like this wave that's unspoken that you have

1:42:39.520 --> 1:42:42.679
<v Speaker 5>to dance with the camera and you She was young

1:42:42.720 --> 1:42:43.559
<v Speaker 5>and she had.

1:42:43.360 --> 1:42:46.360
<v Speaker 2>It, yes, young eight when she made that episode.

1:42:46.400 --> 1:42:48.880
<v Speaker 1>She was eight, so young, but I guess she'd probably

1:42:48.920 --> 1:42:51.120
<v Speaker 1>been watching her sister do it for a while, so

1:42:51.160 --> 1:42:53.760
<v Speaker 1>in terms of like, you know, the focus, she was

1:42:53.800 --> 1:42:56.000
<v Speaker 1>probably like, Okay, I just like, you know, I.

1:42:56.000 --> 1:42:58.960
<v Speaker 2>Love that al Fanning was in sv Ann Abigail Bresla,

1:42:59.040 --> 1:43:01.920
<v Speaker 2>and that makes me happy.

1:43:01.960 --> 1:43:04.600
<v Speaker 4>Crazy all these young these young prodigies.

1:43:05.439 --> 1:43:06.599
<v Speaker 6>Yeah, because in.

1:43:06.560 --> 1:43:08.640
<v Speaker 1>The in your first episode when you did Night, you

1:43:08.680 --> 1:43:11.400
<v Speaker 1>had a lot of like Stabler and Benson FaceTime, right

1:43:11.400 --> 1:43:14.040
<v Speaker 1>because they come to your apartment. But like in this one,

1:43:14.240 --> 1:43:17.599
<v Speaker 1>you're more munch in Finn because I Stabler's in this episode.

1:43:17.600 --> 1:43:19.960
<v Speaker 1>But Marishka, I think is on maternity leave, so you

1:43:19.960 --> 1:43:21.680
<v Speaker 1>didn't work with her in this one, I don't think right,

1:43:21.840 --> 1:43:24.720
<v Speaker 1>So how was it, Like, how was the interrogation with

1:43:24.800 --> 1:43:28.240
<v Speaker 1>those two? Did you get any ice cold facts from

1:43:28.439 --> 1:43:28.760
<v Speaker 1>Iced Tea?

1:43:29.160 --> 1:43:29.280
<v Speaker 5>Like?

1:43:29.360 --> 1:43:30.360
<v Speaker 4>What how did that go?

1:43:30.600 --> 1:43:35.040
<v Speaker 6>I'm a crazy Iced Tea fan New Jack City.

1:43:35.280 --> 1:43:37.280
<v Speaker 4>I mean us too, man so.

1:43:37.920 --> 1:43:43.880
<v Speaker 5>Mounch Man, I remember off camera Iced Tea was just amazing.

1:43:44.000 --> 1:43:46.360
<v Speaker 6>A media's wife, Coco got.

1:43:46.240 --> 1:43:48.960
<v Speaker 5>A chance to hang out. He's just so inviting as

1:43:49.000 --> 1:43:52.920
<v Speaker 5>a person. Maybe at this atmosphere, very relaxed. And then

1:43:53.040 --> 1:43:55.640
<v Speaker 5>Monch himself, we kept on talking about wine. That's what

1:43:55.720 --> 1:43:58.639
<v Speaker 5>we talked about. We talked about you know, great wine,

1:43:58.880 --> 1:44:02.200
<v Speaker 5>and I was just starting in the wine world, and

1:44:02.240 --> 1:44:04.400
<v Speaker 5>I don't think I went very far with that. I

1:44:04.520 --> 1:44:07.599
<v Speaker 5>just like, I just like good wine, but who cares

1:44:07.600 --> 1:44:10.920
<v Speaker 5>where it's made? I'm like, yeah, you know, so it

1:44:10.960 --> 1:44:13.439
<v Speaker 5>was a great atmosphere hostage, so that by the time

1:44:13.479 --> 1:44:16.000
<v Speaker 5>you went and shot with these guys, as intense as

1:44:16.040 --> 1:44:18.439
<v Speaker 5>they came towards you, you felt like you were being

1:44:18.439 --> 1:44:19.879
<v Speaker 5>scolded by your big brothers.

1:44:20.000 --> 1:44:20.920
<v Speaker 6>Why did you do that?

1:44:21.640 --> 1:44:26.599
<v Speaker 5>You didn't feel the intimidation of what necessarily the.

1:44:26.600 --> 1:44:30.320
<v Speaker 6>Character was going through. You felt more about the storyline.

1:44:30.400 --> 1:44:33.439
<v Speaker 5>So again there's something about it's a reason.

1:44:33.240 --> 1:44:34.519
<v Speaker 6>Why that shows lasted so long.

1:44:34.680 --> 1:44:38.160
<v Speaker 5>Yeah, the show last so long because I think when

1:44:38.160 --> 1:44:41.480
<v Speaker 5>they come in, they embrace you into this family structure

1:44:41.640 --> 1:44:46.439
<v Speaker 5>that is really effortless for them. Yeah, and I think

1:44:46.520 --> 1:44:49.160
<v Speaker 5>that has to do with the strong leadership of Marishka.

1:44:49.439 --> 1:44:52.080
<v Speaker 2>You mentioned that you were inspired and it kind of

1:44:52.120 --> 1:44:53.880
<v Speaker 2>got you into the dick Wolf universe, and you're talking

1:44:53.880 --> 1:44:55.920
<v Speaker 2>about it again. So now that you are the number

1:44:55.920 --> 1:44:59.439
<v Speaker 2>one of like your own dick Wolf set, as that

1:45:00.479 --> 1:45:04.639
<v Speaker 2>like influence your behavior on set or like how things

1:45:04.760 --> 1:45:06.400
<v Speaker 2>run at Chicago.

1:45:05.960 --> 1:45:11.160
<v Speaker 5>Mad Absolutely, absolutely, I want to say that there's a standard.

1:45:11.720 --> 1:45:14.320
<v Speaker 5>There's a standard because people work very hard to put

1:45:14.360 --> 1:45:14.920
<v Speaker 5>these shows up.

1:45:15.080 --> 1:45:16.360
<v Speaker 6>You know, there's a.

1:45:16.320 --> 1:45:18.840
<v Speaker 5>Lot of people that were very hard to put these

1:45:18.840 --> 1:45:21.679
<v Speaker 5>shows up backstage, all the way at the production in office.

1:45:21.640 --> 1:45:23.400
<v Speaker 5>When you think about our bosses, at the same time,

1:45:23.920 --> 1:45:25.720
<v Speaker 5>and then by the time you get there and it's

1:45:25.800 --> 1:45:29.760
<v Speaker 5>time to shoot, there's this sense of the first year

1:45:29.800 --> 1:45:31.880
<v Speaker 5>you're like, I hope the show is good, so we

1:45:32.080 --> 1:45:35.800
<v Speaker 5>have a show right then you get picked up and

1:45:35.840 --> 1:45:37.840
<v Speaker 5>then you're at a place where.

1:45:37.880 --> 1:45:39.880
<v Speaker 6>Wait a second, how did we get a hit? Sho

1:45:41.320 --> 1:45:44.599
<v Speaker 6>so and then you graduate and you're like, yo, man,

1:45:44.800 --> 1:45:45.320
<v Speaker 6>if this.

1:45:45.320 --> 1:45:50.000
<v Speaker 5>Goes through, maybe you know I could back card myself.

1:45:50.840 --> 1:45:52.519
<v Speaker 5>You don't think house, no, that's the way too big.

1:45:52.560 --> 1:45:54.720
<v Speaker 5>You're just like a car that you don't have a

1:45:54.800 --> 1:46:00.599
<v Speaker 5>note on. And then you're watching people who are doing

1:46:00.600 --> 1:46:02.960
<v Speaker 5>the same thing as you, like local people who are

1:46:03.040 --> 1:46:05.200
<v Speaker 5>building a life too, So then you become a family

1:46:05.240 --> 1:46:08.519
<v Speaker 5>structure with them, and you kind of this responsibility that

1:46:09.439 --> 1:46:12.519
<v Speaker 5>you want to help people build a life too. You know,

1:46:12.560 --> 1:46:14.439
<v Speaker 5>you're watching people who are starting in the street, at

1:46:14.439 --> 1:46:19.080
<v Speaker 5>cameraman grips, in all these different industries and we're all

1:46:19.120 --> 1:46:22.000
<v Speaker 5>doing all this work together to build a life, and

1:46:22.040 --> 1:46:25.200
<v Speaker 5>it's like this miracle operation that you happen to be

1:46:25.439 --> 1:46:29.639
<v Speaker 5>a successful show in the country slash in the world

1:46:29.680 --> 1:46:33.120
<v Speaker 5>right now, you know. So yeah, it becomes this standard

1:46:33.200 --> 1:46:35.280
<v Speaker 5>of I want to make it fun, I.

1:46:35.240 --> 1:46:37.200
<v Speaker 6>Want to make it. These are long hours.

1:46:37.479 --> 1:46:39.519
<v Speaker 5>So I do think that when people come and they

1:46:39.520 --> 1:46:41.400
<v Speaker 5>come and do these guest stars, I want to treat

1:46:41.439 --> 1:46:43.640
<v Speaker 5>them like the way that I was treated when Mariska

1:46:43.720 --> 1:46:46.080
<v Speaker 5>greeted me. I want them to feel safe. I want

1:46:46.120 --> 1:46:48.760
<v Speaker 5>them to be able to do their best performance that

1:46:48.800 --> 1:46:51.280
<v Speaker 5>they can put that on their reel and go after

1:46:51.320 --> 1:46:54.439
<v Speaker 5>other gigs, yeah, you know, and get jobs. So I

1:46:54.439 --> 1:46:57.600
<v Speaker 5>think that's really cool. But fun fact is that in

1:46:57.680 --> 1:47:02.160
<v Speaker 5>twenty twenty two, when I got diagnosed with uterine cancer,

1:47:02.240 --> 1:47:03.760
<v Speaker 5>I understand, don't go weird on me.

1:47:03.880 --> 1:47:06.040
<v Speaker 6>Let's just who needs a uterus? Right?

1:47:07.479 --> 1:47:16.479
<v Speaker 5>Just oh my god, Okay, sorry. When I got diagnosed, man,

1:47:16.520 --> 1:47:19.559
<v Speaker 5>that was a tough time because I was about to

1:47:19.600 --> 1:47:21.960
<v Speaker 5>fly in to start my season eight, and you know,

1:47:22.520 --> 1:47:24.400
<v Speaker 5>had they not treated me right, I never would have

1:47:24.400 --> 1:47:25.559
<v Speaker 5>gone to one sixty one.

1:47:25.840 --> 1:47:29.519
<v Speaker 6>But anyways, that's all what I And then when I

1:47:29.600 --> 1:47:30.759
<v Speaker 6>got there and.

1:47:30.640 --> 1:47:32.960
<v Speaker 5>Everybody found out what I was going through, I had

1:47:32.960 --> 1:47:36.320
<v Speaker 5>been cleared that I could work and everybody, you know,

1:47:36.680 --> 1:47:38.960
<v Speaker 5>they checked me out and you know, I needed.

1:47:38.680 --> 1:47:39.479
<v Speaker 6>To start chemo.

1:47:40.000 --> 1:47:41.599
<v Speaker 5>Let me tell you, I was on the show when

1:47:41.760 --> 1:47:44.800
<v Speaker 5>hair started going down, and you know, you're skinning is

1:47:44.840 --> 1:47:47.479
<v Speaker 5>starting to change. You're coming back from chemo and you're

1:47:47.520 --> 1:47:52.800
<v Speaker 5>like that show which is my home right now. Scrapped

1:47:52.840 --> 1:47:57.960
<v Speaker 5>me around in security, just surrounded me. And that was

1:47:57.960 --> 1:48:01.760
<v Speaker 5>from top down, Dick, Peter, those are the bosses, you know,

1:48:01.800 --> 1:48:04.160
<v Speaker 5>so who run the Wolf universe. People want to know

1:48:04.200 --> 1:48:08.479
<v Speaker 5>why that this universe is so powerful they wrapped me

1:48:08.840 --> 1:48:14.599
<v Speaker 5>in such security. Yeah, I missed out of these twenty

1:48:14.600 --> 1:48:16.000
<v Speaker 5>two episodes, I think.

1:48:15.800 --> 1:48:16.639
<v Speaker 6>I missed one.

1:48:17.560 --> 1:48:18.080
<v Speaker 4>Wow.

1:48:18.439 --> 1:48:18.679
<v Speaker 5>One.

1:48:18.880 --> 1:48:22.960
<v Speaker 6>This is with twelve chemo treatments, eight hour surgery.

1:48:23.439 --> 1:48:27.360
<v Speaker 5>I missed one because I said, yo, guys, I just

1:48:27.400 --> 1:48:29.960
<v Speaker 5>need one episode off. I just feel like I'm a

1:48:30.000 --> 1:48:32.240
<v Speaker 5>little depleted. And you know, I was down to like

1:48:32.760 --> 1:48:36.519
<v Speaker 5>a size zero. I was going towards the minus. Uh.

1:48:36.640 --> 1:48:39.280
<v Speaker 5>They did things like I would take my little scooter

1:48:39.400 --> 1:48:42.200
<v Speaker 5>to set because I couldn't walk as much as I

1:48:42.200 --> 1:48:45.599
<v Speaker 5>wanted to. I was out of breath post treatment. And

1:48:45.840 --> 1:48:50.879
<v Speaker 5>that's just a testament to this world, really a testament.

1:48:50.960 --> 1:48:52.519
<v Speaker 6>And let me just say I know.

1:48:53.360 --> 1:48:57.800
<v Speaker 5>There was many a times because I'm a praying fool,

1:48:58.080 --> 1:48:59.479
<v Speaker 5>people say like, why do you pray?

1:48:59.600 --> 1:49:03.559
<v Speaker 6>Because I don't want to die. It couldn't happen at

1:49:03.560 --> 1:49:08.360
<v Speaker 6>a better place. Yeah, for my life to be saved like, oh, was.

1:49:08.400 --> 1:49:11.920
<v Speaker 4>It strange going to a set that was a hospital.

1:49:12.640 --> 1:49:16.839
<v Speaker 5>Absolutely, because my character in the med show had gotten

1:49:16.880 --> 1:49:19.360
<v Speaker 5>cancer three seasons prior.

1:49:20.000 --> 1:49:23.120
<v Speaker 6>Wow, so you have to know that. Let me show

1:49:23.120 --> 1:49:25.439
<v Speaker 6>your picture. So this is how I look.

1:49:25.520 --> 1:49:28.760
<v Speaker 4>You have a great shaped pad though. Thank god, I'll

1:49:28.960 --> 1:49:29.519
<v Speaker 4>tell you something.

1:49:29.600 --> 1:49:30.559
<v Speaker 6>Let me just tell you something.

1:49:30.760 --> 1:49:32.600
<v Speaker 5>When that hair fell and I saw the shape of

1:49:32.600 --> 1:49:34.320
<v Speaker 5>my head, I said, there's a God in heaven.

1:49:34.400 --> 1:49:37.680
<v Speaker 6>Yeah, it could have gone wrong quick. It could have

1:49:37.680 --> 1:49:38.759
<v Speaker 6>gone wrong quick.

1:49:39.360 --> 1:49:42.080
<v Speaker 5>But there's a famous episode that was that TV Guide

1:49:42.160 --> 1:49:45.160
<v Speaker 5>magazine quoted as one of the best episodes we had

1:49:45.200 --> 1:49:48.120
<v Speaker 5>in season five, I think, And it's the episode where

1:49:48.640 --> 1:49:51.240
<v Speaker 5>my character loses all her hair and she's in front

1:49:51.240 --> 1:49:52.639
<v Speaker 5>of the mirror and she has a couple of strings

1:49:52.640 --> 1:49:55.760
<v Speaker 5>and the air left, and I remember pulling on that

1:49:55.920 --> 1:49:59.680
<v Speaker 5>memory to believe that, I mean, surely my character made

1:49:59.680 --> 1:50:00.000
<v Speaker 5>it through.

1:50:00.920 --> 1:50:02.680
<v Speaker 8>There's a God in heaven that knew I was going

1:50:02.760 --> 1:50:05.920
<v Speaker 8>to go through this, and I should believe that I'm

1:50:05.920 --> 1:50:07.840
<v Speaker 8>going to make it through, because you know, a couple

1:50:07.840 --> 1:50:09.679
<v Speaker 8>of times they come back and they do these tests

1:50:09.920 --> 1:50:11.400
<v Speaker 8>and they have these words that are coming out of

1:50:11.400 --> 1:50:14.040
<v Speaker 8>their mouths that you're like, yeah, I remember when I

1:50:14.040 --> 1:50:16.960
<v Speaker 8>asked the question, by the way, doc, am I gotta live?

1:50:17.640 --> 1:50:20.080
<v Speaker 5>You know, It's the craziest question to ask a doctor.

1:50:20.600 --> 1:50:23.080
<v Speaker 5>And I remember saying, Doc, don't answer that. Don't answer that,

1:50:23.240 --> 1:50:25.400
<v Speaker 5>like you're not God. Let me just move on with this.

1:50:25.520 --> 1:50:28.800
<v Speaker 5>Let's just do the chemo treatment. Yeah, I'm doing great now,

1:50:28.800 --> 1:50:32.320
<v Speaker 5>by the way, I'm in I'm doing fantastic great.

1:50:32.760 --> 1:50:33.559
<v Speaker 6>And now I'm on.

1:50:33.479 --> 1:50:36.000
<v Speaker 5>Set and people are like, oh man, she talks a lot.

1:50:36.040 --> 1:50:41.160
<v Speaker 5>Now she must be you, you know. So that's the

1:50:41.240 --> 1:50:42.920
<v Speaker 5>atmosphere that's really.

1:50:42.920 --> 1:50:47.000
<v Speaker 1>Cool, because I mean there's like there's books and TV

1:50:47.160 --> 1:50:51.080
<v Speaker 1>series and articles written constantly about like toxic sets and

1:50:51.160 --> 1:50:55.639
<v Speaker 1>like horrible experiences people have in Hollywood. And then everybody

1:50:55.680 --> 1:50:57.439
<v Speaker 1>that we kind of talked to from the deck Wolf

1:50:57.520 --> 1:50:59.120
<v Speaker 1>universe is like, it's a family.

1:50:59.200 --> 1:50:59.920
<v Speaker 4>It's so great.

1:51:00.160 --> 1:51:02.120
<v Speaker 1>And even what I mean, we've talked to people that

1:51:02.160 --> 1:51:03.880
<v Speaker 1>have been you know, let go from the shows, and

1:51:03.920 --> 1:51:06.519
<v Speaker 1>they're still like they still talk about it like it

1:51:06.560 --> 1:51:07.799
<v Speaker 1>was a great family.

1:51:08.080 --> 1:51:08.280
<v Speaker 8>You know.

1:51:08.640 --> 1:51:11.920
<v Speaker 1>So that's really wonderful that it was so such a

1:51:11.960 --> 1:51:14.240
<v Speaker 1>supportive environment when you were going through that.

1:51:14.560 --> 1:51:17.120
<v Speaker 6>And Stephen Wember, yeah.

1:51:17.160 --> 1:51:21.479
<v Speaker 5>Crier when he found out about my illness.

1:51:21.760 --> 1:51:24.120
<v Speaker 6>I was like sexy man's crying.

1:51:24.360 --> 1:51:25.160
<v Speaker 4>He's in touch.

1:51:25.320 --> 1:51:27.519
<v Speaker 1>He's in touch with his sensitive, with his sense of

1:51:27.560 --> 1:51:28.280
<v Speaker 1>his emotions.

1:51:28.640 --> 1:51:29.799
<v Speaker 6>You I knew.

1:51:30.320 --> 1:51:33.479
<v Speaker 2>Do doctors recognize you when you have any sort of

1:51:33.520 --> 1:51:37.800
<v Speaker 2>appointments or and then do you sometimes like feel like

1:51:37.840 --> 1:51:38.720
<v Speaker 2>you know what's going on?

1:51:38.760 --> 1:51:38.920
<v Speaker 5>You know?

1:51:38.920 --> 1:51:41.240
<v Speaker 2>They always say, because I'm a Drag Race fan, tricks

1:51:41.240 --> 1:51:43.840
<v Speaker 2>and Koways go, you don't understand Drag, You're just a

1:51:43.880 --> 1:51:46.000
<v Speaker 2>fan of a show. And that's how I kind of

1:51:46.000 --> 1:51:48.639
<v Speaker 2>feel with SVU sometimes too, Like I'll get really into

1:51:48.720 --> 1:51:51.080
<v Speaker 2>certain crime like and it's like no, no, no, I love

1:51:51.080 --> 1:51:53.000
<v Speaker 2>a show. I might, but I don't know.

1:51:53.120 --> 1:51:55.880
<v Speaker 1>We didn't actually go to the police academy or any

1:51:56.560 --> 1:51:57.719
<v Speaker 1>study anything.

1:51:58.000 --> 1:52:00.840
<v Speaker 6>You have the right to remain silent, don't you ever.

1:52:01.920 --> 1:52:05.200
<v Speaker 4>Like kind of try to flex the knowledge you learned? Then? Also,

1:52:05.240 --> 1:52:06.960
<v Speaker 4>did any doctors recognize you?

1:52:07.040 --> 1:52:07.519
<v Speaker 6>And stuff?

1:52:07.560 --> 1:52:07.800
<v Speaker 7>Well?

1:52:08.560 --> 1:52:12.800
<v Speaker 5>Fun fact, my doctor is a huge fan came up

1:52:12.840 --> 1:52:16.639
<v Speaker 5>to me and asked me, hey, Marlene, you're just one

1:52:16.640 --> 1:52:21.080
<v Speaker 5>of my biggest miracle cases because of what they saw

1:52:21.360 --> 1:52:24.479
<v Speaker 5>and then it just disappeared and move on. He like

1:52:25.280 --> 1:52:27.080
<v Speaker 5>said to me, I need you to come and talk

1:52:27.120 --> 1:52:29.360
<v Speaker 5>certain places so I can raise money to beat this

1:52:29.479 --> 1:52:33.439
<v Speaker 5>cancer thing. Wow, because he's a huge research guy.

1:52:33.520 --> 1:52:38.080
<v Speaker 6>That is incredible. My chemo doctor specifically, I think that

1:52:38.080 --> 1:52:40.160
<v Speaker 6>would be a fun thing. Man. I just thought about this.

1:52:40.360 --> 1:52:45.040
<v Speaker 5>My two doctors, doctor Stephen, LeAnn, doctor Wang, just amazing men.

1:52:45.160 --> 1:52:47.800
<v Speaker 6>That yeah, they did. It was just one of those

1:52:47.840 --> 1:52:48.639
<v Speaker 6>weird things.

1:52:48.720 --> 1:52:51.240
<v Speaker 5>You know, they recognize you and they're like, what are

1:52:51.280 --> 1:52:54.200
<v Speaker 5>you doing here? And you start telling them your story

1:52:54.240 --> 1:52:57.760
<v Speaker 5>about you know, what you saw, you know how you've

1:52:57.760 --> 1:53:01.680
<v Speaker 5>been feeling. And then they're like, Okay, we're gonna we're

1:53:01.680 --> 1:53:03.120
<v Speaker 5>gonna try and calm you down.

1:53:02.920 --> 1:53:07.759
<v Speaker 6>Here because you know too much. You know too much

1:53:07.960 --> 1:53:09.799
<v Speaker 6>and you can be your worst enemy.

1:53:10.200 --> 1:53:15.559
<v Speaker 5>So fun fact is, before I started as Maggie Lockwood

1:53:15.560 --> 1:53:18.720
<v Speaker 5>the charge Ours, my parents weren't going to let me

1:53:18.760 --> 1:53:19.639
<v Speaker 5>go into acting.

1:53:19.800 --> 1:53:21.679
<v Speaker 6>So I do have a nursing degree.

1:53:21.840 --> 1:53:22.799
<v Speaker 4>Oh my god.

1:53:23.640 --> 1:53:26.000
<v Speaker 6>Wow yeah yeah, never practice.

1:53:26.040 --> 1:53:26.719
<v Speaker 4>That's incredible.

1:53:26.880 --> 1:53:28.200
<v Speaker 1>I mean you must know a lot of like the

1:53:28.280 --> 1:53:30.799
<v Speaker 1>terminology in your lines and stuff.

1:53:30.880 --> 1:53:33.439
<v Speaker 4>That's crazy. That's a gift. That's a gift.

1:53:33.600 --> 1:53:36.639
<v Speaker 6>Absolutely. Yeah.

1:53:36.680 --> 1:53:39.639
<v Speaker 5>And I know I did my nursing in French. That's

1:53:39.680 --> 1:53:40.800
<v Speaker 5>the interesting part.

1:53:41.000 --> 1:53:41.640
<v Speaker 4>Wow.

1:53:42.240 --> 1:53:45.320
<v Speaker 5>So I know too much, So I have to calm

1:53:45.400 --> 1:53:48.759
<v Speaker 5>down and just when I ask my questions. They really

1:53:48.800 --> 1:53:51.360
<v Speaker 5>have to be specific because it can send me down

1:53:51.400 --> 1:53:52.080
<v Speaker 5>the rabbit.

1:53:51.840 --> 1:53:53.080
<v Speaker 6>Hole of research where you're.

1:53:52.960 --> 1:53:56.679
<v Speaker 5>Like, yeah, and I gotta I can't be that person.

1:53:57.040 --> 1:54:00.519
<v Speaker 6>I'm my worst. I can talk, I can talk. I

1:54:00.560 --> 1:54:01.599
<v Speaker 6>do all my work.

1:54:01.439 --> 1:54:04.360
<v Speaker 5>At home because I love being on set so much.

1:54:04.640 --> 1:54:08.320
<v Speaker 5>There's this running gag that by nine am, Marlene has

1:54:08.439 --> 1:54:12.280
<v Speaker 5>used at least two hundred and fifty thousand works.

1:54:12.800 --> 1:54:14.960
<v Speaker 2>Well, we're real chatty Kathy's chat.

1:54:16.560 --> 1:54:17.880
<v Speaker 4>But that's actually cool.

1:54:17.920 --> 1:54:20.559
<v Speaker 2>I heard other I forgot who we talked to where

1:54:20.560 --> 1:54:22.400
<v Speaker 2>they were complimenting someone where it's like when you do

1:54:22.439 --> 1:54:23.880
<v Speaker 2>all your work at home and then you get to

1:54:24.240 --> 1:54:25.400
<v Speaker 2>just be there and be prepared.

1:54:25.920 --> 1:54:26.439
<v Speaker 4>That's cool.

1:54:26.520 --> 1:54:28.920
<v Speaker 1>Yeah, because I like the chat too, But also I

1:54:29.000 --> 1:54:31.479
<v Speaker 1>love that your parents got like kind of the best

1:54:31.479 --> 1:54:33.640
<v Speaker 1>of both worlds. They got a nurse, but then they

1:54:33.680 --> 1:54:35.120
<v Speaker 1>also got a doctor on TV.

1:54:35.560 --> 1:54:40.400
<v Speaker 4>Like, you know, you're like no careers. Oh, you're a nurse.

1:54:40.880 --> 1:54:43.280
<v Speaker 5>I'm a nurse. I'm the only nurse, but I'm also

1:54:43.360 --> 1:54:46.360
<v Speaker 5>a midwife. You have doctor energy, you have doctor.

1:54:46.200 --> 1:54:50.520
<v Speaker 2>Energy, doctor authority authority, yes.

1:54:50.920 --> 1:54:53.000
<v Speaker 1>But whatever, you're a nurse in real life and you're

1:54:53.000 --> 1:54:55.760
<v Speaker 1>a very successful actor. You're like you are accomplished in

1:54:55.920 --> 1:54:58.320
<v Speaker 1>multiple fields. That's like that's the dream.

1:54:58.200 --> 1:55:02.440
<v Speaker 6>Right absolutely. I think that had I not been.

1:55:02.680 --> 1:55:05.360
<v Speaker 5>A successful actor, I would have gone back to at

1:55:05.440 --> 1:55:07.120
<v Speaker 5>least go to law school or do something like that.

1:55:07.760 --> 1:55:11.440
<v Speaker 1>Ah wow, Yeah, nursing is a hard job.

1:55:11.880 --> 1:55:14.400
<v Speaker 5>Unless I would have been a doctor in nursing, you

1:55:14.440 --> 1:55:18.840
<v Speaker 5>know the nurses that can be a physician's assistant, and right, yes, that.

1:55:18.760 --> 1:55:19.360
<v Speaker 6>I would have done.

1:55:19.480 --> 1:55:23.960
<v Speaker 5>Yeah, but I think that being a nurse is it's

1:55:24.040 --> 1:55:27.680
<v Speaker 5>tough because you want to smack these young doctors across

1:55:27.720 --> 1:55:30.880
<v Speaker 5>their heads at times because you've worked with the mature

1:55:30.920 --> 1:55:33.480
<v Speaker 5>doctors that have taught you so much. Then these young

1:55:33.560 --> 1:55:36.520
<v Speaker 5>kids show up on the first June or whenever the

1:55:36.560 --> 1:55:37.720
<v Speaker 5>new residence starts.

1:55:37.440 --> 1:55:44.320
<v Speaker 6>And you're like, oh lord, you throorty. That's great.

1:55:44.400 --> 1:55:46.400
<v Speaker 2>Yeah, I know. My mother in law's a nurse.

1:55:46.600 --> 1:55:48.600
<v Speaker 1>I have a lot of nurses in my family, and

1:55:48.640 --> 1:55:52.320
<v Speaker 1>they're always like there's always like just mostly male doctors

1:55:52.400 --> 1:55:55.160
<v Speaker 1>that are like that, like don't treat the nurses with

1:55:55.200 --> 1:55:57.680
<v Speaker 1>the respect that they have the so much knowledge, and

1:55:57.680 --> 1:55:59.040
<v Speaker 1>then they catch their mistakes.

1:55:59.080 --> 1:56:00.960
<v Speaker 4>The nurses catch the doctor. There's mistakes all the time.

1:56:01.040 --> 1:56:03.880
<v Speaker 2>Absolute yeah, well not even that, but like my parents

1:56:03.920 --> 1:56:06.760
<v Speaker 2>have had to have medical says, and the nurses is

1:56:06.760 --> 1:56:09.400
<v Speaker 2>who we remember. I mean, obviously great doctors, but yeah,

1:56:09.440 --> 1:56:12.160
<v Speaker 2>the nurses are truly the people that are the day

1:56:12.200 --> 1:56:15.760
<v Speaker 2>to day care and comfort of my parents and the

1:56:15.800 --> 1:56:18.680
<v Speaker 2>ones that are like during COVID, like talking on the

1:56:18.680 --> 1:56:20.120
<v Speaker 2>phone explaining everything.

1:56:20.520 --> 1:56:23.120
<v Speaker 1>And you're in Chicago when you shoot, where are you

1:56:23.160 --> 1:56:24.160
<v Speaker 1>based regularly?

1:56:24.760 --> 1:56:27.440
<v Speaker 5>So I was based out of la and doing the

1:56:27.480 --> 1:56:30.280
<v Speaker 5>back and forth for the eighth season, and then at

1:56:30.280 --> 1:56:32.480
<v Speaker 5>the end of the eighth season, right before the strike,

1:56:32.520 --> 1:56:35.440
<v Speaker 5>my husband said, we got to stay local. You're in remission.

1:56:35.520 --> 1:56:37.680
<v Speaker 5>We got two kids, we need one local, and you're

1:56:37.680 --> 1:56:41.160
<v Speaker 5>about to resign your contract. So I just committed to Chicago.

1:56:41.400 --> 1:56:42.480
<v Speaker 5>It's a great place too.

1:56:42.600 --> 1:56:44.600
<v Speaker 6>Yeah. Fall in love with the place that you shoot

1:56:44.960 --> 1:56:45.920
<v Speaker 6>something about it, you know.

1:56:46.280 --> 1:56:46.800
<v Speaker 4>Yeah.

1:56:46.880 --> 1:56:49.400
<v Speaker 5>So we made home base in Chicago and just committed

1:56:49.440 --> 1:56:51.960
<v Speaker 5>to this city for at least, you know how long.

1:56:52.000 --> 1:56:52.400
<v Speaker 6>I don't know.

1:56:52.480 --> 1:56:54.000
<v Speaker 4>That's great. Chicago's great.

1:56:54.080 --> 1:56:56.080
<v Speaker 2>It's a great place because you do have the lake.

1:56:56.120 --> 1:56:58.200
<v Speaker 2>I know, it's not a real beach, but it is

1:56:58.760 --> 1:57:02.320
<v Speaker 2>nice and you get the skyline while you get to swim,

1:57:02.520 --> 1:57:05.920
<v Speaker 2>and the food is good and it's gorgeous.

1:57:06.320 --> 1:57:08.920
<v Speaker 5>The food is good, The food is good, and the

1:57:08.960 --> 1:57:09.720
<v Speaker 5>food is good.

1:57:11.960 --> 1:57:14.400
<v Speaker 6>It was never for a lack of a dinner.

1:57:15.200 --> 1:57:16.240
<v Speaker 4>Yeah.

1:57:16.400 --> 1:57:22.240
<v Speaker 6>Man, everything is good. Seafood is good here, steak is exceptional.

1:57:22.560 --> 1:57:25.240
<v Speaker 5>And then you have all these Mischelin star like there

1:57:25.240 --> 1:57:28.480
<v Speaker 5>are one missioning stars, but these restaurants and I'm a foodie.

1:57:28.480 --> 1:57:30.360
<v Speaker 4>Well, and you have a linear if you really wanted to.

1:57:30.600 --> 1:57:32.160
<v Speaker 6>That's that's what I was about to tell you, girl.

1:57:32.400 --> 1:57:35.080
<v Speaker 4>Yeah, how did you go? Have you gone?

1:57:35.160 --> 1:57:37.720
<v Speaker 6>I have an appointment to go. I have an appointment

1:57:37.720 --> 1:57:38.320
<v Speaker 6>with a linea.

1:57:38.920 --> 1:57:42.120
<v Speaker 5>Yes, okay, I've been waiting because my taste buds need

1:57:42.160 --> 1:57:42.760
<v Speaker 5>to come back.

1:57:44.280 --> 1:57:46.400
<v Speaker 4>Well you know about the chef and his journey with

1:57:46.480 --> 1:57:48.200
<v Speaker 4>his Yeah, taste.

1:57:47.880 --> 1:57:49.920
<v Speaker 6>Buds, Yes I do. Yeah.

1:57:50.080 --> 1:57:51.760
<v Speaker 4>Wow, I'm so glad you're get to go.

1:57:52.200 --> 1:57:53.800
<v Speaker 6>So excited, so excited.

1:57:53.920 --> 1:57:57.280
<v Speaker 2>Yeah, I've only seen people's like instagrams from it. I've

1:57:57.280 --> 1:57:59.880
<v Speaker 2>not gone, but that's definitely a place of pride and

1:58:00.200 --> 1:58:00.760
<v Speaker 2>for Chicago.

1:58:00.840 --> 1:58:02.720
<v Speaker 4>And like Girl and the Goat, Some.

1:58:02.840 --> 1:58:05.400
<v Speaker 5>Girl of the Goat is another one that I've been

1:58:05.440 --> 1:58:06.640
<v Speaker 5>there multiple times.

1:58:06.720 --> 1:58:08.160
<v Speaker 4>Yeah. They just built one in La Oh.

1:58:08.200 --> 1:58:10.080
<v Speaker 1>Yeah, I've been to the La one and it's it

1:58:10.160 --> 1:58:12.000
<v Speaker 1>was I went for my anniversary and was like I

1:58:12.000 --> 1:58:12.840
<v Speaker 1>can't wait to go back.

1:58:12.920 --> 1:58:13.800
<v Speaker 4>I love that place. Well.

1:58:13.840 --> 1:58:16.800
<v Speaker 2>She's also the first female Top Chef winner from Chicago,

1:58:16.880 --> 1:58:18.720
<v Speaker 2>so it's huge. I saw her eating mac and cheese

1:58:18.760 --> 1:58:21.440
<v Speaker 2>once at a restaurant that whole.

1:58:21.240 --> 1:58:24.120
<v Speaker 5>Loop section because that's where it is, and the Loop.

1:58:24.760 --> 1:58:26.840
<v Speaker 6>I think y'all should drop a mic somewhere over there

1:58:26.880 --> 1:58:28.320
<v Speaker 6>and do a podcast.

1:58:28.200 --> 1:58:31.160
<v Speaker 2>Because the City Winery is over there. I used to

1:58:31.200 --> 1:58:34.040
<v Speaker 2>be a salon receptionist in that neighborhood. There you go

1:58:34.160 --> 1:58:38.879
<v Speaker 2>before all the restaurants, but Harpo Studios Oprah was there exactly,

1:58:38.960 --> 1:58:42.360
<v Speaker 2>and so it was always young professionals getting blowouts.

1:58:42.680 --> 1:58:43.760
<v Speaker 6>That's where I wanted to move.

1:58:44.040 --> 1:58:47.440
<v Speaker 5>But I don't rest well, and that place turns into

1:58:47.480 --> 1:58:48.080
<v Speaker 5>a club.

1:58:48.360 --> 1:58:52.080
<v Speaker 6>Yeah, when you go on Thursday, Friday, Saturday, there's no resting.

1:58:52.440 --> 1:58:55.480
<v Speaker 6>I would have burned everything over there because I would

1:58:55.480 --> 1:58:56.480
<v Speaker 6>have been out every day.

1:58:57.320 --> 1:58:59.600
<v Speaker 5>My kids would have grown up in restaurants, high chair

1:58:59.720 --> 1:59:01.120
<v Speaker 5>in some of the best restaurants.

1:59:01.640 --> 1:59:02.400
<v Speaker 6>That's what I've been.

1:59:03.400 --> 1:59:04.920
<v Speaker 4>On the floor exactly.

1:59:05.800 --> 1:59:08.200
<v Speaker 2>No, Mama, I actually just watched an Instagram video of

1:59:08.200 --> 1:59:09.480
<v Speaker 2>a little baby eating caviar.

1:59:09.640 --> 1:59:15.320
<v Speaker 4>Some baby that loves oysters. I don't know. I need

1:59:15.320 --> 1:59:16.320
<v Speaker 4>to get off the internet.

1:59:16.440 --> 1:59:19.000
<v Speaker 1>How old are your kids, Marlene? Do they eat like

1:59:19.160 --> 1:59:23.040
<v Speaker 1>exotic foods? Yes, they do, because I have a two

1:59:23.080 --> 1:59:24.000
<v Speaker 1>and I have a two and a.

1:59:24.040 --> 1:59:26.040
<v Speaker 2>Four and they don't. They don't eat anything.

1:59:26.680 --> 1:59:28.040
<v Speaker 6>Do you know rpm steakhouse?

1:59:28.720 --> 1:59:29.040
<v Speaker 4>Yeah?

1:59:29.200 --> 1:59:31.320
<v Speaker 2>We went to the Yeah.

1:59:31.400 --> 1:59:32.400
<v Speaker 4>Yeah and in Vegas.

1:59:32.480 --> 1:59:37.120
<v Speaker 6>Yeah, so they've had RPM steakhouse. They're not appreciative. They

1:59:37.240 --> 1:59:41.760
<v Speaker 6>just steak. Oh, I can chew this. These kids are

1:59:41.800 --> 1:59:44.320
<v Speaker 6>on their way becoming too bougie with their pally.

1:59:44.520 --> 1:59:46.560
<v Speaker 4>Yeah.

1:59:46.600 --> 1:59:48.560
<v Speaker 5>That's an issue because then when you put something in

1:59:48.600 --> 1:59:52.600
<v Speaker 5>front of my daughter, she's like, no, I'm like, you're

1:59:52.600 --> 1:59:54.200
<v Speaker 5>not going to go to restaurants every week?

1:59:54.560 --> 1:59:56.840
<v Speaker 6>What do you think this is? Put this in your mouth?

1:59:57.160 --> 1:59:58.240
<v Speaker 4>The boiled chicken.

1:59:58.480 --> 2:00:02.480
<v Speaker 6>Eat the boiled chicken. So yeah, so my kids are two.

2:00:02.880 --> 2:00:06.520
<v Speaker 4>You got twins? Oh you have twins? Twin Oh my gosh. Yeah.

2:00:06.560 --> 2:00:08.400
<v Speaker 1>So my son is two and a half and my

2:00:08.480 --> 2:00:11.320
<v Speaker 1>daughter's four and a half. And he's much more adventurous

2:00:11.360 --> 2:00:13.200
<v Speaker 1>than her. The younger one. He eats me and all

2:00:13.240 --> 2:00:16.320
<v Speaker 1>kinds of stuff. The four year olds eats four meals

2:00:16.360 --> 2:00:19.080
<v Speaker 1>that I rotate throughout the week. It's like so infuriating,

2:00:19.680 --> 2:00:21.000
<v Speaker 1>but I know it's gonna change.

2:00:21.320 --> 2:00:23.520
<v Speaker 2>I can't believe you have two year old twins.

2:00:23.920 --> 2:00:26.960
<v Speaker 6>Two year old twins. You should see them. I just

2:00:27.000 --> 2:00:29.400
<v Speaker 6>called them upstairs. Right now, you're gonna get a chance

2:00:29.440 --> 2:00:29.800
<v Speaker 6>to see.

2:00:29.960 --> 2:00:33.480
<v Speaker 1>Yeah, my gosh, wait, is it a girl and a boy.

2:00:34.200 --> 2:00:36.560
<v Speaker 6>You're about to meet them here they are. Brace yourself.

2:00:37.440 --> 2:00:42.360
<v Speaker 4>Oh my god, Oh my gosh, look at.

2:00:42.240 --> 2:00:47.360
<v Speaker 2>These beautiful little blues. Yeah, my cuties.

2:00:48.560 --> 2:00:49.600
<v Speaker 6>They can't hear you.

2:00:49.880 --> 2:00:59.880
<v Speaker 4>Hello, Hello, Oh my gosh. Wait, what are their names?

2:01:00.480 --> 2:01:03.840
<v Speaker 6>Joshua, Joshua? Say hello, Joshua.

2:01:03.960 --> 2:01:04.360
<v Speaker 7>Got away?

2:01:04.440 --> 2:01:10.200
<v Speaker 6>Hy yah, there's Joshua and this is odd to see.

2:01:10.240 --> 2:01:11.840
<v Speaker 7>Hi me me Hi.

2:01:12.240 --> 2:01:14.480
<v Speaker 4>Guys are so cute their r names on.

2:01:14.800 --> 2:01:17.640
<v Speaker 6>He's Joshua and they are They're amazing.

2:01:17.680 --> 2:01:18.720
<v Speaker 4>Do you bring them to set?

2:01:19.240 --> 2:01:22.000
<v Speaker 6>ROB set once. They actually were very calm in front

2:01:22.040 --> 2:01:26.320
<v Speaker 6>of the You want your water, okay, here we go,

2:01:26.960 --> 2:01:32.240
<v Speaker 6>you want my water? Well? I rob the set once

2:01:32.280 --> 2:01:34.640
<v Speaker 6>and they were pretty remarkable. They were very calm in

2:01:34.680 --> 2:01:37.600
<v Speaker 6>front of the camera. They're very calm in for the camera.

2:01:37.640 --> 2:01:40.920
<v Speaker 6>They really enjoyed the entire experience. When it was time

2:01:40.960 --> 2:01:41.640
<v Speaker 6>to leave, they were.

2:01:41.560 --> 2:01:44.800
<v Speaker 4>Like, no, no, I like them with this big ass bottle.

2:01:45.640 --> 2:01:46.800
<v Speaker 6>Big big, it's mine.

2:01:47.360 --> 2:01:48.880
<v Speaker 5>The thing is I put a little bit of crystal

2:01:48.960 --> 2:01:50.920
<v Speaker 5>light in my water, so I can do more water.

2:01:51.080 --> 2:01:53.000
<v Speaker 2>That's a good idea. I have to start doing that

2:01:53.080 --> 2:01:55.600
<v Speaker 2>again because I need a hydrate more. A little sprinkle

2:01:55.680 --> 2:01:57.280
<v Speaker 2>is something to keep it interesting.

2:01:57.400 --> 2:01:58.680
<v Speaker 4>Yeah, a little pink lemonade.

2:01:58.720 --> 2:01:59.960
<v Speaker 6>Yeah, and they really enjoy.

2:02:00.320 --> 2:02:03.760
<v Speaker 4>They're so cute. This is our first kid visit, first

2:02:03.920 --> 2:02:04.400
<v Speaker 4>kid visit.

2:02:04.440 --> 2:02:06.440
<v Speaker 1>We've had some dogs pop on the pod, but we

2:02:06.480 --> 2:02:08.080
<v Speaker 1>have not had anybody's kids.

2:02:08.840 --> 2:02:11.640
<v Speaker 2>My favorite. Well, you know what else? I wanted to

2:02:11.960 --> 2:02:14.520
<v Speaker 2>ask you? How does it feel to work in scrubs?

2:02:15.000 --> 2:02:15.640
<v Speaker 2>Is that nice?

2:02:15.880 --> 2:02:18.280
<v Speaker 4>Or it's like your same uniform every day pretty much?

2:02:18.360 --> 2:02:18.520
<v Speaker 6>Right?

2:02:18.800 --> 2:02:19.600
<v Speaker 4>Or same costume?

2:02:19.720 --> 2:02:23.919
<v Speaker 5>So I did this this TV series with Rose Burns

2:02:23.960 --> 2:02:25.280
<v Speaker 5>called Damages.

2:02:25.560 --> 2:02:27.960
<v Speaker 1>Excuse me, it's on our list. It's on our list

2:02:28.000 --> 2:02:30.760
<v Speaker 1>to talk to you about it. It's my obsession. And

2:02:30.800 --> 2:02:32.280
<v Speaker 1>I was it's on my list. It was like my

2:02:32.360 --> 2:02:34.640
<v Speaker 1>next question after the scrubs.

2:02:34.600 --> 2:02:37.480
<v Speaker 6>I tell you this show. Our heels were like this.

2:02:38.480 --> 2:02:42.760
<v Speaker 6>When you got on it went cock Coca. Come then

2:02:42.840 --> 2:02:45.400
<v Speaker 6>you it my toes? How long can I do this?

2:02:45.800 --> 2:02:47.760
<v Speaker 6>You were done with cut We're out?

2:02:48.280 --> 2:02:49.200
<v Speaker 4>Yeah?

2:02:49.480 --> 2:02:51.320
<v Speaker 6>Then back on Coco Coco.

2:02:52.080 --> 2:02:55.840
<v Speaker 5>It was the most extraordinary experience because the shoes were

2:02:55.880 --> 2:02:56.360
<v Speaker 5>never broken.

2:02:56.400 --> 2:02:59.000
<v Speaker 6>Into because it was brand new. So it's great, you

2:02:59.080 --> 2:03:04.480
<v Speaker 6>look cute. Your feet hurt right now? I wear hookahs

2:03:04.760 --> 2:03:05.320
<v Speaker 6>for a living.

2:03:06.640 --> 2:03:07.440
<v Speaker 4>That's amazing.

2:03:07.600 --> 2:03:10.280
<v Speaker 6>I get my feet massaged while I'm doing the sea.

2:03:11.560 --> 2:03:14.200
<v Speaker 6>I have no words. And then the scrubs. You go

2:03:14.240 --> 2:03:18.560
<v Speaker 6>to work with your pajamas. Every day, goals, goals, no complaints.

2:03:18.600 --> 2:03:20.600
<v Speaker 2>Our friend has black hookahs and they look so good.

2:03:20.600 --> 2:03:22.560
<v Speaker 2>I want to get them. I have the colorful ones,

2:03:22.640 --> 2:03:24.520
<v Speaker 2>I want the black ones, I think.

2:03:24.680 --> 2:03:27.200
<v Speaker 6>And haven't that they've progressively gotten cuter.

2:03:27.720 --> 2:03:27.960
<v Speaker 4>Yes?

2:03:28.320 --> 2:03:31.440
<v Speaker 2>Yes, at first they yeah, it was just like we

2:03:31.480 --> 2:03:33.960
<v Speaker 2>don't care because we're just for running or something. And

2:03:34.000 --> 2:03:36.160
<v Speaker 2>then they realized we would like in all black pair

2:03:36.280 --> 2:03:36.880
<v Speaker 2>please thank you.

2:03:37.000 --> 2:03:39.240
<v Speaker 1>Yeah, they really turned into a fashion shoe because when

2:03:39.280 --> 2:03:42.280
<v Speaker 1>I first saw them, they were just for athletics.

2:03:41.640 --> 2:03:43.760
<v Speaker 2>And now it's fashion baby.

2:03:43.920 --> 2:03:46.680
<v Speaker 6>Now they have commercials that look like the Apple commercials.

2:03:48.440 --> 2:03:50.280
<v Speaker 6>Did you see the one where they're walking on water?

2:03:50.880 --> 2:03:52.400
<v Speaker 4>I haven't seen any of these commercials.

2:03:52.760 --> 2:03:54.400
<v Speaker 6>You see it up?

2:03:54.960 --> 2:03:58.000
<v Speaker 4>Wait, so let's get to Damages. Tell me everything Rose

2:03:58.080 --> 2:04:01.440
<v Speaker 4>Byrne Glenn Close. How was I mean? That show was

2:04:01.480 --> 2:04:02.320
<v Speaker 4>like drugs to me?

2:04:02.520 --> 2:04:04.680
<v Speaker 1>Like I always talk about how I would be watching

2:04:04.760 --> 2:04:06.480
<v Speaker 1>it till three in the morning, and then I'd be like,

2:04:06.520 --> 2:04:07.840
<v Speaker 1>what's the difference if I go to bed at three

2:04:07.920 --> 2:04:09.040
<v Speaker 1>or I go to about at four, you know, and

2:04:09.080 --> 2:04:10.960
<v Speaker 1>I would like to watch one more like I was

2:04:11.360 --> 2:04:12.320
<v Speaker 1>so hooked on it.

2:04:12.600 --> 2:04:17.800
<v Speaker 5>I mean, they're geniuses, they're phenomenal actors. You're sitting there

2:04:17.840 --> 2:04:20.640
<v Speaker 5>in this room and it was I remember one time

2:04:20.680 --> 2:04:26.480
<v Speaker 5>it was Glenn myself, Ted Danson, Jelco.

2:04:27.120 --> 2:04:31.080
<v Speaker 1>Oh, yeah, he's a SVU. He's a SVU alum so talented.

2:04:31.520 --> 2:04:34.040
<v Speaker 1>His character was having sex with his biological daughter and

2:04:34.120 --> 2:04:36.880
<v Speaker 1>kept getting her pregnant though so not not great, not great,

2:04:36.920 --> 2:04:38.360
<v Speaker 1>but you know, it's SVU.

2:04:39.680 --> 2:04:42.160
<v Speaker 5>That makes absolute sense when it comes to him. He's

2:04:42.240 --> 2:04:44.000
<v Speaker 5>just a genius in the way that he performs.

2:04:44.120 --> 2:04:44.920
<v Speaker 4>He's so good.

2:04:45.120 --> 2:04:45.880
<v Speaker 6>He's really good.

2:04:46.240 --> 2:04:49.040
<v Speaker 5>Fun fact is I think at the table read he

2:04:49.160 --> 2:04:53.880
<v Speaker 5>got a standing away clapping situation the table read wow

2:04:54.040 --> 2:04:57.720
<v Speaker 5>Wow for free damages, like who wins that one? I

2:04:57.720 --> 2:05:00.440
<v Speaker 5>remember Glenn saying that something like that. He yet the

2:05:00.480 --> 2:05:04.520
<v Speaker 5>standing ovation for the best table read ever because normally

2:05:04.520 --> 2:05:06.320
<v Speaker 5>you going into the table reading, he tried to.

2:05:06.240 --> 2:05:09.839
<v Speaker 6>Read as flat as possible. Not him. His flat was Oscar.

2:05:10.040 --> 2:05:13.120
<v Speaker 1>I want them to like bring back Damages. Oh my god,

2:05:13.160 --> 2:05:16.280
<v Speaker 1>they couldn't. But it was so that's a great show.

2:05:16.320 --> 2:05:18.240
<v Speaker 1>I don't know what about it. It like hooked me

2:05:18.320 --> 2:05:18.880
<v Speaker 1>so hard.

2:05:19.080 --> 2:05:24.240
<v Speaker 5>Yes, I was doing that, and that's when simultaneously.

2:05:23.680 --> 2:05:24.640
<v Speaker 6>I booked The Wire.

2:05:25.200 --> 2:05:27.640
<v Speaker 4>Oh yeah, that became my conflict.

2:05:28.280 --> 2:05:31.720
<v Speaker 5>So I had to commit somewhere and I couldn't commit

2:05:31.800 --> 2:05:35.520
<v Speaker 5>to Damages anymore, okay, because it was The Wire and

2:05:35.800 --> 2:05:37.200
<v Speaker 5>the character was going you know.

2:05:37.720 --> 2:05:41.360
<v Speaker 1>Yeah, and The Wire has like so much Law and

2:05:41.440 --> 2:05:42.200
<v Speaker 1>Order crossover.

2:05:42.600 --> 2:05:48.440
<v Speaker 5>Absolutely, and it's it's just another cult genius type you

2:05:48.480 --> 2:05:49.080
<v Speaker 5>know show.

2:05:49.920 --> 2:05:50.840
<v Speaker 6>It's just amazing.

2:05:51.280 --> 2:05:53.880
<v Speaker 2>I was just gonna say something. You mentioned the table

2:05:53.880 --> 2:05:57.080
<v Speaker 2>read flatly. I was horrified once I have been haunted

2:05:57.120 --> 2:05:59.840
<v Speaker 2>because one of my friends was at a table read

2:05:59.880 --> 2:06:04.600
<v Speaker 2>and she acted too casual and they replaced her. Since

2:06:04.960 --> 2:06:08.560
<v Speaker 2>since I heard that, because like the bigger, more established

2:06:08.560 --> 2:06:10.960
<v Speaker 2>actors were being more casual and she was new, and

2:06:11.840 --> 2:06:15.040
<v Speaker 2>then the character was named after her and the table

2:06:15.080 --> 2:06:19.240
<v Speaker 2>read alo bad. They got rid of her, and since then,

2:06:19.320 --> 2:06:21.680
<v Speaker 2>if I'm ever in that situation, I go like full

2:06:21.760 --> 2:06:23.440
<v Speaker 2>out because I'm so terrified.

2:06:24.120 --> 2:06:27.520
<v Speaker 5>Absolutely, well, let me just let me clarify. Let me

2:06:27.600 --> 2:06:31.760
<v Speaker 5>clarified what I mean that you're playing it flat when

2:06:32.480 --> 2:06:35.320
<v Speaker 5>there is a tone to the character, there is a

2:06:35.440 --> 2:06:38.800
<v Speaker 5>rhythm to the writing, there is a layout to the

2:06:38.840 --> 2:06:41.760
<v Speaker 5>scene that you are giving, which you're not given is

2:06:42.560 --> 2:06:46.840
<v Speaker 5>a one hundred performance, Yeah, but you're giving everything that

2:06:46.840 --> 2:06:51.320
<v Speaker 5>he's needed for them to get the temperature of the scene.

2:06:51.480 --> 2:06:52.080
<v Speaker 6>You're giving that.

2:06:52.240 --> 2:06:54.800
<v Speaker 2>Oh, because I saw a video of like Lady Gaga

2:06:54.800 --> 2:06:57.920
<v Speaker 2>once at a table read singing for shallow, and I

2:06:57.960 --> 2:07:00.400
<v Speaker 2>was always wondering, like, did she really have to.

2:07:00.320 --> 2:07:02.600
<v Speaker 4>Do that or not? But that probably gave the temperature.

2:07:02.800 --> 2:07:05.640
<v Speaker 2>Like you're saying, yeah, yeah, you need the tone of

2:07:05.680 --> 2:07:08.040
<v Speaker 2>the scene, but you're doing it from a place where

2:07:08.560 --> 2:07:11.200
<v Speaker 2>you know, you're at your place and your your focused work.

2:07:11.760 --> 2:07:14.080
<v Speaker 6>You're not engaging with the actor next to you.

2:07:14.080 --> 2:07:17.640
<v Speaker 5>You're not like fully physical, but you are giving I

2:07:17.680 --> 2:07:19.920
<v Speaker 5>would say a twenty five percent.

2:07:20.200 --> 2:07:22.120
<v Speaker 2>No. I think she was trying to be a little

2:07:22.160 --> 2:07:24.520
<v Speaker 2>too cool and she probably still lets to prove herself

2:07:24.560 --> 2:07:27.800
<v Speaker 2>a little and yeah, yeah, she learned a lesson that day.

2:07:28.720 --> 2:07:32.360
<v Speaker 6>Still a job, It's still a job.

2:07:32.480 --> 2:07:35.160
<v Speaker 4>I got to write that down. It's still a job.

2:07:35.280 --> 2:07:36.160
<v Speaker 4>I got to remember that.

2:07:36.360 --> 2:07:39.320
<v Speaker 5>Yeah, it's still a job, and you're graduating. I think

2:07:39.320 --> 2:07:45.000
<v Speaker 5>it connects back to the sbu cage situation where you know,

2:07:45.040 --> 2:07:47.360
<v Speaker 5>when you come out of school and you're trying to

2:07:47.360 --> 2:07:49.000
<v Speaker 5>figure out who you want to be, what you.

2:07:48.960 --> 2:07:50.880
<v Speaker 6>Want to do, and all that jazz.

2:07:50.920 --> 2:07:53.120
<v Speaker 5>I think you have a lot of questions about does

2:07:53.160 --> 2:07:55.200
<v Speaker 5>my talent translate on screen?

2:07:55.400 --> 2:07:55.800
<v Speaker 4>Yeah?

2:07:56.040 --> 2:07:58.480
<v Speaker 6>Can I perform at the level of the big guns

2:07:58.480 --> 2:07:59.280
<v Speaker 6>that are around you?

2:08:00.080 --> 2:08:03.040
<v Speaker 5>And I think what happens is if you go to

2:08:03.120 --> 2:08:05.520
<v Speaker 5>the table reads that you don't risk because you're too

2:08:05.600 --> 2:08:10.360
<v Speaker 5>nervous and you're too intimidated by the people that are there,

2:08:10.880 --> 2:08:13.920
<v Speaker 5>you'll never learn how to believe in yourself and risk

2:08:14.000 --> 2:08:16.760
<v Speaker 5>on screen. I think that's what it was when you

2:08:16.840 --> 2:08:20.680
<v Speaker 5>ask me about this Wolf Universe thing, is that I

2:08:20.720 --> 2:08:23.840
<v Speaker 5>found that when I worked with them, I was able

2:08:23.880 --> 2:08:25.560
<v Speaker 5>to test the temperature of my craft.

2:08:25.800 --> 2:08:28.360
<v Speaker 6>Yeah, it all came together.

2:08:28.840 --> 2:08:31.720
<v Speaker 5>For me in such a way that it really made

2:08:31.760 --> 2:08:32.880
<v Speaker 5>sense that I was an actor.

2:08:33.080 --> 2:08:33.320
<v Speaker 6>Yeah.

2:08:33.560 --> 2:08:36.760
<v Speaker 5>It gave me an environment to safely flourish where I'm

2:08:36.800 --> 2:08:39.960
<v Speaker 5>not worrying about any me too, craziness happening to me.

2:08:40.720 --> 2:08:45.200
<v Speaker 5>And you know, you're a young lady, You're aware that

2:08:45.520 --> 2:08:50.360
<v Speaker 5>you know there's crazy that's potentially out there, and they

2:08:50.400 --> 2:08:54.560
<v Speaker 5>create such an atmosphere of ethics integrity, all that stuff

2:08:55.080 --> 2:08:57.440
<v Speaker 5>that your creativity just starts.

2:08:57.640 --> 2:08:59.400
<v Speaker 6>Great, So I think that's what it is.

2:08:59.600 --> 2:09:03.080
<v Speaker 5>Connie Nielsen, I remember in that episode really having an

2:09:03.080 --> 2:09:04.400
<v Speaker 5>impression on me.

2:09:05.120 --> 2:09:07.040
<v Speaker 6>Such a presence. She had great presence.

2:09:07.960 --> 2:09:11.720
<v Speaker 5>She was this pinning me of femininity, gorgeous, and she

2:09:11.760 --> 2:09:16.240
<v Speaker 5>walks in and she reminds me of gal Gadou before

2:09:16.400 --> 2:09:18.960
<v Speaker 5>gal Gado. Yeah, that's what she reminds me of. So

2:09:19.000 --> 2:09:20.680
<v Speaker 5>I wasn't surprised that they paired them together.

2:09:21.480 --> 2:09:23.800
<v Speaker 4>Yeah, that's a tough episode for her character.

2:09:23.880 --> 2:09:26.840
<v Speaker 1>You know, she's really like considering whether she can even

2:09:26.840 --> 2:09:27.400
<v Speaker 1>do the job.

2:09:27.600 --> 2:09:28.680
<v Speaker 2>So it's interesting.

2:09:28.760 --> 2:09:29.720
<v Speaker 4>She's good.

2:09:29.760 --> 2:09:31.520
<v Speaker 1>She does a good job in that one. Interview went

2:09:31.560 --> 2:09:35.680
<v Speaker 1>really full circle. Yeah, it was beautiful, Marlene. This has

2:09:35.800 --> 2:09:38.720
<v Speaker 1>been so amazing. Thank you for taking the time to

2:09:38.840 --> 2:09:42.280
<v Speaker 1>talk to us. Yeah, thanks for being so open so much.

2:09:42.320 --> 2:09:44.920
<v Speaker 1>What a tree and showing us your cute kids and

2:09:44.960 --> 2:09:47.839
<v Speaker 1>the kids a podcast first for us.

2:09:47.720 --> 2:09:50.120
<v Speaker 4>And enjoy Alnia. You deserve it.

2:09:50.800 --> 2:09:53.640
<v Speaker 6>I will I will thank you lady, such an honor.

2:09:53.880 --> 2:09:57.880
<v Speaker 6>Ye Okay, bye.

2:10:00.120 --> 2:10:02.200
<v Speaker 4>She was so fun. I love her.

2:10:02.280 --> 2:10:05.160
<v Speaker 1>First time we've gotten to see babies on our podcast zooms.

2:10:05.200 --> 2:10:05.839
<v Speaker 2>I'm excited.

2:10:06.160 --> 2:10:09.560
<v Speaker 1>I know those little babies into our lives were so cute.

2:10:09.600 --> 2:10:13.120
<v Speaker 2>That was so fun and just like the journey of everyone.

2:10:13.360 --> 2:10:15.760
<v Speaker 2>And I don't know, cancer sucks.

2:10:15.880 --> 2:10:19.360
<v Speaker 4>What the fuck? Yeah fucked? And as you get older,

2:10:19.400 --> 2:10:21.320
<v Speaker 4>it's just like it's all around.

2:10:21.320 --> 2:10:21.720
<v Speaker 6>I don't know.

2:10:21.880 --> 2:10:24.920
<v Speaker 2>Yeah, people need to start like what are the scientists

2:10:25.040 --> 2:10:25.280
<v Speaker 2>up to?

2:10:26.960 --> 2:10:29.040
<v Speaker 4>What are those fucking scientists up to?

2:10:29.160 --> 2:10:34.120
<v Speaker 2>Its time, like get it together, cure cancer and you know,

2:10:34.400 --> 2:10:35.560
<v Speaker 2>invent teleportation.

2:10:35.920 --> 2:10:38.760
<v Speaker 4>I just don't know if that's too much to ask for.

2:10:38.760 --> 2:10:42.240
<v Speaker 2>Twenty twenty four, because I know the military has cool technology,

2:10:42.280 --> 2:10:44.160
<v Speaker 2>you know what I mean, like give us some of it,

2:10:44.720 --> 2:10:45.960
<v Speaker 2>yeah or not.

2:10:46.080 --> 2:10:47.720
<v Speaker 4>I don't know why I brought up the military.

2:10:48.200 --> 2:10:51.520
<v Speaker 1>Really crazy of me, But well, let's get into our postmortem.

2:10:52.320 --> 2:10:52.960
<v Speaker 4>I would say.

2:10:53.000 --> 2:10:56.160
<v Speaker 2>What I've learned is it doesn't matter how cute baby

2:10:56.200 --> 2:10:58.440
<v Speaker 2>el Fanning is. You don't bring her into the house.

2:10:58.520 --> 2:11:01.880
<v Speaker 2>She might start a fire. She will burn your house down.

2:11:02.080 --> 2:11:06.280
<v Speaker 1>Yes, absolutely, baby el Fanning no one to fuck with.

2:11:06.520 --> 2:11:09.760
<v Speaker 4>Do not do not fuck around with that little nug.

2:11:09.560 --> 2:11:11.560
<v Speaker 2>And it's not like this episode, but we talk about

2:11:11.600 --> 2:11:14.680
<v Speaker 2>it on this channel before. But like, you know, I

2:11:14.680 --> 2:11:17.879
<v Speaker 2>think adopting, fostering, doing all that is like very amazing.

2:11:17.920 --> 2:11:20.280
<v Speaker 2>But like these children might have problems and you have

2:11:20.320 --> 2:11:22.000
<v Speaker 2>to be equipped to it. You can't just chain them

2:11:22.000 --> 2:11:24.000
<v Speaker 2>in a cage. Yeah you know what I mean, Like, yes,

2:11:24.040 --> 2:11:27.240
<v Speaker 2>they're gonna have some trauma. They've been passed around, like

2:11:27.320 --> 2:11:29.760
<v Speaker 2>I just yeah, there's just more to it than like,

2:11:29.800 --> 2:11:31.240
<v Speaker 2>oh I'm gonna take this kid.

2:11:31.480 --> 2:11:33.080
<v Speaker 4>Yeah, they might start a fire.

2:11:33.320 --> 2:11:33.480
<v Speaker 5>Well.

2:11:33.520 --> 2:11:35.720
<v Speaker 1>Also, it's like it's like how we just talk about

2:11:35.760 --> 2:11:38.600
<v Speaker 1>however you become a parent. It shouldn't just be like

2:11:38.680 --> 2:11:42.240
<v Speaker 1>about you. It's not about you, yes, touche, however you

2:11:42.280 --> 2:11:44.840
<v Speaker 1>are becoming a parent in your life and being a parent.

2:11:44.880 --> 2:11:48.400
<v Speaker 1>It's just like, if there's anything I learned on the daily,

2:11:48.480 --> 2:11:51.600
<v Speaker 1>nothing is about me. It's always about these little kids

2:11:51.640 --> 2:11:52.440
<v Speaker 1>and how they're doing.

2:11:53.160 --> 2:11:57.040
<v Speaker 4>How are they doing? How are they doing? They're funny.

2:11:57.320 --> 2:12:00.680
<v Speaker 1>Rosy keeps posing like a model in the pictures and

2:12:00.720 --> 2:12:04.680
<v Speaker 1>going on fashion. I know, I posted one on their Instagram,

2:12:05.080 --> 2:12:06.760
<v Speaker 1>but like then she just did another one today where

2:12:06.760 --> 2:12:08.840
<v Speaker 1>they put my boots on this morning, and then she

2:12:09.000 --> 2:12:11.040
<v Speaker 1>just posed like with her stomach out and like her

2:12:11.040 --> 2:12:13.480
<v Speaker 1>hand on her hip and like a like a scowl,

2:12:13.520 --> 2:12:16.040
<v Speaker 1>And I was like, what's happening, Like, you know, she's

2:12:16.080 --> 2:12:18.400
<v Speaker 1>doing a theater camp this summer, like this could be it.

2:12:18.480 --> 2:12:21.680
<v Speaker 1>I might never see her again. Wait, where is she

2:12:21.720 --> 2:12:22.920
<v Speaker 1>going to theater camp?

2:12:23.840 --> 2:12:26.120
<v Speaker 2>I'll tell you. I read, I'll tell you about it.

2:12:26.200 --> 2:12:29.000
<v Speaker 2>This is so exciting. So last summer she's going to

2:12:29.040 --> 2:12:30.560
<v Speaker 2>be doing theater. It's three weeks.

2:12:30.640 --> 2:12:32.720
<v Speaker 1>She's doing a bunch of camps, but this one is

2:12:32.720 --> 2:12:34.920
<v Speaker 1>the longest, which is one of the reasons I chose

2:12:34.960 --> 2:12:37.160
<v Speaker 1>it because it's three full weeks and I don't have

2:12:37.200 --> 2:12:39.920
<v Speaker 1>to like every other week. You know, the way that

2:12:39.960 --> 2:12:41.960
<v Speaker 1>you do camp here in La, it's like fucking these

2:12:42.000 --> 2:12:44.880
<v Speaker 1>piecemeal camps. Is it just La or is it the future?

2:12:44.920 --> 2:12:47.000
<v Speaker 2>Because yeah, I just remember you went to camp, even

2:12:47.040 --> 2:12:48.480
<v Speaker 2>it was a day camp for eight weeks and you

2:12:48.640 --> 2:12:49.120
<v Speaker 2>that's it.

2:12:49.240 --> 2:12:52.800
<v Speaker 1>Like I don't remember these games. I know pre me

2:12:52.920 --> 2:12:55.480
<v Speaker 1>going to sleep away camp. I went to YMCA camps

2:12:55.520 --> 2:12:58.680
<v Speaker 1>like just in the summer and on spring breaks and stuff,

2:12:58.760 --> 2:13:00.520
<v Speaker 1>and it was not like hard to in. They were

2:13:00.560 --> 2:13:02.600
<v Speaker 1>just like the YMCA camps. And here it's just like

2:13:03.080 --> 2:13:05.000
<v Speaker 1>trying to get your kid into like good camps that

2:13:05.040 --> 2:13:07.320
<v Speaker 1>will be like enriching in the summer, because you know,

2:13:07.400 --> 2:13:09.960
<v Speaker 1>kids like the argument for year round school is that

2:13:10.040 --> 2:13:12.440
<v Speaker 1>kids need they lose a lot in the summer, so

2:13:12.480 --> 2:13:15.080
<v Speaker 1>you want them to be doing programs that are not

2:13:15.440 --> 2:13:18.920
<v Speaker 1>just like fucking around, I guess. But back to the

2:13:18.960 --> 2:13:22.560
<v Speaker 1>postmortem of this episode, I wanted to talk more about

2:13:22.560 --> 2:13:26.040
<v Speaker 1>summer camp. I know, I do tay sessions. I don't

2:13:26.040 --> 2:13:28.560
<v Speaker 1>actually really even know what else to say. I think

2:13:28.600 --> 2:13:31.000
<v Speaker 1>it's just like, you know, yeah, this is bad.

2:13:31.120 --> 2:13:34.280
<v Speaker 2>This is bad, like the government should not be giving children.

2:13:34.440 --> 2:13:36.720
<v Speaker 2>It's just like the people that want to adopt children

2:13:36.840 --> 2:13:40.120
<v Speaker 2>that are so ready and want it so bad it's

2:13:40.280 --> 2:13:44.160
<v Speaker 2>a forever expensive, wild nightmare. And then for some reason,

2:13:44.920 --> 2:13:47.880
<v Speaker 2>who is this Margot Martindale gets to fucking shame them up.

2:13:47.960 --> 2:13:50.680
<v Speaker 1>But also like in terms of the real story of

2:13:50.800 --> 2:13:52.880
<v Speaker 1>the mom who was at the end of her rope,

2:13:52.880 --> 2:13:56.080
<v Speaker 1>which is why she took her daughter to this fucking quack, Like,

2:13:56.360 --> 2:13:59.520
<v Speaker 1>I think that there needs to be more resources for

2:13:59.600 --> 2:14:02.560
<v Speaker 1>like men health in general, because you know, I wish

2:14:02.640 --> 2:14:04.560
<v Speaker 1>that this woman had had somewhere else to turn that

2:14:04.720 --> 2:14:07.640
<v Speaker 1>was not a rebirthing class in the middle of fucking

2:14:07.720 --> 2:14:09.480
<v Speaker 1>rural Colorado or whatever.

2:14:09.680 --> 2:14:12.960
<v Speaker 2>And yeah, make sure people are qualified and what they're

2:14:13.000 --> 2:14:16.000
<v Speaker 2>saying they're doing. I yeah, sometimes we get to the

2:14:16.000 --> 2:14:18.800
<v Speaker 2>post mortem and I forget about the real crime because

2:14:18.800 --> 2:14:20.600
<v Speaker 2>I want it out of my brain, and then it

2:14:20.680 --> 2:14:24.720
<v Speaker 2>settles back in and I remember the darkness.

2:14:24.400 --> 2:14:26.400
<v Speaker 1>And no, it's there for the rest of the day.

2:14:26.720 --> 2:14:31.720
<v Speaker 1>It's fun, the darkness we truly live in. Well, we

2:14:31.720 --> 2:14:33.880
<v Speaker 1>can make this one short. This is a jumbo episode,

2:14:33.920 --> 2:14:35.839
<v Speaker 1>I would say, because we had so much fun with Marlene.

2:14:35.840 --> 2:14:38.440
<v Speaker 1>But let's get into what would mister Peg do our

2:14:38.480 --> 2:14:41.960
<v Speaker 1>weekly segment where we direct you guys to an organization,

2:14:42.440 --> 2:14:45.240
<v Speaker 1>a blog post, an article, a website, something to give

2:14:45.280 --> 2:14:47.840
<v Speaker 1>you more info about what we talked about today. And

2:14:48.920 --> 2:14:52.640
<v Speaker 1>I found this website called Childreninthapy dot org and it's

2:14:52.680 --> 2:14:55.680
<v Speaker 1>also known as Advocates for Children in Therapy or ACT.

2:14:56.080 --> 2:14:59.720
<v Speaker 1>ACT is a nonprofit concerned with the methods used in

2:14:59.760 --> 2:15:02.320
<v Speaker 1>the tr even of children's mental health. And they had

2:15:02.360 --> 2:15:05.360
<v Speaker 1>a lot of information about attachment therapy and things we

2:15:05.400 --> 2:15:08.240
<v Speaker 1>talked about in today's episode. And they obviously are not

2:15:08.360 --> 2:15:10.880
<v Speaker 1>for it, and they advocate for humane, non violent, and

2:15:11.240 --> 2:15:15.800
<v Speaker 1>scientifically validated treatments and they work to raise public awareness

2:15:15.800 --> 2:15:19.960
<v Speaker 1>on this topic, oppose governmental support and subsidies towards unvalidated practices,

2:15:20.480 --> 2:15:24.080
<v Speaker 1>and alert professional organizations to inappropriate promotion of these practices.

2:15:24.320 --> 2:15:27.760
<v Speaker 1>So seemed like a cool organization, and they also had

2:15:27.800 --> 2:15:30.160
<v Speaker 1>a lot of links just to different stuff that I

2:15:30.160 --> 2:15:34.040
<v Speaker 1>found really interesting. So they note on their website that

2:15:34.080 --> 2:15:36.040
<v Speaker 1>there is a lot of information about attachment therapy, but

2:15:36.160 --> 2:15:38.600
<v Speaker 1>they are not doctors, so you can proceed at your

2:15:38.640 --> 2:15:40.480
<v Speaker 1>own risk checking out this site. I just thought they

2:15:40.520 --> 2:15:44.000
<v Speaker 1>had a lot of interesting information on there. And yeah,

2:15:44.040 --> 2:15:46.120
<v Speaker 1>as always, this will be posted in our stories the

2:15:46.160 --> 2:15:48.520
<v Speaker 1>day the episode comes out and will be saved forever

2:15:48.560 --> 2:15:51.960
<v Speaker 1>in our WWSPD highlight on our Instagram, which is that

2:15:52.080 --> 2:15:54.560
<v Speaker 1>smussed up pod. Go and follow us if you haven't

2:15:54.560 --> 2:15:57.720
<v Speaker 1>given us a little follow, We're on there. We're talking

2:15:57.720 --> 2:15:59.919
<v Speaker 1>to you in the DMS. We're posting bunshit.

2:16:00.160 --> 2:16:03.240
<v Speaker 2>Yeah you know, rate review, subscribe, give us a follow,

2:16:03.360 --> 2:16:07.440
<v Speaker 2>and next week we will be doing Perverted Justice Season sixteen,

2:16:07.600 --> 2:16:08.880
<v Speaker 2>episode twenty one.

2:16:09.480 --> 2:16:12.600
<v Speaker 4>See you there, baby? What it b square? Mean?

2:16:13.200 --> 2:16:13.280
<v Speaker 5>Like?

2:16:13.640 --> 2:16:15.680
<v Speaker 4>Squares are fine? Wait? What do you mean?

2:16:15.720 --> 2:16:16.360
<v Speaker 5>You know? Be there?

2:16:16.560 --> 2:16:18.200
<v Speaker 4>Be square? What does that matter?

2:16:18.480 --> 2:16:18.560
<v Speaker 5>No?

2:16:18.800 --> 2:16:21.480
<v Speaker 1>Being a square was bad in like the fifties and

2:16:21.560 --> 2:16:24.720
<v Speaker 1>meant being a nerd, right, But like we're such a square?

2:16:25.400 --> 2:16:25.600
<v Speaker 5>Yeah?

2:16:25.640 --> 2:16:26.240
<v Speaker 4>What is that?

2:16:26.440 --> 2:16:29.840
<v Speaker 1>I don't know, rigid even on all sides, I don't know.

2:16:30.720 --> 2:16:32.160
<v Speaker 1>See you guys next week.

2:16:41.080 --> 2:16:43.280
<v Speaker 2>That's Messed Up as an Exactly Right production.

2:16:43.680 --> 2:16:45.760
<v Speaker 1>If you have compliments you'd like to give us or

2:16:45.840 --> 2:16:48.080
<v Speaker 1>episodes you'd like us to cover, shoot us an email

2:16:48.120 --> 2:16:50.840
<v Speaker 1>it That's Messed uppod at gmail dot com.

2:16:51.040 --> 2:16:54.199
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod

2:16:54.440 --> 2:16:57.320
<v Speaker 2>and on Twitter at messed Up Pod, and follow us

2:16:57.360 --> 2:17:00.480
<v Speaker 2>personally at kraklank and at glitterch Please.

2:17:00.680 --> 2:17:03.360
<v Speaker 1>As always, please see our show notes for sources and

2:17:03.400 --> 2:17:04.080
<v Speaker 1>more information.

2:17:04.480 --> 2:17:07.240
<v Speaker 2>Thank you so much to our producer Casey O'Brien and

2:17:07.280 --> 2:17:10.080
<v Speaker 2>our associate producer Christina Chamberlain, and to.

2:17:10.080 --> 2:17:13.240
<v Speaker 1>Our mixer John Bradley and our guest booker Patrick Cottner,

2:17:13.400 --> 2:17:16.120
<v Speaker 1>and to Henry Koperski for our theme song, and Carly

2:17:16.200 --> 2:17:19.320
<v Speaker 1>Geen Andrews for our artwork. Thank you to our executive

2:17:19.360 --> 2:17:23.560
<v Speaker 1>producers Georgia Hardstart, Karen Kilgarriff, Danielle Kramer, and everybody at

2:17:23.560 --> 2:17:24.480
<v Speaker 1>Exactly Right Media.

2:17:25.879 --> 2:17:26.800
<v Speaker 4>Dun dun